Welcome to Night Vale - 122 - A Story of Love and Horror, Part 2: "Spire"

Episode Date: February 15, 2018

A story of love and horror. Part 2 of 3. Weather: “Fire Drills” by Dessa http://doomtree.net/ ADDED USA TOUR DATES of "All Hail" (Apr 2018). http://welcometonightvale.com, click on live shows... Music: Disparition http://disparition.info Logo: Rob Wilson http://robwilsonwork.com Written by Joseph Fink & Jeffrey Cranor. Narrated by Cecil Baldwin. http://welcometonightvale.com Follow us on Twitter @NightValeRadio or Facebook. Produced by Night Vale Presents. http://nightvalepresents.com Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:04 Howdy y'all. It is Jeffrey Craneer. I'm not sure which episode of Welcome to Nightville you're listening to, but I am speaking to you from April of 2026. And I'm here to tell you we're going to be in Europe. If you want to see Nightville live and you're going to be in Europe, come check us out at the end of May. We're going to be in Edinburgh on May the 27th. We will be in Manchester on the 28th, London on the 29th, and Amsterdam on May the 30th. Just go to Welcome to Nightville.com slash live to see the show dates and to get your tickets. This is. our newest Nightville live show Murder Night in Blood Forest. It is so much fun. Please come check it out. Also, coming up this month here in April, it is the return of Alice Isn't Dead, brand new episodes of our other crazy hit podcast. This is written by Joseph Fink, produced and with music by Dysperition and starring Jacique and Nicole. So make sure you are still subscribed to Alice Isn't Dead and go get those on April the 13th as new episodes come out. Finally, speaking of other shows, do you want to hear us talk about other things? things. We have three other really great chat shows. First of all, there's Good Morning Nightvale
Starting point is 00:01:09 for all of your Nightvale needs. You can hear Hal, Meg, and Symphony talk about every single episode in order of Welcome to Nightvale. Also, we have Random Horror Number Nine. That is me and Nightville star Cecil Baldwin talking about horror movies one at a time in a random order. And then Joseph and Meg do best, worst, which is a really fun podcast where they look at hit TV shows and they review the best rated on IMDB, the worst rated on IMDB, and if you're a Patreon member, they will review the middlest rated on IMDB. So check out all of those at nightfallpresents.com or just wherever you get your podcast. And hey, thanks. Do you hear that sweet melody, that sweet melody on the breeze? No one else hears that sweet melody, that sweet melody on the
Starting point is 00:01:56 breeze. Welcome to Nightveil. did her best to pretend that she had imagined what she had seen that night in the house of Nazar al-Mujahid, when Barks-on-Wi, the cartoon spokes dog for the sheriff's secret police, had come out of the television and told her that she did not belong, and that they were both doomed. This obviously wasn't an easy thing to forget, but people forget difficult things every day. We are all of us carrying around difficult things like cannonballs rolling, unstable in our heads, occasionally throwing us off balance when they shift too much to one side, but mostly just slowing us down while we pretend nothing is wrong. She and Nazar continued to see each other. He let people
Starting point is 00:03:13 know at school and the faculty and administration were happy for him. Everyone felt that he was always too consumed by high school football, especially Principal Fryman, who grumbled to himself that the team didn't even have a good record to show for all of that obsession. Nazar took Francis to a faculty after-school drinks meetup, the first one he had ever gone to, because he had always spent his evenings prepping for that week's practice, studying game film, drawing up defensive schemes, and slithering around his living room on his belly while hissing like a snake. Francis, in turn, took him to her monthly book club meetup.
Starting point is 00:03:57 This month's book had been Irvine Welsh's Harry Potter and the Cursed Child, the controversial follow-up to his classic novel train spotting. Everyone agreed that it wasn't nearly as good as the original, since it only shared a couple of the main characters. They also agreed that Frances's relationship was having a real effect on her. You hardly seem like the same person, said Jeremy, who had liked Francis before and was jealous that she might change and grow as a person outside of his influence. Jeremy was, all in all, being a real shit.
