Witnessed: Devil in the Ditch - Cut, Color, Kill | 3. Award-Winning Performance

Episode Date: May 15, 2026

A relentless prosecutor is on the case of the killers. Police surveillance reveals a dark double life. Want the full story? Binge every episode of Cut, Color, Kill ad-free now by subscribing to The... Binge+. You’ll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. Cut, Color, Kill is a production of Sony Music Entertainment and Novel. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Starting point is 00:00:00 If you want a deeper look behind Cut Color Kill, now is the time. Join our free newsletter at patreon.com slash The Binge, and you will get exclusive story details you can't get anywhere else. Again, join me at patreon.com slash The Binge. Listen to every episode of Cut, Color Kill, ad free right now when you subscribe to The Binge. You'll hear the Binge. entire series before anyone else, get exclusive bonus episodes, and unlock more than 60 other
Starting point is 00:00:36 true crime podcasts. Just head to The Binge channel on Apple Podcasts and tap subscribe or visit getthebinge.com to listen wherever you are. The Binge. Feed your true crime obsession. The Binge. Hi, Monica. This is Detective Parchelle. Hi, Detective. How you doing? Terrible. How's it going? It's been a month since Fabio was killed.
Starting point is 00:01:14 Monica is keeping busy, seeing folks from Wella from time to time, trying to figure out how she will support herself and the girls, now that her husband's gone. But there's no news on Fabio's killers, just endless replaying of the details. Detective Jean Parshall calls Monica to check in. So you weren't followed home from anywhere, from shopping, or I think you said you went to the gym that day.
Starting point is 00:01:38 Yeah, me and my daughter went to the gym. I don't think I'm being followed. The detectives are going over every angle. Bershaw asks Monica to walk him through the day of the murder again. Was there anything out of the ordinary? What gym did you go to? At least fitness. Is there any, like, thugs to hang out there at the gym at all?
Starting point is 00:02:00 No, well, no, not. It's pretty safe, not that we noticed. Right. Yeah, I got no bombshell. news to give you, anything like that. You know, that area over there has been hit by a lot of burglary crews, so we got... Yeah, but not murders.
Starting point is 00:02:20 No. Monica is anxious. There's still no leads. I have so many family and friends telling this or get a private detective. Should I? No. No, we'll be able to get this in, I think.
Starting point is 00:02:33 So we've got an angle on a couple different crews that are working burglars in the area that we're trying to dig it into. Keep that in your hat, though, of course. Okay. Any luck? Anything back with any DNA, anything? Well, again, that's evidence, so I can't discuss that. I don't know if we had a victim, suspect, whatever.
Starting point is 00:02:55 That's evidence, he says. Can't discuss that. Evidence that Robert Baker's DNA was all over Fabio's car. We got some good stuff that we're looking at. I can't go into details. This is nowhere near being considered anything like a cold case. I think we're going to get this thing done for sure. Praschal is on a bit of a fishing expedition here.
Starting point is 00:03:18 He knows by now that Robert Baker is involved, but is pretty sure he didn't act alone. There were two joggers and hoodies caught on the neighborhood cameras, running towards the house. And until they get to the bottom of this, the detectives are keeping the family in the dark. Maybe tomorrow my partner and I could come by. And I just wanted to do a walkthrough with you and Jessica separately, you know, just where you guys went, what you saw, what you did, stuff like that, just to get a better idea on the sequence of events.
Starting point is 00:03:49 So are you available tomorrow? Like, what time are you guys up and up and awake? Tomorrow by, oh, 7.30, 8 a.m. My cleaning way is going to be here tomorrow anyway, so I'll be up. Why don't we plan on 8 o'clock? Okay. Okay, so it's plan on 8 o'clock, unless something comes up on our end, I'll give you a call, but 8 o'clock should work for us. Okay, thank you.
