48 Hours - Post Mortem | Who Killed Aileen Seiden in Room 15?
Episode Date: October 22, 2024Join 48 Hours Correspondent Peter Van Sant and Producers Lauren White and Richie Fetzer who share their experiences visiting Room 15 where Aileen Seiden was brutally murdered by her two partn...ers, Zach Abell and Christina Araujo. They discuss a never-before-heard interview that reveals Abell’s mother was going to testify on his behalf but she never made it to the courtroom. They also dig into the forensic evidence found at the scene and the nature of the “throuple” relationship between Aileen and her killers. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Welcome back to Postmortem. I'm your host, Anne-Marie Green, and this week we are discussing the case of Eileen
Seiden, who was brutally murdered at a motel while on a road trip with her two romantic
partners.
So, what really happened in room 15?
Well, let us talk to people who actually visited the room
to report on this case.
Joining me today are 48 Hours correspondent,
Peter Van Sant, and producers, Lauren White
and Richie Fetzer.
Thank you so much.
It's great to sit down with you guys again.
Hi, Anne-Marie.
Hi, Anne-Marie, thank you for having us.
Great to be back, Anne-Marie.
And remember, if you haven't listened to the 48 Hours
episode yet, you can find the full audio just below this
episode in your podcast feed.
So go take a listen and then come on back here for our
conversation.
In April of 2018, Eileen Seiden was passing through the small
town of Apalachicola with her partners,
Zach Abel and Christina Arajo. When they decided to make a pit stop at the Sportsman's Lodge Motel,
but Eileen would never make it back home, you visited room 15 where Eileen was killed.
What was it like to be there? I've been in a lot of crime scenes, right?
And inside that room, it took me back,
when I was a kid and watched Psycho for the first time
at the Bates Motel, it's disturbing
because there ends up being kind of an energy
in these rooms where you know a battle has taken place,
blood has been shed and a life has been lost.
It's just not like walking into a typical room.
It's also a place, it's a very solemn place
to go into knowing all of that has happened,
and a very sad place, and you feel that vibe.
Yes, and especially it's strange in contrast
to the beauty of the property.
You know, you've got these peacocks roaming around,
we're right next to the water.
It's really just a lovely, lovely place.
Um, but that room definitely, you know, you went in knowing
it was gonna be a somber experience, and it was.
Yeah. I always feel going to places,
it's always great for us as reporters
to actually be where things happened.
But especially when it's a crime scene
or we also went to where Eileen's body was found, it always feels like hollow ground.
You know, you're there to do a job, but it's also, you know...
eerie, but also solemn because...
it reminds you of why we're doing it.
I was surprised that they actually let you into the room
because, you know, it's a business,
and sometimes people don't like that association,
they want people to forget that anything bad ever happened there.
Anne-Marie, I was shocked.
You know, we always want to go to the crime scene.
A lot of times it's, you know, a house or maybe a public area out in the open.
This was an operational motel room.
We thought the chances of actually getting into the room were going to be slim to none.
I called the motel owner, Ms.
Etta, but, you know, you can't say, oh, is room 15 available?
Because then she'll know what I'm trying to do.
So I said, you know, my favorite number is 14,
and I would love, you know, how about room 15 as well?
You know, and 14 really is my favorite number, so I didn't lie.
And I said, you know, are those rooms available?
She said, well, 14's available, but 15 isn't.
I said, oh, well, you know, 15 actually 15 isn't. I said, oh, well, 15, actually, I really need.
I work for 48 hours.
And she said, oh, why do you want
to do a story on this?
It's such a sad case.
I said, it is a truly sad case.
But we have found that in the work that we do,
going to the crime scenes really helps the audience understand
the case better.
And we would be there for a large part of it
with the lead detective, Ronnie Jones.
And to my amazement, she said,
OK, I'm gonna move some things around.
And she made that room available to us.
I tried to book it as an actual room.
She wouldn't let me. I tried to give her a location fee.
She wouldn't let me. So she gave us that room
for two whole days for free.
But that room actually is being booked.
It's booked. Oh, yeah. Oh, yeah.
Wow.
