We Hate Movies - S10: Episode 500 (Part I) - Superman III Redux
Episode Date: August 18, 2020On the 500th episode of We Hate Movies, the gang celebrates the big Five Hundo by re-chatting about two outrageously disappointing superhero movies! First up on part one, it's Superman III! Why did th...ey bother writing a fake rich, white guy villain when they couldn't get Hackman? Why couldn't Pryor turn into Braniac by the end? And what is with that garbage comedy intro? PLUS: Tune in this Thursday to hear the second part of our 500th episode where we chat extensively about Superman IV: The Quest for Peace! WHM is donating 100% of our 2020 merch income to causes fighting for racial justice. For more information on how you can pitch in, head over to our website. Superman III stars Christopher Reeve, Richard Pryor, Annette O'Toole, Robert Vaughn, Margot Kidder, Gavan O'Herlihy, Jackie Cooper, Marc McClure, Annie Ross, and Pamela Stephenson; directed by Richard Lester. Advertise on We Hate Movies via Gumball.fm Unlock Exclusive Content!: http://www.patreon.com/wehatemovies See omnystudio.com/listener for privacy information.
Transcript
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This week on the program, a milestone is reached.
I'm Andrew Jupin, Stephen Sadek, Eric Siska, Chris Gabin.
And this is the 500th episode of We Hate Movies.
Hello, we have
Hello everyone, welcome to We Hate Movies.
Thank you for tuning in as always.
Holy cow, ladies and gentlemen,
here we are the Big
5-0-0.
Yeah, man.
I've got some champagne here,
and by that, I mean, a beer.
Oh, yeah, let's crack that shit.
I have the champagne of beers.
Do you really?
Yeah.
Good for you.
Thanks.
I've got a...
I just got fucking beer all over myself.
Well, that's totally appropriate.
This is episode 500,
Superman 3,
directed by Richard Lester from 1983.
Now, this is, of course, you may have noticed here.
It says episode 500, part one.
What could that mean?
I wonder, maybe we'll talk about that at the end of the episode, but right now,
and by the way, this is like for old school fans, you get it.
You get what we're doing right now.
Speaking of old school, I thought maybe it'd be fun.
Drop in a little audio of our introduction, because this is a redo episode.
It's the first one, episode 500, we're redoing Superman.
three, I think it was episode
like...
I'm looking that up right now.
Yeah, what is that number like...
12?
That sounds right.
Hold on.
I'm going to guess 11.
11?
9.
9. 11?
9.
And it was not 911.
Hold on.
That's just silly.
Episode 13.
Wow.
1 3.
Oh, shit.
Eric, come on up.
So I thought it would be
fun if we dropped in a little audio of our introductions, not only on Superman 3, but also
Superman 4.
Let's give a little listen to that.
Hello, I'm Andrew Jupin.
I am Stephen Siddharic.
Eric Siska.
And we hate movies.
Hello, everyone. I'm Andrew Jupin.
even say that. Chris Cabin. And we hate movies. Jesus, we sound like babies. Yeah, yeah.
We sound like little children. Churping, chirping birds is what I heard. Which kind of makes,
I mean, that's kind of what we're trying to do with the redo here. I mean, I mean,
like I think we've grown quite a bit.
I haven't seen either of these movies
in 10 years.
Oh, I've grown certainly wider.
Yeah, wider, more haggard.
But yes, the show itself is grown.
I feel like that first time around
with Superman, like that's like a
35 to 45 minute episode maybe.
Like we couldn't really like,
we didn't really have the gas back then, you know?
Like it was a lot of like,
I'm putting audio from the movie in.
to fill time.
I think we actually had drank too much gas.
Yeah.
And that's mainly why we didn't have the steam.
Well, also, it was a different time.
We single-handedly invented podcasting,
and we didn't know what to do with it yet.
And as Malcolm Gladwell, a noted charlatan will tell you,
many thousands of hours will make you better at podcasting.
And our good friend Drew Stewart, let me pull this up.
By the way, that's why Malcolm,
Gladwell is such a great at jacking off.
That dude is the best jerk offerer ever.
This is, as of the week we recorded this, which is July 25th, we've released 1,073 hours of content.
There you go.
That's a lot of hours of content.
Thank you, Drew and Felipe Sobrero for putting that stuff together.
There's a ton.
We've got like, you know, you can get like over 735 hours on the main feed and whatever.
the 300 on Patreon right
now. So there's a ton of content we've done
in these last couple years. It's safe
to say we've been doing this for a while.
If we wanted to do a Charlie Day,
Pepe, Sylvia, like, madness with
our own numbers, we could do it.
We could start posting it all over the walls.
Not only is this episode 500,
but this fall
will mark 10 years
of this show. That's insane.
Can you just like register that for that?
That's fucking crazy. I know. So
listener at home, think about
all your accomplishments
and, you know, your
son's going, or daughter
is going to school by now
and we have a podcast. That's the...
You know what?
Yeah, your son's going to school. Maybe your son's,
oh, maybe your son's going to college. You're a little bit
older. Your son's going to college.
We're doing a Superman 3 again.
Eric is triggering all these
like tree of life reveries.
And like, it's just us all
looking at computer screens.
Someone listening probably like
got a law degree in this time and we
watch Superman 3 again.
I think we straight up got a letter
recently from someone who was like
I started listening to your show
when I was a senior in high school
and I just finished my dissertation
last fall or something like that
and I was like that's really cool
a slash I wish I was dead
but I don't because that's the thing
500 episodes you know what that means also
we fucking love doing this
we love being able to get
silly every week on the air multiple
times a week on the air with everybody
and so that's why we're still doing it.
That's why we've bothered to come this far,
and that's why we fully intend on continuing this ride.
Exactly.
Yeah.
So big thanks up front to everybody who heard us do this one
the first time has been with us throughout,
or maybe you're just here for a short while,
but you're enjoying the ride all the same.
That's cool.
I want to inject there, inject, interject there.
I'm going to inject you.
You're shooting up on the air, dude, again?
Well, hold on a second.
Let me find a vein.
Okay, if people want to listen to the original episodes of, you know, Superman 3 and 4,
check out the Patreon archive because you can go back and hear those chirping birds.
And on Friday, you will get Superman the motion picture available.
The first one we're doing as a we love movies because that would be fucking rules.
And that's really informed.
I don't think I was well researched on Superman 3 when we did this the first time.
I don't think I just recently watched Superman one
because I didn't think to do it.
No, we didn't think in terms of that back then.
You know what I mean?
Like do some outside screening research
to inform, you know, what we were talking about.
And that informs so much about what I feel about this movie
this time around, this Superman 3, this who, who, who,
a lot of meat left on the bone there.
I think like just in, it was it just me
and Eric that got around to all four movies?
Cabin, did you get all four?
I didn't watch number two.
Okay.
Yeah, I went through all four of these movies.
I've been consuming a lot of Superman-related media the last couple days.
I closed my eyes and remembered part two, because I've seen that movie a million times.
But yeah, I didn't get a chance to get to it.
In 48 hours, I watched four Superman movies, and you probably built a house.
You saved somebody from a burn...
You actually saved someone from a burning car or something like that.
The audience is the super people.
I want to just to again thank the audience.
Thank you for being with us.
Our Amish audience that was building a barn.
That's right.
We would not, there's no fucking way we would have done.
Like, we've done a lot of silly endeavors that went nowhere,
and they all went nowhere and didn't go anywhere.
So this is an endeavor that you guys informed us to keep going.
Said, hey, we like this.
Keep doing it.
Hey, here's some money.
Keep doing it.
Awesome.
And that's why we're here, because you people are awesome.
and decided to like us.
Totally.
There'd be no other reason for me to watch this piece of shit.
Excellent segue.
Excellent segue.
Who is on Superman 3?
I've not relisted to these episodes, by the way.
And, you know, in, what do you call it there?
In, you know, you watch a movie and then you re-watch, again, it's been 10 years.
A lot of shit's happened to me, so my opinions will be different.
We probably might retell jokes by accident, I feel, might happen.
Eric?
Yes.
Eric was on number three.
I was on number four.
That's correct.
I learned that from cutting the intro audio, but I did not proceed into the episode whatsoever.
Yeah, that's, that's, I purposely stayed away because I was like, I, you know, if anything gets repeated here, it's totally on accident, you know, but we'll see how we progress and what, what avenues we decide to go down this time around.
That's the thing.
It's kind of like a choose-your-own adventure.
By the way, we had to alternate back then because we had three microphones.
That's right.
Three microphones.
We were a hold up in Eric's bedroom.
Oh, yeah.
You know.
It was,
it was,
it was, like, it was, like, a weird,
like it was sexy,
but poor at the same time.
It was very poor.
Can they say something about how this movie starts?
Please.
I, like,
maybe in my wildest dreams,
I'm like,
I want to see what,
like,
Metropolis Unemployment looks like.
Maybe when I'm really,
really high,
I think that's a good idea.
However,
I don't want my Superman movie
to be a Ken Loach movie as well.
Like, it doesn't need to be.
I don't understand why it starts like this.
That's the thing.
Like, have this scene, sure, with Richard Pryor at the unemployment office, but like, I don't know.
Could I please see some fucking Superman beforehand?
Exactly.
The fanfare is not here.
It's just, it's him.
Yeah, it's very quiet.
Like, there's no opening music.
It's just like this weird, like, it's almost like an alternate take from Pelham, one, two, three.
Like, you know what I mean?
Like, you can imagine that happening.
Absolutely.
And it also, it comes after, like, this little cold open.
So, like, you have this cold open where it's Richard Pryor.
He's playing a guy named Gus Gorman.
He's sort of, like, perpetually unemployed.
He can't, you know, hold down a job.
He's been fired from this, that, and the other thing.
And he is trying to, like, get his next week of unemployment.
And the woman's like, you cut off.
This is a real John Waters' nightmare he's working with here.
Yeah, totally.
I thought this lady was going to pick up some poodle shit.
shit and eat it at the end of this scene i just don't understand why we're even starting with this like
he eventually becomes a computer programmer and it would have been way easier just to start there
yeah he just works for robert vaughn in his fucking computer factory and he's tired of getting
ripped off by him that's great yeah i guess richard prior the whole angle they wanted to have him be
down and out and what and what is the message is it like that did the disenfranchised are easily
corruptible under the capitalist system because then they will be complacent and and totally
support Earth
ending measures for financial gain.
I think so, and I think that's why
the movie at the end tries to
like, you know, make us a little
compassionate for
the Gus character here,
and Superman doesn't fucking drag
this dude to prison like he totally
should. But he drags him, and I know
we're talking about the end of the movie now, but
he drag, we're, we're
mementoing again. We are. He drags
him to a factory because you
shouldn't have a white collar job, I
think it's the vibe. Oh, that's also, yeah,
that's also maybe a little something we're saying here.
I don't know. Well, we'll get to that. I think
Superman's just got a lot of shit on his play. It's like,
ah, you know, you're good here. You're good here, right? Okay,
I'm going to get the fuck out of here. This, like,
particular week of adventure for Superman,
it's, it's an action-packed
week socially as well, so
yeah. He's got a lot of stuff.
I don't know. I kind of, the only,
you know, Steve, that makes total sense, too, because the one
time I got apprehended for driving, uh, without
insurance, uh, the cop put me in the back of the
car, they towed my car, and then the guy just
let me out. I'm fun
walking on the highway, you piece of shit.
What a fucking asshole?
Where were you?
Up by near Kingston,
New York, or Port Ewan
is this town? Yeah.
Wait, so he just waited for the
towchuck to come and take it and put you
in the back of the car for that whole time?
Yeah. What did he think you're going to
do, steal it back? I don't know. You
kiss me being on drugs the entire time, but I was
It wasn't. It was four in the morning, I should add.
Oh, yeah, there's that.
Anyway, Superman's.
Well, the only thing that connects this very long scene, and, you know, somebody, the
Salkins loved Richard Pryor.
Somebody's like, that guy, mm, that guy.
And it's just like a lot of Richard Pryor vamping.
And the only thing this opening scene, again, no credits, no fucking space, no John
Williams fanfare, the only thing that connects it to the Superman franchise is they say
the word Metropolis and everyone is smoking.
That is it.
yeah dude i i do appreciate the early 80s everybody's fucking smoking uh i don't know why it's just a nice
i don't even smoke tobacco uh but i uh you know i just appreciate that throwback it's just
it it colors metropolis in a nice and scuzzy way that i appreciate it's a head-to-head
combat for which uh credits suck more this one or four it's this one it's a thousand
percent this one yeah oh i do because the credits streak across the bottom of the screen like
shit well because the other thing about when these credits are happening let's not forget
is we're watching this like mousetrap-esque bullshit where this babe is fucking walking through
downtown metropolis making all these dudes get boners and fall in fucking holes and shit it's so
bizarre british nonsense you know what i mean like i know that this is like you know uh richard
Richard Lester was in America, but he spent a lot of time in British comedy,
specifically with those Beatles movies and all that, like, silly, fun shit that I have no time for.
It's like, it's like innocent goofball shit that's like 5% like perverted.
Yes, exactly.
A little cheeky one might say.
Cheeky, thank you.
And, man, I fucking hate that shit.
I just hate it.
It gets down to like a blind man is now confused and walking around in circles and like stepping on shit and getting fucked up.
And it's like, why am I watching this man be abused?
Yeah, why didn't you get Benny Hill to play Brainiac?
Oh, my God, Superman, Brainiacs running all over Manhattan, looking up women's skirts.
He's grabbing everyone by the Bobby is his brainiac.
What an endearing sexual predator.
True.
Superman dresses as a Bobby and has to hit him with a little stick.
Boing, boing, boing.
There's one good moment in this, though, and it's the Hot Dog 11 that happened.
This hot dog stand gets, like, pushed and tossed into the air or some shit.
Oh, yeah, a bunch of wieners go flying.
It's like poor Jimmy Olson's just trying to get some lunch, for Christ's sakes.
A lot of Jimmy Olson in this movie, which I appreciate it, actually.
Yeah, he gets his due Mark McClure, of course, playing him for the third and third and third to last time.
He's also a supergirl.
I know, that's what I'm saying, and then he's also in Superman 4, so it's his third to last time.
He played this character six times, is what I'm saying.
Did he not come back to play CIA, Jimmy Olson?
No, he didn't.
No, he was not shot in the face.
Correction, though, five times.
Superman 1 through 4 and Supergirl, he is Jimmy Olson.
Now, here's a thing, is this, speaking to cheeky, is there a cheeky Batman reference right here with all these little robot penguins walking around?
I don't know what that was.
It's just like, I think it's just silly.
And so much of the movie is just, I don't, like, and the first two movies, specifically the first one, is very much, like, the comedy is a comic strip.
It's totally for kids, but it's like a wink, and, like, it's folded into mythology, and, like, the jokes are all, like, lived in.
And these jokes are just at the expense of any narrative whatsoever.
It's a good joke.
They're just evil jokes, because it's like, we're going to fill this car with water, and this person's going to almost drown.
Dude, drowning in your own car in the middle of the street.
is some real Darwin shit
On a sunny day
Like a Sherlock Holmes
Wouldn't crack that case
Like wait so he was in his own car
It was a sunny day
And he drowned?
Discombobulate
What is the
Because he like
The car crashes over a fire hydrant
Yeah
Yeah
And then somebody comes up
Through the bottom maybe I think
And then it just sprays everywhere
And if I was in this car
With my last fucking
breath and energy
I would be like
make sure nobody comes to my funeral
this is the most embarrassing way
to die ever
Please don't tell anyone how I died
Not my mother, not my father
Not my wife, not my kids
Yeah, could not find the body
How about that?
I really don't appreciate
These obituaries that are out there
That don't tell you the cause of death
Because I'm like, come on
What am I reading for?
