The Way I Heard It with Mike Rowe - 85: Strange Bedfellows
Episode Date: November 28, 2017Pete just wanted to get some sleep - But he could not get his bunkmate's earworm out of his head....
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This is the way I heard it.
For the life of him, Peter could not understand why anyone would want to date his 17-year-old sister.
Wasn't Jane kind of annoying?
And wasn't her new boyfriend kind of 21?
Just imagining dopey little Jane as a sexual creature was enough to make Peter throw up in his mouth.
But it was hard not to imagine such things with a grown man out on your parents' porch,
serenading your kid's sister with silly love songs.
I mean, really, how much creepier could it get?
Well, as it turns out, quite a bit.
Because that was the summer that Peter's underaged sister's older boyfriend
was allowed to move into the attic of Peter's parents' place,
otherwise known as Peter's bedroom.
The situation was untenable.
Every night Peter bunked with a grown man
who yearned to be in the bedroom below them,
spooning with his little sister.
There wasn't upside to this awkwardness, though.
The creepy boyfriend's love songs were actually pretty good,
even if they were written for jailbate.
And the guy in Peter's attic cranked them out
like most people changed their socks.
Every night, Peter found himself sitting on the edge of his bed,
humming along to a new tune,
one in particular, stuck in his crows.
all, an earworm. He simply couldn't shake. One evening, the lovesick boyfriend returned to the attic
and found Peter sitting on his bunk, playing his guitar, singing the song in question. The boyfriend
cocked his head. You've got a decent voice, Peter, and you can carry a tune, but that is one of
the worst songs I've ever written. Really? said Peter, I think it's one of your best. Tell it to my
bandmates, said the boyfriend. They can't get past the first line without cracking up. They hate it.
Well, if you don't want it, can I have it? Sure, said the boyfriend. What are you going to do with it?
What Peter did was walk into a local recording studio and sing it. A month later, the song went straight to
number one, and it didn't stop there. The little tune with the funny first line ended up in the
a rock and roll hall of fame as one of the 500 songs that help shape rock and roll. It also made
Peter a star. He signed with a major label. He got on TV. He met everyone in the music business,
and everyone seemed to like him. But when Peter sat down to write a follow-up hit, he quickly learned
one of music's great truths. Just because you know a hit when you hear one doesn't mean you can
write one. So Peter did what he did best. He kept his ears open. And what he heard time and time again
were the hits that other people didn't. Consider the hippie from Massachusetts who played a tiny
gig in London that Peter just happened to attend. His own label laughed when Peter brought him in for an
audition. The kid was a downer, they said. He sang about suicide and drug addiction. He wrote about
far-off places like the Berkshires and Carolina. But Peter heard greatness, so he left his
label and proceeded to produce a string of albums with a kid named James Taylor that would
forever transform the singer-songwriter genre. But the man with the golden ear was just getting
started, listening for what others simply couldn't hear and making stars out of people the
industry ignored. Linda Ronstadt, Bonnie Rahn.
and Kenny Loggins all owe him their careers.
He produced hits for Cher, Morrissey, Diana Ross, Olivia Newton, John, Neil Diamond, too many to list.
Peter collected Grammys, like most people, changed their socks, and went on to become one of the most influential hit makers in pop music.
Nowadays, Peter still picks up his old guitar from time to time and hums a few bars of the song that changed everything.
thing. He still likes to tell the story of the Mopey boyfriend who cast it aside and the little band
who laughed at the first line. Please lock me away and don't allow the day here inside where I hide
with my loneliness. Ultimately, Peter Asher's underaged sister agreed to marry the aspiring
rock star who slept in her big brother's bedroom. And even though their engagement didn't last,
don't feel too bad for the star-crossed couple. Jane Asher has been happily married for the last
30 years. And her former fiancé, the lovesick Trubador, who could crank out silly love songs like
most people change their socks. Well, as of today, he's written 32 number one hits, including
world without love.
The catchy little tune that Peter Asher knew would be a smash,
even if the man who wrote it did not.
A broken-hearted singer-songwriter named Paul McCartney.
Anyway, that's the way I heard it.
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