Starting point is 00:04:34 Everyone else agreed that she seemed to be happier and more open to the world than before she had started dating. Francis quietly wondered if changing so quickly just because you were eating meals with and sometimes sleeping with someone was a good or bad or neutral thing. She thought that change was hardly ever neutral. Through all of this, she pretended that Barks-on-Wi, the cartoon dog, did not appear to her most evenings in her home. But he did. He would crawl out of her television, even if she was watching a channel his commercials didn't play on, or even if the television was off. The proportions of his body, lovably clumsy in two dimensions, seemed a horrifying mistake of nature in three dimensions,
Starting point is 00:05:27 and his features were warped and blurred, as though seen through static. You don't belong together, Barts Anhui said, in a goofy cartoon voice that occasionally veered dizzingly into other pitches. Sometimes a child's giggle or a bassy growl for a few seconds before sliding back to the middle. She would hide under her covers, and she would hear from within the hot dark of her blanket. His familiar cartoon voice say, there is a price that must be paid! And she would scream and scream and then realize she was alone. And then she would choose to pretend that none of this had happened. Nazar did not see Barks-on-Wi, but he was not without his own troubles.
Starting point is 00:06:20 He would find, some evenings, that when he looked in the mirror, there were two of him, one of him sitting behind the other. He would stand, and the second reflection would stand too. It would follow all of his movements from behind his primary reflection. This went on for days. Then one night, he looked in the mirror, and there was only one of him. He sighed, feeling some relief to the tension that had been with him so long as to become his new normal. And that is when, in the mirror, his second reflection stepped into the room, followed by Francis Donaldson.
Starting point is 00:07:02 Nazar whirled. The room he was in was empty. He looked back in the mirror. There was his own face terrified, and behind that, on the bed, there was himself again with Francis. The two of them were kissing passionately. He watched himself kiss, and then his reflection and the Francis in the mirror stopped kissing and looked up at him with startled faces. They stayed frozen that way, and he stayed frozen too. After several moments, the mirror couple smiled. Their smiles got wider and wider, and then they were both dead,
Starting point is 00:07:44 blood covered and sprawling at irregular angles, and then they were alive again and smiling at him. He shouted and stumbled back from the mirror. From then on, he took to covering his mirrors, and that worked for a few days. But then one day he came home to find himself in his bedroom, already sitting in front of the covered bedroom mirror. The hymn that was in his bedroom looked up at him who had just entered with wide eyes and a yawning mouth, and Nazar, who believed himself to be the real Nazar, turned and walked out of his house.
Starting point is 00:08:23 He checked into a motel and decided to stay there for a while. Finally, the strain broke on Nazar and Francis. At Applebee's over lunch, she started crying, and he was so surprised that he started crying. And they were crying at each other and didn't know why the other was crying. And she said, this is going to sound crazy. And he said, you're not going to believe me. And then they told each other, and it didn't sound crazy. And she believed him.
Starting point is 00:08:54 What does it mean? she said, why are we being punished just because we're finally seeing someone? That's a good question, said Barks-on-Wi. He was sitting in the booth next to them. They both yelled in surprise, and the other people in the restaurant looked over with a mix of confusion and annoyance. None of them could see Barks, and so they assumed the couple must have accidentally ordered the electrolysis nachos appetizer. Who are you? asked. Nazar. Me? said Barks, his animated dog face stretching and compressing in mesmerizingly horrible ways.
Starting point is 00:09:34 I'm a construct, he said, in order to allow communication. Communication with who? said Francis. I represent the brownstone spire, said Barks. The brownstone spire was a strange monument at the edge of town. It offered great, gifts in exchange for even greater sacrifices. It was extremely dangerous, and neither of them had ever heard of it trying to communicate with anyone. Barks continued, everything's gone strange since you started dating. You know what I'm talking about? Maybe, Nazar said, thinking of the mirrors in his home.
Starting point is 00:10:20 Maybe, repeated Barks mildly. Maybe it will get even stranger. maybe your conditions will continue to deteriorate. What do you mean deteriorate? she said. We're two people dating. What's wrong with that? This town is a point where many universes meet, said Barks. He was on the other side of the table, next to Francis now. Recently those universes collapsed into each other.
Starting point is 00:10:49 When the mess was finally sorted out, not everyone ended up in the right universe. "'It's me,' said Nazar. "'That explains it. "'The other me in my house. "'plus, my tongue is like two feet long "'and that doesn't seem right. "'I don't belong in this universe.' "'No,' said Barks.
Starting point is 00:11:11 "'It's Francis. "'She doesn't belong here. "'Frances, you switched places "'during the collapse with the Francis of this world, "'and you are coming into contact "'with a person from a different universe, "'which has an exception, exceptionally detrimental effect on reality.
