The Weirdest Thing I Learned This Week - Masochistic Trees, Lean Mean Sex Machines, Ancient Doodles
Episode Date: June 4, 2025Patricia Ononiwu Kaishian joins the show to talk about horny eels. Plus, Sara Kiley explains the tree that loves getting struck by lightning, and Rachel goes into detail about kids passing notes in an...cient times. The Weirdest Thing I Learned This Week is a podcast by Popular Science. Share your weirdest facts and stories with us in our Facebook group or tweet at us! Click here to learn more about all of our stories! Links to Rachel's TikTok, Newsletter, Merch Store and More: https://linktr.ee/RachelFeltman Rachel now has a Patreon, too! Follow her for exclusive bonus content: https://www.patreon.com/RachelFeltman Link to Jess' Twitch: https://www.twitch.tv/jesscapricorn Link to Balint's Twitch: https://www.twitch.tv/sciants_streams -- Follow our team on Twitter Rachel Feltman: www.twitter.com/RachelFeltman Produced by Jess Boddy: www.twitter.com/JessicaBoddy Popular Science: www.twitter.com/PopSci Theme music by Billy Cadden: https://open.spotify.com/artist/6LqT4DCuAXlBzX8XlNy4Wq?si=5VF2r2XiQoGepRsMTBsDAQ Thanks to our Sponsors! Give yourself the luxury you deserve with Quince! Go to https://Quince.com/weirdest for free shipping on your order and 365-day returns. Stop putting off those doctors appointments and go to https://www.Zocdoc.com/WEIRDEST to find and instantly book a top-rated doctor today. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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At Popular Science, we report and write dozens of science and tech stories every week.
And while most of the stuff we stumble across makes it into our articles, we also find plenty of weird facts that we just keep around the office.
So we figured, why not share those with you?
Welcome to the weirdest thing I learned this week from the editors of Popular Science.
I'm Rachel Feldman.
I'm Sarah Kylie Watson.
And I'm Patricia Kaysian.
Patricia, welcome to the show.
It's so great to have you.
Thank you so much for having me.
I'm really excited to be here.
So I was really excited when I got a press release about your book.
Would you tell our listeners a little bit about it and where they can find it?
Sure.
I have a book coming out on May 27th.
It is called Forest Euphoria, the Abounding Queerness of Nature.
and you can find it anywhere you get your books.
Awesome.
Wow.
I love the title, and I feel like it says a lot,
but could you tell us a little bit more about what readers can expect to find inside?
Sure.
So I'm a scientist.
I'm a mycologist.
I study fungi.
And I'm really interested in biodiversity and natural history.
And then I also am interested in philosophy of science and queer theory.
So this book sort of threads a lot of different topics from,
from mycology and biodiversity and into queer theory and philosophy of science.
So it's sort of like a collection of essays.
Each is focused on different organisms or systems.
And I dive really deeply into the natural history of those systems and then also sort of
try to explore our understanding of nature through the lens of like what has been marginalized
and what has been cast out of our scientific understanding and also of our sort of cultural
acceptance. And I use my own experiences as a scientist and as a queer person to dig into
these topics of like what is normal and what is not normal, and, you know, in quotes,
in our society and in science more broadly. Or in science and in society more broadly.
Yeah, I love that.
That's so cool. Obviously, listeners already know, listeners of this show already know that
nature is very queer, but I have to say, I think mycology is the most queer if I had to pick.
I think so, pick one.
Yeah, full of surprises.
Yeah, yeah, absolutely.
Well, I hope listeners will check it out.
But for now, let's get into talking about some weird facts.
So on the weirdest thing I learned this week, we start by each offering up a little tease about some kind of fact or story that we found in the course of reading, writing, reporting, etc.
And decide which one we just absolutely have to hear more about first.
Then once we've all had time to spin our little science yarns, we reconvene and decide what the weirdest thing we learned this week actually was.
was. Sarah Kylie, what's your tease? Okay. My tease is I'm talking about a tree that loves being
struck by lightning. I love that for that tree. I know. Couldn't be me. My tease is that I'm
going to talk about some historically significant doodles. Love some good marginalia.
Patricia, what's your tease? So I'm going to talk about eels and their reproductive biology.
and their ability to use magnetic sensing to find their migratory pathways.
I love that.
We love eels on the show.
Never enough eels.
Let's see.
Well, Sir Kylie, I feel like you've got such a great tease this week.
I would love to learn more about trees that get hit by lightning and don't just become
dead trees, which seems like sort of the obvious result.
Yes.
Okay.
Well, I'm very excited to talk about this one as well.
So, yeah, so getting struck by lightning generally is not a pleasant experience,
whether you're a tree or an animal or even, like, a building.
Like, it's just not nice.
And it's especially true if you're the largest tree in your neighborhood of the forest.
