Two In The Think Tank - 130 - "BEST SUPPORTING BACKTOR"

Episode Date: May 8, 2018

Thanks to Harry's for supporting this episode! Visit harrys.com/thinktank for a special dal offering $13 worth of FREE SHAVING STUFFPeaces of Skin, Crispr Junior, Cheese Mourning, White Culture Ins...titute, Back Front Symmetry, Back Features, Bomb Defuser AppAnd you can support the pod by chipping in to our patreon here (thank you!)Two in the Think Tank is a part of the Planet Broadcasting family You can find us on twitter at @twointankAndy Matthews: @stupidoldandyAlasdair Tremblay-Birchall: @alasdairtbAnd you can find us on the Facebook right hereAll the thanks in our kingdom to George Matthews for producing  Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:00 This episode is brought to you by Progressive. Most of you aren't just listening right now. You're driving, cleaning, and even exercising. But what if you could be saving money by switching to Progressive? Drivers who save by switching save nearly $750 on average, and auto customers qualify for an average of seven discounts. Multitask right now. Quote today at Progressive.com.
Starting point is 00:00:23 Progressive casualty and trans company in affiliates, National Average 12 Month Savings of $744 by New Customer Surveyed, who saved with progressive between June 2022 and May 2023. Potential Savings will vary. Discount's not available in all safe and situations. Visit Planet Broadcasting.com for more podcasts from our great mates. Alistair. When's the last time you did something good for your face? I don't like where this is going.
Starting point is 00:00:58 Well, I recently got a Harry's Razor starter pack and it's one of the best things I've ever done for my face. Yeah. And do you know about this? Alistair, I've heard about this. If you go to Harry's.com or slash think tank. Think tank. Or is it two and tank? Think tank. Think tank. Then all you got to pay is for the process shipping. Which is what? $13.
Starting point is 00:01:29 No, no. No, you get $13 worth of value. Yeah. What do you pay? Just the process shipping. Which is a couple of bucks. There's a few bucks. It's nothing.
Starting point is 00:01:39 It's almost nothing. Right. Do you know exactly how much it is? No. Because it varies depending on your location. Well, that's how shipping works. Well, it was a, it felt like you were trapping me by asking me how much it was.
Starting point is 00:01:50 I'm sorry, Alice did. You obviously knew that I couldn't know that. I was hoping, you know, a couple of bucks, and you've, we've done this ad many times now and every time it's a joy, and every time I say, shippy, it's a couple of bucks, it's nothing. I know, but I was doing it. I was doing it my style. It's a totally different thing.
Starting point is 00:02:15 So if you go to harrys.com, Ford slash think tank. Or is it too in tank? No, no, it's a think tank. Okay, great. You can get that starter pack all, wait till partway through the show, and we'll tell you a little bit more. Right, but if you can't wait that long,
Starting point is 00:02:33 you can't wait. By all means, go there right now, and we'll see you later on when you come back to the show, Clean Shaven with a fresh face, and the comedy that's coming your way, will fall on soft and tissues. Yes, tissues.
Starting point is 00:02:49 Tissues. And we'll be able to feel it. I cannot really feel it that one of you is cleanly shaved. You think this is a one way street? You think you're the only ones who experience you listening to this podcast? Oh no. Oh no, no, no, no. This is a new podcast technology has come a long way and we're able to now experience your experience
Starting point is 00:03:08 as part of you know feedback metrics. Yeah, and one of you is really angry. Mm-hmm. Not happy about even this. Anyway Da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, da, for listening to the show this far. Yeah, so far and you've done really great. What about like, can you picture a person who's replaced their skeleton with bricks? And let's say what do you mean by that? Well, let's say it's like a Wolverine scenario. Okay. But instead of like, I mean, instead of making an a man with an adamantium skeleton who's stronger and more powerful,
Starting point is 00:04:10 they've taken the, you know, it's the three little pigs, right? But now instead of building a house, right, they're building a new skeleton. One of the pigs built a skeleton out of straw. One of the pigs, two eggs built a skeleton out of sticks. Now the third one, skeleton out of bricks, is the one that we respect. He doesn't necessarily made them out of a material that's like adamantia much stronger, but he's made it out of one that is definitely
Starting point is 00:04:39 heavier and more brittle. I mean, it's like it's like it's like some futuristic military type thing, but instead, you know, it's in a future where we've realized that, you know, violence isn't the answer, and maybe, you know, they're taking a mutant man and they've found a way to make it more sensitive, more sensible, and to actually see that, you know, to he's enhanced in such a way to make it more sensitive, more sensible and to actually see that, you know, he's enhanced in such a way that he's able to see that there are other solutions. He's forced to invite solutions that aren't violence. Well, that's quite an interesting thing. Is that instead of like just derarming a country,
Starting point is 00:05:20 which I think maybe you should do, you know, like, you know, stricter gun rules and all that and all that stuff. But what if you also peel off most of people's skin? Okay. Interesting. Because then everybody's also more sensitive to pain. So even, you know, even small acts of violence will be heinous. So, so like, you know, we're, at the moment, we're pushing for the denuclearization of the Korean Peninsula.
Starting point is 00:05:49 And, you know, eventually, ideally, the entire world would be denuclearized. Sure. To, you know, reduce the chances of catastrophic violence. But what you're pitching is if nobody had any skin, Yeah. Then what a wonderful world this world would be. Yeah, the D,
Starting point is 00:06:05 epidurization. Then what a wonderful world this world would be. Yeah, the de- a Adurmitization. Yeah, the hyperxfoliation. The hyperxfoliation of the human population. Human, yeah. And so then. It'll be great in wraps as well. Yeah, well, was it again? The hyperxfoliation of the human population. Oh, yeah, that'll be great. Yeah.
Starting point is 00:06:23 At least one wrapper will get to use it. Yeah. And, you know, in a way, we're unwrapping people as well. That's true. I rap about the unwrapped that occurred of the hyper-expolliation of the denuclearization of the population. Yeah.
Starting point is 00:06:42 I mean, I guess you could still believe, I guess it doesn't really stop the problem of denuclearization. You probably still need to do that. Yeah, right. I mean, nuclear bombs would only become a bigger problem, really. If anything. Yeah. There's only so many fridges that we can hide in like Indiana Jones to protect ourselves from nuclear bombs. Which I for one was convinced by. I thought was an excellent plot point that only strengthened and otherwise flawless film. Yeah. I mean that's the problem though. The only problem is that every household has one at most two fridges. Yes. Often three,
Starting point is 00:07:23 four, five people in a house. And although he's given us a beautiful solution, Mr. who's the director of that film? Steven Spielberg. Steven Spielberg. Although he's given us a wonderful solution to the nuclear, you know, an alternative to the nuclear disarmament. If only houses, sort of like big ships, had sort of rescue fridges, that they were just attached to the side of the house. Interesting. That you could just lower in the event of, you know, a bomb is coming. Yeah, or I think, like, they don't necessarily, I guess they, you know, that's perfectly valid, Alistair, rescue fridges. I also like the idea that they're all, you know, because in a spaceship, right, you've got your escape pods.
Starting point is 00:08:10 Yeah. They are little spaceships. Yeah. I kind of like the idea of little houses that you could get into on the sides of the house that will drop off. But then, of course, they don't go anywhere. They would just sit there on the ground next to the house. Can we write down removing people's skin as a form of like radical demilitarisation of some kind?
