Two In The Think Tank - 154 - "FASTEST LAND ANIMAL ON WATER"

Episode Date: October 23, 2018

FLAOW, Disney on Custard, Sticky Beakers, Re:inventing, Life Saving Tongs, T-Skin, Conscious ReCoupling, Vegan BDSMNEVER FORGET - TITTT Merch is now available on Red Bubble. Head over here and grab yourselves some swag.And you can support the pod by chipping in to our patreon here (thank you!)Two in the Think Tank is a part of the Planet Broadcasting family You can find us on twitter at @twointankAndy Matthews: @stupidoldandyAlasdair Tremblay-Birchall: @alasdairtbAnd you can find us on the Facebook right hereGenetically engineered drought resistant thanks to George Matthews for producing Hosted on Acast. See acast.com/privacy for more information.

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this podcast is part of the Planet Broadcasting Network visit planet broadcasting.com for more podcasts from our great mites Bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum bum Yeah, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, your wet back and glinting off, right? And then I could see the way the light, it caught the flight of a pigeon. That was me. That was you. How was that light? Yeah, yeah, catching that pigeon.

And yeah, no, I had a feeling you might revolution I sketch today. Yeah, and I think it's got something to do with barracudas. Mm, okay, fantastic. Fast fish. It is a fast fish, it's in water. Yes. Yes.

And I think that's a thing that we often say, we refer to animals as being the fastest land animal. But we don't then go on to say on land. No. Which really we should. Well, that's right, because it, just because it's a land animal doesn't mean it spends its time exclusively on land. Yeah, or whatever context you're referring to is on land.

Like, what is the fastest land animal in water? Now, I'm interested. That's really interesting. Yeah. Yeah, because then it could be one of those, it could be one of those lizards that runs on water. Very well could be. Yeah. But that's sort of on water. I'm talking in water. Well, you know, some of its feet could be that breaking the surface tension. Yeah, it could be. Dip in a toe. You think it's dip in a toe? If not, at least a heel. A heel or the tip of a tail. Do lizards have heels?

I've not at least a heel. A heel or the tip of a tail? Do lizards have heels? It feels like a heel spends all life forms. You know, if there's one thing that unifies us. The United States. All life forms. And I'm not just talking animal. Well, a cell, what's that?

Just, it's just a two heels back to back. Yep. You look at that rounded heel. You take that, you cut that heel off, you flip that, you stick another chopped heel onto it, you shrink that down, you put that next to a cell of any kind, any creature. Indistinguishable. Indistinguishable.

Except for maybe some of the dry skin that you'd find on a normal heel. When humans grow in the womb, do they grow from the heel? Well, I think they start as two heels. Two heels, and then they join up. And they split. They split? They split into sort of a, I think, an eight or four-heeled creature. And then split again into an eight-heeled creature.

I think that's... Is that a spider? It could be, at this point, it could... It could be anything, because it's all heel. And that's the thing, the heel is like the stem cell. Yeah. And, you know, it just goes from there. Well, you know, every part sort of eventually

kind of becomes something that is heel-like. I mean, look at the ends of your fingers if that's not... If that's not a heel, I don't know what is. Yeah. And look, and you can sort of see on the other side, there's then finger nails, which is sort of like a toe. So you can see that... Which is on the other side of a heel, so...

Yeah. Well, you know, that's right. And you just shrunk that foot down. It's not that hard to look at a finger and see origins. How it would have been a foot. Had the cells just been in a different place, rearranged slightly differently. The sort of the knuckle there

that's kind of like those two bumps on where your ankle is. You know, you can see that. And also, it also could be all the little, essentially, these, you know, these kind of like that loose skin that you have on the sort of toe knuckles. Yeah, now, but Alistair, what you're describing are other parts of the foot, and I'm only interested in the heel.

Yes, but all those parts of each of those feet, they're also a heel. Yes, they're also made up of heels. When we get injured and we talk about healing, is that the process of? Yeah, having heels go over the wound. Mm, tiny heels. Yeah, tiny heels going over the wound

and then closing up that wound, allowing to become a full heel, the heel seal. Fully heeled. Yeah,ully healed. Yeah, fully healed. And then eventually, its function will go back to being whatever it was at the time of the sort of the cut or the abrasion or the sort of the skinning wound. The wounding.

Yeah, yeah. Anyway, dumb riff or the dumbest riff, you be the judge. Yeah, but also. Yeah. No, good point. Good point, well made. Wait, okay. But Barikud, I don't know what a Barikud looks like.

I think it has an under bite. Yeah, under bite or over bite, I can never remember. I guess it depends on which way up the fish is, really. That's true. I think there's a sketch in fastest land animal on water. And I think we talk a lot about a fish out of water. In water on water. In water on water, both whatever context, you know, we're putting it in. We're shaking up the natural order of things. That's right.

Because, you know, what, I think it's no longer enough for a cheater to be fast. I think that would have been fine a hundred years ago. Exactly. But now the world has changed and what are employers looking for? They're looking for your adaptability. They're looking for your ability to work in a team. And, okay.

And humans, what are we looking for? I mean, what's the greatest employer these days? YouTube. Yes. In terms of animals, you know, and employing their skills for our pleasure. Amusement. Yeah. So we're talking about a cheetah. Now, if it's going to get views. Can you get views? Yeah. Then it needs to be doing something a bit more interesting than just running fast. Yeah, that's right. And even just if it was, what about a cheetah on a non-Newtonian fluid?

Okay, that's still just... Alistair. Yeah. I am on fire right now with this idea. So first you get to... Any animal, I want to see every animal. You get a big, you get a big, non- new toned-in-you-in-fluid. How about this? You get a big, Olympic swimming pool. I'm a big Olympic swimming pool.

I'm one of those like super sized Olympics swimming pools. Well, rather than, because it's like, the length is always the same, but you can work on the width. You know, that's what makes it big. Yeah, right. And depth, I think you could probably also do it. Death and you can also change the kind of water. And I think, you know, you get at that water that where you flow through a bit. This bigger? No, but you know, you get that water that flows through a bit easier

that they've got for like the, for the Cine Olympics. What? And things like that, yeah, I think they do stuff like that. And then so there, and then. They've got different water. So that kind of makes the pool a little bit smaller, technically, because you kind of just just, it's for you. Right, you The way that the internet made the world smaller

Because everything can get everywhere quicker. So the lower friction water makes the pool smaller Yeah, so this is quite high friction water makes the pool bigger which makes the pool bigger because it's filled with cornstarch Even if it's the same size. Yeah, yeah, right? It's the travel It's the you know, it's the experience of. Yeah. Yeah. In terms of, it's the travel. It's the experience of the swimmer or runner. The subjective experience of what the time it would take to swim a telegram from one end of the pool to the other. Yeah. And for the king to swing a telegram.

Exactly. And so, you got this. Right. Now the first part you've got, was that a phone? No, I bumped something on the table. I don't think it was anything unless you're expecting an important message of some kind. I didn't feel a vibration from my phone. Sometimes I get messages and even when I don't expect an important message. So that's why I was just being careful.

Would they be important messages? I would they be important? The I. Would they be important? The ones that I get that you weren't expecting? Sometimes. Yeah, that's the thing is it's the unpredictability of it all. You know, it's very hard to tell. So it's a big, it's a really big Olympic pool. Yeah.

Because of how much coin starch is in the water. And that creates a non-Newtonian fluid that when you apply pressure onto it, it hardens. It becomes solid like semi-solid. Yeah, and then you can run along the water. But if you stop running, you'll fall in. And I think that's where it'll be really exciting, because you can spook the cheetah. Yeah.

Right? And it'll run onto there. But then when it stops, because it's far enough away from you or whatever, it'll start to sink in and then you'll see the panic setting. Yeah. And then what happens? Well then it'll probably be in quite a bit of danger because the water will probably be above its head and then I think trying to get out might block you. Okay, sure.

It could be dead. Well no, no, no, we're not going to allow that to happen. So we're going to have people on cranes who will be sliding around like that Glider and handlers real experience big cat handlers like cat handlers like they are But also custard experts Yeah, absolutely This custard have cornflour in it. Custon is a non-nutinutonian fluid. Really? Yeah, it's the the one that everyone

Everyone knows and loves it's made with cornstarch and egg. You're right. Can you add a bit of sugar? And so when you bite down on it, you could break your teeth. Really? Yeah, if you bite it, that's why you got to drink it or slurp it. But if you bite it too hard, shatter it. Really?

Yeah. Like diamond. Can you shatter or non-Newtonian fluid? Uhhhhhh. Diamond. Can you shatter or non-Newtonian fluid? What's the most brittle non-Newtonian fluid? Yeah, well, the least Newtonian fluid of all time. What's great is that it would break, but then as the pressure would stop on it, it would just turn the liquid again. Fascinating.

