WTF with Marc Maron Podcast - Episode 1650 - Seth Meyers

Episode Date: June 9, 2025

Seth Meyers doesn’t get out to LA very often, but when he does he’s able to visit longtime friends, go on other late night shows, and head over to the garage to talk with Marc. This time they get into how Late Night is helping Seth process what’s going on in the world even has he helps viewer do the same. They also talk about SNL 50, including Seth’s interaction with Keith Richards and why Eddie Murphy and Will Ferrell are the greatest. Then they spend the rest of the time fanboying about Nathan Fielder and Tim Robinson. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast. Hosted on Acast. See acast.com/privacy for more information.

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Find your getaway. Contact a travel expert or visit. SellerVacations.com. Okay, I just need to say thank you to Google for sending me a Google Pixel 9 phone. It's powered by Gemini, which is a built-in AI assistant. It's so easy and it helps me get things done faster. All I have to do is hold down the power button on my Pixel to start talking or typing, and Gemini is there for me. I also had this crazy idea this spring to paint my

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What the fuck buddies? What the fuck assotants? Yeah, I threw a new one in there. Got a request. I got a request as we're heading into the home stretch. How are you? This is Mark Maron. I am Mark Maron.

This is my podcast WTF. Welcome to it. You know, I used to get lists of those things, just full lists of ideas for the opening names. And then like, you know, I could get preoccupied with, you know, which ones I should use or be dozens of them. And then you just land on a few. How's it going? What's happening in there? Out there? In there? What's happening in there? Out there? In there? What's happening out there? What's up with you people? Are you okay?

Is your head alright? Is everything checking out fine? Are you holding up? It's been very overwhelming, the outpouring of kind of appreciation for the show, and I'm moved and grateful. Edgy, though. A bit edgy. I was talking to my buddy Jerry last night and I was trying to understand my feelings.

And I don't know if there's such a thing as angry gratitude or aggravated gratitude. I'm still wrestling with a certain amount of my feelings that I think it takes a big person to achieve a certain amount of things in their life that are, you know, pretty great or get to a place where they finally kind of made it through the fire into their own sort of level of success or at least having a place in their world. And I think it takes a certain amount of humility to just accept that and be grateful for it

and look at the work you've done and think you've done a good job at whatever you do. But there's sort of a level of humility that has to occur. So you don't get to that place and look back at all the people that stood in your way on purpose and just inform that gratitude with you. You can go fuck yourself. See, see what I did.

Because quite honestly, I think the mature way to look at that is that at those different junctures in my life, whatever my life has been and whatever my rejections were or whatever my struggles were, or however many people stood in the way of me getting to where I thought I deserved or what I wanted to believe that I was capable of, I might not have been at that time.

I might not have been as good as I thought or as ready as I thought. And over time, I've definitely accepted that. And a lot of my resentments or petty aggravations about the struggle or the course of my life, the one it took, was somehow unjust. I was out of my life, the one it took, you know, was somehow unjust. I was out of my mind. I was a fucking being of chaos and fury that eventually had to be beaten down and humbled

by the great wheel of life until I kind of like relaxed into me. So I am grateful. That's what I, and I'm going to keep saying that because I should, and I should appreciate that. So I don't just kind of keep, you know, just steamrolling and plowing through life without appreciating what is happening. It's kind of upsetting that I get to this point in my life

where, you know, I can level off a little bit and kind of you know look at what I've achieved and and feel pretty good about it just you know coinciding with the end of America. It's hard not to take that personally. So look folks Seth Meyers is on the show he was actually on the show back in 2016 that That's episode 731. He's not in Los Angeles much, so it was good to have him back, catch up. He's still hosting Late Night with Seth Meyers.

He's also got two podcasts out now, one with his brother Josh and one with the guys from the Lonely Island. You're welcome, fellas. So, I'm kidding. I'm not in that zone. I don't think I invented anything. But there has been something that's been,

something that came up the other night that was kind of surprising. A little bit of a retreat, you know, back into mystical thinking that was kind of, I don't really like to go there you know because I was there but something triggered it but I'll talk about in a minute the documentary are we good is screening at the Tribeca Film Festival in New York City you can come see it this Saturday June 14th at 5 p.m. that's at the OKX theater on Chambers. I'll be doing a Q&A with Tracy Letts

after the screening. That's funny, Tracy, you know, some people wonder over the course of this podcast, you know, because of the nature of my conversations, it seems like, hey, those guys should be friends, you know, how many people have I become friends with after really talking to them? Well, I have a lot more acquaintances and people that I know and know me, but Tracy actually became a friend and I was very focused on that, on becoming friends with Tracy and he is a friend. Okay, so there's another screening as well on June 15th at 530.

It's screening at the Village East on Second Avenue and 12th Street. And also, Stick is on TV. I'm on TV in a show with Owen Wilson and people seem to be enjoying it. Why wouldn't they? A new episode of Stick premieres this Wednesday. I haven't seen it yet. I've only seen as many as you've seen, if you've been watching. But it seems to be a fairly emotionally uplifting and satisfying show and I'm I'm happy to be a part of it so yeah a couple of things are going on in terms of the life kind of adjusting to realizing that

Big changes are on the horizon, you know in my life, but in the world things are certainly not looking good It's been pretty fucking awful out here in Los Angeles with this display of might and power with the new secret police that is ICE. And it's been kind of awful, I would say horrible and disconcerting and it's hard to know exactly what to do. So I found myself kind of trying to sort of integrate the ideas of the poem by, I'm not sure how to pronounce his name, Pastor Martin

Neymoller. The poem many of you've probably sort of come in contact with. First they came and you know in terms of the message of that poem and what it means to be a real citizen in the fight for democracy, a couple of things are coming into my mind around this. And I'm like, well, I don't know if you know the poem but I'm gonna I've been rewriting it a little bit and I'll try to give you the sense of it so here's the poem and with my additions first they came for the communists and I did not speak out because I was not a communist and I was on my phone then they came for the socialists and I did not speak out because I was not a socialist and and I was on my phone Then they came for the trade unionists and I did not speak out because I was not a trade unionist and and I was

Again on my phone Then they came for the Jews and I did not speak out because I was not a Jew and and I you know I still on my phone and then they came for me and there was no one left to speak out because I was not a Jew and I was still on my phone. And then they came for me and there was no one left to speak out for me and they took my phone. See, I'm just kind of working with it a little bit and I think you can change communists to immigrants. Yeah, that's a little side project that I'm working on. Look, folks, this is an ad by BetterHelp, and if you've heard me talk about BetterHelp,

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and about cocaine and about Sam Kenison. And I guess that popped open that portal. And I did sort of kind of like retreat, not retreat, but I found myself engaged in a bit of old Mark Maron style mystical thinking because many of you have heard the story of that period of my life where I was a doorman at the comedy store and hanging out with Kenison in that entourage and living at the house that Mitzi Shore owned

up behind the Comedy Store and just living a life of, I don't even know what you would call it, it was certainly off the grid, it was certainly Comedy Store specific, it was certainly a very jacked up, dark period in a lot of ways, but mostly because of my brain, because I'd, I'd coked myself into a psychosis that took me quite a long time to fully shake, uh, and in the late eighties,

uh, and that was the sort of beginning of my relationship with, uh, sobriety, uh, that was on and off for, for years after that. But in my book, the Jerusalem syndrome, uh, you know, I kind of spent a lot of time on that chapter, the Hollywood chapter, and what was happening in my mind in terms of psychosis, and then also my own sort of paranoid fantasies and my own sort of, it was all informed by whatever intelligence I had at that time. But here's the thing, is that during the psychotic time at the Comedy Store, I started to sort of realize or believe that it was a fairly dark castle

of a strange type of mystical dark energy. And it's not something that people didn't notice back in the day. It's kind of been exercised to some degree just by proficiency. But there was just this concept I had about the role that Mitzi played in the big picture and that I had become obsessed with the building across the street, which is the Sunset Towers, which is now a pretty sweet hotel. It's an old deco structure.

At the time I was at the store, It was being gutted and renovated, and there's this sort of altar structure on the top. And I become sort of obsessed and believed in some sort of apocalyptic fantasies about the end of the world beginning with some sort of sacrifice that was going to take place on that altar by who I didn't know. But I knew there were dark forces coming and

I knew that Sam was a representation, Kennison, of those dark forces. And I believe he was. I re-listened to some of his bits, two of which are some of my favorite comedy bits in the world, but many of them wrong-minded. And he was really, he was a megalomaniacal person, not unlike Trump or other megalomaniacal people. And, you know, he was a powerful force being an ex-preacher, and he had kind of broken my brain, and the Comedy Store just unfolded into this castle of dark wizardry. And I felt that, you know, comics at that time

were somehow, you know, I didn't quite understand how, but there was a good and evil thing working in that somehow comics played a part in the oncoming apocalypse because I was there at the Comedy Store. And this was going on in 1987, and I had this whole apocalyptic sort of mythos that was being generated by my brain.

