Today, Explained - Everybody's gone country
Episode Date: September 20, 2024Country music is cool again!!!!! Billboard's Melinda Newman explains. This episode was reported and produced by Avishay Artsy, edited by Amina Al-Sadi, fact-checked by Laura Bullard, engineered by Rob... Byers, and hosted by Noel King. Transcript at vox.com/today-explained-podcast Support Today, Explained by becoming a Vox Member today: http://www.vox.com/members Post Malone and Alan Jackson at this year's Academy Of Country Music Honors. Photo by John Shearer/Getty Images for ACM. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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My baby born and working
She's been telling me all night long
Shaboozie's A Bar Song is at the top of the Billboard Hot 100 for the 10th week in a row.
One, here comes the two, to the three, to the four
Tell them bring another round, we need plenty more
Two stepping on the table, she don't need a dance floor
He's having a moment. Also, country is having a moment. Shabuzy, Post Malone,
Beyonce, they're all crossing
over. They're collaborating with Dolly
and Willie and Jelly, and they're propelling
country up the mainstream charts,
even as streaming puts it
into the ears of millions of new listeners.
Getting kind of late, but the ladies want
some more. Oh my
good lord. Ahead on
Today Explained, we've gone country.
Someone put me up a double shot of whiskey.
They know me and Jay Dale's got a history.
There's a party downtown near Fish Street.
Everybody at the bar get tipsy.
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You're listening to Today It's Played.
Your home for country music.
Wait, is that right?
Yep.
I'm Melinda Newman, and I'm Billboard's executive editor for the West Coast of Nashville.
I oversee all of our country coverage with a staff in Nashville, but I'm in charge of all of the country output that we do, other than charts and things like that.
Melinda, you look at the charts, you look at downloads, you even look at album sales. These are like blockbuster numbers for any genre. What had happened was country music fans were not streaming
music at the rate that fans of other genres like hip-hop, rock, pop, Latin were streaming. And
because they were older, because they were still very attached to terrestrial radio, and they've
shifted. They're discovering artists via streaming as opposed to waiting to be spoon-fed music by country radio. Streaming numbers last year were up 23.5% over the year before. That indexed higher than any other genre. Country radio is still very important. It's probably the most important in country than any other genre. But fans are now
steering the ship now. So who are the names? Who's getting up to number one and really making this a
moment? We're having a bunch of names. It's coming from kind of across the board. For example,
last year, there were four number one songs on the Hot 100 by country artists, and that had not
happened since the 70s. And the Hot 100,
just so people understand, is all genres, and it's based on streaming, sales, and radio play.
It's a multimetric chart. And so last year, Morgan Wall in a Small Town hit number one.
Oliver Anthony's Richmond, North of Richmond hit number one. And then Zach Bryan and Casey Musgraves'
I Remember Everything hit number one. And if you know those songs, they're very different songs for very different songs.
And so it just shows the range of what's happening in country and the popularity.
Beach towel dress on the dry line.
Do I remind you of your daddy in my 88 Ford?
The Labrador hanging out the passenger door.
We're seeing, if you look at the two songs this year that have hit the Hot 100
and were our top two songs of the summer, they were both country songs.
Some of them crossed over, but they were number one on country as well.
I had some help.
It ain't like I can make this kind of mess all by myself. Don't act like you don't. Some of them crossed over, but they were number one on country as well.
So Post Malone and Morgan Wallen's I Had Some Help was our number one song of the summer.
Followed by a bar song, Tipsy, by Shabuzy. That was very much a crossover song, but the interesting thing, just to show how popular
country is, is last summer, the number one song of the summer was Morgan Wallen's Last Night,
followed by Luke Combs' remake of Tracy Chapman's Fast Car.
And that had never happened in the history of our charts where we've been tracking this,
where the songs of the summer, the top two songs were both country songs.
Post Malone's gotten a ton of attention this summer, justifiably so, I guess.
What has gone on with him? Can you talk a little bit about the evolution here?
What's happened is nine years ago, Post Malone said he wanted to make a country album.
And then a couple of years ago, he started
coming to Nashville. He started writing with some of the top songwriters. It's really nice
meeting people in Nashville that made me feel so welcome and new friends and kind of building
new stuff. And for once, I'm not sad anymore. I'm happy, very happy.
He really infiltrated Nashville.
He really settled in and was coming to Nashville very frequently, writing with songwriters. Anyone that you talked to that worked with him said he knew country music forward and backwards.
We all forget that Post Malone broke on YouTube singing Bob Dylan songs before White Iverson.
He's just making it to where his heart is.
And man, I've hung out with that guy.
He's one of the best dudes on earth, the sweetest soul on earth.
And he knows more about country music than guys in this town that have 10 number ones.
He grew up in Texas, outside of Dallas.
So he was raised on this music.
And he made a very credible country music album, F1 Trillion, that came in at number one on the country chart and on the Billboard 200 all-genre albums chart.
Is he like a country music star now?
He is.
Huh? music star now? He is. Huh. I think what really convinced people, he'd convinced people in town
already just because of his attitude and how gracious he was and how unassuming he was.
