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From Relay, this is Upgrade, episode 591, today's show is brought to you by KRCS, eCM, FitBod, and Udacity.
My name is Mike Hurley, and I am joined by Jason Snell.
Hi, Jason.
Hi, Mike.
Happy Thanksgiving week to all who celebrate, which it does not include.
Actually, you're going to do a Thanksgiving.
I am. I always celebrate Thanksgiving.
It's a great meal. It's a great meal.
And also, you know, for me, just the modern tradition, the idea of being thankful and giving thanks to people and things in my life, that is something that I like to practice.
So for me, that makes a lot of thanks for Thanksgiving.
And I will just start by thanking our listeners for being of us every week.
Indeed, we've done a lot of episodes of this, almost 600, and that they have stuck with us.
and that new people have come as well
like it's really great
and Thanksgiving is a that's why I like it as a holiday
is that it's just
be grateful for what you have
gather your people around you
that's what it's all about and
it's very nice so and it's an excuse
to have another feast day in the
in the late fall early winter
so that's kind of fun to get a turkey in there
whatever I love it I love it for that
but I have a snow talk question for you to start out
this week's episode which is unrelated
it comes from Peter who wants to know
are you interested in getting the Lego USS Enterprise?
Also, do you build Lego, Jason?
So, yes, it finally happened.
Lego came out with this huge USS Enterprise set
with all the Star Trek, the next generation crew minifigs.
I have a few good friends who love Lego.
I'm going to call them out now, my Lego pals,
James Thompson, friend of the show.
Tony Sindelar
Friend of the show
They're all friends of the show
They're all friends of the show
Let's say
Lego friends of the show
And of course
Stephen Shippansky
Who is
One of the greatest fans of Lego
Of all time
And I used to think that was James
But then I saw
That Stephen has constructed an entire
He's been on the national news
With his ballpark
That he built in his kitchen
I mean
Clutcher field
The social handle is Legopolis, right?
Legopolis, which is, so he's also the host of a long-running Doctor Who podcast,
and that is a Lego and Dr. Who pun in one.
Amazing.
Incredible.
So, yeah, it's amazing.
So those are my Lego people.
And this is not, you may be thinking that what I'm going, where I'm going to is,
I don't think myself as a big Lego fan because I know so many people who,
who by comparison are such big Lego fans.
That's not true.
In fact, I just have...
I mean, I built Legos with my kids and stuff,
but no, I'm not into it,
and I don't need more things in my life like this.
So, no, that's the long answer.
But shout out to my friends who,
all of whom are deeply conflicted about this,
very expensive, but kind of incredible-looking Lego set.
And I'll just say,
every time a very expensive nerdy Lego set comes out,
the same thing happens,
which is James and Tony,
And Stephen all cringe because it's like the money,
you can see the money flying out of their pockets when they do that.
I always, for me, you know, you do the like pounds per pieces, right?
So it's just like 350 pounds for 3,600 pieces.
I feel that's a pretty good ratio.
Like if I'm going to spend that kind of money on a Lego set, that's what I want.
That's what I want, you know?
You need the value.
Because I like a good Lego set.
I'm not like, I am not to level of.
these friends of the show, but like if a property that I care about makes a good Lego set,
then I will purchase it. Although I currently have like two or three unbuilt Lego sets in the
studio that I need to get to at one point. One of them is the Seinfeld set, which I'm very excited
to build, just have and build. I have some mini figs around. I have a, we have a refrigerator
magnet that is from the Copenhagen Lego store that I got, which is fun because you can replace the head
I think it's
you can replace parts of it
so you can have it
be somebody else
I think it was like
a Viking or something
when we got it
but it can be
so it's been a baseball player
and it's been all sorts of things
I forget what he
what that guy is right now
but he lives on the
on that
and I have some
I have some Lego
characters around
of different kinds
but it's not
not including
and you and I both have
our mini figs
that James Thompson made
of our D&D characters
from that D&D
game that we play
So that's fun, too.
But I have no sets.
I have no Lego sets.
There are lots of Legos in the house.
They are in a bin, and they are from my kids.
And they're still there.
So James, come and get them.
If you would like to send in a Snoltock question of your own to help us open a future episode of the show,
just go to upgrade Feedback.com where you can do that.
We're going to start with a combo follow-up, rumor roundup.
Yep.
To begin?
Rumor round follow-up.
But we're going to talk a little.
bit. First, I want to set the stage a little bit, and then we can talk about it. So we're
going to talk a little bit more about Tim Cook and his potential resignation or retirement, I guess.
Joe Rossini-O-Mack rumors has given another indication for why Tim could assume the board chairman
role at Apple if he was to retire a CEO. So the corporate governance guidelines for Apple's
board state, quote, a director may not stand for re-election after age 75, but
need not resign until the end of his or her term.
The current chairman, Arthur D. Levinson, turned 75 this year.
Yes, and you may be asking yourself, well, how long are these terms?
Is it five years? Is it four years? Friends? It's one year.
Yeah. And I'll read directly from Joe's article here.
There is one potential wrinkle. Apple typically releases the proxy materials for a shareholder meeting in mid-January.
And that filing would need to indicate that Cook is up for election as chairman.
That would be before Apple's next.
earning report in late January. So remember, the report from the FT said that it's unlikely
Apple would name a new CEO before their earnings call in late January. So the exact timing of all
these things is a little bit wonky. It's an interesting detail, right, of like, oh, there isn't,
there is a functional reason that they're going to need a new board chairman. In the next year,
they're going to need a new board chairman. Well, there's another detail. And Dan Moran pointed
this out to me last week. And it's in Apple's governing docs. And this is, so there
There's the, well, what if Tim Cook retires a CEO and becomes chairman of the board? The other thought is, well, what if Tim Cook does not yet retire a CEO but also becomes chairman of the board? And you're thinking, is that legal? And I would say, according to Apple's governance documentation, quote, the board regularly evaluates whether the roles of chair of the board and CEO should be separate. And if they are to be separate, whether the chair of the board should be selected from the non-employee directors or be an employee of the corporation. The
board believes these issues should be considered as part of the board's broader oversight and
succession planning process. So in the governance docs, it says, let me summarize, as a part of the
succession planning process, we could make the CEO, the chair of the board. That's what it says.
So it's possible that what we're talking about here is not Tim Cook steps off as CEO and steps
on as board chair, but an even more transitional transition in which
In which case, Tim Cook becomes the chairman while CEO.
And then there's a period where he steps off as CEO that happens down the road.
And it's just a matter how they want to play it.
So they have options.
It's up to the board and Tim basically together about how they want to orchestrate this.
But then we have some drama coming from Mark German in the Power on Newsletter.
I will read directly.
There's a shootout at the rumor roundup.
like a shootout.
There's some rustlers from the Financial Times, and they're fixing to rob some cattle down in the
corral, and the sheriff is on the case.
Based on everything I've learned in recent weeks, I don't believe a departure by the
middle of next year is likely. In fact, I would be shocked if Cook steps down the time frame
outlined by the Financial Times. Some people have speculated that the story was a test balloon
orchestrated by Apple or someone close to Cook to prepare Wall Street for a change, but that
isn't the case either. I believe the story was simply false. Okay. So Mark German has the best
sources. I think this is really interesting. Let's just say, I think it's pretty dramatic
that Mark German is accusing the F.T. of getting the story wrong. Like, four people. I believe
the story was simply false, he says, about the financial times. And, and, you know, Mark
Sherman sources are so good that I think that that's a very serious claim that needs to be taken seriously by everybody because it's one thing to say that's not what I'm hearing. And it's another thing to say, I think you're wrong. However, I don't know. We don't know. But I'm just going to, I'm going to do a little reading between the lines here. First off, you didn't quote the part where he mentions that they reported the two things. And then he says, well, I'll already reported all those, which is a little catty, but it's true. I believe they do.
Credit Bloomberg, having previously reported that in the F.T. story. But it's true, Mark German was on this story a couple of years ago and certainly has been on it more recently as well. So, fair enough. Like, he has led on this story. But if I were to parse this statement here, I find it strangely noncommittal, right? Like, if Mark German knew for a fact right now that what the F.T had been told or had heard,
was wrong.
I feel like he would have come out stronger
and he would have put it higher up
than in the FAQ's part of his
at the end of his newsletter.
Well, no, technically this was in, quote,
The Bench, which is a recurring part
of the freely available version of the newsletter.
It's, no, I don't think it's free anymore.
I think that the whole thing is not.
Oh, okay.
Because it used to be the FAQ was only if you paid.
Oh, yeah.
No, no, no.
This is, my point is irrelevant.
Bloomberg's newsletter strategy is irrelevant
The point is it's not the lead
It's not a story on its own
He just tucked it in at the end of his newsletter
And what he's saying is hedged
It is based on everything I've learned
In recent weeks
Which might predate the FT story
I don't believe a departure
Is likely, he said
I would be shocked
You know again
What he's saying is
He's got what he believes
Based on recent information
And he would be surprised
and he said
that isn't the one thing
that he says that's very strong
is that isn't the case that this
was a test balloon orchestrated
by Apple or someone close to cook
to prepare Wall Street for a
change
I believe he says the story was simply
false. Now we can read this right
take it on its face which is
Mark Germott's sources say that this
isn't right, that the FT reporting isn't right.
I could also view this as being
a really soft response. Like, the equivalent of him going,
mm, that's not what I heard, which is not the same as I've re-reported this and
they're wrong. It's, I reported something. They've reported something different, but
you know, I had what I reported, which had a totally different time frame and they said
nothing was imminent. And we're all left to kind of guess what's going on here. It's
possible that the FT has misread it, but I want to just say, despite Mark's
protests here, it's also possible that people at a higher level who are in a position to make
decisions like this when this decision was made and they decided that like people on the board
and they decided to leak it to the FT that Mark's sources weren't at that level and were
previous to that decision. Because what I don't read in this is I have I have now checked and
this is wrong. This is more like I previously reported something.
different, so I don't think this is true, which it's just not the same thing.
Because he does say, like, unless something significant has changed, it's like a phrasing
that he uses.
So I'm going to get the exact quote.
Significant things change, right?
So he's like, unless there is some unexpected event that forces cook to step down
sooner than planned, that moment is not at hand.
And it's like, I think what he is, what he is like referencing here is health.
And I don't think it's that, right?
No, I don't think so.
It's as planned, though, here's the other part of this.
And this is a part that I found fun because the F.T. is using a Bloombergism or a Mark Germanism, but it's a Bloombergism.
It is that classic no earlier than phrasing.
So they say Tim Cook will step down no earlier than the end of January.
You know what's no earlier than the end of January?
The end of time.
Like literally.