Research from back in 2020 estimates that, like, 83 million trees are struck by lightning
every year, and a quarter of those are, like, 20 or 200 million, die as a result.
So not a fun thing, but let's start at the very beginning, as I like to do with talking about lightning itself.
So basically, according to Noah, Noah, lightning is a spark of electricity that is buzzing around between clouds, the air, and the ground.
And in the early stages of development of lightning, air is kind of like acting like a cushion, keeping the positive and negative charges in the cloud and between the cloud and the ground.
And when the opposite charges build up enough, the insulating capacity of the air just says,
nope and there's a rapid discharge of electricity that we know of as lightning and basically this lightning
equalizes the charge regions and the atmosphere until they build up again and so this happens in
obviously thunderstorms but it can also happen in all sorts of cloudy scenarios so volcanic eruptions
intense forest fires surface nuclear detonations snowstorms you get the picture but yeah so basically like
electricity is getting revved up and it needs to go somewhere and trees make for a perfect outlet for
electricity trying to escape the cloud and most of the ones that get hit are the big ones because lightning
kind of tends to aim for the path of least resistance they're like okay perfect here it is so the closer
to the atmosphere the better and those big guys um they get shot with with electricity and it goes right
down into the ground and so lightning can have a very serious impact on trees
So there's a lot of ways that this happens.
So we'll start with the kind of the internal damage.
Electricity generates a ton of heat.
In some cases, lightning can heat the air around it up to 50,000 degrees Fahrenheit.
So when that kind of like zap hits a tree, which is about 50% water by weight, it can get really messy.
So the lightning bolt basically sends the temperature inside a tree zooming up, which vaporizes the moisture in there.
And it turns to steam, which bumps up pressure.
And sometimes trees literally explode.
They split, they shattered.
The tree bark looks nasty.
You get the picture.
And for trees with a lot of sap, if, you know, if that initial explosion doesn't take you out,
the heat inside of a tree when electricity hits it, it makes the sap boil and it can weaken
the internal structure of the tree.
So if you aren't killed outright, you know, by the initial blast, internal structure gets
all messed up, which leaves these trees open to disease and pests.
so you've got kind of a weakened, like, slow death scenario there.
And so let's say you make it past both of those scenarios.
If you're a tree that gets struck by lightning,
it can still mess up the root system.
So basically that lightning hits all the way down until it hits the earth,
and it can kind of fiddle with the roots,
and then you're having decaying roots that can't pick up nutrients anymore.
And so, again, another really fun kind of slow tree death by lightning.
So, yeah, like sometimes you'll see a tree that looks totally fine,
but it's been struck by lightning,
and it's going to probably die within like a year.
And lightning does discriminate.
They are always looking for the tallest thing in the vicinity of hit.
So if you're the biggest tree in the forest and, you know, we got struck by lightning
last week and it wasn't that big of a deal, like you're probably, there's a chance you're
going to get struck again.
So let's say you're one of the lucky ones that doesn't explode on impact.
Like you're, say your sap, you know, bubbled up and boiled and messed up your insides.
A second lightning strike will make that way.
worse. So if you're a tall tree, beware. And the reaction to this kind of lightning strike really
varies by the kind of tree and the location in some places like tropical forests. It's not like
an explosion of death that you might get somewhere where there's like a drier tree. But this is like
a slow, they call it a crown dieback, which is when like basically the tree begins to just say like,
I don't need these leaves anymore. I'm so stressed. I don't want to take care of these leaves.
And if it keeps getting worse, they just keep getting rid of more and more of their like fluffy, like leafy top.
And they make more and more dead wood.
And it's like kind of like it's trying to prune itself down because it's so worked up.
And then it just, it's a slow, sad death.
And because of all of that, most scientists have for a while thought that like, yeah, lightning strikes are pretty much a bad thing for trees.
And like, who's to blame them?
All of this stuff sounds really horrible.
and like most of the time the result is not pretty when lightning strikes, you know, pretty much anything.
But there is an exception to the rule, which I feel like we unpack a lot on weirdest thing.
So I'm here with a wonderful exception to the rule.
And there's one type of tree that not only doesn't hate being struck by lightning,
like it not only does it like survive lightning strikes and like move on with its tree day.
It likes it.
It's beneficial to the tree.
It's like, yeah, this is amazing.
And this is the Dipteryx Olifera, which is also known as the Tonka Bean tree.
If you have any foodies out here, apparently they taste like almonds.
I saw some tonka beans in like a fancy little bakery near my, in my neighborhood.
And I was like, what a funny connection.
I know that you love lightning.
But it's a really, really big tree.
It grows up to 180 feet in height, and it's native to warm tropical forests in Honduras,
Nicaragua, Costa Rica, Panama, Colombia, and Ecuador.
So we've got one of those tropical trees.
