Werewolf Ambulance: A Horror Movie Comedy Podcast - Episode 18- Slumber Party Massacre (1982) & Kelly Morr of Other Halves

Episode Date: February 23, 2015

In this very special episode of Werewolf Ambulance, we are celebrating Women in Horror month by first discussing the 1982 cult slasher film "Slumber Party Massacre," which was written, directed and produced by women.  Topics include Sylvester Stallone's vacant look, being able to do a layup, the portability of power tools, 'Roger Corman' as a verb and excitingly, in a new Werewolf Ambulance feature: the titty bell! Afterwards, we have a conversation with Kelly Morr, writer and producer of the indie horror movie "Other Halves" about making an indie film, the production process and what "Other Halves" is all about.  If you like this episode, please tell a friend! And as always, we'd love to hear from you about what you thought of this movie or this episode, or movies you'd like to discuss. You can also talk to us at facebook.com/werewolfambulance, twitter.com/werebulance or instagram.com/werewolfambulance. Werewolf Ambulance is a horror movie comedy podcast. 

Hi, and welcome to another episode of WhereW Wolf Ambulance. I'm here with my friend Alan. Hi, Alan. How are you? Good. How are you? I'm doing really well, thank you. That's great. Today, we are doing a very special episode of WhereWaf Ambulance. I'm to be talking about the 1982 cult classic slasher feminist movie boobs. Boobbs. Slumber Party Massacre and then we're going to be talking to Kelly Moore who is a writer and producer on the indie horror film other halves which is currently in production. So Katie, like you said we're going to be talking about Slumber party massacre and if you're a first-time listener, we are going to be doing spoilers. So if you care

about that kind of stuff, watch the movie first. This one you probably don't need to. It's pretty much, it's all on the trailer for sure. Yeah, I don't even know if that was, was that an officially licensed trailer ti ti the- tha. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. I th. Yeah. I th. I th. Yeah. I th. I th. I th. I th. I that that was that was th. I th. I th. Yeah. Yeah. Yeah. I th. Yeah. I th. I th. I th. I th. I th. I th. I th. I th. I th. I th. I th. I th. I th. I th. I th. Yeah. Yeah. I th. Yeah. Yeah. Yeah. Yeah. I th. Yeah. Yeah. Yeah. Yeah. Yeah. I th. Yeah. Yeah. I. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th was titty town. It is a Roger Corman production. It's really. Yeah. I mean my very first note says titties are the opening credits even over yet and then nope. I might have to put a bell sound affected for every time we say titties. Yeah I think I estimated I would say it 14 times I think I met too. This movie is directed by Amy Holden Jones, aka Amy Jones, and it's written by Rita May Brown, which for those of you who don't know was a feminist writer, she wrote a book called the Ruby Fruit Jungle, and now she writes like cozy mysteries, you know, SolvehMystries

with a Kitty Cat kind of thing. And this was originally a, supposed to be a parody of the slasher genre. And then Roger Corman agreed to do the movie, it was like, nope, it's just a straight slasher. Yeah. They took all the parody out of it. Yeah. And yeah, it's. So the premise of the movie is that that is that the movie is that is the movie is the movie is that the movie is that the movie is that the movie is that the movie is that the movie is that the movie is that that the movie is that the movie is that that the movie is that the movie of the movie is that there are these pretty high school girls who take

gym class basketball super seriously. Because if there's anything that high school girls of attractive nature take seriously, it's gym class. Maybe they were practicing for like a team sport, but I'm just going to go ahead and say it was gym class. I think they were, I think they were the girls basketball team because next next week was baseball tryouts. They were going to be on the baseball team next week. Oh I see. Really like what this movie is is it's a cautionary tale about not inviting the girl who can do lay-ups to your party I think at its core. I mean am I wrong? I mean I'm wrong. I think it's a cautionary tale about why you

should read Playgirl magazine. I am going to, I just watched this movie right before I came here and I am seriously going home and looking up that issue to see if I can find sly with that vacant look in his eyes. So okay so these high school girls are having a slumber party. They have excluded Valerie who is the new girl and then some dudes come over. Yeah, they're like, hey guys, come on in. Of course, because everyone invites the peeping tom shit bag into the party. Sure. And then everybody gets murdered by a guy who has escaped from... Jail. Jail! Because he loves them, it's very confusing. Also speaking of confusing, every...

all of the women in this movie kind of looked alike. So for the first 10 minutes I was like, is that the gym teacher? Wait, is that the gym teacher? You really tell apart from the get-go was Diane because she looks like an 80s snooky. Oh God, she did look snookyish. And also, I'm just, I'm going to just tell you everything I think about this movie right now. I think it was cast based on like how good their legs were because everyone had fantastic legs in this movie. Oh, and th, and th, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, and, thi, thi, and, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thithis movie. Oh, and titties. Three.

Yeah, I mean, so it was supposed to be this parody critique, sort of feminist take on the slasher genre written by Rita May Brown. And I got Roger Cormanned. Like, yeah, there are, there there are, like, my first note is boobs in under two minutes. And the shot of the boobs is the woman just staring into the mirror at her boobs. At her boobs. And it's so weird, it's like... I mean, within the first, I would say eight minutes, there's boobs, but at least 12 sets of titties. Yeah. Four. And... I'll be digging them. You don't have to count them. Okay, fine. We'll fix it in post.

No way, leaving them in. And two, like, two ladies being murdered within the first eight minutes of the tooie. Yeah. With a cordless drill. I didn't even know, first of all, I wasn't born yet in 1982 I know. I didn't. I know. I didn't know that they had cordless tools. I kept being like, where is this plugged in? There's a movie call. They, I didn't know they had them, this other culture. First of all, 1982 is totally the 70s. Everything just looks like the 70s. Yeah, a lot of feathered hair, a lot of really short basketball shorts. Yeah, it was, it was, it sometimes forget that the decades just bleed into one another it's not like

the hangover of the decade. All the sudden 80s hit and everyone had huge shoulder pads and skinny ties. Yeah. What were we saying? I was talking about cordless drills. There's a movie called Driller Killer in the 70s which is all about a dude who kills people with a power drill. He finds out that you can hook a power drill up to a battery pack that you wear around your waist. So, that's the, yeah. I just sort of remember in like fright and mare, I feel like she had it plugged in.

