Witnessed: Devil in the Ditch - The Doodler | 6. A Sketch for the Street Cops
Episode Date: August 5, 2025In the Fall of 1975, a composite sketch of The Doodler is published in the San Francisco Chronicle and the San Francisco Sentinel, and tips begin to roll in. Street cops are on high alert for anyone m...atching the description. Inspectors Rotea Gilford and Earl Sanders round up several suspects for interrogation. Kevin and Mike uncover more details about a psychiatrist and secretary who claim their patient is The Doodler. This is a re-released series from The Binge archives. Binge all episodes of The Doodler, ad-free today by subscribing to The Binge. Visit The Binge Crimes on Apple Podcasts and hit ‘subscribe’ or visit GetTheBinge.com to get access. From serial killer nurses to psychic scammers – The Binge is your home for true crime stories that pull you in and never let go. The Binge – feed your true crime obsession. A Sony Music Entertainment production. Find out more about The Binge and other podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Hey, it's Jesse Tyler Ferguson.
On my podcast, Dinner's on Me,
I've taken guests like Sofia Vergara, Catherine Hahn,
and Margaret Cho to some incredible restaurants
around Los Angeles.
And now you can check them out for yourself.
I've put together an Apple Maps guide
featuring just some of the delicious spots
we've shared meals and stories on the show.
Go explore and maybe even go grab a bite where we recorded.
Just search Dinners On Me on Apple Maps
and don't forget to listen on Apple Podcasts.
The Binge.
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SFPD released a composite sketch near the end of October 1975,
based on a description given by the diplomat who was attacked in Fox Plaza earlier that year.
Was this the same man behind the murder of Jay Stevens in Golden Gate Park?
Harold Goldberg at Land's End?
The multiple murders on Ocean Beach?
Police thought so, but they couldn't prove it.
Risks aside, publishing the sketch was pivotal. Ocean Beach? Police thought so, but they couldn't prove it.
Risks aside, publishing the sketch was pivotal. It was an opportunity to enlist the public
in an effort to rid San Francisco of a serial murderer.
My newspaper, The Chronicle, published the sketch in a short story in November 1975 and
then again months later at the bottom of a larger series about sadomasochist culture
in the gay community. At the end of that series, the paper made mention of a larger series about sadomasochist culture in the gay community.
At the end of that series, the paper made mention of a killer known as the Doodler.
The San Francisco Sentinel, the gay newspaper, published the sketch too, about a week before
the Chronicle.
This was actually their second big break in the Doodler case.
Only a year earlier, they were the first outlet to notice a pattern in the Ocean Beach murders.
Along with the sketch, they printed a clear and direct message.
There was a serial killer on the loose, and he was targeting gay men.
Now there was new and desperately needed publicity on the case,
and readers had a number to call if they had any information.
With the sketch, the entire SFPD had a face to look for in the crowd.
And queer people had a face to watch for in the bars.
The Doodler couldn't hide in the shadows anymore.
I'm Kevin Fagan.
From the San Francisco Chronicle, Ugly Duckling Films, and Neon Hum Media,
this is the untold story of The Doodler.
of the Doodler.
I had a picture in my mind of the Doodler.
There was a flyer out with him. This is James Andre Bowles.
I was an officer, blue suit, driving a black and white with my partner.
In November of 1975,
Bowles was just off a short stint in homicide,
but still on the force and still in touch.
Well, San Francisco homicide, you know,
we thought it was the best homicide unit on Earth.
They were working on the doodler at that time.
And so I talked to everybody.
It was a very, very big topic of discussion.
Five people had been killed, two more assaulted.
And now that there was a composite sketch,
it felt like only a matter of time
until someone found this guy.
Like a lot of cops, James Bowles wanted that someone to be him.
I knew what he looked like and so I was working alone one night and so I told my
lieutenant, I said I'm gonna go look for this homicide suspect and I don't
remember calling the doodler but I'm gonna go look for this homicide suspect. And I don't remember calling him the doodler, but I'm gonna go look for this homicide suspect. I'm gonna go down on foot and see if I can spot him. So I went to 18th
and Castro and I spent the evening there.
Bowles walked around in the Castro trying to envision the doodler. A black man, about
six feet tall, slight build, around 20 years old, and matching the composite police sketch.
Well, about 930, I saw this guy walking down the street,
and he fit the description fairly well.
He was about the right height, build,
and he looked really hinky because his right arm was straight.
It didn't bend at the elbow and he's wearing a long P-coat.
Bowles jumped into action without another thought.
