Your Next Move - Strategically Scaling With Intention
Episode Date: April 7, 2026Scaling a business is a complex goal that nearly every business aspires to. In this conversation, founder and creative brand officer Todd Snyder breaks down the principles behind his company’s growt...h: owning the customer experience through retail, building powerful partnerships, and maintaining creative integrity while scaling with intention.
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Hi, I'm Mike Hoffman, editor-in-chief of Inc.
Welcome to your next move.
produced by Inc. in Capital One business.
In today's episode, I interview a founder and fashion designer Todd Snyder.
Join us for an engaging discussion about the principles behind his company's growth,
owning the customer experience through retail, building strong partnerships,
and maintaining creative integrity while scaling with purpose.
Before we start, I wanted to let you know that this was recorded live at our Inc. offices in New York City,
so you'll notice there's more audience interaction than usual and a slightly different format.
But here's that conversation.
We hope you enjoy it.
After 20 years of designing for some of the biggest names in fashion,
Todd Snyder bet on himself,
launched his own label at age 43,
and proceeded to rewrite the rules of American menswear.
Since 2011, he's opened 23 stores,
set a new standard for brand collaborations,
and reported more than $100 million in annual sales revenue.
Todd joins me today to talk about strategic partnerships,
staying creative,
and what it means to scale your brand,
on your own terms.
Hi, I'm Mike Hoffman, at Air and Chief of Inc.
And welcome to your next move, produced by Inc.
And Capital One Business.
So we're coming to you live from Inc's offices in New York City,
and we're here with Todd Snyder.
Todd, thanks so much for joining us.
Great to be here, Mike.
Thanks for having me.
So, and you're in your offices
and you're surrounded by some of your upcoming merchandise.
Is that right?
Yeah, this is our, you know, New York studio,
and then here's our showroom,
so I'm kind of showing our spring summer collection.
So it's a sneak peek for everybody.
It's a little sneak peek, so don't tell anyone.
Yeah, I love it. I love it.
So let's go back to earlier in your career.
You spent the first 20 years of your career
working for sort of powerhouse corporate brands
like Ralph Lauren and Jay Kroove.
This was during the Ludlow Suit era.
And I'm sort of curious, when did you have the moment
where you thought, oh, maybe I should go and launch my own line?
Well, I always had the dream.
I think at a young age, I remember reading Ralph's book
early in like the late 80s, early 90s.
and thought, I would love to be a designer.
I didn't know if I could ever do that.
I worked in the menswear store.
And so I always kind of had the-
You grew up in Iowa, right?
Yeah, I grew up in Iowa.
And I didn't know you could do it.
So I started working in the industry.
But the dream was always to do my own thing.
I a lot of times put it on the back burner
just because I had so many amazing jobs.
And I turned 40, and I was like,
if I'm going to do this now, I better do it.
And that's why I started doing it.
You were saying earlier that on your phone, when you have Do Not Disturb on, there are only maybe a couple of people who, like, break through that. One is your wife and one is Mickey Drexler, the sort of iconic J. Crew leader. I'm curious, what did you learn from Mickey? What did you learn from Ralph Lauren when you work there? And have you brought that into your approach to entrepreneurship. Well, I was really fortunate to work for some amazing people. And as you said, Mickey, we still chat at least every other week. And his phone does cut through my Do Not Disturb, so I have to be careful.
But I learned a ton from him.
I worked for Gap and J. Crew, I think, about a total of 15 years.
So I really understood the whole business side of things and understanding kind of what drives a business, what you invest in.
And then from Ralph, just really the design and the creativity and understanding kind of the whole kind of building a brand really came, you know, from working there and understanding kind of what the customer is looking for.
And, you know, I still feel like Ralph Lauren is the best.
place to learn, but also you kind of see how to build the environment for the customer.
And he does it like nobody else.
And so when you're starting your company, what white space did you see?
And how did you think, like, oh, this is a customer base that's underserved that I can go after?
