The Tim Ferriss Show - #553: Jessica Lahey on Parenting, Desirable Difficulties, The Gift of Failure, Self-Efficacy, and The Addiction Inoculation
Episode Date: December 9, 2021Jessica Lahey on Parenting, Desirable Difficulties, The Gift of Failure, Self-Efficacy, and The Addiction Inoculation | Brought to you by Wealthfront automated investing and At...hletic Greens all-in-one nutritional supplement.Jessica Lahey (@jesslahey) is the author of the New York Times bestselling book The Gift of Failure: How the Best Parents Learn to Let Go So Their Children Can Succeed and The Addiction Inoculation: Raising Healthy Kids in a Culture of Dependence. Over twenty years, Jessica has taught every grade from sixth to twelfth in both public and private schools and spent five years teaching in a drug and alcohol rehab for adolescents in Vermont. She currently serves as a recovery coach at Sana at Stowe, a medical detox and recovery center in Stowe, Vermont, where 100 percent of her salary goes to a scholarship fund for young adults.Jessica writes about education, parenting, and child welfare for The Washington Post, The New York Times, and The Atlantic, is a book critic for Air Mail, and wrote the educational curriculum for Amazon Kids’ award-winning The Stinky and Dirty Show. She co-hosts the #AmWriting podcast with bestselling authors KJ Dell’Antonia and Sarina Bowen from her house in Vermont, where she lives with her husband, two sons, and a lot of dogs.Please enjoy!This episode is brought to you by Athletic Greens. I get asked all the time, “If you could only use one supplement, what would it be?” My answer is usually Athletic Greens, my all-in-one nutritional insurance. I recommended it in The 4-Hour Body in 2010 and did not get paid to do so. I do my best with nutrient-dense meals, of course, but AG further covers my bases with vitamins, minerals, and whole-food-sourced micronutrients that support gut health and the immune system. Right now, Athletic Greens is offering you their Vitamin D Liquid Formula free with your first subscription purchase—a vital nutrient for a strong immune system and strong bones. Visit AthleticGreens.com/Tim to claim this special offer today and receive the free Vitamin D Liquid Formula (and five free travel packs) with your first subscription purchase! That’s up to a one-year supply of Vitamin D as added value when you try their delicious and comprehensive all-in-one daily greens product.*This episode is also brought to you by Wealthfront! Wealthfront pioneered the automated investing movement, sometimes referred to as ‘robo-advising,’ and they currently oversee $20 billion of assets for their clients. It takes about three minutes to sign up, and then Wealthfront will build you a globally diversified portfolio of ETFs based on your risk appetite and manage it for you at an incredibly low cost. Smart investing should not feel like a rollercoaster ride. Let the professionals do the work for you. Go to Wealthfront.com/Tim and open a Wealthfront account today, and you’ll get your first $5,000 managed for free, for life. Wealthfront will automate your investments for the long term. Get started today at Wealthfront.com/Tim.*For show notes and past guests, please visit tim.blog/podcast.Sign up for Tim’s email newsletter (“5-Bullet Friday”) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim’s books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissFacebook: facebook.com/timferriss YouTube: youtube.com/timferrissPast guests on The Tim Ferriss Show include Jerry Seinfeld, Hugh Jackman, Dr. Jane Goodall, LeBron James, Kevin Hart, Doris Kearns Goodwin, Jamie Foxx, Matthew McConaughey, Esther Perel, Elizabeth Gilbert, Terry Crews, Sia, Yuval Noah Harari, Malcolm Gladwell, Madeleine Albright, Cheryl Strayed, Jim Collins, Mary Karr, Maria Popova, Sam Harris, Michael Phelps, Bob Iger, Edward Norton, Arnold Schwarzenegger, Neil Strauss, Ken Burns, Maria Sharapova, Marc Andreessen, Neil Gaiman, Neil de Grasse Tyson, Jocko Willink, Daniel Ek, Kelly Slater, Dr. Peter Attia, Seth Godin, Howard Marks, Dr. Brené Brown, Eric Schmidt, Michael Lewis, Joe Gebbia, Michael Pollan, Dr. Jordan Peterson, Vince Vaughn, Brian Koppelman, Ramit Sethi, Dax Shepard, Tony Robbins, Jim Dethmer, Dan Harris, Ray Dalio, Naval Ravikant, Vitalik Buterin, Elizabeth Lesser, Amanda Palmer, Katie Haun, Sir Richard Branson, Chuck Palahniuk, Arianna Huffington, Reid Hoffman, Bill Burr, Whitney Cummings, Rick Rubin, Dr. Vivek Murthy, Darren Aronofsky, and many more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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athleticgreens.com slash Tim. The Tim Ferriss Show. H E Y. You can find her on Twitter at Jess Leahy. She is the author of the New York times bestselling
book, the gift of failure. One of my favorite titles of all time subtitle, how the best parents
learn to let go so their children can succeed and the addiction inoculation subtitle, raising
healthy kids in a culture of dependence over 20 years. Jess has taught every grade from six to
12th in both public and private schools and spent five years teaching in a drug and alcohol rehab for adolescents in Vermont. She currently serves as a recovery coach at SANA at
Stowe, a medical detox and recovery center in Stowe, Vermont, where 100% of her salary goes to
a scholarship fund for young adults. She writes about education, parenting, and child welfare for
the Washington Post. New York Times and the Atlantic is a book critic for air mail
and wrote the educational curriculum for Amazon kids, a Warren winning the stinky and dirty show.
Great name. Also, she co-hosts the hashtag M writing podcast with bestselling authors,
KJ Del Antonio and Serena Bowen from her house in Vermont, where she lives with her husband,
two dogs, where she lives with her husband, two sons, where she lives with her husband, two sons,
and a lot of dogs. You can find her on social, at Jess Leahy on Twitter, Instagram, at Teacher
Leahy, Facebook, Jessica Potts, P-O-T-T-S, Leahy, and online on her website, jessicaleahy.com.
Jessica, welcome to the show. I just had flashbacks to doing the audio recordings for my audio books and getting into those tongue twister moments when it's just a lot of stuff. It's a lot of stuff.
It's just a lot of stuff for the brain. It's just a lot of stuff for the brain. And so sometimes we need shorthand. visiting someone who I had to look up, although the name sounded vaguely familiar, Albert Schweitzer,
who has one of the most incredible Wikipedia introductions. Ludwig Philipp Albert Schweitzer
was an Alsatian polymath. He was a theologian, organist, musicologist, writer, humanitarian,
philosopher, and physician. He received the 1952 Nobel Peace Prize. And I ask, or I should say, introduce him because I believe you are fond of a quote
attributed to dear Albert.
And that is, quote, I decided to make my life my argument, end quote.
And I'm not sure what that means, but it sounds promising.
Could you please expand?
So Albert Schweitzer, there's some problematic stuff with all white guys from Europe who feel like they're going to go out and save people in Africa, which is essentially what he tried to do.
There's a hospital, the Albert Schweitzer Hospital is in Africa, and he, you know, he had been a composer, he'd done some really cool stuff, and then he went to medical school late in life and established this hospital in Africa where he essentially was just trying to do good for these people across the planet. You can't.
His hospital was in a place called Lambrunet.
You can find your own Lambrunet.
And for me, that was working with kids in juvenile court and with my husband that was
working with underserved populations and doing HIV work.
And I've just always loved that quote because it's, you know, people say a lot of crap.
People are out there talking about how great they are on Twitter and the things they're
doing on Twitter and being really loud about their intentions.
But I just think it's easier to make your life your argument and just do, you know,
as a teacher, I have to model things for kids.
I'm a mom.
I work as a recovery coach.
So a big part of what I do is stay sober.
You know, I mean, I think it's a lot simpler if we just
shut up for a little while and make our life our argument.
I love that. Decided to make my life my argument. It reminds me of another quote that I think of a
lot because I sadly have a sort of Tasmanian devil tendency to get very upset at points. I haven't quite mastered that
whole stoicism thing yet. And the quote is, I think it's George Herbert, but I think that I'm
probably mixing that up because I'm thinking of Dune and Frank Herbert. But nonetheless,
the quote is, the best revenge is living well. And I also find that to be very actionable.
Okay. So making your life, your argument, we're going to double click on that in a little bit,
but first I have to go back to your bio. Every grade from sixth to 12th in both public and
private schools, is there reliably for you and your experience a most difficult cohort of students?
Most difficult to teach mainly because it's difficult for them to be who they are, I think,
and that's ninth grade for easy. I mean, like, so I love sixth grade is interesting because that's
usually a new year in middle school, seventh and eighth grade, I adore. I love, love, love tenth and eleventh grade. Seniors can be tough because they've got one
foot out the door. Freshmen are just deer in headlights. They're scared and they're freaked
and it's too much and their frontal lobes are not fully developed. And it's just, it's so hard. Yeah. I think freshmen, or if I had to sort of
black out one, and it's not that I don't adore freshmen, it's just, it's hard to teach them.
There's too much else going on for them to be able to cope with the world and learn stuff.
It's just a problematic year. Does it, and this is a leading question, but does it mean that good ninth grade teachers are able to
intervene or exert an effect that has a disproportionate influence on someone's
trajectory at the same time? Or is that not so much true? Oh, no, absolutely. And there was this
one, oh, it was this one quote I hated. It was actually, you know, it was, I'm pretty sure it was Radiolab. Yeah, it was Radiolab. And a middle school teacher was
talking about the fact that you should just stick middle school students like away somewhere and
then bring them back when they're out of that middle school age and ready to be educated.
And the problem with thinking that way is that number one, it's just wrong. Number two,
I think there are people that gravitate
towards certain age groups. When I speak to other middle school teachers, I mean, middle school is
my jam. That's my, I love them. If I was to go back to teaching tomorrow, it would be middle
school. I adore them. But of course, there are lots of people who are like, oh my God, what is
your problem? That sounds horrible. But I look at kindergarten teachers and I'm like, I do not know how you do that all day long. There are people who just think ninth grade
is an incredible year. And the reason it's an incredible year is there's a ton of potential
because I think in general, schools tend to overlook ninth grade as so transitional that
not a lot of effort is put into the curriculum or into connecting with the
students. So in a lot of schools, especially in schools where I've taught, there's no effort to
sort of do differentiated learning. They don't sort of know who these kids are yet. So they just
sort of slap a lot of intro level, blah, blah, blah, without making it very interesting. And
schools that do freshman year right are really setting kids up to do great things. The other thing I love, and I have to shout out, there's a hoity-toity,
wonderful, but hoity-toity private school outside of Boston called Belmont Hill School for Boys.
