Uncle Joey's Joint with Joey Diaz - #734 - Rudy Sarzo
Episode Date: November 7, 2019Rudy Sarzo, a favorite on the podcast, a Bass player who has played with, Ozzy Osbourne, Whitesnake, and Dio, joins Joey Diaz and Lee Syatt LIVE in studio. This podcast is brought to you by: ... Athletic Greens - Get 20 free travel packs worth $79 when you go to www.athleticgreens.com/church  Hellotushy.com - Go to Hellotushy.com/church for 10% off of your portable bidet.  Onnit.com. Use Promo code CHURCH for a 10% discount at checkout.
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Wednesday the 6th of November I got Rudy Sarge so fresh off a fucking
physical you understand that his body's making blood as we speak I got the
Christ killer here ready to go you got your own joey on a Wednesday
mother fuckers or Thursday morning whatever you listen to this
and remember you walk alone
oh shit
what's happening you bad motherfuckers uncle Joe here with my main number one
fucking Cuban the man of the hour Rudy Sarge we were talking about let me tell
you something I I met a guy the idea of David's Jewish nicest Jewish guy you
could ever meet nicer than then Lee nice and the conversation was great
until he said you know I don't know if you know this but my wife is African
American I'm like you dirty Jew bastard yeah I knew it I knew it you love that
dark meat talks like I just not on Hanukkah it was funny how you know some
people like certain women you know I love being Cuban I love Cuban people I'm
very proud of my heritage one thing I did not like since day one you ready was
those fucking sweet 16s back in San Diego yeah I went to one oh yeah that was
it here I mean in Cuba or no I went to Union City one one that tuxedo with the
18 guys and tuxedo chicks and dresses yeah and that grandmother's there and
you got to dance six inches apart listen I'm going to touch some titties and grab
some pussies you understand and grab some asses and then grandma's watching
you with a microscope and fucking binoculars I hated that shit if I look
back at my childhood there's the pussy things I did there's two things I did
though the pussy is I can't even get mad at people for because I have to live
with this I went on two dates with a girl that had to take a grandmother Cuban
grandmother and the grandmother sat in between us let me tell you something
till this day I remember that if I knew what I knew now I would have got up and
smack the grandmother and told the grand pull the granddaughter out of there
like narcos did you see narcos he used to kidnap the girlfriend the Mexican one
he used to Rafa used to kidnap the girlfriend that's what I would have done
with it I don't ever want to go on a date with a fucking chap bro like it's
still irks me today like she's on Facebook and I won't even be friends with her
yeah yeah just because she made her grandmother and if she didn't do it
because she was all into it she was crazy like me the grandmother in those
days you had asked the mother then the mother said I can't I don't have the
time but grandma go yeah and you're sitting there like your heart on dies
and that sack dies your heart dies chapter rooms were the reason why I was
a virgin until I was 19 years old oh yeah you couldn't get rid of no it's
impossible some right but but what's ironic is now if you take a look at your
old girlfriend she's turning to her mom so right now she looks exactly like a
chap around the same girl that you dated you know when she was 18 and you were
18 you know going to high school together you know in Miami because I've
been in elevators you know and they don't know that I speak Spanish you know
they take a look at me guy will hit me with long hair you know and they start
talking about me they're gonna say you know and then I get off the elevator
and say well buenas noches señoras you know
I have no idea you know is that your favorite thing to do if I knew another
language I would just go around trying to spy on me but I gotta kick out of that
you know because to me leaving Miami was my second exile you know first I left
Cuba then I went to Miami and that was I got to get out of here because it was
how you felt in Miami oh I still do I can only take Miami you know I go there
to see my mom like three or four days and then I gotta get out what was your
total but I'm talking about my I we arrived in 61 we left in 63 to New
Jersey West West New York you know your hood then we left in 66 we went back to
Miami again and I was there for like 10 more years until this go came in what
didn't you like about it that time what I didn't like about it well first of all
you know back in 19 when I left in the 70s was still that mentality that you're
Cuban you're not supposed to be doing certain things right I live culturally
70s was tough 70s to be a Cuban yeah first generation first generation yeah
was very tough it was their rules were fucking they had rules yes a lot of
rules as a big problem I'm telling me about rules I don't want to know about
fucking rules I had those rules and even they were even harder on me till I went
home and this is great when I got out of Catholic school my mom came around and
she goes I don't know I don't want to bang out to you I'm done so we're gonna do
it your way and if it works we'll do it your way the minute it doesn't work it
goes back to my way and that was communistic measures that's
the best measures you know for anybody who doesn't know I mean you know I didn't
I tell stories that I got hit yeah I got hit but the number one punishment I was
made to do was write lines I will not call my mother a fuck you know I'm not
saying I ever did but little things I will not play ball in the house yeah and
I would have to sit there for hours and the eyes had to be under the eyes
perfectly and the wills had to be perfectly wow and I would sit there for
two three days I get home from school at three eat lunch and go right to the
notebook I sit there till dinner and after dinner for two hours and then my
mom would be waiting for an apology and in my world there was no fucking
apology I rather write these fucking lines than apologize that now I felt at
that age but then somebody would come over and there's Cubans calling that
you don't have to lie okay that means they throw in the towel for you so let's
say I'm mad at Mercy and Rudy comes over I leave the room Rudy sits at Mercy
and says hey what's going on with you nothing my dad and you listen I grew up
with your dad I know he is just tell him you're sorry and you want to keep
writing and I go no and they go okay call your mother mark come in here and my
mom will come in and I have to look at her and say I'm sorry for breaking the
dollars and she go next time you do this this is the penalty you know my
daughter lost her jacket at school I give my daughter 40 bucks a month to do
the podcast $10 a week I give a 40 I make a signed paperwork I put it through
the whole fuck you know me I give it to her an envelope I make it to the whole
deal a mother bought her a school jacket she wanted a hooded sweatshirt she lost
that to school the mother charged her 30 bucks yesterday she was crying for an
hour took it out of her piggy bank that's it that's how I was raised you know
you don't know the value of a dollar so as it was I had rules growing up but you
couldn't and then no let me tell you whether there was more rules in North
Bergen there were unspoken rules couldn't get an A-ring couldn't get a tattoo no
long hair it was very well known in North Bergen like the the basic rules of
North Bergen they were underwritten but they were very basic the kid died about
six weeks ago from North Bergen I'm friends with his wife today and his wife
came to my show on rascals and she goes when I hugged her I don't I'm sorry about
what happens she does my husband always loved you he said you were a real man
because you're soft more you broke up with a girl and you went to him before
you asked her out and I did my sophomore year I went to this tough motherfucker I
go hey you guys have been broken apart for a month there's a word on the street
that her and I could click are you okay with this so I could see his t-turn
and he goes I still love her and I go listen you're apart for a month and he
goes well you do what you got to do and I put my hand out I go I'm just here to
tell you I'm gonna take her out that day I don't want no problem I put my hand
down that's what men did that's how I was raised like that was the code in that
town that town was very coldish you know some kid hit me last night you know
when we were kids we were raised to do everything the best like we went to
hash ways there was no fast food you didn't eat at that place you didn't
step foot in that place you know that's just the way it is you lived off
discipline a certain discipline and I carried that discipline out here like
I'm a regular I'm not a bagel head you know that you'll never hear me go on the
pizza I don't care I'm here and I'm not here for the fucking pizza anyway I'm
here for a dream or them for enough here for a bagel but when it comes to food
I'm very traditional Cuban you know you got to have this shit somewhere I don't
want it I rather not have a second best you know it's like some guy said to me
that's not into the world I want to take you to church the Popeyes I wouldn't
walk into fucking Popeyes I wouldn't walk in I made a mistake one time I was
sick for four fucking days I'll never do it again I go I'm a Chick-fil-A guy
he goes Chick-fil-A is a better sandwich but don't you want to taste the Popeyes
just to compare it I go why would I fuck with the best it's the best it's the
best I'm gonna go to Popeyes and last time I went to Popeyes I took the skin
off the chicken I could see four toes the breast was a guy's foot you could see
it didn't take a genius I wish I was lying to you it was like a fucking foot
that they had cut at the ankle not at the ankle at the at the insole and they
deep-fried it that's what it looked like I never went back in there never again
and my daughter one in there one there with my I thought my wife can't bring
her in here gee yeah but it's okay that you can't bring her in here we don't eat
that shit we don't do that we don't we don't ballet vu france when I was a kid
in Cuba in the 50s the fast food will come to you we had guys with carts and
it would be like they had either had a bell or they had their pregón which is
like their slogan you know they'll be singing money said oh you know selling
peanuts or whatever you know and the best Chick-fil-A type sandwiches bang and
panizado bistein panizado or pollo in panizado which is like breaded breaded
breaded right there made fresh and this little cart this guy's pushing this cart
along the street you know and he's got it like a like a grill you know like a
like a Hibachi grill the Mexicans now yeah yeah that was our fast food
