Where Should We Begin? with Esther Perel - Breaking News Has Broken Us

Episode Date: September 29, 2025

This is a classic session of How's Work? A large and scattered network of journalists meet for a virtual session with Esther. Over the past year, they've reported on the biggest stories of their caree...rs, but they are burned out, isolated, grieving, and disconnected from the very thing that supports and energizes them all: their newsroom. Over the last few years, workplace culture has been transformed by remote work, inconsistent in-office presence, and an intergenerational workforce. Where Should We Begin? At Work is a new game designed to transform your work culture – one story and one relationship at a time. Brought to you by Esther Perel and Culture Amp, this isn’t your typical icebreaker. It’s a new data-backed game that will help you create community at work. Details at https://game.estherperel.com/products/where-should-we-begin-at-work Want to learn more? Receive monthly insights, musings, and recommendations to improve your relational intelligence via email from Esther: https://www.estherperel.com/newsletter Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Starting point is 00:00:00 What you are about to hear is a classic session of How's Work with Esther Perel. Howe's work is a one-time unscripted counseling session focused on work. For the purposes of maintaining confidentiality, names, employers, and other identifiable characteristics have been removed, but their voices and their stories are real. For so long, relationships, in the workplace were considered soft skills, highly idealized in principle, but then disregarded in reality. And a major shift is taking place in the workplace now, where relational intelligence
Starting point is 00:00:45 is on the forefront. It is not the soft skills, it's the hard skills. So in my work, studying relationships in the workplace, I found that there were four pillars that are foundational. trust, belonging, recognition, and collective resilience. With trust, I mean, do you have my back? Can I rely on you? Can I disagree with you without having to face the consequences? Are you here for me? Trust.
Starting point is 00:01:15 Belonging, am I a part of this system? Am I taken into account even when I'm not here? Am I seen? Recognition is am I valued? Am I contributions valued? And collective resilience, which I think is really the significant one, especially for this episode, is when there is a crisis, can we come together and tap into the social resources,
Starting point is 00:01:39 the collective resources here to help us deal with this crisis rather than to fracture and fragment, which often happens in crisis situations. So this is an episode that I did during the pandemic with an entire newsroom. I've never forgotten it. I never forgot it because I remember always the sentence that the editor-in-chief
Starting point is 00:02:03 when he said, I'm running this whole newsroom and I have never met anyone in person. And at that time, that was like inconceivable. People were kind of trapped into their little homes. They were parenting at the same time. All their roles had collapsed in one place. They were straddling multiple rules all at the same time.
Starting point is 00:02:25 And when I listen to this episode again, I was instantly projected back into COVID era. But so many of the things that we are talking about today when we discuss relationships in the workplace, how they affect culture, how they affect performance, it was right there. So let's listen. Support for where should we begin comes from. the Guardian. Not all journalism is the same. Take the Guardian. Their coverage has something special, fierce independence. Nobody owns them or tells them what they can and cannot say. So they seek to report the whole picture. They connect what's happening in Washington to the rest of the globe, expose corruption wherever they find it, and give fresh perspectives on everything
Starting point is 00:03:19 from wellness and soccer to culture, the climate and more. Read, watch and listen. to The Guardian for free at the Guardian.com. Support for Where Should We Begin comes from Apple Podcasts. Sometimes we have the urge to reach into the past and grab onto the regrets or lost connections that have shaped us. These moments have a way of making us wonder. What if things had gone differently? Heavyweight is a podcast that explores that question
Starting point is 00:03:51 and tries to make things right. In a single episode, you can. laugh, cry and reflect on your own defining moments, and maybe even find the closure that you might be searching for. Listen to Heavyweight, right now on Apple Podcasts. It's an understatement to say that this is the hardest gear that our newsrooms ever have. I'm not meeting co-founders or colleagues for this session. For this session, I chose to meet an entire team. In fact, an entire newsroom of 70 or so people.
Starting point is 00:04:33 They have asked me to come and do a session with them because they have felt that dealing with breaking news has broken them. We all just cover terrible, traumatic, sad things all the time, whatever the daily cars are. We are always odd. And that's true for any news. room. People care about their jobs, and they are on 24 hours a day, seven days a week. Journalists during this COVID year have been essential workers of their own kind.
