Classic Audiobook Collection - Mosquitoes by William Faulkner ~ Full Audiobook [comedy]

Starting point is 00:00:00 Mosquitoes by William Faulkner. Epigraph In spring, the sweet young spring, decked out with little green, necklace, braceleted with the song of idiotic birds, spurious and sweet and tawdry as a shock girl in her cheap finery, like an idiot with money and no taste. They were little and young and trusting. You could kill them sometimes. But now, as August like a lank,

Starting point is 00:00:30 languorous, replete bird, winged slowly through the pale summer, toward the moon of decay and death. They were bigger, vicious, ubiquitous as undertakers, cunning as pawnbrokers, confident and unavoidable as politicians. They came cityward, lustful as country boys, as passionately integral as a college football squad, pervading and monstrous but without majesty. A Biblical Plague seen through the wrong end of a binocular. The Majesty of Fate become contemptuous through ubiquity and sheer repetition. End of Section Zero, read by Sandra. Section 1 of Mosquitoes.

Starting point is 00:01:20 This is a Librivox recording. All Librivox recordings are in the public domain. For more information, or to volunteer, please visit librivox.org. Read by Marissa D.6. Mosquitoes by William Faulkner. Prologue Part 1 The Sex Instinct,

Starting point is 00:01:51 repeated Mr. Tali Fero in his careful cockney, with that smug complacence with which you plead guilty to a characteristic, which you privately consider a virtue, is quite strong in me. Frankness, without which there can be no friendship, without which two people cannot really ever get each other, as you are to say,

Starting point is 00:02:16 frankness, as I was saying, I believe, yes, his host agreed, would you mind moving a little? He complied with obsequious courtesy, remarking the thin, fretful flashing of the chisel beneath the rhythmic mall. Wood scented, gratefully slid from its mute flashing. And slapping vainly about himself with his handkerchief, he moved in a bluebeard's closet of blonde hair in severed clots,

Starting point is 00:02:46 examining with concern a faint even powdering of dust upon his neat small patent leather shoes. Yes, one must pay a price. for art. Watching the rhythmic power of the other's back and arm, he speculated briefly upon which was more to be desired, muscularity in an undershirt,

Starting point is 00:03:09 or his own symmetrical sleeve. And reassured, he continued, frankness compels me to admit that the sex instinct is perhaps my most dominating compulsion. Mr. Talia Farrow believed that conversation, not talk, conversation, with an intellectual equal consisted of admitting as many so-called

Starting point is 00:03:34 unpublishable facts as possible about oneself. Mr. Talia Farrow often mused with regret on the degree of intimacy he might have established with his artistic acquaintances had he but acquired the habit of masturbation in his youth. But he had not even done this. yes his host agreed again thrusting a hard hip into him not at all murmured mr talia farrow quickly a harsh wall restored his equilibrium roughly and hearing a friction of cloth and plaster he rebounded with repressed alacrity Pardon me, he chattered. His entire sleeve indicated his arm in gritty white, and regarding his coat with consternation, he moved out of range and sat upon an upturned wooden block. Brushing did no good, and the ungracious surface on which he sat, recalling his trousers to his attention, he rose and spread his handkerchief upon it. whenever he came here, he invariably soiled his clothes. But under that spell put on us by those we admire doing things we ourselves cannot do,

Starting point is 00:04:51 he always returned. The chisel bit steadily beneath the slow arc of the mall. His host ignored him. Mr. Talia Farrow slapped viciously and vainly at the back of his hand, sitting in lukewarm shadow while light came, across roofs and chimney pots, passing through the dingy skylight, becoming weary. His host labored on in the tired light, while the guest sat on his hard block, regretting his sleeve, watching the others hard body in stained trousers and undershirt, watching the curling vigor of his hair.

Starting point is 00:05:32 Outside the window, New Orleans, the view, Coray, brooded in a faintly tarnished languor, like an aging yet still beautiful cortisans in a smoke-filled room. Avid, yet weary too, of ardent ways. Above the city, summer was hushed warmly into the bold, weary passion of the sky. Spring and the cruelest months were gone. The cruel months. The wantons that break the fat hibernate and dullness and comfort of time. August was on the wing.

Starting point is 00:06:09 and September, a month of languorous days regretful as wood smoke. But Mr. Talia Farrow's youth, or lack of it, troubled him no longer. Thank God. No youth to trouble the individual in this room at all. What this room troubled was something eternal in the race, something immortal, and youth is not deathless. Thank God. This unevenly boarded floor,

Starting point is 00:06:43 these rough stained walls broken by high, small, practically useless windows beautifully set. These crouching lentils cutting the immaculate ruined pitch of walls, which had housed slaves long ago. Slaves long dead and dusts with the age that had produced them, and which they had served with a kind and gracious dignity. Shades of servants and masters now in the world, in a more gracious region, lending dignity to eternity.

Starting point is 00:07:14 After all, only a few chosen can accept service with dignity. It is man's impulse to do for himself. It rests with the servant to lend dignity to an unnatural proceeding. And outside, above rooftops becoming slowly violet, summer lay supine, unchaste with decay. As you entered the room, the thing drew your eyes. You turned sharply as to a sound, expecting movement. But it was marble. It could not move.

Starting point is 00:07:52 And when you tore your eyes away and turned your back on it at last, you got again untarnished and high and clean, that sense of swiftness, of space encompassed. But on looking again, it was as before, motionless and passionately eternal, the virginal breastless torso of a girl, headless, armless, legless, in marble temporarily caught and hushed,

Starting point is 00:08:22 yet passionate still for escape, passionate and simple and eternal in the equivocal derisive darkness of the world. Nothing to trouble your youth or lack of it. Rather, something to trouble the very fire integrity of your being. Mr. Talia Farrow slapped his neck savagely. The manipulator of the chisel and maul ceased his labor and straightened up,

Starting point is 00:08:50 flexing his arm and shoulder muscles. And, as though it had graciously waited for him to get done, the light faded quietly and abruptly. The room was like a bathtub after the drain has been opened. Mr. Talia Farrow rose also, and his host turned upon him a face like that of a heavy hawk, breaking his dream. Mr. Talia Farrow regretted his sleeve again, and said briskly, Then I may tell Mrs. Morier that you will come? What? The other asked sharply, staring at him.

Starting point is 00:09:32 Oh, hell, I have work to do. Sorry. Tell her I am sorry. mr tallya ferro's disappointment was tinged faintly with exasperation as he watched the other cross the darkening room to a rough wood bench and raise a cheap enamelware water pitcher gulping from it but i say said mr talia farrow fretfully no no the other repeated brusquely wiping his beard on his upper arm some other time perhaps i am too busy to bother with her now Sorry. He swung back the open door, and from a hook screwed into it, he took down a thin coat and a battered tweed cap. Mr. Talia Farrow watched his muscles bulged the thin cloth with envious distaste, recalling anew the unmistled emphasis of his own press flannel. The other was palpably on the verge of abrupt departure, and Mr. Taliaferro, to whom's solitude, particularly dingy solitude, was unbearable, took his stiff straw hat from the bench where it flaunted its wanton gay band above the slim yellow gleam of his straight Malacca stick.

Starting point is 00:10:48 Wait, he said, and I'll join you. The other paused, looking back. I'm going out, he stated belligerently. Mr. Talia Farrow, at a momentary loss, said fatuously, Why? Ah, I thought, I should. The hawk's face brooded above him in the dusk remotely, and he added quickly, I could return, however. Sure it's no trouble? Not at all, my dear fellow, not at all. Only call on me.

Starting point is 00:11:25 I will be only too glad to return. Well, if you're sure it's no trouble, suppose you fetch me a bottle of milk from the grocer on the corner. You know the place, don't you? Here's the empty one. With one of his characteristic plunging movements, the other passed through the door, and Mr. Talia Farrow stood in a dapper-fretted surprise, clutching a coin in one hand and an unwashed milk bottle in the other. On the stairs, watching the other's shape descending into the well darkness, he stopped again and standing on one leg like a crane, he clasped the bottle under his arm and slapped at his ankle, viciously and vainly.

Starting point is 00:12:14 End of Section 1. Section 2 of Mosquitoes. This is a Librivox recording. All Librivox recordings are in the public domain. For more information, or to volunteer, please visit Librivox recording. Bribovacs.org. Read by Marissa D6.

Starting point is 00:12:46 Mosquitoes by William Faulkner. Prologue Part 2. Descending a final stare and turning into a darkling corridor, he passed two people indistinguishably kissing, and he hastened on toward the street door.

Starting point is 00:13:07 He paused here in active indecision, opening his coat, The bottle had become clammy in his hand. He contemplated it through his sense of touch with acute repugnance. Unseen, it seemed to have become unbearably dirty. He desired something, vaguely, a newspaper perhaps, but before striking a match, he looked quickly over his shoulder. They were gone, hushing their chimed footsteps up the dark curve of the stair.

Starting point is 00:13:39 Their chimed tread was like a physical embrace. His match flared a puny-fledged gold that followed his clasped gleaming stick as if it were a train of gunpowder. But the passage was empty, swept with chill stone, imminent with weary moisture. The match burned down to the even polished temper of his fingernails, and plunged him back into darkness more intense. He opened the street door. Twilight ran in like a quiet violet dog. And nursing his bottle, he peered out across an undimensional feathered square. Across stenciled palms and Andrew Jackson in childish effigy,

Starting point is 00:14:25 bestriding the terrific arrested plunge of his curly-balanced horse, toward the long unemphasis of the Pontalba building, and three spires of the cathedral graduated by perspective, pure and slumberous beneath the decadent languor of August and evening. Mr. Talia Farrow thrust his head modestly forth, looking both ways along the street. Then he withdrew his head and closed the door again. He employed his immaculate linen handkerchief reluctantly before thrusting the bottle beneath his coat. It bulged distressingly under his exploring hand, and he rebuttal,

Starting point is 00:15:08 remove the bottle in mounting desperation. He struck another match, setting the bottle down at his feet to do so. But there was nothing in which he might wrap the thing. His impulse was to grasp it and hurl it against the wall. Already he pleasureed in its anticipated glassy crash. But Mr. Tali Afira was quite honorable. He had passed his word. Or he might return to his friend's room and get a bit of

Starting point is 00:15:38 paper. He stood in hot indecision until feet on the stairs descending decided for him. He bent and fumbled for the bottle, struck it, and heard its disconsolate empty flight. Captured it at last, and opening the street door anew, he rushed hurriedly forth. The violet dusk held in soft suspension lights slow as bellstrokes. Jackson Square was now a green and quiet lake, in which abode lights round as jellyfish, feathering with silver mimosa and pomegranate and hibiscus, beneath which Lantana and Canas bled and bled. Pontalba and Cathedral were cut from black paper and pasted flat on a green sky. Above them, taller palms were fixed in black and soundless explosions. The street was empty,

Starting point is 00:16:35 but from Royal Street there came the hum of a trolley that rose to a staggering clatter, passed on in a way, leaving an interval filled with the gracious sound of inflated rubber on asphalt, like a tearing of endless silk. Clasping his accursed bottle, feeling like a criminal, Mr. Talia Farrow hurried on. He walked swiftly beside a dark wall, passing small indiscriminate shops dimly lighted with gas and smelling of food of all kinds, fulsome, slightly overripe. The proprietors and their families sat before the doors in tilted chairs. Women nursing babies into slumber spoke in soft South European syllables one to another.