Yeah. It's just plugged into the wall. It's not very portable. And on the note of feminism, like the women in this movie are doing, sort sort sort sort sort sort sort sort sort sort sort sort sort sort sort sort sort sort sort sort sort sort, the women, the women, the women, the women, the women, the women, the women, the women, the women, the women, the women, the women, the women, the, the, the women, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, th............ the. the. the. the. the. the. the. the. I, the, the. I, the, the male things. They talk a lot about sports. They're talking about baseball and dust, I think they talked about Dusty Baker for a while. They smoke weed, they look at porn. Right.

But they're still punished for sexual, but they're still punished for sexuality, so I don't know. Not so feminist. They're almost punished for being sexual beings. Right. Existing as something that, yeah. But also the dudes get killed too, so whatever. Everybody dies. Spoiler alert.

I think other than one of the final kills, it's only guys that you see get murdered. All the kills of the women happen off screen. Wait, okay, so first there's the phone see that. Then you just see her body later. Then Linda, who is punished for her commitment to academics when she goes back to get her school books. And you don't see her, you just see the blood come out under the door. Oh yeah.

You see her get like blapsed with the drill. Also, drill, I understand the metaphor of the drill, swinging between the guys legs. But the the the the the the the the the th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, thu, tho, tho, tho, tho, tho, and then, tho, tho, tho, tho, tho, and then, tho, tho, to, to, and then, to, and then, tho, tho, tho, th, th, th, th, th, th, th, th, th, th, th, th, th, th, and, and, and, and, th, and, th., th., tho, tho, tho, tho, tho, thin, tho, tho, tho, thoooooooooooooooooooooooooooooooooooooooooooeners. But like, just fucking throw your shirt on there. You've bound up the drill. It's Dunzo and then just start beating the dude's ass. Oh, you do you do see the gym teacher, coach. You see coach get killed. Right.

She gets like slashed across the stomach. Does that, I don't think it should kill her, but she never comes back. And then you see, you see the one girl in the USA like tank top get stabbed. And then you see the girl get slashed the girl who was hungry for pizza right after the death of the pizza driver. My favorite person in the movie. She was excellent. She was like, I feel better already eating that piece of pizza. I thrown out of his the. And, I, and the, and the, and the, and their, and th, and their, and their, and their, and their, and their, and th, and their, and th, and thi, and that, and that, and that, and that, and thi, and their, and their, and the girl, and the girl, and the girl, and the girl, and the girl, and the girl, and the girl, and then, and the girl, and the girl, and the girl, and the girl, and the girl, and the girl, and the girl, and the girl, and the girl, and the girl, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, and I was, the the th..... Yeah, and the the th. Yeah, and the the the the the the the girl, and the girl, and the girl, and the girl, and I was good. But then it was so weird when the pizza delivery guy came over and his eyes had fallen out of his head. Well if he had shown up I would have pushed him out of the door not brought him into the door. Yeah, I like they dragged the body inside they were like well here he is here's the pie. Yeah. Yeah, it loved that she ate the pizza though. Yeah. It looks okay. Yeah, looks okay. Yeah, it's okay. It looks. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. th. th. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's, it's this movie. Yeah, I mean, there's not, it's a by the numbers slasher with some, like, there's definitely some satire going on and there's some like decent comedic things going on in it, I think.

Like little like, not comedic, more subtle, funny things. Like the whole thing with like the women being so focused on sports, like the, like, just like breaking those stereotypes. Yeah, I couldn't tell if that was meant to be comedic or if it was just like a point being made, but being made poorly. Like, they could not figure out how the sixth run got scored in the last night's baseball game and they were all talking about it.... and they were all, and they were all, and they were all, and they were all, and they were all, and the they were all, and they were all, the the they were all, the they were all, they were all, their, they were all, they were all, they were, they they were, they were all, thi, they were all, they were, they were, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, they. And they. And they're they. Yeah, they're they're they're they're they're they're they're they're they're they're they're they're they're they're they. Yeah, they're they. Yeah, their, like, I was like that's not even I don't know. Is it I don't I didn't hang out with the sports ladies in high school so I don't know if that's what they they chatted about. I probably not. Probably not. I don't want to play my hand too much of the ratings portion but like I think it's just a poorly executed slasher movie for the most part like I the music the music was fine I love the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music the music I the music the music the music the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. the music. the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. I the music. the music. I the the music. the music. I the music. I the music. I the music. I the music. I'm. I the music. I want to talk about it. Okay. It does that like, boo-boo-boo-bo-boo-bo-

Boop, boo-poo-poo. Thing that I really like. I really liked it. It does that and those Halloween-esque organs stamps all the time. I thought it was great. Yeah, so that was fine. I thought the acting was fine. Yeah, it was fine. It was hard to tell because it was so blurry on YouTube, but I could see them emoting a little bit. Like the directing seemed to be fine. I think that just the script got like, I mean, there were some neat stuff of just like people like cutting away to different characters

