Tony Mantor: Why Not Me ? - Rebecca Engle: neurodiversity in the classroom and stories of advocacy

Episode Date: April 15, 2026

Embracing Neurodiversity: A Conversation with Autistic Educator and Author Rebecca Engle In this episode of 'Why Not Me,' hosted by Tony Mantor from Nashville, Tennessee, Rebecca Engle, an autistic ed...ucator and author, shares her journey and insights into neurodiversity in education. Rebecca discusses her experiences as a nonverbal child, the challenges she faced in academia, and the strategies she uses to support neurodivergent students. She highlights the importance of creating inclusive educational environments and challenges outdated behavioral systems. Rebecca also dives into her work as an author, particularly focusing on her children's books that address autism and stemming, and speaks about her efforts to foster understanding and acceptance of neurodiversity worldwide. Introduction to Why Not Me Meet Rebecca Engle: Autistic Educator and Advocate Rebecca's Early Life and Challenges Navigating Education and Professional Life Teaching Strategies and Classroom Experiences Rebecca's Writing Journey Future Goals and Expanding Impact Closing Remarks and Contact Information INTRO/OUTRO: T.Wild Mantor Music BMI The content on Why Not Me: Embracing Autism amd Mental Health Worldwide, including discussions on mental health, autism, and related topics, is provided for informational and entertainment purposes only. The views and opinions expressed by guests are their own and do not reflect those of the podcast, its hosts, or affiliates.Why Not Me is not a medical or mental health professional and does not endorse or verify the accuracy, efficacy, safety of any treatments, programs, or advice discussed.Listeners should consult qualified healthcare professionals, such as licensed therapists, psychologists, or physicians, before making decisions about mental health or autism- related care.Reliance on this podcast's contents is at the listener's own risk. Why Not Me is not liable for any outcomes, financial or otherwise, resulting from actions taken based on the information provided. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Transcript
Discussion (0)
Starting point is 00:00:06 Welcome to Why Not Me, embracing autism and mental health worldwide, hosted by Tony Miatur. Broadcasting from the heart of Music City, USA, Nashville, Tennessee. Join us as our guests share their raw, howful stories. Some will spark laughter, others will move you to tears. These real-life journeys inspire, connect, and remind you that your never alone. We're igniting a global movement to empower everyone to make a lasting difference by fostering deep awareness, unwavering acceptance, and profound understanding of autism and mental health. Tune in, be inspired, and join us in transforming the world one story at a time.
Starting point is 00:01:02 Hi, I'm Tony Mantor. Welcome to Why Not Me, embracing autism and mental health worldwide. Joining us today is Rebecca Engel, an autistic educator, author, and powerful advocate for neurodiversity in education. Rebecca brings both lived experience and professional insight to her work as a teacher, helping students feel seen, understood, and supported in systems that weren't always built with them in mind. Through her writing and her classroom work, she challenges outdated narratives around autism and replaces them with honesty, compassion, and practical understanding. Her story is not just about teaching, it's about learning, unlearning, and creating spaces where neurodivergent voices are valued rather than accommodated as an afterthought.
Starting point is 00:01:51 This is a conversation about identity, resilience, and what happens when autistic educators step in and help reshape the future of education from the inside out. We'll talk about how she became an author and uses that to help people. as well. So before we dive into our episode, we'll be back with an uninterrupted show right after a word from our sponsors. Thanks for joining us today. Yeah, thank you for having me. Oh, it's my pleasure. I understand in your early years you were nonverbal. Yeah. Can you share some of the early moments in your life and what challenges helped you create what you have become today? Yeah. So I think having to navigate those struggles, you know, I always had to fight for something. I always had to fight for what I wanted to achieve in life. And my mom will tell you that. She always jokes around that I'm one of her most successful children because I've always had to fight to get everywhere. Communication got mistaken for intelligence. Adults assumed my silence meant lack of understanding. And I was clocking everything. I was clocking the tone. I was clocking the room. I was clocking the rolls. So I learned how to clock that as an adult. And a lot of my needs when I'm met. So I feel like,
Starting point is 00:03:02 I overdo my needs now, you know, the hunger, pain, the fear, the overwhelm, the sensory overload. A lot of it, you know, just was ignored. So I feel like I overdo self-care now. And I'm very aware of when I need things because I overlooked it as a child. Okay. So when you say you overdue, can you give us a few examples of what you mean on overdoing some things in your life? Like things that I overdo now? Yeah, that works. Yeah. So there's days where where I just knock out all day long. Like, I don't want to do anything. I sometimes overdue with skincare, right?
