The Tim Ferriss Show - #808: Stephen West — From High School Dropout to Hit Podcast (Plus: Life Lessons from Ralph Waldo Emerson, Friedrich Nietzsche, Simone Weil, and More)
Episode Date: April 23, 2025Stephen West is a father, husband, and host of the Philosophize This! podcast.Sponsors:Gusto simple and easy payroll, HR, and benefits platform used by 400,000+ businesses: https://gusto.com/...tim (three months free) Momentous high-quality supplements: https://livemomentous.com/tim (code TIM for up to 35% off)Eight Sleep’s Pod 4 Ultra sleeping solution for dynamic cooling and heating: https://eightsleep.com/tim (save $350 on the Pod 4 Ultra)*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim’s email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim’s books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissPast guests on The Tim Ferriss Show include Jerry Seinfeld, Hugh Jackman, Dr. Jane Goodall, LeBron James, Kevin Hart, Doris Kearns Goodwin, Jamie Foxx, Matthew McConaughey, Esther Perel, Elizabeth Gilbert, Terry Crews, Sia, Yuval Noah Harari, Malcolm Gladwell, Madeleine Albright, Cheryl Strayed, Jim Collins, Mary Karr, Maria Popova, Sam Harris, Michael Phelps, Bob Iger, Edward Norton, Arnold Schwarzenegger, Neil Strauss, Ken Burns, Maria Sharapova, Marc Andreessen, Neil Gaiman, Neil de Grasse Tyson, Jocko Willink, Daniel Ek, Kelly Slater, Dr. Peter Attia, Seth Godin, Howard Marks, Dr. Brené Brown, Eric Schmidt, Michael Lewis, Joe Gebbia, Michael Pollan, Dr. Jordan Peterson, Vince Vaughn, Brian Koppelman, Ramit Sethi, Dax Shepard, Tony Robbins, Jim Dethmer, Dan Harris, Ray Dalio, Naval Ravikant, Vitalik Buterin, Elizabeth Lesser, Amanda Palmer, Katie Haun, Sir Richard Branson, Chuck Palahniuk, Arianna Huffington, Reid Hoffman, Bill Burr, Whitney Cummings, Rick Rubin, Dr. Vivek Murthy, Darren Aronofsky, Margaret Atwood, Mark Zuckerberg, Peter Thiel, Dr. Gabor Maté, Anne Lamott, Sarah Silverman, Dr. Andrew Huberman, and many more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Hello boys and girls ladies and germs, da da ha ha. How do you put yet? How do you mean?
I've seen that you're the shangyin now. This is Tim Ferriss welcome to another episode of the Tim Ferriss show and my guest today
Needs no introduction, but maybe does his name is Stephen West
I say he needs no introduction because he has been in my ears for years upon years
Stephen West is a father husband and a host of the philosophies this
and a host of the Philosophize This podcast. His Genesis story is insane.
His ability to synthesize decades and centuries
and millennia of wisdom into tight little episodes
and nuggets that actually deliver the goods is incredible.
So I will let him say more about all of that,
but he's one of the best people I've come across
who can
explain, translate, and humanize philosophy in a way that, in my words, doesn't teach
you what to think, but how to think better.
And he does that by studying the smartest people or the wisest people that have been
recorded throughout history.
You can find him online at philosophizethis.org. Patreon also philosophize this.
On X at I am Steven West,
and that is with a P-H, Steven West.
And on YouTube at philosophizethispodcast.
And we'll get right to the meat and potatoes of everything.
But first, just a few words
from the people who make this podcast possible.
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They currently ship to the United States, Canada, the United Kingdom, Europe, and Australia. Steven, I'm so happy that you're here in Austin, Texas.
Welcome.
Thank you.
I made it.
You made it.
I want to give a thank you upfront to a friend of mine
I think you've had some virtual interaction with him Davey Elitch
Yeah, professional drummer all around mensch amazing human and he sent me an article
I'm gonna quote from very shortly, which was in a sense a
revisiting of you and not so much your story, but your thinking for me because I started
listening to your podcast ages ago and our dear videographer who is helping with everything behind
the scenes listens to philosophize this. My producer listens to philosophize this and in my
little world, it is very well represented. Wow. Okay.
Thank you.
Yeah, absolutely.
And it's an amazing contribution,
incredible craft that you've honed.
But as promised, I wanted to quote from a piece
that was sent to me by Davy Litch.
This was in the Atlantic,
written by Thomas Chatterton Williams, great name.
And here's the line or two that I will share. 11 years ago, Steven
West was stocking groceries at a Safeway warehouse in Seattle. He was 24 and had been working
to support himself since dropping out of high school at 16. Okay. So we're going to start
there and actually we're going to rewind the clock even further. Could you just share a
bit about your childhood, how you grew up, anything that comes to mind?
Clearly, something went wrong along the way if I ended up dropping out of high school
at 16.
By the way, great writing from Thomas Chatterton Williams, by the way.
Incredible.
Dense writing there.
Yeah.
It's like Hemingway.
My parents had their own issues as people's parents do.
Everybody grows up with their own stuff.
Where were you born?
San Diego, San Diego.
And then I moved to Alabama, actually North Carolina.
My dad was in the military when I was very young.
So I went to North Carolina, then Alabama for a while.
And then we went back to California.
And then I was taken by CPS off the streets when I was nine for the first time.
Child Protective Services.
Yeah.
Yeah. We hadn't had an apartment in a few months and they just thought it was best.
I then went to like group homes and I was placed with family members at first. And then they also
had pretty toxic relationships. Apparently that's how it works. Like my parents come from messed
up situations. So when I then get replaced with one of these people, apparently they also have
kind of messed up situations. But anyway, taken by CPS again, separated from my big sister early long-term foster
placement when I was 14 up in Washington, which is where I live now.
And I haven't moved since.
All right.
But yeah, when I was 16, I didn't have any place to stay.
There was a long-term foster placement, like I said, and they did me a solid.
They said, look, in the state of Washington, you don't have to report somebody as a missing person
if they're over the age of 16. So what we can do for you is if you just were to run away,
because this obviously isn't working in this whole circumstance, we won't report you as a missing
person. That was the best offer I'd ever gotten. So I took it. I lived in my friend's car for a bit.
I got an apartment with a person that I was working with at the time. I wasn't old enough
to sign a lease, so I had to just sort of be on an honor system with him. And eventually
I moved in with my girlfriend at the time. Anyway, it was a, you know, people make do.
What did your kind of day to day, week to week look like at that point?
I worked a lot. That's why I had to drop out of schools because I had to work full time
to pay my bills. If I had no place to stay, I needed to get a place to stay. And so I
made money. And so I worked at Safeway as a bagger for groceries.
And then eventually I got promoted to a helper clerk, which is like you stock
shelves and you refill stuff, get stuff for customers.
So that was the biggest accomplishment of my life at the time.
And when did you get that promotion?
What age were you roughly?
16.
16.
Yeah.
Okay.
Got it.
How long did you continue working at Safeway?
Actually, I worked at Safeway and I wasn't making enough money at Safeway, making seven,
whatever an hour it was. So I worked at Joann Fabrics, which actually was next door.
There was a Safeway and a Joann Fabrics next door. I mean, this is like a grandma's wet dream.
And I would just like wound the yellow yarn every morning at 4 a.m. and like stock stuff there.
That was literally my life for a while. It's just, I would show up to Joann Fabrics at 4 a.m. and like stock stuff there. I thought it was literally my life for a while. It's just, I would show up to Joe and Fabrics at 4 a.m.,
work from like 4.30 to 12.30,
and then I'd work the night shift at Safeway.
Not night, but you know, the blast helper clerk shift
from 3.30 to 9 or whatever it was.
That was not fun.
Eventually, I didn't want to do that anymore.
I thought instead of having two jobs,
I will just get one job where I make $14 an hour at the warehouse
and I'll use whatever good reputation I've accumulated here thus far. instead of having two jobs, I will just get one job where I make $14 an hour at the warehouse.
And I'll use whatever good reputation I've accumulated here thus far. And my manager was
cool with it. And I transferred over there at like 17 and a half.
So dumb question of somewhat of a specialist in those. Why does the warehouse pay more
than the other roles you had?
It's harder work. You show up every day, your back hurts at the end of the day. You don't
want to come back the next day. Look, the thing that made me want to start a podcast is looking at the old
dudes that were working in the office and they would walk out to their car like just like their
backs had been fused together by like multiple spinal surgeries. It's just like walking on that
hard concrete and lifting 50 pound boxes on a pallet all day long. It's repetitive labor and
it's brutal.
Yeah.
I challenge anyone listening if they have never done it,
just go stand on concrete for a few hours.
It is excruciating.
They need good shoes.
Yeah, yeah.
It is.
And people are like, oh no, I walk on the streets.
No, not the same.
Asphalt's different.
It's like a trampoline compared to concrete.
What were the best aspects and the worst aspects?
I think you covered some of the worst of that warehousing job.
You are so wise for asking that question because you know, when you get older, you
look back, you notice things that you didn't notice at the time.
The best aspect of it.
I miss it.
Sometimes talking to the guys in the warehouse, there are a lot of really good
guys there and I don't have that social element to the podcast.
The other thing is I got to listen
to audio books all day long.
I mean, what other job could I have gotten?
I didn't even know I was stumbling into something
that would open up so many possibilities for me at the time.
It felt like I was just a day labor, just horrible.
But yeah, I got to listen to philosophy books all day long
and talk radio. I got to listen to philosophy books all day long and talk radio.
I got to listen to like Love Line with Adam
Carolla and Dr.
Drew and Howard Stern, just like listening to
these people, just paint pictures with their
words, it was beautiful.
And yeah, I mean, if I worked at an office or
if I worked at a fast food place, I easily could
have ended up in any of those spots.
If I did, I wouldn't have been able to read
books 10 hours a day.
That was in retrospect, an amazing thing about the job. Yeah. So for people listening, they may think to themselves,
I wouldn't immediately, if I were in your position, find philosophy. Right? It could have been
not to devalue any of these things, but it could have been Hunger Games, could have been any of a
million genres, any of a million genres,
any of a million authors.
How did you end up listening to philosophy?
Or how did philosophy even enter your life
in the first place?
I kind of looked into that one too.
I was a dumb 17, 16 year old kid right on that cusp.