that were doing the same sort of motions and actions and like going between them that was really neat. I thought the way she did that. There was one cut that I really liked where the headless Irish boyfriend is in the car. She like finds the his body and as it's like it cuts like from the stump of his neck to the strawberry dacker. Yeah, the blender I was like, oh I was like, oh, that that was like that was like that was like that was like that was like that was like that was like that was like that was a a that was a that was a that was a that was a that was a that was a that was a nice. That was a nice. That was a nice. That was a nice. That was a nice. that was a nice. that was a nice. That was a nice. That was a nice. That was a nice. That was a that I was a that I was a that I was a that I really. That was a that I was a that I was a that I was a that I was a nice. That was a nice. That was a nice. that was a nice. that was a nice. That was a nice. That was a nice. That was a. that was a. that was a. that was a. that was a. that was a. that was a. that was a. that was a. that was a. that was a that was a that was a that was a that was a that was a that that that the. that that was a that that that that was a that was a that was a that was a that was a that was a that was a that's a poorly executed slasher, I just think it's a run-of-the-mill slasher. I don't know. When it gets it gets so hyped up as being, like I've heard about it for years. I've seen it before, but I've heard about it for years as like, this is the feminist take-on slasher. And you can put that on it, I think. You can definitely put that veneer over this that that that that that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that that's that that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's that's theer. theer. theer. theer. theer. theer. theer. theernereeer. Ieer. I've theeeeereereer. I've theeeeeeeeereeer. I've that's that's that's that's that with a lot of other movies too. You could like, you know, sort of put that that feminist bent onto things. Because I think it got Roger Corman. So he's like, no, there has to be T&A in this thing. Or else no one's going to come and see it.

What does Tee stand for? T is, hold on. No, you know this. Tiddies! And so Roger, I mean, you know, he's notoriously scummy for that stuff. Oh, yeah. The scummiest of scummy. I remember reading about humanoids from the deep, which is also directed by a woman. And it's all about these fishmen that come up and rape human women to make, to procreate. This is why I don't swim in bodies of water. I mean one of many reasons. So in that movie the rapes she's rape scenes were all shot in silhouette and they were all

kept off screen basically and Roger Korn was like nope and went back had somebody else go back in and reshoot the rape scene so they're on the screen so you saw a test an ass and ass. And it's just like, uh, yeah, I mean, and I understand he's getting asses and seats, and I understand that, and it's the lowest common denominator and all that. I mean, the shower scene in this movie is, it's the, they're walking into the shower and one woman says to another, I think, what'd she say? I think my tits are getting bigger. Oh, I then there's just boobs and butts and like people just washing

their butts and all that. And I was like, wait, is washing your butt erotic? I don't know. And then sharing the bar of soap with your friend to wash her butt? thrown? It's, it seemed a little unhygienic, if anything. Yeah. Yeah, there's no, there, there's, there's, there's, there's, there's, there's, there's, there's, there's, there's no, there's no, there's no, there's no, there's no, there's no, there's no, they. It's no, their. It's, their. It's, their. It's th. It's, th. th. th. th. th. th. th. th. th. th. th. th. th. th. Was. Was. Was. Was. Was. Was. Was. Was. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's. It's th. It's th. It's th. It's th. It's the. the. the. the. thea. th. th. the. th. th. th. th. th. th. th. not, I did not, not enjoy it. Yeah. It was, also, it's so short. It's like an hour long. It's like an hour long.

It's like an hour and 17. And they kill a lot of people in that hour and 17. It's got your high body count. Yep, like that. Although the kills I could have, it was just, they were kind of me. Yeah, I think that's what I mean by being the Like, granted, this is at the start of the slasher. Like, we hadn't gotten a Friday the 13th part 6 at this point, so it wasn't like, oh, I'm gonna beat you to death in a sleeping bag. Like, we haven't up, like, up the ante that much yet, or like all the Night has no real motive he just gets out of jail and starts killing but there's no no connection. He doesn't

talk until the end of the movie. No and he looks fucking upsettingly like my next-door neighbor. Upsettingly. He reminded me of a Bob from Twin Peaks too. Yeah, I think that was just the gene jacket. Yeah, yeah he was denim on the can. And then when he does he he he he he he he he he he he he he he he he he he he he he he he he he he he he he he he th he th th th th th th th th th th th tho th thi thi thi the the the the. He th is th is th. He th. He th. He th is th is th. He doesn't th is th th th th th is th is th is th is th is th is th is th is th is th is th is th is th is th is th is th is th is th is th is th is th is th th the is the is the is the is the the the the the the the the the the the the the the the the the the the the the the th, the Canadian tuxedo. And then when he does talk, he just says the rapiest shit on her. Yeah, you know you want it. Like, you're, no, I don't get out of here. I just, ugh. Which again, I thought was like that, like, oh, this could have been better. It could have been like, you know, agenda if there's one in there.

Like, you know, it just, it didn't, I don't know. I watched this, the first time I saw this movie, I saw it with a group of friends, and it was fun. Because we were talking over it and having fun. It's definitely a yellowel at the screen kind of movie. You don't need to hear the dialogue. You know exactly what It's disappointing that a feminist slasher would have so little substance. Well that's I I've been reading a bit about it like different like bitch magazine has a big write-up on it online and just and

then going to Rotten Tomatoes and reading the reviews where it's like I don't see this as being feminist at all or it seems people either coming down like it's not feminist at all or it's very feminist and you're just not getting the the the the the the the the th. th. th. th. th. th. th. th. th. th. I th. I th. I th. I's like like like like like like like like th. I'm just th. I'm th. I'm th. I'm th. I'm th. I'm th. I'm th. I'm th. I'm. I'm. I'm. I's like. I's like. I's like. I's like. I's like. I's like. I's like. I's like. I's. I's. I's. I's. I's. I's. I's. I's. I's. I's. I's like. I's like. I's like. I's like. I's like. I's like. I's like. I's like. I's like. I's like. I's like. I'm. I'm. I'm th. I'm th. I'm th. I'm th. th. th. th. th. th. th. th. th. th. th. th. th. I'm th. I'm thi. I'm thi.'s very feminist and you're just not getting it. I hate that attitude like it. It's like when you tell someone you don't like tool and they're like well you just don't get it. No I get it I just don't like it. Why'd you have to bring tool down? Yeah I just think that's such a shitty attitude to take. Yeah it can be for sure because you with with with with that that that that that that that that their to be that to be to be that to be to be to be to be to be to be their to be to be to be to be to be to be to be to be to be to be to to to to to to to to to to to to bring to to to to bring to to bring to bring to to to bring to to to to to to to to to to to to to to to to me to me to me to me to me told told told told the the their their their their their their their their their. their. the their. I I the the the the the told. I the the told. I the the tool. I the told. I told. I told. I told. I just. I just. I just. I just. I just. I just. I just. I just. I just. think that's such a shitty attitude to take. Yeah, it can be, for sure. Because with that attitude, you're not offering, you're becoming standoffish from the get-go. So it's not like, I'm going to explain why I think this is a thing.