Starting point is 00:04:12 Okay, thank you, Monica. All right, bye-bye, bye-bye. The detective hangs up. They'll meet tomorrow, go over the timeline again, walk through the steps. That's all there is to it, except the detective isn't showing Monica all his cards, and neither is she. From Sony Music Entertainment and novel, this is cut, color, kill. I'm Jonathan Hirsch. Episode 3, award-winning performance.
Starting point is 00:04:41 I remember moving into my first apartment after it happened, and the first thing I did was go to the hardware store and got two or three different kinds of dead bolts to install on the door, thinking, irrationally, that I had to do this to protect myself in some way. Luigi flew back to Toronto after his dad's wake. He hadn't heard much from the point. police after that, and the reality of his father's death affected him in surprising ways. I developed a sense of awful hypervigilance, always feeling unsafe, feeling like I had to look
Starting point is 00:05:38 over my shoulder, depression was coming and going, and then would hit pretty hard not long after. I remember taking a semester off school and really not doing much else other than trying to find comfort in whatever distraction I could possibly muster. For me, not dealing with it correctly at first, that involved a lot of binging television, video games, and food. He wants to believe that the police have the investigation under control, but as the days go by, the weight of the unknown weighs heavy on him. The uncertainty of not knowing, the uncertainty of having the truth of the matter
Starting point is 00:06:19 kind of held above our heads above the clouds, is a form of agony in itself. Little did they know a major breakthrough had already happened. Detectives were beginning to piece it all together. Detective Ryan Verna saw the discovery of Robert Baker's DNA as a first step. They've got a name, and, it turns out, he's got a record. It creates a snowball of work, right? So we get that, and boom, we're pulling up rap sheets.
Starting point is 00:06:53 We're pulling up, you know, images of this person. We're pulling up any kind of open source information about where this guy might work, where he lives. you know, everything, right? There's a lot to know about Robert Baker. He was born in Germany as an only child. His dad was in the U.S. Army, so they moved all over, but he spent most of his childhood in North Carolina. When Baker grew up, he went into the Army as well.
Starting point is 00:07:19 He served as a staff sergeant and moved to California. Now he lives a short drive from the Semantilly home in Woodland Hills on a street called Independence Avenue. He works to the local L.A. Fitness as a racquetball coach, or the Semantileys go. But there's more. We find out that, you know, he's been arrested for sex offenses with a minor. We, you know, just all sorts of, it's like, it's pouring in.
Starting point is 00:07:42 In 1993, Baker was convicted of six different counts of sex crimes with a minor. The victim was 14 at the time. Baker was 31. He became a registered sex offender and was discharged from the military under other than honorable conditions. After he got out of prison, around 1997, Baker went and, to the adult entertainment industry. He started acting in porn films, including with the victim of his crimes. Baker then moved into the talent management side of the porn industry.
Starting point is 00:08:13 This was his job until about 2015 when he started working at the gym. And all this is how his DNA ended up on the police database. Okay, so what do we need to do now, right? Well, we need to get surveillance up on this guy. We need to find out, you know, who he is, where he is, what he's doing, when he drives, everything. So we have a unit that we've worked with a lot. It's called the gang field unit. And essentially, their job is surveillance.
Starting point is 00:08:41 The gang field unit are used to working LA's toughest crimes. Not Jim coaches suspected of murder. But Ryan knows them from years of investigating gang-related murders. So he knows he can trust them with a case like this, where secrecy is crucial. We get a hold of them and give them the lowdown on the case. They're like, yeah, we're in. How can we help? The unit moves fast.
Starting point is 00:09:03 They obtain warrants to track Baker. They cannot let him out of their sights. They start telling Rob Baker all over the city, physically following him in his vehicles, and also installing GPS tracking devices on his vehicle so that he can be monitored remotely. They know where the vehicle is going to be and most likely where he's going to be, right?
Starting point is 00:09:21 On the 19th of February, five days after the DNA hit, the surveillance team follow Baker to a sports bar called The Parlor. It's decorated a bit like a men's club, all wood and leather. And Baker is not on his own. Ryan Verna gets a call.