Starting point is 00:17:23 Children scurried before him and about him, ignoring him or becoming aware of him, and crouching in shadow like animals, defensive, passive and motionless. He turned the corner. Royal Street sprang in two directions, and he darted into a grocery store on the corner, passing the proprietor sitting in the door with his legs spread for comfort, nursing the Italian balloon of his belly on his lap. The proprietor removed his short terrific pipe and belched,

Starting point is 00:17:55 rising to follow the customer. Mr. Talia Faro set the bottle down hastily. The grocer belched again, frankly. "'Good afternoon,' he said in a broad West End accent much near the real thing than Mr. Talia Ferro's. "'Milk, hey?' "'Mr. Talia Farrow extended the coin, murmuring, watching the man's thick, reluctant thighs as he picked up the bottle without repugnance, and slid it into a pigeonhole box, and opening a refrigerator beside it, took there from a fresh one. Mr. Talia Farrow recoiled. Haven't you a bit of paper to wrap it in?

Starting point is 00:18:36 He asked diffidently. Why, sure, the other agreed affably. Maker in a parcel, hey? He complied with exasperating deliberation. And breathing freer, but still oppressed, Mr. Talia Farrow took his purchase and, glancing hurriedly about, stepped into the street, and paused, stricken. She was under full sail and accompanied by a slimmer one when she saw him.

Starting point is 00:19:07 But she tacked at once and came about in a hush switching of silk and an expensive clashing of impediments, handbag and chains and beads. Her hand bloomed fatly through bracelets, ringed and manicured, and her hot-house face wore an expression of infantile trusting astonishment. Mr. Talia Faro! what a surprise, she exclaimed, accenting the first word of each phrase, as was her manner. And she really was surprised. Mrs. Morrier went through the world

Starting point is 00:19:44 continually amazed at chance, whether or not she had instigated it. Mr. Talia Farrow shifted his parcel quickly behind him to its imminent destruction, being forced to accept her hand without removing his hat. He rectified this as, soon as possible.

Starting point is 00:20:03 I would never have expected to see you in this part of town at this hour, she continued. But you have been calling on some of your artist's friends, I suppose. The slim one had stopped also, and stood examining Mr. Talia Farrow with cool uninterest. The older woman turned to her. Mr. Talia Farrow knows all the interesting people in the quarter, darling. All the people who are, who are creating, creating things, beautiful things, beauty, you know. Mrs. Moray waved her glittering hand vaguely toward the sky in which stars had begun to flower, like pale and tarnished gardenias.

Starting point is 00:20:52 Oh, do excuse me, Mr. Tali of Pharaoh. this is my niece, Miss Robin, of whom you have heard me speak. She and her brother have come to comfort a lonely old woman. Her glance held decayed coquetry, and taking his cue, Mr. Tali Afaro said, Nonsense, dear lady, it is we, your unhappy admirers, who need comforting. Perhaps Miss Robin will take pity on us also. He bowed toward the niece with calculated formality. The niece was not enthusiastic.

Starting point is 00:21:34 Now, darling, Mrs. Morier turned to her niece with rapture. Here is an example of the chivalry of our southern men. Can you imagine a man in Chicago saying that? Not hardly, the niece agreed. Her aunt rushed on. That is why I have been so, anxious for Patricia to visit me, so she can meet men who are, who are, my niece is named for me, you see, Mr. Talia Farrow. Isn't that nice? She pressed Mr. Talia Farrow with recurrent, happy

Starting point is 00:22:12 astonishment. Mr. Talia Farrow bowed again, came within an ace of dropping the bottle, darted the hand which held his hat and stick behind him to steady it. Charming, charming, he he agreed, perspiring under his hair. But really, I am surprised to find you here at this hour. And I suppose you are as surprised to find us here, aren't you? But I have just found the most wonderful thing. Do look at it, Mr. Talia Farrow. I do so want your opinion.

Starting point is 00:22:49 She extended to him a dull lead plaque, from which in dim boss relief of faded red and blue, simpered a Madonna with an expression of infantile astonishment, identical with that of Mrs. Morier, and a child somehow smug and complacent looking as an old man. Mr. Taliaferro, feeling the poised precariousness of the bottle, dared not release his hand. He bent over the extended object. Do take it so you can examine it under the light, its owner insisted. Mr. Talia Farrow perspired again mildly. The niece spoke suddenly.

Starting point is 00:23:30 I'll hold your package. She moved with young swiftness, and before he could demur, she had taken the bottle from his hand. Ow! she exclaimed, almost dropping it herself, and her aunt gushed. Oh, you have discovered something also, haven't you? Now I've gone and shown you my treasure, and all the while, you were concealing something much, much nicer. She waggle her hands to indicate dejection. You will consider mine trash. I know you will.

Starting point is 00:24:06 She went on with heavy assumed displeasure. Oh, to be a man, so I could poke around in shops all day and really discover things. Do show us what you have, Mr. Talia Farrow. It's a bottle of milk, remarked the. niece, examining Mr. Talia Farrow with interest. Her aunt shrieked, her breast heaved with repression, glinting her pins and beads. A bottle of milk? Have you turned artist, too? For the first and last time in his life, Mr. Talia Farrow wished a lady dead. But he was a gentleman. He only cedes inwardly. He laughed with a board of hardiness.

Starting point is 00:24:55 An artist. You flatter me, dear lady. I'm afraid my soul does not aspire so high. I am content to be merely a... Milkman, suggested the young female devil. Missina Salone, if I might so style myself. Mrs. Morrier sighed with disappointment and surprise. Ah, Mr. Talia Farrow, I am dreadfully disappointed.

Starting point is 00:25:25 i had hoped for a moment that some of your artist friends had at last prevailed on you to give something to the world of art no no don't say you cannot i am sure you are capable of it what with your your delicacy of soul your she waved her hand again vaguely toward the sky above rampart street ah to be a man with no ties save those of the soul to create to create She returned easily to Royal Street. But really? A bottle of milk, Mr. Talia Farrow? Merely from my friend Gordon. I looked in on him this afternoon and found him quite busy. So I ran out to fetch him milk for his supper. These artists, Mr. Tali Afro shrugged. You know how they live. Yes, indeed. Genius. A hard taskmaster, isn't it?

Starting point is 00:26:23 perhaps you are wise in not giving your life to it. It is a long, lonely road. But how is Mr. Gordon? I am so continually occupied with things, unavoidable duties, which my conscience will not permit me to evade. I am very conscientious, you know, that I simply haven't the time to see as much of the quarter as I should like. I had promised Mr. Gordon faithfully to call,

Starting point is 00:26:52 and to have him to dinner soon. I am sure he thinks I have forgotten him. Please make my peace with him, won't you? Assure him that I have not forgotten him. I am sure he realizes how many calls you have on your time, Mr. Talia Farrow assured her gallantly. Don't let that distress you at all. Yes, I really don't know how I get anything done.

Starting point is 00:27:18 I am always surprised when I find I have a spirit, a moment for my own pleasure. She turned her expression of happy astonishment on him again. The niece spun slowly and slimly on one high heel. The sweet young curve of her shanks straight and brittle as the legs of a bird and ending in the twin inky splashes of her slippers entranced him. Her hat was a small, brilliant bell about her face, and she wore her clothing with a casual rickishness, as though she had opened her wardrobe and said, Let's go downtown. Her aunt was saying,

Starting point is 00:27:58 But what about our yachting party? You gave Mr. Gordon my invitation. Mr. Talia Farrow was troubled. Well, you see, he's quite busy now. He has a commission that will admit of no delay, he concluded with inspiration. Ah, Mr. Talia Farrow, you haven't told him he is invited. Shame on you.

Starting point is 00:28:27 Then I must tell him myself, since you have failed me. No, really? She interrupted him. Forgive me, dear, Mr. Talia Farrow. I didn't mean to be unjust. I am glad you didn't invite him. It will be better for me to do it, so I can overcome any scruples he might have.

Starting point is 00:28:51 He is quite shy, you know. Oh, quite, I assure you. Artistic temperament, you understand. So spiritual. Yes, agreed Mr. Talia Farrow, covertly watching the niece, who had ceased her spinning, and got her seemingly boneless body

Starting point is 00:29:09 into an undimensional angular flatness, pure as an Egyptian carving. So I shall attend to it myself. I shall call him tonight. We sail at noon. tomorrow, you know. That will allow him sufficient time, don't you think? He's one of these artists who never have much, lucky people. Mrs. Morayay looked at her watch. Heavens above! 7.30. We must fly. Come, darling. Can't we drop you somewhere, Mr. Talia Farrow? Thank you. No. I must take Gordon's

Starting point is 00:29:47 milk to him, and then I am engaged for the evening. "'Ah, Mr. Talia Farrow, it's a woman I know.' She rolled her eyes roguishly. "'What a terrible man you are!' She lowered her voice and tapped them on the sleeve. "'Do be careful what you say before this child. My instincts are all bohemian, but she, unsophisticated.' Her voice bathed him warmly, and Mr. Taliaferro bridled.

Starting point is 00:30:18 Had he had a mustache, he would have stroked it. Mrs. Morrier jangled and glittered again. Her expression became one of pure delight. But of course, we will drive you to Mr. Gordon's, and then I can run in and invite him for the party. The very thing. How fortunate to have thought of it! Come, darling! Without stooping, Denise angled her leg upward and outward from the knee, scratching her ankle.