Belmont Hill School, there are some teachers there I just adore. They do the coolest thing.
Middle school is seventh, eighth, and ninth grade. So ninth graders who are at this
really important moment in their development in terms of their cognitive development and their
physical development get to be leaders for just that one extra year. And the pressure of high
school doesn't quite land squarely on their shoulders quite yet. So then they get to do that
10th,
11th, and 12th. I love that model. And I think that there's potential in that model.
That's super interesting. So then they would transfer or graduate to a high school,
but enter in the 10th grade as opposed to in the ninth grade.
Yeah. And that there, especially, it's all mashed together. But middle school is a really
problematic area simply because we
throw more at these kids than they're cognitively able to do. You know, the last part of the brain
to hook up is the frontal lobe. That doesn't happen until we're in early to mid-20s. Middle
school, we say here's lockers, changing schedules, different languages. I used to teach Latin class
right after French class, and there's the same word in both languages pronounced completely
differently. There's hormones. There's all the different things that middle school kids
are asked to do without the capacity in their frontal lobes to juggle it all. So the fun part
of being a middle school teacher is sitting back and watching that unfold and having patience with
that and waiting for those learning moments when everything is just like a kid is ready to hear it and you're ready to teach it to them and you have a meeting of the minds. That's why middle school has so much incredible potential. But at the same time, there's so much potential to screw it up in a major way, like to take the radio lab approach and say in that one interview anyway and say, well, those are throwaway couple of years because they suck. But I think there's a ton of potential. Not many of my listeners will know
this, but I actually thought for a very long time that at some point I would go back and teach
ninth grade, specifically ninth grade. Really? So what is it you like about ninth grade?
Well, I might reframe that or answer a question you didn't ask since i'm
practicing to become a politician that's not true but the the reason behind it it's not so much that
i liked ninth grade because i can't say that was the case but i saw people who received
good inputs yeah go one direction and people who receive bad inputs go one direction and people who received bad inputs go another
direction. And it seemed like a great point at which you could influence direction because by
the time it was the end of 10th grade or 11th grade, at least from the perspective of college
or anything like that, it was, I don't want to say too late, but it was much harder to right the ship.
And so I had friends who, two friends who, one ended up dying in a drunk driving accident later,
one who overdosed on fentanyl and died.
That was my best friend growing up who didn't really receive the inputs that I did just by chance, really. It wasn't by
design. I just had better luck. And so that always stuck with me. And I'm going to come back to
students. We're going to talk a lot about students and kids, but I want to look at maybe some overlap
and that is your personal story and when you were younger.
What was taking a nap code for in your extended family?
Taking a nap meant either that you just needed a break from life, because there was some stuff in
my family growing up that was really challenging for the grownups, well, for everybody to deal
with. And so taking a nap meant just, I need some space. But, you know, I came to learn later on that napping wasn't just about napping. It was about being drunk.
And the problem with euphemisms, which by the way, I hate, oh, I hate euphemisms,
is that it makes it really easy to gaslight kids when they figure out what's really going on.
And yet the language of adults is not matching their experience of what
they really truly are starting to understand. And there is nothing worse coming back to middle
school and ninth grade and all that stuff. There's nothing worse than taking a kid who
is just figuring the world out and then telling them at every turn that their perceptions are
inaccurate, that what they're seeing is not really what they're seeing or what they're perceiving.
And what it does is it slowly erodes a kid's feeling of, well, sanity.
I mean, gaslighting is really problematic that way.
But also their feelings of self-efficacy, a feeling like, if I can just nail this down, then maybe I can do something to change it.
You can't even get to the place of nailing something down because the grownups in your life are telling you that what you're seeing is not
really what you're seeing. And that's a massive, that's a really horrible thing to do to kids.
You know, if a kid comes to you and says, here's something I'm perceiving, telling them that that's
not what they're perceiving or that they're wrong to perceive it that way is a problem,
is really tough for kids.
So one example of that being, I need a nap or taking a nap as code for sleeping off,
being drunk or having a hangover.
Or I can't deal with what's happening in my world, so I'm just going to escape from it.
And more and more, I began to understand that what escape really was, was being drunk,
that whatever it was that was happening in the real world was too difficult. And so therefore,
you drink to escape it. What happened in 2013 at your mother's birthday party?
You really go there, don't you? You just go right for the jugular. No, no, no, it's good.
Skipping the niceties. I had known that I was an alcoholic for a pretty good long time. I really
was scared to death of alcohol because of what I saw. I was raised by an alcoholic. One of my
parents was raised by an alcoholic and so on and so on. And so, you know, I did everything I could
to escape it. And it just snuck up on me in my 40s. I met someone the other day, actually, who
had almost exact same story I did,
sort of went to the sober end of the spectrum, became one of those holier-than-thou, really
annoying high school and college students who was always, I was always the designated driver,
I was always the good girl and da-da-da. So, slowly in my 40s, it got worse and worse. And by
2013, I was on a bit of a roll professionally.
I was teaching full-time and I had just started writing on the national level.
Like this was huge for me.
My first article at The Atlantic went viral and it led to this massive auction.
I think it was somewhere between 11 and 14.
I'm going to get the number wrong.
So it's somewhere in there.
Editors were in a round-robin auction for my first book, The Gift of Failure, because of this viral article that
was in The Atlantic called Why Parents Need to Let Their Children Fail. Huge pivotal moment in
my life and book sold in like May. And then June 7th, I went to my parents' house for my mom's
birthday party and tons of people were there that had known me my whole life, including my oldest friend that I've known since I was three. And I got so drunk. I have no idea
what happened. I mean, I think that's a blessing and a curse that I can't remember anything that
happened. But what happened the next, I was just, oh, I was so drunk. And the next morning, my dad,
who had been a really great enabler his whole life because he'd been raised by an alcoholic and
taught by his mother, who was an incredible enabler for alcoholism. He came up to the guest
bedroom and he sat on the floor, put his elbows on the bed. My husband was out running. And he said,
I know what an alcoholic looks like, you're an alcoholic and you need help.
And at that point, I was so ready. I was so exhausted that I just said, you're right.
And that night I went to my first recovery meeting. But I think the fact that it was my dad,
my dad, who had been one of the people who had told us, no, no, no, what you're seeing is not what you're seeing, that kind of stuff. And he is so conflict avoidant. And he adores me so much.
And the fact that he hates fighting with me, he came up to that room, he sucked up his,
he, you know, just swallowed down his enabling, he swallowed down his avoidance of conflict.
And what he led with was his love for me, even though he was scared
to death to say those words, he did. And that was it for me. So my sobriety date is June 7th, 2013.
Wow. Well, congratulations.
Thanks.
And I have many more questions.
Okay.
So I've had someone named Gabor Mate on the podcast before, and he talks a lot about asking not why the addiction, but why the pain.
And you've also mentioned, and perhaps we'll they hit rock bottom, but paying attention to what caused them to drink in the first place or start using drugs in the first place.
The quote is, and you can see it if you watch the documentary about him called First Day.
The quote is, we spend a lot of time talking about the last day, but what we really need to be talking about is the first day.
And the first day is massively important.
And in your case, it's a little harder for me to say with confidence that I should
ask about the origin because I don't know how much of it was internally generated.
Was the alcohol a salve or an escape, or was it simply inherited
environmentally by watching behavior and you were genetically predisposed?
That's a fantastic question. And number one, huge fan of Gabor Maté in the realm of The Hungry
Ghost is fantastic. He has a book about ADHD and, or ADD and substance use, really respect his work. And he's in the full on in the trauma
camp. He's full on in the all of this comes from our trauma. And the nice thing about writing about
a subject area where I don't really have, I'm not really in any one camp 100%. So I'm able to say,
well, I agree with a lot of this. And some of this is I don't, I'm a huge fan. I don't think 100% of this is about trauma. I think, you know, we have a situation
where, according to Mark Schuchat at USC, about 50 to 60% of the risk picture comes down to genetics.
And then we have the in between the genetics and the environmental stuff, something called
epigenetics, which is how the stresses in our life cause our genetics to either, you know, turn on, not turn on, all that kind of stuff. And then we have the
environmental stuff, including trauma, you know, thank goodness for people who are now talking
about adverse childhood experiences. For me, I drank because of my anxiety. I've had anxiety
disorder my entire life. My grandmother had OCD. My father has a mixed, it's sort of,
I guess I'm kind of lucky in that it goes down by generation, but we definitely all are,
we're an anxious people. And alcohol helped. Alcohol works great in the short term for
anxiety. The problem is, is it exacerbates it over time, makes it worse, blah, blah, blah, blah, blah.
So I drank to deal with anxiety. I drank to deal with some stuff I just didn't want to deal with.
So I had the genetics.
I also had the thing I just didn't want to deal with.
And alcohol made it easier.
Yeah.
Alcohol does a good job of temporarily turning down the volume.
Yeah. But as you mentioned, a lot of long-term risks. And ketamine similarly is seductive in being used for that subtractive purpose.
It has its place.
It has an application.
And it has many applications, but it also can be an escape.
Oh, I'm fascinated by the practical applications.
It so happens that my son, I have two sons, one's 17, one's 22. The 17-year-old is a huge fan of someone else you've had on the show. He's of Hamilton Morris and of Michael Pollan. And we both have read How to Change Your Mind. We both have watched Hamilton Morris, Hamilton's Pharmacopoeia together I think there's some
really interesting research coming out about especially psychedelics anything that allows
people especially at end-of-life care to disassociate to step away from their physical
being and and have less fear around dying in particular there's some really cool stuff out
there and I think it's really important to put that work in the context of an adult brain and
not let it bleed on over into anyone under the age of, I mean, ideally 25, because that's when
your brain is kind of done. But let's say just for giggles, 21 or 18. For sure. Those are very
different things. And right now, I simply mentioned that because we're still exploring
the personal story.