This was his chance.
So I stop him and I say, get up against the wall because I didn't know what he had in that sleeve,
but it didn't look right.
So I started patting him down.
He's got something in his sleeve.
And I lowered his arm and said, open your hand.
And he did.
And it was a sawed off baseball bat.
Well, that was the first clue
that this guy wasn't real right.
So then I finished patting him down and he got something down in his pants.
So I pulled that out.
It's a scimitar.
It's a curved sword.
I bet the first and last time I ever stopped a crook and he was carrying a scimitar.
Bowles is remembering this just a little hazily. It was actually a kukri, a curved knife
that is similar to a scimitar, but not as long.
He says he took this suspect back to the police station.
Bowles booked him, and when he did,
he found another piece of evidence.
I'm not free to discuss specifically what it is publicly, but I found some evidence
that made me think that this guy was good for at least one of these murders.
Was it some sketches?
No, it was something that was, it was an indication that this guy had been in possession of some stolen
property that and I can't say for a fact it was stolen but let's put it this way.
There ain't no doubt in my mind that was stolen property.
Was it from one of the Doodler victims?
Yeah.
Bowles says he passed the evidence and the suspect off to homicide inspectors for Tay
Guilford and Earl Sanders.
Had he caught the Doodler?
I have some doubts in my mind, but no real strong doubts.
Plus, he had some crimes in his history that would match this sort of guy.
So he fit my profile about as tight as anything.
A cookery is more like a machete than a stabbing knife.
Police know a steak knife was used in the diplomats' attack,
but no weapon was found at the scene of any of the other Doodler incidents.
So this cookery could actually be a viable Doodler weapon.
And Bowles says this suspect did have a history of arrests. There's certain guys you'd get that feeling from you meet some guys that are
just evil to the core. Seldom have I been wrong with that and in fact I
don't think I ever have. It's unclear what happened to the cook
rewielder. A piece of evidence Bowles found on him was pretty incriminating.
Dan Cunningham told me it was a pond slip.
This guy had sold a wristwatch belonging to the doodler's fourth known victim, Fred Kappen, but detectives couldn't link it to the murder.
The watch was apparently stolen from Kappen's apartment before he was murdered. A few months after Bowles made that arrest, Rotea Goffard told the San Francisco Sentinel
that there were several suspects being looked at.
I was able to get Dan Cunningham to tell me that the original case files include 16 suspects.
That sketch must have kickstarted the tip line.
I don't have tabs on all of them, but the man James Bowles arrested is one of them.
And the others?
Some of them shared the doodler's artistic streak.
There's two, at least two, at least half,
we have those photos of sketches they had done.
Cunningham says at least one man was apprehended
for bringing a sketchbook into a gay bar.
And there was another man offering to draw sketches
of patrons in a Tenderloin bar.
He was carrying a butcher knife and a book of drawings. That sounds spot on. And there was another man offering to draw sketches of patrons in a Tenderloin bar.
He was carrying a butcher knife and a book of drawings.
That sounds spot on.
So the cops were getting more leads, and the case had a new sense of momentum.
But casting with such a wide net gets complicated, right?
The circumstances of some arrests can get a bit shaky.
The composite sketch was detailed, but the suspect description was fairly broad,
so any young black man carrying a sketchbook into a bar,
or even just walking down the street, could be stopped.
This was the 1970s. Racial and sexual prejudice was explicit in the SFPD,
even in the prestigious homicide department.
Only one year earlier, the SFPD had been stopping and profiling hundreds of black men during
the Zebra murder case, a move that the federal court called a civil rights violation.
And remember, when Earl and Rotea first became inspectors, they were held to a different
standard by the old boys' atmosphere in the department. I didn't mention that since 1973, they'd been participating in a lawsuit alleging the SFPD was biased against hiring minorities.
Earl wrote in his book, The Zebra Murders, that at one point, a crowd of something like 200 white officers gathered to protest their allegations in that lawsuit.
As Earl and Rotea pushed through the crowd, one even threw a racial slur as he called
for a contract to be put out on their heads, to which Earl hotly replied,
Why doesn't the asshole who said that come over here and try to make good on that contract
himself?
So, Inspectors Guilford and Sanders were actively fighting the inequities within the SFPD.
Earl's son Marcus Sanders told me his father's hunt
for a suspect was purely focused on catching the bad guy.
But I don't know how they felt about sending
that very police force out into the streets
to hunt down a black suspect.
If they were alive today, we could ask them.
I did ask Rotea's widow Jude,
but she said he never discussed his work with her.