What is more embarrassing
Drowning in your own car
In a sunny day or autoerotic
asphyxiation. Which would I rather? Oh, which would I rather?
Yeah. Drown in my car on a sunny day. You'd rather drown in your car than have a
fucking life-changing sexual experience? I believe it would be life-ending sexual experience,
actually. I don't know. I'd rather, you know what, dude? I'd rather have a lifetime of
mid-level orgasms than go out on one big one man. I have a one big one. So you're,
you'd rather have, I guess it's more dignified to drown in a car, but you'd be still
It's still stupid.
It's very stupid, but I'm not
fucking naked in a closet with a belt
around my neck. That's the thing. Here's, maybe
I'm being a contrary here a little bit,
but I do not want to die. I do not
want to meet oblivion with my cock in my
hand. Yep, exactly. I absolutely
do not want to do that. Do you think something
happens? If, if, like, let's
say, you know, like, you know, you go
over the other side.
Uh-huh. Does, like, St. Peter, like,
smack your dick?
I don't think St. Peter's
smacking anyone's dick, dude.
I think you then have to spend a turn it.
You're like walking around the afterlife.
Like, oh, hey, Gary.
Like, how'd you die?
Oh, this fucking bear got me.
Oh, yeah.
And how'd you die, Andrew?
Oh, I was fucking jerking off in a closet strangling myself.
They don't hit your dick or flick your dick unless you're trying to join a fraternity
in heaven.
They do that shit.
Oh, man, chuggleuggedad.
Now he's pledging a fraternity in heaven.
for Greek life in heaven
You got to pledge allegiance to Zeus
So Superman sort of barely shows up
It's Christopher Eve as Clark Kent
Like kind of trying to just go to work
And he sees this dude drowning
So he's like oh I guess I'll be in the movie
Yeah it's a real sluggish
Like all right time to be Superman again
But let me first throw a pie in a dude's face
Because this babe would have been
creamed otherwise
I didn't
Georgio Moroder
did the score for this
I didn't hear Marauder
like big sense at all
like I was like what's going on here
I wonder what was going on there
also because this does not sound like
he had a fucking finger on any key
absolutely not
it's very much like
but la da da da da da
wow
look why would we get
Georgia Maraud when we could get
the Benny Hill band
oh the Benny Hill band
wow
they probably like
left a lot on the floor with his
score. I bet.
His Superman transformation
here is, I actually
kind of like this. He runs into an instant
photo booth and then transforms.
And when he comes out the other side, the photos are coming
out. And he totally fucking, like,
takes the strip of pictures out of this kid's
hand and tears off the
Superman or the Clark Kent parts and gives
it back to him. It'd be cool if he
like ripped out the kid's eyes.
That's a Zach Snyder.
That's a gag.
Zach Snyder movie. It's like, oh, you saw
my secret identity. Better rip your eyeballs
out. And eat
them in front of your mother. Yeah, it's like
Batman with the branding. Like, oh, someone's
got their eyes ripped out. Superman's
been here. Henry Cavill's just
dowsing a living room with gasoline
and his eyes light up.
He killed their
parents. He killed their parents' friends.
He killed their people who owed them money.
Burn them all down.
I work for Cal.
The guy in the cape. Did you see?
so we are introduced pretty quickly actually to Robert Vaughn as Ross Webster who's like
dude just the fucking poorest poor man's flop house Lex Luthor this fucking character sucks
he does he's not good I mean it's Robert Vaughn who's like you know Robert Vaughn is good
in like comedies and it's obviously a comedy but like you know like as like the
the crusty old dean kind of a dude
you know sure he's a shit heel but he's not a villain you know what i mean he lacks the charisma to
hold your attention as a villain in this performance anyway yeah absolutely you know he plays a good
scuzzball and like bullet i think he's a piece of shit in that movie uh he's he's like some crooked
d a he doesn't have like presence that matches either prior or uh reeve which is an issue and he's a generic
businessman like it's kind of like that said he's a generic businessman
Yeah, it's like if you took all the criminal genius parts away from Lex Luth and it was just him being good at business.
And when we do get his like criminal genius of like doing this fucking weather satellite hacking or whatever, you basically don't see it.
Nope.
Well, so much of this movie, and again, like the first movie, like the lot, you know, you, it's going to fall apart when you really use logic with that first movie.
But again, there's so much other stuff going on there with the cinematography and what the fantasy they're trying to tell you, it's okay.
here like stuff just doesn't make sense like stuff
logical leaps happen and you're like
well why would that happen with that character
he's tried there it seems like he's trying to do like a
deconstruction of Superman but he's only doing it like
halfway yeah enough so that he can do the jokes
but like everything else doesn't really make any sense
and like the the it's just kind of setting up
things for Superman to do
the evil Superman thing that's a movie that's a totally
fine uh oh so Superman happens
Superman gets hit with weird kryptonite.
It turns him into evil Superman versus Good Superman.
Superman versus Clark Kent.
That's always the tension.
Da-da-da-da-da.
But that's not the movie we're telling here.
It's fucking Richard Pryor falling down a building on skis.
Oh, we'll get to that dumb-ass moment.
But yeah, speaking of things that, like, just happen for the sake of the movie
needing to move forward, Richard Pryor, instead of starting this movie where he's just
a computer guy who works for Robert Vaughn and it's a computer guy who works for Robert Vaughn and
it's established that he's a computer guy he's like an accidental over an afternoon computer whiz
because like he sees an ad you know in the newspaper or whatever when he's at the unemployment
office that's like oh yeah like computer coding come learn and you can get a job so like he's doing
that and it's this dumb thing where this lady's like hey how do you do this whatever computer
function and the teacher's like that's impossible and then richard priors like uh actually i just
accidentally did it and it's like what what do you talk what it would just be cool if he was just
you know the best computer guy that robert vaughan had and he's always hacking this and that and
blah blah blah it's like okay that makes some kind of sense like if we just start with him as a
computer programmer it doesn't it it it's it's believable because you have the start of this movie
where he's an unemployed dishwasher right and i'm not i'm not trying to disparage dishwashers but
But, you know, in the early 80s, you're not, you know, not everyone has a computer, almost no one does.
No, exactly.
And it's made sort of explicitly clear when he's in this class that, like, he's there to learn how to fucking use a computer.
So, like, clearly he's a novice at it.
And for him to be like, beep bop, now I'm just a genius.
It's like, why are you bothering?
Like, it feels like they're just doing that so they could say at the beginning of the movie,
look at this fucking dude who's a dishwasher, and he got fired from a fast food restaurant in 20.
eight minutes. I think what happened
he got bitten by a radioactive computer.
Oh, damn. Yeah, that'll happen
every fucking time. He fell into
a vat of computers.
Yeah, he met Doc
Dos.
Oh,
yeah. There you go. By the way, Chris,
when you see Doc Dose,
you better see Run.
C-colon.
C-colon slash
we're making
DOS jokes
that's why we came back to do this
honestly you guys
missed a couple of DOS
opportunities 10 years ago
I will say that this movie
and another thing about
why it's kind of interesting
to look at these movies now
because like a hundred superhero movies
have come out in between these two
and in between the two times
we've done this and I will say specifically
we kind of in our
we did Superman 1
that we love movies first
and we kind of we talk
some smack about Marvel movies
but the one thing
Marvel gets right is brand fucking management.
And they would never let some cigar chomping's producer come in and be like,
you know who's great? Pete Davidson.
You should just get Pete Davidson in the next Iron Man movie.
And like, was he going to play like, I don't know, like the leader or some other?
No, no, he's just like a Pete Davidson type.
He's got tattoos.
He's on a skateboard.
It's great.
Listen, he's unemployed.
It's perfect for a big budget movie.
He's an unemployed man who just keeps on being unemployed.
Picture this. You got a Superman movie in where Pete Davidson is playing some guy named Dave Peterson.
And get this, he's got a bunch of terrible tattoos.
Terrible sleeve tattoos. Now, doesn't that sound nice for your Superman picture?
And he's smoking pot. And Superman's like, get that pot out of here.
And that's great. That's the movie. I don't know. And Superman does something with computers. I don't give me shit.
But the big thing is Pete Davidson's in the movie.
what this is. It's like, Richard Pryor's the biggest thing since anything. Just put him in the movie.
And we got, uh, and we got Lauren Lapkis as the computer lady at the end.
And again, they'd be fine in other movies, but like you have to fold them into actually what the
world you're building is. Exactly. Like, it's not enough that, and so the story goes, by the way,
who knows what's to believe, but like Richard Pryor at one point said on the Carson show that he
would like to be in a Superman movie. And like, it was known that
prior was a Superman fan
and he had a Superman
bit in one of his old acts where he
was he was
portraying a dude named Super
N-word where he was like the
janitor at the Daily Planet like that was a whole
fucking bit he had
in his stand-up and everything and like
that's all fine but again
like if you're making a super a Superman movie
like just because fucking Jerry
Seinfeld is a fan of Superman doesn't mean
you're going to put him in the movie. Oh no I'm the
fucking villain! I'm a beat. I'm a
B and I'm going to sting Superman.
Look out here comes the
big B Superman.
Like it's just like, see how
dumb that sounds? Like this is
just as dumb. It's not a full
set. It's a half a cent. Don't you
understand? Oh man.
The murder hornets that were supposed to come
in 2020. What if they're all just
Jerry Seinfelds? Oh, just
an army of Jerry Seinfelds.
My favorite thing talking about the daily
planet is we get there and we find
out that Robert Vaughn, Ross Webster, is humanitarian of the year. But funnier than that
is that Lois Lane thinks he's hot. Now, Robert Vaughn is a handsome man. But like, Jesus
to be like, oh my God, he is a hot number. It's a little much. I think it's just because of all
the insane brain shit that's been happening to Lois Lane over the first two movies, man. Like,
sure you know experiencing a horrendous death in that first movie and then having the fucking world turned back and then having that fucking forget me kiss and that second one who knows what brain cancer she has because of that shit so in this movie it's totally feasible that she's like oh yeah look at how hot rapper phone is
she gets on she gets on an airplane to nowhere who knows she's confused she's growing she's throwing her bikini and clark kent's face
dude this is a whole
it's just lowest late like sleeping in a box
for the entire movie she doesn't
go to Paris or wherever the Bermuda
I'm sorry oh right
she's like is it a fugue state somewhere
yeah exactly dude she's just like in a fucking
Kmart bathroom or some shit
yeah the fucking paramedics are trying to revive
her on the floor
I mean this is it's such a bad
see you later movie situation
where it's like Marco I mean
Marco Kidder is not in this movie
this is a Lana Lang movie 100%
you know Lois Lane she does she literally takes a vacation
she's in the you know this first
Daily Planet scene and then she comes back at the very end
that's it and they sort of explained it as like a well
you know their excuse was well in the second movie
like Superman and Lois Lane like broke up and decided they couldn't be together
so what's the point of having her in the movie and it's like well
she's been in the fucking comics for 70 years so
whatever just pick pick one don't have her in the movie at all then
Yes. Well, the real story or what I believe is there was retaliation because she talked so much shit about Donner getting fired in part two and rightfully so that's also why they punished her kind of a thing.
Yeah, I mean, well, it's also why like Christopher Reeve almost didn't come back for this movie also. Like, they were all fucking furious.
Was it the Salkinds that directly fired Richard Donner?
Yes.
Tirds. A bunch of fucking turds. The thing is, is that you know, like, you watch all the interviews from one and two and like everybody's gone.
him Dick Donner, Dick Donner. Nobody called
Richard Lester Dick, because they didn't love
him. Like, they love Richard Donner.
That's a great way to sort of
see that, Kevin, totally. There was no
Dick Lester there. More like
Dick Lesser.
He's not as good as Dick Donner.
Speaking of pointless things that you
don't need to do in a movie to fill it out anymore
because this movie is like two hours
and six minutes or something,
we have
an extended little riff here
in the Daily Planet office about
Perry White
has to like do a drawing for
some gambling game
uh jingo bingo which
yikes
uh yeah
you get a free
trip to South America
dude I love how it's just like
South America like as if there's
not a fucking country in there we can
pinpoint for these people to go on vacation
to you go on the
sorcerer vacation it's you
a bunch of trucks of nitric glycerin?
Get driving. Pedal to the metal.
No, we will shoot you if you don't come back with all of it.
No, absolutely. That's the end of jingo bingoes.
You might get shot.
So, like, yeah, Perry White's doing that.
Lois is putting on her bikini before she's even leaving the office.
Jimmy Olson is taking, because Robert Vaughn has an assistant who's played by,
or a girlfriend who's played by, what's this lady's name?
Pamela Stevenson.
Laurelis is the character's name.
A buxom sexy lady.
And there is just, Perry White's
pissed off that Jimmy Olson took all these titpicks
essentially. Totally. Well, because she
is the babe from the beginning of the movie
that's causing all the mayhem. Sure.
And that's, I guess, makes it sort of a movie.
I guess so.
So you were saying, so Lois Lane,
and now it's a Lana Lang
movie instead, right?
Yeah. And then the next movie, it's
Lacey something? Lacey
Warfield? Yes. Oh, Warfield.
So the
alliteration stops there.
Right. Yeah, that's, it's just another
example of the continuing decline
of that franchise. It's a very subtle
name, Warfield.
I do, yeah,
that's Clark's thing. It's like, well, I was, you know,
I was invited to my high school
reunion and like, going back to Smallville is a
fine move for part three. You know what I mean?
Yeah, but you need to have Ma
Kent there. Or like, because, you know,
She dies in between, I guess, one and three at some point.
Off screen, I think, right?
It's a total off movie death because I think in two, or is it in this one?
Yeah, it's this one where they're like, because in two, there's no Smallville at all.
Yes.
And in this movie, it's like, when he gets back there, it's like, oh, Clark, something, something.
You haven't been back to Smallville since your mother died.
And I was like, well, fuck you, Ma, Kent.
Eat shit off screen, lady.
Retaliation.
Yeah.
retaliation. She talks shit
about Richard Lester, so they
made fun and killed her off screen. They burned her
as a witch like they tried to do in that awesome
Batman versus Superman.
And so Clark's whole thing
is like, I'm invited to my high school
reunion, which is like, it should be fine.
Like, hey, Mr. White,
I need a week off. I'm going to go back to
Smallville. It's my high school reunion. Not
the, hey, Mr. White, you know what's a great
story for this nationally syndicated
newspaper? Me going back to my
home time for a high school reunion who gives a fuck there's it's a cute moment it's it's it's it's
it's it's it's it's it's it's i guess it's forgettable but he holds up the high school sweater
and it's got the big ass and it's like oops better not better not show that too much it's a nice
funny yeah i like it i could see them posting something like this like on a blog or like maybe
even like a buzzfeed doing something like yeah it's it's clickbait horse shit but like a paper
like a paper just with the headline i went back to school and tried to bang my old crush
It went okay.
Yeah, I got a hand job at the high school reunion.
A lot of journalists started that way.
Did they?
Jake Tapper had a whole article about dating Monica Lewinsky or something.
Yes, that's very true.
Yeah, I'm sure David Brooks's first column was something like that, too.
I do love, but like, is Clark a columnist?
Because in previous films, it seems like he's a crime reporter.
You know what I mean?
So, like, it's not like, I don't know, I'm trying to think of, you wouldn't follow fucking, I don't know, Maggie
Haberman on our high school reunion thank god
i wouldn't fucking follow that lady anywhere
uh no but i i think
you're totally right but it when you
watch these four movies like you
it's hard to really figure out
what kind of a newspaper
the daily planet is supposed to be and my
best guess is
as much as they think it's like more of a
prestigious you know
gray lady kind of a thing
this is a fucking new york post
rag kind of newspaper
it's trash i think it's like national inquirer
it's like bat boy found in gotham well that's what that's what like mr warfield tries to make it in the next
movie is like a straight up garbage rag like that really salacious and shit yeah but like it just
it's but it's so weird they never have a handle on it because it's like yeah Clark is doing this kind
of story and then at the end of it like Lois comes back and she's like yeah it just so happened to get
this hard hitting revolution you know while I was on vacation or whatever that fucking story is
and it's like why are you two like deskmates like how
How does this newsroom work?