I was self-aware enough to know that I had had trauma
from the messed up childhood that we just talked about. So I didn't want to just spend my whole life taking that out
on the people around me. I knew that I needed mentors and I wasn't in school. I didn't have
like people to look up to really. And I wasn't talking to my family. So I literally Googled,
why is this person in the history of the world? It was my best idea. I could come up with at the
time. And one of Plato's dialogues, Gorgias came up there and it talked about this guy Socrates, he's harassing people
in the Athenian Agora, he's asking them questions, trying to find a wise man. And I just got
hooked man.
What was it about it that hooked you? Were there any particular aspects that grabbed you?
Because a lot of folks, right, listening to this, no doubt, some of them took compulsory classes in school
related to philosophy.
They were just like, please shoot me in the head now.
Right?
In some cases, not all cases.
No, I don't blame them.
Right?
It did not have that effect on you,
at least with your self-directed exploration.
What was it that appealed to you or hooked you?
It was voluntary.
I mean, that's a big part of it
is I'm not being forced into doing it.
This is why I don't wanna force my daughter who's eight to like think about stuff or ask her philosophical questions.
I just think the best way to get your kid to not do something is to tell them to do it.
So, but yeah, aside from the voluntary nature of it, I think that I just have always been somebody that thinks my way out of problems.
And so the idea that this is the discipline.
If comedians go to a comedy club and it says pure endeavor
of trying to make people laugh,
that's what makes a comedian what they are.
For philosophy, thinking about things like that,
forming new conceptual tracings of reality,
seeing it in a new way.
I mean, this is, of course I would be attracted
to something like that as somebody that always
thinks my way out of problems.
I mean, that's the only service I can really provide to the people around me that like matter to me. So for the purposes of this
conversation, how would you define or rebrand philosophy for people who have an immediate
semi allergic reaction? Because perhaps they've heard a bunch of ivory tower specialists
they've heard a bunch of ivory tower specialists speaking in riddles or speaking in logic slash math puzzles that no one can make any sense of. I shouldn't say no one. Yes, there are like 17
people who probably make a lot of sense out of all of it. But how do you suggest people think about
philosophy? I used to dislike those people. I thought that they're being too selfish. They're
making it all about them. I think they have really good intentions and I think it's hard
when you get to be a professor to know what it's like to just be starting out. For me,
I would say philosophy, a way that I've heard it described is it's the disruption of common sense.
I mean, what is looking at the world at all? It's an approximation. We are works in progress. I look
at the world one way for a while and everybody knows what it's like to change the way that you see everything
in the world. And yeah, I mean, I just think philosophy is the method of doing that. The
question is not whether you're going to change the way that you think about things conceptually.
The question is how deliberate are you going to be about it? It's like the gym for rethinking,
retracing reality in a new way that opens up new possibilities to you.
And it's also something that needs to go on at the highest levels of conversation.
Right. Yeah. It's like recreation or kind of unfocused activity versus deliberate practice,
right? To use your comedy example, I interviewed Jerry Seinfeld actually right at, I was at this
table and it was a few years ago, but the actual craft, right?
The lifting of the weights, so to speak, the writing, the testing, how do you approach it in
a systematic way and how could you take something like that and then apply it to the love of
knowledge or philosophy or reframing things, learning how to stress test your own thinking.
When you were in the warehouse, you got 10 hours a day with headphones, were there any
particular kind of formative inputs that influenced the path that would later land you in the
podcast?
I was reading everything I could get my hands on and transparently The
Four Hour Workweek was a huge book that allowed me to think about possibilities in my life in a new
way. I mean, that's why I think I get that it's maybe weird to call it a work of philosophy,
the Four Hour Workweek, because it's in the business section, right? But like what I love
from philosophy books, what they do to me, that book did for me in certain areas. You're calling into question assumptions that we're making about things like new rich,
what it is to be wealthy at all. Retirement.
This is something that most people just assume is going to be at the end of their life.
They don't even really think about it anymore.
What was possible in terms of how to make money or how to automate certain aspects of
your life. I mean, and you're also talking about it in contrast to
an emerging digital world that at the time was just coming about, like new possibilities were
presenting themselves in people's lives that they weren't necessarily aware of.
And yeah, I mean, what philosopher is talking about these issues? So that book was beautiful
for me to even think that it was possible to start a podcast. So for whatever it's worth,
thank you for that. I mean, I wouldn't be here.
Yeah. Thank you for saying that. And also what's wild about the book is,
I revised it in 2009 and then realized this is an absolutely Sisyphean task to try to revise this
because the tech is moving so fast. So everything in that book from a technical perspective is
completely outdated, right? All of it. But it's sort of the
philosophical underpinnings, which I think still apply. Adam Felsenfeld Yeah. When you wrote it, did you intend for it to inspire people like me? I mean,
were you thinking about it philosophically or were you thinking about it like, I have all this
knowledge and I'm going to trade it for $13 or whatever the book's price was?
Robert Leonard I would say it was more the former. I mean, at that point, I had, let's see,
had these experiences with my first real business. I had had the corresponding implosion slash
personal and professional meltdown and then the rebirth from the ashes, but figuring out the
technological approaches and so on. However, when I first was automating my business and traveling,
I want to say mid 2004, there were only a few books I took with me.
If I'm remembering correctly, I think there were actually three.
I think in some places I've mentioned two, two of them Walden,
very aspirational at the time,
although the backstory on Walden is pretty funny with Thoreau
sneaking off to have fancy dinners with Emerson or whatever.
But let's just take it for what it's worth.
Okay, Walden, then Vagabonding by Rolf Potts, which had a huge impact on me.
An uncommon guide to the art of long-term world travel, I think it is, which is also
a very deeply philosophical book fundamentally.
And then the third was the, I suppose, technically the moral letters to Lechilius, but letters
from a stoic Seneca. And what I realized over the following year or so, which was well before writing the book, well before selling the book.
The tools are secondary to the assumptions based on how you're going to use them,
what you can do with them versus what you can't do with them, and the objectives.
And when you come down to those, let's just say, base levels of the pyramid, it turns into a
philosophical discussion, whether you use that word or not. It's a mode of thinking. And how do
you cross examine your own thinking? I think philosophy has a tendency of living in the shadow
of the thing we actually give credit to for the thing. And that goes on personally in our lives.
I mean, it would be very easy for me to just call what I did with the podcast, a matter
of hard work and a matter of circumstance and content strategy or like a knowledge thing
that I'm doing, but really it was a philosophical shift that made it possible to even think
about you mentioned Walden.
And I mean, another one of the transcendentalists Ralph Waldo Emerson is a person that had
a huge impact on me at this time as well.
In fact, I wouldn't be here if it wasn't for him either. I used to think something that he talks about in
self-reliance and other essays, to have a podcast or a YouTube channel or whatever it was, you needed
to be a genius. There's kind of a myth that I think gets promoted is like, if you're not a genius,
you have nothing really that interesting to say. So who's ever going to follow you and that stuff.
He was living during a time right around the abolition of slavery.
So in the United States, it's a crucial time.
Lot of changes are going on.
There's also an Irish immigrant crisis going on at the time.
And he wants to inspire people with his work to take action, to think for themselves, to
be the catalyst for change in the world if that's something that they want.
And the way to apply what he's talking about to a, like a YouTube channel is.
I mean, look at these YouTube creators.
Are they geniuses?
Are these people unparalleled geniuses thinkers of our time?
No, they're people that have a certain message that they're sending.
And that message corresponds to something that already exists in culture.
You don't need to be a genius.
You just need to be saying something that resonates with other people.
That was huge for me to notice that you can just
be a catalyst for a sentiment that already
exists in the hearts of people.
And then you become the thing that they connect to.
Like they start to see you as symbolic of that.
So really he made me change my thinking to write
and to say something worth saying is not to be a
genius, it's to be brave.
It's to be the one to say it and to have courage.
Really that's probably a primary factor that determines whether one of these YouTube creators
is successful or has a channel or not.
It's just they were the ones to say it.
They had the courage to say it and risk all the bad that might come from that, right?
Where would you suggest people start with Emerson if they haven't read his writing?
So I'd say Self-Reliance and On nature are the two that you absolutely have to read.
But if you like what he's saying in those two,
I would definitely run into, go to secondary sources
and just read every essay that he ever wrote.
He actually didn't write that much.
He was a guy that was kind of preoccupied with other things.
So when did you switch gears and do something
other than the warehouse job?
Or did you do something concurrent
and then sort of fade something in
while you're fading something out?
What did the next chapter look like?
I wanted to start the podcast.
I mean, I didn't know if it was possible.
I didn't know, I certainly didn't have a dream of doing it
as like a living where it could provide for my family.
At the time I was much younger,
so I had less responsibilities.
I did some math.
I realized I needed to make like 800 bucks a month to be able to do it.
And there's this guy, Scott, I was playing guitar with at the time.
And he inspired me here too.
He worked at Duke's Chowder house.
It's like a, like a, like a seafood place up in Seattle.
He was a server and his mom would give him crap all the time.
Like just, why don't you get a real job?
And he would just play guitar all day and then go serving at Duke's Chatterhouse.
And I would talk to him about it.
And he's like, look, I don't want to be a rock star.
I don't want to be like a millionaire doing this.
All I want to do is be able to play a few gigs on the weekend or some studio
sessions or something, and then I'm playing guitar for a living.
I am literally living the dream.
If I can do that.
And Duke's Chatterhouse is just how I pacify my mom.
I just pay her some rent, right?
For me, it was like, I needed to find a way to make 800 bucks with the podcast.
That could satisfy whatever obligations I had at the home, my half of the
rent and utilities at the time.
So yeah, at the warehouse, they had this thing weekends only.
Instead of working seven days a week on call, which was the norm.
I never had a scheduled day off my entire time working there.
I would just work on the weekends. It would be a scheduled day off my entire time working there.
I would just work on the weekends. It would be a guaranteed thing I'd come in.
And the reason they would do it that way is because
they don't have to pay a benefits package at that point.
It benefits the company at some level.
But for me, it was perfect.
Cause then I could work five days a week.
And if I could find a way to make 800 bucks a month,
just doing the podcast and riding on the side
and stuff like that.
I just go in on the weekends, eight hours, you know,
that was my version of phasing in the podcast and phasing out the like warehouse. Another thing I'm
very fortunate to have. So let's take a closer look at that. So interested in the catalyzing periods,
right? Like what happened in the span of a few weeks where you thought, maybe I could do this,
but aren't those people geniuses to, okay, I'm actually going
to do weekends only and take that, which is a non-trivial step, right? Like what did that look
like? I mean, was there a particular conversation? Was there like a particular week of just
gobbling Advil because your back was bothering you? Like, how did it go from, you know, maybe
kind of in some universe that's maybe possible, but don't I have to be a genius to, all right,
I'm going to work two days a week.
