Classic Audiobook Collection - Midnight by Octavus Roy Cohen ~ Full Audiobook [mystery]

Episode Date: March 9, 2023

Midnight by Octavus Roy Cohen audiobook. Genre: mystery On a bitter December night, taxi driver Spike Walters is just trying to finish his shift in a city locked in sleet and cold. Then a veiled, wel...l-dressed woman hails his cab at Union Station, gives a quiet address, and rides in silence. Minutes later, at the destination, Spike turns to collect his fare and finds the impossible: his passenger has vanished, a suitcase sits where she had been, and a dead man is slumped in the back seat. The victim, Roland Warren, is no nobody, and the suitcase seems to tie the missing woman to the murder in ways that make no sense at all. With the police closing in and Spike desperate to clear his name, the case lands in the hands of David Carroll, a detective whose patience, empathy, and sharp eye for human motives cut through the city's gossip and high-society veneers. As Carroll follows thin leads across boardinghouses, offices, and drawing rooms, every answer opens a new question, and the truth behind the midnight ride proves far more tangled than a simple robbery gone wrong. For ad-free listening try our premium subscription Chapters (Approximate) (00:00:00) Chapter 01 (00:17:57) Chapter 02 (00:36:53) Chapter 03 (00:54:57) Chapter 04 (01:11:14) Chapter 05 (01:25:56) Chapter 06 (01:40:27) Chapter 07 (01:55:53) Chapter 08 (02:11:53) Chapter 09 (02:28:46) Chapter 10 (02:45:20) Chapter 11 (03:00:22) Chapter 12 (03:20:25) Chapter 13 (03:36:19) Chapter 14 (03:55:12) Chapter 15 (04:13:08) Chapter 16 (04:32:20) Chapter 17 (04:46:49) Chapter 18 (05:05:55) Chapter 19 (05:23:41) Chapter 20 (05:44:30) Chapter 21 (06:01:08) Chapter 22 Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:00 midnight by octavus roy cohen chapter i out of the storm taxicab number ninety two three eighty one skidded crazily on the icy pavement of atlantic avenue spike walters its driver cursed roundly as he applied the brakes and with difficulty obtained control of the little closed car depressing the clutch pedal he negotiated the frozen thoroughfare and parked his car in the car in the lee of the enormous Union Station, which bulked forbiddingly in the December midnight. Atlantic Avenue was deserted. The lights at the main entrance of the Union Station glowed frigidly. Opposite, a single arc lamp on the corner of Cypress Street cast a white, cheerless light on the gelid pavement. The few stores along the avenue were dark, with the exception of the warmly lighted white star restaurant directly opposite the stygian spot where spike's car was parked the city was in the grip of the first cold wave of the year for two days the rain had fallen a nasty drizzling rain which made the going soggy and caused people to greet one another with frowns late that afternoon the mercury had started a rapid downward journey
Starting point is 00:01:26 fires were piled high in the furnaces automobile owners poured alcohol into their radiators the streets were deserted early and the citizens for the most part had retired shiveringly under mountains of blankets and down quilts still redolent of moth balls winter had come with freezing blasts which swept around corners and chilled to the bone the rain of two days became a driving sleet which formed a mirror of ice over the city on the seat of his yellow taxi cab spike walters drew a heavy lap robe more closely about his husky figure and shivered miserably fortunately the huge bulk of the station to his right protected him in a large measure from the shrieking wintry winds mechanically spike kept his eyes focused upon the station entrance half a block ahead but no one was there nowhere was there a sign of life nowhere an indication of warmth or cheer or comfort with fingers so numb that they were almost powerless to do the bidding of his mind spike drew forth his watch and glanced at it midnight spike replaced the watch blew on his numb fingers in a futile effort to restore warmth slipped his hands back into a pair of heavy but on this night entirely inadequate, driving gloves, and gave himself over to a mental rebellion
Starting point is 00:03:01 against the career of a professional taxi driver. Worst night I've ever known, he growled to himself, and he was not far wrong. Midnight. No train due until 1225, and that an accommodation from some small town upstate. No taxi fares on such a train as, as that. The northbound fast train, headed for New York, that was late too. Due at 1155, Spike had seen a half-frozen stationmaster mark it up as being 50 minutes late. Perhaps a passenger
Starting point is 00:03:42 to be picked up there, some sleepy, disgruntled, entirely unhappy person, eager to attain the warmth and coziness of a big hotel. Yet Spike knew that he must wait. The company for which he worked specialized on service. It boasted that every train was met by a yellow taxi cab, and this was Spike's turn for all-night duty at the Union Station. All the independent taxi drivers had long since deserted their posts. The parking space on Cypress Street, opposite the main entrance of the station, a space usually crowded with commercial cars, was deserted. no private cars were there either spike seemed alone in the drear december night his car an exotic of the early winter ten minutes passed fifteen the cold bit threw spike's overcoat battled to the skin and chewed to the bone it was well-nigh unbearable the young taxi driver's lips became blue he tried to light a cigarette
Starting point is 00:04:55 but his fingers were unable to hold the match. He looked around. A streetcar, bound for a suburb, passed noisily. It paused briefly before the railroad station, neither discharging nor taking on a passenger, then clanged protestingly on its way. Impressed in Spike's mind was a mental picture of the chilled motorman and of the conductor huddled over the electric heater within the car.
Starting point is 00:05:25 spike felt a personal resentment against that conductor comfort seemed unfair on a night like this heat a luxury more to be desired than much fine gold from across the street the light of the white star caf beckoned ordinarily spike was not a patron of the white star nor other eating establishments of its class the white star was notoriously unsanitary its food poisonously indigestible but as spike's eyes were held hypnotically by the light he thought of two things within the circle of that light he could find heat and a scalding liquid which was flavored with coffee the vision was too much for spike the fast train due now at twelve forty five might bring a fare it was well beyond the bounds of reason that he would get a passenger from the accommodation due in a few minutes there were no casuals abroad the young driver clambered with difficulty from his seat he staggered as he tried to stand erect his numb limbs protesting against the burden of his healthy young body a gale howled around the dark jackson street corner of the long rambling station and spike defensively covered both ears with his gloved hands he made his way eagerly across the street slipping and sliding on the glassy surface head bent against the driving sleet clothes crackling where particles of ice had formed spike reached the door of the eating-house opened it and almost staggered as the warmth of the place smote him like a hot blast for a few seconds he stood motionless revelling in the sheer animal comfort of the change
Starting point is 00:07:26 then he made his way to the counter seated himself on a revolving stool and looked up at the waiter who came stolidly forward from the big round-bellied stove at the rear Hello, George. The restaurateur nodded. Hello. My gosh, what a night. Pretty cold, ain't it? Cold, Spike Walters looked up antagonistically. Say, you don't know what cold means.
Starting point is 00:07:58 I'd rather have your job tonight than a million dollars. Only, if I had a million dollars, I'd buy twenty stoves, set them in a circle, build a big fire in each one, sit in the middle, and tell winter to go to thunder. That's what I'd do. Now, George, hustle and lay me out a cup of coffee. Hot, get that? And a couple of them greasy donuts a yearn. The coffee and donuts were duly produced, and the stolid Athenian retired to the torrid zone of his stove.
Starting point is 00:08:33 Spike bravely tried one of the donuts and gave it up as a bad. job, but he quaffed the coffee with an eagerness which burned his throat and imparted a pleasing sensation of inward warmth. Then he stretched luxuriously and lighted a cigarette. He glanced through the long unwashed window of the White Star Cafe, ladies and gents welcome, it announced, and shuddered at the prospect of again braving the elements. Across the street, his unprotesting taxi-cassing, cab stood parked parallel to the curb. Beyond it, glowed the end of the station.
Starting point is 00:09:15 To the right of the long, rambling structure, he could see the occasional glare of switch engines and track-walkers' lanterns in the railroad yards. As he looked, he saw the headlight of the locomotive at the head of the accommodation split the gloom. Instinctively, Spike rose, paid his check, and stood uncomfortably at the door, buttoning the coat tightly around his neck.
Starting point is 00:09:42 Of course it was impossible that the accommodation carried a fare for him, but then duty was duty, and Spike took exceeding pride in the company for which he worked. The company's slogan of service was part of Spike's creed. He opened the door, recoiled for a second, as the gale swept angrily against him, then plunged blindly across the street. He clambered into the seat of his cab, depressed the starter,
Starting point is 00:10:12 and eventually was answered by the reluctant cough of the motor. He raced it for a while, getting the machinery heated up preparatory to the possibility of a run. Then he saw the big doors at the main entrance of the station, open, and a few melancholy passengers, brought to town by the accommodation train, stepped to the curb, glance about in certain, of a street car and then duck back into the station.
Starting point is 00:10:42 Spike shoved his clutch in and crawled forward along the curb, leaving the inky shadows of the far end of the station, and emerging finally into the effulgence of the arc at the corner of Cypress Street. Once again, the door of the Union Station opened. This time, Spike took a professional interest in the person who stepped uncertainly out into the night. long experience informed him that this was a fair she was of medium height and comfortably guarded against the frigidity of the night by a long fur coat buttoned snugly around her neck she wore a small squirrel tam and was heavily veiled in her right hand she carried a large suit-case and in her left a purse she stepped to the curb and looked around inquiringly
Starting point is 00:11:38 she signaled the cab even as he speeded his car forward spike wondered at her indifference to the almost unbearable cold cab miss he pulled up short before her yes her tone was almost curt she had her hand on the door handle before spike could make a move to a light drive to nine eighty one east end avenue without leaving the driver's seat spike reached for her suitcase and put it beside him the woman a young woman spike reflected stepped inside and slammed the door spike fed the gas and started whirling south on atlantic avenue for two blocks and then turning to his left across the long viaduct which marks the beginning of east end avenue he settled himself for a long and unpleasant drive to reach nine eighty one east end avenue he had to drive nearly five miles straight in the face of the december gale and then he found himself wondering about the woman her coat a rich furthing of black and gray her handbag her whole demeanor all bespoke affluence she had probably been visiting at some little town and had come down on the accommodation but no one had been visiting at some little town and had come down on the accommodation but no one had been visiting at some little town she had come down on the accommodation but no one had had been there to meet her. Anyway, Spike found himself too miserable and too cold to reflect much about his passenger.
Starting point is 00:13:19 He drove into a headwind. The sleet slapped viciously against his windshield and stuck there. The patent device he carried for the purpose of cleaning rain away refused to work. Spike shoved his windshield up in order to afford a vision of the icy asphalt ahead. and then he grew cold in earnest he seemed to freeze all the way through he drove mechanically becoming almost numb as the wind unimpeded now struck him squarely he lost all interest in what he was doing or where he was going he called himself a fool for having left the cosy warmth of the white star caf he told himself-he he told himself suddenly he clamped on the brakes it was a narrow squeak the end of the long freight train rumbled on into the night spike hadn't seen it only the racket of the big cars as they crossed east end avenue and then the lights on the rear of the caboose had warned him he stopped his car for perhaps fifteen seconds to make sure that the crossing was clear then started on the lights on the rear of the caboose had warned him
Starting point is 00:14:28 he stopped his car for perhaps fifteen seconds to make sure that the crossing was clear then started on again a bit shaken by the narrow escape he bumped cautiously across the railroad tracks the rest of the journey was a nightmare the suburb through which he was passing seemed to have congealed save for the corner lights there was no sign of life the roofs and sidewalks glistened with ice occasionally the car struck a bump and skidded dangerously spike had forgotten his passenger forgotten the restaurant the coffee the weather itself he only remembered that he was cold almost unbearably cold then he began taking note of the houses there was number nine sixteen He looked ahead. These were houses of the poorer type, the homes of laborers situated on the outer edge of the suburb of East End. Funny, the handsomely dressed woman, such a poor neighborhood?
Starting point is 00:15:43 He came to a halt before a dilapidated bungalow which squatted darkly in the night. Stiff with cold, he reached his hand back to the door on the right of the car, and with difficulty opened it. Then he spoke, "'Here you are, miss, number nine eighty-one.' There was no answer.
Starting point is 00:16:08 Spike repeated, "'Here you are, miss!' Still no answer. Spike clambered stiffly from the car, circled to the curb, and stuck his head in the door. "'Here, miss!' Spike stepped back.
Starting point is 00:16:26 then he again put his head inside the cab well i'll be the thing was impossible and yet it was true spike gazed at the seat the woman had disappeared the thing was absurd impossible he had seen her get into the cab at the union station there in the front of the car was her suit-case but-and-a-the thing was absurd impossible he had seen her get into the cab at the union station there in the front of the car was her suitcase but she had gone disappeared completely vanished without leaving a sign momentarily forgetful of the cold spike found a match and lighted it holding it cupped in his hands he peered within the cab then he recoiled with a cry of horror for huddled on the floor he discerned the body of a man End of Chapter 1. Recording by Roger Maline. Chapter 2 of Midnight. This Libervox recording is in the public domain.
Starting point is 00:17:42 Recording by Roger Maline. Midnight by Octavus Roy Cohen. Chapter 2. The suitcase is opened. The barren trees which lined to the broad deserted thoroughfare jutted starkly into the night, waving their menacing ice-crusted arms. The December gale, sweeping westward, shrieked through the glistening branches. It shrieked warning and horror, howled and sighed, sighed and howled.
Starting point is 00:18:14 Spike Walters felt suddenly ill. He forgot the cold and was conscious of a fear which acted like a temporary anesthesia. For a few seconds he stood staring until the match which he held burned down. out and scorched the flesh of his fingers. His jaw dropped, his eyes widened. He opened his lips and tried to speak, but closed them again without having uttered a sound save a choking gasp. He tried again, feeling an urge for speech, something, anything, to make him believe that he was here, alive, that the horror within the cab was real. This time he uttered an, oh my, God!
Starting point is 00:19:00 The word seemed to vitalize him. He fumbled for another match, found it, and lighted it within the cab. It seemed to have the radiance of an incandescent. Spike had hoped that his first impression would prove to be a mere figment of his imagination, but now there was no doubting. There, sprawled in an ugly, inhuman heap on the floor, head resting against the cushioned seat of the cab was the figure of a man there was no doubt that he was dead even spike young optimistic and unversed in the ways of death as he was knew that he was alone with a corpse and as he gazed a strange courage came to him he found himself emboldened to investigate he was shivering while he did so shivering
Starting point is 00:19:54 with fear and with the terrific cold of the night. He could not quite bring himself to touch the body, but he did not need to move it to see that murder had been done. The clothes told him instantly that the man was of high social station. They were obviously expensive clothes, probably tailor-made. The big coat, open at the top, was flung back. Beneath, Spike discerned a gray tweed, and on the breast of the gray tweed was a splotch,
Starting point is 00:20:27 a dark, ugly thing, which appeared black and was not black. Spike shuddered. He had never liked the sight of blood. The match spluttered and went out. Spike looked around. He felt hopelessly alone. Not a pedestrian, not a light.
Starting point is 00:20:49 The houses, set well back from the street, were dark, forbiddingly dark. He saw a streetcar rattle past, bound on the final run of the night for the car sheds at East End. Then he was alone again, alone and frightened. He felt the necessity for action.
Starting point is 00:21:10 He must do something, something, but what? What was there to do? A great fear gripped him. He was with the body. The body was. was in the cab. He would be arrested for the murder of the man. Of course he knew he didn't do it. The woman had committed the murder. Spike swore. He had almost forgotten the woman.
Starting point is 00:21:37 Where was she? How would she manage to leave the taxi cab? When had the man, who now lay sprawled in the cab, entered it? He had driven straight from the union station to the address given by, the woman, straight down East End Avenue, turning neither to right nor left. The utter impossibility of the situation robbed it of some of its stark horror, and yet— Spike knew that he must do something. He tried to think connectedly, and found it a difficult task. Near him loomed the shadow which was No. 981, East End Avenue, the address given by the woman when she entered the cab. He might go in there and report the circumstances.
Starting point is 00:22:26 Someone there would know who she was, and, but he hesitated. Perhaps this thing had been prearranged. Perhaps they would get him, for what he didn't know? When a man, a young man, comes face to face with murder for the first time, making its acquaintance on a freezing December midnight
Starting point is 00:22:49 and in a lonely spot, he is not to be blamed if his mental equilibrium is destroyed. Wild plans chased each other through his brain. He might dump the body by the roadside and run back to town. That was absurd on the face of it, for he would be convicting himself when the body was found. It would be traced to him in some way. He knew that. He was already determined to keep away from number nine-eighty-eastern. one East End Avenue.
Starting point is 00:23:21 There was something sinister in the unfriendly shadow of the rambling house. He might call the police. That was it. He would call the police. But how? Go into a house nearby, wake the residence, telephone headquarters that a murder had been done? Alarm the neighborhood and identify himself with the crime?
Starting point is 00:23:46 Spike was afraid, frankly, and boyish. afraid afraid of the present and more afraid of the future and yet he knew that he must get in touch with the police else the police would eventually get in touch with him he thought then of taking the body into headquarters but he feared that his cab might be stopped en route to the city and the body discovered they would never believe then that he had been bound for headquarters almost before he knew that he had arrived at a decision spike had groped his way across the icy street and pressed the bell button on the front door of the least unprepossessing house on the block for a long time there was no answer finally a light shone in the hall and the skinny figure of a man shivering violently despite the blanket robe which enfolded him appeared in the hallway he flashed on the porch light from inside and peered through the glass door apparently reassured he cracked the door slightly yes what do you want at sound of a human voice spike instantly felt easier the fact that he could converse that he had shed his terrible loneliness steadied him as nothing else could have done he was surprised at his own calmness at the fact that there was scarcely a quaver in the voice with which he answered the man i am spike walters he said with surprising quietness i'm a driver for the yellow and white taxicab company
Starting point is 00:25:28 my cab is number ninety two three eighty one i have a man in my cab who has been badly injured i want a telephone to the city the little householder opened the door wider and spike entered cold as the house was from the standpoint of the man within its holdover warmth was a godsend to spike's thoroughly chilled body the little man designated a telephone on the wall then started nervously as central answered and spike barked a single command into the transmitter police station please please never you mind sir spike told the householder hello Police, he called to the operator. There was a pause, then Spike went on. This is Spike Walters, yellow and white taxi company. I'm out at No. 981 East End Avenue. There's a dead man in my cab.
Starting point is 00:26:33 The weary voice at the other end became suddenly alive. A dead man? Yes. Who is he? I don't know. That's why I called you. When did he die? How? Spike controlled himself with an effort.
Starting point is 00:26:53 Don't you understand? He has been killed. The devil you say, replied the voice at headquarters, and the little householder chimed in with a frightened squeak. Yes, replied Spike painstakingly. The man is dead, killed. It is very peculiar. I can't explain. it over the phone i called up to ask you what i shall do hold connection a minute spike heard a hurried whispered conversation at the other end then the voice barked back at him stay where you are couple of officers coming and coming fast
Starting point is 00:27:33 it was dan o'leary night desk sergeant who was on duty at headquarters that night and sergeant dan o'leary was a good deal of an institution on the city's four he hopped excitedly from his desk into the office of eric leverage the chief of police chief leverage a broad-shouldered heavy bushy eyebrowed individual looked up from the chessboard annoyed at this interruption of a game which had been in progress since ten o'clock that night o'leary grabbed a salute from thin air excuse my bothering ye chief but there's hell to pay out at east end o'leary was never long at coming to the point leverage looked up so too did the boyish clean-shaven young man with whom he was playing chess and knowing that mr carroll was playing chess with you chief and him naturally interested in such things i hopped right in i'll say you did commented the chief phlegmatically i have you there carol dead to right o'leary was a trifle irritated at the cold reception accorded his news ye ain't after understanding he said slowly it's murder that has been done this night night? Hmm!
Starting point is 00:28:59 Carroll's slow, pleasant drawl seemed to sue, though, Leary. Murder? You said it, Mr. Carroll! Leverage had risen. It was plain to be seen from his manner that the chess game was forgotten. Leverage was a policeman first and a chess player second, a very poor second. His voice, surcharged with interest, cracked out into the room.
Starting point is 00:29:28 Spill the dope, O'Leary. The night desk sergeant needed no further bidding. In a few graphic words, he outlined his telephone conversation with Spike Walters. Before he finished speaking, Leverage was slipping into his enormous overcoat. He nodded to Carol. How about trotting out there with me, David? Carol smiled agreeably. Thank goodness my.
Starting point is 00:29:56 My new coop has a heating device, Chief." That was all. It wasn't David Carroll's way to talk much, or to show any untoward emotion. It was Carol's very boyishness which was his greatest asset. He had a way of stepping into a case before the principals knew he was there, and of solving it in a manner which savored not at all of flamboyance. A quiet man was Carol, and one whose deductive powers, Eric Lill, leverage fairly worshipped. On the slippery, skiddy journey to East End, the two men, professional
Starting point is 00:30:34 policeman and amateur criminologist, did not talk much. A few comments regarding the sudden advent of fiercest winter. A remark, forcibly jocular, from the chief that murderers might be considerate enough to pick better weather for the practice of their profession, and that was all. far they knew nothing about the case and they were both too well versed in criminology to attempt a discussion of something with which they were unfamiliar spike walter saw them coming saw their headlights splitting the frigid night he was at the curb to meet them as they pulled up he told his story briefly and concisely leverage inspected the young man closely made note of his license number and the number of his taxi cab. Then he turned to his companion, who had stood by, a silent and interested observer. Suppose you talk to him a bit, Carol. I'm David Carroll, introduced the other man. I'm connected with the police department. There's a few things you tell which are rather
Starting point is 00:31:47 peculiar. Any objections to discussing them? In spite of himself, Spike felt a genial warming towards this boyish-faced man. He had heard of Carol, and rather feared his prowess. But now that he was face to face with him, he found himself liking the chap. Not only that, but he was conscious of a sense of protection, as if Carol were there for no other purpose than to take care of him, to see that he received a square deal.
Starting point is 00:32:19 Yes, sir, Mr. Carroll, I'll be glad to tell you anything I know. You have said, Walters, that the passenger you picked up at the Union Station was a woman. Yes, sir, it was a woman. Are you sure? Why, yes, sir, I could very well be mistaken. You see, Oh, you're thinking maybe it was a man in woman's clothes. Is that it, sir? Carol smiled. What do you think? That's impossible, sir. That's impossible, sir. sir. It was a woman. I'd swear to that. Pretty positive, eh? Absolutely, sir. Besides, take the matter of the overcoat the body has on.
Starting point is 00:33:07 Even if what you think was so, sir, that it was a woman dressed up like a man, and if he had gotten rid of the women's clothes, where would he have gotten the clothes to put on? Hmm, sounds logical. How about the suitcase you said this woman had? Yonder it is, right on the front beside me, where it has been all the time. And you tell us that between the time you left the Union Station, and the time you got here, a man got into the taxi-cab, was killed by the woman, the woman got out, and you heard nothing?
Starting point is 00:33:47 Yes, sir, said Spike, simply. just that, sir. Rather hard to believe, isn't it? Yes, sir, that's why I called the police. Chief Leverage was shivering under the impact of the winter blasts. Suppose we take a look at the bird, David, he suggested, nodding toward the taxi. That might tell us something. Carol nodded.
Starting point is 00:34:17 The men entered the taxi, and Leverage flashed a point. pocket torch in the face of the dead man. Then he uttered an exclamation of surprise, not unmixed with horror. Good Lord! You know him? questioned Carol easily. Know him? I'll say I do. Why, man, that's Roland Warren.
Starting point is 00:34:43 Warren? Roland Warren. Not the club man. The very same one, Carol. and none other. Well, I'm a son of a gun. Say, something surely has been started here. He swung around on the taxi driver.
Starting point is 00:35:02 You, Walters! Yes, sir? You are sure the suitcase is still in front? Yes, sir. Well, to Carol, that makes it easier. It's the woman's suitcase, and if we can't find out who she is from that, we're pretty bum, eh?
Starting point is 00:35:23 Look so, Erie. You're satisfied, this to Walters, that this is her suitcase? Absolutely. It hasn't been off the front since she handed it to me at the station. Carol swung the suitcase to the inside of the cab. It opened readily. Leverage kept his light trained on it as Carol dug swiftly through the contents. Finally, the eyes of the two men met. Carol's expression was one of frank amazement. Leverages reflected sheer unbelief. It can't be, Carol!
Starting point is 00:36:04 Yet it is! Suffering wildcats, breathed Leverage. The suitcase ain't the woman's at all. It's Warren's! End of Chapter 2, recording by Roger Maline Chapter 3 of Midnight This Libervox recording is in the public domain
Starting point is 00:36:34 Recording by Roger Maline Midnight by Octavus Roy Cohen Chapter 3 Find the Woman The thing was incomprehensible, yet true Not a single article of feminine apparel was contained in the suitcase. Not only that, but every garment therein which bore an identification mark was the property of Roland Warren,
Starting point is 00:37:02 the man whose body leered at them from the floor of the taxi cab. The two detectives again inspected the suitcase. An extra suit had been neatly folded. The pockets bore the label of a leading tailor and the name Roland R. Warren. The tailor-made shirts and underwear bore the maker's name and Warren's initials. The handkerchiefs were Warren's. Even those articles which were without name or initials contained the same laundry mark as those which they knew belonged to the dead man. Carol's face showed keen interest.
Starting point is 00:37:43 This newest development had rather startled him, and made an almost irresistible appeal to his love for the bizarre. in crime. The very fact that the circumstances smacked of the impossible intrigued him. He narrowed his eyes and gazed again upon the form of the dead man. Finally he nudged leverage and designated three initials on the end of the suitcase. R.R. W. Roland R. Warren, Leverage grunted. It's his all right, Carol. But just the same,
Starting point is 00:38:20 There ain't no such animal. Carol turned to the dazed Walters. Understand what we've just discovered, son, he inquired mildly. Spike's teeth were chattering with cold. I don't hardly understand none of it, sir. According to what I make out, that suitcase belongs to the body and not to the woman. Right. Now what I want to know is how that could be.
Starting point is 00:38:50 Spike shook his head dazedly. "'Lordy, Mr. Carroll, I couldn't be knowing that.' "'You're sure the woman got into your cab alone?' "'Absolutely, sir. She came through the waiting-room alone, carrying that very same suitcase. "'You're positive it was that suitcase?' "'Yes, sir. That is, as positive as I can be. You see, I was on the lookout for a fair, but wasn't expecting one, on account of the fact that this here train was an accommodation, and folks that usually come in on it take street cars and not a taxi.
Starting point is 00:39:31 Well, the minute I seen a good-looking, well-dressed woman coming out the door, I sort of noticed. It surprised me, first off, because I asked myself what she was doing on that train. You thought it was peculiar? not peculiar exactly but sort of interesting i see go ahead well she was carrying that suit-case and she seemed in a sort of a hurry she walked straight out of the door and toward the curb and did she appear to be expecting someone no sir i noticed that particularly sort of thought a fine lady like her would have someone to meet her which is how I happened to notice that she didn't seem to expect nobody. She come right to the curb and called me. I was parked along the curb on the right side of Atlantic Avenue,
Starting point is 00:40:30 heading north, that is, and I rolled up. She handed me the suitcase and told me to drive her to number 981, East End Avenue. I stuck the suitcase right where you got it from just now, and while I ain't saying nothing about what happened back yonder in the cab, Mr. Carroll, I'll bet anything in the world that that there suitcase is the same one she carried through the waiting room and handed to me. Hmm, peculiar. You drove straight out here, Walters? Straight as a beeline, sir. Frozen stiff I was, driving right into the wind eastward along East End Avenue, and I had to raise the windshield a bit because,
Starting point is 00:41:16 there was ice on it, and I couldn't see nothing, and my headlights ain't any too strong. You didn't stop anywhere? No, sir. Wait a minute. I did. Where? At the R. L&T Railroad crossing, sir. I didn't see nor hear no train there, and almost run into it.