There is a very clear reason why Post Malone is everyone in music's favorite person to collaborate
with. And it is because you are so ridiculously talented, you are so versatile, and you're the most down-to-earth person.
Honestly, so unfailingly polite. It has taken me forever to get him to stop calling me ma'am.
But then if you listen to the album, 15 of the 18 tracks are duets.
There are three solo tracks, And then later the morning of the
release, he put out nine more all solo tracks. And they are hardcore country. They're much more
country than a lot of the duets on F1 Trillion that tend to lean country pop. And so if you listened to just the solo
tracks that he released later that day, that is a very country album, very traditional country
album in some ways. And he had some help, right, from country stars. No pun intended. So yes,
so I had some help with the first single with Morgan Wallen.
And that was a very smart move.
You know, you're pairing arguably the two hottest male artists out there right now together.
And so, that took off like a rocket ship.
You know, it was number one for many, many weeks.
But he also sang with Dolly Parton.
Baby, I don't have a heart to break yours. He sang with Blake Shelton. He sang with Lainey Wilson. He sang
with Jelly Roll. He covered the waterfront in terms of artists from all different eras and just showed his adoration.
There's an incredibly cute Instagram of him and Dolly,
and they're just adorable.
You've got lots of fans, and I can say I'm cool because of you.
No, that's not true.
I'm cool because of you.
You can tell everyone loves him, and he is so respectful,
which is the very smart way to approach the genre
if you're going to come in. Who else have we seen pivoting to country in 2024? And of course, I am asking about
Beyonce, but who else? Yes. So we had Beyonce with Calvary Carter. Now for this next tune,
I want y'all to sit back, inhale, and go to that good place your mind likes to wander off to.
And if you don't want to go, go find yourself a jukebox. Thank you.
Texas Hold'em came in at number one on Hot Country Songs chart, which was also the first time a Black woman had topped that chart. And then she was followed by Shaboosie on the Hot
Country Songs chart. So that was history making in terms of that was the first time that two Black artists
had ever been back to back on that chart. So very, very significant album.
So if you can't already tell by our award winners and our performers,
the music business is gone, going, we're going country.
So in addition to Beyonce, Lana Del Rey has been working on a country album titled Lasso
that we're not sure when we're getting it.
It was going to be later this year.
Now it looks like it's going to be 2025.
I knew it.
I said it.
It's happening.
That's what's happening.
Then there are even traces of country in Sabrina Carpenter's new album. And Ed Sheeran has talked about really
wanting to do a country album. He spends a lot of time in Nashville. He's written with a lot of
Nashville writers. He and Luke Combs appeared at the Academy of Country Music Awards in 2023.
So there's probably a lot more to come.
It sounds like a big old party.
How does the country music industry feel?
Is it embracing these crossover artists?
The country community has not always been so embracing.
They're very embracing of this right now.
They realize it's just bringing new listeners to the format, and that is a really,
really wonderful thing, but they have not always been so embracing. For example, in 1994,
when Alan Jackson released Gone Country, it was a great song written by one of the all-time great
songwriters named Bob McDill. What it did was it really poked fun at all the carpetbaggers
coming into the country format about how anyone who whether they were in Las
Vegas or New York or LA they were like you know what country music could use me
right now and it seems like I kind of match that sound and I'm gonna go to
country and I'm gonna go to Nashville and make my mark.
So that kind of caught a little bit of the attitude that people were having in Nashville.
And then even further back in 1975 there was a very famous moment at the CMA Awards when John Denver won Entertainer of the Year.
And Charlie Rich, who's about as country as they come, may he rest in peace, actually burned the card on stage announcing the winner.
My friend, Mr. John Denver.
So they have not always been embracing, perhaps to their detriment.
And I think they've learned it's a lot better to be embracing.
But again, these artists are coming with respect.
These artists are coming with knowledge.
They aren't just capitalizing on this.
Post Malone and Beyonce do not need country audiences.
They're pretty popular on their own.
So it's been done in respectful ways and with artists who aren't carpetbaggers.
Coming up on Today Explained, more with Billboard's Melinda Newman on where country goes from here.
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listeners and available just in time for the holidays. Terms and conditions do apply. Lainey Wilson maybe said it best.
Melinda Newman from Billboard did see it coming.
She says country's popularity does tend to wax and wane.
This isn't the first time that country music has caused such a stir. In 1980,
when the movie Urban Cowboy came out, starring John Travolta.
It caused a whole wave of country music crossing over, of country fashion crossing over. It
was really a movement and there were songs such as Mickey Gillies remake of
Stand By Me
and Johnny Lee's Looking For Love that did very, very well across the board. I was looking for love in all the wrong places.
And then again in the early 90s when Garth Brooks just surged in popularity
and brought millions of listeners to the country format
and was the hottest artist across the board of all genres.