Starting point is 00:05:05 They are frontline workers themselves. They're interacting with the visceral experience of people. Like you can't, you can't turn away from the thing that is stressful and upsetting because it's your job to be turned toward it. There's like no escape. I wrote an obit to the woman who ran the front desk at my gym who died. And they don't even have the possibility of getting the support from each other that they typically have when they are in the newsroom. I mean, such a big part of being a journalist, I feel like, are those moments of walking across the newsroom and striking up conversations. That's how ideas sparked.
Starting point is 00:05:50 You hear someone do a phone interview and you go, like, wait, I actually know someone who also does that. The collaboration is so much harder to do when we're all so far away. And then also just the fact that, like, we've had a big change in leadership, we had layoff, and so we've just lost a lot of staff, and yet we've had more work than ever before because of the nature of our jobs. We are going through a huge racial reckoning. We have lost so many women of color through layoffs and also through them just not wanting to be here anymore.
Starting point is 00:06:31 A newsroom that's in a state of grief that has experienced tremendous losses over the past year. A newsroom that has experienced a state of collective trauma and that is exhausted. They are participants of the very very, stories that they are witnessing. So friends, I'm so excited today to introduce psychotherapist, Esther Corral, a best-selling author of multiple books on relationships and sexuality.
Starting point is 00:07:07 And so therefore, you might be thinking, why do we have the world's most famous sex therapist chatting with our newsroom? And that's because her latest podcast, How's Work, is focused on, on work and work relationships. And with this year of hell, we thought we could have her come and talk to the newsroom about the impact of crisis on the workplace. And while anyone who has engaged with her work
Starting point is 00:07:31 at all knows that Asdair will make you rethink your whole life and every relationship you've had, she did wanna make clear that she won't be so bold as to claim that she can fix anyone or solve anything in one session. She makes no promises of quick fixes. unfortunately. And so with that, since you're all muted, can you please give me your best jazz hands or clapping and welcome Esther Perel? Thank you. Thank you. And hi, everybody.
Starting point is 00:08:00 So let me ask you just very, very briefly. You're all in your homes, I imagine, but broadly, you said, okay, there's this conversation, it's a therapist, she's going to talk about what happens to us individually and to the newsroom in this time. Give me just a few things, so I have a pulse check from you. Anybody? I'd be the sacrificial victim just to prime the pump. The thing that I was thinking the most of is the sense of isolation that's accompanied all of this.
Starting point is 00:08:36 It's been many months now. And although I normally work out of San Francisco, and so I'm already at a remove, from the people in New York, it's been significantly worse. I felt much, much more isolated from my colleagues since this has all began, and I'm really struggling with that. Can you say one more thing about it
Starting point is 00:09:00 because it's such a theme? It's not just your experience alone. Anybody who's going to say something here is going to be talking for many people. Everyone's individual experience is part of a collective experience. So the isolation, what about it, specifically, what aspect of it? Well, in part, it makes it harder to do my job, which involves coordinating work products,
Starting point is 00:09:28 how they flow from person to person as they move. So it just makes my job harder. But it also has made my life much harder. It's just hard for me not to interact with people all day. and I have noticed that it asks a lot more of my partner as a consequence of that because she's the only person that I see most days. And so where I would have seen a lot more people in my small office on the day-to-day basis, I don't anymore.
Starting point is 00:09:58 And all of a sudden there's just one person who's asked to bear all of the weight of my in-person interactions. And I struggle with that. And she struggles with that, and it's hard. Yep, yep. Can I just ask you all just to raise your hand in case that resonates? Just so you get a sense as well. Yeah, yeah, yeah.
Starting point is 00:10:24 I'm just going to listen for a minute before I say more. But yes, who else? I would love to add to that. And just like a slightly different version of that experience, which is that I live by myself, and I know there are others here as well, who live by themselves. I think our version of that might be that most of our kind of interaction comes very intensely
Starting point is 00:10:49 from work now in a way that it didn't before. And that, at least for me personally, has made me feel very intensely about everything that happens at work and every interaction that I have. It just is like there's so much more weight attached to it. Yeah. Let me hear a couple more. I would throw in that it feels like because there's so much happening in the world and my desk is in my bedroom like next to my bed and I feel like I am often like scrolling through Twitter until midnight even though I don't have to and then like thinking about work so much of the time that it's easy to get burnt out even when you're not actually working and it feels like a self-control thing like I could just decide to save it for work but it's hard. when work and life bleed together so much.
Starting point is 00:11:39 So the context in which this conversation takes place, I think that we are not working from home, we are working with home. And that's very different. There has never been such a strong collapse of the boundaries between all our roads, where we are the worker, the boss, the parent, the teacher, the boss, the parent, the teacher, the tutor, the partner, the cook, the cleaner, all of it.
