You're Wrong About - Princess Diana Part 3: The Affairs
Episode Date: October 12, 2020This week, Diana swaps out her husband for a Horse Dude and Mike and Sarah act out other people's PG-13 dirty talk. Digressions include shoulder pads, Billy Joel and "Seinfeld" (twice!).... There's a moment 55 minutes in that is going to make you feel very weird. As with previous installments, this episode contains detailed descriptions of disordered eating.Here's the photos we talked about in this episode: https://rottenindenmark.org/2020/10/11/princess-diana-part-3-the-affairs/Support us:Subscribe on PatreonDonate on PaypalBuy cute merch Where else to find us: Sarah's other show, Why Are Dads Mike's other show, Maintenance PhaseSupport the show
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I feel like all Chris Christie has ever wanted is for Bruce Springsteen to like him,
and in trying to get him to like him, he has made himself one of Bruce Springsteen's natural enemies.
Welcome to You're Wrong About, the show where we talk about women, about whom it can be said,
she's so lucky, she's a star, but she cries, cries, cries in her lonely heart, thinking,
if there's nothing missing from my life, then why do these tears come at night?
Is that, hey, Mickey, you're so fine?
That is Lucky by Britney Spears, a song that I think it is. Even when I was a preteen,
I was like, why are they having her sing this if it appears to be true?
I am Michael Hobbs. I'm a reporter for The Huffington Post.
I'm Sarah Marshall. I'm working on a book about the satanic panic.
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We also talked about how we both wanted to date Anthony Perkins and other topics.
It's partly Baskin content and partly Perkins content.
It's a Baskin Perkins swirl. Yeah, we're very proud of it.
And of course, if you don't want to support us, that's chill too.
I don't like this false binary here. I think that people are supporting us by listening to us.
That's true.
Even one time, even if you listen to half of an episode and you're like,
eh, these people say like too much and turn it off. You still supported us. Ha ha.
And today we are talking about Princess Diana for the third time. Act three.
How many times is this going to be? I'm guessing five or six.
I'm aiming for five. So this episode, we're basically going to talk about the rest of the marriage.
And then next episode, we're going to talk about the divorce.
And then next next episode, we're going to talk about her death and the
wild conspiracy theories around her death.
Okay. I'm excited. As your thesis advisor, I say full steam ahead.
So as my advisor, do you want to catch us up with where we are with Diana? What's happened so far?
As your thesis advisor, I think that you should just bring me little boxes of chocolate and
be confused about when my office hours really are. But sure. So when we last left Diana, she had
just provided the royal family with an heir, Prince William, and was wildly unhappy and lonely.
I believe it's fair to say in her marriage to Prince Charles and has made
several suicide attempts and is also struggling with bulimia.
Yes. And this episode, like last episode, is going to have some extremely rough
descriptions of Diana's eating disorder. Yeah.
And when last we left her, it seems like she was having a hard time,
but no one could conceive of the idea that she might possibly be having a hard time.
Right. I mean, one of the things that has struck me as I've continued to read about
this marriage is this is an upper class society with a million rules, right?
They have all this stuff about how you should dress, when you should dress a certain way.
It's all very formal. And yet, when it comes to intimate relationships,
they're operating without a roadmap. We as human societies create these elaborate rules
for kind of seeming like things are okay and how to form relationships and not embarrass
ourselves with people that we barely know. And yet, when it comes to forming relationships,
close relationships with people that we do know, there aren't a lot of like social guidelines.
And on top of that, I think it's, you know, harder to address the problem because there's
so much pressure to sort of maintain the front required of a national symbol.
And also like, how can you seek therapy or whatever you need? If like, I assume you need
people to be like sworn to confidentiality and then trailed by James Bond for the rest of their lives.
And you can't trust anybody around you either. I mean, one of the things we're going to come
across in the story is the fact that all of their staff is selling secrets to the newspapers.
So even when they're indoors, they can't be honest about what they're actually feeling.
They can't display anything that looks like conflict because it will literally be in the
paper the next morning. But so instead of a insufferable meta comment to begin this episode,
we are going to start with something we've never done before. We are going to do a table read
of a phone conversation between Prince Charles and Camilla Parker Bowles.
Oh my God. Okay. I think I know what conversation this is. I'm so excited.
Do you know what happens in this call? Yes, because I think it's the only romantic thing
I've heard of Prince Charles doing and I've always been his defender on this because people
were always like, that's so gross. That's so unseemly, whatever. And I was like, it's great.
He's being, this seems to be his true nature sexually and he's embracing it and verbalizing
it, which is very impressive. What did he say? What he said was that he wished he could be one
of Camilla Parker Bowles' tampons. Yes. I wish I could live in the warm temple grand and squeeze
machine of your vagina. But so what we are going to do is we are going to read the transcript
of the infamous call where you are going to play Camilla, I am going to play Charles,
and we are going to put this tampon comment in context because in context,
it is completely different than the way it's been portrayed. Really? Yes. Okay, let's do it.
So check your email. I just sent this to you. Santa has been to my stocking. So this was recorded
on December 17th, 1989. So their affair has been restarted for six years at this point.
They restarted in 1983. So these are people who are quite comfortable with each other.
Yeah, they've been sleeping together for like the whole eighties almost.
Yes, he's seen all of her shoulder pads and the transcript starts kind of in the middle,
so it's going to be a little bit confusing at the beginning, but we're just going to read the
whole thing. Okay, are you ready? Okay, here we go. He was a bit anxious, actually. Was he?
He thought he might have gone a bit far. Oh, well. Anyway, you know, that's the sort of
thing one has to be aware of and sort of feel one's way along with, if you know what I mean.
Hmm. You're awfully good at feeling your way along. Oh, stop. I want to feel my way along you,
all over you and up and down you and in and out. Oh, particularly in and out. Oh,
that's just what I need at the moment. Is it? I know it would revive me. I can't bear a Sunday
night without you. Oh, God. It's like that program start the week. I can't, sorry. It's like that
program start the week. I can't start the week without you. I fill up your tank. Yes, you do.
Then you can cope. Then I'm all right. What about me? The trouble is, I need you several
times a week. So do I. I need you all the week, all the time. Oh, God. I'll just live inside
your trousers or something. It would be much easier. What are you going to turn into? A pair of
knickers? Oh, you're going to come back as a pair of knickers. Or, God forbid, a tampax. Just my
luck. You are a complete idiot. What a wonderful idea. My luck to be chucked down a lavatory
and go on and on forever swirling around the top, never going down. Oh, darling.
Until the next one comes through. Oh, perhaps you could just come back as a box. What sort of box?
A box of tampax. So you could just keep going. That's true. Repeating yourself. Oh, darling. Oh,
I just want you now. Do you? So do I. This is adorable. Isn't it the cutest thing? I already
thought it was cute. And now it's just he's so much cuter. It's so cute, dude. I'm almost annoyed
at how cute Prince Carol's is. I know. It's like very PG-13 sexual talk. Yes. I love how he's just
like, I want to live inside your trousers. Yes. So I can be like a tiny man who fucks you every
morning. Oh my God. It's so cute. And it's also this whole conversation is taking place in a phone
call where they're basically running logistics for like, how are we going to have sex in the next
week? They're like, will this country house work? Or like, no, this other person's out of town. We
can use their house. So it actually makes sense in the middle of a call about logistics that he
would say, oh, it'd be much easier if I just lived in your pants the whole time. I love how
you're defending Prince Charles by being like, listen, in context, my client had every reason
to speculate about being a tiny man who lived in his lover's trousers. And I'm team just like,
listen, people need to be allowed to fantasize verbally about being their partner's tampon.
Totally. It's fine. Any like any level of dirty talk, as far as I'm concerned, is like perfectly
fine, right? Like at any time that I hear people like tittering about this phone call, I'm always
like, really like your dirty talk would stand up to national scrutiny. Right. Other people's dirty
talk is always hilarious. Like I remember when Steve Croft from 60 Minutes got busted for sex
staying or whatever, he was having an affair, I think. But all of the leaked communications
were really cute. It's very like, I'm so excited to have sex with you basically in so many words.
I know. And it's frustrating to me when we have sex scandals and people are treated. And I think
the Jim Baker case is an extreme example of this, where like we act with the same amount of like
outrage and horror. If people are having these sort of like sweet sexual conversations that get
leaked or having like cute affairs, the same way that we judge something really horrible.
