This Past Weekend - #598 - Joaquin Phoenix
Episode Date: July 18, 2025Joaquin Phoenix is an actor known for his many popular roles in films like “Joker”, “Walk the Line”, “the Master” and more. His latest movie “Eddington”, from director Ari Aster, is in... theaters now. Joaquin joins Theo at the Hotel Chelsea in NYC to talk about how the chaos of 2020 inspired his new movie, the influence his dad had on his characters over the years, and why he feels so compelled to speak up on human rights issues. See “Eddington” in theaters https://www.youtube.com/watch?v=oL6jZqExlIk ------------------------------------------------ Tour Dates! https://theovon.com/tour New Merch: https://www.theovonstore.com ------------------------------------------------- Sponsored By: Celsius: Go to the Celsius Amazon store to check out all of their flavors. #CELSIUSBrandPartner #CELSIUSLiveFit https://amzn.to/3HbAtPJ DraftKings: Download the DraftKings Sportsbook app right now and use code THEO. That’s code THEO for new customers to get $150 in bonus bets instantly when you bet just five bucks. Only on DraftKings. The Crown Is Yours. https://draftkings.com Liquid IV: Go to https://LIQUIDIV.COM and get 20% off your first order with code THEO at checkout. Shopify: Go to https://shopify.com/theo to see how easy it is to start your business today. Rocket Money: Cancel your unwanted subscriptions and reach your financial goals faster at https://rocketmoney.com/theo ------------------------------------------------- Gambling problem? Call 1-800-Gambler. In New York, call 877-8-HOPENY or text HOPENY (467369). In Connecticut, Help is available for problem gambling. Call 888-789-7777 or visit ccpg dot org. Please play responsibly. On behalf of Boot Hill Casino & Resort (Kansas). 21+ plus age and eligibility varies by jurisdiction. Void in Ontario. New customers only. Bonus bets expire 168 after issuance. For additional terms and responsible gaming resources, see DKNG.co/AUDIO ------------------------------------------------- Music: “Shine” by Bishop Gunn Bishop Gunn - Shine ------------------------------------------------ Submit your funny videos, TikToks, questions and topics you'd like to hear on the podcast to: tpwproducer@gmail.com Hit the Hotline: 985-664-9503 Video Hotline for Theo Upload here: https://www.theovon.com/fan-upload Send mail to: This Past Weekend 1906 Glen Echo Rd PO Box #159359 Nashville, TN 37215 ------------------------------------------------ Find Theo: Website: https://theovon.com Instagram: https://instagram.com/theovon Facebook: https://facebook.com/theovon Facebook Group: https://www.facebook.com/groups/thispastweekend Twitter: https://twitter.com/theovon YouTube: https://youtube.com/theovon Clips Channel: https://www.youtube.com/c/TheoVonClips Shorts Channel: https://bit.ly/3ClUj8z ------------------------------------------------ Producer: Zach https://www.instagram.com/zachdpowers Producer: Trevyn https://www.instagram.com/trevyn.s/ Producer: Nick https://www.instagram.com/realnickdavis/ Producer: Andrew https://www.instagram.com/bleachmediaofficial/ Learn more about your ad choices. Visit megaphone.fm/adchoices
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Today's guest is a legendary actor. One of the greats, they'll say. I'll say it. People are saying it.
He's had so many amazing roles in The Joker, Walk the Line, The Master, Signs, Eddington is his new film, which I got to take a peek at before we got together.
We caught up at the Hotel Chelsea in New York City.
Today's guest is Mr. Joaquin Phoenix.
["Shine On Me"]
Yeah, do you have any, are you okay if we start Joaquin?
I am, why are you looking at the ground? What's going on?
I don't know. I just feel like I'm a little bit nervous.
Oh, it seems like, it seems like the assassin, like before he's about to fuck people up,
he's just like staring, like getting in the zone. It's like, let's do this. So I was like,
okay, yeah, I mean, start, sure, man, start.
I think I'm waiting for like the coaches in my head to show up and be like, you can do this, you know?
Wait a minute, you can do this.
You can definitely do this.
Thank you.
I'm questionable.
But, coach is like, he's questionable.
We're not sure if he's going to play.
Hey, that's not Jimmy Chitwood, okay?
We got to sit that guy on the bench, you know?
I don't know who that is.
Oh, it was the guy from Hoosiers, remember?
Who comes in and makes the show.
I don't remember.
Dang.
Thank you for telling me you don't remember
instead of pretending like you do, though,
so I keep talking about it.
You're welcome.
Yeah, it's gonna happen a lot.
There's a lot that I probably don't know.
Well, we're gonna find out.
Thank you for your time, man. No, thank you.
I appreciate it.
I really appreciate it.
And thank you for all your beautiful work over the years.
It's been nice to witness and to consume
as just a regular person in the world.
Oh, man.
Thank you.
You're very sincere.
It's very nice and refreshing and also slightly
uncomfortable.
Yeah, sorry.
No, don't.
I know you're married, so I'll keep it just as sincere.
We won't get physically sincere because that can be, it's outlawed in some territories.
But no, thank you for your time, man.
And yeah, thank you for all the cool work and helping us think and stuff like that just
as viewers.
Yeah, it's funny how sometimes life or God or whatever you use is like a person,
is like an instrument, you know?
And yeah, you just have such a great way of like,
yeah, just being able to do something that we can't,
so many people can't do, but then it helps us,
the rest of us reflect on how we do things and live.
So, does it make any sense even?
It's very nice.
I mean, I don't know, all I'm hearing is, um, all I want to say is like no everyone can do it
I don't have anything special. I don't do anything special. Well, you're lucky guy then you've been fortunate
Yeah, I've been very fortunate. I've worked with great great people
um
Would you do this summer did anything fun? I
Feel like I was getting serious for a second. No, no, no, I was, no, I wasn't getting serious.
What did I do?
When does the summer start?
I guess the summer starts in, I would say mid,
I would say June 1st.
June, okay.
No, nothing fun.
I just have this movie coming out, so we started,
I think somewhere like the 10th or something like that,
started press.
So, Disimpress in LA, and then flew to London,
it's a press, so that's it.
Nothing terribly exciting.
But we're not like those kind of,
we're not like, you know, like, go vacation people.
That's not your life?
No.
Oh.
Yeah, you always, I think when you picture like,
actors, you always picture them in like a little bit of like kind of like a Rapunzel castle
or like somebody's having shrimp, you know?
Like that kind of thing.
I think that's like a romanticizing of the people.
Right, yeah.
I mean, maybe I should.
Yeah.
I mean, maybe that's what's missing.
Yeah.
But no, it's not, I mean, I have. Yeah. But it's what's missing. But no, it's not, I mean I have,
but it's not a regular thing.
It's definitely not like, oh, here's summertime,
let's do that summer experience.
But yeah, I have that fantasy sometimes.
Sometimes I see myself in slow motion
jumping off a pier into a lake and shit,
but I haven't done it yet.
Oh, okay, OK.
So if you're not even living out the fantasies you're
supposed to be doing, then what the hell am I
freaking sitting over here parading them around?
I know.
What are you doing?
What do you do with your summer?
That's a great question.
It was your question.
Thanks.
Oh, thanks, dude.
Oh, this is a real pickleball game here.
I like it. No, no. No, no, it's good. Oh, this is a real pickleball game here.
I like it.
No, no, no, it's good.
I just didn't want credit for something.
It wasn't my question.
So I just felt like I had to acknowledge that.
No, well said.
Yeah, that's a great question.
I think, yeah, I didn't do that much.
I just kind of like worked, I guess. And oh, I did get to see my niece graduated from high school.
So that was really cool.
Just to watch somebody go through that moment
where they're kind of like, you know,
where the training wheels kind of come off of life a little bit.
You know?
So I thought that was pretty neat.
And I watched Eddington the other day.
Oh, yeah.
Yeah. Really yeah. Yeah.
Really cool.
Cool.
I never graduated.
You didn't graduate high school?
No.
To be honest, I'm not sure I even made it to high school.
OK.
That's fair.
Oh, damn.
That explains things so much better than I think watching
you.
You're like, oh, this guy didn't even went to high school.
Right.
Yeah, I want you to have all the information.
Like, I'm an open book, and I just
want you to really understand what you're dealing with here
as we move forward, OK?
Well, let's talk about Eddington first, because it was awesome.
And it was just like, one of the neat things that I thought,
and this is just me being kind of judgmental just so we can
frame this for the conversation, is you want some water?
Let's think about it.
I was deciding in my head, I was going,
how thirsty are you, how much plastic do you want,
what are we going to do here?
Yeah.
That's the way, that's what you saw.