Starting point is 00:12:11 And I probably missed a few, you know, at the same time. Without anything that usually is called contextual living, we are highly localized generally. We work in one place, we go to eat in other places, we exercise in a third one, we go see friends in a fourth one, there is time and space in between that delineate and demarcates between these various activities and it is intensely organizing for us to dress differently for different places, to go to different places,
Starting point is 00:12:42 to have a beginning and an end in that place, to move back to the next one, to have a space called commute or travel or something in between. This collapse of the boundaries is intensely psychologically taxing. And then to turn the home into a gym and a restaurant
Starting point is 00:13:00 and an office and a lawn and everything else as well, so that, you know, what you describe about, you know, I'm already lying there and I'm on Twitter and I'm in bed and the bed is next to the desk and, you know, we've never been more physically apart and we've never been more intimately involved in each other's private spaces. I mean, people are literally entering bedrooms when they've never even been in other people's homes, you know. And how do we counter that has everything to do with creating routines, and rituals and boundaries. You know, it's like a tiny gesture to make sure that, you know, you clean the table on which you have worked so that it becomes a dining room table, but it actually is intensely important to create these demarcations between activity and between state of being and state of mind. So that's the first thing that I was going to highlight with you actually is this,
Starting point is 00:14:00 on the one hand, the request to become more flexible and more open and more understanding of who we are as people, but on the other hand, also a real need to strengthen the structure that usually comes as part of the way we live and that this time we must deliberately do ourselves. You know, that's the first thing. There's a few things for me also that have stood out with this. One is living with a sense of prolonged uncertainty. We have been in this constant, you know, like a total pandemic hum. And this sense of prolonged uncertainty is gnawing at people, you know, in a real constant way.
Starting point is 00:14:47 Even when we allow ourselves the positive aspects of the quarantine, you know, the slowing down, some of us the opportunity to reconnect with certain parts of ourselves or with others or with our families, there is this thing underneath. And we tend to call it stress. But it is much more multidimensional. You know, if you break it into parts and you start to give it names, it's called sadness, confusion, irritability, despair, hopelessness, loneliness, that's stress. It needs to be named. Unfortunately, when we just call it stress, we tend to also highly physicalize it and just look at it as a physiological response. We tend to medicalize it, look at it as symptoms, and most and foremost, we tend to see the answer to stress through a prism of self-care.
Starting point is 00:15:41 And self-care, which you have heard plenty of in the newsroom, I'm not going to tell you more about self-care because everyone hears about mindfulness and meditation and all of that all the time. when in fact, much of the self-care that is needed in a time of collective experiences is tapping into the resources of other people. With the prolonged uncertainty comes something, and I've just kind of tried to create a vocabulary for this period, what is often called ambiguous loss. Ambiguous loss is a term that was created by Pauline Boss way back when to talk about situations of unresolved mourning. So, for example, you have a parent or a family member that has Alzheimer. They are still physically present, but they are psychologically gone.
Starting point is 00:16:34 Or you have people who have disappeared. They are still psychologically present, but they are physically gone. Miscarriages are ambiguous loss. Ambiguous loss is what we are experiencing right. now for a world that is still somewhat physically present but doesn't resemble itself. And you can't fully mourn it, but you know that there is a sense of mourning that is taking place. You know that there is a sense of collective grief over the world of the world that you knew,
Starting point is 00:17:08 over the plans that you had made, over the weddings that got canceled, the birthdays that didn't get celebrated, the anniversaries that were not even looked at. It's all of those tiny losses connected with that sense of collective grief. But grief over deadness, not just over the actual physical death, that we all know. But the deadness that is creeping up inside of us, the isolation that you're talking about, it's more than just isolation. It's connected to what I call the loss of eros, but not eros in the sexual sense. Eros as in the life force, the curiosity, the mystery, the playfulness, the imagination, the spontaneity, the exploration, that side of life that is on the other side of security and stability, that is everything that has to do with reaching out has suddenly become so tinged with danger that we live with the loss of Eros.
Starting point is 00:18:09 if it's dangerous to be curious because curiosity takes you outside of yourself. The only trips you're allowed to take at this moment are the trips inside of yourself. And yes, everybody who has lived in real confinement for a long time knows that freedom under confinement comes through your imagination. Anybody in jail has known it, anybody in a hospital has known it, any child knows it because a child can turn around 360 and suddenly be the new sheriff. Because they have the capacity through their imagination to switch the borders of reality like that. So we don't go on a walk.