You're just saying, you're just don't get it, so, mr. So I would like to talk about pizza eating lady? Oh the pizza eating lady. Because I, you may not know about this about me, listeners, but I think that pizza is the perfect food. But, so- Controversial opinion, pizza is good. Well, some people say tacos, I go pizza. Oh, I didn't know you go to, you had to pick one or the other. Can I pick like ice cream sandwiches? You can pick whatever you want the the the the the pizza. the the the the the the pizza. the the the pizza. You the the pizza. You're the the pizza. You're the pizza. Oh the pizza. Oh the the pizza. the pizza. the pizza. the pizza. the pizza. the the the the the pizza. I the the pizza. I'm the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the ta. I ta. I ta. P. P. P. ta. ta. ta. ta. ta. ta. ta. ta. ta. ta. ta. ta. ta. ta or the other. Can I pick like ice cream sandwiches? You can pick whatever you want. You're wrong because it's pizza. It's obviously ice cream sandwiches. So Courtney is my second favorite character. Courtney. She is so fucked. She's the younger sister of Valerie. Valerie is the one who can do layups. Right and Valerie is the one who can't see dunk seemingly. She is the, I was gonna to say she's the all-American, but they all sort of are. Oh yeah, they are all very much in them. They're all California, Leggy. The Laurie Strode sort of Halloween thing. Yeah. But she is not,

she is the least wholesome of them, despite being like the youngest, I think she's talking about, well maybe not. Forget I said that. Well no, because the youngest. I think she's talking about, well, maybe not. Forget I said that. Well, no, because they're she is the, she's the only one who isn't being ogled through the entire film. The rest of the girls constantly have, whether it's the killer or the two creep dudes or the shitty next door neighbor. There's all these men. You thought Mr. Contact? I could not understand them. Something like that. Mr. Conrad? I wrote down Mr. Contact. I believe his name is Mr. Conrad. He was a creep. He seemed like, they all just, all the dudes in the movie, like, I have a note that just says, uh, all the dudes in this movie are scuzz buckets.

Because they're all just like, they're all just like,'re all just like they three dudes hanging out at a women's basketball game or practice. Oh yeah just staring and raiding the women. Yeah. And what could be more feminist than that really? I was like oh when are we just gonna have the porkies like drill a hole in the wall staring scene like yeah we didn't have to do that because the film just did that for us? Yeah the film yeah they just panned the the the the the the the the the the they they just the the the they just the the the the the the the the the the the the the th. th. th. th. th. th. th. th. th. th. th. th. the the. the. th. th. th. th. th. th. th. th. th. th. the the their their their their their their their their their their their their their their their their th. th. th. I I th. I th. I th. I th. I th. I th. I th. I just just just just just just just just just just just just just just just just just just th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. to do that because the film just did that for us. Yeah, the film, yeah, they just panned around the shower scene. So, Courtney is the younger sister to Valerie and wants to be her older sister, seemingly. She wants to read her older sisters play girls and she wants to have her older sisters. You don't read them, Alan. Oh, I just read them for the, you know, she's just looking up to her older sister, but

she's like, she's the snarky conscious of this film, I think, like when they're here something across the street and her sister's like, no, I don't want to go, they were dicks to me, so I'm not going to go check on these women. And Courtney's like, fuck that noise and live, you know. She wants to drink beer and hang out and probably eat pizza. Yeah. Because who doesn't love pizza? And Valerie's the naysayer, but... Valerie's got to keep that figure for her layups. How many times have I said lay-ups? Probably more than titties, honestly. I do have a question about that opening scene after you see Trish's boobs. Yeah. And she starts packing up the dolls in her room.

Yeah, she's an adult now. She's putting away childish things. Right. Yet she leaves the fucking nightmare doll sitting on. Was that George Washington doll? What was it? I like, I like paused YouTube. It was like a George Washington clown though. Yeah, it was really scary. Yeah, I, I, I th, I th, I th, I th, I th. I th. I th. I th. I th. I th. I th. I th. I th. I th. I th th th th th th th th th that that that that that that that that that that that that that that that that that that that. She's that. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's th. She's an th. She's an th th. She's an th th th that that that that that that that that that that that that that that that that that that that that that that that that and I was like, I think it's George Washington. It was like a George Washington clown, though.

Yeah, it was really weird. Yeah, it was really scary. Yet the Barbie doll gets thrown away. Yeah, well that's more childish than a George Washington marionette, right? I don't know. He's the father of our country, he birthed this. He sprang from his loins.

There's the one scene where the woman's making collade and putting sugar in it without measuring the sugar that was pretty stoked on. Yeah. Things you can do when you're a kid. I was just going to point out other stupid things about this. Why does everyone in this movie have to go into the garage? Why does everything, why is everything they own in the garage? I don't know. Maybe because...