Starting point is 00:41:40 It was a freight, and traveling kind of slow. I seen the lights of the caboose. and stopped the car right close to the track. I wasn't stopped more than 15 or 20 seconds, and just as soon as the train got by, I went on. But you did stand still for a few seconds. Yes, sir. If anyone had got into or out of the cab right there,
Starting point is 00:42:07 would you have heard them? I don't know that I would. I was frozen stiff, like I told you, sir, and I wasn't thinking of nothing like that. besides the train was making a noise and me not havin my thoughts on nothin but how cold i was and how far i had to drive i most probably wouldn't have noticed although i might have looks to me chimed in leverage as if that's where the shift must have taken place though it beats me carol lighted a cigarette of the three men he was the only one who seemed impervious to the cold leveridge and the taxi driver were both shivering as if with the ague carol an enormous overcoat snuggled about his neck his hands thrust deep into his pockets his boyish face set with interest seemed perfectly comfortable as a matter of fact the unique circumstances surrounding the murder had so interested him that he had quite forgotten the weather obviously he said to leverage
Starting point is 00:43:17 it's up to us to find out whether the people at this house here expected a visitor you said it david but i haven't any doubt it was a plant a fake address i think so too wait here the chief started for the dark little house i'll ask em three minutes later leverage was back said nothing doing he imparted laconically no one expected no one away who would be coming back and then wanted to know who in thunder i was they almost dropped dead when i told em no question about it that address was a stall this dame had something up her sleeve and took care to see that your taxi-man was given a long drive so she'd have plenty of time to croak warren then you think she met him by arrangement chief look so to me only thing is where did he get in that's what is going to interest us for some time to come i'm afraid and now suppose we go back to town i'll drive my car i'll keep behind you and walters here you ride together in his cab walters clambered to his seat and succeeded after much effort in starting his frozen motor leverage bolted beside him on the suitcase of the dead man the taxi swung cityward and immediately behind trailed carroll in his cosy coop as carroll drove mechanically through the night he gave himself over to a siege of intensive thought the case seemed fraught with unusual interest already it had developed an overpluss of extraordinary circumstances and carol had a decided premonition
Starting point is 00:45:14 that the road of investigation ahead promised many surprises. There was every reason why it should. The social prominence of the dead man, the mysterious disappearance of the handsomely dressed woman, all the facts of the case pointed to an involved trail. If it were true that the woman had entered the taxi cab alone, that the man had come in later, and that the murder had been committed by the woman in the cab before,
Starting point is 00:45:44 reaching the railroad crossing, the thing must undoubtedly have been prearranged to the smallest fractional detail. That being the premise, it was only a logical conclusion that persons other than the woman and the dead man were involved. Interesting, decidedly so. But there was nothing to work on. Even the suitcase clue had vanished into thin air, so far as its value to the police was concerned. That suitcase bothered, Carol. He believed Spike's story, and was convinced that the suitcase which they had examined
Starting point is 00:46:23 out on East End Avenue was the one which the woman had carried from the train to the taxi cab. There again, the trail of the dead man and the vanished woman crossed. Else, why was she carrying his suitcase? The journey was over before he knew it. the yellow taxi turned down the alley upon which headquarters backed and jerked to a halt before the ominous brownstone building carroll parked his car at the rear assigned some one to stand guard over the body and the three men leverage carrying the suit-case
Starting point is 00:47:00 ascended the steps to the main room and thence to the chief's private office the warmth of the place was welcome to all of them and in the comforting glow of a small great fire which nobly assisted the struggling furnace in its task of heating the spacious structure spike walter seemed to lose much of the nervousness which he had exhibited since the discovery of the body carol warmed his hands at the blaze and then addressed leverage how about this case chief how about it you want me to butt in on it want you holy sufferin oysters carroll if you didn't work on it i'd brain you you're the only man in the state who could soft peddle the blarney grinned carol and now the suit-case again he dropped to his knees and opened the suit-case garment by garment he emptied it searching for some clue some damning bit of evidence which might explain the woman's possession of the dead man's belongings he found nothing it was evident that the grip had been carefully packed for a journey of several days at least but it was a man's suitcase and its contents were exclusively masculine carol shrugged as he rose to his feet he turned toward spike walters and laid a gentle hand on the young man's shoulder walters he said i want to let you know that i believe your story all the way through i think that chief leverage does too how about it chief sounds all right to me but we've got to hold you for a while my lad it's tough but you are the person found with the body and we've naturally got to keep you in custody understand
Starting point is 00:49:02 yes sir it's none too pleasant but i guess it's all right we'll see that you're made comfortable and i hope we'll be able to let you go within a day or so he pressed a button and turned wall alters over to one of the officers on inside duty, with instructions to see that the young taxi driver was afforded every courtesy and comfort and was not treated as a criminal. Spike turned at the door. I want to thank you. That's all right, Spike. You're both mighty nice fellers, especially you, Mr. Carroll. I'm for you every time. Carol blushed like a schoolgirl.
Starting point is 00:49:46 The door closed behind Walters, and Carol faced leverage. "'Next thing is the body, Chief.' "'Wine it up here?' "'If you please.' An orderly was summoned, commands given, and within five minutes the body of the dead man was born into the room and laid carefully on the couch. Leverage glanced inquisitively at Carol.
Starting point is 00:50:14 "'Want the coroner?' surely and you might also call in the newspaper man eh reporters yes i have a hunch leverage that a great gob of sensational publicity right now will be of inestimable help meanwhile let's get busy before either the coroner or the reporters arrive the two detectives went over the body meticulously warren had been shot through the heart carol bent to inspect the wound and when he straightened his manner showed that he had become convinced of one important fact in response to leverage his query he explained shot fired from mighty close he said sure the flame from the gun escorts his clothes that's proof enough in the taxi eh possibly but the driver would have heard he probably would probably would but he didn't yes carol resumed his inspection of the body examining every detail of figure and raiment and while he worked he talked you know something about this chap more or less he's promised he's promised he's promised and socially, belongs to clubs and all that sort of thing.
Starting point is 00:51:46 Has money, real money. Bachelor, lives alone. Has a valet and all that kind of rot. Owns his car? Golfer, tennis player, huntsman, popular with women, and men too, I believe, about 33 years old. Business?
Starting point is 00:52:09 none he's one of the few men in town who doesn't work at something that's how i happen to know so much about him a chap who's different from other fellows is usually worth knowing something about right you are but that's sort of a man you'd hardly think he'd be the victim of-he hello what's this carol had been going through the dead man's wallet he rose to his feet And as he did so, Leveridge saw that the purse was stuffed with bills of large denomination. A very considerable sum of money. But apparently, Carol was not interested in the money. In his hand, he held a railroad ticket and a small purple Pullman check. What's the idea? questioned Leveridge. "'Brings us back to the woman again,' replied Carol with peculiar intensity.
Starting point is 00:53:09 how so he was planning to take a trip with her leverage glanced at the other man with an admixture of skepticism and wonder how did you guess that i didn't guess it it's almost a sure thing at least it is pretty positive that he was not planning to go alone yes tell me how you know carroll extended his hand see here a ticket for a drawing-room to new york and one railroad ticket yes but two railroad tickets are required for possession of the drawing-room he said quietly warren had only one it is clear then that the holder of the missing ticket was going to accompany him so what we have to do so what we have to do now is to find the other railroad ticket, finished leverage dryly. Which isn't any lead pipe cinch, I'd say. End of Chapter 3. Recording by Roger Maline. Chapter 4 of Midnight
Starting point is 00:54:32 This Libravox recording is in the public domain. Recording by Roger Maline. Midnight by Octavis Roy Cohen. Chapter 4. Carol has a visitor. Carol gazed intently upon the face of the dead man. There was a half-quizzical light in the detective's eyes as he spoke, apparently to no one. I've often thought, he said, in a case like this,
Starting point is 00:55:03 how much simpler things would be if the murdered man could talk? Hmm, rejoined the practical leverage. If he could, he wouldn't be done. dead. Perhaps you're right. And following that to a logical conclusion, if he were not dead, we wouldn't be particularly interested in what he had to say. All of which ain't got a heap to do with the fact that your work is cut out for you, Carol. You're dead sure about that ticket dope, ain't you? I ain't used to traveling and drawing rooms myself. It's straight enough, leverage. The The railroad company won't allow a single passenger to occupy a drawing room, that is, they
Starting point is 00:55:48 demand two tickets. If you, for instance, were traveling alone and desired a drawing room, you'd be compelled to have two tickets for yourself. That being so, it is plain that Warren there didn't intend making this trip to New York alone. If he had, he would have had the two tickets along with the drawing room check. I am certain that two tickets were bought because the railroad men won't sell a drawing room with a single ticket.
Starting point is 00:56:20 It is obvious, then, that he bought two tickets and gave the other one to the person who was to make the trip with him. The woman, of course. What woman? The woman in the fur coat, the one who got into the taxi cab. Perhaps, but she came in on the accommodation train. after the New York train was due to leave. The fast train was late. So was the accommodation. They are due to make connection. That's true. If we can find that ticket, we'll have found the woman,
Starting point is 00:57:00 and when we find her, the case will end. Probably. The door opened, and Sergeant O'Leary entered. The coroner, sir. Him and a reporter from each of the morning papers. Show the coroner in first, ordered Carol. Let the newspaper men wait. Yes, sir. They seem a bit impatient, sir. They say they're holding up the city edition for the news, sir.
Starting point is 00:57:32 Very good. Tell them Chief Loveridge says the story is worth waiting for. The coroner. a short, thick-set man, entered and heard the story from Loveridge's lips. He made a cursory examination and nodded to Carol. Inquest in the morning, Mr. Carroll. Meanwhile, I reckon you want to let them newspaper men in.
Starting point is 00:57:57 The two reporters entered and listened, Pop-eyed to the story. They telephoned a bulletin to their offices and were assured of an hour's leeway in phoning in the balance of the story. story. They were quivering with excitement over what promised to be, from a newspaper standpoint, the juiciest morsel of sensational copy with which the city had been blessed for some time. To them, Carol recounted the story as he knew it, concealing nothing. This is a great space-eating story, he told them in their own language, the jargon of the fourth
Starting point is 00:58:35 estate. And the more it eats, the better it'll be for me. We want publicity on this case. All you can hand out, big chunks of it. We want to know who that woman was. The way I figure it, this city is going to get a jolt at breakfast. Everyone is going to be comparing notes. Out of that massive gossip, we may get some valuable information. Get that? We do. Space in the morning edition will be limited, but by evening and the next morning, Oh, baby! They took voluminous notes and telephoned in enough additional information to keep the city rooms busy. When they would have gone, Carol stopped them.
Starting point is 00:59:23 Either of you chaps know anything of Warren's personal history. The elder of the two nodded. I do. Know him personally, in fact. I've played golf with him. Pretty nice sort. Rich, isn't he? Reputed to be. Never works. Spends freely. Not ostentationally, but liberally. Pretty fine, sort of, chap. It's a damn shame.
Starting point is 00:59:53 How about his relations with women? The reporter hesitated and glanced guiltily at the dead body. That's rather strong. It's not going beyond here unless I find it necessary. I've played clean with you, boys. Suppose you do the same with me. Well, reluctantly, he was rather much of a rounder. Nothing coarse about him, but he never was one to resist a woman, rather the reverse, in fact. Ever been mixed up in a scandal?
Starting point is 01:00:32 Not publicly. he's friendly with a good many men and with their wives. A dozen, I guess. But the husbands invite them to their homes, so I don't suppose there could be anything in the gossip. You see, folks are always too eager to talk about a man in his position and whatever woman he happens to be friendly with. And anyway, there hasn't been nearly so much talk about him
Starting point is 01:00:59 since his engagement was announced. He's engaged? why yes to a girl in this city sure i thought you knew that dandy girl hazel gresham you've heard of gerry gresham it's his kid's sister so how long has this engagement been known couple of months pretty soft on both sides he's got money and so is she she's a good scout too even if she's a good scout too even if she's is a kid. How old? Hardly more than 20, but her family seemed to welcome the match. Warren and Gary Gresham were pretty good friends.
Starting point is 01:01:47 Warren was about 33 or 34, you know. Gossip had it that the family was going to object because of the difference in ages, but they didn't. Carol was silent for a moment. "'Nothing else about him you think might prove interesting?' "'No.' "'And your idea of the murderer, after what you've heard?' The woman in the taxi-cab killed him.
Starting point is 01:02:17 "'When did he get in?' The reporter threw back his head and laughed. "'What is this a game? "'If I knew that, I'd have your job, Mr. Carroll.' "'The dame killed him, all right.' and when we find out how she did it and when and how he got in and she got out, we'll have a wail of a story. No theories as to the identity of this woman, have you?
Starting point is 01:02:46 Nary one. A chap like Warren, bachelor, unencumbered, is liable to know a heap of them. From what you tell me of the tickets, from the fact that she was going away with him, I sort of figure you might do a little social investigating and discover what woman might have been going off with them. Eric Leverage had been listening intently. His mind never swift to work, yet worked, surely. His big voice boomed into the conversation.
Starting point is 01:03:19 Carol? Yes? This young fellow says Miss Gresham's family didn't have no objections to the marriage. It just occurred to me to ask him, is he sure? The reporter flushed. Why, no, Chief, not sure. You never can be sure about things like that,
Starting point is 01:03:41 but so far as the public knew, That's it exactly. How do we know, though, but that they were not sore as a pup over it and just kept their traps closed because they didn't want any gossip? Supposing they were trying to break things off, and making it pretty uncomfortable for the girl. Suppose that, eh?
Starting point is 01:04:03 Yes, argued the reporter. Suppose all of that. Where does it get you? It gets you just here, Leverage talked slowly, heavily, tapping his spatulate fingers on the table to emphasize his points. We know this bird was going to elope with some skirt. All right, now I ask this. why go all around the block looking for someone he might have been mixed up with when the woman a man is most likely to elope with is the girl he's engaged to marry silence several seconds of it carol spoke miss gresham you mean sure david sure i'm not sayin she was the woman mind you i'm not sayin she was the woman mind you i'm not saying anything except that if i'm right in thinking that maybe her folks warn as crazy about this guy warren as they seemed if i'm right in that maybe they was planning to take matters in their own hands and elope it's possible sure it's possible and but chief interrupted the reporter who had done most of the talking why should miss gresham kill warren i didn't say she did did i if she was the woman in the taxi if sure if all i mentioned that for was to show you we might as well start thinking close to home before we go to beaton through the bushes to follow a cold trail.
Starting point is 01:05:40 The reporters left, and Carol smiled at Leverage. Good idea, Eric, about Miss Gresham. Taint a hunch, said Leverage. It just made good talking. I'm glad you did it anyway. What is there about it that you like? Those newspaper chaps will play it up. Maybe they won't intend to, but they'll play it up just
Starting point is 01:06:07 the same, and it won't take us long either to connect Miss Gresham with the crime or to link up an ironclad alibi for her. Hmm, not bad. You know, Carol, and Leveridge smiled, frankly. I'm always making these fine suggestions and pulling good stunts, and never knowing whether they're good or not until somebody tells me. A good many folks are like that, Eric, but they don't admit it afterward. neither do i publicly leverage rose and yawned it's me for the hay carol i'm played out and i have a hunch that to-morrow i'm going to be busy as seven little queen bees and you too
Starting point is 01:06:55 carol reached for his overcoat a little bit of thinking things over isn't going to hurt me either good-night thirty minutes later carol reached his apartment and a half-hour after that he was sleeping soundly the following morning he waked all over as was his habit and turned his eyes to gaze through the window during the night the sleety drizzle had ceased and the sun streamed with brilliant coldness upon a city which shone in a glare of ice leafless trees stretched their ice-covered tentacles into the cold penetrating air pedestrians and horses slipped on the glassy pavements automobiles either skidded dangerously or set up an incessant rattle with their chains carol glanced at his watch it showed nine o'clock he started with surprise then he reached for the newspapers on the table at the side of his bed and spread open the front pages they had evidently been made up anew with the breaking of the warrens Warren murder story. Eight-colum streamer shrieked at him from both front pages. He read the stories through and smiled with satisfaction. Just as he had anticipated, both reporters, hungry for some definite clue upon which to work, had seized upon the
Starting point is 01:08:26 possibility of Hazel Gresham being the mysterious woman in the taxi cab. Not that they said so openly, but they said enough to make the public know that the detectives in charge of the case were likely to investigate her movements on the previous night. Carol stepped into a shower, then dressed quickly and ate a light breakfast served him by his maid, Frida. Before he finished, the doorbell rang, and Frida announced that there was a lady to see him. A lady? Frida shrugged. She ain't been nothing but a girl, sir, Mr. Carroll. Just a little girl. Show her in.
Starting point is 01:09:10 In two minutes, Frida returned, and behind her came the visitor. Carol concealed a smile at sight of her. She was a little thing, sixteen or seventeen years old, he judged. A fluffy, blonde girl quivering with vivacity, the type of girl who is desperately reaching for maturity, entirely forgetful of the charm of her adolescence. He rose and bowed in a serious, courtly manner.
Starting point is 01:09:42 You wish to see me? Yes, sir, I do. Is this Mr. Carroll, the famous detective? I am David Carroll, yes. She inspected him with frank approval. Why, you don't look any more than a boy. I thought you were old and head-whiskers and everything horrid. i'm glad you're pleasantly surprised what can i do for you oh it isn't what you can do for me it's what i can do for you and that is i came to tell you all about this terrible warren murder case you came to tell me about it why yes she retorted smilingly you see i know just heaps about the whole thing
Starting point is 01:10:35 End of Chapter 4. Recording by Roger Malene. Chapter 5 of Midnight. This Libervox recording is in the public domain. Recording by Roger Maline. Midnight by Octavus Roy Cohen. Chapter 5. Miss Evelyn Rogers
Starting point is 01:11:02 Carol was more than amused. He was keenly interested. He motioned his visitor to a chair and seated himself opposite, regarding her quizzically. She was not exactly the type of person he had anticipated encountering in a murder investigation. From the tip of her pert little hat to the toes of her ultra-fashionable shoes, she was expressive of the independent rising generation, a generation wiser in the ways of the world than that from which it was sprung, a generation strangely bereft of genuine youth, yet charming in an entirely
Starting point is 01:11:43 modern and unique manner. She was obviously a young person of italics, a human exclamation point, enthusiastic, irrepressible. She sat fidgeting in her chair, trying her best to convince the detective that she was a woman groan. I'm Evelyn Rogers, she gushed. I'm the sister of Naomi Lawrence. You know her, of course. She's one of the city's social leaders. Of course she's she's kind of frumpy and terribly old. She must be—why, I suppose she's every bit of thirty, and that's simply awful. I'm thirty-eight,' smiled Carol. "'No.' Yes, indeed. Well, you don't look it. You don't look a day over twenty-two, and I think men who are really grown up and yet look like boys are simply adorable. I do,
Starting point is 01:12:40 Really? And I simply despise boys of 22 who try to look like 38, don't you? Um, not always. Well, I do. They're always putting on airs and trying to make us girls think they're full grown. I just simply haven't time to waste with them. I feel so old. I haven't a doubt of it, Miss Rogers.
Starting point is 01:13:06 And now, I believe you came to tell me something about the Warren case? oh yes indeed just lot but do you know she stared at him with frank approval i'm terribly tickled with the way you look you may not believe it but i've always been atrociously in love with you no yes indeed you're such a wonderful man having your name in the papers all the time oh i've read about everything you've done that's how i learned so much about detectiving or isn't that what you call it "'Detecting. "'That's it. "'You know, I always was simply incorrigible "'in making up words when I couldn't think of the right one. "'Don't you think it's a lot of trouble sometimes,
Starting point is 01:13:53 "'thinking of just the right word in the right place?' "'Sometimes. "'But about the Warren case?' "'Oh, yes, certainly. "'I'm always getting off my subject, ain't I? "'I mean, am I not?' "'Bother grammar anyway. It's a terrible bore, don't you think?
Starting point is 01:14:14 Yes, Miss Rogers, and now, back to that awful crime again, aren't you? It's simply sugary the way you great detectives stick to one subject. I can do it, too, when I have to. I took some lessons once in power of will, concentration, and all that sort of thing. It made me feel wickedly old, but I learned a great deal about keeping my mind on one subject all the time. You know, it doesn't matter what you concentrate on, even if it's only making biscuits or something messy and domestic like that. It does you good. It trains you not to waste words and to store up your mental energy and all that sort of thing.
Starting point is 01:14:56 And all the time I was studying that course, I was thinking how perfectly glorious modern science is. Just suppose Shakespeare had been able to concentrate like us moderns can. His plays would have been utterly marvelous, wouldn't they? I suppose they would. And now, let's try concentrating on the Warren case. That's what I've been leading up to. You see, I knew Mr. Warren very well.
Starting point is 01:15:23 In fact, he was awfully friendly with me. To tell you the strict truth, and absolutely in confidence, I really believe he was in love with me. No. Yes, truly. We women have a way of knowing when a man is in love. with us. He used to be around at the house all the time. Of course, he pretended that he came around because he liked Siss and Gerald. Gerald? That's Mr. Lawrence. He's my brother-in-law,
Starting point is 01:15:55 sis's husband. Insufferably old-timey. Don't think of anything but business. Used to look at me through his horned-rimmed glasses and say I was entirely too young to be receiving attentions from a man as old as Mr. Warren, but he didn't know. I'm not young, really, you know. Of course, I'm not twenty yet, but a girl can be under twenty and yet be a woman, can't she? Yes, dryly, especially after she learns to concentrate. And as intimately as I knew Roland, that's Mr. Warren, you know, of course I didn't call him Roland to his face. Not that he didn't want me to, but then, sis and Gerald, would have disapproved, old Frump's.
Starting point is 01:16:41 Knowing him so intimately, and really believing that he was in love with me, although, of course, the minute he became engaged to Hazel Gresham, I didn't even flirt with him any more. Not the least little tiny harmless bit. Well, I find it excruciatingly hard to believe that he is dead. He is, quite. We're trying to discover who killed him. I know it.
Starting point is 01:17:05 That's what I came to see you about. So you did, I had quite forgotten. You ought to learn to concentrate, Mr. Carroll. It's really ridiculously easy after you've studied it a little bit. Now, if I had been you and you had been I, me, I never would have forgotten what you came to see me about. Of course, I know you didn't forget, really, but the chances are that you were interested talking,
Starting point is 01:17:32 and absolutely failed to remember that poor boy. What poor boy? roland warren carroll with difficulty concealed a smile i see and now that i've remembered him again suppose you tell me what you know about him and the case it's principally about what i read in the papers this morning really mr carroll there ought to be a law against newspapers printing such ridiculous things as what for instance that thing they had in there this morning why the way they mentioned hazel gresham you'd have thought that they thought she was the woman who killed roland the woman in the taxi-cab carroll's eyes narrowed slightly the faint smile still played about his lips you don't think she was oh mr carroll please please don't be so irresistibly absurd why in the world should hazel kill the man she was engaged to i don't know and besides what does she know about killing someone that is the most bizarre idea i have ever heard in all my life besides she couldn't have killed him anyway why not even if she'd wanted to she couldn't and i'm sure she didn't want to not that i think roland warren was the finest man in the world or anything like that of course i do believe he was interested in me and that made me know him pretty well
Starting point is 01:19:07 But still he was an awfully nice boy, and I'm sure Hazel was very much in love with him. So even if she could have killed him, she wouldn't, would she? I hope not, but you said she couldn't. What did you mean by that? I mean that nobody can be in two places at one time. Although I did read a funny article in the Sunday magazine section of one of the big newspapers last year, which said that, if miss gresham had been with mr warren last night at midnight she would have been in two places at one time why yes and that's not possible so of course she
Starting point is 01:19:48 what makes you think that miss rogers think what that miss gresham was not with mr warren at midnight last night why answered evelyn rogers simply i know she wasn't that's all you know yes indeed beyond the what you call em of a doubt how do you know that it's very simple she explained casually she was with me all night carol gazed at the girl before him with new interest out of her chatter he had at last garnered one important fact his mind trained to seize upon the vital and instantly discard the inconsequential clutched the bit of information and turned it over from the first carol had scouted the idea that the dead man's fiance might have been responsible for his death but still it was a line of investigation which demanded examination and his pretty young visitor was making that road exceedingly simple he injected all the warmth of his friendly sunny nature in the smile which he bestowed upon her you have helped me tremendously with that piece of information miss rogers i don't see how particularly no one with any sense provided they knew hazel of course could even imagine her killing any one and least of all an adorable boy like roland she was so much in love with him of course i haven't the pleasure of miss gresham's acquaintance of course not you'll have to meet her though she's a darling naturally she's all broken up this morning because her wedding date was all set now all her plans have gone smash and she really was terribly fond you say you spent the night with miss gresham certainly and-where at her house
Starting point is 01:21:50 and you're sure she was there all night of course we slept in the same bed and that's certainly proof enough isn't it i suppose so you suppose my goodness gracious don't you know well yes if you're sure why my dear mr carroll we didn't even actually go to bed until a quarter before twelve at ten o'clock we made some waffles downstairs hazel has just bought a perfectly darling aluminum electric waffle iron it makes the most toothsome waffles all crisp and everything and you know when you use aluminum you don't need any grease so that makes the waffles much nicer i'm getting horribly domestic since Hazel became engaged, because she is learning— "'And after you made the waffles?' "'Oh, after that we went upstairs to her room, and put on our kimonos, and had a heart-to-heart talk. I can't tell you what we talked about, because sometimes, well, it was atrociously risque, as women will, you know, and—'
Starting point is 01:23:00 "'At a quarter before twelve you were still sitting up talking, and you had your kimonos on?' yes and oh you just ought to see hazel's new kimono pink craped asheen trimmed with satin she looked simply ravishing in it i told sis i wanted one like it but-and then you went to bed yes just about then you are sure miss gresham didn't get up oh i'm positive she didn't i didn't get to sleep until after one o'clock anyway and i would have known you've given me some valuable information miss rogers and i'll see to it that the newspapers correct any impression they may have left that miss gresham might have been connected with the crime meanwhile he rose i'm a bit overdue down at headquarters so if you'll excuse me evelyn rogers rose and stood before him her pretty little face was eager "'I've really helped you, Mr. Carroll?' "'Enormously. "'Well, I wonder, you know, I'm just fiendishly anxious to be helpful in the world.
Starting point is 01:24:14 "'I wonder if you'd let me help you some more?' "'I'd be delighted.' "'Would you really?' "'Really.' "'And I can come to you any time to talk things over?' "'Whenever you get ready,' she clapped her hands. "'That's simply exquisite. "'You know, Mr. Carroll, I'm just simply crazy about you.
Starting point is 01:24:39 "'I always have been, but I'm more so now than ever, just hopelessly.' "'Thank you.' She made her way to the door. There she turned, and there was a peculiar light in her eyes. "'Mr. Carroll?' "'Yes. "'I wish you had been nineteen years old just now.' Why? Because, she flashed.
Starting point is 01:25:06 If you had been 19 years old when I told you what I did, you would have kissed me. End of Chapter 5. Recording by Roger Maline. Chapter 6 of Midnight This Libervox recording is in the public domain. Recording by Roger Maline. Midnight by Octavis Roy Cohen. Chapter 6. Regarding Roland Warren. for a long time after evelyn departed carol remained seated puffing amusedly on the cigar which followed his matutinal cigarette time had been long since the detective had come in contact with so much youthful spontaneity and he found the experience refreshing
Starting point is 01:26:02 then he rose and would have left the apartment for headquarters but again frida announced a caller another young lady questioned carol no sir it been young feller show em in the visitor entered and carol found himself gazing into the level eyes of a slightly dishe shelved and obviously excited young man of about twenty-eight years of age the man was slight of stature but every nervous gesture bespoke wiriness are you mr carroll yes i'm gresham garrison gresham ah won't you be seated yes i came to have a talk with you carol seated himself opposite his collar then he nodded you came to see me about the warren case you know something about it yes the young man seemed to bite the word i do what you're in charge of the case aren't you yes you've seen this morning's papers i have well they're rotten absolutely rotten they don't say it in so many words But the impression they create is that my sister, Hazel, was the woman in the taxi who killed Roland Warren.
Starting point is 01:27:37 It's a damned lie. The young man was growing more excited. Carol put out a restraining hand. I quite agree with you, my friend. It was a pretty rotten impression to create. But I shall see that all doubt is removed from the mind of the public when this afternoon's papers appear. I have just learned that your sister has an,
Starting point is 01:28:00 ironclad alibi. You have already learned that? Yes. Gresham leaned forward eagerly. What makes you sure that she did not, was not... Suppose I question you, if you have no objections. Fire away! Where was your sister at midnight last night?
Starting point is 01:28:26 At home? Alone? I mean, was anyone besides your family there? Yes, replied Gresham, showing surprise at Carol's evident knowledge of facts. Who? Evelyn Rogers spent the night with her. Evelyn's a 17-year-old kid who has had what I believe you call a crush on my sister. They were together in that house from ten o'clock last night, or earlier, until this morning.
Starting point is 01:28:58 And if you don't believe that. But I do. I have just had a visit from Miss Rogers, and she told me exactly what you have just repeated. So I'm pretty well satisfied that your sister had nothing whatever to do with the affair. I will take pains to see that this evening's papers make that quite clear. Gresham rose.
Starting point is 01:29:23 A load seemed to have dropped from his shoulders. That's white of you, Carol, I appreciate it. Not at all. I have no desire to cause annoyance or inconvenience where it is unnecessary, and Miss Rogers told me, with great attention to detail, just why and how it was impossible for your sister to have been anywhere except at home last night.
Starting point is 01:29:50 Evelyn's considerable of a brick, in spite of the fact that she's more or less minus in the upper story, and now, if you're really satisfied, I'll be going." The two men walked to the door together. They were about of a height, Carol slightly the heavier of the two. You've no idea as to the identity of the woman in the taxi-cab, have you, Gresham? No, have you? None whatever.
Starting point is 01:30:21 Though I fancy something ought to develop in the near future. The city is disgusting. it pretty freely. The town's wild about it. They don't understand anything. It's tough on my sister. Hazel is only a kid, and I think she was in love with Warren. Well, good day, Carol.
