We Hate Movies - S5 Ep199: Face/Off
Episode Date: April 14, 2015On this week's episode, the gang swaps faces with John Travolta and Nicolas Cage in the insane 90's action flick, Face/Off! Why not just suck it up and set this film in the future? Why give Travolta a... haircut after you cut his face off? And how was Joan Allen not hip to the alternate genitalia? PLUS: Sequel when? Face/Off stars John Travolta, Nicolas Cage, Joan Allen, Gina Gershon, Alessandro Nivola, Dominique Swain and Nick Cassavetes; directed by John Woo. Unlock Exclusive Content!: http://www.patreon.com/wehatemovies
Transcript
Discussion (0)
Hello, I'm Andrew Jupin.
Eric Siska.
Steven Zadak.
And we hate movies.
Hello everyone. Welcome to We Hate Movies on the Side Show Network. If you're new to the program, thank you for tuning in. This week, I feel like we're getting some letters this week.
Yeah, relax everyone. Hold on a second. Chill out. I don't love this movie, but it's 1997's face off directed by John Wu. Someone on Twitter was like, oh, you know, I think honestly, or somewhere on the internet, maybe it wasn't Twitter. You know, honestly, I think it's his best American movie. And I was like, that's not saying anything. You know what I mean? Like, look at that.
lineup broken arrow win talkers they're all winners but
when talkers is not a winner that was paycheck or payback or pay check is paycheck
Ben Affleck tries to get payback in paycheck okay I mean this is just a really fun movie to
look at because it's silly look at it's really silly uh it's two and a half hours long
it's 17 minutes longer than Star Wars you got the exact minute count
I did. I looked it up.
That's outrageous.
I mean, here's the thing.
You very correctly, Steve, said, look at.
Because to listen to this movie is to, like,
gently stick a cue tip in your ear and then lay down
cue tip side down on a pillow.
Because, I mean, this dialogue and the performances
spitting out these words, it's just terrible.
And the musical choices are downrighted out, Furian.
Like, there's just, the musical cues is,
They do, Papa's got a brand new bag in this one, too.
Do they ever?
If you don't know, the basic plot is John Travolta and Nick Cage end up switching faces.
And, of course, we all know this is based.
This is a remake of the face-off movie starring Carrie Grant and Jimmy Stewart.
And both are great.
Could you imagine that, though?
What, if there was a face-off movie with Carrie Grant and Jimmy Stewart?
Yeah.
I think the only time they appeared on screen together was in Philadelphia's story.
And face off.
Faces off, 1945.
No, mother, this isn't my face.
It's James's face.
Well, now, goddamn, your face.
I want to take his face off.
Well, you know, it's interesting you mentioned Jimmy Stewart because Nick Cage is very close to Jimmy Stewart a lot of the time with his, like some of his dialogue.
especially when he does have his face off
he doesn't have lips so he's like
I want to take his face
you're totally right
he does sound a little
you know Jimmy Stewart
esk in this movie
yeah maybe that was it
it popped into my head while I was watching this
and I'm like yeah now this movie
was so massive like when it came out
and then I didn't see this in theaters
but I know everybody saw it on home video baby
I must have rented this movie like 12 to 15 times
right
I forgot where I was...
Oh, yeah, yeah, yeah.
So here's what I...
A little experiment.
If you have not seen this movie,
quickly pause the episode.
Just tweet at us at WHM podcast
and say, I've never seen this.
Because that would surprise me.
Yeah.
It would honestly surprise me.
It would shock the shit out of me.
It's not super surprising, though,
because we're like...
We're the right age for this movie.
I can imagine if you're like five to ten years younger.
It's like, face off, which one's that?
What's Nick Cage doing?
Is that the one with the rock?
Like, no, that's actually the rock.
That's the one with the airplane?
No, that's...
on air. Well, I mean, there's bound to be people
who haven't seen this movie because also every once in
a while you come across one of these bozos
that are like, yeah, I never saw Star Wars. I don't care.
They got a laser sword.
Well, I mean, yeah. I guess I'm just more
curious how many of our listeners
have not seen face off. Because I mean, I feel
like also, this is another movie that's
on cable a lot.
Oh, yeah. You're putting up with this
a lot on Sunday afternoons. They like
it on cable because it takes up the whole afternoon.
afternoon. You started at 2 o'clock. You put in commercials. It's over at 7 p.m.
Then you're in prime time, baby.
I often mix up this and broken arrow.
I mean, both are John. I mean, not mix it up, but it's just like some of the scenes kind of blend together.
Yeah. Mainly because John Travolta is one of Hollywood's biggest hams.
Oh, it's a ham sandwich in this movie.
It's insane. Like, some of the original casting for this movie, we had, of course,
the Stallone Schwarzenegger possibility,
Harrison Ford and Michael Douglas
was another possibility.
But you managed to wrangle
the two hammiest actors
working in the 1990s.
The premise is so dumb
that I think that's the way
you have to go with it.
If someone,
if they were being more serious
with this movie,
it would not work as well,
I don't think.
But that's the thing,
sometimes this movie does get serious
and it's like that hospital scene
where he's like,
you know,
and it's just like,
oh man,
just fucking shoot something and get a bird out here. That's the shit that needed to be cut
out, man. Yeah. Well, that's what's impossible. And that's why I was saying to that guy online,
like, you'd be hard pressed to find, like, a totally awesome American John Wu movie because
John Wu's style, this, like, artful action movie thing, doesn't translate out of Hong Kong
filmmaking. Like, it doesn't make sense. And when you watch this movie, you're like, what the
fuck is going on. Like, there's no
way John Travolta and Nicholas
Cage are doing all these flips
in the air while shooting guns.
Like, and it's all this hyper
choreography and everything. It doesn't
look good. It's not
suave. It's not artful. It's
just Nicholas Cage and John Travolta
farting around for almost three hours.
Almost
three hours. Can we start
with what I think could
have been a better movie, which is the beginning
of this movie? Mary Go Around Assassination.
I was going to say Freddie Mercury Child Assassin.
That mustache he's got...
Because he's got his, like, Nicholas Cage
Caesar-ish haircut
throughout this entire bad movie.
That was like his 90s haircut.
I think he's got a similar haircut and snake eyes, too.
Yeah, I mean, it's a piece in case anyone
was curious. It's a real piece.
But it's like a piece that's mad.
It looks like a carpet sample on his head.
It's disgusting.
And he's got this mustache and like these little sunglasses.
I'm killing kids.
I'll make the rocking world go round.
And I don't like Star Wars.
That was an actual queen lyric.
You got a real hard odd for Star Wars.
Yeah, I'm sorry.
That's just me.
Eric was getting bullied on the internet at work before he came here.
He's always in a mood when he gets bullied about Star Wars at work.
So, you know, we're on a carousel.
And John, Nicholas Cage, Castor Troy, is ready to show.
shoot and kill Sean Arster
because Castery is your
standard 90s movie villain, the
international white super terrorists.
Right, yeah. Perfect for a diehard
movie. Not so much here.
And that name, that's Caesarish
as well. Well, it's super.
Yeah, a little on the nose, too, if you're looking
for it. Yeah, Julius Caesar, Marcus Aurelius,
Castor Troy was there.
His brother Pollux
we meet a little bit later in this movie.
Oh, Caster and Pollux.
Jesus Christ. But yeah, so he's
trying to assassinate John Travolta because
again it's a thing where
Sean Archer, John Travolta's character
is such
a fantastic FBI agent.
Oh, he's the best. And he's such a hot
shit FBI agent. Oh, it's so
hot. That like, he
has this
globe circling
blood feud with
this terrorist, right?
Like, when do you see this?
We're like, like, someone is going
after one specific
FBI agent. Nobody knows who's
on their case. You know what I mean?
Or like fucking with their family. Like maybe the
mafia sometimes. Hannibal
Lecter. Yeah. If you're good
enough, you know. Everyone else
is just amateurs, but this is a super
terrorist. But why isn't
Nicholas Cage like arch enemies
with Margaret Cho's character?
She's on the same team.
He's fairly indifferent to her.
To be quite honest.
Or Bunny Colvin
from the wire. He's even higher
up in the FBI than John Travolta.
Or the old man, Lizarro, the old dad from Fargo, this guy's great in this movie.
Oh, man, that guy's had it up to here with John Travolta.
He's like the only character that was murdered for being an asshole.
Because in Fargo, like, that deal's going great.
And then all of a sudden, he's like, no, no, let me see my daughter.
And it's like, well, Steve Bishammy's like, look, dude, I don't want to kill you, but now I have to
because you're being an asshole.
You're breaking the rules.
So hilariously mustachioed Nicholas Cage
shoots John Travolta in the back
And it goes through him
And I guess shoots this kid in the face
You don't really see what's going on
He assassinates this kid
Yeah, I'm a merry go round
And so then it's six years later
And we're still, we're hot on the trail
And we don't know what the inciting crime was
Oh yeah, well like, I mean it's just
It's years and years of being in a lot
Yeah, there was a shot of, I took a,
glance over Sean Archer's
shoulder and I saw his computer
screen and I was going through all the
super crimes, the super terrorist
Castor Troyes committed. Oh.
And one of them was
it was
killing the Croatian ambassador.
Yes. Wow.
Is that that important?
I know it's a country
and it's great. But
is it that important? Like
the ambassador? I mean that's
what I want to know like was this ambassador
crooked. So Nicholas Cage, we cut to him six years later. He's dressed up as a priest.
Oh, man. And, you know, in the first scene, it's like, it looks like you're going to see a stoic
action movie. Like, the kid gets killed and you're like, oh, fuck. The stakes are high. And can I tell
you why that first scene works? Because nobody's talking. It's dialogueless. It's true. But it's
got stones. It kills a kid. You love child death in cinema, Andrew Jupin. And this happens.
Oh, yeah. Like the first three minutes. Oh, no. It's awesome. Like I said, all the
action in this movie's awesome. And this first
scene is beautiful because it's just like
perfect artsy orchestral
music. You got a suave
ass assassin with a mustache and tiny
sunglasses. Oh, yeah. And then this
gunshot goes off. The kids, it's all
done really well. And then the second
people start talking, you can start
flushing toilets left and right.
So he's dressed up like a priest. He's
undercover. He's wanted by everyone
in the world. And don't wear a mask
or like a wig or anything.
just put a priest outfit on.
And he's dancing.
Like he puts his bomb in the LA Convention Center
and he starts dancing because there's a choir or whatever.
And he starts like groping this young girl.
It's, I mean, and this girl's into it.
Like the second a priest goes up behind a girl and goes,
la la la la and grabs her, people have swarmed on him.