Well, I remember, so I left Jay Crewe in 08, 09, and I just remember going to Bergdorf.
You know, I would shop the market.
And I'd go to Bergdorf, I'd shop luxury.
And I just felt that the prices were kind of
ludicrous in a way of how much they were charging for a shirt. And then, you know, we had Jay
Crew at $75. And I felt like there was opportunity to have, you know, something that is accessible
luxury that is some, a lot of times we call it internally smart luxury, you know, something that
has great quality that you're going to be wearing and, you know, a lot in your closet, but it's
not going to cost you an arm and leg. And I think right now, especially, I think there's a huge
disconnect between, you know, what you see at luxury versus what you see.
in our store. We hear so much about luxury and the power of luxury, although maybe that's cool
in the last year or so. But I'm curious, when you were launching the company, did people advise you,
you know, bring your prices up market? You know, there's more kind of revenue there. And how did
you sort of think about that? Well, I think, you know, for me, the space I saw was, you know,
resting below luxury and above kind of contemporary. And there wasn't a lot of people in that space.
There was definitely women's wear brands like that. You know, Neely Lothan is someone who I,
really admire. I've actually worked with her at Ralph Lauren. And I really like her approach to
her brand and really tried to emulate what I was doing in menswear, you know, similar to what she does,
but from a brand positioning standpoint. And I didn't really think about like the price point per
say, but I just knew that the value wasn't there when I would look at other brands and see how much
they were charging. I wanted to put something out there that was great quality that you would have,
you know, it's not inexpensive, but it's an investment that you would make and things that you would have in your wardrobe for decades.
I mean, I still have some of the things that I did, you know, 15 years ago that I still wear today.
And, you know, I really look at doing design as almost wardrobe building in a way and, like, thinking about what your closet looks like,
and making those investments so that those things kind of endure trend and they endure time and then things that you kind of keep going back to over and over again.
And do I have this right?
You also had a second business, like a t-shirt business?
Yeah, I had a t-shirt business called Tailgate Clothing
that was mostly college T-shirts.
We did pros as well.
And I started that in 97 with my brother.
And when I left Jay Kru, I left 2008, 2009 probably reminds you of the big recession we had.
And I certainly lived through that.
And I knew that, oh, gosh, I'm not going to be able to go do my dream of Tots Snyder brand.
So I started doing the T-shirt thing on the side.
and then that all of a sudden took off.
And that's really what fueled my ability to grow Todd Snyder.
So it helped fund the second business.
Is that right?
Yeah, it helped fund it.
It was the one part of the business that made money.
But the real dream was to do the Todd Snyder brand.
And I was a little scared, I would say, in the beginning,
just because it was during the recession.
And I remember Mickey telling me, it's like,
are you crazy?
Like, you know, Lehman Brothers just won under?
And I literally resigned on Friday,
and in Lehman's 1-Under on Monday.
All those guys,
and suddenly needed T-shirts, though, right?
Yeah, you know, the nice thing is,
and I always thought of this about college apparel,
it's a renewable resource.
You always have a new fan base coming in,
and it really kind of endured any sort of financial kind of downturn
or any sort of fashion trend.
It really kind of was those things that, you know,
as long as the team was good, you know,
typically they would sell a lot of shirts.
Yeah.
So what was the toughest part of launching early Todd Snyder,
And, you know, how did you sort of overcome those early challenges?
I think just keeping my head down, I think one of the big things, you know, for me,
I've been in the industry up to that point 20 years.
And I think that really gave me a competitive edge.
I was able to not only know when to get on a trend or get off a trend,
but how not to have knee-jerk reactions when it comes to business
and thinking about things for the long term.
And then also having people that I've worked with before,
that have an incredible knowledge base.
I was really fortunate to work for some amazing people,
whether it was The Gap or whether it was Ralph,
and being able to lean into them
and to use their knowledge to help my business thrive was critical.
Was there a moment early on when you thought, like,
oh, I have something here, like this is taking off in some way?
I was really fortunate.