And it wasn't clear all of it, but I knew that there were certain parts that the Comedy Store was gonna be involved in it and that Hollywood was involved in it and that there was something about the shifting of reality. And that was, I kind of documented it in that book, you know, and it was a real kind of a paranoid psychotic vision that I had and, you you know it eventually forced me to run away from Hollywood fairly quickly

you know give away everything that didn't fit in my car and just get out, get out, 23 Skidoo baby and I was running from dark forces that I couldn't see and I went home and I renewed my passport because I was pretty sure I was going to have to go. And you know, and I tried to get sober the first time, which I did, and I went back to Boston. But the other day I was thinking, well, look, you know, and I guess this is in light of the podcast ending and just kind of putting things together for myself and then realizing at some moment that there was a whole system at the store

and at the Comedy Store and we've discussed it many times on this show, that if you were in the system and you believed in the system, that's all you believed in really, was Mitzi's system of becoming a comic and what you had to do in that building to get to that place to be a comic.

All that being said, it's just interesting to me in the big picture of what's happening and what this medium has unleashed is that me and Joe Rogan were both in the system. We are both products of the Comedy Store. We are both the spawn of Mitzi's system. Now, however you want to frame Mitzi Shor in the big picture, you know, I have personal sort of opinions about her, but it was her decision. She was the queen. She was the decider. And at the time in the late 80s, when I was out of my mind on drugs, she took on a very kind of almost universal and powerful significance as a kind of a mystical presence. Now I'm not saying any of this is true, but all I know is that in this medium, which I

helped popularize, and Joe also in that system has his certainly has his place in the world, but just there's the spectrum of approach and what we have both unleashed on the world through this through this medium, but both of us being adepts of the Mitzi Shore system and lifelong members of the Comedy Store community. So there you go, two ends of the spectrum of podcasting coming from the same source underneath the reign of the same woman and In a now truly apocalyptic landscape. Hey look do with it what you will I'm just kind of thinking out loud Do you know what I'm saying this episode is sponsored by Squarespace When you run your own website like we do, life is easier thanks to Squarespace.

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That's squarespace.com slash WTF offer code WTF. All right, so be it. Okay, so look, Seth Meyers. Look, obviously the host of Late Night with Seth Meyers on NBC and Peacock. His podcasts are Family Trips with the Meyers Brothers and the Lonely Island and Seth Meyers podcast. You can get those everywhere. And now you can get me and him, me and Seth talking right here, right now.

Here we go. first McDonald's order of $20 or more. Only on DoorDash now until June 15th. Terms apply. ["The New York Times"] You were in Albuquerque? Yeah. You have family, right? My wife's from, grew up there. That's right, she grew up there.

Yeah. How long's she's hanging out there? We were there for the weekend, so. It was nice, we only go in December for the holidays. Yeah. And we have never been in May, it's beautiful. Might be the best time to be. It was gorgeous.

Oh my God, I gotta get back. How you feeling buddy? I'm feeling all right, thanks for asking. What are you doing out here? I'm just out. You know, I come out like twice a year and try to do some LA press. For the show?

Yeah, I'm gonna go and Kimmel. For the Emmys? Yeah. Yeah? It's a little shameful, isn't it? No, it's show business. It's show business. But you know, it's interesting.

I also love, I should say, I love being out here for short pops of time. We must have a lot of friends out here that you don't see all the time. So many. Yeah. You know, one, I came up in Chicago and everybody came here and very few of us went to New York.

And then, you know, post SNL, I mean, for basically for 15 years, those are the only friends I made and everybody came here. And they're all out here? And they're still here? Yeah, everybody came. Well, that gives me hope because I was under the and everybody came here. And they're all out here? Yeah. And they're still here? Yeah, everybody came. Well, that gives me hope, because I was under the impression everybody was leaving.

Oh yeah, well, I feel like, I haven't paid that close attention, but certainly in the last six months, I would imagine. People coming back to New York? I feel like we've gotten a few people, not my closest friends, but definitely some imports from LA. Well, I think people realize,

what do I gotta be out there for? Right. COVID ruined everybody with Zoom. Yeah, I think people realize like, what do I gotta be out there for? Right. You know, COVID ruined everybody with Zoom. Yeah, well, I was gonna, we were talking, I have something I wanna pitch recently. Yeah. And I was looking at my schedule, trying to figure out when.

You could get out here? And then I realized, wait, nobody pitches. Nobody, I don't even think people in LA wanna have to come into the office to hear a pitch. To drive out to Culver City? Yeah. To HBO, to pitch something. It does feel foolish that we did it all in person for as long as we did.

I still like it, man. This is nice. I mean, we could be doing a podcast via Zoom and this is so much better. I don't do them. Yeah, I know. I like that. But I went to see a psychiatrist

because I figured it was time. Was there first line to you, what took you so long? Well, no, I'd been to them, but like, but at this stage in my life, there was something, you know, nagging me, and I wanted to get a psychiatric evaluation by a real psychiatrist. Yeah. And, uh, and they were like, do you want to do Zoom?

I'm like, no, I want to sit on a couch, and I want to look at a guy that I can judge for an hour as to whether or not he's on the level and not just shuffling me off with some medication ideas. Did you feel like you got what you wanted out of the hour? Yes, but he shuffled me off with some medication. So you, right, same outcome.

But I believed him. Yeah. So the last time we talked was like what, 2016? Long time. And you had just started, I think, hosting your show. Yeah, a couple years in. Yeah, and it was not as defined as it was. I think that, you know, I think, who was in the band?

It was this rotating crew, it was an Armisen. Yeah, Fred was in the band, and it was the H.E. band. We no longer have a band. Eleanor Friedlander? Yep, she was there. She would come in and- I wonder how she's doing. I hope good.

Yeah. She's a fantastic musician. Totally. Yeah, Sid Butler and Eli Jani. No band now. No band. That was the cost of doing business in the modern era of showbiz.

And like, how are you feeling about, I've had this issue lately, and I think that you're starting to realize it, where for too long everyone's been talking about the political environment as a two-party problem. Yeah. And really the problem is that, you know, there's an authoritarian coup going on,

and we're up against something that is not relative specifically to two parties. And I think that we all feel powerless in the face of it because we are, but there is this idea that these Democrats have got it, like what? So I've actually gotten to the point where you can make cute jokes about Trump and whatever, but really the problem is almost impenetrable by clever jokes.

Oh, I mean, yes. I feel like maybe it has always been. Did we ever really penetrate as you look back? Well, when the media landscape was different, and that everybody was relatively on the same page, I think that there was an ability to raise some awareness and actually have to provoke some sort of reaction that could facilitate either cosmetic change or actual small changes.

I think that, looking back, I hope that might've been true, we were always very careful to approach this not as we were changing anybody's mind. Mostly because we never had the sense. With this show. Yeah, with ours. Yeah. That, you know, early on, if you disagreed with us,

I don't understand why you would continue to engage with the show. Right, watch it, yeah. So the only mind we were trying to change was to get the people who were watching our show to vote, right? Like, ultimately, that's all you can hope. And also feel represented. Feel represented. Because now it's almost like, you know, people are afraid to talk.

Yes. And, you know, I did a whole tour for a year and a half, you know, and a year that, or however long since January, with Trump in office. And it really started to feel like I was, you I was providing some sort of community service, getting these like-minded people out from under their phones and their computers into a room full of people that thought like them, and just to sort of bear witness to the fact

that you're not alone here. I think it's catharsis. And I do think that ultimately that is both, it's certainly cathartic to do our show every day. And hopefully it's cathartic to watch our show. But I'm talking to you during a hiatus week. And this is so much harder for me than when I have the show, right?

Like what I read today on any given day, when I don't have the show to sort of process, like I feel so much worse. And so- Oh, because the reality sets in. Well, just, yeah, it's just this horrifying, like for example, we're talking after Memorial Day and you just sort of read what the president chooses to-

Say. And it's just impossible to not just feel sunk by the reality of it. Well, yeah, exactly. And I guess that's not a good show. No, but you know, I think we had this moment where, you know, as it dawned on us pretty early on election night, okay. I mean, the first thing I felt was just this overwhelming

sadness about having to do it again. I just didn't overwhelming uh, sadness about having to do it again. I just didn't think I could generate the energy to do it again. And pretty quickly, I think we all came up with this tone shift that is open to comedians, that's not open to people who say work at CNN or MSNBC. Like, I don't know how they go to work every day. Because we realized, alright, in 2016, I think our approach was that this was, a mistake has been made, that everybody will realize over the course

of the next four years, this isn't us. And now you firmly have been told, nope, this is us. More us than it was even in 2016, because everybody know exactly what the deal was. And so we've sort of given ourselves permission to just, and I know this will sound possibly hollow, as I say it, but just to make sure we are still joyful, because once your joy is taken away, they win.