And also, like, even if you just consider the year, December, which is a really.
really long way away from January, like even if we're still talking about 26. Even if it's 26. So what I want to do here is say, I think Mark German has good sources, but I think I'm prepared for the possibility that the F.T has better sources on this one. On this specific report. Otherwise, why are they just repeating Mark German's reporting? Right? So I'm skeptical of that. Mark pushes back, but doesn't not push back as hard as I really would expect if,
If he had gotten a direct refutation from his sources, this feels more like either he didn't check with his sources, again, or they couldn't tell him whether this was a new thing or not, but that they had heard contrary things, which is fair, but it's an interesting example of this.
And then, again, I just feel like so much of this could be in the muddy middle that it's the, forgive me for going back to the parable of the blind men and the elephant.
but it's like no later than January and later in 2026 are the same thing, right?
Like if Mark German is hearing, look, it's not happening by the middle of next year.
And the F.T. is like, we got a, you know, a board member who told us that this is going to happen in 26,
but it's definitely not going to happen imminently in January.
And they reported it carefully and differently.
It doesn't mean that Tim Cook isn't going to be named chairman,
sometime in the first half of 26
and resigned as CEO sometime
in the second half of 26.
Both of them would be right in that case.
So from a journalism standpoint,
I'm fascinated by it because
after that FT story came out,
I kept waiting for Mark German to weigh in
and be like, here's what's really going on.
And the fact that it didn't happen really
until his newsletter and it's this sort of like,
it's not a post on the Bloomberg website.
You know, like in that way, it's not one of his big reports.
No, it's really like, eh, that's not what I heard.
I don't think this is true.
Yeah.
And then I will say
the strongest thing he says
is I believe the story
was simply false.
But like that is
that is quite an allegation
to make based on belief
or whatever your sources are.
And what is the belief
because all we really have here
is in recent weeks,
which the FT story
was more recent than recent weeks,
wasn't it?
So I don't know.
I mean,
I hate it when Mommy and Daddy fight
but
and German's got good sources.
But I do wonder if part of this is just German's kind of mad
because they repeated his very good early reporting on this
and then added this element that one ups him
and that he doesn't have that and his sources are contrary to that.
But it feels to me like he kind of doesn't know
and his sources kind of don't know
that they believe that it's not true,
but it's possible that it's above the pay grade of Mark's sources.
It's possible. I don't know.
Maybe I just like the mess and the drama of it all, but I do believe that Mark German's situation is true according to him, right?
That like his version of the facts are this, but I also believe, well, where did this financial times report come from?
I believe that it's also accurate.
Yeah, here's a journalism thing that I'm going to throw in here, which is Mark says, I'll be,
shocked if Cook steps down in the time frame
outlined by the F.T. But as I recall,
the F.T. story sort of says
it could be as early as the end
of January. But no earlier
than that. And
like,
again, it's possible that the
F.T.'s not really outlining
a time frame there. That what
they got was an assurance that it's going to happen
after results, but they
don't know exactly when.
And that is that a time frame?
And I think that it's possible that the
FT in a desire to have this story that is otherwise just repeating things already reported by Bloomberg has puffed up their story a little bit. And the FT story is a little like this, right? Where they want you to think it's more imminent than maybe it is if it like there is an attitude in that story of imminence that is not supported by what they actually say, right? Like they breathlessly report it could be as soon as late January. But,
they don't actually say it will be as soon as late January.
It's like no earlier than that construction that makes you think it's going to be January,
but it could be December.
So I think that that might be what is partially going on here is that the FT has tried to like
lift it up and make it like more juicy with the facts that they've got,
but to like to make it seem breathlessly reporting this to get noticed, which they did.
And that German is like, whoa, now.
this is sheriff is in town now hold your horses it it's going to happen but like it's not imminent
and and i think if i had to put my money down on something it would be that is that the
ft got really excited and said it could happen soon and mark german sort of rides in on old
paint and says whoa now it'll happen in its own time later this year maybe and i that i think
that's probably the most likely scenario, is that the Ft timeframe implies that it's happening
faster than Mark German's sources suggest that it actually is, unless, again, unless something
changed. Also, the whole chair and CEO thing is part of this, right? Like, it's also entirely
possible that there's a misread going on about Tim becoming the chairman versus Tim resigning
a CEO, which, as we've seen in the bylaws, he could be both for a while.
And I think that that, did, did jobs ever do that?
Was he both?
No.
He, he, in, in, you know, August right before he died.
He resigned a CEO.
I'm conflating that with him being bored, but clearly still being a part of the running of the company.
Yeah, that was the, I think that was the intent is, I think that they didn't, I believe that even though Jobs was very sick, based on people's comments about what,
happened, the intent was that he would continue fighting his cancer and be as involved as he
could be on the board, but that Apple really needed a full-time CEO, and that was going to be Tim.
And then as it turns out, Steve didn't make it. But, I mean, that's why I keep coming back
to why I find this so fascinating is, in some ways, this is the first instance where Apple has been
able to plan a transition, because Steve Jobs' transition was, I mean, he was sick for a long
time, but like it was forced by his health in a way that this is different as far as we know.
Tim Cook's health seems pretty good. And this is more about proper succession planning in a way
that Apple really basically never has had to do it before. Yeah, because again, going back to what
we talked about last week, if there's one person that knows that this company needs proper
succession planning, it's Tim Cook. Because I guarantee when he took that role was like, oh boy,
I wish we'd plan better for this.
Because that was a lot, a lot put on him.
Yeah, and he was acting for a while.
I mean, he was more prepared than anybody usually is
because he was acting CEO a couple of times,
which is a big deal, but it's not the same.
And then I'm sure he also wanted Steve's advice,
and he didn't get it.
And guidance, and he didn't, yeah,
it wasn't there anymore.
And also Apple is just unfathomably bigger now.
And this is just a gut feeling thing.
As an observer, I don't know anything.
about this. I've never met Tim Cook. I've been near him, but never met him. Mike's met him.
We didn't talk about this, though. I would say, I think part of this, especially if you think
about the chair thing, is Tim Cook has a timeline of when he's going to leave Apple. And my guess is
that it's probably maybe even 10 years out. But like, you start the transition because I think
my guess is Tim Cook would like to be
in an advisory role for some period of time
but if you hold on to being CEO for 10 years
you know now you're 75
and you're still supposed to go to the board meetings
and talk to the CEO for another 5 or 10 years
I don't think he wants that I don't think his time
timeline is that wide
and so to have a position where he could maybe
even be on the board for 10 years
and and
until he hits the mandatory retirement age
and be as
as you know needed by the new CEO
at the beginning as needed as need be and then sort of fade back into the background and let
the CEO do his thing is uh that's my my gut reaction is that it's something like that that that
that this is all about the clock starting on how long tim wants to continue to give to apple
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a relay. Let's do the actual follow-up now.
Okay. Okay. Because we really got stuck in that one for a while.
It's fun. F1 owner, Liberty Media's
CEO, Derek Chang, has given a couple of interesting quotes in an interview
with CNBC about their relationship with Apple. I want to read these
quotes for you. I think Apple, with what they can do from a technology standpoint, will really
enhance the product and therefore the content. And I think Apple will be very active with global
streaming rights. We're in discussions with them on a multiple set of fronts. It's still very
early, and I think we view it as a very strong partnership that we could see it happening in other
places. Oh, look at that. Yeah. I mean, nobody should be surprised by this. It would be very
easy for Apple to drop in other regions
to their deal with F1. Yes.
This, to me, feels like one of those
things that, like, someone said
and
I don't know if they should have said it.
You know? There's a lot of partners.
Maybe. We'll say.
Maybe. Yeah. Partners don't always
say what Apple wants them to say, but I think this is
Oh, I don't think this is a problem for Apple. I think this is more of a problem
for the, for the F1's partners.
Oh, I think it's exactly
what you want to say in order to get the bidding
that's true
to go up right that's true
this is how you make more money
like get ready to pay more money than
Apple for something Canada
you know whatever or whoever
Australia
watch out
watch out Australia
Apple's coming to eat your F1
yeah I mean I
if it goes badly
then you know maybe
but I think that
F1 is obviously in that
giddy moment now where they're like
who Apple's going to do all their magic technology
and bestow it upon us which you know
we'll see
we'll see
but
Um, it's not bad having Apple as a partner, I would think. And it, it, it burnishes your brand because it's such a powerful global brand. And I think it's very obvious that Apple is, it can drop. They're not, that they're not going to stop at the US. Very obvious. Brian has written in and says for this week's lather up segment, I wanted to share the soundbot SB 510, my favorite shower speaker. It's round and has a suction cup on the back so that it can be very easily.
mounted at head height in any shower
like Mike talked about last week
its battery lasts weeks at a time
all right so I had one of these
at Marco's recommendation I think
way back when a long time ago
I wonder if I wonder how Brian
this is friend of the show Brian
who wrote this in
and I wonder if Brian heard about
us talk about this speaker
on this show because I also had one
and that is when Brian bought it
and is now recommending it back to us
that would be fun
nice so
when mine
so I replace mine
with this
with the one
the soundbot
or no
what is what is the one
that I had
it's in last week's show
go look it up
yeah
it's there
but it's the
I can't remember
anyway I replaced it
and a few reasons
one is the suction cup thing
like the suction cup
works great until it doesn't
and then your thing
your speaker drops
from head height
to the hard surface
of your
shower.
This would be important in a minute when we get to the next bit of feedback.
My trust level of the of the suction cup is not super high.
And my soundbot had dings in it, had little plastic chips taken out at places.
Also, you know, I don't think I liked, and I'm certain my wife didn't really like that there was this thing sticking out of the side of our shower.
all the time um i just it i never felt comfortable i much prefer this speaker that sits on a little
shelf basically at the window where there's room for it and there's nothing else that would go there
and it's got the little rope around the crank of the window so if it falls it will be saved um
that said i mean if depending on the ergonomics of your shower have it and you're feeling about
suction cup standards, if you can get this permanently place somewhere and you only have to
take it out, you know, every, every month or something to recharge it, go for it. They do make
and integrate. And the idea is the speakers on the bottom. So it fires off of your tile or, you know,
shower enclosure or whatever it is. And fires back to you, which is very effective. So I took
mine, when I replaced it, I took mine to Phoenix and had it at my mom.
mom's place, and then it died. So, RIP.
The A soundbot speaker of some description, because the link is now dead, because that's how Amazon works, was nominated in the 2016 upgradees in the most life-changing hardware category, which I don't think we continued.
I don't think we did
So the one that I use now
is the tri-bit X sound go
which is
which is kind of longer
and yes no
no but again
I think it's about ergonomics
that one was a perfect fit for me
because there was a perfect space
for me to put it at head height
basically in my shower
your mileage may vary
so they're all waterproof
and all that like I mean
the one that I use
it's got that it's got the rope on it
it's got the string on it
and so I can hang it
anywhere in any shower and if it gets wet it doesn't matter because it's waterproof it's like all
their amazon ads are like i'm having fun with a speaker in the swimming pool which is i mean
okay i mean yes i got it it's waterproof great good job this has just reminded me uh about something
for the upgradeies uh we're gonna we're in an upgrade plus today we're gonna talk a little bit
about production for the upgrades because it's coming yeah upgrade is meeting looking at that list
reminded me of how every year people want links for all the nominees.