And I'm curious, if we look at the timing of the Atlantic article, Why Parents Need
to Let Their Children Fail, this goes viral.
And that was in, was it May, you said?
The article published in January, it went viral.
And like, first, next thing I knew, I was on, you know, national television trial by
fire media training.
And then, you know, it takes a while to put together a book proposal. And so the book sold somewhere around like April, May, something like that. Yeah.
April, May. And then the birthday party and the conversation with your dad was the next month,
about a month later. Do you think you would have been as open to hearing what your dad said? Had
you not been on the hook to write a book?
And for those who don't know, with nonfiction, generally, you sell the book with a proposal.
It's almost like a business plan, and then you have to write the book.
Yeah. I still think I would have gotten there. Maybe not that day, but I was so close. There's
a metaphor I use, both having to do with prevention and people figuring out when
it's time that they need help. And that's this, you know, I think of getting there is like this
hundred piece puzzle. And my dad was piece 100. And I have been piece 100 once for someone else.
And I talked to a lot of people about substance use. and I have been piece, you know, God knows,
18, 32, 19, 26. You have to have pieces one through 99 in place until before piece 100 drops.
So I can't say for sure that it would have worked on that day. I was going to get awfully close,
though. I also knew I was right at that moment. I was right there at that moment where I hadn't been driving drunk.
I wasn't drinking at school.
There were a lot of things I hadn't done yet, but oh my Lord, I was so close.
It was right there.
It was just about to happen and I would have lost everything.
And I knew that my husband was raised in a family with substance use disorder.
We had talked about this even before he knew I had a problem, that that was not something
we would allow our children to be raised with.
So if he ever had a problem, he knew that I would not allow our children to be around
that.
And if I ever had a problem, he would not allow our children to be around that either.
So I would end up divorced.
I mean, that was easy.
That was going to happen.
I believed him.
So I think I was right at that cliff. It was like right there and I could see what was coming.
What did you find most helpful and what did people try to offer that you did not find helpful? helpful, was there was a woman that I was scared to death to go to my first meeting. And actually,
my first meeting I ever went to, I went far away from my house. So I wouldn't know anyone because I lived in small town, New Hampshire. So I did this long drive, not that long, but I did a drive
to get to a meeting that I thought would be different enough because I was scared to death
to run into one of my students' parents. Because of course, I was not in the frame of mind to think
about the fact that if one of my students' parents was at a course, I was not in the frame of mind to think about the fact that
if one of my students' parents was at a 12-step meeting, they probably had similar issues. In
fact, I did run into one of the parents of my students a few years later, and she took one
look at me and she said, you're my worst nightmare. And I said, no, no, no, no, no, no, no, no, no,
you're my worst nightmare. And then we had a good laugh and it was fine.
But I walked into that first meeting.
I knew no one.
I sat down at a table with other women and I just started to cry.
This had never happened to me before.
I just like snot and tears and stuff.
And this woman next to me, without really looking at me a few too much excessively,
just kept pulling tissues out of her bag. I don't know where they kept coming from, but she just kept handing them to me. And I went up and I got
my 24 hour chip. I was still just snot and, and just tears. It was that 100% acceptance of the
fact that this was okay and normal and to be expected and hard and that hard was part of it
and that that was okay. What has not been helpful is rigidity within a view of what it means to
recover from something. I myself could never be a moderate drinker. I myself couldn't use alcohol
and be safe ever. If I was addicted to opiates, I don't know what
would have worked for me in terms of medication-assisted treatment. But the problem is I
see a lot of people who really need help who are, for example, in my book is in the addiction
inoculation is a woman named Georgia, who is Georgia, by the way, and Brian figure into my
book in a big way. And those are their real names. And they felt, again, like the Albert Schweitzer quote, that it was really,
really important to make their disaster of their young adult life worth something to other people.
So they asked me to use their real names. And when Georgia was pregnant and addicted to opiates,
she was on methadone and she was shunned in recovery circles. And at the time,
she needed people in recovery more than ever to help her through this. They said,
no, this is not the way to be sober. And that is just so bogus to me. And I think it's because
we're so in love with black and white as a species. This is the way you do it, not that way.
And the nice thing is recovery looks
different for different people. Getting to recovery looks different for different people.
And if someone disagrees with the fact that I can safely drink non-alcoholic beer, because boy,
I love beer. I miss beer. I used to brew my own beer. And so I drink non-alcoholic beer and that
works for me. But I've had plenty of people tell me that I'm wrecking my own recovery path because
I drink non-alcoholic beer.
And I just, I wish people would be less rigid.
Rigidity is the answer there, Tim.
Rigidity is the bane of my existence.
So she was shunned because she was using a replacement therapy.
She was using methadone.
So we're going to come back to substance use and abuse in kids.
I want to touch on the gift of failure for a few
minutes at least. And for those who are not familiar with the book, of course, I think the
subtitle does a good job of describing it. But what was the catalyst for the Atlantic article
and then the book? I had wanted to write about this for a long time, but the way I write is I write about data. I write about research. I translate the science, but I do it through narrative. And as a teacher, the only narratives I had around me were my students, and I wanted to write about both how over-parenting affects kids' motivation. Thank you so much, Dan Pink, Edward Deasy, flow state, all that sort of stuff. But I also wanted
to know how over-parenting affected learning. And that was a big question mark for me. And a study
came out of Australia, out of Queensland, about that very topic. And they had talked to school
counselors who provided the stories. So for the first time, I was finally able to write this
thing. And at that point, I had really just been blogging for a couple of education outlets.
I'd maybe been read by, you know, there were sort of a couple hundred people who were loyal
readers of mine.
And I wrote this thing and I said, I think I need to try to put this somewhere.
And I had, I pitched it to The Atlantic, to my first editor, Jenny Gretz, who's now at
Smithsonian Magazine.
I pitched it to her on a
Friday and it was published on Tuesday morning. Yeah. Welcome to the digital media. It was really
cool. In fact, one of the people at my school read it and said, are you sure this isn't about
our students? Because those stories were universal enough that it was easier. It was easy for me to tell that story through using some of the quotes from the research. And for those people who are not
familiar, what are some of the main theses of the gift of failure? There are two ways of looking at
this sort of what we do to kids when we over-parent them. And by over-parenting, I mean,
by being directive, overly directive, by telling kids what to do, how to do it, giving them every step along the way.
When we do that, we not only undermine kids' feelings of self-efficacy.
The way I sort of stay on top of my own thinking around this is when my kids were really little and they wanted to be able to do something independently, they would tell me they wanted to self-fit.
So that's my internal language for that. I want to, I want to self it. So I try to think of teenagers as bigger version of
toddlers, which actually is pretty accurate and help them self it. So when we do too much for
kids, when we, whether it's taking away the consequences of something like, you know,
if I'm trying to teach a kid about being more organized because today he's forgotten his
homework and then the parent swoops in the door and has brought the homework to school,
that learning opportunity is lost, obviously.
Helping that kid become a more competent, capable, self-efficacious person, that's not
happening.
It also, self-efficacy is one of the most important things we help build up in kids.
So it turns out that when we do too much for kids, we undermine their long-term motivation to stay involved in the
things we want them to do. We also tend to give them extrinsic motivators, you know, whether it's
money for grades or the grades themselves, which means I'm kind of screwed as a teacher, right?
Extrinsic motivators undermine long-term motivation to do the stuff we want kids to do, like practice piano and do their homework. And yet, if we want our kids to not want to learn
math, the quickest way to do that is to pay them for their math grades. We know that through Edward
Deasy's work. So there's that motivation issue. But then the other problem is this. There's this
woman who has done work on impact of over-parenting and being overly
directive, not just on motivation. But if you think about some of the most effective teaching
tools I have, one of them is this really cool thing called desirable difficulties. It's been
around for a while, but it's really beautifully written about in a book called Make It Stick
from Harvard University Press. When I give kids tasks that require them
to do a little more parsing, to think about stuff that's just a little bit beyond their ability
level, stuff that makes them have to sort of integrate two topics or two concepts in order
to figure out how to do this thing, it bypasses their short-term memory and it goes into their
long-term memory and they know into their long-term memory and
they know it more deeply in the short term and they know it for longer, like 20 years from now,
they probably would be able to tell me a little bit about that concept. The kids that can't benefit
from desirable difficulties are kids who get frustrated and give up. And the kids who get
frustrated and give up are kids who have really directive parents.
If you have a parent who's been like, okay, sweetie, here's exactly how you do it.
I'm going to give you every single step.
And oh, no, no, not that way.
No, no, no.
Do it this way.
Those kids have less comfort with frustration.
And if a kid can't go on to complete a task, there's this woman named Wendy Grolnick has
done beautiful research on this.
Kids who had highly directive parents were a lot less likely to be able to complete a task. This woman named Wendy Grolnick has done beautiful research on this. Kids who had highly directive parents were a lot less likely to be able to complete a task that
required a kid to kind of get frustrated and sit with that frustration and push through.
Whereas kids who had what are called autonomy supportive parents, parents who let the kid kind
of struggle a little bit, come at it another way and get comfortable with that feeling of
frustration, those were the kids who were able to complete tasks that were difficult for them.
So over-parented kids tend to learn less in my classroom using the tools that work
best for learning is sort of the shortest way to put that.
I have all sorts of follow-ups. And just to put my cards on the table, it's in part because
I am soon hoping to begin building a family with my significant other. I have no kids currently
that I'm aware of. And so I am looking to take as many notes in advance as possible.