Starting point is 00:30:51 Mr. Talia Ferro recalled the milk bottle and assented gratefully, falling in on the curbside with meticulous thoughtfulness. A short distance up the street, Mrs. Morier's car squatted expensively. The Negro driver descended and opened the door, and Mr. Talia Farrow sank into gracious upholstery, nursing his milk bottle, smelling flowers cut and delicately vossed, promising himself a car next year. End of Section 2

Starting point is 00:31:25 Section 3 of Mosquitoes. This is a Labor Vox recording. All Labor Vox recordings are in the public domain. For more information or to volunteer, please visit Libavox.org. Mosquitoes by William Faulkner Prologue Part 3 They rolled smoothly, passing between space lights and around narrow corners, while Mrs. Morier talks steadily of her.

Starting point is 00:31:58 and Mr. Talia Farrow's and Gordon's souls. The niece sat quietly. Mr. Taliaparro was conscious of the clean young odor of her, like that of young trees, and when they passed beneath lights, he could see her slim shape and the impersonal revelation of her legs and her bare sexless knees. Mr. Taliafarroated, clutching his bottle of milk,

Starting point is 00:32:23 wishing the ride need not end. But the car drew up to the curb again, and he must get out, no matter with what reluctance. I'll run up and bring him down to you, he suggested, with promontory tact. No, no, let's all go up, Mrs. Morrieff objected. I want Patricia to see how genius looks at home. Gee, Auntie, I've seen these dives before, Denise said. They're everywhere.

Starting point is 00:32:50 I'll wait for you. She jackknifed her body effortlessly, scratching her ankles with her brown hands. It's so interesting to see how they live, darling. You'll simply love it. Mr. Talia Farrow demurred again, but Mrs. Morayet overrode him with sheer words. So against his better judgment, he struck matches for them, leading the way up the dark, torturous stairs, while their three shadows ape them, rising and falling monstrously upon the ancient wall. Long before they reached the final stage, Mrs. Morier was puffing and panting,

Starting point is 00:33:26 and Mr. Taliaferro found a pure, vengeful glee in hearing her labored breath. But he was a gentleman, he put this from him, rebuking himself. He knocked on a door, was bidden, opened it. Back, are you? Gordon sat in his single chair, munching a thick sandwich, clutching a book. The unshaded light glared savagely upon his undershirt. You have callers, Mr. Taliafaro offered his be-le-lawful. warning, but the other looking up had already seen beyond his shoulder Mrs. Marrier's interested face. He rose and cursed Mr. Taliaferro, who had begun immediately, his unhappy explanation.

Starting point is 00:34:10 Mrs. Marier insisted on dropping in. Mrs. Marier vanquished him anew. Mr. Gordon, she sailed into the room bearing her expression of happy astonishment like a round platter stood on edge. How do you do? Can you ever, ever forgive us for intruding like this? She went on in her gushing italics. We just met Mr. Talia Ferro on the street with your milk, and we decided to brave the lion in his den. How do you do? She forced her a fusive hand upon him,

Starting point is 00:34:42 staring about in happy curiosity. So this is where genius labors. How charming. So, so original. And that, she indicated a coroner screened off by a drag, length of green rep. Is your bedroom, isn't it? How delightful!

Starting point is 00:34:59 Ah, Mr. Gordon, how I envy you this freedom! And a view! You have a view also, haven't you? She held his hand and stared entranced at a high, useless window, framing two tired-looking stars of the fourth magnitude. I would have if I were eight feet tall, he corrected. She looked at him quickly, happily. Mr. Talley-Ferrero laughed nervously.

Starting point is 00:35:24 That would be delightful, she agreed readily. I was so anxious to have my niece see a real studio, Mr. Gordon, where a real artist works. Darling, she glanced over her shoulder fatly, still holding his hand. Darling, let me present you to a real sculptor, one from whom we expect great things. Darling, she repeated in a louder tone. The niece, untroubled by the stairs, had drifted in after them, and she now stood before. the single marble. Come and speak to Mr. Gordon, darling.

Starting point is 00:35:59 Beneath her aunt's saccharine modulation was a faint trace of something not so sweet after all. The niece turned her head and nodded slightly without looking at him. Gordon released his hand. Mr. Talley-Farro tells me you have a commission. Mrs. Marrier's voice was again a happy, astonished honey. May we see it? I know artists don't like to exhibit an incomplete work, But just among friends, you see, you both know how sensitive to beauty I am, though I have

Starting point is 00:36:30 been denied their creative impulse myself. Yes, agreed Gordon, watching the niece. I have long intended visiting your studio as I promised you remember, so I shall take this opportunity of looking about. Do you mind? Help yourself. Talia Farrow can show you things. Pardon me.

Starting point is 00:36:51 He lurched characteristically between them and Mrs. Marrier chanted. Yes, indeed, Mr. Talley Ferro, like myself, is sensitive to the beautiful in art. Ah, Mr. Talia Farrell, why were you and I given a love for the beautiful, yet denied the ability to create it from stone and wood and clay? Her body in its brief simple dress was motionless when he came over to her. After a time, he said, Like it? Her jaw and profile was heavy. There was something masked. about it, but in full face it was not heavy, only quiet. Her mouth was full and colorless, unpainted, and her eyes were opaque as smoke. She met his gaze, remarking the icy blueness of his eyes, like a surgeon, she thought,

Starting point is 00:37:42 and looked at the marble again. I don't know, she answered slowly. Then, it's like me. How like you, he asked gravely. She didn't answer. Then she said. "'Can I touch it?' "'If you like,' he replied, examining the line of her jaw, her firm brief nose.

Starting point is 00:38:02 She made no move, and he added, "'Aren't you going to touch it?' "'I've changed my mind,' she told him calmly. Gordon glanced over his shoulder to see where Mrs. Morayet poured volubly over something. Mr. Talia Faro yade her with restrained passion. "'Why is it like you?' he repeated. She said irreverently. Why hasn't she anything here?

Starting point is 00:38:27 Her brown hand flashed slimly across the high unemphasis of the marble's breast and withdrew. You haven't much there yourself. She met his gaze steadily. Why should it have anything there, he asked. You're right, she agreed, with the judicial complaisance of an equal. I see now. Of course you shouldn't. I didn't quite quite get it for a moment.

Starting point is 00:38:52 Gordon examined with growing interest her flat breast and belly, her boy's body, which the poise of it and the thinness of her arms belied. Sexless, yet somehow vaguely troubling. Perhaps just young like a calf or a colt. How old are you? he asked abruptly. Eighteen, if it's any of your business, she replied, without rancor, staring at the marble. Suddenly she looked up at him again. I wish I could have it, she said, with sudden sense. sincerity and longing, quite like a four-year-old.

Starting point is 00:39:26 Thanks, he said. That was quite sincere, too, wasn't it? Of course you can't have it, though. You see that, don't you? She was silent. He knew she could see no reason why she shouldn't have it. I guess so, she agreed at last. I just thought I'd see, though.

Starting point is 00:39:43 Not to overlook any bets? Oh, well, by tomorrow I probably won't want it anyway. And if I still do, I can get something just as good. "'You mean,' he amended, "'that if you still want it tomorrow, "'you can get it, don't you?' "'Her hand as if it were a separate organism "'reached out slowly stroking the marble.

Starting point is 00:40:04 "'Why are you so black?' she asked. "'Black? "'Not your hair and beard. "'I like your red hair and beard, "'but you, you are black, I mean.' "'Her voice fell and he suggested, "'Soul?' "'I don't know what that is,' she stated, quietly.

Starting point is 00:40:21 Neither do I. You might ask your aunt, though. She seems familiar with souls. She glanced over her shoulder, showing him her other unequal profile. Ask her yourself, here she comes. Mrs. Marier searched her scented, upholstered bulk between them. Wonderful, wonderful, she was exclaiming in sincere astonishment. And this, her voice died away and she gazed at the marble, dazed. Mr. Talia Fero echoed her immaculately, taking to himself the showman's credit. Do you see what he has caught? He bugled melodiously. Do you see?

Starting point is 00:41:01 The spirit of youth, of something fine and hard and clean in the world, something we all desire until our mouths are stopped with dust. Desire with Mr. Talia Farrow had long since become an unfulfilled habit, requiring no longer any particular object at all. Yes, agreed Mr. Taliaferro. Mrs. Marier, how beautiful. What does it signify, Mr. Gordon? Nothing, Aunt Pat, the niece snapped.

Starting point is 00:41:28 It doesn't have to. But really? What do you want us to signify? Suppose it signified a dog or an ice cream soda. What difference would it make? Isn't it all right like it is? Yes, indeed, Mrs. Marier, Mr. Talley Farrow agreed with soothing haste. It is not necessary that it have objective significance.

Starting point is 00:41:50 We must accept it for what it is. Pure form, untrammeled by any relation to a familiar or utilitarian object. Oh, yes, untrammeled. Here was a word Mrs. Marier knew. The untrammeled spirit, freedom like the Eagles. Shut up, Auntie, the niece told her. Don't be a fool. But it has what Talea Faro calls objective significance, Gordon interrupted brutally.

Starting point is 00:42:17 This is my feminine ideal. virgin with no legs to leave me, no arms to hold me, no head to talk to me. Mr. Gordon, Mrs. Marier stared at him over her compressed breast. Then she thought of something that did possess objective significance. I had almost forgotten our reason for calling so late. Not, she added quickly, that we needed any other reason to, to. Mr. Talley-Farrow, how was that those old people used to put it, about pausing on life's busy high road to kneel for a moment at the master's feet. Mrs. Marrier's voice faded, and her face assumed an expression of mild concern.

Starting point is 00:42:57 Or is it the Bible of which I am thinking? Well, no matter, we dropped in to invite you for a yachting party a few days on the lake. Yes, Talia Farrow told me about it. Sorry, but I shall be unable to come. Mrs. Marier's eyes became quite round. She turned to Mr. Talia Farrow. Mr. Taliafero, you told me you hadn't mentioned. it to him. Mr. Talia Farrow writhed acutely. Do forgive me if I left you under that impression.