No idea.
Yeah, but he takes Jimmy on this trip, is the idea.
Right.
They take the bus, so I guess the Daily Planet isn't doing that well.
I guess not, because we also learn in this movie there is a smallville airport.
So they could have taken a plane.
What do they fly out of their paper planes?
Very small airport.
There's a chemical fire, so we get out of the bus.
And I also love that Clark is just annoyed by Jimmy at this point.
point because he's like, oh yeah, Mr.
Mr. Kent, my, my uncle and my second cousin is like, shut the fuck up, Jimmy.
Dude, it's kind of great because I think it's a real, uh, naval gazing moment for Clark
Kent because he's like, oh, fuck, is this what I sound like when I tell everyone at work
about Smallville? He's having like a total re-evaluation of how he presents himself.
See, I saw it as that he's going like, he gets out and he does this chemical fire business
because he needs to blow off some steam because he was about to laser eye Jimmy Olson.
Right down the middle.
He's going to boil this kid's brain.
He's fucking had enough of it.
But so, yeah, the two of them are the only two that get off the bus.
And then it sort of looks like the bus driver leaves them there, which is kind of weird.
But so, like, Jimmy is determined to get some good photos of it because Perry White's been busting his balls about, like, the whole thing with the photographing the babe and not getting the Superman pictures and whatever.
We get a nice Superman changing in the back of a police car right here.
and the guy in the front
like just is like
back to my sandwich I guess
dude it's totally like
was that Superman
nah sandwich
he goes up to the chemical plant
the first of two times in this movie
there's a sign that just says acid room
oh god the acid stuff is so stupid
but one moment here
made me burst out laughing
they've got a guy running out of this fucking factory
going I'm on fire
help me
I'm on fire
Help me
I love it
The great Al Matthews of aliens fame
Is playing the fire chief here
That's good
Dude Al Matthews
Has my biggest laugh
Of the movie
Is because yeah
He's like the fire chief
And Superman comes up
Behind him
And he says something about like
You know
Oh what can I do here
To help out chief
And he's like
Not much again
Oh it's you
Thank God
Superman
Dude I am laughing
Because this guy
it's like he could take it
or leave it with the appearance of Superman.
Wouldn't you be like
holy fuck at Superman all of the time?
Because not everyone gets to see him. He's always
a metropolis. Yeah, it's like meeting
Tom Cruise. You're going to stop
what you're doing. Totally. It's like you're out
in the middle of nowhere, Kansas. Like, holy
fuck, is that Tom Cruise in my hometown?
Yeah, but him arriving, it
cancels all the overtime for all of his men.
So, I mean,
that's true. You can't be too excited.
Like, oh, fuck, my boys need the OT.
the holidays are coming up.
We got a little chemistry lesson here.
He goes into the acid room and the guy's like, well, if this acid heats up,
it's going to turn into a cloud and destroy everything in its path.
And he's like, I'll remember that later, my friend.
I got to figure something else out.
They run out of water so he freezes a lake.
This is crazy, dude.
I bet there's like fucking like campers, like kids swimming in that water.
I seriously think so, dude.
There's no way he takes the time to make sure there's no one in this water.
He's like shaking his mission.
And he had to look, I was going to kill those kids.
God damn you, Superman.
I was coming up on Kill 500.
Or he's in the lake.
And he gets dropped onto this factory and that reawakens him.
Super Jason.
That's how you get to Super Jason.
That's a versus movie I'd fucking watch.
Man, Superman v. Jason?
Absolutely.
And hey, I think now that if I'm thinking of everything correctly, where all the rights are,
Warner Brothers, I believe, now has,
Friday the 13th
and they still got Superman. You could make it
happen. I like it. It's the fucking X-Men
in the MCU, dude, let's do it.
And they both love their moms. There's a lot
in common. Who would you have in that fight?
It's got to go to
Jason versus Superman? Yeah.
It's Superman, but Jason's uncillable.
And the thing is, it would, like, he would,
Zuma would, like, knock his head off, like, fly all
the, you know, the head would fly away.
Six years later, Jason comes back. He's trying to
kill Superman. And he's like, what the fuck? I killed that guy.
Jason survived hell, right?
my money's on jason
Superman doesn't have a chance
I think though if you give Superman the opportunity
to do his fucking favorite super move
from part four
he's just hucking this lake monster into the sun
dude yeah I guess that's fair
adios motherfucker
yeah he seems like more of a pest to him
than an actual villain if we're gonna be honest
because even if he keeps on coming back
oh you got your machete that's very nice
okay I'm gonna fly you around the fucking earth
until you disintegrate
now what if he took on like Lex Luthor type
Properties. He's wearing like an ascot
Jason is. He's got a bad wig on.
He's got a little smoking jet. Yes.
Oh, I think Clark can't bite me Superman.
Somehow, Otis is also working. Oh, geez, Mr. Voorhees.
I love this. I love this.
Dude, it's Ned Beatty's dressed up as a camp counselor in the 80s, so he's got the super
shorts on.
Otis, we need to buy all up, all of the parks in the city.
All of the parks, Mr. Voorhees? All of them?
It's putting a wig of worms on him or something.
Borgesburg.
All of this would be great.
It would certainly be better than Superman 3.
So he fucking drops this frozen lake on this factory.
All the water, you know, goes out, blah, blah, blah.
There's a dude.
I think it's the same fire chief.
He's like, Dave, that man's a miracle or something like that.
I just like, it's a block of humongous block of ice,
the size of a tank.
and you just drop it and it just
turns into rain. I mean,
I feel like it would do some fucking damage
to that building. We're fucking
killing some dudes with ice shards here
before it melts. Absolutely.
Well, thank you, everybody. And like, Al Matthews
just impaled on a huge fucking icicle.
Yeah, exactly. A couple fucking firefighters
heads rolling around.
Chill out, Chief.
So we're in
Smallville. It's the class of
1965,
which is pretty cool.
sure we're listening to roll over
Beethoven a bunch
oh yeah we're getting our money's worth for this
don't we get Earth Angel at some point
in this in this dance also we get
we get Earth Angel when he
dances with Lana Lang here that's
that's what I'm thinking of and this is two years
prior to back to the future
absolutely dude before the fish under the sea dance
or the enchantment of the sea dance
excuse me at this day
we got to prevent Rick Donna from being
fired Marty you don't
understand Dick Donna loses his directing
capabilities for the franchise. It all goes downhill, Marty. Look what happens to the
sequels. What do these sequels become
assholes? Oh, they do. Look at those sequels. They're changing.
In which the Southkins are corrupt. And Donner directs timeline
by Michael Crichton. Two Donners with the same gun. And where I
am not cast as Bradiac.
exactamundo man
oh that would have been awesome
fuck yeah Christopher Lloyd is brainiac
I would have seen that
100% and that's the thing too
is like there is
you can just there was
there was a treatment
that the Salkons or Warner is apparently
rejected where Dudley Moore
was Mr. Mitzelplick
and all sorts of their supergirl
and all sorts of shut like
you need to bring in more
of the six the 40ish years
you had at this point of continuity
yeah just sort of fill this world out
a little bit don't invent a fake
Lex Luther from Hull Cloth. Don't invent a fake computer
whole cloth. Like there's, you can just bring it, but nobody gave
a shit like that back then. Nobody, you know what I mean?
Like it was, it was better to just sort of, ah, you got Superman, it's enough.
It's too much if you put too much in. Exactly. Because they're probably like,
listen, just regular Tom Dix and Harry's are going to go see the movie and they're
not going to know Mr. Wama, blah, blah, blah, blah, blah. Okay? So we get a nice
handsome Robert Vaughn, Bing, Ba-a-Boom, he's a businessman. He writes itself.
I think it's interesting.
because, like, I firmly believe that that's probably what happened.
But part of me was, like, was D.C. sort of being, like, okay, Warner Brothers, like, yeah, you could license Mr. Mixelplick, but that's another $400,000.
DC was owned by Warner Brothers at the time.
So they had free reign to do whatever?
Yeah, totally.
It's a marble business.
Oh, then there's no excuse.
No, yeah, it was a thing where, like, I think it's Eric's thing where it's like, oh, yeah, it's more relatable.
You don't want to go to two out there with the comic book.
booky stuff, which has obviously been proven, again, brand management today.
Like, you want as many, you want to fucking talk about the X level character for three seconds
just to give that one little fan a little boner in the audience.
That's totally true, because like, what fan service boners do we have in this movie?
Like, what fucking elbow nudges are going on when you had nerds sitting in the theater to watch
this movie?
Fucking, I mean, Lana Lang, it's the closest, like, new character development.
They're making this movie for Normies.
Like the first movie, you got Lex Lutzer, iconic.
Second movie, General Zod.
Like, what a character.
It's surprisingly they, I'm surprised.
Rewatching that movie, it is good.
Rewatching it and seeing like,
these are the villains they went with.
And it's great.
And then to go to three and then like take a step down from all of that
instead of giving us a big villain?
I mean, it's, it's the two most boring people in the world watching this third movie.
and be like, Lana, from the first movie,
his lost love, my dear.
She's finally back.
It's like the Gwynn Stacy thing.
Yeah, which in a lot of lines of fine character,
and I actually think Anandotil is good in this movie.
Oh, yeah, she is.
She doesn't have great chemistry with what you would call it with Christopher,
but I think that's basing it off of Loisland.
I think that they do well.
I mean, yeah, I guess it's not as.
fireworksy as Margo Kidder and Christopher Reeve were.
It's a hard act to follow for sure.
Yeah, no, exactly.
But I think, and also because it's a different kind of character.
Lois is like the brassy, bombastic, you know, hard-hitting journalist who, you know,
false head over heels for Superman.
And like, Lana Lang is just like this totally, like you feel for her.
Like she's like a single mom fucking busting her ass to raise this kid in Smallville,
hates fucking living in Smallville, is constantly being.
harassed by yes one of the funniest characters in this movie brad wilson played by gavin o'herly he the fucking
you know football star washout who's just a drunk security guard in smallville now and i know this is a
definite difference from the first time when i watched this last time uh a decade ago whatever brad
wasn't on screen i was kind of like where's brad like because gavin o'herly he has such a great
handle on what this character's supposed to be that like even though he's a piece of shit and like you know
a little bit of a like he's like Lana's villain of the movie basically like it's fucking hilarious to watch this dude it is hilarious to watch him be a loser be a fucking drunk falling all over himself give him the role of Superman in the parody movie you clearly wanted to make here thank you
fucking boozer man he is he's fun and it would have been something if like the whole movie was just small villain maybe he's coming to terms with uh Clark Kent's life a little bit
bit and he has to overcome Brad, which he does
in this movie, but it's so tertiary.
Yeah, totally. I love that Brad
Wilson's introduction is him
tell him the Al Bundy football
game story. Like, I don't
know what's worse in this situation.
If you're, like, Brad,
who would you guys rather be?
You're Brad Wilson telling the story about
the big game and whatever, or
you're the fucking losers
who are really excited to hear
Brad Wilson tell the story about the big
game? I feel like I want to be the
loser because I'm probably at least married and have money, you know what I mean? And you're like,
oh, wow, that guy was really cool in high school. He's a piece of shit now, though. You know,
I'm going to pretend to like him now. See, so you think those dudes are pretending that? I mean,
because they look like they're hanging under Brad's every word. Well, I guess they knew Brad,
you know? Like, oh, yeah, maybe there was old buddies or something. It's just like, man,
like, I never want to be that dude telling like that kind of a story and have it be your only thing.
But also, like, I don't want to be a person who cares about listening to that kind of a story.
I mean, you just have to pretend to care.
That's not too hard.
Yeah, I guess that's true.
I do that a lot.
By the way, Andrew, you had a laundry list of stuff that you like about Lana.
Did you get this one?
Check it out, dude.
She kisses hello.
Oh, yeah, dude.
The kiss hello, not too bad.
Well, she fucking sees, you know, Christopher Reeve show up.
She's like, all right, hi there.
How's it going?
I would have fucking kissed him on the lips too.
Jesus Christ.
Mouthpacking all over this movie.
Put that hug back in your pocket.
we're getting some kisses going
and yeah
like Brad is kind of talking shit to
Clark and Clark is like
I'm you know three feet tall of you
and I'm from the fucking planet Krypton dudes
what are you what are you taking somewhere else
seriously he's like following
Clark is following Lana around
Lana's like there's kind of a funny gag
where she's trying to do like food
but then also get the DJ some records
and she accidentally like gives the DJ
the food and brings the records
over to the food table
it's fun it's a whole yeah
it's a whole thing who's the pervert who we keep on cutting to with the glasses
Clark Kent no dark sunglasses I missed you ever this dude
there's this guy Joe in at the high school reunion there's just this guy that like they
cut to two or three times like she one of the times she hands a record to him it's
probably like the cigarette smoking man investigating this alien oh is it the DJ I think
she gives records to the guy who's like spinning the soundtrack to the dance kind of
thing. Because he doesn't look like he's actually
touching any records. He just looks like he's like
thrusting around to the music.
Well, because he's feeling it, dude.
He's really into the playlist that
he's got going right now and he's just feeling the
groove. When you're blast and roll over
Beethoven, you've really got to fucking feel it.
Did you notice, though?
So we should point out that, so
on Friday, like we said,
the We Love Movies episode of Superman One
will come out. And in that episode,
we talk about one of Steve's favorite moments in
cinema history, the guy spiking the camera at the
Daily Planet. There is a
fucking camera spike
at this dance scene too. I think spiking
the camera is like a proud
tradition in the
Superman franchise because we're walking around
and we're following Lana
on the dance floor and Clark's behind her
and there is a dude with a supreme
early 80s Kentucky waterfall
mullet going on. And he's like kind of dancing and having a good
time and when the camera passes him you better believe it
he's like hello Hollywood
fucking awesome cameras
that's great dude
maybe that guy becomes Deadpool
well there's also the famous
moment in Man of Steel
when Henry Cavill locks eyes with the audience
while making out with Amy Adams
in the ash shower
that that's a famous moment
and yes and they play rollover
Beethoven while he's breaking Zod's neck
by the way at the end of this party
here she says like
oh, I made a gallon of potato salad
and it's all left and no one ate it.
Jesus. I was waiting for like
Superman's super stomach.
Like, oh, don't worry about that, Lana.
You know, he eats it all?
Wow, Clark, you were hungry.
Yeah, maybe it's a thing like one of Superman's things
like, you know, in his little creed,
is he never lets food go to waste.
Oh, sorry, Lana, I'm on
leftover duty.
I mean, he's such a superman.
like he could probably consume so many calories it doesn't matter
um i got a biology question do you think does he piss or what do you think of course he's got
yeah sure it doesn't like you can't like evaporate it through his skin or something
dude no because then you're smelling like piss everywhere maybe that's how he pees is heat vision
it goes out no because no you can't do that because then you just smell like boiled piss
he just pisses out of his eyes you're saying no no it's it's out his dick into a toilet any other way
you're smelling like urine.
But Eric, to answer another inevitable
question, he shits out two-ton
pellets, much like Nibbler
from Futurama.
Like an owl? Yeah, totally.
And you know what he does?
And it's a big hassle.
He does it into a waste basket because
it doesn't actually smell because it's actually
it's hardened steel. And every
Sunday he just hucks it in the sun.
You know what I mean?
Another trip to the sun.
Just throwing shit at the sun.