Starting point is 00:18:50 We imagine ourselves going on a walk with somebody. We're each on our own phone, but we're having this walk. And slowly we begin to believe that which our imagination is creating for us. So that's, we have prolonged uncertainty, ambiguous loss, collective grief, and then with that, I think that one of the concepts that has also been very, very useful in dealing with this whole period. And when I think of this period, I think of COVID as an environmental disaster, linked to the storms, linked to the fires, linked to the election, linked to the economic behavior, and linked to the social unrest, and linked to what it means
Starting point is 00:19:33 when these devices that we have for decades now said are making us completely disconnected have remained the one and only main way to stay connected. So we are really dealing with stuff that is very hard to process when you're in the middle of dealing with it. But one of the terms that for me has been really useful because it's existed in the test of time
Starting point is 00:19:56 is the notion of tragic optimism. You know, tragic optimism is the opposite of what we tend to do here often in the US especially that kind of believes in mastery, you know, which is we either go back to the old normal, we go back to the old ways, no, we're not going back
Starting point is 00:20:13 to anything yet and we don't know what we will go back to. But tragic optimism is the ability to maintain hope and to find meaning despite the pain, the loss and the suffering. And that for me means
Starting point is 00:20:29 that when you say that you're isolated, when you have a meeting, that you don't just plunge into what are the stories that you're going to write or what are you going to assign to whom and what, but that you actually take a moment to check in with each other and ask each other a slew of questions that have to do with who you are and how you're living now and what you're facing now rather than just pretend that this is business as usual
Starting point is 00:20:57 and you need to continue work, produce, perform and perfect. And these questions may be, basic questions, you know, are you taking care of anybody at this moment? That is more than the usual care you typically do. How many of you are sending portions of your salaries to other people than yourself? Who is taking care of you? What are some of the vulnerabilities that you have grappled with? You know, have you been able to go outside and meet people in 3D for distant walk, whatever? Have you lost certain people?
Starting point is 00:21:35 And how have you lost them? What has been the loneliness for those of you who are alone? Do you have a plan that you can grow? Do you have a pet that you can touch? How many of you are suffering from touch hunger at this moment? A total famine. We can live without sex, but we can't live without touch. We become desperate, angry, and irritable.
Starting point is 00:21:57 I mean, it's just, you know, so what are we doing with touch when we spend that much time alone? And to have all those things part of your conversations will actually help strengthen the emotional health and the relational health and the sense of trust and the sense of accountability amongst each other. So this is some of the things that I've been thinking about as I came to the meeting today. What's very important for me to convey to this newsroom is to counter the pervasive notion of trauma from an individualistic perspective, i.e., you're having a problem with this. You're having challenges, issues, rather than pandemics, disasters, major abheavals in society. create consequences of grief, of confusion, of loss, of distrust, of fear.
Starting point is 00:23:03 And that those are normal, they're part and parcel of large-scale psychosocial disasters. They're not your individual challenge. And that collective traumas need collective healing. We have to take a brief break. Stay with us. Support for where should we begin comes from Shopify. Starting a business means that there's a never-ending to-do list.
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Starting point is 00:24:46 and start selling today at Shopify.com slash ester. Go to Shopify.com slash Ester. Go to Shopify.com slash ester, Shopify.com slash ester. Support for where should we begin comes from Masterclass. Masterclass is the place to find wisdom from some of the world's greatest minds about finance, nutrition, screenwriting, photography, fitness, you name it. You can even learn how to navigate the joys and the heartbreaks of relationships in my class.
Starting point is 00:25:19 The members who take my master class will learn how rethinking the basic principles of intimacy, communication, conflict, boundaries, trust, difficult conversations can improve the quality of your life in the bedroom, but also in the boardroom and beyond. For just $10 a month, build annually, you can get access to this and hundreds of other classes that can expand your mind and help you build new skills. Right now, our listeners get an additional 15% of any annual membership at masterclass.com slash begin. That's 15% off at masterclass.com slash begin.
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Starting point is 00:27:03 Quo, no missed calls, no missed customers. Let me just ask you, give me a tiny bit of a pulse check response of what you hear, what strikes you, what irks you, all of it. Yes. I was going to say something about the trying to do routines. I found it much harder. But in pre-COVID, I was very routine-oriented. And now I find that I, like, really struggle to keep them for, like, maybe a week.