When I launched the brand,
I got picked up by Bergdorf immediately.
So, again, this is back.
Hosell in America was better, but I got picked up by Birddorce and Neiman's, and then I got a big
account with Japan, and Japan quickly became our biggest revenue. And that's when I knew when the
Japanese picked up on it, because the Japanese are very discerning when it comes to American brands.
And I knew if I succeeded there that I would succeed anywhere because they probably have the most
discerning eye when it comes to mentor.
You mentioned that you started out in wholesale and you've done DTC, but then you moved into retail.
Can you sort of talk about the evolution of like Todd Snyder by channel?
Yeah, I mean, it was really important in the beginning, obviously, to get into the right doors
because that really sets the precedent for everything else.
So I was lucky enough to get into, you know, Bergdorff, got into Mr. Porter, which is an
online retailer.
Some of the best stores in America as well as stores in Japan, stores, stores,
in Europe, having that kind of then sets up the stage
for all the other distribution channels
because fashions like anything,
FOMO is probably one of the biggest things,
especially when it comes to HOSL.
Everybody wants it when it's, oh, it's at that store,
it's at that store.
But I knew immediately I was not gonna be able
to make money from HOSL because the volume wasn't there.
But it was really critical in the beginning
to get that brand awareness out and to hit
minimum order quantity with factories.
You know, a lot of times I'm only making 50, you know,
of a style. Now I'm making 500 to a thousand, but in the beginning to be able to make those goods,
I needed points of distribution to be able to hit the scale as far as the margin. And so started off
in wholesale, moved to direct consumer. And this was back in the day when Bonobos was big and
Warby Parker just started in this whole DTC, which acronym didn't exist back then, but DTC was kind of a new thing.
I knew that's how I needed to change my business to understand that better.
So I started hiring people from bonobuses of the world and understanding kind of how to
sell direct consumer and build the website and all of that.
And that was really looking back, probably the best decision I made was really investing
in our website and kind of DTC.
And then from that, you know, we were acquired by American Eagle, we were able to
to scale our business even faster.
And we were able to forego with the wholesale piece
because the wholesale was actually disrupting
our online business, because then all of a sudden,
you're competing for search engine keywords and things like that
where if you're on your own, you come higher when people
don't know how to spell Todd Snyder,
you're not then clicking on to Mr. Porter
or Bloomingdale's or what have you.
you're able to really command that piece of it.
And the biggest part of it is I always knew that owning that end-to-end customer life cycle was really important for the brand.
Because then once I could control the experience for the customer, I knew that that was going to be a better way for us to really launch and to continue to grow,
was to really own that full customer experience.
Because if you don't, that's where brands get diluted.
And I've obviously been through a lot, and I've seen a lot of brands come and go, and I've seen, you know, worked for companies that you kind of see a lot of the problems.
And I knew with what I was doing, I wanted to strip a lot of that noise out of the equation.
And being able to sell direct consumer was really kind of the goal.
What are just maybe one or two of the problems that you saw at other places that you thought this is the way I can avoid this?
Well, I mean, the biggest thing is having, you know, creativity lead your every decision.
And it isn't mean like you're doing like, you know, crazy shirts and crazy whatever, but because a lot of people have a lot of opinions when you're in a big corporation.
And, you know, whether it's the head of marketing or whether it's the head of merchandising or ahead of planning, everybody has a point of view.
And it's important to have great people in the organization, but it's important to have one vision.
And if you have one vision, it's much easier to execute your goals versus trying to make everybody happy and making sure that you have a little bit of everything.
You need to have things cut through.
And I would say that's the biggest thing I learned from Mickey Drexler was just he was so good at cutting out the noise and really having a singular point of view when it came to an investment.