I love it.
that's the stuff I would do if I had superpowers
to be like yeah I'm just throwing turds at the sun today
wait a second though but that's insane if he's throwing his
fucking turds into the sun
and he's powered by the sun that means he
is motorized under the power of his own shit
it's self-hate dude
it's his version of composting
he goes on a date with Lana Lang
and her son Ricky
oh my god it's a woman with an L name
here's the thing
oh my god I love L names
If I'm Lana Lang, and I'm like, oh, cool, you know, that Clark Kent grew up right.
He's a big fucking hot shot in Metropolis there.
He's got this column.
It's awesome.
And he shows up dressed like he was in high school.
I'm like, oh, he's got a weird fetish.
Oh, fuck.
I thought he's a nice guy.
Hey, Lana, want to play Homecoming?
I was wondering if you would put on your cheerleading uniform.
We'd go on a date.
Oh, Lana, you don't own it anymore?
Don't worry.
I had one made up special for you.
Oh, and you say your mother died recently, too, huh?
Oh, boy.
Yeah, this is all coming together.
My mother!
Oh, my God, I'm fucking my mother.
Martha!
Why did you say that name?
Put on her dress.
G, Lana, I would love to come home with you, but I have to go home and see mother.
Your mother's dead.
Clark.
Right.
Guess I'll tell her myself.
While this whole thing is going on, we do cut back to Metropolis really quickly as Gus devises the famous scheme of, you know, he notices he's got all these like taxes taken out of his paycheck, which also it's a thing where like they make Richard Pryor just magically discover that taxes get taken out of paychecks.
Like he's a fucking 38 year old man.
He's like it's almost, it's a weird thing where like he almost dips into doing stand up material.
right here because he's got this little
minor riff on like
Social Security taxes
and all of this shit. He does a
tight five and then we move on.
I don't know if I'm alone here. I don't
think with like maybe one or two
exceptions, I just don't think Richard Pryor
was good in movies.
Yeah, I'm not a big movie fan
of his. I don't like those. I'm not a big fan
of him and Gene Wilder
films. Oh, really? I think those
are okay. I like
Paul Schrader's blue collar. He's
great in Blue Collar. That's not like a
comedy. But that's like, that's where
I see his potential
as a screen actor. But as a comedian,
it never worked for me. His
potential in Lost Highway to see
two lines. That's what you prefer.
That's always a weird one.
Because he was a darker comedian than the movie. He was always
like, it was always like sweet family
comedy. You know what I mean? And that didn't
fit him terribly well. I did grow up
watching those Gene Wilder movies
and I loved them at the time. I doubt
they hold up now. But
Yeah, I mean, I don't know. I haven't watched it a long time. Oh, also though, he's, um, see, it's him and Eddie Murphy, uh, Harlem Knights. Oh, that's okay. It's all right. I mean, yeah, but again, again, it's not like Richard Pryor in a comedy that matches the tone of his standup. Exactly. Yeah. And so, yeah, he, he gets pissed about taxes and then we talk about fractions of assent. And this is when he comes up with the, uh, scheme wherein if he could steal those fractions of assent, he could just embezzle from the company.
And he does, and here's, I mean, like, because it's not even the world of direct deposit, so he has to get a check.
He's like, it's the check guy comes around with all the, the checks.
Like, here's your check, Gus.
And he's like, oh, I think I have another check.
And he's like, oh, you know what?
Here's your other check for $78,000.
Dude, it's an insane thing.
85 grand.
85 grand.
And he's like, oh, can you check and see if there's a second check there?
I had some expenses that I put in for.
Like, what expenses?
You're a computer tinker.
Oh, yeah, Gus. Here's a sack of gold bars that came for you. Here you go. It's just in gold bar. It's also kind of like a stupid thing, right? It's like, oh, there's fractions of sense floating around. And my computer program now puts them all into one accounts. And again, it's like he does like computer command. Yes. Take sense. Put in account of this man. Enter. I feel like this came up in other movies.
the scam and I forget where. Office space. Office space. Okay. Yeah.
They even call it the Superman. Oh yeah, yeah. Yeah. Yeah. Like when he explains it, he ends it with like, it's the scam from Superman 3.
Wouldn't that be stealing? That's my Jennifer Aniston impression. Totally. She's great in that movie, by the way. I rewatched it a little while ago.
Oh, really? Great quarantine rewatch office space. Love it. Nice.
Oh, weird thing here. Steve, is this, I have a question about, uh, we have a question about, uh,
have to go to resident comic book expert Steve Sadegh on a segment i'm going to call is this from
the comics uh in the scene where Clark is helping Lana clean up after the high school reunion
um she says something about like how he's living in metropolis and blah blah blah and she refers
to it as the big apricot no i've never heard of the big maybe i mean obviously continuity has
changed a ton maybe some story somewhere blah blah yeah like she said and i was like did she just
fucking say big apricot that's dumb because like you know it's definitely the big apple in the in these
movies because we do get the yuan initiative involved but yeah uh so that it's but it's metropolis
so they can't say big apple no i know but it's just it's such a dumb it's it's a dumb it's a dumb thing
from the comics they uh well they were so like i mean obviously it's 1983 a single mother
isn't exactly um something that we want to portray uh you know at the time in society so they were a little
uncomfortable with Lana being a single mother
so they wrote a whole comic
where they like figured that out
I've never found this is just an IMD
maybe it's an apocryphal story
but like the idea of the single
mother issue of Lana Lang
I would like to read what the fuck
I mean is she supposed to be like a widow
I guess so but in this movie they
pretty much said they got divorced right
yeah that's what she says something like yeah
like he just like ran off or something
or maybe he is a super villain
I bet you in that comic is where they
get the origins of big apricot.
That's where it is, Eric.
But they, so Richard Pryor gets caught, or he's, they're like, we cut to Robert Vaughn,
who's finally in the movie, not just in camera form.
Right.
It's, I timed it, by the way.
It's like 30 minutes until we have the villain that no one cares about.
Dude, and I've, this office is fucking sick.
Oh, man, the gray scale, everything is a gray black and like light gray.
Loving it.
It's all shag carpeting, though.
It's a crazy gray shag carpeting
It looks like it goes up the fucking wall
All villains' layers
Should look like they could also host an orgy
I feel like that's just universal
Very much
In part four
The new Lex Luthor like high-rise hangout
That's a definite
We're having six people fuck each other
At the same time
Him and Ducky there
Fucking all fucking sucking everybody
Not each other because their uncle and nephew
but it's just sort of like it's that you're having Fargo sex with your nephew you know what I mean
beds are next to each other and you're fucking it's step uncle and step nephew so it's okay
oh man um and they're like who could have done the the weirdest part about this is his
butler whatever is like we've been embezzled 85,000 dollars sir and he's like who could
have done it who could have done it's like you wrote a check to Gus fucking Gorman like
dude seriously yep yep exactly I was about to say to their credit they catch it right
away, but do they?
But they catch it due to one of the funniest
laughs in the movie is Robert Vaughn
being like, you know,
we'll have to like wait and see
what happens here. He goes,
you know, unless we find out much quicker, but if we
did that, that person would have to be a complete
and utter moron. And then it's like
you hear like tires screeching or whatever
and Richard Pryor pulls up in a Ferrari.
It's like at the fucking pink
Cadillac and Goodfellas. We should
mention here he's flanked
by Lorelei.
his, like, a little, his girlfriend there, and Annie Ross playing Vera.
Him and Vera, Robert Vaughn, it's a real fandom thread and Leslie Mann.
Absolutely.
Not Leslie Manville, Leslie Manville.
Manville, yes.
Yeah, it's like, yeah, like the older sister is kind of like the caretakers slash boss of the younger brother.
Very weird.
Back in the Daily Planet scene where they're talking about how hot Robert Vaughn is.
They take time to also talk about how fucking ugly Vera is.
They're just like, yeah, she actually looks like that crater and all.
Look at that.
Oh, boy.
Oh, yeah, because once you recall it, he, uh, I think Perry White's like,
ah, you got a bad picture, kid.
And it's like, no, she looks like that.
It's like, okay, I got it.
Thanks, guys.
Oh, Annie, oh, wow.
I'm sorry, Annie Ross died on July 21st of this, this very year.
What, she died four days ago?
She died, like, four days ago.
Oh, rest in peace.
Wasn't she also the villain and pump up the volume?
I can look that up right now.
I'm pretty sure, and I think she's really good in it.
Yeah, she is.
And she's in shortcuts.
She's great.
I mean, she's good in this, but it is very much like,
did you come in here to ruin my breakfast?
I know.
Also, what happens to this woman at the end of the movie
is fucking abhorrent and embarrassing for the actor, man.
But rest in peace, that's fucking crazy timing here.
you come in here like a horse
Ross
Ross I'm ordering asparagus
Oh
So there's a big date
Where Clark goes
With Lana and Ricky
To the Smallville bowling alley
The Smallville Bolarama
I'd like to call it
And of course because it's a small town
bowling alley
Fucking Brad is also there
Wasted at 1130 in the morning
This is where I got a lot of sympathy
for Brad. I don't know. I've been quarantined for
four months. I'm like, ooh, getting drunk at a bowling
at 11 o'clock at the morning. I could do it.
Absolutely, dude. No doubt about it.
I mean, you know, we got going here
before noon. I've been fucking drinking
right through this. Did too.
Yeah, I cracked one at 10 a.m.
Nice. But you know what? We're recording this on a
Saturday. So it's brunch. There you go.
It's brunch. There he goes. It's brunch.
I'm drinking this warm beer.
It's a brunch beer, though.
The kid is terrible at bowling. I don't even know how
little kids bowl. It's like, fuck a two times
the size of their weight. Well, this is what's insane.
I guess it was 1983, so maybe this wasn't
invented yet, but, like, why aren't you doing
bumper bowling? They're little kids.
What are you doing? What's going on?
No, the bumpers were, of course, made
in, like, 1920. We all know.
What is bumper bowling? What are you
kidding me? No, I'm not kidding. I do not know
a bumper bowling is that. What in the fuck?
Okay. It must be an Albany expression.
It's when
like, so, like, if you have little kids bowling,
you put the bumpers down so they can't get a gutter ball.
Oh, and it just kind of bounces around.
Yeah, there's things that come down and they block the bumpers.
I'd rip those bumpers right the fuck up.
Kids got to learn life is hard.
Dude, a little kid who's as big of a loser as Ricky, man.
Like, you can't, you don't want to get a gutter ball in public.
Listen, if he wants a win, he better earn it.
I see Eric is truly of the Brad Wilson School of Thought here.
Yeah, totally.
The Brad Wilson Bowling Academy at the very least.
Because Brad comes over, stumbles over.
Hey, sweet thing.
He calls his sweet thing.
Hey, sweet thing.
He's drunk.
Well, it's kind of weird because, like, you know, she's really attractive.
obviously and she's single
but that doesn't mean she has to marry this guy
you know what I mean like and that's the weird
like small town logic that Brad
is using though he's like well who else
in Smallville babe you're the only single
woman and I'm the only available
bachelor in the whole town that's what's
really weird is like I remembered
them being together when
the last time I watched it but like
when I was looking I was like oh no he's just
hanging around her all the time because he's
a pathetic lunatic this is very
interesting and I think it speaks to
doing the show for so long
and really getting into a groove of how we do
things because
I noticed that detail
only this time Chris and I
remember the last time watching it
was the last time I watched it for this show
thinking that Brad
was like the father of Ricky
and he was just like the drunk
ex-boyfriend or ex-husband that was
hanging around the whole time I completely
missed the line about like the husband skipping town
and all of that shit I think it's because like
you know how fucked up we get now when
watch stuff back then it was like three times the amount we were just young dumb and fucking
functioning alcoholics back then um and so it's a silly scene wherein uh brad tries to teach
him out to really do it and then clark's like no let him do it his way and Clark of course
he sneezes and blows the ball into the bowling pins so fast and so hard that they fucking
turned to dust and I'm sorry this is the beginning of an ET investigation on Ricky you know
Exactly. The FBI is on their way.
Scully, have you heard about the bowling alien?
He always gets a strike, Scully.
Doesn't make sense. No one could get a strike every time.
Now, yeah, it really speaks to like when Clark is doing this kind of meddling,
like he has to tone it down.
But also what's weird about this is you really realize
how fast on his feet Calell is able to think.
he is able to
like he's looking around
you know sort of like usual suspecting
the room being like what can I use
to fucking do this scam
and like when he walks away from like
Ricky like he makes sure Ricky has the bowling
ball and he walks away he fake
trips over the ashtray
that's right there again this only works
because we're smoking in bowling alleys
and he's like oh I tripped over the ashtray
now all the ashes in my nose and acho
like that's what he uses to justify the sneeze
and so no one notices
is that it's what actually makes the ball go.
He makes all the ash go into everyone's eyes.
Just tons of ash just flying directly into your eyeball at 65 miles an hour.
It's like Jim Belushi cheating in a fist fight.
I'm just going to always be thinking now of Mulder like going up to the obliterated pin
and like touching it and licking it a little bit.
And just turning to Scully, I'm like, Scully, have you ever heard of Krypton?
Then they have another day at a cornfield.
This is when he's dressed like he is in high school, and they, it's a nice little picnic.
Ricky goes off with this dog and, like, you don't see it, but he like gets, he passes out in the cornfield because he's looking for his dog.
And the threshers are coming right for him.
Yeah, but how does it get to the point where this is happening?
Superman, you have fucking ears, don't you?
And also, I guess back then we obviously didn't watch children.
No one watched me until now, but now I'm under lock and key.
I've got a fucking leash.
my wife puts me on. But
I mean not like a troubled
child, not, you know.
Yeah, no, you're only going to do harm to yourself,
dude. Someone has to watch you at all times.
Exactly. But the fact that this could
get so far in the field and injured
and passed out in front of a thresher
while Superman is
trying to get some.
Oh, totally. It's weird. Like, Lana,
like, so Clark is like,
you know, they sit down, the picnic's nice.
He's like, oh, you know, this is really nice,
Lana. And she goes,
it's even nicer when
he says something about like oh it's really nice around here
or something and she goes oh yeah it's even
nicer when there's a man around which is not that
often I'm like oh god damn it
Lana come on what about Brad
oh he's not a man
I think Ricky's passed out
we can fuck in the cornfield
Clark first I'm going to eat dog food
the dog food come on guys
yeah you're right this is Chris you're totally right
Richard Lester wanted to make a movie called
stuperman.
Yep. And he eats dog food, he fucks around
in bowling alleys, and he never gets late.
No, you see, the joke is that he
eats the dog food and he actually
likes it. Yeah, he thinks it's
paté, good line of hey patte.
Yeah, totally. But, like, again,
it's like, you're Superman.
You can look at it and you know that it's not
paté, so why are you deciding
to be this fucking little
abuse pig and just humiliate
yourself like this?
This might be a thing where in all
food is dog food to Cal L. He's
just like, oh man. If you want to eat
real food, you get my mom's kryptonite
spaghetti. Oh,
my mother's sauce. I go to the
fortress of solitude. I'm
punch in a bunch of crystals and I get my
mom's krypton spaghetti. Oh, my
own. It's so good. It's made a pure
light.
Down here on Earth,
they fucking feed me egg noodles and ketchup
like a schnook. Dude,
yeah, Kryptonian cuisine, it's got to be
out of this world. Oh,
definitely. I don't know about excellent.
Uh, we cut back to Richard Pryor for a bit.
He is, you know, Robert Vaughn calls him up to the office.
He's like, I know what you've been up to.
Uh, and, you know, I know what you've been up to, you naughty boy.
You very naughty, naughty boy.
It's like, oh, fuck.
I got to suck this guy's dick or go to jail.
Awesome.
Yeah, totally.
There's a weird line where I think something about jail comes up and, uh, he's like, you know,
Do you know, like, what they have in jail?
I don't know what the line is.
The line is, the line is robbers, they have robbers and rapists and rapists and racists who rape robbers.
Robbers and rapists and racists who rape robbers, I think is what it was there.