And according to recent research published, like, I believe it was in March or maybe even this month, in new phytologists, they love a little zap-zap.
And so we'll get into it.
But the story starts in 2015 when Evan Gora, who is a forest ecologist at the Carey Institute of Ecosystem Studies, stumbled upon one of these Tonka bean trees that survived a strike with little damage.
Even though, quote, unquote, the jolt had been strong enough to blast the parasitic vine off of its crown and kill more than a dozen.
neighboring trees. So this tree got blasted and it's just like living its life. It killed all
its neighbors and it's just like, you know, going about it. And basically, so he and a bunch of
ecology researchers spent several years following the post-lightening strike lives of trees in the
Barrow Colorado Nature Monument in central Panama to figure out kind of what the story is here.
So they found 93 specimens across multiple species, including nine directly straight.
struck tonka bean trees. And for two to six years after, you know, this group of trees got zapped,
the researchers followed their lives and deaths. And what they found is the tonka bean trees
survived direct hits with just a little bit of damage. And on the other hand, the other species
that were directly struck by lightning were in bad shape, losing almost six times as many
leaves on their crowns. And more than half of them died within two years. So what in the world?
And so it's not only that the Tonka bean trees survived after the strike, they thrived.
In the case of one of these trees getting zapped, a whole bunch of beneficial stuff would happen.
Their neighbors kicked the can.
I mean, I guess I don't know how a nice way to say the tree died, but basically all of their neighbors died.
And on average around 9.2 surrounding trees of other species just like got the secondhand electricity
from either like a branch touching a branch or electricity hopping over.
And those guys died as a result, but the main tree was like, ha ha, it's fine.
And what that means is basically there's less competition for the primo spot of exceptional sunlight at the
top of the forest.
So they're like, competition, bye.
And then the next good thing that came out of a lightning strike for these trees is parasites be gone.
The most annoying thing other than nosy neighbors to a tonka bean tree is a liana or a long-stemmed woody vine
that basically uses trees to like creep and crawl its way up to the top, like the juiciest,
sunniest bits of the forest canopy to get those sweet sunrays.
And they like don't vampire suck the nutrients out of a tree.
So they're not like directly like eating the tree or anything because there are definitely
some parasites that love to do that.
But this isn't them.
But they're just again making life harder for not just Tonka bean trees, any tree that is
unlucky enough to encounter this situation.
They make it harder for the tree to grow.
You can't really get as much sunlight.
It's harder to drop seedlings and grow your population.
So it's just a pain in the butt.
They hold them back.
But these infestations don't really like survive lightning strikes either.
And according to this new research, lightning strikes reduced Leanna infestations on tonka bean trees by around 78%.
So we got two wins on top of surviving lightning strikes already for this for this.
delicious almond-ed tree. And with all this uncovered, the scientists were like, oh, okay, let's
like look deeper at the tonka bean tree and its surroundings. And they kind of came across all of these
aha moments. For one, tonka bean trees just typically have less lianas than their other
woody neighbors. And about 40, like, there's 40 years of tree death analysis that they looked at.
And it demonstrated that if a tree cozied up to a tonka bean tree, like, it became neighbors,
they were about 48% more likely to die than if it had ended up in different real estate.
So, wow, yikes.
So, and then they uncovered also that Tonka bean trees have evolved, like, likely to be taller to, to choose to be smacked by lightning.
So they're like, let me up there.
I want to be the tallest, not only for those delicious rays, but because there's a chance that I'm going to be pummeled by 50,000.
thousand like degrees Fahrenheit of heat straight to the core.
I'm just imagining like, oh no, I hope I don't get struck by lightning.
Literally.
That would be horrible to get a facelift and all these lianas removed and my neighbors just
disappear.
Like, wouldn't that be horrible?
But yeah, so they're literally like, and they also on top of being the tallest, they have
these big wide crowns, which are pretty unusual.
And they're basically like just begging to hit like hit, like, hit.
me with lightning. All of which, I mean, and it gives them about a 68% higher likelihood to be
struck by lightning. So whatever they evolved to do, it worked. And you know, to thunk it,
their estimates also, like, showed that individual tonka beans are likely struck about once
every 56 years on average. And trees are really old. So it's not like they, they're living for
hundreds or even thousands of years. So they're regular getting like a little like Botox zap of lightning.
And one of these trees that they had been like poking around at in their research had gotten like zapped twice in a five year period and was like fine.
And so this like just all goes to show how nature can surprise us.
And like there is a climate connection because I'm always looking for the climate connection because so climate change and its related disasters are going to make lightning more common than it is.
And we've known this for a while.
this research came out in 2014 that lightning strikes would increase about 12% for every one degree of
warming. And so they estimated back then that that would be about 50% more strikes by 2100. So that's a lot.