And then everything would ladder back to that, whether it was the marketing, what was the in-store, whether it was the sales associates, you know, having those pieces of that.
of the business, all talking back to this is an important style and why, why buy? That to me is the
biggest equation that you want to simplify the most. A lot of brands have a tendency to try to be
all of it and that's where you lose. You really need to have one point of view when it comes to
marketing and pushing your product out. So you're acquired by American Eagle and fast forward
the business now pays for $130 million in annual revenue. I'm curious,
So many acquisitions like that don't go well and the founder doesn't stick around.
What has made it work for you?
Well, I mean, number one, I have an amazing partner.
And I have an amazing mentor in Jay Chottinstein.
And Jay Chastain is the CEO of American Eagle.
But I would call him more of an entrepreneur.
You know, he still remembers the days he's always been in retail.
His father started in retail.
And he knows a lot about the industry that goes back decades, if not, you know,
30, 40 years and really has a passion for this business. And so I've been able to learn from him
the most. I remember during the pandemic, we had one store and we were closed, obviously,
and halfway through probably four months in, he's like, I really think you should open up
more stores. And I was like, are you crazy? Are stores closed? Seems like bad timing, right?
Yeah. And so my intuition was to hunker down. And his intuition was,
is okay, now you grow.
And you hear all these things about Warren Buffett and whatever.
They all buy when business, the economy's crap,
and then they sell when it's high.
And I think that's easier said than done.
But he definitely has that intuition of an entrepreneur.
And I've learned a lot from him.
And they've been an amazing supporters.
And having a mentor and having a company like this
that really gets behind you is incredible to dream come true.
I have to often pinch my.
myself that is actually happening.
So as you've expanded into retail,
that's really sort of turbocharged growth for the company.
It's also been an opportunity for you to really control the brand experience
and have it be exactly the way you want it to be.
What have you learned from that?
Well, I learned that's everything.
Being able to control the customer's experience and to really,
when you sell wholesale, one thing that's challenging in that is that you're giving
your brand to somebody else and you're kind of a slave to whatever they want
to do. If they want to go on markdown, you can't really do anything about it. If they want to put you
the back of the store on a rail, you can't really do anything about it. Whereas, you know, for me,
the biggest experience in the story I learned from Ralph Lauren was the store experience. That, for me,
was the thing that was going to differentiate us from everyone else. And making sure the store experience
is a place of discovery, a place of where people want to hang out. I often hear a lot that between
our store staff and customers come in, they just love.
love being there. It's almost like a club in a way where people come and they either shoot the
shit or get to understand what goes well for a summer wedding or I'm going to my first job interview,
please help me. I think the one thing I noticed in retail is that most men don't like to think
about clothes. They just want to get it right. And that's one of our mantras that we always talk
about. They don't want to know how it's made. They just want to look good.
And we're really here for that.
We're really here to help the guy dress better
and to make them feel at ease and comfortable
with the choices they're making.
So, Todd, last question for this segment.
I know that Home Goods is something you've been thinking about.
For Todd Snyder, what's your next move?
Well, really kind of getting into collaborations
has always been a big thing for us.
So we have a collaboration coming up with an interior brand
that I can't announce yet.
But that, I think, will really deepen the brand even more.
I think the one thing about the store that's done really well is people enjoy the interiors that we do.
It makes people feel at home, but also makes them feel inspired.
Oftentimes, we get people wanting to buy the art, buying the rugs.
So this actually gives us an opportunity to actually have that kind of product for sale, which I'm super excited about.
If my apartment could look like your store, I'd be really happy.
Me too.
All right, Todd, thanks so much, and we'll pick up this conversation shortly.
And next up, it's time for the People Playbook.
Now, as we all know, the onboarding experience for new employees can be a make or break period,
setting the tone for their employment experience.
And it's critical to get it right, especially during the first 90 days.
We're happy to have April Arnold, Director of HR Business Cards and Payments at Capital One,
here to discuss how to get employees off on the right foot and get them up and running fast.
Welcome, April.
Thank you, and thanks for having me.
I'm excited to be here today.
So why are those first 90 days of onboarding so important?