Starting point is 00:11:28 I believe, he said to Nazar, you were saying something about reflections in your house? And now a look at traffic. The cosmology of the universe is thus. First, there is the sphere. The indications of the sphere are warmth and bristle. The colors of the sphere are blue and yellow. Then there is the cube.
Starting point is 00:11:57 The indications of the cube are touch and lift. The colors of the cube are red and white. Then there is the expansive plane. The indications of the expansive plane are speed and shadow. The colors of the expansive plane are myriad. And finally, there is the outward fade. The indications of the outward fade are a ringing bag. and a rush of water.
Starting point is 00:12:27 The colors of the outward fade are none. This has been traffic. And now a word from our sponsors. Mute children perched atop strange formations on desert plateaus. Our eyes gaze toward a horizon that will never change. There is no movement here. No sun, but there is light. No darkness, but there is night.
Starting point is 00:12:55 We do not need to eat, but we are hungry. We have no way to drink, but we are thirsty. We have nothing to sell you. Remember us. This has been a word from our sponsors. Francis couldn't believe it, or she could, but she resolutely chose not to. Nazar thought again and again of the other him and the other her, lying dead on his bed and then smiling and then dead again.
Starting point is 00:13:28 It was true that something was horribly wrong. Perhaps they didn't belong together. Perhaps they didn't belong together so much that the universe itself was collapsing around their relationship. It wasn't fair. Didn't both of them deserve happiness? Cecil here. I'll go ahead and answer that.
Starting point is 00:13:51 They did. But what a person receives and what they deserve is only ever tangentially and coincidentally related. They decided they should go to the brownstone spire. It had offered to help them. They should at least hear out what it was asking for in return. Nazar drove them. Cars stopped working within a few hundred feet of the spire, as the spire prefers humans to approach on foot. Actually, it prefers humans to approach on their bellies, but it takes humble walking as a compromise. The closest parking lot is the radio shack, but of course that one is always full of customers, and so they parked at the Wendy's and parked. Her foot started bothering her, but she didn't know if it was actually bothering her, or if she was just afraid of what the Brownstone Spire would say.
Starting point is 00:14:47 The Brownstone Spire hummed. They fell to their knees before it. Help us, said Nazar. We just want to be together, Francis said. I don't know if we belong together, but we make each other happy. Isn't that something worthwhile? Don't we get at least that? The Brownstone Spire heard.
Starting point is 00:15:12 It hummed. It already knew the problem, and it already knew the solution, and it already knew the price. It told these humans all three by implanting the thoughts directly in their brains. Francis threw up. Nazar wept. There was a solution,
Starting point is 00:15:33 but the price was unthinkable. It was impossible. It was inhuman. Of course, the spire isn't human, nor possible, nor even thinkable. They walked back to the car in silence And now The weather
Starting point is 00:15:52 We were something got confused If it was from a two that we were running I've seen Gibraltar I've seen the Taj Mahal Suo, Iya Sophia chef shouting paints the walls blue I've played to full rooms I've played the full too Burning through the bottoms of a parent
Starting point is 00:16:23 Ain't my kids now A woman on a parking tickets on the Port is the vixion of the wolf pack To patient zero he can have his rib back Hope to break As a woman I wish something left to take So you shouldn't try to stay too late
Starting point is 00:17:10 Or talk to strangers Look too long, go too far out of range Because angels can't watch Everybody all the time Stay close, hem's low Safe inside That formula works if you can live it But it works by putting half the world off limits
Starting point is 00:17:25 How we say be careful Stay safe in any given instance That don't hurt It sinks in like stilettos and soft earth like the big win is not a day without an incident I beg to differ with it I think a woman's worth I think that she deserves a better line of work than motherfucking vigilance don't give me vigilance but definition you can't make a difference if the big ambition is simply standing sentry to your innocence that's not a way to live that can't be what a woman is that gives them nothing to inspire to
Starting point is 00:18:21 what that is what that is just a life of running. fire drills. We'll run at fire drills. We'll run in fire drills. That evening they sat in Francis Donaldson's living room and thought about what to do. Impossible, she said. Unthinkable, he said. Then we agree, she said.
Starting point is 00:19:21 Of course we agree, he said. What else is there, he said. We're not monsters, he said. Right, she said. I want to show you something, said Barks-on-we. He was on the TV screen so close that whatever backdrop was invisible, just his exaggerated snout and his wild eyes. Come here!
