Throughline - Throughline Presents: School Colors
Episode Date: July 7, 2022School District 28 is located in one of the most racially and ethnically diverse places in the U.S.: Queens, N.Y. But the neighborhood served by this school district has two sides – a Northside and ...a Southside. To put it simply, the Southside is Black and the farther north you go, the fewer Black people you see. But it wasn't always like this.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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Hi everyone, it's Rund.
And Ramteen.
Something we've been thinking about lately on ThruLine is this idea of what it means to be American here in the U.S., especially since this country is made up of so many people with different ethnic, religious, and cultural backgrounds.
And we know there's both often this embrace and rejection of that diversity happening around us all the time, even in places that we think of as being really diverse, like Queens, New York.
Our friends over at Code Switch have teamed up with Brooklyn Deep to present a series called School Colors, which is all about how race, class and power shape American cities and schools.
And today we want to share an episode with you that takes us to Queens, specifically the South Jamaica neighborhood.
Which shows us how the battle over getting a good education is also about housing segregation. Coming up, the making of the South Side. The app for doing things in other currencies. Send, spend, or receive money internationally,
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T's and C's apply.
Parent after parent after parent, they were complaining and they were screaming.
They were not just talking.
They were screaming at them.
I had never seen anything like that before.
And with every parent, I disappeared more and more from my chair.
I was like in front row.
In 2019, School District 28 was chosen by the New York City Department of Education
to go through a diversity planning process.
District 28 is in Queens, often titled as the most diverse place in the world.
But almost anyone in the district will tell you there's a north side and a south side.
At the first public meeting about this diversity plan, parents from the north side of the district showed up in force to express their opposition.
I do know that there were people in the room who were supportive of it.
It was just we were a minority, maybe, I don't know, two or three people, five at most.
Simone Dornbach was one of those supportive parents.
Simone is white and lives on the north side.
She's a social worker and a mediator.
She once worked on a national reconciliation conference in Uganda
to bring people together after a civil war.
And still, she was shocked by what she saw that night in District 28.
And so I didn't speak, and I was so glad,
because I just felt like I am the only person in here
who actually thinks this is a good idea.
And that was really, for me, the moment when I got scared.
I, for the first time, had doubts.
I had always thought it's a good thing to integrate schools.
I felt like, what is happening?
Why am I the only person who thinks this is the right thing to do?
Why is everyone around me not feeling that way, something wrong with me?
But the testimony that made Simone feel the most disheartened
actually came from one of the few parents who spoke up from the south side of the district.
Her name is Lorraine Reed.
Why aren't we, instead of worrying about spreading out all the inequalities,
focus on the schools in the South, build the schools up in the South with the necessary,
the basic necessary tools that the students need? I naively thought that black parents would
like that idea. And then it dawned on me, no, of course not.
I mean, it makes sense that they don't necessarily want to be in a school community where parents like that are present.
But the behavior of northern parents was not what Lorraine was focused on in the moment.
We know because we asked her.
I wasn't offended like some people were offended.
I was like, good, they don't want us, we don't want them.
She was against the diversity plan because she doesn't believe the system would ever do right by black children.
What makes this any different than everything else that you have promised us as a people?
That's my question.
What makes this diversity plan different? Why should we
believe you? You promised us this. We're still waiting. You promised us that. We're still waiting.
We're still waiting for all the other stuff that's piled up gathering dust on the table.
So why should I believe it? From NPR's Code Switch and Brooklyn Deep,
this is School Colors, a podcast about how race, class, and power shape American cities and schools.
I'm Mark Winston Griffith. And I'm Max Friedman. When we started going to the South Side to report
this season,
most of the people we talked to either hadn't heard of the diversity plan at all,
or like Lorraine, weren't feeling it.
And for good reason.
South Jamaica has a long history of push and pull between the forces of integration and segregation,
and not just in the schools.
Regular Code Switch listeners will be familiar with something host Gene Denby always says. Housing segregation in everything. Housing segregation in everything. Housing segregation
in everything. Hashtag housing segregation in everything. Hashtag housing segregation
in everything. And he's not wrong. So to really understand what's going on in District 28 today
and why they might need a school diversity plan, we're going to get into housing,
starting on the South Side. For generations, residents of
South Jamaica have poured their hopes into this community. Time and time again, they have fought
for equitable housing and quality schools, and they have been met with discrimination and fear.
If you look at Queens now, you could say there's a long history of inter-ethnic and interracial
tolerance. Jamaica used to be a beautiful, beautiful place
to live as a family.
It was a fabulous community.
They had an organization for every and anything
you could mention.
You could also say there's a long history
of inter-racial and inter-ethnic bigotry and hostility,
and you'd be equally correct in both of those statements.