And one aspect of, I suppose, over-parenting,
or maybe that's not the right label, but distinctive styles of parenting I'd love to
talk about. And these may not be the right terms, but fostering the development of real confidence
versus the shell of confidence. And I've heard you speak on this very eloquently and it was very compelling. So I was
hoping perhaps you could elaborate on that. You know, unfortunately, the self-esteem movement
kind of had parents in like the late 60s, 70s, early 80s believing, well, and now still actually,
I think, believing that if we tell our kids over and over and over again, how great they are,
how smart they are, how talented they are, all those sort of fixed, you're so,
you know, you just fell out of the womb, good at math, that kind of thing,
that we can somehow create like a Star Wars force field of self-esteem around them so that when they
go out into the world and someone dings it because they're mean to them, or a teacher said something
that was a little difficult to hear or whatever, that somehow our kid would come home with like perfect, you know, self-esteem still intact around them. But that's
not how self-esteem works. There's some really interesting research specifically on kids with
low self-esteem, that the more we praise them for these inherent qualities of, you know, that you're
so gifted, you're so talented, you're so perfect, all these sorts of things that we actually, we don't raise their self-esteem, we actually lower it. What raises
kids' self-esteem is not confidence, that empty sort of optimistic, my mom says I'm the best
reader in the class, but competence, which is competence with a P, which is confidence based on actual experience.
On the confidence side, it's fun to hear you frame it this way because just the other day,
actually those two words sort of came to mind in the same sentence. That is confidence and
competence because I have lots of readers and listeners ask me how to develop confidence. And the answer is you have
to go out and do things that you are at the edge or right outside of your sphere of comfort.
Yeah.
So that you develop that sort of increased confidence, not without any context,
but confidence in your ability to execute something with competence. There's no way
around it. And then if you're being told, I imagine as a kid, you're the best at math, A, B, and C,
as opposed to you worked really hard and you figured this out. If you can't do something,
there's no fix, right? You're just a broken toy.
Right. There's actually an added layer to that, which is my MO for a long time was to
advocate my way into jobs that I was not qualified
for. But I usually, I became a political speechwriter. I had no experience doing that.
And I got into it the worst possible way. I read that politician's speeches, the ones he'd published
online, because these are the ones he was most proud of. And I fixed them for him. That was my
audition for him. I fixed his
favorite speeches for him. I mean, it was like the most stupid thing ever. But I think that there's
a certain level of not just I can do this specific thing, but I'm resourceful enough to figure it out
if I can't do that specific thing. And that resourcefulness only comes from having tried something and screwed it
up and tried it again and all that and had support throughout that process with someone
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How did writing The Gift of Failure and then being on the road, metaphorically speaking or otherwise, sharing the findings and stories and takeaways from the book affect your parenting
style, if at all? Or perhaps you are already applying the tenets and principles
from that book in your own family. I'm just curious how your parenting was reflective before,
during, or after of things that were emphasized in the book.
The gift of failure actually came out of me being just pissed off at the parents of my students for
stealing away so many really cool
learning opportunities, moments like where their kids were just ready to learn and then the parent
would swoop in and fix it. And then the kid didn't have to come up with his own strategy.
And I was on a very, very high horse about that. I really was. Especially because, you know,
I'm in this noble teaching profession and you're ruining it for me. But I realized at the same time, actually, one of my students wrote an essay about the
fact that she was so obsessed with being perfect that not only was she paralyzed when she had
to write things like rough drafts or do something where she may not look perfect, she didn't
care about learning anymore.
All she cared about was what grade she was going to get for the learning.
And this was a kid that I taught in sixth grade, seventh grade, and eighth grade. And somewhere,
we wrecked her. I mean, this was not her fault. We did something to wreck this because we had this
great sixth grade girl who would come into my classroom and say, Mrs. Leahy, Ms. Leahy,
what are we going to learn today? Or Mrs. Leahy, Ms. Leahy, guess what I learned today?
And then by the time she gets to eighth grade, she's telling me that she does not care about
learning anymore.
That is beside the point.
What is the point for her?
Is the grade she's going to get when she regurgitates whatever it is I want her to regurgitate in
whatever fashion and how high should I jump?
That was devastating to me.
And at that exact same moment, that same week might've even been the same day.
I found out that my nine-year-old couldn't tie his own shoes because I'd been doing it for him.
Yeah. And, and not only could he not tie his shoes, he was so humiliated by the fact that
he couldn't tie his shoes that he hadn't told me I hadn't figured it out. He was having to sit out
PE class, not play
with his friends because he was wearing his brother's boots to school because he didn't have
shoes without laces. And he was so humiliated. That was 100% my fault. I did that to him.
Because every single time it came time to tie the shoes, it was just easier for me to do it.
I was faster. Tying shoes is hard. Thank you very much. Manual dexterity.
Tying shoes is one of the more challenging tasks for a young kid. And yet we sort of use it as
this benchmark of like, you know, you're getting big. And so I just kept doing it. And then, you
know, Velcro, slip on shoes, that kind of thing. And essentially what I was saying to him every
time I said, Oh, I'll just do that for you. It'll be faster if I do it for you was, I don't think you're competent enough to do this yourself. And so that my lack
of faith in his ability to do it became our norm. And at that point, I then I was like a big
bucket of cold water over my head. And I was like, oh, man, I can't come at this from
you parents of my students suck because you're ruining this whole learning thing. I was
essentially doing the exact same thing to my own kids. A lot of what I write about is we're not
doing this right. Oh, look, I'm not doing this right. How can I do better and learn from it?
Which is super fun and a little humiliating. Well, better late than never, right? I mean,
it's right. And then we can model that for our kids, right?
I mean, if we change what we do as parents, we don't have to just pull the rug out for under
our kids. We can say, look, I thought I was doing the best possible thing. I learned some stuff and
I didn't give you enough credit. And now I'm changing because I have new information. And
that's what I try to model for my kids all the time. Back to Albert Schweitzer's quote.
Yeah. I have a friend who he's just assumed, I think this model for my kids all the time. Back to Albert Schweitzer's quote.
Yeah, I have a friend who he's just assumed, I think this is probably fair for all parents to assume that he's just screwing his kids up in all sorts of ways he's unaware of.
And so he's like, look, I know I'm fucking them all up, but I'm going to pay for the
Hoffman process.
I'm going to pay for this other thing.
When they're 18, they're going to go through these following three things to sort of unfuck
themselves.
And I've already committed to doing that. Speaking of a separate friend, I can actually
name a friend named Mike Maples, really sweet guy. And he, on a walk with me at one point,
shared the two things that he would emphasize as a new parent, because I asked him this some time ago. And one of the things that
he said was optimism. Oh, yeah, I love it. And I believe you've pointed out research related to
kids with high ACE scores, that's Adverse Childhood Experiences scores, showing that one
of the most important things that people can do for these kids is teach
them hope. And I would love to hear you expand on that. And if there are any particular ways of
teaching or fostering hope that you think work, how does one do that?
Hope is this really cool thing that I think people tend to, in their heads, think of as something fuzzy, like, oh,
balloons, bunnies, unicorns, isn't that nice? It's not. It is essential. There are whole books about
how one of the big solutions to intergenerational poverty is making sure kids have one adult who
teaches them to have the ability to not only see that their life can be different. And then there's
part two, which has to do with self-efficacy, that they have the power to make it be so.
In fact, that definition of hope comes from a guy named Shane Lopez, a guy I love. He has
died, unfortunately, and I miss him so, so much. But his Twitter handle is, it might even still
be out there. It was Hope Monger,
a seller of hope. He's just really cool guy. So according to him, hope is your ability to
envision that your life can be better, different, better is I guess the way to think about it.
And that you have the power to make it so. That is incredibly powerful that when we talk about
sometimes about kids having that one person who,
you know, if you say, who is that one person who really made you believe in yourself? And it's
whatever, a teacher, a coach or whatever. It's usually because they help them believe that their
life can be better and they had the power to make it so. Those are the two sort of elements there
that are really, really important. And I have a whole shelf. I'm looking across the way at an
entire shelf on books on hope and optimism, and they're intertwined in incredible ways. And it's really,
really important that kids have someone, one person who lets them know what their life could
look like and gives them that vision and helps them sort of start to believe that it could be so. And that's at the center of hope and optimism,
I think. And something that was consistently missing when I taught kids in an inpatient
drug and alcohol rehab. There were a lot of kids in my classroom, the vast majority of the kids in
my classroom did not have any belief that their lives could be different or that they had the power
to make it so. So we're going there next or next after next. No, no, you're good. You're good. No,
no, you don't have to apologize. We're going there next, but I should say next after next,
because you mentioned the bookshelf full of books on hope and optimism. When you need a dose
of hope or optimism, do you have one or two books that are your
go-to inoculations or I should say booster shots, so to speak?
Yeah, they're actually sort of specific to whatever it is I'm thinking about or
doing for writing. It's Stephen King's On Writing. My kids use it too, actually. My
17-year-old and I have listened to this book in the car more times than I know because it
makes me want to write and it makes me find the joy again in writing. It's an incredibly joyful book. It's
an incredibly useful book. And it is a book that makes me want to, and I know this sounds a little
weird, but turn it off and go write. And that's my go-to book for that sort of thing. And I owe
him a debt of gratitude for that book. And you had the chance to interview him, if I'm not mistaken.
I did.
You lucky duck. I'm so jealous. So jealous.
I think the key to catching Stephen King's attention and getting him to want to talk to you
is to come at something from an angle. This is something you do really well.
Come at it from an angle that he had,
and he's been asked everything, right?
So what my angle was, we were both English teachers
and I happened to know that he loved teaching grammar.
So my interview was 100% about how one teaches grammar
or as he calls it, business English.
And it was a dream come true.
Really, it was.
It was huge for me.
Any other books that pop out when it's anything outside the scope of writing? Although I realize that also on writing includes and covers a lot more than just writing.
Oh, yeah. It absolutely does.
But are there any other books that come to mind?
I think of them as comfort books, but they're also kind of hope and optimism and jab in
the arm kind of books.
I'm a huge nonfiction reader, especially about the natural world.
So the past year has been, for me, has been just such an overwhelming buffet of good books
about everything from the Book of Eels to, of course, the minute someone asks you about books,
you start to blank out. But for me, the thing that has brought me the most joy, especially
during the pandemic, has been being outside. I live in Vermont. I live in the woods.