So I was like, I looked at the bottle, I said,
it looks good, I need the water,
but it's got a lot of plastic in there.
And I was trying to decide, no, no, that just feels like,
then I just feel like I'm.
No, I think you should, let's get in it.
Look, I agree.
I think everybody's about to try to stop
drinking out of plastic.
Right, but this is special water.
Oh, it's artesian?
That's nice. It's nice. Yeah, yeah, it's artesian? That's nice.
It's nice.
Yeah, it's nice.
Oh, that came down on a Sherpa's back or something.
That was definitely...
So now this, that counteracts the plastic, I think.
Yeah, I think everybody's worried about microplastics and everything.
Recent studies have revealed that glass bottles now contain significantly more
Microplastics than plastic bottles. Thank you so much. I did not know that
I was gonna get an education here. Thank you. So crazy. I like it
Speaking of so crazy man. Let's talk about adding to nude. It was so intense. The stakes kept rising like
Because you have like this it's kind of like a time capsule moment
This is what I felt like to me. kind of like a time capsule moment this is what I felt like to me it felt like this time capsule moment from very
recently where you have the COVID mandates you have the BLM movement going
on you have a change in the overlords of media so now like information is coming
out of everywhere right so there's a lot of like new
but also errant information in the world. You have all of these things happening at the same time.
Then you have this sheriff, Joe Cross, who's kind of like an authority figure, right?
You know, that's who you look to when there's something going on. But
also at the same time everyone's challenging authority. So it just, and then he starts to lose authority over himself.
So there's like, there's so much going on.
My question, I'm gonna get to it too.
When there's so much going on like that,
as an actor, are you thinking like in each scene,
are you thinking I have to embody all of these
like little tributaries
or at once or do you take that like scene by scene
or moment by moment?
What's that like?
Cause I mean, it got so intense as a viewer,
you're like, I don't even know if I can watch this
much less trying to be the guy who's, you know,
spreading the jam, you know?
I think it probably, I think it changes.
I think there are days where you're probably hyper aware
of the arc and you're kind of like following this trail
that you're creating.
And there's other days where that gets in the way
and you just go like, shut the fuck up
and just listen to what this other person's saying
right in front of you and just react to that.
We're not, in our own lives, we're not always aware
of our arc, right?
So I think it's like you're just trying to balance it out
and sometimes you can be so in the moment that you do,
you forget that it's like you just came,
we're shooting the scene in six weeks, you forget that it's like, you just came, you know, we're
shooting the scene in six weeks, but you just have come from whatever.
It's a, you know, intense emotional situation and now you're coming to this scene.
You got to, we have to carry that over.
So I think that it changes us, like something that is just like alive and moving and changing.
And of course, you have like a partner, which is the director, and in this case,
the writer-director Ari Aster,
who just like knows the script obviously inside and out,
and the characters, and we had been working,
going through the script, you know,
for a year prior to shooting,
where we'd get together,
we were actually in New York primarily,
and just read through the script and talk about things.
So you're kind of going through and you're developing,
you're developing the character
and you're following this kind of plan that you have
sometimes in your head,
some things you've discussed,
some things you're just spontaneously coming up with.
And then you just hope for the best.
You just go, at some point you go,
well, because here's the thing,
this is the crazy thing about it.
You'll have this fucking plan that you're like,
I'm fucking clever, I figured this shit out.
It goes from this scene, then I go,
do that and that scene, I'm doing that and that scene.
You have this brilliant fucking plan,
and you're like, I'm kind of like a genius.
And then in editing, they'll pull two of those scenes out,
take them out, or put them somewhere else.
And then it's much better.
And you're like, I'm not a genius,
I don't fucking know anything.
Like if this shit works,
it's because the fucking director is making this work.
You know, so like that's the,
it's like something very humbling about that process, right?
And you have to do the work And you have to do the work.
You have to do the work as if every moment
is part of this character's life,
and then there's moments that aren't even in the script
and on screen that you're trying to, I don't know,
think about and feel and kind of like take on
as your experience.
But you don't really know what's going to end up
in the movie.
So yeah, it's a pretty cool experience.
It's kind of like life.
Yeah.
Like you plan all this shit.
You plan your day and your life and your year
and then shit happens, it changes,
things get moved around and sometimes they're characteristically
just get like, you're taken out.
Yeah and sometimes you have a plan,
like you're gonna show up to like a something
and everything's gonna be perfect,
you're gonna have flowers for this
and you're gonna have the best thing to say
and then next thing you know you're running late
or you get there, your plane gets delayed
and now you show up and you're getting there
as everybody's leaving and you're the last person
and you brought the 30th thing of flowers
and everything's different.
Yeah, yeah, exactly.
Yeah, oh.
Yeah.
Can you tell at your, with your level of experience,
can you tell when you stuck the landing on a scene?
Like, can you like, is there a moment when that thing cuts
and you just like, can be like, that was pretty good?
Like, I serviced it well.
I've had that feeling before
and it always turned out to be terrible
and I was wrong.
Like anytime, my experience is that anytime I'm like,
fuck yeah, okay, got it.
It's terrible.
And the times where I'm like,
I don't know if I even landed,
I'm not sure what happened.
That's usually when things,
when I look back at it and I go like,
oh, I think that was good.
That's just my experience.
I don't know what other actors are like,
but yeah, I guess maybe,
because I don't know, I don't know if other actors are like, but yeah, I guess maybe, because I don't know, I don't know if the things
that I like are like,
capturing something that feels like intangible
and hard to define,
and like when you kind of like nail it,
I don't really like that kind of acting
or maybe I'm not good at it.
Like I, you know.
Yeah, maybe there's a sense of bravado
that comes with that that's not as true to life, you know?
Cause it's very rare in life,
maybe you just feel like you kind of nail it probably.
Maybe, I mean, I don't know.
I guess there's some people that walk around the world
like nailed it.
I know, Hulk Hogan.
Who else?
Yeah.
Who else is somebody that really freaking nailed it?
Oh, Nicolas Cage in Family Man, have you seen that movie?
Uh-uh.
God.
We got to sit together on a plane one time.
Ha ha ha.
You know what was interesting about,
and thanks for talking about this with me, man,
because it's just cool to get to like,
like it's rare you get to look at a piece of art
and you get to talk to the paint, you know?
The interesting thing about Joe Cross, the character
that you played, is that there were moments I'm like,
am I cheering for this guy?
I just felt, I was like, how do I feel?
Because he's who you're kind of going through the film with,
through Eddington with.
I'm like, how do, do I feel for him?
Do I feel against him?
The whole time I just knew I just felt.
He made me feel, right?
Are you thinking about that as you're going through it,
like how you're trying to make us feel,
or that's not something that an actor is doing?
So something that Ari and I talked about,
something that was very important to me
from the beginning, was that
to me from the beginning was that,
that Joe challenges the audience's preconceived idea of what a conservative small town sheriff is.
And I didn't know how,
I didn't really know how or what that really meant,
what that really looked like.
And I think at some point,
I just wanted to care about him.
I just wanted to take politics or philosophy
or anything like that out of the picture
and just go like, what's the man?
And I think that I really, I think that we found that
through his relationship with his wife.
I think that's really where he's like most,
like his power or authority is like threatened
or non-existent.
And so that, it becomes the catalyst for his
kind of desire for more authority and power.
It's one of the things, as you said,
there's several things kind of happening.
But then, once you start working,
I think maybe you're thinking about that less, it's less
becomes about, it's almost like you, you start the process almost like an audience member
yourself because you're kind of outside this thing looking in, you're reading the script
and he's kind of like, it feels like it's like this character over there, you know what
I mean?
And you're trying to get to it or bring it to you
or whatever that process is, I don't fucking know.
And so you're starting like that and you're kind of going
like, oh, how do I feel standing back here
when this guy does this?
And like, if he said that line in this way,
how would that make me feel?
And then somehow throughout this process,
you hopefully start coming together
and kind of merging to some point
where it's not me standing outside of the character saying,
not in some bullshit like I'm the character way,
but just like you're just hopefully experiencing something
versus telling an audience what they should feel.
And I think ultimately the director's probably
most responsible, is totally responsible
for telling the audience how they should feel.
So I think it's part of me is like
just to take on the experience
and be honest in that moment.
So you have to really trust that director then, huh?
Oh yeah, fuck yeah.
Fuck.
Ari's outside, I think he is not one of you
mentioned in here, he's trying to edit from outside,
he just bleeped his own name out.
That's fascinating.
Totally, totally.
Wow, but that just shows you how locked in he is
to being on the ones and twos.
A lot of times with acting, the actors get blamed
for when things go bad, right?
I feel like as a viewer, you're like, oh shit, you know?