Starting point is 01:30:44 He extended a firm hand. Any time I can be of any help. Thanks, Gresham. Five minutes after Gresham's departure, Carol was in his car, headed for the police station. He turned the case over and over in a keen analytic mind which had been refreshed by a night of untroubled sleep.
Starting point is 01:31:09 There were a good many features about it which puzzled him considerably. While he had not expected that the trail of the mysterious midnight woman would lead to the fiancé of the dead man, the sudden dissipation of that as a clue rather threw him off his balance. He had reached,
Starting point is 01:31:27 the end of a trail almost before setting foot upon it. Thus far, he had refused to allow himself to be worried by the strangest feature of the case, the appearance of the dead body in a taxi-cab which, according to its driver's story, could not have been other than empty. It was always easy to explain the disappearance of a person from an automobile, but he figured it was patently impossible to enter one without the driver's knowledge. He reached headquarters and closeted himself with leverage. They plunged at once into a discussion of that phase of the case.
Starting point is 01:32:08 There are only two things which could have happened, said the chief of police slowly. One is that someone croaked that bird Warren and shoved him into the cab while the woman was riding in it. The other is that he slipped into the cab and she killed him. while i ain't jumping on no set ideas i have a hunch that the last one is right why because the other that idea of putting a dead body into a cab without the driver knowing it it just naturally ain't possible then you are quite convinced leverage that walters did not know anything about it now say carroll that's putting it up to me rather strong but since you're asking i'm here to say that i believe the kid of course it's possible that he was in on the deal but i'm betting liberty bonds against russian roubles that he'd have slipped somewhere if that had been the case nobody that's in on a murder deal is going to frame a lie that sticks his bean as close to a noose as walters would be if he's not telling the truth sounds reasonable and yet i'm surprised at you suspectin the kid i don't suspect him but you said we can't overlook anything that's what i said it's what i was driving at anyway
Starting point is 01:33:41 so far walters is the only tangible clue we've had to work with as i told you the hazel gresham trail died a-boring the kid who came to see me this morning cleared her and then her brother came along right afterward, red-hot over the insinuations against his sister in the papers. As matters stand now, there's nothing to tie to but Spike Walters. I'm glad you're handling it, said Leveridge fervently. And, as you are, I'm making so bold as to ask what you're going to do next. A little general inquiring. You can help me on that. For one thing, I want to get hold of every bit of dope I can regarding Warren, who he was, where he came from, what he did, the size of his bank deposits, his business connections, his social life, and especially every morsel of gossip that's ever been circulated about him in connection with women. Hmm, you think this dame was a society sort?
Starting point is 01:34:52 Probably. He was undoubtedly going away with her, and a man of his stamp doesn't often elope with a woman of the other type. True enough. Well, I'll get you what dope I can. I want it all. I'm afraid this is going to resolve itself into a contest of elimination. The city is buzzing about the case today, and it ought to be pretty easy to get hold of a world of gossip concerning Warren's love affairs, provided he had any. Everybody's concerned over the identity of that woman, and every woman Warren has ever been mixed up with, even in the most innocuous way, is going to be dragged into the case. Carol made his way from headquarters direct to the Consolidated Railroad Ticket Office.
Starting point is 01:35:46 He introduced himself to the chief clerk and stated his business. The other showed keen and the tickets were sold to him in this office mr carroll this young man here sold them carroll smiled genially at the skinny young chap who bustled forward importantly proud of his temporary spotlight position you sold some tickets to roland warren yes sir when day before yesterday you are sure it was mr warren you are sure it was mr warren yes sir i have known him by sight for a long time about the tickets what did he buy two tickets and a drawing-room on number twenty-nine for new york due to leave at eleven fifty five last night you're sure he bought two tickets and a drawing-room or was it one ticket it had to be two we can't sell a drawing-room unless the purchaser has double transportation you delivered both tickets to him personally yes sir gave them both to him from the ticket office carroll went back to headquarters and from there to the coroner's office and accompanied by that dignitary to the undertaking establishment where the body was being kept under police guard. Nothing had yet been touched.
Starting point is 01:37:20 The inquest had resulted in a verdict of death by violence, inflicted by a revolver in the hands of a person unknown. Carol again ran through the man's pockets. In a vest pocket he discovered what he sought. He took the trunk check to the Union Station and through his police badge secured access to the baggage room. The trunk was not there. He compared checks with the baggage master
Starting point is 01:37:51 and learned that the trunk had duly gone to New York. He left orders for it to be returned to the city. From there he went to the office of the division superintendent and left a half hour later, after an exchange of telegrams between the superintendent and the conductor of the train for New York. which informed him that the drawing-room engaged by Warren had been unoccupied nor had there been an attempt on the part of anyone to secure possession of it also that the only birth purchased on the train had been at a small-town stop about four o'clock in the morning obviously then the person who was to share the drawing-room with Warren and for whom the second ticket had been bought had never boarded the
Starting point is 01:38:42 train. The trail had doubled back again to the woman in the taxi cab. It was not until two o'clock in the afternoon that Carol returned to headquarters. He found Leverage ready with his report. For one thing, said the chief, there isn't a doubt that Warren was getting ready to leave town, and for good. How so? Leverage checked over his list. first he had sublet his apartment second he had with him eleven hundred dollars in cash third he left his automobile with a dealer here to be sold and did not place an order for any other car and fourth leverage paused impressively yes and fourth he fired his valet yesterday end of chapter six recording by roger maline chapter seven of midnight this librivox recording is in the public domain recording by roger maline midnight by octavus roy cohen chapter seven the valet talks there was a triumphant ring to leverage his statement that the dead man's valet had been discharged at some time during the twenty-four hours which immediately preceded the killing
Starting point is 01:40:23 it was as if his instinct recognized a combination of circumstances which could not be ignored carol looked up interestedly have you talked to this fellow no i figured i'd better leave that phase of it to you but i'm having him watched cartwright is on the job right now the man is at his boarding-place on larsen street carol started for the door let's go he suggested laconically it was but a few minutes drive from headquarters to the boarding-house of roland warren's former valet carroll parked his carol parked his car at the curb and inspected the place closely from the outside there was little architectural beauty to recommend the house it was a rambling dilapidated two-story structure sadly in need of paint and repairs and and bespeaking occupancy by a family none too well blessed with the better things of existence they proceeded to the door and rang the bell a slatternly woman answered their summons and leverage addressed her we wish to see william barker please william barker yes i believe he moved here yesterday oh that feller the woman started inside wait a minute she said crossly and shut the door in their faces while they stood waiting leverage glanced keenly up and down the street and his eye lighted on the muscular figure of cartwright the plain-clothes man shivering in the partial shelter of an alley across the way the policeman signaled them that all was well and resumed his vigil at that minute the door opened and the woman reappeared
Starting point is 01:42:22 he ain't home she said and promptly closed the door again carroll looked at leverage and leverage looked at carroll leverage crossed the street and interrogated cartwright the landlady says he's out cartwright how about it bum steer chief the bird's there i'll bet my silk shirt on it leverage recrossed the street and reported to carroll you're pretty sure Cartwright has the straight dope? Sure thing, said the chief. He's one of the most reliable men on the force, and when he says a thing, he knows it. Carol stroked his beardless chin. There was a hard, calculating light in his eyes,
Starting point is 01:43:11 eyes which alternated between a soft, friendly blue and a steely gray. Finally, he looked up at leverage. What's your idea, Eric? About him sending word he was out when we know he ain't? Exactly. It looks darn funny to me, Carol. Appears like he didn't want to discuss the affair with us.
Starting point is 01:43:36 He don't know who we are. He can guess pretty well. Any guy with a head in his shoulders knows the valet of a murdered man is going to be quizzed by the police. Good. Come on. Carol put a firm hand on the knob. and turned it. Then he stepped into the dingy reception hall, followed by the city's chief of police. At the sound of visitors, the angular frame of the boarding housekeeper appeared in the doorway,
Starting point is 01:44:07 her eyes flashing antagonistically. Leverage turned back the lapel of his coat and disclosed the police badge. "'Listen here, lady,' he said in a voice whose very softness brooked no opposition, that bird barker is here and we're going to see him police business where's his room the woman's face grew ashen what's he been doin she quavered what's he been up to now what's he been up to before this countered leverage i don't know anything about him swear to god i don't he just come here yesterday and took a room paid cash in advance He's in his room, ain't he? What if he is? He told me to tell anybody who come along that he was out. I didn't know you as cops.
Starting point is 01:45:07 Oh, I hope there ain't nothing going to ruin the reputation of this place. There ain't a woman in town who runs a decenter place than this. Nobody's going to know anything, reassured Carol, provided you keep your own tongue between your teeth. Now, take us to Barker's Room. The boardinghousekeeper led the way up a flight of dark and twisting stairs along a musty hall. She paused before a door at the far end. There it is, sirs, and—
Starting point is 01:45:41 You go downstairs, whispered Carol. If we should find you trying to listen at the keyhole— His manner made it unnecessary to finish the threat. The woman departed, fluttered, fluttering with excitement leverage's hand found the knob and carol nodded briefly the door was flung open and the two men entered what the occupant of the room leaped to his feet and stood staring his face gone pasty white his demeanor one of terror which carol could see he was fighting to control leverage closed the door gently and gazed at the man upon whom they had called william barker was not a large man neither was he small he was one of those men of medium height whose physique deceives every one save the anatomical expert to the casual observer his weight would have been catalogued at about a hundred and forty at a glance carol knew that it was nearer a hundred and eighty
Starting point is 01:46:49 normal breadth of shoulder was more than made up for by unusual depth of chest ready-made trousers bulged with the enormous muscular development of calf and thigh the face clean-shaven was sullen with the fear inspired by the sudden entrance of carol and leverage and there was more than a hint of evil in it as they watched the sullenness of expression was supplanted by a leer and then by a manner of professional placidity the bovine expression which one expects to find in the average specimen of masculine hired help the man's demeanor was a combination of abjectness and hostility he was plainly frightened yet striving to appear at ease carol and leverage maintained silence barker fidgeted nervously and finally when the strain became too great burst out with, Who are you, fellas? What you want? Carol spoke softly.
Starting point is 01:47:57 William Barker? What if that is my name? Carol's hand spread wide. Just wanted to be sure, that's all. You are, William Barker? And what if I am? What you got to do with that? Carol showed his badge.
Starting point is 01:48:17 And this gentleman, He finished, designating leverage, is chief of police. Barker's voice came back to him in a half wine, half snarl. I ain't done nothing. Nobody has accused you yet. Well, when you bust in in a feller like this, Carol seated himself, and leverage followed suit. He motioned Barker to a chair.
Starting point is 01:48:47 Let's talk things over. he suggested mildly. Ain't nothing to talk over. You're William Barker, aren't you? I ain't said I ain't, have I? Carol's eyes grew a bit harder. His voice cracked out. What's your name?
Starting point is 01:49:09 Barker met his gaze, then the eyes of the ex-valet shifted. William Barker, he answered, almost unintelligibly. very good now sit down william william seated himself with ill grace carol spoke again but this time the softness had returned to his tones his manner approached downright friendliness we came here to talk with you barker he said frankly we don't know a thing about your connection with this case but we do know that you were valet to roland warrens we do know that you were valet to roland warren and therefore must possess a great deal of information about him which no one else could possibly have. All we want is to learn what you know about this tragedy, what you know, and what you think. Barker raised his head. For a long time he stared silently at Carol. I don't know who you are, he remarked at length, but you seem to be on the level.
Starting point is 01:50:17 I am on the level. returned Carroll quietly. My name is David Carroll. Oh, so you're David Carroll! The query was a sincere tribute. Yes, I'm Carol, and I'm working on the Warren case. I don't want to cause trouble for anyone, but there are certain facts which I must learn.
Starting point is 01:50:43 You can tell me some of them. No person who is innocent has the slightest thing to fear for me. And so, Barker, if you have nothing to conceal, I'd advise that you talk frankly. I ain't got nothing to conceal. What made you think I had? I don't think so. I don't think anything definite at this stage of the game. I want to find out what you know. I don't know nothing either. Hmm, suppose I learn that for myself. I'll start at the beginning. Your name is William Barker? Yes, I told you that once. Where is your home? What city have you lived in mostly? The man hesitated. I was born in Gadsden, Alabama, if that's what you mean.
Starting point is 01:51:40 Mostly I've lived in New York and around there. What city's around there? Newark. Newark, Newark, New Jersey. he? Yes, and in Jersey City some, and Patterson, and a little while in Brooklyn. You met Mr. Warren, where? In New York. I was valet for a fellow named Duckworth, and he went and died on me, typhoid. You can find out all about him, if you want. Mr. Warren was a friend of Mr. Duckworth, and he offered me a job. We lived in New York for a while, and then we down here how long ago about four years maybe five what kind of a man was he personally carroll watched his man closely without appearing to do so he saw barker flush slightly and did not miss the jerky nervousness of his answer that or the forced enthusiasm
Starting point is 01:52:47 oh i reckon he is all right that is he was all right real nice feller you were fond of him i didn't say i was in love with him i'd said he was a nice feller treated you well oh sure he treated me fine and yet he discharged you yesterday then carol bluffed without notice barker looked up sharply his face betrayed his surprise showed clearly that carroll's guess had scored how'd you know that i knew it returned carol that's sufficient barker assumed a defensive attitude anyway said he that didn't make me sore adam because he gave me a month's pay and that's just as good as a notice ain't it "'Yes, I guess it is,' Carol hesitated. "'Did he pay you in cash?' "'Yeah, cash.' Again Carol hesitated for a moment while he lighted a cigarette.
Starting point is 01:54:03 When he spoke again, his tone was merely conversational, almost casual. "'You've read the papers, all about Mr. Warren's murder, haven't you?' i'll say i have what do you think about it again that startled a look in barker's eyes again the nervous twitching of hand what you mean what do i think about it the woman in the taxicab do you think she killed him barker drew a deep breath one might have fancied that it was a sigh of relief oh her sure she's the person that killed him him he knew a good many women suggested carroll interrogatively he got along pretty well with them hum william barker nodded you said it then mr carroll mr warren he was a bird with the women End of Chapter 7. Recording by Roger Maline. Chapter 8 of Midnight.
Starting point is 01:55:20 This Librevox recording is in the public domain. Recording by Roger Maline. Midnight by Octavus Roy Cohen. Chapter 8. Carol makes a move. No slightest move of Warren's erstwhile valet, no twitching of facial muscles, no involuntary gesture of nervousness however slight escaped carroll's attention but with all his watchfulness the boyish-looking investigator was unostentatious almost retiring in his manner
Starting point is 01:55:56 and this modest demeanor was having its effect on william barker just as carroll had known it would have and as leverage had hoped eric leverage had worked with carroll before and he had seen the man's personal charm his sunny smile his attitude of camaraderie perform miracles people had a way of talking freely to carroll after he had chatted with them awhile no matter how bitter the hostility surrounding their first meeting carol was that way he was a student of practical everyday psychology he worked to one end he endeavored to learn the mental reactions of every one of his dramatic maddest person I, toward the fact of the crime he happened to be investigating. That, and as nearly as possible, their feelings at the moment of the commission of the crime, no matter where they might have been. It doesn't matter what a suspect says, he had told Leverage once. Some of them tell the truth and some of them lie. Often the truth sounds untrue, while the lies carry all the earmarks of honesty. It's a sheer guess on the part of any detective. What I want to know is
Starting point is 01:57:14 how my man felt at the time the crime was committed, not where he was, and how he feels now about the whole thing. But the facts themselves are important, argued the practical chief of police. Granted, but when you have facts, you don't need a detective. I'd rather have a suspect talk freely and never tell the truth, then have him be reticent and stick to a true story. Leverage's reply had been expressive of his opinion of Carol's almost uncanny ability. Sounds like damn nonsense, said he,
Starting point is 01:57:55 but it's never failed you yet, and even you couldn't get away with it if you lost that smile of yours. Right now he was witnessing the magic of Carol's smile. he had seen the antagonism slowly melt from barker's manner the nervousness was still there true but it seemed tinged with an attitude which was part friendliness toward carroll and part contempt for his powers that too was an old story to leverage more than one criminal had tripped over the snag of underrating carol's ability barker's last statement warren he was a burrower with the women was true leverage knew it was true carol knew it was true there was the ring of truth about it it mattered not whether barker had an iron of his own in the fire it mattered not what else he said which was not true the two detectives knew that they had extracted from him a fact the relative importance of which would be established later
Starting point is 01:59:04 just at present knowledge that the dead man had been somewhat of a philanderer seemed of considerable importance for one thing it established the theory that he had been planning an elopement with the woman in the taxicab that being the case a definite task was faced first find the woman then find some man vitally affected by her elopement with warren carroll betrayed no particular interest in barker's statement instead he smiled genially a sort of between us men's smile which did much to disarm barker a regular devil with em eh barker you spoke a mouthful that time mr carroll what he didn't know about women their own husbands couldn't tell him married ones oh sure he was a specialist with them then most of this gossip we've been hearing has a basis of fact a momentary return of caution showed in barker's retort i don't know just what you've been hearing a good many stories about his love affairs with women who were prominent socially barker shrugged most likely they're true although it's a safe bet that a heap of em was lies men folks have a way of lying about women that way even where they'll tell the truth about everything else they've got women beaten ninety-seven ways gossiping about that sort of thing you know a thing or to yourself barker the man flushed with pleasure oh i ain't nobody's pet jackass when it comes to that now you carroll's tone was gentle almost hypnotic of course you know who the woman is that mr warren was planning to elope with
Starting point is 02:01:04 i know suddenly barker paused and his face went white he compressed his lips with an effort and choked back the words leverage leaning forward in tense eagerness knowing the verbal trap that carol had been planting sighed with disappointment and relaxed say what the hell are you driving at nothing one would have sworn that carol was surprised at barker's flare of anger or else that it had passed unnoticed i just figured that you having been his valet and knowing a good deal about him would have knowledge of this he wasn't in the habit of discussing his lady friends with me growled the ex valet surlily of course he wasn't but you know of course you guess you guess No, I didn't do nothing of the kind. Say, what are you trying to do? Trip me up or something? Of course not.
Starting point is 02:02:09 Why should I be interested in tripping you up? You was saying, don't be foolish, Barker. It wouldn't do me a bit of good to trip you up. All I want is whatever knowledge you have, which may prove of interest in solving this case. The man's eyes narrowed. craftily. You ain't got no suspicions yourself, have you?
Starting point is 02:02:35 Suspicion of what? Who that dame in the taxi-cab was. Carol laughed infectiously. Goodness, no. If I had, I wouldn't be seated here chatting with you. Again, the expression of relief flashed across Barker's face, a bit of play lost by neither detective. Carol was toying idly with a gold pencil in the end of his Waldemar. His outward calmness, exasperated leverage.
Starting point is 02:03:09 From this point of the interview, the chief of police would have dropped the attitude of trustful friendliness and resorted to a little practical third-degree stuff. He was fairly quivering with eagerness to bluster about the room and extract information by main force, and a hint of leverage his mental seethe must have been communicated to carol for the younger man turned the battery of his sunny gaze upon the chief of police and nodded reassuringly the effect was instantaneous leverage's temporary resentment departed much as the gas escapes from a pin-punctured balloon he gave ear to barker's speech oh you ain't the only one who don't know who that woman was i don't you knew he was planning to elope though the man shook his head doggedly
Starting point is 02:04:03 i knew he was leaving the city for good if that's what you mean no not exactly i knew that much myself what interests me is this was he planning to leave with some woman barker hesitated before replying and when he did answer it was patent that his words were chosen carefully i don't hardly reckon he was mr carroll mind you i'm not sayin he wasn't but then again i ain't sayin he was i can't do nothin only guess same as you can i see carroll was apparently unconscious of barker's flagrant evasion what i don't understand is this when mr warren was publicly engaged to miss gresham why did he try to elope with her elope with miss gresham barker paused then a slow calculating smile creased his lips miss gresham her he was engaged to doggone if i don't believe you've hit the nail on the head mr carroll what nail about her being the woman in the taxi you know some fellers is like that they're to heap rather a lope with the woman they're crazy about than stand up in a church and get married they're sort of romantic barker was waxing locacious you know you must be right fact if you were to put it up to me i'd say there wasn't no doubt that miss gresham was the woman in the taxi-cab i had that idea responded carroll slowly but what i can't understand barker and what you might help me figure out is this why should miss gresham kill mr warren
Starting point is 02:06:04 Huh, ask me something easy, will you? I never was good at riddles. Leverage marveled at the change in the two men. Apparently Carol had swallowed hook, line, and sinker. Of course, Leverage was pretty sure that he had not, but he was also sure that Barker thought he had. And Barker was volunteering information, plenty of it, that was absolutely valueless.
Starting point is 02:06:34 for the first time he was forcing the conversational pace and carroll seemed serenely content to drag limply along reckon she might have been jealous of him drawled carol jealous maybe i ain't sayin she wasn't of course she must have heard a good many things about him and other women and when a woman gets downright jealous there ain't much sayin what she wouldn't do not that i'm saying miss gresham croaked em i ain't sayin nothin positive but if you're asking me who he'd most naturally elope with why i'd say it was the girl he was engaged to marry if he wasn't going to marry her what did he ever get engaged to her for carol nodded certainly sounds reasonable he paused and then where were you about midnight last night I was—' Barker's figure stiffened defensively, and his eyebrows drew down over the deep-sad eyes. I was just shooting some pool.
Starting point is 02:07:48 Shooting pool? Uh-huh. Where? At Kelly's place? Where is that? The man hesitated, flushed, and then somewhat sullenly. on Cypress Street.
Starting point is 02:08:06 That's pretty close to the Union Station, isn't it? Not so close. About how far away? Again, the momentary hesitation. About a half block! And you were shooting pool there? Sure I was. I can prove it. Carol grinned, disengagingly.
Starting point is 02:08:31 You don't need to prove anything to me, Barker. And for goodness sake, get the idea out of your head that I'm suspecting you of anything. I had to talk matters over with you. You knew more about the dead man than anyone else. But I couldn't think you had anything to do with it, could I? You're not a woman. Barker grinned sheepishly. That's all right, Mr. Carroll.
Starting point is 02:09:00 And as for me being a woman, Well, you're sure a woman killed him, ain't you? As sure as anyone can be. And now, Carol Rose, I'm tremendously obliged for all the information you've given me. Any time you run across anything more that you think might prove of interest, look me up, will you? Sure, sure! Barker's tone was almost hearty.
Starting point is 02:09:28 You're a regular fellow, Mr. Carroll, a regular fellow. a regular feller. The two detectives departed. Carol spoke to Cartwright as he passed. Keep both eyes on that fellow Barker, he ordered curtly. I'll send Reed up to team with you. Don't let him get away. Nab him if he tries it.
Starting point is 02:09:52 Cartwright nodded briefly, and Carol and Leverage climbed into the former's car. As they rounded the corner, Leveridge turned wide eyes upon his professional associate. "'Carroll?' "'Yes?' "'You beat the Dutch.' "'How so?
Starting point is 02:10:13 "'You didn't swallow that bird's yarn, did you?' "'Of course not,' answered Carol, calmly. "'I didn't think so. "'But you had me worried with that innocent look of yours. "'Me, if I was wanting to play safe on this case, I'd arrest William Barker, Pronto. Why? Because, snapped leverage positively,
Starting point is 02:10:41 I think he was mixed up in Warren's murder. Ah, Carol refused to become excited. You do? Yes, I do. What do you think? I think this, answered Carol. I think that Mr. William Barrow. Parker knows a great deal more about the case than he is told. End of Chapter 8.
Starting point is 02:11:08 Recording by Roger Maline. Chapter 9 of Midnight. The Slibervox recording is in the public domain. Recording by Roger Maline. Midnight by Octavis Roy Cohen. Chapter 9. Ice cream soda. They drove in silence to headquarters,
Starting point is 02:11:35 each man busy with his thoughts. It was not until they were alone in leverage's sanctum that the subject of the recent interview was again broached. It was leverage who brought it up, in his characteristically gruff way. I reckon you're wondering, Carol, about what I said back yonder in the car. About arresting Barker?
Starting point is 02:12:00 Yes. I guess you're figuring what I'd arrest him for, eh? i'm interested yes i'd arrest em for this leveridge leaned forward earnestly his attitude that of a man eager to convince let's admit right off the reel that the skirt and the taxi-cab croaked warren looks like she did anyway but whether she did or not it's an even bet that there was a man mixed up in it somewhere and if that man isn't mr william barker then i'll eat a month's pay. You're sure there was a man mixed up somewhere? Certainly. This murder deal was planned in advance. It must have been. Things couldn't just work out that way. And no woman, no matter how much she wanted to bump Warren off, could think of a thing that complicated. Even if she did think of it, she wouldn't have the nerve to carry it out that way. Ain't I right?
Starting point is 02:13:05 You may not be right, Leverage, but you're certainly logical. Good. Now, so far, we ain't got any man in this case, except Barker. Carol shook his head. You're wrong there. How? Somewhere in this town is some man who is interested in the woman with whom Warren was planning to elope. Don't forget this, Leverage. I let Barker ramble on. I like to hear him talk.
Starting point is 02:13:38 The minute he jumped at the idea that the woman in the taxi was Miss Gresham, I knew perfectly well that he knew she was not. I also believe that he knows who the woman was. Further, I believe that she is socially prominent. That being the case, it is a safe guess that there is some man who might commit a murder, provided he knew in advance of the elopement. Our task now is to discover that woman, and, through her, the man interested. Leverage frowned thoughtfully.
Starting point is 02:14:15 Listen's good, he volunteered at length. Another thing. Barker admits he was shooting pool in Kelly's place last night around midnight. And Kelly's place is only half a block from the Union Station. That sounds significant. It does, and then again it may mean nothing. What I am striving for is to make William Barker feel that he is safe. The safer he feels, the more readily he will talk. No matter how many lies, he tells, everything that he says is of value.
Starting point is 02:14:53 He didn't know, of course, that we already had a perfect alibi for Miss Gresham. But even if we hadn't, his assumed belief, that she committed the crime would have assured me that she did not. No, I think we'd better not arrest the man unless he forces our hand, tries to jump town or something like that. Better let him remain at large and talk frequently. If he has anything to betray, there's more chance that he'll do it that way. Don't you think I'm right?
Starting point is 02:15:25 I wouldn't admit it if I didn't, Carol. I've seen you in action too often to believe your own. ever wrong. Carol flushed boyishly. Don't be absurd, leverage. I'm often wrong, very wrong. And don't think that I'm a transcendent detective. They don't really exist, you know. I'm merely trying to be human, to learn the nature of the people with whom I'm dealing. I try to learn them as well as they know themselves, maybe a little better.
Starting point is 02:15:58 And then I try to separate the wheat of, vital facts from the shaft of the inconsequential. Just the same, insisted leverage, loyally. You always get them. And when I do, it is because I have used nothing more than plain common sense. Don't think that I attach no importance to physical clues. They're immensely valuable. But the one weakness in a criminal is his lack of common sense. His perspective is awry. his sense of values distorted usually he bothers his head about a myriad minor details and pays but scant attention to the genuinely important things
Starting point is 02:16:43 it is upon that weakness that i am banking particularly so in the case of barker i insist that you're a wonder carroll and i insist you're foolishly complimentary did you ever stop to realize Eric, that when a crime is committed, the advantage lies entirely with the detective? The detective can make a thousand mistakes during the course of his investigations, and still trap his man, but the criminal cannot make one single error, not one. Maybe so, David, but it takes a good man to recognize that one, and to know what to do with it. carol grinned and left and then for two days devoted himself to a study of the condition surrounding the murder that and routine matters the trunk for instance was duly returned by the railroad from new york and carol and his friend made a minute investigation of every article contained therein their search was well-nigh fruitless the trunk contained little save the wardrobe of a well-dressed man suits, shirts, underwear, shoes, caps.
Starting point is 02:18:01 There were also golf and tennis togs, a few books, a handsome leather secretary, containing a good many personal letters and one or two business missives which were of little interest. Altogether, the examination of the trunk, a process which occupied three hours, established nothing definite, save that there was nothing to be discovered.
Starting point is 02:18:27 Its results were hopelessly negative. Meanwhile, the city sizzled with gossip of the war and murder. The seemingly impenetrable mystery surrounding the case, its many sensational features, the admission of the police department that the woman in the case was not Hazel Gresham, fiancé of the dead man, yet the certainty that there was a woman,
Starting point is 02:18:51 and that she was of the better class, all this served to keep the tongues of men and women alike wagging at both ends carol was besieged with anonymous letters dozens of prominent married women were mentioned as having been at one time or another the object of warren's amorous attentions carroll read each one carefully and filed it away he had hoped for this but the results had far exceeded his expectations and he found himself bewildered rather than assisted by the response from nameless individuals who were morbidly eager to be of help the detective knew that the running down of each individual trail the investigation of each of warren's supposed affairs of the heart would be an interminable procedure and so far not a single one of the letters had varied from another they connected warren's name with that of some married woman and let it go at that it was quite evident that the dead man had been very much of a lothario too much so for the mental ease of the investigator who was struggling to link the cause of his death with one particular affair the reporters allowed their imaginations to run wild the story was what is known in the parlance of the newspaper world as a space eater. City editors turned their best men loose on it and devoted columns to conjecture.