but they don't move to you no no no these guys move around they walked around yeah
yeah yeah and they're like yelling out letting everybody in the neighborhood
that he's coming man yeah and and my mom had a basket with a rope and she would
put the money in there put the basket down with a rope and the guy would put
take the money and put the the sandwich and she will take the basket right up
and that that was our you know that was her fast food you know and it was
amazing fresh and it had soul because the guy will be singing along with it you
know if I could have a basket hanging out of my window I would never leave the
house it was a balcony yeah they come to you the ice cream guy granizado you
know where's the shave eyes you know with that with that a jizz on it and yeah
and they you know all that peanuts oysters oyster cart oysters already
prepared with with the sauce and everything you know of the only of the
only of the only yeah oyster yeah yeah yeah what human rules didn't you like
that you felt well you know it wasn't as much as my family had rules it was more
I mean you know my mom had some guide you know of course you know guidance and
things you can do you cannot do for example she had the law that if my
brother and I we were fighting you know over anything you know stupid things that
kids do she would hit us with the belt both not one but whoever whoever if if
you're guilty you're gonna get hit and we're not guilty yeah you're gonna get
it yeah everybody got hit so that was like a main rule you know you know so
we didn't fight over anything you know and you know but it was more cultural
social rules you know that if that if you went out into the streets and you
were in and you were facing Miami as a culture an extension of Cuba you know
you were still had those rules that they were applied to you in Cuba but in
Miami and they really did not apply anymore in Miami you know but because
you're it's part of the United States so it was a I found it very tough for some
people to assimilate early on first-generation Cubans my family for
example they had like a cut-off point if it was like across the street from
Flagler where they live that was coral gables they wouldn't go there because
that's coral gables they wanted to live in the northwest a subway and nowhere
you know that was more like a Cuban Cuban territory so they had that cut-off
you know that was that was the rule don't go to coral gables you'll get
lost it's a lot of white people there they'll know they're not gonna help you
get back home basically my rules I couldn't the rules of the house were
made out of a guy I wasn't allowed to repeat what I heard in the house but the
three monkeys were everywhere you know they cover their eyes you know I
couldn't do and then when one came into the picture he brought even more rules
because he was the ultimate machismo Cuban man the guy that you know he
wouldn't be in a room with a man what that was gay if he wasn't a gay man
walked and he'd walk exactly yeah not allowed to drink in public can't let
nobody drink in public very no flash you have to confuse the people who you are
don't let them you know he was always confusing people so he brought
different rules into my life you know we weren't allowed to talk on the phone
about anything like even if I knew something I wasn't allowed to I'll never
forget them pulling up one day and me getting into a beef I had to be maybe
Mercy's age six and getting into a beef outside in the cop broken up and me
talking to the cop my mother come up to you don't say two words for motherfucker
you know you're not allowed to talk to cops it was like so there were so many
fucking rules in my house growing up that it was confusing and I kept to them
like I never repeated the life I was living inside my house but one of the
positive rules that my mother had was I was not allowed to speak Spanish outside
the house in the house she wanted me to speak Spanish she's I stir remember us
having that conversation that she didn't want to raise no fucking Ricky
Ricardo with an accent that your accent has to be American you're an American
you know my rules the plan for me was laid out you know these Arabs complain I
left because they wanted me to marry my cousin well I had the same rules I
wasn't gonna marry my cousin yeah oh no they pretty much had a woman for me to
marry it was her goddaughter that was the plan that I married her goddaughter so
they always pushed us together when we were kids but the my mother's plan was
high school the service and the head see them because she wanted to get back
to the country what the country had done for her so she wanted me to do four
years then go to college then go to law school that was the plan that's why
when I got left back in the seventh grade I'm like a plan is not gonna work out
because I can't even make it out of the seventh grade I'm so fucking stupid so
that was her plan that was it I knew in high school that I was gonna go into the
army like she was gonna force me into the army like there was no way about it
that was her main goal you're giving this country for fucking years for what
they did for us and even though she was a numbers and she on the bar and she was
a drunk those were her principles so it's really weird the rules I had grown up I
couldn't wear my hair a certain way I couldn't part it what side do Cubans
a Cuban man has to be yes on the left side if you part on the right side that
means you're a fag so once a while I would experiment with my hair and I
fucking comb it to the right side and I go to breakfast and she go what are you
rock Hudson and I go what are you talking about she go put your hand on the
other side before I smack you remember in the 70s was popular to wear a scarf
with a little a little bow when you tighten it I was always sweating in
Miami yeah in the 70s yeah in the 70s there was a style yeah that you put a
scarf around your neck yeah and it was just a little circle yeah and you took
the circle put the scars yeah it's like a hippie move yeah yeah I'll never forget
the first time yeah I put one of those things on I went to the living room she
just looked up and she was like what are you a fag I think that off right now
you're embarrassing me you know I'm saying like shit like that yeah it wasn't
allowed like if you were laying on the floor I was not allowed to cross my
mother's body
so she's laying on the floor okay got her stomach yeah yeah TV yeah Cubans are
allowed to cross the body yeah that means that in a cemetery yeah you have to
walk around them yeah you couldn't say can't the word cancer in my house yeah
my mother would spit on herself yeah so whenever somebody would say cancer she'd
go yeah yeah and she'd spit on herself you're like what the fuck is wrong with
you know it was just so many basic and I forget half them like I forget three
quarters of now yeah but there were just so many fucking rules I had they were
ridiculous yeah I mean I you know I just like you I love my parents and I I'm
grateful for them because everything that I am today is because of them you know
all the sacrifices and everything and but there was a lot of funny shit you
know going on you know it's like when we first got to Miami and then 61 my dad
first thing he got was a TV was first paycheck he's sorry on credit you know
back back in the day okay was that credit you know and credit cards and stuff
and we got a TV and so on Sunday whenever football came on television and
my mom's you know we didn't have football in Cuba you know American football you
know and she sees like these guys wearing like tights and and they're close
to each other and one guy's got his hands underneath the other guy's leg to
grab a ball she goes no no no no you know I want you to watch this this is
wrong so there was no football in my house we all those men with tight pants
on watching each other no we don't want that no I could just see it yeah there
was the machismo was so high even with mom's mom or yeah because moms knew the
torture that kids were gonna get if they you know Cuba in the 50s and 40s was
very anti-gay and when Fidel took over it was even more I think pretty much the
word the whole world was pretty anti-gay back then yeah for Cubans I've read
stories of there was a time in Cuba where it was such a disgrace that the
neighbors would talk to parents into taking the child shark fishing and
throwing them off the boat you know in the Celia crew story they killed his
brother or nephew because he was gay yeah you know it was a different time in
Cuba to be gay you know it wasn't like flamboyant but Rob Cutson went down
there every weekend and was gay in Cuba and they accepted him you know Marlon
Brando the stories about Marlon Brando going down to Cuba and being gay you
know and I remember being a kid and hearing Cubans telling me about
different personalities and I go how the fuck do you know about this and they go
because when I was a kid they would come to Cuba and we were kids we were
following around with Michael Jackson then when Michael Jackson put the kid
outside the window yeah yeah thousand people outside yeah that's what would
happen in Cuba when like a celebrity would go to a hotel yeah the national
or something like that they would people would get the word around who was
ever in town you know wherever was big at that time you know Sinatra you know
when Sinatra was at the national or whatever they were fucking 200 Cuban
skinny chicks outside waiting to suck his dick yeah you know he would pick them
and choose them you know if you read the book of Eleanor Turner it talks about him
being in Cuba a lot the sexual fucking prowesses that he had down there that
motherfucker was going crazy yeah recently this this man Walter Mercado yes
died yeah he passed away you know yeah and you know he was like a big huge huge
presence in Miami in the 60s you know I mean you took a look at the guy and we
you know all the you know what was made fun of him you know because everything
is mannerism the way he dress you know I'm all yeah and it's obviously his sexual
orientation was not in question but but when they announced you know that the
local Los Angeles anchor person you know was talking about his background and
everything announcing his passing and and then he mentioned and and that his
lifestyle his sexual preference was never mentioned that he never came out
and I'm thinking did he have to come out no you know it's obvious and who
cares really you know another thing going back to that when I was it when I
was a kid you know I was into music and you know you were a kid and you were
going wow you know I tried to trumpet first and I tried trombone and I was
just going down the instruments you know until eventually I got a guitar but in
between that I thought maybe piano piano you know this sounds great I can play
rock and roll and then I can play you know some classical music jazz is music