Starting point is 00:09:38 It was just like, you're not going to believe this. We have Rob Baker, and he just picked up Monica Simintilly. So that's kind of mind-blowing. What the hell is Monica doing with the cop's number one suspect? A drink with a friend from the gym? Or something more? In 1987, a newborn baby is abandoned in a remote. remote spot. Nobody goes down that lane. Why would you think anyone would have picked me up from there?
Starting point is 00:10:15 For decades, Jess has searched for answers. Why didn't that person want me? But as she gets closer to the truth, things spiral out of her control. I think I'll always be angry. Could it have ended differently? From Tortoise Investigates and the Observer, this is foundling. Light's always come out, don't they? Skeletons are always going to come out eventually. Listen wherever you get your podcasts. On the 21st of February, Detective Jean Pershaw and Detective Ryan Verna pull up at the Seminthali residence in Woodland Hills. It's 8 a.m. Hello. Hello. Is this Monica? Hi Monica. It's Detective Verna and Detective Parchal. Oh, yes. I'm going to open the gate. Thank you.
Starting point is 00:11:06 It's all just as Detective Parcial told Monica on the phone the day before. They want her to walk them through the house, tell them what she did on the day of Fabio's murder. Good morning. Good morning. But this is not the can-you-refresh my memory kind of meeting Monica as being led to believe. The detectives are looking at Monica with new eyes. Yes, yes. And Ryan Verna knows exactly what he wants from this morning. We wanted to nail her down with more statements.
Starting point is 00:11:37 We wanted to find out what was really going on and, you know, kind of dove a little deeper into Rob Baker and what was all going on. We had recorders going the entire time. I just put it in my pocket, and we recorded the entire encounter. Mernah and Pershall have Monica retraced the path of the crime scene. From when Monica first noticed Fabio's Porsche wasn't in the garage. Oh, Bella was already home. I pulled in and then I saw the garage open, but his car wasn't here. Okay.
Starting point is 00:12:11 On the day of the murder, the DVR in the garage was removed. The wires could be seen sticking out of the wire. wall when Ryan Verna walked the crime scene. It's a vital piece of evidence. There could be footage of the murderers stored on the cloud. They need Monica to help them access it. I checked everywhere. There is no papers of that stupid DVR thing. I've checked every cupboard. I checked all these areas. Did you guys get to do DVR yet? No, but State Farm's going to come in. They're going to replace all these things. The detectives continue their walkthrough to the patio where Fabio was found bleeding out.
Starting point is 00:12:46 Yeah. Sorry to relive this with you, but... We relive it every day. Okay. He was... You saw Fabio here? Yeah, on the... Already, like, on the ground.
Starting point is 00:12:59 The detectives ask Monica to go back over the details of that night. The ransacked bedroom. The jewelry and cash that went missing. The blood that was found at the scene of the crime. It's all so relaxed. They're just here to find out if anyone's driven Fabio's car. If anyone's been hanging around the... the house. No names, no accusations. Then they get to the real reason they're here. They want to know
Starting point is 00:13:24 the same thing I do. You do. What's going on with the rocketball coach? We just casually ask, hey, you know, anybody else that's, you know, involved in your life that we don't know about? And then who else is part of that through the gym friends? Oh my gosh. Yeah. Oh, my gosh. Yeah. I'm The detective steer the conversation to Monica's friends from the gym. Who are the, who are the, Elise is your best? Well, she's one of Elise. There's Fay. Okay.
Starting point is 00:13:56 She starts naming off some of these female names, and she goes, Faye and, you know, a few other people. So prior to Fabio's death, the only gym friends of the vineyard house or who? Probably Elise and Fay. Okay. We're hoping not to lead her into the fact that we're looking at Rob, right? We're looking at everybody.