And so we're not trying to pretend like anything is good. We're trying to still talk about things that are really difficult and scary. But with a collective like, all right, you know, at the very least, you know, we agree with one another. Well, that's interesting. So because that actually becomes, as time goes on,

I think as time will show, sadly, a revolutionary act. I mean, it would be nice if it ended up having the result of some sort of revolution, you know? Right, but just the idea of having voice. Yes. Like what isn't really talked about as much is that, you know, Trump being the selfish, self-serving grifter that he is, and this sociopathic narcissistic personality

who has a knack for cranky autocracy is being handled. And I think that when you talk to people about, even smart people, they're sort of like, yeah, I don't know what we're gonna do in 28 or whatever, and I'm like, dude, what are we gonna do next month? But they don't talk about like Russ Vought. They don't talk about the fact that like,

Trump's not coming up with those executive orders 30 a day, and that they don't talk about, I mean, everybody paid lip service to Project 2025, but I don't know that anybody really knows what that was, the architecture of an authoritarian America. And that, you know, really what's happening on all fronts is, you know, and quickly is that, you know, he's fucking all these major institutions, right, defunding, you know, breaking the government.

And like most regular people are like, oh, that doesn't sound good. You know, and then they're like, I gotta go to work. And I'm like, shouldn't there be more urgency? I, you know, I feel like you've talked about this before, but like, I don't, you know, I don't think any of us have any sense as to what to do. I know.

God damn it. God damn it. God damn it. I thought you would be the god. No, I'm not. I mean, again, look, I'm so lucky that I have the show to do. But do you fear on any regular basis that the corporate ownership of the network will come under fire,

and you haven't been spoken to about, you know, toning anything down or anything? I haven't, and I do wanna give credit where credit's due, and I've never had any corporate interference on our show from the very beginning. Now, I also am aware that, you know, like you were saying, 2028 versus next week, this stuff is happening fast.

Yeah. You know, and we do a Q& Yeah, this stuff is happening fast. Yeah, you know and yeah You know we do a Q&A every night and you know what after the show during like during the last commercial break Okay, and and I'll go into the audience and you know with regularity people will say some version of are you worried? Yeah, and I will say I went from ha ha ha no do you? To basically the answer now, which is it, which is it wouldn't matter if I was. You know, like I don't, it's not like, I can correct the record in the next few shows. Right, I talk to Brendan about it all the time

and you know, he's my producer and we've been sort of like, well, this is what they said they were gonna do. Yeah. And this is what's happening. So, you know, once you take that in fully, and then you realize, you know, like I did a bit in the special about, like, what do you even protest?

There's so much going on every day. Do you make a sign that just says, please just stop? This is fucking crazy. Well, also you just, your brain, I feel like almost it just retreats to this false sense of security where you get through a day and you say, well, hopefully that's the end of it for the near future.

Hopefully they've done everything that was they set out to do. Yeah, yeah, yeah. But it turns out when you have sort of unchecked power like they do, there's no real reason to take your foot off the gas. Right, and what are the repercussions of it? It's like, it's so weird to be living in this situation where what I notice is that people are afraid

to talk. And because, like you said, that you're preaching to a choir to a certain degree, so there's no real way to have a cross-the-board impact. Everyone's insulated in their bubbles of information. So there's a futility in that. You also just realize how bad, you know, the messaging always has been about so many things and even the very idea that when you hear like federal funding is being pulled away from Harvard and the speed in which, you know, certain bad actors can frame that as, you

know, good, these rich kids shouldn't get a free ride to college. And of course, that's, the money was never for that. The money was always for scientific research. It was for cancer research, and it was one of the things that always drove, you know, the sort of scientific breakthroughs that this country had a lot of reason to be proud of. Yeah.

Do you, well, I guess, but that agenda has been going on forever. They just wanna, you know to break these institutions of progressive thought so they can make the general populace more malleable if it doesn't exist anywhere in the world. That's the part that's the scariest to me is I feel like every now and then people are like, well, they're going to regret this.

Because I don't think, and I'm like, they're incapable of regret. They're incapable of shame. And so even when, well, homes get more expensive, they're gonna really, they hadn't messed around with the bond market. I'm kinda like, no, they'll just blame it on something else. Yeah, yeah.

And so it's terrifying to live, basically we're dealing with an administration that I do think is like incapable of shame and it's a hard thing. And they're fucking, you know, cruel. Yeah. And they like it. They like being cruel. Yeah.

And there's a lot of people in this country that are like, yeah. It's also, I keep going back. I mean, again, like, look, it was obviously a stumble when, you know, Hillary Clinton called them, you know, a basket of deplorables, but, you know, I should be specific about the way certain people were behaving online that was, you know, Hillary Clinton called them a, you know, basket of deplorables. But, you know, I should be specific about the way certain people were behaving online

that was, you know, deplorable by any sense. I wish she would have tightened up the metaphor. Yeah. Just like a bunch of fucking idiots. Well, right, but there's- Yeah, I know, decorum. Right, it was too fancy. Yeah.

But again, she probably paid the price for being too fancy with her language. But, you know, it's that crazy thing of just never in our lifetime, right? We never, you know never saw an inauguration or a victory speech or a statement where people relished the cruelty of it. Dude, and their brains, the phones are just breaking brains.

Yeah. You know that, like I watched some weird old Michael Mann movie I didn't know about last night, The brains. Yeah. You know that, like, I watched some weird old Michael Mann movie I didn't know about last night, The Keep. Oh. Do you know that movie? No, but the fact that there's a, oh wait, I do know this movie, I do know this movie.

It's kind of a practical effect horror movie where Nazis are, you know, encamped in this Romanian, you know, mountain village. I was very excited when I read this movie existed. How did it hold up? Well, I mean, the effects are horrendous, but if you're a heart, I think it's got kind of a culty following,

but it is about evil and it's about Nazis. And there's a monologue in there by the Nazi commander who has heart somehow to the Gestapo guy who said, you know, you've convinced millions of people to honor their worst possible self. Like the power of propaganda, of breaking brains to engage people's worst fucking animal horrible selves is like, you know, we all update ours every day. Yeah. And I was kayaking on the Rio Grande. Oh, really?

Dropped my phone in the water. Oh, wow. And it was then, I literally maybe had the most peaceful two hours of the entire year. But how long was it? Panic. You know, it was so immediately gone. And that's a muddy river, man. And it was moving pretty fast.

Yeah, yeah. It was that thing of we're not gonna. It's gone. It's gone immediately gone. And that's a muddy river, man. And it was moving pretty fast. Yeah, yeah, I can see it. It was that thing of we're not gonna. It's gone. It's gone. Yeah. And by the way, and then I woke up at like 3.30 in the morning in a cold sweat, but I did really,

I had like a few hours where I'm like, you know what, this path. It's okay. Yeah. Learn this. Yeah. Well, I also think it helped to just also be in nature's current.

Yeah, yeah. You know, I didn't have to do anything. It's a very weird thing to accept, but you know, like, but the process you go through with a phone is sort of like, well, it's all up on the cloud, I'll just get another phone, then jack back in, and you know, everything will come back.

Right. And it came back pretty fast. Sure. I mean, I lost a wad of money, cause I'm an idiot and I want to be my grandfather. So I like to carry a wad of money in my pocket with a money clip. And I was wearing a jacket, and it wouldn't have happened if I hadn't had to walk to get my car,

but I dropped it. And it's gone. It's in Glendale. I was walking down Brand Avenue, and there must have been $600 in that fucking thing because I'm an idiot. Soterios Johnson You know what my grandfather used to do? As we were talking about, Garland? My grandfather, this is before I was around, but my dad told me he thought scotch tape was the greatest invention of all time. And so he would lay his money out, and he would tape it end to end.

And he would keep it in a roll, and when he paid for things, he would carry scissors around, and he would cut out, like, he'd pull out like $14 and then cut it with scissors, and then pay with like just a strip of dollar bills. Oh, that's the best. Nice ritual. It's a good ritual. But letting go of something like that,

it's just sort of like, well, I hope someone who needs it found it. You know what? Yeah. It's amazing how like you find, you always find Buddhism after you've done the dumbest shit ever. Sure.