Right.
Like Rodney Dangerfield sucked in that, you know,
or whatever.
Well yeah, it's dead.
But it's really the director.
The director doesn't take as much heat, I don't feel like.
Well, so the actor is the one that you're looking at.
So like, if you're like hating a movie
and you're just looking at somebody's face,
you're just going to blame them, right?
But conversely, like, if you're also like,
this rules, this is the best time, they get the credit, right?
So like actors oftentimes, I think more often than not,
the actors are getting credit and the director's like,
I fucking made all of this work.
You fucking ungrateful shits.
It must be like very frustrating to be a director.
Like a parent almost, or the child,
you're like, this fucking thing looks handsome
because I chased that lady down the street
and he's just wandering around here with his good looks,
fucking hiding important shit in the backyard
because we bought him a shovel for his birthday.
Exactly, yeah.
And I mean, you're talking about,
you're having multiple takes to choose from, right?
And so, director's going through,
and ultimately with the editor selecting this take,
sometimes they're pulling the audio from another take
they're putting in there.
Just the,
just like what lens is used and how it's lit
and the angle and whether you cut to a wide shot
or you're close,
like all of those things, it just happens.
Like even for me, I just watch a movie also.
I'm not aware of that all the time.
Yeah, it's a good point.
It's not like you're a wizard watching it or something.
I'm definitely not a wizard watching it.
Yeah.
Yeah.
So I imagine it's very frustrating for them.
And I think anyone that's in the business knows this. I imagine it's very frustrating for them.
And I think anyone that's in the business knows this. So when the movie doesn't work,
even if the general public is like,
fucking so and so sucks,
the director probably knows that they really mean them.
So they carry that.
I think it's probably, I imagine it's the hardest job.
Being a director?
I mean, for making movies, the hardest job.
You haven't directed, did you ever think about it sometimes?
Are there moments where you're almost there?
I don't know that I like to delegate
and I'm really indecisive.
Oh, yeah.
And it's like particularly under pressure
and it feels like there's a lot,
you're constantly under pressure, I think,
as a director, right?
So, but I don't know, I think what's appealing about it,
the idea is the collaboration with all of the heads
of the different departments.
Is it after you're collaborating with costume
and hair and makeup and props and stuff stuff and then of course the director.
But like the director's just like everybody
and that sounds nice and appealing.
I don't know, it might be a pain.
Like oftentimes, you know, they're like,
I'll call you back but I have to choose which forks
we're using for the dinner scene.
Right.
You're like, which fucking forks?
Yeah.
Like, there's five forks to choose from,
I gotta choose which one we're using.
Yeah.
Like, that kinda sucks.
Oh yeah, and it sucks if you're watching a movie
and you see a fork that fucking is out of place too.
You're like, these people.
This isn't the Titanic.
You blame the actor.
Oh, honestly.
Because it's the actor's face,
and you're just like, I fucking hate this movie.
Oh, you're like, Dunkirk sucks.
You see the silverware in that thing?
You know, that's how you feel sometimes.
You know what was interesting to me,
and some of these questions are novice
about acting and directing, thank you for entertaining them. One thing that was interesting to me and some of these questions are novice about acting and directing thank you for entertaining them. One thing that was interesting to me
about Joe Cross about your character well for one he was so imperfect right
and yeah when you saw him at night and he was like feeling like those feelings
with when he come home from his day and he finally got to deal with what he
really wanted to deal with which which was love, right?
That just felt like so human to me.
And he was his villain and his hero, right? He was the creator of his possibility
and his pain at the same time.
And it was just so like, it was, fuck,
it was just a lot to watch sometimes.
Does that just feel like regular life?
Like, could you relate to him as a human?
Does that make any sense, that question?
Yeah, it does.
First of all, happy to talk about whatever.
I also don't, I just realized,
I was just talking about movies and directing.
I don't fucking know anything.
I had no idea what a director does.
So I just like, I don't want you to go like,
oh, now I understand what directing is.
Because I guarantee you directors are like,
this guy doesn't know shit.
So I just want to clear that up.
Yeah, yeah.
Dude, he's got some ideas. I'll tell to clear that up. Yeah, yeah, dude. He's got some ideas.
I'll tell you that about him.
Well, you didn't walk in here like you definitely had brought the weather with you.
You certainly came in here like a victim of the storm or just like a regular guy who just gotten, you know, you can't.
Anyway, go on, sir.
No, no, no, no.
Let me educate you here, Theo.
Let me teach you about filmmaking.
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I'm sorry, I don't remember what we were talking about.
Yeah, I just felt like he was the cause
of his own possibility and his own pain constantly.
And it just, it made me think so much about life,
but it was so real to see him that way.
Could you relate to that in your own life?
Or?
Yeah, of course.
Yeah, just normal, huh?
Yeah, I mean, yeah, I think all the characters in this,
I felt when I read the script, I was like, oh, I kind of like, I think all the characters in this, I felt when I read the script, I was like,
oh, I kind of like, I recognize myself
in all of these characters, actually.
And sometimes it's like, you know,
it's an embarrassing admission.
And then, you know, there's just things,
particularly that time.
And I think in some ways, yeah, maybe we're always,
we're always, maybe we're always responsible
for how we respond to what happens in the world, right?
So, not like so much of like just what happens in life you, right? So we're not like, so much of like just what happens
in life you don't have any control over.
But how we respond to that, we have control over.
And I know I constantly fail in my response,
or at least don't respond in the best way in the moment.
Right?
I respond like emotionally.
And so I definitely identified with that.
And that's Joe.
I mean, he kind of like just keeps making mistakes.
And he's so desperate to to have some control.
He's just like, you know that feeling when you're like, I just need things to just stop for a fucking second
so I can breathe, and then your desire to make things stop
just make things ramp up more and more,
and then you just like trip and you fall down the stairs.
It's just like, it's like that.
Yeah, that escalation.
Oh, I kept imagining the whole time, I'm like,
oh my God, this guy is fucking just like,
has put too much cheese on his burger, dude.
This guy is just, and then I kept imagining the whole time
he has to take a pee and he can't even get to that.
He's just dealing with like activists and people throwing things through
wind and then he gets home and he sleeps in his glasses. Like he literally gets up and
just has to like bow and he's like, suddenly it's all in focus again. And his brain is
barely had time to rest. And I'm like, God, somebody fucking just put a sniper, shoot
a Xanax into this dude or something.
Somebody fucking give him a damn Percocet suppository
or something, this guy needs some relief, you know?
And then it also was like, God, especially during that time,
like a lot of mania came along with a lot
of those different things that were happening in the world.
And there's still a lot of mania remnants from that.
And I was like, God, everybody needed some relief.
You know?
It feels like that as a society sometimes,
we need some relief sometimes.
But we have everything we need, it feels like.
So it's kind of a weird juxtaposition to be in.
Yeah, so what's the plan?
Yeah, what is the plan?
I don't know.
I don't know, it just feels like we're just doing
the opposite of a hug right now.
That's right, that's right.
And did you feel when you watched it,
maybe like you got to the, like you were like,
this will be a reminder, this will like help influence
people in a better way, this could be like a seed
of like where we've been and where we can grow from.
I don't know, I mean, I don't know.
I don't know, like movies are I don't know. I don't know, like, movies are surprising,
those things that connect with people
and actually influence culture.
And sometimes they don't,
I don't really know what it is.
That's crazy to ask you.
No, no, no, I think it's a fair question.
I think in some ways, I think all I can do
is think about myself versus the effect that it has on me.
And in some ways, there was,
I felt like I had permission to laugh at myself,
like a way to kind of evaluate some of that like mania as you say,
we're like fucking crazy, like the summer of 2020
it was crazy.
And people were, I love that you said it's the opposite
of a hug and it really was, like everyone was so kind
of fractured and fragmented and just all isolated
in our own worlds, like quite literally physically isolated.
And then everyone was just so online
and kind of fed their own.
An algorithm.
Fucking, yes, that just further kind of propelled them
into their own lanes.
It's like even people in the same houses
and their own place.
And there was just like this,
I remember everything felt so aggressive.
Like even there were like signs
that were supposed to be like,
we trust science and we love all people.
But some of it even not felt like confrontational.
Right.
It was like there's,
it's like, there's, there's, it's like, it didn't, it felt like no matter what anyone said,
everyone was like, this is my position,
and my position is fucking right, and you can go fuck yourself.
Like, you know, it's just like, people went fucking nuts.
Well, we, not people, not, we did.
Yeah, all of us.
No, it doesn't seem like you're calling anybody out.
It feels like we're all inclusive.
I agree.
It's amazing what a time,
it was like the most recent time capsule
that was the most insane.
