The Tim Ferriss Show - #360: Caterina Fake — The Outsider Who Built Giants
Episode Date: February 14, 2019"I really am a big believer in people's creativity flourishing when they come at things from a different direction and see things in a different way." — Caterina FakeCaterina Fake (@caterin...a) is a long-time Silicon Valley pioneer. She is the Cofounder of Yes VC, a pre-seed and seed stage fund investing in ideas that elevate our collective humanity. Previously, she worked at Founder Collective as a Founder Partner, served as Chair of Etsy, and was the co-founder of Flickr.At Flickr, Caterina and her team introduced many of the innovations — newsfeeds, hashtags, "followers," "likes" — that have become commonplace online. Caterina went on to found several more startups (Findery, Hunch) and became an active investor, advisor and board member, helping to build companies like Etsy and Kickstarter from their beginnings. (Other investments include Stack Overflow, Cloudera, and Blue Bottle Coffee.) Caterina is an early creator of online communities and a long time advocate of the responsibility of entrepreneurs for the outcomes of their technologies.Caterina sits on the board of Public Goods, the Sundance Institute, and McSweeney's. She was given the Silicon Valley Visionaries award in 2018 and has received honorary doctorates from both the New School and the Rhode Island School of Design (RISD).Caterina is also the host of the new podcast Should This Exist?, which asks the question, "What is technology doing to our humanity?" Should This Exist? can be listened to on Apple Podcasts, at shouldthisexist.com or anywhere podcasts are found.Please enjoy!Click here for the show notes for this episode.This podcast is brought to you by Athletic Greens. I get asked all the time, “If you could only use one supplement, what would it be?” My answer is, inevitably, Athletic Greens. It is my all-in-one nutritional insurance. I recommended it in The 4-Hour Body and did not get paid to do so. As a listener of The Tim Ferriss Show, you’ll get a free 20-count travel pack (valued at $79) with your first order at athleticgreens.com/tim.This podcast is also brought to you by Uber. Uber makes getting around town easier than ever before, and now Uber is introducing Uber Rewards, a new rewards program that helps keep modern life going. With Uber Rewards, you can earn points on Rides and Uber Eats and unlock rewards such as Uber Cash for your next Uber ride or your next Uber Eats order. You can unlock new benefits at every membership level, such as flexible cancellations with Gold, price protection with Platinum, complimentary surprise upgrades with Diamond, and more. For terms and to learn more about all the ways you can earn Uber Rewards, go to Uber.com/Rewards.***If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. I also love reading the reviews!For show notes and past guests, please visit tim.blog/podcast.Sign up for Tim’s email newsletter (“5-Bullet Friday”) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Interested in sponsoring the podcast? Please fill out the form at tim.blog/sponsor.Discover Tim’s books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissFacebook: facebook.com/timferriss YouTube: youtube.com/timferrissPast guests on The Tim Ferriss Show include Jerry Seinfeld, Hugh Jackman, Dr. Jane Goodall, LeBron James, Kevin Hart, Doris Kearns Goodwin, Jamie Foxx, Matthew McConaughey, Esther Perel, Elizabeth Gilbert, Terry Crews, Sia, Yuval Noah Harari, Malcolm Gladwell, Madeleine Albright, Cheryl Strayed, Jim Collins, Mary Karr, Maria Popova, Sam Harris, Michael Phelps, Bob Iger, Edward Norton, Arnold Schwarzenegger, Neil Strauss, Ken Burns, Maria Sharapova, Marc Andreessen, Neil Gaiman, Neil de Grasse Tyson, Jocko Willink, Daniel Ek, Kelly Slater, Dr. Peter Attia, Seth Godin, Howard Marks, Dr. Brené Brown, Eric Schmidt, Michael Lewis, Joe Gebbia, Michael Pollan, Dr. Jordan Peterson, Vince Vaughn, Brian Koppelman, Ramit Sethi, Dax Shepard, Tony Robbins, Jim Dethmer, Dan Harris, Ray Dalio, Naval Ravikant, Vitalik Buterin, Elizabeth Lesser, Amanda Palmer, Katie Haun, Sir Richard Branson, Chuck Palahniuk, Arianna Huffington, Reid Hoffman, Bill Burr, Whitney Cummings, Rick Rubin, Dr. Vivek Murthy, Darren Aronofsky, and many more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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At this altitude, I can run flat out for a half mile before my hands start shaking.
Can I ask you a personal question?
Now would have seemed an appropriate time.
What if I did the opposite?
I'm a cybernetic organism, living tissue over a metal endoskeleton.
The Tim Ferriss Show.
This episode of the Tim Ferriss Show is brought to you by Athletic Greens. I get asked all the
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Greens. I view it as, and a lot of you now view it as, all-in-one nutritional insurance.
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Uber makes getting around town and the world, for that matter, easier than ever before. And now Uber is introducing Uber Rewards, a new rewards program that helps keep modern life going.
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Chances are you're already using Uber, so you might as well opt into this and get more out of
it. And if you're not, these are all the more reason to install, download, and try it today. Hello, boys and girls, this is Tim Ferriss,
and welcome to another episode of The Tim Ferriss Show, where it is my job to interview
and attempt to deconstruct world-class performers from all different fields,
ranging from business to military, chess to sports, everything in between. And today,
my guest is Katerina Fake,, at Katarina. That's like
catering minus the G plus an A, at Katarina on Twitter. Katarina Fake is a longtime Silicon
Valley pioneer. She's the co-founder of Yes VC, a pre-seed and seed stage fund investing in ideas
that elevate our collective humanity. And we'll talk about what that means. Previously, she worked
at Founder Collective as a founder partner, served as chair of Etsy, and was the co-founder of Flickr. At Flickr, Katerina and
her team introduced many of the innovations, news feeds, hashtags, followers, likes, and so on,
that have become commonplace online. Katerina went on to found several more startups,
Findery, Hunch, and become an active investor, advisor, and board member,
helping to build companies like Etsy and Kickstarter from their very beginnings.
Other investments include Cloudera, Stack Overflow, and Blue Bottle Coffee, among many others.
Katarina is an early creator of online communities and a longtime advocate for the responsibility of entrepreneurs for the outcomes of their technologies.
Katarina sits on the board of Public Goods, the Sundance Institute,
and McSweeney's. She was given the Silicon Valley Visionaries Award in 2018 and has received two
honorary doctorates, one from the New School and the other from RISD. She's also the host of the
brand new podcast, Should This Exist?, which asks the question, what is technology doing to our
humanity? Should This Exist? can be found on Apple Podcasts, wherever podcasts are found, or at shouldthisexist.com. Katarina, welcome to the show.
I'm super excited to be here, Tim.
And you've been long requested as a guest on the show, and I am really so thrilled to
finally have a chance to spend some time together, because I feel like it's been many, many years
in the making.
It has.
I remember actually when you first moved out to San Francisco and you and I had some kind of conversation or email exchange very early on.
We did.
Indeed.
And I remember I was so impressed with, at one point, one of your responses because I asked if you would, I think, be a panelist or
speaker at some conference, might have been South by Southwest, could have been another,
and you said, I'm taking a year break from conferences. And I was so impressed by the
categorical decision to not do any speaking engagements that I made a mental note of that.
And there's so many places we could start. But in the process of doing homework
for this, I found mention, and I wanted to do a fact check on this, of you having plane tickets
automatically canceled and other issues related to your last name. Is that accurate? Did those
things actually happen? This has happened to me many times, in fact,
and I discovered that it was actually the systems at KLM and Northwest that would throw my ticket
out, my last name being fake. And I have missed flights and have spent way too many hours with customer service trying to fix this problem.
And just so it's the other thing, too. Here's another thing, too, is that I was unable for
the first two years of Facebook to make an account there. Oh, so and and probably all of my relatives.
So do you now do you do you use a workaround now to prevent these types of problems?
Or has it just been resolved at this point?
It has been resolved by my not taking those airlines anymore.
I'm serious.
I actually will see a flight on KLM or Northwest and will not take it.
I'm not even sure if those airlines are around anymore.