It was two things. On one hand, I'd been working there for years. So my back hurt every single
day. It was utter desperation on one level. I hated my life there. Now, again, I look
back now being in my thirties and I, I don't think I had any reason to hate what I had going on there.
But I did at the time, honestly, that was my experience.
And so I was very desperate to try to make anything work.
There was a guy named Jimmy Weisenhund.
He was like a shout caster for e-sports at the time, but he was my friend.
What is a shout caster?
Shout caster is like a person who does comedy, like John Madden does commentary for football.
This guy does it for Counter-Strike and Starcraft
and stuff like that.
Okay, cool.
Yeah, so anyway, I was talking to him at the time
and he was just like, look, man, he pulled me aside
and he was like, it would honestly be a shame
if you didn't at least try something in media.
Like you should just try it.
And even if you fail, like whatever,
but I'm just, I'm here to tell you,
that dude had such an impact on me.
How did you know each other?
I used to play games around this time too.
I would play Starcraft 2 with friends
and I was playing at a pretty high level.
So I knew people that were like in the business.
In that world.
So yeah, he was in their circles and stuff.
And we just kind of vibed.
Yeah, nice.
Okay, so he's telling you it would just be a shame
if you never tried, you gotta try something.
Yeah, that hit me, man.
Like, I mean, for a person that's competitive and then a person that
just is already hating my life at the warehouse at the time, like, yeah, it just, it made me want to
take a chance. And then the whole Emerson thing, I don't even got to be a genius, right? I just
got to be brave enough to say it. It felt possible. And what did you look to? Cause this was early days, right?
I mean, when was this like 2012, 2013,
something along those lines.
So this is very early.
And I mean, to put that in perspective,
this podcast that we're on right now,
started that in 2014.
So you predated me in the world of podcasting.
And for people who drown in the paradox of choice problem
presented by podcasts currently back then it was a much smaller pond.
Right.
Who did you look to for inspiration against some ways?
And it's not exactly the same.
The game is a little different, but and this is a, I say, this is a huge compliment.
Like you remind me in some ways of Dan Carlin and hardcore history.
That's the literal guy that I used to listen to at the warehouse.
It's a huge compliment to hear.
Yeah.
Thank you.
Yeah.
So Dan, and for people who don't know, I've interviewed Dan, you can look
it up, a phenomenal human and he is not, he'll be the first person to tell you
professional historian, right?
He doesn't check all the boxes on the CV. And yet he makes it so compelling.
And like you said, having the bravery to say what's in the hearts of others, but
fundamentally the way I see it is you are sharing what is in your heart.
Dan is sharing what is of interest to him.
Imagine if you will, general super die looking, looking down. And that's from Wrath of the
Khans if people want to watch. And I say watch, that's an interesting slip because his language
is so visually evocative. Okay, Dan Carlin, that makes a whole lot of sense. So is there anybody
else who you're like, maybe I can take a little bit of that, a little bit of that, because Dan Carlin also does mega series.
His podcasts are long.
I mean, Wrath of the Con's making this up,
but it's like four or five parts.
Each one is like four to five hours.
Yeah, he's fantastic.
And I mean, in terms of inspiration,
at the time I remember consciously not wanting
to copy other people.
In fact, I was listening to a Dave Chappelle interview
at the time, I think, and he was just talking about how
it was Miles Davis or Dizzy
Gillespie or something like that.
Just at the beginning of their career, when they
were playing trumpet, they just did an
impression of another trumpet player.
And you see this in a lot of like industries
where people will just be even subconsciously
trying to do an impression of what they think
success looks like.
But I had read enough philosophy at that time
to really not want to fall into that trap.
I mean, I knew I was highly inspired by him.
So I didn't want to sound too much like him.
I wanted to be able to develop my own style.
If anything, it was a negative inspiration
because I noticed there was a gap in the
philosophy sort of market.
I was a big fan of podcasts.
So I would be listening to philosophy, but just
trying to find something to pass the time at work.
Right.
So I just noticed there, there were a lot of really smart, really talented people.
Peter Adamson, history of philosophy without any gaps, partially examined
life at the time was huge.
And it's like, I just wanted to do something that was a little more
humanizing, a little more translating.
That's all I was thinking.
Okay.
And you commit to working two days a week.
What else are you committing to?
All right.
So now you have five days a week.
What is the experimental or prototyping phase look like?
Did you apply some constraints right up front?
How did you approach that?
Luckily for me, it took off fairly quickly.
So I spent a few months before just researching
how to launch a podcast. Like I would just listen to podcasts about
podcasting.
I would read books about it, about blogging too.
Cause there really wasn't that much.
Like there was this, this feeling at the time
that, I mean, what's the cliche, the radio is
to the TV, the TV is to the phone or something
like that, right?
Like the phone, this narrow casting that is like
developing is going to be
big, but there's no playbook for how to actually do it. So yeah, I started researching just how to take advantage of the launch phase of a podcast. Nobody really knows what the algorithms are doing
or why they're doing it, but there's theories. And so I would just read every theory I possibly
could. And so, yeah, I mean, that's what I did. I, on the day that I launched the podcast, I got everybody that I know to listen to
it and leave an honest review.
And I, I tried to take advantage of all that I could there.
And so the first week I was on the new and noteworthy section on iTunes,
it was a successful launch, you know?
And then after that, people I host the podcast with started reaching out and
talking about ads, I didn't really want to do ads at that point, but you know,
it started taking off pretty quickly.
So, you know, there luckily wasn't too much of a, a time period there.
If you had to hindsight, 2020, look back and identify some of the other,
say critical decisions, whether you made them really consciously or not at the
time, what were other things you did right with the launch of the podcast,
recognizing that launching then and launching now are quite different animals, but still I think there
are lessons to be learned.
I think I just made it as much me as I could.
I leaned into that aspect of podcasting.
What I loved about Dan Carlin is that it just felt like I was there and he was talking to
me.
I think a lot of people at the time saw podcasting as like an afterthought.
It was just the free content.
So you could drive people to funnels to then sell them the premium content or
something, right?
I saw it as like a very open-ended medium that was beautiful.
And it could be a three hour conversation with people smoking weed, talking about
nothing.
It could be, you know, 10 minutes of highly focused.
I can't imagine who that is.
Yeah, me either.
But it's been highly successful. Right? I mean, pretty successful. I mean, the most successful. focused. I can't imagine who that is. Yeah, me neither. Just kidding. But it's been highly successful, right?
I mean, pretty successful.
I mean, the most successful.
Yeah, you could say.
No, but it's, it's beautiful.
The medium, how, how, how versatile it is, you know?
So that's, that's what I saw.
And so I just wanted to be my own lane there.
You know, I didn't want to be a part of podcasting.
I wanted to just be a shop.
There was an interview with Bill Burr on the fearless series. And he was talking about, I don't really see myself as part of podcasting. I wanted to just be a shop. There was an interview with Bill Burr on the Fearless series.
And he was talking about, I don't really see myself as part of comedy.
I just sort of do my, my thing.
And I guess I'm a part of comedy.
I set up a stand in the middle of a mall.
He was saying, you know, that's how I see it.
Like I just didn't think about what a podcast was and try to appeal to that.
I just tried to make it as authentic as I could.
And I think that was one good thing that I did.
All right.
And in the beginning,
my understanding is you approached it chronologically.
Maybe you can explain because there are a lot of different ways you could
approach the canon of Western philosophy or any
philosophy really. How long were the episodes when you started?
About 4,000 words long.
I read slower back then. So it's about 30 minutes or so it would vary back then a bit.
But yeah.
And what were the first handful of episodes?
The pre-socratic the first episode, it's so hard to even listen to it.
I've had to go back recently.
I'm like, listen, I get it.
It's just an artist dilemma.
Like you go, I mean,
I'm not trying to talk down to anybody that enjoys those episodes still, but just from my perspective,
you can imagine it's tough to watch yourself, you know, 12 years ago now doing it for the first time
publicly. The first episode was literally like I would, I just mentioned the out of Africa theory
and how, oh yeah, people had a lot of free time back then and they had to, they talked a lot.
So talking leads to philosophy and they kind of settled around the Ionian coast and
the Italian coast. And this led to the pre-Socratics. It's just like most of the episodes are me
just like telling stories from their life or something. It's brutal, but also beautiful
in a way, because it's where it had to start.
Yeah. I mean, it's sort of striking not to like overweald the comparisons here, but maybe like the story
of the Pre-Socratics as you just described it, it's sort of like the origin of the podcast
in the early episodes.
You know what I mean?
Yeah.
Like figuring it out, finding the language, try to develop a water field for what this
thing is, whatever this thing happens to be, whatever it will be.
For whatever it's worth, people tell me that's one of the endearing things that
they like about it.
They like seeing somebody kind of build their craft over the years.
It's just my audition tape is on camera for everybody to see.
So I see it.
That's cool though.
I'll take it.
All right.
So at this point, how many episodes have you done?
225.
225.
All right.
What's the frequency?
About once every two weeks.
Okay.
There was a period there where I was doing like one a month and stuff like that. But now
I've been working a lot more.
Yeah.
So I've been really enjoying it.
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All right.
So if we flash forward, we'd look at this craft you've developed, the life you've built.
What does the philosophy as this ecosystem look like?
You have Patreon, right?
What are the different pieces of the puzzle as it stands currently?
Do you mean from like a monetization?
Yeah, yeah.
From a business perspective.
Yeah. Yeah. I have Patreon.
I have ads that I run now and I have this book deal.
That's going to be good for 2026.
Like kind of emerging into a different market there.
The podcast, it is centered around the podcast.
So yeah, that's kind of the core.
And you mentioned you initially weren't planning on or pursuing advertising.
Around what episode
did you start doing advertising?
I'm not sure around the episode that my son was coming into the world.
And I prayed at an altar that people listening would be like sympathetic to the fact that
I've been doing it for so long with no ads.
And now I'm trying to live longer on this planet.
You don't know when you're going to die.
I'm just,
I'm trying to leave something for my kids if I kick the bucket one day. So,
yeah, yeah, totally. All right. It's, it's been fairly recent though,
it to the thrust of your question. It's like, I don't know,
maybe episode 180 or something like that. Yeah. Okay. So there we go.