So this area of Florida's Gulf Coast,
it's referred to as the Forgotten Coast.
But what we learned in this hour is this community
has not forgotten Eileen at all.
They didn't know her in life,
but they've really worked hard to preserve her memory in death.
In your experience, just how unusual is this?
It's very unusual.
Generally, when outsiders come into a community and bring some sense of ruin and shame and shock,
locals want to forget those people as quick as possible.
But the folks out there on the Forgotten Coast are gentle souls.
They live in this part of Florida that is so underdeveloped.
It's like what Florida must have been like a hundred years ago, are gentle souls. They live in this part of Florida that is so underdeveloped.
It's like what Florida must have been like a hundred years ago,
where you have much more of the tropical feel to it.
And instead of shunning her,
they embraced her as one of their own,
and it was really special.
And you guys felt the same way, didn't you?
Oh, definitely. And they put up a memorial to Eileen
near where her body was found.
And what struck me is it's not, like, metal or stone
or something that would be permanent.
It's basically a poster and...
Of Eileen's face.
Yeah, exactly.
And it says, Franklin County will never forget Eileen.
And you had artificial flowers, but sunflowers,
which were Eileen. And you had artificial flowers, but sunflowers,
which were Eileen's favorite flower.
And her sister, Francesca, actually put me in touch
with the person who started the memorial,
a woman named Debbie Jordan.
She said that when she heard the case,
she was just so moved by what happened to Eileen
that she felt compelled to do something.
So in addition to making this really beautiful memorial,
she also got about a dozen cards and went around the whole county
and had everyone sign the cards, and she sent them to Francesca
and to Eileen's friends.
And the thing I think of is, this is six years later.
This crime happened in 2018, and here's this poster
that someone is actually going back and maintaining
and making sure it's still there,
because it was there when we filmed.
Yep. It really is a testament to this area,
because in addition to this memorial near where Eileen was found,
Miss Etta from the motel also made a little memorial for Eileen,
where every night they put up a light,
they shine a light in honor of Eileen.
They've been doing that every night, you know,
since for the past six years.
It's like she developed this sort of whole family
that she really didn't have in life.
It was her and her sister, basically, against it all,
you know?
Absolutely.
So speaking of kind of creating your own family,
this is perhaps one of the more interesting components
of this hour, right?
Eileen was in a throuple relationship
with Zach Abel and Christina Arajo.
I've had to delete my search history, thanks to you.
Here, on my work computer,
because, you know, I had to do some research.
Um, and so, of course, this all means that they were all three
in a romantic relationship.
It's a type of polyamorous relationship,
which has gained some popularity over the last few decades.
But I think a lot of people can look at the situation
and make an assumption about the relationship,
that Abel was individually dating both Eileen and Arajo.
By all accounts, from the friends that we spoke to,
Christina and Eileen were in a romantic relationship themselves.
Like really, truly, these three people were dating each other.
And I think something that was interesting,
that David Adlerstein, the reporter we spoke to, talked about,
was that when this crime first happened,
people in the community automatically assumed,
without hearing anything else,
oh, Christina must be the killer.
Right.
And then once we've dove into the story a little bit more,
and you're learning more about the evidence
pointing towards Zack as an active participant
in Eileen's death.
There's DNA evidence, his palm prints were on one of the...
the murder weapons, so...
People's expectations don't always match
the reality of what happened.
I know O'Rajo is basically saying,
this beating was started.
She participated later on.
Right.
But she wasn't sort of the primary person.
She didn't start this thing.
But I wondered about the forensic evidence.
Did it back up her story that she participated minimally
in the beating of Eileen?
It did.
And I think that's part of what the prosecutor said to us
when he interviewed is that she's testifying
and she's telling a story,
but a lot of what she was saying
lined up with the forensic evidence they found later.
So they had this curtain rod that had Eileen's blood on it
and it had Zach Abel's palm prints on it.
Didn't have Christina Araujo's.
Then there was this walking stick that Cristina testified
was used in the crime.
It's broken into multiple pieces.
It has Eileen's DNA on it,
and it has Zach Abell's DNA on it.
Didn't have Cristina Arajos on it.