you know and my mom would say oh no no oh no the piano it's not for for man to
play she knew she knew a lot of you know gay piano players in Cuba and she
thought that the instrument was gonna turn you gay was it a Cuban culture
thing or was it a cafe thing or a mix or like what do you think I think it was
reference reference that she had that because one of my aunts was actually a
casino lounge singer in Miami I'm sorry in Cuba in Havana you know all those
casino all those hotels they had casinos in Havana you know that was the normal
thing you know so her the guy who that would accompany her was gay you know
the feet and she had like like like two or three piano players I would
accompany my aunt and they all gay so my mom's reference at the time was like
well all these guys that play piano they're gay so the instrument must turn
you gay don't play it was they had the list of the other night they had a
semi-list up of Cuban rules and people howling like can't take a shower after
you eat catch up in the pool for an hour and then it would stick to the rule and
you're a kid in Miami at the hotel trembling you're counting the can I go
in now no an hour after you eat like I take showers all the time now I've
right after I eat this showers I take one I got a sandwich in my hand I still
have a fucking died my mom would not pick up the phone if it's raining in Miami
because there might be lightning and even if you have a wireless you know not
a cell phone but a wireless phone you know cordless phone in your house she
will not pick it up because she she thinks that she's gonna get electrocuted
you know hit by lightning you know rules these are the rules and I grew up
with that you cannot eat you cannot go in the shower after you eat for so many
hours because you get a calamity which is a a we go a cramp you're gonna get a
cramp and you're gonna die in the shower yeah yes yes all the pool yeah they
were the boy I had the pool one but yeah the shower one I never had before they
were a mansion it's like no matter how how ridiculous something is my mom will
always say to me she will say it and then she'll go as possible you know it's
possible I think the craziest Cuban thing I ever saw was I was living in
Colorado in our Vada in 93 I had just moved back and I reconnected with a
friend of my family's his name was Alcoello he could be dead now he was a
character like he took me to see kiss and I didn't even know it you know he
when I see him you always say you remember I took you to see kissed how
your friends I don't know if it was kiss I don't fucking know you know but kiss
was from long Island they would do little bars and he took me to a rehearsal
one day and he had girlfriends and you know whatever and then I lost contact
with him and I rekindle my contact with him I met him selling cars somebody
told me he's a Cuban guy from Jersey that sells cars at Douglas Toyota so I
went over there when they go what's your name he was out we started talking like
oh my god I grew up with you you know well parents knew each other and he goes
you know stay with me so I moved in with him when I came back to Jersey and his
aunt was coming meet that meet died and my go he had two aunts and I'll never
forget that we picked the aunt up and she took the metal tray and took a pig cut
them in half oh yeah marinade the motherfucker yeah put like a saran wrap
around with duct tape and put them on the plane and put them on top of the
plane like like luggage and the whole plane she goes no no we're not paying
they got our young and they're talking about the smell of garlic everybody on
the plane was called small small yeah and they had a pig on the plane that
nobody knew about and she didn't say anything she looked at it like you know
you take a soldier out of battle she says they walked on the plane like that
in the store this is like hi what are you having like luggage we just can't hold
it we airy they had a pig and they put the pig in they took the pig out we
drove it from Denver Airport the alcoholos house and they threw in the
oven and then marinated for those four hours they were like what are we gonna
do for those four hours let's marinate the pig let's kill two birds and one
stone flying they marinated the pig while they were fucking flying that's how
much respect they had for that little fucking pig that's beautiful
it really is before the show you were talking about something that made me
laugh I enjoyed it very much I enjoyed it because it reminded me of what's
going on right now I really like Dolomite it reminded me how much I
loved Eddie Murphy I've always loved Eddie Murphy and I don't want to see him
do stand up all you fucking idiots that keep pushing Freddie Murphy to do
stand up stop it he hasn't gotten on stage in 20 years what do you think it's
gonna take a year for him to tune up it's gonna take too long he makes too much
money making movies and even if they give him 70 million dollars he does not
want to go down to the county store and work out every night and he's gonna have
to and that's not gonna happen he's too old he gets fucking I've seen him at the
store when you see him at the store you realize that this was a stepping stone
for him it was a stepping stone for him this is all this was for Netflix to give
him 70 million dollars to do a special you'd have to be an idiot if you're not
gonna take it but I know that Eddie those two specials are brilliant raw and
delirious he's was he gonna talk about now what's he gonna do go to the
commie store four nights a week for a year to get 60 minutes give me a fucking
breather but beside that little thing the Dolomite I thought was great I thought
it was great it's funny that you were talking about that when you started in
North Miami there was a house and see and he was a black guy I think there's a
black guy at every place I did come yet there was a house yeah yeah I had a
story yeah your guy said that Isaac Hayes ripped yeah Jeff Stewart Jeff Stewart
was 1969 we were all everybody in the band was fresh out of high school and we
happened to be rehearsing at the guitar player's house and the father his his
dad walks in with the newspaper and he wanted ads page and he says hey there's
this club that's hiring a band they're looking for a band he just wanted us out
of the house you know up until the time we were only doing quinceañeras which
was a great breeding ground for rock bands or you know little bands that became
big you know big musicians came out of those little bands so matter of fact the
Miami Sound yeah well Miami Sound machine one of them will leave from David
Letterman Orchestra he was a bass player in one of the bands in the
circuit you know the quinceañeras you know I mean countless of great
musicians came out of that we had to play a lot of slow songs because that was
the only chance that that the kids could actually have body contact while the
chaperones were actually keeping an eye on them you know on the dance floor you
know so they had this method is was when they're facing the the chaperone they
they hold tight and then when when they go sideways they separate you know that
six inch rule right right and then it was it was over like that as they go
around in circle they separate and then they come together again and start
humping and then they separate you know and the more slow songs you played in
your set the more gigs you got you know so those were the Miami quinceañera
rules you know but what we went straight from from playing that circuit into
all of a sudden I had never seen a naked woman before because all my girlfriends
were Catholic and they had chaperones you know their moms all of a sudden I'm
playing in front of naked women you know they're naked they're naked you know
what was topless and with the G strings so that might as well be big naked you
know and we had this MC Jeb Stewart he looked like Jackie Wilson you know had
the pump of the war you know with with the hair grease back matching Romeo shirt
remember those shirts I had like the big collar and lace yeah polyester and
polyester matching pants usually either orange or light blue baby blue with
with shoes that he every night he would take paint and spray paint the shoes to
match the color of his outfit and he had like a big cardboard sign behind the
drummer with like records you know 45 spray painted in gold and his name in
in sequence you know glitter Jeb Stewart and then he has some slogan you know
like the the king of soul or whatever and little musical notes and stuff like
that and we just play R&B all night long with this guy and and he must have been
a great singer one time but I never got to hear that because he had any a
perpetual cold it was always like this raspy right so he would only hit one
note like I'm gonna wait through the midnight hour you know when this he
never would sing a melody it was always like this raspy one notes singing
and he had the dance moves in between and he was smooth man slick smooth he
wouldn't you do the girls because you know like he went to do the girl and
then she would dance right right in front of us in our little stage and then
she will move on to a cubicle in this horseshoe shaped bar with all men
sitting around and they had knockers so instead of clapping that's what you heard
like you know 50 guys going like this you know in between girls you know instead
of clapping you know for the girls dancing and the girls will move around
and by the end of the set you have like eight girls dancing you know and then
that was over and then 50 minutes later you go back you do another show with the
same the same thing you know yep that was my my first club club gig when you
were on the road with white snake in 88 87 87 to 94 yeah let's just say 88 yeah
yeah were you ever on stage one night having a great night you know yeah all
them everybody's doing great and at one point you thought to yourself the reason
this is happening is because what I did in that strip club absolutely absolutely
I mean I don't on you that fucking destroys me when I think of the exact
moment where I learned how to do that it happened I tell Lee it happens to me a
lot now when I'm on stage and I'm controlling the audience I'm controlling
them at this point yes and it's been 28 years but this just didn't happen that
control I learned at a certain bar in 1995 and while I'm on stage about the
delivered jokes and while I'm getting my breath back while they're laughing and
they're settling that thought it just runs through my mind that the reason I'm
here right now is because of that bar in 1995 the night that the guy through a
stake at me or whatever you know I'm just making up scenarios here but it's so
weird how now 28 years later there's nighttime on stage having a good set
you know after 20 years of being in it you know thinking back to the night where