This summer, we're loading up the car.
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You know that moment when you're researching something completely unrelated
and you stumble onto a find that's just right?
That happened to me last week while procrastinating on this script rewrite,
and I came across this 100%
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in a color called Driftwood.
And now I can't stop thinking about it.
It's got this effortless, lived-in look,
structured enough to wear to a meeting,
breathable enough for a weekend away,
and just that timeless no-notes kind of way.
It's definitely sitting in my cart right now,
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They make elevated basics that actually last, like lightweight pants, breathable polos,
and classic layers that don't fall apart after a few washes.
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The sketch was getting police closer to catching the doodler than they had ever been. But for the regular bargoer, the sketch wasn't going to protect them from another knife attack.
The queer community was entirely fed up with the lack of security in their neighborhoods.
They had been for a while, whether it was marauding teenagers throwing bricks from a car window or a serial murderer on the prowl.
Activists Ann Cronenberg said they took matters into their own hands.
We had to come up with our own system of, you know, kind of like a neighborhood watch or
something. It's like take care of ourselves. You know we started and this
is a little later in the 70s more like 73, 74 started the whole whistle movement so everybody
men and women in the gay community carried a whistle with them you know on your key chain
on wherever so that if there was trouble you could blow the whistle and a
community member hopefully would come and and help you because again you could
not trust the cops for being there. By 1976 this coalesced into an organized
effort. We were called the Butterfly Brigade and we were gay and you know the
examiner called us vigilantes.
That's former Sentinel editor Randy Alfred again.
He was one of the organizers of the Butterfly Brigade.
We were armed with whistles.
Nothing else.
And basically we were what was later called the neighborhood watch.
They wore robes and some carried walkie-talkies.
They could only afford a few.
The Butterfly Brigade was a group of volunteers
who actually patrolled the streets in the Castro.
Harvey Milk came out on one or two occasions with us.
He didn't come out on a lot because he didn't want a grandstand.
He signed up for a shift like everybody else.
He did the full hour and a half watch.
And we did two watches a night, Friday night and Saturday night.
It was a huge commitment.
The shifts went past 2 a.m. some nights.
Randy Alfred wrote a story about the patrols in the Sentinel.
And he said when someone yelled slurs from their car,
the butterflies would write down their license plate number and send them a letter,
just to let them know that records were being kept.
And sometimes to let a parent know their teenage son
was driving around town harassing people.
The Butterfly Brigade was pretty small
and limited to a few blocks on the Castro,
but it did a lot of good.
And even the cops seemed to agree.
The brigade used peaceful intimidation
against violent homophobes.
The doodler was probably too careful to get caught by the Butterfly Brigade.
He made sure his victims were well away from anyone or anything that could protect them.
In March 2017, police in Ketchikan, Alaska got a worried call.
And I haven't heard from them, so I'm getting worried.
It was about a beloved surgeon, one of just two in town, named Eric Garcia.
When police officers arrived to check on the doctor, they found him dead on a couch.
Is it a suicide? Is it a murder? What is it?
From ABC Audio in 2020, Cold-Blooded Mystery in Alaska is out now.
Listen wherever you get your podcasts.
Hey, it's Jesse Tyler Ferguson.
On my podcast, Dinner's on Me, I've taken guests like Sofia Vergara,
Katherine Hahn, and Margaret Cho to some incredible restaurants around Los Angeles.
And now, you can check them out for yourself.
I've put together an Apple Maps guide
featuring just some of the delicious spots
with shared meals and stories on the show.
Go explore and maybe even go grab a bite where we recorded.
Just search Dinners on Me on Apple Maps
and don't forget to listen on Apple podcasts.
and don't forget to listen on Apple Podcasts.
As I've said, the publication of the sketch meant a lot more tips were coming in. Many were bogus, but some were intriguing.
Earl and Rattayah were operating on a hunch.
They suspected that the man who attacked the diplomat was the same person killing folks on Ocean Beach.
But they didn't have hard evidence
to support that connection.
All they had were rumors about a sketch artist
and a consistent pattern of attack.
Until another lead fell into their lap.
It was an anonymous call,
and she gave a very specific name.
A name?
Dan Cunningham says the caller claimed
that the name she gave was the man in the sketch
and that he killed the people down on Ocean Beach.
Approximately 10 days later,
she called up again, a little upset, apparently,
agitated because she didn't think anything was getting done
and provided a license plate of the suspect.
This anonymous woman called twice.
First, with a claim that she knows the man in the sketch.
Second, with a license plate number to pressure the police into arresting him.