Starting point is 02:20:25 There was little definite information upon which to base the daily stories that were luridly hurled into type. Thus far, Spike Walters, driver of taxicab number 92-381, was the only person under arrest, And only those persons too lazy to exercise their minds were willing to believe that Spike was guilty or that he knew more of the crime than he had told. Carol read each news story attentively. No wild theory of a pop-eyed reporter, hungry for fact, was too absurd to receive his careful attention. But they proved of little assistance.
Starting point is 02:21:08 With the spotlight of publicity blazing on the crime, the investigation seemed to have become static. There was no forward movement, nothing save that in the brain of David Carroll, salient facts were being seized upon and meticulously cataloged for future reference. Cartwright and Reed, the plainclothesman detailed to shadow William Barker,
Starting point is 02:21:33 reported nothing suspicious in that gentleman's movements. He seemed to be making no effort to secure employment, but on the other hand there was little of interest in what he did do. Again, the stone wall of negative action. Barker spent his mornings in his boarding-house, apparently luxuriating in long slumbers. He ate always at the same cheap restaurant, and his afternoons and evenings were devoted largely
Starting point is 02:22:02 to the science of eight-ball pool at Kelly's Place. There may have been significance in his loyalty to Kelly's Place, but if there was it was too vague for carroll to consider he merely remembered the fact that barker was a steady patron of the pool-room near the union station and filed it away with his other threads of information concerning the murder carol was frankly puzzled the case differed widely from any other with which he had ever come in contact usually there was an array of persons upon whom suspicion could be justly thrown, a collection of suspects from whom the investigator could take his choice, or from whom he could extract facts which eventually might be used to corner the guilty person. In the present case, there was no one to whom he could turn an accusing finger. Of course, he was convinced that William Barker knew a great deal about the crime and the events which preceded it, but Barker
Starting point is 02:23:06 wouldn't talk, and he, Carol, had no evidence that enabled him to bluff, to draw Barker out against his will. The crime seemed to have lost itself in the sleety cold of the December midnight upon which it was committed. The trails were not blind, there were simply no trails. The circumstances baffled explanation, a lone woman entering an empty taxi cab, a run, to a distant point in the city, the discovery of the woman's disappearance, and, in her stead, the sight of the dead body of a prominent society man. That and the further blind information that the suitcase, which the woman had carried, was the property of the man whose body was huddled horribly in the taxi-cab. The woman, whoever she was, had either been unusually
Starting point is 02:24:04 clever or unusually lucky. Minute examination of the interior of the cab had revealed nothing, not a fingerprint nor a scrap of handkerchief. There was absolutely nothing which could serve as a clue in establishing her identity. And yet, somewhere in the city, a city of 200,000 souls,
Starting point is 02:24:28 was the woman who could clear up the mystery. Convinced that she was prominent socially, Carol kept a close eye upon the departures of society women for other cities. His vigil had been unrewarded thus far, and the public as a whole waited eagerly for her apprehension, for the public was unanimous in the belief that the woman in the taxi-cab was the person who had ended Warren's life. The very fact of having nothing definite upon which to work was getting on Carroll's usually equable nerves. He had little to say to Leverage regarding the case, for the simple reason that there was very little which could be said. Leverage, on his part,
Starting point is 02:25:15 watched the detective with keen interest, sympathizing with him, and exhibiting implicit confidence. But the men didn't agree upon the correct procedure. Leverage was all for arresting Barker and charging him with the murder. You'll learn some facts then, Carol, he insisted. But Carol shook his head. It wouldn't get us anywhere, Eric. We couldn't prove him guilty. No, but that don't make no difference.
Starting point is 02:25:48 Of course, the law says a man is innocent until you prove he ain't, but that ain't what the law does. If we arrest this here, Mr. William Barker, everybody's going to believe he's guilty until he proves himself innocent. And you think he can't do that? No, at least I'm gambling on this. Barker can't prove himself innocent without telling who is guilty.
Starting point is 02:26:16 But Carol refused to arrest the man. He knew that Leverage disapproved, but he also knew that Leverage was sportsman enough to let him handle the case in his own way. On one of his long strolls through the downtown section of the city, daily walks, which helped him to think connectedly, David Carroll felt a hand on his arm and heard an eager feminine voice in his ear. Gracious goodness!
Starting point is 02:26:46 If it isn't the perfectly marvelous Mr. David Carroll! Carol bowed instinctively. Then his lips expanded into the first wholesome smile he had experienced in 48 hours. miss evelyn rogers you did recognize me didn't you how simply splendiferous i'm awfully glad we met so am i miss rogers she dropped her voice confidentially will you do me a great favor an enormous favor certainly what is it it's this she looked around carefully i told some of my friends that you are a friend of mine, and they don't believe it. They're over yonder in that ice cream place. Now, what I want you to do for me is to show them. I want you to take me over there and buy me an ice cream soda. Carol laughed aloud as he took her by the arm and piloted her through the
Starting point is 02:27:49 traffic. He asked only one question. What flavor? End of Chapter 9. Recording by Roger Maline. chapter ten of midnight this libravox recording is in the public domain recording by roger maline midnight by octavus roy cohen chapter ten a discovery if evelyn rogers amply clad as to fur around the neck but somewhat underdressed as to lace stockings about the legs had desired to create a sensation among her friends she more than succeeded She preceded Carol into the place, her eyes glowing pridefully, skirted the table at which her friends sat, then stopped abruptly, forcing Carol to do likewise. "'Mr. Carroll,' she said sweetly, "'I want to introduce you to my friends.' She called them by name. "'Girls, this is Mr. Carroll, the famous detective!' carol bowed in his most courtly manner and assured them that he was delighted to make their acquaintance he insisted that it was always a pleasure to meet any friends of his very dear friend miss rogers the girls at the table giggled with embarrassment and one or two of them made rather pall at repartee then carol and the seventeen-year-old found a table in the very centre of the floor even as a boy recognizing carol appeared at their elbow the detective studied the list intently apparently there was no subject in the world more vital at that moment than the selection of just the problem
Starting point is 02:29:52 proper concoction. Finally, he looked up and shook his head. I can't decide, he announced gravely. They all sound so good. Walnut Banana Sunday, strawberry glory, peach melba, chocolate parfait, with whipped cream and cracked walnuts, elegantine fizz. Help me out, please. She, too, plunged into the labyrinth of toothsome titles. Finally, she emerged, smiling. Have you ever tasted a chocolate fudge Sunday?
Starting point is 02:30:32 No, I'm afraid not. Well, it's just the elegantest thing. Vanilla ice cream with hot fudge poured over it, and as soon as they pour the fudge, it's steaming hot, you know, simply scalding. It forms into a sort of candy. and then when they serve it. I fancy you want one too, don't you?
Starting point is 02:30:54 Oh, goodness, me, yes. I always eat chocolate fudge Sundays. They're simply scrumptious, but they do take the edge off one's dinner appetite. Personally, I don't care so very much. I believe we eat too much anyway, don't you, Mr. Carroll? I read in a book once that after you reach a certain point in eating, that is, after you've swallowed just the right number of calories,
Starting point is 02:31:19 the rest don't do you a single particle of good and besides ice cream is healthy and certainly there's nothing with more nourishment in it than chocolate unless it is raisins i like raisins well enough carol turned to the boy two chocolate fudge sundays he ordered and put a few raisins on one of them he found the large eyes of the girl turned upon him adoringly do you know she said that when i said the other day that you were the most wonderful the most marvelous man in the world i didn't even know half how wonderful or marvelous you really were thanks and what caused the discovery the way you acted just now why i'm sure those girls think that you've known me all your life or that were engaged or something carol was a trifle startled engaged why not you don't look like an old man the detective chuckled nor do i feel like one when i'm with you you're deliciously refreshing and you are exquisite do you know when i'm with you i feel inspired to great deeds to noble attainments really uh huh honest to goodness and did I really help you by what I told you the other day?' "'You certainly did, Miss Rogers. There isn't a doubt of it.'
Starting point is 02:32:56 She lowered her voice and leaned confidentially across the table. "'Will you tell me something?' "'Surely?' "'Who really killed Mr. Warren?' "'Huh?' "'Who really did kill him?' "'Why, I'm sure I don't know. I'm sorry. I'm trying to find out.
Starting point is 02:33:19 Oh, cha! You can't pull the wool over my eyes. You couldn't have been working on the case this long and not have discovered the malefactor. But that's exactly what I have done. Also, it's why I rather hope that you might have a little more information for me. Me? Information for you?
Starting point is 02:33:41 How wonderful! As if you'd be interested in anything I might know. although I'm not an absolute fool. Gerald says I am, of course. He's my brother-in-law. But then Gerald isn't anything but an old crab anyway. Hateful thing. But you don't think I am, do you? No, indeed. Ah, here we are. The chocolate fudge Sundays were served, and for a few moments they gave themselves over to the task of enjoying them. It was Evelyn who spoke first. What do you want me to tell you? Almost anything. For instance, you knew Roland Warren pretty well, didn't you? Oh, yes, indeed. I've known him forever and ever. He was an awfully nice boy, and crazy about me,
Starting point is 02:34:34 simply wild. That is, he was before he died. Hmm, and you saw a good deal of him? Oceans! He used to call it the house all the time. It was funny, too. Gerald used to think he was the one Roland was coming to see, and Naomi, if she's my sister, used to think he was coming to see her, and all the time I knew that I was the person he was calling on. It's funny, isn't it, how old folks will get those queer ideas? Your sister is so very old? oh terribly she was thirty on her last birthday horrors she is ancient isn't she awfully although naomi isn't so bad-looking your sister couldn't be ah quit kidding but she isn't bad-looking really lord knows she deserves a better husband than she drew honestly when the divine providence was handing out shrubbery they planted a little lemon tree in his yard just before he was born. Probably your sister doesn't agree with your opinion. Oh, yes, she does. Of course, she doesn't talk to me about it, but I know she ain't wild about, Gerald. How could she be? He's old enough to be her father, 42 if he's a minute. Don't think of
Starting point is 02:36:04 anything but business and making money. And he's terribly jealous. A very complimentary picture, you draw of him. If I wrote what I thought about him, I could be arrested for sending it through the mails. Goodness knows, no husband at all is a hundred percent better than a man like that. Not that he beats Naomi. Fact is, I'd think he was more human if he did. Only time I ever like him is when he flies up in a rage. He swears simply elegantly. Indeed. I love it, and I don't think it's wicked to love swearing, do you? I was reading in a book once something about swearing being a perfectly natural mental reaction, or something, like a safety valve on a steam engine.
Starting point is 02:36:56 If the engine didn't have the safety valve, it would blow up. So if it's true that swearing is like that, then there can't be any harm in it, because anything that keeps a person from blowing up must be pretty good, don't you think? It does sound reasonable. Not that I swear myself, not out loud anyway, but sometimes, when I'm right peaved at Gerald or Naomi or somebody, I get in my room and say swear words right out loud, and I feel ever so much better for it.
Starting point is 02:37:30 The conversation languished while she again attacked the Sunday. Carol spoke, "'Have you seen your friend, Miss Gresham lately?' hazel i'll say i have although she's horribly weepy since poor roland was killed of course i'm not heartless or anything like that but what's the use of crying all the time when there are just as good fish in the sea as ever were caught i told her that but it don't seem to do a single bit of good she just keeps saying poor roland is dead just as if i didn't know it as well as she does him having been crazy about me even before he was about her. I'm sort of afraid it's gone to the poor girl's head. She's simply horribly upset. That's not unnatural, is it? No, I suppose not, but it's terribly old-fashioned. Does she discuss the affair much?
Starting point is 02:38:30 All the time. What does she think about the woman in the taxi-cab? You mean the woman who killed him? Yes. well positively if i was that woman i'd hate to meet hazel gresham if hazel knew it but she has no suspicion of any certain person goodness no how could she have of course we agreed that it was some vampire but we can't decide which one most of the women we know don't go in for killing men and a heap of them are married anyway anyway yes you wouldn't expect a nice chap like roland to be eloping with a married woman would you not in real life carol with difficulty concealed a smile the girl was a refreshing mixture of world-old wisdom and almost childish innocence she was a type new to him and as such absorbingly interesting how about miss gresham's brother he inquired idly how does he take it oh gary seems all upset too but then the more i talk to people the more i think i'm the only level-headed one in the world i haven't got a bit excited over it have i not a bit and now carol rose and reached for the check suppose we go where she asked naively the opening was too obvious
Starting point is 02:40:08 where do you usually go with young gentlemen who meet you downtown in the afternoons picture show she answered frankly wouldn't you just adore to see that picture at the tryanon to-day they say it stupendous perhaps they walked up the street together on the way they passed eric leverage that gentleman bowed heavily and stood aside in surprise while an exclamation rather profane issued from his lips. David Carroll and a 17-year-old girl headed for a picture show. The thing was unbelievable. Leverage shook his head sadly and passed on as Carol and Evelyn disappeared behind the din of an orchestrian.
Starting point is 02:40:57 The picture proved not at all bad, although Evelyn excited adverse comment from spectators unfortunate enough to be sitting within range of her constant chatter, apparently there was no stopping her she talked and talked and talked the picture ended eventually and they left the theatre night had descended upon the city and the busy thoroughfare was studded with thousands of lights which glared coldly through the december chill principally because he did not know what else to do carroll requested permission to take her home in his carroll she accepted with rather disarming alacrity carol had about run out of conversation and his ears were tired by the incessant din of the girl's talk he followed her directions mechanically and eventually they rounded a corner in the heart of the city's best residential district evelyn designated a white house which stood back in a large yard that's it said she you'd better turn first so you can park against the curb carol slowed down and swung around
Starting point is 02:42:15 he was tired of the locacious girl and anxious to be rid of her but as he swung his car across the street on the turn something happened which riveted his attention the door of evelyn's home opened a man and woman stood framed in the doorway then the door closed and the man descended the steps moved down the walk to the street and strode swiftly away for perhaps three seconds he had been held clearly in the glare of carol's headlights when the detective spoke it was with an effort to control his tone to make his question casual did you see that man miss rogers yes do you know him goodness me no he's been here before though carol stopped his car at the curb he assisted evelyn to the ground then he made a strange request i wonder miss rogers whether you'd allow me to call on you some evening evelyn's eyes popped open with the marvel of it you mean you want to come and call on me some evening if you'll allow me "'Allow you? Why, David Carroll, I think you're simply, simply grandiloquent. When will you come?' "'If your sister will permit.' "'Bother, sis. Tomorrow night?' "'Yes, tomorrow night.' She executed a few exuberant dance steps. "'Oh, what'll the girls say when I tell them?'
Starting point is 02:44:01 carol climbed thoughtfully back into his car he saw evelyn enter the house but his thoughts were not with her he was thinking of the man who had just left carol never forgot faces and he had recognized the visitor the man was william barker former valet of roland warren end of chapter ten recording by roger maline chapter eleven of midnight. This Libervox recording is in the public domain. Recording by Roger Maline. Midnight by Octavus Roy Cohen Chapter 11 Loose Ends Carol's forehead was seamed with thought as he turned his car townward and sent it hurtling through the frosty air. He drove mechanically, scarcely knowing what he was doing. He was frankly, puzzled, enormously surprised, and not a little startled. The afternoon had been at first
Starting point is 02:45:18 amusing, then interesting, then utterly boring. Evelyn's chatter had put him in a state of mental coma, a lethargy from which he had been rudely aroused at sight of William Barker, leaving the residence of Evelyn Rogers' sister. There was something sinisterly significant in what he had seen. not for a moment did he entertain the idea that Barker had been seeking employment. Negativing that possibility was the cold statement of the disinterested young girl that Barker had been there before, and, too, the fact that Barker was leaving from the front door instead of through the servant's door. Obviously, then, Barker's mission had little to do with the matter of domestic employment. And now that he had stumbled upon something
Starting point is 02:46:11 tangible, something definite, certain salient facts which had come to him through the haze of girlish chatter, began to stand out and assume proper significance. For instance, there was her constant repetition of the fact that Roland Warren had been a frequent visitor at the Lawrence home. That might mean nothing. It might mean a great deal. Certainly, it was indicative of a close friendship between the dead man and the members of that household. He paid little heed to the girl's protestations that Warren had been in love with her.
Starting point is 02:46:49 No expert in the ways of the rising generation. Carol yet knew that no man of Warren's maturity had unleashed his affections on a girl who yet lacked several years of womanhood. The dead man had been too much of an epicure in femininity for such as that. But Carol knew that in that house there was another woman. naomi lawrence evelyn's sister and while evelyn had dismissed the sister with a few words carol remembered that the girl had described her as being not so bad-looking and had also said that mrs lawrence fancied that when warren called at the house he was calling on her there too was the matter of gerald lawrence to be considered evelyn insisted that gerald was an old crab and also that he was of an exceedingly jealous disposition. If that were true, then his jealousy, coupled with a possible intimacy between Mrs. Lawrence and Warren, might have been ample motive
Starting point is 02:47:54 for the taxi-cab tragedy. It was all rather puzzling. Carol's mind leaped nimbly from one mental trail to another. He held himself in check, afraid that his deductions were proceeding too swiftly. He was acutely conscious of the danger of jumping too avidly on this single tangible clue which had come to him after four days of fruitless search. There was danger, and he knew it, of attaching untoward importance to a combination of circumstances which, under other conditions, might not have excited him in the slightest degree. It was there that the case bewildered him, and he was not slow in confessing his bewilderment. Up to this moment there had been an appealing darth of physical clues, of things upon which
Starting point is 02:48:48 a line of investigation could be intelligently based. And he knew that now something had turned up, he must watch himself, lest the circumstance assume unreasonable and unwarranted proportions. The somber outline of police headquarters bulked in the night. carol swung down the alley shut off his motor and entered he found leverage in his office and settled at once to a discussion of developments but when he would have spoken leverage cut him off leverage had news and leverage was frankly proud of the fact that he had news just got an interesting report from cartwright he announced regarding barker carroll hitched his chair forward eagerly yes what is it yesterday afternoon at five o'clock william barker went to the residence of mr and mrs gerald lawrence he was in the house eighteen minutes why wasn't this told me last night cartwright didn't think anything of it he included it in his report which was turned into me this morning.
Starting point is 02:50:08 Why did he think it was unimportant? Said he thought Barker was probably looking for a job. And he doesn't think so now? No, that is, he thinks circumstances make an investigation worthwhile. You see, just a few minutes ago, Barker went to the Lawrence home again. This time he was there four minutes. Does Cartwright know who? who was at home at that time? He thinks so. He says a maid let Barker in, and that apparently
Starting point is 02:50:43 Mrs. Lawrence let him out. A young girl, whom Cartwright believes to be Mrs. Lawrence's sister, drove up just as Barker was leaving. She was in the car with some man, but he didn't get out. Then, just a minute ago, Gerald Lawrence reached home. So the idea is, that Mrs. Lawrence was alone with the servants when Barker called. And yet he only remained four minutes. That's what Cartwright phoned, Leverage paused. What do you make of it, Carol? Offhand, answered the youthful appearing detective,
Starting point is 02:51:25 I'd say that Barker had called to see Mr. Lawrence. Why? We'll suppose Lawrence was home in the occasion of Barker. Parker's first visit, do you know whether he was? No, I asked. Cartwright doesn't know. Couldn't stay, you know, because he was under orders to follow Barker. Tonight he sent Reed after Barker, and he watched the Lawrence house.
Starting point is 02:51:54 Good. If it is so that Lawrence was at home when Barker called yesterday evening, and Barker then remained eighteen minutes, whereas this afternoon, when we know that no one but mrs lawrence was there and he remained but four minutes it is fairly reasonable to suppose that he was calling to see mr lawrence i think you're right carroll i'm not at all convinced about that but if we're proceeding along lines of pure logic that is the answer how about the man who drove up with the kid's sister carol smiled i'm sure he had nothing whatever to do with the murder good lord i didn't think he had but still he may have been a friend and-that man was all right i know that you know leverage was incredulous yes carroll grinned i was the man you holy suffering mackerel say Was that chicken I seen you with downtown Lawrence's sister-in-law?
Starting point is 02:53:11 Yes, Miss Evelyn Rogers. And good Lord, Leveridge, how that girl can talk. She holds all records for conversational distance and speed. She talked me dumb. Leverage was staring respectfully at Carol. If you were the man who was with her, David, you must have seen Barker when he left the house. house. I did. The face of the chief showed his disappointment.
Starting point is 02:53:43 That's what I get for thinking I had a real surprise at my sleeve. You sit back with that innocent kid face of yours and let me spill all the dope, and then tell me, perfectly matter-of-factly that you knew it all the time. How'd you ever get wise to the thing anyway? Carol was honest. No thanks to my own. No thanks to my own. No thanks to my sagacity leverage. One of those pieces of bold luck which I have always contended playing an enormous part in solving crime. In the first place, Evelyn Rogers came to me the day after Warren was killed to assure me that Miss Gresham had a perfect alibi. This afternoon she lassoed me and dragged me into an ice cream place because she wanted to prove to some of her
Starting point is 02:54:32 school companions that we were really friends. Carol chuckled. I quaffed freely from the fountain of youth, and enjoyed it a while. Then I got bored stiff. Took her to the movies, she invited me, and did it only because I've passed beyond the years of adolescence and didn't know how to crawfish out of it.
Starting point is 02:54:55 After which, because it seemed the proper thing to do, I volunteered to ride her home in my car, and it was then that I saw Barker leaving along, Lawrence home. So, you see, leverage, my knowledge is the result of pure accident, and not of all the fruit of keen perception. Well, anyway, Carol, you knew, and that takes the edge off what I told you. Not at all, returned Carol seriously. For while what I discovered is perhaps valuable, that combined with the fact that Barker has been there once before, and that on the first visit when Lawrence was probably at home, he stayed nearly five times as long as he did when we know that Lawrence was not there. That is of help, or ought to be. What do you think of it?
Starting point is 02:55:49 Carol hesitated. I don't know what to think, Eric. I'm afraid I'm thinking about it more than I have any right. We've been so long without anything to work on that we're liable to let this bit of information throw us off our balance. But of course, we'll look more deeply into it. How? Again, Carol chuckled. Our little friend, Miss Rogers, is suffering from a large case of hero worship. I'm it. And so, when I saw Barker leaving her home, I immediately made an engagement to call upon her tomorrow night. You call on that kid? suddenly Leveridge lay back in his swivel chair and gave vent to a peal of raucous laughter.
Starting point is 02:56:39 He banged his fist on the arm of the chair. Oh, boy! That's the snappiest yet. David Carroll paying a social call on a seventeen-year-old kid. Mama, ain't that the richest? Carol made a wry face. Needn't rub it in. It's bad enough any.
Starting point is 02:57:03 anyway and growing serious i'm hoping to meet mr and mrs lawrence they ought to prove interesting but leverage could not tear himself away from the sheer humor of the situation what the devil you and her going to talk about fox trot steps is the camel walk vulgar frat dance next week's basketball game say david i don't give my chances of heaven to be hidden behind the door. So would I, said Carol, wryly. Above all things, counseled Leverage with mock severity. Don't you go making love to her? Carol reached a muscular hand across the table. His sinewy fingers closed around a glass paperweight.
Starting point is 02:57:58 He held this poised steadily. One more crack out of it. you, Eric, and I'll slam this against your head. You're a pretty good chief of police, but you're a rotten humorist. Just the same, grinned the chief. I can see that this joke is on you. And now, what? For one thing, and Carol's manner was all business again, I want every bit of dope I can get on Gerald Lawrence and his wife. I know that Warren was very intimate at the house. I friendly with both wife and husband, according to what Miss Rogers says.
Starting point is 02:58:39 That connects them up. What I want to find out now is where both of them were the night Warren was killed. Put a couple of your best men out to gather this dope. There isn't any of it too minor to interest me. Meanwhile, I'll pump the kid. I have a hunch that this isn't going to be a cold trial. It better not. be, or Mr. David Carroll is going to find himself with one unsolved case on his hands.
Starting point is 02:59:10 Yes, sir, if this is a blind lead, we're up against it for fair. It isn't going to be entirely blind, postulated Carol. Barker assures us of that. End of Chapter 11. Recording by Roger Maline. Chapter 12 of Midnight This Liber Vox recall. is in the public domain.
Starting point is 02:59:44 Recording by Roger Maline. Midnight by Octavus Roy Cohen. Chapter 12. A Challenge. At 4 o'clock the following afternoon, Carol received from Chief Leverage a detailed report on Gerald Lawrence. He's a manufacturer, said Leverage. President of the capital city woolen mills. Rated about a hundred thousand.
Starting point is 03:00:14 maybe a little more. He's on the board of directors of the second national, has the reputation of being hard, fearless, and considerable of a grouch, age 42. Married Naomi Rogers about five years ago. She was 25, then, 30 now. Supposed to be beautiful,
Starting point is 03:00:39 and would be a society light, except that Lawrence doesn't care for the soup and fish stuff. report has it that they're not very happy together his parents and hers all dead evelyn her kid's sister lives with them they employ a cook and two maids no man-servant at all roland warren was pretty intimate at the house but so far as i can discover there was no scandal linking the names of warren and mrs lawrence of course him knowing her pretty intimately and being friendly at the house you could probably find a good many folks who would say nasty things but there hasn't been the real gossip about her and him that there was about a heap of other women in this town warren and lawrence were pretty good friends warren was a stockholder in the woollen mills on the other hand it seems as though warren was at the house a good deal more than just ordinary friendship would have indicated, but that's just an idea. And there's your dope.
Starting point is 03:01:49 And on the night of the murder? questioned Carol. Where were they? Mrs. Lawrence was at home. Lawrence, if you're thinking of him in connection with it, seems to have an iron-clad alibi. He went to Nashville on a business trip and didn't get back until the following morning.
Starting point is 03:02:10 alibi, eh? Carol's eyes narrowed speculatively. Are you sure he was in Nashville all that time? Hmm, Leifred shook his head. I don't know, but I can find out. Carol rose. Do it, please, and get the dope straight. Carol went to his apartment where he reluctantly
Starting point is 03:02:39 commenced dressing for the ordeal of the night. He felt himself rather ridiculous, a man of his age calling on a girl not yet out of high school. The thing was funny, of course, but just at the moment the joke was too entirely on him for the full measure of amusement. At that, he dressed carefully, selecting a new gray suit,
Starting point is 03:03:05 a white jersey silk shirt, and a blue necktie for the evening. occasion. At 6.30, Frida served his dinner, and at 15 minutes after eight o'clock, he rang the bell of the Lawrence home. The door was opened by Evelyn, palpitant with excitement, and garbed attractively in the demi-toilette of very young ladyhood. Mr. Carroll, so good of you to come! I'm simply tickled to death. Let me have your hat and coat. Come right into the living-room. I want you to meet my brother-in-law and my sister."
Starting point is 03:03:43 Sheepishly, Carol followed the girl into the room. Mr. and Mrs. Lawrence rose politely to greet him. At the side of the man he had really come to see, Carol was conscious of an instinctive dislike. Lawrence was of medium height, slightly stooped, and not unpleasing to the eye. But his brows were inclined to lower, and the eyes themselves were set too closely together.
Starting point is 03:04:12 He was dressed plainly, almost harshly, and he stared at Carol in a manner bordering on the hostel. The detective acknowledged the introduction, and then turned his gaze upon the woman of the family. There he met with a surprise, as pleasant as his first glance at Lawrence had been unpleasant. There was no gain saying the fact that Naomi Lawrence was a beautiful woman. Dressed simply for an evening at home in a strikingly plain gown of rich black
Starting point is 03:04:46 material, and with her magnificent neck and shoulders rising above the midnight hue, she caused a spontaneous thrill of masculine admiration to surge through the ordinarily immune visitor in the gray suit. Her face was almost classic in its contour, her coloring a rich brunette, her hair blue, blue, blue, black. No jewelry, save an engagement ring, adorned her perfect beauty, and Carol felt a loathing at the idea that this magnificent creature was the wife of the stoop-shouldered, sour-faced man who stood scowling by the living-room table. He gravely acknowledged the introduction of the young lady upon whom he had called, feeling a faint sense of amusement at Lawrence's overt disdain, and a considerable embarrassment under Naomi's questioning, level gaze.