The reason that I was hoping that the answer would be something like that is that
you were able to hone the craft for a while for a pretty good long while before distracting yourself
with the preoccupations or maybe the easier path in my case, right? If I don't want to write,
what do I want to do? I want to talk about and think about brainstorm marketing and these things
because I find it much easier. But you, for a very good stretch of time, were able to focus on figuring it out, finding your
footing, honing the craft. And for people who can make that work, I just want to say I recommend it
very, very highly to have that type of focus. It just, it seems to make a lot of difference.
Yeah. I mean, I've tried marketing things.
One of the good things about podcasting is that people will reach out and they'll
want to support and they won't want to support financially.
They'll support with their skillset, you know,
like professional marketers or whatever will come along and like offer.
I've been doing it 12 years. So I've done things like that.
I am not an expert in this field and I just feel that when it comes to content,
like the content is the number
one focus for me. Like if you do bad content, you may be able to market it amazingly and
then that'll be successful in some way. If you do amazing content that people don't want
to live without, you can't keep it a secret. That's why I focused on that for so long.
I would never put something out that isn't content that I hope people don't want to live
without.
What are your most, some of your most popular episodes to date? Do any stand out?
People really like the Dostoevsky series that I just did.
We were talking about this before we started recording, but I was trying to figure out,
was Dave the first person who introduced me to philosophy this? It's possible. Or did a post I
put apparently on Twitter predate that where I was listening to it,
I think in my car could have been in an Uber or something like that, but I took a photograph or
a screenshot. And I do remember that really clearly. I think it was in my car. And for that
reason, I'm putting together my to listen list and just using this question
selfishly so I can take notes on what I should grab.
So Dostoevsky.
So from about last October, there's a new arc of the show that I'm doing that's on
kind of religious phenomenology.
It's about the limitations of philosophy.
It's about phenomenology as a movement at the beginning of the 20th century.
And this bridge between philosophy and religion religion is religion just this superficial connection to a
Man like God in the sky or is a belief in God something much deeper than that
There's something much more embodied in a daily practice every day
It's been really fascinating for me and people have been really liking it for whatever source
So if you're looking for a place to start
But I'll say this if I'm ever recommending a place for people to start, I just ask them what they're into. So what are you interested in?
Well, let's see. I mean, I'll tell you if I had a wish list in this,
maybe this is the episode that I tracked down of yours. I'm not sure.
I, in my reading of Seneca realized, and look,
this is going to be a very sloppy simplified way of looking at things.
But I was like, okay,
the Stoics seem really good at self-regulation
on their good days, but they don't seem great at, and it may be even
antithetical to them to maximize joy on some level.
And in the moral letters to Leucilius Seneca, the younger keeps referencing
Epicurus.
And there's a whole backstory that's pretty interesting as to why he was doing that was a rhetorical device to be like, okay, okay, you guys like
Epicurianism sure I'll give you that great guy.
Look at this amazing thing he said.
Now let me lead into my argument and what I want to tell you, but my ability to
track down writing for a number of reasons related to epicureanism
has been pretty limited.
That would be on my wish list.
I would say the Stokes are always good reminders, even though some people might feel like I
just threw them under the bus, but I still remain avid fan of Stoicism.
And then I would say, and this is not going to be very helpful perhaps, but
I could turn this question around and maybe ask for your help in finding philosophical systems
or philosophies, schools of philosophy that are imminently practical, where it's like,
okay, this is something I'm going through, for instance, right now, very challenging period with medical issues, my family, and as much as I enjoy getting into the rarefied air of
deep conceptual, philosophical discussions, I'm like, no, like I'm stressed the fuck
out and having trouble sleeping and like have anxious rumination.
I would like some tools in addition to the ones I'm familiar with for delving into
that.
Right. So that's a bit of a meandering answer. No, no, not at all.
So, I mean, sorry to hear about your family.
So you're talking about the Hellenistic age, basically,
or two talking about Epicureanism, you're talking about Stoicism.
So there's two more there skepticism and cynicism.
Cynicism famously is the, the school of thought of Diogenes.
I think all four of these it's been said represent some aspect of the character
of Socrates just turned into its own system.
So just, I mean, maybe fill that out might be a really cool thing to do because then
you'll know the whole period, right?
Practical stuff.
Don't you do meditation a lot?
I mean, is it?
Yeah, I do.
I do.
Right now I'm meditating twice a day.
Okay.
So is that practice framed in like a utilitarian way for you?
Is it like, I'm doing it so that I can quell anxiety?
How do you think of it?
Yeah, I would say there are a few different ways that I look at it.
So shameless plug, I'll just mention it because it is so good.
There's an app called The Way.
Henry Shuckman is the teacher.
It is Sambo Zen focused.
I was introduced to Henry, actually I had him on the podcast by Kevin Rose.
Thank you, Kevin. Sambo Zen focused, I was introduced to Henry, actually I had him on the podcast by Kevin Rose.
Thank you, Kevin.
And I would say that on one level, it is very utilitarian for me.
If I use it to boot up in the morning, 10 minutes, that's it.
And I use it to wind down at night.
If I have it as bookends on my day, I just find that my resting anxiety level is lower. So it's very, very practical in that way.
And the exercises in the meditations are not explicitly geared to deal with anxiety, but
they're more, I would say, training awareness of different types and contracting and expanding awareness in ways that allow you to not be
compulsively in the washing machine of your own thoughts.
You can step outside of the door of the washing machine and look at your thoughts and then
maybe you can step outside of the room and ask yourself, what the hell am I doing in
the, in this room in the first place?
Maybe I should go to a different room, et cetera, et cetera. So there's that. And then there are, I think, deeper, I don't want to say deeper, but other
layers of payoff from the meditative practice that are not driven by that type of kind of symptom
addressing, if that makes sense. No, for sure. Yeah. I think philosophy is wonderful, obviously,
but it's not a panacea. And it's certainly not something that I would recommend to everybody.
And it's not something that solves, I just think that what you're talking about, about
quelling anxiety, it's a trap, I think, to try to think a philosopher or a philosophy
is going to fix that.
I think it's more in a daily lived practice, like what you're talking about.
And that lies outside the bounds of philosophy.
There's a quote from a philosopher
we were just doing an episode on where he said, religion without philosophy is blind and philosophy
without religion is vacuous. It's like, you can just kind of make philosophy into like an intellectual
exercise, but not be open to it in any way that really is transformative. So I can list you 10
different practical philosophers and their systems and stuff like that if you want to study them.
But for me, philosophy is more a process. It's a verb. It's not a noun.
It's like Simon Blackburn, famous philosopher, wrote a book called Think, and he describes philosophy as conceptual engineering.
It's a great metaphor. If an engineer looks at a bridge and they know about the raw materials of the bridge
and they know how they connect to other parts of the bridge and everything. If you can show an engineer
one bridge, a particular bridge, and you'd be like, well, it holds weight over here,
but if we put weight over on this side, it's going to all start crumbling down. Philosophers
do this with worldviews. The philosopher is the engineer and the worldview is the bridge.
Worldviews are made up of concepts that are linked together by assumptions is how I think
about it. A concept in philosophy or whatever it's worth is just the way we chop up and make sense of reality. So like
a person is a concept, a tree is a concept, democracy is a concept, love may be a concept.
So our worldviews are piecing these things together based on assumptions and philosophers
are the people that are shaking up those rigid definitions that we have of these things and
allowing us to see the world in a new way and the systematized practice of doing that
deliberately.
So I do think for somebody that's struggling emotionally, being able to be good at that
skill of shaking up their static definitions of how things are in the world and seeing
it in a new conceptual tracing that is valuable to that person potentially.
I just wouldn't ever prescribe it as like the way if you're feeling bad about some real issue in your life with your family going through problems.
For me, it's been really helpful, but I think it takes years to even get to the place where you can embody ideas without necessarily accepting them,
where you can like really entertain and be open to these things in a way that they can change you.
So anyway, I would just say, I think philosophy is limited here.
I think it's limited, but it's for me, I would say I could think of it as necessary,
but not sufficient, if that makes sense. And you mentioned years,
but I will give an example of something that is not new to me,
but revisiting it today in preparation for this conversation.
This is a philosophical concept. I mean, you don't even really need
the modifier philosophical if it complicates things for people listening
But I'm more fatty
So this is something that helped me over lunch while I was preparing for this because
It helped me to reframe. Could you explain what this is for people who may not be familiar? Sure. Yeah.
I mean, it goes back probably before the Stoics, if we're being honest, but my
favorite formulation of it is in Nietzsche where he's talking about, I mean,
a morphatee translates into love of fate.
It's the idea that so many traditions in the religious sectors or just in our, I
mean, everyday lived experience are renunciative. They aim at
denying some aspect of ourselves or of reality in an attempt to try to make it better.
Nietzsche said Amor fati is how he is going to live his life henceforth. Everything he is going
to say yes to, he will be a yes-sayer is what he says. This is an affirmative stance towards reality
where even if things are bad or uncomfortable or horrible, we're going to affirm reality as it is and not idealize it into something that it's not.
It's very common for people to do, even when they're not religious, is to think of reality, the bad. It's not to rationalize about it and to try to make excuses for it or frame your
suffering in a way where it makes it go away to truly affirm life and reality is
just to be in it and to have life itself be enough truly.
So yeah, I mean, I think that really is the essence of a more fatigue for me.
And I mean, the way that I self help bastardize this for myself, just so that could be a book
title or a chapter in one of my forthcoming books.
But if you want to bastardize this into something very self-help, I mean, what I ended up doing
is like, okay, how could I exaggerate this to go beyond acceptance?
But if I actually had to find a way to praise, to view in a positive
light, I had to, that was an obligation with everything that's going on right now.
How would I do it?
With the recognition that if you do that with everything, you end up running around with
rose-colored glasses and you're gonna whack your head on a lot of corners.
But in this particular case, okay, let me try really hard since I've been so focused on the things I can't control or aware, hyper aware of them.
And the challenges and the hardship, not just now, but that are going to probably be sustained
for quite a few years now that sitting down and just ask myself, what are the silver linings
here?
If I had to view this through a positive lens, what would I see?
Just doing that over lunch for 10 minutes, I probably, you know,
dropped my cortisol and resting heart rate tremendously.
And that may not be maybe a niche is turning over his grave with me.
Just to know, not at all.
No, I think that it's an extension of what we talked about with the
meditation practice being utilitarian framed. And by the way, No, I think that it's an extension of what we talked about with the meditation
practice being utilitarian framed.
And by the way, I don't think that should be a knock against it.