I think I'm not up to speed on the airlines. It's like magazines and airlines, which go out of business faster. But despite these travel challenges, you somehow managed to land
in Silicon Valley. And we were chatting before we started recording about your I think the term was stochastic path and eclectic background that
you have. But could you describe for people how you ended up in Silicon Valley? Did you do
Stanford MBA and study computer science before that? And it was the objective all along? How
did it come to be? That's actually not my path, the Stanford MBA. However, what happened was I was living in New
York and had spent the summer in Arkansas rock climbing and was big into rock climbing and had
hooked up with a group of people there. And we were on our way to Nepal to do a big climb.
And so I showed up at my sister's apartment in San Francisco. She had moved there first. I'm
from the East Coast originally. And I had my ice pick and my crampons and my backpack full of gear
and was planning on doing a big climb in the Himalayas. So she, being my older sister,
put me up for a couple weeks in her house and I
was visiting her on the way out to Asia. But what happened was my trip was delayed because
one of our kind of head climbers had become injured. And then the trip was delayed and
delayed. And then finally it was avalanche season and it was no longer possible for us to do the trek through the Himalayas. And so I ended up staying in my sister's spare bedroom.
At the time, San Francisco was cheap enough that people had spare bedrooms.
And so I just stayed. And my delightful sister, who I love dearly and has always taken care of me throughout my life,
her little sister shows up and six months into my stay there, she suggests to me,
hey, Katerina, you might want to think about getting a job.
So this being 1994, the most interesting thing that was going on at the time
in san francisco was the internet and so i got started then as a web designer
and did you have a design background at that point let's flash back six months. So, you're landing in San Francisco en route to this
climbing expedition. At that point in time, what did you think you were going to do when you grew
up, so to speak, or over the following five to 10 years? Did you have an idea of where you thought
you were going prior to the internet entering the picture?
Oh, yeah. I mean, my background is in art and literature mostly.
And from the age of, I would say, probably about 10 or 11,
I had decided that I was going to be an artist and a writer.
And I had studied.
I'd actually gone.
It was an art school dropout.
I graduated from Vassar with a degree in English literature.
And I had applied to grad school at
Berkeley before this whole internet thing happened and was planning on getting a PhD
in Renaissance literature. That was really my true love. I've always loved poetry.
And the internet, which I've always had an interest in, had had a computer and had been hacking around with it since I was young, was another alternate
path that I took. So I had actually, you know, I had been very interested and had there were a
bunch of professors that I went and interviewed with at Berkeley. Renaissance literature was my
great love. Do you think that your background, which is in some respects very, I suppose, atypical for someone who ends up in tech, do you feel that, say, literature has provided you with some type of advantage or context or perspective or other aspects of your background that ended up
really assisting you with the both operating in the tech world and investing in the tech world?
Do you feel like those things have been in any way an advantage?
I really think that people come from outside of the industry have a superpower that people who have lived within the industry their
whole lives or have spent all of their time in that mindset, it does give you a superpower. It
does give you an ability outside of to be able to see things in a different way. And if you look at
all of the companies that I've been involved with and the investments that I've made, they are companies that emphasize creativity, communication, connection, collaboration, and community.
And a lot of that comes from this background in humanities that I have. I really am a big believer in people's creativity flourishing when they come at things
from a different direction and see things in a different way. And in many ways, I've always
encouraged entrepreneurs and investors and people who are interested in entering technology to come
at it from a different field and really emphasize those parts of themselves that are different from the mainstream
expectation of who you're supposed to be and what you're supposed to know, where you're supposed to
go to school, coming from a different direction is almost always an advantage.
And coming from the interrupted climbing expedition, as you did, six months or so after landing in San Francisco, then being encouraged very, sounds like very gently and understandingly by your sister to go consider getting a job.
What did the subsequent 12 months or so look like for you
when you stepped into that world? This was a very early stage in the internet,
and there were no manuals or guides or blog posts or anything like that to help you shape your
approach to the industry. And so you had to make it up yourself. It was a very small community of
people that were interested in the web at that time. They were all centered down in South Park,
which we at that time called Multimedia Gulch, which is kind of a funny terminology.
It was very early stages. And so I had to teach myself HTML.
I had to figure out how to design for the internet.
And it was a very experimental DIY self-education at the time, getting involved in that at that very early stage. It was such a small community that I just happened to be
really lucky that my friend's roommate actually worked at one of the very first web companies
and was able to teach me HTML. And where did and when did Flickr sort of enter the scene or the embryonic stages of Flickr?
When did that come onto the radar?
Well, that happened.
It's interesting because we were actually in the process of building something different when Flickr came about. We, everybody calls it pivoting these days, but it was a pivot and came out of an unsuccessful
game.
It was also built during the lull after the dot-com boom.
There was the dot-com bust in 2000, 2001, 2002 is when it was when things were actually
looking very bad for technology and technology businesses and
startups and the ability to get funding. We were unable to get funding for the game that we were
working on. And so Flickr was a kind of a Hail Mary that we were able to turn into a very successful business and then led into the whole web 2.0 era, social
media as we know it now.
Although when we conceived of it, it was not social media.
It was an online community.
And if we look at Flickr as a successful Hail Mary, and we survey the landscape of Hail Marys in the entrepreneurial
world, a lot of them don't work out. And a lot of these Hail Marys don't work out. These sort of
kind of death knell, last gasps for breath as funding is running out. Often, those do not work
out, but some do. And there are some examples of these pivots, whether it's Twitter or Flickr or others that did work out.
Can you discern what perhaps the ingredients were that made it a successful pivot slash Hail Mary?
Is there a particular way you guys thought about it?
Anything at all that you might attribute the success to?
You know, it's funny because there's a conversation I once had with another investor who said that there's some entrepreneurs that are just so bullheaded and stubborn and they won't quit, that companies really go out of business when the founder just quits,
when they stop, when they're like, I can't take it anymore.
And when I was kind of in the valley, I saw several examples of this.
I was dating Ev Williams, the Twitter founder at the time. And it was an amazing thing to see, actually, because Ev had completely run out of cash. You know, this is the story of startups everywhere. It's a race against the bank account, really. And had nothing left when he was starting Blogger, but he just kept on going. It was a miracle. It was amazing to watch. His company was eventually acquired. Blogger was eventually acquired by Google. Google went public. He then had more cash, was able to start the obvious corp, which then incubated Twitter.
And having seen that, right, firsthand, close up, that kind of willful determination,
I see that again and again. And when you see things like the pivot that we went through,
I mean, we were a little bit living on, you know, cup noodles and not getting paid. And the only guy that was getting paid was
the guy who had three kids on our team. And we were, I mean, you talk about fumes, we were really
driving on fumes. And then a miracle happened. What happened was we had submitted an application to the Canadian government.
Flickr was started in Vancouver, Canada.
And we had been rejected, actually, for this funding for our startup, Game Never Ending.
And we had apparently checked a little box that said resubmit next year because what happened was we were truly going out of business.
I think we had taken money from our friends and family and all of that money had been spent.
And I remember this.
It was December 23rd.
It was two days before Christmas.
A letter arrived saying, congratulations, we're giving you this
grant, the startup grant. And it came out of nowhere, really. I mean, we didn't have enough
money. We had like maybe a month or two left to pay our front end engineer. And that was it. And
so this came out of nowhere. And that was what enabled Flickr to get off the ground.
That's so wild.
Yeah, it was, you know, and we were, I mean, it was a super scrappy operation.
This is days before like AWS and we just didn't have a lot of cash.
And literally the servers were in a co-location center. And we literally had the phone number of the woman who worked down on customs who would call us up and say, hey, your new server has arrived from Austin, Texas.
Dell has sent you the new server.
We would rush down there, plug in our new server at the co-location center and load up the software and keep going it was just it was a
super sketchy uh foundation on which all of this stuff was built
now see there's there's certainly some uh some luck involved uh with the checking of this box. But there were, I would imagine,
also some good and probably some bad decisions that were made,
but probably some good decisions that were made
that in retrospect contributed to what Flickr then became.