Well, that's the time when employees evaluate their,
decision and shape how they view the company's leadership and culture. It's also the time when they
form opinions about their long-term future with the company. A disorganized onboarding process can
damage the relationship with a new employee right from the start. And what's maybe the biggest
step that a company can take to improve an employee's onboarding experience? The most effective
onboarding treats the first 90 days as an integrated system designed to build the employee's clarity,
confidence, and effectiveness. Each phase should intentionally reinforce the others. Early role clarity
supports relationship building, strong relationships, help build confidence, and enable meaningful
early wins. Companies that design onboarding as a system have managers, peers, HR, and leadership
working together. This approach allows organizations to see challenges early, adjust in real time,
and ensure that new hires experience a coherent introduction to the organization.
rather than information overload.
And what responsibilities do managers have in this process?
Managers are essentially translators and guides during those first 90 days,
helping employees understand everything from expectations to culture.
Throughout, they should be working with the employee to set clear goals
for what needs to happen at the end of 30, 60, and 90 days.
By the end of that first quarter of employment,
employees should understand expectations, feel comfortable asking questions,
and see how their work creates real value.
Effective managers help employees understand not just what to do,
but why it matters and how decisions actually get made.
And are there some other ways that the organization can support the onboarding process?
Mentors and peer programs can also help in onboarding
by helping the new employee create workplace relationships and feel more comfortable.
Companies can facilitate such networking by assigning mentors,
peers, or go-to contacts for various purposes.
These relationships can help new hires decode workplace norms, build trust, and feel connected to the organization.
That may make them less likely to feel isolated during those early months.
And should the onboarding process be a little bit different if you're talking about experienced hires versus someone who's new in their career?
Yes. Typically, experienced employees need less focus on task training and more on context and learning their new organization's way of doing things.
These employees may be more confident in their expertise, but need help navigating company dynamics and decision-making processes.
Newer employees may need all of that, plus an emphasis on building trust and confidence in their abilities.
They may need more basic training and coaching to get their skills up to speed.
And let's talk about common mistakes.
What have you seen employers get wrong when it comes to the onboarding process?
First, overloading new employees with forums, tools, meetings, and information.
This can feel overwhelming.
and don't underestimate how disorienting and stressful those first months can be.
The employees trying to learn, make a good impression, and ensure that they made the right choice by joining the organization.
Well, April, this is great advice. Thanks so much for being with us today.
Thank you so much for having me.
And now it's time for the debrief.
Let's dive into the strategies you can use to scale successfully.
I'm Sarah Lynch, here with Angela Lee, and we're going to unpack the biggest scaling challenges founders are facing right now,
And more importantly, how to actually solve them.
Angela, thank you so much for being here with us today.
Thank you so much for having me.
What new challenges might today's founders be facing when it comes to scaling successfully?
I think there's so much pressure for founders to grow right now and to grow at such a fast scale that it's very easy to ignore early mistakes.
It used to take companies decades to get to 100 million in revenue.
And now companies like Zoom like Slack are getting there in two, three, four, five years, which is crazy.
And then on top of that, things change in a dime, and it's very hard, I think, for founders to know how to keep up with change.
TikTok shop is relatively new, and now 60% of TikTok users have bought something through that channel.
For the founders in the throes of trying to scale right now, what are the first actionable steps they can take to start to scale more strategically?
Really look at all of the things on your plate and to say, if I could really focus on one or two things, what do I want to scale?
Maybe it's more strategic partnerships, maybe it is getting more customers to convert to your paid
product, whatever it is, and then really focus on that, and then also write a do not scale list.
It is so easy to be distracted to say, I want to add this new feature, or I'm going to start
marketing through a different channel, and to recognize that you might not be ready for that
and to really try to take things one at a time.
So as founders map their growth strategy moving forward, what are some of the best practices
they should keep in mind as they scale
and think about their company's long-term future.
I think long-term is an interesting thing
because long-term means very different things
depending on what industry you're in.
What I always tell founders is find a couple of founders
who are two years ahead of you.