Starting point is 00:27:41 And then something will happen, and it completely falls apart. And I feel like I sink even further than I was before trying to instill. these routines in my life. So I don't know if you have any advice for that. Do you have your routines? Like just maybe doing something in the middle of the day. Like when I start working, I kind of go into a workhole and like five hours will pass and I'm still on my computer and I won't move for a long time. So that's something that I've tried to institute, which I just can't seem to keep consistent. Are you solo?
Starting point is 00:28:19 Do you have people in your orbit? I'm solo. And do you have people outside in your orbit that are not too far away? Not really. I just moved like six weeks ago. So I'm moving, yeah. I will simply say this. It's very, very hard to be completely
Starting point is 00:28:42 alone and disciplined about some of these routines in general and maybe you were good in the past but in this moment I think that one of the most important ways to create any routines or any changes is to be accountable to others it's not to do it alone you know if somebody shows up at your door or if you have a call that you need to make because you've made a date with someone that we're taking a 20-minute break and we're going outside. You will go outside. I've done a few of these things from the beginning. And what I can say is they become cohesive forces.
Starting point is 00:29:24 They become not just routines. They become ways that are part of a new structure of your life. So whichever your routines are, if it has to do with exercise, if it has to do with taking a break to eat, if it has to do with going outdoors, if it has to do with taking a moment to close all the devices for 10 minutes, plan them with somebody else who shows up with you
Starting point is 00:29:48 on your team, among your friends, doesn't have to be related to work at all. You find two or three people who have the same need at you and the same complaint as you. And the most important thing is that you do the most you can in motion. We have never, never be that sedentary as we have had to be these last month. It is sedentary and in front of a screen.
Starting point is 00:30:11 And in front of a screen in which I'm looking at you now, and I think I'm making eye contact, but I know damn well that I'm not. There are no mirror neurons here converging. And so my brain is constantly aching to make an effort, to make me feel like I'm taking you in and you're taking me in and we are actually connecting. And so I am putting out an enormous amount of energy
Starting point is 00:30:33 to create that interpersonal energy, between us and we're succeeding in some way, but at the end of the day, I am exhausted, and you are all too. And so when the body moves while you do that, you can do it while you're on the phone or even if you look at a screen while you walk, you are creating a very different physiology
Starting point is 00:30:55 and with that physiology, energy, state of mind, and et cetera, et cetera. So those are my micro changes on this one. If I can jump in a little bit, you know, it really resonated with me what you said about the, you know, the loss of Eros, which you defined as kind of the loss of, you know, adventure, curiosity, spontaneity. Because I think that that's, that's actually, I think, especially hard for us journalists, because part of our work is going out into the world, talking to people, you know, oftentimes traveling. And I feel like I've felt the loss of that really hard this year. It's just, it just feels like this, this sort of weird lost year almost where even though so many momentous things happened, like all of my days kind of looks the same. I guess like I almost feel kind of a sense of like anger at this time sort of just being such as a strange, empty time. It does make you kind of question
Starting point is 00:32:01 the value, even the value of your work, right? It's like, oh, what am I really doing? Like, how am I really contributing? And so I don't know exactly what my question is just sort of like how to kind of come to terms with that. So I think that, first of all, the anger is part of the grief. And the grief is part of the experience, this collective loss that I'm talking about. It's not just like, this anger is very much part of that acute stress that is in this
Starting point is 00:32:28 grief thing. What you have as journalists, I mean, I think journalists, psychotherapists, we are a type of essential worker, different from this narrow definition that has been given, but we are, and you are, and people need you in order to even know what's going on in the world they're living in. But what you have as a journalist is that you even more than a therapist, because we have a few people that we remain curious about for a long time. You have your curiosity dispersed on a daily basis in front of new people. You thrive on the encounter with the stranger. Some of you, have you gone of view has different beats here. But, you know, this pandemic fundamentally changes the relationship to the stranger. This stranger who now becomes an element of danger, to which you can be danger to as well.
Starting point is 00:33:22 And so that is an amazing loss of errors, happenstance, serendipity. chance encounters which you have in a newsroom you are one of those places where you walk around you hear somebody on the phone and you say oh I know about this I can to connect you with that this is an enormously enlivening essential dimension of a newsroom is that happenstance chance non-planting that you stumble upon like that and when you live without that
Starting point is 00:33:52 dimension you mourn and sometimes it's important to create little rituals together as a team when you meet, you know, that bring that back so that you create little experiences of surprise, of unknown, of whatever, it could be recipe sharing. It's a channel for creating new things, inventing something, stumbling upon something that you didn't know. Now, when you add it like that, what does that have to do with, you know, big issues? But these small things, remind you that life is actually lived in the details.