And essentially with more water vapor in the air and the atmosphere, which happens when we have a warming planet,
there's just like more thunderstorm fuel, like just like waiting around, waiting to become a thunderstorm.
And not to mention lightning and forest fires kind of have this toxic feedback loop where lightning starts about 10% of global forest fires.
And the result of force fires can be their own little weather patterns that create more lightning.
So we've got a lot of lightning happening.
And I think, who knows, maybe the Tonka Bean tree will outlive us all and just be thriving in a zappy, zappy world.
So, yeah, that's the story of the Tonka Bean tree and their.
love their kind loving relationship with being struck by lightning.
I like that you said maybe they'll outlive us all.
One of my like coping mechanisms when considering climate change and these,
the polycrisis that we're facing is thinking about which species might outlive us.
And that's like kind of a comforting thing to me.
He's like, okay, maybe the tanka bean trees, maybe the horseshoe crabs, you know,
beetles of all's variety, you know.
And like, okay, maybe they'll be doing really well.
Yeah, it sounds like a chill planet, honestly.
Like, I can't knock it.
Yeah, that is, evolution is so wild.
Things just happen.
And then you end up with a tree that is trying to, you know,
a tree that relies on coaxing lightning.
Like, please, please hit me.
It's pretty metal.
Yeah.
And it makes me want to go buy some tonka bean, like, paste or something.
Like, I'm like, okay.
This is exciting. I'm going to need to start liking this even more.
This is a hard-pore food now. I have no idea.
And it's going to, like our coffee might be gone. Our chocolate might be gone. But you know what?
We can have some tonka beans, it seems like. So it's all good.
It's all good. Okay. We're going to take a quick break. And then we'll be back with some more facts.
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Okay, we're back.
And Patricia, I would love to hear about some eels.
Yes, super excited to talk about eels.
They're really amazing animals.
Admittedly, I did not learn about them this week, but I've been really a fan of eels for a few years now.
In my book, I try to, all the essays are about organisms.
I've had some personal encounters with, even sometimes very intensively.
And eels are one that I spent some time with when I was a professor at Bard College in the Hudson Valley.
And I took my students to help with the eel monitoring project that's run at a research station near the campus.
And we were there to basically trap eels as they were making their migratory route up from the ocean, up the north on the river, and into sort of all the tributaries of the Hudson.
And so we were just catching them in this large like funnel and then counting them, weighing them, and then helping them enter the streams.
and when I saw them, I was really just absolutely blown away, but by how small they were at the time.
They were just about one inch long.
They were totally translucent.
You could see their tiny little eyes and their little spines.
And I was just completely blown away by how that tiny fish could swim for about one year from the Sargasso Sea where they were born and find their way back up these rivers.
And I know on a previous episode, you talked a bit about their migration and the mystery of the eels of being organisms that people, you know, for many, many, really actually hundreds of years people have been sort of fascinated by and sort of mystified by.
And we still are, I think that's still true.
We still are learning so much about exactly how they reproduce and how they make their journeys.
But there's two sort of elements of eel biology that I was really drawn to.
and part of it is their migration and how they do that, which I'll get into.
And also, it's the fact that they live for most of their lives as intersex organisms.
So they have, in a very direct way, a pretty queer, reproductive way of being.
So both of these components are so fascinating to me.
But I'll sort of just tell the story of their just general life history.
And then I'll get into the details of the way that they use magnetism.
and the earth magnetic fields to migrate.
So when they're born in the Sargasso Sea,
they then spread out, travel all along the eastern seaboard of North America
into the rivers and tributaries.
And it takes them, like I said before, about a year to do that on average.
And they make their way back up to, you know,
all sorts of little streams throughout the East Coast.
And then when they finally reach their destination,
they will then spend many years, sometimes decades,
living in the fresh water, and they'll just sort of be eating and, like, slipping around in the muck
and enjoying themselves.
And as they, so they make that journey as these little glass eels, they're called those little
tiny eels.
But then over time, they grow to be pretty large.
They can be several feet long, and they darken in pigment, and they can become kind of matching,
like basically match the silt of a nice, soft, muddy stream.
And as they're doing that, they're eating, they're being,
marry and then essentially at some point they're kind of called to you know so there's some sort of
like genetic signal of some sort that initiates their return to the sargassoc where they will
have a beautiful night of sex and reproduction it will take them a long time to get back as well like
but not quite as long as the glass eels stage because they're not much bigger and stronger now sure
But so as they're like growing and living in the freshwater, they're intersects.
They have the potential to develop reproductively in either ovarian tissue or testicular tissue
or they can actually just keep both and develop both later in life.
But when they're triggered to go back to for reproduction, that's when those tissues actually
really develop.