I was wondering if maybe we could explore one
that I have just here under the sort of exploratory bullets, which talks about you and I think it's George Oates spending 24 hours a day, seven days a week, greeting every single person who came to the site.
Is that true? Is that something you guys did, sort of manually
greeting everyone who came to the site in an effort to build community? Or what was the
rationale behind that, if that's true? Yeah, I mean, I think that's to some degree true.
I remember I looked back in the first three months of Flickr, the team each had
posted something like 50 posts a day in the forums on people's photographs and had really been very
strong participants in the community as it was being built. And I really am a big believer in
this. I actually wrote an article for Wired at one time talking about how, if you read the Bible, there's, you know, Abraham begat,
you know, so-and-so begat so-and-so begat so-and-so, and it goes on for pages and pages.
And I really do believe that the entrepreneur is the Abraham of the company, and so therefore is
dictating what the practices are of the
community, how everybody behaves, how people respond to other people's photos. All of those
things, I think, are basically how communities are built. And staying involved and being involved
and having that conversation and being live in that conversation all the time is a really important part of building an online community.
And all of this went off the rails a bit when online community was renamed and repackaged as social media,
because then it became a media platform in which people's attention could be sold.
And as we later discovered, people's data could be harvested and also sold. And that's a very different way of building something than building a community from the why it was such a strong community and how even after the Yahoo acquisition and many years later, continued to be a very strong community and a model of community online.
It also strikes me how many companies that later become very or viewed as very large like airbnb in the in the
beginning i mean this also reminds me of this whether it's you know brian or or joe gebbia who
i i know better talk about the early days of airbnb it was highly, highly manual. And they would do things that didn't scale very deliberately
until they had to create a system for it. But in the beginning, it was really, really high touch
to build that community in the very early days. And it seems to be something that is sometimes
missed by entrepreneurs who start something and beginning on day one want to scale
it to a million users or 10 million users or however many million users. Are there any other
decisions or behaviors, best practices that you had in those early days that you think were
critically important? Or mistakes, either one?
Yeah, I mean, it's hard to say.
I mean, it's funny because when you look back at something that has been successful, I think there's a tendency among entrepreneurs to attribute it to some action that they took.
Sure.
And one of the things you mentioned earlier, which I think is actually very important, is that we were extraordinarily lucky.
We had invented this at exactly the right time.
And what had happened was all of these things were converging at the same time.
Friendster had come out and had gotten people accustomed to the idea of having a profile of themselves online.
And more than half of the households in America had broadband for the first time. More than half of the phones were being shipped with a camera on them. It was just an unstoppable juggernaut
because of the time in which it was invented, right? And part of that was being smart and
addressing that market. But a lot of it was
also, I think we are extremely lucky and well positioned to be taking advantage of all of these
flows of information. And Bill Gross, who started Idea Lab and has been the progenitor of, I don't
know, 500 companies, many, many companies, he looked at the success of what, you know, those
businesses, you know, many of them succeeded, many of them failed, and tried to figure out what it was about the companies that succeeded that helped them to succeed.
And he looked at the team, execution, the financing, the market they were addressing, the timing, all of the things that potentially contribute to a startup's success. And what he discovered was that more than anything, timing, timing was the thing that made this company successful.
And I think that if this had happened 10 years before or 10 years after, even five years before or five years after,
it wouldn't have had the same momentum as it does now.
And I look at this as an investor now with Yes VC, my investment firm,
and we're always looking for companies that have timed it just right, that have found a parade
and gotten in front of it, that are part of a movement. Because when you have that kind of
movement behind you,
there's some kind of cultural change that's happening.
There's something that people believe very strongly in.
There's a change that society wants.
It makes it so much easier to get ahead.
People are more inclined to want the product or the service.
They're more inclined to talk about it.
It's already in a flow that's moving forward. How do you, actually, maybe we can look at this
in a specific example. So let's take, and this may not be an example of this, but it could be.
If we look at Kickstarter, so you were the first investor in Kickstarter?
Or one of the first?
One of the first.
And I actually invested in it
when it was still a PowerPoint deck.
Right.
It was not built yet.
And Perry and Yancey,
and it was actually brought to me by Sonny Bates,
who I think remains on the board now.
It was so clear that that had to happen.
And it was something that you sort of felt in the culture,
something that you felt around conversations that were happening online. And this was a possibility that needed to bear fruit.
It was very clear. And I think a lot of the things, if you look at, for example, Etsy, Etsy was at the forefront of the DIY handmade movement. It was a kind of a rebellion against big box retail and a return to the marketplace,
which has always been a very person-to-person, community-oriented place.
I've traveled in, for example, I traveled in Syria and went to those souks,
the big marketplaces in Aleppo, which have now been destroyed, tragically.
And all of the, that was kind of one of the most ancient marketplaces in the world. People would,
it was like a caravansary. People would bring their camels and, you know, kind of in medieval
times and form a market there. And you could see that that was the genesis of, you talk about the genesis of Airbnb or Flickr or all those other companies.
The genesis of markets was really sitting down, having a cup of tea and negotiating for your rug.
And Etsy had that, right?
Etsy had that and Kickstarter had that. And there were these very kind of person to person experiences that were manifested in places like Etsy and Kickstarter and Flickr and a lot of these
products at the very outset. And I think that that's another thing that happened at the very
beginning of Airbnb. It was very much about people coming together in a very essential and human way.
And that was what set those companies on such a strong foundation.
And what did you see that other people didn't see? Or what enabled you to see what you saw that got you to yes with, say, Kickstarter, or Etsy, or other examples that might come to mind?
Because a lot of these companies that are name brand now faced a lot of rejection
and a lot of no's and people didn't get it, even including people that most folks would consider
quite smart. It's true for Airbnb, Uber was turned down by hundreds of people on AngelList when it went out. And what did you see that other people
missed? Or did you have, that could be in the companies themselves or in the founders or
anything else, but what did you see that got you to yes? Because I'm sorry to interrupt myself and you,
but because a lot of founders will come in
and a very high percentage will claim
that they've found that parade, right?
That they're in front of these three converging trends
that are inevitably going to sweep the world.
So how do you end up betting on the right horses?
Like we were saying earlier, my difference helped me.
I'm also a woman in a male-dominated industry.
I'm a mom.
There's many things about me that are non-typical. And when I was, when I first saw Etsy, it was this beautiful thing. And I actually took it to Reid Hoffman, who had invested in my first company, Flickr, and a bunch of other people in the Valley. And they kind of lifted their eyebrows and said, Okay, so let me get this straight. This is a bunch of women, mostly knitting sweaters and selling it to each other. And I said, exactly.
Don't you see the opportunity here? And I think coming from this humanities background,
where I had spent a lot of time studying culture and society and people, and what was happening
around me and human interactions and how the culture was changing gave me a special view into that world that was missing, that somehow other people weren't seeing, that was non-typical, was outside of the pattern recognition of Silicon Valley. And a lot of the investments that I have made have fallen
outside of the typical pattern recognition that everybody takes advantage of in order to spot
success. And I think I've always had that. My partners at Founder Collective used to tell me
this all the time.
I would bring in deals. They say, your deals don't look like anybody else's deals.
Your deals look very different. The people that you're backing, the people that you consider as
potential entrepreneurs fall far outside of what is typically understood in the Valley as a typical
investment. And they've, they said this to me kind of over and over again, like, wow, where did you
find these folks? And most of the time they found me. And I think part of the reason that we started
Yes VC, and we wanted to start a brand new firm, was because we saw that there was a sea change happening in
technology and that people that were non-typical people that didn't fit this the typical pattern
of an of an entrepreneur as defined by the valley culture were now liberated from a lot of prejudices
that they've been working against before and if there had been an investor in 2004 when I was raising money for Flickr that looked like me,
I would have gone straight to her, but there just weren't that many. And so I think things
have changed a lot. And non-typical investors, people from outside of the valley, people that are in different regions, people of color, women, I think there's so much more find people who understood those business models, those founders, and their orientation.