you had that breakthrough that you did that that that step that maybe you added
that baseline that you know something with me it's always maybe I move a
certain way or I I do something I did something in New Jersey that I hadn't
done in 20 years like a not a bit but a piece from a bit that I couldn't use the
bit anymore because the bit is fucking old I don't even think I remember it but
I used a piece from a bit when I got off that night oh wow I still remember doing
that bit on improv level one night and then starting to use it and then it
just it was time to re get rid of the bit and I did but that little piece of
that bit still makes me laugh and that was that had to be 96 97 when I did that
bit to kill time like somebody said how much time you got I'm like 18 do 30 okay
I'll tell a story and I told that bit does that ever happen to you that you're
on stage and you think back to a certain night absolutely absolutely I you know
that the tomboy club in North Miami was my first club gig and I kept
playing clubs all the way in Miami up until like I left in 75 and that was
basically my cutoff point so it was about six seven years because by the time
well actually I kept playing in clubs up in Chicago area in the Midwest with
another band it wasn't until I got to LA and in 1978 started playing with the
Randy Rhodes version of Quiet Riot that that yes we were playing clubs but they
were showcase clubs you were expected to play original material so to me that was
a big difference between playing being in a cover band because that's not gonna
get you anywhere you know I mean if you really have aspirations to becoming a
professional musician you know as far as a career move yes you might be able to
make some money and you know take care of some bills and things like that but if
you really want to you know make a move you know it's like it's like in in
comedy or acting you have to you have to do certain things you know like playing
at the comedy store it's a showcase club it's not just a comedy gig you're
there with the best of the best you know and there's gonna be agents are gonna
be producers and you know the suits are gonna be in the audience checking out
what's new who who can I get you know for my next special or my next movie or
whatever you know discovering talent well there are certain clubs in in in
Los Angeles that at the time that was the purpose of playing there there was
starwood that choir right we were like a house band there with Randy then there
was there is the whiskey and the Roxy and the troubadour and for one time for
for a certain period of time there was Bill Gazari's Gazari's place you know
Van Halen was like the house band and stuff like that where was that Gazari's
is where what is it called now it's called something else it's it's like a
disco now it was like in Hollywood yeah it's okay yeah it's it's west of the
rainbow oh so it's down towards that yeah it's the next club across you know the
next street from from the rainbow bar and grill you know it was all one yeah
playing there was there was a club called filthy magnasties which was a cover
club now is the Viper room you know yeah Viper room used to be filthy
magnasties. What about that place on Fairfax. There's a place on Fairfax.
Oh wait a minute. Towards Wilshire. Okay. I went there a few times Irish bar they
have like cover bands I had a friend that was in the duty band at the time. Yeah
yeah you know the the strip was like basically the place of course you know
one later on different clubs around the area I think it's called the Mint the
one you're talking about the Mint. Yes yeah that's another place that opened up
later on yeah but hang out what's the place next to Dan Tannis. Oh the
Troubadour. The Troubadour. Was that a hangout for you? That was definitely a hangout.
By the time that I started playing there quite a riot played there without me but
yeah that was almost more folky you know like the Eagles you know a little bit
softer rock Elton John you know performed there it wasn't kind of like a
guitar driven you know heavy heavier sound like the whiskey or the rock
she was. Yeah that's fucking crazy. Now the Dolomite thing I picked up from him
he said a line in there that he sold he sold the line so brilliantly and to say
that line you had to be. Oh yeah. In that some part of your life when he's having
dinner with the guys after the thing and he goes I'm taking a listen into the
whole bow and blah blah blah and they said something to him and he just paid
his money he goes fuck you motherfuckers I don't need to talk to your people he
walked out to his car and I think Michael Epps came out there and he goes
bro be cool and he goes nah you don't know you don't know what it feels like
to have something that nobody wants and that's a point of everybody every
artist's career there's a point at the 60 for me it was the five six seven year
mark that you know I'm doing comedy with these guys I'm in the same circle
people are talking to them but they're not talking to me you know and at one
point you actually go home and go obviously they're not buying what I'm
selling you know do I keep doing what I'm doing do I quit do I change my act
when I put a suit on and make rocket ship fly out of my ass all like what do
you do you know I'm saying yeah and I like that part that they showed the
character putting it together I'm gonna make a comedy out yeah you know and it's
funny because my whole comedy and I told especially since I've been working
with Lee I don't even want anything perfect I came from the 70s where I
grew up on comedy albums whether it was prior or Cosby or Carlin or whatever we
were and it was a different feeling it was six of us would chip in and get 25
dollars worth of weed and we'd get a six pack of beer and we'd come to Rudy's
lit garage because Rudy's parents were worked till six during the week so we
would go over that four o'clock we'd all sit in the circle and put this comedy
album on and giggle it was like a it was a thing people did it wasn't
surprising for somebody to call you in the 70s and go Lee what are you doing
Saturday night bring over onion dip I'm having 20 people over we're gonna listen
to the bicentennial nigga and you would all sit there there was a Netflix there
was no comedy special there's no comedy special you came in with that album
fresh you opened it up you took it out everybody's like yeah it's Richard
prior bicentennial nigga you put that thing on and nobody said a fucking word
all you did was laugh nobody said a word and that was big in the 70s that's why I
went when it came to doing the podcast I really enjoyed it because it made
people listen again when I used to be in those rooms nobody said shit you can't
do shit today without somebody saying something messing something up in the
70s nobody said shit you put that on my nobody had the heart to say did you watch
the neck game last night nobody you shut your mouth and you hung on and you
listened and not everything was perfect the recordings weren't perfect you know
even when you listen to Judas Priest unleashed in these those recordings
weren't perfect and how many fucking bootleg albums that they sell how many
bootleg albums I listen to that were made at the garden some guy would walk
them with a with a cassette in his jacket so on there's no microphone all
these people we have to put live mics and all this shit what are you talking
about I've seen them do it with nothing what are you talking about the first
album I ever signed was a guy that Randy and I Randy Rose and I run into this
1981 we're at the Atlantic City Boardwalk and the guy had just bought the
the first Aussie radio broadcast live you know we're playing live and it became
bootleg it was called bat head soup and the guy gives it to us and says oh man
can you sign this and you know it was a bootleg but we were proud that somebody
cared to buy this thing of us playing in it you know that was that I'll never
forget that moment you know and you know you kind of like know that okay I'm you
know we're on the on the right path here doing this you know one of the things
that I wanted to mention about you were talking about records back in the day
you know when you were a kid okay what when I was a kid in New Jersey this is
like in you know mid 60s you know you're always looking for inspiration and
there's so many there's so many spiegel catalog pages that you can look through
you know the underwear section whatever when you were a kid you know and so I
was always checking out what when my mom and dad we go to work and I would stay
at home come home from school I would go through my dad's stash to just to see
what what he's got and I came across this these collection of records that he
had they were called there was a central character
Juana la loca and you know she what do you call that a woman that always have to
have sex a slut pyromaniac but yeah yeah yeah yeah one of those right so
doubt that was her condition whatever wherever she went on these records you
know there was a series of records you know let's say she went to buy a bed at
a furniture store where she winds up having sex one a lot look I remember
something like this I remember Abel O'Hara yeah yeah that's a comedian yeah yeah
and he was impersonating I would listen to him yeah Spanish yeah my fuck yeah my
mind would blow up but this is something that my dad would not play when we were
around no that was his stash you know you know and so that that that was a
really good source another source was actually he had a collection of Betty
Betty page movies I'm talking about actually having to me when they're out
of the house I know I got like a maybe half half hour window to do this set up
the projector screen you know that is folding you know set up the projector
put on the the reel and watch it and then put it back everything exactly the
way it was you know so it's you know the matter of fact and now what if there if
I hear a projector sound going like that I got a boner yeah I got a woody I still
remember ordering those movies I still remember you had an order magazine oh
yeah and wait six to eight weeks yeah delivery oh yeah the kid that when I was
just the stress factor kid Michael speciale he was the oldest one of our
crew he had me by he's 57 if I'm 56 he's 57 and we were talking about that
when he came in the green room we go remember we ordered the porno and we
put the fucking screen up in my attic and we had to put like cover the windows
yeah you put a blanket on the wall and and there weren't like porno from today
it was like just basement disgusting mind-altering what's that big thing
everybody's got today TCSD with PTSD bro you automatically got PTSD from
fucking listening to these things like from watching them it wasn't like you
looked at women differently it was a complete different it wasn't like robust
women with big tits they were just like skank from the street that had been