Like people get into meditation because it's going to help them with anxiety or
sleep better or forex their productivity or something like that.
But if that's what gets you to the deeper stages of that, of like your
awareness, where it's no longer something you're doing for
some utilitarian end.
I mean, that's beautiful.
There's a famous thing from the end of the Tractatus by a philosopher named Wittgenstein
where he talks about how all these arguments in this book have led us to this point.
And now you can essentially throw out the entire book because we've gotten to this new
place.
He's talking about like, he compares it to a ladder.
It's like so often in life, we'll have a conversation
about happiness, say, how do I become happy? What's the best way to be happy? And then you
climb this ladder. And then at the end of getting to this new place, all these conversations get you
to this new perspective in life. And then all the conversations about happiness just seem kind of
pointless, just kind of naive almost. But it was only by having those conversations that got you
to this next place anyway. And Wittgenstein talks about how you kick this ladder out from underneath you. You climb up
the ladder, you use it, and then you kick it out from underneath you and you don't need it anymore.
It's just, I think, the utilitarian approach to practice or to this like a more fatih thing. How
else are you going to get to deeper levels of understanding of it? Or who's to even say that
that's a deeper level of understanding? And maybe this is just the best practical way for
you to be using that in your life. I would not knock on you at all for doing that.
Yeah, thanks. I appreciate that.
You have my acceptance there.
I would love to ask you, and maybe this would be helpful for people to hear, in my case, there are
certain philosophies that for me are almost like operating systems.
Stoicism would be one in some respects where it gives you recommendations or instructions
for how you might reframe or respond in certain circumstances.
And what I'm about to mention are not mutually exclusive, but there's also philosophy that
if I read it, it just lets the snow globe
settle, right? It's sort of intrinsically calming just in the process of reading. That
could be say one of Seneca's letters. There's one that I just thought was so hilarious.
I mean, it's kind of a microcosm of on anger where he's bitching and moaning about some
type of bathhouse and gym below where he's living
and they're like sweaty and slapping things around
and dropping weights and it's bugging the shit out of it.
And it's just so hilarious and also humanizing to be like,
oh yeah, okay, I'm not the only impatient asshole
who's running around overreacting to these little things.
And then he offers some suggestions,
but there are other things that I find very
calming in and of themselves to read. And I'm wondering if there are any philosophers,
writers, broadly speaking, with a philosophical bent or philosophies that have that effect
for you.
I personally don't look to philosophy for a set of protocols to live by. I think it's
reactive. I mean, the world is always in a state of becoming.
It's always changing into the future.
And I think I see a philosopher taking a snapshot in their work as a beautiful
picture to look at, but not something that I really want to like live by at this point.
I used to, by the way, when throughout my twenties, it helped me immensely, but just
for whatever it's worth at this point, this is just where I'm at.
It's almost like painting is not the Mona Lisa.
Painting is not Starry Night by Van Gogh.
Painting is a verb. It's a process.
For me, this is what philosophy is.
It's the embodiment of a different conceptual tracing of the world.
Pete Slauson So, what does that look like?
I guess if we were to just put it in philosophical tracing for,
conceptual tracing for dummies,
right?
What does that mean in your lived experience?
What would maybe an example look like?
Well, it's the iterative process of showing up every day for the show and reading a philosopher
and truly trying to embody their work for a moment.
But it's provisional.
It's not something that I'm accepting.
I'm not tacking it onto the way that I see the world.
It is just almost method acting a thinker in service to these other people that want
to know about the thinker too.
I mean, it really is a harmonious thing that's going on and it's fun.
But yeah, I mean, I really do try to like entertain ideas without accepting them.
And it's given me a lot of peace because I just realized like who I am is not one set
of protocols.
It's this weird mix of contradictions and I feel two ways simultaneously sometimes
and I'll take pieces from this thinker and that thinker and put them together.
Just for me personally, that's more how I'm seeing philosophy.
It's this exercise that I'm engaged in.
The snow globe settles to use your metaphor by being engaged in that exercise more personally. So if we're looking at Stephen West's version one or maybe like version 3.5 in your 20s,
when maybe you had a different lens on these things, were there particular philosophies
or philosophers or writing that hopped out that we haven't touched on?
Yeah. I mean, Nietzsche was huge for me early on in my life.
Kierkegaard was very big after that.
Because I realized in my early 20s,
I mean, what kind of got me thinking about philosophy
was the God Delusion by Richard Dawkins
and the Moral Landscape by Sam Harris.
I think at that time it was Letters to a Christian Nation.
It's this whole like new atheism sort of thing that was going on at the time. I had never read any philosophy before. So I thought, I mean,
these people showed me what was possible to like think about the world. And so, I mean, I come from
that like new atheist beginning. I mean, I used to just argue with people on the internet incessantly
about that kind of stuff. And- That's what the internet's paid for.
Yeah. I mean, I was very young. So I remember for years, I just wrote off every religious
argument as just nonsense, just like absolute, just man in the sky stuff. And then I read
Kierkegaard and I just, I started thinking totally differently about the whole question,
about the language that people use to describe universal human experiences. I mean, Kierkegaard
talks about God and he is a Christian. He's describing a crisis in the church that's going on during his time.
But I remember it being like, it just hit me like a ton of bricks one day. I'm like,
oh, I listen to rap music and they use different words, but I can relate to it because
I'm feeling what they're feeling. We're both human beings. I may not come from Inglewood or
something like that, but I can understand what they're saying here. They're using different words.
And when I approached Kierkegaard like that and religious conversations, more
generally, it just, it totally rocked me.
And then that, that led me to Simone Vey, who's been, you know, top five
favorite philosophers ever for me.
And yeah.
Okay.
That name you just gave, how do you spell the last name?
W E I L.
Okay.
And how do you pronounce that?
I don't even know.
Vey.
Vey.
Simone Vey.
And for whatever it's worth, it's in another language. I'm just a dumb American.
I've definitely fucked that up at least a dozen times.
I'm just a dumb American. It could be something totally different.
You know, if we added up all of my mispronunciations on this podcast,
I mean, it would be the size of one of my phone books that I write.
Dude, she is incredible because she just is living in this time in the beginning of the 20th century. She's very skeptical of Marxism and capitalism and fascism and all these things that are going on.
She had the ability. She was smart. She went to school.
She had the ability to stay and be a professor and just sit behind a desk and write for the rest of her life.
She got out of her position at the university and went and worked in a factory voluntarily just to see what it was like to be somebody working on the front lines to try to understand it as much as she possibly
could. She didn't want to live in theory. She didn't want to have some theoretical understanding
of what it was like to be a factory worker. She wanted to be there. She just has this
concept of attention, man. Her example that she writes in her journal is just like, when
you're talking to somebody, you can approach that conversation and filter every bit of
it through this idea that like, what use is this person serving to me? Everything that they say, if
I'm looking for similarities, it's just so far as it's commensurate with the way that
I already look at things. What can this person do for me? That conversation is boring to
me. It doesn't, or there's a way to not filter the person through all of your own agendas
and projects, but just to see them as they are. It's like a self emptying.
It's like, canonic. You just try to receive them on their own home ground as much as you
possibly can. And it's a totally different framing. And it literally changed my life
when I first read about it. So that's something I would write down.
Okay. Let's talk more about that. The self emptying. Was it a particular phrasing or story that you read that hit you like a
ton of bricks? Was it then trying to use it in your life? Can you say more about how it
was impactful?
Sure. It was not a special story that she told. Again, like most of her writing in particular,
she never intended for it to be published. It was just personal journals. But it hit me like a ton of bricks
because I was realizing at that time
that I had very narcissistic tendencies
as a lot of people do in the modern world.
I just think when we don't have gods to worship
and like external rituals to follow,
you just end up worshiping at the altar of yourself
oftentimes and narcissism is like a default
that you can sort of fall into
if you're not careful about it or aware of it.
So when she said this though, when I was just, oh my god, that's exactly what I'm doing.
I mean, I was like 25 or something at the time.
And then it really didn't hit me fully until I was like 32.
Like just how much every encounter that I'm having is just framing people in the world in terms of what it can do for me,
rather than for what purpose do I exist in this network around me? And it was incredible.
So maybe looking at, I don't know if it would be too presumptive of me to say a
reaction to that, but can you speak to your decision if it is a decision to have
as small a digital footprint as possible?
Is that a fair question?
It's fair. I think it's just a lack of talent. I think it's a, you know, I mean, generally
speaking that's, that's what's going on there. Nobody wants my footprints in there.
There has gotta be more to it. There's gotta be more to it.
Is it? Yeah. I mean, you could be doing choreographed
dances on TikTok if you wanted. No, I couldn't. That's where you're wrong,
Tim. No. No. I mean, what do's where you're wrong. Tim. No, no.
I mean, what do you like?
I mean, people give me offers.
I try to keep the grass cut.
I guess.
I mean, one element of it is I try to keep my life simple.
I have my wife and kids.
I have the show and that's about it.
I mean, I, I love it that way.
I love being able to be fully present in these things and not have a, you know,
10 things going on in my head.
And the people that support the show make it possible for me to live a life
that simple and that focus.
So I'm just super grateful.
What are things, if any, that you've trained yourself to categorically say no
to or be wary of in service of simplicity?
Do you have certain rules for yourself?
Yeah.
I mean, I really do sacrifice efficiency for meaning pretty often.
Like reading the four hour work week was transformative for me.
And it really put a fire underneath me to like, find a way to come up with
protocols, to live my days by and everything like that.
And I've done so many different productivity type efficiency things over the years.
In the last few years, I've just, I'll find myself burning out if I separate myself from
the task.
If I do things for efficiency, personally, and I also realize who I'm talking to here.
I know the people that listen to this show are, I have so much respect for what you guys
do and how you can be peak performers and all that stuff.
It's just for me personally, I struggle with it.
I struggle when I'm giving myself, okay, the next four hours and then I'm going to meditate
with Baby Yoda on top of a mountain and then I'm going to do a, me and my cat are going
to report a podcast.
Have you been watching my nanny cam?
No.
So yeah, it's just, I will sacrifice efficiency for meaning a lot of times, and it doesn't
make me the most productive.
The way I justify it to myself is like, it's a long play.
I want to still be doing this for my family in 20 years.
I want to still be writing and loving what I'm doing.
So if I'm writing and I'm not feeling it or I'm researching, I'm just not in it, then
I will go and hang out with my family or I'll go and do something else, talk to my friend
Dave.