Like usually they're like,
we found a can of ham from 1930, you know?
And we're gonna invite everybody over
and the girls will sing and then we'll open it, you know?
But this was like, Jesus Christ,
we just found the most insane time capsule.
And we, the mud is still wet.
Yes.
Yeah.
But then it's like, it was a reminder,
have we even recovered from all of that?
Like what happens to the human being
as we go through all that?
And then you have all this pent up anger
and confusion and everything.
I think we wanted to forget or like pretending to forget
I think we wanted to forget or like pretending to forget
because yeah, it was ugly and it was ugly.
But it was also really painful. And I think a lot of people were like fucking scared.
But then also the character of the mother,
I didn't even think about that, of Joe Cross's mother.
Because- Mother-in-law.
Mother-in-law.
Oh, that was his mother-in-law.
Of the mother-in-law because then you,
you're like,
Did it just change everything now for you
to know that it's not his mother?
No, it made it a little bit more crazier.
I'm like, so you're telling me he teamed up with her mom
and now they're the one, it's just like,
but then that is something a lot of people have in their life.
Like, oh, well I talked to my girlfriend's mom
and now we're team, or the, you know, oh shit, man.
That guy was screwed, dude.
Yes.
Jack Frost was fucking screwed.
Yeah, but he screwed himself.
Yeah, he was the holder of his possibility and his pain at the same time, you know?
It was pretty crazy.
Yeah, what was meeting Ari Aster like?
I watched some interviews with him. He seemed like a charming guy.
Yes.
I met one of his partners, Lars Knudsen.
Yeah.
Dude, I had some video calls with him a few years ago.
Really?
I was looking it up.
But why?
We were just talking about something, maybe thinking about an idea.
I had an idea about a movie.
And David Spade and I just wrote a movie and made a movie.
We paid for it ourselves that we made, right?
So it's fucking very unique.
It's done?
It's done, we're editing it now.
Right, are you in it?
I'm in it, I'm like this is his sidekick.
He's like the main guy.
Wait a minute, so you know all about making movies
and then you were just plain dumb asking me questions,
setting me up, setting me up to be like,
well, let me tell you something, Theo.
Not at all, dude.
Here's how it's done.
No, dude.
No, we fucking, we have no idea what we have, dude.
We may have a damn visual diorama
that a couple of kids put together
for their kindergarten class.
You know, I was playing a busboy, you know, not Commodus,
you know, so I think it's definitely,
this is way different, I think.
It's a different, is that the right way to say it, Commodus?
I don't fucking know.
Anyway, no, I didn't know anything.
I mean, I'm just learning little things.
But I mean, I get to talk to somebody who's been, you know,
who has had a plethora of experience.
So you talked to Lars.
Lars is great.
Lars is a producing partner of Ari.
Yeah, and I just realized that yesterday when I was looking it up, I is great, Lars is a producing partner of Ari.
Yeah, and I just realized that yesterday when I was looking it up I was like, oh wow, I'd
spoken with this guy before.
When I met Ari, we didn't meet, we spoke on the phone and it was the summer of 2020 is when we first spoke.
And he had this film that he wanted to make
called Bo's Afraid that he wanted to talk to me about.
And so I just, I spoke with him on the phone.
And I mean, the first time that I met him,
this is so crazy, this is so COVID,
was when I got to Montreal
to shoot that movie.
And it's a while because it just was like normal.
We just accepted it, but that's very strange, right?
To not meet the director,
for like the actor and the director,
not like be in a room together
until they're two weeks off from shooting.
It seems risque. Yeah. It seems risque. It's fucking crazy.
Yeah.
It seems risque to me to do something like that.
It's like you could interview your cell mate or whatever,
but you're like, now just winging in there.
You could have a little small Q&A with your celly.
So was there something that inspired you or led you to think?
Because I think what's interesting also
in the career of an actor is you start to realize,
well, I only have so many times that I get to do this,
and times that I can afford to be away from family and friends
and just take on such energy in my life.
And so I'm sure it starts to become a little bit more
poignant, like the choices that you do make.
So was there something about him or his processes
that made you think this is the right choice?
Or how do you land on a choice like that?
You never know if it's the right choice or what it is, right?
You're just going, I mean, honestly, I just liked him.
We started talking and the way that he talked about
the film and the way that he talked about the character,
I knew that it was personal and I could tell that
it meant so much to him that he loved making movies
and it meant so much to him and that he,
like I think I just got a sense that he was tireless.
And like, you know, the director really has to be obsessed.
Because they do have to do so much.
Which fork am I fucking choosing, right?
Do you want them to actually care about that shit?
Or else you're going to be watching the thing,
Dunkirk, and you're pissed off.
You know, they have plastic silverware?
Right, right.
In fucking 1812.
And I'm sure that wasn't the right year for Dunkirk either,
so we're all bad.
No, no, that sounds good.
So I think that that's maybe what, right away I was like,
okay, well this, he loves making movies. And I know that just from talking to him on the phone.
And he's funny.
I mean, I think that's the biggest thing.
Sometimes you're just like,
do I want to hang out with this fucking dude?
I'm sure.
Sometimes you're just like, do I want to hang out with this fucking dude?
I'm sure.
That's right.
And it's like,
because you go through a whole range of emotions
when you make a movie.
I mean, yeah, it's a movie and you're safe,
but in the moment,
your body doesn't know that it's not real.
You know what I mean?
It's just some shit that you're doing, right?
And so it can, you know, things can get like,
there can be a lot of emotion or a lot of energy.
And, and, and yeah, having somebody that you really like
feels important.
And they paid me so much money.
Oh God.
Nothing.
Give me some, give me a little.
Dude, side quest really quick.
So my friend Josh used to live like,
I think somewhere like in E, kind of like over by East LA.
And I've known who you were like a decent amount of my life
because most of the world knows your name.
But he said that you lived in his area.
And I was like, well, what if I opened up a shoe store called
These Boots Are Made for Joaquin, right?
I was like, just to get to meet you.
That would be the goal.
The only goal of the whole store was to get to meet you.
And anyway, that was just like something funny
that we thought of one day.
But if you saw that store,
say if you'd driven by a couple of times,
like do you think you ever would have stopped in there?
Absolutely, yeah.
And I would have just like cleaned the place out.
For sure.
Where was this?
You just come in with a pistol, you're like,
you're all mine!
Oh, that's not what I meant by clean the place out.
I was going to do it legally.
Oh, support the business?
Yeah.
Thank you, dude.
Yeah.
Does clean the place out mean like I'm here to fuck shit up?
I think the, yeah, yeah. I think that terms have changed every time.
Oh, I didn't. I didn't mean it that way. I apologize.
See, this is these are the these are the mistakes you can make.
But thanks for saying you would have stopped by, dude.
That's yeah. No, it's it's a great. How could I not?
It's a great store. Maybe you should still put it together.
I'll tell you this one day if I make enough money
and I can open up a small place that I could afford
to do it on the side, as a thank you to you
for coming on the podcast and talking with me,
I'll open up a small one near you.
And I'll surprise you.
I feel like something like that would be pretty special.
When it comes to acting, has your approach to acting changed over the years?
Like, as you notice your own evolution with it?
And if you get tired of talking about acting, we can talk about something else.
Has my approach changed? I don't... Maybe, maybe not. I don't know. I don't think so.
You know, you're definitely more self-aware.
It's just like.
You are?
Yeah, it's just like the nature of doing something
that's like visible and you're out there for whatever,
30 fucking plus years or whatever.
Maybe more than that, maybe 42.
But are you, wow, that's a long time.
But self-aware in the sense where you're like,
you know all your, like,
do you start to know all the palette you have
as an actor or does that continue to evolve
or does some of it get lessened because you're getting older
and you can't, you know what I'm saying,
you couldn't do the same thing maybe you could
as a 27 year old actor or 21 or 18 year old.
Like does that palette grow or does it dissipate kind of?
I don't know, maybe both things and maybe sometimes it's maybe just gets refined, maybe just,
you know, it's similar.
It's just like a richer color or less rich,
I don't know what it is.
Maybe that's what happens. a richer color or less rich, I don't know what it is.
Maybe that's what happens. Hopefully you have a director that also is familiar
with your work and can challenge you
if you're not challenging yourself.
But I think, I don't know, but I imagine,
when you're, it's like, I don't know, but I imagine, you know, when you're, you know, it's like a 20 year old basketball player is coming out
and you know, he's just fucking,
just going for it, trying to make a name, right?
He's just doing the thing.
And at some point he becomes known, you know,
he's suddenly like one of the guys on the team.
It's a different kind of pressure of like taking that shot. Right? Because it's like, when you're team, it's a different kind of pressure of taking that shot, right?