Totally. Like we can't tell the difference in American mainstream media between adultery
and sexual assault. Right. And also the conversation goes on for like 20 more minutes.
And what strikes me about the conversation is just like this is a portrait of like a pretty
functional relationship. What sticks out to me isn't the quote unquote dirty talk. These are
just two people who seem to really like each other. Like the call, the reason why it starts in the
middle is because the first like 10 minutes of the call are him reading a speech to her because
he's writing a speech. And so he's like, Hey, what do you think about the speech of mine? And he
reads long sections of it to her. And then she asks, you know, what was the last speech that
you gave? He's like, Oh, you know, it was in Norwich last Wednesday or something. And she's
like, Oh, can you send me a copy? That sounds interesting. That's cute. It's just two people
that are just like vibing. Yeah. Tina Brown sort of frames this in her book as like, you know,
he's getting sex from her and she she's like flatters his masculinity. Like she's pretending
to be interested in his speeches, like to boost his ego and like, maybe. Okay, Tina. But also,
it just seems like they really like each other. Like I think the sex obviously is a component,
but it really feels like this is what he's not getting at home. He's just getting somebody who
seems to really like him and he really likes her. I also feel like Prince Charles appears to be
someone who's capable of putting his energy into sort of growing and maintaining and gardening to
use a vocabulary. He understands one relationship. And this is the relationship. Yes. And like he
knows he's not doing the work. Like he knows that he has two gardens and one is this beautiful
hot house full of melons and orchids. And one is like this dying patch. And he's like, I'm putting
in ours. Don't bother me. I mean, this is like, you know, this is an act of infidelity. He's lying
to Diana. The whole the whole thing is gross and immoral. And I wish that all of these people
were mature enough to just admit everything. I'm more bothered by the fact that she's in such a
difficult position in terms of having married into the royal family. Like I, you know, my thinking
on this is like, if you can't restrain yourself from like sharing all your genuine warmth and human
connection with your longtime mistress, and if you can't cultivate a real connection with Diana,
then like fine, you can't control that. But like, you did this, like you created this princess,
like you brought her into this world, you decided it was a good idea to propose to her. Like,
this is like adopting a dog. And then it has some behavioral issues. And you're like, whatever,
I'm just going to create it. You know, it's just like, I don't care if people have affairs
as much as I care about how living things treat each other. I feel like he has the resources
to figure out that like he bears a responsibility to her for bringing her into this very difficult
world. But he knows to be difficult because it seems like his life has been a big bummer in a
way that he's aware of. And there's an interesting duality here too, where by all accounts, it seems
like he has a very functional relationship with Camilla. And his relationship with Diana is
unbelievably dysfunctional at this point. He's one of the comments. This is really bad. One of
the comments that shows up in Andrew Morton's book is that because he knows that she's struggling
with bulimia, they'll be sitting down at a dinner. And she's like, Oh, this looks good. And he'll
be like, isn't that just going to come up later? What a fucking waste. There is literally an episode
of Seinfeld where George Costanza is dating a woman who he suspects of being bulimic. And he says
that. But even George Costanza knows that you would never say that to someone's face. He says it to
Jerry. It is this fascinating portrait to me of how the chemistry between two different people
can make somebody an absolute fucking monster in one relationship and kind and generous in
another relationship at the same time. You know, this oftentimes gets sort of blamed on the woman
and like, what is it about Diana that made him act this way? No, I think that there's something
about the relationship between the two of them that just starts off on the wrong foot. And that
wrong foot just gets like bigger and like blisterier and wartier and more gangrenous over time.
Oh, God. Thank you, Mike. I thought you would enjoy that. But like, yeah, I feel like relationships
can take us to places that we never imagined ourselves in. And I think also just like being in
a state of emotional deprivation and not, you know, feeling like you're stuck in this partnership
with someone with whom you have no emotional connection. Like, emotional starvation makes us
do pretty intense things as much as any other kind of starvation, I think. Yeah. So we have fewer
outfits this episode, but we do have some outfits. Would you like to see them? Oh, yes. Like last time,
I'm going to make a blog post with all of these and leave a link in the description. So
Skype machine. This one is out of context. I'm interested to hear what you think it is.
This is wonderful. Okay. So this is a beautiful dramatic black and white shot of Princess Diana
on the left and some dancer on the right. They're doing like jazz hands. I mean, I would say maybe
Bob Fosse, but there's not enough gloves or shrugging. Princess Diana has a happy expression.
She's caught mid-motion. Like her skirt is sort of billowing around her legs in a way that suggests
how much motion there is in what they're doing. And it's a really beautiful shot. It's lovely.
So she looks like she's dancing with somebody and having a good time. So this is 14 months
after she has Prince Harry. As a sign of how bad the marriage is even going into this pregnancy,
she finds out in December of 1983 that she's pregnant. Both her and Charles want a girl.
She finds out in April that it's a boy, but she doesn't tell Charles until after Harry's born.
Oh, wow. That's intense. So the performance that you are seeing in the picture there
happens at the Royal Ballet in December of 1985. There's this thing at the Royal Ballet where it's
like a night of sort of hijinks. They'll do sort of sketches and Stephen Fry will come and do a
voiceover thing. So Charles and Diana, of course, go and they're sitting in the royal box, two-thirds
of the way into it. Diana leans over and she's like, sweetie darling, please excuse me to go to
the tink-tink room or whatever euphemism they use for go to the bathroom. And then about five minutes
later, the curtain on the stage goes up and she is in the dance company. What Charles doesn't know
is that for the last couple weeks, she has been rehearsing with the Royal Ballet a dance
number set to Billy Joel's Uptown Girl. I know. Oh, that's the best. She is the most
uptown of all the uptown girls. And so they do this entire routine and they, you know,
she used to teach ballet. She danced ballet for many years. She's good at this. But so she gets
nine standing ovations. And as she's getting these standing ovations, she does like a little
curtsy to the royal box. That's so cute. I love that. But then afterwards, he is like pretty
publicly kind of a dick about it. Why? I know. There's a reception afterwards where he is seen
sort of not really congratulating her. You know the way that like a husband sort of she's like,
oh my God, sweetie, that was amazing. You did that for me. You kept it a secret. Like,
this could be such a cute moment. Yes. The way that she describes it to Andrew Morton
is that he was mad at her for being, quote, undignified, too thin, too showy. Right? This
is not behavior becoming of a royal. You know what's undignified? Freezing your wife in public
is undignified. I know. Utter, utter chad. Tina Brown describes it and I think that she's kind
of onto something. He also feels left out because last year, they actually did a comedy skit together.
And so all of a sudden because her star is rising and she is, there's a poll that comes out around
this time that shows that she's by far the most popular member of the royal family. She's sort
of secretly done this thing with the royal ballet and didn't really invite him. Because it was a
surprise. I know. It's a surprise. It's totally understandable to me that his feelings would
be hurt. And it's also very understandable to me that he would not be capable of describing it to
her in those terms. Yes. Because he's a little hand shaking lad. You can imagine a conversation
between them where he's like, look, this was really special to me last year. And it's one of the few
things that I get to do every year where people think that I'm fun. But he's not capable of
describing it to her in those terms. So what she hears is it's too showy. It's too undignified.
How dare you? It ends up being this thing that could have been like a milestone of communication,
but ends up being a milestone of just resentment. Yes. He used Billy Joel for resentment.
It's also, I mean, what fascinates me about this incident too is he knows there's cameras at this
reception. He can't fake his way through this incident and just be like, sweetie, that was amazing.
I was delighted. Like just from a pure media perspective, it's incredible to me that he can't
like make a display of wonderment. Show the kids that you love mommy. Yes. It's weird to me that
Princess Diana marries into this family and immediately understands, you know, as any female
celebrity would, that it is her job to create emotional compositions for people. And Prince
Charles, who has been doing this for his whole goddamn life, has never figured that out. And
like because he's a man, like that's obviously less required of him. But that's still his job.
What does he think he does? Does he think that he's governing a country? I mean,
Tina Brown calls it a political tin ear. He doesn't seem very good at anticipating what stories
will be or how things will look. There's an incident later where Prince William gets in an
accident. He's playing with another kid and he accidentally gets hit in the head with a golf club.