beaten had lit them on fire and then they would pay them like small fifty
dollars to have sex with them and as a 13 year old a 12 year old when you wait
six weeks to actually see pornography and it is just a fucking animal show
that's exactly it was it was just a fucking animal show it really was it was
the worst thing I had ever seen I still have memories of the chick laying there
she's like nodding on heroin and also you see a guy walk into the screen with
his dick and she's like on the drugs looking at his dick and you can hear
directly going suck it suck it like you can hear director and we're like sitting
what suck it we didn't even know about a blowjob we were so young we knew
something happened like I had heard about blowjobs I tried to get the fucking
my babysitter to suck my dick when I was six for $20 but I had never seen like
this and she just kept looking at the guy's dick weird and then she smelled
it a little bit oh my god all of us like oh and then she put in her mouth and it
was bad dick she kept making weird faces or something and then she wouldn't get
up like she was like candy cat or something like that she got him by a
car he tried didn't imagine her crawling on the ground I'm talking this is
beyond me to this was beyond me to those direct this shit I got thrown under the
jail he you know like when you see porn they can go to pick her up through a
swap spit with them yeah after they make eye he tried to pick her up she's like
I'm not going anywhere like she had no legs something oh my god then they gave
her two pieces of bread I will never forget this that one minute she was
sitting there looking at the dick and it was just a cold at it like then I don't
don't even worry about the flow like next you know she was sitting with a hand
like this and the next thing she had two pieces of right bread at the hand and a
jar of miracle whip with a knife in it and we're like what's she gonna do I'm
like I don't know maybe she's taking a break maybe she's hungry she took the
miracle whip put it on the bread and then put it on his dick and put two pieces
of bread on his dick and started eating the white bread off his dick and we were
in shock like all of us stood there like when our jaws drop and there was a
young kid I wrote a joke about this but this is not a joke this is a true story
there was a young kid that started crying like he was like if I was 13 he was
11 or 10 and also they was like he started crying they were Sabatino that's how much
you're fucked this up everybody want that money back people are pissed off at
me because it was like 20 bucks and you got three super eight films the super
eight and the projector you had to build the projector you had to like what's
that beep let's try outside that fucking car was there for a year finally fucking
you had to like put the wing on to the projector screw it on yeah but it
came in a little box very discreet yeah and you open it up and you were fucking
porno was they have crimes in there that sounds terrible that's what they had
crimes in there if you get those porno today you could sue the fucking you
could sue the company for PTSD I wish I still had that porno I would take it
to psychiatry to say how does this make you feel when you're fucking 13 it'll
ruin you I wanted you know I did your radio show and I went up and did the
podcast the day I got car sick going up your hill 19 fucking left turns I was
car sick I had to sit on the bench out in front of his house and you've always
said that you know you were very happy when you did the podcast I gave you the
inspiration were you inspired me to do something I'm really thankful I started
going out I went to two concerts in three months I'm going on another one in
November I'm going to another one in December I went to see Guns and Roses at
the Palladium wow I saw yeah I saw your post yeah and I went to see Pat
Benatar at the Saban Theater yeah which is fucking great that little theater
yeah she is yeah and it was just what you said I didn't spring the 900 for the
stones I'm happy I didn't I didn't hear a lot of good reviews mm-hmm I have a lot
of friends that are honest they're not regular white people that paid 900 them
who pays 900 is gonna tell you the concert suck nobody they're gonna tell
you was phenomenal go spend the 900 so you feel as shitty as I do yeah but my
brother went he's been to see the stones 21 times and he said it wasn't no
bueno at the metal and that I would have been so bad about I don't like seeing
people like that either but Guns and Roses is a fucking experience really yeah
it was really an experience you know it reminded me of it reminded me of Ozzie
at the Palladium in New York wow I had that same had that same dirty nitty you
know feeling to it yeah you know Guns and Roses has that where the Palladium in
New York naturally had that like when Guns and Roses walks in the room that
feeling comes over you but the Palladium in New York had that grungy rock and
roll dirty you might get syphilis if you touch the floor with your finger and
finger somebody feel to it I had a lot of good times yeah Palladium that was
but thank you very much oh sure to be an entertainer you have to be entertained
from time to time interesting yes entertain yes when you get bored and I
didn't notice as a comedian till I was already in the game 10 years 11 years
but that's why they say it's important like to watch a movie once a week for two
hours to take your mind out of the game and get entertained you know I found me
as a comic I learned a lot from watching singers a singer in a comic is the same
thing we're just a conduit for the message do you know I'm saying I think
you guys have tougher jobs than you say oh yeah I wouldn't fucking trade my job
for a singer not a million years there's too many things that could go wrong you
guys don't have the drum solo you guys don't have like the the guitar player
going off on a tandem extending his guitar solo and you going like this you
you don't have for example like like if you if you if your voice is a little bit
rough you give the crowd the mic to sing you give the crowd the mic to finish
off your joke you can't do that you go you stand there basically the way the way
musicians we look at it you're standing there your naked with your dick in your
hand and that's all you got that's it nothing in between nothing nothing to
shield you nothing to protect you you know like the other guys in the band like
you know I feel a little bit rough today so I'm gonna like take it you know now
that I ever do that but I but I've seen singers you know it's it's tough being a
singer it's I think it's extremely tough I have a if I have a call of my
stomach doesn't feel good I just go there and play because I'm using my hands
you know and I might move around and if I really you know once I get past the
point of like I'm on stage now I forget about how shitty I feel offstage you
know if I if I have a call or whatever I just go there and play then I'll
probably feel like shit again once I get off the stage but you you you you got
nothing you just go to go there and do it and be a thousand percent because to
that audience that showed up that's the moment they don't care how you got there
they don't care how you feel you're gonna deliver and you're gonna deliver as
good or better than the last time they saw you and if they never seen you
before you got to live up to the hype and beyond that it's crazy it is I see
singers and I'm like wow I learned different things from different singers
from watching including Axel Axel I didn't learn a lot from but you know I
love watching when BB King sings yeah no he's there yeah yeah he's right there
he's I know but so are you when when you're no no you know something that's a
50-50 chance that strengthens the longer you do stage the longer that you are in
the game you put yourself there time to time now when I go up there it's like
Anthony Robin says you touch your shoulder and it's a reaction yeah it'll
give your mind a reaction on how to perform yeah you know with that deep
hypnotism isn't it like you touch your wrist yeah it means go time for me as a
comic I think that it took a long time but now I'm at like 70% where I could
really depend on my confidence I got a question for you we musicians we call
it we play that's what we call making music performing we play what do you
guys call it you're doing comedy see it's different see we play we we we don't
take it well I mean we take it seriously because you know we I spent hours
playing but but but I play I spent hours playing because I love to play that's
another thing you you don't spend at home you don't sit on the sofa you know
throwing lines out you know we're telling jokes or things like that no I sit on
the sofa watching TV I got my little dog in between me and my wife I got a
little amplifier that's not louder than the TV speakers and I'm playing all
night long and I got ideas coming through my head and I play them meanwhile
I'm watching TV you know what I mean it's a constant with me I'm always playing
if unless I'm on a plane then I can't play but then I take out you know my
iPad and I look at I start reading music you know sheet music or
other tutorials you know things like that I'm always in it oh no I'm always
in it I know you are I'm always in it because as long as my eyes are open I'm
writing yeah I know you are I'm taking in data I'm taking in data my eyes are
always taking in data as a comic I'm not I might not be playing but I'm taking
in data yeah yeah and now because I'm more disciplined than ever and
everything now I know to write that thought down write it down yeah I'm
gonna remember it later write it down I'm getting more success with that write
it down take the two minutes write it down yeah if it even means writing the
joke out because it's not gonna come to you again you know I go to Nova Thor once
a week yeah Nova Thor's red light therapy you lay there you know many times I
go in there and baked out of my mind I think you're fucking a whole bit yeah
now I just take a notebook with me I take a little pad with me when I go to
Nova Thor and I loosen the goggles I get the red light beams my eyeballs and
I'll write the fucking thing and I won't be able to see for now after I leave
there I don't give a fuck you know your eyeballs are when you're a comedian
should always be working that's why you need to get out of the house that's why
you need to do certain things because you're collecting data doesn't matter
doesn't matter where you're going a friend of yours tells you this diner is
good go there yeah sit so that the bar watch I'm always watching I was raised
to watch because my mother had the numbers operation so my eyes had to be
better than everybody else I had to make sure that that car why is that car there
why is that white car parked there that's where the red that's for Rudy