Starting point is 00:03:39 So, like, I'll buy way too many products to take care of myself. I'll overdue getting supplements. I'll overdo routines. I'm very, very picky with my calendar and my timing and my schedule. I am very careful about, you know, regulating my whole body. I go to the chiropractor every week, which is, you know, something that most people do rarely, if at all. I work out twice a week and I'm very particular about when that happens.
Starting point is 00:04:05 So I think that's kind of what I mean by the overdoing. Okay. You said that you felt unsupported and you felt kind of secluded in school. What did that do to you? Ultimately, you thrive academically because you did get your bachelor's degree. Then you got your master's in educational policy and leadership at Texas Tech, I believe. Can you tell us the steps you took to achieve all this? I'm trying to think of how to best take this question. I think, you know, planning my day, scheduling, being always on top of it was what got me there. But I think, again, I think challenges that I was constantly facing and conflicted with kind of pushed me to keep going. Like, you know, during my bachelor's, I was told I was too autistic to teach. And I had to graduate, but I wanted insurance. So, you know, I graduated early. But then I, I for, you know, I forced.
Starting point is 00:05:01 force myself to immediately start my master's because I wanted to get out. Sure, sure. That makes sense. Now, why in the world would someone tell you that you're too autistic to teach? You're learning all the things that you need to learn. You're doing your studies. You're figuring it all out. This just does not make sense. Yeah, it didn't make sense. The Director of Education at my university pretty much said that I didn't communicate correctly with kids due to my autism, despite having all five-star rankings across all of my evaluations and was just always saying that my communication was off or not there, which actually set me to set a communication goal as my goal when I got to my first year teaching because I was so
Starting point is 00:05:45 self-conscious about meeting these requirements that I was scared that I was scared that my communication was going to get me, you know, fired and make me lose my job or make me not applicable enough. And funny enough, my last two years teaching communication, but it has been my highest area on my records. So I still to this day have no clue what this woman met. Yes, that's very strange and unprofessional, in my opinion. How did it start off for you? You said you was nervous, which is totally understandable. You were going in and working with those kids. So did you start off kind of tentative? Or did you go in there with confidence and say, hey, this is what it's going to be. This is what we're going to do. And let's see where the chips fall.
Starting point is 00:06:27 I was very much, you know, believed in myself and was very much, really much, relatable with the children. I teach special education. So I think that help calm my nerves. I feel like if I were around neurotypical children all the time. I feel like I would have to mask or hide my stimming or my communication style and things like that. But I'm very open with my students. Like I'm overwhelmed right now. Please stop. Right. Or, you know, we're allowed to have those conversations and it goes both ways. And I tell them that at the beginning of the year. Like, hey, like, you know, you have sensory needs, but so do I. And this is my background. And a lot of the time, you'd be surprised how shockingly open they are to those things. That's really good to hear.
Starting point is 00:07:08 Now, some kids tend to question others that say they're autistic. Did you have that issue? Or did you find that connection you was hoping for right from the start? I automatically connect. I feel like I teach the younger grades. So I don't think they think of. They don't like question it. And, you know, I don't go up to my kids and straight up say,
Starting point is 00:07:26 I'm autistic and ADHD, right? Because some of them don't even know what those terms are yet. And some of them aren't autistic or ADHD themselves. They have other neurodivist traits like dyslexia or dysgraphia, It's Kalkia, right? And so I'm very just like up front about my sensory needs and things that trigger me or set me off rather than the disability itself. And I feel like they connect with that. Like, oh, you know, that noise sets me off too. Or that texture feels weird to me too, right? Or things that are palatable really to any human, but more offsetting for narrative virgin individuals. That makes total sense. How long did you teach before you decided to move on to other things? I'm still teaching. Oh, you are. That's great.