So I've just made myself a task to remember to do that later on this year because people
always want it.
They always want it, not just the winners.
Yeah, yeah, that's a big thing.
That's like when we do incomparable book club episodes and there's like, I got a link to 40
different books.
Understandable, but I've made a task.
So I will start doing the pre-work for that long before.
And then hopefully it'll make it easy.
That's what AI should be for is that kind of thing.
Yeah, I actually, yeah.
Maybe.
And Jordan writes in and says,
regarding your continued discussion
about shower speakers,
I wanted to share a solution
I've been using for a year now.
I use a mag-safe suction cup
for phone holders in cars
attached to glass in the shower.
They're surprisingly stable
and it allows me to help,
it allows me to keep the phone high and dry.
The phone speaker is close enough
to my head to be audible.
I don't have to worry about getting it wet.
It's easy to travel with.
stick to most glass and tile. Jordan, you are a person after my own heart. This is
genius. Genius. That's what I say. I don't think Jason will agree, but I want you to know,
Jordan. I think you're a genius. Jordan, you're a maniac who's taking their life and their
phone's life into their own hands. Good luck with that. And I do not endorse this. That's what I
love about it. It's not just if the phone was to fall. What if the whole thing falls? And now it's
all flying towards the ground.
Oh, there's so many points of failure to drop your phone from a great height onto, presumably, in a shower, a very, very hard surface.
Suction cup technology at this point, you know?
That is some problem.
I don't trust it.
Have a little bit of follow-out as well.
I would like to point people towards Widgetsmith.com slash jobs, because we are hiring at Widget Smith right now here across forward.
We're looking for a design.
designer. We're looking for someone to come in and help us with a vast variety of design
work. I would say I think the most exciting part of this work from my perspective is to help
design and redesign some widget layouts, which I think would be super cool. But loads of things,
wallpapers, general UI stuff, even for our other apps, aesthetics and themes, helping us with
fonts, imagery. This is a wide-ranging job. I think this is suitable for people of all
experience types. I want people to go check it out. Widgetsmith.app slash jobs. There'll be a
link in the show notes too. If you are a designer, I think this is worth your time to take a look
at. I think this is very exciting. I think this is cool, but your work would be seen by
millions and millions of people
and I think that that is a
quite unique opportunity
for such a small and growing team
so go check it out
also
Jason put together a little video
that is on our YouTube channel
that is worth watching
so if you were subscribed to Upgrade Plus
we did a rare pre-show
in the last episode because something
completely unrelated to the show happened
before when me and you got a bit
silly and had a very fun time
And we just so happen to have video of it, it includes a spit take.
So I'm going to put a link to that in the show notes too.
So you can go and watch the video version of this little thing.
It's available to everyone because I think it's very fun and worth seeing.
But you would have heard it if you were a member.
And right now, Jason, have we got a deal for you?
Oh, man. Do we ever?
You can get 20% off your first year of Upgrade Plus.
It's very easy to do this.
Go to getupgradeplus.com and use the code 2025 holidays at checkout.
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That will get you longer, ad-free episodes.
You're looking at about a dollar an episode,
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If you're hearing me say this and think,
a dollar doesn't sound like very much to give to my favorite tech podcast once a week,
I will agree with you.
So why don't you consider becoming a member?
You support the show, which is so helpful.
Like, again, we spoke about this before, but if you listen to this show and you hear the ads,
you will know that over the last few months, this show has been doing great with ads.
And like, for the rest of the year, we're well booked out and we're very lucky to be so.
But you never know.
Also, I would say, I would say other times, that has not been the case.
Yes.
And also, we've had those, you know, those ad-free episodes or those one ad episodes.
Yep, it's not great.
And also, we're.
We're like, this is the worst time of the year for advertising.
Going into the beginning of the next year, like people are working up budgets.
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Why don't you take advantage of this deal?
go to getupgradeplus.com, use the code 2025 holidays at checkout, and you'll get one year of
Upgrade Plus at just $56. If you're the kind of person who are around the holiday season, it's like,
ah, people always ask me what do they want, like what to buy me, and I never know what to tell them.
Just give them this URL, giverelay.com. It's got everything they need there to understand how to
give it as a gift as well, when you can also give it as a gift to other people. And I already mentioned
it, but on Upgrade Plus today, we're going to have.
our annual planning meeting for the upgrades, where we take a look at the categories,
talk about it, settle some stuff, and get ready for the most wonderful episode of the year.
And if you're not a matter, there's always a post-show segment that we do.
So there's more upgrade every week.
We try very hard to have that.
Sometimes it's very fun, in fact.
We do a lot of weird stuff, fun stuff, content stuff.
It's like usually like an extra 15 minutes.
This is like a whole extra segment every single week that we do.
And we put a lot of work into that like we do the rest of the show.
Thank you.
Last week, Jason, Google announced that they have found a way to allow for airdrop
between pixel phones and iPhones in both directions.
This also works with iPad and the Mac.
When I originally saw this, I was like, oh, this is like, Find My, right?
where Google and Apple
worked together
and they created
a way for
do interoperability
because Pixel has
their own thing
that's called
Pixel Drop I think
it's called
or PixelShare
or QuickShare
there is a thing
on Android
and I also think
there's a thing on
pixels which is
essentially Airdrop
right?
Like they have it
it's called QuickShare
sorry it's called
QuickShare
and that is like
the way that they do
their own air drop
and the works
of Android phones
Apple was not at all
involved in this
and Google was not at all involved in this
and Google
have said so and published
tons of information
on their blog and on their security
blog to show that what they're doing
is secure. And they even
hired a third party
security firm to audit
what they're doing to confirm
that they're not
lowering security. They're not
doing back doors and they have just
reverse engineered airdrop.
Fascinating thing to happen
and that Google just like, hey
everyone, look what we did.
And then they've just done it.
It's only available in the pixel 10 right now, but that's just for right now.
They're going to start rolling it out.
What was your initial kind of feeling about this news when you saw it?
I mean, I think it's great for people who are living in heterogeneous environments.
And, I mean, my thought is basically, is Apple not involved at all?
Did Apple give kind of a surreptitious nod?
Or did Apple say no or did they not talk to Apple at all and they still did this?
And then my second thought was, do we live in an era where Apple can take steps to break cross-platform compatibility without creating greater scrutiny?
Yeah.
Right?
Like, which if I had to guess, my guess would be that that's what Google is planning here is Google is basically saying.
Do you really want to stop this?
And I think the answer is probably no.
And I also wonder, right?
So like now they're in this scenario of do they now need to consider this?
Like, that they can't make a change that would break it because it would then look like they've meant to break it?
Yeah, well, that's actually going to be, I think, one of the arguments against this is that that has a third party come in and done an implementation that Apple now needs to test.
against and they'd be like this is the whole point this is our whole point is that now we have
somebody else who is implementing it in a way that is not documented and uh if we do a change for
good reasons to airdrop on our end and it breaks this what is our responsibility because we
didn't build it we didn't tell them to build it i don't know i it it'll be interesting to see how this
plays out. It would be nice if Apple and Google agreed that there is a secure framework for
device-to-device transfer going forward that satisfies all groups and that Apple, you know,
the thing that Apple does do its developer releases in public. So even if it was just that,
but especially if they're also communicating behind the scenes with Google about what Apple is planning
with Airdrop so that they basically said, you know, you're on notice. We're making this change.
You need to, you know, be here on this date. That, you know, would they support that?
It's messy. It's messy. It's really messy. So like David in the Discord is like, I doubt Apple
will care if they happen to break it. Apple, yes, I understand your point. But the problem is
they are under so much scrutiny for antitrust now that like making some kind of like a monopoly,
I should say, is probably a better way to say it.
Now that this is
in place, anything that they do
is going to make it look like they are trying
to make it
harder to leave their
ward garden now that this exists.
And if everybody who is
in favor of
making it, you know,
making Apple,
forcing Apple to change their policies
will use this as a battering ram
for that, which is like, why
is such a simple thing
as transferring files between devices
not based on an open standard
or available this or an available that.
And there are reasons,
but again,
it just kind of comes back up.
So I don't know.
I mean,
like,
I think,
do I think that if Google and Apple are satisfied
that this is secure,
do I think that this is okay?
I do.
I think that this is good for users.
If it's secure.
I appreciate that Google actually went to the steps of saying,
look, we're not hacking anything here.
Everything is secure.
Apple will probably be the judge of that.
But if it were all to be fine and secure
and not allowing nefarious people to push things onto your device,
I feel like Apple has locked down AirDrop so much recently
that this was a bigger issue before than it would be now
where it's like off.
I mean, even the Google video about it,
you've got to go to AirDrop and turn it on to everyone.
And that lip type by default time limits now, right?
Which is the thing they didn't use to go.
Exactly right.
So you you turn it, you basically open the door, it comes in, and then the door closes.
Yeah.
So it's a, it's a, there's user, user input happening as part of this process.
Yeah.
Yeah.
It's a fascinating thing for Google to just do.
It's, it's super interesting to wonder if they bothered to, not bother, but like if they told Apple they were going to do it beforehand.
Especially considering that the company seems, the company seems, the company seemed,
to work together better than they have in a long time.
It's like, this is an interesting thing.
Like, oh, by the way, we also did this.
Well, I think, I think there's a non-zero chance that this is,
I'm not saying this happened,
but I'm saying there's a non-zero chance
that they actually got like a surreptitious nod from Apple.
Or just, like, we're not going to cause you trouble if you do this.
We're not going to participate in this,
but we're satisfied with your security results.
Fine.
We're just not going to talk about it.
But that is where I lean to where it's possible.
We're not going to create a system with you, but we're not going to kick up a fuss if you do this.
And if you agree that you're just on the hook for managing this and you won't cause a fuss if something we do breaks it, it's then on you to fix it.
Watch our developer betas and make sure that you stay compatible.
Also, I am fascinated by how this is on a phone, right?
you can do this on the pixel 10
and again I know
Android is just such a mess of different
phones and everything but like
what a
what a great example
I mean it's not just that they're holding it for their one
device but also like
so some Android phones
will be able to do this but others won't
because of whatever reason
software hardware whatever it is
I don't know what a weird thing right
it calls
it brings into relief what it
what the value, some of the often invisible values of being in the Apple ecosystem are,
which is like, if you've got an iPhone, it does AirDrop, right?
Yeah.
And I know Apple invented it, but the point is, there are a bunch of these features that Google,
the platform owner for Android brings out, and it's like, this just works on our phone.
Yeah.
Or it'll roll out to some selected phones later.
And it's like, well, what about other phones?