I mean, again, the fuses would be there. You don't have a basement. But why do they have to gliq? Why do the one kid have to go the one, the one, the one, the one, the one, the one, tho, tho, tho, tho, tho, th, tho, tho, th, thi, thi, thi, tho, tho, tho, tho, tho, why, why, why, thi, why, why is tho, why is tho, why is, why is everything, why is everything, why, why is everything, why, why, why, why is everything, why, why, why, why is, why, why is everything, why, why, why, why, why, why is, why, why is, why is, why is, why the the the the the th.... th. th. th. th. th. th. thi, why, why is thi, thi, thi, thi, thi, thi, thi, thi, the thi, thi. thoo, thoooooo, thooooooooo, thooooooooooo, thi, thto go to Mr. Contact's house. He was already, he was outside and he goes back inside to the garage. Don't go in there. Given the directions that he has to go through the garage. Yeah, and he was like, oh, okay. Can you not, does Mr. Contact have to get to his house through the garage? I'm sorry, what did you say? Yeah, I don't. Maybe it's a commentary. Maybe it's. Maybe it's. Maybe it's. Maybe it's. Maybe it's. Maybe it's. Maybe it's the the the the the the the the the the th. Maybe it's that's that that that that that that he's that he's that he's that he's that he's that he's that he's that he's the direction. Maybe. Maybe. Maybe. Maybe. Maybe. Maybe, that he's that he's that he's that he's that he's that he's that he's that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that he that th. Maybe. Maybe. Maybe. Maybe. Maybe. Maybe. th. th. th. th. th. th. the. the. the. the. G. th. G. the. G. th. G. that's that's that's... You should go on the street then because the garage won't get you there. Well the one guy was going out the front door and he was going out the back door. And that's why you had to go to Mr. Conta. I don't have a garage. I don't have a garage. I don't have a garage. I don't have a garage. I to to to to to the to the the to the the to the the the the the the the the the the the the the the the the the they. I'm. I'm. I'm. I'm. I don't. I don't. I don't. I th. I th. I don't. the. the. the. to. I to. to. to. the. the. the. the. the. I. I. I. I. I. I'm. I. I'm. I. I'm. I. I. the. the. the. the. the. the. the. the. the. the. the. the. the. I. the. the. the. the. the. the. the. the. the. the............................................................................ put as much flash and bang into it. Yeah, I guess. I do have to know that there's so much nudity in this film that I feel like they're pandering

to me. They are. Yeah, there's just not much to this damn movie. Mm-mm. It's short and there's no, the characters have no development, and then they die. Yeah, so I think we're ready to move on to the ratings portion Katie. Okay. I would like you to go first. Okay. You know, I mean I didn't, I enjoyed this movie. I enjoyed the time I spent watching it. I might watch it again just to like yell in a yell at the screen scenario. Right.

Um, though it is a huge bummer that it could have been more of like a feminist statement instead turned into like tit show and dick murder basically. Tit show and dick murder. Yeah, that's actually, that's gonna be our traveling, uh, our traveling band now. Tit show and dick murder. Oh, it's my favorite cop show from the seven days. Oh, that's better. Take all that thing that I just said. Tits show and dick murder. Yeah, I mean, that's like the least feminist thing ever, so for.

Is there something that you can think of that's like a more feminist take on a horror film? Mmm. Not off the top of my head. I mean, I think of something like Baba Duke, which is very much from a feminine perspective. Yeah. I think you can make the argument the argument the argument the argument the argument the argument the argument the argument the argument that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that that you can that you can that you can that you can that you can that you can that you can that you can that you that you that you that you that you that you can that you can that you can that you can that you can that you can that you can that you can that you can that you can that that that that that that that that that that that that that that's that's that's the the the the the the the the theoooooo the the the the the the the the the the the that make the argument that a lot of the times the women who survive slasher films are sort of like, you know, because they're badass tough ladies who don't let this guy win. Right. But I don't necessarily think that's a feminist perspective either. So, just knowing that this was intended to be that and got all tidied up I'm sorry I'm just trying to hit my quota It is like makes it even more disappointing than just a standard slasher you know what I mean right almost what it could have been Yeah, yeah, exactly. Hmm. Hmm. It's very interesting. I would give it a four.

That's, yeah. I would, uh, I wouldn't talk somebody out of watching it. No. It wouldn't be at the top of my list to, to, um, and it would not be like, if someone asked me, what's a good feminist take on horror films? What would you say? I don't know. Like, I, I think of the remake of the remake Living Dead, where they took the character, the female

lead sort of in Night the Living Dead that was very, just screamed or had blank stairs, and they took her and made her very proactive, very much involved with what was going on. But again, I don't know if that's a feminist take as much as it is just a humanizing of, you know. Yeah. Or even like, I don't know, the dissent, which is an all-female cast. Right. It's not presenting a particularly feminist idea or anything. Right, right. I don't know. Is there a feminist horror movie? I don't know. Maybe that's something our listeners our listeners can weigh in. Yeah, putting us in a direction if you can, th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. Yeah. th. th. th. th. th. th. th. th. th. Yeah, I, I, I, I'm, I'm, I'm, I'm, I'm, I's, I's, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I the, I the, I the, I the, I'm, I'm the the the the the the th. th. the th. th. th. th. the th. th. the the the the the the the the the the the the the if you can think of something that... Let us know. Because I don't think yeah just having an all-female cast makes it a feminist movie. I feel like someone's gonna say that movie Jennifer's body, what's her name, Megan Fox? Oh yeah, I've never seen it either but I really liked that whole song. I was gonna say isn't it named ever. I was gonna, I'm gonna, I'm gonna, you're, I'm, i. to say say say say say say say say say say say say say say say say say say say say say say, the same... their. their. their. their. their. their. their. to say, to say, to say, to say, to say, to say, to say, to say, isn't a to say, to say, to say, isn't a to say, isn't a to say, to say, to say, to say, to say. to say. to say, to say. to say, to say. to say, to say, to say. to say, their a a a their a their a their a their a their a their a their a their a their a their a their a their a their their their. just just just just just just just just a their. their. their. their. th. that's a that's a th. that's a th. that's a th. thi. thi. Just, just just, th. th. Just, th. th. to. to cover it, it was great. With Carrie from the God Monster of Indian Flazips, so she could really wail.

I've never seen any there, I just get the impression that that's what it is. Yeah, yeah, I think there's, it's got to, they have to exist, I would think at this point. But I just don't, off the top of you have, you can weigh in on this. Yeah, let us know what you think. Some ideas. So you can let us know on Facebook, what's Facebook.com, backslash, where will fambulance. We're on Twitter. Don't let us know there because it's 140 characters and I try to respond and I have to make all these terrible grammatical errors because I have to fit it all in. That's Twitter is on Twitter. Wearbulance.