The defense attorney would argue she had bruises
on her hands and feet.
So that, to him, we made the argument meant
that she participated, and in her own story,
she participated, so it would back that up, but...
In other words, she was punching and kicking.
Right.
And the defense also say that the reason why
Zach's palm print is on the bloody shower curtain
is because Christina said, pick that up.
Uh, and that, of course, his DNA would be on the walking stick.
It was his walking stick.
Now, you know, it's a shame that this is our representation of throuples, because most throuples, I'm sure,
don't end this way, you know, or have such toxic elements.
Seems like there was no transparency, no communication,
no real consideration of each other.
And so it was really kind of doomed
from the start in many ways.
Look, human nature has to play a role in this.
Three people together, sexually, socially,
there's bound to be some envy, some jealousy,
and it seemed to explode in that room.
And you know, drop a little side,
this is a classic domestic violence case.
This is a case where in many ways she was isolated
because she worked with them, because she lived with them. You know, she was financially dependent on them on making this work. So
she had a lot riding on this.
What kind of struck me with this one specifically is we do domestic violence cases all the time.
So we've seen the story a lot of times before. And what struck us from the beginning was
Eileen was really facing it with two perpetrators. She had two romantic partners and therefore
she really had two abusers that she was trying to navigate and deal with, which must have
been overwhelming.
Exactly.
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Welcome back.
You have a very powerful interview with Eileen's sister Francesca, who even six years later
seemed very emotional, very raw.
What was it like to speak to her?
Francesca was so good to agree to talk to us
about something as deeply personal and painful as this.
She's heartbroken.
And so I approach this obviously with as much sympathy
as possible and respect for her. I thanked her
many times for participating in this. Think of what she's gone through, along with what
Eileen went through, lost their mother, lost their father. Then she ends up losing her
sister and she carries a sense of guilt and we all try to assure her she's not responsible for what happened to her sister, but she has
dealt with so much.
But she maintains her dignity, and we were just blessed to have her in this story.
Why did she want to participate in this?
She really wanted to be a voice for Eileen and represent not only Eileen, but represent
their parents as well.
And we all told her she represented her whole family
beautifully.
She showed a lot of strength.
But this was very difficult for her
to not only speak about the brutality of what
happened to Eileen, but to speak on camera.
And we learned during the course of the interview, too,
because some of the questions I had that I was asking gently
involved details of what had happened to her
so she didn't want to hear any of it.
And she still doesn't want to know these details.
It's just too painful for her.
But I felt like we got her trust
and she opened up to give us details that are fascinating.
On our end, it was really watching also Peter's humanity
and how to deal with someone that's experienced trauma
and was very clearly, visibly upset.
And I think as you're going through an interview
and we're kind of checking off questions,
I think we all kind of experience
and we're really watching Peter firsthand
make a decision of like, we got enough.
Right. Peter was able to tell what her boundaries were
and we weren't pushing that.
Yeah.
No one's trying to do more damage here, you know?
Exactly. It was masterful to watch because damage here, you know? Exactly. It was masterful to watch,
because it was, you know, it's emotions as opposed to thinking.
Well, I mean, one thing that everyone at 48 Hours does
to a very, very high level, but I know that Peter's always
cognizant of, is delivering these stories with compassion.
Understanding that these are human beings who are willing
to relive some of the worst things in their lives in the hopes of improving someone else's life.
Right. Right. Exactly. And that's what she wanted to do. And, you know, these interviews are
important that you're listening to them and reacting to them is far more important
than the initial question.
And I think she, it was almost like a therapy session.
As we talk, you don't have these conversations
with family members.
When I lost my mother and I'm with my sisters,
I didn't interview them, right?
We don't have those kinds of conversations.
So it becomes a bit cathartic for them as well
to finally talk about things that they've always wanted
to talk to someone about, but have not.
Sometimes it's easier to talk to strangers.
I think we've all been in situations like that.
You also interviewed Aline's best friend.
She did not want her name, her real name used, right?
So she's referred to as Ali in the show.
Given her privacy concerns,
was it difficult to convince her to go in front of the camera?