The real estate people, I remember they would go around and stick notices in your door and
say to the people, the neighborhood is changing.
It just became incredibly nasty and vicious.
I mean, you learn what real power is.
In this episode, how the South Side became the South Side.
Welcome back to School Colors.
A lot of people think Jamaica, Queens is connected to Jamaica, the island.
But actually, Jamaica, Queens got its name from the native people who lived here before Europeans showed up.
As European settlers colonized the area, they brought with them the slave trade,
which is how the first black people got to Queens.
Slavery was officially outlawed in New York State in the early 1800s.
But even after emancipation, black children in Jamaica couldn't go to local public school,
until a separate black schoolhouse was established in the 1850s.
We went to South Jamaica looking for that schoolhouse.
Right here, 159th?
159th and…
We don't know which corner.
I don't know which corner. So right now we're…
This is the South Jamaica houses.
On the other side of the street is street looks like athletic fields for your college.
Right.
There's tennis courts.
Tennis courts.
But yeah, this is...
Right.
Around here is where they built a one-room wood-frame schoolhouse
for the black children of South Jamaica.
The people who established this school didn't do that out of the kindness of their hearts.
It was built by white folks in Jamaica who saw a growing black community and wanted to protect themselves from those kids. By the early 1890s, the Jamaica Black School had 75 students in seven
grades. They were packed into one room with only one teacher. Black parents called bullshit.
I, my father and mother, have paid taxes in Jamaica for 80 years.
These are the words of Samuel B. Sisko,
a successful black business owner and father of six.
Yet my children are denied a place in the school near my home.
While Irishmen, Italian, Dutchmen who who have been here only three months, can
go there, although covered with dirt.
In the fall of 1895, Samuel and his wife Elizabeth led a group of black parents from Jamaica
up to the white school to try to enroll their kids.
They were turned away.
So they sued the Jamaica School Board.
Thus began what the papers called the Jamaica School War.
The superintendent has brought the war to Africa, and we now propose to carry it into Caucasia.
For five years, the Siscos and other black parents refused to send their children to the overcrowded, understaffed black school in Jamaica.
At the same time, they brought at least 20 different court actions against school officials.
They weren't messing around.
But there were consequences.
These parents were prosecuted for not sending their kids to school as required by law.
Samuel and Elizabeth Sisko were arrested six times in five years.
Even after Samuel died in 1897, Elizabeth kept fighting,
all the way up to the state Supreme Court.
In 1900, she lost her final appeal.
But that's not how this story ends.
If she couldn't get the courts to enforce the law, Elizabeth Sisko was going to change it.
She had allies in the state capitol who got a law passed that made it illegal to operate segregated public schools,
not just in Jamaica, but all over the state of New York.
Supporters threw a party to celebrate their victory.
They made a resolution in praise of Elizabeth Sisko.
The resolution said, quote,
To no one person, living or dead, is the state of New York under greater obligations
for the complete obliteration of racial discrimination.
Complete obliteration?
I don't think so.
By the end of the Jamaica school war, it was the turn of the century,
and Queens was about to be transformed. Jelani Cobb is a staff writer for The New Yorker.
He grew up in Jamaica and has written about its history. Around the beginning of the 20th century, as Manhattan was then and, you know, historically
absurdly overcrowded, people began to get the idea that it might work for people to commute
from Queens. The subway was extended into Queens. Forests were cleared for roads and highways.
Farms were sold and subdivided.
And from there, Jamaica began to expand. Now, these are mostly white immigrants,
you know, white ethnics who begin moving out to Queens in, you know, what are almost kind of
cookie-cutter communities, which Queens still retains that quality now. When you look at the
architecture, there are these neat, almost poster-age stamp kinds of lawns, you know, perfectly symmetrical.
And, you know, these houses that are designed that look the same way that, you know, a five-year-old draws a house with two vertical lines and a triangle on top.
It wasn't just white ethnics who went looking for the Queen's suburban dream.
After World War I, the southern part of Jamaica
started to emerge as a rare haven of Black homeownership in New York City.
It was reported in 1926 that Black folks could buy a house
for as little as $500 to $1,000 down.
New York's famed Black newspaper, the Amsterdam News,
called South Jamaica the fastest-growing Negro community in the world
and the poor colored man's Mecca.
One family that was drawn to South Jamaica was Gladys Weavers.
I hated New York.
I didn't like being confined in an apartment
where I couldn't go outside and run around.
Gladys was born in South Carolina in 1923.
Her first taste of New York was Harlem,
where her family moved into a cramped apartment.
And I would cry many days, stand at the window and cry. Her first taste of New York was Harlem, where her family moved into a cramped apartment.