Wearbulance on Twitter. What are we? Wherebulance. On Twitter, yeah. And then we're on Instagram. It's a wearable fambulance. Yeah. Speaking of audience participation, our good friend Jim Robinson made the scattergraph

exists. We'll put it up on Facebook. Yeah, it's pretty outstanding. And Twitter and Instagram, in the following places. Fuck it, I'll put it on Tumblr and see what happens. Yeah, maybe you'll get some, what do you like, do you like things on Tumblr? Who knows? Good thing we got that tumler. Yeah, thank you, Jim. That is incredible. Yeah, thank you, Jim. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. the th. the th. the th. the the the the the the the their their their their their their their their and their and their and their and their and their and their their their their their their their their their their their their their their their their their their their their their their their and their their their their their their their their their their thi. And thi. And thi. thi. thi. thi. thi. th. thi. th. thi. thi. And th. And thi. And thi. And thi. And the believe it's real. And everyone who again has told somebody about us and rated us on iTunes and the response has just been overwhelming. Like we're getting more downloads than we have ever and it's really exciting. Yeah, thank you so much.

Yeah, you guys are the best. Yeah, you really are. I'd like to think that we'd be doing this if no one was listening, but we wouldn't, because we need, we, we, we, we, we, we, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need, we need that, we need, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to to like to think that we'd be doing this if no one was listening, but we wouldn't be. We wouldn't because we we need that validation. So thank you so much and... And next up we'll be interviewing Kelly Moore from Other Havs. So stick around. Okay so why don't you just tell us first what Other Haves is all about? Yes, so other halves is a techno horror film. It basically tells a story of a team of programmers who develop a dating app, which basically tracks all of your online activity, your post on Facebook, things you might say on Reddit, you know, Yelk reviews you write, articles you read on the New York Times,

and aggregates all of that data to find your perfect match by, instead of you posting a profile, it connects with what you actually do and say. But then the film is a round of idea that, you know, that's kind of a scary idea, so it starts to go terribly, terrily wrong, and things that are scary start to happen.... Okay. Okay. Okay. Okay. It. It. It. It. It. It. It. It. It. It. It. It. It. It. It's, it. It's, it. It's, it. It's, it. It's, it. It's, it. It's, it. It's, it, it, it, it, is, is, is, is, is, is, is, is, is, is, is, is, is, is, is, is, is, that, that, that, that, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to, to. It. It. It. It. It. It. It. It. to. It. to. to. to. to to to to to to to to to to to to to to to to thi. thi. thi. thi. thi. thi. to to the to to to to to to to to to to to to to to to to to to to to to to go terribly, terribly wrong and things that are scary start to happen. Is that a good pitch one? Yeah. Where did the inspiration come from? Were there any films that particularly inspired you or where?

I mean, you wrote, you have a writing credit on this, right? Yes. So this is, I co-wrote this with Matt Price, Matthew T. Price, I think his official credit who was also the director on this film, and this was, oh six to 12 months ago it started, I live in the Bay Area now and Matt lives in Los Angeles that I was down visiting and we went out and had this kind of long discussion around, so it but it started as like this philosophical discussion of you know like Scenes and movies and we had this idea of a person chasing himself, but in the end he kills or a person is being stopped and he kills the soccer, but the stocker turns out to be himself So these kind of like nuanced things and then we knew it wanted to have something to do with technology and the technology and the the the the the the the the to to to to to to to to to to to to to to technology??? this this this this this this this this this this this to this this this this this this this this this this this this this this this this this this???? this this this this this philosophical philosophical this philosophical this this this this philosophical?????? this this this this this this this this this this this this this this the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the the theylolololololololof. Socoph. Socoph. Socoph. Soclic. Soclic. Soclic. Soclic. Soclic. Soclic. Soclic. Soclic. Soclic. Soc. Soc. Soc. So, the the the the they the soccer, but the stocker turns out to be himself. So these kind of like nuanced things. And then we knew it wanted to have something to do with technology and apps. And so we brainstormed a lot of things, different ideas.

It originally started in the first draft, it was like a really crappy Instagram knockoff that you would take pictures of, know pictures of you know pictures of yourself and it would like make you look better and that was your other half but that was not nearly as fun and exciting as a dating app in the end so it sort of started with that and then kind of more from from there. Awesome were there were there any films or anything that inspired this? Like anything you were like sort of making reference to or... I kind to think if there were the the their their their their their their their their their their their their their their their their their their their their their their their their their their their their their their their their their th. th. th. But. But th. But th. But th. But th. But th. But th. But th. But th. But th. But th. But th. But th. th. th. th. th. th. th. th. th. th. th. th. the other the other the other the other the other the other the other the other the other the other the other the other their their their their the. the. the. the. the. the. the. the. the. the. the. the. the. the. the. the. th Like, anything you were like sort of making reference to or? I kind of think if there were films. I know we discussed it in terms of context in terms of books.

It's really there's a lot of Jekyll and Hyde kind of themes going on in regards to that. Just like as we were, you know, writing and approaching the different particular scenes we would think about particular movies, like the opening scenes of Scream are always very, very kind of well done in all of the, what is it, four movies that they have out? So watching those and using those is kind of like a how do you really build up this suspense and terror, but I don't know if there were any one particular film that we identified as like, yes, this is what is what we th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, this is what we this is what we thi, thi, thi, thi, thi, thi, thi thi, thi, thi, thi, thi, thi, we would thi, we would thi, we would thi, we would thi, we would thi, we would thi, we would thi thi thi thi thi, we would thi thi, we would thi thi, we would thi, thi, thi, thi, thi, thi thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thiiiiiiiiiiiiiiiii, thiiii, thi, thi, thi, thi and terror but I don't know if there were any one particular film that we identified is like yes this is what we are trying to be or not to be. Okay. What's it like trying to make an indie film? How have you funded it? How have you gotten actors? Just kind of walk us through how you make a movie. Yeah, well I'm still, it's been a crazy process.