You know, that's when you're like, you know what? The river, what the river takes may the river have have and it's always just cuz you were dumb as shit yeah I'm a fucking idiot but I gotta let it go yeah and yeah let me see if I can make that poetry yeah well I mean that's what you're doing every day with the news yeah but I like that like deep but do you get do you get, well, I have a grandiose brain that I have to fight against all the time. Yeah. But I think people in your position

who actually have a major platform, do you get scared for your life ever? I try not to think about it. But I would say no, if I'm really being honest. I think, and I don't quite know why, but I would say no. Do you get threats? Some threats. Yeah. Yeah.

Anyone's that are like, I gotta bring the authorities in? A few times there was a name on a list. You know, they catch a guy who there was a name on a list. You know, they catch a guy who's got a name on a list. But I should say long lists. Like I've never, you know, I think if you're on like a two name or a three name list, you may just spin out. But if you find out it's like a couple hundred names. I remember years ago when I was on the radio,

there was a guy that had like this site that just listed all the Jews. Yeah. You know, that, you know, were the evil. And I really, and I fought to have the guy on the show because I wanted to try to convince him that if you just look at this list a little differently, it's amazing the contributions these people give.

This is a list of geniuses. Yeah, this is a good list. It's a good list of why the world is a good place. My son did say, we were walking and he said, I sometimes worry, you know, because sometimes bad things happen to famous people. And I said, yeah, you know, also though, like, you know, no one's really, you know,

no one's really safer than anybody else. And he goes, yeah, and actually, you know, when I think about it, there's a lot of people more famous. And I said, yep. And again, now at this point, I just want him to feel better. I'm like, yeah, I would say that's true. And he said, he goes, you're kind of a medium.

And now I'm like, now I'm having, now I'm like, all right, we can talk about something else. A medium. A medium. Yeah, that's good. A medium. Then I'm going home, now I'm back on the couch. But when you decided to, like,

you know, there's only two people that really do what you're doing specifically. But when you decided to, there's only two people that really do what you're doing specifically, it's you and Oliver, that really kind of push back, you know, fleshings out fairly thoroughly. Yeah, I mean, I would say The Daily Show does it. I think Colbert does it a fair amount. But we built this thing called A Closer Look,

which is three days a week. And we have this fantastic writer on our show, Sal Gentile, who sort of generates it. And he had- He used to be at MSNBC? Yeah, and he has this sort of cable background where he writes like a thesis statement. And then he lays out a lot of arguments

and then he comes to a conclusion. And I think it's what makes it such a watchable piece of comedy is there's also this sort of through line of comedy. So that's the through line of comedy. So that's the framework for the comedy. So that's something new for you as a guy who was a head writer. Totally. Totally.

You now have this outline of information that is news and it's a point of view piece, right? And you've got to figure out how to punch it up. Well Sal brings it in and then... And it up. Well, Sal brings it in. Yeah. And then- And it's not funny when Sal brings it in. No, no, no, it's very, Sal puts in a ton of jokes. Okay. And then, but then he's definitely writing comedy as well.

Really good comedy. And then Alex Bay is our head writer and I, we take a pass and then we sort of read it together. But we've also, you know, especially post the pandemic when we were doing the show, you know, in an attic with no audience. Yeah.

We have a lot, we give ourselves a lot of permission to take tangents, to do dumb bits, to do, you know, half-baked impressions. Like we try to, while we're, you know, kind of giving this pretty, you know, a well-thought outtake on what's happening in the world. We also really wanna embrace the freedom to be silly. Yeah, to balance it.

Yeah. That seems to be the way to do it. Yeah. Oliver does that too. Yeah, very much. And you know, I think, you know, Oliver, who, you know, I'm a friend of, and we talk all the time, like, you know,

he's always trying to balance, like what's the dumbest thing we can do. To counter this. Just to counter the time, like, you know, he's always trying to balance, like, what's the dumbest thing we can do? To counter this. Just to counter the weight of our, and I should say, you know, John, at least, you know, we have the, I think it's a little easier for us because we're talking about stuff people know about. John's often like, hey, here's this thing

you didn't know about that's also terrible. That's more horrible than you can ever imagine. Right, like at least they, you know, they tune in to me to, you know, with an expectation of what I'm going to talk about, whereas John's like, hey, bad news. Yeah, it's not, and it's not the whole show. Yeah.

Yeah, I've noticed that in terms of comedy writing that, you know, you can, that the silliness is almost this necessary pause. Yes. You know, in presenting this stuff. Right, well, I mean, you know, I think- My comedy chops are not designed that way. Like if I get an audience into a bad place, my way out is like, I know, right? But you, for a long time, I feel like, you know,

very trailblazing in being a comedian who talks about stuff that ultimately we're all talking about on our shows now. Yeah, well good, thank God. Thank God I'm there to start something that I don't get credit for. Podcasting too, just FYI, that's another one. Oh, and I guess you should know

that we're gonna be stopping it. No. Yeah. Get out of town. Yeah, in fall, in the fall. Why? Because we're tired. Yeah, and fall, in the fall. Why? Because we're tired. Yeah, and it's just been me and Brendan for, you know, these 16 years.

And we do a new show twice a week. And it's very, you know, we did all right. We've been in a deal with a platform for a few years. And, you know, we've always said about the show, like, you know, when are you going to stop? And it's like, well, I don't know, it's up to him. And then, you know, it just becomes this thing like, you know, we don't have to keep doing it, dude.

Yeah. But I'm mostly happy for you coming to that decision. Yeah. I will miss it. I should say, I'm incredibly honored to be back. Oh, yeah. I hope, like the inner judge of myself that we all have. Yeah.

My first reaction was, they're running out of people. They're running, if you're coming back, they're running out of people. And now you're like, yeah, we're ending the show. And I was so worried you were gonna say, yeah, we're running out of people. Once we knew we had Seth coming back for a second time, we're like, this is it.

This is the wrap. No, no, we don't really run out of people, but there is this sort of question about, I mean, I'm older than you, but nobody seems to really stop. And I don't know, I'm not sure what my life will be after it, but it is a rare thing that we've done

to where we've built our lives around this thing and we have done a new show, you know, every Monday and Thursday for 16 years. Without fail, whether vacation or no vacation. Nuts. And, you know, it doesn't sound like a lot, but it's a lot. Did you start from the very beginning doing two a week? Yeah.

Wow. That was like the only thing we knew we were gonna do. It's like, we weren't sure what the show would end up being, but it's like Monday and Thursday, that's the right amount of time in between shows so people can have them to go, the drive time or whatever. And like the more I talk about it,

and I've only talked to a couple of people about it, publicly, I had Malaney on the other day and he's gonna be on the show where we're gonna announce it. And then like there's this whole feeling of like, I've got this community of people, but I'm not grandiose about it. I'm like, are they gonna be okay

without me complaining about my cats? You know, I get that part though, right? Because I think for us and our show, it was really during the pandemic where I understood it, because I had never read the YouTube comments on my show, but when I was doing a show and there was no audience, I sort of turned to it. Yeah.

Just that ego needed to have some feedback to not think I was just yelling into a void. Yeah. And I found it to be really lovely. Oh, good. And so you sort of, and I kind of underestimated how you build a community. And like, look, I think they'd be fine without me, but it is, that's a hard thing to break

away from. Yeah. And also this is like the majority of my social life. Yeah. Like, is like having you guys, like that's why we have recurring guests, not because we're running out. It's sort of like, well, he was, I liked him the last time. We had a good time.

It is, you know, Lorne Michaels told me that when he was, you know, because everybody was up to, you know, there was that long run, and I think everybody finally accepts now that Lorne's going to stay. But he said he was talking to Steve Barton and Steve said, Lorne, if you retire, who do you think you're going to hang out with? And that's that community thing. talking to Steve Barton and Steve said, Lauren, if you retire, who do you think you're gonna hang out with? Yeah. You know, like, and that's that community thing. Like, Lauren gets to be, you know,

not a few guys Lauren's age get to hang out with that many young people. I have a famous person who's like right next to culture, come by once a week and hang out with them. And it's a great gig. Socially, it's a great gig. Well, I had a very weird realization, whether it's real or gig, socially, it's a great gig. Well, I had a very weird realization,

whether it's real or not, despite his power and despite his impact, that he's a guy who is, he's a television producer that goes to work. Yeah. And he's been going to work in that building for however long it's been, 50 years. And that's sort of who he is.

Despite the fact that he's built this fortune and had this power, he's a star maker, everything else. But when you see him walk down the hall, you're like, he's just been doing that. Same office. Yeah. I mean, it's so funny, I said to him, during the 50s stuff I said, it's so funny when I said to him, you know, during the 50s stuff, I said,

you know, it's so funny when I first met you, I thought, oh my God, I hope I get the keys to Lorne Michaels in New York City. Yeah. And now all these years later, I know it's an office, Yankee Stadium, and two restaurants. Right. Like, you know, he is not, he is such a creature of habit.