Subsequently, did you, did the department then determine who the woman was
and talk to this person of interest?
and talk to this person of interest? So the investigators at that time
started working up an individual
that she provided a name for.
But just because the police got a name
doesn't mean they could go kick down that person's door.
Like Cunningham says,
Inspectors Earl and Rotea had to figure out more
about the person
named in the anonymous tip before they could pursue him outright.
So they put him under police surveillance.
Then the phone rang again.
Within a short period of time after, you got a third phone call from a secretary at a psychiatrist's office saying that the person that committed these beach
murders had been seeing the psychiatrist that she works for.
According to a later Chronicle article, the secretary called less than a week after the
anonymous woman. The article references a fourth call too.
The fourth was the actual couple days later, the actual psychiatrist himself.
The psychiatrist alleged that his patient confessed during therapy, the same person
the anonymous woman and the secretary had called about.
Over the past three or four months, this patient had been talking about how he committed the
murders on Ocean Beach.
Rotaya quoted the psychiatrist in the article, saying his patient was the doodler, quote,
beyond any question.
The doodler potentially had a name.
Was he this therapy patient?
Sitting on a couch week after week, month after month, confessing to these crimes?
We have to know who that patient was.
But to figure that out, we have to know first, who was the psychiatrist?
This is a question Cunningham was looking at too.
He tells me Rotea and Earle's case file only has one line that hints at who the psychiatrist
may have been.
It says, Dr. Priest, Highland Hospital.
My experience in the past has been you spend endless hours and then suddenly one thing,
you know, is the key and it unlocks it.
That name and that location were things our private investigator Mike Taylor could work
with.
Highland Hospital is still in operation today.
You know, hope springs eternal.
So Mike called up the hospital to see what records we could get about a doctor-priest
who may have worked there in 1975
But nothing they told him that everything before the 90s had been purged. I
Tried to get more information out of Cunningham
But he got the same response from Highland Hospital that we did though
He had a few small details that Mike and I could talk through
Dan was saying that
Yesterday when we were walking around, that the psychiatrist had
met with the doodler, suspect or person of interest, at an actual clinic at Highland
Hospital in Oakland back then.
But there was something about what, meeting at Highland and they had these temporary
shacks set up outside the hospital or something like that. Yeah mobile units. So I was going
to chase that out with somebody I interviewed long ago who was at Highland at the time and
just see if the guy's still alive and see if he remembers anything.
Mike and I have called up every doctor-priest who could have been practicing back in 1975,
at least the ones we could find, but no luck so far.
Why didn't Rotea and Earl write down the full name of this psychiatrist?
Was Dr. Priest shorthand for something else?
Or is this another matter of missing files?
A doctor that I talked to a week ago brought this up.
When I was talking about the psychiatrist at Highland
Hospital, who might have talked to the dubler, whoever that was
was probably in his or her 40s.
So you'd be looking for someone in his or her 90s now.
Good luck, but I don't think they're gonna be around.
Yeah, really.
And good luck having him be a, or her be a witness.
You know, here, I'd be this person from 45 years ago,
Mr. 92 year old doctor.
That could be tough.
In Mike's conversation with the doctor, he also learned that the Highland Hospital files
may not have been purged after all.
They may be sitting in a storage unit somewhere, waiting to be reopened.
We've put in a Public Records Act request for those files.
Even more than the diplomat, this psychiatrist, Dr. Priest, could have information implicating
the doodler back in the 70s.
He had what every investigator wants, a confession.
Next time on the Untold Story of the Doodler, Earl and Rotaya interrogate the suspect.
What kind of things did he say?
You know, I've had other people have done this to you before and I enjoy I enjoy this so your your anguish and
Pain and everything else is something I enjoy type of thing. That's next time on the untold story of the doodler
The Doodler is created by the San Francisco Chronicle and Ugly Duckling Films and produced in association with Neon Hum Media and Sony Music Entertainment.
It's reported by me, the host, Kevin Fagan, and Mike Taylor.
Produced and written by Tanner Robbins.
Natalie Rand is our co-producer and Odilia Rubin, our supervising producer.
Associate producers are Chloe Chobel and Ryan J. Brown.
Our sound designer and composer is Hansdale Suit.
Our editor is Nick White and our executive editor is Catherine St. Louis.
Editorial support from King Kaufman and Tim O'Rourke for the San Francisco Chronicle.
Executive producers are Sophia Gibber and Lena Bausager for Ugly Duckling Films
and Jonathan Hirsch for Neon Hum Media.