And I would cry many days, stand at the window and cry.
I hate this place.
But when we moved down to Queens, my parents started looking for a home out in Queens. It felt a little better being out in the open space,
where they could get a private house, no attached house, private,
with a driveway, backyard, garage, and a front yard.
And that's why my parents came to Queens,
because they was not used to being confined in an apartment.
This recording comes from an oral history at the Queens Public Library.
Jamaica used to be a beautiful, beautiful place to live as a family.
It was beautiful stores, real estate, lawyer's office, drugstores, bakeries, dressmakers, tailors.
Each time the boys would go and have their suits made by a tailor on New York Boulevard.
Everybody was like family. Everybody looked out for each other family.
There was no such thing as the word homeless in Queens. There was no such word. If anyone came
from any part of the country or wherever, if they didn't have anywhere to live, another family would always take them in.
Even though South Jamaica had a growing Black community, most of Gladys' neighbors were not Black.
There wasn't many of us in Jamaica at that time.
This used to be strictly most of the Italian neighborhood.
Your schools, when you went to school, the schools was mostly Italian.
You had some Jews. You had some Polish people.
You had very few Chinese people. If the Chinese was here, they was your laundry people.
They would be in laundry business only. Even our block, when my parents moved there,
we was the third black family ever lived there. It was all
Italians. You played and you
socialized with Italians because
they were surrounded. We was in the middle.
We had two Italian families
on each side. But it wasn't all
sunshine and roses. Jamaica
was also home to the most visible New York
City chapter of the Ku Klux
Klan.
The Klan hated Catholics almost as much as they hated black people, and Jamaica had plenty of both. In 1927, more than a thousand Klansmen and women marched
through Jamaica in a Memorial Day parade. When the rally turned into a riot, seven men were arrested.
One of them was Fred Trump, Donald's father. The following year, on the 4th of July,
a 90-foot cross was burned on Rockaway Boulevard. And so both of those things coexisted, which is
not that atypical of New York, you know, both the embrace and simultaneous embrace and rejection of
diversity. Again, Jelani Cobb. So if you look at Queens now,
you could say there's a long history
of inter-ethnic and interracial tolerance.
And you could also say
there's a long history of interracial
and inter-ethnic bigotry and hostility.
And you'd be equally correct
in both of those statements.
Racial hostility was not the only crack in the facade of the Queen's suburban dream.
Not everybody who moved to South Jamaica could afford to buy a house,
and some of the housing stock was in pretty bad shape.
One area in particular was described in the New York Herald Tribune as an infamous jungle of miserable shacks.
Warrens unfit for animals.
In the 1930s, residents of South Jamaica appealed to the New York City Housing Authority
to clear the slums and build safe, modern public housing.
Now, you might have some preconceived notions about public housing,
but the public housing that was built starting in the 1930s was utopian,
model housing for the working class.
Today, it's hard to imagine just how awful so much housing was in New York City at this time.
There were still millions of homes and apartments that were built
before modern housing standards were created. Public housing was the government's response.
Public housing, like public schools, improves the quality of large numbers of our citizens
and so serves the general welfare. Public housing demands sunlight for every room,
proper ventilation, open spaces, new standards which cost nothing but require new methods of design.
Public housing is therefore in the best American tradition.
Every dedication in the United States of a public low-rent housing project
is a rededication of our democracy to the principle that all men are created equal.
On the day the cornerstone was laid for the
South Jamaica houses, a local church
choir came out to sing, How Did You Feel
When You Come Out the Wilderness.
Tell me, how
did you feel when you
come out the wilderness?
Come out the wilderness?
Come out the wilderness?
How did you feel
when you come out the wilderness? Leaning Come out to Villanette How did you feel in there?
Come out to Villanette Leading Lord to Lord
Leading to Leading
Well, well, well, well, well, well
The South Jamaica Houses, better known as the Forty Houses,
were not just a boon to the neighborhood.
They were also groundbreaking for New York City's public housing.
Before this, the Housing Authority had clearly built separate projects for white people and for black people.
South Jamaica was different.
When they opened in 1940, the South Jamaica Houses were the first integrated public housing in New York City,
70% black and 30% white.
And the press took notice.
Here's a sample of some of the coverage at the time.
As a living example of the workings of true democracy,
South Jamaica Housing Project daily proves the theory.
Interracial housing will work.
Contrary to many beliefs,
there is no friction between the 1,500 tenants
of this immense project.
In a humble way, and probably without giving it a thought, the people of South Jamaica houses seem
to be proving that people of different races and diverse nationalities can share the intimate life
of a small community. South Jamaica is a cross-section of tomorrow's America, the America
we would like to see even in the far reaches of the South.