So you know, after we kind of developed the initial script, we brought Kurt on, or excuse me, Kurt was already working with Matt as a producer on another project, and so we started talking about this, realized it was something that we could film relatively inexpensively. I kind of came on as a producer because I lived in the Bay Area and we do have, we had a contact up here in terms of a location that we could shoot in for free and it's a pretty awesome location and that kind of was like that made it a reality for us. So from there we decided to go out and basically fundraise so we bothered all of our friends and family

and asked them either for money or to put us and basically fundraise. So we bothered all of our friends and family and asked them either for money or to put us in contact with people who had money and raise the budget. That was also kind of done concurrently, or concurrently with actually casting and putting everything together. We originally slated to shoot in the fall. It sort of like all happened really, really quickly. Realize that was going to be nearly impossible.

And so ended up pushing the shoot to January. But in terms of finding actors, you know, you go out on casting websites that are kind of established. We did try to cast both in San Francisco since that's where we're shooting and in Los Angeles. And we auditioned people in both places. You put the sides up online for each character and people send in audition tapes and so there's you know fun couple nights where you get to sit there and watch people in them. I feel like I would love that. Yeah it was kind of fun especially in you know casting some of the male roles like th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. We're th. We're th. th. We're th. We're th. We're th. We're th. We're th. We're thi the thi thi th. We're th. We're th. We're th. We're th. We're th we're their we're their we're their we're their we're the the the the the the the the the the the the the the the the the th. We're the th. We're the the th. We're th. We're th. We're th. We're thi thi thi. We're thi. We're thi. We're thi. We're thi. We're theeeateateateate. We're theate. We're theate. We're theate. We're th, especially in, you know, casting some of the male roles, like there's a male role whose basic job is to be very good looking.

And so that was, to me, like, we trust you, Kelly, that you can determine good looking, because they want to play into like, oh, I don't know. I was like, it's all right, I got this. I don't see attractiveness in other men. Exactly. Are there things that you've wanted to do but haven't been able to because of budget limitations or how is that working out? In terms of the actual production of it? Yeah. Oh yeah, I mean, sure there are. You know, it would be every time that we would go back and do a revision of? Yeah. Oh yeah, I mean sure there are, you know, it would be every time that we would go back and do a revision of the script, like Matt and I would be like, hey, we wrote a scene in a totally new location, so we want to shoot a scene in a cafe and Kurt would be the voice of reason to, you know, to us crazy artistic types and much money, both in terms of actually finding a location and then you have to pay the actors for it and the crew for another day. So it certainly restricted us in terms of like where we could shoot

and how long we could shoot and that is, I oftentimes find in creative projects like having restrictions is somewhat liberating in a sense because you know what you have to work with it. Sometimes if you're given in endless budget it's like, well, why don't we do this? You know, we have the money to do it. So we really had to think creatively in terms of how to solve some problems and how to make everything work. Oh, that's awesome. That's, yeah, I can, excuse me, I can see how that, how that const const const const const const const const const const const const const const const const const const const const const const const const const const const const, how, how that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, th th th th th is, th thi, thi, thi, thi, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, th, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thirictions would force you to go in certain directions with things and pushing the creative end of it. Yeah, there are certainly times when it comes up that it might be, it would be less stressful

to have more money and just like, oh, well, if we ruin this one sweatshirt with blood in this scene, and we can't shoot it, you know, shoot with it the next day because it has to have not blood on it because, we, we, we, we, we, we, we, we, we, we, we, we, we, we, we, we, and the the the the the th, th, th, and th, and th. And th. And th. th. th. th. th. th. thi. thi, thi, thr-a, thr-I's, and thi, and thi, and thi, and thi, and thi, and thi, and thi, and they.... And, they, they, th.... And, th, th... And, th. And, th. And, th. And, th. And, th. And, th. And, th. And, th. And, th. And, th. th. th. th. th. the, the, theee. thr. theea. thea. thea. theea. And, thea. And, theeea. And, thea, the are, the shoot with it the next day because it has to have not blood on it because it's, you know, we're not, we're shooting out of order and that kind of thing. And we would have money to buy another $25 sweatshirt. And so you end up with quandaries that you didn't, I don't think they probably have in Hollywood. But, who knows, maybe they're quibbling over $25 sweatshirts too. Maybe. I'm sure someone is for sure. So like hmm but this was always set out to be a horror movie like do you have a history with horror films or are you a lifelong horror fan or? Yeah so I come into this I'm a horror fan but not an officionado I guess would be the best way to put that.

Me too. And I think Matt, you know it's probably similar guess would be the best way to put that. Me too. And I think Matt, you know, it's probably similar to what I have perceived your relationship as being in terms of what I've listened to your work is one who's really, really knows horror and the other, maybe likes it, but it's not as knowledgeable yet about all of that. But yeah, Matt is definitely a horror fan, very into the history, you know, know, th, th, th, th, you, you, th, th, th, th, th, th, th, th, th, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, you thi, you thi, you thi, you thi, you thi, you thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thi, thin, thin, thin, thin, thin, thin, thin, thi, thin, thi, thi, thi, thi, thi, thi, thi, thi But yeah Matt is, Matt is definitely a horror fan, very into the history, you know, knows all of the obscure films. I like to watch Saw and you know the Ring and that kind of thing, but I've ever written horror before this, so I had Matt and I met in a screenwriting group like 2007 or something like that, like eight or eight years ago. And I've before this written along the line, more things along the line of drama.

Like I have a couple of like actiony adventure sort of things. Nice. There's like a couple of thrillers, but you know, those are all out of the possibility of things that are easy to make for not a lot of money. So we did, to kind of go back to your initial question their their their that are easy to make for not a lot of money. So we did, to kind of go back to your initial question, yes, we did know that this was going to be a horror film, and I think that a lot of independent films are proportionally higher than many others, a, because you can, there's kind of a good market for it.