Yeah, that's the prior line.
And I was like, all right.
Is that, is that the song that they cut out of the sound of music?
Also, yeah, just put that fucking thing right in the middle of my Superman movie.
For children.
Robbers and rapists and racist who rape robbers.
And then there's a fucking horrible line where Robert Vaughn's like, like, explains the whole thing and he's like, dig where I'm coming from, brother?
Oh, for it.
And so this is like, we get the explanation of the first part of Robert Vaughn's plan here where he wants to fuck up the coffee bean crops in Colombia to like totally destabilize their whole industry so then he can be the number one coffee seller in the world.
And Eric, what's the name of the satellite that's going to?
to do this.
Yeah, that's right, Chris.
It's called harp.
This is Alex Jones.
We're talking about there's a secret government program.
And this is true, folks.
You could alter the weather
through this installation called harp.
Does he believe that?
Yeah, that's a very common conspiracy.
That's a big one.
Oh, well, in the movie, it's called Vulcan.
The Vulcan weather's satellite.
And he has to go to Smallville of all places
to hack into it, I guess, is the idea.
There's some weird thing.
where he's saying, like, whatever the name
of, uh, uh,
other industries. Yeah, or
like Web, WebSco or something
like that. He's like, there's a bunch of WebSco offices
like around the country.
So we'll send you to
like one that's kind of out of the way so you can
do your hacking and peace, I guess is the
idea. It is just so stupid.
They shouldn't be anywhere near Smallville.
Yeah, no, definitely not.
Or find, or like look at the script and be like,
okay, this doesn't make sense. We need to have a real
reason why he would go to Smallville.
you know what I mean like let's rewrite this part so it makes sense why he would have to go to smallville
exactly uh but anyway he does go to smallville there is kind of a funny moment where when he gets to town
it's also like right when i think it's like Clark and Lana are uh like getting provisions for
the picnic or something and Clark fucking hits him with the door the car it's kind of a good
is spending a lot of time here in smallville I mean I guess he's getting this hot story like
he can't actually turn the story into Perry White
until he gets the H.J.
So it's really...
Yeah, exactly.
Is this like leading the lifestyle section?
Where is this story?
But I think also part of it...
I mean, yeah, I guess it would be lifestyle.
I guess.
But I think part of it is also...
And the movie doesn't weigh this as well as it should,
especially because the last movie was also all about, like,
what if I just wasn't Superman?
But in this movie, it should totally be a thing
where he's, like, really sort of mesmerine.
by the notion of like oh fuck
like if I just stop being Superman
I can move back to Smallville
Lana and I could maybe get married
you know I could be happy here
yada yada yada this is a perfect moment
for that kind of you know
Superman arguing with
you know himself kind of later he's
writing a fucking article that's like
yeah Mr. Mr. White yeah I put on a
big fuzzy hat I make the girl
buy me a drink and I neg her
a bunch
how to fuck your high school sweetheart
in six short days it's just a pickup artist column totally he's he's fucking uh what mystery
that guy's a b h1 loser my favorite thing about gus arriving at smallville is there this is the
first instance of this weird oingo boingo goes country uh soundtrack in the back of this thing
this does not sound like georgio moroder unless he got real weird with it um but maybe it maybe he
did i mean it is like weird like slide guitar kind of shit but then the bass line is like way wacky and
like 70s sounding like a chucky cheese like automated band backing almost oh shit totally really weird
totally dude they wind up uh he winds up going to uh this office is where brad oops he's the security
guard there and he just tricks him like a fucking cartoon drunk with a bunch of booze it's kind of fucking
funny. It's great, but here's a question. How does
Gus know that Brad is a huge alcoholic? Great question. You know what I mean?
Because the whole thing is like Richard Pryor comes up to the door
of this, you know, it's like a farm factory store
or something, farm supply store. And, you know, he's knocking
on the door and Brad is the drunk security garden. He comes up. He's like,
our office is closed. And Pryor's doing like, oh, hello
there. I'm from the corporate office and the big guy needs me to
into the computer system like he's doing a phony
voice or whatever and he opens
this suitcase he's like we got to get this
set up today and it's just like this
traveling salesman briefcase of
booze I think I got it
I think he's a computer genius yeah
so he gets his records
and on his records it says likes the sauce
oh totally right across the second
page he finds
the smallville class of 65
year book and Brad was most likely to become
town drunk
or no yeah you know you just
hacked into the government records.
He's got six dewees, you know what I mean?
So, you know what's going on.
So he goes in and they get smashed.
He's doing your class.
This is the Singapore sling scene.
Oh, right, where he's like, oh, it doesn't,
it doesn't taste like there's enough vodka in this.
And Pryor's like, yeah, there's no vodka in this.
He's like, well, come on.
I'll put some vodka in it too.
Let's do it.
And they are getting fucking super wasted.
Richard Pryor is wearing this hilarious huge cowboy hat.
Yeah, it's, this whole thing is so dumb.
This whole sequence.
There is a funny moment in the sequence though where Richard Pryor just does this quick physical gag where he's scared of his own reflection in a mirror, which is kind of great.
Oh, yeah, like he's worried there might be another security guard or something.
But actually, this is actually how tackers should be now that I'm thinking about it.
Like, if you want to like influence my vote or whatever else, just come over, get me drive.
drunk first.
Exactly.
All these Russian hackers are getting you
fucking wasted.
Get you plaster, then you can
destroy the Colombian coffee crop.
Yeah.
But there's so much
product placement in this scene.
He opens a closet. It's got
it's like a tote bag from KFC.
He goes into the computer room.
And I swear to God, there's two posters
for golf on CBS
and the NBA on
CBS. And it's just like, oh yeah, put those
You know, it's great CBS. We just love it. It just brightens up the office.
I mean, have him breaking into, break into like a TV affiliate if we're going to do that.
Yes. Yeah, exactly. Not this farm goods store office or whatever.
I didn't even know what was that? I was like, what is this is a bank? I have no idea what this thing is.
I have no clue. So he uses the computer to hack in. There's this is in some more Richard Lester silliness.
Now, wackiness with the ATM here. Yeah, this whole thing. Here's my question about this is this, because it's a
montage of him doing a bunch
of shit. So it's like, yeah, there's
a bonkers ATM,
a dude gets a
credit card bill and there's a huge Bloomingdale
statement on it. Traffic
light sabotage happens.
And all of this before he gets
to the weather satellite and I was like, is this
like Richard Pryor's character
is like drunk hacking and he keeps
getting into the wrong system?
Is that the joke here? That's kind of what I
think. Okay. I thought it was like a
diehard sequel where it's like, I'm
in a fire sale, pure chaos everywhere.
Oh, fuck.
Dude, actually, you know what?
Great Superman villain?
Timothy Olifan.
Well, that's the other thing, too.
You don't know anything about Gus
aside of him that he's kind of a near-do-well.
You don't know, like,
he's interested in money, sure.
But, like, why is he hacking into ATMs to get people?
Why is he trying to get this woman smacked in the face
with a lemon by her fucking British husband?
This is such a fucking Monty Python seaside joke, by the way.
It definitely is.
Oh, it's the, oh, my world.
this is ridiculous.
My wife would matter with the credit card.
I'm going to put my grapefruit in her face.
That's a James Cagney reference.
What the fuck are you doing here?
It's weird.
And all of it is too, like classical music that gives it a bit of like a 2001
Twitch, just a bit of just like, you know,
we're looking at all this computer work that he's doing.
And you're seeing like, you know, all of the main computer
hub systems come to life and it's like,
dun-da-da-da-da-da-da-da-da-da, and you're
seeing like the tape-to-tape computers' memory systems start
coming alive and everything.
And everything's fucking whizzing and blabanging and clanging.
It's fucking dumb.
And yeah, he hacks him.
The weather thing, he destroys Colombia in general.
Like, it's rain he uses, right?
A huge storm.
He created.
Yeah.
Yeah, the controlling of the weather.
It's very, like, you know what?
There you go.
make your entire movie around that satellite absolutely dude like oh fuck there's a huge
tidal wave coming for metropolis but but uh there's a million superman villains who try to
control the weather or DC villains that can control the weather through various means
you make him the weather wizard we're having a great time it's totally fine you can't see me
doing the finger thing but the finger thing makes the money well then you know what just scale
it back make a new villain he's a simple guy in a suit they call me the weather man
There you go.
Oh my God.
It sounds like a comic book movie.
Forecast for you, Superman.
Ooh, not good.
Here's a question.
Has that happened in a comic book adaptation?
Like, have we just made a fake character?
I'm sure that we have.
To be a villain.
Like, I'm trying to think, like, the one thing that jumps into my head right now, at least, is...
Well, nuclear man, actually, is totally made out.
Oh, so that's fake.
So that's a fake one.
I was also going to say, like, was Max Schreck a character?
in the Batman comics?
Like Christopher,
Christopher Walken in Batman Returns?
No, I don't think so.
It's kind of one in that way.
What's that big shit cloud
and Green Lantern?
That's a real one, sadly.
But he's not a green shit cloud.
He's an interdimensional space being
that infects people
as opposed to parallaxes.
Yeah, oh yeah.
Damn.
But he infects people so you could have done a cool
like guess where parallax?
Guess who parallax is inside right now?
Oh, yeah.
Well, he makes how
Jordan become evil for a very long time.
Why could they do that in that movie?
Because he had to be a shit cloud.
Oh, okay. Oh, right, the
the shit cloud accord of 2011.
They should have had something, they should
have had a better parallax view.
Oh, excellent.
Great movie, by the way. Yes, I love.
That's a great movie. If you haven't seen Parallax
view, check it out. Warren Beatty.
The Z plot of the
guy who goes to Columbia, his vacations
ruined. So we go back to
Clark does go back to small
Metropolis. Lana expresses at some point that she would love to go to Metropolis to start over.
She might wind up doing that eventually. So it's kind of a maybe a long distance relationship here.
Clark is there. He oversees this dumb ass coming back from Columbia to bother Perry White.
Oh, he's like going to sue him or some shit. The wife is like in an arm cast and he's got a neck brace on.
He's like running in there like, man, Perry White, I'm so upset with you. This is when Lana calls up Clark.
and she's like, hey man, Clark actually goes,
Superman reverses whatever the fuck
Richard Pryor did in Colombia, thus foiling Robert Vaugh.
This is stupid.
Question mark, question mark, how, how?
Well, let's talk about this for a second,
because this is an insanely lazy way that they go about this.
So this is where we're seeing Robert Vaughn
is skiing on the top of his, you know,
his roof chalet, and, you know,
this is where he comes up with the plan.
Like, wow, that works so well, Richard Pryor.
You know, today, coffee, tomorrow.
oil sort of a thing
and then Richard Pryor is the one
he comes in and he's like
oh hey Robert Vaughn so here's what
went down when
I was like we were doing this thing
in South America and it's Richard Pryor
just telling the story
of what Superman did to foil the South
America plans and like
you just see three different
shots of Superman doing a thing
but then it keeps cutting back to Richard
prior like acting out the story and he's like
and then Superman was flying around like
and I'm like, dude, show me Superman fucking foiling this plan.
They cut to it a little bit of him using like heat vision on like the coffee crops so that they dry up.
And it is just so weird too because Robert Vaughn was like watching it on TV.
Like, okay, my plan is worked.
And then instantly when Gus Gorman shows up, he's just like, hey, it didn't work.
Also, yeah, totally.
Aren't those laser eyes just going to go to like the core of the earth then?
Can you like, can he do settings?
Yeah, I think he's got
settings, dude.
Yeah, I mean,
you got to do a really light setting
because you could roast those beans, dude.
Your jacket is now dry.
This is also the fucking dumbest
donkey dick moment where Richard Pryor
falls off the roof
of a skyscraper on skis
and lives to tell the tale.
It's insane. Why have that?
Why have that?
Because it's more that British
slapstick comedy crap.
Yep, you're totally right.
You know, it works.
you know in certain circles not in a superman movie oh isn't it irreverent
you know give me superman set in like 1915 and do vaudeville acts around it i'd be happy with that
fuck dude it's superman he teams up with the marks brothers for some reason exactly pretty
great um this is the lana phone call is that what we're talking yeah she calls him and she's like
hey man um ricky really wants superman at his fucking birthday party and it's you know
know what lady that's you gotta take that up in soon man i'm just clark kit all right hey hey and
fucking ricky dude not only does he want superman his birthday party this little motherfucker
it's a little shitty at bowling motherfucker uh has told the whole town that superman's already
coming for the birthday you little piece of shit rickie because Superman saved him from the thresher
and all that and one great line from that scene is like Lana's like oh my god Superman was just
here i can't believe you man oh Lana i'm from metropolis i see Superman all the time
Oh, right. He does set up that they're kind of like best buds almost.
Yeah, but it's also, are people in Metropolis, like less, a bit non-plused with Superman at this point?
I think so. I think so, dude. It's like how us New Yorkers never really gave a shit that much about, like, the naked cowboy, but like he was a sensation all over the country.
I mean, the naked cowboy couldn't fly, dude. You don't know that.
Well, he also, he also couldn't be president, which he tried to do.
He flew into my heart, Steve.
Please, stop. Stop. His superpower is he can't wear pants.
it's already in his underwear floating around you got a double the naked cowboys could definitely double bag in that underwear right oh absolutely yeah there's like your real like your ball protector you know i think it's a diaper dude i think he's just pissing and shit in there it could be and then you have like your wrestling you know your purple wrestling trunks outside of it so it looks all flashing and whatnot but yeah inside you just pissing and shitting yourself just like everybody else because you know what the tourist with a one dollar bill might come along I better piss and shit myself in the middle of Times Square otherwise
known as the show must go on Eric
yeah absolutely true
is he even still around does he still
do that no I think he's long gone
well that with the COVID dude
I think he was gone long before
COVID though yeah it's good
I hope it's I am legend but it's
with the fucking cowboy
I wouldn't see that
there is a thing like right when Lana
calls him he's like putting the finishing
touches on his little fucking
high school in cell story
and he's like the prettiest girl in
school is still the prettiest girl in school.
And he was like, oh, man.
Grow up, damn it, weirdo.
Like, I don't know, dude, you fucking, you're, you're a successful reporter that looks
like Christopher Reeve in 1983.
Go get laid.
Like, you know what, dude?
It's insane.
Like, this sausage should constantly be underwater.
I don't know what's going on here.
So, he goes back, and this is when Gus Gorman is tasked with killing Superman.
And they're like, oh, you know, in that story that they wrote.
he has a weakness to something called kryptonite and it's like okay well there's got to be
some flying around space and computers know all about space to go on a computer figure out what
kryptonite is i don't know just get to the next scene rick i don't know what's going on it's so
dumb and it's it's just another like it's a thing where robert vaughn is he does the same thing
and this is what's dumb he does the exact same thing that jean hackman does in part one where he's
like, oh, well, if his planet
blew up, then I guess logically
there'd be some bits of that scattered
throughout the universe. So let's just
use some bleep, bloop-blop computering
and figure out where the fuck that planet was.
But also then Richard Pryor
and Laura Lye
both know it because they've been paying
attention to the other movies.
Oh, yes, that's totally right. They saw the first
two movies in theaters and
everybody else did not. You're totally right.
It's an interesting idea
to try to like make an artificial
official kryptonite, but the way
they go about it is, you know,
it's so, so like Gus Gorman's on the
computer and it's just like, oh, the satellites
finally found a chunk
of kryptonite in space and it says
these are the materials. It's very
lazy. Yeah, exactly. One
thing is like 0.005
is unknown and he's
got his trusty cigarettes with him
because it's 1983 and he's like, oh, might as
fucking put some tar in there. If it's
good enough for me, it's good enough for Superman.
Absolutely, dude. Superman must love
smoking and he's just like ashing
into the petri dish. I guess
it's what makes him so scummy as the tire.