Starting point is 00:43:27 It was quite unintentional. I only desired that you speak to him yourself and make him reconsider. The party will not be complete without him, will it? Not at all, really, Mr. Gordon. Won't you reconsider? Surely you won't disappoint us. She stooped creaking and slapped at her ankle. Pardon me. No, sorry, I have work to do. Mrs. Marier transferred her expression of astonishment and dejection to Mr. Talley-Aferro. It can't be that he doesn't want to come. There must be some other reason. Do say something to him, Mr. Talley-Farrow. We simply must have him. Mr. Fairchild is going, and Eva and Dorothy, we simply must have a sculptor.

Starting point is 00:44:11 Do convince him, Mr. Taliap Farrow. I am sure his decision is not final. I am sure he will not deprive us of his company. few days on the water will do him no end of good, freshen him up like a tonic, eh, Gordon? Gordon's hawk face brooded above them, remote and insufferable, with arrogance. Vinnie said turned away, drifting slowly about the room, grave and quiet and curious, straight as a poplar. Mrs. Moray implored him with her eyes dog-like, temporarily silent. Suddenly she had an inspiration. Come, people, let's all go to my house for dinner.

Starting point is 00:44:50 Then we can discuss it at our ease. Mr. Talley-A-Farro demurred. I am engaged this evening, you know, he reminded her. Oh, Mr. Talley-a-Farro, she put her hand on his sleeve. Don't you fail me, too. I always depend on you when people fail me. Can't you defer your engagement? Really, I am afraid not, not in this case.

Starting point is 00:45:12 Mr. Talleyafar replied smugly, though I am distressed. Mrs. Marrier sighed. "'These women, Mr. Talia Farrow, is perfectly terrible with women,' she informed Gordon. "'But you will come, won't you?' The niece had drifted up to them and stood rubbing the calf of one leg against the other shin. Gordon turned to her. "'Will you be there?' "'Damn their little soul,' she whispered on a sucked breath.

Starting point is 00:45:40 She yawned. "'Oh, yes, I eat, but I am going to bed darn soon.' She yawned again, patting the broad pale oval. of her mouth with brown fingers. Patricia, her aunt exclaimed and shocked amazement. Of course you will do nothing of the kind. The very idea. Come, Mr. Gordon.

Starting point is 00:46:01 No thanks, I am engaged myself, he answered stiffly. Some other time, perhaps. I simply won't take no for an answer. Do help me, Mr. Talia Farrow. He simply must come. Do you want him to come as he is, the niece asked? Her aunt glanced briefly at the undershirt. and shuddered, but she said bravely,

Starting point is 00:46:22 "'Of course, if he wishes. What are clothes compared with this?' She described an arc with her hand, diamonds glittered on its orbit. "'So you cannot evade it, Mr. Gordon. You must come.' Her hand poised above his arm, pouncing. He looted it brusquely.

Starting point is 00:46:39 "'Excuse me,' Mr. Talley Farrow avoided his sudden movement just in time, and the niece said wickedly. "'There's a shirt behind the door, if that's what you are looking for, you won't need a tie with that beard. He picked her up by the elbows, as you would, a high, narrow table and set her aside. Then his tall, controlled body filled and emptied the door and disappeared in the darkness of the hallway. The niece gazed after him.

Starting point is 00:47:08 Mrs. Marier stared at the door, then to Mr. Taliaferro in quiet amazement. What in the world? Her hands clashed vainly among her various festering. tuned belongings. Where is he going? She said at last. Denise said suddenly, I like him.

Starting point is 00:47:26 She too gazed at the door through which passing. He seemed to have emptied the room. I bet he doesn't come back, she remarked. Her aunt shrieked. It doesn't come back. Well, I wouldn't if I were him. She returned to the marble, stroking it with slow desire. Mrs. Moria gazed helplessly at Mr. Taliafero.

Starting point is 00:47:47 Where? She began. "'I'll go see,' he offered, breaking his own trance. The two women regarded his vanishing neat back. "'Never in my life. Patricia, what did you mean by being so rude to him? Of course he's offended. Don't you know how sensitive artists are? After I've worked so hard to cultivate him, too. Nonsense, it'll do him good. He thinks just a little too well of himself as it is.

Starting point is 00:48:15 But to insult the man in his own house, I can't understand. you young people at all. Why, if I'd said a thing like that to a gentleman and a stranger, I can't imagine what your father can mean letting you grow up like this. He certainly knows better than this. I'm not to blame for the way he acted. You are the one yourself. Suppose you'd been sitting in your room, in your shimmy, and a couple of men you hardly knew had walked in on you and tried to persuade you to go somewhere you didn't want to go. What would you have done? These people are different, her aunt told her coldly. You don't understand them. Artists don't require privacy as we do. It means nothing whatever to them. But anyone, artist or no, would object.

Starting point is 00:49:02 Oh, haul in your sheet, the niece interrupted Corsely. You're gibbing. Mr. Talleyafaro reappeared panting with delicate repression. Gordon was called hurriedly away. He asked me to make his excuses and to express his disappointment over having to leave so unceremoniously. Then he's now coming to dinner, Mrs. Marrier sighed, feeling her age, the immense of dark and death. She seemed not only unable to get new men anymore, but to hold the old ones even. Mr. Talia Farrow, too. Age, age.

Starting point is 00:49:36 She sighed again. Come, darling, she said in a strangely chastened tone, quieter, pitiable in a way. The niece put both her firm, tan hands on the marble, hard, hard. Oh, beautiful, she whispered in salutation and farewell, turning quickly away. Let's go, she said, I'm starving. Mr. Talia Farrow had lost his box of matches. He was desolated, so they were forced to feel their way down the stairs, disturbing years and years of dust upon the rail.

Starting point is 00:50:10 The stone corridor was cool and dank and filled with a suppressed minor humming. They hurried on. Night was fully calm and the car squatted at the curb in patient silhouette. The Negro driver sat within with all the windows closed. Within its friendly familiarity, Mrs. Marrier's spirits rose again. She gave Mr. Talley Ferro her hand, sugaring her voice again with a decayed coquetry. You will call me then, but don't promise. I know how completely your time has taken up.

Starting point is 00:50:42 She leaned forward, tapping your mother. on the cheek. Don Juan. He laughed deprecatingly with pleasure. The niece from her corner said, Good evening, Mr. Tarver. Mr. Talia Farrow stood slightly inclined from the hips, frozen. He closed his eyes like a dog awaiting the fall of the stick, while time passed and passed. He opened his eyes again after how long he knew not. But Mrs. Marrier's fingers were but leaving his cheek, and the niece was invisible in her corner, a bodiless evil. Then he straightened up, feeling his cold and trails, resumed their proper place. The car drew away, and he watched it, thinking of the girl's youngness, her hard, clean youngness, with fear and a troubling, unhappy desire like an old sorrow.

Starting point is 00:51:35 Were children really like dogs? Could they penetrate one's concealment? No one instinctively? Mrs. Moray settled back comfortably. Mr. Talley-Farrow is perfectly terrible with women, she informed her niece. I bet he is, the niece agreed. Perfectly terrible. End of Section 3, read by Bryce Cries, Ohio. Section 4 of Mosquitoes. This is our Libravox recording. All Libravox recordings are in the public domain.

Starting point is 00:52:12 For more information on to volunteer, please visit Libravox.org. Mosquitoes by William Faulkner Prologue Section 4 Mr. Talia Farrow had been married while quite young by a rather plain-faced girl whom he was trying to seduce. But now at 38, he was a widower these eight years. He had been the final result of some rather casual biological research conducted by two people who, like the great majority, had no business producing children at all. The family originated in northern Alabama and drifted in the state.

Starting point is 00:52:49 slowly westward ever after, thus proving that a certain racial impulse in the race, which one Horace Greeley, summed up in his slogan so excruciatingly apt that he didn't have to observe it himself, has not yet died away. His brothers were various, and they attained their several milieus, principally by chance. Millieus ranging from an untimely heaven via someone else's horse and a rope and a Texas cottonwood, through a cross. classical chair in a small Kansas college to a state legislature via someone else's votes. This one got as far as California. They never did know what became of Mr. Taliapharo's sister. Mr. Taliafaro had got what is known as a careful raising. He had been forced while quite young

Starting point is 00:53:39 and pliable to do all the things to which his natural impulse is objected, and to forego all the things he could possibly have had any fun doing. After a while, nature gave up, and this became a habit with him. Nature surrendered him without a qualm. Even disease germs seemed to ignore him. His marriage had driven him into work as drought drives the fish downstream into the larger waters, and things had gone hard with them during the years during which he had shifted from position to position, correspondence course to correspondence course, until he had an incorrect and impractical smattering of information regarding every possible genteel method of gaining money before finally and inevitably gravitating into the women's clothing section of a large department store.

Starting point is 00:54:31 Here he felt he had a last come into his own, he always got along much better with women than with men, and his restored faith in himself enabled him to rise with comfortable ease to the coveted position of wholesale buyer. He knew women's clothes and interested in women. It was his belief that knowledge of the frail, intimate things they preferred gave him an insight which no other man had into the psychology of women. But he merely speculated on this, for he remained faithful to his wife, although she was bedridden and invalid. And then when success was in his grasp and life had become smooth that last for them, his wife died. He had become habituated to marriage, sincerely attached to her, and readjustment came slowly.

Starting point is 00:55:19 Yet in time he became accustomed to the novelty of mature liberty. He had been married so young that freedom was an unexplored feel to him. He took pleasure in his snug bachelor quarters in the proper neighborhood, in his solitary routine of days, of walking home in the dusk for the sake of his figure, examining the soft bodies of girls on the street, knowing that if he cared to take one of them, there is none save the girls themselves to say him nay,

Starting point is 00:55:49 to his dinners alone or in company with an available literary friend. Mr. Talley-Farrow did Europe in 41 days, gained thereby a worldly air and a smattering of aesthetics and a precious accent, and returned to New Orleans, feeling that he was complete. His only alarm was his thinning hair, his only worry was the fact that someone would discover that he had been born Tarver, not Talia Farrell. But long since, celibacy had begun to oppress him. End of Section 4, read by Bryce Cries, Ohio.