Because it's like, when you're young,
it's like, oh, it's scary, because it's like,
oh, if I fucking miss, maybe I don't get another opportunity.
But then when you're older and established,
it's like, if I miss, there's going to be a lot of press
about what I miss.
And people are going to be like, yeah,
pay way too much money to fucking miss that shot.
Yeah, that dude should not be missing at this point.
Like, get the fuck out.
Dude, he wasn't even wearing sneakers.
Like, what kind of guy do we have here?
So this is, you know what I mean?
So I think that's what I mean by being self-aware.
Like, at some point, you feel pressure in a different way.
Like, I think it's always, no matter what,
it's always like you always feel the pressure.
But yeah, I think when you're 20 years old,
it's just different and nobody's really looking at you.
You don't feel pressure when you walk on set.
Right, so that kind of goes away,
but there's a different pressure of like,
it's really
these overalls are hanging off my shoulders here. Yeah. I don't understand that. Yeah. I don't either
actually. I was trying to be like a weight of the world on the shoulders. I was thinking of something
that goes on shoulders and then overalls came out. I'm like, no, no, no, it was good. You should stick with it. It does. It sounds great.
I just felt stupid.
I was like, oh, this is a really cool saying.
I don't know it.
Are there moments when you're acting where because there's little moments
whenever I do stand up where I feel like people that like relative or something
to be a mom where I feel like my brother, my sister, like there's sometimes
where I turn a certain way and it almost feels like my mom
Do you ever feel like you channel like certain parts of you like people come out of you in certain moments?
I think I notice it more as I get older too. Does it make any sense to you?
Sure, I never turned towards your kids and say something you're like I am that was just my dad like that wasn't even me doing that
yeah, I I I am, that was just my dad. Like that wasn't even me doing that. Yeah.
I mean, I definitely in my life have a lot of my dad in me.
Really?
Were you surprised that you got so much of it?
I was.
And I think I was like the last to know.
But it was like, yeah, like that, like that.
And then like, it's something I was like,
they're saying like, dad, like that, like that. And then like, sometimes I was like, I think they're saying like,
dad, like those are not good qualities.
And so.
Like sleeping in his car, dad.
Like dad.
Right.
And so I then became aware of it.
But no, I think my dad actually,
I was aware from fairly young that I think he's probably
the greatest influence, or I was influenced
by his life in my work. I don't know if this is making sense.
I think I modeled so many characters
that I've played after him.
He's dead, he's been dead for a while,
so I can talk shit about him.
Yeah, so he can't disagree with you.
Yeah, so what are you gonna say?
And if he is gonna do?
I just like, because I was like,
I don't want to say your dad died,
it's fucked up, make a joke about it. And then go, that's even worse. No, we weren't sure if he died until you said it, I just like, cause I was like, I don't think your dad does fucked up. Make a joke about it and then go, that's even worse.
So no, we weren't sure if he died until you said it.
I'll be honest with you.
Don't don't look it up because you might not be done.
We don't get the clicking clacking over there channeling right now.
And it's turned into him.
That would be crazy.
Um, yeah, wow.
That's kind of interesting.
Yeah.
I think, you know what?
Sometimes I think I'm like my mom and I never thought I would be.
And I was always even like rebellious against my mother.
And then I'm like, you gotta be.
Sometimes I look in the mirror,
I'm like, you gotta be fucking kidding me, you know?
But then at the same time, it's like,
that was probably in my life,
that was the connection that I wanted the most anyway.
So it's interesting that that's what God gave me
or that's how it, you know, that like, oh, oh It's like this is kind of what I always wanted the most and it's oddly
That's part of the most of what I am, you know
Yeah, just interesting how sometimes things like that work out. Um, was your dad a funny guy? He's very funny
I mean he was um, he was a ham
Like oh he was a ham. Like he loved doing skits for us kids.
Really?
Yeah.
That's cool of him.
And like joking around, yeah.
He's very, yeah, he was.
And what would he do, like death of a salesman
or death of, I don't know what he did for a job,
death of like a employee somewhere?
Or he would just have fun moments?
One of his favorites, which always made us laugh,
was something called the fly skit,
where he just was literally,
he just was a guy reading a paper on a bench
and a fly starts buzzing around and he like waves it away. Then he tries to like hit it with the newspaper,
you know, he like rolls it up and like hits it.
And finally he goes in his bag
and he takes out some bug spray
and he goes to spray it just as it lands on his nose
and he sprays himself in the face
and then like gets all fucked up
from the bug spray and falls over.
And like when you're like six years old,
that's the most genius thing you've ever seen.
Especially because we didn't have like TV and shit
when I was young.
So that was like high level entertainment.
Oh yeah, your dad was the damn history channel
when you were a kid back in the day, you know what I'm saying?
Or they were, that's so funny to think about.
I never thought of my parents were like,
the channels that we had, like,
because we had some channels, but it wasn't like that.
You know, it wasn't like you had every moment was accessed.
So really people were looked at as a lot more entertainment.
Like, let me go poke this bear
and see what I can get them to do a little bit, you know?
Oh, that's cool, dude.
My dad, oh, it's so funny, dude.
My dad was very old when I was born.
He was born in 1910 or whatever.
And so he was like, everything was very like,
my brother and I would go to, he ran a,
the World's Fair was in New Orleans when I was growing up,
and he ran a, I don't know if he ran,
but somehow they let him have the keys to go in there
in the morning, and he, it was like a souvenir shop
for the World's Fair, or postcards,
stuff like that in the French Quarter.
And he'd always pay this guy,
this guy who was a clown, right?
He'd be like, go get the kids a couple of wieners
or Franks, you know, hot dogs.
So we'd like, I just remember like one of my early memories
is just being with my brother and this clown
that my dad had given a couple shackles to
running us down the street to get us
a couple of fucking hot dogs.
And I was like, oh, it's gonna be a fucking interesting road.
So how old were you when he moved on?
When he moved on, I was 16.
And it was weird because I was like embarrassed to my dad
because he was older, so I didn't want
to introduce him to people.
I always had like this weird relationship.
But then I think as a kid, it was fascinating
to watch this older guy that you love so much,
but you're also trying to keep hidden.
You know?
So how, when you were 16, I'm gonna fail at math.
No worries.
I'm trying to figure out, I'm trying to figure out
if that's how my son is gonna think of me.
Oh, damn, dude.
Because I was 45 when he was born.
Oh, you'll still be fine.
Huh?
I think you're gonna be okay.
It's gonna be, do not get a cane early, though. If you get a cane early, he was born. You'll still be fine. Huh? I think you're going to be okay.
It's going to be, do not get a cane early though.
If you get a cane early, he'll know.
If you get, I thought about this.
I was just thinking about yesterday
because I got to knock somebody up in the next two years
because I need a family.
But if you get a cane early, he's going to know.
Right.
So that's, so I basically, when I,
when I had my first son, I was your age, and it is something
that I think about constantly.
Yeah.
Like, and I, cause I just want to be able to
be a fun dad and not be this.
So did your dad die suddenly?
Can I ask, is that all right if I ask you?
Yeah, it's okay man.
Yeah, he got cancer, and I didn't even know
about cancer that much,
and he died pretty quick.
It was pretty sad,
because suddenly he got like, yeah,
it was just kind of sad.
I mean, it's all sad,
but then it was, you know, I don't know.
Well, of course it was sad.
One might think we're fucking, you know,
everybody was like, getting the champagne out,
but he was ridiculous.
But my dad couldn't see, he would drive,
he would take us somewhere,
but he couldn't see the lights or anything.
So he'd be like, what'd it tell, is it red or green?
And some of we'd get it wrong
and he'd fucking just drive out of it.
It was all bathroom.
That sounds kinda cool.
Yeah, I think he would've dug it.
I gotta say it's gonna be good.
Dang it.
Well.
You would've dug it.
Did your dad have cancer or no?
Yeah, he did.
He did?
He did, yeah.
And here's something else that's fucked up.
My sister's lost his ashes.
No, yeah.
We just, every couple months,
was it somebody will send out a text to the thread
and be like, has anybody found dad's ashes?
And it's, cause all you can do is fucking laugh
because it's horrible.
It's just horrible.
It's almost really like his last performance.
I mean, that's such a fucking great.
It's a great bit.
You're right, it's his great bit. It's so fucking, that's, you're right. It's his best moment.
Dad's as anybody found.
I love that text too, you know?
Just randomly, every once in a while,
because it'll occur to one of us.
I'll be like, yeah, which, where the fuck are dad's ashes?
He sent that out, and still don't know.
Here's the thing, I mean, I'm blaming my sisters.