Yeah. It turns him into
sinner man.
So this is the general patent
scene.
They are.
It's too much Richard Pryor here. It's way too much
Richard Pryor. Yeah. I have a note here.
Did everybody see the cake?
I missed
cake? There's a Superman cake
and it is like the wetest
cake i've ever seen it's like glistening like is it like is it the cake's fault or like are they
leaving it out in the sun i think they let it left it out in the sun and i also think they just didn't
they got cheap frosting that like almost melts oh fuck oh you know maybe it's a little buttercream
situation it's possible you got a international celebrity Superman coming here and you're going
a subpar cake. Get some
pot pies going. I know that people make
pies in fucking Smallville.
Get him a hero's cake, right?
Yes, please. Yes. Where is
that goddamn hero cake from
fucking Man of Steel?
Absolutely disgusting cake.
And this
whole ceremony with the patent spoof
is because of the birthday party, right?
It's an insane thing where like
Superman, and this sucks, right? Like Superman's
like, all right, fine. I'm fucking
going home twice and two weekends.
That's embarrassing, but whatever, I'll go back.
I'll go to this kid's birthday party, do a tight five, get out of there.
Exactly.
I'll be fucking back before the Smallville Rockets face off against the fucking, you know,
whoever I'm going to watch some minor league baseball on my team.
Actually, no time for that.
No time for some minor league baseball.
I got to do a bar mitzvah, a Sweet 16, and then I'm capped in the evening off with appearing at a bachelor party.
God damn it, dude, Superman's like the Ghostbusters at the start of the sequel.
That's what it's become.
It's insane. And he's like, I'm thinking I'm just doing this private event for my good buddy Ricky, my fucking hot ass high school crush, Annette O'Toole, and then like maybe some of Ricky's a little loser friends. And I know that Ricky's a loser, so there's not going to be that many friends there. And then he shows up and there's like a bandstand put together in Smallville, welcome Superman.
Fuck you, Lana. I can't believe you let the word out about this. I'll drop her instantly. Exactly. Fuck this. Don't exploit me like that. I'm fucking Superman.
Look, I, yeah, I would like to be with you for New Year's Eve, but I'm actually doing.
a party for a Puff Daddy's liquor
line, and I promise
him might be in Vegas.
I'm sorry. I can't hang
out with you and your son. I'm sorry.
It's so insane. That's right, Puff Daddy.
We won't stop. This liquor is fantastic.
No, I told you
we won't stop. Glug, glug.
That's right, Puff Daddy.
What I do is not about the Benjamins,
but what you do is all about the Benjamins.
This liquor might save the world.
Well, Puff Daddy, it looks like I can retire because
this liquor is going to save the world.
That's what he should use to defeat Brad
just tosses a bunch of fucking Puff Daddy
branded liquors at him.
That would actually be great, dude. That's a great end for Brad
as he fucking drowns in a vada beer for some
reason. Hey, Superman, you said you were going to do my
crystal skull vodka invented the fucking
parking glott of a New Jersey liquor store.
Yang, yang, yang. Where are you?
I got to go. Dan Eckert's
in trouble.
Dan Aykowitz needs me.
me. Hello, what is that I hear?
Dan Ackrod is about to suffer heat stroke
in the parking lot of a New Jersey liquor warehouse.
He drops a bus full of school
children that he was saving and flies
off. I'm sorry, a kid's
Dr. Detroit needs me.
You don't understand.
He's out of cocaine. I have to help him.
Well, you know, Dan, I'm an alien
and you believe in aliens, and that's why
you have this crazy vodka company.
Like, Superman should give preferential
treatment to people that believe in aliens.
Hey, Dan, I'm an alien.
Do you think I have a crystal skull?
Fucking Superman is just hanging out in a fucking t-shirt that says angels and airwaves all the time.
Oh, fuck, that is a not great band.
Yeah, the whole thing is like the mayor is like, oh, here you go, Superman, you're the best.
Here's a key to the city.
And Superman's just like, great, another key to the city.
Thanks, asshole.
I'll fucking be sure to drop this in some cornfield.
on my flight home.
No, there's a fortress of solitude room
with a bunch of fucking medals
that he never even looks at.
Oh, really?
You think he's got a trophy room, dude?
Yes, and then he goes in there
and jerks off.
He's got like a collection.
He's got pieces of every building
he's ever crashed through.
Like little pieces.
Oh, yeah, Phoenix 82.
I remember this one.
World Trade Center, yeah.
Remember that.
Wouldn't you get that.
Off day for me.
I'll put this crystal skull vodka
on my mantle
in the Fortress of Salitude.
No, it's got to go in the fridge.
Ying, ying, ying, y'ing, y'ing.
You should be chilled at all times.
Listen to me, it means nothing if you don't do the social media, too.
It means nothing if you just have it.
You got a tweet, Superman.
You forgot a hashtag, Superman.
All right, Superman, you got to do it again next week for a make-good.
Make-sum-g-g-g-g-g-g.
You got to do make-goods, oh, man.
It's what happens when you're a superhero and you fucking sell out, dude.
You're doing make-good.
That's no good to me.
The promotion window ended Superman
and either make good.
Oh man, Superman's IG.
That is the hottest account.
Oh, dude, definitely.
Yep.
Absolutely.
Just chilling out here
in the Fortress of Solitude with some
crystal skull vodka.
Oh, yeah, that's right.
Superman's taking over our IG account today.
Nying, Nying, Neng.
Superman takeover.
Ying, ying.
And then he'll be in a parking lot
with me in Hamden, Connecticut.
I love that he
can never get these liquor displays inside the store, but he is always in the parking lot.
I love that detail.
Whatever.
So he's fucking, you know, giving a speech and then, like, Richard Pryor comes in doing
this garbage patent parody.
And it just in the middle of it, he's like, here's a real price for you, Superman, a huge
green fucking rock.
And I'm like, I would jump on a chair like I've seen a mouse if I was Superman.
Totally.
He's a green rock.
He's got a.
a gun. Like, that is the
fucking level of reaction you need.
Scared by a mouse or he's got a gun.
He just takes it and holds it. It's just like,
oh, thanks. I'll put it with the rest of the
stuff in the jerk off room.
Thanks so much, fake general. Is this just a
big piece of jade?
Pardon me, did I just win guts right
now? What happened? Did I
just get to the top of the agro-crag
before everybody else?
Agro-crag, man. Nice
pull. Hey, Superman, if you're not going to use
that green rock, I could use it.
You know, Superman, yeah, sure, you beat all the kids to the top of the agro crack, but you're Superman and they're all 12-year-old children.
Well, Lois, it was our first time for everyone through it, so we're all at the same skill level.
Let's go to Moe with the results. Mo.
Well, Superman clocked in at 0.001 second.
Marcus clocked in at 2 minutes and 40 seconds, and Elizabeth clocked in at 3 minutes and 12 seconds.
Fantastic.
Back to the action.
Yes, another event where Superman is sweeping at 0.001 second,
and it's really kind of even less than that,
but that's the smallest fraction we can get here.
Well, thanks a lot, Mo,
and may I remind all the Nickelodeon viewers
that next week I'll also be appearing on Legends of the Hidden Temple
and Nick Arcade.
Stay tuned for Superman Competes Week here on Nickelodeon.
Oh, dude, what a fucking sellout.
so yeah dude fucking nick arcade now sponsored by crystal skull vodka
tell your parents
or tell your older brother whatever i don't know
uh i do love there is a fucking great gag in the richard prior speech though
where he totally makes fun of smallville residents calling him fat
oh yeah he's like he's like oh yeah you guys go to church every day right
and you like sitting places well you you know uh what do you sit on that's molded to your
well-fed behinds.
And I'm like, oh, you're calling him fat, Richard
Pryor. Nice. He does this whole
bit about plastics
and chemicals. And like, he's like,
don't we want to be a country
that still makes chemicals?
And some guy in the fucking eye
says, says, yeah.
You just hear it. Like, it's
the front of the audio. Some guy's like, yeah,
yeah, chemical.
There's another fucking
KFC reference right here, because it's
like, oh, yeah, something's
something uh you know you get the chicken in the bucket and nobody knows the recipe kind of a thing
this is where he's like telling he's like telling robert vaughn like hey man oh right uh he's like he's
like you know how the chicken in the bucket nobody knows what all the ingredients are he's like
well that's what happened with this synthetic kryptonite that i made uh so that's why it didn't
work it's a thing where um it's a pretty funny robert vaughn joke actually is like i ask you to
to kill Superman, you can't even do me
that one simple favor.
It's pretty humorous. It's a good line.
That is good. That is great.
But, like, it is, that's why Superman doesn't actually
react to the kryptonite because it's like,
oh, it didn't work. It's just a big hunk of rock,
but it actually does affect him.
Yeah, dude, it's like that fucking creeper weed.
You know what I mean? You're sitting there,
you're like, I'm not high at all. Better smoke some more
of this weed. And then, like, ten minutes later,
you're like, uh-huh.
Huh, Richard Pryor. It looks like you were ripped off.
Huh. And then it's just like,
A lot of seeds in this, uh,
I remember when I did mushrooms for the first time.
I was at a feel of the buddy of mine.
And he literally did not have eyes at the moment.
He's like, dude, we got ripped off.
I was like, not the time for that one, man.
No, I think we're doing just fine.
We better not have been or else you're in real trouble.
Did he fucking even out there?
Yeah, he got there.
Yeah.
You'll always get there.
So whatever.
so this is when Superman starts to
he starts to become evil like kind of quickly
immediately and the first thing
you do if you're evil you're like you know what I'm
fucking sick of that leaning tower
a fucking pisa
always being around like
he goes all the way to Italy for no reason
it makes it it's really
weird because we don't fully know that he's evil
yet so I'm like is he just trying to fix
shit around like oh that's
a leaning tower let's fix it
it doesn't really start like it just
kind of happens and then Onetto tool
comes into the room to say
hey, some person's almost
dead on a bridge and he's like, hey, hey,
hey, don't worry about that. He puts on, you know,
Barry White's never
never going to give you up. And so saying,
why don't we just sit down here and have an afternoon
together? That's kind of the best scene
of the movie because it's so creepy the way that's
played. Well, because he's like, you know,
it's not often that I get to sit around with a
gorgeous woman like you.
It's kind of weird, man, because he's like,
she goes, she goes
like, hey Superman, you know, there's trouble
on this bridge, you better take off
and he goes, it's okay. I always
get there on time. And he's like, fucking
super horny. And she's
like, he sits down on the couch and he's
getting all like close and whatnot. And she's like,
seriously, dude, that bridge?
And he's like,
what bridge?
Oh, dude, yeah.
And it's creepy. And, you know,
this, you know, to Christopher's credit,
he's doing it here. You know what I mean?
He figured out what creepy's room man would look like
and it looks a lot like this.
Oh, dude, absolutely. And this is like the, he
fucking he leaves Lana's
house he's like because it's still not
fully taken over him yet and he's like
he kind of shakes his head like oh geez you're right
I better get out of here and he flies to the bridge
but before he gets there the fucking truck
falls off the bridge and crashes
and the guys like
some dudes like if only had gotten here
a minute sooner I guess Superman you
fucking lazy piece of shit
it's shitty though like I don't know man
I can't stop everything and I'm
allowed to get laid sometimes
sorry everybody that is the Superman
Santa Claus paradox, right?
It's like, you know,
does Santa Claus, you know,
in your telling of the tale, like, go around
the world in that way? Like, how is he doing
that all in one night? How is Superman
expected to stop, like, every problem around the
world? Or is he just, like, America's
superhero, you know? How is he eating all
those milk and cookies?
Also that, very important.
You got to have a super stomach to have that much milk
at his age. Oh, dude, yeah.
Dude, you fucking, you want to see some hucks
steel pellets into the sun
dude drinking that much milk
yeah oh fuck look at those steel pellets going into the sun
looks like Superman ran out of lactating
Superman's got to sit this one out
Superman's gonna take this global emergency off
Superman's got a milk shit
to do a fucking whole dairy
problems happening he drinks
sorry Lana I shouldn't have out all that
all that pork
he takes like a silo from the
peptobismo factory and just drinks
it from the silo.
Oh, God.
Damn it, that's disgusting.
So he's evil now, sort of.
He should fart at people.
Anyway, go on.
Thank you.
He's evil now.
It's a montage of him being a piece of shit is the idea, and it's like, he fixes
the leaning tower of Pisa.
The hilarious joke is the dude selling souvenirs is all pissed off.
He does that.
I think when he flies away, does he give kind of like a, like hand gesture to those Italian
dudes. Oh, no, I don't know if he does. The guy
bites his thumb at him, which is like, you know,
it sounded like, not sounded,
it looks like, like right as Superman's
about to fly off the corner of the frame.
He does the, like, top of his hand
under the chin, kind of like,
but kind of thing,
which is hard to explain on a
podcast, but I think you know what I'm doing.
During this montage, there's a
brief moment where it's like, apparently all
the world governments, like the UN
censures Superman, but
Colombia abstains from the vote.
which I appreciated.
Yeah, I like that.
It's also just like censuring him how?
The fuck are you going to do to Superman?
You're on notice.
That's all.
You know what?
Schumer,
enough for that bullshit
with the leaning tower of Asia.
I mean,
centering Superman is about as worthless
as a fucking Trump executive order.
Like, what are you talking about?
You're censuring Superman.
What?
He's going to fucking pay a fine?
You know what?
He's going to put that in the fucking room
in the fortress of solitude right?
It's the key in the city.
Yeah, I'm going to frame the censure
and I'm going to fucking laugh.
at it every day. This censor
is more of a tisk, tisk.
He blows out the Olympic torch
which is nice. Oh, yeah.
This is, it's such a super dick
move right here, man.
They like, and again, the thing that sucks
is like, this is also just
silly Richard Lester gags.
Yes, exactly. You know, because they make a big deal about
like, there's an announcer that's like, and now
a seven-day race comes to an end
as the journey of the Olympic
torch goes up the final.
staircase and it's like everyone's like with bated breath like they're gonna light the torch and
then Superman's like pooh just like you know gives a little whistle and blows it out and I love the
I do love the reaction to the dude holding the torch like well my life's ruined boo and everyone
looks at Superman's like oh man that's Superman that piece of shit and they're like kind of shaking their
fist at him it's kind of great um then he starts to get drunk which I love um what
Here's my question about the suit.
The suit turns to do a darker color immediately.
Is that like, is he just not changing it anymore?
Does he smell like shit?
I think it's sweat, dude.
Oh, dude, you got a drunk sweats?
Yeah, he shit everywhere too.
Yeah, he shit his pants from all the milk.
I also think to save on budget, they just took a, uh, uh, the suit they had previously
thrown out.
Oh, sure.
Because there's what, like, I don't know if, I forget if it's this one or like the, the next one.
There's just like this really cheap white.
on the back oh that might be the next one because the rest of the movie is very very cheap um
but yeah he's just he's at a bar alana ricky is upset that superman is like giving up so he wants
to go to metropolis to find him question mark so lana goes oh no lana wants to just see clark
and she brings rickie and they they walk by superman's bar which rules oh totally oh this is
yeah this is where it's right after lana lang is
like hello smallville airport when is your next flight to metropolis tomorrow just a huge
l-o-l but yeah this is he's in the bar he starts like super flicking nuts at liquor bottles
pretty sweet they start breaking and people are like god damn it what an asshole there's a great
is it ricky who's like hey look superman's drunk i there's a lot of great like crowd dialogue
here here's the thing superman comes into my bar i'm like
Whatever he's got, it's on me.
And I'm just, I just want to hang out and get drunk with Superman.
Totally.
But then when you realize that Superman's like an angry drunk, that's a problem.
Because you've unleashed a monster.
Yeah, because like a bar game to you is darts.
A bar game to him is taking your fucking head off.
Totally.