There's this guy named Bern Heinrich who writes a lot about, he has a book called The Winter World,
The Summer World. He wrote a book about crows and ravens and how smart they are. For me, I get a lot of my hope and power and happiness from thinking about the things I can
discover out there in the world. And so they make me want to get out of the house, which is a really,
really good place for my head to be when I'm in a bad place.
Take the focus off the self for a little bit.
Yep, yep, yep. Crows are a good thing to
think about, I suppose. Crows, you said? Yeah. Crows are cool. Crows are amazing. Eels are cool.
The owls of the Eastern ice, they're pretty cool. But lately, that's my thing has been that sort of
natural world stuff. So hope and optimism. You can listen to your new podcast, Pros and Crows.
For a dose, I'm kidding.
That would be good.
No, I like it.
Vermont is spectacular.
I've actually spent a lot of time in Vermont.
I went to Middlebury College to their language school and I've spent a lot of time up in Vermont.
It's a beautiful, beautiful place.
Let's jump to substance use and abuse in kids, what surprised you most in your research or what just surprised
you? Because most is always like the pole position, number one answer. And sometimes
that's hard to sort for. What did you find surprising in your research about preventing
substance use and abuse in kids? The amount of parenting and education we do by the seat of the
pants without even thinking about the research about what works and what doesn't.
There's a lot of in education.
There's a lot of this, too, like this is how I was taught.
And so therefore, that's how I'm going to teach it.
Or this is what we've always done kind of thing.
So there's a lot in a lot I screwed up in parenting my 22 year old.
I let him have sips.
I let him have his own glass of wine at dinner.
Research is really, really clear. Parents who, you know, have a clear and consistent message of no,
not until you're, it's legal, which by the way, when I say it's legal, I don't care about the legal part. What I care about is the brain development part. 21 and finishing up brain
development happened to, you know, happen in proximity. So things like the myth of,
oh, but those Europeans,
they raise those children who just are moderate drinkers because it's not special to them. They've
grown up with alcohol and so they totally know how to be moderate drinkers. That's not how it
works. A, you can't teach moderation. B, the European Union has the highest rate of alcohol
consumption in the entire world. And while there are countries that
sort of do have a culture of it's not cool to be out in public and be drunk, a lot of the countries
you think of that we're trying to model our kids on aren't those countries. So just a lot of stuff
that I did because I thought it was the right thing to do. When my oldest son was born, a friend of ours who really knows wine sent us
a spectacular bottle of wine. And so I put some on my kid's tongue because I wanted my infant,
his first taste of wine to be a really nice bottle of wine. So, you know, I did some stupid stuff.
A lot of the stuff that I did was because I just didn't know any better. And so all of the writing
I do is very much from the perspective of, well, yeah, we screwed this stuff up because we didn't know any better. But that's not something to be ashamed of. This is us learning to be better. And P.S., I've made most of these mistakes. So let's take this information about our kids' risks. Let's take this information about what the research shows that really works for prevention and let's actually not feel embarrassed or shamed about what we did wrong and just move forward from a place of, you know, knowing what works and trying to use that.
So we're going to jump around temporarily here a little bit, but what does it mean? What are your responsibilities? What does it look like to be a recovery coach at Santa?
I think it's really similar to what I did at my rehab classroom, which is essentially being a sober person who, for better or for worse, when I used to tell my students that I was in recovery,
my students would say, you don't look like an alcoholic because people tend to have some
image in their mind, whether that's of,
you know, someone in the gutter or someone who's homeless or someone who has mental illness or
whatever. Being a role model of someone who has been in long-term recovery and still struggles,
but still makes it work. That's sort of at its core, what being a recovery coach is. It's to be
someone who's been there and done it and has come out the other end
at least eight years on and is able to just give people hope. I mean, we're back to that hope thing.
I'm modeling hope. I'm modeling optimism and I'm modeling. I'm also giving them some of the tools
I've learned. For me, it's really important for me if I'm going to a dinner party to know that A,
I can't worry about offending the host if I have to leave, that I always have an
exit strategy, and that my husband and I have a signal for when it's time to go. And that I just
have to put my ability to stay safe and sober first above worrying about offending my host.
So things you figure out over eight years of sobriety, that's part of what I'm there for.
Sharing the playbook. What is the format? Is it a group class? Is it one-on-one?
How do you impart these lessons and model?
It's both. We're still shaping this. Santa is fairly new. The cool thing about Santa is that
it's the first medically-assisted recovery and treatment center in Vermont. There
just hasn't been one. And so we're still figuring out what Santa is going to look like. But the cool
thing about my job is I get to do one-on-one and I get to do group stuff. If the people that are
getting treatment are parents and they want to talk about prevention and their kids, I get to do
that too, because that happens to be my wheelhouse. But I'm just available, both on a
regular basis in a group setting, and then as needed individually to just talk them through
stuff that's scary and talk them through, you know, oh my gosh, what's going to happen. In fact,
I did a talk recently to parents of people who work in the alcohol industry, like parents who
work in the big alcohol companies. And
that's a really scary place to be because their entire, where their money comes from,
and often their social lives and the lives they have around their social life and their work life
is often really entangled. And a lot of that is around alcohol. So how do you talk to your kids? So there are a lot of people who just sort of say things like, what if I need to go to that Christmas party and I just get weak?
Or what if my kid comes to me and says, you are a hypocrite. You can't tell me about the fact that
I can't drink because you're an alcoholic. So how am I going to manage that and keep safe myself?
That's my job. What does medically assisted mean? Is it sort of like a medical triage where they
can provide like saline drips for rehydration or interventions that involve? Yeah, it means a
couple of things. So medically assisted detox means that it alleviates the symptoms of, you know,
when you're used to seeing, if you watch like, I don't know, like some recovery show or a movie, a depiction of someone who's going through withdrawal or whatever.
It's like, you know, the pain and the sweat and all that stuff.
It doesn't have to be that way.
A lot.
Some people believe that, you know, you have to go through that.
So you'll be so scared of going back on of having to do it again that you won't go back on drugs, but that's just not the way it works. So medically assisted, especially for
alcohol, you can die going through withdrawal from alcohol. It's really, really dangerous.
So having a physician around and actually the head of addiction medicine at University of Vermont is
the chief medical officer of Santa. So you have someone there actually monitoring you medically
and alleviating the symptoms of withdrawal so that you can get to the place where you can even think straight about what comes next, which is the recovery process.
And DT stands for delirium tremens?
Yeah, that's an old term.
Yeah, it does.
It means delirium tremens. hearing of Germans, yeah. Seeing spiders and the classic things that happen to people who
are to the point where they need alcohol in their system to stay alive, essentially,
because you can have seizures and die if you're at that point in your alcoholism.
Why did you decide to write a book about this and all these things, addiction, inoculation? As soon as I got sober, the very next thing that happened was,
okay, what about my kids? Because this has to stop with me. I mean, I'm the product of generations
of alcoholism. My husband also has the genetics. So my kids have it loaded up double barrel.
What do I do? And if you know, if you look at the experts
out there, they say substance abuse is a preventable public health concern. Well,
what does that word preventable mean? Like, what does that actually mean? What can I practically
realistically do to prevent substance use in my kids and the eventuality or the possibility of substance
use disorder in my kids? And can we control everything? Absolutely not. But we do know a
lot about what contributes to a person's risk of developing substance use disorder. And so
what does the research say? What works? What doesn't work? If just say no doesn't work,
if the assumption is on some level that kids are going to experiment with sex, with drugs,
prior to full brain maturity, are there any scripts or approaches from a parenting perspective
that can help mitigate the risk or mitigate the possible damage?
One of the things we hear a lot about is that, oh, everybody's doing
it kind of thing, that script. And what we know works for kids, what the research shows works for
kids to prevent them using drugs and alcohol is actually having real data. A lot of parents,
I think like the sex conversation, a lot of parents are really worried about talking about
it will make them do it kind of thing. Or like, maybe if we talk about pot, they're going to suddenly realize that pot exists
and they're going to start using it or something like that.
And that's not how it works.
Giving kids real data on actual prevalence, how, you know, for example, if a kid in eighth
grade is offered alcohol and the kid says to them, you know, well, everybody does it.
It's no big deal.
And that kid happens to know that less than a quarter of kids have a sip of alcohol by the end of eighth grade. That's
useful information. That's powerful self-empowerment information, information that
helps kids feel more like they have what's called self-efficacy. Helping kids understand before they
go off to college. Here are the kids who drink. Here's how much alcohol is consumed by kids in college. Here's this vast majority of kids who either drink minimally or not at all in college.
A bunch of years ago, I asked my students, in your most lucid and trusting and open moment,
what could an adult have said to you that would have made you think differently about your use
or made you possibly reassess your use? And all of them said, be honest with me.
Saying things like drugs are bad is clearly a lie because people wouldn't do drugs if they were all
bad. If there was no upside, why would anyone ever do drugs? So that's a lie. And right off the bat, they know that we're lying to them. So why should they trust
our information? Giving them real information about what it does to their brains at certain
stages of their development, helping them focus on. So for example, if you have a kid who really
wants to be an architect or a policeman or whatever it is your kid really wants to be.
And you know that they're going to have to finish high school or finish college or get to a certain
level of achievement in order to be that thing. You can say, here's the deal. We know that the
hippocampus is smaller in kids who use pot on a regular basis. And the hippocampus is where memory
formation happens. And that old joke about people who smoke a lot of pot having no short-term
memory, that's because those receptors are right there on and around the hippocampus,
and that's a very real thing. And in grownups, sometimes that can be temporary loss, but in kids,
it's more likely to be a permanent sort of situation. It can be temporary, but we also know that there's permanent changes
to the hippocampus over time. And so these goals that you have for your life are going to be less
likely for you to be able to achieve if you're messing with your ability to remember stuff.
Bringing the data, the information, that dry data about what it actually does and how it does it and
what it's doing to your brain, when you attach it to your child's actual goals and hopes
and dreams, we're back to that hope and optimism stuff, that's how you get real leverage with
kids.