Starting point is 00:56:33 Section 5 of Mosquitoes. This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer, please visit Librivox.org. Mosquitoes by William Faulkner Prologue Part 5 Handling his stick smartly, he turned into Brissards. As he had hoped, here was Dawson Fairchild, the novelist,

Starting point is 00:56:58 resembling a benevolent walrus too recently out of bed to have made a toilet, dining in company with three men. Mr. Talia Farrow paused definitely on the way to the door, and a rosy-cheeked waiter resembling a studious Harvard undergraduate in an actor's dinner coat assailed him courteously. At last he caught Fairchild's eye, and the other greeted him across the small room, then said something to his three companions that caused them to turn half around in their chairs to watch his approach. Mr. Talia Farrow, to whom entering a restaurant alone and secluding a table was an excruciating process, joined them with relief. The cherubic waiter spun a chair

Starting point is 00:57:35 from an adjoining table deftly against Mr. Talia Farrow's knees as he shook Fairchild's hand. You're just in time, Fairchild told him, propping his fist in a clutched fork on the table. This is Mr. Hopper. You know these other folks, I think? Mr. Talia Farrow ducked his head to a man with iron-gray hair and an oratund humorless face, like that of a thwarted Sunday school superintendent, who insisted on shaking his hand. Then his glance took in the other two members of the party. a tall, ghostly young man with a thin evaporation of fair hair and a pale prehensile mouth, and a bald Semitic man with a pasty, loose-gowed face and sad quizzical eyes.

Starting point is 00:58:16 We were discussing, began Fairchild, when the stranger interrupted with a bland and utterly unselfconscious rudeness. What did you say the name was? He asked, fixing Mr. Taliaferro with his eye. Mr. Taliaferro met the eye and knew immediately a faint unease. He answered the question, but the question. but the other brush the reply aside. I mean your given name.

Starting point is 00:58:38 I didn't catch it today. Why, Ernest, Mr. Taliaferro told him with alarm. Ah, yes, Ernest, you must pardon me about traveling meeting new faces each Tuesday as I do. He interrupted himself with the same bland unconsciousness. What are your impressions of the get-together today? Air Mr. Taliaferro could have replied, he interrupted himself again. You have a splendid organization here, he informed them generally, compelling them with his glance, and a city that is worthy of it, except for this southern laziness of yours.

Starting point is 00:59:14 You folks need more northern blood to bring out all your possibilities. Still, I won't criticize. You boys have treated me pretty well. He put some food into his mouth and chewed it down hurriedly, for stalling anyone who might have hoped to speak. I was glad that my itinerary brought me here to see the city and be well. with the boys today, and that one of your reporters gave me a chance to see something of your bohemian life by directing me to Mr. Fairchild here, who I understand as an author? He met Mr. Taliaphaero's expression of courteous amazement again. I am glad to see how you boys are carrying on the good work.

Starting point is 00:59:50 I might say the master's work, for it is only by taking the Lord into our daily lives. He stared at Mr. Talia Farrow once more. What did you say the name was? Ernest, suggested Fair. child mildly, earnest. People, the man in the street, the breadwinner, he on whom the heavy burden of life rests. Does he know what we stand for? What we can give him in spite of himself? Forgetfulness of the trials of the day by day? He knows nothing of our ideas of service, of the benefits to ourselves, to each other, to you. He met Fairchild's burly, quizzical gaze, to himself. And, by the way, he added, coming to earth again. There are a few points on this subject I am going to take up with your secretary tomorrow.

Starting point is 01:00:38 He transfixed Mr. Talia Farrow again. What were your impressions of my remarks today? I beg pardon? What did you think of my ideas for getting 100% church attendance by keeping them afraid they'd miss something good by staying away? Mr. Talia Farrow turned his stricken face to the others, one by one. After a while, his interrogator said in a tone of cold displeasure, You don't mean to say you do not recall me? Mr. Taliaferro cringed.

Starting point is 01:01:07 Really, sir, I am distressed. The other interrupted heavily. You were not at lunch today? No, Mr. Taliaphero replied with evasive gratitude. I take only a glass of buttermilk at noon. I breakfast late, you see. The other man stared at him with chill displeasure, and Mr. Taliaferro added with inspiration.

Starting point is 01:01:28 You have mistaken me for someone else, I fear. The stranger regarded. Mr. Talia Farrow for a cold moment. The waiter placed a dish before Mr. Talia Farrow, and he fell upon it in a flurry of acute discomfort. Do you mean, began the stranger, then he put his fork down and turned his disapproval coldly upon Fairchild. Didn't I understand you to say that this gentleman was a member of Rotary?

Starting point is 01:01:54 Mr. Taliah Farrow suspended his fork, and he too looked at Fairchild in shocked unbelief. I, a member of Rotary, he repeated. Why, I kind of got the impression he was, Fairchild admitted. Hadn't you heard that Talia Farrow was a Rotarian? He appealed to the others. They were non-committal, and he continued. I seemed to recall somebody telling me you were a Rotarian,

Starting point is 01:02:20 but then you know how rumors get around. Maybe it is because of your prominence in the business life of our city. Taliaferro is a member of one of our largest, ladies' clothing houses, he explained. He is just the man to help you figure out some way to get God into the mercantile business. Teach him the meaning of service, hey, Talia Farrow? No, really, I, Mr. Taliaphero objected with alarm. The stranger interrupted again. Well, there's nothing better on God's green earth than rotary. Mr. Fairchild had given me to understand that you were a member, he accused with a recurrence of cold suspicion. Mr. Taliah Farrow squirmed with unhappy negation. The other still

Starting point is 01:02:59 He stared him down. Then he took out his watch. Well, well, I must run along. I run my day to schedule. You'd be astonished to learn how much time can be saved by cutting off a minute here and a minute there. He informed them. And, I beg pardon. What do you do with them? Fairchild asked. When you cut off enough minutes here and there to make up a sizable mess, what do you do with them? Setting a time limit to everything you do makes a man get more punched into it.

Starting point is 01:03:29 makes him take the hills on high, you might say. A drop of nicotine on the end of the tongue will kill a dog, Fairchild thought, chuckling to himself. He said aloud, Our forefathers reduced the process of gaining money to Proverbs. But we have beaten them. We have reduced the whole of existence to fetishes. To words of one syllable that will look well in large red type, the Semitic man corrected. The stranger ignored him. He half turned in his chair. He gestured at the waiter's back and he snapped his fingers until he had attracted the waiter's attention. Trouble with these small, second-rate places, he told them. No pep, no efficiency in handling trade.

Starting point is 01:04:08 Check, please. He directed briskly. The cherubic waiter bent over them. You found the dinner nice, he suggested? Sure, sure, all right. Bring the bill, will you, George? The waiter looked at the others hesitating. Never mind, Mr. Brossard, Fairchild said quickly.

Starting point is 01:04:26 We won't go right now. Mr. Hooper here has got to catch a train. You are my guest, he explained to the stranger. The other protested conventionally. He offered to match coins for it, but Fairchild repeated, You are my guest tonight. Too bad you must hurry away. I haven't got the leisure you knew Orleans fellows have.

Starting point is 01:04:45 The other explained. Got to keep on the jump myself. He arose and shook hands all around. Glad to have met you, boys, he said to each intern. He clasped Mr. Taliaferro's elbow with his left hand while their rights were engaged. The waiter fetched his hat And he gave the man a half dollar with a flourish If you're ever in the little city

Starting point is 01:05:04 He paused to reassure Fairchild Sure sure Fairchild agreed heartedly And they sat down again The late guest paused at the street door a moment Then he darted forth shouting taxi taxi The cab took him to the Montiolone Hotel Three blocks away where he purchased two Tomorrow's papers and he sat in the lobby

Starting point is 01:05:23 For an hour dozing over them Then he went to his room and lay in bed staring at them until he had harried his mind into unconsciousness by sheer idiocy of print. End of Section 5. Read by Chris Buchanan, Springfield, Illinois, June 6, 2003. Section 6 of Mosquitoes. This is a Librivox recording. All Librevox recordings are in the public domain.

Starting point is 01:05:55 For more information or to volunteer, please visit Librevox.org. Mosquitoes by William Faulkner. Prologue Part 6. Now, said Fairchild, let that be a lesson to you, young men. That's what you'll come to by joining things, by getting the habit of it. As soon as a man begins to join clubs with lodges, his spiritual fiber begins to disintegrate. When you are young, you join things because they profess high ideas. You believe in ideas at that age, you know. Which is all right, as long as you just believe in them as ideas and not as criterion's of conduct. But after a while, you join more things, you were getting older and more sedate. and sensible, and believing in ideas is too much trouble, so you begin to live up to them with your outward life in your contacts with other people. And when you've made a form of behavior out of an ideal. It's not an ideal any longer. And you become a public nuisance. It's a man's own fault if the fetish men annoy him, the Semitic man said. Nowadays, there are enough things for everyone

Starting point is 01:06:56 to belong to something. That's a rather stiff price to pay for immunity, though, fair child objected. That need not bother you. The other than, told him, you have already paid it. Mr. Taliaferro laid aside his fork. I do hope he's not offended, he murmured. Fairchild chuckled. At what, the Semitic man asked? He and Fairchild regarded Mr. Taliaferro kindly. At Fairchild's little joke, Mr. Taliaferro explained. Fairchild laughed. I'm afraid we disappointed him. He probably not only does not believe that we are bohemians, but doubts that we are even artistic. Probably the least he expected was to be taken to dinner at the studio of two people who are not married to each other

Starting point is 01:07:37 and to be offered hashish instead of food. And to be seduced by a girl in an orange smock and no stockings, the ghostly young man added in a sepulchral tone. Yes, Fairchild said, but he wouldn't have succumbed, though. No, the Semitic man agreed. But like any Christian, he would have liked the opportunity to refuse. Yes, that's right, Fairchild admitted. He said, I guess he thinks if you don't stay up all night and get drunk and ravish somebody, there's no use in being an artist. Which is worse, murmured the Semitic man. God knows, Fairchild answered. I've never been ravished. He sucked at his coffee. But he's not the first man that I ever hoped to be ravished and was disappointed.

Starting point is 01:08:19 I've spent a lot of time in different places laying myself open and always come off undefiled. Hey, Taliaferro. Mr. Taliaferro squirmed again definitely. Fairchild lit a cigarette. Well, both of them are vices, and we've all seen tonight what an uncontrolled vice will lead a man into. Defining a vice is any natural impulse which rides you like the gregarious instinct in Hooper, he ceased a while. Then he chuckled again. God must look about our American scene with a good deal of consternation,

Starting point is 01:08:52 watching the antics of these volunteers who are trying to help him, or entertainment, the Semitic Man amended. But why American scene? because our doings are so much more comical. Other nations seem to be able to entertain the possibility that God may not be a Rotarian or an elk or a Boy Scout after all. We don't. And convictions are always alarming unless you are looking at them from behind. The waiter approached with a box of cigars. The Semitic man took one.