But the 40 houses wouldn't stay integrated for very long.
And when the South Jamaica houses started to change, so did South Jamaica.
The neighborhood started changing after the Second World War.
Gladys Weaver was in her 20s when the second Great Migration began.
Millions of black people left the South for the North and West,
fleeing Jim Crow and looking for jobs.
To accommodate all these new New Yorkers,
the New York City Housing Authority went on a building spree. When they announced their plans to expand the South Jamaica houses, it was widely assumed most of the new tenants would be Black or Puerto Rican,
and some people saw their chance to make a buck. Gladys watched it happen. The real estate people,
I remember they would go around and stick notices in your door and say to the people,
the neighborhood is changing and you're going to have a lot of black people moving in your neighborhood.
But we will give you so much for your house because they will be courting your daughters, your sons.
But you want to sell your house,
we will give you such and such amount.
So they began to move out.
What she's describing has a name.
It's called blockbusting.
Then, naturally, they're going to go and con the black people,
and you got natural.
A lot of people came in to buy a house,
couldn't afford to buy a house.
Not only that, they overcharged came in to buy a house, couldn't afford to buy a house. Not only that,
they overcharged the Black people for the house. The house wasn't worth what they paid for it, but they didn't know that. And you got a lot of run-down property, foreclosed and so forth and so
on. So that's when the change came. By one estimate, the black population of South Jamaica more than doubled over the course of the 50s and 60s.
This is when South Jamaica went from having a black community within it to being a black community.
This is when the South Side truly became the South Side. All over New York, mass migrations into and out of the city
were making neighborhoods and schools more and more deeply segregated.
There were meager attempts at school integration here and there,
but in the face of this scale of population change,
it was like trying to put out a forest fire with a water gun.
Just to give an example, in 1960, black parents in South Jamaica fought for a new junior high school to be built in what they called a water gun. Just to give an example, in 1960, black parents in South Jamaica
fought for a new junior high school
to be built in what they called a fringe area,
where it would take in black students from South Jamaica
and white students from Jamaica proper.
In the end, that school was built deep in the South Side.
Then, the Board of Education tried to pair this new school
with a white school.
Black and white students would go together
to one building for one grade,
then the other building for the next.
White parents staged a boycott,
and this plan was canceled.
By this point,
white flight out of South Jamaica
was basically complete.
But thousands of white families
were about to move in the opposite direction,
into South Jamaica,
into the largest racially integrated housing co-op in the United States, Rochdale Village.
The whole idea of a place like Rochdale,
it's impossible to imagine it happening either 10 years before or 10 years after.
It was sort of a remarkable thing.
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If you want to know what integration in South Jamaica could mean for Black people,
have a conversation with Cal Jones.
What integration was about wasn't just living with other than Blacks,
but it was about improving one's environment.
That's what integration helped do,
because we were fully aware if you lived in an all-Black community,
we know because we lived prior to coming to Rossdale in an all-Black community,
and we knew that the schools weren't as good.
Cal Jones is 93 years old.
He was born and raised during the Great Depression.
My father was not a formally educated man,
so he had trouble finding a job,
especially during the Depression because there were very few jobs anyway.
So we were always, I lived all over New York,
just one step ahead of just possess.
Living that way, watching his father, he learned a few things.
When you're poor and black, in order to make it out of poverty, you have to be aggressive.
You have to reach out. You can't afford to sit back, or that's where you'll stay.
When Cal got married, he and his wife lived in Harlem.
And right across the street was a beautiful school, right?
Literally across the street.
They got it made.
But then, as we started checking, and my wife Dolores used to always check the reading scores in the papers that would come in the Times.
Turns out, the reading scores for that beautiful school across the street were low.
So they started looking for other options.
Because I recognized the importance of not having an education
through how my father, what he went through in trying to earn a livelihood.
So any children of mine, I got a responsibility
to see that they get a good education. The city was running small-scale integration programs.
Some children got the opportunity to leave their neighborhoods to attend schools that were whiter
and better resourced. The shorthand for this was busing. But Cal was very aware that certain white
communities didn't want black kids coming in, and they would make that known.
If you talk about busing, hey, that may not be just a walk in the park.
So the other option was to move to a neighborhood with better schools.
Cal worked for the city of New York as an auditor for big construction projects.
So I knew about housing and what was going on.
That's how he heard about a new development in South Jamaica, Queens, called Rochdale
Village.
Rochdale was going to be the largest housing co-op in the United States at the time.
Almost 6,000 apartments, roughly 25,000 people.
And it was planned to be integrated.
When Rochdale was being built, I asked my wife, hey, you think you want to go all the
way out there?
Because that was way out.