Very exciting. These developments that were hypotheticalizing. I think if the other element that would come into play and when we send these animals out onto the non-Newtonian fluid, incidentally, Disney on ice, we've seen it, right? Yeah, absolutely. I want to see Disney on a non-Newtonian fluid. It's about time because we've been looking for something

to put Disney on to for years. Yes, so far we've come up with ice and television. Okay, yeah, yeah. The silver screen. And the, yeah, is the silver one the big one? Yeah, yeah, that's the silver screen. And what's the TV? The small screen.

Small screen, okay. Yeah. They don't mention the color. No, okay. Now That could be anything. Silver is in the mix. But this we've got ice, big screen, silver screen. Now, cornstarch and water. Cornstarch and water. Right. Yeah. Okay. So what sort of Disney thinking, like, I guess Aladdin? I don't know, anything with a lot of movement.

Yeah, so something where you can't really start moving. Yeah, I imagine that scene, that song, but yeah, I guess that'd be great in this. Okay, yeah. But then one of those other ones, the sadder songs, and this is great, because this is for you, if you like Disney, but you don't like the slow bits, or the boring sad love songs, right?

This could really... They'll sink down. They'll sink down there out, right? It's only those high speed, you ain't never had a friend like me's, right? They're gonna, you know, keep it... Boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, gone. Sorry, Baloo. Really? Yeah, yeah, yeah. He's moving, flowing down a river. Yeah, but he's not moving fast enough. Yeah, that's true Okay, so so like things like the ballroom day so beauty in the beast Is that's what we're talking about because there's ballroom dancing. There's chasing. There's hunting the beast. Yeah Things like that

That kind of sitting on a magic carpet in a lad and that's sort of you know the carpet moves, but there's no trampling Right and that's sort of, you know, the carpet moves, but there's no trampling, right? Yeah, and that's the problem. So then you, but then something like snow white, she's just laying there a lot of time. She'll be sinking. So you would need to have like a bunch of people constantly sort of walking underneath her,

like a table would have to be alive. Yes, yes, yes. Which is why that's perfect for beauty and the beast. And that's interesting. Oh, beauty and the beast on non-Newtonian Newtonian fluid Yep Or even the furniture anything where the furniture is running around has got little legs and is moving that is a fertile

For our our our our our Disney on non-Newtonian fluid traveling our Disney on non-New Tuning and Fluid traveling show. We go from Olympic swimming pool to Olympic swimming pool with just like tankers filled with custard. And then we just, we drain out the water, and we put it in. Or we just chuck in cornstarch, like maybe we don't drain out. So, but we don't, like, this is the reason, and I realized I was really thinking money-wise,

but that we would just suck out the product so that we can keep reusing the same corn starch every pool. Yeah, I mean, why don't we just sell it? Everyone gets a straw, and at the end of the show, you'll come down, you just drink it. So it is just custard. Yeah. Okay, well, that's good. If it's custard, you come down, you just drink it. We chuck in just custard. Yeah. Okay, well that's good. If it's custard you come down you just drink it. We chuck in custard powder. It's a bit of sugar. A bit of sugar. And then you come down you drink it and then and then after

you've drunk it like out of the the muck we can drag out the corpse of snow white or whoever else didn't make it through the show. Yeah. And I guess if they all had scoobas, that would be a good thing to just create. Right, idea, that's nice. Yeah, like maybe a lot of them could hide scoobas in their hair, except for Dopey, he doesn't have any hair. But he doesn't have a beanie. Perfect. Yeah.

Yeah. Anyway, is Dopey, no, is Dopey, the one that's kind of got a red nose, or is he Sneasy? Well, I don't know, and I don't have any information, but Sneasy does seem like you might have a red nose. That's all I know. Yeah, did Sneasy have a beard though? As I say, I don't know and I don't have any information. I can't remember. I think I

think, you know, all my life life I've mixed up um so easy who is that hey that was um what's his name in there um you know that rapper who had a lot of success with the Pimpa butterfly oh Kendrick yeah it was Kendrick

oh my life has to fight something like that yeah great um anyway he can be in there as well Kendrick yeah I think he'd do really well Yeah, great. Anyway, he can be in there as well. Kendrick. Yeah. I think he'd do really well on non-Newtonian fluid,

especially because he has those songs where he jumps up onto car wrecks like that in his live shows, that burning things in there's a merry flag. And so the car wreck could be sinking into the non-Newtonian fluid. While he's, you know, we're going to be all right, right. I mean, I'm talking three albums ago or whatever.

So, you know, I'm a bit behind, I haven't kept up. But, you know, but that car sinking into the fluid would be a metaphor for America. Yes, fantastic. Which I think he does a lot of. Right, I think whatever shows we're doing, there's gonna be a lot of metaph metaphor for America. Yes, fantastic. Which I think he does a lot of. Right, I think whatever shows we're doing, there's gonna be a lot of metaphors for America in there. Anytime you see something thinking, that's just art.

Yeah, that's art, that's metaphor. That's the art kicking in. James Brown, the way he kept his feet moving, he would have been perfect for non-Newtonian fluid. He was born to it. That dancing in the rain guy? Jane Kelly. Jane Kelly.

Jane Kelly, that's a great non-Newtonian fluid kind of thing. And it takes the click and it really reimagines it into a splash, sort of like a mucky splash. I wonder if there is a future in which the Earth's surface becomes a non-Newtanian fluid. Sort of like an in-marshing. Yeah, like an in-marshing. Like an in-marshing. An in-marshing. And in-marshing.

And what if the ocean got so high? Yes. Everywhere was just kind of like three inches of water. And then the water just kind of mixed in with the top soil and then we would just get a kind of quick sandy type scenario. Well I wonder if at a certain point we would consider putting custard powder into the oceans. You know, if the oceans are getting high high enough We might not be able to reclaim

That land yeah or hold back the ocean, but we could sort of turn the ocean to our own purposes more fill it with casted power to have a non-Newtonian fluid and then You will be able to sort of still operate on that as long as we keep moving. And I think also it will be delicious. So yeah, that's right. And I guess that will be a great source of food for the fish who live within the ocean. The fish, exactly. They'll thrive.

And the people whose industries depend on the ocean to survive they can just eat the custard. They can eat the custard said that'll be happy. And then those of us who don't live off the ocean, we could probably not eat seafood. I think the idea of what seafood is will change. Well, the sea will stand for custard. For custard, which will be kind of like a salted kind of sweet thing because of the salt. Like a taffy saltwater taffy kind of. Yeah, like a salt water taffy.

I don't know if that actually is salty, but sure. I feel like it must. It must, I look, that's what I thought as well. And then someone told me it's got nothing to do with salt. So it's something you eat in salt water. Maybe. Maybe you're in salt water. Yeah.

Maybe you are salt water. Maybe the salt water is in you. Maybe, and I think it is actually. I think there's an element in which our human bodies have taken a part of the ocean with us, possibly in our reproductive system. In some way, we have a, there was a part of maybe the ovary or something like that, that maintains a, an environment that's very similar to certain parts of the ocean.

Wow. I'm thinking. Wow, which parts? Like the Indian? The Indian Ocean? I don't see the Mediterranean. Yeah, right. It's very fun.

It's very relaxed. You can float there. Like many oceans. Yeah, right Not like what some of those disputed sort of Chinese island Have we written anything down so far? I've written down fast as land animal on or in water as well as within that idea is Disney on Non-Newtonian fluid. That's within that idea. Well, I feel like they're all kind of a similar thing Yeah, Alistair, sure. They're a similar thing, but you're not gonna be able to swing those two sketches into

the one sketch on a, those are two different things. All right. I mean, like Disney on non-Newtonian fluid can be any live shows on non-Newtonian fluid. River dance would have thrived. River dance. Michael flatly? Is that his name? Yeah. Bring him back. Michael flat dance, Michael flatly. Is that his name? Yeah.

Bring him back, Michael flatly. Michael flatly. And we can just get a truck. We just get a truck that turns into a stage. Right. It's just always, it's like that pool truck from the Simpsons. But you won't have that problem with the water splashes through the back window. Like it did.

Remember, you go, oh man, I gotta get that window fixed. You know, that was my attempted auto. Oh, that sounds great. That's right. All right. Okay. This is fantastic. Yeah, but non-need to unfit.