Starting point is 01:09:19 Mr. Taliaferro finished his dinner with Deckerous Expedition. The Semitic man said, My people produce Jesus. Your people Christianized him. And ever since you have been trying to get him out of your people. your church. And now that you have practically succeeded, look at what is filling the vacuum of his departure. Do you think that your new idea of willy-nilly service without request or recourse is better than your old ideal of humanity? No, no, as the other would have spoken. I don't mean as far

Starting point is 01:09:48 as results go. The only ones who ever gained by spiritual machinations of mankind are the small minority who gain emotional or mental or physical exercise from the activity itself. never the passive majority for whom the crusade is set afoot. Catharsis by Paris Stalcis, murmured the blonde young man who was nurturing a reputation for cleverness. Fairchild said, are you opposed to religion then, in its general sense, I mean? Certainly not, the Semitic man answered. The only sense in which religion is general is when it benefits the greatest number in the same way. And the universal benefit of religion is that it gets the children out of the house on Sunday morning.

Starting point is 01:10:27 but education gets them out of the house five days a week, Fairchild pointed out. That's true too, but I am not at home myself on those days. Education has already got me out of the house six days a week. The waiter brought Mr. Talia Faro's coffee. Fairchild lit another cigarette. So you believe the sole accomplishment of education is that it keeps us away from home? What other general result can you name? It doesn't make us all brave or healthy or happy or wise.

Starting point is 01:10:54 It doesn't even keep us married. In fact, to take an education by modern processes like marrying in haste and spending the rest of your life making the best of it. But understand me. I have no quarrel with education. I don't think it hurts you much, except to make you unhappy and unfit for work, for which man was cursed by the gods before they had learned about education. And if it were not education, it would be something else just as bad, or perhaps worse. Man must fill his time some way, you know.

Starting point is 01:11:23 But to go back to religion, the spirit prodigal. and eternal, murmured the blonde young man hoarsely. Do you mean any particular religion or just the general teaching of Christ? What has Christ to do with it? Well, it's generally accepted that he instigated a certain branch of it, whatever his motives really were. It's generally accepted that first you must have an effect to discern a cause. And it is a human trait to foist the blunders of the age and the race upon someone or something too

Starting point is 01:11:53 remote or heedless or weak to resist. But when you say religion, you have a particular sect in mind, haven't you? Yes, Fairchild admitted. I always think of the Protestant religion. The worst of all, the Semitic man said. To raise children into, I mean, for some reason one can be a Catholic or a Jew and be religious at home, but a Protestant at home is only a Protestant. It seems to me that the Protestant faith was invented for the sole purpose of filling our jails and morgues and houses of attention. I speak now of its more rabid manifestations, particularly of its activity in smaller settlements. How do young Protestant boys in small towns spend Sunday afternoons with baseball and all such natural masculine vents denied them? They kill, they slay and steal and burn. Have you ever noticed how

Starting point is 01:12:42 many juvenile firearm accidents occur on Sunday? How many fires and barns and outhouses happen on Sunday afternoon. He ceased and shook the ash from his cigar carefully into his coffee cup, Mr. Taliaferro, seeing an opening, coughed, and spoke. By the way, I saw Gordon today, tried to persuade him for our yachting party tomorrow. He doesn't enthuse, so to speak, though I assured him how much we'd all like to have him. Oh, he'll come, I guess, Fairchild said. He'd be a fool not to let her feed him for a few days. He'd pay a fairly high price for his food, the Semitic man remarked dryly. Fairchild looked at him and he added, Gordon hasn't served his apprenticeship yet, you know.

Starting point is 01:13:20 You've got through yours. Oh, Fairchild grin. Well, yes. I kind of play out on her, I reckon. He turned to Mr. Talia Farrow. Has she been to him in person to sell him the trip yet? Mr. Taliaferro hid his mild retrospective discomfort behind a lighted match. Yes, she stopped in this afternoon.

Starting point is 01:13:39 I was with him at the time. Good for her, the Semitic man applauded, and Fairchild said with interest, she did. What did Gordon say? He left, Mr. Talia Farrow admitted mildly. Walked out on her, did he? Fairchild glanced briefly at the Semitic man. He laughed.

Starting point is 01:13:56 You are right, he agreed. He laughed again, and Mr. Taliaferro said, He really should come, you know, I thought perhaps, definitely, that you'd help me persuade him. The fact that you will be with us in your assured position in the creative world, no, I guess not, Fairchild decided. I'm not much of a hand for changing folks' opinion. I guess I won't meddle with it. But really, Mr. Talia Farrow persisted.

Starting point is 01:14:25 The trip would benefit the man's work. Besides, he added with inspiration, he will round out our party, a novelist, a painter. I'm invited to, the blonde young man put in sepulchrally. Mr. Talia Farrow accepted him with an apologetic effusion. By all means, a poet. I was about to mention you, my dear fellow. Two poets, in fact, with Eva,

Starting point is 01:14:46 But I am the best poet in New Orleans. The other interrupted with a sepulchral belligerence. Yes, yes, Mr. Taliaferro agreed quickly. And a sculptor, you see. He appealed to the Semitic man. The Semitic man met Mr. Taliaferro's in opportune gaze kindly, without reply. Fairchild turned to him. Well, he began.

Starting point is 01:15:10 Then, what do you think? The Semitic man glanced briefly at him. I think we'll need Gordon by all means. Fairchild grinned again and agreed. Yes, I guess you're right. End of Section 6. Read by Chris Buchanan, Springfield, Illinois, June 6, 2023. Section 7 of Mosquitoes.

Starting point is 01:15:41 This is a Librevox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visitlibrovox.org. Mosquitoes by William Fawkes. The waiter brought Fairchild's change and stood courteously beside them as they rose. Mr. Taliaferro caught Fairchild's eye and lay near, diffidently, lowering his tone. Eh? Fairchild said in his burly jovial voice, not lowering it.

Starting point is 01:16:14 Would like a moment if you've time? Your advice. Not tonight, Fairchild asked an alarm. Why, yes. Mr. Talia Farrow was faintly apologetic. Just a few moments. If you are alone. He gestured meaningly with his head towards the other two.

Starting point is 01:16:35 No, not tonight. Julius and I are spinning the evening together. Mr. Talia Farrow's face fell, and Farrell added kindly, Some other time, perhaps. Yes, of course, Mr. Talia Farrow agreed faultlessly. Some other time. End of Section 7.

Starting point is 01:17:01 Section 8 of Mosquitoes. This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer, please visit Librivox.org. Mosquitoes by William Faulkner. Prologue Part 8. The car swept sibilantly up the drive and on around the house. There was a light on the veranda vaguely beyond vines.

Starting point is 01:17:25 They descended, and Miss Marier crossed the veranda and passed clashing and jangling through a French window. The niece turned round the corner and followed the veranda to wear beyond a nook, spaced with wicker and chintz and magazines gaily on a table. Her brother sat coatless on a divan beneath a wall lamp. There was a faint litter of shavings about his feet and clinging to his trousers, and at the moment he bent with a carpenter's saw over something in his lap. The saw scraped fretfully, monotonously,

Starting point is 01:17:57 and she stopped beside him in the same. stood scratching her knee. Presently, he raised his head. Hello, he remarked without enthusiasm. Go to the library and get me a cigarette. I've got one on me somewhere. She searched the pockets of her linen dress, but without success. Where, she said.

Starting point is 01:18:15 She mused a moment, spreading her pocket with her hand and staring into it. Then she said, oh, yes, and took off her hat. From the crown of it, she produced one limp cigarette. I ought to have another, she mused aloud, searching the hat again. I guess that's all, though. You can have it. I don't want one anyway. She extended the cigarette and scurled her hat onto the lounge beside. Look out, he said quickly. Don't put it there. I need all this space. Put it somewhere else, can't you?

Starting point is 01:18:45 He pushed the hat off the divan, onto the floor, and accepted the cigarette. The tobacco was partially shredded from it, and it was limp, like a worm. What's you been doing to it? How long have you had it, anyway? She sat beside him and raked a match across his thigh. How's it coming, Josh? She asked, extending her hand toward the object on his lap. It was a cylinder of wood larger than a silver dollar in about three inches long.

Starting point is 01:19:13 He fended her off with the hand that held a lighted match, thrusting the elbow beneath her chin. Let it alone, I tell you. Oh, all right, keep your shirt on. She moved swiftly away, and he took up the saw again, putting the burning cigarette on the wicker. lounge between them. A thin pencil of smoke rose from it in the windless air, and soon a faint smell of burning. She picked up the cigarette, drew once at it, and replaced it so it would not scorch the wicker. The saw grated jerkily and thinly outside, beyond the vines. Insects scrape monotonously one to another in the heavy, swooning darkness, a moth, having evaded the screen wire,

Starting point is 01:19:52 gyrated idiotically beneath and about the light. She raised her skirt to stare at a small, feverish spot on a brown knee. The saw grated jerkily, ceased, and he laid it aside again. The cylinder was in two sections, fitted one to another, and she drew one foot beneath the other knee, bending nearer to watch him, breathing against his neck. He moved restively, and she said at last, Say, Gus, how long will it take you to get it finished? He raised his face, suspending his knife blade.

Starting point is 01:20:27 They were twins. Just as there was something masculine about her jaw, so was there something feminine about his. For God's sake, he exclaimed. Let me alone, can't you? Go away and pull your clothes down. Don't you ever get tired of waving your legs around? A yellow negro in a stark jacket stepped silently around the corner. When they looked up, he turned without speaking.

Starting point is 01:20:52 All right, Walter, she said, but he was gone. They followed, leaving the cigarette. to lift its unwavering plume and a thin smell of burning wicker into the somnolent air. End of Section 8. Read by Chris Buchanan, Springfield, Illinois, June 15th, 2020. Section 9 of Mosquitoes. This is a Librevox recording. All Librevox recordings are in the public domain.