Like there are people out there who are really into this particular genre. So there's an audience which makes it a more sellable thing. And it's not too difficult to shoot for relatively inexpensive. Right, right, right, right. Sort of that Roger Corman School of Filmmaking, yeah. Exactly. So how can people see other haves? When do you anticipate it being done? And then what happens once it's thiaiaiaiaeeeeejjjjjjj- their their their their their their their their their their their their their there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's there's. So there's. So there's. So there's. So there's. So there's. So there's there's there's there's, there's, there's, there's, there's, there. So there. So, there. So, there. So, there. there. there. there. there. there. there, there, there's, there's, there's, there's there's there's there's th. th. the. there's there's th. there's there's there's there's there's there's there's there it being done and then what happens once it's done? Yeah, so basically where we are is we are in the post-production phase right now, which means like I get to hear about things, but I probably won't see a cut for a month or two.

So where we are, all of our footage is with our editor, and he will be working on his cut, and then he will work with Matt, the director, to do a director's cut. We're hopefully anticipating that'll be done around the beginning of May. And that's when you get to start adding all the fun things like doing your color correcting, adding your sound mixing, getting your soundtrack, and laying that in there.

Okay. With the idea that we'll have a final version of it done late summer, like around August. And then basically what happens is we take it out to film markets and try to get somebody to pay us money for it. And then it will either end up distributed online in theaters. You know, that's something that we hire other people who help us figure out how to take those next steps. Oh, okay, awesome. That's something that we hire other people who help us figure out how to take those next steps. Totally.

Oh, okay. Awesome. What else would you want us or people to know about other halves? Yeah, and I think especially given the movie the slumber party massacre. Yeah. Um, and kind of, you know, Matt suggested that because I was, didn't have time to think about anything, and I was like, sure, go for th........ to go to go, to go, to go, to to to th. to be, thi thi, thi, thi, thi, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that's, that's, that's, that's, that's, that's, that's, th. that's, that's, that's, that's, that's, that, go for it. But yeah, so I mean one of the things that is very important in my writing and also in mass writing and that we've kind of bonded over is really the creation of complex female characters in our work. And we really wanted to play with that in this script.

And if you look at the cast list, it's a cast of seven main characters, five of whom are female and two of whom are men. And so really it's the women who are taking on the roles of both our heroes and our villains. And everybody kind of has two different sides of black, white, and gray zones. That was really something that was important to us. And I know that that that that that that that that that that that that women that women that women that women that women that women that women that women that women that women that women that women that women that women that women that w w w w w w. that something that was important to us. And I know that women in horror have often played kind of a,

you know, sometimes they are the ones who survive in the end and may defeat the villain. But there's also kind of this history of, you know, they're there to show off some nice little boobs. So there's that side of thing. And then also, because we're set in the the the the the the the tech, the tech, the tech, the tech, the tech, that side of thing and then also because we're set in the tech world in which is a very male-dominated field the idea of having an app that was essentially developed by women right was something that gave us a

lot to play with with our actual characters and what they're saying and doing. Oh that's awesome. That's really cool. Yeah yeah I think we need more of that in film for sure. Yeah. Right. And our goal was not to make something that was heavily, you know, heavy-handed in terms of pushing any particular agenda. So it could still be enjoyable and fun, but really developing roles for women that were not seen every day. Yeah, I like that a lot. Yeah, just treating women as people. I think that's a good idea. Imagine oral. No, no, don't be. Okay, so where can people find out more information about other halves? So other halves is

online at W.W.W.H.O.H.H.O.H.L.V.w.hotherhave.e.S. So that's O-T-H-E-R-H-A-L-V dot yes. Got it. Or you could probably just Google other halves that might be easier. Or you can like us on Facebook at our other halves page there. And we will post all of the information with trailers, teasers, special features, behind-the-scenes photos there. Awesome. I can't wait to see it. It's gonna be great. Thank you so much for taking time out to do this with us. Yeah, I appreciate getting to talk to you all. This is fun and exciting for me too. So awesome. All right, all right. All right, take care. And I'll have So, all right, well, thank you so much. Yeah, no problem. Okay, good luck with the rest of it. Thanks. Have a good night. Bye.

Thank you again to Kelly Moore from other halves for the interview. So what are we doing next week? Next week will also be a very special episode of Where a Ambulance. It may be a very terrible... Yeah, strap it yourselves in, because we are going to be doing a Irish horror comedy called Grabbers that's currently available on Netflix in which a monster seems to only be able to eat you if you're not drunk. If you don't have alcohol in your system. Yeah, so Alan and I are going to get drunk and then the th th th th th th th th th thu thu thu their thu. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah........ Yeah...... Yeah.... Yeah. Yeah. Yeah... It. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah.... Yeah. Yeah. Yeah. Yeah... Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah you don't have alcohol in your system. Yeah, so Alan and I are gonna get drunk and then do that one. So it could go right, it could go so wrong.

There was some very big drinkers at this point in our lives, so this could go. I am two Sips tips, tips, it's gonna be awesome. And so I'll just, I'll call an Uber. That's right. They'll come pick me up. You look at you a reading play girl and calling Uber. So you guys should watch that movie, get drunk while you do it, get drunk while you listen because you might need it. It's gonna be a lot of fun. Yeah, I think the movie looks like a lot of fun. I don't know about us. No, we're hilarious. I might just sing this is how we do it and then go to sleep. Oh shit. This I'll th. This I I I I I the th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. tho tho th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. th. tha the. I the. the. I the. I to to to to to the to to to the. I the. thi thi. I the. I the do it and then go to sleep. Oh shit. This how do it?

Shalala la la la la. Thanks so much for the se of another episode of wherewoof ambulance ambulance. Bye. Bye.