Right. First of all, she has a very unique name, and she was also concerned about her
family. She didn't want her family to be kind of tied to this. And when I first spoke with
her, she said, I do not want to be on camera. I don't want to be involved. I will give you
information on background. I thought, oh, okay, that's great. Let's do that.
And then as I kept talking to other people who knew Eileen,
I realized that they didn't know the story,
they didn't know this case,
they didn't know what Eileen was going through
in the same way that Allie did.
And, you know, we've all kind of experienced
that the people who want to speak
don't necessarily have the things that you need.
And so, you know, I went back to Allie kind of experience that the people who want to speak don't necessarily have the things that you need.
And so, you know, I went back to Ali and I asked her again and she said, you know, I
am not really interested.
And then shockingly, she called me the Sunday before we left for Apalachicola and she said,
Lauren, how are you?
And I said, I'm great.
I'm actually heading to Florida.
We need a voice for Eileen.
No one knows the story the way that you do.
And she said, okay, I'll do it.
And I was shocked, but I was so excited
because I knew that it would really help the story
and that she would provide Eileen's perspective
in a way that no one else could have.
I think it was an example of Lauren's soft persistence
with someone that we're trying to interview
because it was an ongoing back and forth.
And, I mean, to Lauren's point, she knew everything,
and she was really central to trying to help Eileen
in her moment of need.
So it's like that whole part of that story
and even giving Eileen the grace that she was trying
to get out of this situation,
Allie was the voice to tell that story.
Yeah, I can't imagine what the hour would be like without her.
Right.
Because she really gave some insight
into how Eileen wound up there and why it would be
so challenging for her to pull herself out of it.
Correct.
Zach Abel did not take the stand at trial,
but someone very close to him was actually supposed
to testify on his behalf.
His own mother, Kimberly Clark.
But that never happened.
So to explain why, I want to play
parts of your interview with defense attorney Alex Morris
that actually did not make it into the hour.
So what happened?
Why didn't she testify?
In 25, coming on 26 years. I've never experienced this
She was here in Appalachicola prepared to testify under subpoena in a motel room. I'd been here for
three days four days
She's gonna testify the next day the woman who came up with her
Get a phone call from her. It's frantic says Alex. You need to come to the motel. Why?
Kim's dead.
I said, you gotta be kidding me.
So my first thought was, don't call me,
we need to call 911.
But I went to the motel and, oh my gosh.
I mean, she's deceased.
Of course, my brain's...
Wait, wait, wait. Did she have a heart attack? Did she... she didn't take her own life.
No. So we know now, natural causes, the medical examiner's report,
heart problems and things of that nature.
If Zach's mother had lived and testified, might there have been a different outcome?
Yes.
Really?
Well, I mean, what was she going to say that made the defense attorney so confident?
Abel had to be humanized, and his mother was the person who was going to be able to do
that.
I lived in England for a while where the accused very often testify.
In America, it's just the opposite. They rarely do. He chose not to take the stand. And so
when you do that, you're defined by your enemies unless you have someone like your mom who
will take the stand and humanize this guy. Alex Morris said it hurt the case because
they lost that element.
Alex had mentioned to us too that Kimberly Clark was potentially going to kind of back up
the story of Christina as being more of an aggressor
in this relationship and really paint that picture
a little bit clearer.
And she wasn't just, you know, Zach's mom,
she was also their roommate.
She lived with the Thrupple around the time.
I know.
She lived with the Thrupple around the time
of April 2018, right before this road trip.
And she was there for that big fight that
kind of started the road trip.
So she could have really given some insight.
She had an insider view.
And, you know, we wrestled with including
this detail in the hour, but.
Ultimately, why didn't that detail make it in just time? It's time. We did an insider view. And we wrestled with including this detail in the hour.
Ultimately, why didn't that detail make it in just time?
It's time.
We have an hour to tell a story.
And to Zach Abel's credit, Alex Morris
offered him the opportunity, should we
see about delaying or maybe seeking a mistrial because
of this?
This was a big character witness for us.
And Zach said, no, let's keep going.
Alex brought up to us that might be a reason that he could appeal,
because a judge might look at that and say, well, he made that decision,
but he wasn't in the right headspace.