So all along there in the decades or years that are before, they're not like expressing.
their secondary sex characteristics. So this fact was really puzzling to a lot of scientists,
including a very well-known person, Sigmund Freud. And he actually, before he got into
psychology and psychiatry, he was interested in natural history. And so this little-known
aspect of his career was that he was really interested in eel biology. He was, like many of us,
sort of captivated by their mystery.
But he was really fixated, maybe not surprisingly, on sort of finding eel balls or testicles.
Yeah.
And he was like, he was, what he was doing is he's going to freshwater systems, collecting eels.
And then it's kind of brutal, but just basically dissecting one after the next because he was
really bent on trying to find out, okay, why don't these eels have testicles?
Where are they?
how like what's going on here with their sex and their organs what's going on like why isn't
make it make sense you know the ball of your business boy yeah i know yeah i know it's
stop murdering me i know it's pretty gruesome and but he he took hundreds and hundreds and
hundreds of eels before he actually even found one that had some sort of testicular tissue that had
developed and so someone close to him kind of posits that he may have this this whole
like stressful situation for him may may have led to the development of his castration anxiety
theories which is pretty well known for but anyway he was really trying to fit you know eels into this
binary box they either have to be male or female they either have to have ovaries or testicles like
there's not but really they have the possibility of both they are containing both right they're
they're not clearly in the binary a lot of eels eventually do develop maybe one type of
a reproductive organ or another later in life. So when they're when they're triggered to go back,
they actually repurpose all of their digestive organs that they've been using to nourish themselves
and grow big and strong. And they kind of take all that energy and tissue is redirected into the
development of their secondary sex characteristics. Wow. Yeah. And they typically become,
basically they're just these long, lean, mean sex machines that then swim back to the Sargasso Sea.
and reproduce. So they're no longer eating. They don't eat. They're done eating. After reproduction,
they're going to to die, actually. It's their fine. It's the one last hurrah at the end of their life.
And then their offspring will then make the migration back to their sort of ancestral waters.
So I'm just really like captivated by their reproduct, you know, their intersex way of being and
then this sort of like capacity to to repurpose their bodies at this time in their life to just be, you know,
change their sexuality is this sort of like change like it changes depending on the the phase of
their life cycle and all of that's just really really fascinating to me and the other aspect about it
which gets a little bit more into you know so in my book i'm very interested in queer reproduction
or lack of reproduction but just queer sort of ways of being in a very literal sense in a
biological sense but then i'm also interested in these in the way that like science is produced
how like how information is kind of understood and channeled.
And sometimes it's like obviously I'm a scientist.
I love science.
I know this is a science podcast.
So we're very science positive here.
But also like, you know,
it's important to sort of think about like the historical and social forces
that may have influenced the scientific process
and how that might have limited our understanding of like information and systems.
And so there's so many examples throughout scientific history.
history where like the sort of biases of a culture of a society may have limited our understanding.
And so I think that sometimes it can be people might want to think that like by talking about like
queer ecology or queerness in biology, we're like imposing an agenda, a social agenda.
But really how I see it is kind of going through the scientific canon and history and actually
looking for the biases that come before us and correcting them.
And so that actually will, with the intention of improving our knowledge, not like sort of just trying to plaster some sort of like, I don't know, social agenda on top of it. It's actually like, let's, how can we understand the world more fully and more completely by understanding how we were limited in the past. And so one one really, I think, amazing example of this is the work of Lynn Margulis, an evolutionary biologist and a scientist who contributed really greatly to the understanding of endosymbiosis.
the process by which, like, little organisms are absorbed by larger organisms,
and then gradually become interdependent and eventually a singular species.
And so this is, we know this is like something that has happened many times throughout the tree of life,
but it was poorly understood for a really long time.
And Lynn Margulis was a scientist who, you know, in the 80s and 90s did a tremendous amount,
or sorry, I think going back to the 70s started doing a lot of work to try to get the scientific community to understand that,
symbiosis, this sort of these intimate associations between species are incredibly common.
And this idea that we're all just like these totally distinct, discrete individuals is not
really actually that scientifically valid. But that idea of the individual is really deeply rooted
in Western philosophy and Western culture. Like we deepen our cultural understanding is this like
notion of the individual. And so it was, it took a lot of,
evidence and time and really more evidence than it should have required to upend that notion that
things are just totally, every species is totally like this own little block, an own little world.
And then we have strategic relationships with other species occasionally.
That's not really how it is, right?
So when we think about our own cells, for example, we have organelles that, like, for example,
our mitochondria where it used to be free-living bacteria and then they were absorbed into cells
and then became of gradually, very gradually, you know, functional components of those cells.
But they used to be free-living bacteria.
And so that's something that also applies to the, is relevant to the biology of eels and their
migration and the migration of a lot of other species as well.
It's actually best studied in like salmon and other fish, not eels.
But anyway, so, okay, so this is where I'm going with this.