And so, you know, it's a head injury, like they have to take him in for scans. I think there's a
minor surgery involved. And so as all this is happening, he's being transferred from one hospital
to the other, etc. Prince Charles keeps a social engagement to go see the opera with a bunch of
European diplomats that are visiting the UK. You know, his excuse for this in the biography
is that like, well, you know, it was scheduled. There wasn't much I could do because we're just
waiting to get results. Right. He's like Ben Affleck and gone girl. Oh, totally. Exactly.
It's like, there's fucking journalists at an opera. You're gonna go see fucking Tosca
when your son is in surgery. So like, of course, there's a million headlines the next day of like,
what kind of father does this? Yeah. And it's like, do you not get that you're a public figure?
And so Diane is also extra fact, because like, whenever she does something that people respond
positively to, he gets jealous. Yes. And whenever he does something inept that make people this
like him, he's like, why do people this like me? I know. And then she also, I assume, has to suffer
for that. Yes. And there's, there's the one like bit of revenge that I love on this. There's an
incident where he breaks his arm in some sort of polo accident. He's in the hospital. There's like
six weeks of physical therapy. It's like a long recovery period. And during this period,
there's all of this speculation about like, how did he really break his arm?
Isn't it embarrassing enough to break your arm in a polo accident?
But so this is bananas. So he's sort of out of public life for a while, which also sparks a
bunch of speculation. His idea is to hold a press conference with a fake arm with a hook
at the end of it. So he was going to tell the press that he had a fucking he lost his arm and
he was going to be using a fake arm. And then he was like, in some dramatic fashion at this press
conference, he was going to like rip off the fake arm and be like, see, I don't have a fake arm.
I'm actually fine. And that was going to like show the press what dumb they were.
That's so bizarre. That suggests that he really hasn't learned how to do like the basics of what
he does. And it's like, you don't think that's just going to make it worse, tiger? I don't think
they're going to be meaner to you after that, dude. He's like, I'll trick them into treating me better
by doing something really bizarre in front of them and giving them an amazing story to talk about
for days and days. That makes me look like a huge fucking doofus. So what Diana does, she instructs
his staff, she's like, look, just get in the fake arm. And then on the day of the press conference,
pretend that you lost the fake arm. That's so smart. So they do this whole thing where they get him
the fucking hook arm. And then like an hour before the press conference, they're like, oh,
God, we must have left it in the trunk of a car. We don't know where it is. And it's like, oops,
guess you better just give a normal fucking press conference. And that's what he does.
That's really smart. Because he's dead set on this. Like you can't talk him out of these absurd ideas.
No, and you can't be like Charles. That's a bad idea.
She gets the kinds of images that she has to produce to remain popular. And he just has no
idea. There's also a very weird loophole. One thing that starts happening, even as she becomes
really popular, she's the people's princess, everybody really likes her, the press still
speculates that she's having an affair constantly. I mean, that's just like an evergreen accusation.
Yeah, sure. There's a thing where she sits next to a guy named David Waterhouse at a David Bowie
concert. And it's actually she's there with this guy, David, and someone else. So it's her and two
guys. And you know, like when you're sitting between two people, you'll kind of turn to one
and talk and then turn to the other and talk like normal humans do. The tabloids take a photo of the
three of them and crop out the third guy and make it look like she's seeing this David Bowie concert
with this David guy. They really buried the lead they should have speculated about her and David
Bowie. I know. But then what's amazing is there's all this constant speculation about her with dudes.
If she there was she had to cancel lunch with Terrence Stamp, who's like kind of an advisor
of hers, like speeches and shit. But she has to stop hanging out with him in person,
because there's all this speculation about Terrence Stamp and her having sex.
I mean, it is kind of a great celebrity pairing to be fair.
But what's amazing is, of course, as this is happening, Charles is sleeping with Camilla.
And Charles and Camilla are not being all that fucking subtle about it. Diana will drive away
from their country home. And then like 15 minutes later, Camilla's car will arrive.
And yet nothing appears in the papers about Charles and Camilla for years.
I smell a big fucking rat. It sucks. As I was reading these various sources,
I noted down all of the euphemisms that they used for Camilla. In the newspapers, they'll
talk about Charles was, you know, seen on a beach in Turkey with his female confidant,
Camilla Parker Bowles. Another one says extra marital chummery. Like, what does that even mean?
That's when you go out on a boat and you have sex with someone you're not married to when you
throw out a bunch of innards and you try and attract a shark.
But it is just like a bizarro world thing. There's just constant speculation about
her and no speculation about the thing that he is actually doing.
Yes.
Okay. Are you ready for another photo?
This is what she's wearing on the day her marriage ends. Not legally, but functionally.
Wow. That's a very specific occasion to dress for.
But look how nice she looks.
Yeah. No, she looks gorgeous. It's a white dress. It's a very white dress.
Shoulder pads, a tight waist. It kind of blouses out in front and a big pearl necklace.
Do you want to make any metaphorical significance of the fact that she's wearing
something wrapped around her neck so many times on such a terrible day?
People can draw their own comparisons.
People can do those. So this is her at Expo 86 in Vancouver, Canada.
Oh, wow.
This is essentially rock bottom for her eating disorder, although she doesn't actually get
help for the eating disorder for two more years. She basically hasn't eaten in three days.
And so halfway through the day, she puts her arm on Charles' shoulder and she whispers,
darling, I think I'm about to disappear and she faints.
And of course, a million people rush into action. They get her to the hotel room.
And then after she gets stabilized, she and Charles in the hotel room get in a huge fight.
He insists that she shows up for the formal dinner that night.
Oh, my God, Charles.
I think this is very interesting and this goes into what we talked about last week
about fame being abuse. So his argument for you have to show up for this big formal dinner tonight
is if you faint in public and then you don't appear that night,
that is going to fuel weeks of speculation.
Listen to the man behind the great hook arm caper.
But he says if you faint during the afternoon and then you show up at a formal dinner and
things look fine, they're going to drop this.
It's like, you're right, Charles. You and your family know all about emotional health
and the media. You've never been wrong before about either of these things.
I mean, I do actually think that he's correct.
Sure.
If you faint and then you don't appear in public life,
yeah, that's going to be fucking weeks of speculation and it's going to be miserable.
But she doesn't need a media strategist right now. She needs a husband.
Right. Well, my question is like, is that the first and only thing he says to her?
I mean, this is the thing because she tells this in Andrew Morton's book as he's basically
rolling his eyes at her and saying like, you're being dramatic. Like,
why do you have to make everything into such a disaster?
Like, why do you have to turn everything to shit?
And then in his biography is where we get the argument that like, oh,
I was doing this for like press management purposes. So I think she's probably getting
both messages.
He got a hand it to Charles. He never sat back and felt sorry for himself or for the
fact that when he was a little child, all his friends were Oxbridge Dons.
I know.
And like, how great he turned out. He's very good at his job and he's a good husband.
And no one thinks he's a ridiculous posh who talks to plants all day and dreams of
being reborn as a tampon. And there's nothing wrong with that, but he's in the wrong line
of work.
But this is an interesting moment to me because this this is basically the moment when both of
them give up on even trying to have a functional relationship.
Yeah, there is often a moment like that. It's like a simultaneous orgasm.
She experiences this as the last straw, as in no matter how fucked up I am, I cannot get
him to care about me. Like, there is no extreme that I can fall to where he will just
shut the fuck up and like help me out. He experiences this as no matter how much support
I give her, no matter how much I do for her, she's still super fucked up.
This is from his abysmal biography published in 2017.
Oh dear.
Diana disliked nearly everything her husband loved, his country pursuits, his polo, his
painting, his gardening. She had come around somewhat on opera but had little use for Shakespeare.
She was indifferent to architecture, alternative medicine and the environment.
Oh my gosh, she was indifferent to architecture.
I know. He's filtering all of this through his interests. It's also not true that she's not
interested in alternative medicine. That's another interesting thing because she's doing
like acupuncture and tai chi and meditation. She's actually interested in this stuff and
he easily could have connected with her on it if he had tried asking, sweetie, what are you into?
But so what's amazing is after this event, they have this really kind of dark and depressing
marriage where both of them are dedicated to producing images for the newspapers and nothing
else. On official trips, they have separate hotel rooms when they do these official diplomatic
tour of Bulgaria or whatever, and they have at events, they have to seem like they're arriving
together. They start running these absurd logistics so that they can stay completely
separate as long as possible and then meet somewhere like 10 minutes before the event
and then walk into the event arm in arm. Oh my god, this is like parent trap level logistics.