Starting point is 03:05:43 For a few moments they talked casually, but that did not satisfy Evelyn, and she dragged him into the parlor. "'Just the elegantest jazz piece!' Carol heard as through a haze. "'Just got it! Feet can't keep still! Play it for you!' He found himself standing by the piano. the door between the music-room and the living-room unaccountably closed evelyn banging out the opening measure of the elegant jazz piece he was still staring moodily at the closed door when the din ceased and he again heard evelyn's voice
Starting point is 03:06:23 a penny for your thoughts mr carroll a real honest-to-goodness spendable penny i was thinking he remarked quietly that your sister is a very beautiful woman naomi shucks she isn't bad-looking but she's old abominably old thirty he glanced down on the girl and smiled that does seem old to you doesn't it treacherously i don't know what i'd ever do if i was to get that old take up crocheting probably the conversation died of dry rot carol was not at all pleased his excuse the plea that he had come to call upon evelyn had been taken too literally he had fancied in his blithe ignorance of the seventeen-year-old ladies of the present day that he could engineer himself into a worth-while conversation with the lawrenses since meeting them he was doubly anxious there was a thinly veiled hostility about the man which demanded investigation and about the woman there was a subtle atmosphere of tragedy which appealed to the masculine protectiveness which surged strong in his bachelor breast but carroll was a sportsman the girl had carried things her own way and he was too game to spoil her evening therefore he temporarily gave over all thought of a chat with the lawrences and devoted himself to her amusement he informed her that the jazz music she had strummed was simply glorious and that he regretted he knew very little popular stuff she leaped upon his remark
Starting point is 03:08:17 oh do you play really he was in again i have a little i wonder if you would here's the grandest little old song i bought downtown and she placed on the piano a gaudy thing with the modest title all babies need daddies to kiss him its cover exposed a tender love scene wherein a gentleman in evening clothes was in a gentleman in evening clothes was in a little bit of a little bit of a little bit of a little bit of a gentleman in the evening clothes was in a little bit of a little bit of a gentleman in, engaged in an act of violent osculation with the young lady whose dress was as short as her modesty. Carol shrug placed his long, slender fingers on the keys, shook his head, and went to it. He played. A genuine artist. He tried to enter into the spirit of the thing and succeeded admirably. The itchy syncopation rocked the room. His hostess snapped her fingers. deliciously and executed a few movements of a dance, which Carol had heard referred to vaguely as the shimmy. In the midst of the revelry, he gave thought to Eric Leverage and chuckled.
Starting point is 03:09:31 He played the chorus a second time, then stopped on a crashing chord. Evelyn's face was beaming. Gracious, you can play, can't you? I used to. Suppose we talk a while. She agreed, reluctantly. They seated themselves in easy chairs before the gas logs. Evelyn glanced hopefully at the chandelier.
Starting point is 03:10:00 I wish the belt would slip at the powerhouse, don't you? Why, innocently? Oh, just because bright lights are such a nuisance when a girl has a feller calling on her, and these logs give a perfectly respectable light, don't they? Indeed they do. But perhaps we'd better leave the others on. She sighed, resignedly. I guess we'd better.
Starting point is 03:10:29 Sis is so darned proper, and Gerald is an old crab, they might say something. I suppose they might. By the way, didn't they think it was, a, strange, my coming to see you tonight? she turned red suppose they did what difference does that make i'm not a child and if a gentleman wants to call on me i guess they haven't got any kick what did they say when you told them i was coming they didn't believe me at first then sis said you were too old and you're not old at all and gerald said he said she giggled what did gerald say he said damned impertinence hum i wonder just what he meant oh goodness it doesn't matter what gerald means he makes me weary he's simply impossible and i can't see what sis ever married him for i suppose she saw more in him than you do they must be very happy together happy p'if happy is too happy is too dead
Starting point is 03:11:42 two dead sardines in a can. They can't get out, so they might as well be happy. Besides, he's away a good deal. He is, eh? When was his last out-of-town trip? Carol was interested now. He had steered the conversation back to matters of importance. Oh, about four days ago, you know,
Starting point is 03:12:07 the day, dear Roland was killed by that vampire in the taxi cab. he was away that night all night uh huh all night long and would you believe that sis who was scared out of her shadow at night was the one who suggested that i go spend the night with hazel and it's certainly fortunate she did because if she hadn't i wouldn't have been with hazel all night and you awful detectives would probably not have believed her story that she was at home in bed and then you would have arrested her for murdering roland and she'd have gone to jail and ben hang or something wouldn't she hardly that bad but it was fortunate that you were there it made the establishing of the alibi a very simple matter and you say your sister mrs lawrence is nervous at night oh fearfully she's just like all women scared of rats scared of the dark scared of being alone perfectly disgust I call it. Quite a few women are that way, though. I'm not.
Starting point is 03:13:19 I'm scared of snakes and flying bugs and things like that. But I don't get scared of the dark. Who's going to hurt you? That's what I always say. I believe in figuring things out, don't you? I read in a book once where... But maybe you do Mrs. Lawrence an injustice. Maybe she isn't as afraid at night as you imagined.
Starting point is 03:13:42 she is too yet you say she let you spend the night at miss gresham's house when mr lawrence was out of the city and there wasn't anybody on the place but the servants worse than that the servants don't even live on the place she spent the night here all alone then all i'll say is that she is a brave woman when did mr lawrence get back from nashville oh not until ten o'clock the following morning. And believe me, he was all excited when he read about Roland in the papers. Poor Roland! If you are only a girl, Mr. Carroll, you'd know how terrible it is to have a man who's crazy about you, and engaged to your best friend and everything, go and get himself murdered. Why, when I read the papers that morning, I couldn't hardly believe my own eyes. I just said to myself, it can't be. I said it over and over. again just like that having faith i think they call it i was reading in a book once about having faith she talked interminably carol ceased to hear the plangent voice he was thinking of what she had just told him thinking earnestly
Starting point is 03:15:00 he knew he was desperately anxious to have a talk with the lawrence's to talk things over in a casual manner and to-night was his opportunity he knew he'd never get another like it he didn't want to be forced to seek them out in his capacity of detective from somewhere in the rear of the house he heard the clamor of a door-bell then the sound of footsteps in the hall the opening and closing of the front door and then name naomi lawrence appeared in the music-room carol could have sworn that her eyes were twinkling with amusement as she addressed evelyn pointedly ignoring him evelyn that summerville boy is here oh bother what's he doing here he says he came to call he's got a box of candy piffle what do i care about candy he's just a kid naomi went to the hall door right this way charlie and as the slender overdressed young gentleman of nineteen entered the room carol again glimpsed the light of amusement in naomi's eyes mr charley summerville expressed himself as being pleased to meet you and tried to conceal his vast admiration when evelyn informed him that this was the david carroll charlie was impressed but he was not particular about showing it charlie fancying himself considerable of a cosmopolite thanks to a year at yale his dignity was excruciatingly funny to carroll as the very young man seated himself crossed one elongated and unbelievably skinny leg over the other and arranged the creases so that they were in the very middle
Starting point is 03:16:56 ah taking a vacation from your work on the warren murder case i presume carol nodded yes for a while detective work must be a terrible bore mustn't it sometimes answered carroll significantly charlie summerville evelyn flamed to the defense of her friend's profession at least mr carol ain't isn't a college freshman i'm a sophomore asserted charley languidly passed all of my exams anyway snapped evelyn he ain't any kid for a time the atmosphere was strained then carol recalled a particularly good college joke he knew and he told it well after which evelyn explained to charlie that mr carroll was the wonderfulest piano-player in the world and david carroll detective strummed out several popular airs while the youngsters danced horrible as the situation was it appealed irresistibly to his sense of humor he found himself almost enjoying it and he worked carefully eventually his patience was rewarded he succeeded in getting them together on a lounge with the photograph album between them and then very quietly and positively and with a brief excuse me for a moment he walked through the hall and into the living-room lawrence and his wife were at opposite sides of the library table at sight of carol lawrence lay down his paper and rose to his feet well he inquired inhospitably carol laughed lightly it got too much for me too much youth i dropped in here for a chat with you folks
Starting point is 03:18:57 i didn't understand that you had come to call on us said lawrence coldly why i didn't you did snapped lawrence i'm no fool carroll from the minute i heard you were coming i knew what you had up your sleeve you wanted to talk about the warren case now suppose you go ahead and talk then get out end of chapter twelve recording by roger maline Chapter 13 of Midnight This Librivox recording is in the public domain. Recording by Roger Maline Midnight by Octavus Roy Cohen Chapter 13 No Alibi
Starting point is 03:19:55 Carol was rarely thrown from a mental balance but this was one of the exceptions to a rule of conduct where poise was essential. His eyes half closed in their clash with the coldly antagonistic orbs of his host. His instinctive dislike of the man flamed into open anger, and he controlled himself with an effort. One thing Lawrence had done. He had stripped from Carol his disguise as a casual caller and settled down ominously to brass tacks. Carol shrugged, forced a smile, then glanced at Naomi Lawrence. She had risen and was staring at
Starting point is 03:20:39 her husband with wide-eyed indignation. Undoubtedly, she was horrified at his bruskness. For the first time, she, too, had made it plain that Carol was not welcome, that his ruse of calling upon Evelyn had been seen through plainly. But he could see that even under those circumstances, she was not forgetful that he was a guest in her home, and as such he was entitled to ordinary courtesy. carroll was more than a little sorry for her and also a bit rueful at his own plight things had gone wrong for him from the commencement of the evening and this well the gauge of battle had been flung in his face and he was no man to refuse the challenge
Starting point is 03:21:26 but his muscles were taught until the soft voice of naomi broke in on the pregnant stillness won't you be seated mr carroll carol smiled gratefully at her with her words the unpleasant tension had lightened he dropped into an arm-chair lawrence followed suit his close-set eyes focused belligerently on carol's face the hostility of his manner being akin to a personal menace naomi stood by the table eyes shifting from one to the other i'd rather she suggested softly that we did not discuss the warren case it doesn't matter what you prefer snapped her husband coldly carol forced himself upon us for that purpose with a lack of decency which one might have expected let him have his say carol gazed squarely at lawrence i'm sorry he said that you see fit to act as you are doing i asked for no criticism of my conduct just the same dear started naomi when her husband interrupted angrily nor any apologies to him from you naomi carol has placed himself beyond the pale by what he has done in having the impertinence to foist himself upon us as a social equal now carol Are you ready with your little catechism? Yes, the detective's voice was quite calm.
Starting point is 03:23:03 I'm quite ready. Well, ask, Lawrence paused. You did come here to inquire about Warren, didn't you? Carol could not forbear a dig. I trust that you are not putting it upon me to deny your statement to that effect? I don't give a damn what you deny or affirm. Good. Then we know all about each other, don't we? You know that I am a detective in search of information, and I know absolutely what you are.
Starting point is 03:23:38 That dart went home. Lawrence squirmed. So I'll come right to the point. Is it not a fact that you were in this city at the hour Roland Warren is supposed to have been killed? He heard a surprised gasp from Naomi and saw that her face had bland. and that she was leaning forward with eyes wide and hands clutching the arms of the chair in which she had seated herself lawrence leered as the kids would say carol that's for me to know and for you super detective that you are to find out carol was more at ease now lawrence's sneering aggressiveness brought him into his own element and he was hitting straight from the shore shoulder, refusing point-blank to mince matters. I fancy I can, he returned calmly.
Starting point is 03:24:35 And now, is it not a fact that you despised Warren, even though you pretended to be his friend? That, too, is my business, Carol. Do you think I'm going to feed Papp to you? Carol reflected carefully for a moment. Then suddenly his voice crackled across the room. you know of course that you are suspected of warren's murder silence then a forced sickly grin creased lawrence's lips but his figure slumped almost cringed from naomi came a choked gasp mr carroll not gerald carroll placed no heed to the woman he sat back in his chair eyes never for one moment he sat back in his chair eyes never for one moment leaving Lawrence's pallid face.
Starting point is 03:25:29 Nor did Carol speak again. He waited. It was Lawrence who broke the silence. Is this what you detectives call the third degree? It is not. Now get this straight, Lawrence. I came here to find out what you know about Warren and the circumstances surrounding his death.
Starting point is 03:25:52 I wanted to be decent about the thing to cause you no embarrassment if I was convinced that you were unconnected with the crime, you have forced my hand. You have driven me to methods which I abhor. You haven't a thing on me, said Lawrence, and his tone had degenerated into a half-wine. You can't scare me a little bit. I've got an alibi. Certainly you have. So too have a good many men who have eventually been proven guilty. lawrence rose nervously and paced the room you asked me a little while ago if i was in this city at the hour when the crime was committed i answered that it was for me to know and you to find out i'll answer direct now just to stop this absurd suspicion which has been directed against me
Starting point is 03:26:47 i was not in the city at that hour or within six hours of midnight i was in nashville at what hotel at the-lawrence paused matter of fact i wasn't at any hotel you had registered at the hermitage hadn't you yes but when did you check out carroll's voice was snapping out with staccato in systems about four o'clock in the afternoon where did you go where did you spend the night lawrence shook his head helplessly i'll be honest carol i took several drinks. Alone? Yes. And at two o'clock in the morning, when my train left, I was at the station. I don't know what I did in the meantime. I don't remember anything much about anything. In other words, said Carol coldly, you have no alibi except your own word. On the other hand, we know that you checked out of the Hermitage Hotel in Nashville at four o'clock. you could have caught the four twenty-five train and reached this city at ten minutes after eleven o'clock you have not the slightest proof that you didn't
Starting point is 03:28:13 i-i came down on the train which left there a little after two in the morning prove it there was a hunted look about lawrence i can't prove it a man can't prove that he came on a certain train was there nobody on board who knew you? I don't know. I was feeling badly when I got in. The berths were all made up. I went right to sleep, and when the porter woke me, we were in the yards.
Starting point is 03:28:46 I dressed and came right home. And yet, Carol was merciless, you have no substantiation for your statements. He switched this line of attack suddenly. What made you think I was coming here to discuss Roland Wollon? Warren's death? It was plain that Lawrence did not want to answer, yet there was something in Carol's mesmeric eyes which wrung words unwillingly from his lips.
Starting point is 03:29:14 "'Just logic,' he answered weakly. "'I knew that you weren't calling to see Evelyn because you were interested in her. "'You knew Warren had been pretty friendly in this house. So you came to us to talk about it. Isn't that reasonable?' I don't believe I am here to answer questions, Mr. Lawrence. You invited me to ask them. Naomi broke in, her voice, choked with hysteria. What are you leading to, Mr. Carroll?
Starting point is 03:29:46 It is absurd to think that Gerald had anything to do with Mr. Warren's death. Carol swung on her, biting off his words shortly. Do you know that he didn't? Yes, I—I didn't have. ask what you thought, Mrs. Lawrence. I am asking what you know. But if he was in Nashville, if he was, then he's safe. But he himself cannot prove that he was. And I tell you, frankly, that the police will investigate his movements very carefully. It strikes me as exceedingly peculiar that he checked out from the Hermitage Hotel at four o'clock in the afternoon when he
Starting point is 03:30:29 intended taking a 2 a.m. train, remember, I am accusing your husband of nothing. Our conversation could have been pleasant. He refused to allow it to be so. He classified me as a professional detective and put me on that basis in his home. I have merely accepted his invitation to act as one. If I appear discourteous, kindly recall that it was none of my doing. I'm "'Sorry, Carol,' said Lawrence, pleadingly. "'I didn't know—' "'Of course you didn't know how much I knew, or might guess. "'You saw fit to insult me.'
Starting point is 03:31:11 "'I've apologized.' "'Your apologies come a trifle late, Lawrence. "'Entirely too late. "'Our relations from now on are those of detective and suspect.' "'Again the flare of hate in Lawrence's manner.' i don't have to prove an alibi carol you have to prove my connection with the thing and you can't do it why not because i was in nashville at that time and while perhaps i can't prove i was there you certainly cannot prove i was not that remains to be seen meanwhile i'd advise you to establish that fact if you can possibly do so and by the way are you in the habit of indulging in these solitary debauches in neighboring cities lawrence flushed sometimes i used to be a heavy drinker and-is that a fact mrs lawrence yes she answered eagerly almost too eagerly carroll thought
Starting point is 03:32:19 he has had escapades like this several times and you are sure that his story is true yes of course i'm sure why should he kill mr warren there isn't any reason in the world for your sake and his i hope not but meanwhile surely mr carroll you don't intend publishing what he has told you about his drinking alone in nashville carol smiled no indeed in the first place i am not at all sure that he has told me the truth in the second place if i were sure of it his alibi would be established and i have no desire whatever to injure a man because of a personal weakness lawrence stared at carol peculiarly you mean that if i can prove the truth of my story nothing will be made public about my-the affair in nashville absolutely because you have treated me discourteously lawrence i don't consider myself justified in injuring your reputation i am after the person or persons responsible for the death of roland warren your intimate weaknesses have no interest to either me or the public lawrence was silent for a while and then you're damned white carroll the apologies i extended a moment ago i repeat and this time i'm sincere and this time they are accepted meanwhile you are welcome here whenever you wish to call perhaps by talking to me you yourself may esther the alibi which I know I have, but cannot prove."
Starting point is 03:34:09 Carol rose and bowed. "'Thank you. And now I'll go. If you will express my regrets to Miss Rogers?' Naomi accompanied him to the door. She extended her hand. "'You're wrong, Mr. Carroll,' she murmured. "'Quite wrong.' "'You are sure?' "'I know.' i know i really believe his story i hope to soon but just now mrs lawrence he saw tears in her fine eyes you have nothing to fear from me if he is innocent
Starting point is 03:34:50 she pressed his hand gratefully and then closed the door carol inhaling the bracing air of the winter night proceeded briskly to the curb then standing with one foot on the door then standing with one foot on the door the running board of his car, he stared peculiarly at the big White House, standing starkly in the moonlight. I wonder, he mused softly. I wonder. End of Chapter 13. Recording by Roger Maline. Chapter 14 of Midnight
Starting point is 03:35:32 This Libervox recording is in the public domain. Recording by Roger Maline. Midnight by Octavis Roy Cohen. chapter fourteen the suitcase again carroll drove direct to his apartment despite his original intention of dropping by headquarters for a chat with leverage he wanted to be alone to think the evening had borne fruit beyond his wildest imaginings fact had piled upon fact with bewildering rapidity as yet he had been unable to sort them in his mind to catalogue each properly, to test for proper value. He reached his apartment and found it warm and comfortable. He donned lounging robe and slippers, which the thoughtful Frida had left out for him,
Starting point is 03:36:28 settled himself in an easy-chair, lighted a fire, which he kept always ready in the grate, and turned out the lights. Then, with his cigar glowing and great clouds of rich smoke filling the air, he sank into a revelry of thinking. Certain disclosures of the evening stood out with startling clarity. Chief among them was the inevitable belief that Gerald Lawrence had either killed Roland Warren or else knew who had done so, and how it was done. Yet Carol tried not to allow his thoughts and personal prejudices to run away with him.
Starting point is 03:37:08 He knew that now, of all times, he must be able to. keep a tight grip on himself. Great as was the dislike which he had conceived for Lawrence, an instinctive repugnance which still obtained, he was grimly determined that he would not be swayed by his emotions. Therefore, he deliberately reviewed Lawrence's story in the light of its possible truth. Lawrence claimed that he belonged to that
Starting point is 03:37:36 none too rare class of prominent citizens who once every so often respond to the call of the wild within them by going to a nearby city where they are not known and giving themselves over to the dubious delights of a spree publication of this fact alone would prove sufficient to injure lawrence socially and in the commercial world the old case of the spartan lad carol reflected the disgrace lay in being discovered also it was perfectly plain to carol that at the outset of his conversation lawrence had been smugly satisfied that he was possessed of a perfect alibi it was only under carol's merciless grilling that he had been brought abruptly to realization that he had no alibi whatever the same logic applied there as in leverage's theory that barker's arrest would be an excellent strategic move all carol had to do now was to arrest lawrence for warren's murder and the burden of proof would have been shifted from the shoulders of the detective to that of the suspect it would then devolve upon lawrence to prove an alibi that carol knew perfectly well he could not prove save by merest accident but that was a procedure which carol abhorred those were police department methods wholesale arrests in the hope of somewhere in the net trapping the prey such a course was at the bottom and carol knew it of an enormous number of convictions of innocent men and carol had no desire to injure lawrence provided lawrence was free of guilt in this particular instance
Starting point is 03:39:26 he didn't like the man in fact his feelings toward him amounted to a positive aversion but through it all he tried to be fair-minded and he could not quite rid himself of the picture of naomi lawrence carol was far from impervious to the appeal of a beautiful woman so much for the probable truth of lawrence's story the reverse side of the picture presented an entirely different set of facts There was not alone the strange procedure of checking out of the big hotel at four o'clock in the afternoon when he intended catching an early morning train, but there was the information so innocently dropped by the locacious Evelyn Rogers regarding Naomi's actions on the night of the murder. According to Evelyn, her sister was an intensely nervous woman, one who stood in fear of being alone at night. yet this sister had volunteered the suggestion that Evelyn spent the night with Hazel Gresham, when her husband was supposed to be out of the city. Carol, well-versed in applied psychology, knew that in such a combination of facts there lay an important clue. He was well satisfied
Starting point is 03:40:46 that Naomi Lawrence had been satisfied that she was not to be alone that night. arguing with himself from that premise the conclusion was inevitable she knew that her husband would return from nashville at midnight she did not wish anyone even evelyn to learn that he had done so therefore she got evelyn out of the house the conclusion developed a further train of reasoning one which carroll did not at all relish but which he faced with frank honesty if he was right in his argument then naomi lawrence had known of the murder before it was committed he shrank from the idea but it would not down he was not ready to admit its truth but there was no denying its logic there was something inexpressibly repugnant in the thought he infinitely preferred to believe that naomi hated her husband was miserable with him he preferred that naomi hated her husband was miserable with him he preferred that to the thing to the thing he preferred that to the the idea that they were accomplices in the murder of a prominent young man then too there were the strange visits of william barker former valet to warren to the home of the lawrence's there was no doubt remaining in carroll's mind that barker knew a very great deal about warren's murder that being the case it was fairly well established that he was cognizant of the lawrence's connection with the crime carroll had started off with the idea that some one in addition to the woman in the taxi-cab had been instrumental in ending warren's life here following a casual line of investigation he had uncovered the tracks of two men
Starting point is 03:42:38 both of whom he was convinced knew more about it than they had cared to tell both men barker and lawrence had acted peculiarly under the grilling of the detective the former had been surly and non-informative only to leap eagerly upon the first verbal trend which tended to throw suspicion upon a person whom carol knew and whom carol knew barker knew was innocent gerald lawrence on the other hand had been downright antagonistic until he made the startling discovery that his supposed alibi was no alibi at all at which his attitude changed from open hostility to something closely akin to suppliance then too there was the danger of injuring an innocent man because of his inability to prove an alibi if lawrence's story was true it was perfectly natural that even in a condition of intoxication he would maintain his instinct for concealment of a personal weakness the chances were then that no one had seen him either in national after the four o'clock train had left or on the two a m train homeward bound matters could not write themselves in carroll's mind he knew one thing however evelyn rogers was a well-spring of vital information the very fact that she talked inconsequentialities incessantly and occasionally let-drop remarks of vital import made her the more valuable he knew that he had not seen the last of the 17-year-old girl,
Starting point is 03:44:25 and he felt a consuming eagerness to be with her again, for now he had a definite line of investigation to pursue. He slept soundly that night, and the following morning dropped in on leverage. The chief of police had a little information, with all of which Carol was already familiar. He told Carol that Lawrence had been in Nashville, and that he had checked out of the Hermitage Hotel in time to catch the four o'clock train on the afternoon preceding the murder.
Starting point is 03:45:00 Carroll satisfied leverage by accepting it as information, made sure that nothing else of importance had developed, requested leverage to ask the Nashville police to determine whether Lawrence had been seen in Nashville after 4.30 p.m., if necessary to send one of his own men there, and left head-quickle. quarters. He made his way directly to a public telephone booth. He telephoned the Lawrence home and asked for Evelyn Rogers. A maid answered and informed him that Evelyn had left home 15 minutes previously. Any idea where she was going? questioned Carol. The answer came promptly. It mentioned the city's leading department store. She's gone there to get a beauty treatment. vouchsafed the maid.
Starting point is 03:45:53 Carol was not a little chagrined. Evelyn Rogers had put him in more hopeless positions in their brief acquaintanceship than he had experienced in years. There was his call upon her the previous night with its role of dual entertainer to the young lady with a nineteen-year-old college freshman, and now a vigil outside a beauty parlor. But he went grimly to work.
Starting point is 03:46:19 He'd located the beauty parlor on the third floor of the giant store, and paced determinedly back and forth before its doors. A half hour passed, an hour, two hours. He concluded that Evelyn must be purchasing her beauty in job lots. When two hours and thirty-five minutes had elapsed, Evelyn emerged, and Carol groaned. With her were three other girls, as chattery, as immature, as Evelyn herself.
Starting point is 03:46:54 She swept down upon him in force, tongue wagging at both ends. You naughty, naughty man, she chided. You absolutely deserted me last night. Why, I didn't even know that you had gone, until Sis came in and said you had asked her to extend your respects. Good gracious, I almost died. I'm sorry.
Starting point is 03:47:19 really returned carroll humbly but you seemed so interested in that young man and i had gotten into an absorbing conversation with your sister and brother-in-law i'm not used to girls you know kidder i think you're simply elegant she turned to her giggling friends and introduced them gushingly carol was in misery a martyr to the cause but evelyn would not let him get away through her sudden friendship with the great detective evelyn was building up a reputation that was destined to survive for years and she was not one to fail to make the most of her opportunities it was not until almost an hour later when the other three girls had left for their homes left only after they had hung around until the ultimate moment before lunch that carol found himself alone with his little gold mine of data he bent his head hopefully were you planning to eat lunch downtown she nodded uh-huh Suppose we eat together. Scrumptious! There was no hint of hesitation in her manner.
Starting point is 03:48:36 I've been hoping ever since we met that you'd ask me. They found a table, mercifully secluded in the corner of the main dining room of the city's leading hotel. For once, Carol felt gratitude for the notoriously slow service. He begged her to order, and she did, ordered a meal which contained TNT, possibilities for acute indigestion carol smiled and let her have her way he was amused at her valiant efforts to appear the blazze society woman i really did enjoy our conversation last night miss rogers oh piffle i don't fall for that i did then why did you beat it so quick well you see i suppose i suppose i I was jealous of your elegantly dressed young friend. Him? He's just a kid, a mere child.
Starting point is 03:49:37 He seemed very much at home. Kids like him always do. They make me sick, always putting on as though they were grown up. She secured an olive and bit into it with a relish. Offly good, these olives! I love queen olives, don't you? I used to be crazy about it. ripe olives, but I read in a book once that sometimes they poison you, and when they do, there just simply isn't any anecdote in the world that can save you, so I figured there wasn't
Starting point is 03:50:10 any use taken chances." Carol let her run on until the meal was served, and it was then when she was satisfying a normal youthful appetite, that he drove straight to the subject which had led to this masculine martyrdom. The day before Mr. Warren died, he said, said mildly are you sure that your sister made the suggestion that you spend the night with miss gresham her sure she did didn't it strike you as peculiar knowing that she'd be in the house alone all that night i'll say it did i asked her was she nutty and she scolded me for being slangy so i told her i should worry if she wanted to suffer alone and i went with hazel and it's an awful good thing i did because if I hadn't, she would have been arrested and tried and convicted and hanged or something and... Oh, hardly that bad. You're sure your sister was alone in the house that night? Sure. Who could have been there with her?
Starting point is 03:51:16 I'm not answering riddles. I'm asking them. I've got my fingers crossed. The answer is that there wasn't anyone there. At first, I thought she was going out. But she was. wasn't and when i asked her was she she got real peeved at me ah you thought she was going out that night uh-huh came the answer between bites at a huge lobster salad what made you think that oh just something you know i don't get credit for having eyes but i sure have and i never did understand that business anyway but then sis always has been the queerest thing ever since she married gerald say she looked up eagerly ain't he the darnest old crab you ever saw in your life why i ain't he ain't he honest honest he's not exactly jovial he's a lemon just a plain juicy lemon and i think she was a nut for marrying him but carol proceeded cautiously you made the remark just now that something was the queerest thing what did you mean by that oh i guess i was crazy or something but she got sore at me when i asked her who sis
Starting point is 03:52:44 What did you ask her? Why, she looked up innocently, about that suitcase. What suitcase? When was it? It was the day before Mr. Warren died. I always remember everything now by that date. Anyway, I went in her room that morning to ask something about what I should take to Hazels, and what do you think she was doing?
Starting point is 03:53:11 I'll bite, he answered with assumed jocular. what was she doing packing a suitcase no carroll was keenly interested struggling not to show it yes sir i asked her what she was doing it for and that's when she got peeved i told you she was a queer one indeed she must be packing a suit-case and that ain't all that was funny about that either mr carroll no what else about it was peculiar that suit-case and evelyn lowered her voice to an impressive whisper was gone from the house the next day and the day after it showed up again and when i asked sis wasn't that funny she told me to my mind my own business. End of Chapter 14. Recording by Roger Maline. Chapter 15 of Midnight.