So I won't do as much splashing like that. It won't be kind of a bit more solidness. You can just open it up, maybe the two sides of the sort of, you know, the cover of the truck, of the truck that hold the fluid in. That can be the front and back of the stage. Yes. And then people can dance on the front and then go on top of the fluid and then back on the front. Or the front could just hold the audience and they can just stand next to the fluid really close so that they can really see them

Dancing really really see the fluid. I think you've got to really see the fluid Yeah, because I think a lot of the magic is in is in that close-up sort of a thing Yeah, it's like close-up magic. It's like with fluid Close-up fluid. Why is magic the only only one of the ones where we get to do it real close up? What about close up dancing? Close up tap dancing. You're right down there. Your head is on the stage and they're tapping right there. Yeah. Like you could get tapped on. That's really good. Sort of like with close up magic. How you could get magic all over you. Exactly. It's like going to sea world but with magic. You know the most of the fun is in getting splashed with some of that magic. Yeah. Yeah. I love saying

something and then realizing that you had no idea what you were talking about. Is that something that you... No, it's just, I just went, when I realized that I didn't know what really close up magic was. Oh, you don't know what it is. It's like when they do like card tricks like right in your face and they somehow still trick you. Man, that does sound good. Yeah, so you're watching it and they're like, and then they go, is this your card and you go, how is that possible?

See, I don't like, I find magic you're rotating. That's right. Because you don't like feeling stupid. I don't like feeling stupid. And it shows you the limitations of your brain. Exactly, and I't like, I find magic you're rotating. That's right. Because you don't like feeling stupid. I don't like feeling stupid. And it shows you the limitations of your brain. Exactly, and I hate that. Right? So what if it was this, it's magic, but they just tell you how it's done.

They tell you, they show you straight away. So you don't have to feel bad or anything. How about that, but for comedy? Right. I think that's what this podcast is. Yeah, probably. I hope. But. Oh, no, but I didn't like, but then that also somebody who tells you how it's done is not doing magic. This podcast, if it was that version, you were afraid that we were going to say I was like saying,

this is comedy, but then we tell you the secrets. I'm literally saying we're not necessarily doing comedy. We're just saying how we would do comedy if we were going to do it. But, okay. This is what I would like. I would like a magic experience. Where, I would just like a magic experience. Is that too much to ask? I just want real magic.

Yeah. No, I would like a magic experience where the magicians there, doing their magic. There's an audience of suckers, right? Okay. But then I'm on the other side of some sort of little mirror, right, where they can't see me, and then I get to see how all the magic is done. I think that maybe the magician whispers stuff to me, and we have a good chuckle about how

much of an idiot the audience is. Right? I think that's actually really easy to do. Yeah. I think a lot of magic is very angle important. This is true. You know, and so if you go even the slightest angle off, I think I did that once. I saw that when I was a kid and I went, wait a second.

He's just standing on a plinth. Oh, I can see him just unzipping that bag and getting into it. Like that, with that bag that's supposed to have no zip. He just said there was no zip. Oh, there's a zip. So magic is just lying about the presence of a zip. Yeah, and- Anyone could do that.

Because that's the thing is that you watch magic, you go, oh, well, obviously this is not gonna be like, he's not just gonna say there's no zip and then there's gonna be a zip. Yeah. And then you just, you look around's not just going to say there's no zip and then there's going to be a zip. Yeah. And then you just look around the curtain, you just see there's a zip. Yeah.

But is that a thing? My little magic idea, where I get to just feel smarter than the audience, because I still need the audience to be there. So the magic is still taking place. So that there's some fools. There's some fools. Exactly. Someone I can feel better than.

All right. I'm not, I'm not the, the sucker. I'm not. Yeah. But then are you less of a fall? Because almost certainly, no, no, but like you're not even seeing it from the, the, the, the direction where you would get fooled. So like in a way, you're not kind of way, you don't get to feel superior to them. You've just seen it at an angle in which it's been explained to you.

Well, I feel superior more than them because I had more money, which allowed me to buy this expensive ticket. I thought it was just a more expensive ticket. Yeah, basically, it's just that I've got more money than that. Which allows me to feel superior. Yeah, right.

But I mean, I could do that in almost any context. I guess you could just go to really tall car or something. Yeah, you know, you know, when you see some of the real tall car, you know, like if somebody's doing over it. Well, I think the higher you're sitting up, a lot of the time you feel better, you know, like truckers, although they are probably not super rich, they're driving something quite expensive. Yes. And so they get to still feel superior

and they're because they're high above you. They tower down on you and they could destroy you. They really could. Yeah. I was driving home the other day and there were some two people in trucks who were just fucking with everybody. They had these huge semi trailers

and they just drove next to each other for ages. Just really, really slow, taking up both lanes, and then sometimes one of them would go back into the other lane, then duck back out again. Wow. It was crazy. Did you report them? I felt like reporting.

Oh, well, that's the closest thing that may be we as civilians get. I feel like taking the lore into our own hands. I think it's a right-wing thing to complain about stuff like that more. Yeah, right. I used to, you know, when I was in one job, he'd always be calling on drivers. He'd always be driving around and it just going,

not calling, I'm calling him, there was like a line, and I think he guess he would illegally use his phone while he was driving to call up the people. You know, it's, yeah, like look, it's probably not a real right wing thing, but you got to be a certain kind of jerk. Yeah. Even though to just police. I think the Venn diagram probably overlaps with some right wing stuff as well. Yeah. Who, what will we talk about?

Close up magic. Close up magic. Close up magic. My little plan. What about this? Just any scenario, right? You're allowed to pay a little bit more to stand in a special area. I think that's already the world.

You're right. You're right. But it's marked off on the ground. And people just know that you paid a bit more. Because this is the booths at the opera or whatever, the royal box and that kind of thing up there. It's not necessarily a bit of you, but people can see that you're there. It's to be seen. So say there's a car accident, right? And people are gathering around to watch. People are driving slowly past the driver.

But there's two glass tubes. The ambulance brings two glass tubes that you can just stand in. And you're allowed to look and gaze at everything. I think this is a really good idea. The ambulance, like this would be some of the way that we've like privatized it and we pay for our ambulance service or whatever. The paramedics, they just have a little booth,

little glass booth that they wheel out and you can come in there and you won't affect anything, you won't damage anything, but people can see you're in there and that you've got the pass or whatever. And the police, that's why they go, move it along, nothing to see here like that, because they're protecting the view that they charge for. Yeah, that's a premium model. Yeah, no, I think that's good.

And I don't think, and this is good, because the laws, not in any way corrupted, I don't think, by this kind of thing. No, I don't think it's illegal to look. No. But everybody wants to, so it's become commodified. Exactly. And you can block the view of the people trying to drive past the sticky beaks, which is.

Free loaders, I call them. Free loaders, and these are going to be called sticky beakers. Yeah. So you can get in the sticky beaker, but it's actually quite dry. It's not sticky at all. It's not sticky at all. Yeah, don't worry It's not sticky unless you want a special sticky model

We have one that you can pay even more and it's sticky and it's sticky If just that's just that's a very harder to see through because of the stickyness, but hey Maybe that's just what some people like and I mean it won't it won't corrupt the police because you're not, you're not asking for special treatment from the law necessarily. Maybe if you, you'll be able to pay them to sort of arrest them a bit closer to you or do it again if you didn't see it properly, you know, if you just see them punching the, the, the criminal, the, the, the, the criminal in the head, the purp.

Or the, in or the, if you missed some, like the, the, the, the paramedic reviving. Yeah, if you show up, you know, just 30 seconds late, it's not your fault, but you still got your membership, they'll zap them again, knock them out, and then revive them again for you. That's nice, yeah. And they should have a jumbo screen

that's kind of got like instant replays and things like that, maybe. Sure, sure. But that's not the same as the live, seeing a live. Oh, it's not the same. You're right, A-Portos. And then they would have to pay for somebody to film it and kind of like work a switching desk and stuff like that. Right, and it takes a lot of way,

a lot of the specialness of being able to be in the, it's been in a kind of hot tube. In the hot tube. It is hot. Yeah, hot. Well, I mean, it's in the sun, probably. And then there's the hot sticky tube as well. It's a hot sticky tube.

And I guess every tube would get sticky or the longer you're in it. Yeah, especially if it's hot. Yeah, and, you know, I guess there's also the fun of the danger if you're kind of, you know of on a freeway or whatever, kind of a high danger zone where if these cars crash, there could be more cars crashing. But I guess there's, you know, there's,

but then that's just more viewing for you. And I guess the more bad things that happen, the more the government can make money, off of these kinds of things as well. So there's kind of an incentive then to not necessarily fix roads. Or fix a high black spot accident areas. They become a hotspot. They become a hotspot. They can set up what's a row of chairs, they're what are they called? Sorry, we're getting some weird microphone stuff.

I'm just gonna stop it for a second. It's kind of like a, so we're back. We're back. It's kind of like a tear. We're gonna play it off like it never happened. Yeah, it's like a tearde seating thing, but you're standing in glass tubes. Yeah.