Starting point is 00:34:32 The stories may be about big topics, but like you know, you're honing in into the unique details that make that story compelling. And it's those small things. So it's the same when you create rituals with each other. But yes, at this moment, you have more than many, but you have lost more than you like of that dimension. yes I guess I think also just kind of being in a sort of a kind of like fight or flight mode all the time we had the initial shock of it happening and then we had sort of a sense of doom about like our industry and then we had layoffs and then we had the election which also bred a sense of doom and so I
Starting point is 00:35:25 I found myself often just kind of feeling like I'm in a, in the bunker, like, and then kind of realizing occasionally, like, wait, that this is not a fight or flight moment right now, you know, but feeling like my sense of what is and what isn't is kind of been screwed with a bit, if that makes sense. Yes, because when you have danger and you basically activate the more primitive brain, it takes a while to realize that the lion is gone you're going to spend time at first
Starting point is 00:36:00 in a state of hypervigilance or hyper alertness and it takes a while to realize no no no I can come out you know nobody comes out of a bunker just running you come out of a bunker whatever the bunker metaphor is it's a beautiful it's not just the literal sense of it you know and you just make sure is it safe Is it okay? Can I go?
Starting point is 00:36:25 And then slowly, slowly, slowly, you know, liberation just takes you, you know. And in other situations, you just walk in a daze for a while. You stay calm, quiet, different temperaments here. And you just realize, oh, my God. And then slowly, slowly your shoulders open up and go down. And your neck straightens again. And you start to breathe deeper. That's the first thing you notice is that you no longer.
Starting point is 00:36:52 in the shallow breath of, you know, that is the vigilant breath, you know, if you let it go down. But because we are in a prolonged uncertainty, you can't completely relax because it ain't over. It ain't over. And it's not just the pandemic. It's your job security. It's your sense of what is the relationship, you know, between management and between journalists and reporters. You know, what is stable here? you know, you've gone through, you know, it's not easy to have a new chief in the middle of this.
Starting point is 00:37:27 There's a lot of things that talk to, you know, the challenges to a system, to an organization and the resilience of the organization to be able to deal with every one of these steps. These are difficult in and of itself. So imagine at that moment. But what's very interesting is because you are, you know, you wouldn't be there all of you, if you're not high-achieving people. High-achieving people tend to not really do this to themselves very often. We did this quite okay.
Starting point is 00:37:59 On occasion, we aced it, you know, and on to the next challenge. But generally, you know, you are very, very good at analyzing cracks. You're less equipped sometimes at looking at the light that shines through the cracks. Yes. So I guess I was shaking my head, yes, because what you said felt very true. Like analyzing the cracks seems more of a reflex to me than not or noticing where there aren't cracks. And the thing I've been struggling with the most is trying to understand, like, how do I feel proud of myself or how I feel satisfied with myself in this environment. And I guess like part of my story, I guess, which everyone here has heard about in great detail, is that I'm a, I'm a parent of two
Starting point is 00:38:58 young kids. I had a baby in December. It's been very hard. And, you know, I frankly feel like I am failing at everything. I mean, I truly don't use that as a turn of phrase or anything. it's a very deep-seated feeling like you know work is hard and parenting is hard and trying to be a good partner is hard and I don't feel like any of them are getting the attention they deserve and I feel like you know sometimes when I say this people think that what I want is like external validation or that that like maybe I'm fishing for a compliment somehow, but that's not it. It's like really right now lacking a sense of achievement or something. And on the daily basis, like not knowing when anything that you decide is really the right decision. As it is, if you happen to live in a nuclear family with one partner and two children, to put it really bluntly, it is a fucked up
Starting point is 00:40:11 arrangement. It's the least effective arrangement that was ever created. Two adults for two little schmurfs and a full-time job for each. I'm looking at your reactions, but you know.
Starting point is 00:40:30 And if there is a time where that construct, that arrangement needs to be blasted, it is now. So if it's not going to be your parents, you're going to look around and you're going to think pods. This word that has come up in these last few months is a real beautiful image of interdependence.