I mean, it's this huge concert.
They just presume that he's singing along with the choir.
He's acting like they're doing a fantastic job with this hymn.
Meanwhile, he's like groping this chick and licking her.
ear and this girl's all about it and you're just like wow castor troy rock star terrorist but then you
know he could have gotten swarmed and maybe they just moved him to a different parish
yeah now here's my question though because when he sets this bomb he sets it for like weeks in
advance yes why not an hour because we're told like the bomb like the blast radius is a mile
Yeah, right?
Set it for an hour, go to the airport, get in your plane, and leave, and the bomb goes off.
That's how it works, because otherwise, I'm thinking the janitor just threw out your bomb.
This last...
This is going to blow up Michael Massey's Garbage Island.
This bomb, I mean, this movie takes place over at least two weeks.
Can we agree to that?
Yeah.
And in the last, you know, I guess like day or so of this whole thing, three days maybe...
Yeah.
Like, Nicholas Cage, as John Travolta goes and diffuses this bomb and gets all the credit for it,
and granted, there is still another, like, hour and 15 minutes left of the movie.
But why wait that long?
He has to say something like, like, when he goes to the jail later and he's trying to figure out what's going on, like, oh, see you on the 18th?
And I'm like, isn't it like the second?
It's so much time to wait for a bomb to go off.
There's this weird thing where, like, there's somebody that paid them to do it and blah, blah, blah.
we never see this organization at all
it's just shadowy figures
somewhere oh is that true did I miss
that yeah they're like oh we're not going to get our money
because of something yeah everything
castor Troy does has a dollar sign in front of it
that's right yeah you're totally right he's not fighting for like
a cause or a creed he's fighting for a paycheck
kind of terrorist and you know because
uh John Travolta is an emotionally shattered FBI agent
he's not very good at his job because
Because they get a hint, they find out what plane he's going to be on and when he's going to be on it.
And they actually have the presence of mind to put an undercover agent on the plane.
Right.
But they don't have the presence of mind to fucking get them at the hangar.
They have to wait for this thing to start taking off before they swarm.
And we're getting ready to go to the airport.
And this is like the first of, I mean, it's endless.
We could be here all day and all night reciting of the bad lines that John Travolta gives in this movie.
but the first one is
he's fighting with one of the superiors
about whether or not Nicholas Cage is going to be
present for this plane taking off
because they know that Pollux Troy
the younger brother has like
rented this plane out and paid in cash and blah
blah blah and he's like
Pollux doesn't fly without Big Brother
and I'm like oh great
I'm just to listen to that shit
for two and a half hours
he also says you could brand the Fourth Amendment
on my butt
there's a couple of times where
and we're saying fuck all throughout this movie
Oh, yeah. And there's a couple of times where butt is just placed in.
And I was like, what were you worried about at that point that butt had to be used?
We're going to turn it down, change some of these fucks to butts.
You can still shoot that kid in the face, but you get some butts changed from fucks.
All right, we can get some cartoon breasts.
All right, check mark for no reason.
But you change that ass to butt.
So what a shock.
This whole thing goes south.
This woman gets murdered.
Nicholas Cage, like, shoots her in the head and throws her off the plane.
After shooting his tongue down her throat.
Oh, yeah.
Well, that's the famous peach.
I could eat a peach for hours.
That's very Jimmy Stewart's.
I could eat a peach for hours.
Oh, say, Sally.
Look at that fine peach there.
I like to take a bite out of that peach and just consume it.
Mr. Potter hired me to blow up the LA Convention Center.
I wish I had a million dollars.
Better kill John Travolta.
Sean for it.
Hot dog!
So he murders her
and like now we have
this huge hangar fight
which I mean
I think these action scenes mostly are great
but there's always like and it's kind of
I realize that last Mission Impossible movie
but I felt the same way in that one like
I start to tune out if an action scenes
like maybe more than six minutes
it's got to be a pop song
is what you got from
for me once it's like
and then this happens
and then this happens
and that's the thing
and what you realize is
we're like
almost a half an hour
into this movie
we're still talking about faces
no
we know nothing about faces
no one has said the word
face once at all
and we're in this airport hangar
and he's still just trying
to capture him
and you're looking at your watch
like when are they going to switch faces
I paid a ticket to see face swapping
his face is on
so you know whatever
a bunch of FBI agents get murdered
and, you know, a lot of the
henchmen that, you know, they have
are murdered or whatever and he's
kidnapped or captured rather. He's in front
of like a jet engine or what
have you and he gets like blowback
yeah and he gets thrown in like
he's in a coma essentially. It is a great fight
sequence law too because you got just random
people being shot by shotguns flying
around. The dude, one of the
dudes from PCUs playing an FBI
agent in this movie, he gets shot in the ear
which is pretty great. Which is pretty great.
Was that also, now, correct me if I'm wrong,
was that also Lewis Carruthers from American Psycho?
Yes.
He's in everything.
He's in, he played Johnny Cash on Lifetime.
He's, I think he's.
Oh, he's in everything.
He played Johnny Cash on Lifetime.
That's, he started that fucking movie, all right?
Was he on the Oprah Network, too?
No, he was also on Big Love and so on.
Yeah, he was in Big Love.
He's in a lot of stuff.
I think that dude might also write and or possibly direct stuff, too.
Sure, he seems like a very talented man.
He's very talented to getting shot in the ear and then later the head in this movie.
Oh, man.
That's a really good thing.
So they, so, like, Judge Rolter receives the first of two applause as he gets at work in this movie.
Oh, man.
And this first one is awesome because they're like, you captured Castor Troy, so Sean Archer's fucking good.
Well, everybody thinks he's dead.
Like, there's like false information going off.
Oh, right, right, right.
Yes.
Oh, yeah.
You're like, you killed that son of a bitch.
They're like, yeah, they're all cheering for him.
And he grabs, he's like, you know, we're celebrating how many agents we lost, blah, blah, blah.
And he goes in his office and he comes back.
He's like, no, okay, fine.
And he grabs the champagne bottle.
And he's just like, he's like, all right, yeah.
How about this?
How about Anderson and Janelli and Montgomery and winners?
And he's just naming all these people that his dumb ass operation got married.
You know what?
It's all on.
you, John Travolta, let them celebrate
the victory. You fucked everything up.
He's a terrible boss
and he's a terrible father
and he's a terrible husband.
This guy's just plain rotten.
So we're all celebrating and we're like, we killed that son of a bitch.
I can't believe it. We're so happy.
And the good news is
everything's gravy. And I'm like,
uh-oh, huge bomb in the convention center
that's going to go off. Well, huge
bomb in L.A. We don't know where it is.
Right. It's going to go off sometime,
eventually soon.
Maybe. And the only person left alive who knows the location of this bomb is little brother Pollux Troy, who's been, he's been arrested. He's in custody. But how are we going to get Pollux to talk? And John Travolta, you know, thinks that through his like hardcore FBIing, he can get some of the clan and the crew to talk and roll on presumably dead Nicholas Cage. And we've got like these shitty scenes of him interrogating.
Nick Cassavetes, the useless, what's her faces?
Gina Greshon is, whew, that, you want to cut 20 minutes out of this movie, cut
Gina Gershahn right out.
It's so useless.
The only reason that character exists is so she can die and then they can, like, adopt
her son at the end of this movie.
Fucking replacement kid.
We'll get there, but it's bullshit.
Nick Casavetes in this movie cuttles like Matt Fruer with the bane serum.
He's like enormous and jacked and bald.
He's got a really great burn on Sean Archer because he's like,
Sean Archer's like, I want to fucking nail your ass to the wall.
And he's got this whole thing.
He's like, what are you going to do about that?
He's like, how's your dead son?
And it's like, oh, what a burn.
It's so great.
And like Travolta flips him over in this chair and he's like putting a gun right to his mouth or whatever.
So this is after, all this interrogating, by the way, is after they have explained to him the face off program.
Yes.
Because the fucking.
it's oh man it's so stupid but it's like it's like so how can we do this well the only person who knows
where it is is castor or pollux troy and the only person he would talk to about it is castor troy who's
dead and then like dude from fargo and cc h pounder just like actually nicholas cage
and john denfeld is like don't tell me and he cut to this hospital bed he's in a coma
god have you thought of doing like maybe a fake phone call you know
Hey there, little brother.
I'm alive.
I'm on a definitely not tapped phone.
Or hey, how about a deal?
Like, you know what I mean?
We'll communicate your sentence.
Tell us where the bomb is.
We killed your brother.
You know what I mean?
Like, we'll call it a wash.
Yeah, totally.
Tell us where this bomb is.
We'll call it a day.
And you can go on to being...
Well, I guess he's not good at being a terrorist.
That's the other thing, too.
This guy's supposed to be, like, simple and not really all.
there. With some hardcore
American police work, you can get a false
confession out of this guy and then get him
to roll over on where this bomb is. Get a couple of
phone books in a dark room. Yeah, I'm
sorry, but the quiet
genius person,
you know, like this guy is, that's
just silly putty in the hands of the right cop.
You can get
whatever the fuck you want out of them.
Just stretch him a mile
long. No one's
going to care. No, no, not at
all. No one's giving it. That's the other thing, too.
No one's given a shit.
Torture this guy.
You beat him half to death.
You get the info and then you shove him in a loony bin.
Or you know what?
You're the FBI.
Just kill him.
To be fair, guys, this is Clinton's America.
So, you know, it's a little.
That's true.
I don't remember those simpler times.
This is all blowjobs in Albanian wars.
Everything was wonderful.
And a huge budget surplus.
That's why he killed the Croatian ambassador.
That's it.
It was about Kosovo.
And so they're like, all right, we have the, the only way that we can get this information
is for you to cut your face off.
We're going to cut his face off.
We're going to slop it on to you.
Nope.
That's the end of movie.
Nope, not at all.
And, and, oh, the best ever movie reasoning is, and it can only be John Travolta because he knows
castor Troy better than anybody.
Nope.
Get some, like, expendable-esque suicide.
squad dude to do the operation
and put a fucking earpiece in
and John Travolta's listening to everything. Get an actor
because you know what? You know what I'm really
good at? Do an Excel files.
You know what I'm not good at? Impersonating other
people. There's a difference
in the skill sets.
Or get anyone else but John Travolta
to do the experiment. Like why is he
even on this case? He kept the
castor try killed his son. He's an emotional
wreck, this entire film.
But, you know, movies, sometimes
you're going to suspend.
disbelief a little bit.
Oh, you're suspending all of the
disbelieves for this movie.
I'm actually in the middle of writing a think piece
called The Science of Face Off.
Oh, you should definitely, yeah.