I mean, that was 15 minutes.
I worked in the Muni building, okay?
I was like 15 to 20 minutes from work.
Rochdale was an hour and a half each way and two bus fares.
But, I mean, that's the commitment that we made for a good education for our kids.
The whole idea of a place like Rochdale, of thousands of families, white families,
moving into the middle of a black neighborhood, which took place in the early 60s, it's impossible to imagine it happening either 10 years before or 10 years after. It was sort of a remarkable thing.
Peter Eisenstadt is a professor of urban history and African-American history.
He also grew up in Rochdale Village, and he wrote a book about Rochdale,
calling it New York City's great experiment in integrated housing.
Everything about Rochdale, calling it New York City's great experiment in integrated housing. Everything about Rotschdale was intentional.
Rotschdale was built by the United Housing Foundation, led by a man named Abraham Kazin.
Both Kazin and his organization were products of the Jewish labor movement.
He was an anarchist.
An anarchist were trying to create a new world right now by building cooperative institutions where it's owned by the people.
The United Housing Foundation did not discriminate based on race, religion, or ideology,
unlike many of the biggest private developers in New York City at the time.
But the UHF usually didn't do much advertising to fill their co-ops.
They relied on word of mouth.
So the residents shared a certain
profile. The people living there tended to be Jews, often left-wing Jews, Jews associated with
the labor movement. Which meant that policy or no policy, the co-ops were mostly white.
But by the early 60s, the UHF was sensitive to criticism and eager to prove that their co-ops
could be more inclusive. And they were about to
get that chance when they acquired a piece of land in one of the blackest neighborhoods in New York.
Rochdale was built on the ground of the former Jamaica racetrack. It was a 170-acre site.
It was in the middle of South Jamaica. Simply because they were building in South Jamaica,
the leaders of the UHF assumed most of the initial residents of Rochdale Village would be Black.
And they expected it would be difficult to attract white families.
In fact, it was the opposite.
Working-class Jewish families like Peter's were eager to move to Rochdale.
It was cheap. It was an additional bedroom.
Because I was the oldest, I got my own bedroom.
My two younger brothers had to share a bedroom. They had central air conditioning, which was a luxury for this type of apartment.
But a lot of Black families in the area were not feeling it.
Their first thought was, it's a housing project, and we don't want a housing project
in our neighborhood that will just bring the neighborhood down.
Remember, in the 1930s, black residents of South Jamaica asked for public housing.
But by the 50s, the public image of the projects had changed.
When more low-rent housing was proposed for the South Side,
black homeowners complained and tried to stop it.
Rockdale Village was not public housing.
Rochdalers were not renters, they were owners.
To live there, you had to have enough money to buy into the co-op.
But from the outside, Rochdale looked just like any other enormous, anonymous public housing project.
In fact, when I was a kid growing up nearby, I thought that's exactly what it was.
Rochdale is massive.
20 buildings, 14 stories each. The apartments were nice on the
inside, but the outside was utilitarian. So it was a tough sell to black folks in South Jamaica.
There were ads in black newspapers. There were meetings in black neighborhoods. They tried to
get blacks to come. Ultimately, when the first residents moved into Rochdale, it was something like 80%
white, 20% black. And that might seem lopsided, but compared to almost any other housing development
in the city, it had a remarkable degree of integration. As part of the Rochdale Village
development, the city had pledged to build two new elementary schools and a new middle school.
When Cal Jones decided to move from Harlem to Rochdale, he had his eye on those schools.
The United Housing Foundation was building it, and it was going to be 85%, if not more, Jewish.
Me being a New Yorker, I'm familiar with the different communities in New York, okay?
And most Jewish communities had good schools. So that's the rep that the Jewish community had in the black community for those who were concerned about education. Okay. And it was pretty accurate.
Just out of curiosity, what did you or what do you chalk up to, you know, when you say Jewish communities have good schools? Why is that? Well, you probably could answer that better than I could. But here's
my thoughts on it. It's because the Jewish community had far more power in New York
than the Black community. And pretty quickly, he was proved right. Actually,
even before Rochdale opened its doors. If you think about the power, people power,
you know, in the right circumstances, I don't know that that's ever been done before.
We're getting three school buildings and a library within the presence of a couple of years when there was nothing to do anything.
Before moving to Rochdale, Herb Plever had been living with his family in Bedford-Stuyvesant, Brooklyn, where the first season of this show was based.
In the early 60s, Bed-Stuy was a hub of interracial activism around education.
Herb and his wife Sylvia were a part of that scene.
When they decided to move to Rochdale,
they brought their politics with them.
This tape comes from an interview that Herb and Sylvia did
with Peter Eisenstadt in 2004.