Starting point is 00:08:10 Are you teaching the same age groups as you were before? Better yet, what are some of the challenges you've seen now that you've been in teaching for a few years? Yeah. So I've been teaching for two years now, if you count my student teaching and stuff, a little over three. And I would say that, funny enough, I've actually been in a self-contained unit. I've been in a resource classroom, which is like a pull-out setting, and I've been a dyslexia there. Piss. So I've kind of seen all three sides. Resource, you're pulling out your kids who are autistic ADHD, but not enough for that self-contained setting. And of course, I've done fifth and sixth
Starting point is 00:08:47 grade self-contained. I've done three through five resource and co-teach, which is like inclusion minutes. So I'm going into the classroom and helping kids 101 in their genetic setting. And then I've done dyslexia pullout for Kinder all the way to sixth grade. So I've seen all the grades pretty much from your early primary to six. So yeah. What were some of the challenges that you felt were or could be bigger than what you thought they might be? Or how am I going to handle this? So what are some of the challenges that you overcame, either personally or you helped a student overcome some of those challenges? Yeah. Some of my challenges as an educator really are handling noise overwhelm, especially in those co-teach setting. I had to find the correct environment, right?
Starting point is 00:09:34 because I knew that the 25 to 30 kids at a time, even if I was only working with one, was too much for me. And then, of course, in the self-contained setting, I had a lot of kids with autism and they had severe needs that need to be met. But not only were they autistic, a lot of them were deaf or blind as well. So I was dealing with the nonverbal communication and that. And I had never gone through being deaf or blind, right? So despite being autistic, I had to almost connect like, okay, Becca, well, now, you know, take the fact that you were nonverbal and imagine. if your eyes, you know, didn't work the right way too. Or imagine if your ears had a hearing loss. And I was like, oh my gosh. Like I kind of had to step into their shoes even more so. And I guess one of the things I thought about was like, I don't know how a neurotypical teacher who doesn't have the background of being neurodivergent also doesn't have the background of being, you know, death or blind, steps into these shoes and has to, you know, imagine this classroom or the structure for this child, not understanding 100% of them, you know. And so I had to reshape just pulling from my personal experience and really dig into like, how do you teach
Starting point is 00:10:39 kids like this? And so I had to take something that I didn't have to in the past. And then for the dyslexia, again, I'm not dyslexic. So I think that that opened a whole other door, right? I had to be more open-minded than I was with that resource setting because I was the resource kid. And so it was a lot easier for me to navigate that than it was the other two settings because I hadn't lived those settings. I was self-contained in pre-K, but after that I was Gen Ed, so. Okay, being autistic yourself,
Starting point is 00:11:10 autistic people are known to have their meltdowns. Have you had situations where you were in the middle of a class, you felt a meltdown coming on? How did you handle that? Oh, that's a good question. I have a color-coded card next to me at my kidney table, So if I have a moment like that, I can show it to my students and they tend to know. Sometimes I'll do this and my kids immediately know, like I'll put my hands up for those maybe listening auditory only.
Starting point is 00:11:42 And I'll close my eyes and they'll be like, uh-oh. They know like, oh, oh, Miss Ingalls over-stimulated. And so they'll kind of reset or one of my other kids will be like, hey, like, look, she's overwhelmed. Like pointing at me. Or I say, take a minute and read this real fast. I'm going to take a second. And they know. I mean, that's one of the best parts about teaching neurone-a-vurgined kids is because I can do the same thing with them. Or, you know, if I stem like this or, you know, rub my hands together or whatever, they're well aware of why I would be doing that.
Starting point is 00:12:14 And sometimes they join in like, oh, we can unmask right now, which is awesome. Okay, we've covered your meltdowns. Now, what about the kids? Because they're not adults, they are going to handle their meltdowns completely differently than you might. So how do you help them through their meltdowns so that everything is okay and you can move forward with your class? Yeah, I have a regulatory system, which is available on my teachers pay teachers, but it's pretty much a three zone system. So it starts with regulating their nervous system. The one area is full of weighted tools and activities.
Starting point is 00:12:49 The other one is full of like sensory supports with calming. So like maybe we're running in a circle or repeated motion of the body while the other one is noise seeking. And then the third area is like journaling, releasing my emotions, drawing. And the whole goal is that they're more comfortable than your desk seat. So a lot of my students know to follow that system. And I slowly teach them that system. And I actually model it when I'm overwhelmed. And so they're like, oh, okay, Ms. Ingles doing it.