I would love to finish.
My first draft is a JPEG of a toilet seat
that somebody pissed all over.
You know, when you go to the gas station,
you're like, well, I can't even go to the bathroom.
Because there's sharing all over this toilet seat.
I was excited.
I thought this was more of a salon type of thing,
but you're talking BuzzFeed.
I'm out.
That's my bus feed reel right there.
The 10 signs you are unqualified for a face-off operation.
It's 10 pictures of piss on a toilet.
It's 10 jiffs of piss on a toilet, please.
And so he agreed.
They can't find anything.
And they're like, okay, here are the ground rules.
You can't tell your wife for no reason.
Yep.
And we're going to put you inside the super prison, again, which we'll get to.
and we won't tell the guards for no reason.
We won't tell Margaret Chow.
We won't tell anybody except for CCH Pounder,
the guy from the wire, and the doctor.
That's the only three people in the universe.
That's it.
That's it.
Those are the only ones.
That's ridiculous.
And also, wouldn't it take like a month or three or five
for that face to heal?
Oh, this is some next day shit.
He's got this thing on.
And like the originally they were going to place this movie in the future,
which would make so much.
more sense. Sure. But John Wu is
like, oh, you know, I want the
emotional drama to feel more real, so it's got
to be present day. You know what about
emotional drama? I cry every
time I watch the wrath of con.
Okay? Every fucking
time. And I cry every time I watch
Demolition Man. So just
put it in that Demolition
Man future. Exactly.
But here's the thing. If you are going
to do this, if you are not going
to set this in the future, we're sure
fine. We may have fucking
face off power, okay?
Then you have to take out the super
jail that you send him to, because
this is a goddamn future jail in this
movie. Well, it's very
reminiscent of where we send terrorists
now. Except without
the whole, like, magnetic boots
thing. Yeah. Can we talk about the
operation? We have to talk about the operation.
Oh, for sure. Oh, God, it's gorgeous.
Because I got an impression of the operation
actually I've been working on.
So, you know, they're lasering
out their faces. Oh, yeah.
down this like face grabber apparatus and it just does this great thunk i just love that it's
like you can get right it just sucks your face off it is a nice thunk you know what it is it's like
back in the day when you do a drive-thru at a bank and you'd put the tube yes it's that's the sound
that's john woo's like the foley dude was out there recording things at bank drive-thrus now
you're totally right so they suck his face
off and the funny thing about this about this operation and this is a show one of those things when
when you don't watch a movie in a while and you rewatch it you catch a little things like so they
go through the whole thing but first of all john travolta and nicholas cage couldn't look any less
alike i'm sure there's like a three inch height difference john travolta's fat oh yeah he's also
don't nicholas cage is really skinny yeah like travolta's more broad shoulder yes it makes no
his hands are different like everything about this guy yeah couldn't
be any more different. Oh, yeah.
And the idea that you can just like Photoshop a face onto him and he's going to be the exact
same person. I want to see like a realistic face off where it's just like he's coming out
now from doing the procedure and he just looks horrendous and weird. Like he's like struggling
to live. How is it that towards the end of this movie when they're beating the shit out of
each other, mono and mono going at it, how are you not having effects of like the operation
getting fucked up.
Like, how are their faces
not falling off?
They should have totally
fallen off.
Right?
Like, come on.
These skeletons fighting each other.
Give me two meaty skeletons
fighting each other.
So they're like, okay,
what we're going to do here is,
you know,
and the doctor's like,
well, the height and weight
are pretty negligent.
He's like, yeah, right?
He's like, we're going to suck out
your love handles there.
So they're going to give
John Travolta Lipo
in this movie, which I really want to see.
And they're like,
yeah, we're going to do this,
that, and the other thing.
So they cut his face off.
And then once his face is
off and he's a big festering face wound.
They're giving him a haircut in
the operation room. Which is insane. This is what I want to know.
It's crazy. This is what I want to know
because I noticed the haircut this time too.
And my thought was who's giving this
haircut? Because here's the thing.
Robots. No, it's clearly
a person that's doing it. Oh, really? Oh yeah. You see
hands, there's gloved hands, and
someone's doing a dye job on him
and they're cutting the hair while his
face is off. While the face is off. There's a
bandages on it.
Find me a fucking scientist that can cut and dye hair.
Find it.
Find that scientist.
Find me that scientist.
Maybe there was a salon guy there too.
That's what I'm saying.
You have to rope in a salon guy in this fucking face-off project.
It's so not sterile.
Have you ever gotten a haircut?
Don't you get it in you like three weeks later?
You're wearing that shirt again.
Oh, there's still little hairs in there.
Oh, yeah.
That would be in your face.
In your face.
And it's just not even covered up.
There is actually, when they're getting ready to do the before or after.
He's sitting there and he's like, like making all these noises.
And Bunny Colvin from the wires, like, what's wrong?
And he's like, my face itches.
And the dude gives him a face massage, probably because there's hair in there.
There's hair under your face skin.
It's crazy.
And like the fact that there's no infection, nothing, like just whatever.
There's not even a stitch.
It's just laser beams or something.
I don't understand how.
he heals. Again, let's
say this movie takes place two weeks because they say the
18th and that's a soon enough date.
It seems like it's the next day.
Dude, if someone gets a nose job,
you've got that thing on your beak for
two weeks. Maybe both of them are
super mutants. Like Wolverine.
Okay. Well, that's the only way Wolverine
was able to get the adamantium skeleton is
because of the healing ability. Yeah. And that's why
Wolverine and John Travolta,
Nick Cage could all jump around a lot
and do like massive
fighting. All of these flips.
so they put his face on ice
they're like all right we're going to send you this super prison
don't worry we're not going to tell any of the guards
because that would ruin it
why are you not telling sadistic headguard
John Carroll Lynch about what's going on
why not what is what is the benefit
of keeping the entire prison staff
in the dark I would be like hey look there's this guy coming in
he's got a fake face don't let anyone touch it
because that shit's just going to fall right off
yeah we had to really like
We had to skip a couple of steps because we're on a time crunch here.
I think it's just like paranoia that like, oh, someone on the team, I don't know who is probably beating information.
Yeah, you're totally right.
That could be what it is.
But it's still, they go too far with it.
All you need to do is find out where the bomb.
Like this movie could have been over quick, right?
That's the idea is he gets in there.
He finds out.
He leaves, which almost happens.
Also, I mean, yeah, the whole thing is we're going to get you in.
You find out where the bomb is.
We'll get you out.
put your face back on and why we have a two and a half hour movie is because 50 minutes into
this movie nicholas cage as castor troy wakes up from this coma and gets john travolta's
face put on him and apparently the fats all put in what where where did it come how does he become
fat here's the thing remember in fight club when they're stealing all the fat out of that thing to make
the soap yeah he's just drinking it no i mean i guess maybe if you can
pull fat out, you can fucking push it back
into somebody else. You got to do it slowly so that the
skin expands, you know.
Again, something you're not getting done by the
18th.
Stop it. And dude, him
just like Nick Cage smoking
a cigarette with no face,
walking around this thing. Talked like Jimmy
Stewart. We're trying to up the
Jack Nicholson Joker scene with this, because
we're not
we're not seeing this head on. The closest you get
it is in the reflection of the scientist's
glasses. It's a pretty cool, effective thing.
I think I actually like to, you don't have to show the gore, but you can see it.
That's even almost more effective.
This movie's pretty well directed, FYI.
He's a good director.
It just doesn't translate to American movies.
Steve, you're the comic book expert.
Now, I was watching this and I was like, is this where they got the idea for the new 52 Joker?
They've got that in the garbage somewhere.
What is that?
I have no idea what you're even talking about.
You just said that, and I was like, is he speaking a different language?
Yeah, I mean, I don't, I didn't actually read it.
but apparently the new Joker caught his face off.
And he puts it back on with, like, duct tape
because it's super extreme, bros.
Yeah, it's stupid.
It's so gritty.
That's really stupid.
It is really dumb.
They cut rid of it immediately.
Like, it was only like for six issues.
And everyone was like, that's dumb.
And they're like, oh, but now it's different.
Oh, they got rid of it?
Yeah, he's a regular looking Joker now with a cut of mod haircut.
How did they explain that?
I don't know.
Some magic unicorn came by her hair.
This week.
on the Joker and he's just played by
someone else. That's all it is.
You just hit the nail in the head
Eric. So basically what they
do in this movie is they cut the face
off. They do all that stuff. And then a magic
unicorn comes in that they've had
in the back that they got
from the unicorn wars. They have a couple.
Right. Of course. And then Nick Cage is like
I'm going to ride you, Betsy.
Let's go over
the rainbow.
Also, in this jail, apparently the Geneva Convention is invalid, as John Carroll Lynch says.
That's probably true, right? I mean, it's not valid for anything anymore, right?
You can't even wipe your ass with that anymore.
Also, this is, do we talk about magnet boots?
Well, we mentioned it earlier, but yes, they have magnet boots. It's a future jail. It's also a future jail because this thing is just a big floating barge.
Yeah, it's like an oil rig.
Yeah, great.
Sure.
Also, if it's a thing where you're, like, out on the top of something and Nicholas Cage is going to jump off it, I just want to watch the rock.
Yeah.
And when he breaks out of the prison in this movie, I'm like, I wish I was watching the rock.
What's amazing when he eventually does break out of this prison is the fact that he just jumps into the water and then it cuts to him back in L.A.
Yep.
Oh, oh, you know, didn't think to show him swimming for five days.
with a face that's barely taped to his face
the double-sided tape is totally going to fall off you guys
so he I mean and again like
Pollock's Troy would fucking roll over for in a second
if you put him in a super jail
exactly and he's getting by just fine
nobody's bothering him and here's the thing
word would get around because the word on the street
is Castor Troy Nicholas Cage is dead
yeah so oh your big bad brother's dead
well your fucking prison meet
oh my god so I guess he's in the jail
now, right? He's in the jail. He makes
friends with, did anybody catch this? A very
nerdy, hippie, Thomas
Jane? Yeah, it's a weird performance.
I don't know why he's in this movie. There's a
couple of those. It's a graveyard of
90s losers.
And he's there, and yeah,
he's just there for unspecified reasons.
Actually, the funny thing is, for as high tech
as this jail is, you expect it to be like,
this is the worst of the worst. This jail's
filled with all of history's greatest monsters
or whatever it is, right?
Right. It's just like kind of a
totally,
fine not yeah yeah it's a regular schmegular jail population it's not like you meet thomas jane
he's like yeah i fucking killed 14 little girls and ate all their bodies or something like that
it's none of that even he wouldn't get in this stuff but see i wouldn't get in he wouldn't
make the cut for this super jail it's like getting into harvard or pre-k and brooklyn it's
very tough
But the thing is, like, I'm actually convinced that jails like this exist.