Starting point is 03:54:23 This Libravox recording is in the public domain. Recording by Roger Maline. Midnight by Octavis Roy Cohen. Chapter 15. A talk with Hazel Gresham. Carol tried to appear disinterested. Strove to make his manner casual. jocular even evelyn was piecing the threads of circumstances together and the events surrounding the warren murder were slowly clarifying in carol's brain
Starting point is 03:54:56 but he knew that now of all times he must keep her from thinking that he had any particular interest in her chatter she was completely off guard and he knew that for his own interests she must remain so so he assumed a bantering attitude he resorted to what she would have termed kidding aren't you the observant young woman though not a single thing escapes your eagle eye does it she pouted oh rag me if you want to but i am terribly noticing there ain't many things that happen which i don't get wise to not even vanishing suitcases eh no not even that-that It was funny about that, though. At first I thought maybe Siss was packing up to go meet Gerald in Nashville, but I figured out that it was bad enough to have to live with him here, without chasing all over the country after him. You say that suitcase left the house after she packed it?
Starting point is 03:55:59 Sure, Pop! Who took it? I don't know. Siss was out a couple of times that day, so I guess she did. Carol shrugged. She was probably. probably sending some of Mr. Lawrence's belongings to him in Nashville. Huh, there's some things even a great detective like you don't know.
Starting point is 03:56:20 Don't you suppose I noticed that the clothes she was packing in that suitcase were hers? Really? You bet your life I noticed. You see, she grew suddenly confidential. There's a certain kind of perfume, sis uses. Awful expensive. Roland Warren used to bring it to her. well i've been using it too and sis never did get wise i only used it when she did and when she smelled it she didn't know that she was smelling what i had on well it isn't likely she was sending that to gerald is it
Starting point is 03:56:55 hardly but are you sure she packed it i'll say i am i saw her do it and then two days later i saw the bottle on her dressing-table again and so i just naturally looked to see if the suitcase was back and it surely was but perhaps it never left the house guess again mr carroll i know because just before i went to hazels i hunted all over for it to get some of that extract myself, and the suitcase wasn't there. Believe me, it's some perfume, too. You say Mr. Warren gave it to her? He sure did. That man wasn't any piker, believe me. It cost twelve dollars an ounce. No. Yeah. Goodness knows how much a pound would cost. I use it all the time. I knew when he gave it to Sis, he meant it for me, because, like, I told you. He was simply crazy about me. Told me so, dozens of times. Said he came to see me. It used to bore him terribly when he'd have to sit in the room and talk to Sis and Gerald.
Starting point is 03:58:08 I fancy it did, Carol summoned a waiter. A little baked Alaska for dessert? Baked Alaska! Oh boy! You sure spoke a mouthful that time. I'm simply insane over it. she evidently had not exaggerated she absorbed enough of the dessert to have satisfied two growing men it did carroll good to witness her frank enjoyment of his luncheon she glanced at her wristwatch and rose hastily goodness me i've simply got to be going where she made a wry face hazel gresham's honestly women get queer when they grow up get older than twenty hazel has been acting so peculiarly lately that's natural isn't it miss rogers her fiancee killed oh shucks i don't mean that that wouldn't be queer but there's something else bothering her and when i try to get her to tell me what it is she gets right snippy and tells me to mind my own business and i'll tell you right now mr carroll if there's one person in the whole world who always minds their own business business, and who doesn't pay the slightest attention to other people's affairs, that person is me. I started that a long time ago, when I read something someone wrote in a book about how much
Starting point is 03:59:34 happier folks could be if they never bothered with other folks' business. And it struck me as awfully logical, and so that's what I've always done. Don't you think I'm sensible? I certainly do, very sensible. And I'm sorry Miss Gresham isn't feeling well. oh she feels well enough she's just acting nutty and as for when your name is mentioned whoa my name carroll was genuinely surprised yes sir e bob i started telling her all about what good friends you and i have gotten to be and would you believe it she jumped all over me just like sis did when i told her and said i shouldn't associate with professional detectives and it was immoral and all that sort of thing Indeed. You bet she did. It was scandalous. Of course, I told her what a ducky you are, but she begged me not to go with you anymore. I told her she was crazy, because I really don't think there's anything so very terrible about you, do you?
Starting point is 04:00:43 At least, smiled Carol, I won't eat you. But what you tell me about Miss Gresham is interesting. Why in the world should she be prejudiced against the man who is trying to locate the slayer of her fiancé? Ask me something easy. I reckon it's just like I said before. When a woman grows up, gets to be twenty, she gets mentally unbalanced, or something. Honestly, I haven't met a woman over nineteen years of age in the longest time, who didn't have a crazy streak in her somewhere. Have you?
Starting point is 04:01:18 I'd hardly say that much. They had crossed the hotel lobby, swung through the doors, and were standing on the sidewalk unconsciously braced against the biting wind, which shrieked around the corner and cut to the bone, giving the lie to the bright sunshine and its promise of warmth. Burr! shivered Evelyn, and Carol rose eagerly to the hint. I'd be delighted to ride you to Miss Gresham's in my car. Would you? That'd be simply splendiferous, and I'd like Hazel to meet you. Then she'd know
Starting point is 04:01:56 that you're just a regular human being, in spite of what everyone says. During the drive to the Gresham home, which stood in the side of the mountain at the extreme southern end of the city, Evelyn did about 101% of the talking. She blithely discussed everything from the economic effect of the recent election to the campaign against one-piece bathing suits for women, indicating well-defined, if immature opinions, on every subject. She informed him that she was delighted with suffrage and opposed to prohibition, that the League of Nations would be all right,
Starting point is 04:02:35 if only it was not so far away, that she was sincerely of the belief that straight lines would pass out within the year, and the girl with the curvy figure have a chance again in the world, that fur coats were all the rage. And he ought to see her sisters. It was the grandest in the city that. She orated at length on any subject which occurred to her tireless mind, securing his dumb okay to her views,
Starting point is 04:03:03 and liking him more and more with each passing minute, because he treated her seriously, like a full-grown woman of twenty, or of something. They pulled up at the curb of the Gresham home. As they did so, Gary Gresham swung out of the gate, paused, and his eyes widened in astonishment at sight of Carol. Then he stepped quickly to the curb as Carol and the girl alighted. Hello, Gary, greeted Evelyn boldly.
Starting point is 04:03:34 It was the first time she had ever called him by his first name, but Gresham did not notice. He nodded, a curt, Hello, Evelyn, and addressed himself to Carol, eyes level, manner, direct. What do you want here, Carol? There was an undertone of earnestness in the young man's words, which the detective did not miss.
Starting point is 04:03:59 He simulated innocence. I? Nothing. Gary Gresham frowned. You had no particular reason for coming here? None whatever. Why? I fancied it was peculiar, after your original suspicion of my sister. Carol laughed good-naturedly.
Starting point is 04:04:21 Rid your mind of that, my friend. I merely happened to be downtown with Miss Rogers and drove her up here in my car. As a matter of fact, if you have no objection, I'd like very much to meet your sister. Why? Because she was Roland's fiancé. Because she can tell me some things about Warren,
Starting point is 04:04:43 which no one else can tell me. because the warren case is almost as far from solution as it was one minute after the killing occurred gresham thought intensively for a moment you can give me your word of honor carroll that you are convinced that my sister is not connected in any way with the crime i can gresham so far as i now know your sister has no connection whatever with the case but she must necessarily be in possession of certain personal details regarding warren which i'd like to find out gresham started back toward the house you may talk to her he decided briefly if she is willing but i prefer to be present during the interview carroll bowed. As you will, Gresham. They walked to the house, and Gary led the way to the front hall. Evelyn, considerably peaked at being ignored, took advantage of his disappearance in search of his sister to open up a broadside of inconsequential chatter, before which her previous efforts paled into insignificance. And it was in the midst of her verbal barrage that Gresham appeared
Starting point is 04:06:02 at the far end of the hall with his sister. Carol was pleasantly surprised. Evelyn's protestations of intimacy with Hazel Gresham had implanted in his mind the impression that she was decidedly of the flapper type. He was glad to find that she was not. She was not a beautiful girl. Rather, she belonged in that very desirable category
Starting point is 04:06:26 which is labeled sweet. There was an attractive wistfulness about her, an undeniable charm, a wholesomeness. The sort of a woman, reflected Carol instantly, whom a sensible man marries. There was no hint of affectation about her. Her eyes were a trifle red and swollen, and she seemed in the grip of something more than mere excitement.
Starting point is 04:06:53 But in her dress there was no ostentation. It was somber, but not black. And she came straight to care, carol, her eyes meeting his squarely, and they mutually acknowledged Evelyn's gushing, but unheard, introduction, "'Miss Gresham! Mr. Carroll!' They seated themselves about a small table, which stood in the center of the reception hall, and even Evelyn sensed the undercurrent of tenseness in the air.
Starting point is 04:07:24 Her tongue became reluctantly still, although she did break in once with a triumphant, "'Ain't he like I told you he was?' to Hazel. It was Gary who introduced the subject. "'Mr. Carroll wants to ask you something about Roland,' he said softly. And Carol, intercepting the look which passed between brother and sister, felt a sense of warmth, a pleasant glow, albeit it was tinged with guilt, as though he had blundered in on something sacred. The girl's voice came softly in reply, her gaze unwavering.
Starting point is 04:08:03 "'What is it you wish to know, Mr. Carroll?' The detective was momentarily at a loss. He conscripted his entire store of tact. "'I don't want to cause you any embarrassment, Miss Gresham.' "'This is no time for equivocation, Mr. Carroll. You may ask me whatever you wish.' Thank you, he answered gratefully. You have, of course, heard that there is a woman connected with Mr. Warren's death,
Starting point is 04:08:34 the woman in the taxi cab? Her face grew pallid, but she nodded. Yes, of course. He watched her closely. Have you the slightest idea, the vaguest suspicion of that woman's identity? No, she answered, and he knew that she had. spoken the truth. You have thought of it, of her, a good deal?
Starting point is 04:09:03 Naturally. Mind you, I'm not asking if you know. I'm merely asking if you have a suspicion. I have not, not the faintest. You were quite satisfied, pardon the intense personal trend of my questions, Miss Gresham, that during this engagement to you, Mr. Warren was—well, that he was carrying on no affair with another woman? "'I say, Carol!' it was Gary Gresham who interrupted, and his voice was harsh.
Starting point is 04:09:38 But his sister halted him with a little affectionate gesture. "'Mr. Carroll is right, Gary. He must know these things.' She turned again to Carol. "'No, Mr. Carroll. I knew of no such affair, nor did I suspect—' one. When I became engaged to Mr. Warren, I placed my trust in him as a gentleman. I still believe in him. Yet we know that there was a woman in that cab. No, we know that the taxi driver says there was. That's true. Hazel Gresham leaned forward, her manner that of a suppliant. Mr. Carroll, why don't you abandon it?
Starting point is 04:10:24 in this horrible investigation. Why aren't you content to let matters rest where they are?' "'I couldn't do that, Miss Gresham.' "'Why not?' Mr. Warren's murderer is still at large, and as a matter of duty—' "'Duty to whom? I am content to let the matter rest where it is. All of your investigation isn't going to restore Roland to life. You can only cause more miseries. more suffering, more heartbreak. It is a duty to the state, Miss Gresham,
Starting point is 04:11:01 and, frankly, I cannot understand your attitude. She has had enough, broke in Gary Gresham. She's been through hell since that night. I'm afraid, though, Mr. Carroll, you can call it off, if you will. Hazel Grusham rose and paced the room. The case is in your hands. You can gain nothing by finding the person who committed the, the deed.
Starting point is 04:11:33 Let's drop it. Do me that favor, won't you? Let's consider the whole thing at an end. David Carroll was puzzled, but he was honest. I'm afraid I cannot, Miss Gresham. I must at least try to solve it. She paused before him. Figure tense.
Starting point is 04:11:56 Then let me say, Mr. Carroll, that I hope you fail. End of Chapter 15. Recording by Roger Maline. Chapter 16 of Midnight This Librevox recording is in the public domain. Recording by Roger Maline. Midnight by Octavus Roy Cohen. Chapter 16.
Starting point is 04:12:29 The woman in the taxi. From the Gresham home. home, David Carroll went straight to headquarters. Developments had been tumbling over each other so fast that he found himself unable to sort them properly. He wanted to talk the thing over with someone to place each new lead in the investigation under the microscope in an attempt to discern its true value in relation to the killing of Roland Warren.
Starting point is 04:12:59 Eric Leverage was the one man to whom he could talk, and locked in the chief's office he told all that he knew about the case detailing conversations explaining the situation as he understood it reserving his suspicions and watching keenly for the reaction on the stolid mind of the plodding practical chief carroll placed an exceedingly high valuation on leverage's opinion even though the minds of the two men were as far apart as the poles but leverage was a magnificent man for the office he held competent methodical intensely orthodox but typical of the modern police in contradistinction to the modern detective carroll knew that modern police methods have received a great deal more than their share of unjust criticism he knew that the entire theory of national policing is based on an exhaustive system of records and statistics it operates by brute force and all-pervading power rather than by any attempt at subtlety or keen deduction the former is so much safer as a method and the combination of the two keen analysis logical deduction and plotting investigation can perform wonders which explains why caroline leverage worked hand in hand with implicit confidence in one another leveridge listened with rapt attention to the report of his friend occasionally the corners of his large humorous mouth twitched as carroll touched on one or two of the lighter phases of his investigation
Starting point is 04:14:45 and once leverage even twitted him about becoming one of these here butterfly investigators but carol knew that no word of his escaped the retentive brain of the chief of the city's police force and that each was being carefully catalogued with truer knowledge of its proper importance than carroll had yet been able to determine and so finished carol there you are the thing is in as pretty a mess as i care to encounter frankly i don't know which way to turn next which is why i wanted to talk things over perhaps between us we can arrive at some solution of the affair determined upon some course of action yes responded leverage slowly perhaps we can only trouble is there are so many different ways of spilling the beans that we're taking a chance no matter what we do answer me this david if you had to point out one person right now as the guilty one which would you choose carroll shook his head You know I don't like to answer questions of that sort. But you can tell me? No.
Starting point is 04:16:05 It might start your mind working along lines parallel to mine, and I prefer to have you book me. But, in perfect honesty, I'll tell you that I'm all at sea. I couldn't conscientiously make an arrest now. Well, I'm willing to air my opinions, volunteered the chief, and I'm telling you that if it was up to me to make an arrest today, I'd nab Mr. Gerald Lawrence, and haul in William Barker for good measure.
Starting point is 04:16:37 Hmm, Carol nodded approvingly. Sounds reasonable. How about the woman? That's what's got me puzzled. I've worked on that end of it, and I've had several of my best men circulating around, trying to gather dope from the gossip shops. But there doesn't seem to be a clue from this end. Anyway, I don't believe Warren was killed by the woman in the taxi.
Starting point is 04:17:05 Carol was genuinely impressed. You don't? No. Don't believe any woman. I don't care who would have killed him under those circumstances. You mean you believe the woman in the taxi had nothing to do with it? I don't mean anything of the kind. I know darn well she had something to do with it, but I don't believe she did the actual killing. That's why I'd arrest this bird Lawrence and also William Barker. They either killed the man or they know all about it.
Starting point is 04:17:41 But, suggested Carol slowly, suppose we admit that your theory is correct, and I've thought of it myself, how and where was that body put into the taxi cab? Leverage shrugged. That's where you come in, Carol. I ain't the sort of thinker who can puzzle out something like that. Of course, I'd say the only place the shift could have been made was when the taxi stopped at the RL&T Railroad crossing. And every time I think that, it strikes me I must be wrong,
Starting point is 04:18:16 because any birds work in a case like that couldn't have counted on such a break in luck. It might have been, suggested Carol, that two men entered the cab at that crossing, Warren and another, both alive, and the killing might have occurred between then and the time the cab reached No. 981 East End Avenue. Might have, yes.
Starting point is 04:18:44 But something tells me it didn't. It's asking two. much. Then what do you think happened?" I don't think. There just simply isn't anything you can think about an affair like that. You either know everything or you don't know a thing. I think you're about right, Leverage. And now, let's run over the list we have in front of us. Spike Walters, the taxi driver, comes first. What about him?" Leverage rubbed his chin. in. Funny about Spike, Carol, I think the kid's story is true. So do I. But unless there's some
Starting point is 04:19:30 other answer to this affair, it's damned hard to believe that the body could have been dumped into that cab, or that the killing could have occurred there without Spike knowing about it. Ain't that a fact? It is. And if he knows anything he hasn't told, the odds are on him to know a way. of a sight more. And if he knows a whole heap, then the chances are he knows enough to justify us and keeping him in jail. You're right, Leverage. If Spike is innocent, he's not undergoing any enormous hardship. But if his story is untrue in any particular, then it is probably entirely false. And since we cannot understand how that body got into the cab, or where the murderer went, we've got to hold on to Spike. Meanwhile, we both believe him.
Starting point is 04:20:25 You said it, David. Now, next on the list we have Barker. What about him? I don't like Barker particularly, said Carol, frankly. He hasn't what you would call an engaging personality. Not only that, but we are agreed that he knows a great deal about the case which he hasn't told, and doesn't intend to tell unless we force him to it. But we'll go back to him later. He's too important a link in the chain to pass over casually when we're trying to hit on a definite course of action. Remembering, of course,
Starting point is 04:21:04 that his visits to the Lawrence home have a certain degree of significance. Leverage chuckled grimly. You're coming around to my way of thinking, David Carroll. Remember, I wanted to stick to you. that bird behind the bars the first day we talked to him, when we first knew he was lying to us. Yes, but we wouldn't have gained anything, then. Perhaps now the time is ripe to try some of that third-degree stuff. But let's take up the others. My little friend, Miss Evelyn Rogers, for instance.
Starting point is 04:21:41 Leveridge chuckled. Go to it, David. You know more about that kid than I ever will. or want to ain't suspecting her of being the woman in the taxi are you good lord no she hasn't that much on her mind and if we manage to solve this case we can thank her that little tongue of hers wags at both ends and out of the welter of words that drip from her lips i've managed to extract more information than from every other source we've tapped i've been awfully lucky there don't talk like a simp david tain't luck that's your way of workin and because there isn't anything flashy about it you call it luck why you poor fish there isn't any other man in the country who would have had the common sense to do what you did to know that it would be a sensible move some day eric grinned carroll i'm gonna throw you down i'm gonna flunk on a case and then you'll say to my face what you must often have thought that i'm a lucky old maidish detective go on with you fishing for compliments that's what you are carol grew serious again i think we're safe in eliminating evelyn rogers from our calculations except as a gold mine of information
Starting point is 04:23:12 which takes us to her friend hazel gresham and gary gresham you say he didn't want you to discuss the case with his sister they both acted mighty peculiarly agreed carroll one of them i'm sure knows something about that case has some inside dope on it and the one who knew has told the other one the affection between them is something pretty to look at leverage you think one of them is in on the know yes i think so and i think that their information touches some one pretty close to them that's obviously why they pleaded so hard with me to call off the investigation m they're pretty good friends to the lawrenses aren't they yes with naomi lawrence anyway i don't believe gerald lawrence is especially friendly with anyone but the gresham's and mrs lawrence are pretty intimate and you believe that the alibi miss rogers established for hazel gresham is good carroll hesitated a moment before replying when he did speak it was with obvious reluctance i hate to say so leveridge because i like evelyn rogers and i took an instant liking to both hazel gresham and her brother but there seems to be something wrong about it i do think that evelyn rogers believed she was telling the truth but i'm not so sure that her dope was accurate just where the inaccuracy comes i haven't the least idea but i'm not letting my likes and dislikes stand in the way of a sane outlook on the case i am convinced that both the young greshams know something more than they have told
Starting point is 04:25:08 as a matter of fact there isn't a doubt of it they showed it clearly when they begged me to call off the investigation we know further that they are intimate with naomi lawrence and we know that either naomi or the husband or both are mixed up in this case events dovetailed too perfectly for us to ignore the fact that however right evelyn rogers may believe she is she may be wrong and i'm not forgetting either said leveridge grimly that hazel gresham was engaged to marry warren no nor am i it's a puzzling combination of circumstances leverage a perfectly knit thing if we don't and so now we come to gerald lawrence and his wife leverage did not take his cue immediately he sat drumming a heavy tattoo on the table-top forehead corrugated in a frown of intensive thought when he did speak it was in a manner well-nigh abstract gerald lawrence probably lied when he said he didn't leave nashville until the two a m train he may have one thing which impressed me about lawrence was this leverage when the man started bucking me he thought he had a perfect alibi he was supremely confident that i was going to be completely nonplussed it was only after i had questioned him closely that he realized his alibi was no alibi at all he realized he couldn't prove where he was at the time the murder was committed that for all the evidence he could adduce he might have been right here in this city yes the significant fact is this explained carroll
Starting point is 04:27:09 when he made the discovery that his alibi was no good he was the most surprised person in the room and your thinking suggested the chief that if he had actually had a hand in the murder of warren he would have had an alibi that would have been an alibi just about that get me straight chief i would rather believe lawrence guilty than any other person except perhaps barker with whom i have come in contact since this investigation began he has one of the most unpleasant personalities i have ever known he is a congenital grouch but he told his nashville story so frankly and then became so panicky with surprise when my questioning showed him that his alibi was rotten that we must not fasten definitely upon him except to be pretty darn sure that he knows more about it than he is told yes perhaps perhaps ain't you sure he does i'm not sure of anything i haven't one single item of information save that regarding the one person whom i would prefer to see left clear and that is Mrs. Naomi Lawrence. Leverage nodded agreement. Things do look pretty tough for her.
Starting point is 04:28:40 More so than you think, Eric, Carol designated on his fingers. Count the facts against her as we know them, irrespective of their weight or significance. First, she is a beautiful woman, twelve years younger than her husband, and very unhappy in her domestic life. second she was very friendly with roland warren of course miss rogers fatuous belief that warren was crazy about her is pure rot he called at that house to see either gerald or naomi lawrence we must admit that the chances are the woman was the person in whom he was interested third in substantiation of that belief we know that he frequently gave her presence it doesn't matter how valuable the presents were he gave them that proves a certain amount of interest carol paused for a brief explanation mind you leverage i'm not trying to make out a case against naomi lawrence i'm only being honest to continue
Starting point is 04:29:52 fourth we know that in spite of the fact that she is afraid to remain in a house alone at night she suggested that her sister visit at the home of hazel gresham on the night warren was killed her husband was supposed according to his story to be in nashville it is absurd to presume that when she let evelyn go out for the night she expected to remain alone until morning therefore for the sake of argument we will assume that she knew her husband would be back that night if that is the case we are also forced to believe that there was something sinister about it fifth we are fairly positive that she packed a suit-case the morning before the murder that the suit-case the morning before the murder that the suit-case was a suit-case left the house that morning, and that two days later it mysteriously reappeared. Yes, interrupted Leverage, and we know that Warren was planning to make a trip with someone else. Exactly. Which makes it pretty clear, finished Leverage positively, that Mrs. Lawrence was the woman in the taxi cab.
Starting point is 04:31:12 End of Chapter 16, recording by Roger Maline. chapter seventeen of midnight this liverbox recording is in the public domain recording by roger maline midnight by octavus roy cohen chapter seventeen barker accuses the men looked at each other in silence for a minute leverage was sorry for carroll sorry because he knew that carol was disappointed that the boyish detective had hoped that against hope that the trail would lead to some person other than the flaming creature who was gerald lawrence's wife it was not that carol had become infatuated with her it was merely that he liked her sincerely and was sorry for her the conclusions to be inevitably reached from the premise that naomi was the woman in the taxi-cab were none too pleasant in the first place there was the matter of morals involved it had been pretty well established that the dead man had planned a trip to new york with some one there was the fact that he had purchased a drawing-room and two railroad tickets only one of which later had been found in his pockets at midnight that night then there was the circumstance of mrs lawrence packing her suit-case and taking it or sending it from the house during the day and its reappearance a couple of days later it also explained her willingness that evelyn spend the night with hazel gresham knowing that she naomi was going to leave her home before midnight she had not wanted her youthful sister to spend the balance of the night alone
Starting point is 04:33:10 and so had sent her to the house of a friend that much was clear it's hell burst out carol you said it suppose she was the woman in the taxi-cab yes suppose she was it doesn't prove that she killed warren no but it proves something a good deal worse leverage it proves that she was going to elope with him it may we don't know we don't know anything but there is a certain logic which is irrefutable and confound it man what are we going to do now leveridge refused to meet his friend's eyes well david suppose you tell me what you think we should do we ought to-but it's rotten absolutely rotten trouble with you david said leverage kindly is that you're too damned human i can't help it it isn't my fault and if i was sure that naomi lawrence was the woman in that taxi i'd arrest her immediately but i'm not sure a leverage and neither are you let's admit that it's a ten-to-one bet we're still not positive and i wonder if you realize what her arrest would mean What? We can't arrest a woman of her prominence socially without a reason, and a darned good reason.
Starting point is 04:34:47 Therefore, when we arrest her, we have to tell the public why we're doing it. And what do we tell him? That she was, or might have become, Warren's light of love? That she was going to elope with him? And yet, David, all of that is probably true. Probably, yes, but not positively. We haven't proved anything. And once we explode that social bomb,
Starting point is 04:35:17 we've started something that she'll never live down. We've done more than that. We've played the devil with Evelyn's chance of happiness. That kid will be in a swell position when the scandal-mongers get hold of the gossip about her sister. Can't you hear him, babbling about it, being in the blood? But she might prove that none of it is true. That doesn't make a bit of difference. Gossip pays no attention to a refutation. Leave consideration for Mrs. Lawrence out of it
Starting point is 04:35:51 altogether, and figure where Evelyn comes in on the backwash. It is tough, but this is a murder case, and anyway, I don't think she killed Warren. Even if she didn't, I fancy she'd rather be convicted of murder than of what this will lead to. I am afraid, leverage. We're trifling with something a good deal more sacred than human life. If Naomi Lawrence is guilty, there's no objection to her suffering. But her kid's sister will suffer too. You don't think, Carol, that she looked like that kind.
Starting point is 04:36:34 good god no and even if we prove that she was the woman in the taxi-cab that she was going to elope with warren it still won't prove that she was that kind there's something about that husband of hers meet him leveridge meet him that's the only way you'll have any understanding of my sympathy for the wife leveridge leveridge rose and walked to the window he spoke without turning tough david mighty tough and we've got to do something no answer carol had lighted a cigarette and was puffing fiercely upon it leveridge spoke again softly haven't we i suppose we have well another long silence isn't there anything we can do eric before we start something that no human power can stop? Something to make us sure, to give us a clincher? That's all I ask. You say I'm cursed with too much of the milk of human kindness. Perhaps I am. Perhaps that's what makes me no better detective than I am. But it's a trait, good or bad, that I'll never get over. And until every possible doubt as to that woman's complicity has been removed, I am opposed to any sort of
Starting point is 04:38:04 such course as arrest and public announcement of the reasons therefore leverage shook his head he was disappointed in his friend not that carroll would flinch from duty but leverage considered it a weakness that carroll insisted on postponing the inevitable he was sorry he knew that it had to come naomi's arrest and the consequent nasty publicity his manner as he addressed care was that of a man who washes his hands of something. "'It's your case, David. Handle it your own way. That's been our agreement always when we work together, and I'm game to stick to it now.' Carol flushed. "'Yet you're disappointed in me?' "'A little, yes,' said Loveridge, honestly. "'But I've been disappointed in you before, David, and you've always been disappointed in you.
Starting point is 04:39:04 made me sorry for it. I know you won't throw me down this time. You've never done it yet. You're safe, said Carol grimly. No, as Leveridge started for the door. Don't go. I want to think for a minute. Leveridge sank obediently into a chair. Carol paced the room slowly. He was thinking, struggling to decide upon a plan of action which would delay the arrest of Naomi Lawrence until the ultimate moment. And finally, he flung back his head triumphantly. Leverage looked up with pleasure at the sound of relief in his friend's voice. Leverage? Yes?
Starting point is 04:39:53 You say this case is mine. Absolutely? To handle as I see fit? Yes. you agree that we have enough against william barker to arrest him gosh i said that the first day we met him you also agree that he knows whatever connection the lawrences have with the warren murder i do then get barker bring him here leverage departed with a light step there was a smile in his lips here was the style of procedure with which he was familiar and in full sympathy. Here was action supplanting stagnation, something definite succeeding the long, nerve-wracking period of conjecture, which appeared to lead nowhere, save into a labyrinth of endless discussion.
Starting point is 04:40:48 He started the machinery of the department to moving. When he returned to his office, an hour later, Carol was still seated motionlessly before the great fire, an extinguished cigar between his teeth, eyes focused intently on the dancing flames. Leverage spoke. I've got Barker. Where is he?
Starting point is 04:41:12 Downstairs. Bring him in. You stay here when he comes. Send everybody else out. Cartwright brought Barker into the room, and Leverage dismissed the plain-clothesman. Barker, eyes wide with fear, face pallid, yet with a certain belligerence in his attitude, confronted the two detectives.