This is from the Andrew Morton book. As a close friend commented, she seems to dread
Charles's appearance. The days when she is happiest is when he is in Scotland.
When he's at Kensington Palace, she feels absolutely at a loss and like a child again.
She loses all the ground she has built up when she is on her own. So she experiences being around
him as just like a nonstop belittling experience. There's a scene where they're on some ambassador
tour to Qatar or something and they're speaking to some high up government official or something,
and the three of them are chatting and this government official guy asked Diana, like,
oh, what are you looking forward to about Qatar? And she has a schedule. She's going to visit
orphanages, she's doing stuff, and she takes in a breath to start telling this guy all the
stuff that she has on her schedule. And Charles just says, oh, she's shopping, she's mostly shopping.
Anyway. Oh my God. And then just goes back to what he's talking about. And of course,
she can't really contradict him in public. So she's like, yep, just doing the shopping, you know.
I can see why the public was so fascinated by them because like she's so compelling as a public
figure and so charismatic and any kind of royal marriage is interesting. But also,
there's just the fact that like the public can tell when people hate each other and are pretending
that they don't. And like the tension from that is like intense. Yes. There's a million photos to
of them sitting in a car and you can just see like the stone of silence between them. They just
look so miserable. There's a, I think it's like a World Cup soccer match where they sit next to
each other for 90 minutes and do not look at each other or exchange a word. Oh my God. I didn't
know that it was that bad. I didn't know that like they were just not communicating for a lot of
their marriage. Yeah. That's so stressful. So the next photo I'm about to show you is of Princess
Diana with a gentleman. Oh, is that a polo player or a jockey or something? He's like a horse dude.
Yeah. It's a horse dude. Yeah. That's the official term. He's a household cavalry for Buckingham
Palace. I do not understand this country. I feel like horse dude is a more accurate description.
He's like in charge of the horses. He's like a former army guy who did horse stuff and now he's
like in charge of the Buckingham Palace horse dude. Okay. He's the, yeah, he is the horse dude.
Yeah. He's a very cute horse dude. Isn't he? Yes. And she appears to be giving him a silver
chalice with a little horse on top. I know. And so she, and she's wearing a cute, it's kind of like
one of Julia Roberts's outfits and Pretty Woman. It is. Yeah. She's got a black polka dot tank top.
And so she's presenting the silver chalice to the horse dude. And he's got the expression
that you would expect on a horse dude. He's being given a silver horse chalice by a beautiful
princess. Yes. And what color is his hair, Sarah? I knew it. I knew it. I knew, I knew that people
would speculate about this. I just knew it. You filthy, filthy meanies. Okay. He has ginger hair.
Yes. But bonus debunking. There's all kinds of speculation that he is the actual father of Harry,
but she didn't actually start sleeping with him until like two years after Harry was born.
Oh, but they did have an affair though. Okay. Oh, yeah. Sorry. I was getting to that. Yes.
Okay. I feel like it's more okay to speculate about parentage if like they, if he isn't just
some random, you know, man, she gave a goblet to one time. No, they had numerous sexes, but they
didn't have sex before Harry was born. Okay. Also, there's also extremely unconvincing photos of
sort of his face next to Prince Harry's face and like, look at the evidence and they'll highlight
like his nose shape and his like cheek height or whatever. And it's like so unconvincing,
like it just looks like an adult male. Right. Well, I mean, the thing is that like,
there just isn't that much diversity of facial features between human beings. We just all kind
of look like each other. You could basically take a front ways shot of Prince Harry and a front way
shot of like William Hurt and they would probably look quite similar. Like they're both like white
middle-aged dudes. Like it's not, it's not totally out of the ordinary that they would have some
similarities. Wow. Prince Harry is middle-aged. I have to digest that information.
But so this man's name is James Hewitt. James Hewitt, the horse dude. He is her second affair.
Were you aware of this? No. Who is her first affair? Her first affair is with a guy named
Barry Manneke, who is one of her security guards. Oh. It's still not clear like if whatever, whatever
happened. But she does admit in these sort of lost dianotapes that from 1984 to 1986,
she had a huge crush on one of her bodyguards. Tina Brown, as usual, is very interested in
the sort of P in the V aspects and like did they have sex. But it's very clear that she had like
some sort of emotional affair with this person. As her bodyguard, he spends an incredible amount
of time with her and she cries a lot. She's someone who's struggling with a lot of issues.
And so, you know, she'll go out and do these events with people and then she'll kind of come
back to the limousine exhausted and he'll sort of cradle her while she sort of recovers. Oh, wow.
This is someone who like she's very close with. She has to get emotional support from somewhere.
Exactly. And she's not getting it from anywhere else. One of the quotes in Andrew Moran's book
is from a friend of hers who says, he really had the hots for her. He acquired all these
cashmere sweaters all of a sudden. That's so good. I love that. Lovely. That's so cute.
So that's how you can tell something happened. Yes. She's like, I need you to have a soft
sweater when I'm crying on your sweater. So Tina Brown quotes three different people
saying this was a full blown affair. But I don't know if like that's all that important.
It clearly was an emotional affair. It clearly was like a romantic relationship on some level.
So like maybe there was sex, but it seems like the primary importance of the relationship in
her life was giving her this sympathy and empathy and just emotional warmth.
And just feelings. I think he's probably super duper smitten with her. I mean, it's also
something kind of amazing. You know, she's so beautiful. She's so famous. She's so
luminescent. And yet everyone in her life is so cold to her, right? She doesn't get warm from the
royal family. She doesn't get warm from her husband. And so just the fact that this guy was
really into her. She's getting gaslit all day. Because she's like, aren't I lovable a little bit?
And all the people in her immediate interactions are like, not really. Yeah. So it makes sense
that she would latch on to the first guy who's like nice to her and clearly like is smitten with
her and makes her feel beautiful. Yes. And so in 1987, Barry Manneke gets transferred to some
other regiment, something, something. He gets transferred out of the palace. So basically
all of a sudden overnight, he disappears. And then this is wild. He fucking dies. He gets in a
motorcycle accident on May 22, 1987. Oh, God. So he is riding on the back of a friend's motorcycle
and a 17 year old girl pulls out of a side road and hits the motorcycle and he dies.
Oh, that's terrible. That's really terrible. Which is very unfortunate and sucky about this
is that there's speculation that he was murdered and it appears Princess Diana, like she eventually
becomes much more paranoid than she is now. It appears that she believed that he was murdered,
that like a hit was taken out on him. I mean, that makes sense that she would find that believable.
Yeah. She's like, well, everyone's being real hostile to me and has been this entire time. So
like, why not? Why wouldn't they? Who knows? There's also the mother of the 17 year old girl
gives an interview to the Daily Express where the headline on the story is why I believe Diana's
lover was murdered. Oh, okay. All right. But this poor woman talks to Tina Brown and says,
I don't think that he was murdered. The paper completely made that up. Like they said,
I specifically said, make sure you don't print this as like a conspiracy theory story. And then
this conspiracy theory article comes out. So like British tabloids, great work everybody.
There's also a really chilling moment. The way that she finds out that he's been killed is Prince
Charles tells her. It's pretty likely that he knew just because like Gossip goes around
the Royal Palace like COVID-19. And so Charles either sort of maliciously is like the one to
break it to her to see what her reaction is, right? Or he's totally fucking clueless. And he's just
like, oh, hey, fun fact. Do you remember that bodyguard? Yeah, either way. So he apparently
they're on their way to the Khan Film Festival. And he tells her and she just has to be like,
that's too bad. He was a good bodyguard and has to like hold it all in until Charles isn't around.
Oh, no. Oh, that's terrible.
But so after Barry gets transferred before he dies, Diana starts her relationship with the
horse dude. And this goes on for five years. Oh, wow. It's nice that she has some steady horse
dude, you know, stuff. So this is what Tina Brown says about Diana's affair with James Hewitt.
Indeed, from beginning to end, it was Diana who ran this affair. She was as much in control of its
pace and rhythms as she had been out of control of the pace and rhythms leading up to her marriage.
This would be her romantic pattern from now on. Forget the modest blushing. She would do the
initiating. There were few men bold enough to make the first move on the Princess of Wales.