Oh, really?
Like secret?
Secret like black site jails?
Oh, yeah.
Yeah.
And they're all over the place.
We just found one in Chicago.
There was that CIA black site.
Yeah.
They're everywhere, man.
They're everywhere.
And I think, you know, you got, you definitely have to be above child eater to get into this.
So you're telling me that everyone in that jail is like an internet.
national super terrorist.
Well, or national.
Or regional.
I don't know. A regional terrorist.
Small town terrorist.
That's he got to start.
And computer crimes, too.
Oh, yeah. That's true.
They keep you away from all the keyboards and everything.
So I can't with the superjit.
Like, it just, it stops the movie dead and it takes forever.
And it's like, it's the one extra element.
Like, you want me to swallow this garbage face off procedure, which is
garbage. Yeah. And then you're
like, and now we're going to space jail. It's like,
well, what year is this? What are we talking about?
Because that's the thing. Like, I'm buying a ticket
or renting a video cassette.
I know it's a movie about
you know, the dude
from fucking raising Arizona and the dude
from Saturday Night Fever swap
faces. And because
I'm renting the video cassette or because
I'm buying the ticket. And you're a hundred years old
apparently. Also that.
You know, but like, that's the
contract, right? Like, I understand. All right.
It's a face swap movie.
That sounds pretty stupid.
Whatever.
But nowhere in that written agreement does it say anything about a super future jail is acceptable.
It's just another dumb thing to tack on to this.
And you're already, you're already suspending my disbelief for this operation.
It's just adding locations for John Wu to get his next action set piece, you know?
True.
So, Castor Troy is now in this jail.
And, of course, everyone's trying to beat him up because I don't know why.
well there's the there's the dude another dude from the wire who was also on true blood he played andy on true blood and his whole thing is uh like he hates nicholas cage and he like john travolta as nicholas cage doesn't know why and the brother's like don't you remember you had yourself a sex sandwich with his wife and her sister or something like that and i'm like oh of course because that's the other side of this not only is he like an international super terrorist who formerly had the best mustache i've seen he
a while but he's also just you know bagging all sorts of tail in this movie of course of course
he's a lethario oh he's the best of letharia he could turn it around on a dime brother he's just
the coolest guy ever he's a super cool guy he has two gold guns 70 suits all over the place
he could eat a peach for hours as we're told you know the whole thing so then he has to turn
to this fat cop you know that's that's that's his hell so yeah they get into a
fight, whatever. He makes a friend. He barely makes a friend out of this guy. And then John Travolta
as John Travolta shows up, because this is when John Travolta starts doing his performance. Nicholas
Cage is kind of fun as the villain. Right. And pretty good as, you know, the struggling
kind of good guy going mad as the bad guy. Right. John Travolta is just, I hate him as a villain so
much. I hate him in any high-energy
performance ever. Yeah, I mean,
let's reference the remake
of taking of Pelham, one, two,
three with the... Lick my bunghole, motherfucker.
Yes, the seminal line, lick my
bunghole, motherfucker.
Him in swordfish.
I mean, Trevote...
Him in Broken Arrow. Yes. Oh, yes. He's the same fucking
character of Broken Arrow. He says that
line in every movie. Yes, dude, he's just
telling everyone to lick his bunghole.
Oh, wow.
And he's just, dude, he's
woo! All over.
Oh, he's woo-hooing up and down the block in this.
And he's like conducting always and spinning and dancing.
And I can't fucking stand the second of it.
Now, I think for safety's sake, we have to go against a usual we hate movies trope with this episode.
Because I feel if we keep just saying Nicholas Cage and John Travolta, things are going to get to do.
It's already gotten there.
The good guy is Sean Archer.
Yes.
The bad guy is Castor Troy.
I think we have to keep it at that.
Yes.
Eric, you are correct.
It is getting a little confusing.
But here's the thing with that.
Castor Troy, am I talking about Nick Cage and Superprision?
Because that's technically Sean Archer.
Oh, shit, you're right.
All right.
So let's just...
Good guy, bad guy.
Yes, let's just tread lightly.
Yeah.
We'll just hold our hand.
We'll get to the end of this episode.
Now, what I want to relay is, you know, sometimes when we're watching these movies for the show, right?
We'll be watching them simultaneously, not with each other,
but you know and we'll text about the movie
and Steve you and I were like
I think you were like 10 minutes ahead of me
while watching the movie and so we're texting about it
and I said to you who's worse
in this movie Nicholas Cage or John Travolta
and what was your answer? I said John Travolta
you instantly answered John Travolta
was all capital letters right and I said
I don't know Nicholas Cage is pretty
terrible in this movie but
you were ahead of me enough in the movie
that you had got to John Travolta
Wukuing yeah it's and I had not
and the second that happened I said
I've never wanted to retract something harder in my life.
I regretted saying that so bad because Travolta is hands down the worst of these two.
He's like Rick Flair in this movie.
He's like, woo to everybody.
Eric, where do you stand with this?
Who's worse?
Oh, I'm team worse is Travolta, yeah, for sure.
Hands down.
Well, because he, I mean, like, again, all they give his best role, Saturday Night Fever, Mr. Cotter, Pulp Fiction.
All very stoic, you know, like, you know, monosyllabic, kind of like cool guy performances.
Yes.
Once he starts dancing and jingling around, I have no time for it.
And that's why the-
Well, unless it's Pulp Fiction.
Okay.
Because even that is a reserved dance.
He takes his shoes off to dance in that movie.
That's how reserved it is.
He's got a problem with drinking an $8 milkshake.
He's not woo-hooing anywhere in Pulp Fiction.
Absolutely not.
He's getting shot to death on a toilet.
He's a heroin.
an addict. He's pretty fucking cool in that movie.
So, he
comes in, John Travolta appears
as the bad guy.
Yeah. And Nicholas Cage,
as the good guy, sees what's going
on. He's like, oh, no, no!
His worst nightmare is confirmed.
Interestingly enough,
they put on the TV, we're talking about
when he's on the television? No,
when he comes and visits him in prison. Oh, okay.
Sorry, I'm getting ahead of us. And he's,
yeah, oh, well, yeah, that's ridiculous when he's
later on the TV. But he comes in and he's like, oh, see something familiar? Look who it is.
I have your fucking face now. Woo-hoo. Woo-hoo. And it's a real like, what are you going to do about it?
He explains, I got your face and I got your fat. Lick my bunghole, motherfucker. And he, he says that in that Pelham remake.
And it's terrible. He says it. Who does that in Washington?
did.
So he explains like, listen, I dumped gasoline on CCH Pounder, Bunny Colvin from the wire,
and that scientist who did the operation.
And then I burned the whole lab down.
So sorry, see you later.
What about the other people that did that operation?
What about the lady giving him a haircut?
The nice lady that gave him a haircut?
I guess they got killed too.
So they could never get that haircut undone.
Well, John Travolta had.
that same haircut. I mean, that's the
haircut he's gotten broken arrow. That's the haircut
he's gotten phenomenon.
Michael, he's got a mullet.
Or like a big scraggly thing going on.
Sure. Now, now, the present
day, John Travolta, he has...
I don't know whose face he's wearing these days.
Well, I'll tell you whose hair he's got on. It's
Nicholas Cage from this movie. He's
got the carpet sample haircut.
You can just see those plugs
from space.
It's terrible.
It's so terrible, man.
And he's just, he's woo-hooed, you know, and he's like, look, I got this.
I got your face.
I also, I've changed my hands to look like your hands.
Cut the way.
We should be called hands off.
Well, Nicholas Cage, as the good guy wants to say,
keep your hands off my wife and daughter.
Oh, yeah.
He's, I'm going to fuck your daughter.
I'm going to fuck your wife.
He's doing the tongue thing all over the place.
Yeah.
Oh, Castor Troy.
And, you know, he's like, enjoy prison motherfucker and, like, leaves him.
And he takes his brother, too.
He's like, oh, you're going to sign a deal with me, blah, blah, blah.
Right.
Yeah.
And now because the FBI bots this operation so hard, no one in the world knows who he is.
Here's the thing.
If you're doing this, like, you need to plan it.
If you want to keep it secret, okay, fine.
Tell your wife.
Tell, no, if you want to keep it secret from the family and whatever, that's okay.
You have another FBI agent.
Get Margaret Cho in.
If Margaret Cho, here's the secret.
here's the deal. Here's what's going on. And
in the off chance that this
gets horrendously botched,
which Sean Archer's
track record of botching all sorts of operations,
he's dating people that have died
in his care. Totally.
We're going to send you to a
safe house in
I don't know, the Czech Republic.
You're going to Prague until the
18th. Like that, you know,
so you can't be found tied
to a chair dumped with gasoline
and burned. You know what I mean? Like, you need
that safety person who's away in a bunker
that there's no way
if Caster Troy
wakes up from this coma and
puts on Sean Archer's face, he will find you
and kill you. Well, she's like, but boss
but he looks nothing like you. I mean, you've got a bigger ass. I mean, like,
what, how else? What if
they come up and they ask you
about all the different levels of Scientology? What are you going to tell them?
You better start, you know, studying
up on all of those. Do you think Scientology
rejected Nicholas Cage? Like, they
They gave him that test, and he's like, no.
He was too crazy.
Yeah.
It's like, shit.
You know, if we let him in, I'm going to be calling him boss soon.
No, they tried to audit him and the cans exploded.
What?
I think that guy might actually be Lord Zinu.
Which is a bad guy, by the way, right?
Zinu is a bad guy.
They'd have to do something about it.
Unless he got his face off with the...
Oh, I'd be so fucked up.
Tom Cruise and Lord Zeno.
who get a face switch
so
you know
the bad guy
goes home
and we have
the wife
Joan Allen
and the daughter
who I thought
was Maggie Grace
but then I forgot
that this movie
was made in 1997
it's Dominique Swain
yes
and she's like
the punk rock
princess in this movie
well no she's goth
because she's troubled
because
this whole family
is totally
fucked up
because the kid
got murdered
right
instead of being a man
and being
like you know what maybe this game
this FBI game ain't for me
right let's take let's mend our
wounds and be a family he's just like no I'm gonna
fucking kill him I'm gonna kill him I'm gonna come home
and bring this shit home every single night
until he's dead and then it'll be over
with but until then put up with it that's the best
actually so when
rewind back to when John Travolta was still John Travolta
when he thought he killed Castor Troy comes home
celebratory's like oh Joe and Allen
it's gonna be so good now because you can tell everything's
terrible because, A, his daughter is goth, which is telegram, movie telegram for terrible
fucking life.