Starting point is 04:41:36 "'I say,' he started, "'what does this mean?' "'It means,' said Carol coldly, "'that you are under arrest for the murder of Roland Warren.' "'That I'm—' Barker fell back a step. It was plain that he was surprised. "'You're arresting me for Warren's murder. murder? Yes. But I didn't do it. I'll swear I didn't. Of course you'll swear it, Carol's steely voice excited a vast admiration in leverage his breast.
Starting point is 04:42:15 Many times before he had seen the transformation in his friend, from all too human softness to almost inhuman coldness. Yet he never failed of surprise at the phenomenon. him. But we know you did do it. You don't know nothing of the kind, Barker's voice came in a half-snarl. I don't give a damn how smart you fly-cops are. You can't prove nothing on me. That's so? Yes, that's so. Just because I worked for Warren ain't no reason why you should arrest me for his murder. Suppose I had wanted to kill him, and I'd didn't, didn't have no reason at all. But suppose I had wanted to. You know bloody well that I didn't do it.
Starting point is 04:43:06 Why do we know that? Because you know he was killed by a woman. Ah, that's what you think, eh? I know a woman killed him. You were present? Bah, trying to trap me, are you? Well, I ain't. going to be trapped. I don't know nothing about it, like I said from the first. But you do know something about it, insisted Carol, icily, and I'd advise you to come clean with us. There ain't nothing to come clean about. You say we know that a woman killed Warren. You seem pretty confident of that yourself. Well, we happen to know that you know who this woman was. who was she for the first time barker's eyes shifted you know as well as me who she was who was she carroll's voice fairly snapped
Starting point is 04:44:13 it was miss hazel gresham carol stared at the man listen to me barker you're lying and we know you're lying you know as well as we do that miss gresham was at her own home when warren was killed i don't want any more lies not one now tell us the truth barker stared first at carol then at leverage an expression of doubt crossed his face it was patent that these men knew more than he had credited them finally he shrugged his shoulders well mr carroll that be in the case i ain't going to stick my head in the noose for nobody you've decided to tell us the truth i have you know who killed roland warren yes i know who killed roland warren yes i know who killed roland Warren. Who was it? Barker's face went white. Leverage and Carol leaned forward eagerly, nervously. It seemed an eternity before Barker's answer came, but when it did, his words rang with conviction. He uttered a name. Mrs. Naomi Lawrence. End of Chapter 17, recording by Roger Maline.
Starting point is 04:45:50 Chapter 18 of Midnight This Libervox recording is in the public domain. Recording by Roger Maline. Midnight by Octavus Roy Cohen. Chapter 18. And nothing but the truth. Barker's words reverberated through the room to be succeeded by an almost unnatural stillness.
Starting point is 04:46:17 A silence punctured by the ticking of the cheap clock. on the mantle, by the crackling of the flames in the grate, by the whistling of the wind around the corners of the gaunt gray stone building which housed the police department. The accused man looked eagerly upon the faces of the two detectives. Then, slowly, his chest expanded with relief. He saw that they believed him. And Carol did believe. It was not that he wanted to.
Starting point is 04:46:50 he had fought himself mentally away from that conviction time after time had threshed over every scintilla of evidence searching futilely for something which would clear this radiant woman whom he had met but once carroll's interest however platonic was intensely personal the woman had impressed herself indelibly upon him it was perhaps her air of game helplessness perhaps the stark tragedy which he had seen reflected in her eyes when he had first entered her home and saw that she knew why he had come and now driven into the corner which he had hoped to avoid his retentive memory brought back a circumstance well-nigh forgotten. He addressed Barker, his voice, soft hopeless. You mean that Mrs. Lawrence was the woman in the taxi-cab? Yes, sir! The sir, which Barker used for the first time, was respectful.
Starting point is 04:47:59 Where had she been during the evening, after dark of the night of the killing? At home, I believe. You believe? Yes, sir. Carol's eyes lighted. His voice cracked out accusingly. Don't you know that that is incorrect? Barker shook his head.
Starting point is 04:48:25 Why, no, sir. Of course, I ain't saying positive that she was at home all evening, but... As I understand it, said Carol slowly. An accommodation train came in just about that time. Isn't that a fact? Some train came in then. I don't know which one it was. Isn't it a fact that the woman who got into the taxi cab had been a passenger on that train, that she got off with the other passengers carrying a suitcase? There ain't nobody can see the passengers get off the trains at the Union Station, Mr. Carroll.
Starting point is 04:49:05 You go down them, steps and approach the waiting-room underground, crossing under the tracks. But you do know that this woman, whoever she was, passed through the waiting-room with the passengers who came on that train, don't you? Yes, sir, she'd done that, but it don't mean nothing. Why don't it? Well, sir, for one thing, ain't it true that the paper said the suitcase she was carrying wasn't hers at all? Ain't it a fact that she had Mr. Warren's suitcase? Well, Carol saw his last hope, glimmering. You see, sir, Mr. Warren was meeting Mrs. Lawrence at the station.
Starting point is 04:49:53 He got there with his suitcase at about ten minutes to twelve. She got there about ten or fifteen minutes later. How did she come? On the street car. And when she come out, she was alone, and it was his suitcase she was carrying, the same suitcase he had taken into the station, the one you found in the taxi cab. I see. Carol did not want to believe Barker's story, but he knew that the man was telling the truth,
Starting point is 04:50:26 or at least that most of what he was saying was true. The detective seemed crushed with disappointment. leverage seated in the corner of the room chewing savagely on a big black cigar was sorry for his friend sorry yet proud of the way he was standing the gaff of his chagrin carroll again spoke to barker manner almost apathetic you know a good deal more about this thing than you've told us don't you barker yes sir very well let's say that you Let's have your story from the beginning to the end. I'll be honest with you. I believe a good deal of what you've told me. Some of your story I don't believe.
Starting point is 04:51:15 Other portions of it need substantiation. But you are mighty close to being charged with murder, and now is your chance to clear yourself. Go to it. Barker plunged a hand into his pocket. Can I smoke, Mr. Carroll? certainly and sit down they drew up their chairs before the fire carroll did not look at barker but leverage his steady gaze was fixed on the man's crafty face i'm going to come clean with you mr carroll i'm going to tell you everything i know and everything i think i didn't want to do it and i don't want to now but i'd a heap rather have the job of convincing you that i ain't
Starting point is 04:52:05 mixed up in this murder, then I would have making a jury believe the same thing. I reckon you'll give me a square deal. I will, snapped Carol. Go ahead. In the first place, started Barker slowly. It's my personal opinion that Mr. Warren never had no idea of Marion Miss Gresham. Maybe I'm all wrong there, but it's what I think. I can't prove that. that, of course, and no one else can't either. Also, I happen to know that he's been crazy about Mrs. Lawrence for a long time. He's been hanging around the house a good deal, and doing little
Starting point is 04:52:49 things like a man will when he's nuts about a woman. For instance, Mr. Warren wasn't no investing man. So far as I know, he had all his money in government bonds and such like investments. but he sank some money into them woollen mills that Mr. Lawrence owns. And also he pretended that he liked that kid's sister of Mrs. Lawrence's, Evelyn Rogers. But there ain't hardly a doubt in my mind, Mr. Carroll, and I'm handing it to you straight, that he was crazy about Mrs. Lawrence,
Starting point is 04:53:25 and not meaning no impertinent, sir, I ain't blaming him a bit. Also, I reckon she wasn't exactly indifferent to him. She's been up in his apartment twice, which is a terrible risky thing, and something no woman will do unless she's wild about a feller. Oh, everything was proper while she was there.
Starting point is 04:53:49 I was at home all the time, and I know. But she was, what you call, indiscreet, that is, in coming up there and all, no matter how decent she acted when she was there. and also sir she used to write em notes most every day you have some of those notes no sir i had one if you want the truth but when i saw you was watching me sure i know you've had a couple of dicks shadowing me i destroyed it where are the rest of her letters mr warren used to burn em up careful he wasn't taking no chances of someone finding em and he being caught in a scandal which is why i think he really cared about her serious his other lady friends he used to joke about but never mrs lawrence and the one letter of her that I had, I'm betting that he looked for three days without stopping before he gave it up as a bad job.
Starting point is 04:54:57 That's the way things was when I seen him begin to make arrangements to get away from town. It wasn't supposed to be none of my business, and Mr. Warren never was a fellow I could ask questions of. When he had something to tell me, he told it, and I never got nothing out of him by asking. But, being his valet, there was certain things I couldn't very well miss knowing. I know his apartment is sublet for the new tenants to come in on the first of the month. He placed his car with a dealer to be sold, and he didn't order a new one, and he drew a whole heap of cash out of the bank the day before he was killed. Also, that day, he sent me downtown to do some shopping.
Starting point is 04:55:44 While I was downtown, I seen him go into the real-road ticket office. I didn't pay much attention to that then, and later on he drove by the house for a minute. I had taken his lap-robe out of the car the night before and forgot to put it back, so I thought I'd better do it. I went downstairs without his knowing it, and when I put the lap-robe in the car, I seen he had a suitcase in there. and the suitcase wasn't his, sir. The initials on it was N. L., which, if you know, sir, Mrs. Lawrence's name is Naomi.
Starting point is 04:56:25 That made things pretty clear to me, then. He drove off and come back about a half hour later. I looked when he come back, and the suitcase wasn't in the car no more. And it was then that he handed me a big wad of wages in advance and told me he wasn't going to need me no more, and I could quit any time after five o'clock in the afternoon. Barker paused, lighted another cigarette from the stump of the one he had been smoking, inhaled a great puff, and continued.
Starting point is 04:57:00 His manner was that of a man under great mental stress, as though he was struggling to recall every infinitesimal detail which might possibly have a bearing on the case. that sort of carries me along to the night sir as i left there at five o'clock and he was still there telling me good-bye and giving me an excellent reference and saying i was a good valet and all like that sir after leaving there i went out and got some supper and then i went up to kelly's place and horned into an open game of pool you know kelly's place is pretty close to the union station and when a comes about ten o'clock, I got tired and went and sat down in the corner, eating a hud-dog from the stand in Kellys. And then I sort of got to thinking things over. And thinking things over that way, Mr. Carroll, I began to think that Mrs. Lawrence was doing
Starting point is 04:57:59 a terrible foolish thing, and I was kind of sorry about it. Now, don't get no idea that I'm wanting you to believe I got a soft heart or anything like that. But then, I sort of liked Mr. Warren, and I knew Mrs. Lawrence was a decent woman, and I knew once she got on the train with Mr. Warren she was done for. And when I got to thinking about that, sir, it struck me that maybe something could be done to keep them from aloping with each other that way. Not that I was planning to do anything, but curiosity sort of got me, and along about eleven o'clock, or a little while after, I went out of course. kelly's and up to the union station i sat down over in the corner and waited for something to happen sort of hoping maybe i had been wrong all the time and there wasn't going to be no elopement
Starting point is 04:58:54 i waited there a long time and then suddenly a taxi-cab came up to the curb and mr warren got out then the taxi-cab beat it downtown again and mr warren went in the station and as he come in one door i beat it out of the other why snapped leverage because him seeing me there was certain to start something and i wasn't hankering for nothing like that to happen so i went across the street and tried to get shelter against the wall of that dump of a hotel over there and it was cold i ain't seen such a cold night in my life i almost froze to death and yet you continued to stand there sure i was curious kind or foolish maybe but i wanted to see had i figured right about him alloping with mrs lawrence so i stood there darn near dead with the cold when the midnight union station street car stopped and mrs lawrence got out and the first thing i noticed was that she wasn't carrying no suit-case i noticed that on account of having seen her suit-case in mr warren's car that day she didn't carry nothing but one of these handbag things that women lug around with them how was she dressed fur coat and hat and a heavy veil you could see the veil from across the street at midnight no sir not from there but when she went in the depot i followed across the street at midnight no sir not from there but when she went in the depot i followed across the the street and looked inside to see what was going to happen.
Starting point is 05:00:40 He paused a moment, and then Carol prodded him on. Well, what did happen? The minute Mr. Warren seen her come in, he beat it through the opposite door from where I was standing, out to the platform that runs parallel to the tracks. And he nodded to her to follow him. She sort of nodded like she was wise, and took a seat so as nobody would think of,
Starting point is 05:01:06 anything in case there was anyone there looking for something. Mr. Warren walked off down the outside platform towards the baggage room, and after about three minutes she gets up, kind of casual like, and fallers. Soon as she went through the door to the platform, I went in the waiting room. What did you do then? Nothing, just made a beeline for the steam radiator and tried to get warm. i was so cold it hurt and i stood there for about ten minutes then i heard that train coming in and i went outside into the street again carroll's voice was tense in all that time did you hear anything anything at all barker shook his head no sir not a thing except that train coming in and then the passengers from it began to
Starting point is 05:02:05 to come through, and I was surprised to see Mrs. Lawrence coming with them, and she was carrying his suitcase. Whose suitcase? Mr. Warren's. She come on out to the curb and called a taxi cab. Where was the taxi cab standing? Parked against the curb on Atlantic Avenue, about a hundred yards from the entrance in the direction of Jackson Street. How did she act? kind of nervous like noticing her come out i seen the taxi driver when he climbed back into his cab and when he started her up he picked up mrs lawrence and she put the suit-case in front beside him then they drove off and that's all i know sir carol rose and walked slowly the length of the room what did you think when you saw mrs lawrence come out of the station a low carrying Mr. Warren's suitcase. When she did that and called a taxi cab and went off in it alone, not known about no killin, Mr. Carroll, I thought they'd got together and talked things over
Starting point is 05:03:20 and decided to call off the elopement. You did, Carol paused. And the first time you knew of Warren's death was when I read the newspapers the next morning. Then why? Barked the detective. did you make the blunt statement that Mrs. Lawrence killed Warren? Because, said Barker simply, I believe she did. How could she have killed him? When, and how? That's easy, explained Barker quietly. If I'm right in thinking that they was going to call off the elopement, they could have seen that taxi standing against the curb,
Starting point is 05:04:06 and he could have got in without being seen. It was awful dark where the taxi was standing, and the driver says himself that he was over in the restaurant getting warm. So what I thought right away was that Warren got in the taxi, and she called it. That was so they wouldn't be seen getting in together at that time of night. Then I thought they drove off. And then...
Starting point is 05:04:33 Yes, and then... It was while they were alone together that taxi that she killed him. End of Chapter 18. Recording by Roger Maline. Chapter 19 of midnight. This Libravox recording is in the public domain. Recording by Roger Maline.
Starting point is 05:05:03 Midnight. By Octavis Roy Cohen. Chapter 19. Labyrinth. Long after William Barker left the room, held in custody under special guard, David Carroll and Chief of Police Eric Leverage maintained a thoughtful silence.
Starting point is 05:05:25 Leverage wanted a talk, but refused to be the first to broach the subject which each knew was uppermost in the mind of the other. And it was Carol who spoke first. Well, Eric, he said, Dully, you called the turn that time. Reckon I did, David. It looks mighty bad for Mrs. Lawrence. Mighty bad. He hesitated. I wonder whether Barker told the
Starting point is 05:05:55 truth when he said he had been calling on Mrs. Lawrence to apply for a job. Why not? Because when valets or butlers apply for domestic positions, they don't go to the front door. And Barker did, on both occasions he visited that house. No, leverage. I don't think he told the truth there. Then what was he doing at the house? Hmm. Just struck me, Eric, that he may have been trying a little private blackmail. Leverage arched his eyebrows.
Starting point is 05:06:33 On Mrs. Lawrence? Yes, on Mrs. Lawrence. You see, it's this way. According to Barker's own story, he knew everything which transpired at the station. if we believe what he told us, and if he is correct in his belief that Mrs. Lawrence did the killing, then we know he is the only person who, until now, had any knowledge of the identity of the woman in the taxi-cab. That being the case, and Barker being obviously not a high type of man, it is certainly not unreasonable to presume that he was capitalizing his information.
Starting point is 05:07:14 Seems plausible, grunted lever. But where does it get us? Just this far, explained Carol. Unless Barker was applying for a position at the Lawrence's, where they not only do not employ a male servant, but have never employed one, he was not seeking employment anywhere. He has been taking life pretty easy,
Starting point is 05:07:39 all of which is indicative of a supply of money from outside. And I fancy that Mrs. Lawrence would pay a pretty fancy Price to have her name left out of this rotten scandal. Leverage held Carol with his eyes. Do you believe Barker's story, David? Believe it? Why, yes. Most of it, anyway. You believe Mrs. Lawrence was the woman in the taxi cab? I've got to believe it.
Starting point is 05:08:10 Do you believe she killed him? Evidence points to that answer, Leverage. you see barker's story impressed me this way it is the only sane logical solution of the killing which has yet been advanced neither of us has ever yet hit upon an answer to the puzzle of the body in the taxicab what barker tells us is perfectly plausible carol paused you see he continued from the first i have maintained that mrs lawrence is a decent woman innately I will even admit that her domestic life was so miserably unbearable that she would entertain the idea of eloping with Warren, that she went so far as to attempt to carry that idea into execution. But I am also ready, and eager, too, if you will, to believe that when she reached the stepping-off place, she must have reneged. That woman couldn't have done anything else. we are fairly well satisfied from barker's own story that there had been nothing wrong in the relations between warren and mrs lawrence up to that night
Starting point is 05:09:26 but we are pretty sure that they met at the station to go away together what is more reasonable than to presume that she lost her nerve at the eleventh hour that unhappy as she was at home she was unable to take the step which would forever make her a social outcast Very well. If that is true, we have them at the station at midnight. The weather is the worst of the year. They are standing in the dark passageway between the main waiting room and the baggage room. No light is on the corner of Jackson Street. They see only one taxi cab on duty. For all they know, the last streetcar is passed. They conceive the idea of making a single taxi-car. cab do double duty. And knowing that the driver is across the street drinking coffee and getting warm, Warren gets into the cab from the blind side. Mrs. Lawrence returns to the waiting room as the accommodation rolls in. She picks up Warren's suitcase, which had been left there,
Starting point is 05:10:33 steps to the curb and summons the cab in which Warren is hiding all the time. Sounds all right so far? Perfectly, said Leverage. Go ahead. Walters gets the signal and drives up. Mrs. Lawrence gets in. He drives away. And then? Leverage leaped forward eagerly.
Starting point is 05:10:59 Yes, and then? Well, said Carol slowly. We don't know what happened in that taxi cab. We believe that Mrs. Lawrence as a decent woman. We know that Warren would have gone through with the elopement. That being the case, we can fancy his keen disappointment. Under those circumstances, Eric, a good many things could have occurred in that taxi cab which might have justified Warren's death at her hands. Leverage crossed to his desk from the top drawer of which he took a box of
Starting point is 05:11:36 cigars. He was frowning as he recrossed to Carol and offered him one. Then, with almost exasperating deliberation, the head of the police force clipped the end of his own cigar, held a match to it, replaced the box in his desk, and took up his post before the fire, with his back to it so that he could watch Carol's face. "'You really want to believe that story, don't you, David?' he asked gently. yes and yet you know it has shot all full of holes how for one thing said leverage slowly how do you explain the fact that it was a thirty-two that killed him not that a thirty-two is any big gun it isn't but it does make a considerable racket the shooting probably took place at the r l and t crossing while the train was passing the sound of the shot may have been drowned in the roar of the train not entirely smothered of course but sufficiently blended with the other noise not to attract the attention of the half-frozen driver
Starting point is 05:12:49 and the cab being stopped there it must have been at that point that mrs lawrence panicky over what had occurred left the taxi you're a dandy little old explainer carroll but you've forgotten one other important item what is it the address mrs lawrence gave nine eighty one east end avenue that address was a stall we know it was a stall we were hot on that end of it the night the body was found and if those two people were trying to get home carol if warren was already in the cab and mrs lawrence gave the address and if she wanted to get away from warren and safe at home as soon as she could she had never had ordered walters to drive to nine eighty one east end avenue carol did not answer there was no answer possible leverage's logic was irrefutable and finally carol rose to his feet and slipped into his heavy overcoat leverage's eyes were turned kindly upon him where are you going david i'm going to play my last trump if it doesn't uncover something i throw up my hands laugh at me if you will erie rail at me for being chicken-hearted, for playing hunches too strongly. But I have an idea that Mrs. Lawrence did not kill Warren. Don't ask me how or why.
Starting point is 05:14:24 I don't know. I admit that, frankly. But I've always banked on my knowledge of human nature, leverage, and my instinct has never yet betrayed me. Just now it is forcing me to give this woman every chance in the world to clear herself. i am hoping that circumstances will allow me to bring this case to a conclusion without making public her connection with it the elopement she was planning you do believe that part of the story then that she was going to elope with warren i do i don't want to but i'm honest with myself then exclaimed leverage with a slight touch of exasperation in his manner who and thunder could have killed Warren if she didn't, and when?'
Starting point is 05:15:15 "'That,' said Carol simply, "'is what I hope to find out.' "'From where?' "'From the lips of Mrs. Lawrence. "'I'm going to have a talk with her.' Carol was far from happy during his drive to the Lawrence home. The Warren mystery seemed to be verging on a solution, but in Carol's breast there was none of the pardonable search.
Starting point is 05:15:42 of elation which normally was his under these circumstances it had been a peculiar case from the first the dramatist persona had all been of the better type with the single exception of william barker they had been persons against whom the detective was loathed to believe ill and most eagerly he had shied from the belief that mrs lawrence was connected in a sinister way with the death of roland warren yet he had shied from the belief that mrs lawrence was connected in a sinister way with the death of roland warren yet he found himself en route to her home facing the ordeal of an interview with her an ordeal for her as well as for him and one through which he feared she could not safely come for frankly as carol had admitted to his friend that he hoped to find naomi innocent he was yet honest and fearless and failure of the woman to clear herself meant her arrest carroll was determined upon that yet he dreaded it as a child dreads the dentist as something painful beyond belief he rang the bell then groaned as evelyn rogers greeted him effusively she ushered him ostentatiously into the parlor and drew up a chair close to his mr carroll it's just simply scrumptious of you to call on me informally like this i can't tell you how tickled i am i was sitting upstairs simply bored to extinction sis has been a terrible drag on me recently really you'd have thought there'd have been a death in the family or something it's been simply graveyardy and now you come in like a darling angel and save me from the willie-woggles you're a deer and-but i really came to see your sister oh pf that's what poor dear roland used to say all the time but i always knew i was the one he wanted to see goodness he was simply crazy about me but of course sis never understood that she hasn't yet realized that i'm grown up
Starting point is 05:17:50 peculiar how blind some folks are but this time miss rogers i really do want to chat with your sister not that i wouldn't prefer a talk with you so if you'll tell you her I'm here and would like to see her privately? Evelyn rose and started reluctantly toward the door. I suppose it's up to me to make myself very scarce, but it's simply precious of you to admit you'd rather talk to me. Poor Roland used to say that, but he always said it as though he was kidding. I believe you.
Starting point is 05:18:27 I assure you I'm serious. I know it. And anyway, I was thinking, of running out for a minute, and I suppose this is a good chance. Of course, I'd stay and see you if you wanted, but I suppose you've got something terribly dry to discuss, and so—' She left the room, and Carol heaved a sigh of infinite relief. A few minutes later, the hall door swung back, and Naomi and Evelyn entered. He was immensely relieved to see that the youngster was cloaked for the street, and murmured a few idle words to her.
Starting point is 05:19:03 before she went. And until the front door banged behind her, he remained standing before the fireplace, his eyes focused on the tragic figure of Naomi. She faced him bravely enough, but in her eyes he read the message of knowledge. There was no need for words between them. She knew why he had come, and he knew that she knew. Sit down, please, Mr. Carroll. He was a little. He was a little bit of a little. He waited until she had seated herself and then followed suit. He controlled his voice with an effort. His words came softly, reassuringly. "'I'm sorry I've come this way, Mrs. Lawrence.
Starting point is 05:19:49 I've come—I know why you have come, Mr. Carroll. You need not mince matters.' He drew a long breath. "'Isn't it true, Mrs. Lawrence, that you were the woman in the taxi-cab, night Mr. Warren was killed. She inclined her head. Yes, Carol fidgeted nervously. I must warn you to be careful in what you say to me, my friend. I am the detective in charge of this case, and—
Starting point is 05:20:22 There is no use in concealment, Mr. Carroll. I have been driven almost crazy since that night. I have almost reached the end of my rope. It was the skisks. scandal I have been fighting to avoid, not so much for my own sake as for Evelyn and my husband. Publicity of this kind would be very, very awkward for both of them. I'm sorry, Carol hesitated. If you don't care to talk to me, she shrugged slightly. It makes no difference now. I'd rather talk to you than someone who might understand less readily or more harshly.
Starting point is 05:21:10 I may question you? Yes. I regret it and rest assured that I am trying to find a way out for you. There is no way out from the scandal, but that is my own fault. Somewhere down the block an auto horn shrieked. in another room of the house an old grandfather's clock chimed sonorously do you admit that you were the woman in the taxi-cab yes certainly do you admit that you killed roland warren her startled eyes flashed to his the color drained from her cheeks her answer was almost inaudible no you did not kill him carol was impressed with the nuance of truth in her answer no i did not kill him
Starting point is 05:22:12 but when you got into the taxi-cab isn't it a fact that he was already there yes he was there mr carol but he was already dead end of chapter nineteen recording by rogermaline chapter twenty of midnight this livervox recording is in the public domain recording by roger maline midnight by octavus roy cohen chapter twenty a confession already dead carol did not know if his lips framed the words or if the walls of the room had echoed he was startled at a time when he fancied that there could be no further surprise in store for him he found he found that he found out of the room in store for him he found found himself eyeing the woman, and he wondered that he gave credence to her statement. Naomi was sitting straight, large black eyes dilated, hands gripping the arms of the chair tightly, lips slightly parted. Even under the stress of the moment, Carol was actually conscious of her feminine allure, unable to free himself of her hypnotic personality. She spoke, but he scarcely heard her words through his chaos of thought.
Starting point is 05:23:43 He was dead before I got into the taxi-cab. He saw that she was fighting to impress upon him the truth of her well-nigh unbelievable statement, that every atom of her brain strove desperately to convince him. And then she relaxed suddenly, as though from too great strain, and a shudder passed over her. I knew, I knew. You knew what, Mrs. Lawrence? I knew that you would not believe me. Oh, it's true, this story I am telling you,
Starting point is 05:24:24 but I knew no one could believe it. It stretches one's credulity too far. That is why I have kept silent through all these days which have passed. That and a desire to save Evelyn and my heart, husband. You love your husband? Carol bit his lips. The question had slipped out before he realized that he had formed the words, but she did not evade the issue.
Starting point is 05:24:52 I despise him, Mr. Carroll, but he has played square with me, more so than I have with him. And publication of this would hurt him. Because he cares for you? No, but he has played square with me. but because he is proud, because he is jealous of his personal possessions, of which I am one. I see. And Mr. Warren?' She spread her hands in a helpless, hopeless gesture. "'What's the use, Mr. Carroll? Why should I rack myself with the story when you do not even believe the reason upon which it is based?'