Yeah. Might've been me. I don't know. The thing is, is that it's one of those real,
like, you know, sometimes you have a vague memory of like, I know we were in here.
Yeah. No idea. I have no idea.
Like you ever walk in the kitchen, you're like, it's kind of like that thing. Like
what was I in here to get?
You know, where did I put those, you know?
Oh man, thanks for sharing that.
That's funny, I'm glad we even got to laugh
about your dad today and my dad, that's cool.
I think spirits, I think that when you laugh
about somebody from your life or something like that,
I think they feel that on the other side.
I think there's like a big connection there
that we don't know about.
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started on Shopify.com slash t-h-e-o. That's it. Shopify.com slash Theo. Take your side hustle and see what you can do. Have you ever met someone and you were like, I could play that person? Like is that, cause that would be like kind of like, I feel like if I were an actor, that
would be like my power.
Like you would corner somebody in a room of a fucking party and be like, I could play
you in a heartbeat.
You know, does that happen with the good actors?
I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've,
I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've,
I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've,
I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've,
I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've,
I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I've, I of a fucking party and be like, I could play you in a heartbeat.
You know?
Does that happen with the good actors?
I don't know, you have to ask good actors.
I think that I...
That's what this is called this past weekend.
Yeah.
How'd you come up with that?
Because I just started on a Monday.
To be honest, that's good.
We didn't have a real drawing board there.
Mr. Phoenix.
I'm trying to think.
I don't know that.
I don't know that there's ever been a moment.
I was like, I have to play that.
I've been inspired by like,
like I've stolen shit from like friends and people
that I've met.
But I've never, I don't think that I've ever like,
like I'm going to play who exactly.
Oh yeah, you get to choose. You're the one who can do it.
Yeah.
But that's the interesting thing.
Yeah.
I just wonder if you had that ability.
Does that start to get into some people?
But then maybe that's like some ego in there too.
You play the broken so well, man.
You really just have a, I mean, you are just like a harp
that is missing some strings, you know?
But it's really beautiful to watch a lot of times.
Why do you think that you get attracted to those roles?
It seems like you must in some ways.
And Sardi just kind of like pigeonhole you in your abilities.
I know you have a lot of abilities
I definitely I don't know why I guess okay, so
My dad was he was he was a complicated dude and he,
there was like a lot of like,
I want to say dichotomy, but I'm not entirely sure if that's the right thing, but it is like.
Conflict or something?
Yeah, and he's really, it was complex,
or something like very like sensitive
and sweet and thoughtful about him.
And he grew up in a pretty tough situation,
and was in juvie very young,
and had this very splintered family background.
And you know, it was like... So pretty affected.
Yeah, like, you know, so you'd call like a shit kicker.
And he was like, so, but he also was like, he also was like,
like a fucking hippie and was like, you know, was, you know, vegan.
And like, so, so I think like I was really,
I think he was like so fascinating to me growing up
because I think I saw those things
and then that existed inside the same person.
Yeah, let's get fucked up and get a salad on.
Oh, exactly.
I mean, that's a crazy thing to even think.
You know? And I'm sorry to say that, just like, dang it.
No, it's great. It was great.
It was perfect. And I needed that moment.
So I think like that was really, again,
I think maybe I was, I'm not, you know,
I don't know why, but I think I was attracted to those roles,
maybe as a way of whatever.
Connection or just something?
Yeah, or just like.
Familiarity?
Or just curiosity, you know what I mean?
Like, he was kind of like the most interesting person to me
and I probably wanted to like try and understand him more
or something.
I don't know, maybe or maybe not.
I don't really know.
But so I think maybe that's part of it.
And then like, yeah, I just, I love a small of those people
that whatever limited exposure I had to film
or television when I was young,
I loved like fucking drama.
I loved conflict. I mean I did, I loved when shit was like,
you know, this seems, don't, it seems very bad.
Whatever's about to happen seems very bad.
Oh no, you are a fucked up person.
I was fucked up.
How could you have done that?
I think that was interesting to me,
and I think I also wanted to try to,
and I always was curious.
I think I didn't believe that there was
good people and bad people.
So I was interested, okay, well,
this is somebody that's made these mistakes or bad decisions.
How could that happen?
What led to that?
I think it's just a curiosity about that, maybe.
And then some of it, honestly, straight up,
some of it also is like, it's not like I walk in
and it's like the full fucking salad bar
and I can choose whatever.
There's a full thing and then they come in,
they're like, you can actually just from here to there,
you can have those four options.
You go, but what about there?
They go, no, no, you don't, that's not for you.
So part of it is like getting where you fit in, right?
Part of it is like I had a face
that just oftentimes looked criminal from like very,
from a very young age.
I noticed that like when I went into the plugin store
with my friends, I was the one that was followed around
by security, right?
They were like, and I didn't understand why,
but at some point I think I kind of realized,
I was like, oh, okay, so I'm giving these parts and like,
yeah, I'm the guy in the master, yeah. Yeah, yeah, I mean, you know, or playing Skeletor
in the He-Man commercial, not He-Man.
Oh, that's what you're saying.
You're like, oh, this is kind of interesting.
Yeah, yeah.
You know what I mean?
So part of it is like, that's just also the reality, right?
And there's things where you're like,
oh, but I can do that, I want to do that.
And they're like, no, you can't.
And in some ways, maybe they're right. There's also like a point where you're like, oh, but I can do that, I want to do that. And they're like, no, you can't. And in some ways, maybe they're right.
There's also like a point where you're like,
okay, how do I achieve that thing that I'm chasing there
in this thing?
Maybe that's the better route for me.
Maybe that's the more honest thing.
I'm chasing an idea that I think
that somebody maybe has of me as an actor and I want to dispel that.
No, that's not what's important.
But maybe it's valuable to chase that quality,
but through this character's experience.
That's fascinating, dude.
Like the Joker, yeah, like I could totally see
exactly what you're talking about.
Like, and I'll think a lot of times in life,
we have this, we're chasing an idea of ourselves
or a projection that we thought someone else had of us,
or even just the, the archetype. I can't even freaking remember that word,
dude, from freaking science or whatever.
The arc type of what we think something is, you know,
like the high school quarterback or the prom queen,
and for our whole life, we're like,
instead of being like, well, why don't I just fucking
put on this comfortable shoe that fits,
or why don't I try to be the quarterback,
but he's in the fucking school play
and he doesn't have a football, right?
And he's a fucking lives in a dungeon or whatever.
And he has a hunchback.
Yeah, because it's probably good to like challenge yourself
and challenge expectations, right?
To not just go like, oh, I guess I'm just that
and I'll just be that, right?
Like there was, I think I did have an ambition,
but really my ambition was about like an experience.
I felt like I don't want my experience to be limited.
Like that's not fair that I don't want to just play
this role in this way.
Like that's, I want, my appetite was bigger than that. this role in this way.
My appetite was bigger than that. It was bigger than I think what I was told.
I remember when I was younger,
I remember doing this movie,
and one of the other actors was talking to the director,
and he was like, wouldn't it be cool if Joaquin did
this kind of movie, kind of like so and so, and he mentioned like, wouldn't it be cool if, you know, Joaquin did, you know, this kind of movie,
you know, kind of like so and so,
and he mentioned this other actor that was like my peer,
who was like the actor, right?
And the director was like, yeah,
but I mean Joaquin is no so and so.
And he was like, and the other actor was like, dude,
that's so fucked up, I was saying,
the director was like, oh no, no,
I mean that in the best way,
like you're a character actor.
He's no Fred Armisen.
Character actor is like kind of code for like,
you can't really,
like you're never going to really get there,
but you'll work.
And that fucking pissed me off.
But here's the thing, but it pissed me off
because I was like, no, I have more,
there's more that will come out of me.
And I just, but I think I ultimately appreciate it
because it made me go like, well, how do I find that way?
Like, how do I find more? And yeah, I'm not going to be able to get in this door.
And like, yeah, I shouldn't play the quarterback.
Like, it doesn't make sense.
Like, if I walked out, then you're going like,
well, unless it's like.
Yeah, the defense is going to be on the field a lot.
What's the? Yeah. If this guy's a fucking quarterback, the defense is going to be on the field a lot.
Yeah.
This guy's a fucking quarterback.
What's it going to be?
Unless it's like some 80s school comedy, like kids comedy,
where they're a disaster.
Yeah.
You know, maybe that version of it.
Yeah, or unless they like siphon in a unique quarterback
from another realm kind of.
Right, and his thing is,
by the way, let's not give away too much
because maybe this is
something we should work on.
But no, I think there was something else you said in there
and I forgot what it was a second ago,
but it was really profound about,
or as profound as people can be
in a motel somewhere, but.