Five years is too far because, frankly, things change too quickly,
and really ask them, like,
what are the things that you struggled with
as you got from, you know, 50 employees to 100 employees
and really understand what they did?
And don't ask them, like, the easy questions.
Really ask them, like, what broke?
What do you wish you?
you've done differently and to have that kind of trust circle that you can talk to is really,
really important. What do founders need to be thinking about when it comes to the structure of their
teams to set themselves up well to scale? Yeah, I think a mistake that a lot of people make is
they reward really great performers with promotions. And I think the classic example is someone
is an amazing enterprise salesperson. And so what do you do? You promote them to be sales manager.
Those are very different skill sets. You need to put people where they're going to thrive.
and oftentimes people get promoted, not because they have the skill set of that next level,
but because they were really good at the level below.
And so I think that's a really big mistake that people make.
The other thing is if you are going to promote people, you need to give them the toolkit to succeed.
I do a lot of training of startups on really basic managerial tools, like how do you delegate,
how do you hold a one-on-one, how do you give feedback?
And these are things that people are not taught.
And if you are not taught them, it is impossible to manage a team effectively.
That's a really good insight.
is there a framework you give to founders to think about scaling differently and successfully?
A very common framework you'll hear about scaling is that you either scale through technology,
through people, or through process. And it, I think, implies that it's one or the other.
And I really tell founders you have to get all three of those things right.
And the problem with technology is that it amplifies problems.
And if you have hired the wrong person or if you have a process that's broken,
throwing technology onto that is absolutely not going to fix the thing.
So the framework is not tech or people or process.
It's tech enables people in process.
Angela, what last advice do you have for founders
on thinking about their scaling process?
I think my biggest piece of advice is really just focus
and trying to stay true to what you think is the number one priority.
I think the customer voice in particular is hard to ignore.
But the more that you can say, look,
I know what's really important to build out.
And I'm going to really focus on that
and try not to be distracted,
the more that it'll be successful scaling.
Thank you so much for this,
really insightful conversation today. Thank you so much for having me. Back to you, Mike.
Starting a business comes with a share of ups and downs, which is why staying true to your vision
is essential. A non-negotiable for Romeo and Milka Rogali, Capital One business customers and
co-owners of Ross plant-based restaurant in New York. Romeo and Milka took a leap of faith when
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But building from scratch came with a heavy financial burden,
which is when they turned to their Capital One business card.
With the flexibility of the card's no preset spending limit,
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while bringing their vision to life.
Today, Ross's success is proof that with passion
and the right support, it's possible to make your dreams a reality.
Learn more at Capital One.com slash business cards.
And now we're back with Todd Snyder.
How you doing, Todd?
I'm doing great.
Great.
Well, one of the goals of this show is to connect our audience with founders like you.
And so here are some of our viewers, most popular questions about how to scale a business.
The first comes from Timothy Amico in the chat.
In a crowded menswear market, how do you cultivate a community that feels authentic rather than transactional?
I think that's the number one goal is to feel authentic and not just to sell clothes.
I mean, there's tons of brands.
out there that sell clothes.
Really having a vision that, you know, starts with the product.
It goes to the stores and thinking about what the end use for the customer is, is really important.
And having that vision and having that fortitude to stay with that original vision is critical.
And that's really kind of what's defined me.
I know when I started my brand 15 years ago, I wanted to build kind of the ultimate wardrobe for the guy
and having all these great essentials that kind of was almost like a reinvention of my grandfather's closet, modernizing it, you know, taking a trench coat and modernizing it, taking a pair of chinos and making the right fit with the right fabric.
It's really about making those pieces that guys are going to, you know, go to over and over again and really sticking to that core principle.
Okay, great. Our next question is about collabs. And obviously, Todd Snyder has done a lot of collabs with Champion and LLB and Timex and New Balance.
So when you're approaching those big partners, how do you get them to take you seriously?
And then also, how do you make sure that the deal is reciprocal and good for both parties?