Exactly. He was grieving his mother in that moment.
So that's fascinating.
As we mentioned, Abel didn't testify at trial, but he did make a statement
during his sentencing more than two months later. 48 hours was there that day. What was the reaction in the courtroom
like to hearing Abel speak?
We were very excited to hear what he was going to say. And his statement was that he loved
Eileen and that actually this road trip was kind of a little bit of a love trip for him and Eileen.
And he claimed he proposed to her on the trip with a ring pop.
And, you know, it's the specificity of it.
You know, it wasn't just, I propose, I propose with a ring pop.
But we were kind of very shocked by that because by the prosecution standpoint,
you killed her maybe, what, a week or two after that.
But he said that they loved each other, they were going to start a family together,
and they were going to get away from Christina. That was his whole thing.
They were, their whole plan was to get away from Christina.
Yeah. And we're hearing this. I mean, we're processing this. And then the judge is also
hearing the statement. And then sentence is able and gives him the maximum and actually says that
he wishes, I'm paraphrasing,
but effectively he was saying that he wished
he could give him a harsher sentence.
And he'd sentenced him to life.
So what does that mean?
I mean, I don't know that I've heard a judge
personally express anything like that before.
Because remember the details were explained in court
with photographs and everything else of her body.
What was done to that woman is as shocking a killing details were explained in court with photographs and everything else of her body. Yes.
What was done to that woman is as shocking a killing as I've ever seen on any 48 hours
and I've been doing this for a couple of decades.
It was a shocking killing and that was the undercurrent for all of this.
So that as the judge is listening to him express regret, he has the memory of those photographs,
knows what was done.
So then what about Christina Araujo's sentencing?
Because I mean, between the two of them,
she made out much, much better.
Christina Araujo, in the end, her judge,
it was a different judge than Abel's judge,
sentenced her to 25 years.
So she could have gotten life in prison like him,
but she got a lesser sentence of 25 years,
and he acknowledged her cooperation
with testifying for the prosecution.
A lot of Eileen's friends and loved ones
were really nervous that because of the connections
that Christina had bragged about for all of these years,
according to them, that she might just
get a slap on the wrist.
But clearly, she did not.
I mean, it's not life.
It's not life, but it's not a walk.
Absolutely.
So, Araho always bragging...
Right.
-...about her dad.
And I thought to myself,
like, why does she keep saying this?
Like, was she a problem child before?
Had her dad helped her out before?
But now we've, you know, elevated to a level
where you're like, sorry, kid, I can't help ya.
I mean, did we find out any sort of more background on her?
I mean, there's a lot of rumors.
There's a lot of things that friends
and other people have speculated.
As far as evidence, I mean, we haven't seen any.
And he spoke at her sentencing and was pretty clear
that he had never used his influence to help her.
And I mean, I think was pretty eloquent in saying that.
Oh, for sure.
I think she just tried to use it to intimidate.
It was a power play.
I've got this dad who can make things happen
and will protect me, nothing more than that.
He turns out to be, based on all of our reporting,
a very straight arrow guy.
And he told his daughter, you're going to admit
what you've done and you're going to pay the price
for what you've done and you're going to pay the price for what you've done.
So just the opposite, he did his job as a lawman
and he was in a way kind of a hero in this case.
For all of her bragging and all of the alleged threats
she made to Eileen about her father,
about her powerful connections,
when push came to shove, he turned her in,
the father turned her in. And to his came to shove, he turned her in. The father turned her in.
And to his story was influential in her pleading guilty.
Wow.
What I'm sure absolutely devastating when you dedicate your life to law in order to
have a child that you then have to have to turn in.
So at the end of the episode, Eileen's best friend, Ali, expressed her hope for more
compassion towards those trapped in abusive relationships and I think that you're helping to fulfill her hope
for sure by sharing Eileen's story. This is a great hour, you know, and I hope
that ultimately people also learn from this hour. Peter, Lauren, Richie, I want to
thank you guys so much. Thank you. Thank you for having us.
If you or someone you know is a victim of domestic violence, contact the National Domestic
Violence Hotline.
That number is 1-800-799-7233.
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