Back sometime many millions and millions and millions of years ago, there was a free-living
bacteria that had little magnetite crystals in its body. And that probably happened just as a
kind of accident of metabolism that accumulated this magnetic material called magnetite. It's made of iron
primarily. And over time, the presence of that magnetite proved to be advantageous to this
lineage of bacteria because it could kind of help that bacteria orient itself and move with
through magnetotaxis. So like we have chemotaxis and phototaxis, but basically the ability to move in response to magnetism. So over time, that more, like it evolved that there were more and more little magnetite crystals lining up in that cell, eventually forming these long little chains of magnetite crystals that almost operated like a compass or a needle. And it could orient itself more with more, I guess, sort of physiological control.
towards the magnetic fields of the earth.
And so what the hypothesis is that this bacteria was then absorbed by some other, like, common ancestor of the animal kingdom.
And that's why we have magnetotite little packets of magnetotite called magnetostone present in a lot of different lineages of animal life.
So from insects to fish and even actually people have magnetite in our brains, but that's really poor.
studied. And so in some cases, it may just be vestigial or an accident of sort of metabolism,
but in certain lineages we know for certain that more evolutionary pressure has been exerted on
this magnetotite and, or sorry, magnetite in the magnetostom, such that it has become integrated
into like the sensory apparatus of the organism. So this is true in like salmon and eels, that there
is magnetite in their brain, in and around their noses and faces and brains that they use to sense
the magnetic field of the earth, and this actually guides their migration.
And so what's fascinating to me is that, like, I love thinking about how, well, there's so many
layers to this, but one is the fact that these tiny little random accidents of endosimbiosis
could give rise to all of this, like, incredible diversity that we have.
Like, the improbability of it all is just something that I can never really get over.
I mean, that's true.
In so many areas of evolution, so many specific evolutionary events are just,
vanishingly improbable and it's just kind of miraculous that anything has ever happened and never
mind the way that it has happened like right now that we can witness and then also just the fact that
like we are in this way like really like the constituents of our own bodies and biology are attributable
to microorganisms and that to me is just this what i one thing that queerness the like my understanding
of it is you know it i'm always like to be queer in my like use of
the term is not just to be like not heteronormative, but it's also kind of invoking a notion of like
the collective, right, and interdependencies, right? So queerness as a term kind of came into use in during
the AIDS epidemic and it was like rallying cry to kind of connect people and to, you know,
understand collective power. And I think it's possible, you know, to like that's, so I'm interested also
in extending that beyond the humans, right, into the other species. And I'm seeing,
like the interdependencies of other species, that not only are we just sharing a planet with
these organisms, but we like literally are them and they are us too. And this type of way of seeing
the world is something that I think can really help us build strong networks of like diversity
and of like a thriving planet. So the story of Lynn Margulis also is like kind of, you know,
she was someone who was on her Wikipedia page. You can see that she's described as a vindicated
heretic. She took, you know, it was a tremendous professional risk.
to put forward these ideas, even though they were very evidence-based, and kind of stake her career on that.
And it came at great professional cost. She was not, and she did, she's no longer alive, but she did live to see her ideas become, like, respected.
But it didn't, wasn't easy. And it took a tremendous amount of, like, kind of conviction and willpower, which is, unfortunately, very common, especially for women and other people operating outside of, like, you know, the mainstream sort of ways of thinking.
So, you know, she's a big inspiration to me also.
So anyway, I love how all of this comes together in the eels, right?
They're queer biology, their incredible migratory journey, their mystery of their like, where do they even reproduce and how does it function?
And then the fact that these tiny little glass eels could use the, you know, magnetic field of the earth to find their way to like upstate New York from Bermuda is like just really incredible to me.
Wow.
Yeah, I love that. What a great, what a great story. So many awesome threads. It makes me very excited to read your book.
Thank you. Thanks so much. I recently, I was guest hosting for Science Friday and interviewed the author of this book called A Slippery Beast that was about eels, but like surprisingly focused on eel crime, which I was like not, I didn't see that coming. So yeah, if you ever want to read some stuff about eel crime and the,
incredibly complex and like surprisingly corrupted dangerous world of the eel industry.
Wow.
Yeah, that sounds amazing.
I definitely want to read that.
I mean, yeah, so part of why we are doing that monitoring project is because they, you know,
they're the populations of the, so this is mostly the American eel I was talking about,
but there's also a few other species that are closely related that have all experienced
really significant population crashes due to like overfishing and habitat.
destruction, pollution, et cetera. And so I do know that they're very expensive, you know, if you were
to illegally procure them. So I can imagine how that would drive a whole underground industry.
But I've never read anything about that. So I would love to, love to hear about, learn about it.
All right. We're going to take one more break. And then we'll be back with one more fact.
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Okay, we're back.
And I'm going to jump into my fact,
which, as I said, is about some ancient joodles.