Starting point is 01:21:24 For more information or to volunteer, please visit Librevox.org. Mosquitoes by William Faulkner. Prologue. Section 9. Fool, fool, you have work to do. O cursed of God, cursed in forgotten form, shapes cunningly sweated, cunning to simplicity, shapes out of chaos made more satisfactory than bread to the belly, formed by a madman, dreamed gat on the body of chaos, Les Gerson Verges, of the soul horned by utility,

Starting point is 01:21:58 O cuckold of derision. The warehouse, the dock, was a formal rectangle without persuasion. perspective, flat as cardboard, and projecting at a faint, motionless angle above it, against a lighter spaciousness in a sky not quite so imminent and weary. Masses of a freighter lying against the dock, Form in utility, Gordon repeated to himself, or form in chance, or chance in utility. Beneath it, within the somber gloom of the warehouse where men had sweated and labored, across the empty floor lately thunderous with trucks, amid the rich, overripe odors of the ends of the earth, coffee and resin and tow and fruit, he walked, surrounded by ghosts passing on.

Starting point is 01:22:44 The hull of the freighter bulked, forecastle and poop soaring darkly sharp, solid, cutting off vision, soaring its superstructure on the sky. The unseen river continued a ceaseless sound against the hole, lulling it with a simulation of the sea and about the piles of the wharf. The shore and the river curved away like the bodies of two dark sleepers embracing, curved one to the other in slumber, and far away opposite the point, banked lights flickered like a pile of yet living ashes in the wind. Gordon paused, leaning over the edge of the wharf, staring down into the water.

Starting point is 01:23:22 Stars in my hair, in my hair and beard I am crowned with stars. Christ by his own hand and autogeths the main carved darkly out of pure space. But not rigid, no, no. An unmustled wallowing, fecened and foul the placid, tragic body of a woman who conceives without pleasure, bears without pain. What would I say to her, fool? Fool, fool you have work to do.

Starting point is 01:23:49 You have nothing. A cursed, intolerant, and unclean to warm your damn bones. Then whiskey will do as well. Or a chisel and a mall, any damn squirrel keeps warm in a cage. Go on. Go on then. Ezrafel revolted, surprised behind a haycock by a male relation. Fortitude became a match flame snuffed by a small white belly. Where was it I once saw a dogwood tree?

Starting point is 01:24:15 Not white, but tan. Tan is cream? What will you say to her? Bitter and new as a sunburned flame. Bitter and new those two little silken snails somewhere under her dress horned pinkly yet reluctant, O Israfel? I wax your wings. With the thin, odorless moisture of her thighs, strangle your heart with her hair, fool.

Starting point is 01:24:37 Fool? Curced and forgotten of God. He flung back his head and laughed, a huge laugh in the loneliness. His voice surged like a dark billow against the wall behind him, then ebbing outward over the dim, formless river, it died slowly away. Then, from the other shore,

Starting point is 01:24:55 a mirthless echo mocked him, and it too died away. He went on treading the dark resin-scented wharf. Presently he came to a break in the black, depthless monotony of the wall, and the wall again assumed a pure and inevitable formal significance sharp against the glow of the city. He turned his back to the river and soon was among the freight cars black and angular, looming. And down the tracks much further away than it appeared, an engine glared and panted while filaments of steel, radiating from it toward and about his feet, were like incandescent veins in a dark leaf. There was a moon, low in the sky and worn, thumbed partly away like an old coin, and he went on.

Starting point is 01:25:38 Above banana and palm and cathedral spires soared without perspective on the hot sky. Looking through the tall pickets into Jackson Square was like looking into an aquarium, a moist and motionless, absinth cloudy green of all shades from ink black to a thin and rigid feathering of silver on pomegranate and mimosa. light coral in a tideless sea, amid which globular lights hung dull and unstaying as jellyfish incandescent yet without seeming to emanate light. And in the center of it, Andrew's Baroque plunging stasis nimbused about with thin gleams as though he too were recently wedded. He crossed the street into shadow following the wall. Two figures stood indistinguishably at his door. Pardon me, he said, touching the nearer man peremptorily.

Starting point is 01:26:27 and as he did, so the other man turned. Why, here he is now, this one said. Hello, Gordon. Julius and I were looking for you. Yes, Gordon loomed above the two shorter men staring down at them, remote and arrogant. Fairchild removed his hat, mopping his face. Then he flipped his handkerchief viciously about his head. I don't mind the heat, he explained fretfully.

Starting point is 01:26:50 I like it, in fact. Like an old racehorse, you know. He's willing enough, you know, but in the cold weather when his muscles are stiff and his bones ache. The young ones all show him up. But about 4th of July when the sun gets hot and his muscles loosen up and his old bones don't complain anymore, then he's good as any of them. Yes, repeated Gordon, looking above them into shadow. The Semitic man removed his cigar. It will be better on the water tomorrow, he said. Gordon brooded above them. Then he remembered himself. Come on, he directed abruptly, elbowing the Semitic man aside and extending his latchkey.

Starting point is 01:27:25 No, no, Fairchild demurred quickly. We won't stop. Julius just reminded me. We came to see if you'd change your mind and come with us on Miss Maurer's boat tomorrow. We saw tout. I have. Gordon interrupted him. I'm coming.

Starting point is 01:27:41 That's good, Fairchild agreed heartedly. You probably won't regret it much. He may enjoy it, Julius, he added. Besides, you'll be wise to go on and get it over with. Then she'll let you alone. After all, you can't afford to agree. ignore people that own food and automobiles, you know? Can't he, Julius? The Semitic man agreed. When he clutters himself up with people, which he can't avoid doing, by all means, let it be

Starting point is 01:28:06 with people who own food and whiskey and motor cars. The less intelligent, the better. He struck a match to his cigar. But he won't last very long with her anyways. He'll last even a shorter time than you did, he told Fairchild. Yes, I guess you're right, but he ought to keep a line on her anyhow. If you can either ride nor drive the beast yourself, it's a good idea to keep it in a pasture nearby. You may someday be able to swap it for something, you know. A Ford, for instance, or a radio, the Semitic man suggested. But you've got your simile backward. Backward?

Starting point is 01:28:42 Repeated the other. You were speaking from the point of view with a rider, he explained. Oh, Fairchild remarked. He admitted a disparaging sound. Full, it is good, he said. heavily. I think radio is pretty good myself, the other said complacently. Oh, dry up, Fairchild

Starting point is 01:29:00 replaced his hat. So you're coming with us then, he said to Gordon? Yes, I'm coming. But won't you come up? No, no, not tonight. I know your place you see. Gordon made no reply, brooding his tall head in the shadow. Well, I'll phone her and have her send a car for you tomorrow, Fairchild added. Come on, Julius, let's go. Glad you changed your mind, he added belatedly. Good night. Come on, Julius. They crossed the street and entered the square. Once within the gates they were assailed,

Starting point is 01:29:29 waylaid from behind every blade and leaf with a silent, vicious delight. Good Lord, exclaimed Fairchild, flipping his handkerchief madly about. Let's get over to the docks. Maybe there ain't any nautical ones. He hurried on, the Semitic man ambling beside him, clamping his dead cigar. He's a funny chap, the Semitic man remarked. They waited for a trolley to pass, then crossed the street. The wharf, The warehouse was a formal rectangle with two slender mass projecting above it at a feign angle. They went on between two dark buildings and halted again while a switch engine drew an interminable monotony of cars up the track. He ought to get out of himself more. Fairchild commented,

Starting point is 01:30:08 You can't be an artist all the time. You'll go crazy. You couldn't, the other corrected. But then, you are not an artist. There is somewhere within you a bewildered stenographer with a gift for people. But outwardly, you might be anything. You're an artist only when you are telling about people, while Gordon is not an artist only when he is cutting at a piece of wood or stone. And it's very difficult for a man like that to establish workable relations with people.

Starting point is 01:30:35 Other artists are too busy playing with their own egos. Work-a-day people will not or cannot bother with him. So his alternatives are misanthropy, are an endless gabbling of aesthetic foster sisters of both sexes. particularly if his lot is cast outside of New York City. There you go, disparaging our Latin quarter again. Where's your civic pride? Where's your common courtesy even? Even the dog won't bite the hand that holds the bread.

Starting point is 01:31:03 Corn Belt, the other said shortly. Indiana talking. You people up there are born with the booster complex, aren't you? Or do you acquire it with sunburned necks? Oh, well, we Nordics are at a disadvantage, Fairchild replied. His tone was unctuous. The other detected something falsely frank in it. We've got to fix our idea on a terrestrial place.

Starting point is 01:31:26 Though we know it's second rate, that's the best we can do. But you people have got all heaven for your old hometown, you know. I could forgive everything except the unpardonable clumsiness of that, the other told him. Your idea is not bad. Why don't you give it to Mark Frost, roughly, you know, and let him untangle it for you. You and he could both use it then. If you are quick enough, that is. Fairchild laughed.

Starting point is 01:31:53 Now you lay me off our New Orleans bohemian life. Stay away from us if you don't like it. I like it myself. There is a kind of charming futility about it. Like a country club where they play croquet instead of golf, the other supplied for him. Well, yes, Fairchild agreed. Something like that. The warehouse loomed above them, and they passed into it in a minute.

Starting point is 01:32:17 the ghosts of the ends of the earth. A croquet player may not be much of a go-getter, but what do you think of a man who just sits around and criticizes croquet? Well, I'm like the rest of you immortals. I've got to pass the time some way in order to gain some idea of how to pass eternity, the Semitic man answered. They passed through the warehouse and onto the dock. It was cooler here, quieter. Two ferry boats passed and repassed like a pair of golden swans and a barren cycle of courtship. The shore and the river currently away in the dark and bracing slumber to wear a bank of tiny lights flickered and trembled. Bodyless and far away.

Starting point is 01:32:54 It was much cooler here, and they removed their hats. The Semitic man unclamped his dead cigar and cast it outward. Silence, water, night absorbed it without a sound. End of Section 9. Read by Chris Buchanan, Springfield, Illinois, June 9th, 2023. Section 10 of Mosquitoes. This is a Libravox recording. All Liprovox recordings are in the public domain. For more information or to volunteer, please visit Liprovox.org.