The affair took place on her schedule and on her turf. Kensington Palace and Hygrove when
Charles was away. Wow. Princess Diana, the Sharon Stone years. I know. It's kind of dope. She meets
him. I guess he's at Buckingham Palace for some sort of horse logistics meeting. He walks out of
the room and he looks down the stairs and there's Diana at the bottom of the stairs holding her
shoes in her hands and barefoot and just chatting to some friends. He looks at her, she looks back,
and I guess she just sees him and is like, and starts asking around. I mean, she really goes for it
and is like, who's the horse dude that's around like I saw him? He has big beefy thighs. What's
his deal? She finds out who he is and invites him to a party and then saunters up to him at the party
and is like, hello. She says something along the lines of, I've always resisted learning to ride
horses because it's something my husband does. It's never really been my thing. I think now
it's really the time for me to learn to ride horses. Do you think you could give me lessons?
Hmm. This guy is like Billy Baldwin in the squid and the whale. Yes. So this is a Baldwin horse,
dude. Little horse Baldwin Centaur. And so he starts giving her riding lessons. She's way into it.
Apparently she'll start sort of taking trips away from these country homes. She'll like drive into
London like two hours, have a lesson with him and then drive back to these miserable freakishly
cold country homes. Horses are just sexy. Like everything about horses and horse culture is sexy.
And you get to say the word ride a lot, stock and haunches. Try to not have an affair with someone
hot who's teaching you to ride a horse. I know. All right, you're killing me, Mike. Let's move
forward. Let's press on. So according to him, they are hanging out in Buckingham Palace after
one of these lessons and she reaches over and kisses him. More like Buckingham Palace.
And then they start this affair that goes on sort of off and on for five years and it seems
like it's quite productive. I mean, like she likes him. She brings him around to the kids.
You really are a project management question. You're like the incidence of sexual acts appears
to be quite high. He seems kind of like her sex idiot. She likes him and she's enjoying herself.
But it also doesn't seem like a sort of a soulmate situation. No, you don't want to have a soulmate
when you're stuck in a cold marriage and like you're feeling powerless and she needs like a lovely
just like a lovely horse dude to have sex with. Yes. And then in 1989, he gets posted to Germany.
She tries to pull strings to sort of get rid of this appointment. It's not clear of Charles had
anything to do with the appointment, but he gets sent to Germany and that's basically the end of
the relationship. They try long distance. She sends him letters. She sends him magazines in the mail.
She sends him Playboy, Penthouse and Horse Hound. These are like his reading material, I guess.
But once he's out of her orbit, she doesn't like really keep a candle burning for him necessarily.
If this is super fucked up, eventually he sells his story to the tabloids and somebody writes a
book about their love affair and he eventually writes a memoir and then she just cuts him off
and never speaks to him again. Yeah, that's rough. That kind of a trail would be really damaging
if that was like the first relationship that you tried to have after entering into this also very
damaging marriage. It sucks. All right, next picture. We're blasting through these. Yay. Oh, wow.
I love this picture. This is a lovely picture. Is it nice? Yes. This reminds me of the wedding
and working girl. Oh, yeah. So I believe I'm looking at a picture of Princess Diana with
the lovely Sarah Ferguson, or as I know her, Fergie. Yes, my lovely lady lumps. So they're
both wearing little suits and Fergie has big puffy shoulder pads. It's an electric blue suit.
And then she has black leather gloves on. It's honestly very hot. Murder gloves. It's great.
Yeah. And Princess Diana is looking at her with a happy laughing face and she's holding the hand
of a little boy who I imagine is likely William or Harry. I also just love this photo because
it's just the perfect encapsulation of their relationship because they're in all this royal
shit. They're wearing 18 layers of taffeta. It's just very formal and yet they're giggling
about something. Oh, yeah. No, it's beautiful. It looks like a genuine moment between two friends.
What do you know about Fergie, actually? I know Fergie guested on the double episode of Friends
where everyone goes to London and Ross says Emily. So I primarily know her for her work and friends.
No, I know that she married into the royal family and I think was just like sexy royal. I feel
like was her reputation. Do you know how she knew Diana? I bet they were at school together,
something like that. Close. They are fourth cousins. So they were like in each other's
orbit as kids. That's cute. And then they sort of reconnect when Diana is 19 and Fergie is 21.
Diana's actually the way that Fergie got into the royal family because Diana's having a party
and she seats Fergie next to Prince Andrew, Charles's brother. So in 1986, Fergie marries
Prince Andrew and she kind of becomes like a partner in crime with Diana. Like I think of it
as sort of like a ghost world situation. These two women who just feel like outcasts even though,
you know, by any other standard, these are both of course very upper class women. But compared
to the royal family, they are basically Dario from MTV. They're Goths. The takeaways that
Princess Diana and Sarah Ferguson are Goths. Yes. Okay. Diana finally has someone to sort of giggle
with at all of the absurdity of royal life. She becomes kind of a mentor to Fergie. Like the
person that Diana never had was like, hey, here's how this works. Oh, it's like Molly Brown and
Titanic. Yes. Remember when Jack gets all the silverware and she's like, just start from the
outside and work your way in. Exactly. It really is a breath of fresh air for Diana to finally have
another quote unquote normal person. And you know, one of her cousins, somebody she's known from
childhood to be at these miserable, Balmoral six week long periods, right? Another reporter
tells Tina Brown that he saw them sort of doing all of their royal duties at some party. And then
within 15 minutes, they both just sneak out the back barefoot because they both think that the
whole thing is stupid. That's lovely. But then eventually there's a wedge between them. First
of all, the press, the press loves the narrative of a cat fight. Yeah, we do. So the press starts
taking silly, dumb little things that happened between them and blowing them up. This is what
Tina Brown says. It became fat Fergie against wonderful Diana. Her dress was often compared
negatively to Diana's who has an eating disorder. I know. And also she has way more money. And like,
yeah, this is something that happens a lot with the royal family is that the royal family themselves
are reading what is in the paper. And then it affects the way that they treat each other,
which then feeds into what ends up in the paper, right? So it's like these sort of weird self
fulfilling prophecies. So this creates this like pretty fake rivalry between Diana and Fergie. But
then after a while of this, it becomes a real rivalry. Also, this is also very like ghost
worldish. Fergie starts enjoying herself in the royal family. She sort of starts bonding with
the Queen. She starts doing writing like sort of covered buggy stuff with Prince Philip, who I
guess is into that. And Tina Brown says the Queen liked her new daughter-in-law because she was a
country girl, a real one this time with an unfaigned passion for writing derived from a childhood on
the Hampshire horse show circuit. A friend of the Queen's told her biography, the Queen was very fond
of Fergie. She liked the way she used to sit with her legs apart, making jokes. And the Queen
starts having lunch with Fergie sometimes. And Diana's like, well, she never wants to have lunch with
me. Yeah. It's one of those things where it's like you think that your friendship is based on
sort of look at these idiots, you know, we're the, we're the goth kids like smoking cigarettes out
behind the middle school. And then this person starts to sort of be one of the people that you've
kind of been making fun of. Yes, there's like a million Disney Channel original movies about
just this phenomenon. She's transforming into everything that Diana can't be. And also, even
though Diana is very skeptical and kind of angry at the royal family during this period,
she still wants their acceptance. Don't you love how like these exact same family dynamics
could happen like anywhere on a smaller scale like this in-law stuff? I know. Really expensive
clothes and really expensive sets. Yeah. It's also, this is dark, it's also kind of like mental
health stuff in that Charles starts making little comments to Diana like, well, Fergie's really
happy at Balmoral. Why can't you be more like Fergie? Which is like, dude. Put them against each
other, Charles. That'll improve things. I don't know why I'm referencing Seinfeld so much lately,
but Charles should do the opposite of all of his instincts. Oh God. I just, this is like supporting
someone with depression 101. Don't make like facile comparisons. Like why can't you be happy like your
sister? Because you're not only poisoning that person against you. You're also poisoning against
the other person. So of course, Diana starts to kind of resent how like bubbly Fergie is and how
much Fergie enjoys what are still to her extremely miserable periods at this big-ass cold house in
Scotland. Yeah. It's when your friend comes to a new school and then they, you know, they become a
prep. I know. This literally, I literally did this in freshman year of high school. It's so painful
to read about. It's like, yeah, you start to hate this other person because they make different
choices. Yeah. But it's not them. It's the system. Yeah. It's the creper hierarchy. But this is what's
so amazing to me is that one of the most shocking things about reading Andrew Morton's book about
Diana is how much time she spent alone on a lot of nights because she's so drained from meeting,
you know, 500 people that day and shaking a million hands. She'll just like hang out by herself and
watch EastEnders. You know, you imagine these like big celebrity lives and they're like out doing
things and on the party circuit all the time. But this is what Diana says in Andrew Morton's book.