Let's talk about Atypical and you as Atypical investor for a second because this is part of the reason I was so excited to talk. And I'd love to chat about
a bit more about a few things you mentioned. So you mentioned your familiarity with culture,
society, people, and then whatever it was, five or 10 minutes ago, we talked a little bit about
timing. And so the question that jumped to my mind, and this is going to be a bit of a long
question, so bear with me, was how could someone who wants to cultivate that type of awareness
go about developing a better perspective or a different lens on cultural society, people,
and changes that end up getting in some ways represented by these fantastic opportunities
like Kickstarter or Etsy. I've read in doing homework for this interview that you've recommended
for entrepreneurs books like The Innovator's Dilemma. But I also read on your site,
katarina.net, a paragraph. I think you'll recognize this, this is from 2018, but a comment
on Stuart Brand's work. And I'll just read this because it's pretty short. So through Stuart
Brand's work, beginning with How Buildings Learn, one of my favorite books in parentheses, and his
work with the Long Now Foundation, I learned to look at time differently and technology differently
and to think about how time is cooked into everything we do today, especially as regards to the ephemeral nature of all the
time spent on computers and in online media. So I'm curious if, say, How Buildings Learn or
Stuart Brand's work would be something that you would recommend to people who are coming out of
more of the sort of CS or prototypical Silicon Valley background, if they wanted to
develop some of the perspective that you have, are there any resources or books or ways that
you would suggest people explore? I love that you brought this up, Tim, because part of the reason
I was super excited to talk to you about this is because
I think you and I share an obsession with time. And your books are The 4-Hour Workweek,
The 4-Hour Body, all of these things having to do with time, managing your time, thinking about
time. And when you really look at it, you know, kind of from the 35,000 foot view,
time is all we've got. And I have been a time, time management is possibly the thing that I've
done most in my life in terms of generating the kind of life that I have wanted to lead. And that comes from, I mean, it went way
back, back to when I was young, and I was actually forbidden by the dean at my school from taking any
classes before noon, because I'm just one of those people, I work really well at night, I'm a night
owl. And I could not make it to my classes in the morning.
I actually failed a photography class because it was at 8 a.m.
There's just no way.
I couldn't do it.
And I honestly believe that one of the reasons I'm an entrepreneur and that I have always worked for myself is so that I can manage my own time.
And I have always thought that the highest quality of living,
the highest standard of living really comes from being the master of your own time,
deciding where you want to go in the morning, what you want to do, and that that is so important.
And knowing that when you have the energy to put into your work, you can do that,
whether or not it happens at 8am or if it happens at 10pm.
And I actually gave an interview with Businessweek once about my peculiar schedule,
in that I wake up in the middle of the night between two and five in the morning, and I do
three hours of work. I don't turn on the computer. I write everything on paper. I do my best thinking and writing and ideation during
those hours in the middle of the night, and then I go back to sleep and get up and carry on with
my day. But without that, that kind of pocket of time where I'm uninterrupted, I'm offline, I'm free and liberated in a way that you just don't get
during the workday. It's a magical time. I have so many questions. This is great.
This is great. So I was going to ask you about this waking up between 2 and 5 a.m.
I didn't realize that you went back to sleep. So this,
I've been reading up, I'll explain why maybe another time, but on the history of lucid dreaming.
And it appears that biphasic sleeping, where people would kind of wake up and have a first sleep, wake up and then go back to bed at various points in history has been quite common. It's not
something that I've done a whole lot of, but could you give us an example of what you might work on
on paper in those three hours? So you wake up at some point between 2 and 5 a.m.
Specifically, what do you then do? Is it something that you've already planted at the top of a piece of paper as a prompt, and you know, you're going to work on a specific
problem? Is it like longhand stream of consciousness? What do you do during those
handful of hours? I have done, it really depends. Sometimes I wake up and I, I,
I've always written books. So I've been working on a
book now for the past three months, a new book. I write sometimes poetry. I sometimes just open up
my journal and start writing. I can be working on a big problem, the five-year plan for my startup or something like that.
Any kind of big picture thinking, any kind of thinking that involves creativity, intuition, all of that, the kind of the right brain and not the left brain.
And I've studied all of these people. I come across these
articles. There was an article that was recently sent to me that was about this, I actually forget
his name, but he was an AI guru. I think he's from Cambridge. And the thing that I did not manage to
read the whole article because I got stuck on the very first half where it described how this Cambridge AI genius woke up and he didn't communicate with anybody
until noon and that he managed to have a relationship with his family and they had
developed a language of grunts and smiles so that so that he didn't have to his thoughts didn't get interrupted and then when
he finally went to work around noon he had one meeting and i was like oh my god this is a master
of time management and preserving that flow state in your head and preserving the ability of yourself to think and wonder and ideate
is so precious and should be defended ferociously at all costs. And I've always felt that way. I've
always had this very, I call it like cognitive defense, really powerful cognitive defense.
And it's interesting because this also shows up in some of the investments that cognitive defense. And this, it's interesting, because
this also shows up in some of the investments that we made. For example, one of my theories about
cultural movements right now is that there's this very strong desire to simplify your life,
for being constantly bombarded with information, with marketing, with new products, and you walk
into a grocery store, and you're confronted with
108 different kinds of toothpaste, right? And like a thousand articles that you could be reading at
any given moment of the day. And one of the investments that we've made is this company
called Public Goods, which basically gives you one shampoo, one conditioner, one dish soap, and sends it to your house. And so you're not confronted with all of this paradox of choice, right, which actually people want to reduce and people want to constantly reduce the amount of stimulation so that they can focus and so that they can live a more deep and fulfilled life.
And I really think that in our society today, you need to pick, you know, your podcast,
and hopefully my podcast, and eliminate all the others. If you see what I'm saying, you have to
you have to focus in and narrow down and eliminate a lot of the noise in your life as much as possible. It's a very difficult thing to do.
And so I see the time management part of our lives as being just the crucial thing to defend our space, our happiness, and our individual lives. I was looking at your site earlier today and found an example of removing noise. And it
was a simple example, but might be a jumping off point for exploring other examples. This is a DF
tube. That is distraction-free tube, which is a plugin that you use to clean up YouTube.
It removes the recommendations on the sidebar, the crap on the homepage, inane commentary, poof.
So I made a note to use that myself.
Are there other tools, any other tools or books that you found helpful or approaches that you believe very strongly? And I mean, the waking
up sort of in the witching hour and working for a few hours without a screen is, I think,
a great example. Then you have the very tactical kind of micro tool, like something like this
extension. Are there other things that come to mind that you've found or find particularly helpful?
When I am at my most flourishing and productive self, I'm actually online a lot less.
And there's now all of these tools, screen time on Apple, on the Apple phone, and all of these things that I think are great.
And during the periods in which I think I'm most flourishing, most productive, what I'm doing is I'm going online. I did this, I did this for as long as I can. And I, I, I fall
out of the practice occasionally, but I always try to get back is I would schedule a time to do my
email in the morning, 10, 1030 to 12 or something like this. And then again, in the evening, 430 to six.
And I would be offline as much as I could during the times in between. Now, a lot of us have
work that we need to do and, and things that we need to do online. But to be super disciplined
about the time that you spend online, I think is really important. And I've always done
this, and I have a kind of a notebook that I keep next to my computer. And it says WNO on the cover,
which says Win Next, which stands for Win Next Online. And you just write a list and it says,
you know, I need to email my accountant. I need to look up
what the name of Bob Dylan's second album was. I need to go fix this misinformation on this
Wikipedia page, whatever the thing is that you have these urges during the course of the day
to go online. And then the next thing you know, three hours have passed, and you're
watching unboxing videos on YouTube, right? And you're like, what happened? Where did it go?
And so I think that you need to just get on top of that. I think that's one really important thing
that you can do. This is a kind of a major thing thing i fall out of this all the time i am you know you see me watching unboxing videos on
youtube all the time and so you just have to constantly bring yourself back to that
and realize how much of a time suck that is and it can be and realize also that it's that kind of activity that's taking you away from a life fully lived.