Starting point is 00:08:31 It's by making people much more sensitive. Yes, we're also making them more vulnerable to disease. And I would say that overall, probably the number of deaths worldwide will go up as a result. Sure. Of this... But there's a chance that, you know, alongside it will come, you know, greater powers for disinfecting... Oh, sure, there's a chance. Infections.
Starting point is 00:08:59 Yeah. I was certainly again, we'll have more incentive to come up with them. There's got to be an upper limit to how powerful bacteria can get. That's interesting. How would this thing... Interesting. Yeah. I mean, like, this is awful.
Starting point is 00:09:12 Surely. Yeah. I mean, nothing's totally indestructible. This is from basic conversations I've had with some biologists. Yep. But I know that like... This is from your basic conversations with've had with some biologists. But I know that like... This is from your basic conversations with biologists series.
Starting point is 00:09:29 Series, yeah. This is while I was feeding mosquitoes. So while I had my arm in a caged filled with 300 mosquitoes and the mosquitoes were biting my arm. This is actually the perfect situation to have a basic conversation with a biologist. Well, I'm trapped anyway. So I may as well speak to the biologists in the room. It was that all the mosquitoes.
Starting point is 00:09:49 Yeah. And you've, you've already exhausted all your small talk. Hmm, really small talk. Hmm. Anyway, now ask them. And there's a thing with like, the bacteria carry certain, you know, they can add things to their body, you know, that kind of like parallel evolution stuff where they can take a trait that's in the form of a protein or something like that from another bacteria.
Starting point is 00:10:13 Yeah, I can't remember what they're called, but. They're almost like plug and play. It's like Lego. Yeah, but you can only, every time you add another thing to your body, there is a evolutionary disadvantage to that. There's a payoff. Well, there's a payoff, but then there's also the opposite of a payoff.
Starting point is 00:10:30 Pay on. Yeah, we know where it's like a cost. A cost, thank you. And so, it makes you heavier, it makes you less capable of moving. I believe maybe you can't catch prey as easily and shit like that. Yeah, so yeah, it's like you're loading yourself up with armor or you can't carry as many guns or something. Exactly yeah or you know or you can't run from
Starting point is 00:10:54 like grenades which are one of the few things that can probably penetrate armor very easily. Do you think this is sketch in sort of the angle of, and this, I have, like, this is not, there's no comedy in this suggestion. There's almost nothing in this suggestion. Okay. But is there a sketch in something to do with CRISPR that, you know, genetic, you know, household genetic manipulation sort of technology that is making editing genes of bacteria and that sort of thing accessible to almost anyone. Really, it's, you know, it's put in the power in the hands of the every... You and I. Yeah, right. Every day. I didn't know it was that easy.
Starting point is 00:11:37 It's not quite that easy, but it's more or less that easy. Like, you know, what once would have been an insanely complicated thing, it can now be done really, really simply. Okay. In labs all over the complicated thing, it can now be done really, really simply. In labs all over the place. And I feel like not too far down the track, you're kid. My kid. You're your son. When he's in grade two or three, one of his school projects will be genetic modification. Just like making a pig, camera, like a pig man, a pig man, like with sausage nipples. Yeah.
Starting point is 00:12:11 That'll be like, so like those, like those fuck drawings that kids give to parents, anyway, that'll just be a fucked animal. Yeah, they'll actually make it a reality. And much like drawing within the lines of a picture at the moment, you know, kids are expected to color in and draw within the lines. You know, with this technology, they'll be expected to, I guess, stay within the bounds of, you know, ethical, scientific behaviour maybe, or they have trouble.
Starting point is 00:12:45 Or they'll have to create something that is capable of surviving in, you know, under earth-like conditions. So it'll be sort of like, so their little school projects will be things like CRISPR and genetic modification, probably they'll learn stuff about big data science. Yeah. You know, the whole, I guess they'll be stuff about big data science. Yeah.
Starting point is 00:13:05 You know, they'll probably, I guess they'll be taught a bit of white hat hacking, and then big data science, and then they'll learn how to sort of like siphon stuff off of, from Google and Facebook. Yeah. And then they'll learn how to like, they'll change, they'll change their parents' behavior through their Instagram accounts or something like that. Yeah, elementary social media manipulation of like population sets using targeted, you know, whatever it is. This is all going to be done. This is a sort of, because this is the future,
Starting point is 00:13:38 these are the jobs of the future, these are the skills that employers are looking for. And a moment they're finding that, you know, that Australian kids aren't getting taught this sort of stuff. This is what the employers are crying out for. And so the national curriculum is going to have to be modified so that kids, you know, as young as two or three, are learning about, you know, wholesale, electoral fraud. Well, it's important at this stage because we're going to fall behind. We're going to fall behind. We're gonna fall behind exactly. You know, I guess they could probably be writing sort of spam bots that, yeah, but also, I guess they'll be involved in a lot of sort of pretty high tech,
Starting point is 00:14:15 you know, video manipulation that allows them to sort of make propaganda that, you know, changes the faces of certain people and puts like, you know, rather than the faces of a famous person, maybe the face of a teacher or something like that or us, you know, maybe to threaten us. For all their parents or something like that, yeah. Go clean your room. Oh, yeah? Well, if you tell me to go clean my room, I'm going to make a video of you. Release a deepfake of you engagement, a disgusting act.
Starting point is 00:14:43 Yeah. Just have you put in prison, prison. Yeah. Yeah, yeah, just have you put in present and prison and yeah like maybe make it go viral they can they can manipulate a lot of the social media like elites they'll have connections with them and they'll be sort of you know falsify a movement of viral yeah viral movement yeah yeah A movement of viral movement. Yeah, viral movement. Yeah. Yeah.
Starting point is 00:15:05 Absolutely. I think that's what we should be expecting from our teachers. And that's the skills that we expect our children to have. These days, yeah. These days, or very soon. Yeah, and if they can make scones or something like that, it would be good to like, but, you know, I might be coming from an older world.
Starting point is 00:15:22 I feel like they could genetically engineer an animal that makes scones that cheers out. Or that is a scone. That is a like they could genetically engineer an animal that makes scones. Or that is a scone. Or that is a scone. That is a scone. That is a scone. That is a scone. That is a scone.
Starting point is 00:15:32 That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone.
Starting point is 00:15:40 That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a sc. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a scone. That is a sc different. Yeah, I'm different. Do you think do you think like you're angrier and Sort of like you snap at me more and sure that's part of it. There's more tension in the air That's part of it. I'll say that's part of it. That's very much part of it But also part of it is
Starting point is 00:15:56 It's now that like you're just so sensitive to stuff like I saw a tiny little bit of a clip of I saw a tiny little bit of a clip of a new Pixar short, which had a little talking dumpling, and I couldn't keep watching it because the dumpling was so cute and I was worried about it getting eaten. And yeah, it was like an actual dumpling, like a Chinese dumpling. Yeah, yeah. And it spoke. It spoke. It was in a little bowl and it spoke. And I can't watch any more seconds of this
Starting point is 00:16:26 because I'm worried about the welfare of this baby dumpling. So it was seconds. It wasn't like the main meal. It. It's going back for more. It's quite possible. The only other dumplings I think had been eaten and I started to worry about what happened to this. Is this a ratatouille too?