So dating back to it.
at least the first century in various parts of the world.
People have used birch bark as a writing surface.
It's very soft and easy to scratch into with a stylus.
And of course, if you live by birch trees, it's very easy to peel off.
It actually peels off naturally as the tree gets rid of dead tissue.
So it's altogether a very renewable writing resource and a very convenient one, especially
before we had the mass production of paper as we know it.
In parts of Russia in particular, there are so many old manuscripts of all different kinds preserved
on birch bark that there's basically like a field of study devoted to them.
And as of 2018, archaeologists had found about 1,200 birch park specimens in Russia and
more than 1,100 of them were from this one place called Novgorod.
And that about half of the rest were in locations that would have been considered the same region
as Novgorod during the medieval era, which is when these texts date back to. So, like,
this is a real hot spot for writing stuff on Birch Park. It actually seems like Novgorod was an
extremely literate place for the time, because in addition to the fact that, you know,
more than 1,100 of these Birch Park writings have been found, and that's, like, a huge percentage
of the ones found around the world. They actually think that there are a lot more of them, because
less than 3% of the, what was the medieval settlement of Nuffgorod has actually been excavated
systematically. So some estimates suggest that there are probably more than 20,000 additional notes
waiting to be discovered. And what's great about this place in particular is that there's this
very heavy waterlogged clay soil, and it seems to have been really good at protecting the birch
bark from oxygen and therefore decay. So, yeah, I'm just,
So, yeah, all of these circumstances coming together to make this a real hot spot for finding
notes from the medieval era, including among people who are not, you know, like writing in monasteries
on illuminated manuscripts.
And another clue that Novgorod was extremely literate for the time is that while some
of these notes use Church Slavonic, which is the language of the church in the Slavic areas, most
of them are actually written in a vernacular dialect.
recount personal matters and everyday happenings. It seems like women and children were frequently
writing on Birch Bark. So, yeah, it seems like just like everybody was writing stuff, which is so
cool and very different, I think, from what a lot of people's conception of that time period in Europe
was like. But there are some of these Birch Park writings that are particularly famous, and they all
come from a single prolific artist who live there in the 13th century. He drew epic battle
scenes and mythical creatures and even rather abstract works, I would say, for the time.
His name was On Fim and he was a seven-year-old boy.
Wow.
Okay.
He was avoiding doing his homework.
I love On Fim.
So, On Fim's birch bark scraps, there are many of them and they show signs of schoolwork.
He wrote psalms.
He did like Cyrillic alphabet exercises.
But they also show doodles that I think it's not.
at all surprising when you see them that they have become, you know, such a popular
talking point in not just the archaeological world, but in the mainstream, because
they're really charmingly recognizable as like the work of a board kid at school. Very
little has changed. If you Google on FIMM, you will see some examples. And I definitely
recommend doing that because, again, it is like so striking how much these could be on
someone's fridge right now.
There's
one where this very
chaotic creature with like
many legs and
a lot of lines, there are a lot of lines.
It's hard to tell what's going on. But it has a speech
bubble that says, I am a beast.
And then that same
piece of birch says greetings
from on film to Daniel. So presumably
passing a note to a friend.
He also
drew himself standing on horseback
and slaying some other person.
which many people like to imagine was meant to be his teacher.
I don't think we have any particular data to support that,
but I understand the impulse for sure, and it could be.
That's hilarious.
Okay.
And my favorite thing about OnFim's drawings is that he always drew people with hands like garden rakes.
You'll see what I mean when you look at them.
Oh, my God.
And he never drew them with the same number of fingers,
which has led some people to point out that while he was quite literate,
he perhaps had not gotten a great handle on counting yet, but he was only seven, so, you know,
totally understandable. Give him a break. Yeah. Some of them remind me a lot of Teen Girl Squad from
Homestar Runner. It's just, it's all very, nothing has changed again. Unfortunately, that's all we
know about OnFIM. I like to imagine that if we actually dug up those, you know, 20,000 or so
scraps that are thought to be left in his hometown, that we'd see his, like, evolution as an artist
and a scholar, you know, see him grow up to be writing, like, passive a graham.
notes to his neighbor and stuff like that, which it seems like a lot of the notes from
his town were that sort of thing.
But all that we can do is hope that On Fim grew up and, you know, continued to have such a delightful
imagination and such a great relationship with the written word.
I just, I love this because I think it's really cool when stuff that isn't of like traditional
great historical importance is preserved.
I mean, we talk about this a lot in the show, and I know it's not like a awful concept, but, you know, there is such a bias in sort of what gets kept in the historical record.
You know, we know way more about, like, how kings lived and how their subjects lived in so many cases.
And so it's a great reminder that, like, while, of course, we do have this, like, excess of information on how elite, wealthy people were living in it.
any given time compared to everybody else.