Well, it might not go to them.
How fractured that whole world is.
It will probably go to all pixels, and then maybe they'll say,
Samsung, would you like this?
And then Samsung would to make their own decision, right?
Like, it's like such a weird.
Samsung drop instead.
It just is a reminder.
I was thinking about this.
There was that story about, I'll see if I can find it,
but it was Windows PCs dropping support for HDCP in web browsers.
Yeah, I'll find you.
You sent it to me.
I think it was Dell and HP.
HP.
And I just had a moment where I thought, again, this is the kind of invisible like, we complain about a lot of stuff about Apple, but the idea that your browser would just stop being able to play some kind of content because the manufacturer decided to stop paying a license.
It's just so like PCs were a mistake.
So I just, I mean, again, lots of issues without.
Apple. But sometimes the actions of Apple's competitors remind you, remind me that Apple has some standards that seem invisible. Like, of course all iPhones do this, going back a long way. And then Google comes out with essentially an Android feature that only works on one phone. And I think that that is, there's no reason for it to only work on one. It's AirDrop. It's Wi-Fi direct.
and Bluetooth and like and yet here we are so just a reminder there are there are some things that
I think we all take for granted about Apple's standards that Apple has below which they will not
go to which they will you know they will not stoop to do something quite like this even though
they stoop sometimes they do some things that are annoying all true I'm just saying every now
and then I'm reminded of all the things they don't do this episode is brought to you by
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I know, Jason, you've really found a lot of use out of the Zoom integration.
Yeah, we use it for incomparable for Total Party Kill.
I use it for the Zoom stuff because we always use Zoom, and it used to be we were like doing a screen capture of the Zoom window and carving it up.
And now you can, with a Zoom integration, you can assign each person to a different camera or a different virtual camera and put them in Windows and you can build a layout.
And then that layout goes from session to session and they automatically pop in.
And if they change their name or not logged in or whatever, you would just assign them and they automatically populate all the different layouts.
It's so much easier to do the setup.
And then we also generally use that for the Six Colors Live stuff we do as well because it's just easier to have the native Zoom integration.
since I'm doing that already.
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Considering it is a festive week, we decided what more festive than a draft!
We're going to do a draft, but we're not doing a draft that you may consider.
We are doing an Apple TV content draft today, where we are going to draft the best list of content,
and then maybe at the end we'll try and decide who has the best list.
Content.
Considering this is an exhibition draft, non-sanction draft.
Yes.
I figure maybe we should decide who will go first via a coin flip or something.
Does that work for you?
That's fine.
Although you can also go first if you want to.
No, no.
I have one of the original Relay Challenge coins here.
Do you want Big R or Little R?
Let's go Big R.
Little R, so I'm going first.
Okay.
All right.
I was going to let you go first anyway.
I know.
So we ended up getting there,
but there were a little bit more drama.
So the premise here is there's lots of stuff in Apple TV now.
In fact, in the compiling of our list,
we have 200 plus pieces of,
of television content plus there are a bunch of movies it is a lot a lot of content and so as
why are we doing this um one reason is um maybe there's stuff that you haven't watched on apple tv
plus maybe you have not uh or apple tv now it's called um formerly apple tv plus and uh and maybe there's
stuff that we're going to talk about that you're like oh i haven't read that that i haven't seen that
that's interesting let's go there let's watch that so that's great
also just a reminder of like the stuff that's on there that it's got a big catalog
I think it's kind of fun to to point out all the all the interesting stuff that's on there
so you know we thought it would be fun in on Thanksgiving week to do a little to play a little
game and also just construct a list of good stuff that we like on Apple TV yeah I also
feel like here there is like an element of picking our favorites too this is also
you said like just a fun way for us to talk about some of our favorite things
on what I think pound for pound on content is maybe the best stream of service.
It's pound for pound, it may indeed be.
And I'll just say again, non-competitive draft.
The point here, we do this on the incomparable a lot.
We use the draft format to build a list.
Essentially, that's what we're doing,
is we are building a really nice list of stuff.
That's what we're going for here.
So it's competitive in the sense, like you want to take pride in what you selected,
but there's no like scoring system at the end.
we're like, aha, Jason won that one.
I mean, who are we kidding?
That's not going to happen.
But yes, let's go.
But we've got...
Let's go.
Let's go.
But we do have our own list.
And I'm picking my round one pick is severance.
Okay.
See, I think this is instructive of like, of our rankings here too.
Very interesting.
I think severance.
Severance may be the best thing they've made quality-wise.
I do have an argument for at least.
one or two more things about like what I think is maybe that may be higher quality
output but there have been two seasons of severance they have both been excellent
and they have driven more conversation I think about Apple TV than anything else
I think at this point even more than Ted Lassau Ted Lassau was very big during COVID
and then I think that was the absolute peak of cultural relevance for the show and it
held on for a long time. It has remained a relevant thing. But Severance was like a big moment.
It felt like the moment, like when a new HBO TV show drops and everyone's talking about this one television show, the second season of Severance had that feeling to it.
And so I think, I think at this point, Severance is maybe their most valuable homegrown property.
Maybe. Maybe. Maybe. Maybe. That's my first.
I love it. It's a great show. I am amazed that it has captured people's attention because it is it is a bit weird but but but it became like the show of the moment in season two. It's perfect timing and I think it's touching on a lot of classic themes using sci-fi elements but also like it's about work life balance. It's about identity. It's about you know workers being exploited by cruel overlord.
It's like, it's timely.
So I think that that is one of the reasons.
A whole premise around a clever pun, you know?
I mean, really, seriously.
Is that the whole thing?
It might be.
And that is perfect, you know?
Maybe so.
Good pick.
I have to pick Ted Lasso.
Wow.
Okay.
I have to.
Yeah.
I mean, how does an Apple TV draft go without picking Ted Lasso?
Yeah.
I think it will go down as one of the classic comedies of the streaming era.
Yeah.
Yeah. I love it. I mean, and there's lots of takes about season two and season three. Season one, I would argue, is a almost perfect season season. I would love to be the contrarian who says, you know, everybody talks about season one is perfect, but it's not really. It's not at all that. And season two and season three, like, I'm not going to say that. I think season one is just about perfect.
Season two and season three are different, but, you know, you have to tell a story. It's like, I mean, you can't just replay season one. You have to go somewhere. And so they went somewhere in season two and season three.
Were some of those decisions weird?
Yeah, some of them were weird.
I think they were not entirely prepared to do everything at the level that they...
Like the Christmas episode in the summer?
Like that thing?
That was weird.
There were a lot of weird things that went on there.
But I think great writing, great cast, Jason Sue Dacus really kind of killing it in that character that began as such a simple joke character for a bunch of ads.
I think it's been said so much that it gets tiresome, but I have to say, a Ted Lasso is not only the, was the breakout show of Apple TV when it started, which they did not expect, but is foundational to what they're doing.
So much so that they have moved heaven enough to continue it, right?
Like, we know that was a big negotiation to get not just the show to return, but to also seemingly get,
Acos to be the continued star of the show.
Yeah.
And so, like, yeah.
Here's the thing.
I had Ted Lasso and all my this, obviously.
It wasn't super high up because I'm kind of like, I'm wondering what is its impact
season four?
So I'm kind of modeling, this is like draft craft now.
I am modeling this draft similar to how some of the drafts are on the town where you
were essentially like one of our favorite podcasts they do drafts too and a lot of their
drafts are competitive and like they are drafting franchises to be the most successful in the
short medium and long term that is kind of how I'm thinking about my list of like what is the
set of franchises that Apple TV own and control that could have the best long term
output for the service right and it's a really
great premise that we did not agree on
before the show. No, but I thought that was the point.
No, this isn't the competition.
This is just how I'm thinking about my list.
That's how you're approaching it. It makes sense.
So for me, for me, I'm really kind of saying
what are the, what are the great,
if I was to make the top five or top 10 list
of Apple TV programs in its first era,
what makes that list? I'm really thinking of it down to
the ones that I have seen that I have loved.
I also have a sprinkling of that in there, too.
Because, like, one of my picks, which will be coming up very shortly.
It's not my next pick, but it would be the one after, is one that I just love so much.
But it doesn't seem to really be so, like, successful.
I'm not, I'm not programming somebody else's streaming service.
I'm picking the ones that I like.
Yeah, which makes sense.
Which makes sense.
So my next pick is kind of what I was alluding to a minute ago about, like, quality.
But there's only been one season, and it's the studio.
Ah, yes.
Season one of the studio is, like, one of my favorite things.
things. Won all the awards, though.
Yeah. Won all of the awards.
But it's like, well, season two be anywhere near as good as season one?
Could it be better? Like, I don't know, right? But like,
the season one of the studio is just one of the most incredible things that has been produced
in television in a long time. Just in like, just watching it, if you just watch it,
the quality is excellent. It looks good. It's funny.
the story is good
but it's not too much
it's got that really good mixture
of being kind of like
monster of the week
and also there is a long running narrative
throughout the season
you don't have to think about it too much
and then you start
to if you pay attention
and you see what they are doing
technically with the show
and if you know just a little bit
about how content is made
and you know like it really
I think the second episode is
the oneer
where it's all one shot
and like when you stop
when you clue into that
where you're like oh hang on a minute
this episode about producing a one shot
is actually a one shot
then it's like
we're oh I know what we're getting here
it's just incredible
Seth Rogen is a genius
and like even then
integrating things like
the podcast I just referenced
the town is referencing the show
and Matt Bellany
the host is in the show.
Oh, it's brilliant.
It's brilliant, brilliant, brilliant stuff.
And then, you know, bringing all the TV executives
and all of the cameos that they get, like, oh, it's beautiful.
Love it.
The Emmy Awards agree with you.
I agree with you.
It's a great show.
It was not as high on my list.
Yeah.
But I think it's a great show.
And that's great because I am going to go back to the Bill Lawrence
and Brett Goldstein.
steam well and pick
shrinking next
which is a
really really great
sitcom it's kind of at the top
of its game yeah it is a classic
Bill Lawrence people hanging out
haven't you know talking the premise is
interesting but you know it
as with all of these shows it goes way beyond
its premise pretty quickly the idea that
this is a guy who's grieving
whose wife just died he's got a
teenage daughter he's a
he's a a
therapist who decides to kind of make some questionable therapy decisions.
But really it's just about, you know, Harrison Ford is a supporting character as the gruff mentor.
Great cast, killer cast all the way through.
Good, really good writing, two very strong seasons.
Great guest cost, too, right?
Like, Zach Braff was in the second season, right?
well you know Zach Braff is uh you know Bill Lawrence did scrubs and yeah no I know but like he's great in it
so he also I think he directed some of the episodes too but like just to me like you know it's the
the main cast is great the guest cast is great like it's a very very good show like it's it's a lot
of fun I like it a lot you know what I'm not sure Zach Braff is in it I think I'm thinking of a different show
on Apple I think you are thinking of a different show that is also on my list so maybe we'll get there
later. Oh, I remember what show that is
now, and yes, he's really good in that, but
it's not this one, but he's really good in that.