Starting point is 00:13:19 Let's join her if they need it. And some of my kids, I'm just like, are you not ready right now to learn? When they're going through a hard time, kids stop processing. When they're not ready to learn, I can get. them to sit still and comply, but they're not going to actually pick up anything I'm teaching them at a certain point. And so I'll just say, like, go relax, go calm your body, go make sure that you're okay. They know their areas that they're allowed to be in. I don't really have strict rules on that. You know, don't be a distraction and we're good. And then, you know, I call them in the next day and I remind them of,
Starting point is 00:13:50 you know, like, hey, this is what we did yesterday. Are you ready to learn it today? And most of the time, if you just say, okay, I'm not even going to force you. Within five or ten minutes, they're like, oh, I'm ready now. And I didn't even have to fight them to try. But they watch their peers. And they're like, whoa, they're having fun. Oh, wow, they're enjoying themselves. And they end up joining into the lesson. So sometimes it doesn't even take the full class. Okay. Now, what about some of the neurotypical teachers? Have you had any of them that questioned what you were doing? Or they just do not understand what you're doing? How have you handled that? Yeah. So funny enough, the reason I've been in three classroom settings in two educational years, is because my second job, they actually forced me to resign. I was following that three space model and they told me you need to have one calm down corner.
Starting point is 00:14:38 I was like, but I don't believe in one calm down corner. I have three calm down corners because not everybody calms down the same way. And so I was in an autism unit and I got all six autistic children that were self-contained to actually attend Gen Ed classes all day long with support. But the fact that I was able to do that by October was considered impressive. They would come back and regulate and then go back to class. I mean, they had their moments and they knew that they were allowed to come back whenever they needed to. But naturally, they were internally motivated to stay in class. And the neurotypical teachers said, you need one calm down corner.
Starting point is 00:15:16 And the neurotypical district leaders said you need one calm down corner and you need to use tokens. You need tokens to control the kids. So every time they, you know, come back, but you tell them to know, that they have to stay in class, you take a token away. And pretty much they wanted me to train them like a dog, like here's a treat every time you do what I say every day of the week. And I refused. I said, no, this is my system. All of my kids get a treat at the end of the day, regardless of how today went. I thank you for being here in the morning and I thank you for being here at the end of the day. And it has nothing to do with their behavior. And my district was very much against it. So I ended up
Starting point is 00:15:50 having to leave the school I was at. They called me into a meeting with HR and they said, you can either grow on a growth plan to learn how we do things. Or we can have you resigned. And I was like, okay, I'll peacefully leave. So I did leave. So I've had neurotypicals misunderstand. I've also had neurotypical teachers tell me that they will not provide accommodations to a student with autism or ADHD unless they are medicated. Wow. Now, what about their parents? Because you're autistic, they should see that you understand them better than the other teachers. And that should have made a difference. Did you get the support from them right away? Yeah. So I've mostly taught with children that are homeless or in poverty. So I've had a mix of parental involvement. However, when my parents are involved or
Starting point is 00:16:36 talking to me, I've never had a parent who's upset with me. And that's rare as a special ed teacher, I feel like. I've never had an advocate sitting in a meeting. I've always had supportive parents and parents who, you know, thank me. I've had parents thank me for being young, like, who are just happy that their teacher is under a certain age. I've had parents just meet with me and ask me about my autism, and I'm very open with them. I love it. Like, I love that I have that connection with my students. And, you know, I feel like a celebrity when I walk through with parents and teachers or students, because it's parents and students are always like screaming my name. And so it's, it's like feeling like a celebrity while I walk down the hallway, especially like during student awards and things like that.
Starting point is 00:17:18 Yeah, I think that's really cool. That's awesome. At what point did you start to write about your experiences. When did you start doing that? Yeah. So my college years really inspired that. I was actually a volunteer with a refugee group in San Antonio. It was required for my history degree under my bachelor's degree because I had bachelor's degree in history and one in education. And one of the requirements for this degree was that I had to do like 300 hours with refugees. In order to do those 300 hours, I went to a tutoring room at an elementary school and worked with these refugee students. One of my college professors was like, we need you to write a book on books good to teach kids with autism or kids about autism. And every book I found was written by someone who was not autistic.
Starting point is 00:18:10 Every children's book I found was written by the mom or the dad or the sibling of or the cousin of. And I was just like, why? Like how does this genuinely teach kids about autism? Like it teaches the parents' perspective, but it doesn't teach how the kid feels. And so I was like, prof, I can't do this. Like, this doesn't exist. And so I was like, I'm making my own book. And so one of my college professors, Dr. David Compos, he handed me a book that he was inspired by that was written by someone who was deaf.