parks every day I was raised to walk home a different route so some days I
walk up to hunger some days I'll walk up cold facts some days I'll walk up
Laurel Kangan just to see what's going on in that fucking neighborhood so when
you're a comedian your eyes always collecting data that's where your
comedy comes from comedy is how your world collides with the rest of the
world why are you not taking in data whether it's a concert whether it's a
fucking museum maybe it's a walk down the block maybe it's a walk in Hollywood
to see a bum and a funny story you take a walk in Hollywood you're always gonna
come up with a funny story you park your car my on me but go to on me but and then
take a walk around that neighborhood right in that neighborhood go to fucking
the hamburger place and get a hamburger like a normal person instead of going
for the black joint and getting chicken taking orders you go right up the corner
there they got all the food on that block you want just walk on that block and
see what that block is about you'll get a fucking you'll get a fucking minute or
two of material so we're always working yeah side musicians what I meant to say
from the singers is like Robert Plant the song remains the same his whole body
becomes a weapon in that that movie if you watch his whole body it's his whole
body is giving you material that's very real I know that that's very real not
too many fucking singers have that some singers could connect with the audience
some singers could take you there and some motherfucking singers are there but
like they're there but you're going to something really interesting and another
major difference from what we do as musicians than what you do take Robert
Plant outside of Led Zeppelin it's not the same Led Zeppelin it's like for
example when I play with certain bands when I play with Ozzy I felt like an
animal on stage when I play with choir riot I was more it was more joyful it
was funnier it's a whole different emotion that I get when I play with
white snake you know I was fucking licking the bass all over the place because
I felt it you know there was a sexual undertone to it you know then I play
with Dio and it was more like that super heavy metal you know you know with Dio
he would hit certain notes Ronnie that I was standing next to him and I would
just levitate on stage it was like holy shit it was like you know we did the
song Gates of Babylon and he would hit the certain note and it was like whoa I
was actually really off the ground you know so it's it's it's it's it's very
different what I'm trying to say is that you're only as good as the band that
you're in in your case yeah in your case is you have no choice but to be good no
matter where you go because you're not in the band you're the ultimate solo
artist and you got to maintain that level you're not going from Led Zeppelin
to Deep Purple to Lake Olsson you're going solo and you're doing other
material and things like that your level of intensity is it's at top level no
matter what you do because you're not you're you you're not the the the singer
in one band that's going with another band that then it's a whole different
trip another different vibe but a different energy different music it's
about something else you know what I mean so with you it's tougher much tougher
because you don't have that role to play even though we're live well we're
really characters in a play and the play happens to be that band I was talking
with someone yesterday I'd be interested to see what you guys think because like
when you put when you start start playing music I imagine that you're
focused on playing it right at the beginning and what I am in comedy I'm
focused on telling the jokes the way I want to tell them and I see a lot of
comedians like Joey and other guys they are really great performers like and
they can really there's another level when you have the basics down and you
can actually get animated or like the bass like how long does it take for you
like I'll tell you exactly and that and that's a really great topic because this
is another thing that that that it's different from you know musicians and
what Joey does you know with the stand-up you know it's is the fact that
when we traditionally when we were going tour we make a record are you making a
record and just like you're getting opinions from not only your bandmates
you're getting opinion from yourself you know you start thinking about okay
what what am I gonna play in this song you know in the studio you got
pre-production you go in the studio so working with a producer and they say
well change it a little bit because it's not suitable with everything else
that's going on so it goes through filters and filters and it's not until
you're our own stage after the records been released you've been two weeks on
the road you look at the audience you look at the guys in the band that that
song that new song really you understand the meaning of that song you go now I
know what the song is about so now you're really playing the song up case in
point how many how many live albums have you heard that you think wow the shit
sounds boy better than it did in the studio you know it's because now the
band gets it the band oh this is what the song is you know not in the studio
when you basically the studio is like a laboratory you're on the under the
microscope every single note is being questioned by the producer by the artist
relations guy that it's the executive producer of the record and and the
singer and the guitar player and who with the drummer everybody everybody's
looking at what you're playing you're looking what what everybody else is
playing what analyzing everything when you're on stage for a couple weeks
touring that song you're not analyzing you will become that song and along with
the audience because you got the audience see to me the audience are always
been like like a like a dashboard in a car you're looking at the tachometer if
you're going you know should you go to the next next shift to the next speed you
know go from like second gear to third gear or bring it back a little bit in
the middle of the set because you you don't want to blow up the engine you
want to go full tilt all the way because that's gonna explode you know so you
go like shifting gears through through the whole set you I'm sure you do that
live you look at the audience you're getting the feedback and you know what
to hit him with next next yeah yeah I could have a set list one out of ten
I'm gonna stick to that set I'm I still do all the jokes in that set list but
while I get on stage everything comes to life it doesn't call for that set list
something happened before me that has to make me adjust that set list so I have
to call what the quarterbacks call an audible that that's beautiful and the
joke comes to life absolutely I really enjoy sitting down and writing the core
of a joke but after 20 years I've realized that the tag is gonna be written
on stage whether I like them or not I'm funny and when I'm under pressure when
I'm under pressure especially on the workout nights like tonight you know
last night at the store I go down there with no pressure it's not about me it's
about me trying everything in that arsenal that I wrote from from Sunday to
last night I must have made four or five little notes little adjustments so I
get it now like I'm not sitting there anymore waiting to write a 20 minute
bit on paper it's not gonna happen sorry and it's so weird because the first
live album I ever bought was get your yas up and I listened to it and I gave
it away the next day I thought it was garbage because I didn't like color
stones every song sounded different I didn't like that I wanted it to sound
the same then I put on at least in the east I had already bought my first
Judas Priest album and I had another album by Judas Priest staying class I
think I don't know what I had at that time I'm lying to you guys I knew who
Judas Priest was I didn't have any other albums I had heard one of the albums at
my friend's house one night when I heard their live on least in the east I
didn't like it at first again we're going away from the plan but then I was
like wait a second this sounds better diamonds arrest by Joan Baez sounds a
lot better live than it does in the fucking studio yeah you know victim of
changes yeah sounds a lot better and then I started getting into more live
recordings I was buying more bootlegs and I was understanding what was
happening till you said that it didn't really clarify at all I never knew that
that knowledge that it becomes one when you're out there yeah like I when I went
to see you at the Palladium with Ozzie you guys did a this is a song coming
off the new yeah which is flying high again yeah you think you did flying high
again on that set there was no diary of amendment no no no there was flying high
yeah and believe it doesn't the two songs we did from diary yeah yeah yeah yeah
but it's so weird I never really thought about that way yeah me myself like I've
had Joe Coy on here Joe Coy does not leave his house for a week he does all
his writing on the road he makes people pay $25 $35 $45 to see him right it's
brilliant I don't like it but then again why not the audience loves it yeah plenty
of times I come home from the comedy store and I run in that room just to
write three words down yeah three words not a sentence not a joke not a bit three
words some words that have to change somewhere and there should be six but I
only remember three so I'll take the three for right now remember the other three
when I go back to the store on Tuesday on Thursday night I'll give you another
one about the difference so why it's a tougher for you than it is for us
musicians rubber plant let's say you go and watch him solo somehow he's gonna do
a version of whole lot of love because otherwise you feel like you've been
ripped off right he did you're right I saw him December of 1980 when was the last
time you did that people came to see you because they're expecting to hear a
certain joke you know a certain line that you delivered 20 years ago 10 years
ago you got to come up with new material all the time we don't we don't as my
fact people don't even want to hear new material that's why a lot of bands don't
even make new records we don't they want to hear the hits so imagine if you get
up on stage every night you say the same jokes the your biggest jokes and that's
what people are lining up for you I mean we all have our greatest hits if you
go to each one of your specials or your albums you're gonna have one memorable
bit if it's really old I won't throw it up but you never know you know where
you're gonna go there's bits that aren't on CDs that are old but I never put on
a CD and I think they're just sitting there waiting to get morphed into another