Starting point is 00:40:51 It's others who are going through similar challenges as you because one other adult in the house or close by or another child is going to change the dynamic of a family and generally for the better. And if you are alone, it's about moving in with one or two other people. If you are not alone, but you are close to other people, it's about sharing food so that you don't have to eat the same leftovers three days in a row. But you can eat somebody else's leftovers. That will make for you a very new dish.
Starting point is 00:41:28 It's really thinking in ways that is not natural to the dominant culture of the United States. But it is natural to many people in the United States. You know, in this moment, there are, to me, kind of three essential experiences of the, of relationships. There is the people who are 24-7 together and just kind of, you know, gasping for air. There's the people who are alone and longing for connection and touch. And then there are the people who are alone,
Starting point is 00:42:00 even though there are people right around them because they no longer connect to those people. I think that that kind of covers the main relational feelings in the moment. So this is a moment where you choose your people and you find around you from another family where their child goes to school with your child and you create a canopy around you and you begin to deal with the next three months differently. It's like the loss of the resources that you would have relied on doesn't prevent you from creatively thinking about other resources.
Starting point is 00:42:36 Won't be perfect, but you cannot do what you're doing as you're doing without having the feelings that you have. The feelings that you have are exactly the feelings one would expect you to have at this moment. Given that you have just simply too many demands and a certain sense of wanting to do them well, well doesn't mean alone. This I say looking at you, but I think that pieces of this may apply to many, many of you. Yes, I'm listening.
Starting point is 00:43:08 How do I find myself to care about my job at a time when like the world is collapsing? And I'm like, you know what? What if I just get stoned and watch TV instead? Okay. Disasters and crisis function as accelerators. They function as accelerators in relationships. and they function as accelerators to people, and they function as accelerators in terms of our priorities.
Starting point is 00:43:40 And maybe the things that you're caring about at this moment, they have carried you, they have nurtured you, they bring you joy, they bring a smile to you, and they help you deal with the big issues that are taking place in the world. You know, what you're asking is, am I less committed in my work as a journalist, if this is not the one thing and be all that's at the center of me all the time. Artists deal with that all the time.
Starting point is 00:44:11 Am I a painter when I'm not painting? Am I an actor if I'm not performing? How much do I have to do it in order to be it? And how much do I have to do it in order to think that I am really it? That's the identity question. In all and all, you may not have produced. any less. You just feel inside like you're coasting a little bit or like you're thinking about other things and this is not the only thing. I think that it's totally normal. And if and and and and and and and if
Starting point is 00:44:44 there is a baby in the house, there are times when one is also not thinking about it with the same degree of, of, of, uh, of, uh, of, uh, of enthusiasm or focus. We'll be back with a session right after this. And while we love our sponsors, if you want to listen to this session ad-free, click the try-free button to subscribe to Astaire's office hours on Apple Podcasts. Support for Where Should We Begin comes from Apple Podcasts. Closure comes in many forms, and on the heavyweight podcast, it comes from one person calling out into the ether with a question about their past and awaiting an answer.
Starting point is 00:45:29 And the stories are wonderful. A woman searching for the person who took care of her late uncle who died of AIDS 25 years before. A former regretful juror on a trial that ended in a death sentence and he receives an email from the mother of the convicted. A granddaughter searching for the great love of her grandmother's life. And it is in fact not her grandfather. I like heavyweight and I think where should we begin listeners will appreciate it too. Because like our show, heavyweight deals with intimate and human stories.
Starting point is 00:46:02 It's about asking a question and getting an answer. And Jonathan Goldstein is an incredibly smart and curious person who goes to the ends of the earth to get answers, help people have difficult conversations and get unstuck. Like me, listen to Heavyweight right now on Apple Podcasts. Support for this show comes from Atio. Atio is an AI-native customer relationship management system built specifically for the next era of companies. It's extremely powerful, adapts to your unique data structures, and scales with any business model. Setting up Atio takes less than a minute, and in seconds of syncing your emails and calendar,
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Starting point is 00:47:30 trackside. So being a fan for life turns into the trip of a lifetime. That's the powerful backing of Amex. Presale tickets for future events subject to availability and varied by race. Turns and conditions apply. Learn more at amex.ca. slash Y Annex. You mentioned the changes at work and how much more they kind of hit because of our
Starting point is 00:47:52 situation. And it has for everybody in this newsroom, I think friends, colleagues have been let go. Our bargaining committee has been going back and forth with the company over a lot of things that we care very passionately about. And there's discord there. And we had a big reckoning with our company's diversity issues over the summer. There's been a lot. And when we're all in the newsroom, like that human connection that we have, like seeing leadership every day and having those little interactions, like that helps rebuild trust and helps, you know, rebuild morale. And in some ways, like, remind us that, yeah, people are complicated.