The quality is not great. Sorry about that.
It was a new beginning, and it was also, you know, an integrated kind of community.
Was that important for you to be a civic community?
Yes. It's something we always really wanted.
But they wanted to make sure that Rochdale would deliver on its promises,
specifically those new schools.
And then I got very edgy and suspicious because we took a ride out here and we didn't see
any signs that there was going to be any school construction that we could see.
Herb checked with the Board of Ed and the City Planning Commission and discovered just
how far behind the school construction process was.
Herb and Sylvia Plever organized their new neighbors to get what they were promised.
They threatened to go to the press, sent letters to politicians,
called the Board of Ed so often their switchboard was tied up for a couple of days.
Finally, the Board of Ed took action and moved Rochdale schools to the top of their priority list.
For Herb, it was a big win.
For some of his neighbors, they felt some type of way. There was a leaving some of the people actually we got to be friends with,
a resentment that, you know,
they couldn't get schools to save their life
and we came in here.
They didn't realize what it took
for us to get those schools.
It wasn't a matter of our white power.
It was a matter of our political muscle that did it.
I understand the sentiment,
but it's a little naive. What's invisible to Herb is the amount of political muscle that did it. I understand the sentiment, but it's a little naive.
What's invisible to Herb is the amount
of political muscle that comes with being
white and middle class
and taking your power for granted.
I think there was a lot of pride in Rochdale
in the beginning about
the sort of community it was, and I
think people, both, you know,
whites and blacks,
were proud that this was a place where natural integration,
as they called it, unforced integration was taking place.
Rochdale had 132 organizations.
Do you hear me?
They had an organization for every and anything you could
mention. It was a fabulous community. All of us belonged to everything. So everyone was wearing
three and four hats. So anything that you wanted to do or wanted to find out about, you could join.
So I jumped in here first. Cal himself was one of the founders of the Rochdale Village Negro Cultural Society,
later the Rochdale Black Society.
Which, incidentally, was not limited to blacks.
Okay?
So we had a lot of Jews in our organization.
These people were cosmopolitan.
It came because of the diversity in the community.
They wanted their children to know what real people are like.
And nearly everybody had that attitude.
But Herb and Sylvia Plever were concerned that many of their fellow white Rochdale-ers
were not actually all that committed to integration, at least when it came to schools.
The new schools that were built in Rochdale were not only for kids from Rochdale.
They were supposed to serve children from the surrounding neighborhood as well.
But the Plevers knew that having all these kids in the same building was not the same as being integrated.
The schools would be internally segregated if students were split into different tracks,
according to their perceived academic ability.
And many white parents wanted tracking.
A lot of it came down to the idea that the kids were idea that they wanted to have the bright classes, you know,
the advanced classes, the usual kind of stuff.
And we were afraid that immediately it would be, you know, white classes, black classes,
like we're reciprocal.
So we wanted to try something as far as that.
And we actually got a $50,000 grant.
This experiment really caught my eye when I first read about it in Peter's book.
I was amazed by what Herb and Sylvia and their friends were talking about back in the mid-60s,
because it sounds just like what advocates are still calling for today.
Some of the language is different, but the ideas are the same.
Mixed ability classrooms, culturally responsive education,
collaboration between schools and parents.
They believed Rochdale could provide an example for the entire city.
We thought we were going to start a real school experiment. But all of a sudden, the news went around
so that the whites in Rushdale were told that
they were going to ruin your kids' education, and the blacks were told that, who knows what
they're going to do to your kids.
And who was at the center of all this were the teachers and the teachers' union,
who were totally opposed to it because it involved parent involvement in the education process.
When they tried to run an institute for teachers, not a single one would attend.
So that was that.
The experiment died, and the schools were tracked.
Blacks and whites had, you know, gotten, got along fairly well. Well, that may be coming to a deep
understanding of what integration meant. Blacks and Jews were sort of nervous about each other.
They worked together for a while. There was, I think, a lot of nervous about each other. They worked together for a while.
There was, I think, a lot of enthusiasm about integration in Rochdale through about 67, and then in 68, it started to fall apart.
A citywide teacher strike divides friends and neighbors
and changes Rochdale forever.
After the break.
I remember, I think it was in the summer of 68, reading in the New York Times that the only real new experiment in education is happening in New York, in Ocean Hill, Brownsville.
In the last season of this podcast, we spent two full episodes on this experiment in Ocean Hill, Brownsville, Brooklyn,
and the citywide teacher strike, which brought that experiment to an end.
I encourage you to go back and listen, but here's what you need to know. Black and Puerto Rican parents in Ocean Hill, Brownsville,
tried to exert community control over their schools.