You know, it goes up for like high spot area, high danger areas. Mm-hmm. You know, there could be places where, let's say in the winter where there's lots of people slip over a lot. Why are we at a glass tube? What's the advantage? Well, I guess you don't have to, first of all, it makes you look rich. Yes.

You know? Because you think about it when you go to ballerat, and when you go to the Sovereign Hill, that do that thing where you're panning for gold, right? And you get a tiny little speck of gold in your pan. Where do they put that gold? In a little glass tube. Glass tube.

That's right, so it goes in glass tubes. That's right, and popes. And popes. Yeah. And like pods that go funk. Look down. All three things that are very synonymous with wealth. Yeah, exactly.

Funk. Look down. Funk. Funk. The way you flaunt your ability to make that sound really well. It's a bit sort of obscene almost. It's like you're sitting there with your shirt off

and you're flexing your muscles in front of me. Like, I'm okay with it because we're friends, but I think that like if you were just out sort of in a park down by the beach or something and making that noise, I think people would find it a bit gross. Well, they would feel that way because they would be threatened and think that their partners are going to learn to come and be with me so they can go, f**k in front of them.

But I think the deeper question here is whether or not the sort of a Elon Musk germ of an idea of the hyperloop. And somebody needs to ask Elon, I mean I want to ask Elon really, but I think other people are working on it, but Elon will it go thunk? So this is Elon Musk's hypothetical transport system. Well they've built some already. They've built some already that involve shooting people around in tubes in little capsules. The only thing that matters is will it make that sound. Yeah, because that's all, that's why we wanted to.

That's the whole point of having that. Of traveling in tubes. Yes. Funk. Funk. Like that. And then you go really fast, and then you just pop out the other side.

And what happens when, what sound does it make when you pop out the other side? Oh, I'm out. That's great. I'm not 100% sure. I've, you know what, because that technology has never been made available to me, I've only seen the first part. Yeah.

When the, when the, When the pod catches the breeze and affects the tube. It's a really sailing, isn't it? It's just a modernized version of sailing. It's inner two wheels. It's like being inside the wheel of a bike. So it's the same thing as a bike. being inside the wheel of a bike. So it's the same thing as a bike. But you're inside the wheel. You're inside the wheel. Yeah. And the only place you can get to

is another part of the wheel. Yep. But it's just they've completely reinvented the wheel. Completely. Because the bike is in the wheel. Yeah. And there's no wheels. There's no bike. And there The bike is in the wheel. Yeah. And there's no wheels.

There's no bike. And there's no bike. I mean, wow. There's a, yeah, there's like a fucking pod. If you were to reinvent the wheel. Yeah. Like, what would you change? So I personally, I don't think I would change how round it is.

No. Um, to be honest, I think the best I could change how round it is. No. To be honest, I think the best I could come up with is adding some sort of feature. Like a bell. Like a bell, yeah, or whistle. Like a little screen. A little scurry, yeah. Bluetooth, maybe.

Yeah, it's kind of, you're more like adding sort of just adding features to the wheel. Yeah, I mean, but of course the great thing is that the wheel is out of copyright, I assume. Yeah, whether anybody has copyrighted it. Oh, this could be big. This could be really good. I have got to get down to a patent office as soon as we finish recording this. Yeah, before we release this. Or release this and then get down there

as fast as you can. Hit publish and then bam on the tram. Cup of coffee on the tram. Get your nose hairs plucked. Yes. Got to get my good patenting face on. I got to look like a guy who's got it together. That's really important to the people of the patent, the patenting office. I could just guy have invented the wheel. He doesn't even pluck his nose hairs. Yeah, so look, I think if I was going to reinvent the wheel,

I think I'd start from the beginning. I would really reinvent. Wow. So you would live as a cave sort of dwelling. Well, I don't think you necessarily need to do that. But I think you got to start with like a blank piece of paper. Great. So you're in the paper first. I'm reinventing reinventing. Like I'm reinventing inventing.

Oh, this is good. Yeah. And the way that I'm going to do inventing is just copying things that already exist. That is. All right. Cause that's yeah, you just, that's a fresh to do inventing is just copying things that already exist. That is. Alright, because that's, yeah, you just... That's a fresh take on inventing, isn't it? That's true. It's an old take on filmmaking. Hmm. Yes.

I'm just being satirical now. Ah. Because you know, with films, they're just remaking all things. Hey. Yeah. But do you think that you could persuasively argue that you were the greatest inventor of all time just by copying things?

No, but you would have had to invent copying things. Like if you were claiming to invent things, when you'd really just copied them, because really you were reinventing, inventing. Yeah, I think that first guy would have got away or woman, I apologize, would have got away with plagiarizing that other person's thing because they were inventing copy.

And so you go, all right, you got this one for free. You can keep your bread knife. My bread knife, but it's yours now. Yeah, my bread knife, but you can keep. Well done. Anyway, so, but, but now you can't do that again. Can't steal anybody else's idea. You can't, like you can't use my,

you can't steal my other idea. Tongues. No, this one's mine alone. So, bread knife from one hand and tongs in the other. And I'm just gonna go down to the Peyton office and Peyton, one of these. I mean, I guess I could reinvent, reinventing, reinventing. But then you guess you could invent tweezers,

which is kind of like, hey, it's like taking an idea, and then sort of changing, it's fit another purpose. Different size. You see, and that's kind of, that's a form of reinventing. Yeah, now we've done that.

So we've taken the tongs, we looked at the tongs, and we said, let's make them make them real small, right? But I don't know if anyone's looked at the tongs and said, hey, let's take them, make them real big. And then invent, and then, because I reckon we should go through all the inventions. Okay. And check whether or not people have made a big version and a small version of them yet. That's a great idea.

All right. And then that will be how we find new kinds of inventions. Yeah. Okay. Because, all right. tweezers are done. Okay, toaster. Tongues are done. Really big tongs.

Like, what could those be used for? Okay, let's see. Um. Like kayaks. Yes. And flipping them over. Because a lot of the time people are sort of taking kayaks and they're dragging them along the ground to get to the thing.

But if you were sort of like at the boat shed. Yes, it would be the huge pair of kayaks and they're dragging them along the ground to get to the thing. But if you were sort of like at the boat shed. Yes, it's been a huge pair of kayaks. The big tongs. Big tongs. You could just probably pick them up from the back of the shed and then sort of just twirl around and then drop it in the water and let whoever's going to ride and it go run after them before it gets caught in the current. But also kayaks roll over a lot like sausages.

That's true, yeah. So we could use the tongs as life tongs for flipping back over beginner kayakers. Now those tall life saver chairs make sense. If you give that life saver a big set of tongs. This, really the ocean is a barbecue or the between the flags area is a barbecue. Yeah, it's crying out for a pair of tongs. Yeah, it's like the part of a part of an oven with the grill.

The sun is the grill. Yes. Right. And the ocean floor is the pan. Yes. And the people are the sausages. And the ocean water is the brine that you're for some reason cooking your sausages in. It could be fat. Oh, it could be fat. No. Right. It's the fat. And then the flipping over Right, it's the fact. And then the flipping over is saving lives. Somehow, because in these situations,

people are drowning, but it's just because they're facing down. That's right, that's for, you know, because there's some, a lot of people come from countries where they don't learn how to swim, they don't know which way you gotta do, it could be to breathe. We could also take out of the equation, the ocean entirely, you go down to the beach.

A lot of these same people who've come from overseas don't understand how hot the sun hit is here in Australia. Right? And so they lie down in the sun, they get incredibly sunburned. But if you come down with a big set of tongs down to Bondi beach, and you just flip all the slowly burning tourists

with your man tongues. Your big life saving tongues. Yeah. And then you're saving their lives from melanoma. Yes. Which is a longer term sort of a thing. Absolutely. Like cooking sausages under a grill.

Yes. It's a long term thing. Now what part is cutting them open to see if they're ready? Well, you do that as well. See that? Earlier when you told me you'd invented the bread knife and the tongs and I'd stolen your idea for the bread knife, I should have just stabbed you with the bread knife and taken your tongs. Yeah, that would have been a great idea. But somebody else would already invented that and you couldn't

steal it. Oh, murderous theft. Yeah, that's a shame. Um, so, okay, so that's like... Because it's bad enough being a murderer. Yeah. A murderous thief. Without someone then accusing you of having copied that idea. Yeah. Rather be original.

A plagiarist, murderous thief. Yeah. I... Amongst, you know, as well as guilt, you don't want to feel shame. Yeah. You want to feel that you're coming up with your own ideas. You're bringing in, you know, because what's the point of murdering and stealing, if there's no, if you just go through the motions, if there's no, no vibrancy to it where you're bringing a creative flair to it, you know, that's why those guys who wear people's skins,

you know, or at least, you know, the first few, that's why, that's why you can tell that they're in it for. There's something driving them as a creative urge there. Yes. Because it's not a thing that immediately strikes you to wear somebody's skin, like it's clothes. Cause skin is already on you, so you wouldn't think of that being clothes.