Starting point is 00:48:41 But when in this situation, it's like you have to take agency. There's no bumping into somebody and exchanging a few words. There can be, you know, and especially if you're hurt, you don't you're not in a position to reach out like why would you want to you want to like your wounds and heal by yourself but i'm i'm wondering like how when we all go back to the office if we do what's that going to be like and even worse like how do we maintain these bonds that are so normal when we're all in the newsroom together that like the camaraderie the you know just how we feel about our colleagues and our work how how do we maintain that or rebuild that um
Starting point is 00:49:22 in these times. So can I ask you something, for example? Yeah, somebody was going to say something. I just say that's a very important question for me too, because I started in the time of Zoom meetings. Since I've been editor-in-chief, I've never once been able to walk through the newsroom. I've never once been able to see somebody in a hall
Starting point is 00:49:46 and just have a quick conversation. There's not a single time that I speak to somebody that is spontaneous. And that's true for every single person in this newsroom and has been true since March. We've not once had a spontaneous meeting. Every meeting is a phone call or a Zoom call. I'm staying quiet because I want you all to take that in.
Starting point is 00:50:20 This is a collective. experience. This is a moment where you're united in a shared experience and a shared reality. Regardless or despite of the bargaining differences that may have been. And the other reason I want to stay quiet for a moment is because this is not a thing you just have a solution to. The most important solution to things that we experience around acute stress or loss is the ability to sit with it together and to experience empathic resonance.
Starting point is 00:51:12 Now, may I ask you if you have ever had any meetings outside, socially distant, For work. One, two, two, two, a few, three, now, okay. So the research on screen and relationships is this. They've done it on couples who live long distance. Is that if you actually sit together like we're doing now and we're just, it's fine, but it's quite exhausting. Whereas if we were both doing stuff in parallel play,
Starting point is 00:51:50 like when people play in parallel and I'm cooking, you're cooking or I'm at my desk working and you're at your desk working, but I see you like people used to be in a library, that that actually is a lot better for fostering the connection and not feeling this kind of frozen state. You can create slightly office mentalities by have your screens open so that you can write and then you lift your head and you say, you know, I'm going to take a 10 minute break. You want to take a 10 minute break too? And then we come back. Break the walls, basically. And it is, of course, your imagination who will do it. But it is a very interesting experiment. For you as the editor, you have got to find ways to meet you people. Part of this for me is, I think, it's because we still think that this is a temporary thing that's going to go back to something. I don't know what we're going back to. Honestly, I don't know. What I know is that we want hybrid. Everywhere people are researching what people want vis-a-vis work, they want more hybrid.
Starting point is 00:52:58 There is something about not commuting Islam for some people that people have liked. But I also think that it depends what kind of place one lives in. Many of us don't live in a place where it's comfortable to work. So coming to the office is actually a much bigger space than anything we live in. and there is light, and there is food for some of us, which is not always something we have at home in ample amounts, et cetera, et cetera. So the workplace is a great equalizer. The workplace is not just a place where you come to work.
Starting point is 00:53:29 It has massive psychological meanings. You know, a newsroom is probably one of the tightest places where people come together and therefore the more risky one. But people can create news hubs outdoors in the meantime. as long as we not freeze our fingers and people can type something away and have meetings like that where you come to discuss how we're doing,
Starting point is 00:53:53 you know, everything that has to do with the need to bump into people, right? The serendipity, the mentorship, the negotiation, the leaking the wounds, all of those elements can be done in person. I just think that we should not become too rigid about those tiny boxes. An organization that goes through massive transitions faces the question of what are the things
Starting point is 00:54:27 that we want to hold on to and what are the things that we want to let go of? Where do we see an opportunity to bring in something different and better? And this is the opportunity that comes with big transitions as it's happening to this. newsroom. It's also happening to our society at large. All disasters bring reprioritization. We ask ourselves what must be rebuilt and what must we build anew. We are part of the Vox Media Podcast Network and partnership with New York Magazine in the Cut. To apply with your partner for a session on the podcast for the transcripts or show notes on each episode, or to sign up for Astaire's monthly newsletter, go to esterperelle.com.
Starting point is 00:55:32 Astaire Perel is the author of mating in captivity in the state of affairs. She also created a game of stories called Where Should We Begin? For details, go to her website, esterparell.com. I don't know.

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