Starting point is 00:14:14 Let's see. Paula. Rob, he's our lead director for a racquetball. I was in a rocketball league. What's Rob's last name? I think it's Bateful. Monica says she thinks Rob's last name is Baker, but the detectives have been watching her for the past week,
Starting point is 00:14:35 and they can see that she knows a lot more about Baker than just his last name. Since the night, the LAPD first spotted Monica and Robert Baker out together, A team of plain-closed surveillance officers have been tailing them, noting down their every move. They're going to Hollywood. They're going to comedy clubs and bars and restaurants. They're having a time of their life. It's like they're out there dating. It's more than just a friendship. There is a sexual relationship going on. They're seen caressing each other, kissing each other. The detectives were getting a picture of Monica that couldn't be more different.
Starting point is 00:15:15 to the woman they've been interviewing. With her family and with her friends, she's this morning widow and can barely function and not wearing makeup and barely getting out of bed. And boom, she's out at nightclubs. I'm not here to judge anyone's grief. Go out, let off steam. Everyone has their way of grieving.
Starting point is 00:15:35 And yes, Monica has always been glamorous. She's immaculately turned out on Fabio's arm in every photo I've seen of them. But the Monica detectives are watching is something else. She's ultra-confident, overtly sexual. There were times that they were out in Hollywood where they were followed into a bar, like some sort of dive bar, and Monica comes back out by herself, and she's basically feeling up the bouncer who's outside, touching his inner thigh, and kissing him.
Starting point is 00:16:06 So yeah, weird, like, you know, odd behavior, but it didn't appear that Rob Baker had an issue with this. So before Fabio's death, had She had never been here? No. Had Paula ever been there? No. Had Rob ever been here?
Starting point is 00:16:24 No. Never been here before. Fabius. Monica tells the detectives that only a couple of her gym friends have been to her house. Rob, this guy she can't remember the last name of, has never stepped foot on the property prior to Fabio's murder. Faye had been here before? Yeah, yeah.
Starting point is 00:16:41 Okay, so as all those you said, just the Lisa and Faye had been here? Yeah, as far as I couldn't remember. That's another red flag. Because that same visit, Ryan and Gene, interviewed Jessica, one of Monica's daughters, too. And she tells a very different story. Jessica had told us that Rob Baker had actually stayed in the house one night, found Rob Baker in Monica's bed, that he had basically had too much to drink. And I don't know if he'd passed out, but he'd gotten sick that night. And so it was allowed to stay in Monica's bed.
Starting point is 00:17:13 That was a story. So that was of interest, right? It's a direct connection to the house, where the murder happened, that Rob had been there. This is not a good look for Monica. The detectives now have proof that she's lying to them about her relationship with Baker. And now they have reason to believe he's even been in the house. It's kind of baffling. Did she think her daughter wouldn't remember the racquetball coach waking up in her mom's bed?
Starting point is 00:17:40 That's a detail that might seem important after a murder. and that it wouldn't seem just a bit strange that she can't remember his name. But her daughter sure can. The detectives are thinking the same thing, but they don't want to push their luck. It's a balancing act at this point, right? You don't want to ask the wrong questions or press too hard. For now, they've got what they came for, but it's going to open up a whole bunch of new questions. All right.
Starting point is 00:18:10 I think that's good for now. All right. Take care of money. Thank you. Thank you. The detectives drive away from Woodland Hills, mulling over what they've learned. They've caught Monica in a lie.
Starting point is 00:18:28 But they don't yet know how far the deception goes. Monica would have every reason to lie to cover up her affair. If this thing with Baker came out, especially right now, it'd be more than just a scandal. It would devastate her greed. family and Fabio's. That might be all there is to it. And that's exactly what the detectives have to figure out. I think there's two options, right? Either Rob Baker acted alone or potentially
Starting point is 00:19:02 that Monica's involved. And getting to a point where you can answer those questions is difficult, very difficult. Winter and Los Angeles gives way to spring. The hillsides are greener. The cold nights begin to warm up. The dry breeze loses its bite. And the detectives bide their time. They keep stringing Monica along with vague updates about the burglary investigation. She kept saying that the police is keeping her in the dark. She doesn't know anything. She was kind of mad, kind of mad at them.