Right. And so there's actually, if you hang out with Lorne, like within like three months, you're like, oh, we're going back to this place? Yeah. Cause you like, you know, you like this place. But that's what anybody does. I know.

That's what anybody does. But it really was, it was sort of like a strangely empathetic moment I had. Yes. You know, like after mythologizing this guy my whole life and even, you know, people were on the show, you guys humanize him, but we all know that he's this bigger than life presence. But then I just sort of, you know, people were on the show, you guys humanize him, but we all know that he's this bigger than life presence.

But then I just sort of, you know, kind of him kind of waddle off into the building while I'm putting my gear away. I'm like, oh my God, he just works here. Yeah, I had my, I had one of my best Lauren moments, which was during the 50th, I did, I was at Update and was doing that thing with Fred and Vanessa where, you know,

they used to do that bit where they were, you know, the friends of dictators. And for the 50th, they were friends of Lorne Michaels. And I've only ever watched, and again, Lorne laughs at sketches, but I'd only ever watched with him under the bleachers. I've never got to watch him watch. But I'm at the update desk and he was just sitting

in the second row with his family, and he was really laughing, especially because Fred and Vanessa were talking about him, obviously a fictional version of him. And it was really kind, especially because Fred and Vanessa were like talking about him, obviously a fictional version of him. And it was really kind of, that was a real humanizing moment to realize, oh God, like he's also, you know, he's a comedy audience. You know, he always, and I think that's a part of the job

that he wouldn't want to give away either. Did you learn anything from him in relation to that? Because you seem to be kind of very nuanced in your way of assessing what's funny and what isn't. Sure, but I think that thing, I mean, that freedom to just enjoy people, it's such. I mean, you know, he really.

Well, I'm glad that the man who has everything is still able to enjoy life. Can still find a way to laugh. What a relief, you know, I was really worried that. I do, I mean, I will say, I do think he was really worried that. I do, I mean, I will say, I do think he was really worried about the 50th. I mean, I know he has everything, but I, you know, if the 50th had been a dud,

I think Lauren would have carried it to the grave. I don't know if I'm the first to say it, but when I saw the audience at the 50th, I'm like, this is the resistance. Yeah. That's them in that room. How are we gonna win this? They're all in that room right now.

It was something. It was, I couldn't, like, and then people kept showing up and then, like, some people didn't look particularly comfortable. But I was happy to see Keith Richards always. I had my Keith Richards moment. You did? I don't have many, but I, you know, it's right down the hall from my office. So it was weird, like, the SNL 50 at this post,

like, this trippy thing that I couldn't believe I was part of, and it was also like 100 feet from where I go to work every day. Yeah. And so I started more than other people, felt fine at commercial breaks, getting up. Yeah. And going, and it was so hot.

It was, people like Keith Richards, when was the last time Keith Richards had to stay in his seat for three hours? Three plus hours. And so at one point I just, it was very hot in the studio and I just grabbed like 12 waters and walked out. I was just handing them out to people. And I gave, I said, Keith, would you like,

oh, you know, I've never talked to Keith Richards. Keith, you want a water? And he's like, oh, thanks, mate. And I was like, that's all I need. Like, also it was so funny, like, of all the things Keith Richards has craved in his life, I found him the day, the moment he needed water more than anything. Well, what was the vibe?

I mean, what were, when, you know, heading into that thing, what did you do on it? Did you write? I was, yeah, I was, they hired me to be a writer, but I really didn't have much to do. Like a couple of weeks out, it was pretty clear what the sketches were. And, you know, the people who originated the sketches

worked on them and did a great job. But I was, I mean, all my anxieties came back. I thought, I had a lot of times over the course of the week where I think I was not alone of like, what role am I gonna play? Am I gonna, are they gonna need me for this? Yeah. Cause the last one, the 40th was right after I left

and I felt very, I still felt very close and essential for the show. Yeah. And then I just realized like, it's doing fine without me. And, but yeah, I mean, it was, being at the table reading one more time, when again, it was mostly writers, but also, Steve and Tina and Amy and, and Malaney.

It was, yeah, it was amazing. It was that thing of knowing it, it felt like being aware was the last time and not of knowing as a human, you're incapable of absorbing it all. Cause you know, the seconds go just as fast even if it's the last time. Yeah, but it's so interesting that like

for somebody watching it and for somebody who's inside of it, like I only know, like, you know, for whatever reason, I don't get asked to go to things. I don't seem to know how to maintain relationships with people. I'm becoming like this old character, I think. Like, you know, like-

Were you good at it in your like early standup days? Were you good at maintaining relationships? No, I resented the other side of the business to the point where none of them wanted to give me opportunities. I was the guy that, you know, like, if they're, that never realized that assistants were on a career trajectory that eventually

When you were addicted that assistant that he was going to be running everything like that it was very what a funny thing to realize Way too late. Oh They all move up. Yeah, and and they don't like me from when they were younger. My, I remember- I'm very nice to everybody now and I have been for years. Yeah, no, I, yeah, it's a, you know- I was an angry man. Yes.

Yeah, yeah. I remember once being rude to, and I'm, I've, I had very few of these, but being rude to somebody who was one of Lauren's assistants and someone was like, do you think there's any Lauren assistant who's not showbiz connected? Do you think there's anybody got that job

from like a resume? Right. And I was like, oh, right, right, right. Wasn't there a bit on the 50th with that? Wasn't there a line in Sandler's song about the assistants and oh, whose kid is it? Uh-huh. Yeah.

Sandler, man, what a needle to thread because there were, he had so many inside jokes that even if you were outside, you appreciated why they were funny. Yeah. And that's a really hard thing. Well, I think that was the trick of that whole thing, wasn't it? Yeah.

Is to make it not so insulated that other people could enjoy it. But also not, it wasn't a show for people who'd never seen SNL. That's right. Yeah. But like I watched it, and there's, like there are two specific characters and moments that I was like, oh my God, that's the best thing ever. There was something about, there was something about Eddie Murphy relishing doing Tracy Morgan

that I thought was spectacular. Like, it seems like, you know, I don't know who pitched him on it, but he was like, I'll definitely do that. Well, Che told me that Che pitched it to him, and that the minute he pitched it, Eddie, the first time he heard it, started saying things as Tracy that made the final script. Like, he immediately improvised lines that made the final. I mean, that, I think you could tell, right? I mean, the joy, I mean, again, there's

nothing quite like watching Eddie in the pocket. Sure, yeah, but the fact that like, you know, that he was so in tune with Tracy, what makes Tracy Tracy, and then the fact that Tracy's right next to him, and I don't even know what Tracy must've been feeling. I know. To have Eddie Murphy doing like a perfect impression to you,

it's that whole lasagna thing. Yeah, the best three cheese lasagna. I think that was maybe the first thing, four cheese lasagna. I don't know if I'm gonna get it wrong, but. Oh my God. And then Will's fucking jailbird character? Yeah. What the fuck was that?

Amazing. And that, you know, that's a Colin Joe sketch. And I will say, man, shout out to Justin Che, who won, I think, or just fantastic on Update. And they both wrote so many great things for that SNL 50th. And so many other writers did too, but a real shout out to them.

My, our friend, Neil Brennan, said something really funny afterwards. He goes, you know, everybody who ever worked on that show has so much charisma. And then you see Will and Eddie and you all look like just people on a bus. Like they're just a different thing. Yeah.

And even amongst the best sketch performers of all time, they come out and you're like, oh, I should retire. You know, look, I mean, they're just, it's nuts. But that character, like, I don't even, like it was so disturbing and funny that I was sort of like, we need like a show with that guy. It's also that thing that, again,

for guys like you and I who are at our very best have gotten better at being us. Yeah, right. You know, like no- That was the whole goal. No range. Yeah. Rangeless.

Yeah, yeah, yeah. To watch Will Ferrell on what, his 500th sketch character have aangeless. Yeah, yeah, yeah. To watch Will Verrill on what, his 500th sketch character have a new move? Yeah. And just, it was so disturbing. Yeah. And funny and confident. Yeah, well, that's a weird thing.

That's an interesting thing you bring up is like, you know, I've just been working on being me. Yeah. And I think I'm kind of nailing it. But to the point where if I do movies, and this is the liability of doing something that shows all of me, which is the podcast or whatever, is that anything I do, like I was just Marin B. Marin,

I'm like, no it's not, I was acting. But I was listening, I was doing the acting thing. And then I have to rationalize it like, well, you know, Clooney's always Clooney, really. Yeah. I'm not saying I'm Clooney. No, but certainly you would, I mean, no one, right, no one's saying Tom Cruise.