The plan for community control was get people on the local school board
that represented these kids and would represent us.
Everybody in that community began to play a role in the schools.
The school became the focal point of the community.
But this experiment threatened
the power of the teachers' union. So to stop it, the union went on strike citywide in the fall of
1968, shutting down schools across New York City for seven weeks. To many supporters of community
control, the strike looked like an attack on Black and Puerto Rican families by the union.
But the union said teachers were the ones under attack,
and most of the city's teachers at the time were Jewish.
Is this a district that's going to run on the basis of prejudice and discrimination?
Is it true that the school decentralization fight in New York City
is really a fight between black power and Jewish power?
Have we come to that point of a race war?
So the strike was difficult in every corner of the city,
but especially painful in Rochdale.
Because Rochdale was one of the only places
where you had black people living side by side with Jews,
Jews who were deeply tied to the labor movement.
In Rochdale, some teachers who supported community control
worked together with black parents to keep their schools open
in defiance of the strike.
Cal Jones was one of those parents.
He took off work for a couple of weeks
to help run his kids' elementary school.
Cal understood why most of his neighbors
were standing with the union,
but he still felt betrayed.
We had some pretty down union people.
They knew what was going on.
That's what made it bad.
It was a very enlightened group of people
living in Rochdale.
Whether they did one thing or another wasn't due to ignorance. Maybe they felt too weak,
and then some people say, hey, man, I can't fight it. You know, that was a lot of pressure.
But the thing about the strike, it was like, which side are you on? You couldn't be in the middle.
And we were in the middle.
And we were in a bind.
Herb Plever, like a lot of white Rochdale-ers, was steeped in the world of organized labor.
We were in a bind about how to handle it. Where are we with respect to the Black community,
and where are we with respect to the people who are dealing with the problem?
Ultimately, Herb and Sylvia chose to stand with their Black neighbors.
We opened the schools, and you kept the schools open.
It was terrible. It was terrible.
I mean, to participate in a, you know,
what was at least on the face of it looked like an anti-union act.
There were friends of ours who didn't talk to us.
It was like a cleaver. It just divided people.
You know, neighbors saw neighbors who had been working closely together on different sides of the picket lines.
The kids were going to school, and the union had gotten the neighbors, who were union members, teachers, to line up outside of the school. Now it was a path. You had like grass and trees on each side.
And the path leading to PS-80 from Rochdale and the picket lines were lined up
all along right in front of the entrance
and right where the kids were walking to school.
You know, the kids were scared.
It's not like they didn't know the kids
the kids said oh there's Mr. Chow and Chow
you know
you know
it was ugly
I knew
the community was gone
you could never
be on a picket line
against kids
it was an ugly thing.
And it's hard.
It still hurts.
But I knew after that, no more Roatchdale.
After the strike, talk about integration just sort of died, you know.
Whatever sort of tenuous building and bridges there had been before,
they were largely severed because of the strike. And in a place like
IS-72, the intermediate school, it completely split the faculty in half. It just became
incredibly nasty and vicious. Teachers didn't speak to each other for months. Everybody remembered
who was in, who was out, who said what. And that had an effect on the kids.
Peter Eisenstadt was in high school by this point,
but his younger brothers were at IS-72.
The school spun out of control, you know.
My brothers would come home and say they were pushed down the stairs and they were attacked with pins.
And everybody learned to hold their bladders
from like 8.30 in the morning to 3 o'clock in the afternoon.
Universally, it was just seen as a dreadful school.
And I really do think the deterioration of IS-72 led to white people leaving in large numbers and Black people left as well. But almost all of the
people moving into the apartments were African American.
It wasn't just the schools. Crime was going up all over the city.
There was crime, you know. I don't remember living my life in fear, but like everybody else,
you sort of knew where to go and not to go and what time to
do it. And you became protective and wary. Many of the organizations in Rochdale faded away.
The politics of the co-op got ugly and frustrating. And at some point, these things began to snowball.
People who wanted to stay just felt the community was deteriorating
with more and more people moving out.
Herb and Sylvia Plever never left Rochdale.
They liked their apartment. They liked their neighbors.
The price was right. They were comfortable.
But they were the exception.
By 1973, when Peter's family moved out,
they were already one of the last white families left in their building.
Most of the community, old community,
original community, was gone
in
four years, five years.
You know?
Ten years after opening,
Rochdale had already gone
from 20 to 50 percent black.
Five years later, in 1979,
it was 85 percent. Cal didn't know exactly when
Rochdale became majority Black, but he could feel the consequences. The pain wasn't just about his
friends leaving, but the power that went with them. You could tell because of the attitude of the services that were rendered by the city.
Fire department, police, garbage, all was picked up.