But, yeah.
Like, he's doing a lot of that, but then he'll
be back on the, uh, all the
success Bill Lawrence has had on Apple TV
has led to them bringing scrubs back.
What do you think about the fact that they're bringing
scrubs back? I don't
know. I mean, every time I see, so you don't know
this, probably, but in the U.S.,
we are blanketed with T-Mobile commercials
that feature... I've seen them.
Turk and J.D. I mean,
When I've been in the States, I've seen...
It's the actors, but they're basically being Turk and JD.
And it makes me think that maybe there is an audience and appetite for more scrubs,
given that those guys have kept their bromance alive for all this time.
But we'll see.
I mean, we'll see.
I mean, you kind of can't recapture the magic,
but if you can use those older characters as mentors for younger characters and get that vibe back,
certainly Bill Lawrence has shown that he knows what he's doing.
already did try to do that.
Like, their last season of scrubs.
The last season of scrubs, they tried to do it and they failed.
So I really hope that actually they don't do that.
No, I think that's what it has to be.
But everybody was tired and ready to be done with scrubs at that point.
And now they're bringing it back.
So we'll see.
But Bill Lawrence, I think, is, Bill Lawrence is hot right now.
So they're going to let him do that.
I mean, I didn't know this.
Is Bill Lawrence actually doing the reboot?
he he is not the showrunner because he has so many different things going on but he is the exact producer and has people from his writing group that are in it so it's like he's involved i i don't think he's involved with maybe at the level that he's involved with shrinking where you know brett goldstein kind of developed that show and then bill lawrence helped him develop it because bill lawrence is such a pro we'll see oh and so
Speaking of which, Brett Goldstein is so good in shrinking.
In shrinking.
He's just so, so good in that.
Like, oh, man.
What a great show.
My next week.
Yeah, thanks.
I picked it.
Is what I was also referring to this second ago, for all mankind.
Oh, I do a whole podcast about for all mankind and you got it.
I wish more people watch this show.
because it's astoundingly good.
You want to binge?
They've done four seasons, I think, now.
So it's super bingeable if you have not seen it.
I reckon, this is the show like when, you know, like I have friends and they'll be like,
oh, I signed up for Apple TV for this, you know, like whatever it might be, right?
They've signed up for Severance or they've signed up for the studio.
The studio.
And they're like, what shall I watch now?
And I'm like, for all mankind.
Man.
It's a show.
The premise is simple.
what if Russia got to the moon first, go?
And the space race continued.
And gets hotter and hotter.
And, you know, the future becomes quicker, right?
Like all that's the compression.
And oh, and also every season, they jump like 10 years into the future.
And like some of the characters get older.
And they actually do that really well, like in a believable way.
Like, oh.
Yeah.
Joel Kinneman is like using a walker now.
but it's fine.
But it works.
It like totally works.
I don't know how they've done it.
Like,
but it continues to work.
It surprisingly.
It is,
it is great.
It is one of their best shows.
It is one of the best shows on TV.
Um,
it is exciting.
Look,
they have their moments.
There are plot corners that go in where you're like,
what are you doing show?
I think season three has one of the weird.
It's not good.
But they,
but I'll say they write the ship.
I can,
I can now say like that in season four and I really liked it.
They have some,
some wild twists, some real action.
There are a lot of stakes, a lot of people die,
a lot of spaceships blow up.
The first episode of season three
is one of the most tense
it's the hotel one.
It's one of the most tense episodes
of television.
This show is
brilliant.
It is so good.
And again, I know people like to do
like a binge watch or something and a lot of things
we've suggested is like there's 20 episodes, there's 10
episodes. There's 40 episodes of For All Mankind. A fifth season is coming. A spinoff set in the Soviet
Union over the beginning of the show is coming. Like Apple clearly really likes for all mankind.
I would also say that one of the interesting side effects of Apple not having a catalog and
building their own is that they are willing to stand behind franchises a lot longer than most
other streamers are, because they want, here's the thing, they want people like us to say,
oh, watch For All Mankind. There's four, about to be five seasons of it. So you can just dive
into that. And it's really nice to have a big catalog of something like that. And they're doing
that with For All Mankind. It's really great. Is it perfect? No. Does it do some silly stuff?
Sure. But like, I am riveted. And it is one of the very few TV shows that rose to the level where
Dan Morin and I now do an episode by episode podcast about it called NASA Vending Machine that is over on the incomparable because it's that good. It is so good. So highly recommend. Good pick, Mike.
What I, I'm really excited about the, like basically in the spin-off show, they're going back to the beginning of the show and retelling it from the other side. So from, you know, the show is set on the American side and they're going back to Tut from the Russian side.
and I really wonder if there will be like a way that you'll be able to watch it
where you jump between them eventually like you would watch
episode one of For All Mankind and then episode one of what is that one going to be called
I think you mentioned I don't know whatever they've announced the title I think
but like you know like where you end up like you could kind of machete order or something
and you end up going on episode one episode one two two star star city is what they're calling it
Which is a place where the Soviet Union space program is.
And, yeah, it allows them to maybe bring back actors, in fact, right?
Oh, yeah.
Yeah.
I didn't think about that.
Yeah.
Oh, man.
So good.
So good.
Yeah.
All right.
What's your next pick?
I love it.
I am going to say, here is an up-and-coming sci-fi franchise that I think they did an incredible job with,
and I went to see much, much more of it.
And it's murder-bot.
Okay.
I haven't seen this one now.
Murder-Bot.
murderbot is great.
The format is really interesting.
It's 30-minute episodes, not hour-long episodes.
So they're short and sweet.
For those who are put off by the subject matter or the title,
it is a funny.
It's what Chris White's who did American Pie and About a Boy, among other things.
It is a really faithful adaptation of Martha Wells' MurderBot series of novellas and novels,
which are beloved,
they've been really successful
in the sci-fi
reading community
over the last decade.
It is funny
and a sci-fi show.
So, like, are there alien monsters?
Are there lasers?
Is there tension?
Yes.
It's also funny,
and also it is about identity
in a very interesting way
because the main character
is the murder bot.
It is a synthetic life form.
It's made of,
a combination of computer and cloned human tissue.
So it's got a brain, but it was never a person, like a human.
It is a person.
And then the interesting twist is these types of creatures are created as essentially a slave race.
They are put under control.
They kill themselves if they disobey orders.
And this one undoes its programming and has free.
will. And so it becomes a story about this character that is not a human being figuring out
where it fits, wondering about the freedom of other creatures like it, navigating the politics,
which I think is really appropriate for our time, of who is going to agree that it's free and
not human, but sentient, right? Who is going to agree with it? Where can it go where it can be
treated with dignity.
And yes, its pronouns are it.
Which I also think is kind of fun.
And there are a couple of shots where it's a male actor, but like there are a couple
shots where you see it's genital area and it's a Ken doll, right?
Like it's like there's like there's like there's not made for that.
It's made to be a security robot.
But it's not a robot.
It's a person.
It's just not a human.
Anyway, so there's a lot of that.
But it's also funny.
It kind of is working with this.
tag group of kind of space hippie scientists and is always frustrated by how bad they are at
security, which is why they have a security bot with them.
Anyway, I cannot recommend it highly enough.
I love it.
It's hilarious.
I hope they make many, many more episodes.
My only complaint about it is in the 30-minute format, it's really nicely bite-sized,
but it means the season goes by real fast, and then I want more.
So I hope they bring it back for much more because it's really brilliantly executed.
It's about something.
It's got action and size.
fun and is funny, all in one package. What a special gift, murder bot.
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So my next
pick,
I want to pick Formula One
in the Apple TV
draft here.
And I guess we can,
you know, I would like to...
I'll give you future Formula One
broadcasts and F1, the movie streaming
soon on Apple TV if you
want it because what you're picking is the
relationship. Yeah. Well also
it is also like they're definitely going to make a
Formula 1 too. Yeah.
I heard that. I heard
this is very funny to me.
There was a
the director's
his name Kaczynski.
Yeah. He was being interviewed
like on a red carpet for something
recently and someone
referred to how is
F2 going? Which I thought was
It's so funny. It's like this human being was an AI who just assumed that if you had a movie
called F1, that the sequel would be F2, where if that was what they were making, it would suggest
that Sonny Hayes got demoted to the Junior League of the sport and raced in F2, which doesn't make any
sense. So yeah, I'm picking the concept of Formula 1 as a part of Apple TV, because I think that
this is going to become a bigger and bigger thing for them.
I think if Drive to Survive didn't exist,
they would make that, right?
Like, as part of this arrangement,
I will be really intrigued to understand
what that relationship is like
between the production company and Netflix
as to who actually owns Drive to Survive
because there is a production company
that makes this for Netflix.
And like, what does that deal look like?
Is Drive to Survive a movable thing
or a concept just like it
and maybe it goes to Apple in the future
like everything is up to play for
when it comes to Apple in this sport
because they're in for a very long time
and it is a successful product
that is growing.
I think, correct me if I'm wrong, Jason,
like one of the sports which is weirdly considered
to be growing its audience around the world
which doesn't seem to happen often,
especially growing its audience in the US
which is an important market.
So yeah.
I'm picking home in a one.
Okay.
You said beforehand that you would probably do that.
And I said, go ahead.
I'm not picking it.
So that gives you one less pick and I'll take it.
I think it's great.
Interesting to think about it.
I am going to pick another, maybe a little less talked about,
but deserving way better than I expected it to be one of these.
Apple specializes in this, the high budget, high quality sci-fi series for the thinking person.
I feel like there's somebody with an Apple TV.
who knows exactly this portion of their market
and it's me and other people too but me
and so I'm going to pick silo
interesting yeah
silo good good it's a book series
I was going to pick this too I feel like you undersold it
in the way that you were describing it
yeah it's a book series that I don't actually love
I think it's okay
but the way that it's done
It is so brilliant
And what I would say about it is
Silo sounds like
The Kind of show I wouldn't like
Because although it is a sci-fi show
It is one of these
Like in the future after an apocalypse
People are locked in a chamber together
And must turn
And we'll turn on each other
And who will reign
And like the Walking Dead gave me fatigue
Very very quickly, right?
