WSJ What’s News - What’s News in Earnings: Merger News Dominates the Entertainment Business
Episode Date: March 5, 2026Bonus Episode for Mar. 5. Reports from entertainment companies this quarter underline what’s driving consolidation in the industry. Paramount Skydance won a bidding war against Netflix for Warner Br...os. Discovery, while Comcast spun out its cable networks into a new company. Wall Street Journal media and entertainment reporter Joe Flint discusses what stood out from Comcast, Disney, Netflix, Paramount, Warner Bros. Discovery and Versant. Ben Fritz hosts this special bonus episode of What's News in Earnings, where we dig into companies’ earnings reports and analyst calls to find out what’s going on under the hood of the American economy. Sign up for the WSJ's free Markets A.M. newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Hey listeners, it's Thursday, March 5th.
I'm Ben Fritz for the Wall Street Journal,
and this is What's News in Earnings?
Our look at some of the biggest themes standing out this earnings season.
Today I'm speaking with Wall Street Journal,
media and entertainment reporter Joe Flint.
It's been a dramatic few months for the media business.
Warner Brothers Discovery agreed to sell itself to Netflix,
then left the streaming giant at the altar for a better proposal from Paramount.
Disney picked a new CEO who will be the second person to replace Bob Iyer.
This is all against a backdrop of rapid declines in the linear television business
and struggles by entertainment companies to grow other businesses like streaming and theme parks fast enough to make up the difference.
Joe, let's talk first about consolidation and spinoffs.
So Skydance bought Paramount last summer, and now Paramount Skydance has a deal to buy Warner.
Comcast spun out its cable networks into a new company called Versant that isn't doing
very well since its public debut in January.
What's up with all this reshaping of our media giants?
Well, both the Paramount Warner deal and Comcast cable spinoff are driven by the desire of these
companies be more focused on streaming, try to offer real competition to Netflix and Disney Plus.
And we look at David Ellis and the head of Skydance. He bought Paramount last year.
But even then, he thought, this is too small to compete with those bigger giants. So from
the get-go, he went after Warner, believing that that would give him enough scale to compete.
So now we'll get to see if that actually pans out for him or if he's just saddled another media
company with a ton of debt. Earlier this week, and just a few days,
days after Paramount's earnings report, the company held a call with analysts to talk about the Warner
deal. They framed it as an ambitious project that would reinvigorate entertainment. Here's Paramount
CEO, David Ellison. This is not about consolidation. It's about reinventing the business.
We want to expand our reach and enhance our ability to create the world's most compelling
stories and experiences. And we're incredibly excited about this transaction, and it will accelerate
that ambition. Comcast, meanwhile, wanted to move the bulk of its cable assets.
including CNBC, MSNBC, and USA to a separate company called Versen,
because long-term cable is not the growth engine it once was,
and NBC Universal is focusing much of their efforts on turning Peacock into a legitimate streaming
competitor.
Versant just reported that for 2025, profit and revenue both fell,
but they say they're in a good position to grow this year.
Disney and Universal have also been investing aggressively in their real-world experiences,
theme parks and cruise ships.
Why is that?
Do they have advantages over companies
without theme parks and businesses?
Ben, why don't you tell us more about that?
Sure thing, Joe.
So Disney's been in the theme park business
since the 1950s, but that was always smaller
than first it's film business
and then later television.
Post-pandemic, however,
people have been rushing out
to have real-world experiences together.
It's been a booming part of entertainment.
And since 2022,
experiences, the Disney division
that includes theme parks and cruise ships
has accounted for the majority of its profits.
Last quarter, in fact, it was 72%.
The company expected to keep growing,
although the domestic theme parks are facing pressure
from fewer foreign visitors coming to the U.S.
At NBC Universal, meanwhile,
theme parks accounted for nearly all its profits last quarter,
as losses from Peacock basically covered the profits
from film and the shrinking linear television business,
which includes networks like NBC and Bravo.
Both companies are expanding aggressively.
Disney is nearly big,
doubling the size of its cruise ship fleet, it's expanding or refurbishing all of its theme parks,
and is planning a new one in Abu Dhabi. Universal just opens its third theme park in Orlando,
it's building one that's just for kids in Texas, and we recently reported that it's in talks
for a possible theme park in Saudi Arabia. So finally, what about streaming, Joe? How's the OG Netflix
doing? And how about the media company's own services like Disney Plus, HBO Max, Paramount Plus, and
Peacock, are they anywhere close to making up for what was lost in linear TV profits?
They're getting closer, but it's still a long road. First, we'll focus on Netflix that fortunately
for them doesn't have those old linear businesses to worry about. They had a good quarter. Revenue
was up 20 percent, net income 30 percent, 325 million subscribers worldwide. But obviously, they too
are worried about growth, hence their interest in buying the Warner Library in HBO Max, and we see
them investing more and more in live sports, all these things to keep viewers from churning
and the maintain subscriber growth. The others are growing, but linear media and the money
those cable channels generate are still significant. Disney streaming had operating income
growing 72%. HBO Max has been growing nicely, but they saw a slight decline in earnings because
of some changes with their distribution deals. Peacock, however, lost $550 million to
despite some subscriber games largely through sports.
The challenge is those subscribers are not always long term.
They come in, they check out.
Customers drop off when a season of their favorite show ends or if the Olympics end.
And I'm already hearing about that now that the Olympics are over.
Some peacocks subscribers are saying, okay, we're done for now.
I have to say, once the current season of the pit ends,
I may be churning from HBO Max myself for a little while.
Well, and that's why they want to merge with Paramount so that then you'll
stick around for the new season of Landmen.
And that was What's News and Earnings.
Today's show was produced by Pierre Bienname
with supervising producer Tali Arbel.
Additional sound, courtesy of S&P Global Market Intelligence.
Come back later today when we'll have the PM edition
of What's News out for you as usual.
And we'll be back later this earnings season,
diving into another industry.
Until then, I'm Ben Fritz.
Have a great day.