Oh, well, yeah, bad parenting, too.
Bad, lazy parenting.
Yes, exactly.
That's the movie telegram.
That's what it's trying to tell you.
Absolutely.
And he goes to John Allen's like, oh, it's going to be better now.
Janie's going to be normal.
And like, we're going to go to counseling because I killed that guy.
And it's like, and what he does.
Oh, man.
And he totally puts it on Joan Allen, too.
He's like, whatever you want to do.
Whatever you want.
This family needs counseling.
It's not what I want or don't want.
You dick.
So then when he comes home, when the bad guy comes home and he's dancing all over the place.
And he's like romancing her and all of this shit instantly, you're like, this isn't him.
Like there's no.
If my dad came home, like, and my dad like, you know, gruff cop dude, right?
If he comes home singing him.
and dancing. I'd just be like,
there must have been a face-off situation.
Or I would be like, you know,
the old man must be having an affair.
There's the great moment
where, like, he's driving through the neighborhood,
and he's like, what a piece of shit neighborhood.
Look at this shit-ass house. You know, because he's
used to the best of the best, right?
Oh, sure. Right, yeah. As a bad guy.
Yeah, he resides in, like, a raved castle.
And he drives past the house, and
Joan Allen's just, like, standing outside.
their arms cross and he's like, wow, look at that bitch.
It just keeps driving.
And he's like, oh, wait, that's his bitch.
And like, rewind or, you know, drives backwards.
Yes, reverses.
Rewardses, yes, sorry.
I'm going to rewind this car.
Hey, before you bring this into my auto shop, you better have rewound it.
And she's like, don't try that flirty shit with me.
I'm still mad at you.
Well, because he says, oh, it's all going to be different, baby.
And, you know, we're going to get counseling.
I'm going to be a person again.
She's like, well, that'd be fucking nice.
And then he's like, oh, sorry, I have one more job to do that I can't tell you about.
Yep, exactly.
Just one last job.
Which, wouldn't she then be like, you told me you were going to be gone for like weeks?
Yep.
And you showed back up like three days later or something.
Something.
And why are your hands different?
I mean, I can't get over the hands.
And we'll get to the next part, which is the next part.
So he's like dealing with the daughter and everything, too.
Is that what you're talking?
I meant just when they fuck.
And like how on earth
does she not know
what her husband?
Yeah, is this a dickoff?
Is there a dickoff happening here?
I wonder if there was a porno parody
made of this movie called cock off or dick off
or something. If not, there should be.
And if there is one coming,
we get a piece of the past.
Why would it be coming? This movie's almost 20 years old
for the anniversary, brother.
Yes, the anniversary and when we
movies talks about something, it reaches a point.
point.
Someone in the
porno parody office is like, finally
someone's demanding a face off parody.
But how on earth
if you've been fucking a guy for
20 years? Yep. He comes
home with a haircut. You're like, hey, nice haircut.
He comes home with a different dick.
You're called the cops.
Listen, I know.
Did your husband get the
different dick procedure too?
Joan Allen,
you might want to talk to the police.
oh no baby my dick
just became uncircumcised
that happens
I'd spice things up
and get a hood installed
they make some
the doctor does make a remark
about like you have different blood types
but your wife won't notice anything with that
or you know whatever
or polly's won't check for that
the different dick thing she's never going to figure it out
well listen that marriage is in shambles
So maybe he's like, yeah, don't worry you about the dick thing.
Nothing's happening in that department anyway.
She's not going to remember it.
Well, the thing is like there's no way they had a dick off because he was,
it was only supposed to be a short-term thing.
Yeah, you're totally right.
Unless Pollux Troy needs to see, let me see your dick, brother.
I need to know what's going on down there.
Because he kind of even like in the beginning, he's like, oh, what's going on there?
I think you had a face off surgery.
And he's like, no, I did it.
Yeah, he's totally like, oh, what was the name of the, whatever the,
fuck you know he's like testing him but why what there's no there's no way someone would guess
that it's an imposter and there was a face of swap surgery you show me the beauty mark on your
dick they don't make mention of any like tattoos or anything like that you castor troy's
probably got a dick tattoo of course of course he does oh john travolta scar there
though. He has to get that back. Yeah, he gets it off and they're like, oh, well, you'll have to remove it just so you look so you. That's the only thing separating you from Nicholas Cage, Chantapulta. It's a scar. But Nicholas Cage almost died in this fight. Like, who cares if there's suddenly a scar. Yeah, exactly. Well, what's awesome, though, is he's like, I want that scar back, though. Give me the scar back because it's important to me. And my thought was, where are you keeping the scar? It's not like a phase.
where I guess you can just keep it in that aquarium that they keep it in.
I'll tell you where they keep it.
They're not keeping it.
The doctor's just like, yeah, okay.
And then they put them under,
and the doctor just started stabbing them with the scalpel.
All right.
Yeah, that looks like a bullet wound, sure, yeah.
Get a little more umph in that.
Just keep carving them up like a turkey.
Yeah, twist.
So, I mean, that's when the movie stops dead from me.
Like, well, how on earth does she not know what is dick looks like?
I mean, totally.
Come on.
Come on, everybody.
But again, though, I mean, we did bring up a good point.
it's not the fault of those doctors
because they weren't anticipating this other person
waking up from a coma. And again,
even if he's in a coma,
posted security at all time.
Exactly. If Hannibal Lecter's got a doctor's appointment,
there's security around that hospital.
At least cuff him to the bed.
Yes. And wouldn't she notice that she's got all these
STDs now?
You're goddamn right.
Castor Troyes loaded with something.
He's crawling with all sorts of things.
things guaranteed. We saw the
Rave Castle later in the movie.
He's having people suck his tongue. He doesn't know who they are.
I mean, that's how you get herpes. He's eating peaches for
hours? Absolutely.
And can we just
point out, I think maybe I mentioned it, but
Caster Troy's got all sorts of different moves in the bedroom than
John Travolta does. Absolutely. That is
a real like whimper and a cry
sex. Yeah. And I mean, like he's
he's like all like scrabbing everybody and doing stuff. Like he's got a
different style.
yeah that's one way to put it
Papa's got a brand new bag
Oh man
So that's the next scene
Is like the daughter is just like
In a skimpy outfit
And he's like ooh
The plot thinking it's John Travolta
Ooh
Wooo
Woo sexy daughter
Yeah
Thank you movies
Reminding me of incest
Sure
I mean this girl
Is emotionally ruined
At the end of this movie
Right there's just no two ways about
No, yeah, you've got to just kill it and start over.
Soft the earth.
I think the thing is, after this whole thing, the three of them just part ways.
Yes, you break up as a family.
Dominique Swain is old enough.
She could go, you know, down to a pier and find a way to live on her own, you know.
Or college.
One of the other.
No, Steve, she's a filthy goth girl.
She's not going to college.
That's true.
The movie told us that.
All right.
The movie dams her by being a goth girl.
There's been goths in college?
I know that, but John Wu and other screenwriters apparently don't.
All right.
Look at that demon.
There's no higher education in the future for that demon child.
So she's like smoking in the bedroom.
And she's listening to James Brown.
Find me one goddamn goth girl just sitting around listen to James Brown.
Find me most any teenager sitting around listening to James Brown.
goth girl or otherwise
you know what it is fat white guy
music that's what you're listening to
and he's like he's like
oh mind if I get a smoke and she's like
what he's like there's going to be a lot of
changes around here and he like goes up
to her like he's about to grab her ass
like he goes like oh oh I need
something I need something from you
and she's like well oh my god oh my god
this is the end of my life that's it that's it
that's it uh and then he's like
I need this cigarette she's like
okay i'm still emotionally scarred from that exchange because that was a little flirty and then
my dad got a little flirty with me the other day and she he's like papa's got a brand new
bag and he does like and he starts dancing down the hallway well doesn't he blow smoke
rings too he blows smoke rings right in her face and then sass sashays down the hallway
with that cigarette like ooh being bad is so good and you just want to fucking
kill yourself.
That scene should have been replaced James
Brown with actual goth music. Get Bauhaus
on there. Of course. So you could
get John Travolta to go down
that hole and go, whew, Bella
Lagos, he's dead.
Also,
Bauhaus, like, definitely cheaper than
James Brown. As far as licensing,
guaranteed. Yeah. But no one
will know what it is. That's true. But then you
can't get that great Papa's got a brand new
bag, pun.
La la la la la la. Um, so
then...
Lick my bunghole.
Yeah, exactly.
It's a lick my bunghole
motherfucker moment.
So he winds up
as John Travolta
as the bad guy
who knows where the bomb is.
He goes and disables it
and becomes the hero of the bureau
and receives his second applause
at work.
But this second applause
is much more welcomed
by this John Travolta.
And he's like dancing all over the place
and everyone's loving it.
He does, he does disarms
the bomb with a second to go
so then the news crews
are interviewing and stuff
and some line like
like
if the terrorist is listening I just want to let
them know that interception
now our side's got the ball
and met with a thunderous
round of applause from the news crews
around them come on
nobody gives a shit about I mean
I love cops I think they do a great job
nobody gives a fuck about cops in the news
you know what I mean like no
Unless they're cannibals.
Yes, exactly.
Cannibals or monsters or whatever.
Nobody's like applauding cops.
I don't know like what the latest hero cop in New York is.
Like nobody knows that shit.
Nobody knows it.
But also you don't have any cops that are like taunting terrorists on the local news.
Because that's a bad idea.
A.
Yeah, I think if that happened, if like an FBI agent got in front of a camera and was like,
Interception, now our side's got the ball.
Essentially a coded.
my bunghole motherfucker.
Yeah, that's the subtitle.
You have translation in parentheses.
Like, everyone would be like,
that's a terrible idea.
I can't believe he just like waved red
to the terrorists.
Also really weird.
You operate a black site prison.
And you decide to have full TV privileges
on a big screen, like projected on the wall.
Well, I guess they're magnetic.
stuck to the floor. So where are they going to go? So we'll give them the local news and entertainment
tonight. We'll pacify their masses. So he goes back to the office. He gets the applause and he's
dancing and I was like, wow, look at him. Dance. And then Margaret Chubbs's like, excuse me, sir.
When did you have the operation? He's like, the face off operation? It's so stupid.
He was like, oh my God, I think she knows what the face off? I'm just like, well, what operation?
It's like, how'd you get that stick removed from your ass? And like, everyone laughs. And if I was him,
I'd be like, oh, you mean my dead son?
Are you talking about?
Yeah, totally.