This is not that show.
this is there is an aspect of power dynamic
but it's a different kind of power dynamic
it does have a question of like
in a democracy
what is the power of the people
what happens when the people in charge
get out of line
what if secrets are kept
like all of that is going on
but there's also the ongoing mystery of like
what happened why are these people in a silo
what happened to the outside world
and the show and this is not a spoiler
the show is like
is there even an
apocalypse outside. Maybe somebody should go out and look. Oh, but if there is, then they die. Well, there's a whole thing about that. That's part of what the show is about. Rebecca Ferguson is the star. She is fantastic. The show makes a lot of great moves with our characters. You're like, oh, it's that character. And that, like, it is not afraid to kill characters off. It does it a lot. It is, I really like common in the show, too. I think he's fantastic. And after season one, I would have been like common is a
super scary villain and after season two I'm like common is a complicated character yeah who is
super scary but also maybe you understand him a little bit more after season two which I love that's
a great kind of villain I love a villain question mark I think that's really interesting Tim Robbins
speaking of is great in this he is absolutely great uh lots of good uh other good actor steve zahn
shows up in season two and is amazing.
So I highly recommend it is,
it is really, again, one of these kind of meaty shows
where it's not going to make you roll your eyes
with like repetitive, like something really messed up
strong warlord takes over.
Again, like there are a lot of apocalypse shows
that are like that.
This is not like that.
This is like they form this society to stay alive.
They're obviously right on the knife's edge
living in the silo.
And so there's this real push and pull
between like the democracy and the power dynamics,
but also the class structure,
live down low people who live up high
they you know the people up high look
down literally and figuratively
on the people who work down low like
there's a lot of really interesting social
dynamics as well as an unraveling mystery
of the silo itself and what's
outside and how they got there and
like is history being
suppressed there's a lot here
it's really well done
two seasons out
they're making I think
two more that will conclude the story
because it's the story from the books
and I just I think it's really great
and Rebecca Ferguson is fantastic
I agree
I was unsure about it
like it seemed like a like a dark grim show
right and I was like I wasn't sure that I wanted it
but so many people were talking about it that I watched it
and yeah there was a lot of darkness to it but it's also just like
really good
we watched it just after severance was over
because like season two started when
severance ended and we
watched all of it one and two
although I will say
super frustrated the way that Apple
promoted the show where they
spoiled the end of season one
in the promotion for season two
which is like not great
like just not great but
you know nevertheless they did it anyway
my next pick
is a favorite of ours
slow horses
yeah that was next on my list too
brilliant show brilliant show
I give it to the UK, you can have it.
Yeah, Gary Oldman's so good in this show.
This is another one where it's like super interesting
in the way that Apple produces this show
where they always seem to have another season shot
by the time the season ends.
It's really interesting.
They seem to shoot two seasons together.
Yeah.
Back to back.
And then they also have a pace
where they then come back to shoot the next two seasons
a year later so that they can.
do, because it's not, it's like two six episode seasons. So their seasons are short,
but it allows them to like do 12 in a block. And then a year later they do another 12 in a
block, which I like as a model to have it come back every six or eight months for, for six
episodes. It's pretty great, actually. Yeah. So like, because they always do this thing, which
reminds me of like, it reminds me at the end of back to the future too, where at the end of
every season of slow horses. They're like next season on slow horses and they have like a bunch of
footage to show you because they've done it already. Which I always think is so funny. I love it so much.
I agree with, so Jack Loudon, his wife, Shursa Ronan, is like campaigning for him to be the next James Bond.
And I agree because I think he would be a brilliant James Bond. I really like Jack Loden in this show.
It's fantastic.
And there is also another James Bond connection to the show where his grandfather is played by...
Oh, Jonathan Price.
Yes, who is one of my favorite Bond villains who plays...
I think it's Tomorrow Never Dies.
And he plays like a Rupert Murdoch figure, but what if he could make the news?
You know, so that's the...
Yeah, really great, really great.
So I love Slow Horses.
It's brilliant, brilliant, brilliant show.
And it's all produced in London and it's fantastic.
like looks great yeah pretty great Gary Oldman so good yeah the sporting cast is great
Kristen Scott Thomas who yeah having not read beyond the first book in the series didn't know
whether she'd be back but she is always back and is also great so yeah it's so good we are
very fortunate to have slow horse I in fact honestly I look at slow horses and I think this
should be the model for adapting any like book series
especially like thriller, crime, mystery, book series.
I had just brief sidebar.
I really enjoy Richard Osmond's series of cozy mysteries,
the Thursday Murder Club.
And they made a Netflix movie of it.
It's not very good.
It's super mediocre.
And the books are so good.
And all I could think was,
I know you maybe couldn't get the giant cast of stars for it.
but like should have been slow horses that's what they should have done that every book should be
six episodes because you need because having a book adaptation be six episodes of a tv show you give it
space you give it space for the subplots you get to know the characters you give everything some
breathing room and there's no breathing room in the thursday murder club movie because it has to be
over in two hours instead of like five hours and uh i i keep coming back to slow horses and
kind of pointing at it and being like that do that
That, that's the right way to do these kinds of adaptations.
They even got like a banger cast for the movie.
I know.
Helen Miriam Pierce Bros and Ben Kingsley.
Yeah.
And it's kind of a damn squib.
I would rather them have fewer of those stars if they needed to to save on budget and done it as a six episode, slow horses style TV show instead.
It's a shame.
Yeah, books by and large pretty much, books should be TV shows, not movies, right?
Books should be TV shows.
In general.
Absolutely true.
They're just bigger, right?
Like, you get the time to tell the stories.
The stories are longer.
Yeah, movies are like short stories, not novels.
And a good novel movie adaptation, they happen, but like, it's a mismatch.
You're dropping a bunch of stuff out.
And sometimes it harms the final result.
All right.
I, this is my fifth pick.
I'm going to go, even though it has only dropped three episodes or four,
episodes now, especially since the TV critics who have seen seven or eight of them think, like I talked
last week on downstream to Alan Seppinwall, longtime TV critic, and he said that show of a year for
him is between The Pit on HBO Max, which is a wonderful show, and Pluribus, which is the new Apple TV show
starring, what is it, Ray Seahorn from Vince Gilligan, who is the,
Creator Breaking Bad and Bitter Call Saul
and used to work on the X-Files.
Kind of a mind-bending concept
if you haven't seen it, but, you know,
it is sci-fi and human drama
and a wild concept.
And Apple says it's the biggest premiere
they've ever had.
And it crashed Apple TV when it premiered.
So I'm going to say,
based on what I've seen of it,
what I've heard from the critics, and the fact that it's been
by all accounts
a huge viewing success
I can't leave it off this list
so I will pick Pluribus
even though I hadn't seen it
I had it on my list
because I know how much people
love it
right yeah yeah yeah
like I am really excited
to watch it
but it's just
I have yet to get to it
we're currently finishing Taskmaster
the only reason I've kept it this far down
is I've only seen
whatever four episodes of it
and it's great
but like it's
I haven't even seen a full season of it.
And so I wanted to go with things
that I have 100% confidence in before this.
This might not stick the landing, right?
To the end.
It might not.
I can't say.
And that's why it's down here.
But I feel like I can't let it go any along.
Have the critics seen the end?
No.
Yeah.
Apple has withheld.
As they often do with these sorts of things,
they've withheld the last two, I think.
And that's what I mean, right?
No one knows yet if this show,
you're like, is it going to feel satisfying
when we get to the end of it?
Right.
I'm going to pick a show that I enjoyed
more than I thought I would
and I thought I was going to enjoy it
and that is your friends and neighbors.
This is a show
where we take John Hamm
and I think put John Hamm in the role
that John Hamm wants to play
where it's funny as well as
him looking good.
You know? Like I think
John Hamm gets put in
roles because he looks really good and he wants to be funny and this show does that. It's like
he is, you know, it's dramatic, there's tension, the story's really good, takes some great
twists and turns and there's a lot of comedy along the way. Essentially the premise is
what if rich man loses his job, doesn't want to tell his family and friends and just
start stealing from his friends as a way to fund his lifestyle and then hilarity ensues.
It's a really good show.
I think they're making more.
I hope they're making more.
I really liked it.
Right.
I still haven't seen it.
It's worth it.
Keep it on my list.
They make some really clever production choices to this show too,
which elevated it from me,
like some of the ways they produced some of the stuff.
It has been renewed for a second season.
Excellent.
So good for you.
All right.
Well, I am going, see, now I'm torn because I've got my,
I got my sci-fi shows that I've been picking
and I've got my comedies that I've been picking.
Everybody's pretty much figured me out now.
It's the sci-fi shows and the comedies.
That's what I get out of Apple TV.
I'm going to go,
it's a comedy.
It's a little bit off for me.
It's not a sci-fi show and it's not quite a comedy,
but it is a very, very funny mystery thing.
It's a bad monkey.
Great show.
Starring Vince Vaugh
You convinced me to watch this
And you were right
It is
So a lot of people
It turns out a lot of people
Don't like Vince Vaughn
What I will say is
Vince Vaughn is perfectly cast in this
This is like when I say
You may not like
Will Farrell
But you should probably watch Elf
It's a little like that
It's like it's the most Vince Vaughn
But it's also the perfect deployment
Of Vince Vaughn
Yeah
Bad Monkey is
Kind of in a very specific genre
which is the sleazy Florida crime.
Carl Heisen kind of,
anyway, it is set in Key West and a little bit in Miami.
It is about a guy who's like a cop who's lost his job.
This is Vince Vaughn.
He lives on the water in Key West.
He's like a schlubby noir detective kind of.
He gets, he follows a lead on a case that leads to kind of like more.
sleazy crime that's going on.
It's funny.
The plot is interesting.
There are a lot of great appearances
by interesting actors, including
Zach Braff.
That's what I was thinking of.
Yeah, uh-huh. That's the one.
And I just, and the vibe is immaculate.
Every song in it is a Tom Petty cover.
It's just choices.
And this is also a Bill Lawrence, by the way.
Bill Lawrence produced this show, too.
So it's not quite a sitcom, but it's very funny and also just has a vibe.
It just is pleasant to watch funny, interesting.
There should be more shows like Bad Monkey.
I love it.
It's really good.
Much, just surprisingly how good.
I was really surprised by it, too.
That's why I like to spread the word on Bad Monkey.
It's like, again, in our Discord, they're like, I'm not a big Vince Vaughn fan, but I enjoyed it.
It's like, this is my point.
is, if you don't like the vibe of Vince Vaughn, it's like, I don't know, try this because I think it's his, I think the character he's playing is feeding into your conception of Vince Vaughn.
I think it's a perfect use of him because he's kind of a loser.
And you kind of want to root for him, but also you know that he's going to kind of blow it.
But, like, I mean, that's kind of what you're looking for here.
It is that seedy, sleazy, Florida vibe going on.
Like, nobody is without their sins.
but very funny.
I'm actually thinking my next pick
is going to be something related
to this, which is Stick.
Oh, good show, good show.
Very good show. And it's related
because Vince Vaughn and
Owen Wilson together forever.
You know, like locked in our minds
together forever. This is the Owen Wilson
it's like Ted Lassow but golf
which is not a really fair premise
for it, but it is like Owen Wilson and a ragged
tag group of people sort of mentor
a teen's golf phenomenon
yeah it's a great show and also like
he is flawed right
and like um there is a little bit of like
a rags to richesy kind of story of like you know
he's a cut he's like a burnout you know
like he he's not he's you know
considered to be not good anymore can he redeem himself
it was it was very funny
and had a really good story
and it was one that I wanted to try
and was really pleased that I did.