And so yeah, that's a line that I set for myself, I guess.
Yeah. I suppose if I were to add something to, there are a number of things I would add,
but if I were to update, which I don't think I'll do because I don't want to step on the
butterfly, so to speak, I don't know how that first book really did what it did. I think
it would be arrogant of me to think that I could even
really deduce what happened there.
But if I were to add a few things to that book,
one of them would be the dangers of valuing your time
very highly and making that an immovable pillar
of your life.
What I mean by that is,
on one level to a certain degree, right? And the dose makes the poison, that's Paracelsus,
but you can apply it here, which is learning to value your time is a valuable skill that allows
you to learn, especially in the early stages, what makes sense to delegate and what does not,
right? What is worth doing versus what is not worth doing. And so you start to develop the ability to then later do things like 80-20 analysis and automation
and all of the things that are in that book. However, if you land on some type of number,
whether it's ill-defined or very precisely defined for what you are worth,
what your time is worth per hour, you can end up feeling the agony of wasting time.
Anytime a minute is sacrificed doing something that you don't think is high leverage.
And that ends up being a very painful way to go through life.
Yeah.
And I feel that.
Yeah.
So for me, it's like, I have more and more,
and I really liked the way you phrased it, sort of sacrificed efficiency for meaning.
But I would also say that when you start to focus on meaning, I think you get better at
choosing the what if effectiveness is the what of what do you do? So choosing what to do.
And then efficiency is how well you do something.
I think paradoxically perhaps,
when you start to sacrifice efficiency for meaning,
you make better long-term choices,
like you were saying, in service of the long game.
Right. Right.
And to play the long game,
at least as far as I can tell really well,
you have to know what game you're playing.
Right. And all of that requires a level of introspection that you can rob yourself of
if you are trying to operate in the red zone at 500 miles an hour in the name of efficiency.
Yeah. And I'm not saying don't be efficient, just make it a second or third order priority,
you know, and with as much work as you've done learning efficiency techniques, I'd imagine you can't help but be efficient
at a certain level when you do things. So it's just part of your embodied world.
I think there are like 10% of the things I do are default hyper efficient. And then I
think people would be disgusted and shocked if they were to have seen like the first half
of my day to day, they'd be like, what is he doing?
He looks like a Roomba with bad software. Like, what is he doing in his house? I have no idea
what's happening right now. I asked the hard hitting questions. I know, didn't see this turn
of events when I was prepping for this conversation. But I do think more and more, I mean, who knows?
Maybe that's a book in the future where they take me too long to write. So I either need to get faster at writing or I need to find a better format. Maybe it's podcast just the long game.
What does it mean to play the long game? Yeah, I'm because I
Think in a reactive modern digitally
saturated
Environment, it's very easy to get pulled into short games that are not of your own designing.
Yeah. And then to feel quasi alienated from everything you're doing, like you're looking
at yourself from the outside or something. I mean, for me, this is what I struggle with, right?
Yeah. So, I mean, I don't struggle with it anymore, but I have to be conscious about
this every day for that reason. So there are a couple of cues I have here related to exploratory bullets, things that
we can dig into. And maybe we've already covered it, but at the risk of repetition, I have here
the non-obvious way that engaging in philosophy helps us grow. What is that? I just think, as I
said before, philosophy always lives in the shadow of the thing that
we give credit to.
There's many examples of this.
It's kind of related to a conversation of like, why would anybody even care about philosophy
at all?
I mean, it would definitely be something that I would think.
We're already thinking about things, the best we've ever thought about them before.
Look at the sciences.
Why do we need old men yelling at each other about unverifiable speculation?
Like why do you need philosophy? And what that point misses is that philosophy is how we got
to the point where we're looking at the world in the way we do know. Some examples of this,
I mean, Isaac Newton, big name in the sciences, apparently. His big book is called Mathematical
Principles of Natural Philosophy, one of them. It has natural philosophy in the title.
It's because the things he's talking about in that book, motion, optics, the relationship
of particles, this is the domain of natural philosophy before Newton comes along and writes
this landmark work and then it becomes a specialized field.
I mean, another example, psychology isn't a specialized discipline until the end of
the 19th century.
Before that, questions like identity and how we behave around other people, these are questions in the philosophy of mind,
in ethics, in epistemology, depending on what background you come from.
One more example, Adam Smith, Scottish Enlightenment, wrote The Wealth of Nations.
It's like a cornerstone of modern capitalist thought. But he wasn't like an economist
at first. He was an ethical philosopher. He starts asking
questions about what sort of lives do we want to guarantee for people? What is a good life? How do
we treat other people? This is what then scales up into his conversations at the level of economics
and then turns into capitalism. My point is at any point along the way here, somebody could come along
and say, why do we need these philosophers abstracting about the individual human mind or something like that, or like how to treat each other? We're already
thinking about things the best we ever have. What I'm saying, this is the role of philosophy is to
ask questions that seem a little bit wonky to us living during this moment, but they will become
the best practices of tomorrow. And this will always be going on and it's still going on today. And it goes on in the lives of individuals and at the scale of the conversations we're
trying to have better and better conversations.
So if we go and double click on better conversations, I mean, what strikes me at least as one of
the benefits I've derived from reading philosophical works. And honestly, it could even
be a novel with interesting questions, which is what I want to focus on. We have developed
incredible technology. We have this fantastic framework, scientific method for principally
not fooling ourselves, but testing hypotheses, right? Which may start as a question,
but I don't find, and I'm happy to be disproven here, but that the scientific method itself helps
people to generate better questions automatically. And at least as an adjunct, philosophy for me has
been fertile ground for finding good questions.
And by the way,
that goes on in every one of these specialized disciplines,
the pH and PhD stands for philosophy for a reason.
I mean, the highest level of abstraction in any field is going to be philosophy.
If you're somebody well-educated in a field at the top of your field,
in order to make progress in that field,
you have to subvert the existing set of protocols and assumptions axiomatically
that are going on in that field to move the field forward. You have to be doing philosophy and set of protocols and assumptions axiomatically that are going on in that field.
To move the field forward, you have to be doing philosophy.
Science is wonderful, but it is compartmentalized and specialized and technical and all the
things that it is.
When we're just talking about an experimental setting, I think you're right.
Anybody at the top of these fields has to be doing philosophy.
That extends to asking good questions in our lives to try to come up with new ways of seeing things.
So I'm so curious, since you are hoping to do this 10, 20 years from now, in some form
or fashion, how do you see it adapting that may not even be the right word, changing over
time in terms of format. And there may not be a
need to do that. And I feel like you by choosing a very well-defined narrow lane that had not
been filled before, you actually have more existential health insurance for your podcast
than most podcasts by being that focused. I actually,
I very firmly believe that you have much more anti-fragility built into it for surviving in
an audio format. Right. It's not the type of thing, especially given the duration that I feel
would be forced into video for discovery. Maybe there are benefits to be had, but
it can be an option
and not an obligation perhaps for at least a period of time. How do you anticipate this
could change over time? I mean, you mentioned the book projects. That's one way of kind
of diversifying format, maybe opening new doors, but how are you thinking about playing
the long game? I mean, I'm not restricting myself to a plan.
Certainly.
I think I'm just going to continue with what got me to the dance.
I mean, I genuinely have just been listening to people tell me what they want to hear about
and showing up every day.
I mean, completely iterative, like just trying to do it the best I possibly can.
That will change, but it won't be planned. I think that I'll just keep listening to the listeners and see what just trying to do it the best I possibly can. That will change, but it won't
be planned. I think that I'll just keep listening to the listeners and see what they want to do.
Here's the heart of your question, maybe something you want. Like I would like to
write philosophical fiction at some point. I would like to not be like teaching philosophy forever.
I would like to just incorporate philosophical ideas and maybe deliver it in a different way.
That's like outside possibility. I don't think so.
I don't think so.
I'll be, I'll be like the shout caster.
Really?
Oh yeah.
Really?
I don't think it's an outside.
This is the moment.
I don't think it's in.
Yeah.
We have a recorded, I don't think that's an outside possibility.
You, you think people would enjoy hearing about these philosophical ideas.
It delivered to them in fiction, as long as I'm a decent writer,
if it's not banging them over the head in the sense that if it's more
of a Trojan horse and you are delivering, this is a bit of a strained metaphor,
but like delivering the medicine with some honey.
Mm hmm.
Absolutely.
I think people are drawn to it already.
They just wouldn't necessarily describe it that way.
I feel like I'm writing these episodes and it is a lot of writing.
Like I, the other day started writing some fiction
just for fun on the side.
And I was like, wow, I'm doing the same thing
that I do when I write the episodes.
It's just like not real.
It's interesting how the skills translate over.
So yeah, maybe someday.
Oh yeah.
Yeah. I would say I don't think that's an outside chance.
Right. Particularly, I mean, here's what I would say.
My recommendation, if I could be so aud, here's what I would say my recommendation,
if I could be so audacious to give you completely unsolicited advice,
but in the world of publishing, I have a couple of rounds under the belt.
I would say hope, even though it's not a strategy,
but like hope and plan based on the track record that you've
produced so far, the market validation, that sounds so sterile and terrible, but that you've proven with what you've produced so far, the market validation that sounds so sterile
and terrible, but that you've proven with what you've done, that your first book, particularly
with your built-in audience will do well.
So then as a thought exercise, what do you do once you have bought yourself permission
to do something that deviates from what you are known for.
Right. And then the answer might be fiction. Yeah. That has a lot of philosophy embedded. So I think
that is a helpful hypothetical plan to think on because otherwise what happens to a lot of
folks is they have a book that is unexpectedly to them,
although in retrospect, it could have been predicted successful, which just means it buys
you the right to have a second book. But because they feel pressure from an agent, a publisher,
a family member, whatever it might be, to try to capitalize on the success, they end up doing
version two of the same book,
or they end up doing, in my case, the three hour work week, then the two and a half hour work week,
so on and so forth. And when you travel that path, you end up painting yourself into a genre
corner, which is the reason I did the four hour body after this, the four hour work week,
because I knew I could always go back to the first thing. That's a two way door.
In other words, if you have the first book, that's a huge smash.
You try the second book, which is off menu, but it's really
something you want to try and doesn't work.
You can always go back to the first.
How do you think of the podcast here?
Like Dostoevsky wrote books and installments.
He would release them in papers.