Oh, to stick up my ass.
You mean me mourning my dead son for six years.
Also, you're suspended.
Have you ever lost a child?
You're suspended for a month without pain now.
Absolutely.
Yeah, real fucking hilarious.
I'll see you in May.
That's what you get for singing your boss.
It's so unbelievable.
And the room kind of, I mean, some people I think here, but other people are like,
oh.
Because listen, if someone comes in who is notorious for having a stick up their ass,
one day off from the stick up the ass
does not necessarily mean
this is a changed person
In this case it's literally a different person
Yeah, well he's got a face off yeah
But you know you have to give that like a couple weeks
Like you know what boss like
I don't know what happened
But it's it's been really great around here
The last couple weeks
Like you've been really fantastic
You've been wooing a lot more
You dance a little bit
And if anything not in the middle of the office
At a happy hour
At a bar somewhere
you can make that joke.
You can't make that joke
without a pint of beer
in your hand, is what I'm saying.
You're still on the clock,
not making that joke.
So he's dancing around
and, oh, man, oh, man,
when he's like,
is this the part where the secretary
comes up and she's like,
sir, the president's on line one
and your wife's on line two
and he's like,
tell the president to hold.
And then grabs her ass
and it's like,
oh, he comes in the middle of work.
Oh, my God, the sexual harassment here.
Although I would have liked to have seen him answer the phone with the president
and had John Travolta from Primary Colors answer the other end.
Oh, man, this movie could have used a double role for sure.
Why not starring John Travolta?
Face off, the Clumps.
Oh, no.
So Nick Cage wants to break out of prison.
He does.
And he does.
in a horrific look he's the good guy here this is the most bloody prison riot that anyone ever perpetrates it's brutal it's absolutely brutal on guards all these guards get murdered and it's a weird thing where like he's kind of rassling with it because it's like oh fuck you know i am this cop and i got to kill these dudes to make it look good you know what i mean well he's not he basically like gets donkey con who is this got this other guy this big it's the dude from true blood the dude for true blood to kill him
everybody while he's just like behind him like
oh that's pretty bad yeah
and oh and here's another bit of bullshit
is when this jailbreak
is happening and yeah he's got donkey
Kong throwing barrels at all the
prison guards and basically a riot breaks out so the other
prisoners are getting in on it sort of
um
nicholas cage as the good guy
goes over to this control panel and just
starts boop boop popping this fucking
thing and I was like there is absolutely
no way you
as an FBI agent know how
to operate the computer system at this
black side prison. Absolutely no
way. Absolutely no way.
And he's just like, he hacks the net
in two seconds and they
break out and what have you.
And this is another stupid part too.
And this is where like John Wu's like
ultra dramatic style does
not work. Because Donkey Kong
goes over the railing. And
they're trying to hold on and you know, Cage
just drops him and this dude falls to him. This guy's
not a character. He's not at all.
And even if he was, he's not a character.
that I'm like, live, Donkey Kong.
Damn you live, don't drop, donkey.
This is a moment of like, I got you.
And he's like, I need to do it.
You know, and he falls in slow motion like Alan Rickman.
I'm just not buying it, man.
It's so fucking hammy.
Yeah, it's a bit of bullshit.
And he swims, like Eric said, for days, I guess.
And he meets up with, uh, he meets up with, uh,
He goes to the hideout, which is, I mean, like, this is where the Riddler is.
It's two floors.
There's, like, bedrooms in the center.
There's, like, stairs everywhere.
I don't know what this place is even supposed to be.
I mean, it's not a hideout.
It's very much like a, hey, how's it going?
We're here.
Yeah.
Like, this isn't where villains hide out.
It's not a hideout.
It's a hangout.
And, you know, that's evident because, you know, Nick Cassavetti brings
Castor Troy
Shit.
Sean Archer as Castor Troy.
Yeah, he brings the good guy.
Yeah, in to do coke and drink
and hang out with a bunch of other hooligans.
Yeah, there's just a couple of faceless dead meats hanging out.
And then Nick Cassavetti's sister is played by Gina Gershahn.
Yes.
Who has a child that we learn is Castor Troy's child.
And in another bit of incest in this movie,
Nick Cassavetes and Gina Gershahn are very la la la la la.
They're making out.
Oh, yeah.
Yeah. And you're just like, what's going on, John Wu?
You know what? That kid doesn't talk much. I'm not exactly sure. He's Castor Troyes is what I'm saying.
Who are you thinking? Oh, God. You think you got a Geoffrey, a Joffrey Baratheon on your hand.
Yeah, I think I do. Yeah. Lannister's sired a little Baratheon. Hey, he's got a Game of Thrones haircut, this little kid. He's got a little disgusting little rats nest on there.
He's the same thing. He's got, he looks very similar to John Travolta's kids, a little moppet. And like John Travolta.
was all, Nick Cage as John Travolta, whatever the fuck.
The good guy.
The good guy is all high because he did coke with his buddies.
And like, he's like, oh, oh, Michael, Michael.
And this kid's like, whoa, whoa, whoa, stranger, stranger.
And she's just like, his fucking name is Adam.
What are you doing?
Oh, Michael.
And they have this stupid thing where it's like, oh, the hand.
I guess he's a family of magicians because everybody goes up to each other.
They're like secret thing is like, you'll gently trade.
your fingers over somebody else's face.
Like that's the secret archer handshake.
You know what else I think that handshake was featured in?
I think that's what that old lady does to that fat guy.
Also Helen Keller.
That's also how guerrilla say hello to each other too.
Well, that shows you how human they're like.
They're almost a Nick Cage family.
And he's like, oh, Michael.
Oh, Michael.
And she's like, whoa, whoa, whoa, whoa, whoa, whoa.
Don't do that.
There's a great scene where the bad guy doesn't know that it's the good guy's dead kids birthday.
Oh, man.
And Judge Bolt is like, sauntering to work.
And she's like, where are you going?
He's like, to work, honey.
And she's like, today of all days, you're pulling this.
And he's like, yeah, well, you know.
And it's, again, I would be like, this isn't my husband.
That dick is at least two inches longer last night
I don't know what's going on there
He totally forgot the dead son's birthday
I gotta call my friend
Is face off surgery possible
She's a doctor
She might know
She might have read something in the New England
Journal of Medicine
You're totally right
This guy definitely published a paper
Before he did a face off surgery
Well because before you do it
You gotta write a big long thing
And fucking brag about it
Exactly you gotta get some funding
I think I read about this exact thing
in February's New England Journal of Medicine
and, you know, so they
go and he's got to eat shit and it's weird
because like, this guy is
the devil, but for some
reason he does feel bad about this kid
I mean, not to say that whatever
it's right to kill a kid or not, but like
I just don't buy that this character would ever give
a shit about this kid. Well, it's interesting because
when you think back to that, the opening scene
when he realizes what happened,
like there is a shot of Nicholas Cage
being like, oh,
like just the little
You know what that is, that is?
That's him going,
oh, should have gone for the headshot.
Yeah, yeah, man.
Also, with six years ago, he's gotten over it.
And it would not be a thing where it's like,
look what I did to this fucking family.
Oh, no.
Yeah, no, yeah.
He'd be like, look what I do with this fucking family.
It's hilarious.
That's, that's the move.
You're totally right.
He does feel bad.
And, like, that's, they have a couple of shots of him, like,
and he likes the daughter, too.
Like, at one point, she almost gets raped by Daddy Masterson.
Oh, right. Yeah, another note inside.
Yeah, exactly. He saw him in a meeting. He was like, hey, you want to be in a movie?
And this is, man, he like Jason Voorhees through this car window and pulls Danny Masterson up onto the lawn and is going to beat the shit out of him.
Yeah, that's right. It's like a, he pulls a bell d'ar cone head.
If you've seen the cone heads.
Oh, yeah, dude. Who's seen that cone heads movie? That's something else.
Oh, I have. Yeah, of course you have. Remember, you know, it's.
a great line in that movie is when
she totally like shoves
the subway sandwich in her mouth really fast
and Chris Farley's like, reminds me
my mother. It's fucking funny.
Oh, and then
this is another hitting on moment because he's
like, do you have protection?
And she's just like, what, like
condoms? And then he whips out this
butterfly knife. Yeah.
Come on. And he's like, yeah, if you ever
comes up to you again, you got stick this
in his thigh and twist it, motherfucker.
And she's like, wow, that's
something. I was almost raped. Good night movie. So in the office, there's a there's a thing where
they're like, hey, so castor Troy totally broke out of that jail. Yeah. And, you know, he jumped
off this thing and we're celebrating because he's dead. Blah, blah, blah. And he's like, did they find
the body yet? And Margaret shows like, oh, um, it hasn't been recovered yet. And this is another
terrible travolta delivery. He's just like, it hasn't been recovered yet. I don't
Like, you're getting paid millions of dollars to spew this shit.
It's unbelievable.
Like my bughole, Margaret Cho!
And she's got a great reaction because it's like,
this is me just getting screamed at at work again.
And so, like, the most obvious thing you could think of is,
well, if I was me, where would I go?
I guess Nick Cassavetti's house.
Oh, yeah, back to the old Orgy Mansion.
So we have an Orgy Mansion Invasion, which is also maybe could be the sequel title to Cockoff 2.
And also, how is this not the end of the movie?
Because at this point, we've had a lot of John Travolta as Nicholas Cage,
and a lot of Nicholas Cage is John Travolta.
Oh, we've sat with it for a long time.
It's the logical end.
It is basically billed as the end.
It's an hour and 49 minutes in.
It's like, this is it.
This is the end of the movie.
That makes perfect sense, totally.
Everything's coming together.
you're getting every you're you're you're killing tons of people in this fight this is
hilariously where well the brother falls through a bunch of windows yeah kind of like um
you guys remember bruce willis's death and death becomes her when he like falls through the
window into the pool or whatever yeah i kind of always think of that when i see this movie but it's
like he falls through like four different sets of windows and he's dead this is where the dude
from pcs comes in and john travolta as the bad guy is crying over the dead terrorist and
And he's like, hey, boss, who gives a shit?
It's just Pollock's Troy.
And John Travolta shoots this guy in the head.
Well, you know what?
Which is, I think that's half Castor Troy revealing his true evil nature and half the boss of this fucking team telling everyone to lip up a little bit.
You know what?
Like literally, it's gotten out of control.
Absolutely.
Margaret Cho is sniffing at me every second she gets.
Now I got this asshole talking to me on the job.
No, I'm blowing his head off.
You're totally right.
And then, like, the good guy has the bad guy saves Adam, Troy from being shot.
From certain death.
Yeah, yeah, yeah.