I got friends in the wrong place. So we've seen this happen before, but this is
just a very interesting take in terms of pop artists coming over and people feeling like
they're very welcome and that these are very authentic expressions. To that point, what's
happened this year with country artists who are not changing
genres? They're not doing crossover. They've just always been making country music that's really,
really good. Are they changing what they do at all? If you look, they're artists like Zach Bryan,
Kacey Musgraves, you know, they are not necessarily on country radio because country radio has a fairly small playlist without getting into too much detail
the country music chart for radio for the airplay songs chart moves very slowly so it's a fairly
limited playlist and it moves very slowly so a lot of these artists are just not willing to play the
radio game which means going to country stations and shaking hands
and kissing babies. And their streaming numbers are so strong. You look at Zach Bryan, he's selling
out stadiums. You may have never heard him on country radio other than I Remember Everything
with Kacey Musgraves. So they're finding their audiences through streaming and just through live music. And
they also are a little bit of a blend. If you look at someone like Zach Bryan,
there's some rock in there. He tops a number of our charts, not just the country chart.
To you, I'm just a man. To me, you're all I am. Where the hell am I supposed to go?
So they're doing it their way, and they're saying,
if country radio wants to play me, that's fine, but I'm okay if you don't.
I'm just going to keep doing my sound.
I'm going to keep doing what I do, and you know where to find me.
How do we see the larger music industry responding to the popularity of country? What's changing? And, for example, Zach Bryan is on Warner Brothers out of Los Angeles. Megan Maroney, who's a rising country star, is signed to both Columbia out of New York and Sony Nashville out of Nashville. And what the Coastal Labels saw by looking at the analytics and the data was that these artists were streaming. They didn't necessarily have to go to country radio to have success.
Is there a change at all, I wonder, in the kind of story that country songs are telling?
You mentioned two songs from 2023, Jason Aldean's Try That in a Small Town, Oliver Anthony's
Richmond, North of Richmond.
Those were political songs.
Those are political songs telling stories, whether you liked them or not.
We don't see as much in 2024.
Is that a bit of a pivot?
I don't think it's a bit of a pivot.
I think if you go back to the 70s and the 60s, I mean, there was a strong history of country taking on politics or issues, whether it was Loretta Lynn with the pill. Many skirts, hot paints, and a few little fancy frills.
Yeah, I'm making it for all those years since I've got the pill.
Or Merle Haggard with Okie from Muskogee.
We still wave old glory down at the courthouse.
White lightning still the biggest thrill of all. People don't do that as much
anymore. So whether you agreed with them or not, and Jason Aldean would actually say,
try that in a small town was not political. Many people would disagree. Oliver Anthony,
same thing. He would say Richmond, North of Richmond was really just expressing
angst at the scene in general, but we're not seeing a raft of political songs or issue songs.
When you bring a lot of women into the format or you look at Jelly Roll, someone like that,
they aren't doing the typical whiskey truck, tailgates, girls in cutoffs, jeans, and cowboy
boots. They're not doing that. So you are seeing a shift in terms of just a broader
topical appeal. And I think that's helping a lot. I know, I know when it's all said and done.
I'm not okay, but it's all gonna be all right.
When you look at Jelly Roll, some of those songs are about mental health.
Some of those songs are about really taking on deep, deep issues that are resonating with people.
And that's what country's always done the best. At its best, country music is the best storytelling genre.
It is songs about real life, what real life means today.
It's songs about struggles.
It's songs about triumphs.
And if you look on the chart now,
you can kind of find something
that represents everything. And I think that's part of the huge appeal, is you are just seeing
this broadening of styles, both musically and thematically, that is really capturing listeners.
So what's the vibe in Nashville these days? Is it real cocky? Oh, man. They are happy as can be. If you follow Nashville at all, you know that any artist
with any name recognition at all is opening a bar on Lower Broad. It is the bridesmaids'
capital of the world in terms of bridesmaids' parties. It's kind of crazy what Nashville is like right now.
And Music Row, which used to be where all the labels and publishers and studios were centered,
everything's not on Music Row anymore, which is a little sad for people who remember when
everything was really contained within these three or four blocks. But it can't be anymore.
It's just kind of taken over the whole town. And so for tourism, it's fantastic. For traffic,
it's a little rough. But these are very, very good times in Nashville.
Hey, do you think the times last? So country's gone mainstream again, and people seem to be
really liking it. Do you think this is a forever thing or next year are we talking about a different genre?
I don't think we're talking about
a different genre next year.
I think it will last for a while
and I think it will be just as when Garth Brooks hit,
it brought a whole new audience to country.
Just as when Taylor Swift hit,
she brought in a youth wave.
There was just like a whole new wave of young girls that had never listened to country before.
It always subsides, but they always leave the format higher than it was before.
So that's what's going to happen.
Eventually, something else is going to come in.
Hip-hop has somewhat fallen off. that's what's going to happen. Eventually, something else is going to come in. You know,
hip hop is somewhat fallen off. You know, there's the theory that a lot of what's happening is that this is making up for that, you know, filling that void right now. But some of these
listeners that have come to country in 22, 23, 24, they're going to stay. And so even when the
industry's moved on, even when some listeners
have left, country's still going to be more popular than it was in 2020.
Melinda Newman, Billboard's executive editor, West Coast and Nashville. Today's show was produced by
Avishai Artsy and edited by Amin El-Sadi.
It was fact-checked by Laura Bullard and mixed by Rob Byers.
I'm Noelle King.
This is Where the Cowboy Rides Away.