It's like, oh, I'm gonna wear somebody's clothes as my skin. because skin is already on you. So you wouldn't think of that being close. You know? It's like, oh, I'm gonna wear somebody's clothes as my skin. I don't even know if anyone's ever done that, and then cut off their own skin, and then just sewn on clothes to make it look like your skin. You know, just a bunch of t-shirts kind of quilted on. See, this is great. And this is from our similar form of, you know, making a big thing, just a bunch of t-shirts kind of quilted on. See, this is great. And this is from our similar form of, you know,

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Pick up your order today in store. The best gifts are yours at Nordstrom. Small thing. It's just a classic reversal to have a totally new take on serial killing. Absolutely. And think about how shocking it must be for the victims. So these are people who have just noticed t-shirts of gone missing. Something that they think could have just been the wind off of the clothesline, right? It might have just flown into a bush or something like that. Or I left it somewhere. Or I left it somewhere. T-shirts, you're almost, you know, not that anyway, somehow the police get involved. Because there's enough of a pattern of just the rumblings. It's a small town. There's a rumble. Words getting around.

Just people kind of go, oh, you lost a teacher? I lost a teacher. My favorite teacher, things like that. And then somehow there's a clue. There's a clue. There's, I don't know, somebody's t-shirt is dropped outside and somebody's front lawn. Great clue.

Classic clue. Yeah, a thing is in a place, and I say it there. It's been clearly cut with scissors, scissors. It's just the, it's just the front, the pattern part. The shirt is just the frame. It's the front part that you, as the t-shirt owner, probably valued the most. Yeah, you recognize that.

But to the person who's trying to, saw these things on his skin. They don't care, they want, they want block colors. And this is how they get him. They organize a all-town football match, skin versus shirts. Oh my God. Yeah.

They take off their shirt. Yeah. They're long sleeve shirt. Yeah. Underneath. It's all T-shirt. It shirts all the way down. Oh my God.

Now take off that shirt. Oh yeah, so you're just seeing it as like he's just wearing shirts on top of the, that's a gooey flesh. What were you, what were you seeing? I'm seeing like, you know, like one of those skin suits where they've kind of they're they're sewing skin together. It's a bit patch working. Sure, sure. Like that, like that. But over your arms and torso. So just don't be skinned. So it's just like a patchwork. No, no, he's cut off his skin. Okay, yeah, cool. Cool, that's what I'm saying.

Okay, cool. Sorry, I was just making sure. No, no, no, that's all right, I'll say. And it's a bit... And it's a bit... I keep thinking of that part, right, in face-off. You know, when he wakes up, but his face is off. Oh, man, do you see it?

A little bit. You don't see it very much, but you just see a little bit and you see him reach over and bit. You don't see it very much, but you just see a little bit and you see him Reach over and touch the goo on his face Like that and he goes and you might laugh or something like that. I don't know. I think you'd be in a lot of pain Yeah But sometimes horrible things make you laugh sure, you know It's like laughing at a funeral. Imagine how much you laughing you knew yeah, you wake up your faces off

You're on face transplant talk about an inappropriate time to laugh. No, the priest will be laughing. You try and keep it in, but you can't because you've got no lips. No, that's right. Sneaks out. That's the problem, isn't it? Taking out, be taking those lips off, that it'd be one of the hardest parts of removing a face. Because the outer part of the lip is part of the face, but the outer part of the lip is part of the face

but the inner part of the lip is part of the inside. Yeah. And so I think you've got to take the whole lip, like inner and outer lip, take it all. I think I know, I think you're doing your incision on the inside of the lip. Yeah. Like that. And then you're peeling the skin off. Like that's, you still got some flesh to hook the new face on. Then you're not. Right. You need something to stick it to, to sew it back together.

Yeah. Yeah. Exactly. It's like the little, it's like you're clipping it back on. You're going to slide that lip back in. They would have, this is the thing in that movie, face off.

They would have been so puffy for so long. You see the people who've had face transplants now because they lost their face to a bear or something. Yeah, a lot of them. They're so puffy for so long. It's a, yeah, it's a, there's a long puff period. They cut all that out of the movie. Yeah. Yeah, it's true. I think because in the movie at some point they had like a, an ear that they kind of like lasered. I think there can see an ear getting lasered made. So I think maybe they might make a hole in you. I can't. I'm not 100% but it feels like they make it. But it feels like if they could just make ears like that then why would they need to take somebody's face off to

put your face on. Here's what I'm, here's my problem with the movie. Have you seen the movie? Yeah. It's been a long, long time ago. I don't even remember it. Taking a face off is not all that impressive. Putting a face on, that's the interesting bit. It's really tough. It should have been called face on.

Yeah, I mean... Face Off, that's not a film. Yeah, but Face On. I think Face Off sells the tickets. Face On keeps you sitting in your seat. Sure, right. Because I mean, if it was just a face off, you'd be like, I think you'd sit there

and then you'd see them get their faces on. you'd be like, like, I think you'd sit to sit there and then you'd see them get their faces on. You'd be like, oh, that was gooey. It was yuck, yuck, like that. But it's the face on that makes you sit and go, or I'll stick around and see what happens with this guy does when he has enough another face on. Because that's the hardest thing is that you can't not be you. Deep down.

Like, deep down. No, just like, you can't, even if your face gets pretty messed up, you're still just going to be you. Yep. Yeah, you know what I mean? Like, even if some like, like no one, even if you got your face changed with Nicholas Cage. Yeah. Right. And you wait for the puff to go down. I still think people will like be like, no one will think it's Nick Cage. I'd be like, Andy, stop it. I think so. Yeah. Like even no matter how many times you go like,

Well, I think so yeah, like even no matter how many times you go like Peter could eat a beach for hours like it eat a beach for hours You can practice, but I don't think anyway like you're still just gonna be you you can't ever be like I guess Yeah, deep down you'll be you but then also the ever there'll always be people who will know that you You just have Nick Cage's face And do you think they'll sort of lose respect for me or something? No, I mean unless they didn't have respect for you in the first place or they didn't have very much and then you don't do a very good Nick Cage. But you know what I mean? Like you're still just going to be you. But I'll be trapped in a Nicholas cage. Yeah, but you'll just be in the cage.

What you really want is you wanna be able to just move into another body without anybody knowing. But Elsa, isn't that what we're doing really? I know, but then it's still you in the another body. You just want, okay. Okay, so what you really want is you just want $2 million. No, but like, you want none of your memories. Yeah.

It's like, how could you really be somebody else? Well, no, but you need your memories so that you know that you're someone. I know, okay, so we're just looking for the minimum amount that you need so that you can enjoy the experience of being a single stage. Yeah, being Nicolas Cage or somebody else, but without being like with the least amount of you.

So you don't want your body. Right. Yes. Your body, let's say, that's the first thing I get rid of. Yeah, I think like, let's say you want to be like a young gymnast woman. Right. You know, I think that's what this body is holding me back. Yeah. know, I think that's pretty. Well, this body is holding me back. Yeah.

And so I think that's holding you back. And I think that's pretty far from the kind of life you're leading right now. Yes. Right. Okay. So I want a young gymnast, be a young gymnast woman. And I don't want to be just a man with the body of a young

gymnast, an old, an old non gymnast man with the body of a young gymnast woman. I want to be a young gymnast woman. Is that what we're saying? Like, I want to have the identity of, like, if I went to a gym, I could do some gymnastics. Is that what I want? Yeah, yeah, yeah.

I think if you were put in front of a big mat, yeah, right. And I could flip around on that. Yeah, and some music. It would come over me. Yeah, right. And I could flip around on that. Yeah, and some music. It would come over me. Yeah, absolutely. And it would just, it would be sort of like that, you know, uh... Do I stick the landing?

Yeah, you stick it. Great. Yeah, you stick it 95% of the time, but even when you don't stick it, you kind of instinctively know how to roll. Yeah, great. Now, what about this? Do I have the drive that it takes to become a gymnast, a successful gymnast? Yeah, you have everything that that woman had in order to become that.

Right, right. So, but how much of you do you need to bring over? Yeah, well, I wonder if my lack of drive to become a gymnast is an essential part of my personality. You know, if I took that away in order to become this woman, would there still be enough of me left to appreciate it? Like, surely one of the things I would appreciate most about being a gymnast is the fact that I'm not a gymnast. Sure. So, okay, so you kind of what you're looking for is you're looking for a fish out of water feeling. Yes.