Starting point is 00:16:41 He gets into Asian cooking. Ratatouille. Ratatouille. Ratatouille too. He gets into Asian cooking. Retutui. Retutui. Mm. Retutui too. Tui. Tui. Tui. Anyway, it will like, as you know, Andy,
Starting point is 00:16:52 I've also been changing that way. And today I was telling you about even just thinking of the day where NASA announces that they found life on another planet and I started to weep. I just the thought that we do go, oh my God, we're not alone. And somehow I was like, oh, that's a weird, that's a really weird feeling.
Starting point is 00:17:13 And I didn't realize I really needed to hear that. Yeah, it's crazy. And I didn't react in the same way as you, Elastin. But I think it's interesting that like the discovery of other species may make humanity as a whole aware of emotions, background emotions that we've had our entire lives, you know, like a child who grows up without a father might not realize, you know, that they've got some stuff. Did they've got some stuff? And some anxiety maybe. Oh, look, I feel like now I'm saying that children need
Starting point is 00:17:48 a father in order to be whole. But the whole point was that maybe humanity, when we discover another species, we'll realize that we were looking as humans for a friend in this entire time. Exactly. I mean, it could also work with like somebody who gets to let's say 18 and tries like, you know, melted cheese on toast. Yes. And they go, oh my god, I didn't realize
Starting point is 00:18:14 I'd been carrying around an anxiety. Okay, I'm so, it's really offensive for you to suggest that kids who don't have melted cheese on toast are somehow not living a full life. Andy, if you ask me, and I'm sorry, I'm trying to suggest that parents who can't provide their kids with melted cheese on toast are somehow not real parents. Andy? And not a real family.
Starting point is 00:18:34 I'm sorry, but I don't apologize for this. That was an attempt to humor. Yeah, it's good. But as was what I was doing, and mine was arguably less funny. Well, great, but I just think that a child needs At least a mother or a father or no
Starting point is 00:18:58 It needs at least some kind of guardian yeah, right and a piece of melted cheese on toast Yeah, and I I hear what you're saying on the stand. And I realize that, you know, a melted cheese on toast can bring people comfort. Right. I realize that a parent or a guardian, whoever that may be, can also bring people comfort. And I'd love to see those two things
Starting point is 00:19:20 calibrated against each other, you know. Against. Yes. So, for example, if you didn't have other or father, whatever it is that you might feel is missing from your life, exactly how much melted cheese I'm toast is that equivalent to? That's true. Yeah. So, because a lot of people who feel they're missing whatever it is from their lives, try
Starting point is 00:19:40 and fill that hole in their life with something, cheese, whatever it is, food, exercise, drugs, and they feel like they can't actually fill that hole. But that might just be because we don't know exactly how much you need. Or maybe what shape hole it is, maybe you need to be eating smaller pieces. Right, so they can get into the corners. They can get into the corners. Yeah, chewing it up more. Because I mean, sometimes the problem is just the amount of mass-dication that's occurring. It's the mass-dication issue.
Starting point is 00:20:08 Mass-dication calculation. Yeah. Mistake, you know, miscalculation. Mass-dication, miscalculation. Is there something in there? Is there something in trying to, you know, that these comfort foods, or we rank all the comforts, you know, that having, you know, the, the, the, these comfort foods. Sure. Or we rank all the comforts, you know, that having, you know,
Starting point is 00:20:30 being at home with a loving family is equal to about 48 tons. So I guess the premise of the sketch, if we were to break it down, it's about a orphans or a great. No, that's good. Yeah. Yeah. You know, we always feel like, oh, we can't give these people necessarily the family that they wanted for work, you know,
Starting point is 00:20:53 some of this is a reason. But we have worked out exactly how to give them the equivalent amount of comfort through other means. Sure, what if... What if... This is equal inside this truck. The contents of this truck are equal Mathematically equivalent to a happy childhood. What about in order to just
Starting point is 00:21:12 When I said this was about orphans, I think I was trying to make that funny in that I thought that was maybe not I think the basis of it is a little there's something missing that it's too sad for it to be What we're going for. So what I really leaned into the orphans in. Yeah, you really leaned into the orphans. I thought you'd feel that, but actually, look, occasionally we don't read each others. No, I didn't feel it at all. That sounds like great orphans. This is perfect. Comedy for that.
Starting point is 00:21:42 But like, what if it's trying to make a kid feel better? So it's still a sad kid. Oh thank god. But he's like lost a dog. Okay. Yes. So it's been a very very important dog. Let's say. So this is more sad to me. Yeah, but that's fine because I think it's it's less formative. Okay. I think it's yeah. So then you're talking to about, you know, the comfort that a friend and a dog get brings. And then you start talking about cheese on toast, melted cheese on toast. And then you actually find that through calculations that the perfect amount of melted cheese on toast to give this kid to replace to his dog. Yeah.
Starting point is 00:22:26 Is equivalent to one dog made up of melted cheese. A made up of melted cheese on toast sort of stacked up on top of each other into the shape. And then he just has to eat his way through that. And then he will have like, it will be the end of the grieving process. I think that's amazing. And I like that more broadly if we can say it's amazing.
Starting point is 00:22:50 We've worked out, it's like a universal constant, that the comfort that you get from anything is equal to that thing's weight in melted cheese. So you know, sorry to bring it all over, but like a, yeah, in a shape. And shape. And you know, be it lost parents, be it a lost love. Yeah. Maybe like a lost like a drone that you got for Christmas. A drone or a house.
Starting point is 00:23:13 Yeah, you lost your house. A big pile of bricks. And a big drone fire. You know that lot of sense of loss that you get when you lose a big pile of bricks? Oh yeah, well that's a good one. That's a good one to eating a huge pile of bricks of cheese and toast. So you bricks as well? No, hell.
Starting point is 00:23:30 So look, I'm gonna write cheese on toast. Yeah. Comfort. Comfort ratio or comfort, one to one, comfort ratio. One to one, comfort ratio. Yeah, yeah. Yeah. And it I think I'm I'm finally appealing that we discover, you know, because because it's always nice when you find out there are connections in the universe between other things. And
Starting point is 00:23:59 you know, where you might not have expected them, I was really hoping that the Hubble constant would turn out to be one. What's the Hubble constant? Hubble constant is the number that determines how fast the universe is expanding and whether or not the universe is going to continue expanding. It's going to reach or it's going to reach a steady state or it's going to collapse. Yeah. Right. And if the Hubble constant is one, it's going to reach a steady state. If it's greater than one, it's going to keep expanding with less than one, it's going to collapse. Steady state means it'll just stop. Yeah, it'll reach a certain size, and then stop expanding, because there's enough mass
Starting point is 00:24:32 in the universe to slow the gravity, to slow the expansion through gravity. So it feels like that could never really happen. Well, you're right. The universe would still experience heat death, but like the expansion of the universe in terms of What would just slow down like he would I don't know what the edge would look like feels like the edge can't stop moving Yeah, you're right. I don't know. Anyway, they were trying to find out. Anyway, I think they found out it's gonna keep expanding forever
Starting point is 00:24:59 Really? Yeah, well, that's the current current take on what working out what that number is Look, I'm just trying to remember some stuff. I could be wrong about everything. That's fine. Anyway, what I'm saying is that when a universal constant or something like that, something about the universe turns out to be some really satisfying correlation, like one, that'd be great.