It's a hotel?
You're right, actually.
Well, just because in case they're-
No, you're right.
You're right, actually, I don't want them being upset.
This is a very famous hotel
where a lot of fucking important people have overdosed.
Exactly, a lot of people die here.
And that is true.
We're at the Chelsea Hotel, and it is very unique and fun.
This is a great place to be whenever you're in New York City, I think.
You're tricking me now.
I didn't set you up at all.
No, I for real had paranoia and I was like, I don't want to be a person who's talking shit about them.
And but Motel Chelsea sounds dope to be honest but Motel Chelsea also,
it kind of sounds dope to be honest.
Motel Chelsea?
Yeah.
Yeah, yeah, yeah.
It sounds like.
It sounds better than a Hotel Chelsea.
Oh, it sounds like somebody my dad met.
You know what I'm saying?
That's a problem too, dude.
Sorry, so anyways.
No, it's all fun, but I think you said
exactly what you wanted to say there,
and I think it's interesting, yeah.
Because I think it pertains just even outside of acting,
is how can we do more?
How can I find a way to apply myself to this thing?
How do I adjust?
What is a new way to do something?
If I want to get to my goal,
and if it's even going to be possible,
is there another route, right?
Like rerouting, when your app says that,
it's kind of like that, which I think is
something that people do when they are,
when they really have a goal that they want to try
and attain, you know?
I just think it's interesting.
Yeah, it's like, of course, right?
Resistance, right?
It's like resistance is important, and you know, just's like, of course, right? Resistance, right? It's like resistance is important.
And I was just reading like,
just reading about dinosaurs, my kid.
And you're like, oh shit, motherfuckers were like,
hold on, there's a very large dinosaur,
it's got big teeth, it's nasty, it's mean.
And I'm like, what do I do?
I'm just, I'm a fucking vegetarian dinosaur,
what do I do?
And just like evolution is like,
oh you start growing spikes out of your back
or fucking horns and shit.
And it's just like, it's a reaction to the environment.
Those motherfuckers, it took millions of years
to like react, to change and to evolve.
And so sometimes when you're like,
oh yeah, the director was mean to me.
He says all they mean.
Like, yeah, well, it's fucking nothing comparatively,
right?
So it's just, yeah, I think kind of meeting the challenge
in some ways, like trying to get to a place
of appreciating the resistance.
And reacting to the resistance.
I don't know what I'm saying about that. I'm sorry, I'm a poor fucking kid. No, because most of life is, but I think it's fascinating to think initiating the resistance and reacting to the resistance.
I don't know what I'm saying about dinosaurs.
I think it's fascinating to think how bad ass
a vegan or vegetarian a fucking brontosaurus was.
Brontosaurus is big.
That was the solution.
It just got like bigger.
Who is the biggest vegetarian dinosaur?
Let's give them a little bit of shine here.
And I'm sure Josh Brolin will get to play them in a movie.
But we won't.
This is the, the brontosaurus dip dip.
Oh, the dreadnoughtus.
Look at that limousine.
Have not read about him.
How long have you been a vegan for?
Vegetarian, vegan?
Vegan since I was three and a half years old.
This has been a whole part of your life.
Yeah.
Wow.
Yeah.
You know what I do like sometimes?
Radishes.
Yeah, I just had some.
You know what I just made yesterday?
I made radishes and jalapenos together.
Fantastic.
Lemon, salt.
I like having some salt in water.
I like fasting recently, I've been doing it a lot.
Have you?
And I really love it.
Really, what did you do?
Just nothing.
Just water.
Yeah, just water and a little bit of salt.
Put some salt in your hand.
But you even look forward to the salt,
I would even go to the gym.
Oh wait, you went to the gym?
I would go to the gym, I'd get home like,
when I get home I'm having my fucking pinch of salt.
How long do you fast for?
73 hours is the longest that I did so far,
but I'll just do a day, like I did like 36 hours the other day,
I feel like I'm doing like a day a week now, 24.
Yeah, that's great, it's good for you,
but are you sure you should work out while you're doing it?
No, I'm not sure.
Maybe look into that.
I don't know, but I remember doing that
and then I didn't feel good and maybe it was that.
Oh.
I want to ask you one more question before you leave
because I feel like we've had a nice conversation
so I want to push the bounds of it.
Oh, push it.
It's okay, you can do whatever you want, man, it's fine.
Do you feel, like, did you like being a son?
Is that a weird question?
Is that I like being a son?
Because I never thought about it, I just thought about it
like as we were sitting here thinking about that,
we were both, you know, we had that in common.
A lot of people had that in common.
You have siblings?
Yeah, I got three siblings, one boy and two girls.
Oh, you have two girls, yeah.
Well, I was the second son,
and my brother was quite a force,
and was definitely like, I don't know,
was like mythical or Shakespearean,
or maybe it was because he died or something,
but he was like the first son,
and he was incredible,
and he was incredible
and he was such a force within our family.
He was kind of like the guiding light in some ways.
He's one that acted first and we used to sing on the streets
and he played guitar and kind of like oversaw.
He was like a lead singer?
He was the lead singer and he was the guitarist
and kind of oversaw everybody and he was such a,
like a strong but gentle force within the family.
So I think in some ways, if I'm honest,
a lot of my life, like growing up,
I kind of was like, you know, like.
Right, what am I going to do?
Yeah, well kind of like, you're like,
and not a way of like, oh, this sucks,
just kind of like, cool.
No, but hey.
Like, cool, like, feel secure.
Yeah.
Shit's handled.
That's taken care of.
Yeah, like, everyone's fucking handled.
Free at last.
Yeah, for sure.
I got three sisters, and they're also like,
amazing and strong in the best way, And I have three sisters and they're also like amazing
and strong in the best way and like, you know, forces like each of them just brilliant.
And I probably, yeah, for like, yeah, I don't know that I,
you know, I just, I never felt any weight or pressure about being the son,
or anything like that. Maybe it falls on the first child a lot.
I never thought about that.
I'm sure, and I don't know if it fell on him
or if he just took it.
You know what I mean?
Sometimes it's just like, undeniable.
You know what I mean?
Like, oh, look at the two of us, I'm the son.
Sometimes.
You know what I mean?
He's working freelance over here, okay.
It's kind of the truth, right?
And there was no, like, I'd never, you know,
we also, there was like a four year age difference
between us, so I never, I never felt those things, like you know we also, there was like a four year age difference between us.
So I never felt those things, like you know in movies
it was like the brothers are like competing
and like angry and stuff.
Like Shakespearean.
Oh yeah, step brothers.
That was funny.
You didn't intend that to be funny?
Yeah, I did not intend that to be funny.
Really?
Yeah, step brothers.
It still was.
Oh, thank you, yeah, I'm trying to think of other brothers
This is good Jackson five. Maybe this is a good that's good
But that's interesting. Yeah, I don't know
I was just thinking about being a son because I never really even thought about it myself that much
But yeah, if you have that brother you kind of have that get out of jail free brother, you know
You're like, oh this this guy's got that, dude.
He's a fucking lead singer.
I'll be back here.
You know?
Are you, or what?
I'm the second brother.
Yeah, I'm the second son.
My brother was kind of like, went AWOL.
So I was like, oh shit, I got to fucking pick up.
I got to like, I got to do some recycling here, you know?
He's great now, but he was just like kind of like rogue.
You know, he was like more of like a trouble maker. Just like lost. That's what I mean. He was like a lost rogue. He was more of a troublemaker, just lost.
That's what I mean.
He was a lost guy.
But now he's great.
And now he's my hero.
It's cool to be able to still be in,
that everything changes over time.
And what's the age difference?
Two years.
But yeah, he's a brave, what do I admire about him?
He has a lot of empathy,
and he's good for being patient
with me.
Yeah, it's like he has time for me, right?
And that was something that I think growing up in our place,
it was just like I never, I didn't even
know it was possible, you know?
But yeah, he makes time for me.
He makes time for me.
And I think that's pretty special.
That's good.
You know, one thing that you guys talked about in Eddington
was like whose land it is, right?
That was like a little bit of a theme.
It was kind of a sub theme, I felt like,
with the Native American and you guys were like,
the county or the township,
all butted up against native lands.
Where do you feel like,
it's kind of so weird where we are in the world right now or butted up against native lands. Where do you feel like,
it's kind of so weird where we are in the world right now because I feel like people are still warring over lands.
You think that's, and like there's ice raids,
like people are getting taken off of lands and like,
you know, I don't know.
I just feel like sometimes I thought
we'd be further along in this.
I don't really know Westerns, but I think that that's
like a common thing in Westerns.