I remember reading an article on Quora where somebody said, I want to be an entrepreneur as successful as Steve Jobs and Elon Musk.
How do I do that?
Right? Which I thought was kind of, you know,
many people would like to know the answer to that question. And one of the respondents was Justine Musk, Elon Musk's ex-wife. And one of the things that she, I thought this was kind of
wonderful, right? Because like, she knows firsthand actually what it takes to become or to be elon musk and um she responded she said well first of all
elon musk would never be asking this question in a quora forum and that response stuck with me
because it's true right he was he was off building paypal he's building tes Tesla was off doing that and not wondering how. If you see what I'm
saying? He wasn't kind of reading forums endlessly about that, but was out instantiating those ideas.
And that really stuck with me because I think it's true. You can spend a lot of time in preparation, and I think that's good
to an extent and to a degree. But really, really living it, really being in it,
I think is the most important thing.
Yeah, it's, yeah, I always have to reel myself in, in a sense, because said to me, or she might
have been in a presentation she gave, but I was sitting in the audience about focusing on just-in-
time information, not just-in-case information. And that really struck with me, stuck with me,
excuse me, because I have a tendency to try to stockpile information in case of the 1% chance that I need A, B, and C in the
next six months, but it's not a very, it's not a great use of time. Let me ask you about poetry.
So you mentioned that sometimes you write poetry. And you can correct me if I'm wrong here, but I
have some of your favorite poets, including Wallace Stevens, Shakespeare, Emily Dickinson.
Why do you write poetry? What do you get out of writing poetry? What does that do for you? It seems to be a kind of an external expression of an internal state. It seems to be the recognition of and valuing of the inner life.
I read something that somebody had written.
Let me try to figure out who it was.
I can't remember.
It was something that I read just the other day that was worrying and was very concerned that our modern world
made it impossible for people to have an inner life, that the inner life was vanishing from
the world, that our life was so much of the time that we would normally spend with ourselves,
with our dreams, with our thoughts, was vanishing because it was being filled up constantly with stimulation, entertainment,
and our compulsion to be online. And basically what I see is sort of security exploits of the
brain that the internet has managed to insinuate into our lives. And that poetry, writing, dreaming, paying attention to those
kinds of things, and the cultivation of an inner life is something that you have to deliberately
do that you have to protect in your life and make time for and recognize as important.
And frankly, not do many things.
Many of the opportunities that present themselves, it's just terrible how much FOMO is created by the internet.
It's endless.
And, you know, there's a thousand places that you and I could be right now and a thousand experiences that we could be having and things that we could be doing.
And those of us who are like you, like me, like a lot of the listeners are optimists.
We're possibilists.
We're people who believe in living life to the fullest. And the internet, you know, kind of both cultivates that and makes those opportunities available to more and more people, hopefully. And, and yet,
too much possibility, as we've discovered, shuts us down and deprives us of fully lived experiences. And so, I mean,
it's interesting because poetry has always been part of my life. I was a bit of a rebel as a kid
and as a student, and I've always had a very difficult relationship with institutions.
I think my kind of very anti-authoritarian nature is also one of the things that led me to becoming
an entrepreneur and I rebelled against these these structures and one of the very earliest
instances of this was in first grade when all of the other kids were learning to read and I
already knew how to read and I was basically becoming a very trouble in the classroom for the teacher because I was like impatient and I wanted to read.
And so I went to the library and I sat and I read poetry with the librarian.
I remember this.
I was only like five or six years old and I still remember some of those poems from when I was a kid. And they were just, they were like kind of rhymes. Dear me, I am not certain quite that even now I've got it right.
It seems somehow he got his trunk entangled
in the telefunc.
The more he tried to get it free,
the louder buzzed the telephi.
I fear I better drop the song
of Eliphop and Telephong.
It sounds like a great metaphor
for what happens to brains when they encounter the internet for hours a day.
Exactly.
How on earth do you remember that? That's incredible. my early teens, I decided that I would memorize poetry as a way of bringing the beauty of thought
and language. And I always felt that poetry was one of the highest achievements of human thought
and beauty and a kind of an embrace of the world. And so I wanted it to be part of me.
And so I started memorizing poetry as a way of bringing it into my unconscious,
as a way of having it always with me from a very young age. And so I started memorizing
poetry as a bit of an eccentric teenager. And I have a lot of that love of poetry,
but it's deep inside. And I can recover a lot of this poetry at times when it's
needed. When you're going through some kind of crisis or difficult times or depression or some
kind of bad state you find yourself in, suddenly some oracle from deep in the unconscious will come out, and Shakespeare will have said exactly
the right thing. And you'll then know what to do. It's a kind of this amazing strategy that
I've kind of carried with me my whole life. For those people listening who, like me,
have minimal exposure to poetry, or at some point were introduced to the wrong poetry,
which was just completely confusing and seemingly designed to remain abstract and obscure and
confusing. Are there any poets or collections you might recommend people start with if they
wanted to dip their toe in the water of poetry?
I honestly think that there's no one poet for everybody, and that the best way to start
is to just go to poetry.org. It's just wonderful, wonderful font of poetry, and just start digging around and find what you love. I mean, you
mentioned some of the ones that I love. I love Wallace Stevens. I love Emily Dickinson. I love
Shakespeare. I wrote my thesis in college on James Merrill. I love W.H. Auden. It just goes on and on.
We could talk for hours about this. But it's important that we do this.
I'm going to, Tim, if you don't mind, dig up this quote from Charles Darwin.
I do not mind.
There's this beautiful thing that he says. I think that this is a beautiful thing because he is a, you know, he's an amazing scientist.
And he lived the life of the mind.
And Darwin's regret was that he had become,
he said, a machine for grinding out facts and figures. He had become a machine-like in his
thinking. And he said later on in his life, if I had to live my life over again, I would make it a
rule to read some poetry, listen to some music, and see some painting or drawing at least once a week, for perhaps the part of my brain
now atrophied would then have been kept alive through life. The loss of these tastes is a loss
of happiness. And I think that's very powerful coming from as great a scientist as Charles
Darwin, because we live in what I call the technic. We live in a world of
kind of mechanistic being and thought and science. And all of those passions that
throughout, you know, since time immemorial, have sustained humanity, are getting lost somehow, or they're slipping
away, or they're not part of our daily life. And I think we have to deliberately put it back in,
and continually put it back in, and make sure that we don't lose it. Do you, how much of the poetry that you write for yourself remains just for you?
And how much of it do you show to other people?
I would say 100% of it remains just for me.
I haven't, it's interesting because many people have asked me this over the years,
because I've actually written a half a dozen novels. I have written probably at this point two I have a very strong tendency and desire to be successful in the world.
And I worry that it will go out into the world and will be subject to the same laws
as have led to my success in business, which it's a very different thing.
And so it's funny because I find it, everyone's like, oh my gosh, this is great. You should publish this when it's a very different thing. And so it's funny because I find it,
everyone's like, oh my gosh, this is great.
You should publish this when it's encountered.
And I'm kind of like, well, maybe.
But in the end, it's so valuable to me
that in some ways, if it were to escape out into the world,
it would lose some of its power.
Yeah, I think that's very wise to protect that. After my first book, I have run into a lot of
entrepreneurs who talk about, say, taking as a lifestyle business, something they love doing
in their spare time on, say, Saturday afternoons, going surfing,
something like that, and turning it into a business. And I'm always very hesitant to
recommend that because if it's something that is this creative outlet that is pure in a sense and
gives them some reprieve from the expectations and pressures of the outside world, it's,
I think it's very smart to keep that for yourself. And you talked about very deliberately
building these things into your life. And you also mentioned a name, and I might be pronouncing
this correctly, but W.H. Auden, am I getting that right? And there's a quote of Auden's that
I pulled up because I could only remember the first line, but I'd love to talk a
little bit about your routines. And the quote goes as follows, routine in an intelligent man
is a sign of ambition. Of course, this applies to everybody, but routine in an intelligent man
is a sign of ambition. A modern stoic knows that the surest way to discipline passion is to
discipline time. Decide what you want or ought to do during the day, then always do it at exactly the same moment every day and passion will give you no trouble. Okay. I've read that you
very often will eat the same entree at certain restaurants if you decide you like something.