But whilst also having the comfort of a fish very much in water. So I think that will be in the muscle memory of the and the regular memories. So look, you're not bringing, okay, do you need to know about your children? To be a champion. I've been. I guess not. How about this? Okay, you don't get to bring any memories. Okay, so it's like a dream, you're just appearing in it. Yes.

Right, and you're there. Yes. And so you don't need to even know that your life was different at any point but When you get flipped back into your own body You get to come back with some memories that you did that This is great. I think this is a really good compromise

right yeah because then then you get to enjoy the experience in full without Because then then you get to enjoy the experience in full without being tainted by like you know like how bored you are with Existence or gymnastics. Yeah, but you're not bored with gymnastics. Okay. Well, are you? Maybe if I'm her no, I know, but I'm talking about you. Okay Wait, wait, but I mean like if she's bored bored with gymnastics then you'll be bored with gymnasts. Yes. Yeah, but I'm talking about you bringing your own stuff

from your own life. I don't think I'm gonna be bored with the existence if I'm in the body of a young gymnast room. I'm gonna be thrilled. I know, but I was saying that if you were bringing some of yourself over to the lady where you're sort of cynicalness from your regular life. Are you cynical? I'm a little cynical, but I think once again it's the cynicism and the experience

of the cynicism in a totally new and compelling identity that will be the part of that experience that is interesting. You know? It's, it is, I think I, what I almost what I want, this is what I want. I think then in that scenario is to, it's just her, right? But I am in the mind and I get hit with her successful gymnast. I just landed a really good thing in dolphins, flooding into my non-gimnest sensory part of my brain or whatever. And I get to feel that,

which she is now used to, she's immune to that almost, right? But all that stuff hits me. And I'm like, whoa, you know, I'm really appreciating it. So wait, so now you're experiencing her, because now this is a crate, this is, there's a craziness to it. It's even more crazy to yours. Okay. Because now, not only are you in a very experienced gymnast. You've also modified part of her brain so that there's a part that feels these things in you. Yeah, well, that's my brain. Now, I haven't modified her brain.

So you're just bringing in your whole brain. I'm bringing in my whole brain. So I was just thinking, I'll just come along, everybody. I'm just coming in, we're gonna see what it's like. I just thought you'd bring in like, like just like a handful in your own, where the self lives, like that.

Just chuck them in. Yeah, that's what we were trying to do, Alistair, but then I felt that we couldn't unpick the self from so much stuff. So do you think maybe then to kind of get yours, your thing, right? Is that you don't get access to your own memories for some reason. So you snip that wire in your own brain, but you've just basically sort of cable tied

your brain to the back of her head, like that. And then you just link in the right thing so that you're seeing through her eyes, feeling it. But then you're also going through the urges of like, I'm gonna run at this mat. That's what I wanna feel. The urge to run at a mat. Yeah, and then just, and know what to do, whilst also experiencing it a new in your second,

in your original brain, and like being completely thrilled, like you're on a, like a, you know, like a- Yeah, I look on a roller coaster or, you know, like a roller coaster. Yeah, or an F-34. F-34, I'm being tossed around. I'm being tossed. And floppin'.

But you're freer, you're freer than that, because you're flying, but without any assistance. Yes. You're pole vaulting. Yes. And always a pole vault, is a vaulting. You're vaulting. I mean, you could be go put into the,

I mean, revolting. But that's a really complex emotion in that you're experiencing both the day to day like of practice and perfection as well as the feeling of a new. So you really do need two brains. Yeah, but I think that's what you want. Could you just do it by taking one hemisphere

out of your brain and putting it in there. So you just do it by taking one hemisphere out of your brain and putting it in there so you just do a hemisphere swap? Yes. So we take my subconscious or whatever it is, the one that I'm not using, we swap that out with the half that she's not using. Yeah. Or you just take, you know, just, I think both of your hemispheres are you? Yeah, maybe we, oh, maybe it'd be great if I could put my conscious brain in there where her unconscious brain is, right? And then all the stuff that goes into her unconscious brain that she doesn't access consciously, obviously. That can all just come into my inputs.

Right. And then I can experience all of that. Now that's good. You just get conscious and and and her unconscious. Yeah, and I just promise I won't do anything. I won't get involved. I'm still conscious in there, but I'm just not doing anything. So it's like the problem is the left and the right are they different? Are they the different? I think they're just conscious or are they? No, I think they're just I think one of them talks to you is the one that like is like your narrator. But I don't think it's the conscious and unconscious.

So you're saying that if we took out half of this gymnast's brain, she probably wouldn't be able to do gymnastics as well as we wanted to be able to do it, for me to be able to experience it properly. The trouble is is that if you took out half of your brain, your consciousness would probably also just stay with your body. I imagine we're not taking it out.

I don't know for sure. Yeah, you probably were on. Yeah. All right. Well, then let's, in the abstract sense, do you think you could see through both sets of eyes? If you took out part of your brain, and let's say you took out your part of your brain and your eye, and then put that into her brain like that.

Again, this is going to be bad for a gymnastics. Yeah, but let's say we modify the body so that it's a bit more plug and play. And let's just say she's so good that she could afford to lose an eye and half a brain. But then she's still through your eye. Yes. Yeah, okay, great. Yeah, so she'll still get to see. Yeah.

But she could do it with one eye closed if she wants to. Yes. Because that's how she practices. Just to challenge herself. Right. I'm really excited about this is going to feel so. Because then maybe the person standing on the sidelines could experience the watching of yourself doing it

and then also the person who's. I'd be so proud. You'd be so proud of yourself doing it and then also the person I'd be so proud you'd be so proud of yourself out there to do a lot of stuff the person in the other brain who's like and she's it also in my brain on the sidelines getting to watch herself that's good for her she probably pick up some stuff that she didn't notice from the end yeah you know because normally she has to record it on a video tape and then rewatch it. And this is similar to some time. Saving time or the rewinding. Yeah. She's still using DV tapes. Yeah, and that's a real pain in the ass, especially when you download it onto a computer.

Mm-hmm. Are you picturing she's Russian? I'm picturing she's Russian. I was picturing Amanda Binds, I think. Amanda Binds? Is that her? No. Simone Binds?

Yeah, now I was picturing Amanda Binds, she's the man, but she was really good at goodness. Now, how is this a sketch? Oh, Alistair. It's a service that we're offering. Sure. But we've got to nail down the specifics of you know in the in the first meaning it's it feels like it's a Total recall scenario where you go along to this company who's doing this for you and

It's got an element of the being John Malkovich is about as well It's a it's better than a John Malkovich because you can we can call it that better John Malkovich. Yeah And I'll but then again, I think one person does get to control it's better than a John Malkovich because you can. We can call it that better John Malkovich. Yeah. Oh, man. And. But then again, I think one person does get to control John Malkovich in that one, doesn't it? Yeah, I do. Yeah, that's the best thing I go.

But this could be much like our paying for ambulances and that sort of thing by offering people a premium sticky-beak service. This could be a thing where successful prime of their life athletes can rent out their subconscious to have the conscious brain of any old idiot who can afford it put in there instead. So like the space shuttle, you can just get a bit of your billionaire. Exactly. You can go up to the ISS.

Yes. So you, you know, Simone Bines, the government's no longer gonna fund the... Some reason they just feel uncomfortable when it's Simone Bines. So let's go to a certain Russian lady, even though I'm the one who said some on-binds. I'm sure.

And whoever it is, if they can't, they- It's got too much of the get-outs. Oh, sure, sure, sure. Yeah, sure. Well, is it, where we just copied get-out now? No. Oh. It feels like maybe we have.

Is this get-out? I don't know, I haven't seen it. But it's got something about people going into somebody's brain. But this is, yeah, I mean, this isn't taking over their brain in any way. This is just an observer experiencing what it's like to be doing that. Yeah. Which I think is, you know, an original idea and a sketch. It's an original idea that's a little bit like get out. It's a yes, but, but we didn't realize that until it was too late. And there's a little bit like get out. It's a little bit. Yes. But. But we didn't realize that until it was too late.

And there's a chance that we'll just have it as, it's just a part, you just wake up, you're somebody else, and you don't realize until you get set back into another thing like a dream, because you can't bring any of yourself into it. Okay. You can bring back some memories, but if you go into it, it won't be a pure experience. It'll be you being self conscious going on this person. What's going on? I don't remember

I'm really interesting film, right if you Were flipping between two brains, right? And when you're in one of the brains you had to had some task that you had to perform But you never remember anything from your old brain when you go into the new brain. And then somehow when you're in your old conscious brain, you have to try and get information, because you're going back and forth. You have to try and get information to yourself in the other brain in order to communicate what it needs to do to achieve the thing that it needs to achieve.

Yeah. And that is, then we really would be trying to get to the bottom of, like, what is identity devoid of memory? Yeah. And... Hmm. Maybe a film. Maybe a film? Maybe like...