joke exactly morphed more yeah now I have it a minute and a half this'll add
yeah two and a half more minutes to that joke that bits been sitting the wings
yeah and eight years yeah just wait to do something to smack a motherfucker yeah so
no that whole process I love now and I guarantee why you guys are on stage I
tell you who's a band that I liked because they're live performances and
because everything sounded different you wouldn't expect it from me but I lived
in Boulder and I listened to them a lot
unvoluntarily you have to listen to the dead or a dead yeah yeah you live in
Boulder yeah everybody's playing the dead next door downstairs and everybody
don't play the album they play the bootlegs from the Oakland shows from the
Oklahoma shows yeah so you get to listen to like three nights at the
Oklahoma Superdome I don't know if this is what it's called I'm just making up a
name yeah so you get to see how they switch every night how they grow every
night how they manipulate every night maybe tonight want to do this maybe tonight
Jerry Garcia plays this note maybe tonight Jerry Garcia does a long solo
depends how much heroin he did in the Vienna piece chocolate candy whatever the
fuck that's when I really admired that I know one thing I got I went to see
comedy I always tell this because I'm misinformed sometimes I want to see
comedy one time before I got on stage two times before I got on stage and
those two times I was not thinking about doing comedy I just went to a company
a friend of mine and they were both the same comedian because he was a big fan
of his and this is way before I got into comedy the first time I saw him was
like October let's just make up a date maybe October now let's say maybe
January of 87 and then the next time I saw him was June of 88 and I'll never
forget that he didn't write a new joke at all he did the same routine he had
done the 14 months prior to that and I'll never forget as a fucking cokehead
lost cokehead not even a comedian I wasn't even comedy wasn't even on my
radar and we're walking out going hmm that's interesting that he said the same
materially to the year ago if that was me I would never do that this is way
before comedy way before comedy I paid $200 to go see Led Zeppelin I better
hear whole lot of love I want to hear I have a set list of songs I want to hear
but I know I spoke to a Mexican friend of mine and he said he went to see
Santana and he goes I should have taken the $200 and ripped it in half because
all he does is introduce new music and talks about his political you know was
his aspirations or whatever and then people were yelling oh yeah come on
va no no no I'm gonna do this acoustic get the fuck out of here we want to hear
fucking soul black magic woman soul survivor that's what they came to hear
yeah so he didn't do well you know like people just didn't the reviews were bad
I could see that me as a when I went to see guns the weird thing about guns and
roses was that Monday on Ed Trunk Nation a guy called a very intelligent guy
you know usually you ever hear Trunk Nation oh yeah I know Eddie yeah the people that call
into Trunk Nation and not the right hey man how you doing let me ask you something what
did it happen to the band the spiders there was a small venue like the spiders guy live it up go
hang yourself you know I'm saying the guys just call like what happened and they try to be swarmy
yeah like man listen man my favorite dude was Rudy Sarzo and I went to see him recently and I
you know like they just try to be swarmy and Eddie fucks them up Eddie fucks them up good but a guy
called and it was very intelligent he was I don't know these people for the pain all this money to
see guns and roses do music that was put out in 1988 through whatever and my daughter and my wife
went into bully buster and I sat outside listening to the argument about and I'm like you know
maybe maybe not you know I don't know how I feel about this argument but I thought about that too
if I'm paying four hundred dollars for a chicken I want to hear something new especially if it's
guns and roses it's got to be good that two days later I got the call if I want to go see guns and
roses that Monday like that Wednesday they call and they go we got two tickets for you to go see
guns and roses to play them Saturday if you want to go and I'm like fuck yeah I'm gonna go now I'm
here let me tell you something when they play the beginning of it could be mine you could be mine
the place almost blew up you know November rain the place almost that's what you want to hear
like as I was there I'm like they better play in November rain they better play this song here
yeah but but I can tell you this as a fan and as a professional musician songs are just triggers
your mind triggers like so somebody you know so let's say especially playing in Los Angeles
they are an LA band so when they hear you know you should be you could be mine
people remember most of the audience actually saw them playing at the whiskey or saw them back in 88
they were part of the whole sunset strip so you're just basically triggering this emotion of like
fuck yeah man you know like 30 years before right and all of a sudden they are 19 again
they're riding their hard leagues they got their their motorcycle jackets on and and and there's not
a care in the world so they're just losing their shit because they're being transported to that
place in time I know that because it happens to me as a fan I've been a fan longer than I've been
a professional musician so I got a whole catalog of music they just fucked me up every time I hear
it you know and some of them I'm actually playing you know I mean I grew up I was a kid when I was
listening to the guess who songs like these eyes used to be like this
and that song was like the favorite song of this you know when you were a kid you have a girlfriend
and you have like your favorite your song your favorite song and that was like a crazy girlfriend
that I had that was her favorite song so here I am on stage with the band playing that song
and all I can do is just laugh I'm laughing I'm smiling yeah I'm happy because I'm playing that
song but I'm also laughing at at the at the at the irony of the whole thing that I'm actually in the
band playing the song that was not only our song it was also a breakup song you know what's a breakup
song well you know it's a song that happened to be playing on the radio when when when the chick
breaks up with you that was your last memory of the song I'm saying thank you thank you for
breaking up with me because otherwise I would probably have been married you have like 20
grandchildren by now and be in Miami playing in it you know playing congas in
in a santana band or or Miami Sound Machine tribute
let me ask you something man I did not know till Wendy was here the other day that you and Ronnie's
last band war what was his name Ronnie yeah I was his his last bass player in deal I didn't
I was in the band from 2004 until he passed away in 2010 yeah 2010 yeah and you were touring with
him the whole thing why didn't I love Ronnie I love Ronnie yeah I just yeah because you never asked
me about Ronnie that was crazy I knew you had done something with Ronnie oh god yeah I just she
mentioned it to me and all the weekend I went and looked it up and I was like wow I didn't know that
yeah yeah we did the record together the uh uh what is it 20 20 80 or 25th year anniversary of
Holy Diver we did the whole the whole record and and there's a DVD of that if I find one at home
I think I have an extra copy I'll bring it to you 83 Holy Diver tremendous Holy Diver yeah so yeah
yeah it was the 25th year anniversary of Holy Diver yeah who was the drummer on that album
on the record was Vinny Apasey who had played with him in Black Sabbath right and then when Vinny
left the band Simon Wright from AC DC uh took over yeah no shit Simon was the second drummer in
AC DC he was like 16 17 years old when he joined the band yeah fucking tremendous yeah so really
this thing Thursday tomorrow yes uh Thursday is the stand up and shout bowling event over at pins
in uh in Sherman Oaks studio city studio city right behind Jerry's deli Jerry's deli you
oh a bunch of people are going to be there from the full fire that yeah any trunk is ready to go off
a fucking thing yeah I mean I'm in Detroit it's already sold out and I had to cancel it once yeah
so it's not like I could cancel it again trust me I would love to be able to go to this well
there's other events that happen through the year right she's inviting me to 2020 February 20th
yeah they have the motorcycle rally and all that well which I show up with a 10-speed yeah
I hope it's all downhill you know what I'm saying because I ain't right no fucking motorcycle
my age yeah yeah they're making some some major strides as far as cancer goes you know there's a
lot of hope there uh Frankie Benelli you know are my my well I mean he's not only my my choir
riot drum you know rhythm section partner but he's we I grew up playing with Frankie back in
Florida in 72 so 11 years before we were playing together in choir riot I mean I I was playing
with him you know so he was the best man on my wedding so you know we're we're we're brothers
you know and recently he came came uh made an announcement that he had stage four pancreatic
cancer but I gotta tell you you know I I knew about it months before that and every day we were
texting and hit what a fighter wider fighter constantly having chemotherapy and an older
alternative medication and and uh he's playing he's back playing again you know and which is
what he was born to do you know and it's amazing because this gives hope to a lot of people because
usually stage four pancreatic cancer it's it you're done you're done no he's not done he's not done
he's he's a oxymoroc pack he's I can say that once once he goes through the whole thing completely
he'll be stronger and better than ever yeah good for him yeah no I donated I told her yeah
donate a little something to yeah donate a little something because she's doing a good cause it's
running a scam absolutely absolutely so you know there's this this you know brings up a lot of hope
to people you don't give up don't give up because you know the the longer you're staying the game
the better medication is going to be discover you know better treatments and things like that so
it could be that in that in very short period maybe in a couple of years of cancer will be eradicated
they don't want that yeah but it's gonna we're working hard yeah and nobody wants it that's a
multi-billion dollar a year well you know but but look at the cure the cure is the cure is evident
so yeah exactly exactly where are you playing soon I know you're doing the camp I'm doing
record on fantasy camp next week we we got cheap trick coming in and we're we're recreating