And being more honest with them about all of that, who uses how much, when, what it
does to them, that's the stuff that actually
works to keep kids making better decisions. And actually, one last thing, if I could add on,
there's this really cool thing called inoculation theory. It's a school in sociology and psychology.
Inoculation theory around helping kids manage risky behaviors like having sex before they're
ready or using drugs and alcohol
or whatever that, getting in the car with a drunk driver.
When we give kids scripts or help them practice refusal skills or give them a rebuttal, just
knowing that they have a rebuttal to everyone's doing it or it's no big deal or whatever that thing is.
Just knowing they have a rebuttal will make them more likely to use the rebuttal.
And here's the coolest part.
It generalizes.
So when we use inoculation theory to help kids not get in a car with a drunk driver
or not have sex before they're ready or not use drugs and alcohol, it will generalize
to all those other things, which is really cool. So not only does it make it more likely that they will use those
refusal skills, they will generalize to other risky behaviors. So that's why inoculation is
in the title of the book and why I'm so excited about inoculation theory.
I dig it. Question on the sort of triage side of managing non-ideal circumstances.
So let's say a parent gets a call from a nurse or a supervisor at an infirmary at a given school.
Let's just say a college.
And turns out their son or daughter has not necessarily alcohol poisoning, but has ended
up there from drinking too much alcohol.
What advice would you have for that parent?
What should they do or say or not do or not say?
Do you have any thoughts?
The first most important thing is this is not about you.
Number one, parents, this is not about you. This is not your failure as a parent. This is not about you. Number one, parent, this is not about you. This is not your failure
as a parent. This is not about you. So just take a deep breath and just sort of chill about that
for just a second. Number two, whether it's a kid who starts having sex or a kid who gets drunk for
the first time, this is not an all or nothing sort of thing. It's not like my kid is ruined
because they've gone over this black and white border that culture has set up for them. So it's
going to be really, really important for your kid to know that they have not transgressed to the
point of no return. You've not lost faith in them. You're not, you know, you have to listen from a
place without judgment, especially early on, because the kid is going to feel like
definitely like that they've failed you and all this other stuff. And you want to avoid going to
a place of really high emotion because you doing that is just going to make your kid do that. And
then neither one, nobody's listening to each other. A lot of this actually goes back to gift
of failure stuff, which is helping your kid figure out what was this experience like, what was positive,
what was negative, taking what they've learned from this situation and carrying it forward
with them to the next time, talking to them about and making sure that they do suffer
whatever consequences are.
So if the nurse calls and says your kid is clearly feeling hungover because they drank
the night before, you going to pick them up is not going to help the situation. That's you saving them from feeling crappy at school. The worst drunk I ever had that
my husband knew about, I had to go to school and teach the next day. And I'm so glad I did because
it was one of those pieces in that puzzle for me. It was like probably piece 97 was I can't teach
and be hungover was a really important lesson for me to learn.
And I feel like crap and I still have to manage school is a really important thing for you to expose your kid to.
Same thing with like,
if your kid decides to go nocturnal and not sleep,
make them go to school.
They have to, you know, feel,
because you can't teach them cause and effect
if you're saving them from the, you know, from the effect.
That's just not how that stuff works. So those
are going to be really important. Listen without judgment. Take yourself, get your emotions out of
the equation. This is not about you. And this is not an absolutist sort of situation. We can start
again tomorrow. And that's been, frankly, for me, that's a really important part of recovery.
If I were to screw up tomorrow, and I very well could, I don't know, the next day comes, and then I start all over again the day after that. And on a tangent, that. And I think everything he has done
in terms of being a role model in recovery
pales in comparison to what he did in that episode
when he admitted to the fact that he had relapsed
and he was starting again at day one
and that he had seven days and that he was starting over
because in an alternate universe,
he could have very easily given up.
And I think a lot of kids right
now, the anxiety we're seeing in a lot of kids is that the world is absolutist and you either
suck and you might as well just go off yourself or you're perfect. And we need to help kids see
that realizing that tomorrow is a new day and we need to take what we learned from yesterday into tomorrow. I think that's one of the most important things we can do for kids.
So you've mentioned or we've spoken about the 100 pieces and the birthday party. Do you have a,
even outside of the realm of anything alcohol or alcoholism or addiction related,
do you have a favorite failure? Meaning, do you have a failure that in retrospect is something
that really set the stage for an incredibly important lesson or learning or set up success
later? And I suppose a lot of those hundred pieces, like having to teach hungover could be examples of that. But does anything come to mind for you?
Yeah. It's not recovery related. It has to do with my writing. So I wrote The Gift of Failure.
It was my first book. I didn't know how to write a book. I mean, knowing how to write a book is a
learned skill, right? So the idea that a journalist who's used to writing 1200 words could suddenly write 70,000 and do it perfectly the first time around. I had it in my head. My fantasy was I would hand
my first draft in and my editor would come back to me and say, well, there's no edits here. I mean,
this is it. We could publish early. This is perfect. What happened instead was this. I
turned my book in on time on October 31st. And on November 1st,
I went on a horseback ride with my husband. My friend of mine has horses that she lets me borrow
sometimes. And I was thrown from the horse and I landed on my head and I lost my memory and lost
my ability to read for a little while. It was bad. It was really bad. Didn't remember that I'd
finished a book the day before, all that sort of stuff. So I had some post concussion syndrome that was really depression and stuff. And then I got a call from my editor.
Actually, I got an email from my editor asking me to come to New York for a talk.
Uh-oh.
No, yeah, that's not good. And my editor is like, I just idolized her. She's like a grand dame in
publishing. She's amazing. So this wasn't going to be good. And I went and what she said was this. Oh God, it still makes me want to throw
up. She said, this book is unpublishable. She said, and then she said the worst part. That
wasn't the worst part. What she said was we need to think about bringing in a ghost. Now, a ghost means a ghost writer.
I am a professional writer, and she wants to bring in a writer to help me write my book.
So I didn't throw up.
I was actually very proud of myself for that.
But I said, look, and I didn't cry, which was also a huge thing.
I said, before we do that, I needed some extra
time anyway, because of the head injury that really got in my way for a while. So we had
some extra time to play with. I said, give me two chapters, give me a probationary two chapters
and tell me everything I did wrong and what you want this to look like. And I filled a notebook. I sat in her office for,
I was in there for over an hour listening to how bad I was, to how much I stank as a writer,
essentially. Luckily, she was also lovely and she said things like, this happens with a lot
of journalists. You're used to writing in short bursts. And so you end up writing this very
fragmented, large thing that doesn't hold together as a whole. And your writing is fine. It's your
organization that sucks. And that's what you need help with. So she gave me those two chapters.
And I went home and I read over a notebook full of how badly I suck as a writer.
And I digested it. And I turned it into essentially a checklist of
what not to do again. And those two chapters turned into four, which turned into six,
which turned into the whole book, no ghostwriter, which turned into a New York Times bestselling
book. That's not the best part of the story. The best part of the story for me was that when she
bought my second book, I turned that book in on time. My agent was a little nervous because she knew I'd been a lot to handle the first time, right? My editor's having to line edit an entire book because I'm a ton of work. But I had run my second book through the what not to do again to-do list filter. And the book was so clean that she wanted to move up my publication date.
So it's not that I'm a great writer. It's that I was humble enough to say,
teach me how to be better. I will take it to heart and I will be able to be objective about it
and I will use it and I won't make these same
mistakes again. So when I handed in not only Gift of Failure, but then the next book,
I was able to show my editor that I learned from my mistakes. And it was really sweet as she
referred to me in a recent email as a dream author because I learned from my mistakes.
Whatever you lacked in writing a book or organizing a book you made up for with
negotiating prowess, I'm impressed that you had the presence of mind to negotiate for the
probationary chapters. Do you remember anything from your not-to-do checklist?
Oh, yeah.
Does anything come to mind that you can share? I would love to hear some of them.
It's really specific. I used to like the word particularly, and that's stupid. Don't use that
word. Also, if you're ever going to record your own audio book, really don't use the word
particularly because it's really a hard word to say. For your audience, they might be kind of
boring things. They're about organization. They're like- My listeners are into that kind of stuff.
If you're going to write a book, like the two books that I've written,
that is about parenting kids from preschool to college, make sure that everything is organized
in the same way. So if you set up an organizational scheme for your book, whether it's by age range,
whether it's by grade, then replicate that over and over and over. It's
helped me become a lot more organized in my writing. And you know, it's really simple stuff
that I used to teach my students. Like, if your topic paragraph says you're going to address
points one, two, three, and four, you don't address points three, four, two, and one, you go in the
order that you said you were going to address them. And so come up with your own sort of style
guide for your, it's not really a style guide, your own organizational guide for your book.
And then make sure that every single time you talk about whether it's scripts for helping kids
get out of tough conversations or whether it's, I don't know how a kid's brain develops that you're
always going by the same organizational schemata or whatever that
thing is. So just be organized and stick with, if you're going to call something, and this was
tough actually in my last book, we're supposed to be using the term substance use disorder,
not addiction, not substance abuse, but you can't say the same words over and over and over again.
So you have to come up with other ways to say those things.
And just keep track of what you're doing.
Make everything look the same over a whole book.
Yeah, that has been sort of politically removed from the lexicon that you can run into a repetition issue.
I can see that.
Hard to just pull out the thesaurus.
And call yourself on it.
So if I'm going to use the word addiction on the front of my book, I as a journalist, I'm not supposed to be using the word addiction in my book, I
better explain why I'm using the word addiction, which I do. I get very specific. Rather than run
from or hope no one will notice, address it and put it out there. And that makes things a lot
easier for you over the long run.
With the not to do list, I can imagine particularly you're like, okay, got it. Right. Check. Maybe not
loaded, not an emotionally wrought thing to accept. Were there any that kind of stung or that
took a second to kind of nod and accept?
Were there any stingers?
If you could share, I'd be curious.
I've got plenty.
Quote, you are not an organized thinker.
And I knew this.
Like I've always been a seat of my pants.
In 1200 words, you can go blah, blah, blah
and make it all come together.
But you can't do that with 70 to 90,000 words.