It feels like sort of a combination of like three or four different Jim Carrey serious movies. Yeah, well it's kind of like you know there's this an element of like you know maybe governments are controlling us and they maybe they use one brain so that it's our worker kind of body and then the other brain it's like while you sleep they just put your consciousness into another body and then they get you working, producing, you know, license plates or whatever. Yeah. Whatever they need. Surely they get you doing something more top secret or something. If you don't have any memories, like it would be worthwhile. Yeah. And at some point, the people who are working,

when you're working at night, they become kind of a bit aware that they're like, exactly. Yeah. Yeah. Been happening. Yeah. Maybe you start leaving notes for yourself. What's going on? I don't remember how I got here today. Actually, I don't remember how I get here any day. But then again, you might not remember because maybe you start a new every single time.

I think you do. But, but the one flaw is that they don't, maybe they don't swap your cubicle. Right. You've been leaving notes., you've been leaving notes. You've been leaving notes. Or maybe they do swap your cubicle and you're finding somebody else's notes and then you start compiling like this,

this group of people. That'd be amazing, right? Because then if all of the memories were only in the notes and the notes came from a bunch of different people, you'd think that it was all you. Each time you read the notes and you took that information in your brain, you'd think that they were all from yourself,

but they're actually from a whole lot of other blank slate personalities who've had all their memories removed and you're assembling an identity that is like a Gestalt entity, which is the sum of all the experience of all the other people who have shared that cubicle. Man, sometimes.

Yeah. We must be really boring to people to listen to everybody. Do we have five sketch ideas? Wait, what am I calling that? I'll just... Gestalt. Conscious swapping. Swap. Memory loss to sleep, enslaved worker.

And what's the gymnast's name? Yeah, not slash out not get out. Yeah And I think the world You know, it's probably really really excited to see to White guys take on on get out, you know reckon we could do Yeah, I could take it on re remake. Yeah, yeah Re-make, yeah, well, I wonder what it would be like if in everybody and it was white We could call it get in

Come in face on come in come in I'd love I'd love somebody don't want my body Yeah Doing that. No. Oh, it's interesting. Yeah, don't we all want somebody to love our body? I guess somebody to want our body. Love somebody to want our body. I love you to want me. Take your hand and hold my me, hotty. We got three words from a listener. I feel like now we're going, we're cycling through our many wonderful Patreon.

Yeah. There's a people submitting their second round suggestion. Third. Hey, three words. I think we're running low. You guys are getting really good at this. You guys are really good. And I think we're down low on three words. So please send either send through some new ones, people who have already sent them or if anybody wants to send in some new ones It's a three dollar patreon thing. Yeah get on board. Please if you want Yeah, please don't do it if you don't want no, but if you want do do These are from Mitch Griffiths. Hey Mitch Mitch. I, I think you loved it when I said... I love Mitch Griffiths. I love it.

I love the word Griffiths. You know, I think it contains every emotion. That's right. For some reason, I've drawn an eye next to Mitch Griffiths. Yeah, I can't explain it. Mitch's three words are... Gimp. Beans. Which is three words are... Gimp.

Beans. Disaster. Good gracious. Yeah. Mitch, I, you know, you sound like a fascinating guy and I'd love to know if you have anything in mind when you write these down. Well, beforehand obviously, but you know, maybe in the future let us know what you were picturing when you sent in these words, because it's really exciting. I know we've spoken a lot about skin today, but in a way, a bean kind of does have its own gimp suit on. It's the bean skin.

suit on. It's the bean skin. So like a bean skin gimp suit, which is like, you know, instead of like a leather, which is a cow skin. So we're going for like a vegan option or something. Well, you know, a vegan, vegan gimp. Yeah. There's rubber, which I think rubber comes from a tree, but it also sometimes latex, I don't know if that comes from oil, which is dead animals, dead living matter of some sort. Yeah, I think a lot of the time, gimp sort of get in dog collars and get sort of mistreated and that sort of thing, which as a vegan, obviously, you wouldn't want. You'd probably only be able to somehow dress yourself as a tree. Maybe put one of those metal rings that they put around the middle of a tree to stop possums climbing up it. Yeah, there's that.

And then have yourself be mistreated as a tree. As a tree. So, like, have kids kick you and pull your bark off. Kids kick you, pull your bark off. Then you don't want, if it's a sexing, you don't want any kids involved. No, okay. What about possums or borer? Also, like your love addresses as a possum, but they're not, but they try to climb up you. But if you're a vegan, is this kind of? Is the possum, you're right. Strangler fig?

Well, I think that's great. You're sure your... You're a stray. You're a stray, you're a stray. And the string wraps themselves around you. So now, what's your skin made out of again? A bean. Bean.

So wait, why are you a tree? I was just trying to think of the equivalent of a dog collar. Well, I guess plant. I guess it's the ways in which you can veganize a lot of like the say domestic stuff. Yeah. You could wear like a kind of like a tree bark kind of as a sex thing. Totally.

I think if you were to wear the bean skin gimp suit, maybe you could lay on a plate, they could toss you into a salad. I think there's a lot of like big pronged instruments that would throw you around giant tongs. Giant tongs, perfect. I don't know thated instruments that would throw you around giant tongues. Giant tongues, perfect. I don't know that people, people, that's more of a sausage thing. I don't know if people tossed beans with tongues, but aren't they salad salads?

I know, but if you unanchored the two, but the base of the tongues. You got salad service. You got egg salad servers right there. Yeah, un-anchored tongue base. Yeah, and- And- And take storage.

So, and then, I don't know, you could, you know, having somebody drizzle sort of like lemon in your eye and things like that, that's a good one. Ah, yes. That's a real thing. And also beans, they often, they don't do well in a salad. Like they, they often lose some of their, you know, their consistency and they like to get mushed.

So, and that's, you know And that's where the danger lives. So you get mushed. Well, you get mushed. I mean, wouldn't that be? I mean, if you look, if you're a sadomasochist, a vegan sadomasochist, you want to get a bit mushed. You want to get mushed. You want some of your powdery wetness to come out.

Yeah, I mean, the interaction between humans and plants, right? Because when we had the strangler fig, we really had two plants interacting, which is maybe sort of not typical of the set of mesochistic lifestyle. You know, maybe one of you is a logger, a high-vis logger, sort of cutting down an old growth, a money-old growth or something like that. So how would you envision how would you envision that happening? So like just using a chainsaw or like a saw? Yeah, maybe you're on stilts or something. And you, there's a, yeah, you get...

Edible stilts. Edible stilts. They're a beaver. You know, I mean, obviously that's using animals again, but I guess it doesn't always have to be vegans. But the animal is thriving in this situation. That's true. And it's living in its natural habitat.

So that's okay. Edible, edible sex stilts. Yeah. That's really good. And if there was wood flavor. Yeah wood, edible wood, oh my God. It's a two-in-the-thick tech special. Yeah. I know I keep jumping back to the bean and I apologize, but if you kind of want...

I'm so long going to keep jumping back to the tree. If under your bean skin you had like some non-nutonian fluid. That's something that could really like a powdery kind of white stuff that comes out when you get mushed. Yeah, you know, you don't need... That's real fun. Yeah, that's fun. You could be a pee in a pod,

and then you could have a big zipper down, because there's a lot of zippers I think in the Gimp lifestyle. You could be in a pod. Yeah, so it's like big P pod. Big P with zippers. Zips it down. Like those? Yeah, boils you or something.

Oh, that's good. Steam you lay, oh, you're edamami. Yeah, great. Yeah. You get squeezed out. Oh, and that's what that, and then you could say, well, you know, because in a BDSM there's like daddies.

This one can be your edamame. Perfect. Yeah. Yes. And that's what they call your, you know, your, your bean master. So Mitch Griffiths, I think, yeah, I mean, this is, I hope you're happy with that, offering.

There's the word disaster there, which I imagine is that the whole concept is a disaster. Yeah, it's not good. And the safe word and that sort of thing, whatever that would be, the safe word is tempo. You've gone to tofu, too far. You've gone to Tofu. Tofu. I mean, everybody gets to pick their own safe for it, I think.