Starting point is 00:25:19 Whereas this, the wonder one ratio of melted cheese to lost love or whatever it is. Now do you think that they would have to make the cheese on toast sculpture in one go and then you just eat your way through it? That's what I quite like about it. I like seeing the, when the child who's lost its dog is presented with this huge sort of melted, hideous mass of cheese on toast. And I guess that's kind of also why it's like, it'll be easier, like let's say for a young kid to, you know, lose a gold fish because then they kind of get used to that concept of eating melted cheese on toast.
Starting point is 00:25:59 Yeah, it's a smaller. But there's a limit to eating your feelings in this. You know that there's an end to it. You're also learning not to just go overboard. Okay. Now, how about this? Grandma dies. Everyone in the family is sad. Do we need a grandma, a cheese on toast grandma for every member of the family?
Starting point is 00:26:19 Or can we all gather around and eat the one cheese on toast grandma? Because I feel like there's an element to that of which is like like that brings people together that time spent as a family eating the cheese on toast grandma could be you know just as valuable and that's actually part of the grief eating process. I think that that's a nice that's a nice thing to do but I think every person needs to eat a grandma. nice, that's a nice thing to do, but I think every person needs to eat a gram model. Well, then I'd like to picture as a sort of a separate half sketch, a cultural practice,
Starting point is 00:26:51 whereby in this culture, when a loved one dies, they get together and eat an equivalent cheese on the family, and an equivalent cheese on toast. Or like their favorite food, but it shapes like them. Made into, yeah. I mean, let's say, let's say their favorite food was a dumpling. Would you do a stack of dumplings shaped like them? Or would you make a core minced meat kind of thing
Starting point is 00:27:20 and then just put that noodle over the top and sort of like pinch it around. This is worrying because I think already the human body is too close to being a dumpling. Yeah, but you would remove all the bones, there wouldn't be any bones. Yeah, I guess. But you might need it like to keep the structure of a dumpling that be, you might have to put in some kind of skeleton. That's for the dumpling engineers to figure out.
Starting point is 00:27:47 I'm going to write it in the mini sketch that you... Yeah, okay. Eat a lost family member culture. Hey, Al. Yeah. Here's something fun. Which culture do you think would do that? Let's assign it to a particular culture around the world. Well, I think a lot of the colonies, like the one we're in,
Starting point is 00:28:11 need more culture. Yes, I mean, if there's one thing that people are constantly throwing at white people at the moment, is that they don't have any culture. That's great. Right. And so we're putting an end to it. Here's another full, then, then Alistair, here's another full sketch idea. Right. It's the white culture institute, okay. And then incorporates that idea that we just came up with then. But it's a group who are inventing novel cultural practices that white people can feel good about that don't involve any form of appropriation. Okay. That are entirely self-contained.
Starting point is 00:28:52 And I feel like eating your relatives will wait in their favorite food. Yeah, but wait and shape. Wait and shape. At the wake. And then later on their nap. Yeah. What? Waking nap.
Starting point is 00:29:08 Waking nap. Because you wake up from a nap. Well, first you're at the wake, and then you have, you eat their body in dumplings, or spaghetti bolognese. Right, and then you need to. And then you nap. Then you sleep it off, and then you wake up,
Starting point is 00:29:24 and that's the grieving process. That's a lot of the grieving process, right? Right. And then you need to... And then you're not. Then you sleep it off and then you wake up and you're... That's the grieving process. That's a lot of the grieving process, right? Yes, out of the way. Yeah. I think you should get why, at least, you know, one paid day a year to do that. This is nice as well, because it is the... We're consoling it, because I think there are five stages of grieving.
Starting point is 00:29:44 That's too many. So now we've got it down to two. It's got a lot of steps to it. And this feels like something kind of like Elon Musk would want because he loves streamline and things, getting rid of non-useful meetings and whatnot. Why is it bureaucracy? Yeah. Registration. Not non-useful meetings and what's a bureaucracy? Yeah, yeah. Red tape.
Starting point is 00:30:06 Yeah. You literally process someone's death by processing them through your body. I really got that out of my system. Yeah. And that's, like, that would be the most sort of mournful poop. Mmm. And the thing is that you'd probably work your way through the hands and legs, you know, like the feet and sort of the ankles and all that stuff. So you think like the face you ate last?
Starting point is 00:30:38 Well, I don't know. I think it's that chest and torso that you're just, you really struggle through. And it's and that's also like why having a big family, you know, the metaphor of the support network and everything like that is even more powerful when you're helping each other to finish this body. Now, I mean, look, how much, how horrible do you want this conversation to be out of debt? Because I can, I think there's some more detail we can go into. I would love that. So I think that also part of it then is going to be the process of making this food together. Right. And what that's going to involve is making a plaster cast of your
Starting point is 00:31:20 dead relative. Right. Right. Turning that into a mold, lining that mold with something, filling it up with whatever food stuffs. Now I picture and I think this could be quite a good thing. This could be the return of preserved meats in Aspic. Maybe Aspic, or you've ever seen this, it's like a kind of an animal, a boiled animal bone type jelly. Yeah, it's a clear jelly. Right, and into that jelly, you can set a whole lot of stuff so you can set in all their favorite foods. You know, even if they've got a range of things,
Starting point is 00:31:55 even some small trinkets and objects. Wait, was this what, just what we're making, their basic mold? This, no, no, we've made the mold. Right, and we're pouring this aspect into the mold, but that's gonna form the overall form of the body, like the general shape that's gonna. I think we can only do this if that's their favorite food.
Starting point is 00:32:16 No, but we've got the aspect and then into that aspect, that's where we insert their favorite food. So it's got some structural integrity. Okay, right. I see. Alistair, I feel like you're not following this. No, well, I look... It's really clear. It's very clear. I mean, that's why it's a jelly, right?
Starting point is 00:32:34 That's why it's a jelly. Yeah. So then you just thumbing... you just sort of thumbing dumplings into this aspect. Well, this is before it sets, you put them in there and then you let them set in. So it's like a liquid. Liquid, it's a liquid, right? And then you drop all the stuff in there that you want.
Starting point is 00:32:53 Okay, I was imagining you killed it in this side fridge. No, then you'd kill it after all the foods are in there. Anyway, look, Alice said maybe it's not gonna work. Okay, I just put it out there. I took a risk going out on the line. I thought that was, look, and said, maybe it's not gonna work. Okay? I just put it out there, I took a risk going out on the line. I thought that was, look, and I think that Andy, as members of the White Culture Institute, we, it's up to us to make sure that we are looking
Starting point is 00:33:17 at all angles in which these things can be done. And that, you know, we can at least begin by distributing to different sort of sub-cultures or different areas of the country or the world. Different ways of doing this to see kind of where they take up, you know, so we can get some data, data. Are you working way too hard for way too little? There's never been a better time to consider a career in IT. You could enjoy a recession-resistant career in a rewarding field, with plenty of growth opportunities and often flexible work environments.
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Starting point is 00:34:14 That's interesting, because it'd be good to have, like, just some, in general, new cultural practices. Yeah. That, sort of anybody can access, like you would an app, you know, you bring it up on your phone, maybe you pay a couple of bucks, and you get access to new cultural practices that are like, they're like open-source, they're royalty-free, so they're not associated with any particular culture and that sort of thing that you can't possibly offend anybody. Oh, something like that. Or something something that can cross any lines that you don't want to cross.