uh sergeant pepper live at the whiskey a gogo what date uh November 17 the day before my birthday
November 18th is your birthday I'll be 69 that's the day I kidnapped Canvela
the kid now I remember your birthday every Friday I'll be 69 and you're only 69 once
that's it but you could do it forever that's the only age you're once but you could do it forever
you know what I'm saying and you can start young you can start at four 69 or 69 when you were four
no you didn't do that in your daycare you went through a bum daycare you start sniffing little
asshole with you for sure it's not even pedophilia it's just 69 it's not a bad time you know what
I'm saying anyway this weekend Detroit is sold out Omaha the tickets are gone me and Dean Delray
and I got a call yesterday Miami sold out so all I got left for you motherfuckers is December 6
the second show at the New York Town Hall 1030 show 35 dollar tickets no fucking drama
one thing I noticed about this week is last night I was watching a giant game it was midnight
it was still the stadium was packed fucking New York is a late town man LA they die like pussies
here at 830 in New York you got to kill them at three three is like the the night they're in the
UFC one in the morning they were all still there that fight was one of the fucking morning here
try to do an event center one in the morning over here at Staples Center those people fucking melt
the building will melt if they go on the triple overtime or lake is or something like that but
that's all I got for you motherfuckers Rudy what's going on with the podcast in the show I got the
other show I say every Sunday on monsters of rock radio we got to get you in one of those cruises
no monsters of rock no no come on it's a band and rock and roll and no and goofy fucking people
I'll jump off all band and ship goofy people following you around asking you creepy questions
in the daytime you know did you use the Stratocaster or did you use it it's only me alone we'll get
some buffet all right it'll be the fucking piece of cake your wife's over there dying from diabetes
gala once and for all you gotta bottom me with this fucking cruise how many ships well I I
haven't done the the monsters of rock cruise yet because you know the with the guest who we do the
flower pop which is 60 years old I mean you know in 60s 60s cruise you know people that were around
in the 60s and then the next one is the rock and romance which is the 70s cruise and I gotta tell
you it's it's it's it's really a trip I really just imagine it really is I just don't want to be on
the boat with nobody for that long how many days is it uh well I you know actually it's it's not too
bad because what they do is they they split the cruise with two shifts of bands so if 30 bands
are playing in the whole cruise the first 15 were bored let's say in full auto tail and then get off
in Jamaica then the next 15 bored in Jamaica the flight to Jamaica and then disembark in full
auto tail so not all 30 bands are on board the ship at all times so you only have that you're
there like maybe three or four days tops not bad it's not bad at all three more days I want to be
anywhere especially walking around in circles with a ship like I said I'm a big fan had he trunk
and why I'm a big fan of these trunkers because he tolerates a lot I'd hang up on half those people
can you imagine you know one day they're gonna take them off the ship in a white suit on one of
those jackets going I haven't seen Ronnie Montrose I haven't you know because they're just driving
crazy I can't imagine those people on a tour just when you're eating breakfast hey I don't want to
bother you but man what was the name of the guitar player and uh and Richie Blackmore in second band
I'm on a trunk what are they remember that stump oh yeah stump Trump yeah listen you stump me again
I'll stab you with this knife yeah with egg batter and fucking maple syrup on it do you follow him
on twitter because yes it's the same thing on twitter like all these people are asking him
questions oh yeah he's he's my idol yeah he had his patience yeah he's great patient he's great I
have a good good chance of staying out of prison because right now I can't take it no more one of
these motherfuckers is eventually gonna get stabbed it's probably gonna be me no you got you all right
you'll be on the stab point I gotta throw you off the ship okay guys I gotta take you out to
El Camino island what's the island out here in California yeah we're gonna have a good time I got
sundays for you don't worry about nothing I got a big banana fucking float waiting for you Catalina
and I'll throw you right over we're gonna I'll stab you with a needle so the shark will come real
quick and chew you away oh yeah don't worry about nothing I got an insurance policy I'll be a good
I'll cut your mom in for this small 20 just so you know nobody's how much are you getting
I gotta get the 80% I'm the one that's doing all the heavy work here I'm doing all the lifting
you know what I'm saying I don't think thank you for that I love you motherfucker as Rudy
Sarzol thank you very much listen to Rudy on monsters of rock radio support him follow him
on Twitter he's gotta agree does a great job on Twitter the Christ kill I love you cocksucker
and the rest of you savages I'll see you Thursday night in Detroit ready to blow that
motherfucking place up listen I don't have nothing left for my youth I just got one thing left
yesterday a post in my grammar school can you please if you have any report cards or t-shirts
from grammar school I said listen go fuck yourself I never saved the thing from that school but I
have one thing I have a shirt that a friend of mine gave me in 1987 that says Detroit the murder
capital of the world there's some shit remember when it was the murder capital of the United States
oh yeah and I'm going to Detroit and then I'm going to Omaha Nebraska to get some pieces
steak with Dean Delray so I'll see you motherfuckers done it not we'll see you next Tuesday tip top
ready to stab a motherfucker I love you guys don't forget Miami improv sold out Omaha all you got
left is December 6th at the Town Hall Theater in New York City second show 1030 there's tickets left
for the first show but do not touch those tickets they went over 100 miles for those things let them
burn in hell for trying to scout from you guys you're my family $35 flat I love you guys have a
great week I want to thank Rudy again I want to thank the Christ killer but most importantly I want
to thank you motherfucking savages for always having my back and having our back all right stay black
oh shit we almost forgot here I gotta let you know who sponsors this motherfucker for starters
let me talk to you real quick the church is sponsored by Tushy you're like Joey what's Tushy
it's an amazing unconventional gift for anybody in your life everybody has an asshole and everybody
deserves a gift for Tushy wiping your fucking muffler with dried toilet paper does not remove
all the shit if you got poop one here the other there's a couple weeks going through my shoulder
and I couldn't wipe my hand with my left my right hand I had to switch to my left hand this is not
good this is where hello Tushy comes in and I'll never forget them for helping me out and someday
you guys will get old and you can't wipe your ass with your white pant what are you gonna do
Tushy's gonna be there why because it spays nice warm cool water directly into your asshole and it
removes the poop and all the other germs that you got that can cause to hemorrhoids yeast infection
itchy asshole skin marks and people not wanting to suck your dick you never have a girl ready to
suck your dick but she gets a whiff from the fucking south it's your asshole it's on fire all right
but dates but days are common all over the world but they say is your money on toilet paper
and you won't kill that many trees you won't clog your toilet listen Tushy sprays your ass with
fresh water it's not toilet water Tushy connects to the water supply behind your toilet to spray
your fucking nut sack and your asshole tip top magoo clean with the same water you brush your
teeth with that's not inspiring but you know what I'm saying wet wipes are worse than toilet paper
all right they cause anal fucking little fishes in your asshole you don't want that either in the
later rounds when you know things get rough and you got a little pimple back there whatever
listen Tushy starts at $79 I'm hooking you up here this is the gift you've been looking for you
you're thinking about oh am I gonna buy something for this year this is the gift nice and easy it
installs in 10 minutes and guess what that person's asshole won't stink anymore you've done something
nice and Lee's had it for what three or four years it's still it's still working his asshole still
stinks but hey at least he's got some water in that motherfucker from time to time listen I love
Tushy and I've had him for four years and I'm gonna keep using Tushy the aim is tremendous
you dry off with their little fucking hand little voodoo towels they got look do me a favor
we just go to HelloTushy.com look at all the colors look at all the matches look at the towels
look at the stuff they got they're a great company they got a 60 day guarantee on it but listen me
and Lee will tell you with both fat fucks that Tushy's still spraying water in our assholes
go to HelloTushy.com right now press in church and get 10% off your order delivered right to
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I want to thank athletic greens I want to thank Anet and most importantly I want to thank Tushy
but I want to thank you guys again for being a tremendous fucking audience I'll see you guys
next week lead take this motherfucking mule
I guess that we'll meet we'll meet in the end
I've been the king I've been the clown now rolling wings can hold me down I'm free again
I just know when the broken crown it won't be me this time around loving pain
I say goodbye to romance yeah
goodbye to friends I'll tell you goodbye to all the mess
I guess that we'll meet we'll meet in the end
I know that you just might save me but we don't know what to go with you
but I have to change this chance goodbye to friends and to romance and to all of you
I say goodbye to romance yeah
goodbye to friends I'll tell you goodbye to all the mess
I guess that we'll meet we'll meet in the end
I know when the broken crown it won't be me this time around loving pain
I just know when the broken crown it won't be me this time around loving pain
I say goodbye to romance yeah
goodbye to friends I'll tell you goodbye to all the mess
I guess that we'll meet we'll meet in the end
I know when the broken crown it won't be me this time around loving pain
I just know when the broken crown it won't be me this time around loving pain
I just know when the broken crown it won't be me this time around loving pain