I saw the new Mission Impossible. Same moves from old Tom Cruise. Yeah, of course. Get him running. Yeah. Get him hanging. I'm excited. Get him focused. Look, I will tell you, like, I'm-

Did you talk to him? Who? Tom. No, he wasn't there. Nobody, I mean, did you have him on the show for- I've never had him on my show. Huh. Yeah. Why is that? I don't know.

Aren't there a few guys like that? I have a few guys like that. Like, what's the holdup? Yeah. I feel like, you know, I think he has a pretty good relationship with Fallon, and I think he had a pretty good relationship with James Corden. They did some really funny stuff together.

It's sort of interesting, the kind of point of view on, because I'm doing your show in a few weeks, or in July. For the Owen Show? For the- The Apple Show. For the, no, it's gonna be for the special. Oh, for the special, gotcha. When's the Apple Show coming out?

June 4th. Okay, gotcha. So you're coming for the special. Yeah, I wanna do all of them, but you guys are also weird about that. We're not weird at all. I will say the 1230 shows, if you're, let's say, doing-

Well, I'm only doing you and Jimmy. Okay, great. That way. But I had to break that up by a month or two. But that's fine. But like- That wasn't, I'm sure that didn't come from us. I don't know where it comes from.

Okay. But in my mind, I'm like, dude, I'm a great guest. You're a great guest. And I'm like, I don't have to do the same stories. Yeah, you can talk about anything. Yeah, I mean, it's like, can you take that into consideration? Jesus.

Yeah. No, whatever. I also think that that seems like an unwritten rule from a bygone era. Yeah. Like, you know, it used to be that maybe, like, right. Me too! If somebody was on Leno,

and then the next night they were on Conan, you'd think, oh gosh, Conan's gotta get, you know. No, I think that's exactly true. I think so. It's like, why do you, like, how many people are there that can go around? Yeah. But I'm like, come on!

God damn it. God damn it. No, but like- I'm excited you're coming. Oh, thank you. But in terms of like hosts, it's just interesting because you do a thing where you're clearly listening, you're engaged, and you move, you know, your curiosity kind of,

you know, drives you into places with the guests that, you know, and you're funny. And then there's like, but you're very grounded, but you're engaged. And then like with Fallon, you just realized like, when you look at him, you're like, I gotta make him laugh. Yeah, but I think, but that's sort of exciting too. He's a good audience.

He's a great audience, yeah. But that's the whole thing. But it's funny, I love doing Jimmy's show because I think that as well, like you realize like, oh, different muscle, here we go. Yeah, yeah, like, cause he's kind of waiting. But it's great. I know it's great, like what's gonna happen?

But he was also like, I mean, he was, he was that at SNL as well, like a really good audience. And so I do think it's fun. I do feel this way, which is that once the guest shows up, I feel like the hard part of my show's over. Yeah. Especially most of the time. Yeah, most of the time.

There's obviously exceptions, but in general, I think if you approach it as now I'm just gonna have fun with interesting people. Yeah, yeah. Don't put too much on it. Yeah, but like from doing this kind of thing, there are those moments where you're that guy, and then after about a minute you're like, okay.

You know what I mean? I mean, with the long road ahead of you. That's the other thing about it. You have to lift this one up a bit. Well, that's, because again, it's like running winds, my show's wind sprints versus a marathon. You know, at any given point, I can always say to myself, it's only eight minutes.

Yeah, that's right, yeah, yeah, yeah, yeah. Or 10, whatever, but can always say to myself, it's only eight minutes. Yeah, that's right. Or 10, whatever. Yeah, if someone shut me out eight minutes in, I'm like, ugh. Because I have this therapist brain about it. I'm like, we're here for an hour. That's what the time is, at least. And we're going to do that.

We're going to do the hour. And that helps me. You know what I mean? I don't think I'm a therapist, but I do have this idea like, all right, well, you know, figure out a way. And then like, but I'm just talking about the other Late Show host, like Kimmel, when you sit with him, like, you know, he's almost like it's different because he's sort of dug in.

He's almost like Letterman was, you know, later on, where he's so dug in and he's there and he'll save you, you know, but, you know, he's not gonna come get you. No, but he also, I've only done it once. Yeah. And I'm gonna do it again this week. And so with a very small sample size, I think he gives this impression to you of whatever's fine.

Yeah, yeah. You know what I mean? Yeah, yeah, yeah, yeah. Like, don't, this is- Don't freak out. It's all whatever's fine. Yeah, yeah. You know what I mean? Yeah, yeah, yeah. Don't freak out. It's all going to be fine. Yeah, yeah, yeah. And I won't name names, but early on, it's amazing how whatever, when I started doing this, you would talk to segment producers, and they might be like, got anything else?

Yeah. Dude. And you're just like, this is the only life I'm living. Yeah. I mean, when I used to get on the phone with Frank Smiley for Conan, like I, cause they'd call me on, you know, when they'd have fallouts,

cause they knew that I would sit on panel and have something. Yeah. But I would get on the phone with Smiley and I'd be pacing around my apartment, New York, sweating. And I'd be like, okay, I'm telling a story. And then I'd finish it. then I'd just hear somebody go, what else you got?

God damn it. And I'm like, oh my God. And then Ferguson used to have Bart call you and be like, so where were you born? I'm like, what are we doing? How far back do you wanna go? But people have gotten looser. They've gotten looser.

And I think mostly because they realized, what are we doing? Really? I think. What do your guys do? The part of the process that I do wanna give a shout out to is our researchers, I said that weird, but our researchers do, I was like, that's not how you say it.

But researchers, so they, I wanted to say it again, so people knew I didn't think that not how you say it. But Reese here cheers. So they, I wanted to say it again so people knew I didn't think that's how you said it. They make sure that we're not asking people things they've been asked before, recently as well. Usually, you know, we are getting people, if they're on a tour, we're getting them after they've done one, if not two of the 30 shows. And then, you know, our second producer's talking

on the phone, but we try to bring a lot to it as opposed to what do you got? We're like, hey, we heard, you know, we read this really funny story in print. Yeah. Or you do the, have you talked about the, this? Yes, right. Yeah, yeah, yeah. And so we try to, you know, we try to like, you know,

but again, it's, there's a, you know, as you've learned doing this, there's all these different kinds of guests. There's people who like, they need very little help. And there's some people who wanna pretend like it's not going out in the world and just wanna talk to you. And then there's other people who need, you know.

Oh yeah, they need like, I wanna tell a funny story. Help me tell a funny story. But oh, and then we didn't talk about Colbert. Now Colbert, when I do his show, which I've done a couple of times, because I have the ability to be pretty serious. And sometimes when I'm with him, which I've done a couple of times, because I have the ability to be pretty serious. And sometimes when I'm with him, I'm like, let's not do it.

Like, let me just do the funny thing. Cause I know you're gonna be like, but Mark, I'm like, oh no. But I think that that, one of the truly special and unique things about Steven is his ability to like live in that serious place. Well, I think that he like, I think initially, you know, I think he might have been made to feel uncomfortable with it, but then he just sort of owned it. Yes. And he's running sort of an old school kind of intelligent sort of like curious, creatively curious show there, where he owns his Catholicism,

he owns his disposition. And he doesn't even, when he's talking, you don't get the feeling like, I gotta make this funny. That's not a priority. But he's also a really quick on his feet improvised. Totally. So again, but that thing of owning it, it sounds cliche, but ultimately, anybody who does one of these things,

like if you can't find your way to your most natural self, it's never gonna work. Is that true? I think so. I mean, I don't think, I know the show I'm doing now is like the closest to my skillset that it's been. Well, I think it's great because when I first, when I first, like, when you were doing Update

and then, like, you know, and I knew you were a writer and then I knew you were a head writer, that I think that it enables you to be funny in a lot of different ways that you, like, all of the ways that you're capable of being funny. It's nice to have a show like ours where there's a lot of real estate to fill and there's a lot of different ways to, and also just, it's so fun to, when I was at SNL and when I was a struggling cast member, the amount that I thought, what if I'm an impression guy

and try to be like super precise and they all stunk. And now I'm doing just tossed off a half baked impression and because there's joy behind it, they actually are working. Yeah, they were, it's just about the sort of, and impressions are weird because, like, I'm a guy that I can do them for like four or five seconds.