Starting point is 00:34:47 I think the tech culture would be really into that. They love a bit of open source. Yeah. Open source culture. Yeah. That'll be the kind of stuff that the White Culture Institute will create. Yeah, well eventually when they want to monetize this stuff that they're doing. I mean, technically through having been a culture that has imposed their values on to other
Starting point is 00:35:07 cultures, I think that also makes automatically other cultures capable of just taking their things anyway. Yeah, because they're from, you know, it's being imposed on them anyway. Yeah, fair enough. Because then, you know, if somebody dies at the office, you know, and then the boss is like, well, let's get a, let's get a like a thing made up of like like Salami Begats made up of Mark. Yeah Like that and then they get it and then you kind of have like a work plan and sometimes everybody gathers around with that little Piper plates and needs this Salami, they're portions of Salami Begit Mark. Yeah You know, and then people who are not necessarily white will also have to do that.
Starting point is 00:35:45 And so for them to then bring that idea back to their homes, we can't blame them for appropriate enough hydroculture because we're pushing it on them. Yeah. And that's through these damn white people being at the top of a lot of these major corporations. Well, and it's, but then it's, then it's almost like, because in, you know, Australia, when we have new people come to this country, we expect them to do things the way we do things here. That's what I hear. And this would be part of that. Yeah. You know, if you're coming to Australia, you're going to do things the Australian way.
Starting point is 00:36:21 Yeah. All right, so we don't want any weird foreign culture over here. Yeah. When you come here, what we do when someone dies is we eat them. Yeah. do things the Australian way. So we don't want any weird foreign culture over here. When you come here, what we do when someone dies is we eat them. And unless you're a weird foreign culture thing that you do, unless that's the deceased's favorite food. Right. Okay, well that's interesting.
Starting point is 00:36:39 That's very nice. That it can accommodate. That's the beauty of our multiculturalism that within the Australian way of life, there's so many ways that we can incorporate. We still allow people to express themselves. That's right, because there's a chance that Mark from Saudi Arabia who works in the finance department. It was these loose, minced meat, crapes, things that he made, with a weird spice that nobody knows. Turns out he brought those in one day.
Starting point is 00:37:21 That was the guy who died, favorite thing he'd ever eaten. So suddenly, CEO comes in, says, Guy just died, his favorite food, Mark. It was those crepes you brought in with the loose meat and that spiced it, nobody could pick, right? So now you got to make it. You got to make it like, I mean, we can get people in, we can get Susie, we can get Trevor. Everybody make a different limb. We can, yeah, but we'll all come and,
Starting point is 00:37:48 whether you can show us how to do it and we'll... Yeah. This is, you know, I'm actually getting a little emotional. Yeah, as emotional's finding out we're not alone in the universe. Well, I, I don't care about sport. No. You know, I don't care about the AFL.
Starting point is 00:38:05 The only time I really get excited about it is when I see somebody from a different culture getting really excited about it. Someone who's come to Australia. And I'm like, oh, this is beautiful. The system works. You value this thing. So you get excited by a simulation.
Starting point is 00:38:24 That's right. value this thing. So you get you get excited by a simulation. That's right. Nothing excites me like a simulation. I like to see them shed the things that make them unique and just fold in, you know, fold into our sort of drunken, yobo, kind of oppressive toxic masculinity when I see that subsume them like a wave crashing over a drowning man. That's when I think yes, the system works. Like watching, imagine watching like a really dehydrated person. Like you've got goggles on.
Starting point is 00:39:03 Yeah. You're in the ocean with a really dehydrated person. And you go underwater and you're looking for fish. Do you see them piss? You see them piss into the ocean with a trelline water? You guys are in deep, but he's at the top, you're right. You see the piss and this cloud, this cloud of yellow comes, just kind of like materializes, so it moves like smoke off a cigarette. Yeah, yeah, yeah, yeah, yeah, it glows out.
Starting point is 00:39:39 It glows out around the chronic crutchal area and like that. And then slowly you see it starts shifting and widening, but then fading in color, you know, and then slowly disappearing and assimilating with the water around it. Right. So the immigrant was the piss. Right.
Starting point is 00:39:58 Yeah. The immigrant was the piss. And the ocean was white people. Or general Australia culture. And now they're just like, they are spread everywhere. And that your friends, sort of, genitals, was like their home country. Surely their bladder is the home country and the genitals are Australians board of protection or an airplane or an airplane or like a cruise ship.
Starting point is 00:40:32 Yeah, no, your metaphor worked better, I reckon. Yeah. Because you always have waves crashing on a person. Well, actually, your metaphor worked better because it totally erased my metaphor for my mind. Like I was an un- incapable of thinking about that or anything else ever again, probably. Yeah. So we have three words from listening. No, wait, we're not quite there yet.
Starting point is 00:40:58 What do you mean? Well, that was this was a half sketch. Yeah, but never. And there's a fourth one. And also we have to mention the... Harry's Rays'... Yeah. Alistair.
Starting point is 00:41:08 We don't have to mention Harry's Rays' Rays'. Well, we get to mention Harry's Rays' Rays' Rays'. It's a huge opportunity. Every few weeks, Alistair and I, you know, it's like, it's like somewhere you get a nod at work, right? You get a promotion, you get a chance to show yourself at a new area and a new skill set. Talent quest. Talent quest and this is the sort of thing that could lead you anywhere, you know, open stores. So this is our chance to do that, but talking about Harry's raises.
Starting point is 00:41:36 Harry's.com, you know, they two guys, Joe and Andy, you know, they got sick of spending too much money on, you know, on these, on these raises, which is it's pain, it's a pain having to buy the things you go to the supermarket. They're not there on the shelf or they're locked to a thing. You've got to go and ask them to get the raises from behind the counter. And they treat you like a criminal. These people are treating you like dirt. Yeah. You're, you're everywhere else in society. It's innocent until proven guilty, except for when you're trying to build a bio-raiser. And then they assume you're a shoplifter, a thief, a dirty thief, not Harry. Sometimes they even carry it with them to the counter. Right.
Starting point is 00:42:18 And- and they don't even let you touch it until you've got money in your hand. Yeah, yeah, they can see it. Sometimes they make you meet in the middle of a bridge, right, and you have the money in a bag, right, and they've got the razor, they're blindfolded, and they push it out towards you. Sometimes they, and they have a sniper set up at the end of the bridge.
Starting point is 00:42:37 Yeah, so if you touch that razor, it's got a laser on your chest until you've handed over the suitcase. They get the money, and they count the money there in front of you. And then they realize that the money because it costs so much these raises. You've only just put a layer of hundreds on the top and then underneath it's all tofu, slabs of tofu.
Starting point is 00:42:55 And then it's nice to shoot you and your razor in the head. So Harry's razors went around that. They managed to cut out that whole system. And they made streamlined it. In fact, Harry's have almost gone the opposite in that they give you the razor for free. For you buy your starter pack. Just pay the cost of shipping.
Starting point is 00:43:17 How much is that? I don't know. I don't know. A billion dollars. A few bucks. A couple of bucks. A few bucks. It's nothing.
Starting point is 00:43:24 If you say a couple of people. A few bucks. A few bucks. It's nothing. If you say a couple people associate that with two. Right. Right. And then they might think two twos. Right. And then that's four. And then they might think two fours.
Starting point is 00:43:33 Yeah. So they're starting to get big. Yeah. Well, when you say a couple, you mean a couple of fours? Yeah. No. I mean, like a couple of ones, probably at most. All right.