But after almost all the white people moved out, that changed.
It was a time when, if you said Rochdale,
you could get any politician would break his neck to be there.
I was the advanced man for Bobby Kennedy.
Bobby Kennedy, when he got shot, he was supposed to be coming to Rochdale that Sunday.
He got shot that Friday.
I mean, you learn what real power is.
In the 60s, there had been a plan to extend the subway all the way to Rochdale Village.
That never happened.
So it was evidence that you didn't have the clout.
Cal Jones and his wife Dolores stayed in Rochdale until 1988.
But their kids didn't go to school in Rochdale.
After one semester at I-72, Cal pulled every string he could
to get his son and daughter into middle school on the north side of District 28, in Forest Hills.
He got bussed. Both of them got bussed.
All of this, I moved an hour and a half away from the city.
But anyway, it was good.
It's hard not to mourn the death of the original Rochdale idea.
There are so few legit examples of black people, other people of color,
and white folks living and working side by side in schools,
civic organizations, and different arenas of community life.
Not holding hands in a colorblind fantasy,
but sharing power in fair measure,
working through their shit day to day.
You don't have to be a sucker to want that.
But holding up integration as the ideal can implicitly and sometimes explicitly devalue black communities. The moral of this story is not the white people left and Rochdale suffered
because too many black people in one place is a problem. The problem, as always, is how difficult
it is for black people to access the power and
attention and resources that tend to accrue to white people. South Jamaica is still a vibrant
place where people live and raise their families and go to school and continue fighting to get
what they deserve. It's a place where many Black people actively choose to live among one another.
People like Cedric Dew. He gave us a tour of the neighborhood.
Basically, I thought we would start
on the Suffern Boulevard side.
Okay.
And Suffern Boulevard basically
takes us through the area
where most of what I call
the modest middle class live.
This is where,
like when you talk about
being in the heart of it all,
like this track right here separates the projects from the houses.
Cedric is the executive director of the Jamaica YMCA.
He moved here in the 80s and set down roots because this is where he wanted to be.
I saw black politicians.
I saw people of color living in their homes.
And I didn't mind the projects because I come from the project.
So for me, it was like, okay, this is even better because now I get to buy a house and still be connected to my people.
That's what I've always wanted.
I've always wanted to live and be connected to the people that I grew up around.
And I'm very comfortable here.
A lot of people move into a home and they think they're moving away from.
You don't move. When you move into Southeast Queens, you move into it all.
Okay, we said we were going to tell you how the South Side became the South Side.
But South of what?
There's no South Side without a North Side.
For every South Jamaica, there's a Forest Hills.
In this episode, we saw what happened when white people moved into a black neighborhood.
In the next episode, what happens when you try to move black people into a white neighborhood?
It wasn't the most popular thing to say,
we're going to come into your neighborhood and we're going to let people who don't look like you move in. We're going to oppose anybody from a remote place
dictating how we're going to live just the same as they did in 76
when we revolted against King George.
We pay all the taxes and we're never heard.
And it's about time that the middle-income people of America are truly heard.
This instigates hate and fear.
The people are fearful here.
You can see it all on their faces.
They're and fear. The people are fearful here. You can see it all on their faces. They're in fear.
School Colors is created, reported, and written by me, Mark Winston Griffith, and Max Friedman.
Produced by Max Friedman with Carly Rubin and Ilana Levinson.
Additional reporting by Carly Rubin and Abhi Levine.
Our editor is Soraya Shockley.
Our project managers are Soraya Shockley and Lindsay McKenna.
Fact-checking by Carly Rubin.
Engineering by James Willits.
Additional research by Anna Kushner.
Original music by A.V.R. Young and the Deacon Board.
Additional music by Blue Dot Sessions.
This episode was recorded at Seaplane Armada.
The voice of Samuel B. Sisko was played by Omari McCleary.
The interview with Gladys Weaver was conducted for the Queen's Memory Project
by Barbara de Young-Yizel and Marguerite Luizot.
Special thanks to Manny Martinez, Janet and Gary Hawkins,
Greg Mays, Fred Mays, and Kenneth Toole.
We are indebted to the work of historians Carlton Mabee, Nicholas Dagan Bloom, and of course, Peter Eisenstadt.
Thank you to Leah Donella, Steve Drummond, and the entire Code Switch team.
Thank you to our executive producer, Yolanda Sanguini, and NPR's Senior Vice President of Programming, Anya Grudman.
Season two of School Colors was made possible by NPR,
the Spencer Fellowship in Education Reporting at Columbia University,
and by the Brooklyn Movement Center.
You can listen to the first season of School Colors at schoolcolorspodcast.com or wherever you get your podcasts.
Until next time.
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