Yeah, that's right. And I'll nail it, but beyond that, then I'm second guessing it. Like a power lifter. You can't do a lot of reps. That's right. I can do the one phrase, and then that's good. And people are like, oh, you should do a whole thing

like that, no, I can only do. Right, just little bits. Yeah, little bits. But I never tried, but that's another point. And do you have that where I'm like, if I could just try harder? Well, that was the problem in my SNL years. When things were going badly, I really thought that,

again, funny, no one's ever tried, like funny, no one's ever gotten funnier by trying harder, you know. I guess that's true. I mean, you can, look, you can be more successful, but like nobody got funnier. Well, I wonder because like, there was a point where so much of my comedy was coming out

of frantic, panicky place. Yeah. And there was an intensity to it that wasn't able to sort of detach and just put on a show because I was so driving. But I found that with Bleak to Dark, for me, because I know I'm naturally funny, but I'm always envious of people who are physically funny

because they're those guys that are just like Will. Or even an example I always use that people don't, I think it doesn't land with people is Kevin James is oddly, you know, like he, if he's just standing there, it's like, well, how did that happen? Like I don't have that, I don't think. So when I had to do that last bit about the bat, killing myself with a bat, I was like,

you're doing physical comedy, you have to figure out the beats and you know, you gotta, you gotta fucking put it together, man. Whereas like a physical comic would just be a no brainer. By the time you did it, was it second nature? Or were you still, like by the time you filmed it, were you still thinking about the beats? Well, it's like, how many times am I gonna hit myself?

That's the funny part. And what am I gonna say after that? I think it's probably basic comedy, right? Like there were points where like, I was like, well, I think two is the limit because three, it's diminishing returns. So I had to make those calculations. But yeah, by the time I did it, I was okay with it.

That's good. Because it didn't seem like you were overthinking. No, no, but I had to deliberately say like, this is physical, you can't be self-conscious about it. And there is something funny about hitting yourself with a bat. There's two things I wanna say. One, I think that when I picture the physicality

of comedians, you are one of the easiest to picture. Like when I think of you on a stool, that is a physical choice. And that is sort of a trademark choice. And so even though it's not wildly physical, I do think a lot of how you look is assisting your comedy. Because like with this new special,

I've made choices around the stool. Yes. I was like, cause I've been the pacer, I've been the guy on the edge. And as I get older, I'm like, do a little everything, man. You know, like pay, you know, if you have an homage in your mind to something that you were before or somebody that, pay, you know, if you have an homage in your mind to something that you were before

or somebody that influenced you, you know, be aware of it and know that you're doing that. You, well, not to blow what the joke is because it's such a memorable part of your special, but like the turning back and ask about the selfie moment. Oh my God. Was that overthought or was that natural in your, while you were playing it out as a,

because again, you're retelling a story. Yes, I'm retelling a story that, but I had to frame, that was a framing issue. Right. Because, you know, it's, it's not, it turns out it's not an unusual thing. People taking selfies with their newly passed people. Right.

And oddly in the 1800s, it was a very popular form of portrait photography because dead people were some of the only people that would come out clear in pictures because you had to leave the aperture open so long. So there's this tremendous trend in memorial photographs. But that aside, I had a frame that is like, this is not what I really thought,

but this was the first funny thought I had. But there is a nice, you know, cause then the delivery of the punchline is. But that, see, but that's the thing is, I did know the natural timing of it. Because like, even if you're gonna physicalize something, you know, you've got to have a sense of timing to know when to drop that beat.

And that you can't learn that. But there was, I definitely, you definitely, through working it out, which I guess you don't really get the opportunity to do on a sketch show, like I could kind of figure out what's the distance before I'm gonna drop that thing. And knowing that it was gonna be like, what the fuck? So you can get greedy with that.

But it definitely was worked out. I had a, I'm very proud of something. Yeah. Which is I had a physical bit that worked in my special that I came up with the night of. Oh, good. The floor, night before, cause we did do it two nights before we taped it.

But just because of not hearing shoes, we put carpet down. Right. At the Vic. And I have a bit about how I hate how my kids roll dice because they can't keep two dice on the table to save their lives. And so, and then I was like, in the moment, I realized,

oh, you know, I would never want to lie down on a floor because I feel like I get covered in dust because there's carpet here. And so I basically in the fly was like, this is my impression of me playing dice with my kids. And I just lied down and tried to like reaching my fingers. And again, if I had thought about it ahead of time, I think because of the same aversion

to trying to be physical, I would say, ah, nobody wants to see me do that. But because it was so natural. You were in it. It was really fun. That's the best. Yeah, and then the other best I said to my wife, yeah, I did it because, you know, I was like,

oh, a carpet. Yeah. And then she's like, a carpet is so much dirtier than a floor. And I'm like, I think you're, that's not what this is about. Not when they just put it down. Yeah, that's new.

This is HBO carpet. Well, I did a thing where, and I seem to always do it working towards a special, where everything's pretty fluid. You know, I was very confident about all the bits, but there was a couple of things that tagged themselves like days before. Yeah. Like after I'd been doing this shit for a year and a half.

And it was that, because that's, I'm not, I don't write like you. Like I have to wait for things to be delivered. I have a thing that's funny enough to do, but I know it's gonna get funnier when it's delivered to me. And I don't know when that's gonna happen or where it comes from.

If you had to pick, like, cause obviously the problem with a special is you have to pick one moment to catch every joke at the same time. And ultimately some jokes are in their ascendancy and some jokes have maybe already peaked and you feel like they're just, whatever, you don't have the same.

When do you think is the perfect time if you could film one of your jokes? Like the 20th time you do it, the 10th time you do it? Or are your jokes different and you sort of always? Well, I always, because they're long form, like there's, I don't know, man. Like, if I have a long piece, like I did one on John Oliver's

when he hosted that standup special thing. It took me months to put it together. It was a long piece about being on a plane. And there was a lot of physicality and a lot of different voices. And it took me forever to make that thing work. And then I do it on his show and you have this mindset, well, I'm like, well, that's done.

Like that's out there. But I think for me, if I don't get tired of them, I get tired of short form jokes. So because like, it's like, oh, that works. It's like a math problem, like A plus B equals ha ha. And you're like, how many times is that gonna be satisfied? Right, whereas the story, you can always hang new stuff on it.

Yeah, yeah. And so, but I came up with a punchline for something like two days before the special, and I'd been doing the joke for a while. But then that's so exciting, right? It's the best. Because I had a line there before and it was okay, but this was like, that's the button.

But there's part of me that always thinks like, why can't I just write like regular people and sit and you know, you make choices on paper. And be like. We, I mean, the one thing I'm confident of is you at this point know you're the process that works best for you. Yeah, but it's like, it would be so much easier.

Sure, but if you, if you, I think like we all find our, if we're capable of an easier way, we go to it. Yeah. Well, I did this, I came up with this line that was like such a beautiful kind of moment easier way, we go to it. Yeah. Well, I did this whole, I came up with this line that was like such a beautiful kind of moment was like, I do talk about the problem with progressives in general. Right.

You know, like, you know, single issue, single issue obsessed progressives that, you know, are not really, we're all disconnected from any unifying left because it doesn't exist. Yeah. So they get very passionate about one thing and then they fight about it with each other. And it's true.

Yeah. It's sad and true. And I kind of explore that, because I know my audience, and I made a very clear decision in this special to play to them, because no one's doing it. And the people that are playing to the right claim they're not, because either they don't know it, or they just think that

this whole anti-woke thing is really a censorship thing and they're duped. But nonetheless, after I kind of explored the progressive sort of nitpicky stuff, I said, we actually annoyed the average American into fascism. Well, that is so funny because as much as people talk about, like, everybody's too sensitive now, like, literally, they were so sensitive to certain progressive issues that they were like... Well, because they were platformed

and just, like, the disconnect was so extreme that, you know, and it gave them something to be mad at. Yeah. It's a shame how happy people are when they're angry. It's a real problem. It's very satisfying, I think. Yeah. Let's talk about Nathan Fielder.

Yeah. Have you watched the rehearsal? I haven't, well, I started this season, I apologize. Okay. You know what, can I just say, I'm very excited and I've had a hard time finding the time. But- I'm so mad that I have to say this,

but I think he's a genius. He is. I mean, I think, I really think he is. And I just, my YouTube algorithm will point me back to Nathan for use. He did the funniest thing, he came on my show. Yeah. And he said he had just done Kimmel,

and he had used his one anecdote, but he thinks it's good enough that he can just do it again. And I mean, that, again, that's just a very small idea. And by saying it, you know exactly how he delivered it. And it worked so well. He's so very funny. The thing, okay, so you haven't seen that. Okay, then let's talk about Tim Robinson.

I mean, Tim Robinson's, it's the best. But it's so crazy that, like, cause I went and watched the movie. Yes. And I liked it cause, you know, I'm a late adapter to him. So like, I was able to watch all of everything he's done at once, like the Detroiters and the...