Also, how much fucking alcohol is he consuming to be drunk?
That's got to be a lot.
It's got to be like Andre the giant level at least.
Oh, here I come, Superman.
I'm just as wasted as you.
Oh, man, it's the shot for shot, and it's Superman and Andre for Giant,
under the Giant, from Raiders of the Lost Dark.
Andre, I've already had 12 bottles of wild, Superman.
Yeah, a bottle of wine is a shot.
Exactly.
There's a fucking great line somewhere around here where he goes.
There's a dude, like, he's wasted in the street maybe at this point.
There's a dude who's like, I'll tell you, nobody's ever going to trust that creepy.
again fucking awesome now is this all like as we continue down this evil path now is this like
so the tar is in the evil kryptonite and makes him yeah is this like a drug addiction an
analogy that we're doing that's a good question i think it's just sort of like i don't know like maybe
he's like less he's got less inhibitions question mark and everything which may be drugsish as well
i guess maybe also it's a weird thing where like the first two movies were so clearly pro-sig
that I feel like
this movie, they're like, you know what?
Cigarettes make you evil.
Look at this, kids. You smoke one of these
death sticks. You're going to turn into evil
evil Jimmy, just like Superman turned into
evil Superman. This is when
Superman gets it wet, finally.
Oh, right. The whole scam here
is continuing while Superman's on the sauce.
We should mention that
Robert Vaughn's plan is to make all these
oil tankers go to one spot in the middle of the
ocean, and this one tanker won't
do it because it's the only one like that still has humans in control oh right all these other
point here yes all the other oil tankers are just operated by computers so he has gus hack them all
and bring them like into the middle of the atlantic and not make any of their like drop off destinations
and in return gus tells him to build him a supercomputer in the middle of nowhere right yeah
because he doesn't i mean and we don't know what gus wants like does it just want money to like not
have to work and deal with this bullshit like why does he want to what's he going to do with a
supercomputer like is they should just make him brainiac or something like yes like because he wants to
build this giant supercomputer out of nowhere I guess because of his just unbridled genius is
being unleashed or whatever and he sees how he basically tries to make the borg or a viger like
this computer that would defend itself yeah and at this point like if you're doing this like
I can get on board with it only if at the
start of the movie, there's
something where like Gus is bumbling around
in a computer lab and gets fucking
electrocuted by something
or whatever and he just is
growing smarter and smarter by
the scene. Instead of
this where he's just, because he's, there's a thing
where Robert Vaughn is like threatening
him like, because he's like, I don't know
man, maybe we shouldn't kill Superman or like,
whatever it is. And he's like, oh, you know what,
Gus? Well, that's cool. I can fucking send you
to jail. And Richard Pryor's
like, well, I want more money.
And you know what?
I'm more valuable to you out here than I am to nobody in there, like referring to jail.
And then he's like, here's all these cocktail napkins I have with sketches for a supercomputer.
And it's just, yeah, Steve, you're right.
It's like, to what end?
What the fuck are you doing?
The idea that like Superman versus technology, technology's got gotten out of hand.
It's everywhere.
He could be reached anywhere with technology now.
That could be an interesting movie if you make the movie the fucking supercomputer, but you can't just shove it in at the end.
Yeah.
nor can you do this sort of half-assed evil Superman in the middle you know what I mean like
certainly not both of those things at the same time around Richard Pryor gags yes exactly when he's
about to bone Lorela is the first time I think I might have heard a marauder track like that
sound very fuzzy and synthy but well there's there is straight up porno music in this movie
because yeah he like to distract like this one ship that won't go where Richard Pryor wants it to go
So she's like, well, you know who could do it?
At evil Superman, he's evil now.
This is sex for trade here.
Yeah, in a Superman movie.
Lorela is on top of the Statue of Liberty.
And Superman just shows up.
I was like, hope you don't expect me to save you.
I don't do that anymore.
Oh, man, great fucking line.
Also, important to point out, on top of the fucking his outfit getting like a little
darker because he's pissing himself in it.
also he's got a classic 5 o'clock shadow right here definitely pretty great and I love the shot here
he's like yeah he's like I don't save people anymore and she's like okay well you know like
let's see what we can do about that and the shot is like Laurelize's face and his fucking
dick just inches away and there is no mistaking what this is supposed to be it's oral sex
we're talking about she's giving him a blowjob in exchange to move an oil
tanker and that's the movie yep because he fucking she's like all right i'm gonna fucking get sloppy
on this dong as soon as you go and make that oil tanker pay for not going you know going to
the middle of the ocean or whatever and he flies out and just rips a hole in this tanker and just
oil spill everywhere fuck you ocean superman you'll believe a man can shoot dude that's what this
movie's about absolutely because she he comes back and she's like uh you know in robert
Vaughn's little like ski hideaway bungalow thing and she's all like sexy like on the bed and
whatnot and she goes oh hey Superman how about a little apra ski you know a little after
ski which is like cocktails and fucking by the fire and whatnot i'm gonna do coke dude you're gonna
go on the slopes of me Superman oh right yeah dude that's definitely uh wrapped up an apprae ski especially
in the 80s this is where that fucking porno music kicks in though right here and you got to cut away you
know that they totally fuck in this movie.
Absolutely they fuck. There's no doubt
about it.
In the last movie it took him fucking four
years to give up his powers
to even fuck his like long-term girlfriend.
Now he's fucking this lady in the middle of nowhere.
And then later in the movie, when they
bring it up again, he's just like, well, that man is
gone. That wasn't me. Yeah.
Oh, yeah, totally. It was just my dick.
All those murders?
Wasn't me.
Yeah, totally. All those dead people, not Superman's
Well, so while wasted after the bar thing and little Ricky is calling after him to help him,
Superman's kind of feeling bad about himself.
And, you know, we've all been here.
Superman, you're just in a slump.
You get a little wasted.
You get into the brown stuff a little too early in the day.
And by the end of the afternoon, you're fighting yourself in a garage.
That's exactly where I plan to be after recording these two episodes.
You just look at them, you son of a bitch, you think you're so fucking great.
and your glasses.
You're gonna go take a trip
to the junkyard,
you piece of trash.
Your podcast sucks.
You fucking suck.
It's the fucking totally
one of the best,
one of the best curb moments
of all time when Larry
gets high with his dad
and the prostitute.
And then he's fucking stoned,
looking to the mirror like,
you fucking piece of shit.
You fucking worthless.
Fucking piece of shit.
I'm going to blow your brains
out all over your goddamn pool.
You had to have eight whiskey sour
Superman.
Eight goddamn whiskey sour, Superman.
Had to have eight bottles
of Johnny Walker, Superman.
Couldn't have three or four
like a normal person?
You had to have Andre the Giant
at your house last night.
Did you? Did you?
You did you? A piece of shit.
Hey, Superman, you love me
at the Portals of Talitude,
brood.
Hey, Superman, I need a ride.
Gotta get to Russell Valley
a peritone.
Just leaving you a lot of voicemail messages
because I'm in the middle of the Arctic here, dude.
And also you're out of wine.
Superman, I'm drying out and freezing my balls off.
Underwall we go.
You know, Andre the Giant would have been awesome
in any of these movies as like a villain.
Like, you know what I mean?
Like, he's totally.
You get to watch Christopher Reeve fight Under the Giant.
You make him a fucking alien or something.
You paint him green.
Holy shit.
Exactly.
that's what I was saying earlier.
You have to step up from Zod now that you've done Zod.
And I think a giant, Andre the giant,
the giant Andre, I should say, would be perfect.
I think Dudley Moore as Mr. McIplett is like good.
That's a good casting.
That's really good.
Hello, Superman.
I can't wait to try and fight you.
That's a magic guy.
What was his deal?
Yeah, he's a little magic guy.
He's a little magic guy who could do anything.
The only way to beat him is to make him say his name backwards.
It was the only way to beat Eric Ciske as well.
that would be something
yeah it's a fun idea
actually in a great episode of the
Superman animated series with Richard
with Gilbert Godfried as Mr. Mitzelplick
Oh yeah friend of the show Gilbert in the show
Love Gilbert dude
So he's in the in the junkyard
And again this is kind of cool
He splits into Clark Kent and evil Superman
And they start going at it
And like the way to do the evil Superman movie
Is you need to lean on the characters
That you've set up all the way through
which are Lois,
Jimmy, Perry White, you know what I mean?
Like, oh my God, why is Superman being evil?
You know what I mean? We see it through their eyes
as opposed to any of this shit.
Exactly. Like, the fact that this is contained
literally to just this junkyard, really,
is unfortunate.
Like, that's why, like, you're totally right.
This needs to happen way earlier in the movie,
and then it's, like, Clark Superman,
like good Superman being like,
fuck, I got to stop this asshole.
there's also
there's some great stuff floating around this junkyard
one thing I want to point out though
he's wasted and flies away
which is a great kind of ref to the first movie
where he tells Lois that he never drinks and flies
so that's pretty cool
there is a dude that screams he's gone nuts
because he's in the junkyard
and he's just screaming and one of the junkyard guys
is he's gone nuts also
keep your eyes peeled folks at home
you better believe there's a car in that junkyard
with the Confederate flag on it
sick dude
Also, this is now to the backdrop that there's an oil shortage because of what Robert Vaughan has done.
So now there's people like fighting in the streets over not being able to get gas.
And it's nice, you know, throwback for the audience because it recently happened, I guess.
Yeah, I mean, it was 1983.
That was only like, what?
A few years later.
Five years.
Oh, it was later?
I don't know.
Earlier.
Earlier, yeah.
What I was trying to say was 83 took place later than the gas storage.
Yeah, yeah, right.
I mean, yeah, if I'm the, he's got nuts guy at the junkyard.
I'm going home and killing myself.
Oh shit, Superman's coming for us all.
We're in real trouble here, guys.
Like, this is as close as you're going to get to the rapture, Christians.
Let's do it.
Esther, Esther, I watched him go into the car compactor, and he walked right back out.
We got to go, Esther.
The only way out is the shotgun.
And so, like, they just.
just kind of have a little fight here.
You know, Clark is
uppercutted immediately by Superman.
And you realize, though, that it is
he, this Clark
has Superman's powers.
It's the same person, basically.
Yeah, they just have this big fight.
And it's an interesting thing.
Again, if the movie handled this better,
this scene is actually kind of great
because it's like, here is the two sides
of Superman, you know, Callel and Clark Kent,
ostensibly like fighting each other
in this moment and it's like
you know Superman as
Calell the real you know the alien being
from Krypton is just like
so over having to
fucking hide as this wuss Clark Kent
this whole thing and he wants to fucking kill him
and like here's Clark Kent like fighting back
like no no we have to suppress Calell
kind of a thing and then ultimately
the fight ends with like
fucking the fake
you know Clark Kent the fake persona
strangling Calell
to death and taking over and it's like
no man any fucking roots
to your alien being that shit's
dead you are just Clark Kent on this
planet you are stuck oh man's the
evil Superman is canceling his wizard
subscription
he's he's backing out of all of his
D&D leagues
I do love the
Christopher Reeve come on come on
come on yeah I mean that's the thing is he does
he plays his characters totally differently like you know what I mean
like in body language and everything they
feel like different because again like the dude could do it but you got to give him more lines
than richard fucking prior in superman three i'm sorry yeah yeah or pete davidson or whoever they're
fucking whatever the new comic sensation is this is around here is the um there's another sign danger
acid because he fucking throws a superman in a a big pool of acid which is great it's fun yeah
I mean, you know, that there's a lot of trash compactor stuff, you know.
There was one line from Evil Superman that you always wanted to fly, Kent.
Now's your chance.
That line is great to me because the way that Christopher Reeve delivers it,
he sounds exactly like Michael Keaton.
A little bit.
It's pretty great.
You want to get nuts?
Let's get nuts.
Yeah, yeah, exactly.
You've been on my nerves for a long time.
Now, come on, get it.
Get it.
Fucking great.
I love when he goes into.
There's a part where Superman is going to drop, like, Evil Superman is going to drop, like, a huge car crusher magnet, like a junkyard magnet onto Clark Kent.
And he goes into, like, the junkyard control room, and he's, like, at the switch.
And you look behind him, and it's like Danny Glover's car and switchback.
There's just, like, pornography pictures everywhere.
It's crazy that there's pornography right there.
This is actually a thing.
And I was wondering, I want to, you know, we were keeping this under wraps.
I wanted to throw this to Twitter.
but we could do it as like a mailbag or something
right in if you've ever like
did your dad have pornography
in the work shed or the garage
these were like mainstays like
I've certain I feel like certain
times in boomer culture like it was just
totally fine to have pornography open
and everywhere. Yeah absolutely just in the
man space kind of thing
yep like the fucking locker
room of like your work
kind of a thing or like the break room
you just have fucking pornography and like
to what end are you going
off on your coffee break and just jerking off?
Maybe. Well, they admire
beauty, Andrew.
I think part of this stems from, I think, people,
GIs in Vietnam might have had
you know, like
pornos everywhere. Well, when you're
fucking, you know, away from your
lady fair overseas and whatnot,
I get that. But like,
when you're just punching a clock down at the
quarry, what the fuck you need pornography on the wall?
It's usually mechanics
and like car maintenance
shops. So it kind of makes sense that it
would just transfer to the cars themselves.
Oh, the cars picked it up, you think?
Much like a hero, you know, that just consumes,
the pornography consumes the car itself.
Sure.
Actually, in the next Pixar Cars movie,
the cars are going to be fucking buying pornos and shit.
Hey, cool, I got fucking Hustler.
All right.
Hey, cool, paper my insides with pornography.
The new character voiced by Pete Davidson named Wayno,
full of a porno car, just full of it.
Yeah, exactly.
You know what they do?
Because those obviously are contemptible shit movies.
They'd make it like a pink Cadillac and be like, oh, the Pimpmobile.
Oh, yeah.
Colin Jost plays a fucking yacht or something.
And Colin Joe's is a useless, fucking humorless yacht.
So, yeah, he fucking puts Clark in the car crusher.
He's screaming.
This is the second time in the Superman franchise
where you see a beloved character
like just violently crushed to death.
Yep.
Mm-hmm.
Uh-uh-uh.
Just totally insane.
But he chokes him.
And in a real hitchcocky and choke, Clark gets him.
You know, it's like, it's like psychosexual weird choking.
It's like in fucking Dial M for murder, dude,
when he had like the extended sequence of the dude being strangled to death
to show like just how much it actually.
takes to kill a person in real life
and you're just watching that movie like
wow this guy's getting strangled for a long time
now did you guys have the cut
where he just starts screaming
Martha while he's doing
no I didn't
is that the director's cut is it the ultimate cut
that's the ultimate lester cut that's the ultimate
that was the scene when he did
auto erotic asphyxiation
yeah
oh man
so you know
he fucking he should
strangles evil Superman to death and murders him.
And he disappears, he opens his shirt, and now he's regular Superman again.
And this supercomputer is really, it's like 10 minutes of supercomputer.
Oh my God.
So now we just go back to a different movie, and Richard Pryor has like a video game shooter
that the supercomputer is operating, and you get to see a little cartoon Superman as
Superman flies.
Cartoon, like 8-bit Superman or whatever.
Atari, like, yeah.
And then, you know, this is actually shooting at the real Superman.
Superman comes.
The supercomputer is stupid as shit.
This is the, they're in, like, the bottom of, like, a quarry or maybe, like,
that's supposed to be the Grand Canyon or something.
And unused James Bond set, sure.
Yeah.
Pretty, yeah, pretty much.
There's a fucking dumb thing.
It's, like, right after, like, you see the fucking life go, like, the light go out of the eyes
of evil Superman, real Superman opens the shirt again.