He got paid and you know, he would release a couple of. He got paid and he would release a couple chapters
at a time or something like that. It was serialized. Much like podcasting. Do you see
your ongoing podcast as like a serialized version of a book that you're just always writing and
like maybe episode 200 through 250 is a book or? I would say my goals and insecurities and fears
goals and insecurities and fears vary too much week to week, month to month for me to spot.
I'm sure there are three lines, but I wouldn't group it in that fashion. I view the podcast as my laboratory or my workshop, maybe both, where I can, much like I've seen comedians do, for instance, even on the podcast, I've
had comedians who later I realized were testing material they were going to incorporate into
their special, right? And I will kick things around that test the waters, see how my audience
responds to guests, see how my audience responds to guests,
see how guests respond to certain types of questions.
And then I'm like, okay, I've got at this point,
seven out of seven positive signals.
Yeah. Okay.
Maybe I turn that into a dedicated episode.
That's a solo episode.
I see how that's received.
Maybe I turn that into a blog post
and I see how that's received.
Knowing all the while that there is a, I think
a significant risk to your identity to over relying on audience signal. I really think you can get
captured. Yeah. You can get captured and shaped. You can turn into a caricature of your greatest
clips on YouTube and God save you if that ends up happening it's much harder to undo than it is to succumb to so paying attention all that still.
Effectively what i'm doing and the way that i try to avoid that is effectively to say all right here for five things i want to do anyway.
Now i just want to figure out which of these could be viable i would be very happy to do any of these four.
So I've decided that upfront so that I don't get oversteered by the audience. Now let me see what really resonates. You were talking about this a little earlier, but the personal being
the most universal. What is the thing inside me that also seems to strike a chord and resonate
with at least some subset.
And for me, I'm looking for amplitude of effect.
It's like, I don't want a six out of 10
from 80% of my audience.
I want a 10 out of 10 from like 20% of my audience.
So that's how I think about it.
But the podcast is really for me,
helping me explore things I otherwise wouldn't explore,
solve my own problems, frankly,
get some inspiration when I feel like I need some inspiration.
And that's more or less how I think of it.
It's a very wise way to do it.
It's very lived.
It matches with your experience.
Like this becomes a forum for the stuff
that you're interested in.
And then like you're talking about a test,
like a case study for whether you want to
explore something deeper with your audience.
It's, it's beautiful, man, because you're not just planning episodes out into the
future just saying, Oh, this is what Tim Ferriss would do, you know, like you're,
you're just living life and then it's cool.
And I guess I'm here as one little small part of that.
I don't know how small, man.
I mean, I'll give you an example.
So you're talking about fiction.
I have also had this be in my bonnet about fiction and wrote 30,000, 40,000 words of
fiction about a year and a half ago, two years ago now, I guess. And it seems hypocritical
of me to give you the unsolicited advice that I gave you while not revisiting my own kind of self-imposed
limitations around it or procrastination. So who knows? I mean, maybe I'll look back and I'll be
like, fuck, I accidentally called myself out. Shit, didn't see that coming. And my interactions
with guests have had such a huge impact on my life. It's impossible to overstate. I mean, enormous, gigantic.
All right, this is one of the rapid fire questions,
but it doesn't need to be a fast answer.
It's just intended to be something
that's fun to play with.
So the billboard question, right?
If there was a billboard, metaphorically speaking,
you could put a message on, a quote, a word, a question,
an image, anything at all,
just to convey it to mass
numbers of people.
What might you put on the billboard?
Geez, man.
This is a great question because it's like the inverse of me.
Like the idea that wisdom can be distilled down into a single quote or like an idea or
something.
I mean, this is kind of the antithesis of what I'm
doing. Like it's a way of thinking wisdom. It's,
it's not, it's not a particular idea. If I have to
come up with one, great question for you. How
about that? Um, be the one that takes advice about
that. Like I don't give advice because if a person
is asking for advice, I mean, typically they're not the person
that really takes the advice really.
So it's almost always a waste of your time.
But if you're the one that genuinely takes advice
and it's ironically me giving you advice
to be the one that takes advice.
But if you can do that, if you can manage that,
then you won't need advice here in like six months,
you'll be the one giving it, right?
So maybe that's what I put on the billboard.
So someone sees that they're like, you know what?
I like the sound of that. I wanna be someone who takes advice. So maybe that's what I put on the billboard. So someone sees that they're like, you know what? I like the sound of that.
I want to be someone who takes advice. How might that manifest?
Like how might they change how they relate to people or the world or otherwise?
What might that look like?
He's, I don't know, man. They'd have to like really pay attention to the advice that's being given to them.
And that would maybe come from just reading the world around them a bit better.
I think advice comes not just from deliberate,
like a motivational video on YouTube, but just
the world around you is trying to tell you stuff
all the time, if you're paying attention to it.
So maybe, maybe that goes along with it.
Just don't think of the world as just buildings
and people walking around.
You think of it as like, I mean, education, like
truly try to take things from moments and be
open to them.
It's maybe an important point here for like philosophy.
It's like, like we're talking about before, it can turn into just this broad
theoretical exercise that doesn't really change you at all.
And nobody really takes action.
That's why I think any serious philosophy has to be coupled with openness and
curiosity and somebody willing to let the ideas impact them.
I just think education, advice giving,
people often relegate it to like a room, a classroom
with a teacher in front and there's desks
and there's pencils and everything.
But like, if you strip away all the rules there
and like re-territorialize it, it is just,
I mean, education is constant.
It's constantly going on.
Yeah, I dig it.
Okay, so let's say as part of that,
people are listening and they're
thinking to themselves, you know what? I want to try this philosophy thing that everybody's talking
about. It's a hit with the kids. Exactly. You know, Minecraft and philosophy, it's all these kids
talk about these days. So how does someone or what advice might you have for someone who wants to
find the right book to further explore what they're interested in or might find interesting within the very broad field?
So I used to give like overviews of philosophy and stuff like that.
I don't do that anymore.
I just think the book that's best for you is the one that you're going to stick with.
It's the one that's going to get you the value proposition of studying philosophy, which
is the one that you're going to be the most interested in.
So like look into your heart, maybe go to the bathroom and like flip the lights on and off
for a while and just stare at yourself in the mirror and really think about what you're interested
in. And then when you find it, go to, I would say the Stanford Encyclopedia of Philosophy.
It's like Wikipedia on steroids. It's a free site and it has an entry for basically anything out
there. It's certainly not like the gospel, like you shouldn't go there reading it and thinking
you're an expert in the field.
But it is a step up from Wikipedia because it's sites like academic sources.
It's usually written by somebody from academia that has dedicated a good portion of their
thought and life to this particular area.
So it's a great place to start.
That's what I would say.
Start with a secondary source, meaning don't just go to Barnes and Noble, look at Being and Nothingness by Sartre
on the, it's like 700 pages long and just pull it off and start trying to read it. It's just,
you're not going to get much out of it. It's a great classic way to just be bored, I guess.
Like, why would you ever do that? There's so much context about these thinkers and why they're even interested in the questions
that they are.
So when you say secondary source, what you mean by that is someone who is commenting
on the work.
Some expert that is trying to humanize this work, trying to make it available that maybe
dedicated their whole life to studying them, but they're talking about the work itself,
giving you context, explaining the ideas, not in the language that a philosopher uses. I think that's massively helpful. And I don't know
why anybody that's just starting out, which is what this example is for, would ever start with
something other than a secondary source. So I guess maybe an example of that for Stoicism
would be certainly Ryan Holiday's work is right here nearby, it's 30 minutes away or so.
Nice. Obstacles away and so on. Or I think it's just called On the Good
Life, William Irvine, I believe it is. Could be getting that wrong, but something along those
lines, which then comments on Epictetus and so on all of these figures.
Right. And after reading those books, those secondary sources, you read the originals and
you get much more out of them because you know where they're coming from, right?
Yeah. You can wade through all of the astronomy and cosmological arguments and not throw the
book away in anger and confusion. Are there any really bizarre philosophers or philosophies?
Strange.
Yeah.
That you're like kind of into it. You know, like philosophy kink. Is there any like...
Yeah. There's people that are deliberately bizarre to try to invite people to do more
philosophy and do it in new ways. So a great example of this is a guy named Gilles Deleuze,
who actually just died in the nineties. How do you spell the last name? D-E-L-E-U-Z-E.
Got it. So, so he's a great example of somebody that is philosophy is an invitation. The only
reason I use the word bizarre is because it would seem bizarre to somebody else
that just doesn't really like thinking about philosophy
or something.
So most philosophers throughout history,
if we can paint them into a broad category,
think of concepts, the ways we chop up
and make sense of the word.
In terms of nouns, they think of them in terms of like
a thing that exists statically.
But I mean, Deleuze, to put this
in extremely simple terms here, he just doesn't
think anything has a fixed formal essence like that at all. Everything is constantly moving and
changing. So we're only setting ourselves up for like misunderstanding the world if we think about
things in terms of fixed categories, snapshots of the world at all. So because of this, he thinks
of the world mostly in terms of verbs, you could say. I mean, this is again a big oversimplification of it, but like he doesn't even think in
terms of concepts.
He thinks in terms of machines.
A tree is not a thing that exists out there in the woods.
It is only a thing insofar as it connects to many other things that present a problem
to us in some way for that tree.
The tree is part of a process that's going on, the assemblage of things, a machine
that is constantly moving and changing. And it can be used for a million different purposes by somebody, but the thing in itself doesn't really have a static fixed identity at all. I mean,
when you ask for a bizarre example of a philosopher's work, this is one that I love,
because it gets you to start thinking of reality in maybe entirely different ways. Like what would reality be structured around adverbs, for example,
it would just be the modulation of the way that things are arising or leaving cheaply.
Exactly. Like, and, and so what would that look like? It wouldn't be a machine. It would be like
a song or something or a poem or I'm not even sure, but this is the point. This is philosophy
right here. It's just like, how do we look at the same things
through a different framing and then get exciting new ways
of looking at the world, new possibilities for us
on the other side of it.
So Duluth is perfect for that, I think.
Great, thank you.
One of the big questions on your show, I believe,
please fact check me, brutally if need be,
but is in essence, why do you believe what you believe?
Right? Is that fair to say?
Sure. Yeah. I mean, certainly at the beginning of the show. Yeah.
Yeah. So can you unpack that for us? How does someone begin to attempt to answer that? Or are
there toolkits that you would recommend for someone who wants to try to engage with that
question? Why do you believe what you believe? Why this question at all, I suppose,
is where we could start.
Yeah,
I think that was something towards the beginning of my show because I just find
the question personally to be unanswerable. Like older that I get,
I don't think we're in the best place to know why we believe the stuff that we
believe.