Starting point is 00:19:44 By now we know why the cops aren't telling Monica much. They aren't sure whether she was involved in the murder plot. But Fabio's beloved friends, friends like Carol Potta, they are worried about Fabio's widow. Monica's been posting a lot on Insta about how hard she's finding things. How Fabio was the love of her life and, you know, it'll never be the same without him and all of these things. We all fell for her really, really bad. Like, what can we do to make her feel better?
Starting point is 00:20:18 This much we know was an act, a performance, because she was spending nights out on the town having a blast and having a blast. and having a torrid affair. She wasn't sitting home mourning the love of her life. One day in March, Carol is at the office when she gets a call from Monica. Hey, I'm planning a weekend with my girlfriends to Vegas. Do you think I could potentially get a deal or a conch room or a discount or something? The Wella team have connections in Vegas because of the big hair shows they run there.
Starting point is 00:20:53 Carol is only too happy to help. Vegas wouldn't be my choice, but if that's what she wants to do, great. You know, it's good that she's maybe coming out of it a little bit. Let's contact Melanie, and I'm sure she'll have a way to give you a good deal. On March 23rd, the LAPD surveillance team receives an alert. Monica's in Vegas at the Vidara Hotel, a huge five-star skyscraper on the center of the strip for her girls' weekend. The detectives obtained surveillance footage from the hotel.
Starting point is 00:21:24 Monica isn't there on a girl's trip. She's on a wild weekend away with Robert Baker. Monica isn't just lying to the police. She's also deceiving her friends and family, and the surveillance reveals just how intense this affair is. This wasn't a woman who was grieving, but rather involved in a very intense sexual relationship, not just with Baker, but with numerous third parties that they were swinging with.
Starting point is 00:21:52 In the LA County DA's office, Deputy DA Beth Silverman is getting across the case. The daughters were being left at home alone at night while she would go out, which was extremely bizarre behavior for someone who had been married for almost 20 years. Silverman has prosecuted crimes for L.A. County since the mid-90s. And she's a formidable presence because she's not just any prosecutor. The typical cases that I've handled here in the major crimes division for the most part have been co-cases and most of them involving serial killers. According to LA Magazine, her nickname is The Sniper, because she's never lost a murder case. The summer before Fabio's death in 2016, she was lead prosecutor in the trial of Lonnie Franklin, a serial killer known as the Grim Sleeper. He was convicted of murdering 10 women and attempting to murder another.
Starting point is 00:22:54 Silverman argued forcefully in court that Franklin should face the death penalty. The judge and jury agreed. Silverman got the Seminthali case in February. She'll be the one who has to make the call on whether to file charges. So detectives Verna, Pershal, and their team want Silverman's opinion on their evidence. We don't want to arrest them early on and have the prosecutor go, yeah, you guys don't have enough, right? The detectives run Silverman through what they've got so far.
Starting point is 00:23:24 There's the surveillance and the DNA. They've also launched a major digital forensic investigation into Monica and Rob. They were already looking into things like backup data, like iClouds and drop boxes and email accounts. And a lot of subpoenas were being issued. A lot of search warrants were being written. Silverman assesses the case. For Robert Baker, they already have a lot to work with. The blood at the crime scene tells a tale Baker's movements on the night of the murder.
Starting point is 00:23:55 He had cut his finger during the attack on Fabio and tracked Fabio's blood from the bottom of his shoes into Fabio's Porsche, as well as leaving behind his own blood inside the Porsche. Based on that and his relationship with Monica Semantilly, we believed we had sufficient evidence to charge him in February. But now Rob Baker isn't the only single. suspect. A new department, the robbery homicide division, is being brought on to the case. More manpower and more special resources, all trained on Monica. Hey, Monica?
Starting point is 00:24:45 You haven't called me back in so long. Behind the scenes, the investigation team is growing. But Detective Parthal is still the point of contact for Monica, and she is desperate for updates. Well, she's telling some going on that you're working on something. Definitely are working on some stuff. Definitely working on some stuff. Monica isn't only interested in the investigation. There's also something else on her mind.