One of the things that I like about Stick
that I also like about Ted Lassau
is they're both aware of sports clichés
and are willing to give you the sports clichés
when you want them, like from sports movies and stuff.
They know they have power,
but they also know that they're cliches.
And so it's a fine line where it's like,
because I know they're cliches too.
So they'll do a sports cliche thing.
There's a great Amazon series called Red Oaks that does the same thing.
And it's like, you know that this is a,
Red Oaks is like an 80s romantic comedy slash sports movie all mashed together.
And it's a great show.
But like it's the same idea,
which is I know it's a cliche,
but it works and I love it.
And if you also as the writer or producer of the show know that it's a cliche, but also know it can be powerful and fun when done right, we're all in sync here.
Like, why are we watching this story about an underdog sports person and seeing what they do?
It's like, we know what we kind of want out of that.
And you're going to give it to us, but you're going to give it to us in a way that we all know what we're getting into and we all know what there's going to be a different spin on it.
And like, I'm trying to express here the idea that, like, it knows the tropes and it uses them, but it all, but the fact that it knows them and it knows I know them make elevates it beyond that. It's got that other level of like, we, we all know how fun sports movies can be and we'll put that into effect. And like, we all agree. Yes, that is fun.
Something I like about Stick 2 is they got to do the thing that very rarely a season one of a show like this gets to do where they're actually on.
the PGA tour, the real one with the real golfers.
Like, cameos in this show are of all the real top golf starts.
Right.
Like, they're there in the show.
And like, they're playing, yeah, they're playing golf in the tournaments.
Like, they actually, I don't know how they did it, but like, they did it.
Where you, like, the Ted Lasso, it took to season two, right, for us to get any real footballers
in it and like any of the real teams in it and all these, like, well, maybe not the real teams.
Yes.
No, they didn't have the real teams.
They did have the real teams, yeah.
But like, you know, it usually takes like, oh, this thing got successful.
So now, it's like in Drive to Survive, the first season of Drive to Survive, which is the F1 documentary show, the top teams, Ferrari and Mercedes were not, they didn't want to take part.
And then it was a massive success for the other teams.
So then everyone wanted to be part of it.
Exactly.
Exactly.
How many more picks do you have?
Obviously, you have your one to match mine.
I could do this.
I could do one more round after this if you wanted.
Yeah, just do that.
Or we could stop here.
Just do one more round after this.
All right.
Okay.
So then I'm going to go back to sci-fi and I'm going to pick Foundation.
Okay.
Again, many, many, many seasons with more to come.
The scope of this show is bananas, right?
It's thousands and thousands of years and yet they managed to keep many of the same actors.
There are reasons.
season one is kind of a tough watch
it gets better as it goes
but it starts really slow
it picks up after that
I would actually say the problem is that the pattern with the show
is that they front load a lot of stuff
at the very beginning of the season
of the season and you're like oh boy
this show downloading all this stuff again
and then by the time it's in the last couple episodes
it is flying like that's the thing
is this is the show that I want to
recommend it because I think the net is amazing, but I have to admit that every season is a little
bit of a rough ride where you start and you're like, oh, God, hundreds of years of knowledge and
reference to that thing that I think it actually might work better as a binge because I'm always
like, who is that guy? What was that? What was that in? But if you, if they lay down their
cards at the beginning of the season of like, this is the story we're telling now. And then the
momentum picks over and then like when it is good you are talking about like galactic stakes and
planets being destroyed and the fate of the galaxy at at risk at any moment of like um
and it does it so well it is one of the great examples of like a a tenant of the science fiction
genre which is the the space opera the galaxy spanning space opera um that doesn't get represented
it in, in, uh, media like this very often. And foundation goes for it. And I think it does a pretty good
job. It is, uh, you know, the story that you're watching is, is secretly not quite the story you
expect it to be. And that's actually part of the brilliance of it. Um, I, so like, I have to list it.
I love it. Even though lots of asterisks, you got to be committed. But I think, I think actually on
balance it is it is brilliant even though it can be hard to get into and you got to persevere but
but if you persevere there's a lot of reward every season great performances in this one too
um so yeah Jared harris is great in this my last pick is a show that i have not seen the final
season of yet oh but the rest of it is really good uh mythic quest oh you snipe me there it's also a show
that's done.
So, you know, it's got that benefit to it.
I have seen it.
And you liked it?
I've seen the last season and the SideQuest thing that they did.
I like Mythic Quest a lot.
I think it's funny.
I went into it being skeptical about whether I was going to like this show, you know, it's from the, that's always sunny guys, but it's like, you know, video game.
And we talked about it when they were announcing it.
It's like, is this really going to be, what's this going to be is an ad for, because they.
video game.
They partnered with a video game company, Ubisoft.
Yeah, to make it.
To make it.
So it was like,
it's just going to be a whitewashing of the game industry.
Like, what are we doing here?
And it's not.
It's great.
It's a story of the people who work at this video game studio and that, you know,
and you've got your technical expert and you've got your overbearing, annoying,
creative genius who knows that he's a genius.
And you've got various other characters that you pick up along the way.
It is funny.
You don't need to be a big video game person to find it incredibly funny.
and good characters, best COVID episode
that any TV show did.
The last season is good.
The side quests are actually
some of the best stuff that they did,
which is they did a little mini-season
right at the end of,
I think it's four stories
that don't involve the main characters,
but are set in the world.
Basically, they're the episodes
that you normally would do
as a standalone in the middle of your season run.
Which they did.
Every season had one.
Which they did.
And then in the last season,
they just did four as a,
a total separate show.
And those are really great.
What I would say is,
I felt at the end of the last season
that it had run its course and they didn't need to do
anymore. I was happy that we got
what we got from Mythic Quest. I think it was great.
I think they ran out.
I think we got to the point with Mythic Quest
in the previous season where they realized
that for these characters to change anymore
would break the premise of the show.
And so they decided to not.
They did a lot of like,
everything's going to change.
And they got to the,
the end of the season. They're like, nah, forget it. And I think at some point, you just got to say,
we've told all the stories we're willing to tell with these characters. Um, so let's move on.
Yep. Which I think is exactly why I ended. It's fine. It's fine. But it's very good. Really good show.
Wow. So that, that, that sniped me. So now I have to, I have to go somewhere else.
You do. Um, and so I am going to pick, uh, I'm going to get some Seth Rogen in my life and I'm going to
platonic. Do you like
this show? Rose Byrne and Seth
Rogan. I've only seen the first season of it, and I do
like it. I think it's nice. I think it's
funny and silly. It is about
a pair of kind of old friends,
mismatched old friends.
They were pals when they were younger. They've gone their
separate ways. This is Seth Rogan
in a more Seth Rogan-y kind of.
He's a
he's a schlubby studio executive in
the studio. Here he is a schlobby
brewmaster at a brew pub.
It is and kind of in a state of
Arrested Development.
It is a much more traditional Seth Rogen character.
Yeah.
And then Rose Byrne is playing a suburban mom who went to law school and was an attorney,
but at some point she and her husband, who's also an attorney, she decided to stay home
with the kids and he went and did the career path in the law firm.
Now, the kids are a little bit older, and she meets her old friend who is kind of in
the state of arrested development, but it's a reminding.
her sort of like what her life was and that she feels like she's kind of put her life on hold.
And so that's the concept, but then there's just, you know, there's also lots of jokes as these
two worlds collide in a bunch of funny ways that you might expect. And I think it's a really
well-executed show. So that is the ample TV content draft. If you've not seen any of these shows,
we recommend them. Go check them out. Yeah. That's it. We did a lot of them. And there are more.
Mike, I had the Long Way series with Ewan McGregor and Charlie Borman on my list that I didn't get to, which is two idiots ride motorcycles around the world.
It's fun. It's a travelogue. It's cute. There's a mini series called Masters of the Air from Tom Hanks that's about the Air War in World War II. That is really great. I like that a lot.
Shmigadoon is a fun musical comedy about musical comedy.
Um, I really like the doc series Super League, the War for Football, uh, which is a very dramatic retelling of the attempt to, um, an attempt for the most rich, uh, soccer teams in Europe to subvert the authority of their soccer leagues and form their own breakaway league, uh, the Super League. So it's Super League, the War for Football. It's very good, good documentary. Um, the after party. I had that. Yeah. Fun show. Fun show. Just didn't make the list. Um, um, time. Um, um, um, time. Um,
Bandits, one season and out, I really liked it. I thought it was really adorable and I'm sorry
they didn't bring it back. I thought that was a nice fun kind of for the whole family take on the
classic Time Bandits format. And I got to say, I was surprised people hate them, but I thought it was a
really great doc, the Dynasty, the New England Patriots, which gives you Tom Brady and Bill
Belichick kind of reluctantly talking about themselves. And I thought it was actually a really good
story about as a football fan about that era that has stuff that I have not seen elsewhere and I
thought it was really well done. So there's some other stuff on Apple TV too. We didn't even
touch the movies. There are some movies. Some of them are good. Most of them aren't.
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ask. Upgrade questions. Our first question today comes from Sam, who wants to know. If Apple TV
does include an ad-supported tier, which level of membership do you think would be included
in the Apple One bundle? I would presume the ad tier will be included of an optional additional
charge to remove ads, but I'm curious to what you think.
I, my prediction is that if you're an Apple One, you'll get it ad-free.
And that if they add an ad tier, it really will be a cut rate ad tier trying to get people in the door who are buying a single thing.
But if you're buying the whole Apple bundle, I think they're going to keep you at the top tier.
Yeah.
That's my guess.
And I think if they really felt the need, they would increase the price of Apple One, which they've done in the past.
You know, by like a dollar or two a month or something, and then you'll get it.
The whole point of Apple One is you're a prime Apple customer.
you're all the way in the ecosystem and you're buying a lot of stuff.
And I just have a hard time seeing them pull on Amazon and say,
on top of this, you also need to pay us not to see ads.
I think that I think Apple's desire if they do have it to show ads at all on this,
that's one of, you know, it will have its limits.
And I think that's one of its limits.
There is a possibility that they, you know what they could do.
The individual plan, maybe you get it of ads and the premier plan, you get it ad free.
So remember, Apple One has three pricing tiers.
They have the individual, which includes iCloud plus for 50 gigabytes to storage, Apple TV, plus, as they name it, on the thing, which is funny, Apple Music and Arcade.
They have a family plan, which includes those things plus 200 gigabytes, and then they have the premier plan, which is also a family plan, but it has two terabytes of storage and includes Fitness Plus and News Plus.
So I could imagine them doing
I don't necessarily think they would do this
but I could imagine a scenario
where you got the ad plan
included in TV in the individual
and ad free in Premier.