Are there routines that are particularly important to, aside from those that we've already discussed.
Anything that you make sure you do in the mornings, or that you make sure you do in winding down, or that you do once a month, once a week, once a quarter.
Are there any particular routines that help you in structuring your life and your time that you can think of?
I have a very idiosyncratic schedule. And the reason for that is that I have,
you know, like you say, I find the thing in the restaurant that I like, and I always
order it. Because it's been proven again and again, that the burden of decision making wears
you down. And that the fewer decisions that you make over the course of the day, the better
decisions that you can and the more energy that you have left over for the important decisions in your life.
And so, you know, famously, Albert Einstein had one suit, of which he had five different versions
or something like this. So he didn't have to think about what he's going to wear in the morning.
He, you know, ate the same food, like, I kind of feel as if these these patterns, if you figure
out what it is that you're happy, no longer making the decisions about, I mean, this is kind of one of the principles behind
public goods, you know, this company that I mentioned earlier, is that you don't have to
think about what shampoo to buy. You just don't have to think about it anymore. You kind of check
that box, it's done, you've got a default. And so building these defaults into your life
are super important. Then things that you don't want to think a default. And so building these defaults into your life are super important.
Then things that you don't want to think about anymore, and whether that be what you eat,
what you wear, things that you're less invested in, so that when you're in, you know, like my
witching hour, you know, the hour of the wolf or whatever you call that. And when I'm in that state, I can go wide, right? I can make a thousand decisions. I have freedom to go into, you know,
dark corners that I haven't yet explored that I can think really broadly and be more creative and
have dreams and, you know, kind of revelations that are just not possible if you're kind of crowded into
kind of tiny decisions all the time.
And what is your, well, actually, let me take a step back. So you mentioned in passing something
when we were discussing poetry, and how certain poems or phrases would come to mind at seemingly the perfect moment when you needed
the most. And you mentioned depression very briefly. Is that, that's certainly something
I have some personal experience with. Is that something that you also have personal experience
with?
Yeah. I mean, when I was a teenager, I was actually quite a depressed teenager, I went
through a super bad period of my life when you know, I was in that kind of state that's familiar
to a lot of depressed people where I just couldn't get out of bed in the morning, and just wanted to
stay there all day and was, you know, reluctant to expose myself to the world
because I felt very vulnerable and needed to basically hide in my cave. And I think that,
you know, many of us go through these. I mean, it's a, I think it's kind of just common to
the human experience that this be a state. And I honestly think there's a reason for it, right?
I just like the term depression, because I think a lot of it is more, it's better described as
melancholy or despair, or there's older words that describe it. It just seems so clinical to talk about it in the terms of depression.
Because I think that it's part of a fully lived life
to go through these periods of deep unhappiness and dissatisfaction
and questioning and despair even.
And that without that, you kind of if you live always on the sunny side of life, I talk about this in kind of the Jungian sense of the shadow, right? If you're
constantly rejecting the shadow, if you're constantly living life on the sunny side,
I mean, this is what happens on social media. And this is why social media can be so diminishing of people's humanity, is that people are always I call it
social peacocking, right? They're showing how great their life is, they're showing all of their happy
moments, they're showing all of their successes and not their failures, all of their triumphs,
and not their doubts. And basically providing a highlights reel of their
life.
And this is very damaging to the psyche, to people's humanity of not acknowledging living
and frankly giving time and space to those parts of yourself that are less savory, that
are, you know, mistakes.
I see it all around and, you know, you see it all around, right? You kind of look at all of your happy, successful friends
on Facebook or Instagram or what have you. You know, they're always going fabulous places and
doing fabulous things. But what about the shadow, right?
Like what about the shadow?
There's this really wonderful essay,
which I encourage everybody to read,
by the science fiction writer Ursula Le Guin about the shadow.
I talk about it.
There's a blog post on my website that's called
Social Peacocking in the Shadow,
and in it I link to a short story by Ursula Le Guin
about the shadow, which I think is a very important part of people's humanity,
which somehow is not being given space online.
How, I've not yet read the piece, but how would you suggest whether, well, how would you suggest,
you can either suggest or talk about your personal experience. People accept the shadow or work with it without falling into a dangerously deep or
extended state of despair. Like a pit of despair. Yeah. Well, I mean, I honestly, you know, it's
interesting because I actually think that the way to start out with that is to accept the shadow in other people.
Because we have this idea of other people as being more, you know, rich, successful, beautiful, happy.
They're in a better relationship.
They're, you know, they have better teeth.
Their hair, you know, they have thicker hair. i don't know what the thing is right like some some insecurity that we have we
see in others as as something that we don't don't have and there's a wonderful um sonnet by Shakespeare on this subject. I think it's sonnet, what is it?
It's Sonnet 29 by Shakespeare.
When in disgrace with fortune and men's eyes,
I all alone beweep my outcast state
and trouble deaf heaven with my bootless cries
and look upon myself and curse my fate.
Wishing me like one more rich in hope, featured like him,
like him with friends possessed, desiring this man's art and that man's scope, with what I most
enjoy contented least. Yet in these thoughts myself almost despising, happily I think on thee,
and then my state, like to the lark at break of day arising, from sullen earth sings hymns at heaven's gate.
For thy sweet love remembered such wealth brings, that then I scorn to change my state with kings.
Beautiful.
It's a beautiful poem.
And I think what it speaks to is the kind of the envy, you know, wishing me like one more rich in hope, you know, featured
like him, like him with friends possessed. And you see it all around you, especially when you're
in the state of despair. And it seems as if the world all around you is full of delight and
success and happiness that is somehow unavailable to you. But what this poem does is it, you know, happily I think on thee, right? And
often this is read as a love poem, as a, you know, kind of a celebration of the relationship that
Shakespeare is presumably in when he's writing all of these, when all of these sonnets. But when
you really think about it, you know, Mr. Rogers famously says, like, think about all of the people that loved you into being, right?
Those people are not necessarily your lover, but they're your mother.
They're your sister.
There's that teacher that saw something in you that other people didn't see.
It's your friend.
And it's all around you. All you just have to do is kind of stop looking at those people that have the thing that
you wished that you had and look to those people that saw that in you and realize that they're all
around you. So that's what that poem, that's what that poem kind of does to me. And I have,
you know, I kind of feel as if if you have all of these poems and
kind of they're deep inside you,
that they will come to you when you need them.
This is making me think a bit.
I haven't thought of it in those terms,
but only in the last few years I've started reading some very, very easy to read, very easily digested poetry by people like, you know, Hafez and a lot of Sufi poetry.
Rumi.
Yeah, Rumi as well. And they do stick. They really do stick, and they seem to have a particular
stickiness, a greater stickiness than perhaps more clinical nonfiction, right? Something that is
really artfully woven into beautiful language just has a higher stickiness factor because these poems do come to mind
at the right time. Just never thought of it quite in the way that you're presenting it.
Do you, do you, or have you found anything else useful for
embracing the shadow, but not falling into a pit of despair? Or if you've run into entrepreneurs who are going through a pit of despair,
which is certainly not uncommon,
are there any particular recommendations that you've made
or would be prone to make?
Well, I think that when people are depressed,
they're also in some ways ashamed of it. happen as a result of our revealing these parts of ourselves that are so troubled or, you know,
despairing or unhappy or failing or unsuccessful. And that we always feel as if we've got to present
our best face to the world. And this can be one of the things that makes it impossible to get out of it. And so one of the things that's most important, especially in our world of diminished relationships with others, is to constantly be in communication with others, to know who our friends are, to revive those lost friendships that we've had in the past that are very meaningful to us, to resume our closeness to others, and frankly, to, as Rumi would say in one of his beautiful poems, cry out in your weakness.
Of course, there's a poem for everything.
Yeah. But this one is, you know, cry out in your weakness because there are helpers in the world who will rush to save anyone who cries out.