Starting point is 00:25:19 I just got a text two days ago from Fabio's HR team. Uh-oh. And they said if I could follow up with LAPD because they're waiting for some confirmation. I don't know if anything came across your desk. I think it has to do with insurance or something. Are you talking like a life insurance policy? Yeah, like his work insurance.
Starting point is 00:25:37 As part of his package at Wella, Fabio Semantilly had a life insurance policy. It's a policy of 1.6 million split between the kids and Monica, but she hasn't received her portion of it yet. From the LAPD, I don't even know. Yeah, if they call me. Life insurance will contact us to make sure that the people that the money is getting released to are involved or being suspected being involved in the case. So we obviously couldn't tell the life insurance company to release the funds, knowing that she potentially could be involved, but we couldn't tell her that. Burnah and Pershall can't afford to let Monica know that she's a suspect. I don't like lying against a person.
Starting point is 00:26:19 I don't do it routinely. But in this job, there's times where you kind of have to. You just, you don't have an option. You got to hold your cards close to the vest. So, Detective Pershaw keeps making excuses. Let's called me this morning already, saying that there's only one last confirmation they need. I guess they knew that in writing.
Starting point is 00:26:41 I don't even know. That's the problem. Like I told them what my opinion was on this thing, but they wanted something in writing, and that's what the department is resisting at this point. Monica is not happy. She starts getting agitated about the delays. Oh, God, this is ridiculous. I don't even know what else to do.
Starting point is 00:27:01 I just don't know what to do and what to say. I don't know what to do. Over at the L.A. County DA's office, Deputy District Attorney Beth Silverman finds all of this very interesting. We started issuing subpoenas for insurance policies and financial records. It became very clear that she was from day one interested in obtaining the insurance proceeds from Fabio's murder. There's anything we can do to speed this up. I just don't because I don't know what's happening within the next week to week here, day to day. So with anything we can do, please.
Starting point is 00:27:42 Beth Silverman, the sniper, has seen all of this before. Lust and greed are classically strong motivators in these types of conspiracies. It's a very classic and very bold motive. When you combine that with numerous lies she told about Baker, her relationship with him, not even knowing his last name, we strongly suspected that she played a key role in creating a timeline and communicating that to her lover and whoever the third party was in order to be able to have access to her husband.
Starting point is 00:28:25 This is huge. If Beth Silverman is right, Monica may be in a conspiracy to commit murder, but there's at least one crucial piece of the puzzle that the investigators still don't have. We knew that we were going to need to have access to their phones. What they have up until now is just circumstantial. Sure, it looks bad, but they need more.
Starting point is 00:28:53 If you talk to a good defense attorney, they'll tell you that circumstantial evidence is bullshit. The team need digital forensics all over this, combing their phones for hard proof that Monica is pulling the strings. And to access those phones, they're going to need to bring the investigation out into the open. They're going to need to arrest Monica and Robert. But if the investigators make a move too soon, They could blow the whole case. Detective Vernon knows the moment they let the two suspects know they're under investigation, they'll change their behavior.
Starting point is 00:29:28 They'll go to ground. There's no more communication. There's no more meetings. There's no more anything. It's done. While the cops are preparing to close in, Fabio's family and friends are still completely oblivious to the game of cat and mouse. It's playing out. Fabio's work friends are organizing a tribute to him at the upcoming Trend Vision Awards.
Starting point is 00:29:50 well as annual hairdressing competition. Carol Portat and Melanie Garibay head over to the Woodland Hills House to visit Monica. We wanted her to do a memorial presentation, and we kind of outlined what we wanted her to do at the show. So she's like, I want to come up, I want to have the girls come up. I'm like, okay, well, I'll script it out, and, you know, just great. She was a little bit dismissive, and it's like, yeah, that sounds great. Okay, yeah, you guys got it.
Starting point is 00:30:17 That looks really good. That's awesome. and then she proceeded to take us to the garage to show her brand new car that she just had gotten. It's a sleek, black, top-of-the-line Ford Mustang GT. Monica says she's traded in Fabio's old truck for it, and it was a lot of effort. Apparently she had gone to the dealership so many times, and they wouldn't hear it, they wouldn't work, but she had played the grieving widow, and because of that, got them to take the truck back and give her that car instead.