Starting point is 00:43:43 And so they give you that for free. It's $13 worth of value, you got your razors, you got your travel case, Alistair, you love the travel case. Love the travel case, I also love that foam, love that jelly foam. That foam feels so good. Oh, it smells so good. Yeah, that's when I die,
Starting point is 00:43:56 that's what they're gonna make me out of, because I would like to eat that foam. I was gonna eat a whole body of Andy, just thought of that foam Andy. And it's not edible. It's not. But it smells like it could be. Yeah, and Andy loves it and he does eat it.
Starting point is 00:44:10 And he's dying because I don't know if that's true and don't believe that. When I die, you probably won't even have to make me out of phone. I'll just be phone. And how much phone I be. Yeah, that's great. And you get $1 worth of value. You get you get you get you get your weighted handles. value. You get, you get, you get, you get your weighted handles,
Starting point is 00:44:25 beautiful, you travel case, all this stuff. All right. Do yourselves a favor. Harries.com, Ford slash think tank. Ford slash think tank. Harries.com, Ford slash think tank. Get out there right now. Get started.
Starting point is 00:44:35 Get shaving. Get smooth. Get smooth. Get smooth, baby. It doesn't, I don't care what gender you are. You shave something. Yes. Even if you aren't shaving yourself.
Starting point is 00:44:45 Mm-hmm. By a final coat. By a final coat. Shave that. Just for the experience. Yeah, get one of those like, you know, those like those cow or sheep mats that you just like a rug on the ground.
Starting point is 00:45:00 Mm-hmm. Those are just practice shaving opportunities. That's right, you know, and you don't have to shave the whole thing, but surely you don't want that whole thing to be hairy, right? You want to patch a bare skin on there somewhere. You shave yourself a little clearing in the woods. That's right. And that's where you can lay it down a sandwich. Yeah. They're going to get hair at it. Yeah. Or you could eat a layer plate with a portion of one of your recently deceased loved ones. Yes, perfect. That may be the cow. Harry's.com.com.com.com.com.com.com.com.com.com.com.
Starting point is 00:45:32 Yeah, but we do have these four words, Elastair. Do you want to know? I know, but we still have to come up with one other sketch. Why? Why? I thought the extra sketch was included in the five sketch ideas that we come up with. I guess that was where the mistake you were making. I guess that's where I was wrong. Yeah. Well, this whole time. That's all right.
Starting point is 00:45:51 It's okay. So we got two eyes. Yeah. Got two ears. Yes. One butt. Yeah, one butt. But two cheeks. Yeah.
Starting point is 00:45:58 Yeah. Yeah. Is there anything in the body that really lacks symmetry? Well, the mouth. The mouth lacks symmetry? Well, the mouth. The mouth lacks symmetry? Wow, okay, it doesn't have a light. So you want something that's like on one side of the body that's not on the other side of the body, right? I guess the heart and the appendix are both asymmetrical, right?
Starting point is 00:46:19 Yeah, right. And that's about it. Like you've got your heart on one side and your appendix on the other. Maybe the spleen is a little off to one side. Maybe the liver is also a little. Oh, the Ford, also the Ford back, the Ford back. The Ford back. The Ford back, symmetry is off.
Starting point is 00:46:37 Ford back. So we're not the same on the front as we are on the back. Yeah. Yeah. Well, I mean, no one ever claimed that was a line of symmetry on a set. There's no front buttock. I know, but I want the perfectly symmetrical person.
Starting point is 00:46:48 Wow. Symmetry is attractive. Yeah. That's right. And so- That is apparently something that the eye has drawn to and more beautiful people are more symmetrical. And as you know about me, Andy, I've often complained
Starting point is 00:47:01 that you know how like sometimes you're walking around town and you see someone from the back and you think that's a person that I know. Yes. And then you go up to them and you tell them on the shoulder and you realize, oh that's not them. Yeah. Yeah. Well, we don't want that to happen anymore.
Starting point is 00:47:21 I feel like we've already done this on the podcast Alistair. I think people have to be the same on the back as they are on the front. This is different. Well, look, I'm not gonna lie, I'm bringing in an outside idea. But this is when we were coming up with a sketch idea for our show.
Starting point is 00:47:34 Oh, wasn't? This is the guy who was trying to change the universe. And one of the ideas was that he was sick of people looking at people. So it shouldn't be allowed to look different on the back as they do on the front, because why? So if we had perfect symmetry, and also just had a face on your back,
Starting point is 00:47:53 and a front on your back. So instead of just like a plain back, because it's like somebody didn't put that much work into the back, right? They can just like, whatever, whatever with the front with the back. Like when you see a theater, a theater building, the front is always beautiful, right? They can't just like, whatever, whatever with the front, with the back. Like when you see a theater, a theater building, the front is always beautiful, right? And then, you know, fantastic facade, elaborate ornate.
Starting point is 00:48:14 And then you see behind that, the theater building, it's just some huge warehouse or something. Yeah, yeah. It's like that with the back of a human body. Or even just the set on a theater, like this set of a, you know, looks like a beautiful castle. You know, when you're watching on the stage and then go behind it, it's just a panel. A panel, maybe there's a man there holding a rope. Yeah, holding a rope or something like that.
Starting point is 00:48:37 And then you look at that man, nice on the front, right face eyes, all this interesting stuff. You walk around behind him. So I think maybe a head. First theory here, God was like a set designer. Yes. And then he got into biologics. Yeah.
Starting point is 00:48:54 I mean, biologics. I think. But what I'm saying, sorry, and the whole that idea, but what I'm suggesting is back looks exactly like the front. It's not like we're putting in that much more work. We're just flipping it so there's symmetry. And I don't even want the back to be alive. So I want it to look like you're carrying
Starting point is 00:49:14 a dead version of yourself, like a lifeless face of yours. I don't want it to match what your front face is doing. Okay. Just neutral. Just neutral. Just resting dead face. Yeah, sort of like it might just look like you, but is doing. Okay. Right. Just neutral. Just neutral. Just resting dead face.
Starting point is 00:49:26 Yeah, sort of like it might just look like you, but stoned. Yeah, okay. And you're lugging it around. Also, I want back hands. Back hands. A back set of hands on the back of your hands. So let's say it would,
Starting point is 00:49:39 you would have two pinkies meeting up back side to side. I don't see why the front of the hand can't just look like the back of the hand, right? Oh, that's true. Yeah, okay. Well, instead of having just a second hand coming off the side, but it's like limp. Yeah.
Starting point is 00:49:52 That I really don't like. I know that I kind of like it. So it actually just completely looks like you're carrying a dead version of yourself on your back. Because then when you're walking around town and you see somebody, you would recognize them from the back. That is good.
Starting point is 00:50:13 Symmetry is attractive. Now how about this though? Because I think God probably meant to fill in the back. If he got around to it but he didn't have time, ran out of budget, whatever it is. I think the back deserves to have its own features. So he make up some more, right? Sure, it won't be symmetrical, but at least it won't be boring, right? Yeah.
Starting point is 00:50:37 And you think of, like, if we got more features on the back, that's as much more than it can be done in terms of fashion, cosmetics, whatever it may be acting. You know? Expression, personal expression. Expression. Expression. Thank you. The art of acting is the art of acting.
Starting point is 00:50:58 Re-backting. Bacting is re-backting. Best supporting backter. Okay. We have... ...for the Oscars. We have a whole separate set of Oscars for the acting people do with their backs. And it's not...