Starting point is 05:25:35 if you only believed me when i tell you that when i got into the taxi-cab roland had already been killed i do believe that returned carroll gently she in breathed sharply then her eyes narrowed a trifle do you mean that or is it bait to make me talk i cannot do more than repeat my statement i believe what you have told me she held his eyes for a moment then slowly hers shrank from the contact you are telling me the truth she ventured and if you will tell me the whole story mrs lawrence i shall see what i can do for you what is there to do for me there is no way to keep my name from it my name and the story of the mistake which i made was willing to make good god no if we he used the pronoun unconsciously can establish that there may be some way of keeping the details from the public suppose you start at the beginning and tell me what there is to tell she hesitated everything everything or nothing a portion of the story will not help either of us of course you don't have to impulsively she leaned forward there is something about you mr carroll which makes me trust you i feel that you are a friend rather than an enemy he bowed gratefully thank you it really began shortly after my marriage to mr lawrence she had started her story before she knew it i knew that i had made a mistake
Starting point is 05:27:33 he is nearly thirteen years older than i a man of icy disposition a nature which is cruel in its frigidity i am not that-that kind of a woman mr carroll i should not have married that type of man he was good enough to me in his own peculiar way i have a little money of my own he is wealthy he liked to dress me up and show me off he was liberal with money if not with kindness when there was trouble in my family after my parents died he allowed evelyn to live with us they have never liked one another the more reason why i am grateful to him for allowing her to remain in the house that is the life we have led together we have long since ceased to have anything in common he has kept to himself and i have remained alone so far as the world knew our home life was tranquil unbearably so to a nature like mine which loves love and life i grew to hate my husband as a man much as i admired him in certain ways for his brain and his achievement our individualities are millions of miles apart there was no oneness in our married life and gradually he learned that i hated him and he became contemptuous that stung my pride he didn't care i felt-felt no need to go into further detail sufficient to say that i became desperate for a little affection a little kindness a little recognition of the fact that i am a woman and a not entirely unattractive one it was about then that i met roland warren
Starting point is 05:29:35 i wonder if you understand women mr carroll i wonder if it is possible for you to comprehend their psychological reactions because if you cannot you will never understand what roland warren meant to me you will never understand the condition which has led to this tragedy she paused and carol nodded you can trust me to understand i believe you do i believe you understand something of what was going on within me when roland came into my life in the light of what has transpired the fact that i was neglected by my husband seems absurd trivial but it is not absurd it is not trivial mr warren was kind to me he was attentive courteous i believe that it is not trivial i believe that is not trivial mr warren was kind to me he was attentive courteous i believe that he really loved me i may have been fooled of course starved as i was for the affection of a man i may have been blind to the sincerity of his protestations but i believed him as to how i felt toward him i don't know i liked him admired him i believe that i loved him but again we are faced with the abnormal condition in which i found myself i believe i loved him as i believe he loved me he represented a chance for life when for three years i had been dead living and breathing yet dead as a woman and that is the most terrible of all deaths we plan to elope don't ask me how i could consider such a thing there is no answer possible it wasn't a sane decision but i decided that i would
Starting point is 05:31:37 there was the craving to get away from things to try to start over to reveal in the richest things of life for a while i was selfish unutterably so i didn't think then of the effect on my husband or of the effect on evelyn i was selfish yes but immoral no what i planned to do under the circumstances was not immoral even yet i cannot convince myself that it was roland laid all his plans to leave the city in all my delirium of preparation the hiding and the secrecy i felt sincerely sorry for only one person and that person was hazel gresham to whom mr warren was engaged i believe she was in love with him but so was i and if he loved me as i said before mr carroll i was selfish on the morning of the day we were to go my husband was in nashville you know mr warren came to the house in his car he showed me that he had reserved a drawing-room for us to new york in order that we would not be seen together he gave me one of the railroad tickets i was to reach the union station ten minutes before train time if you recall the train on which we were to go was quite late that night we planned not to talk to one another at the station until after boarding the train morning would have published news of the scandal broadcast but until the irrevocable step had been taken we determined to avoid gossip
Starting point is 05:33:31 and mr carroll i was then what is called a good woman my faithlessness up to that time and to this moment had been mental and mental only when he left me that morning he took with him my suit-case we had agreed that i was not to take a trunk that i was to buy a trousseau in new york i looked upon it almost as a honeymoon he took my suitcase to the union station and checked it there i did not see him again that day toward evening knowing that my husband was not due back until the following morning and realizing that i could not leave evelyn alone in the house i suggested that she spent the night with hazel gresham she was surprised knowing that i dread to be alone at night but was ready to be alone at night but was ready to be ready to be at night but was ready enough to go i was not overcome with either emotion or shame when i told her good-bye that afternoon i was so hungry for happiness that i was dead to the other emotions i went to the station that night in a street car i had telephoned in advance and learned that the train was late the night was the worst of the winter bitterly cold when i reached the station i saw that roland was already there and as he saw me enter he left through the opposite door walking out to the platform which parallels the railroad tracks then from the outside he motioned me to follow he wanted to talk to me but would not risk doing so where we might be seen i sat down for a while then as casually as i could followed him
Starting point is 05:35:25 him onto the station platform. I saw him down at the far end and near the baggage room. Again he motioned to me to follow him, and he started out past the baggage room into the railroad yards. I was very grateful to him. He was taking no risk of our being seen together. I followed slowly, not seeing him, but knowing that he would be waiting for me out there. there. You understand where I mean? It is in that section of the railroad yards where, through trains leave their early morning pullmans. The tracks are parallel to Atlantic Avenue, and also the mainline tracks running into the Union Station shed. I was conscious of the intense cold, but excitement buoyed me up. I passed through the gate which ordinarily bars passengers
Starting point is 05:36:22 from the tracks, but which that night had either been left open or opened by Roland. The wind, as I stepped from under the shelter of the station shed, was terrific, howling across the yards, stinging with sleet. It was very slippery underfoot, I had to watch closely, and I was just a trifle nervous because here and there through the yards I could see lanterns, yard workers and track walkers i presume and occasionally the headlights of a switch engine zigzagged across the tracks i was afraid i'd be caught in the glare finally i saw warren he had walked about a hundred and fifty yards down the track and was standing in the shelter of the pullman office building it was very dark there just enough light for me to make out his silhouette i started forward then stopped frightened for i distinctly saw the figure of a man coming into the yards from atlantic avenue from the moment i noticed him i had the peculiar impression that the man had not only seen mr warren and intended speaking to him but also that the meeting was not unexpected i stopped where i was and strained my eyes through the darkness
Starting point is 05:37:48 i could not see much save that they were talking of course i could hear nothing i was shivering but more with premonition of tragedy than with the terrific cold then suddenly i saw the two shadows merge the combined shadows whirled strangely i knew that mr warren was fighting with this other man i started forward again then i saw one of the shadows stepped back from the other there was the flash of a revolver no noise because a train was rolling under the shed at the moment but i saw the flash of the gun i stood motionless horrified i didn't advance didn't run i knew that the man who had been shot was mr warren i didn't know what to do i felt suddenly lost hopeless and watching i saw one figure stoop and lift the prostrate man he dragged him across the tracks to the inky darkness between the pullman offices and the rear of the baggage room. I don't know what he did there, but I remember looking toward Atlantic Avenue and seeing a yellow taxi cab parked against the curb. I could see that there was no one on the driver's seat, and while I watched, I saw the man who had done the shooting drag Mr. Warren's body to the taxi
Starting point is 05:39:21 cab. It was dark in the street, the arc light on the corner was out. I saw him throw Mr. Warren's body into the taxi cab. It was then that I turned and fled toward the station. I can't tell you how I felt. At a time like that one doesn't pause to analyze one's emotional reactions. I was conscious of horror, of that and the idea that I must save myself. And then the thought struck me that perhaps Mr. Warren was not dead. Perhaps he was only badly wounded. If that were the case, I knew that he would freeze to death in the cab.
Starting point is 05:40:07 It was necessary to get to him. By that time I had reached the waiting room. I saw his suitcase, and then, Mr. Carroll, I thought of something else, something which made it imperative that I'd get to Mr. Warren. She stopped suddenly. Carol, eyes wide with interest, motioned her on.
Starting point is 05:40:31 You thought of something? Something which made it necessary for you to get to him? Yes. I remembered that he had in his pocket the check for my suitcase. He had checked it himself that day. I realized in a flash that there would be a police investigation, and the minute that checkroom stub was found, the detectives would have followed it up.
Starting point is 05:40:56 they would have discovered my suit-case my name would then have been indelibly linked with his in-in that way so there were two reasons why i knew i must get into that taxi-cab to recover the suitcase check and to either assure myself that he was dead or else take him where he could get expert medical attention almost before i knew what i was doing i seized his suit-case which he had left on the floor of the waiting-room i left the station along with several passengers who had come in on the local train i called the taxi-cab i told him to drive me to some place on east end avenue gave him some address which i knew was a long distance away so that i would have time to learn if he was dead and if he wasn't to get him to a doctor's and if he was to find the check the finding of which in his pocket would have connected me with the affair he was dead she paused choked and went on gamely i got out of the taxi-cab when it slowed down at a railroad crossing i walked half the distance back to town then caught the last street-car home her voice died away carol relaxed slowly then a puzzled frown creased his forehead the man who did the actual shooting he said quietly have you the slightest idea as to his identity no her manner was almost indifferent the strain was over she was hardly conscious of what she was saying he was smaller than mr warren a man of about my husband's size
Starting point is 05:42:56 she stopped abruptly carroll's gaze grew steely he made a note of the expression of horror in her eyes about your husband's size he repeated softly. End of Chapter 20. Recording by Roger Maline. Chapter 21 of Midnight This Libervox recording is in the public domain. Recording by Roger Maline. Midnight by Octavis Roy Cohen. Chapter 21. Carol decides. For a moment she was silent. It was patent that she was groping desperately for the correct thing to say.
Starting point is 05:43:49 And finally, she extended a pleading hand. "'Please, don't think that.' "'What?' "'That it was—was my husband. He wouldn't—' "'Why not?' "'Anyway, it is impossible. He was in Nashville.
Starting point is 05:44:08 He didn't get home until morning.' Carol shook his head. "'I hope he can prove he was in Nashville. We have tried to prove it, and we cannot. and you must admit mrs lawrence that had he known what you planned he would have had the justification of the unwritten law her eyes brightened you think then that if he did he would be acquitted yes more so in view of your story that there was a fight between the two men that would probably add self-defense to his plea however i may be wrong in that you are indeed mr carroll my husband isn't that kind of a man and even if he had done the shooting he could not have concealed it from me for this length of time he would have given a hint "'No! He wouldn't have done that. If he shot Warren, he would have been afraid of telling even you.'
Starting point is 05:45:13 She walked to the window where she stood for a moment looking out on the drear December day. Then she turned tragically back to Carol. "'You are going to arrest me?' "'No.' "'Why not?' "'Because I believe your story, Mrs. Laurent. and so long as there is any way to keep your name clear of the whole miserable mess, I shall do so.
Starting point is 05:45:40 But if you arrest my husband... I have no intention of doing that either, unless I am convinced that he was in the city when the shooting occurred. I am not in favor of indiscriminate arrests. In this case, they can do nothing but harm. You are very good, she said softly. I didn't imagine that a detective... Some of us are human beings, Mrs. Lawrence.
Starting point is 05:46:08 Is that so strange? She did not answer, and for several minutes they sat in silence, each intent in thought. It was Carol who broke the stillness. Do you know William Barker? Barker? Why, yes, certainly. He was Mr. Warren's valet. I know it. Have you seen Barker since the night Mr. Warren was killed? Yes. He could scarcely distinguish her answer.
Starting point is 05:46:41 Twice. He called here? Yes. Was your husband at home on either occasion? No. Why did he come here? She hesitated, but only for the fraction of a second. it was barker who was driving me to distraction he knew that i was the woman in the taxi-cab he really believes that i killed mr warren he has been blackmailing me ah so that explains his visits and his plentiful supply of money yes oh it was shameful that i should be so helpless before his demands it didn't matter that i had nothing to do with the killing it was enough that i had to pay any price to keep my name clear of scandal looking back on the affair now mr carroll i cannot understand my own weakness but i felt that i owed it to my husband and my sister to protect them from scandal at any cost and i have paid barker a good deal of money i see carol rose i want you to understand mrs lawrence that you have helped me tremendously and to know also that i shall probably succeed in keeping your name out of any disclosures which might have to be made to the public
Starting point is 05:48:12 but if my husband did it in that event it will be impossible not to tell and if he didn't do it then you will be safe but finished the detective seriously if your husband didn't do it i don't know who did i have followed every possible trail and unless guilt can be fastened on either your husband or barker there isn't the faintest shadow of suspicion attached to any one of the faintest shadow of suspicion attached to any else. It will make things very difficult, for me." During his ride to headquarters, Carol was busy with his thoughts. He was worried about the possible complicity of Gerald Lawrence in the shooting of Warren. He was more than halfway convinced that Lawrence knew a good deal about it, and the obvious method was to order Lawrence's arrest and make him prove an alibi. But such a procedure was impossible. in view of his determination to protect Naomi's name to the ultimate moment.
Starting point is 05:49:18 He was greeted at headquarters by a reporter for one of the two evening papers. The reporter was eager for an interview. There had been an appalling doth of local news, and the Warren story had been long since played beyond the point of public interest. The readers, explained the reporter, were growing tired of theories and column-outes. after column of conjecture. They wanted a few facts. Carol shook his head. Nothing definite to give out yet.
Starting point is 05:49:52 The reporter was persistent. You have made no new discoveries at all? Well, I'd hardly say that. Then you have? Yes, answered Carol frankly. I have. Then you think you know who killed Warren? carol his mind still busy with naomi's story answered casually i believe i do that is just a belief mind you but there is an outside chance that there will be important developments within the next twenty-four hours
Starting point is 05:50:29 something definite eh if anything at all happens it will be definite then carol excused himself and sought eric leverage under pledge of secrecy he told leverage the entire story as he had heard it from naomi lawrence's lips when he finished leveridge slammed his hand on the arm of his chair gerald lawrence or i'm a bum guesser he stated positively looks that way admitted carroll what i hate about the idea is that if lawrence is the man there will be no way on earth to keep mrs lawrence's name name out of it. You're right. How about Barker? I believe Barker's story. So does Mrs. Lawrence. She believes that Barker thinks she killed Warren in the taxi. Leverage glanced keenly at his friend.
Starting point is 05:51:30 You are going to arrest Lawrence? No, not yet. He may not have done it. Well, sizzled the chief of police. please. If he didn't, and Barker didn't, who the devil did? Carol shook his head hopelessly. I don't know, Eric. If neither of those two men did, we'll be left hopelessly in the air. Exactly. We know that one of them did the shooting. We've covered this case from every angle, and if we believe that the shooting was not done by Mrs. Lawrence, we must suspect one of the
Starting point is 05:52:11 two men involved. And if you are sure it wasn't Barker. Let's wait a little while longer, counseled Carol. I want to be absolutely sure of my ground. The two men sat in Leverage's office and talked. They discussed the case again from the beginning to its present status, threshing out each detail in the hope that they might have overlooked some vital fact which would give them a basis upon which to proceed. Their efforts were fruitless. The investigation had developed results, true enough, but those results were not at all satisfactory. And it was about an hour later that a knock came on the door. In response to leverage his summons, an orderly entered. In his hand he carried an evening paper.
Starting point is 05:53:05 "'Just brought this in, sir. Thought you and Mr. Carroll might like to read it?" The orderly retired. Carol spread the paper, then did something very rare. He swore profoundly. His eyes focused angrily on the enormous first-page headlines. Carol has solved Warren mystery. Identity of Clubman Slayer known to famous detective. We'll make a rest within twenty-four hours. Sensational Developments Promised by David Carroll in exclusive interview with reporter for the star.
Starting point is 05:53:45 It all came back to Carol now. The eager reporter, the news hunger, his non-committal statements. He read furiously through the story. It proved to be one of those newspaper masterpieces which uses an enormous number of words and says nothing. Carol was quoted.
Starting point is 05:54:07 as saying only what he had actually said. It was the personal conjecture of the reporter writing the story which had given spur to the vivid imagination of the headline writer. "'So now,' questioned Leverage, "'what are you going to do? Deny it?' "'No,' snapped Carol. "'I can't. He hasn't misquoted a single line of what I said. It just makes things—makes a mighty embanked. He sat hunched in his chair, staring at the screaming headlines, and rereading the lurid story. Again, an orderly entered. Young lady out there, he announced. Who wants to know if Mr. Carroll is here?
Starting point is 05:54:55 Instantly, the mind of the detective leaped to the tragic figure of Naomi Lawrence. She wants to see me, he questioned. Yes, sir. Show her in. He motioned to leverage to remain. The orderly disappeared, and in a minute the door opened and a woman entered. Carol sprang to his feet with an exclamation of surprise. Miss Gresham!
Starting point is 05:55:24 Hazel Gresham nodded. She advanced toward Carol. Every drop of color had been drained from her cheeks. Her manner indicated intense, nervous strain. Her eyes were wide and fixed. "'I would like to speak to you alone, Mr. Carroll.' "'Yes, this is Chief Leverage, Miss Gresham.' Leverage acknowledged the introduction, and would have left, but the girl stopped him.
Starting point is 05:55:56 "'On second thought, Mr. Leverage, you might remain.' Eric paused. His eyes sought Carol's face. both men knew that something vitally unexpected was about to be disclosed they waited for the girl to speak and when she did her voice was so low as to be almost unintelligible about a half hour ago gentlemen i read the story in the star i i she faltered for a moment then went bravely on i came right down to save you the trouble of sending for me. Silence, tense, expectant. You did what?
Starting point is 05:56:44 Quarried Carol. I came down to save you the trouble, the embarrassment of sending for me. She looked at them eagerly. I have come to give myself up. Carol frowned. For what? For what?
Starting point is 05:57:04 for the murder of Roland Warren. The detective shook his head. I don't understand, Miss Gresham. Really, I don't. Do you mean to tell me that you were the woman in the taxi cab? She was biting her lips nervously. Yes. And that you shot Roland Warren? Yes.
Starting point is 05:57:31 And when I read in the paper that you knew who'd, did it, I came right down here. I didn't want to, to be brought down in a patrol wagon. I see. Wild thoughts were chasing one another through Carol's brain. He was beginning to see light. You are quite sure that you killed Mr. Warren? Yes, I'm sure. Why do you doubt me? don't you suppose that i know whether i killed him don't you suppose i can prove that i did it yes i suppose you can i wonder miss gresham and carroll's voice was very very gentle if you would wait in that room yonder for a few minutes certainly she raised her head pleadingly you do believe me don't you carol dodged the issue i want to think alone with leverage carol clenched his fist if that isn't the most peculiar she's not telling the truth is she david certainly not she couldn't smash her own alibi if she tried a million years
Starting point is 05:58:55 he paced the room walking in quick jerky steps finally his face cleared and he stopped before leverage's chair i've got it he announced triumphantly got what never mind carroll was surcharged with suppressed excitement i want you to do something for me leverage and do it promptly sure send cartwright and bring Gary Gresham here. Gary Gresham? Yes, the young lady's brother. Leverage was bewildered. What in the world you want with him? I want him, explained Carol confidently,
Starting point is 05:59:43 because Gary Gresham is the man who shot Warren. End of Chapter 21. Recording by Roger Malene. Chapter 22 of Midnight This Libervox recording is in the public domain, recording by Roger Maline. Midnight by Octavus Roy Cohen. Chapter 22. The problem is solved.
Starting point is 06:00:17 Within an hour, Gary Gresham appeared at headquarters in the company of Cartwright. The officer left the room, and the three men were alone. Gresham's manner was nervous, but he showed no fright. Leverage, regarding him keenly, found reason to doubt Carol's positive statement that Gresham was the person they sought. The young man stood facing them bravely, waiting. Gresham, said Carol softly,
Starting point is 06:00:49 your sister is in that room yonder. She read the afternoon paper, the report that I knew who killed Roland Warren. She immediately came here to give herself up, An expression of utter bewilderment crossed young Gresham's face. Then he started forward angrily. Why are you lying to me? Easy, Gresham, easy there.
Starting point is 06:01:17 I am not lying to you. He saw Gary's eyes dart to the door behind which the sister was seated. What did she give herself up for, Carol? For killing Roland Warren. Gresham took a firm grip on himself. "'She didn't do it,' he stated positively. "'Of course not,' returned Carol with equal assurance. "'You did!'
Starting point is 06:01:45 "'And so that you will be quite convinced "'that I am not trying to trick you into the confession "'which I am sure you will make,' he crossed the room "'and flung open the door. "'Come in, please, Miss Gresham!' "'The girl entered quietly. then saw her brother. Instantly her manner softened.
Starting point is 06:02:07 She stepped swiftly to his side and took his hand in hers. Please, Gary! Gresham smiled, a tender, affectionate smile. Good scout, aren't you, sis? But tell me, his tone was conversational. How did you know that I shot Roland Warren?
Starting point is 06:02:31 You didn't, she flung around on Carol. Don't believe him! I shot Mr. Warren. I knew from the first that you didn't do it, Miss Gresham. I know that Miss Rogers spent the night with you. More than that, I know the identity of the woman in the taxi cab. Who was she? It was Gresham who questioned.
Starting point is 06:02:58 Carol shook his head. It doesn't matter who she was, Gresham. We're going to keep her name out of this case. She was a woman who loved Roland Warren, and his death saved her from a great mistake. There's no necessity to ruin her life, is there? How did you know it was Gary who did the shooting? asked the girl. The minute you confessed, answered the detective quietly, I knew that you were doing it to shield someone. You could have had no possible motive for shielding either of the other two men under suspicion.
Starting point is 06:03:38 I knew that it must be your brother. He had motive enough. He knew that you were in love with Mr. Warren, engaged to him. He knew that Warren was about to elope with another woman, that it would cause you intense misery. So he went to the station that night to prevent the elope. isn't that so gresham the young man nodded yes when i went to your apartment the morning after the killing it was for the purpose of confessing but then when you assured me that my sister was not under suspicion i decided to wait a while before saying anything he paused
Starting point is 06:04:23 and as to that night i parked my car a couple of blocks away and walked to the station through jackson street intending to cut through the yards and approach the waiting-room from the passenger platform i had no idea that-that there would be a tragedy i wanted to reason with warren to beg him to save my sister from suffering which i knew would be attendant on his elopement he was walking in the yards as i entered from between the pullman building and the baggage room i don't know what he was doing there but i spoke to him he seemed startled at seeing me i told him that i knew he was planning to elope and begged him to call it off much to my surprise he immediately got nasty he seemed to want to get rid of me he told me it was none of my damned business what he was doing. He even admitted the truth of what I said. That was the first hint of unpleasantness, but it grew rapidly. He cursed me. Anyway, we had a brief, violent quarrel. He said something about my sister, and I struck him. He clinched with me. We were fighting, then, and I am a fairly good athlete. I broke out of a clinch,
Starting point is 06:05:53 and hit him pretty hard. He reached into his pocket and pulled a revolver. I managed to grab his hand before he could fire. I got it from him, and as I jerked it away, it went off. He fell. I was afraid, then, panicky. I felt his body and realized that he was dead. A train had just come into the yards,
Starting point is 06:06:20 and there were switch engines puffing here and there. i was apprehensive that one of their headlights would pick me up and there were some railroad men walking around the yards with lanterns in their hands there was danger that i was going to be seen and had i been i felt that i wouldn't have a leg to stand on alone in such a place with the body of a man whom i admitted having shot you see i couldn't even prove the contemplated elopement late that evening i had received an anonymous telephone call from a man telling me that if i wanted to save my sister a good deal of unpleasant gossip i'd better meet that midnight train as warren was eloping on it with some other woman but the man who gave me this information cut off before telling me the name of the woman i didn't know it then and i don't know it now i knew i had to hide warren's body not that my killing was not justified on the grounds of self-defense but because i would not bring my sister's name into it and also because even if i did there'd be no proof of the truth of what i said i dragged his body into the shadows between the two buildings atlantic avenue was deserted at the curb i saw a yellow taxi-cab and noticed that the driver was in the restaurant across the street i conceived the idea of putting the body in the taxicab i knew i wouldn't be seen doing it and it would serve the purpose of causing the body to be discovered at some point other than that at which the shooting occurred
Starting point is 06:08:05 i did it then i left the next morning i read of the case in the papers and i have followed it closely since i knew you were ostensibly on the wrong track and as a matter of the case in the papers and i have followed it closely since i knew you were ostensibly on the wrong track and as a matter of of self-preservation, I determined to keep my mouth shut unless it happened that the wrong person was accused. Had you charged someone else with the killing, I assure you I would have come forward. But meanwhile, not even knowing the identity of the woman in the taxi, there seemed no necessity for running the risk. There was nothing save my own word to prove self-defense, you see. There is now, said Carol. Hazel started eagerly, and he smiled upon her. The story of the woman who actually was in the taxi cab substantiates yours, Gresham.
Starting point is 06:09:03 She had followed Warren into the yards to talk to him. She saw the whole affair from a distance, and then went back through the waiting room of the station and called the taxi in which you had placed Warren's body. then gary will be freed cried the girl hopefully his plea of self-defense will acquit him undoubtedly retorted carroll don't you think so leverage surest thing you know returned the chief heartily and i'm darned glad of it gary faced his sister how did you know that i had killed him sis i didn't she answered quietly not at first anyway but if you remember you came in the house a little after eleven o'clock that night and seemed excited you came to my room i was thinking then explained gary that maybe you were eloping with warren then you came home again a little after one o'clock you waked me then and acted peculiarly and acted peculiarly
Starting point is 06:10:17 I was reassuring myself, he said, that you really hadn't left the house. The next morning, while you were taking your shower, I was putting up your laundry, Hazel went on. I found a revolver in your drawer. I didn't think anything of it then. I hadn't even read the papers about the killing. But later I remembered it. I went back to look for the revolver. just why I don't know and it was gone. I questioned you about it a couple of days later and you denied that you had ever had a revolver in the house. And I knew then, Gary, I knew that you had done it. He squeezed her hand. We always did know more about each other than we were told, didn't we little sis. Because at that moment too, I knew that you knew. The young man turned back to the detectives.
Starting point is 06:11:21 "'And what now?' he questioned. "'We'll have to hold you, Gresham. You'll have to go through the form of a trial, but you'll get off, don't worry.' Sister and brother left the room hand in hand. Alone again, the two detectives faced each other. "'You win, David,' said Leverage, admiringly. though darned if i know how you do it a combination of luck and common sense returned carroll simply this time it was principally luck it usually is in such cases
Starting point is 06:12:02 but most detectives don't admit it it is the wild-eyed reporter with the vivid imagination whom we can thank for this solution it was his fiction that brought about miss gresham's ridiculous confession and that which caused me to know that she must be shielding her brother as to how matters stand i say thank god why gerry gresham will undoubtedly be freed it was a clear case of self-defense unfortunately the fact that there was an elopement will have to be known but that is a comparatively trivial thing unpleasant as it may be for miss gresham and most of all i'm glad because naomi lawrence's name will not be dragged into it. How will you work that, David? It can be done, Eric. The district attorney is a pretty good friend of mine, and he's a good square fellow.
Starting point is 06:13:04 Of course, he will have to know the entire story, and it is a certainty that he will believe it. And when he does, you know that he will handle the case so that Mrs. Lawrence will not be connected. Irregular, yes, but you believe he can't. can, and will do it, don't you? You bet your bottom dollar he will. He's another nut like you, so blooming human it hurts.
Starting point is 06:13:33 And now, said Carol, I want to chat with William Barker. There are one or two loose ends I want to clear up. Barker was very humble as he entered the room. You're free of the murder charge, stated Carol promptly. but we may hold you for blackmail. Barker heaved a sigh of relief. I ain't objecting to that, Mr. Carroll. It's a small thing when a man has thought he might be strung up.
Starting point is 06:14:06 Who killed Warren? questioned the detective. Don't you know? came the surprised answer. Yes, but I'm asking you. I suppose you're driving at something new, retorted. said Barker. But I really think Mrs. Lawrence shot him. She didn't, answered Carol. And there's one thing I want to warn you about right now, Barker.
Starting point is 06:14:34 You're the only person except the chief here and myself who knows that Mrs. Lawrence is connected with the case. I want her name kept out of it. Of course, that makes it impossible to arrest you for blackmail. And so, if you tell me that, the entire truth, I'm going to let you go free. But if I ever hear of her name in connection with this case, I'll know that you have leaked, and I'll get you if it takes me ten years. Understand? Yes, sir, I do. Thank you, sir. I know which side my bread is buttered on.
Starting point is 06:15:16 Good. Now I'm telling you that Mrs. Lawrence did not shoot Warren. Who did? I don't know. Suddenly his expression changed. If it wasn't her, Mr. Carroll, it must have been Mr. Gresham. Ah, what makes you think that? Barker's eyes narrowed.
Starting point is 06:15:43 You give me your word of honor, Mr. Carroll. I ain't going to be pinched for blackmail? Yes. well it was this way sir being mr warren's valet i knew he was planning to run off with mrs lawrence i knew that he was going to raise an awful row in town and i knew that mr gresham would do a heap to keep his sister from being unhappy as she was going to be if mr warren done as he was planning so i called up mr gresham that night and told him everything but the woman's name my idea was that he had bust up the elopement. I went to the station to make sure that Mrs. Lawrence got there, knowing that once she was there,
Starting point is 06:16:31 if young Mr. Gresham busted things up, I'd be able to blackmail Mrs. Lawrence, her being a rich woman. I'm coming clean with you, Mr. Carroll. Go ahead. I never seen Mr. Gresham at all at the station, and when I seen Mrs. Lawrence get into the tax, and found out the next morning that Mr. Warren's body was found there,
Starting point is 06:16:57 of course I couldn't help thinking like I did, could I? I suppose not. You're a skunk, barker, and I hate to let you go. But if the chief is willing, I'm going to do it, because your hide isn't worth Mrs. Lawrence's good name. Now get out. I'm free, questioned the man eagerly. how about it leveridge sure growled leverage you're the boss david immediately as barker left the room carroll turned to the telephone and called a number who's that questioned leverage
Starting point is 06:17:41 mrs lawrence answered carroll i want to tell her that she is safe leveridge smiled broadly and as he watched carroll's eager face he saw an expression of consternation cross it carol covered the transmitter with his hand good lord he groaned it's evelyn rogers leveridge chuckled then listened shamelessly to carroll's end of the conversation yes yes this is david carroll i'm glad you think it was sweet of me to telephone i want to speak to your sister she isn't there well ask her to telephone me at headquarters as soon as she comes in will you uh-huh the warren case has ended and that's what i wanted to tell her i only did my best yes oh say the receiver clicked on the hook carol was grinning as he turned back to his friend guess what that young thing said when i told her that i had solved the warren case tell me david i'm a poor guesser she said returned carol gravely that i am just the cutest man she has ever known end of chapter twenty-two End of Midnight by Octavus Roy Cohen

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