Starting point is 00:30:49 And one thing that is seared in my memory forever, she said, you would have been so proud of me. I give an award-winning performance. And I'm like, why would I be? That was my question. Like, why would I be proud of you? It was weird. It was very weird.
Starting point is 00:31:09 If Monica thought that performance was award-winning, it's nothing compared to what she does next. On the 11th of June, the investigators, planning to make their move. And Monica is in Toronto at the Mirror Awards. It's basically the Oscars of Canadian hairdressing. And Monica is certainly dressed for the occasion. She glides onto the stage in a dramatic one-shoulder evening gown, covered in flowers. The layers of chiffon shimmer in the spotlight. Alongside her, hairdressers and models line the stage. They're all friends and former colleagues who worked with and loved Fabio. Each one of them has recreated an iconic look
Starting point is 00:31:54 from across Fabio's career as a tribute to him. Center stage, Monica steps up to the podium. She's here to collect a posthumous lifetime achievement award on Fabio's behalf, as she gives a speech, tears streamed down her face. How lucky am I to have lived the greatest love story of all time, the story that people only meet about. I'm sorry that I'm going to meet. Thank you so much. It's hard to read what's going through Monica's head in this moment, and she accepts the award all the while knowing the depth of her relationship with Baker.
Starting point is 00:32:37 Was she feeling guilty? Certainly her display of grief is painful for everyone to watch. If she is involved, she's hiding it well. No sign of laying low. She's willing to quite literally step into the spotlight. Even this affair with Baker, it's blatant. If she conspired with him, she's making no effort to hide their connection. Then again, maybe she thinks she has no reason to hide.
Starting point is 00:33:04 She's got no clue that Baker is implicated in her husband's murderer or that law enforcement are biding their time, waiting for their moment to arrest her. But she's just made a crucial mistake. Right before Monica left Los Angeles for this trip, she got an email from the detective. The insurance money is coming through. We've got the sign-off. The secretary is going to get it faxed over.
Starting point is 00:33:30 It should be hitting the insurance agency in the next day. After months of waiting, this is the news Monica has been desperate for. She takes a screenshot of the email and sends it to Robert Baker. But there will be no sign-off, no planned release of funds. This email Monica has been so desperate for, is all a ruse, another part of the detective's performance, designed to keep her from hassling them about the insurance money, to buy them time while they prepare to move in on her.
Starting point is 00:34:10 Next time on Cut, Color, Kill. An audacious undercover sting brings new truths to light. That cannot be possible. Oh my God. Don't want to wait for that next episode. You don't have to. unlock all episodes of Cut Color Kill, ad free right now by subscribing to the Binge podcast channel.
Starting point is 00:34:56 Search for The Binge on Apple Podcasts and hit subscribe at the top of the page. Not on Apple, head to getthebinge.com to get access wherever you listen. As a subscriber, you'll get binge access to new stories on the first of every month. Check out the binge channel page on Apple Podcasts or getthebinge.com to learn more. This is Cut, Color, Kill, an original production of Sony Music Entertainment and Novel, hosted by me, Jonathan Hirsch. Caroline Thorneum is our senior producer. Catherine Godfrey is our editor.
Starting point is 00:35:28 Muhammad Ahmed is our assistant producer. Mark Pittam is our engineer. Additional engineering by Daniel Kempson. For a novel, our executive producer is Max O'Brien. From Sony Music Entertainment, our executive producers are Catherine St. Louis, and me, Jonathan Hirsch. Production management from Sheree Houston. Joe Savage, and Charlotte Wolf.
Starting point is 00:35:48 Fact-checking by Fendell Fulton, research by Myron Kaplan. Story development by Nell Gray-Angers. Novel's Director of Development is Selena Metta. Special thanks to Carolyn Sher Levin at Miller-Korznik-Raman. And a big thanks to the whole Sony Music Entertainment team.

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