Starting point is 00:18:40 And it was like a children's graphic novel. And he was like, you need to read this and inspire your book. So I inspired my own writing. from that and wrote it and published it. And then people were like, you know, you speak out against these token economies and these behavior charts, but why? And so I was like, well, that's book number two. Then I just never stopped.
Starting point is 00:18:59 I had people come to me who were like, I want to share my disability story, but I don't know how. So then I made an anthology. And then people started asking me about stimming. And I was like, oh, like I should make a book out of that. So that's my most recent release. Okay. So let's talk about that a little bit more.
Starting point is 00:19:14 your recent release, can you give us a little insight on what it is, what it's about, and a little bit on what people can expect about what's in it? Yeah. My most recent release is the way I move, and it's literally about stimming and the body movements of stimming and talks about why we stem, how we stem. But I have some neurological definitions in the front so that you can understand the neurology behind the stimming and the movement. Also, it's very child-friendly for kids to read. But ultimately, it's this little girl who's based on me named Riley. And Riley goes through the day and she's stimming at different things. She's feeling different textures in the grocery store. She's going to different, you know, different things at our house.
Starting point is 00:19:58 And then ultimately they cause her to stem. And so it's very just talks about the ways we stem, how we stem, what causes us to stem. And I'm very clear about everybody stimming differently. Sure. I think that's awesome. Now, how many pages do your books have? Yeah. So both my children's books are around 30 to 35 pages and my adult books are anywhere from
Starting point is 00:20:18 150 to 180. Oh, that's perfect. How many books do you have total? I have four books I've written and 15 that I've co-authored. Okay, now let's dig a little bit into your books that you have co-authored. Are they the same topics? Can you give us a little background on them? Yeah, so a lot of my books that are co-authored are poetry. I was a part of a group called the Unsealed and I literally entered these competitions to win money for college. And they came and they were like, hey, we're going to actually publish you. And then Carrie Margro, a popular voice, I entered his scholarship. And he was like, hey, I'm publishing your voice too. So he put my story in a book of his. And then the unsealed put my story in their books. And then I was invited by Dr. Shiladay out of San Diego, California, to publish
Starting point is 00:21:05 a book called Woman of Purpose. And it was her first ever won. And this book is, Very successful. When I was invited by her to publish, I still had only published one book of my own. And then I had co-authored nine poetry books at that point through the Unsealed. And it was just contest I entered them publishing them. And Shilah invited me to collaborate on her second book because one of her authors dropped out. And so she was like, oh, you can be my second one. So that's mostly how that came about. And then I've been quoted in other works and stuff just accidentally. I think that's awesome. Now you have one. this call stepping in my shoes, right? Yes. Can you give us a little background on that? I'm sure it sounds like something that means walking my shoes for a while and maybe you'll understand.
Starting point is 00:21:51 Yes. Yeah. So that's my first ever children's book. We've sold 15,000 copies of that book. Wow. Nice. And that came out in October of 2024. And that book is very centered on literally like walking into the shoes of what it's like to
Starting point is 00:22:06 go to school as an autistic. Okay. And so that's the one. that college inspired me to write. Nice. Now, are you self-publishing or do you have a publisher? I have a hybrid publisher now. When I first started publishing, it was me, just me.
Starting point is 00:22:20 Yeah, that's great. So you have someone that's helping you now. Yeah. Do you have illustration in your books or is it mostly just words? Both of my children's books are fully illustrated. And then the other two books are no illustrations because they're adult books except for the cover. Now, which does better? Your books for the children?
Starting point is 00:22:40 or the ones for the adults? My children's books do better than my adult books. What do you think the reasoning is that the adults don't dig a little deeper and read your books so they can understand more? Is it because you think they might not understand? Or what do you think the reasoning is behind this? I think there's a fear of change. I think that a lot of people fear changing the system, right? We know something is the way it is and it's going to stay that way.