Starting point is 00:51:15 It's nothing like anything we've seen on the front because all the features on the back, they're totally new features. They're new. They don't exist right now. Yes. Okay. So there's probably going to be some openings. Yes. There's going to be some openings. Yes. There's going to be some openings.
Starting point is 00:51:26 There's the blamp. You've got a blamp on the back. Yeah. So it's like a little, like a light. Yes. Like a little back light. And it sort of dames and, and widens and things like that. Sort of like a pupil.
Starting point is 00:51:37 Dims and widens. Like dims and widens. Sort of like a pupil, but it's like a pupil with a light on it. Yeah. It's big. Yeah. Right. The ass is the only unique feature of the back. Right.
Starting point is 00:51:47 You're absolutely right. The ass is, yeah. Everything else is just coloring in whatever they are. Just shading a bit more of the hair. Keep that going down there and then just pink. Just make sure it's pink or whatever color they are. Just to color. Yeah.
Starting point is 00:52:00 Thank you. Okay, so I like that there there'll be a pupil light. Yeah. I think if there was sort of, like not, not flesh hairs. I was thinking flesh hairs. Yeah, but like a kind of a flesh hair,
Starting point is 00:52:19 but that have something that kind of make a move, like a coral, maybe if you touch them, they suck back in. Yeah, what about just a line of that down the middle of the back of the head? Oh yeah, I was thinking on the back, because I mean, wherever. I was thinking the pupil, the pupil light was on the back.
Starting point is 00:52:37 Yeah, well, that's the head as well. Sorry, back in the head. But you'd have both. Yeah, I mean, if you had like an array of pupil lights, you know, it's a bit cuddle-fish kind of, interesting. Yeah. A little bit, like, you know, maybe because then you could really like do patterns and, you
Starting point is 00:52:52 know, widen up, do it just a full, you could do full fog light. I tell you what, I'm really excited about this back, these back features. I actually think they're already sounding quite a bit more exciting to me than any of the features that we have on the front. Absolutely, yeah. And also those little flesh hairs. If you were laying on your back, you could walk like a millipede.
Starting point is 00:53:12 Like you could just carry you around like a millipede. Like a scene from a cartoon where ants are stealing a picnic. That's right. Or a person at the picnic. Yeah. I always like those scenes. I don't know what it was.
Starting point is 00:53:24 People always look so peaceful When they're being taken away. Yeah, yeah, I think there's it's like kind of like when you're falling out of a building at some point There's just an acceptance. Yeah, yeah Same thing happens when you get carried away by ants to their nest I want something that could curl up on the back. It'd be good as well You know, I mean like some kind of like back of leg hands or like I guess like, you know, sort of the way that an elephant trunk can kind of curl up. Yeah, yeah, yeah. And I'm like, I just got that on the podcast. But what about it's just kind of like a like
Starting point is 00:53:56 a flap, just like a dangling flap of skin? I was thinking exactly this. Yeah, it starts, it kind of starts at the maybe the the, like the back of the thigh, and it just kind of dangles down sort of like a, kind of like a ribbon that you would dangle, like, you know, like for a king or something like that. I think it's like a roller blind, you know? Or the, the, the, the lid of a old-fashioned can of sardines, something you can roll up and down.
Starting point is 00:54:23 Oh yeah, yeah, yeah, yeah. I mean, like I picture a rolling like a can of sardines, something you can roll up and down. Oh, yeah. Yeah, yeah. I mean, I picture a rolling like a can of sardines, like that. I mean, if it kind of like just sat near the top of your leg in a spiral sometimes, you know, like, and then you could just let it go when you relax, they kind of just flops down. It flops down. Yeah, I mean, it sounds useful. I mean, but you could pick up things with it, maybe.
Starting point is 00:54:42 Like, and hold it in the spiral. We would actually be good It's like a fork tongue if it wasn't your lower back Right above your buttocks and roll down across your ass. Yeah This is like you got a you got a flap to cover your ass. Oh, yeah I was picturing like like if I was picture room sort of thin like a like a like about a belt Yeah, and if you could if they were started at the top of your bed And it's all and it they they go all the way around on and they go just around that
Starting point is 00:55:11 They go down the back and they kind of like act like a like a whooler skirt. Yeah, you know But they're forked at the end. So to like a like a number one prize ribbon. Right Well, I think we got that sort of there. So then we have we've got some back features. We've got some back features. Oh, you're more back features. Uh, unique. And obviously then those allow for a lot of expression for the number one for best act back to you. Yeah, I think it's great. Best support in back. I almost want God to come back, right? God arrives, God reveals Himself again in the sky and says, Hey, everyone, thanks so much for getting on without me.
Starting point is 00:55:55 I'm sorry, I'm sorry, I know I always meant to finish the back. Anyway. That's kind of why Jesus needs to come back. Yeah. He's coming back. Mm. What it means, he's coming for the back to finish the back. Yes. Now that's a,
Starting point is 00:56:14 Okay, we gotta do these three words. We have three words from Jack Henderson. I don't believe we've done these. Thank you, Jack, for sending in your words through Patreon. I think this is from ages ago and we may have forgotten to do them. Well, Jack, it's going to be worth it. Or what? We've done them and we've completely forgotten that we've done them. Right. That too. It doesn't matter. Life, it turns out, we don't remember most of it now. All right, so there's diffusing. there's bombs, and there's situations.
Starting point is 00:56:46 These are our three words, diffusing bombs situation. Now, he had put a slash in between as if like, to suggest it could be either, but it's both. A bomb or a situation. Now, what I want to know, how to stay, is it diffusing or is it diffusing? Because you've been pronouncing it diffusing. Yeah, diffusing. Is that how it? You'vecing it diffusing. Yeah, diffusing.
Starting point is 00:57:05 Is that how it? You've been saying diffusing. Diffusing. Like something would diffuse. Like the urine of your dehydrated man in the ocean diffuses. But then there's defuse like you would a bomb. I mean, I think that's at least the starting point of a sketch because somebody was defusing a bomb.
Starting point is 00:57:31 Diffusing a bomb. You just spread the bomb around over as much area as possible so that when it blows up, right, it only blows up a little bit everywhere and people just get a little bit of spring in that step, but nobody is killed. So wait, so it's still functioning as a bomb despite it's kind of been made into a cloud. I know, it's amazing, isn't it? Look, here's... Here's how I'm seeing it at the moment. So either this guy has some kind of laser that
Starting point is 00:58:00 allows him to break the bonds between the atoms and the thing. Yes, yes. Right, or some kind of atoms and the same. Yes. Right? Or some kind of telekinetic powers. Sure. Right? He's got a telekinetic powers, but he needed a job. Yeah. Right? This is what happens in the real world.
Starting point is 00:58:13 Yeah. Right? I mean, once people are done studying people for their weird things, plus being studied, that doesn't pay the rent. That's right. Right? Right? So, it turns out. being studied that doesn't pay the rent. That's right. All right, so even like, so turns out. He had been Alistair when he was, you know, involved in the mosquito things to his arm into a cage for science.
Starting point is 00:58:32 It was $15 for a cage, $15 calls voucher. For his blood. For my blood, you know, it's not a lot. So, but, okay, so he's diffusing bombs. This is what he uses, he works for the police. You probably had more tongues inside you than anyone. Well, at least more proboscis. Yeah.