I swam every day. I never went out at night. I didn't burn candles at both ends. I got up very
early in the morning on my own to be on my own and nighttime I went to bed early. Yeah, that sounds
nice. And then Andrew Morton says, her greatest luxury in life was to sit down with baked beans on
toast and watch television. That's my idea of paradise, she said. Okay. Speaking as an introvert
myself and saying that, you know, once again, we are speculatively using the introvert theory of
Princess Diana. If your job is meeting and greeting thousands and thousands of people
and like constant interactions, being in the public eye, doing all the ceremonial stuff,
being in situations where you're being seen by hundreds or thousands of people,
where the media is following you, like I think you need a ton of recuperation time. So like,
I don't think that Princess is the ideal job for someone who, you know, is of a constitution
where like princessing means that like they just need to be sort of like lying on their backs,
watching EastEnders and eating beans on toast. But also that's to say that that sounds to me
like a perfect evening and I think I will do that tonight. Yes, you deserve it. Because you were
extroverted and you recorded the show with me for three hours and then you're exhausted and so it's
what pants time. It's true. I'm always very tired on show days. We've talked about this,
we are both like laid flat after we record. Because yeah, and I think that's introvert
exhaustion. Yes. So I don't know, I think it's so interesting. I mean, we hear so much about,
you know, Elton John was friends with her and various celebrities are friends with her and it
sounds like most of these friendships are like pretty shallow. You know, they'll have lunch
once a month or something, but it doesn't seem like she has close relationships. She's also
becoming much less trusting at this time generally. Yeah. And how many times has she been snitched
on or spied on, right? Like why would you trust anyone? It's like, if you're this continually
surveilled, like that would really mess with your head. She's also estranged from her own family.
So this is from the transcripts of Andrew Morton's book and he doesn't include this in his book,
I think because it's just like so out there mean. She's talking about her mother's marriage
with, you know, she farmer guy is breaking up at this point. So she says, she wanted him out of
the house. So he went, he was a bit of a manic depressive and a drinker. And when mom heard
that he'd fallen in love with another lady, she went spare. I used to ring her up and she'd cry
down the telephone. I'd tell her, you know, mom, you've had two goes at marriage and you can't
get it right. You've got to look at yourself. I'm stuck in this one and I'm worse off than you.
She didn't like that. You must let me cry. You must let me cry. So I said, you can cry as much
as you like. It's good to cry, but you're not getting any sympathy from me, which is mean,
dude. It's so mean. I feel like this is really reminding me of the Ann and Nicole Smith story
because I feel like one of the lessons here is like, you know, looking at marrying this obscenely
wealthy, fancy man and being like, yeah, I think that I can, that I understand the situation going
into it and that I can benefit from it and just underestimating the like swirling maelstrom that
you're about to be caught buying this funnel that you can't get out of. Yeah. And that often manifests
itself as like really mean behavior. Yes. The people who need our help are often very mean.
Yes. And the things that you hate the most about yourself are the things that you recognize in
other people. Yes. And so she sees her mom doing this and like, oh, another failed marriage mom,
get it together. Also, it's a way of not recognizing yourself and maybe like talking to
that aspect of yourself in a way that you don't see is that there's also this is super fucked up.
And I thought about not including this, but it feels like really disingenuous not to include this.
There is an incident. Her brother, young Charles is getting married. And so they all go back to the
old house to sort of get ready for this marriage. And there's, you know, a couple of days of activities
and rehearsals, etc, etc. And she sees her mother and her father are in the same place. She doesn't
see that that often. And both her father and, you know, his wife, Diana's stepmother, Rainlegs,
pretend that they don't see her mother like literally look through her and they're sitting
at the same dinner table and they won't speak to her and she won't speak to them. And Diana
just gets livid. She's like, what the fuck is this? Why are you acting like children? Why do you have
to act like all of this is real? Like this is absolutely ridiculous way to behave when all
this is like a decade in the past at this point. And so I guess she's sort of confronts Rain
about this and they're shouting at each other and she fucking pushes Rain down the stairs.
Wow. Wow. Wow. That's it. And this is like an old lady, right? Like old Rain at this point.
And people talk about like bruises. Wow. She pushed an old lady down the stairs.
It's so bad. It's funny because like this is the kind of behavior that when people, you know,
do this, if they're poor, it's like they get accused of being white trash. Oh, I know. Because
like anyone but the rich and fancy who do this get accused of like subhuman behavior. It has to do
with them being like not the correct kind of person. But like everyone does this. This is
just what people do. Like this is like, I, you know, I mean, not everyone pushes an old lady
down the stairs, but this is proof that it's like, it doesn't have to do with like any kind of
classification aside from like, are you a human pushed to extremes? Great. Oh, it's so hard to
do it. It's so bad. It's terrible if you pushed an old lady down the stairs. I know. It's unbelievable.
Goodbye, England's Rose. I know. You pushed an old lady down the stairs. I read this in
Andrew Morton's book and then Antina Brown's book and then in the fucking Prince Charles
biography and I was like, I don't know if I want to believe this. Like this, it's such extreme
behavior. Like surely we're misinterpreting something. This is a transcript of Diana. This is
Diana's own words. She says, and then I pushed that bitch down the stairs. Literally, she says,
my stepmother and I ended up having this row and I pushed her down the stairs,
which gave me enormous satisfaction. My father didn't speak to me for six months.
She fucking did it, dude. There's no like, was it really some steps or like,
there's different accounts of it and who can say it's like, no, she fucking pushed an old lady
down the steps, dude. Most of the time, the people that we have the most extreme, horrible
behavior towards the people were most likely to snap in a violent way towards like our family
and like people we've known for years and people were intimately connected to and like,
yeah, I don't know. That's the thing. I can't say anything intelligent about it. I'm just like,
yep, it fucking happened. We need to incorporate that into our view of Princess Diana.
As with a lot else here, it's also like extremely childlike behavior.
It's so immature. Also, I cannot get over this quote. What she says she said to Rain before pushing
her was, we've always hated you. You've ruined our family life. I hope you're pleased about that.
Yeah. And it's like, it's not Rain that did this.
No, it just makes sense that someone would like put all their anger at everything and the anger
that their dad deserves and that like the whole situation deserves and like being born into this
fucked up family whose behaviors you realize you have replicated exactly as if living some kind of
curse deserve. It's like, let's just channel it all into this old lady. I know. Yeah. This is
a total, this is like a cops episode. Dude, yes. Right? But it's just that we're in like a different
genre of tabloid story. So she gets to just tell her biographer about it. So we're going to leave
Jerry Springer. I have two more photos for you. Okay. This is a very famous photo that you have
probably seen before. Bloop. No, I haven't. Oh, you haven't seen this? No. Can you describe it?
Yeah. Princess Diana is sitting in a chair. She's wearing a lovely blue dress and she's shaking
hands with someone who is facing away from the camera and has a big pair of glasses on. Looks
like they might be in a hospital room. Yes. But yeah, I can't see who it is. This is the first
image of Princess Diana shaking the hand of someone with AIDS. It is 1987. Oh, wow. And one
thing I never knew about this photo that is so moving to me is there was so much stigma around
AIDS at the time. It's deliberate that you can't see this guy's face because he didn't want his
loved ones to see who he was. Oh, wow. So there's 12 people that she's visiting in this hospital wing
and he is the only one that will allow himself to be photographed even from the back. Wow. Wow.
That's the environment that this handshake is taking place in. And she's the one who's able to
show her face because she's the fucking princess of Wales. She's the fucking princess.
So she's bigger than AIDS stigma. Yeah. We talk so much shit about raising awareness on the show,
but this is one of the most effective acts of raising awareness in philanthropy history because
there's so many myths around HIV at this time of how you can get it, who is safe to touch. I mean,
this did so much to normalize people living with HIV. Yeah. And I feel like just from a practical
perspective, if you see the princess of Wales taking what you perceive as that kind of a risk
and are like, maybe it's fine, it's the kind of thing that you can quote statistics all day.