And it's a direct cut to all.
of the villains of the movie getting in like
balloon chairs and
descending down the side
of the mountain except for Richard Pryor who's just
riding a fucking donkey down to the
bottom. We said Bond but
this is very like Austin Powers
setting and these
balloon cars are similarly Austin
Powersy. These
rockets look terrible
the game the video game
thing it's kind of funny if you
if the Tribune trivia is to
be believed whatsoever I
guess there was a thing where like they actually made the video game look way too
realistic and they were like no like video games don't look that good you really got to
shittify this thing and like they made it more like eight bit looking than it is now but it still
looks it looks it looks like a way better game than you would have had in 1983 I'd play it
oh yeah of course I'd play it um but was there ever a good Superman game Steve not really
uh I think my short answer is not really there's a fun arcade game where it was a two
player Superman game, and player one is
regular Superman, and player two is Red Superman.
It's like, okay, cool.
And I just kind of forget any other,
there was a bad N64 game. I'm sure
somebody could stop me, but I do not think
there's ever been a good Superman game, period.
Because, man, it would be a rad thing if they did
like an open world thing, like that Spider-Man
game. Sure. And you could just, like, fly.
Blast civilians with your
laser vision and shit.
Oh, sure. Like, if you get five stars,
you turn into evil Superman.
Yeah, I fly around. Like, I would play
like GTI. So instead of driving a car
around, I'm flying Superman around just hitting
pedestrians. Or you're picking him up
and flying up real high and dropping them.
Absolutely. All right, Superman, you've gone
past the point of no return. You've lost the
public's respect. Now you're evil Superman.
When you die and you're coming back
for the next life, the in-between graphic
is him going around the earth.
I love it.
So whatever. Yeah, the big supercomputer's here.
There is some dumb shit that goes on.
Well, this is got a cryptidite ray.
It's getting him.
And this is when, what do you call it there?
Pryor is like, oh, I have to redeem myself.
He's like, you can't kill Superman, even though he tried to kill Superman 41 minutes ago.
Yep, totally.
Like this rando change of heart.
I guess because he sees Superman IRL.
I don't even know.
Yeah, he's in pain.
There is the great thing, though, where he, when Superman flies up to the cave and
Laurelize like, oh, hey, Superman, remember me?
And he fucking delivers the greatest Superman line of all time.
and he just goes, I don't know you, lady.
Fuck, that's great.
You were talking to Kent.
Yeah, that wasn't me.
So if I gave you anything, no, if he gave you, it's not me.
It's the bottom line.
Also, if you're fucking knocked up, not mine.
I mean, I do love that line, but like, this is exactly where I am, like, completely detached from this movie.
Oh, absolutely.
I'm hitting the ejector seat.
I'm going after the Superman for Superman, I'm just, I'm not here anymore.
It's trash.
like Robert Vaughn actually has a line where he's like
oh Gus you're such a genius you've invented
a machine that can detect anybody's weakness
and you're like well whatever you say
movies why not go ahead
so I mean I guess the big
fucking detail from this scene is that
the poor sister gets turned into a robot
which makes no sense that should be
Richard Pryor yes
he's the one who's been moving towards this
where he's like completely combining with like
a computer that makes more sense than just
this person that you called ugly for 20
minutes. We have to
punish her because she's
quote unquote ugly.
You're just getting to the machine
uggo. It should be either
normal by the way. She doesn't look
like any other. No, it's just a person.
She's a little taller than everybody else. That's
fine. I guess the idea
is like, or Robert Vaughn would be fine too.
Like, oh no, I'm
falling to my own ends.
You know, that'd be something.
But like, yeah, it's like, because
he's such an anti-technology
guy in a way, as far as like
hiring Richard prior to do all this like he's not the computer genius like it's kind of great
you know villain irony if he's the one that's turned into the you know it would make sense for prior
and then then it's all like you know do you really own a computer or does it start to own you
you know exactly my fucking cell phone totally owns me you know what i mean so there is something
to say about us becoming like slaves to technology and the computer becomes self-aware so we're
doing that it's a singularity situation you know there you go that's something the last 10 minutes of
your movie, you make a fucking self-aware
AI that's now fighting Superman?
And yeah, like, it's
powers are like a big laser beam
that can do whatever you like
and like this cum bubble
that it throws at him at that one point.
Oh, dude, that's dumb as shit.
It's like, it's just got like streaks around it.
It's just a cellophane.
Yeah, he just is wrapped in like a cellophane ball.
Is that what it is? I, it just
look disgusting to me. I mean, it's not a cum bubble,
Chris. I'll tell you that much.
I think it was a computer.
or cum bubble. That's what I'm getting.
You know, when your dick is chewing, cum, and it just does a bubble.
Chewing. Your dick's chewing cum, and it does like a bubble with it, you know?
What it is? Eric, I think you need to go to the doctor.
What it is? This is the cum bubble singularity.
I see. Uh-huh. Yeah, so yada, yada, yada. This lady, it's horrific, and it is traumatized
many a child who had to watch us as children. It is so, I don't know. It's the
most horrific thing in this entire four movies.
I remember childhood, this
scene particularly stuck out
and it did terrify me.
It's nuts, dude. I mean, I think
to say something nice about this movie,
it turned a bunch of kids in 1983
immediately into huge
David Cronenberg.
Because it is body horror to the
fucking Max. Superman comes
in. He's like, you know what? Remember that? Hey,
everybody, remember that acid from the beginning of the movie?
I'm going to go fly real quickly,
snag some of that shit, and just like
stick it inside the computer so it
overheats and fucking kills it.
You honestly might as well put
the flight of the bumblebee over all
of this and just fast forward it.
Nobody cares. Nobody gives a fuck.
It's so quick and so
inconsequential. The computer
explodes, the whole sort of like
hideout kind of falls into rubble.
Big bit of bullshit though. That
sister needs to be dead. She kind of
climbs out of it like, whoa, that
was crazy. Yeah, no way.
And I'm like, dude, fucking wires entered the veins of your circulatory system.
Your skin turned silver.
Like, come on.
Just let her be fucking dead.
You know, that cop in the first movie didn't wake up on the train tracks.
Like, wow, I totally survived.
Lex Luthor pushing me in front of a subway car.
He looks like the thin guy on the rails and Beetlejuice.
He just comes up.
Hey, guys.
I mean, if you wanted, like, Superman to fight, like a computer person, that's something.
but you can't do it at the very end.
That's going to be your main villain.
Yep, it's garbage.
It was amazing.
I paused it.
There was like 15 minutes left when she goes into the machine.
I'm like, well, that's not nearly enough time.
It's not nearly enough time to make this make sense.
Yeah, and the computer explodes.
He, you assume he drops everybody else off at jail.
And now he's just flying with Richard Pryor, which I guess we've been leading up the whole movie for.
It's on the fucking poster, I guess.
And he's not even holding him in the way that he's holding him on the poster.
but whatever.
How about the joke, right?
He explains that he used acid to defeat the computer.
And then Superman says,
I guess it just died in the case of acid indigestion.
Oh, yeah.
And it's kind of funny because...
Did you ghost write this movie, Eric, or not?
Because they owe me a check.
Gus's reaction here is great.
I feel it's like kind of Richard Pryor,
the comedian being like, yeah, Superman, that's a joke.
Like, he's not entertained by Superman's pun.
He's like, that's great.
Yeah, yeah.
Prior to this movie, too.
He was just happy to get the $5 million.
$5 million in that $8.83.
Yeah, that's wild shit.
So, yeah, he drops him off at like the quarry, you know,
and he's like, well, hey, quarry workers here.
Does your boss have a computer in that office?
Oh, he does?
Well, he could do a lot worse than hiring Gus here to, I guess, use your computer or some shit.
So give him a job because old Superman told you to.
And he's like, Superman now turns a piece of coal into a diamond as well, which I think is why he, you wanted this diamond.
He's like, you know, it's enough Richard Pryor.
You're good, right?
You're good.
Here's a job.
Bye.
Totally.
And I think Richard Pryor looks around.
He's like, where am I?
Like, are you in Wichita?
Yeah, I'm not going to take that job.
Yeah.
It's funny.
I remember how to make like supercomputer still so I can just go build one that doesn't defeat the earth and just, you know, makes me a lot of money.
I could just do that.
I'm going to form a little company called
Apricon.
And, you know, whatever.
He, yeah, it's like, oh, then the bus station's 10 miles away.
So that's where Richard Pryor is left.
After he calls Superman soup three times, which is the absolute worst.
That's what you want.
He goes back to Lana here and humiliates Brad and does not propose to her question mark.
I don't know what the fuck this is because it's like he gives her the ring,
but then there's some talk about like Superman gave me this ring to give to you and I'm like what the fuck and then it's like and then I don't know I don't know if it's a thing where like Lana is like oh cool a ring from Superman thanks wink wink Superman like knowing that it's Clark giving her the ring it's a weird thing well in the middle of the earlier in the movie she mentions time being so tough she had to hawk her engagement ring right to make it and to me so he's like well he heard that story and he wanted you to have this ring long
and it's like, but are you engaged or shrew?
Clark has to be very clear about this
because if she starts going around telling everybody
she's engaged to Superman.
Oh, fuck. Yeah, that's a real problem. People are going to pay attention.
They might put her somewhere.
Yeah, committed.
Like, you're crazy.
You're crazy.
Hey, Superman, I read in the table.
As you engaged, but I'm still stuck at the fault of the solitude.
Let's I remind you, you are out of wine.
Superman! Where's the nearest bus station?
Oh man, they should have made him the computer, like the computer monster.
Fuck, dude. The lady goes in as her, Andy Ross, and comes out as Andre the giant.
Yes. I'm going to hit you with a kitchenette mixer.
It'd be fucking awesome, actually.
Brad is the fucking great line. He's like staring at Clark County. He's like, I've always hated you.
and he gets humiliated
you know he knocks him on
on top of a luggage cart and rolls him out of the
fucking room or whatever
he flies into like an elevator I think
Brad one of his lines right before he gets knocked out
was like nice guys always finish last
yep totally
back in the Daily Planet
Lois shows back up with the biggest story of the year
and just like oh Clark I also read your high school
hand job story that's really good
those really good hands job story
Handjob story.
Well, pretty cool, Clark.
It ended with you getting jerked off
in the gymnasium after the party.
Pretty sweet.
Chris Goez-Lube. Never heard about it.
Never heard that before.
Oh, man.
Yeah, then you're really cooking in the kitchen, dude.
Yeah, so Lana has moved to Metropolis
permanently. She's Perry White's
administrative assistant is the idea.
This is twice in a row I just wrote in my notes.
Just end this movie.
end this movie and she's like oh i have this diamond ring from clark and lois is like oh that's
fucked up and that's kind of like the end of the movie yeah it's really weird because it's all
like lois you missed the boat you asshole totally you took that vacation and i got fucking
hitched a love triangle's a great idea you know lana lois clark oh my god who's he
gonna pick yada yada yada right sure but they're all l names like lois there's another woman with
an L name.
Sorry, Lois.
And then, yeah, it ends with him
re-leaning the Tower of Pisa
because we 1,000%
needed to revisit that joke.
Yep, and then these dumb Italians
are mad again because they've changed
all their merchandise to be straight
towers of Pisa.
And we should say also,
this looks fucking fake.
All of the Superman effects look fake, like the
special effects in this movie are garbage.
They're better than the next movie, which
The only way I'll say that that's better than the next movie, but it is.
Totally.
And speaking of Steve Sadek, good call.
We should get our buns moving because not tomorrow, but the day after.
So this Thursday, gang, we're going to be finishing up this conversation with a little Superman 4 chat.
That's right.
You know, what's funny is we're going to be staying here and we're just talking all day about Superman.
So it's kind of one episode.
So it's 500 part 1, 500 part 2.
Exactly. But we will say for the recap of this one, re-re-discovering Superman 3 after nearly 10 years on the air,
how are we feeling about this movie? And would you recommend it to others out there, Steve Sadek?
I would not. I'll do a ranking of all the supermans, including the newer guys. I'll do, I got a little...
Oh, Jesus Christ. No, just what I have in my brain anyway. We don't all have to do it. But I think it's one of the worst. I think it's so disrespectful to the character and to the performance.
of Christopher Reeve, this iconic thing
that they just kind of throw in the garbage
and they just don't, they clearly
Richard Lester does not care. I don't know who cares
less, Richard Lester or Zach Snyder, but
one of them does about
what actually makes a Superman movie work
and this movie doesn't get it.
And again, like I love Richard Pryor
like just put him in a movie, put him
either in an actual Superman movie or
another movie altogether.
Eric Siska.
Yeah, Steve, did you rank them all?
No, no, I said the next episode.
It's a little tease.
You've got to keep coming back.
On Thursday, Rankin for you folks at home.
This movie is bad.
I don't like it.
I think this is the worst out of the four main.
Maine, I don't know, for Christopher Reeve.
Yeah, the Reeve of verse.
Yes, yeah.
So I really, really detest this movie because it's so scattershot.
Everything is so, you got like 30 ideas, and it becomes meanderingly pointless because it's so muddled.
from having too much going on in it.
Totally. Chris Cabin?
I hate this movie, but I do have to say,
I kind of think people should see it,
if only because of the see it to believe it type thing.
You could not get this made.
I don't think you could get this made out after 1988.
Yeah, no.
This was a very specific time
where something like this would be allowed,
and it's awful.
I thought that was a reference to his accident
for a second. No, no, no.
95, you monster.
Like, you can't make this today. That's the dude's
going to chair.
Oh, he's also been dead for years.
For quite a time at this point.
You know, I like Richard Pryor
as a stand-up,
but in movies, like, I mean, like,
it was like this, the toy,
unwatchable movies.
A horrible bunch of movies.
And even his, like, weird indie
stuff is not very good. So I'm,
he is great in blue collar if you get a
chance to see it but like I I kind of think they they should have found a better way for him to do
movies rather than be a comedic aspect maybe maybe he should have actually been a dramatic actor
but yeah this movie it's interesting to me just that it exists for no other reason though
yeah um yeah I don't know I it's funny folks in home you will hear me on Friday on the we love
movies feed on our Patreon talk about how I was just so excited to be
watching a Superman movie and how I was concerned that my, you know,
mental and emotional desperation in quarantine as it's been,
was going to force me to just appreciate the fact that I was watching Superman movies
and I was going to be, you know, I was thinking like, oh, maybe I'd be sort of lighter on these things.
Well, don't worry, that didn't happen.
I immediately regretted having to turn this on.
It's just such a misstep.
I mean, especially coming from the way,
the order in which I watched the Revaverse movies, by the way,
is one, three, two, four.
I watched three, and it was, like, kind of late,
and I, like, you know, turned it off on HBO Max,
and right there next to it was like,
oh, cool, if you liked this, Andrew,
you might also like Superman, too.
And I was like, you know what, HBO Max?
I think I need a little bit of a palate cleanser.
And I was like, let's just put it on.
I'm going to, like, you know, use it as I'm getting tired.
It's kind of late.
I'll probably pass out to it.
I watched the whole fucking thing.
I stayed up to 1.30 in the morning watching Superman, too,
because I was just so put off by this movie.
It doesn't work.
I do agree with Chris that if you haven't checked it out yet,
it is a seeing as believing the junkyard fight is fucking hilarious.
And, like, as much as it's a disservice to the character,
Reeve still playing Superman is nice to see.
So there's a little bit of that going on.
And fucking Brad the town drunk in Smallville is just one of the funnier things about the movie.
That's the comedy that works, Richard Lester, by the way.
It's not a blind guy falling in a hole.
So that's kind of where I'm at with that.
And that is We Hate Movies Episode 500, Part 1.
We will be back in just 48 hours to have a conversation for you all over again about Superman for The Quest for Peace.
So we'll cut it off right here until Thursday.
I'm Andrew Jupin.
Stephen Sadek.
Eric Sisker.
Chris Cabin.
Take it easy.
And we'll see you in a couple days.
news. That was a hit-gum podcast.