Oh, this is somewhere over the rainbow scene where the, he puts on headphones.
Oh, man.
And they're like, oh, listen to your music.
Listen to your music.
And apparently, Adam, this eight-year-old kid is a 45-year-old gay man because he's listening to.
Wait a second.
John sings somewhere over the rainbow.
Like, who listen to that shit?
Every character that's a child that listens to music is just so off base.
First of all, yeah, you're right.
Because if you're a little kid, you listen to whatever your parents put on.
That's true.
It's not like, I'm getting this album.
Yeah.
Fuck you, little kid.
You're going to listen to what I'm listening to.
Shut up.
So maybe, maybe that makes more sense.
It's Genea Gershawd, she's like having sad time listening to Olivia Newton, John, sing somewhere over the day, rainbow.
Listen, with this life that she's leading, that song's on loop.
Yeah, that makes sense.
Then we get the logical.
of the movie where we have the mirror sequence.
Yes.
Which is like if a duck soup groucho Marx was trying to kill himself.
Because it's, you know, you're facing, you're facing in front of the mirror.
It's like, oh, I see Castor Troy.
I want to kill Castor Troy.
You're totally right.
That's my reflection.
How trippy is that?
Yeah, exactly.
And this is also, it's also where you get, you know, one of the several John Wu
staples of people back to back.
Like, you know, this time there's a wall.
between them but yeah the back to back we're going to start firing at each other yep
who puts a mirror on one side of the wall and then directly on the other side put another mirror
it's a coke dent done generic yeah that's what's going on drug dealers with bad taste right
um so this is nick cassivetti's get shot in the throat yeah and he's like oh just get out of here
get out of here i'll see you later and i'm gonna fucking tongue kiss my sister right now well you know
you're on your way out you always wanted to do it you're totally right but the one thing i'll say is
guaranteed that's not their first tongue kiss
as you you know positive
Steve that kid might be a product of
incest he could be a lanister for sure
and so
also it's yeah
no no no go ahead I mean it really could
be the end you know let's just fucking
let's crack open the doves and end this movie
that's the way you know it's not the end
it's because there's no doves anywhere in this scene
you're totally right but again how it could be the end
is Nick Cassavetes has
a line where he's like wow
he's like holding his neck he's like we've had
some good times, haven't we?
I'm like, yep, perfect line for the
end of the movie.
Theory. Do you think it was supposed to
be the end of the movie, but they were shooting it?
It's like a three-week shoot. And, like,
John Wu's like, all right, let's break out the
dubs. And like, oh, my God.
Oh, and they're like looking at the form, and it's
like, this dugs went to
Argentina by accident.
We're not going to have these replacement dubs
for another three weeks. Cut to
Argentina.
Just a little box?
The box of dubs sitting on an airport strip.
That is definitely what happened.
Some squirrely intern being like, I need this back in Burbank.
Oh, I'll never work in Hollywood again.
If John Roof refuses to, like, reshoot those sequences, and we're just going to have to do another action set piece.
We're going to need another 30 minutes to figure this fucker out.
So, I mean, we're not going to keep you here for another 30 minutes.
But he convinces Joan Allen.
The good guy convinces Joan Allen of the first.
face swap thing due to some good old
fashion blood
blood type analysis. Yeah
and you know they do that
and she's on his side
and there's a good emotional scene that nobody wanted
because nobody bought it. What I love though
in this scene so they're at the hospital
he tracks her down at the hospital
because he's like just go he punches
a mirror a picture frame
and gets blood all over and he's like
test that shard of glass and we'll
meet back up in two hours or whatever
so he goes to the hospital
she's like crying because it's a match and blah blah blah
and so then he suspects that the bad guys are on their way
to track him down and sure enough
there's John Travolta marching with these go into the hospital
and he pulls back this curtain
and there's Joan Allen looking at some dude
with like acid burns on his face
and this is all in the matter of seconds and I was like
where did she find this acid burn victim
because this guy's seriously fucked up
and she's like oh good yeah bring this
guy right in. Get out, get out, get out. Get out. There's a whole other super villain movie
happening. He messed with the Moronies and got the acid in the face.
Exactly. And all of a sudden, John Travolta's boss dies because evil John Travolta like
karate kicks him in the heart. Well, he said, I don't like to stop attack us. God damn it.
He assholes his way into another death. If this guy just keeps his mouth shut movies, he'd make it
to the end. But no, but what's a, no, but what's a, this?
is what's awesome about it is it's evil john travolta is a very opportunistic terrorist because this guy is showing symptoms of a heart attack before yeah and then he like travolta just exacerbates the situation because he comes in yeah and he's like your gestapo tactics and another thing about and you see him be like oh say and he just like karate chops this guy and brings the full on heart attack and he's just like oh
No, no. He calls the secretary. You better get in. You called 911. The Sarge had a heart attack.
The climax of this movie would take place clearly at this guy's funeral, who had six lines in the movie.
So they go to his funeral. That way, everyone's in their black suits. Get your John Mu checkbook out.
Totally. And I guess this guy was a Buddhist because, I mean, there is a lot of Christ imagery going on. But this looks like a Buddhist temple that they filmed in.
Oh, it's all mixed up. It's so weird. Don't know what to do because fucking.
Nice, nice 3-11 reference.
It's like this pre-Vatican 2 mass.
I thought it was like Santa Ria or whatever that religion is.
It's all in Latin.
I thought they were going to sacrifice a chicken.
They lit 60 of those super tall, narrow candles and just cut a chicken's throat.
Yeah.
They're speaking Latin.
There's no way near this much Latin in a Catholic church.
No, which is what this looks like.
And I mean, you can get, you get the Latin masses, but you're telling me it's at this guy's funeral?
I think we're in a different country.
I think we've gone.
I think we're in like, I don't know, some.
Maybe we traveled to Hong Kong because this is a Hong Kong action movie set in California.
It's so insane.
And, you know, John Travolta has to go, like, it's like his last work function he has to do.
I guess I got to go to my boss's funeral.
Right. And so then Nicholas Cage like passes the altar boy a note, you know, and John DeFold gets it like, I'm here, come lick my bunghole, motherfucker, you know.
So they go into like another room of this temple church or whatever. And, you know, then we got another classic John Woo thing of everybody's pointing the guns.
And Gina Gershawin shows up. There's a couple of goons that shows up. There's a little great scene when she, so like Joan Allen finally accepts that Nicholas Cage is actually her husband.
Right.
She's really pissed at him because she had sex with this other guy.
She's like, well, we were living as man and wife for a week.
What do you expect?
That's not Sean Archer's fault.
No, but she, you're right, though.
She is kind of pissed off.
Like, do you know I fucked that guy?
And he's like, I was in a super jail.
Did you look at his dick?
How did you not notice the dick?
And he, so Gina Gashon shows up.
Like, she saves him at the end.
She got the gun.
It's like, hey, baby, to him.
and like Joan Allen does the best piece of acting
which she gives him like a nice
it's like oh nice
yeah totally nice I've been fucking
my mortal enemy by accident
and you're just fucking around
with Gina Greshaw and having coke parties
I fucked the guy who killed our son
but you just knowingly fucked some other woman
yeah nice
nice that's great
that's really fantastic
I can't wait to be divorced from you in two hours
oh absolutely if you live through this
so you know then we just
just start firing wildly and it's a big shootout
there's also a bullshit thing when
John Travolta originally like walks into
the setup and he's doing like
the oh Jesus looks so sad
and he does like a crucifix thing
sad Jesus
it's just
it's some of the hamiest shit
it's too much it's too much
ham man my sodium levels were skyrocketing
with all this ham and for some reason
the daughter has to get involved
they have a big old shootout
Gina Greshon gets killed here and she's like
take care of our son and you know that's we've had some good times too let me kiss you quick let me suck your tongue and the daughter shows up and now it's the she's got the gun who are you gonna shoot listen to me oh by the way we haven't talked about the voice modular oh man oh man when they do the face surgery they're like oh i don't even sound anything like him that's the one thing we're worried about yeah that's the real problem it's not the
fucking 40-year-old beer gut
sitting there.
And he's like, oh,
here's,
he had the 12-year-age difference
at the 40-year-old beer gun.
You were in Saturday fever.
Nicholas Gage had fucking high school.
You're totally right.
I don't even think of that either.
You're totally right.
So he's like, oh,
you know, you put this little voice modulator
in your throat.
It's super sensitive.
Even a sharp sneeze
could break this thing.
And he's getting neck-chop
this entire movement.
Oh, another neck chop
How did it not get fucked
So many neck chops
Oh, another neck chop
How did it not get fucked up
During all the rough sex?
Yes, exactly
When the choking goes on?
Totally.
I want you to choke me.
Oh, wait, never mind, not this time.
And, you know, he breaks the modulator at this point.
He's like, listen to your father.
Listen to me.
And she's like doing the thing.
She shoots him anyways.
She shoots Nicholas Cage.
In the arm.
Right.
Doesn't slow down this action scene one bit.
No, something, something.
boat chase. Where
on earth is this boat
chase coming from? It's coming from
heaven because this is the best part of the... I mean,
listen, this is a solid
three-star movie for action
sequences alone. Sure. This boat sequence
is one of the most impressive things I've ever
said. Tell you, the best part of this boat sequence
is the lead-up to it. We get
flabby John Travolta running down
this dock, and then he just
pulls out this machine gun and shoots
a random guy sitting on his own
private speedboat. Oh, yeah.
out of my way.
Yeah, and his body
flies off into the water
and then he just takes the boat.
That's my favorite part of the movie.
And somehow, like,
the boat dock explodes
because everywhere you're going,
things are blowing up.
Yeah, he shoots back at it
and, like, happens to hit some, like,
I don't know.
Gasoline factory?
Yeah.
Jet fuel that they were storing at the docks.
That wouldn't melt steel, though, Eric.
Oh, it wouldn't think.
It's true, but luckily the dock is made of wood.
Rickety old wood.
Also, this is where
You know you've got a really tricky action sequence
When the filmmakers are not given a fuck
About covering up the stunt doubles
Oh man, these guys are, this is their moment to shine
Dude, John Travolta and Nick Cage
Did not even show up for the week
They were filming this thing.
You get a couple of the close-ups of them driving boats
That's about it.
These two stunt doubles look nothing like them
And nobody cared
I thought there was another face-off going on.