You can tell people facts all day, but there are these mammalian responses where you really
must first create a system where there is such a thing as a princess and then get a picture of a
princess shaking hands and looking happy to be in the company of someone who is HIV positive.
And she's, I mean, this becomes one of her big issues, obviously something she's very famous for
now. It appears that she got interested in this issue because her friends kept dying. She knew
a lot of people in the world of dance and art and writers and actors. And this was to the
extent that she had close friends. These were all people that were in the arts. And so in the
early 1980s, AIDS is just ripping through the art community and she's losing friends. And there's
a lot of closeted gay men at the time that are working for the palace. And Prince Charles's
secretary dies of AIDS. She has the feeling that this is all around her. And so she starts going
to AIDS hospices. And another really interesting thing is that she starts bringing William and Harry
with her. She'll do this thing where she's on the way to a hospice care center or a homeless shelter
and she'll just sort of tell them this is how a welfare state works, especially with homeless
shelters. She would always tell them that we are extremely lucky and these are normal people and
they're in hard times. You need to not be afraid to touch these people. You need to not be afraid
to be close to these people. They're people just like you and me. Also, I feel like bringing
children into these photos, these public images of interacting with people with AIDS,
like that, again, is very powerful public messaging. Yeah, that they're safe to be around
children. Absolutely. And not just children, but royal children. These are the royal babies. These
are the most valuable little toddlers that can be conceived of. And just like the optics
of not just demonstrating the safety of the interaction, but showing the value of someone
by bringing the royal children around them. It's interesting. I mean, I feel like, again,
this is her correctly understanding the system she's in and the power that she has and then
using it well. Yeah, it seems like it's almost a compulsion for her. I mean, it seems like a
major way that she gets self-esteem. Yeah, I mean, if I'd pushed an old lady down the stairs,
I'd want to do some good things for other people. I mean, there's a really interesting scene
where the royal family has this country home that is the next door neighbor to the house where she
grew up. Sometime after her family moves out of it, that old manor house gets turned into a facility
for adults with developmental disabilities, just like people who are handicapped living in this
big building. And so one afternoon, she's just curious. No cameras, no press, no anything.
She just wanders down and knocks on the door and is like, hey, can I meet the people who
live here? This seems like something that she was interested in doing as a person. This wasn't,
I mean, of course, there were photo ops in these things too, but it wasn't like she had to have
the press there ready for these moments. It's like she would just go and do it. There's also
the thing when Charles breaks his arm in this polo accident, she goes to the hospital and there's
not much to do. He's sleeping, whatever. She wanders down the hall and she ends up hanging out
with this family where the wife has fallen into a coma and she just starts visiting them every day
and eventually the wife dies and she goes to their house and has dinner with them. This is like
months later, she remembers them. It's really fascinating to me because I always assumed
that there was some level of cynicism in her doing this kind of philanthropy, but it seems
like it's something that she has to do or something that's a big part of her self-conception.
Yeah, it's very dark that we correctly assume that if someone famous is doing this kind of
photo op philanthropy that it's primarily cynically motivated.
Yes. It's also a very interesting teamwork thing because according to Charles'
fawning biography, so take this with whatever size salt grain you want,
he's doing a lot of behind the scenes stuff. He's not good at visiting people in hospice
and shaking hands. That's not his forte, but apparently he is extremely good at raising money
and identifying causes where he can actually help. I guess at one point he's interested in
conserving Romanian villages because Ceausescu is bulldozing a bunch of old villages.
Because he wants to save vampires. I think it's like he fucking read about something in a fucking
magazine article. My understanding is most rich people philanthropy is based on fucking magazine
articles that they read or people they bump into at the guacamole at conferences. It's not done in
any kind of systematic way. He gets it in his head and he raises $70 million to preserve
Romanian villages. It's interesting to me that neither one of them were canny enough
to see that there are huge limitations on what Princess Diana can achieve by going to places
and shaking hands. Raising awareness is extremely limited in a lot of circumstances.
Also, Prince Charles is good at this behind the scenes stuff. I wish that there had been a
conversation of two completely different aspects of philanthropy appeal to us. Why don't we team
up and try to have the most impact that we can? Their marriage was so destroyed at this point
that they couldn't even have a basic conversation like, hey, how can we maximize this?
Yeah. If they're saying themselves as competing with each other in this basic adversarial situation,
why would you want to do something where you could be mutually helpful to each other?
That would be terrible. I know. This is the thing. He sort of belittles it because he's like,
well, you're not really having any impact. You're just going there and meeting people.
Charles. I know. She's just like, oh, well, you're just raising a bunch of money,
but you're not actually doing anything with hearts and minds because honestly,
to change government policy on HIV, you do have to do some hearts and minds shit. This stuff
actually works on changing the minds of policymakers and policy is what you need to solve social
problems. They're both right in their way. It's very funny that Prince Charles hasn't
heard this amazing asset and he refuses to use her. It's like someone's given him a strativarius
and he's using it to prop the door open. Yes. There's this really moving scene in Andrew Morton's
book where one of her friends named Adrian Ward Jackson, he's sort of a gallery arts guy. He's
on a bunch of boards of a bunch of arts institutions. He gets HIV and she visits him. It's not quite
every day, but it's definitely every week. He lives in this sort of one bedroom apartment in
Mayfair and she'll just pop over for an hour or two on afternoons sometimes with William and Harry
and just hang out with this guy who's basically wasting away from late-stage HIV. He only wants
a few people around him when he dies and he decides that he wants her to be one of them.
He gives her a special pager so that no matter what she's doing, she will be there when he
starts to fade. She's up at Balmoral. It's August of 1989 and she gets this page
all the flights are down. She can't get a private jet so she drives eight hours back to London
to be with him in his last days and she is. This is from Andrew Morton's book.
Diana was at the opposite end of the country. She drove 600 miles south through the night with her
police protection officer. Her abrupt departure did not go over well with the royal family who
were assembled in Scotland for the annual reunion. In her rush, Diana had failed to observe protocol
and ask the Queen for the customary permission to leave. It's like, come on. Oh my God. Friends dying
of AIDS got to get the Queen's permission to leave the country house. And then during the
following days, it was insisted that she return promptly. The family felt that a token visit
would have sufficed and seemed uneasy about her display of loyalty and devotion which clearly
went far beyond the traditional call of duty. Oh, fuck them all. It's absurd to act as if this is
some sort of deficit. You missed whatever, fucking hunting on a Sunday afternoon to go visit your
friend as he fucking died. What? There's also drama about her attending his funeral because
royal family members are not supposed to attend the funerals of commoners. So she has to lobby
to go to this guy's funeral. Wow. And apparently she just puts her foot down and she's like,
fuck you, fuck this, and just goes to the funeral. Yeah, because what are they going to do,
like arrest her? Yeah, exactly. Fuck you. And also, she understands public affairs in a way
that they do not. And having the princess crying at the funeral of someone with AIDS is actually
very good for the cause, like this humanizes AIDS. It's amazing that aside from the political
reasons that I think should be readily apparent to people, that this is something that is positive
for the royal family overall. I guess like let her do it. It's going to make you look good.
There's also the fact of like someone is actively dying in this story. Can you people not see that?
Like what are you preoccupied with? What's more important than that? I know. What is the value
that you're preserving at this point, right? Yeah. So last thing I'm going to show you,
we are going to end with another table read. Yay. Did you know that there is also a sexed
tape of Diana? I think I knew that vaguely, but I don't know who it's with. These are known as
these squiggy gate tapes. Oh my. Because squiggy is a term of endearment in Great Britain. And
the man that she's talking to calls her squiggy, I think it's like 32 times or something. Wow.
And so these tapes leak eventually during the divorce. Oh no. So check your email again.
Oh, you sent me squiggy tapes. It's rough, dude. I wanted to sort of begin and end the episode
symmetrically with these tapes, but fucking hell, this tape is so boring. It's unbelievable how
boring it is. Oh, it'll be like Michelle remembers. Do you want to be Gilbeard? Do you want to be Diana?
You should be Diana because you're a lady. Okay. I feel like Diana's a pretty meaty role,
so I thought maybe you would like to play her since you know so much about her.