That's your absolutely right. You know, because I think once we start putting limits on it, then no one's going to want to do it. Sure, but in the sketch, somebody could still have a safe word. Oh, yeah, you're right. So I thought you were seeing it across all vegan beans. No, I'm not dictating to the vegan BDSM. I mean that would be amazing if you were the the vegan BDSM dictator. So that amongst the group of vegan BDSM one person

has decided to elect themselves dictator. Wow. And so who he they're trans couple right? They're pan couple. So you you drift from couple to couple ordering them to do vegan, sadomasochistic things. Drizzle some tahini on that you know come over here and put some you know some vegan tseziki all over between my toes. It's like a sexual dictatorship of some kind. Yeah, vegan dictatorship. Yeah. I mean, it'd be some sort of ecosystem, or like in a drug dealing situation,

where there's a hierarchy. And you think somebody's the boss, and then you're like, no, but they're really the boss. Like, it's a sort of a web of relationships, but there's always a more dominant person who subjugates the... That's a really interesting government, like, structure of a hierarchy, where it's like a, like a duck V that no matter what, you can always go higher. You can always go higher. You can always go to somebody because somebody else who was actually below you earlier

when you were focused on them, but when the chain of authority goes up above them, there's always somebody who can go up above them and then tell them what to do. I see that would be good for a court system. If it just kept getting higher and higher. Yeah, if every time you were unhappy with the decision You could just do as a higher court. Yeah, but then you people would be constantly appealing

That's fine. Alright Great, okay, you want to take us through the sketches that we're coming with today? Oh My lord that we can't with the day I was there. Oh my lord. We got fastest land animal on or in water. Feels like we came up with that sketch idea about six years ago. Probably. No, but I mean, it feels like the beginning of this episode was so beautiful.

But also non-Newtonian fluids of things that we've talked about in the show before, and I feel, yeah, I hope we're not just recovering all the time. Disney on non-Newtonian fluid. And if you forget what you did earlier, I think it still counts as new ideas. Right.

And we've got the sticky beakers, which is the government sells this, you know, they can be- You're in rights. You're in rights, they can be on the side of police cars, and things like that, and you can just, you can go and just watch, you know, people who've been hurt. Yeah. And, you know, some like watch shootouts, and things like that. And you can just, you can go and just watch, you know, people who've been hurt.

Yeah. And, you know, some like watch shootouts and things like that. But you're in glass, so you're psyched. But you can just do ride-alongs. Yeah. That'd be cool too, you know? I mean, it'd probably be more expensive to be sort of being the ride-alonged.

But I guess if the ambulance is in a crash, you're standing up. And there's not that much you can move. How much to climb up on the policeman's back? Like right on their shoulder. Yeah, right on the shoulders, over the piggyback or whatever, piggyback no offense.

But when they burst into a house or something. Yeah, I think that'd be great. So that's a real right along as far as I'm concerned. Yeah. Or, if they just had clothes that were big enough that you could get into the back of them. Right. And like they were, they were, they were,

were set a double-decker shoes. Yeah, you know, like, like, a double-decker, but like either you're under or behind. Yeah. You know where your feet maybe go to the side like that. And you, all their clothes, you can just, there's just like a, there's another set of clothes behind them. They can slip into instead of feel and it's sort of not that different from our conscious swap tourists And it's also not that different to I want to wear your your clothes. This is skin

It's I want to wear your clothes. It's my clothes, but while you're also wearing them as your clothes You're just following them like that and you kind of get like a it gives you a real good gist of what it would be like to be a cop. A cop who's incredibly impaired by an idiot. A customer. Sorry, a client. A client. A valued client. And I think if a cop was fit enough, like cops are just,

they're supposed to be the peak condition. They almost said, pick again. But I didn't. You're right. But also, they're only so fit because they trained to only be one person. But if they were training to carry two people with them at all times, they'd be much stronger when they don't have one, but also when they'd just be normal when they had a second person on.

And then super strength when they didn't have a second. That's how training works, correct. Then we have reinventing and venting. And this is... I can't believe you write that down, I feel great. Well, you know, it's because we were reinventing the wheel. Yeah. But then somebody was also reinventing.

Inventing. Yeah. Also, I'd reinventing. Yeah, also I'd never- You'd never plagiarising? I'd never plagiarising. You'd never plagiarising? Yeah, it was to be copying. I see, I wish, I wish something in there and I don't think we need to discuss it now, but like copycat killers, you know, that one of the reasons that society is so disgusted by them is that they're not even original serial killers.

They're hack. They're hack. They're hack. And I think they're not adding to the sum total of cool serial killer stories as well, because they just piggyback on somebody else's ideas. If you're going to be a killer, be original killer so we get a new podcast out of it. Yeah, you get a new name. Yeah.

But I guess you could do a podcast on copycat killers. Yeah, but I don't think that would be interesting. But you know what, being the copycat killer, somebody who goes and kills copycat killers. Now that's interesting. The copycat murderer. We could call it Dexterer. Yeah, I mean, that's definitely one of the options.

Yeah, thanks, Al. Then we got life-saving tongs. This is where if you look at any invention and you just look if there's a smaller and a bigger version of it. And the proof of the concept is the life-saving tongs is just big tongs. What can you use them for? People, the ocean is nothing, is no different than a barbecue. Yes.

The ocean, the water is the fat, the people are the sausages, and the sun is the grill. Yeah. And the ocean floor is the bottom of the... And the pan. The pan. And this is sausages you're making in the grill, under the grill, and then you turn the people

to make sure that they can breathe, and then sometimes you turn them on the beach to make sure they're not burning. Yeah. Then you've got t-shirt, t-shirt skin. This is just a, it's a criminal and their only crime is stealing t-shirts. To wear a skin, to make it like a skin. But because they want to make, they want to wear everybody's t-shirt. What experience are they getting out of this?

What is this satisfying them? It's like those people who, who need to cut off a limb. They just, they feel energized. This isn't my limb. This isn't my skin, my skin is made of t-shirts. Okay. Yeah, or it could be one specific person's t-shirts. Show, show.

It's that guy's t-shirts. It puts the t-shirts in the... It puts the... It puts the softener on the t-shirts in the... It puts the... It puts the softener on the t-shirt. Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha Then we got conscious swap tourism, you know, into a gymnist. It's like it's, that's an area of the science of the last things you would just do. It's like somebody's got somebody down a hole in their basement just because they want them to do their washing for. To my load trick. Yeah, he likes t-shirts.

He wants to make t-shirts, but he doesn't want to have to watch him himself For amount of work Not going talk quite weird I need to talk quite nazily. I think you appeared in the TV show monk Do you reckon the ga- is that just the actor like the it's the actor? I think when I saw him in monk I thought you still had a bit of a no Neasle voice yeah, because otherwise that's just like such a weird choice to make like you show up in the day of filming I'm gonna do it a do a real weird voice my my inkling is hair lip

Yeah, right maybe you know some kind of fixed hair lip thing. Okay cool maybe And then finally of course there's vegan BDSM slash being I think yeah, I think that's really good. Yeah to join me to write down Vegan BDSM dictator I Think that see that's an element that is almost too sort of structural or too like alternative to be part of a sketch. It's part of a society which has never stopped us before, but yeah, I don't see what humorous element it adds because the idea is already so funny. What about a sketch that never, that every, it's a sketch show, but every sketch is just more of the last sketch.

That feels like this episode today. Everything's just the same idea with just some other, when we didn't realize until later on. Yeah. Anyway, it's something to think about. Yeah, that's what we're doing. That's a real interesting idea. That's what we're doing when we're revolution and sketch. Yeah. Hey, we did it.

Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu.ibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. Sikibu. S Thank you guys so much for listening to the podcast to in the think tank. My goodness we appreciate it. Like nobody's business. Oh my lord, you can find us on Twitter. I'm at Stupid Old Andy. I'm at Two in Tank. No you're not. Oh, I'm at two in Tank.

I'm at LSATB. I keep looking at that Google Drive thing. It says it has 200 gig. Somebody paid to have extra space. I think I've just got 200 gig. Really? Yeah. Sorry. Really? Yeah. I think I might have got it with some other, with my phone or something like that. There you go. Anyway, that's really interesting for the listeners. I was looking for a Patreon. But we don't need the money because we're doing okay for data.

We got 200 gigs, so we're almost really fine. Well, I'm not doing okay for data. I've run out of basically my new gold in the Patreon to get out 200 gigs. I think it's like two bucks for however many months or whatever. Patreon.com slash 2 in tank. If you would love that so much. The people who are on there and who support us are our best friends and our girls. Yeah, and our only family.

And if you spend even more money on Andy, he'll give you his address. Yeah. Yeah. We haven't worked out what that threshold is yet. No, but $8 gets the extra, the two extra episodes per month. And we just did a real fun one of our show magma which is where we are it's a workshop of our show magma that we're gonna do with the comic festival well I say I say we but it's actually two guys called Martin and

Jerry yeah I'm not in it no I'm not in it either even though the the Jerry character sometimes calls Martin Alistair, neither of us are in it. And we love you. You can also review us on iTunes. This podcast is part of the Planet Broadcasting Network. Visit planetbroadcasting.com for more podcasts from our great mates. Are you working way too hard for way too little? There's never been a better time to consider a career in IT.

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