It's like, wait a second.
second now who are these gentlemen
Brock Hammersley
and slab hard apple
oh absolutely
they are just nothing
I mean also like stunt men slash
like porn stars probably
I mean these are some handsome looking guys
no offense to stunt doubles they did
they did the cock off afterwards
that's you can find it
so you know whatever
the boats they wind up on one boat
the boat runs ashore they go flying
the boat blows up
and they're on the beach
we get some hand to hand
and then the good guy
shoots the bad guy
with a harpoon gun
John Travolta gets harpooned
to this movie
yeah which is pretty good
and then he's like
saying how like
well you're gonna have to look at
my like you have to think of me
whenever you look at your face
oh right
because he starts trying to cut up
his own face
he's cutting himself with like a piece
of rusted metal
but what's hilarious
is instead of like
just cutting all over
and really fucking it up
he's cutting exactly
where the surgeon
would even cut the face off
in the first place.
What are you helping him?
Let me give this back to you.
It's stupid.
It's really, really dumb.
Oh, and when the boys were running down to the docks,
there's a quick shot of Joan Allen being like,
hello, Margaret Cho.
Yes, it's Joan Allen.
So that's the only thing.
So then, like, the FBI shows up,
and there's, like, another guy who's, like,
sort of a character, but not really, comes down.
And he's like, Archer, you okay?
and he's talking to Nicholas Cage
and it's like, what did you call me?
With John Travolta's voice, which is always really weird.
Yeah, they never quite pull that off.
No.
And, you know, the thing is like, you call me and say that like,
oh, my boss is actually this criminal.
It's going to take me a week to buy this story.
Exactly.
Everyone's going, he's going to jail for a while.
Yeah, oh, yeah.
He's going to do some blood tests.
We'll figure this shit out.
But in this case, it's already, don't worry.
We've got our best quote,
Best Doctors from D.C. flying in for this.
What are they doing? Faceoffs in D.C.?
Left and right. Dude, it's for all the politicians to replace the reptilian faces with...
You're right. Yep. That's what that means.
Oh, God, they're all fucking fake.
Future case file, dude, right there.
Definitely.
So the best doctors from D.C. come in.
And then this, again, is such...
It's such over-dramatic horseshit that makes no sense.
So it's like Joan Allen is home, cleaning up.
the kitchen or something's going on. She wouldn't
bother going to her own husband's
face off surgery. And she sees the shadow
walking behind the curtain and you're like
dressed in white like angel. Totally.
You see that gut so you know it's
John Travolta. You know, and he comes
around the corner and it's John Travolta and I was
like, why are you not
picking him up from the hospital? Did he drive
himself home? Because listen, after a face
off surgery, you're not driving. You're not supposed
to drive after you get your fucking wisdom teeth
taken out. You know it would be great if he's
coming home and it's all angelic and white
and his fucking bags are on the front
porch. Yep. You know why? Because
you're not coming back in this house, pal.
Glad you got your face back. Now, get the
hell out of here. Exactly. I've already
evicted our daughter. I'm going to burn
this house down with every
known family photo.
This family's closed for business.
Erased from existence. He should come back
and it's like a ghost town.
Everyone's gone.
Humbleweeds. Yeah, exactly. The doors
and windows are open and they let nature
go to it you know there's a goat eating a can in the middle of the living room how could you ever
bounce back from this you know how you steal a kid and then make up for your dead kid because they
like joan allen's giving him a hog you know dominique swain comes in she's noticeably not dressed
goth in this because she's cured yeah she's been cured exactly exactly and then he's like oh
by the way and he like like just sashase a little bit and this little kid comes in got a new michael
Yeah, it's Michael, too, like a cat.
We're going to name you Michael, too, like a replacement cat.
And he's just like, oh, this is Adam.
He needs a place to stay.
Oh, geez.
And then, like, the girl, you know, Dominique Swain, like, kneels down.
And she's like, hi, I used to be a goth girl.
Let's go play in the living room.
And she gives him the weird Scientology hello, which is the face thing.
You know, like the indicator in her palm scans his brain or whatever this family's greeting.
It's a real nanoo, nanoo situation.
Okay, he's clean
He's not a robot, let him in
And then he looks up it
He looks up at Joan Allen like
Oh is this cool
Yeah, thanks
Oh sorry little boy
You'll have to sleep in the street tonight
Yeah totally
You know what my husband didn't ask me about this
You get the hell out of my house
I figured it'd be cool because you already
Fucked his dad
So it's kind of like
It's kind of like our son
This is Eskimo Brothers
The movie, huh?
Yeah
It sure is.
It could have came out of you.
It's stupid.
She's like, okay, okay.
Oh my God, it's so wonderful.
A replacement kid.
End credits.
It's outrageous.
That whole acceptance of this kid is more unbelievable than face off surgery.
Even if she was open to the idea of this replacement kid,
the very idea that he would presumptively bring him home would throw that right in the garbage.
You know what I mean?
Well, maybe there's a.
back up here maybe it's like
we'll bring this kid and if you don't
like it you can shoot him
follow up eye for an eye
right yeah that's true i mean that's true
we'll get the corpse of
nicholas cage and put him out
on a merry go around and you can shoot this
kid but follow up question
so okay he gets
this face back on surgery
sure he heals up they laser
him back together he's wolverine so it takes
second totally
where has this child been
through all of that
who knows right because like the last time we see this kid
it's at the coked out hideout
an hour ago in this movie
someone's taken that kid somewhere
so you're telling me that before
John Travolta comes home
to greet his family again
he stops off at some orphanage
and make sure to grab this kid from social services
yeah that or I'm sure
I'm sure they're in the seven hour cut of face off
there's a cut scene of this kid
like living at Margaret Cho's house
he's like the kid from Dick Tracy
you're totally right
maybe there's a side adventure
maybe Margaret Cho and this kid
in between this nab the mad assider
yeah you're right
that case is still wide open
yeah
you know like you ever watch hoarders
when you know the whole thing ends
and then like there's a little scroll at the end
about the aftercare specialist
And I was going to aftercare, which is like therapy after this.
Oh, after a TV show comes into your house?
And ruins your life.
You know, that's the thing.
That's kind of like, that's the payoff.
You don't win money, you win like therapy.
Oh, okay.
That's the end of face off.
A little scroll about the aftercare specialist, working with the archers, figuring this shit out.
I could have, you know, even like where are they now, like freezing, like animal house?
I would love that, too.
One, two, three, a clock, four o'clock, right.
uh yeah yeah totally right dominic swain she became a tour guide at universal studios
ask for goth girl yeah totally and john travolta is the senator or something
him and bluto and cash of troy is still rotten and they show his corpse
because it's rotting now it's still just stuck to that fucking dock with the harpoon
and they just cut the face off and left the body and they should they have a a shot of
His team, it's like, his team learned his lesson and stopped mouthing off at work after that guy got his brains blown out.
Unfortunately, most of the team was dead at this point.
So Margaret Cho just learned to shut out.
Morgan Cho and the other guy.
Or they changed Margaret Cho like, was it Niedemeyer and it's just like, she died in Iraq.
Because right?
Isn't the animal house one guy's like died in Vietnam?
No, yeah, I think Niedemeyer does die in Vietnam.
Yeah, he's MIA in NOM.
Yeah.
Would anybody recommend Face Off?
Oh, big time.
It's a lot of fun.
I mean, like, you feel the length of this movie.
Oh, yeah.
And, I mean, like, it's a fun, stupid watch.
I mean, like, the action scenes are great.
I, you know, I could really write three pages on all of the problems.
Like, what about the teeth?
What about the actual eyes that are different?
Listen, I expect a chapter alone on the Cox.
I'm waiting for this BuzzFeed article, dude.
All the JPEG.
I would recommend this.
I think it's a ton of fun.
I've seen it, like, 20 goddamn times at least.
Oh, yeah.
This is 90s, Eric Sisko.
Oh, this is a modern classic.
I would hate us fat people for yelling about it, too.
I mean, I had a lot of fun with this.
I've definitely seen this movie at least 25 times.
Yep.
But I had not seen it in ages.
So the last time I watched it, yeah, it was like,
fuck yeah, face off.
This time it was like, eh, the action's good.
I mean, it's a lot of fun.
It is.
It's stupid as hell.
It's a lot of fun.
we're sitting here watching it
my wife comes home she's like
you're watching this for an episode
right I was like well yeah
but I'd be watching it anyway
I watched my I mean
did everybody watch their own DVD
no I do not own this
I streamed it on Netflix
I don't own it either
probably because I haven't committed to memory
you just scared the memory banks
yeah I just like close my eyes
and I'm like begin
well I'll tell you this though
like I'm rewatched this
I can't tell you the last time I watch
broken arrow. I saw Win Talkers
once in theaters, it's terrible.
I saw paycheck in theaters. That's fucking
terrible. This is John Woo's...
I don't know. The hard target's a lot of fun.
It's really close. I've
definitely seen Face Off way more than a hard target
though. Yes. Well, I've always seen Face Off
Hard Target as an adult, which
I kind of like Hard Target more as an adult. It's a little
shorter. Oh, it's... I mean,
I think Hard Target's under 100
minutes. Yeah. And Lance
Hendrickson's kind of amazing in it.
Yeah. And you got Brimley with a...
I think it's a hard target.
I got to...
You might be right there.
That's tough.
I mean, I think that's something to solve for another day.
That's Faceoff from 1997, directed by the great John Wu.
If you want to get a hold of us, check us out on our website, wh-hmpodcast.com.
Check out all the other great shows on the sideshow channel, sideshownetwork.
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If you do give us an idea for a shirt
And we use it
We'll definitely get you that free t-shirt
Yeah, you can have a copy of your own shirt
All right
So clue for next week's episode
And this is, am I right?
Is this the big 200th episode?
It's the 200th episode
Well, you know, let's
Why don't we just say
What people will expect it to be
And just say Jim Belushi
Yeah, you're totally right
And just say, you know what?
That's a still storied filmography
There's a lot going on there
It's unmind.
It is unmind.
Or do we want to keep it more vague?
No, no, no.
I mean, Jim Belushi's fine.
I'll say some things that it's not.
It's not Homer and Eddie.
Yep, it's not.
All right.
So what else is it not?
Each do one.
Oh, it is not the Palermo Connection.
Oh, yeah.
And unfortunately, Palermo Connection is not an episode.
It is not retroactive, but it is it.
That is a stay tuned.
That's the time travel one?
Yeah, that is a movie where in people are,
using time travel, basically in a way to elude an evil jimbleushi.
Oh, yeah.
So it's not any of those, but it's a jimbleushi movie.
200 episodes and no end in sight.
And it's all because of the folks that listen to the show.
So next week, we'll be thanking you for that.
All four of us will be on.
So until then, when we're celebrating 200 episodes of this nonsense, I'm Andrew Jupin.
Eric Siska.
Stephen's hate that.
Take it easy.
Thank you.