Anything is possible
but my gut feeling is that
if you're paying Apple that much of money
their goal is not to get more Arpoo
out of you at that point.
They got you in the bundle.
I think they want you in the bundle
and that this is for people
who are going unbundled
and are really reluctant
to pay at all for Apple TV, and so they're giving them a deal, but they're showing them ads.
That's, you know, never say never, but I think that, because I think it's already a dicey premise, right?
Like, Apple showing ads at all, I think is going to be a tough sell.
And if they go there, I think they're going to be careful about all the next steps they take.
And so I just think they'll leave the bundle alone.
Totally forgot that fitness and news are not in the individual or family plans of Apple One.
It's only in the premier plan.
It's pretty wild, right?
Why would you not?
I wonder if that'll change.
Why would you not?
Why would you not put them in there?
They feel like the cheapest ones.
Like, that's odd.
They're designed to be the throw-ins, right?
Yeah.
That doesn't make sense to me.
It's super weird.
That's very strange.
I haven't looked at this in a long time.
Like, I got Premiere and then just never thought about it again.
Yeah.
Because I do actually think, for me, Apple One Premiere is a good deal.
like to get the 2 terabytes of iCloud storage that I can share of everyone
and then all of those services and I do use music
which is 1699 a month on its own
if it's to do a family plan and I use TV and I use arcade
like I use these services it would cost
nearly double to pay to pay them separately.
Logan said should Apple end the Mac Pro as we know it
and rename it to Mac from sorry and rename the Mac Studio to
become Mac Pro. Studio display
could become Pro Display without interfering with the
Pro Display, XDR. Besides leaving
some disappointed, the only other issue
is no Mac could be made in America
like the current administration wants.
Well, it's okay because they're making the servers
in America in Houston, the
private cloud compute surfers. And my answer
is no. They can also make
any Mac they want in America.
They could just do that.
They could, I guess, if they wanted
to. My answer is no. I get
the, I get the, we
want everything to be in perfect boxes and so we want to rename it but it's like the mac
studio is the mac studio it's going to stay the mac studio the mac pro will just go away or it'll
sit there on the price list and nobody will buy it but renaming a product just to fill a slot
doesn't make any sense i think mac studio is a better name anyway also yes it is a better name than
mac pro and also it absolutely does not matter if they don't have a product called mac pro
like it it doesn't matter and and also the people that care the most about the mac pro would be
really upset about that as well
you know like that's i suppose there's another
a poke in the eye for that it's like yeah i get
i get that there are people out there who like want every apple thing to be
nice and tidy and they've created like a little chart and all that but it's like
no it doesn't make don't do that yeah because then i mean if we're doing that
then would they also have to make a mac max you know because that because max is
a thing mac studio is fine mac macs fine name the macmax with max uh it's fine
Darren wrote in and said back when Apple first introduced the cursor to iPad OS, everyone loved how they used the amorphous blob design as a real iPad-specific approach.
But I feel like I haven't heard much discussion of how with iPad OS 26, they got rid of that in favor of a more traditional arrow.
What do you guys think? Do you miss the blob or prefer the arrow?
All right. Well, I haven't heard much discussion about it. I wrote about it in my review, but I'll just say.
No, but you wrote about it, discussion. Discussion and writing.
I didn't discuss it.
I get it because they felt they needed, especially with the new multitasking stuff,
to have a pointer that indicated the precision using the track pad, right?
That now they've got some interface elements that are smaller and that they wanted to indicate the precision.
However, amorphous blob, it still is.
The pointer still changes when you move it around.
it still has a lot of those characteristics
and will change.
So it morphs into an ibeam when it's editing text, right?
Like that is still the case.
Does it still do the snapping?
Like it used to snap to content?
I don't think it does that anymore.
If the app wants it to, it does.
But otherwise it doesn't.
I think it's not supposed to ideally do that anymore.
I think at the time when it was introduced,
it made a lot of sense to make a curse of the size of a finger
because that was what was interacting with that.
but I think as iPads have become more complicated
post that being introduced
and with iPadOS 26 it makes more sense now
to have the precision.
So I think, like I didn't, it was funny
when I read this question.
I was like, oh yeah.
To me, it just felt like such an obvious natural change
that I never really thought about it.
And when they introduced it, I was like, great,
I prefer this now.
So the blob is a nice idea.
The circle was a nice idea,
but it's a virtual finger.
And there are elements that require more precision now
that you would need something more precise
than the circle. And so they made the advantage of having an arrow is there's the point of the
arrow, which is super precise. And that's what they want. But it still is not the Mac pointer,
and it still does its little morphing animations and stuff. So it's fine. I like, I like,
I like what they did with the original. I think that it was super clever. But the OS has evolved
and the cursor, you know, pointer has evolved. It's fine. And Matt wrote in and said,
do you feel an extra pressure to not make mistakes on the shows that you record live
in front of an audience like Upgrade versus the shows that you do not record live?
How do you approach these recordings differently?
I mean, I talked about this on the show, I think,
but one of the things that is a challenge for me when we're doing Upgrade live
and streaming it live, which is, too, you know,
in the grand scheme of things, a relatively small audience
is I don't want to make mistakes and break
because, you know, then I have to go back
and it's a whole thing.
But I think that, and I've tried to not do that
and say, like, if there's something that I don't like,
I just need to say, let's stop and do that again.
But here's the truth is, in my head, it's all about editing.
In my head, it's always about every time we say,
let's stop and go back it's a marker it's a break it's a note to jim who edits to the audio version of the show
it's a note to jamie who's editing the video version of the show we are making more work for somebody
else every time we do it and so i want to be aware of that and so it's a balancing act like
some imperfections are natural and we'll go in the show and are fine there's a threshold beyond which
we got to take we got to mark it we got to break it and you can hear us
If you listen live, you can hear us get that point.
You can hear one of us say, oh, I'm going to, let's do that again.
Or, you know, I'm going to, I'm going to do that again.
Now, sometimes Mike will silently mark something and say, we redo this.
Yeah.
And cut that out as a note for Jim.
But I'm really thinking of the moments when one of us explicitly either says, I'm going to do that again,
or just stops and then says it again.
And it's very clearly like, this is going to be a moment.
a break.
Yeah.
So, but I'm aware, like, every one of those has a cost, right?
I don't want to give Jim 30 edit notes if I can avoid it.
I don't want to give Jamie 30 different video splices that she has to do.
So, um, that's what we're mindful of is, is this is not a show.
So like Mike and I, big fans of the rest is history.
Yep.
I hear how edited that show is.
They don't let, they don't let the mistakes in that.
That gets an intense edit.
our shows don't get, other than Cortex.
I guess Cortex gets an intense edit.
It does.
So we don't do that.
We are a little looser than that,
but there comes a moment where you're like,
okay, now we need to do this anyway.
I don't want to make a lot of trouble.
There's a fast turnaround show.
It's newsy.
It doesn't need to be perfect like that.
We are alive to tape production, right?
Pretty much, right?
Closer to most, like a lot of TV shows that you would see,
where, you know, there is a studio,
audience and we are recording it live and so basically all that goes into the recording comes
out here like it's not super tidied up which is as you mentioned cortex it's very different
where like if i did this uh did this what i just said right now that's just going to stay in the
show whatever you can hear me you know what i'm talking about in cortex that's taken out like
one of those did this is taken out and that is many thousands of edits that sometimes which takes
between two people, something like
25 hours to edit one episode
of a podcast. Completely unsustainable.
But makes sense for the type of show
it is with the audience size that it has.
Like it's just, it's a different
beast. It's a totally different type of
show. Like from my perspective,
like there, the shows like
that I do, they have a totally different vibe
to this where like for this I am
assuming that everything I'm saying is going in
by and large. So I'm not
going to have random asides of Jason
that I don't want anyone to hear, which is
like how me and Gray would record the show,
we might stop and have a conversation
during the middle of our recording
about something completely different,
but we know it's not going to be in the podcast.
Or like other shows that I do,
if I have a show that is not recorded live
and has ads and I read the ads,
I make so many more mistakes
when I'm reading the ads than when I record them live.
Don't know why that is.
About taking a tangent,
what I would say too
is another factor here is
are you at a resting point
because again you're making more work for the editor
even if the editor is you're making more work for the editor
now if it's an intense edit it doesn't really matter that much
but I would say also you have to get into mindset
ideally you've come to a stopping point
because like the last thing you want
is to be in the middle of a conversation
and then have lost what that conversation is
because you can only do so much with the edit for that
so you want to you want to come
if your conversation has come to a resting place
And then you go on a tangent and are just talking.
And then you begin the next segment and say, clip this part out.
This is just us chatting.
It's fine, right?
But you have to be mindful of that, too.
The last thing you want is, where were we?
Because if you don't remember where you were, not only have you lost the energy, but you may make it so it's not editable.
Oh, yeah.
And that's bad.
So.
Oh, great.
So there was actually on the latest episode of The Rest is History, there was a weird editing thing.
I don't know if you've listened to those, they did their new Nazi series.
And it begins.
unusually with an intro
about what you're about to hear.
And he repeats the same line twice.
So he repeats the same line in the intro.
And then they start the show
and there's another introduction, which does the same thing.
So I have a theory about this.
What is happening there?
I have a theory about this.
It's some kind of thing for some platform.
Like, there is one of the many platforms
that they publish to where that is like
essentially going to be a trailer
or they're going to use that as like
it will be dynamically.
cut out like because that was that to me sounded like a DAI thing like that was put in
dynamically when I downloaded the show that like yeah that or was a mistake for the member
version mistake for the member version maybe but like even even without the mistake just
him even having the intro didn't even make any sense when then they know like to me I heard
it and I was like it's funny I thought of you because I knew you'd have a similar response
of like I'm seeing into the matrix here and I don't like yeah you know like I don't know what
you're doing. You never do this.
They did do an episode where they
only posted the audio from one side of the conversation.
Really? That was amazing.
How? Yeah. Yeah.
Yeah. That was incredible.
Anyway, this is a tangent that we're leaving in the show.
Yeah, but this is related to the content.
It is. It is. This is what people are here for.
It is. This is great stuff. So that's, I mean, that's the answer is this is different.
And we try to minimize what we change in this.
it does happen we have taken things out we have taken bits out when we were in london we took a bit out after the fact we're like let's take that part out like that that does happen um because we're mindful of the content and all of that but we try to do it live have it feel live it's a regular conversation make a little tweak here and there when i clear my throat mike presses the button that says jason clears throat we take that part out i don't i can't take that one out you can't take that one out also that's not how you
you clear your throat anyway.
It's not.
You actually might need to clear your throat
now that you've done that one.
That feels like a permanently damaging one.
Maybe.
We'll see.
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We'll be back next week.
Until then, say goodbye, Jason Snell.
Goodbye, Mike Hurley.