Starting point is 00:23:10 a lot of my books threaten the system. You know, the school to prison pipelines are threatened. The behavior system is threatened. PBIS, which started in 1990, is threatened. ABA is threatened. And I feel like we fear those changes. And my children's books don't have anything controversial, right? This is what it's like to be autistic in school and how I talk. And then the other one is how I move. So, you know, stimming is something everyone knows about. And so is being autistic, right? Like communicating with a device or communicating with, you know, your hands. Like, we are well aware those two things exist. They're not controversial. While my adult books are very much controversial. What is it that you dig into that's so controversial? You say you're challenging the system. How are you addressing the system
Starting point is 00:23:55 that is so controversial? Yeah. So my whole entire, like, lifeline of work is challenging positive behavior intervention supports. Then actually my shirt speaks to it. I'm not a behavior chart. I'm not a point system. I'm not a principal award. I'm not a classroom. And schools rely on these systems heavily. You'll see that, you know, like you have perfect attendance awards and a B honor roll. And I speak and say that all of those are abusive and our long term development. And a lot of people are like, well, but you know, there's this and this and this and this. And people attack me.
Starting point is 00:24:27 I mean, both of my children's books are rate five stars. And my other two books are 3.5 and 4.2. And there's a reason for that. Well, I think that you're not wrong. I think the system does need to be challenged at times. I've been doing this podcast for about two and a half years now. When I first started, I knew nothing about autism at all. Now I've heard and seen so many people take so many different paths to get where they wanted to get for their children and themselves. There really is no right or wrong path.
Starting point is 00:24:58 It really comes down to what works for you. Sometimes people want to do it a certain way and it's almost like trying to put a round peg in a square hole. It just doesn't work. What do you see in the future for what you are doing. You're trying to change the system to make it better for the kids and getting a little bit of pushback. So how do you see this going and what do you see happening for your future? Yeah, you know, I expect at certain points to be canceled or attacked. I already have been multiple times. I definitely, you know, expect to see the change though. I think that the louder are my voices out there that the more people will open their eyes. I've had hundreds of people, even people who practice PBIS say, hey, like, you gave me a soluble solution to get rid of this
Starting point is 00:25:46 system. And so now I'm going to use a system that is created by you, right? And I think that that was the biggest problem in this fight is that, you know, so many people are like, I hate PBIS. Don't use it. But what are we using instead? And I feel like that's what I bring to this fight. And so my hope is that the instead that I've brought and what I've designed is used instead of this PBIS system. And I think that over time I'll see that adaptation. Yeah, that's great. Now, how do you see this expanding? Do you see this expanding past your local area and then hopefully to a national stage?
Starting point is 00:26:21 Or do you see it maybe even going worldwide? Yeah, so I've spoken internationally. I've spoken in all the way virtually through Zoom. I've spoken in New Zealand. There's people in Canada who have my voice that have been published with me. I have following and different parts of Asia. I have a platform pretty widespread. This year I'll be in California.
Starting point is 00:26:43 I'll be in Minnesota virtually, Tennessee virtually. I just heard back from a conference in Rhode Island. So, yeah. That's awesome. I love it. How can people contact you? And most importantly, how can they follow you to see what you're doing? Yeah.
Starting point is 00:26:58 So my Facebook is Stitches and Stances. My Instagram is Stitchist Stances, and I'll have a website, which is coming soon. It's Stitchistansas.com. Perfect. Now, how do they find your books and where can they get them? So if you just look up Rebecca Engel on Google, my Amazon link is the first link you'll see, and you can find all four of my writings. Awesome.
Starting point is 00:27:18 Now, in closing, what is important that you think our listeners need to hear not only about your writings, but what you are trying to do moving forward? Yeah, I think that ultimately what I want people to understand is you can't solve every child through compliance. You can't solve every nervous system through compliance. You have to allow for student choice. You have to allow for neurodivergent choice, but you also have to move away from compliance-based systems in order to do that. Yeah, well, this has been great. Great conversation, great information.
Starting point is 00:27:54 I really appreciate you taking the time to join us today. Yeah, thank you for having me. Oh, it's been my pleasure. Thanks again. Thanks for taking time out of your busy schedule to listen to our show today. We hope you enjoyed it as much as we enjoyed bringing it to you. If you know someone who has a story to share, tell them to contact us at why not me. One last thing, spread the word about why not me. Our conversations, our inspiring guest, this show.
Starting point is 00:28:34 You are not alone in this world.

There aren't comments yet for this episode. Click on any sentence in the transcript to leave a comment.