The World This Hour - The World This Hour for 2025/02/16 at 07:00 EST
Episode Date: February 16, 2025The World This Hour for 2025/02/16 at 07:00 EST...
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And just wine.
And that's what I'm referring to is,
when it says Canada on the label or 100% Canadian,
you know, in countries around the world
that I've been able to travel with,
you know, in contingencies across the globe.
When it says 100% France on something, you guarantee that it's 100% France. There is no,
you know, ambiguity on that. And I guess what I'm seeing online, not just in wine, but number
products, vast confusion. What do these terms actually mean?
And that's what I'm trying to tap into.
By law, if they say product of Canada or they have the word Canada or the Canadian flag,
it needs to be...
So product needs to be 98%.
If they just have the Canadian flag or the maple leaf, it needs to be 51%.
And if not, they're subject to fines of up to $10
million. So there is law. And if you think that a manufacturer producer is contravening
law, you should submit a complaint.
Yeah. It's coming to head for sure. It's been a battle. It's definitely been ramping up
the last few years in our industry. But I see this across other industries as well.
And I just, I really feel confusion and anger and mistrust by consumers on all sorts of
products, not just wine.
And I think that's where I think there should be a third term, which means if that's
as 100% Canadian, it is a hundred percent Canadian period. Like it's from manufacturing to the goods. And it's not about not supporting
other global partners of ours. The discussion is consumers' confidence. That's what's
saying on that label is actually meant by that. And if somebody wants to support a hundred
percent Canadian, then they should have that guarantee that that emblem means that,
not some kind of formula of some sort.
And that is what I'm feeding off of right now.
And I feel people's frustration on that.
Certainly.
You know, this whole hour, I'm so sorry to tread on your words, but we're almost at the
end of our segment.
And the frustration and
Exasperation that I hear as you're describing this is really one that has echoed across the country and certainly throughout this conversation
Richard thank you so much for calling excuse me for cutting in but we are at the end of this segment
I'm gonna close out vast by turning to you for a moment because we didn't have that much room in this conversation to talk about
the cultural aspect and the public institution support for entertainment.
And something that's so interesting is that, you know, we started out this conversation
talking about how 81% of Canadians were considering some form of bi-Canadian.
There's been, you know, as some of our earlier callers, particularly people who have businesses,
have been describing a huge surge in interest and almost an anger at
not being able to get some of the products that they want from Canada.
The frustration that Richard just expressed, Maurice expressed, Dan expressed, we had so
many callers feeling frustration.
And I think there's a, you know, I used to live in Quebec, in Quebec City, and something
I really noticed there was incredible support for the arts resulting in major artists rising, right?
Charlotte Cardin and Denis Villeneuve and so many vibrant local careers that then launch
internationally because of public support for Quebec goods, for Quebec personalities,
for Quebec culture.
And I realized there were a lot of politics at play there that, you know, are
supported at different levels of government. But I wonder, as we think about the cultural piece
here, what can English Canada learn from French-speaking communities around support culturally for things
that are made at home?
Oh, wow. I love that question. I think we need to keep paying attention to that digital infrastructure that even helps
us discover and consume cultural content, right?
We were kind of, I was kind of joking around even about the definitions and the parameters
around that, but I think what we can learn is in terms of protecting and elevating, we also have
to think about new forms of accountability for large technology companies, but maybe
also switching away.
So something like Spotify, even if you're listening to some really awesome playlists,