Like mercy itself, they run towards the screaming and cannot be bought off. your suffering to others, you find that this suffering is universal, that we all go through
these moments of shame and dignity, depression, unhappiness, failure, and that anybody who's
pretending that they don't is just not true. Crying out loud and weeping, Rumi says, are great resources.
Right? Give your weakness to one who helps. It's a beautiful poem. I think if you search for it,
it's like, cry out in your weakness. And that is a very meaningful poem, I think,
for people who are suffering. Because it's basically giving you permission, which I think a lot of
people need to cry out in your weakness. Yeah, it's I really appreciate you being
willing to talk about this and explore it a bit because it is a constant, like you said,
and it and it's, it's come up so many times in this podcast, whether it's with these brutal stories
of rejection that Brett and Stan of Humans of New York is telling, or any number of, you know,
hundreds of examples that have come up. It's, like you said, it's an illusion and a really crippling illusion when you're not only depressed,
but are ashamed of it, feeling like you're somehow uniquely flawed, because that's just
not the case. So I appreciate you being willing to chat about this and uh maybe we can we can thematically continue on the shadow
side for just a few more minutes and then we'll we'll shift gears but uh i you have an incredible
memory you have an incredible track record i think a lot of people uh listening or some people would
certainly find that very intimidating which is part of the reason also why I wanted to bring up the depression just to, uh, sort
of humanize the, the, the profile a bit.
Uh, are there any failures?
We've talked a lot about successes and known names, but are there any failures or apparent
failures of yours that have set you up in some way for later success?
Any, any noteworthy failures that come to mind?
And if you don't like the word failure, you could use something else.
Yeah.
I mean, it's perpetual.
It's hard to single out a single failure. When looking at the, you know, you kind of look back at your
miseries, your failures, the companies that didn't succeed, the relationships that didn't succeed,
the, you know, great hope that you had, you know, for this or for that, and kind of
realize that you spent years and years working towards some kind of failed project or a relationship
that didn't work out or, you know, some kind of trap that you fell into. And, you know, it was a
struggle to free yourself. It's funny, because I think that my orientation as a perpetual optimist leaves me with a,
a kind of a sense of, um, kind of forward motion from all of those things.
I mean, I do think, you know, one of the things that we talked about was how when I was a
teenager, I went through a very deep depression and a state of despair and
melancholy and, you know, to use different terminology around it. And I think that always
those periods are very formative. They are very important. You go back to them and those moments
when you're at your worst, at your weakest, at your least successful, at your kind of most alone, and look back at the path that you took out of them and the ability to emerge from them and to kind of keep going in spite of them are some of the most meaningful parts of your life, is that you have really just reached
depths of despair and then have kind of recovered from them. And the importance that that gives you
going forward and your strength comes from that, right? And if you're never tested and you're never
in that kind of situation, you know, God help you. I mean,
it's not a, it's not a good state, right? It's kind of the fullness of your humanity is kind
of emerging from those depths. I've always, I've always kind of felt that. And without that,
you know, without that experience when I was a teenager, without some of those experiences from
my childhood, without those experiences kind of like perpetually throughout life life cycles through um highs and lows like that and and and to appreciate
those periods and not just struggle to ignore them or eliminate them from your life is
i think one of the healthiest things that you can do and for people listening who are willing to have that broad spectrum of experience, including the dark moments, but are listening with envy to your talk of optimism, are there any books, any, I know this is kind of the type of question that won't die for me, but
are there any tools, habits, books, anything that you would recommend to people who want to cultivate
a more constant optimism? If they might have been just beaten into cynicism by spending too much
time on the internet or whatever it might be. Yeah,
what would you recommend to those people? I mean, honestly, I think that a great deal of
emphasis on long form reading, I think you and I both embrace this, and love books and love reading
and you know, I know you read, you know, philosophy and Seneca, and I read Jung and poetry.
Go long form, not short form.
Go deep, right?
And not broad.
I think that this is actually a really important thing. And there's a dozen books, and maybe we can – I can even write a list of these, and you can post it in the podcast.
In the show notes.
In the show notes. Exactly. I can write you like, oh my gosh,
a list of a dozen or more books that have helped me throughout my life.
Oh, for sure. 100% yes and yes. If you can mention any of them now, you don't have to
mention all of them, but I mean, any that really come to mind right now, I'd love to,
that was going to be the next place I went. So
Yes, good. Okay. Well, I mean, let's just start. I'm, I've got, I'm a huge fan. And part of the
reason that I'm actually probably on the internet and love the internet so much is because of Jorge
Luis Borges. Oh, yes, who I'm a huge fan of, and actually was the motivation for me going online because I had discovered a
community of Borges fanatics in Denmark that I communicated with very early on in my internet
career. So that's a big one. I think the best book of his to start with is Labyrinths. And it's so
much about the internet. It's kind of the internet before the internet it's a beautiful thing um as i mentioned poetry has been a huge part of my life i love i love all of the ones
mentioned previously w.h auden wallace stevens emily dickinson paul ceylon shakespeare of course
and um you know contemporary poets there's like wonderful poets out there that I look forward to their work.
Natalie Shapiro, Brenda Shaughnessy.
The list goes on.
I can put together a list for you
of poets that I love and respect.
I love also the ones that you're talking about.
Hafez, Rumi, Khalil Gibran.
Like there's a lot of really wonderful poets from the East
that I think bear attention from us.
Are there any other, whether it's fiction or nonfiction,
long reads that you would recommend?
And for people listening, I'll definitely put all of these in the show notes
so you'll be able to access all of these.
But if any others come to mind,
Jorge Luis Borges is just incredible
in terms of the wordsmithing
and art of his prose is really staggering.
So I definitely second that.
I'm going to bring up, I use Goodreads. And Goodreads.com is actually a really great place
for people looking to discover new books. It's actually now owned by Amazon.
And I put all of the books that I've read there. Because I read a lot. I read at least a book a week.
And I'm rereading currently The Odyssey by Homer
in a new translation by Emily Wilson.
Other books that I have found to be really great
that I've read in the past year
are a really wonderful book,
Tomb for Boris Davidovich by Danilo Kiss.
Hannah versus the Tree by Leland de la Durante.
Ethan Frome by Edith Wharton.
I mean, I'm honestly, I'm just kind of going through this
because I have this massive list.
The White Goddess, which is a very meaningful book by Robert Graves,
which is about poetry and its sources.
I've reread the Upanishads.
There is a tremendous,
there's this writer who I just adore,
W.G. Sebald.
I don't know if you're familiar with him.
I'm not i'm not but um the emigrants by him
is just an amazing amazing book um i could go on and on i mean what what what books if uh they
could be from that list or otherwise have you gifted the most to other people if you gift books
there's there's a couple wonderful books that are actually illustrated books that I have given
out to many people. And I think it's unfortunately out of print. There's one called Drawings and
Observations by the artist Louise Bourgeois, which is fantastic. And I've given that to so many people, as well as The Principles of Uncertainty by Myra Coleman. She's famously an illustrator. Really beautiful books and full of just kind of life-giving thoughts. And you can tell that these women have lived very rich, profound lives, very thoughtful
lives, very meaningful lives. And it's there in the books. There's another really wonderful book
that's also I've given out to a lot of people called Letters of Note. And that is letters,
kind of basically letters that have been collected throughout the ages.
Wonderful letters. I've been meaning to grab that compendium.
So I'm really glad that you just mentioned that.
Letters of note.
Check and check to add to my ever-growing reading list.
So you were just mentioning rich lives and we were discussing or you were mentioning earlier the paradox of choice that many of us face.
And certainly you have more opportunities than you could possibly ever take advantage of in some total.
Why decide to do a podcast?
What was the catalyst or the reasoning behind that?
Why should this exist?
You have finite time.
Why apply it to that?