At least that's the feeling I have when I think about
Westerns, it might not be, but just like the idea of like,
this is my land and I'm the protector of this land
and I will fight for this land.
And so I think that is something that comes up
in Addington and I think that both kind of, both figures,
both the Sheriff Joe Cross and the mayor,
Ted played by Pedro Pascal,
both believe that they're like fighting for the land,
fighting for this town and that their,
that their idea for this land is the right one.
I was really moved by something that you said
when you talked about the war in Gaza.
I think that's really courageous to speak about it and you spoke about it in such an honest way
and you spoke about it in such an honest way
that I just thought was really beautiful. And it's crazy because what's going on
is absolutely so fucking horrible.
There's no justification for fucking children
starving to death in a conflict.
It's that simple, right?
You don't have to understand geopolitics
or anything like that just to get that.
I know there are conflicts all over the world constantly,
but that's something that is,
it's shocking like how maybe we're afraid to talk about it.
And oftentimes you're afraid to talk about it.
And oftentimes you're made to feel like you're stupid because you don't understand geopolitics.
You kind of go like,
well, I don't have to understand geopolitics.
Like you have to understand like human rights.
Like basic human rights.
Yeah, it's feeling it feels like to me, you know?
For me, yeah, I don't know.
I don't care about, I don't know if I care about,
I mean, but it's hard to say I live on a land
that's kind of been taken from other people,
but here I am saying like about geopolitics
and I understand that, but then at what point
do you not say something, you know?
Like, yeah, and more in the time,
and it's just like in Eddington kind of like,
and I'm not comparing like any of these two things,
but people are watching things on their phones.
And you can see for the first time
some of this travesty in real time.
And it just fucking hurts, man.
And then you're like, am I crazy for not saying anything?
But then here we are on a land where people are living
in allotments now, Native American allotments,
and that sort of, you know?
Yeah, and that's of, you know.
Yeah, and that's a great deal of pressure
and just, honestly, just you saying that
makes me fucking feel like, you know,
under pressure so I go like, okay, yeah,
what am I talking about?
But I think sometimes not acknowledging it is wrong.
Obviously I don't have the fucking solution,
but war always fucking sucks, right?
A conflict sucks.
But what's happening, it's just crazy to me,
just like, just the food distribution that's happening now.
And Gaza.
They said they're locking, they're like hiding it
from people or that they're tricking people
or that they have to go so far to get it.
It seems. Right, and why is it, like, why is it not hiding it from people or that they're tricking people or that they have to go so far to get it.
It seems-
Right.
And why is it not the organizations that are typically overseeing that and have a century
of experience or decades of experience in the different NGOs and they're not the ones
that are overseeing the food distribution.
It's a new organization, the Gaza Humanitarian Foundation.
And so that is, yeah, just really troubling
and heartbreaking, so it just feels like
how do we not acknowledge that in some way?
And so, and I think that you did,
and I don't know when you did that,
if you were like, if that made you nervous doing it or. Yeah, I think I felt scared.
Yeah, well I was, it was, I think that it was,
it was courageous and it was meaningful
and I think it matters and so, you know,
straight up, I'm really here today
because I was so moved by what you said and just like
the courage to do that.
Yeah, I was wondering why you came to be honest.
To be very honest in some ways or not in some ways, but thank you, man.
I can't even believe that you saw that.
And yeah, not thank you, but like, yeah, I think that shit just like, I don't know.
It's just like, it's crazy to think like I'm laying in bed at night and I'm warm and I'm okay,
and to think that there's like some kid
who's never gonna put these pieces together, you know?
And even the kids who have to be alive
are the people who still have to be alive.
What life do they have, you know?
Like what, like, I don't know.
It makes me like, I don't know.
And then you start to feel ashamed
of your own existence in some ways. Yeah. I don't know. Yeah. You almost, I don't know. And then you start to feel ashamed of your own existence in some ways.
Yeah.
I don't know.
Yeah.
You almost feel ashamed to be alive in some ways
in a little bit of a way.
Does it make any sense, do you think?
Yeah.
I understand the feeling.
Yeah, it's a feeling.
I totally understand that feeling.
But thank you, man.
Thank you for, well, yeah, not thank you, but yeah. I don't know, it's interesting. But I think it's important today that you do say something like you say,
and not to think that this isn't affecting people.
I think, yeah, that we're human beings.
We absorb what's going on, and we watch the actors that are out there in the world,
and it affects us. It affects children.
What are kids doing or seeing those things on TikTok?
What happens to them? we absorb what's going on, you know? And we watch the actors that are out there in the world
and it affects us, it affects children.
What are kids doing or seeing those things on TikTok?
What happens to their brains and stuff, you know?
Yeah.
But no, I'm grateful to be able to be in a place today
and in a country where we can still say something, you know?
And it's not mandated by some other power
and who knows if that's coming soon or what's happening.
So.
Do you have some inside information?
I have nothing.
Okay, good, I promise.
I thought you were looking at me like
that you knew some shit.
You're like, no, okay.
Oh, that's good.
Is there a, you know, I was thinking the other day, I missed Philip Seymour Hoffman, I's good.
I was thinking the other day, I missed Philip Seymour Hoffman. I missed him.
I miss his acting.
Is there somebody that you miss?
Like their acting?
Or like a Philip Seymour Hoffman I'm trying to think?
Michael Landon I miss?
Who's Michael Landon?
He did Little House on the Prairie foririe. Yeah, of course, of course.
And then, what was the Heaven?
Highway to Heaven.
It was Highway to Heaven.
With Victor French.
God.
Because I think that was one
that I tried out for several times.
You're lying.
No, I'm sure, I'm sure.
God.
Yeah, it's definitely in my memory,
but that was one of the shows when I was a kid that was popular. Yeah, it's definitely in my memory, but that was one of the shows when I was a kid
that was popular.
Yeah, dude.
Wow.
He, yeah.
He was something special.
He was a really special.
Wow, so he was, what's happening, oh.
In between.
What's this thing here, it says 1984,
and then RIP, what is that?
Well, apparently he took the highway to heaven.
He was in the HOV lane in that picture.
You know, that's all we can do.
Oh, shit.
Anyway.
Hey, listen, you're going back out on the road, right?
Yeah.
Is it fun or is it grueling?
It was fun.
I think I'm ready to stop doing this hour material.
It's changed a lot. It's like probably 60% different than when I started.
So it's evolved a lot and adjusted, but I am, I am, uh, I'll be happy to get it done.
When I feel like we've gone to all the places that we can and like kind of, you know, you want everybody to have a chance to see it if they want.
Um, but I'll be happy to have a chance for my brain to settle down and not always have to feel like I have to go
do this thing every other week or every couple of weeks,
which is a blessing.
But still, it's like just this thing on the calendar.
It's almost like you're always having to take a vacation.
And so I'll be happy when that's done.
So I can see what else do I want to think about and do.
Like, you know, I work with this group called Valor
that does like sex and love addiction,
intimacy disorder, stuff like that.
So I wanna like just have a little bit more time
to do stuff that's not just focused on myself maybe,
I guess, I don't know.
So.
It sounds, I imagine it would be nerve wracking.
I can't imagine be nerve wracking.
I can't imagine having to do that.
Really?
Yeah.
Yeah, like getting up, like getting up, yeah, like standing.
It's like just standing.
That makes me fucking nervous.
And then, but then you walk around, you have a microphone,
and you say shit, and it's crazy.
You could do it, man.
Dude, I'll tell you, and this is, I think,
is the only way to end this is just these boots
were made for Joaquin.
OK?
So we have to.
Perfect.
Dude, thank you so much.
Thank you for spending time with me today.
Thank you for thinking with me today.
And I just appreciate it.
It was nice of you.
And yeah, you just do a great job of being able to
create things that the rest of us can't to make us feel.
And so that's a gift that you have.
And I feel lucky that you have it.
And so thank you for just bearing that gift.
Oh man, thank you.
That's...
Well, thank you.
Thank you.
That's just too, I know I just get embarrassed.
I could, I just want to go.
I want to dissect everything you're saying.
That's nice about me and tell you why you're wrong.
Yeah.
But, uh, I won't do that.
And look, let's just thank Motel Chelsea here.
Thank you for having us.
Epic.
Sweet here.
And cheers to our dads, man.
They're out there. Cheers to those guys. And cheers to our dads, man.
They're out there.
Cheers to those guys, dude.
We don't, my dad, we don't know where he is still.
So that's, we're not sure.
Okay.
Somewhere.
TVD, guys.
Yeah.
You know, good luck.
I hope you find your way.
Now I'm just floating on the breeze and I feel I'm falling like these leaves.
I must be cornerstone. You aint!