Starting point is 00:19:43 Both of them knew for certain they would refuse, and both stepped forward obediently. In here, said Barks, into the TV! Francis put her hand on the screen and felt nothing. It was a hollow frame. She put her hand through the frame. Her hand felt like her hand, no different than it had a moment before. She leaned down and put her torso in, and she felt a pull like gravity, and she fell downwards through the TV screen.
Starting point is 00:20:17 She was in her living room again. It looked very much like her living room, although a few details were different. The framed poster from the International Musee de Cates in Paris was now from the Museo International International Canal de los Gatos in Mexico City. The taxidermy deerfoot penholder on the mantle was now a taxidermy boar's foot penholder. Nazer tumbled in next to her. Oh, cool penholder, he said. Francis took his hand and helped him up. They looked around and then out the front window. Francis was outside working in the garden. A different Francis, in the garden, being one. watched by the first Francis in the living room.
Starting point is 00:21:05 The Francis from your universe, Nazer, said Barnes. His three-dimensional form was enormous this time, taking up the living room from floor to ceiling, although he displaced nothing in it. And Francis and Nazer had plenty of room to stand. She ended up in this universe, and the Francis from this universe, that's you, Francis, ended up in hers,
Starting point is 00:21:29 a silly mix-up. but these things do need to be set right, or else both of you will slip farther and farther into the gap between universes until neither of you exist anymore. Francis couldn't take her eyes off herself in the garden. Try to stay together, said Barks, and you both will cease to exist. The Francis in the garden waved to Jackie Fierro, who was biking past.
Starting point is 00:21:56 A car drove by. In it was Dana Cardinal, and her brother. They waved two. Enough, said Barks, grabbing them and pulling them upward. They were all back on the couch in Francis's living room, or the living room she had thought was hers. There was only one Francis here. You know the price, said Barks. He crawled backwards into the TV, staring intently with his droopy animated eyes.
Starting point is 00:22:26 There are only two ways forward. The first is that this Francis returns to her correct universe, and you two never see each other again. The other would allow the two of you to live as long and as happy as anyone can together. It would be simple, but in order for that to happen, the spire will destroy the other universe and every person who lives within it. That Francis and every other person in that world will see. cease to exist, but then you would be able to flourish in this universe. He was fully back onto the screen, a two-dimensional cartoon dog in a neon yellow cartoon backdrop, but his eyes were still huge, like they were inches away.
Starting point is 00:23:18 You don't have long to decide! He gave a silly laugh, the kind he did at the end of his appearance on children's shows. the laugh that made children laugh back at how silly it was. But this silly laugh did not end. For several minutes, Nazer and Francis stared at him, and he stared back, laughing. Stay tuned next for a decision to be made. Good night, Night Vale.
Starting point is 00:23:50 Good night. Welcome to Night Vale. It's a production of Nightvale Presents. It is written by Joseph Fink and Jeffrey Crane. and produced by Joseph Fink. The voice of Night Vale is Cecil Baldwin. Original music by Dysperition. All of it can be found at disparition.info.
Starting point is 00:24:15 Or at disparition.bancamp.com. This episode's weather was Fire Drills by Dessa, from her upcoming album, Chime. For more information, go to Doomtree.net. Comments, questions, email us at info at welcome to nightvail.com. or follow us on Twitter at Nightville Radio, or swim in water so clear that you know tangibly in the moment what flying would feel like. Check out Welcome to Nightvale.com for more information on this show and our winter merch,
Starting point is 00:24:49 because we all deserve to wear leggings covered in teeth. Today's proverb, I'm going to give you a piece of my mind. It's in this clay jar. Please keep it in a cool, dark place and away from cats. Hi, we're Meg Bashminer. And Joseph Fink. of Welcome to Nightvail, and on our new show, The Best Worst, we explore the Golden Age of Television. To do that, we're watching the IMDB viewer-rated best and worst episodes of classic TV shows.
Starting point is 00:25:25 The episode of Star Trek, where Beverly Crusher has sex with a ghost, the episode of the X-Files, where Scully gets attacked by a vicious house cat. And also, the really good episodes, too. What can we learn from the best and worst of great television? Like, for example, is it really a bad episode, or do people just hate women? The Best Worst. available wherever you get your podcasts.

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