Starting point is 00:58:51 Probosci. Probosci. Probosci. So it's diffuses bombs. Like diffuses. Diffuses, but I don't actually like that idea. I think that these three words are so good and there's so much potential in them. But we're just like for share comedy, obviously. And like the gift that we've been given
Starting point is 00:59:10 here by Jack, he's given us a real gift. He's given us a gift. Is the, is the, is a very strong and good sketch idea of a person who will diffuse an awkward situation. Using a bomb. Using a bomb. Thank you. So, things get awkward. You've just, you've asked somebody what the weather from, what they do. Call the bomb diffuses. They come, they have a bomb.
Starting point is 00:59:39 Suddenly, no one's talking about your career or your love life. Yeah. Or whether or not you're pregnant. Nobody cares the fact that you thought that person was pregnant because we've got more pressing issues. There's a bomb. Exactly. Yeah, it's the ultimate distraction.
Starting point is 00:59:55 It's an app. It's an online service. It's the Uber of distractions. You dial in someone who will call in a bomb threat. Who will show up with a gun? Who will set off a small bomb who will show up with a gun. Who will set off a small bone? Exactly. Set off a small bone.
Starting point is 01:00:08 Or a big bone. A big bone. You know, you're at the park. You're watching your kid play on the equipment. Yes. Another parent arrives. They've got a kid. Yes. You ask, how old's your kid?
Starting point is 01:00:19 They go, oh yeah, they're six. You go, how old's your kid? They go, two. Like that. They go, oh cool. They go to daycare and you're here to go, yes, you've run out of things to say. Okay, a airstrike, bam, bam, bam. Finally, a private commercial use for fighter jets.
Starting point is 01:00:40 Exactly, and now, that conversation, that's not awkward anymore, okay? Think of more of the things you've got to talk about. Run. Have you seen my child? Yeah. Where's a good safe place? Where's the nearest bomb shelter? Exactly. Is that your leg? Yeah. You know, is that my leg? Yes. I'm sorry. I accidentally got your leg. Oh, this is awkward. Call in another bomb threat. Bam, bam, bam. Okay.
Starting point is 01:01:09 Reset. It's the ultimate reset to any conversation. Thanks very much, Jack. Jack, I want to take us through the ideas. All right, we've got removing people's skin as a form of demilitarization. The next, after you take people's guns away, after, you know, then you take their skin to make them even more sensitive to lower the amount of violence that they even want
Starting point is 01:01:32 to perpetrate. They probably don't even want to move that much because their nerves are exposed. And you know, maybe you could allow, like, you know, they say there's like a lot of layers of skin. You could leave like one or two. Right. You know, just enough to like, since like the oxygen doesn't burn your nerves or whatever, and that's a bit of that.
Starting point is 01:01:49 Yeah, yeah. And that might be enough to, you know, get rid of some of the weaker bacteria. Exactly. We want people to be healthy. Yeah. Then we got, you know, obviously it's the present and the future of primary school kids, you know, grade two, what are they learning instead of, drawing and things like that.
Starting point is 01:02:09 Well, they're doing CRISPR. They're doing big data science, right? They're doing deep fakes. They're doing, you know, like they're getting in straightened, they're probably, like, but it's all a kids version. It's a kids version, a version. It's all like, you know, it's the duplo of,
Starting point is 01:02:29 if Lego is, you know, high level genetic manipulation, this is the duplo. Sure, I still think that they're like, they're making a pig with sausage and nipples and things like that. Yeah, sure. You know, and. But they're, they're using sort of basic building blocks. Yeah, and you know, you know, you know, and you know, you know, you know, you know, you know, you know, you know, you know, you know,
Starting point is 01:02:45 you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know,
Starting point is 01:02:56 you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you know, you right. You know, they're finding ways of, of, you know, creating micro
Starting point is 01:03:06 climates in different areas to combat, combat, combat, yeah, things like that, or, you know, increased the effectiveness of the local, like wind farms or something like that. Yeah, right. And then obviously we have the cheese on toast comfort one to one ratio. And that's when you, you know's when you lose something or someone. You can replace it with the equivalent white in cheese and toast, white and shape. Yeah, and the half sketch that adds to that, and is also equally as good, is you know, when you get together after a family member dies, you and your family make that person out of their favorite food and you all eat them together. Yeah. Then obviously we have the White Culture Institute.
Starting point is 01:03:47 You know, why people constantly being criticized not having any culture? Well they're finally putting an end to that by creating an institute whose job is to create new original culture stuff including eating your lost family members and things like that. Then we have the back front human symmetry concept, fixing the problems that God... My favorite sketches are always the most practical. Yeah, fixing the problems that God forgot to, like the problems with the unfinished back of our bodies.
Starting point is 01:04:20 Yeah, I'm still rooting for God to arrive to do this himself. Yeah, there's a chance. There's a chance. There's a chance. And obviously that's what, you know, that's basically the core tentative Christianity. And it's meant to get around to it. And then obviously we have the other idea, which is the unique back features, which is, you know, we do it ourselves, and we just find some great new features for the back to
Starting point is 01:04:41 have. Light pupils, the little crawly hair, fleshy hairs, and the dangly first prize ribbons on the dangle off the back of your legs, or the bottom of your back, and things like that. The ass hole definitely feels like something that was just like a temporary measure. Yeah, it was just thrown to you. And then all the stuff would just come out like a hole or something for the time being, and it was just a little bit of a led measure. Yeah, it was just thrown to you. And then all the stuff would just come out, like a hole or something for the time being. Yeah, I'll just let that ledger out.
Starting point is 01:05:07 It was just hiding in the sense. Yeah, in between these two pillows. Yeah. It was like between these two couch cushions. And then obviously we've got the bomb diffuser app, which is, you know, diffuses awkward situations by dropping a bomb or, you know, calling it a bomb thread or... I feel like there are other things they can offer. You know, there'd be a sliding scale.
Starting point is 01:05:27 Just like a single gun shot. Yeah, a gun shot. Or like throw a knife that like lands near your head. Broom! I gotta go, sorry. Instead of telling people at a party, sorry, I just need to go to the bathroom. It's, I'm fleeing for my life.
Starting point is 01:05:42 I have to go, I'm currently being a hundred. Oh, sorry. Yeah, sorry, there's a live gunman. life. I have to go I'm currently being a hundred. Yeah, sorry. There's a there's a live gunman Yeah, we have an active shooter. We have an active shooter situation and I got to go Here we go always with the active shooter Bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum, bum at Alistair TV and we're at two in tank. You can find us on Facebook as well. You can find us on patreon.com slash two in tank, where you can donate money, if you donate $3, you can give some words. I think we've run out of, I think we may have run out of words. So anybody who wants to send back in some words,
Starting point is 01:06:38 you can do that too. We enjoy your contributions and it's a good way of helping support the show and these people that's a lot of... These people is us? Is us, yeah. Uh-huh. And George who edits the podcast and we want you to go to harryst.com for a short stink
Starting point is 01:06:58 tank and buy a riser if you can. Yeah and I believe that we love you. This podcast is part of the Planet Broadcasting Network. Visit Planet Broadcasting.com for more podcasts from our great mites. This episode is brought to you by Progressive. Most of you aren't just listening right now. You're driving, cleaning, and even exercising. But what if you could be saving money by switching to Progressive? Drivers who saved by switching saved nearly $750 on average, and auto customers qualify for an average of 7 discounts. Multitask right now. Quote today at Progressive.com Progressive casualty and trans company and affiliates
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