Like, we do have other stuff.
I mean, in my book, Been There Done That, A Rousing History of Sex, which you can still buy.
There, I talk about one of our sort of, like, best documentation of sort of how an everyday person might have felt about homosexuality during, I think this was, like, the 1700s.
I'm going to have to look this up now.
But just like it was some, we have like notes from some dude who was like a gentleman farmer who was like writing in his journal and being like, yeah, so I heard about this thing that happened.
And like I think it's fine.
Like I think people should mind their own business.
This is sort of the iconic opinion.
Yeah.
Correct.
And, you know, it's like it's brought up by scholars a lot as an example of like, you know, whatever the sort of whatever got written down as like law or what the people in power were saying was like the norm does not necessarily reflect what every.
everyday people were doing and thinking.
But, you know, I love just little snippets we can find through history.
And apparently these Birch bark writings are a great source for that because, again, it was
this very, like, weird confluence of circumstances where it seems like literacy was quite common
in this area.
And because they wrote on Birchbark, which was, like, so plentiful, people just wrote everything.
It wasn't like a precious, I think, in a lot of cases, even when people were literate.
you know, writing was something you did for like a special occasion.
Oh, yeah, that's a good point. I hadn't really thought about that before.
Yeah, yeah. So I think like the fact that they could just go peel off a piece of birch bark and,
you know, shoot the shit with their neighbors. We get a lot of cool stuff. And then, you know,
the soil, the clay soil there seems to have been really good for preserving them. But we do have
other, you know, examples of, you know, sort of delightfully pedestrian things that have,
have been saved in history, like the so-called complaint tablet to Yonyser, which is a clay tablet
sent to the city-state ur sometime around 1750 BCE.
It's often referred to as the world's first customer complaint, where the oldest Yelp review.
Yeah, basically, a customer named Nani is complaining that this trader sold them substandard
copper and was rude to his servant.
and it is very salty, and it goes on for a very long time,
really just repeating the same facts about how this dude was a jerk
and copper is no good.
It's, again, very relatable.
And somebody, this was in cuneiform on a tablet,
so somebody who's really like chipping away.
Okay.
Yeah, yeah.
They wanted us to know.
Yeah, yeah.
I love thinking about being so furious,
but only being able to chip it into a tablet.
I feel like that you have
A long tablet note
I think maybe the internet
would be less toxic if we all had to
chip our words out
I agree yeah you really have to
really think it through
yeah yeah and like halfway through
you'd kind of be like I never want
doing I can go outside
but not Nani
Nani stuck to his convictions
there's also a website
ancient graffiti dot org
where you can just randomly
browse some of the ancient graffiti writing found around Herculaneum and Pompeii. Of course, I talked
about Pompeii pretty recently, but, you know, not just known actually for the terrible volcano
incident, but in fact, a place that was very horny, had a lot of art, a lot of graffiti. They did
a lot of scribble it on the walls there, and there's some great surprising graffiti that you can
look into. I mean, and also some that are just like wholesome. There's some that are like, we're
best friends and we'll be best friends forever and our names are, you know, whatever and whatever.
I wrote down a couple. There's Sabina's handsome guy. Hermeros loves you. Then one where somebody
wrote down, lovers like bees lead a honeyed life and someone else wrote under it, I wish,
which is so such bathroom stall back and forth. I really love it. But yeah, no, I mean, I think,
Again, like I always love to think about how, I always love to think about how, you know, our view of history is, you know, colored not just by the victors, but the people who could afford paper.
And, you know, On Fem is a great example of, you know, just I think people sometimes imagine that humans were fundamentally different in different eras.
And I think, like, kids were kids when they made fun of their teachers on birch bark tablets.
that they threw with their friends, and I find that really, I find something comforting about that.
Because I think, that's soothing.
So little has changed and maybe we'll make it after all.
I don't know.
This has been great.
So many weird things learned today from eels to lightning trees.
I'm going to be thinking about the Tonka Bean for a while.
Oh, yeah, me too.
Yeah.
Like, I have a lot of space in my brain for the Tonka Bean.
Yeah, yeah.
Yeah, that's super cool.
Patricia, thanks so much for coming on.
Would you remind our listeners what your book is called so they can find it?
Oh, thanks so much for having me.
This was really fun and enjoyable.
My book is called Forest Euphoria, the Abounding Queerness of Nature.
It comes out May 27th, and anywhere you get your books should be, you should be able to find it.
So thanks so much in advance.
Oh, yay!
The weirdest thing I learned this week is produced by all of our hosts, including me, Rachel Fultman, along with Jess Bodie,
who also serves as our audio engineer and editor extraordinaire.
Our theme music is by Billy Cadden.
Our logo is by Katie Belloff.
If you have questions, suggestions, or weird stories to share,
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