I think he should leave. I think he should leave. And just take this guy in. But there is something about the particular buffoon he's invented. Yes. And that he inhabits that somehow speaks to something so human, but so specific and not explored, that it's just mind blowing.

Well, I mean, again, we're living in an era where buffoons won't back down. That's right. And so he is, I think, you know, not, I actually wouldn't know the answer to this, but like, I don't think it's by design, but there is a reason this show is the most perfect show for this era, even though it seems like,

and by the way, I believe it would work in any era. Sure. But it is so perfect for this time right now. Yeah. It is for me too. It's so, is edifying the word? You know, he was, I was at SNL when he was hired as a cast member and it did not, you know,

work the way anybody who is a fan of his thought it should. And I, having been the head writer at the time, felt like I was mishandling this asset. Like everybody knew how funny he was. In every table read he would crush, in a lot of sketches he tried at SNL, not that many I should say, but found their way into, I think he should leave.

And so for everybody who worked at SNL to see him have this moment, along with Zach Cannon, who's his co-writer, it's so lovely. Because he's also the best dude in the world, they both are. And for them to find the, I don't know, the moment, they weirdly have found their way into the zeitgeist

that's almost beyond what SNL is. Because it's so singular. Yeah, and I watched a movie, and everyone's saying how funny it was, and I knew he was gonna be funny. But what was interesting to me is that, I wanted more of it in some way. What was interesting is that,

the risk that you take with that character is that in the sketches, there's something heightened about the dupes around him. Because they, you know what I mean? Because they've all got to be like, uh, what? Right. But in the movie, there were scenes being played as if they were real life.

You know, when there's that scene where it's like, where she's like, I can't be with a narcissist, and he just is confused. But it was almost like taking this alien and putting him into a real situation where he was being challenged to act like a normal person. And there were moments where I'm like, oh, I don't think they're using him as good as they can.

But that's just me. I have excellent news for you. Yeah. I've seen the pilot of his HBO show, which is- This is new? This is new. Yeah. And they're filming it now.

And I can tell you from watching the pilot, it's everything you just said you wanted more of. Oh, good. I think Friendship's a great movie. Yeah, it's funny. But this show is, I've always said, those sketches are so hard to predict because I feel like a classic sketch structure but this show is, I've always said, those sketches are so hard to predict because I feel like a classic sketch structure

is like A beat, then B beat, then C beat. And I feel like his sketch is like A beat, then J beat, then like double Q beat. Right, you might not get to see. Right, but the leaps are so long, but if you could see all the beats they didn't show you, they do connect. Like it all makes logical sense,

but they just get so bored with the premise that they're like, we're gonna jump way ahead. And so I just feel as though they're just. But him and Fielder, I think, are just mining something. It's really cool. Yeah, even just like him eating a hot dog out of his sleep. I mean, what the fuck? It's crazy.

And... It's so funny as a... And I'm a guy that had to expand my mind when it comes to comedy, because like, Fielder, initially I just found him annoying. And then all of a sudden with this season of the rehearsal, having watched a lot of his other stuff and all the other ones, I was like, oh my God, this thing is working on so many levels,

I can't even wrap my brain around it. And then to be able to enjoy that is sort of a big leap for me. For me to get out from under the sort of like, well, if I just focus, I could probably do something like, you know, like a resentment over based on what, insecurity and just enjoy things is a big, big deal. It's great.

Yeah, and with Tim, it's just sort of like, what the fuck? I, the one for me, I'm gonna get my seasons wrong, maybe it was season two, Cough and Flop, you know, that it was the TV show about a body's falling out of the coffin. And I remember watching it, and my first instinct was, I cannot wait to show this to my dad,

who had introduced me to early SNL and Monty Python. And there was something about Cough and Flop that I just knew, oh, this is forever funny. Yeah. First of all, I know it's never existed before. Yeah. And yet whenever somebody came up with this idea, it would have been funny.

And it was so fun to show it to my dad and have him laugh so hard at a coffin fly. There's so, it's so rare that that happens. You ever seen that one with Eric Andre trying to get his phone out of the gorilla cage? Oh my God. Oh my God. It is, I mean, I think one of the things about Nathan,

certainly Eric, certainly Tim, one of the things that makes it so easy to enjoy is knowing that you're not, you weren't adjacent to having the same idea. Never, never. And so part of it, I mean, part of it I think is getting older and realizing. That's a good way to frame resentment.

Yeah, right. Like, this is completely out of my wheelhouse. If you'd had a million tries. Yeah, yeah, yeah, yeah. Even if somebody had said, here's the title is Cough and Flop, write a million sketches. You're not gonna come up with it. Yeah, that's a good way to look at it.

I appreciate that. That'll probably help me in my life. I hope so. It's good talking to you, man. It's great talking to you too. What a delight. And I hope you win. You know what?

Even if I don't, the genuine way you said that is victory enough. Well, I never, I know we're all sort of competitive and we wanna win. And I say that from a long history of not winning anything. Right. But I do, I hope if it's important to you that it happens. I would be lovely to be nominated.

I would have no expectation of our show winning. Okay, but nominating'd be good. I'm excited to see of our show winning. Okay. But nominating would be good. I'm excited to see your Apple show, too. Oh, well, that was, you know, I play, it wasn't a stretch for me, but I hope it all come together okay. I, you know, it's sort of acting's weird with me because I really have a hard time sitting around.

I, can I venture that Owen's an easy person to act with? Yeah, well, he's one of those guys where when you're with him, you know, of course I know him from the movies and when you're with him, you know, he's kind of that guy. But then when you watch, even watching these trailers of the show, I haven't really seen a whole episode. I'm like, oh my God, like he, you know, there's some people that just fit on screen.

Yeah, they just know. And it's just like, it just is what it is. And you know, and I'm being, you know, ra ra ra ra ra ra. He's like, hey man. Just like it's just like, it is what it is. And you know, and I'm being, you know, ra ra ra ra ra ra. And he's like, hey man. Just like, that thing of, yeah, they understand how cameras work. Whereas I think the best you and I have ever done

is we understand how audiences work. Yeah, exactly. And I'm always like, you know, for me to like get ready to shoot a scene and just, you know, remember to be like, all right, which camera is it? Like, I don't even know. Yeah. A lot of times I'm not even thinking about that.

You know you're a bad actor when you're worried, like I gotta be loud enough. You're not even supposed to be loud. All the actors I work with, they're like, hey man, I'm like, what's going on? I haven't got a handle on that part, but I'll work on it. We'll get it, once this show stops, you'll recommit it. Exactly.

I'm gonna really lean in. Thanks, man. Bye, buddy. That was fun. I think I'm gonna be on Seth's, that's a tough one for a guy with a lisp. And Seth, I think I'm gonna be on Seth's show in July and again you can you can find family trips with the Myers brothers and the lonely island and

Seth Meyers podcast are both available wherever you get your pods late night with Seth Meyers is on NBC and Peacock hang out for a minute folks guys close your eyes and imagine what you'll look like six months from now Hang out for a minute, folks. Guys, close your eyes and imagine what you'll look like six months from now. Even if you've got thinning hair, maybe you think it looks the same or maybe you picture even less on top. Well, if you start using HIMS right now, you should be picturing yourself with thicker fuller hair in anywhere from three to six months. HIMS provides you with convenient access to a range of hair loss treatments at work all from the comfort of your couch. These are hair loss solutions that use clinically proven ingredients like finasteride and minoxidil. You just answer a few questions and a medical

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Terms apply. You searched for your informant who disappeared without a trace. You knew there were witnesses, but lips were sealed. You swept the city, driving closer to the truth, while curled up on the couch with your cat. There's more to imagine when you listen. Discover heart-pounding thrillers on Audible. Hey folks, on Thursday I talked to Mike Birbiglia once again.

If you have a WTF Plus subscription, you can go listen to episode 200 where Mike interviewed me. Alright, let's do this, what the fuckers, what the fuck buddies, what the fuck nuts, what the fuckernuts. I'm Mike Birbiglia and I'm filling in this week for Mark Maron who is Not available to host but he is available For an exclusive interview. He's going to I'm gonna interview him this week. I think that went pretty well Yes, I'm not gonna chime in like that. You know, it's your show from here on out. Okay I'm not gonna I'm not gonna sabotage it. That's from episode 200

You can listen to every WTF episode ad free by signing up for WTF plus Just go to the link in the episode description or go to WTF pod comm and click on WTF plus and a reminder before we go this podcast is hosted by a cast Here's a little Interpretation of jigsaw puzzle So So So So So So Boomer lives. Monkey and La Fonda cat angels everywhere.