Well, I think that there's a super important conversation going on in technology right now in the culture in which we live
that needs to be had. I was on my friend Reid Hoffman's podcast, Masters of Scale,
and I loved that experience. I love podcasts just in general, but this one was very
gratifying for me because i had done what
i thought of as a fairly garden variety interview with reed and they had turned it into a story
with conflict and suspense and drama and made it super interesting i loved it i loved the podcast
i thought these producers are geniuses and And June Cohen of Wait What, who
produced Masters of Scale, started a conversation about this new podcast and realized that the next
conversation to be had in technology was about the human consequences of the technology that
we've been building. And I think that there has been kind of going back to the theme of, you know, the sun and the shadow has been all about the sun.
And we're suddenly realizing that the shadow, which is always there, has now emerged. And we've
seen what damage technology can potentially do to our humanity. And it was time for this podcast to come into being. So it just seemed as if it, in some ways, this podcast is kind of inevitable. It seems as if this is a conversation that's happening now that needs to be emphasized and can potentially build a future that we're deliberately building and not lead us into unintended consequences
that we've seen happen over and over again, most recently in the story of technology.
Can you describe one of the episodes that comes to mind? Whoever is featured, what is the structure of a sample episode look like? And
what type of technologies or topics or entrepreneurs are you discussing?
So what we do is we find an entrepreneur who's building a new, interesting technology. And some
of the interesting things have to do with AI or CRISPR or, you know,
gene editing and neuroscientific kind of supplements to help us learn faster.
You know, technologies which are in development where there's entrepreneurs
who are actually building it currently now.
And we have those conversations and then we bring in people from the industry, from outside the industry, people who have
different ideas, psychologists, sociologists, historians, perhaps, and people who have
a different perspective on technology and how it might impact our humanity.
And then we have a conversation and kind of workshop with the
entrepreneur about the potential outcomes, utopian or dystopian, of this technology and how to steer
it towards its best possible future. That is really kind of the format of the show. And I
think that this conversation hopefully will become part of the dialogue about how companies are built, how they're thought about, and how at the very beginning of building these technologies and frankly carried out throughout the process of building these technologies, that we not only ask the question, can this exist?
Because so much of technology has made it possible for so
many things to exist, but should this exist? Do you think there are safeguards or
externally enforced constraints or regulations of any type that could or should steer technology development and company formation?
Or are we dependent on the internal ethics and moral compasses of the people who are developing these companies?
Certainly, it's a false dichotomy.
You could have both, but I'm curious how you think about that.
I do think that we have in Silicon Valley enjoyed incredible latitude and have been basically assuming that we have the ability to self-regulate i don't think that anybody starts
off this idea of being the super villain right um i you know i i don't think anybody kind of
starts off and like haha i like here like i'm a kind of a bond villain in my mountain hideaway
i'm going to bring about the destruction of the earth. I nobody starts out that way. I think that we all start out with best intentions. And as Baudelaire has said, and one of his many beautiful poems, we descend to hell by short steps. And we end up loving what we hate and hating what we love. We end up doing things that we don't
intend. And that the constant questioning, the constant vigilance, the practice of asking
ourselves the question, should this exist? Who is this harming? How do I remove bias from my AI? How do I make sure that this
doesn't fall into the hands of the wrong people? How is it that I continually think about the
outcomes of my technology and its effect on people and what it might do to them and their behavior?
And constantly having that as part of the process of building something new
is a very important part of putting it on its right track and building the kind of future that
everybody had hoped to build from the outset.
Hmm. Well, I'm very much looking forward to hearing these episodes and also seeing how the conversations develop over time, right?
Because I think it's an important conversation and an increasingly important set of questions and maybe just lens through which to look at building. And I'm particularly interested
in your CRISPR episode. Maybe you could, could you, could you just describe for a moment what,
for people who don't recognize the term, what, what CRISPR is or what it represents. Well, CRISPR is, in short, it's gene editing. It's the ability to change
people's genes, DNA. And this has incredible possibility and Frankenstein-like potential.
So I think that people have become very alert to and alarmed by the possibilities, the unintended consequences of introducing edited people, edited animals, edited any form of life.
You name it.
Yeah, virus, bacteria.
You name it.
Viruses, bacteria, you name it. You name it, viruses, bacteria. Introducing basically the human touch into it, you know, kind of assuming, you know, what in prior eras and in current eras are actually thought of as the hand of God.
And putting that in human hands and this kind of Promethean impulse that people have to seize the power, like, you know, kind of Prometheus famously
seizing the power of fire from the gods, and just wrecking untold destruction upon the earth.
There's just constant warnings throughout historical literature and kind of modern day nonfiction about what happens when we enter the
Anthropocene, right? We enter the era of humankind manipulating the world in a way that is potentially leading us to conflagration and the end.
And, you know, some say the world will end in fire, some say in ice, right?
This is kind of the wonderful poem by Robert Frost.
I mean, you know, we will somehow bring about our own destruction.
And because of our incredible power and ability, and
I think that we should take responsibility for having that power. And, you know, Stuart Brandt,
who you mentioned earlier, he was one of the progenitors of the Whole Earth Catalog. And in it,
he said, we are as gods and might as well get good at it.
I have a copy of the updated last whole earth catalog, which was given to me as a
Christmas present by my mom, about 10 feet from my right side right now. It's
an incredible book and a very, very good statement on Brand's part. I mean, it's really mind-boggling to think about the promise and the woolly mammoth kind of amazingly.
And that kind of awakens possibility and dreams and excitement in the sense of, you know,
wow, wonder, like the wonder of technology and the wonder of science, right?
And then also terror and fear. Yeah. Well, exciting, exciting and scary time
to be alive. So I look forward to listening to you explore it with these various entrepreneurs
and also commentators. Let me ask one more question. It's sometimes one that's tough to answer,
but I'll ask it and then we'll wrap up
in just the next few minutes.
But the question is one I like to ask,
and that is if you could have a gigantic billboard,
metaphorically speaking, anywhere with anything on it.
Could be a quote, could be a word,
could be a question, anything non-commercial. But in the interest of getting
a message of some type out to, say, billions of people, what might you put on that billboard?
It's funny. I think of the kind of the basic truths as being a fairly straightforward, frankly, kind of boring statements. Right? You know, you know, you should brush your
teeth regularly. You should not let not let the grass grow on the path to your friend's door.
You should be kind to one another. They sound like platitudes when you say them, when you see them on billboards.
And yet, they are profoundly true. So frankly, nothing exciting. Mainly, be kind. Yeah, I think it's two very important words. poked in the brain by sort of really short form drivel that is just sort of weaponized and
commercialized, which comes back to the long form recommendations and the poetry and all the other I really enjoy having a chance to chat with you like this
in long form
and I thank you for taking the time
to have the conversation
so thank you very much
this has been a great conversation
thank you so much for inviting me
people can find you on Twitter at Katerina,
C-A-T-E-R-I-N-A. Find the podcast, shouldthisexist.com or on Apple Podcasts and anywhere
else podcasts might be found. Katerina.net is where they can find your writing, including the
social peacocking in the shadow and the other posts that have come up in this episode, uh, for people listening, of course, I'll add links to
everything, including the books that, uh, Katerina, I would love for you to, to send,
to send me and I'll put them in the show notes. I'll put those at tim.blog forward slash podcast,
and you can just search Katerina or fake and it'll pop right up. Is there anything else you'd like to say?
Any parting comments,
things you'd like to suggest to people listening,
ask of them,
anything at all you'd like to mention before we wrap up?
Well, I think that the biggest thing
that I've been working on recently
has been the Should This Exist podcast.
So, you know, listen, respond, subscribe.
That's a kind of big thing
and engage in that conversation.
Great.
Well, we'll send plenty of people that direction.
And once again, really appreciate you
making the time to have this conversation.
I've really, really enjoyed it.
So hopefully, uh,
we'll have a chance to,
to break bread or have coffee in person at some point.
And,
uh,
I really look forward to listening to the show.
So thank you again for that.
And to everybody listening,
be kind,
be kind,
experiment,
go deep,
not necessarily wider and check out some of the books that i'm going to put into
the show notes that katarina has recommended and until next time thank you for listening
hey guys this is tim again just a few more things before you take off number one this is five bullet
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