Well, I think the number one thing is thinking about how can you do something that's new and different
without losing kind of the connection between either my brand or their brand.
Yellow Bean is a great example of that.
That one actually took me about three years over and over again about knocking on their door and saying,
hey, how about a co-lab? What about this? And, you know, I'm very persistent, and I usually use my
Iowa Nice to get in the door and to get the deal done. And really, it's about trust and it's about
working with other creatives to build something different. And then once they trust me, it becomes a lot
easier. So this question is from Krista in the chat. So when you're onboarding new employees,
how do you relate that to the way that the brand scales and to sort of the vision that you've
established for it? Well, I think the biggest thing is culture, you know, thinking about having
a culture that's inclusive that gives people a voice and giving people opportunity is really,
really important. I know it sounds kind of like, you know, jargon that most businesses talk about,
But it's true, like really sticking to that.
I knew, you know, I worked for a lot of brands.
And I saw a lot of things that I particularly didn't love,
that I thought, you know what, if I ever opened up my own brand or own business,
I want to make sure that at the end of the day, I'm a good person
and hiring people that I want to be around and I want other people to be around.
I have very little turnover here at my company, and I take a lot of pride in that.
Some of the people have been with me, you know, since I've seen.
started 15 years ago, which is, you know, for me, it gives me a warm feeling and makes me feel
like I'm doing the right thing.
Here's another question from the chat.
So scaling and creativity sometimes feel like they're in contention.
As your business is growing, especially a creative business, kind of a fashion-driven business,
how do you keep innovating and coming up with new ideas while also making sure that the underlying
business is sound?
Well, it's probably one of the most critical things because most people think, oh, if you're
scaling, you need to optimize things.
and thinking about how to simplify things.
And certainly that's important,
but it's really almost more important
to understand and value the brand.
And to think about who we are, what got us here.
Like the shirt I'm wearing right now is the same shirt.
I designed 15 years ago,
and it's still one of our number one sellers.
And you got to think about the core principles
of why you started the brand and what your customer appreciates
and takes away and really stick
to that because as you scale, that's when it gets really challenging because everybody's after you,
like, well, you need to optimize for that. That's going to take more time. Sometimes the things
that take more time are the right decisions. Is there something you've said no to? All the time.
I mean, it's a constant thing. I mean, being able to say no to things that allow you to say yes to
others is really important because there is a lot of things that come across your plate, whether
it's a collaboration, whether it's an idea that maybe start women's because there's such
great scale in that. I've always stayed true to, like, we're a menswear brand. And, you know,
I still look at Ralph Lauren, you know, you could argue that he's not menswear, but it's his
biggest percentage of his sales. Hugo Boss is another one, you know, $4 billion global brand,
men's predominantly. And that's what keeps them in business. And I knew that I needed to stay
focused into men's to understand and really be successful in that category.
And here's another question from the chat from Connie. Have you shifted any market
techniques with the new importance of AI, especially when it comes to SEO.
I'm moving more toward the consumer search versus online prompt search.
Yeah, I mean, it's all shifting very quickly with AI, not just whether it's using tools to
help optimize your business or things that you're doing in your business, but thinking
about AI and ChatGBT, and you name it, Gemini, are quickly becoming kind of the point
of reference for people.
you know, used to be like, oh, go Google that.
Now it's go AI that.
And so you're going to have a lot of people going down that path quite rapidly.
And obviously, all those AI tools need to make money.
At some point, they're going to allow us in as far as advertising and getting our name out there.
So it's always important to be ahead of the curve on that kind of stuff, but not let it change your brand.
The biggest thing is keeping the brand pure and really kind of to its core.
They say when a company passes $100 million in sales, something breaks, maybe everything breaks.
Was there something that broke at your company when you sort of achieved that scale?
And how did you fix it?
I mean, the hardest thing for us, and I don't know if it was $100 million, but it definitely, opening stores was the biggest challenge.
And so many people in my industry have told me, like, beware.
And I'm like, I'll figure it out.