It's just too, it's unwieldy. Certain tools have really helped me also, by the way,
when it comes to things like the particularly thing, I use Scrivener to write and Scrivener
will let you-
Oh, me too. I love Scrivener.
Scrivener lets you, has a word frequency counter and you can look to see what words you're using
too much. And actually there's a fantastic book that came out last year called Dreyer's English. And Benjamin Dreyer
gives people, I think it's right at the beginning of the book, asks people to excise these particular
phrases from their language. And you can search on those phrases. I actually occasionally will
do an audit of the language I'm using in a book just to see
what words am I using a lot just give me the word frequency it'll Scrivener will give you the word
frequency for every single word you've used in an entire document you can find out if you're using
the word particularly and if you are then you know if you've used it 462 times maybe you need
to reduce that and the other cool thing is is, Stephen King talks about this, is reduction of adverbs. And I don't write, I am writing fiction, but I haven't released any
fiction. And that's been a really helpful tool for me as well, is just checking for adverbs and
clearing out the adverbs. Checking for dumb things that I tend to use in my language that
don't need to be there. Yeah, I use one of my current afflictions.
It's like some allergic, some food allergy that won't go away is that said like statement,
statement, statement, that said comma all over the place.
The word that is an Achilles heel for me. If you look through your document or your,
whatever it is you're writing, could probably remove 95 of the word
that just try the sentence without the word the other big thing that i learned as a journalist
that i learned from my editor and it's one of the smartest things i've ever heard and i now use the
give other people this advice all the time is if you're writing like an op-ed piece or a short essay
your last paragraph is probably your better first paragraph because people tend to take a long time
to get to the point and then it's really clearly and beautifully elucidated in their you know
articulated in their the end so i work with a group called the op-ed project which is helping
elevate diverse voices to getting people to own their expertise and write op-eds because
you know a while ago we figured out that op-eds were being written by white men.
So how can we get other voices in there? And that's almost always the first piece of advice
I give my mentees at the Op-Ed Project, which is look at your last paragraph,
move it up to the top and just see. I bet you your piece works better.
That's great advice. Are there any writers who immediately come to mind, nonfiction, they could be fiction also, but outside of Stephen King, for structure or other characteristics where you're like, wow, book, which is called How to Raise an Adult. Tricky things about Julie Lithcott-Hames' little backstory is that Julie and I also shared a student. I taught a girl in high school who went on to Stanford
and Julie was the freshman dean at Stanford.
And so we were introduced through our student.
Julie and I decided early on
that the worst thing we could do
was compete with each other.
And the best thing we could do
was be each other's biggest cheerleader
that people who can afford one book
can probably afford two.
And so that's been our MO ever since.
Her second book was a book called Real American.
And I expected Julie to write a straight up memoir. And I was super excited because I'm like,
I'm all in. Tell me, Julie, I'll read anything you write. And she wrote it in the most,
some of it was like, it was like prose poetry. And it was, she taught me to be brave with that
book. So now every once in a while when I'm writing something, I think, oh, just think about
Real American. Think about what Julie did there. A, her publisher let her do it because it was so
good. They had to admit that she was doing something kind of magic and be brave and don't
think, oh, you know, my editor is just not going
to go for this because it's different. And there was another book actually called Half a Life by
Dare. Oh, shoot. This is why you should never mention books until you're positive you have
the author in their head. Half a Life. It came out a long time ago, like, I don't know, 15 years ago. And it came out, and it has a lot of empty space in the book, because it has to, because that's part of the plot.
Darren Strauss. Half a Life by Darren Strauss. D-A-R-I-N. And you say, well, what do you mean with empty space in that book? And he allowed for room because he had, you know, it was about the fact that he hit and
killed a girl when she was riding her bicycle and he was in a car when he was 17.
And so half a life is about that.
And there needed to be empty space in the book because there was empty space.
And anyway, so I look to people like that.
I also have authors that I look to as my...
Question.
Yeah.
As empty space, do you mean...
Actual empty space on the page.
I see.
So the actual visual layout of the prose.
There was a chapter where it was like two or three lines and then empty space for a page and then the back of a page.
And then it's, and it was just little things that make me think, oh, it doesn't always have to look
the same. You know, Julie, they, they allowed her to use an interesting and different font
that freaked me out at first and then realized, oh no, wait, this is perfect.
You know, prose poetry memoir. No, but it totally worked and it was great. And Darren's use of space, this does require that you have an editor who can get on that sort of place with you. But I also have authors that I need as an expert voice. I talk about this on the podcast that I host, is that I'm big into dissecting other people's work to figure out what works and what doesn't.
And sometimes I, especially when I'm first searching for my expert voice, I will keep
copies of books on my desk that are written by people who are not afraid to tell the truth,
not afraid of people coming after them, not afraid of being the expert. And when I'm feeling weak on a given writing day,
I'll pick those books up and read them so that I can feel strong.
You know who does a great job of that for me is Mary Carr.
Oh my gosh.
Mary Carr.
Yeah.
She's so good and so funny and so zero fucks given. And she's a real artist. I mean, she's an artist and a craftswoman,
if that makes any sense. She combines the two. She knows how to put in motion the carpentry of
writing, just like Stephen King. And I believe they know each other, I think. But Stephen King has a mastery of grammar.
And yet she's also very good at experimentation and especially good at telling the truth.
I think she's just fantastic.
Yeah, I think it's really, really important to have people like that that you look at and you either say, and actually Stephen King talks about this in On Writing, you either
look at that and you go, oh, shit, I could never be that good. I mean, how does that person even do this? How do they make
me feel these things? And that can be aspirational. But again, I also, as he says in his book,
I think it's important also to read bad books because for someone, especially because I think
it's been really important for me, especially when I was
writing Gift of Failure and I was having a crisis of confidence. It was really important for me to
go out there and look at these books that are on the shelf that are crap. And I know I can do
better than that. And that also pushes me to put the best work I can put out there because I can
do better than this. And this book got published. How did that book get published? And my editor is saying that my book is unpublishable. I can do better than this.
Yeah. You can even go down the New York Times bestseller list and find some stuff that is very,
very, I don't want to say poorly written, but that is not going to, it's going to inspire
confidence as opposed to intimidate. And I think maybe I've been reading too many good books because I've been feeling terrible
about myself.
I read Little Big, Little Comma Big by, I want to say the author's name is John Crowley.
This is from memory.
It's this incredible, fantastical novel that is one of those tour de force, this just display
of virtuosity that left me just wanting to forget I ever saw writing implement.
So yeah, maybe it's time to read some very mediocre bad books. When you read bad books,
is there a genre that you like where you're like, even if this is shitty, I'm going to enjoy it?
Oh, yeah. If someone can just carry me along in the story and I just want to find, I'll stick
with a lot. I will be fairly quick to give something up if I feel like it's a waste of
my time because there's just too many good books out there to read.
But a good thriller where there's some clunky dialogue or there's some clunky descriptive
language, if there's a really, really good plot going, I'll stick with it.
And plus, I do a lot of my listening.
Since my head injury, I have a few lasting things from that.
My time reading on a screen or a page is somewhat limited. So I reserve that for work. And I listen to most of my
sort of recreational stuff. And also I can't sit still. I'm really hyper. So it allows me to listen
to something and do something at the same time. So I can be like clearing brush in the woods and listening to an amazing book that has me off in another world. And I was just listening to just this
past weekend. I was really, I really loved Jodi Picoult's book, The Book of Two Ways.
It took me to Egypt and it took me to academia and it took me to all these places and I'm,
you know, clearing brush and there is no greater delight than that, I think, to be transported.
Do you have enough time for me to ask you one or two more questions?
Of course.
We'll wrap up.
Does that work for you?
Yeah, of course.
So we talked a lot about favorite failure and failures, which led into this discussion of writing, which was great.
Best investments. This could be an investment of time, of money, of energy,
where you look back outside of things we've already talked about. We're like, wow, okay,
that really was a formative or sort of disproportionately important thing that I
allocated X to or decided to commit to in whatever way. Does anything come to mind for you?
Yeah, I mean, they're the easy answers to this, which is, you know, if my kids want to buy a book,
they can always buy the book or, you know, I'm fortunate enough that we can do that. But what
I've come to realize in the past couple of years that investing in the things that my kids are
interested in, investing personally in the things that my kids are interested in, whether or not
they actually interest me has been an incredible learning experience. So even stuff that like for
a while there, my kid, when he was littler, my younger kid, he was really into crystals.
And I think it came out of crystal skulls and aliens and stuff, but then it morphed into just
crystals generally and like healing crystals. My husband is a physician, an infectious
diseases physician and a medical ethicist. I'm an academic too, you know, way too much education. So
my first instinct was, well, that's kind of woo woo for me. But instead I said, will you teach
me about that? Because I don't know anything about that. And that led to him going on speaking trips
with me and finding all of the crystal stores we could find within a 100 mile radius.
Or now he produced my younger son produces digital music.
The music he produces is not music that I would ever listen to on my own.
But asking him to teach me about how you use FL Studio, how you're using those serum patches that you're putting into your thing.
And then we started watching YouTube videos. We watched this guy named Adam Neely, who does
music theory videos on YouTube. He is fantastic. So we watch his name again. His name is Adam Neely
and E-E-L-Y. He is just watch a couple of his videos. In fact, even if I'm going to,
I'm going to say this and
you're going to not believe me. He has one on, and this is going to, most of it is like really
academic stuff, but he does one. And his mom happens to be in it too, because she's a voice
teacher. Her name is Kate on this one song that Celine Dion sings and why this one key change
is at the heart of what makes people feel in music. First of all,
I'm like, Celine Dion, no thank you. But I watched this with my son. I was wrapped. And Adam Neely
has a band called Sungazer. And as you well know, no music has been live for the past,
people just haven't been doing live music for the past year and a half. And so I found out that Sungazer was going back on a very sort of limited tour run just to get in front of a few audiences. And so we pulled some funds and we flew to Washington, D.C. just to watch Sungazer play. This person that we've been watching, someone that my son really admired. He plays jazz EDM. So like jazz, but also
electronic, not my bag, but we'd been learning about it for the past 18 months. And so I could
appreciate it. I could understand what Adam was doing, what the musicians were doing with their music. And more than anything else, my kid knows that I respect him
enough to put myself out there for things that are important to him. That investment has been
one of the most important things. My older son is an economist. Do I want to learn about economics?