We just come up with rational narratives after the facts that sound good to us.
I think that's, that's more how I see it. But yeah, I mean, I'm telling you, if you want to be more
self-aware of your beliefs, the key is to do this very
philosophical exercise we've been talking about.
Take a concept that is seemingly well-known that
everybody has thoughts on and just shake it up.
Love is one that I use on the show a lot because it's so
common, love, justice, freedom.
These are things like concepts
that basically everybody has thoughts on.
I mean, love, what's a common way of thinking about love?
Love is a thing that happens to you.
It's not a choice that I made.
Like I was just around this person
and then I fell in love with them.
That's how I go from this liking somebody
to loving somebody.
What is that transition?
Well, it just happened to me.
I fell in love.
That's how it happened.
Then somebody else can come along and say, no, love for me is a choice that I make.
It's a set of conditions. I choose to love someone. And it's when they meet these criteria.
It's when they make a certain amount. It's when they look a certain way. These are secondary
things. But really it's that they provide some kind of emotional service for me. That's when
I know I love someone. It's when my Starbucks order can be messed up and I get a little
testy when they don't put the extra shot inside of it.
And so the person I love is going to be there for me and
submit to me and make me feel good about it.
But then a philosopher might come along and just shake those
things up. It's, it's not something that happens to you.
It's not a set of conditions.
Love is something more unconditional. They might say,
they might say love is a verb, not a noun.
It is, is a commitment, an act of commitment or a little slice of the universe in a person that I'm going to affirm them exactly as they are.
I'm not going to idealize them.
I'm not going to demonize them.
I'm not going to make excuses for them, rationalize them in some way.
I'm just going to look at them and try to receive them on their own home
ground that this is the essence of love.
Now, even if you disagree with that, that's just, first of all, that's one of thousands of different ways of philosopher might shake up love and try to get you to think about it in a new way.
I mean, even if you disagree with that, you have to defend your position on what love is.
You're already doing philosophy and it's, it's valuable.
It makes you have to come back to your core principles and define them and defend them in a way that's I think good for the world.
And yeah, I mean,
there's also an outside chance you hear that from the philosopher and it changes the whole
way you see every relationship in your life. I mean, this is why like you'll hear a philosopher
talk about like the philosophy of language or something. They'll talk about like,
what does it mean to mean something or something like that? And rightfully so, everybody looks
at that and cringes and it's just like, why would anybody be thinking about that? But I just think to do it with these well-known concepts,
to read the thinking of people that are trying to stir up these rigid definitions and get you to see
the world in the new conceptual tracing, massively valuable. I mean, people that send me emails
will say they feel like they've lived 10 lifetimes in the amount of time they used to live one,
because with the love example, they might go through
five relationships, get their heart broken five times before they think about love in
this new way and try to create a new tracing of it. So anyway, why we believe what we believe,
I think comes from just engaging in that process more.
Let's do a callback to the new atheists, Sam Harris, Judalkins, both tremendous writers.
Fantastic. So you used to yell at people on the internet.
Hard to yell over the keyboard, but you type very ferociously.
Yeah, yeah, lots of aggressive typing. And now you're looking at, if I remember correctly,
sort of the maybe intersections or comparisons between philosophy
and religion.
Where do you personally sit with religion now?
I'm not going to church every Sunday.
Yeah.
To the spirit of your question, do I believe in a God that is in the sky that has a moral
dictate for me to follow that I'm going to get into the after?
No, no, I don't.
But I will say this, the older that I No, no, I don't. But I will
say this, the older that I get, the more I realize that most of the people that I respect talking
about the, most of the high level theologians and philosophers that talk about these issues don't
believe in a God like that either. This is almost like a dramatized version of a God that speaks to
people when they're just being people. They got kids, they got a job to go to. They don't got time
to sit around and read philosophy and religion all day long. Like you need a
story that's going to relate to them and it guides them to wisdom that's written into
it. I mean, I don't think that God needs to be anthropomorphic like that. I mean, much
more in this religious phenomenology thing, it's been much more along the lines of like
Aquinas where he just believes God is being itself or somewhere along these lines. It's obviously a very complicated conversation to try to put into a summary form here, but
yeah, I'm more and more interested with what-
How would you answer that question on a billboard?
Right. That's all you get. No, yeah, for sure. It's tough, but yeah, I would say that I'm
deeply fascinated in it and humble, like humbly reading these thinkers and genuinely
opening myself to trying to understand what's being said deeper. Like, and that's all I can do,
really, I think. So I suppose if I were to improve upon my question or add a little more context,
I suppose what I'm wondering, because I used to also be on, I would say, the militant atheist
side of things, in part because of a friend
of mine, very, very close friend, one of my closest friends was sort of weaponized within
a very militant church and during a very vulnerable time in his life. And so I took it upon myself
to try to rescue him from that situation. Did not work, but in the process of trying to arm myself with the right
tools, I read all the books, right? And I was like, okay, I'm going to read Bertrand Russell,
I'm going to read this, I'm going to read Doc, da da da da. I'm going to gather the
Avengers of the atheist world or the four horsemen of the atheist apocalypse, depending on who you
ask. And I'm going to go in with all the arguments. And ultimately didn't really work. I also realized that religion for him at that point was actually
really important lifeline slash raft that he needed in a life of incredible instability at
that point in time. It didn't end up pressing it. But then over time, well, I don't want to make this
like some Ted talk for me right
now, but the question for you is, you know, I've softened around those edges a lot.
And I'm wondering if in your reading of philosophy, if you've come across writings from people
who might be described as mystics, people who've had these direct experiences with different labels, revelatory experiences, divine experiences, whatever they might be, or who struggle to define something.
And again, maybe they use terms that you've learned to see as symbolic, right? Much like the rap music, or basically you wouldn't use the same words, but you feel like you
understand the intention behind them where you're glancing across their descriptions
of the numinous.
And that's affected you in some way.
That is what on some levels happened to me through a few different channels.
You've read the mystics.
Yeah, I do read a lot related to whether it's Sufism or could be in the Christian traditions
for sure.
Could be any number.
The team, so to speak, doesn't matter as much to me as clear, lucid description of what
they feel was a direct encounter with something that is, I don't want to use this word, but it's as good as any right now, like divine or right.
That is both accessible and perhaps like ubiquitous and everywhere while at the same time being or feeling hidden to most people, right? Something like that.
AC It's not like you've argued a set of theoretical abstractions, come up with a philosophical system
and arrived at the divine. It's like you strip away something. It's imminent. It's always sort of
there, right? And various different types of self-emptying where just through a practice,
you can feel communion with the stuff around you at a level that's just, it's
fascinating to me the limitations of philosophy there, where there are aspects of the human
experience that cannot be put into abstractions.
Yeah, it's dope, man.
I'm super fascinated by it myself and excited to keep going deeper into these waters.
Yeah.
Any particular, again, for lack of a better word,
sort of mystics who have grabbed your attention? Simone Vey is often described as a mystic,
more of a mystic practitioner than she is a mystic. I mean, Julian of Noric, there's multiple of
these that are like, their stories are just fascinating. Do-Do-Jin, I've only read his name,
but he's a Zen. Dogen. Dogen. So I don't know if he's a mystic, but he definitely is in this wheelhouse of people
as a Zen practitioner that is saying-
He's the first cousin at least to the mystics, I mean.
Yeah, definitely. So, I mean, those are people that I find truly fascinating. Yeah. And what
I find also fascinating are people that are arriving at this kind of insight, but they're
trying to not go into religious practice. Like Kemu is a guy that I'm doing on the podcast right now. I'm deep into his work.
And he is just kicking and screaming, it seems in his work to not go religious because he's
so skeptical of what it leads to, right? But like he is so interested in a pre-theoretical,
like justifying our behavior without justifying it with rational abstractions and just
absurdism as lucid revolt against the absurd, a descriptive endeavor, not a normative one.
He just, he's talking about it in very mystic sounding language, but then he's trying to do it
within not even the realm of philosophy. He rejects philosophers. Famously said, he's an artist and not
a philosopher. He made a tough assignment for himself. Yeah. He died in a car crash unexpectedly. I honestly stay up at night these days thinking
about what his late work would have been like. Like how does he not eventually go more in
this like religious direction, a daily lived practice as being the most authentic way to
get access to this stuff? Although he was very skeptical of deifying eminence as he says,
this thing that we're talking about turning that into a God of itself. Anyway, he's fascinating to
me. Well, I look forward to more episodes. Definitely. And Stephen, we've covered a lot
of ground. Is there anything else you'd like to say, anything we haven't covered, any closing
comments, requests for my audience, anything you'd
like to point them to?
Certainly they can find you at philosophizethis.org.
On Patreon, they can find you very easily.
Philosophize This.
On X, I am Stephen West.
That's with a P-H, Stephen West.
YouTube at Philosophize This podcast.
Anything at all that you'd like to say before we wind to a close?
I guess I would just say thank you for being patient with me.
And, uh, you know, I get going in my head talking about philosophy.
I don't get to have conversations this deep about philosophy with very many people.
I'm mostly around my wife and kids who want nothing to do with those sorts of things.
So thank you for giving me a forum.
And if I was a little too speedy talking through
this stuff, I apologize, but just send me an email if you have any further questions, anybody.
Thank you for you, man. Thank you for the sacrifice over the years for doing something
when you could have just sat around and did nothing with your life. Like you did something
and that sacrifice literally open possibilities for me that land me here in this beautiful place.
So thank you very much.
Thanks, man.
I really appreciate that.
And I love doing it.
I mean, this is how did I end up with this as a job?
And I am very excited for more episodes.
People check out philosophize this.
It's so relatable.
It is so easily digested.
Give it a shot.
You will not regret it.
And I'm also very excited about your book adventures.
So we may offline chat more about that.
Definitely, yeah, thank you.
So to be continued.
And everybody listening, we will link to everything
that we discussed in the show notes as per usual,
Tim.blog slash podcast.
If you search West, I think you may be the only West
I've interviewed, so Stephen West with a PH.
You haven't gotten Kanye?
Kanye hasn't been on this?
He's not returning my texts.
I don't know, he's very unpredictable.
Why did it even come?
And until next time, as always everybody,
be just a bit kinder than is necessary,
not only to others, but to yourself as as well if your compassion does not include yourself
it is incomplete as Jack Kornfield would say and
Also as always thanks for tuning in see you next time
Hey guys, this is Tim again
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