Diana is the least meaty role. Okay. This is a conversation with a man named James Gilbe,
who she is having an affair with. And during this conversation, it is so palpable that she's just
not into him at all. Oh no. She is distracted. At one point, he asks her to turn the TV down and
she refuses. So this is like reading people's text transcripts where they're like writing
Kate to each other a lot. Dude, I know, and he's so into her, but she's just like, yeah, I guess.
Okay, so you have to capture that in Gilbe, in the portrayal of Gilbe. Yes. Okay.
So, okay, I'll start. I'm excited. What have you had on today? What have you been wearing?
A pair of black jodd-proof things on at the moment and a pink polo neck.
Really? Looking good? Yes. Are you? Yes. Dead good? I think it's good. You do? Yes.
Yes. And what's on your feet? A pair of flat,
a pair of flat black pumps. Very chic. So before we get to the next excerpt,
it feels like to me like he's trying to push it into dirty talk. Like, what are you wearing? And
she's just like, yeah, I look, it's fine. I look fine. But like, she's not really playing along.
And then he just switches to logistics and he's like, oh yeah, what kind of shoes?
Okay, so now we have another excerpt. This is toward the end and it's like even more depressing.
Oh, squidgy. I love you. I love you. I love you. You are the nicest person in the whole wide world.
Pardon? Nicest person in the whole wide world. Well, darling, you are to me too, sometimes.
It's so, it's like you wanted it to be parallel to the Charles and Camilla one where it's like,
oh, they found someone they liked. Yeah, I did. I wanted it to be a sexy, squishy tape.
It goes on like this. She's not listening to him. He makes kissing noises. The tablets try to make
this like sexual because at one point he mentions, I haven't jerked off in four days or something.
And she's like, oh yeah, it's been raining or something like that. Like something completely
diversionary. She's sitting there indifferently while he's like a little dog humping her leg,
basically. She's just like, I am trying to eat these beans.
The only thing that's actually interesting about this is the way that it was recorded.
This is a phone call that takes place on New Year's Eve of 1989. And in 1990,
one of the tabloids comes to her and says, we have a recording of you with James Gilby doing
sex talk and stuff. And so she becomes convinced correctly that her phone is tapped.
What's amazing about this is the tabloids contact her and say, we have this tape.
Can you confirm that it's you? She gets wildly paranoid about this and then she doesn't hear
anything. So she basically exists in this mode of like, there's proof that I'm having an affair
that is going to come out, but I don't know when it's going to come out.
Wow, that's terrifying. This is also a time when she's gaining a lot of confidence. So one of the
things that happens, this is actually terrible. They go on a skiing holiday and there's an avalanche
and one of the people in their party dies. Oh, God. And I guess she sort of leaps into action
about the various diplomatic things that have to happen because they have to get the body back and
it's in Switzerland. So there have to be ambassadors involved in these kinds of conversations.
And she realizes that she's actually good at this. She's always been cut out of this by
Charles and she's always had this inferiority complex about her intellect. And during this time
when Charles is basically shell shocked because this guy died trying to save him successfully.
And after this is over, she's like, oh, I'm actually like, maybe I'm not as stupid as I thought
I was. Maybe I'm actually pretty good at this job. Oh, finally. And in 1988, she starts to
see somebody about her eating disorder. Oh my gosh. Oh, thank God. So one of the few friends that
she's kept from her previous life, a woman named Carolyn Bartholomew, she says, look,
the reason why you are so depressed, the reason why you're so tired, the reason why you don't have
any energy during the day, it's your fucking eating disorder. You're not getting vitamins.
He's not getting calories. I don't know how I feel about the ethics of this. But she says,
if you don't get help for your eating disorder, I'm going to go to the press. Oh, wow. And I'm
going to tell them everything. Wow. And it works. Diana finally starts seeing a doctor about her
eating disorder. And how does that go? So this is an excerpt from Andrew Morton's book. For the
next few months, he visited her every week. He encouraged her to read books about her condition.
Even though she had to read them secretly in case they were seen by her husband or members of staff,
she found herself inwardly rejoicing as she turned over the pages. This is me. This is me. I'm not
the only one, she told Carolyn. Oh my God. She thought she was the only one. I know. He finally,
correctly, diagnosis that the problem is not like her being broken as a person. The problem
is that she's in this terrible marriage. This is fascinating. She doesn't end the bulimia,
but she gets it much less severe than it had been. However, it still spikes whenever she goes to
Belmoral. So there's something about sort of these intense periods when she's with Charles,
she's with the royal family that put her in this desperate state. Yeah. Again, this is why British
country house books are most interesting when there are murders involved because then people
have to talk to each other. Another thing that she does now that she's gaining some confidence and
she feels like the eating disorder is sort of starting to get under control is she confronts
Camilla. What happens? Where does that happen? There's a birthday party that Charles invites
her to sort of as a formality because he knows that she doesn't really like his friends. But
she's like, yeah, I'll go. See you there at eight. He's like, okay. So they show up to this party
together and she realizes within 10, 15 minutes that he's gone and then she looks around the room
and Camilla's gone too. And she's like, okay, fuck this. She goes down the stairs. She finds them
not like making out or anything, but just like sitting and having an intense conversation on a
couch. She comes in and she's like, Charles, leave me and Camilla need to talk. And he's like,
what are you going to talk about? She's like, we need to talk. Just us girls. And sends Charles
upstairs. So she turns to Camilla and says, I know what's going on between you and Charles.
And according to her account, Camilla says to her, you've got everything you ever wanted. You've
got all the men in the world falling in love with you and you've got two beautiful children.
What more do you want? And Diana says, I want my husband. And then they threw each other into a
lily pond. And then Mudge just pours from the ceiling and they start wrestling.
I mean, Tina Brown doesn't trust this account. Because once again, the dialogue is too good.
Yeah, it's very good dialogue. So maybe this happened. Maybe it's quite clear that she did
confront Camilla, but we don't know what really happened in that exchange. It's also interesting
to me that she says, even in her own account, I want my husband because it doesn't sound like
she does actually want her husband. It's similar to the situation with Rain. She's blaming Rain
for everything that went wrong in her family and not placing the blame with her dad, who at least
deserves much more of it. And with this, it's like Prince Charles would be treating her like
garbage with or without Camilla around. It's easier to hate Camilla if you want to believe
there's some hope for your marriage or your situation, which maybe she still does.
Yeah, that makes sense. And also Camilla is choosing to have an affair with her husband
and has been doing so for years and years. Right. It's not great. But so the combination
of this growing confidence in herself and growing paranoia and alienation from the royal family
makes her start to make moves to get out. So she starts thinking about how she's going to escape.
I mean, here's a bigger question. If the royal family believes that you have to marry a virgin,
then how do they feel about divorce? How recently have members of the royal family
started getting divorce? Because it just seems monumental. And also, if you can't go to a
commoner's funeral, then how are you going to get divorced? I mean, what she's worried about,
and this drives all of her anger, paranoia, everything she does during the actual divorce,
which we're going to talk about next episode, is she's afraid that they're going to take her kids
because remember what happened with her mom. Yeah, yes, exactly. And this is a more extreme
situation. Yes, because there's errors involved. And the sense of being humiliated by someone
saying, actually, I don't want to keep doing this. Yeah, she has a very reasonable fear that if she
tries to leave Charles, they will get really ugly. She knows that it's going to be a battle of public
opinion if she tries to leave this marriage. And so she wants to get her story out. And so she
starts fishing around, and she finds Andrew Martin, and she starts sneaking him tapes.
Hmm. How did she find him?
He wrote a thawning biography of her before. She very deliberately found a journalist that
everything he writes is shitty to Charles and good to her. So she chooses, obviously,
the most thawning journalist who's going to basically print her transcripts almost verbatim
and not challenge any of her narratives, which is what he does.
Access journalism.
I wish she would have picked like a female journalist. I don't know. I wish she would
have picked a better journalist. I wish she hadn't pushed rain legs down the stairs.
You know, we all do our best.
I know, you know. And so next week's episode is going to start with the publication of his book
and the day after his book is published, they have their first conversation about separating.
Wow. Oh my God. I'm really excited. I want to watch this marriage fall apart.
I know.
Like what toast? I'm excited. And I really don't know what's coming. I mean, I know they end up
being divorced, but yeah, I really, oh boy, we all deserve a soap opera, Mike. Thank you for
giving us one.
We all deserve a soap opera and baked beans on toast and EastEnders.
Yes, let's all have baked beans on toast tonight.