No, I do not want to learn about economics, but letting him teach me about economic theory has been one of the best investments of my time and effort I could ever give.
That is a great answer and a great inspiration too.
Plus, bonus, I have been looking for a good way to learn about music theory that won't make me want to dive headfirst through
a stained glass window. So if Adam Neely makes music theory interesting, I'm into it.
Also listen to another YouTube producer called Polyphonic. I don't actually know his real name.
Polyphonic and Adam Neely. But Adam Neely is really cool. He's a bass player.
He went to Berklee School of Music. His videos are fascinating because they take one concept and explain how that concept makes music as special as it is.
And he's just, he's really cool.
He's really fascinating to watch.
I'll check it out.
All right, I'm going to ask a question that is sometimes a dead end, and I will take all the blame for that.
But we'll try it nonetheless.
That is the billboard question. So metaphorically speaking, if you had a billboard,
it could be a push notification to phones if there's some environmental visual objection to
billboards to get a message, a quote, a question, an image, anything out to many, many people,
everyone in the US, let's say, apolitical, what might you put on that billboard?
Two things. Number one, not two answers, two things. Number one, did you know that billboards
are not allowed in Vermont? So it is really striking the minute you leave Vermont. If I
take the ferry over to Plattsburgh from Burlington, oh my God, billboards are ugly.
They are so ugly. They're horrifying. This is the thing that I would put on the billboard is essentially what I do like as a teacher, as a writer, as someone who works with kids and adults in recovery. And that's just the question. Did you I think as human beings, there's no more important thing we do as make someone else feel seen or
heard,
especially when they're it's most needed.
Love that.
And I also love that Vermont has no billboards.
I did not know that.
Signage.
Even if you look at like,
you know,
fast food restaurants,
signage is incredibly tightly regulated here.
It can not be ugly.
So it's, it's awfully nice.
Go Vermont. Good for you. If you had a, and you may already have a reminder, like a sticky note on your computer or on your refrigerator or on your mirror, if it couldn't include your answer,
if it couldn't be your answer for the billboard, what might it be?
Actually, they're behind me.
One of them is behind me and it says, hold on, let me grab it.
Okay.
One is from a researcher named Larry Steinberg, Lawrence Steinberg.
He wrote a book called Age of Opportunity about adolescence.
And this one is protect when you must, but permit when you can. And that one,
that's my, that's my parenting mantra. But then this is when I was teaching 10th grade,
one of my students wrote this quote on a piece of paper because she thought I might like it.
She was correct. She's now a mother of two. And, you know, anyway, it's the Heraclitus quote,
you could not step twice into the same rivers for
other waters are ever flowing on to you. And it just helps me remember that no matter what I screw
up, no matter how I screw up, no matter what, that there are different waters tomorrow. I mean,
it comes back to this, you know, if I screw up my recovery, if someone else screws up their recovery,
if my kid screws up tomorrow ever, you know tomorrow new waters are going to be flowing over us.
And so it's going to be really important for us to walk into those waters from a place of newness and acceptance and learning.
So those are my two.
You've pulled my attention to the wall behind you.
I've been focusing on your face, and I can't miss absolutely not with not underlined. What is the background?
What's the backstory on that? I think I asked my husband a question or a kid asked my husband a
question and the answer was absolutely not. I just thought it was funny. And so I put it out there.
I'm not a sentimental person. And so the fact that I have a wall full of things that mean something to me, these are the things that mean a lot to me. And it's because,
and I have to tip it slightly this way so you can see, there's a picture right here. And this is my
father's office when I was little. He was an industrial designer and he had a 20-foot high
wall in his office that had just stuff from all over the world that he had collected,
that people had given him, things that meant a lot to him. And when I was little, I said,
someday when I have an office, I want a wall like that. I want important things on my wall.
And these are the important things on my wall. And every single thing on this wall,
for the most part anyway, has a story. It's amazing.
I mean, it looks like just for people who don't have the visual, if you imagine you had, and hopefully this description doesn't offend you in any way.
Wow, it's tall too. your, your grandparents desk and also went on like a scavenger hunt outside and stole a few
things and you took everything and put it on the floor so that you could take a photograph from the
top, but then you turned it and it was on a wall behind you. That is what this looks like. Are
there any other items here that you would like to explain that are particularly meaningful? Yeah. So I made that.
Particularly.
I made that in second grade. So I've carried that around with me my whole life. That's my dad.
What is that?
This is a cherry pie. Duh.
Oh, obviously.
Obviously.
Obviously. Someone gave me this. That's Power Girl because someone said I remind them of Power
Girl. And I'm like, well, that's badass. So she needs to be up there. When I first started writing for the New York
Times, there was no budget for our art. So we used to have to make pictures. If you go back to my
earliest columns at the New York Times, the pictures are with literary action figures,
Playmobil figures, and Lego figures for the most part. And so,
a bunch of my literary figures are up here because they're from my New York Times articles.
My kids' Harry Potter wands are on here because when people ask me questions about parenting,
my answer is often, you know, I wish I had a magic wand to wave to say, you know,
let me just fix that for you, but I can't. This picture right here behind me,
this is my law school graduation, and this was my best friend, Mary Moore Parham, and she died
by suicide in 1999. And the scholarship fund at SANA, the reason my entire salary goes 100%
into a scholarship fund for young people is because of her. It's named for her. She worked
with people who needed, who had mental health issues and just needed help and didn't know
where else to get it. And so that's where that comes from for her. But there's one thing I am
embarrassed about up here. There's a, this ring up here, there's a carousel on Martha's Vineyard
in Eggertown. And as you go around,
you grab, and you know the saying of grabbing the brass ring. There's a brass ring, and if you win,
if you get that, then you win something. My dad took, a long time ago, took a couple of the rings
from that carousel and has felt guilty about it his entire life and returned them all to,
sent them in an envelope back to Eggertown, back to the carousel,
back to the town, actually, I think, except for this one he found when they moved.
And so at some point I'm going to have to take it. I want to take it in person to Eggertown to
return it. It's rightful owner, the brass ring. I'm sorry to hear about it. It's not one of the
brass ones though. It's actually, I think one of the steel ones. It's not, if it was a brass one,
I would have already returned it. Yeah. Well, I think, one of the steel ones. It's not. If it was a brass one, I would have already returned it.
Yeah.
Well, I'm sorry to hear about your friend.
She's it's she's it's cool.
She's it's her.
It was just the 20th anniversary, obviously, of her death.
But she is she's the reason that I make my life my argument.
Honestly, she's one of the main reasons I do that, because that's what she did.
Well, thank you for sharing all of that.
Of course.
And Jessica, this has been a lot of fun. We're recording this pretty late for those
who are unaware. We're doing this in the evening and I appreciate you rallying to spend the time.
Is there anything else you would like to mention? Anything else you would like to share ask of listeners before we wrap up the latest book
is the addiction inoculation subtitle raising healthy kids in a culture of dependence people
can find you at jessicalahey.com and on twitter at jesslahey instagram at teacherlahey and we'll
include links to all the other social on the podcast and Santa at Stowe as well
in the show notes. But is there anything else that you would like to add before we wrap up?
Yeah, I think this year has been, you know, this past year and a half, I had to try to release a
book during a pandemic. And I'm very lucky that I get to release a book, but I had to release a
book during a pandemic and especially on a topic that's really scary. I mean, talking about failure
in kids, talking about addiction in kids is really, really scary. And
I just want to reassure parents that avoiding these conversations is not how they get better
and they don't go away just because we avoid having them. And so I promise if you do choose
to pick up either one of my books, I come at this stuff from a place of compassion and love. I do not want anyone to
feel any shame, but for our kids' benefit, I hope that people consider thinking about whether it's
picking up one of my books or picking up Peggy Orenstein's books, Girls and Sex and Boys and
Sex, and thinking about how we actually have these conversations that scare us because they're
really important conversations to have and they don't just go away when we avoid them.
Not only do they not go away, things can get a lot worse. And I really thank you for bringing attention to raising awareness around these conversations, but then also providing
people with the tools to have these conversations. I also feel a huge debt of gratitude, by the way,
I need to thank in the addiction inoculation,
this guy, Brian, and this woman, Georgia, play huge parts in those books. And they told me all of the horrifying, joyful, scary parts of their stories. And then, as I said, gave me their real
names to use because they said, both of them said this in various iterations, these experiences were so
horrifying. I mean, Georgia lost a child and was homeless and was in prison. And these experiences
are only worth something if we learn something from them. And if their stories can help someone
else, then they were going to be worth it. And so I owe so much to Brian and Georgia for sharing
their stories for this book. Well, thank you very much, Jessica, for taking the time.
Thank you. And by the way, you would be a fantastic ninth grade teacher because
you're curious and that's what makes you a great interviewer. It also is what would make you a
great ninth grade teacher. Oh, thank you. I'm thinking about hatching some plans. Yeah, we'll see where it
goes. You know what my dream is? My dream is to open a recovery high school. If you ever get a
chance, watch a show on MTV. It was only like four episodes called 16 and in recovery. And it was
based on a school on the North shore of Massachusetts, a recovery high school. So a
school for kids who are struggling with their sobriety and addiction
issues, but we need one in Burlington, Vermont.
And one of the things I would really like to do is open one someday.
So that's something that's out there as a thing.
So maybe you could come be a ninth grade teacher and teach kids in recovery.
There we go.
I'm writing it down.
Never say never. Him, ninth grade.
Never say never. Never say never. I might get fatigued of this podcasting game.
And they could coexist also. Well, thank you very much. And to everybody listening,
we will have show notes linking to everything, including gift of failure,
addiction, inoculation, all of the websites and social and all the resources also,
and people we refer to in this podcast at Tim.blog forward slash podcast.
And until next time, thank you for tuning in.
Hey guys, this is Tim again. Just one more thing before you take off and that is Five Bullet
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