But it's really hard.
It was much easier doing $100 million online versus $100 million plus stores because all of a sudden you're dealing with,
150 new employees, you're dealing with different ways of rolling your visual merchandising
out to making sure that the customer service is at the level that you want it to be.
So it's always a challenge.
What makes someone a great salesperson in store?
Well, I kind of say I learned so much.
I used to work in a men's habadashire in Des Moines, Iowa.
And every time I meet a GM, I tell them the same story.
I said, you know, Bedouers was the store, and Mr. Bedouwer would come in.
say, say to us, young kids, I was probably 18 at the time. And he would say, the more you try to
sell, the less you will sell. And he's 100% correct. He said, get to know the person. Get to know
why they're there. They always come to the store for a reason, but they're not going to always
tell you. Sometimes they will, sometimes they won't. But you can't, you know, just force them to buy
things. So you really just need to get to know them, but also be there to service them, be there to
really help them look better, because that's ultimately why they're there. They're there to look better.
Okay. Last couple of questions. This is from Daniel. How do you think about customer experience
from an Omni Channel perspective? How much of the brand is the in-store experience versus what
happens on digital? Well, I think the store piece is definitely the ultimate, you know, because you
really get to know a brand well. It's kind of like when you go to a restaurant, when you go to a restaurant,
you're going to do takeout all day. But when you go to a restaurant, you sit down, you smell, you feel,
you hear, you taste, it all comes together.
It's the same way in store.
Like you come in and you understand what the brand's about.
Everything from the art that they're using
to the scent that they're burning in the candle,
all of those things add up to a feeling.
And we're human.
So it's really important to touch the senses
and to make sure that the customer is being taken care of.
But Omni is really about, there's some people
who love to come to stores,
or some people want the convenience of buying online,
there's some people that want to pick up in store,
All of those things add up, but it's really important to be there for the customer.
And a question from Eva.
So what motivates you the most now?
What motivates me?
I think for me, I just love challenging myself.
I love being able to dream and think about who our customer is, where they're going, and what he should be wearing.
I'm always challenging myself, whether I'm in the south of France or I'm in Des Moines, Iowa, or I'm in New York City.
I always want to be, I want to look right.
You know, I want to make sure that I'm not too fashionable,
but I'm also not too boring and stale.
It's always that balance that for me,
I'm always thinking about how can I simplify things more for the customer,
but also inspiring myself because ultimately it will inspire the customer.
And here's another question.
How has your leadership role changed as the company has grown much larger?
I really try to stay close to design.
I think that's the one thing that's different between me and most designers is I really try to stay close to the product and the marketing and kind of the customer experience because for me, that's everything.
And often, you know, I've worked for number of brands where all of a sudden the designers, you know, meeting celebrities or doing whatnot and they're not necessarily focused in on the product.
For me, it starts with product.
And I love doing it.
It's my favorite thing to do.
it's why I get up every morning, and I'd probably do this job for nothing if I wasn't getting paid.
I just love doing it. I used to sew shirts on my own just because I love kind of the art and kind of the craft of making garments.
And what do you think it will take to grow your business to the next level, you know, $250 million, $500 million in revenue?
I think staying true to what we started and, you know, continuing to like really open markets and thinking about
new frontiers, you know, whether it's international. Right now we have 23 stores in the United States,
and we don't have anything outside of the U.S. And I've always been a firm believer that this brand
can be global. My dream is to be in London someday and be in Japan, but that'll come in time.
You know, getting this right, getting the business here right, we'll be able to create more in the
future, but that's how I really kind of see this thing expanding. Great. Well, Todd's not
Todd Snyder, menswear designer, entrepreneur,
and maker of the Navy Peacote that I've been wearing
for the last 15 winters.
Thanks so much for being with us today.
You're welcome.
Thanks, Mike.
Join us next time for more industry experts,
candid conversations,
and the strategies you need to make your next move.
I'm Mike Hoffman at Air and Chief of Being.
We'll see you next time.