Starting point is 01:33:33 Mosquitoes by William Faulkner. The first day. 10 o'clock. The Nassika lay in the basin, a nice thing with her white, matronly hull and mahogany and brass superstructure, and the Yacht Club flag at the peak. A firm, steady wind blew in from the lake and Mrs. Morrie, having already got a taste of the sea from it, had donned her yachting cap, and she now clashed and jangled in a happy, pointless ecstasy. Her two cars had made several trips and would

Starting point is 01:34:04 make several more, creeping and jouncing along the inferior Macadam road, upon and beside which the spore of Coca-Cola and the almond bar betrayed the lair of the hot-dog and the less than one percent. All the jollity of departure under a perfect day, heat-ridden city, behind, and a breeze too steady for the darn things to light on you. Her guests, each with his or her jar of almond cream and sunburn lotion, came aboard in bright babbling surges, calling, ship, ahoy, everyone, and other suitable nautical cries, while various casuals gathered along the quay looked on with morose interest. Mrs. Moray, in her yachting cap, clashed and jangled in a happy and senseless excitement. On the upper deck, where the steward broke out,

Starting point is 01:34:52 chairs for them. Her guests in their colored clothing gathered, dressed for deep water in batique and flowing ties and open collars, informal and colorful with the exception of Mark Frost, the ghostly young man, a poet who produced an occasional cerebral and

Starting point is 01:35:08 obscure poem in four or seven lines, reminding one somehow of the function of evacuation excruciatingly and incompletely performed. He wore ironed surge and a high-starched collar and he borrowed a cigarette of the steward and lay immediately at full length on something,

Starting point is 01:35:27 as was his way. Mrs. Wiseman and Miss Jameson, flanking Mr. Talia Farrow, sat with cigarettes also, Fairchild accompanied by Gordon, the Semitic Man, and a florid stranger in heavy tweeds, and carrying among them several weighty-looking suitcases, had gone directly below. Are we all here? Are we all here? Mrs. Moray chanted beneath her yachting cap,

Starting point is 01:35:51 roving her eyes among her guests. Her niece stood at the afterrail beside a soft blonde girl in a slightly soiled green dress. They both gazed shoreward where, at the end of the gangplank, a flashy youth lounged in a sort of skulking belligerent smoking cigarettes. The niece said, without turning her head, What's the matter with him? Why doesn't he come aboard? The youth's attention seemed to be anywhere else save on the boat, yet he was so obviously there in the eye, belligerent. and skulking. The niece said, hey, then she said, what's his name? You better tell him to come on, hadn't you? The blonde girl hissed peat in a repressed tone. The youth moved his slanted stiff straw hat an

Starting point is 01:36:36 inch, and the blonde girl beckoned to him. He slanted the hat to the back of his head. His whole attitude gave the impression that he was some distance away. Ain't you coming with us? The blonde girl asked in that surreptitious tone. "'What to say?' he replied loudly so that everybody looked at him. Even the reclining poet raised his head. "'Come on board, Pete,' the niece called. "'Be yourself.' The youth took another cigarette from his pack.

Starting point is 01:37:05 He buttoned his narrow coat. "'Well, I guess I will,' he agreed in his carrying tone. Mrs. Morier held her expression of infantile astonishment up to him as he crossed the gangplank. He evaded her politely, climbing the rail with that fluid at agility of the young. Are you the new steward? she asked doubtfully, blinking at him. Sure, lady, he agreed courteously, putting his cigarette in his mouth. The other guests stared at him from their deck chairs and slanting his hat forward,

Starting point is 01:37:36 he ran the gauntlet of their eyes, passing aft to join the two girls. Mrs. Moray gazed after his high-vented coat in astonishment, then she remarked the blonde girl beside her niece. She blinked again. Why? she began. Then she said, Patricia, who? Oh, yes, the niece said, this is, she turned to the blonde girl. What's your name, Jenny? I forgot. Genevieve Steinbauer, the blonde girl submitted. Miss Steinbauer, and this one is Pete something. I met them downtown. They want to go too.

Starting point is 01:38:12 Mrs. Moray transferred her astonishment from Jenny's vague, ripe prettiness to Pete's bold, uncomfortable face. Why, he's the new steward, isn't he? I don't know. The niece looked at Jenny again. Is he? She asked. Jenny didn't know either. Pete himself was uncomfortably non-committal. I don't know, he answered. You told me to come, he accused the niece. She means, the niece explained. Did you come to work on the boat? Not me, Pete answered quickly. I and a sailor. Is she expects me to run this ferry for her? Me and Jenny. are going back to town. You don't have to run it.

Starting point is 01:38:50 She's got regular men for that. There's your steward anyway, Aunt Pat. Denise said, Pete just wanted to come with Jenny. That's all. Mrs. Morier looked. Yes, there was the steward, descending the companionway with a load of luggage.

Starting point is 01:39:04 She looked again at Pete and Jenny, but at that moment voices came aft, breaking her amazement. The captain wished to know if he should cast off. The message was relayed by all present. Are we all here? Mrs. Moray chanted in you, forgetting Jenny and Pete. Mr. Fairchild, where's he?

Starting point is 01:39:22 She roved her round, frantic face, trying to count noses. Where is Mr. Fairchild, she repeated in panic. Her car was backing and filling to turn around, and she ran to the rail and screamed to the driver. He stopped the car, completely blocking the road, and hung his head out with resignation. Mrs. Wiseman said, "'He's here.

Starting point is 01:39:43 He came with earnest, didn't he?' Mr. Taliaferro corroborated her, and Mrs. Moray roved her frantic gaze anew, trying to count them. A sailor sprang ashore and cast off head and stern lines under the morose regard of the casuals. The helmsman thrust his head from the wheelhouse, and he in the deckhand bawled at each other. The sailors sprang aboard and the Nossica moved slightly in the water like a soundless awakening sigh. The steward drew in the ganglank, and the engine-room telegraph rang remotely. The Nossica waked first. quivering a little, and as a gap of water grew between K and boat without any sensation

Starting point is 01:40:21 of motion, whatever, Mrs. Moray's second car came dancing into view, honking madly, and the niece sitting flat on the deck and stripping off her stockings said, Here comes Josh! Mrs. Moray shrieked. The car stopped, and her nephew descended without haste. The steward, coiling the stern line down, gathered it up and flung it outward across the growing gap of water. The telegraph rang again, and the the Nossica sighed and went back to sleep, rocking sedately. Shake it up, Josh, his sister called. Mrs. Moray shrieked again, and two of the loungers caught the line and dug their heels

Starting point is 01:40:57 as the nephew, coatless and hatless, approached without haste, and climbed aboard, carrying a new carpenter's saw. I had to go downtown and buy one, he explained casually. Walter wouldn't let me bring yours. End of Section 10, read by Sandra. Section 11. of mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Mosquitoes by William Faulkner.

Starting point is 01:41:35 The first day, 11 o'clock. At last, Mrs. Moray succeeded in cornering her niece. New Orleans, the basin, the yacht club were far behind. The Nossica spent youthfully and gaily under a blue and drowsy day. Beneath her forefoot, a small bow wave spread its sedate, fading fan. Mrs. Morier's people could not escape her now. They had settled themselves comfortably on deck.

Starting point is 01:42:01 There was nothing to look at, save one another. Nothing to do save wait for lunch. All that is except Jenny and Pete. Pete holding his hat on, stood yet at the afterrail, with Jenny beside him. Her air was that of a soft and futile cajolery, to which Pete was small,

Starting point is 01:42:19 and impervious. Mrs. Moray breathed a sigh of temporary relief and astonishment, and ran her niece to Earth in the after-companyingway. Patricia, she demanded, what on earth did you invite these two young people for? God knows, the niece answered, looking past her aunt's yachting cap to Pete, belligerent and uncomfortable beside Jenny's bovine white placidity. God knows, if you want to turn round and take them back, don't let me stand in your way. But why did you ask them? Well, I couldn't tell that they were going to turn out to be so wet, could I? And you said yourself there were not enough women coming. You said so yourself last night. Yes, but why ask those two? Who are they? Where did you ever meet such people? I met Jenny downtown. She, I know, but where did you come to know her? How long have

Starting point is 01:43:14 you known her. I met her downtown this morning, I tell you, in Holmes's while I was buying a bathing suit. She said she'd like to come, but the other one was waiting outside on the street for her, and he put his foot down. He said she shouldn't go without him. He's her heavy, I gather. Mrs. Murray's astonishment was sincere now. Do you mean to tell me, she asked in shocked unbelief, that you never saw these people before? That you invited two people you never saw before to come on a party on my boat? I just asked Jenny, the niece explained patiently. The other one had to come so she could come. I didn't want him specially. How could I know her when I never saw her before? If I'd known her, you can bet I wouldn't have asked her to come. She's a complete washout as far as I'm

Starting point is 01:44:04 concerned. But I couldn't see that this morning. I thought she was all right then. Gabriel's pants look at them. They both looked back at Jenny with her flimsy green dress. at Pete holding his hat on. Well, I got him here. I guess I'll have to keep him from getting stepped on. I think I'll get Pete a piece of string to tie his hat down with anyway. She swung herself easily up the stairs. Mrs. Morier saw with horrified surprise that she wore neither shoes nor stockings.

Starting point is 01:44:34 Patricia! she shrieked. The niece paused looking over her shoulder. Her aunt pointed mutely at her bare legs. "'Hole in your sheet, Aunt Pat,' the niece replied briskly. "'You're gibbing!' End of Section 11, read by Sandra. Section 12 of Mosquitoes.

Starting point is 01:45:00 This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Mosquitoes by William Faulkner. The first day, 1 o'clock. Lunch was spread on deck, on collapsible card tables set end to end. When she appeared, her guests all regarded her brightly, a trifle curiously, Mrs. Moray, oblivious, heard them toward it.

Starting point is 01:45:31 Sit anywhere, people, she repeated in sing-song. Girls will be at a premium this voyage. To the winner belongs the fair lady, remember? This sounded a little strange to her, so she repeated, Sit anywhere, people. The gentleman must make. She looked about upon her guests, and her voice died away. Her party consisted of Mrs. Wiseman, Miss Jameson, herself,

Starting point is 01:45:55 Jenny and Pete clotting unhappily behind her niece, Mr. Talia Farrow and her nephew, who had already seated himself. Where are the gentlemen? she asked at large. Jumped overboard, muttered Pete darkly, unheard, clutching his hat. The others stood watching her brightly. "'Where are the gentlemen?' Mrs. Morier repeated. "'If you'd stop talking a minute, you wouldn't have to ask,' her nephew told her. He had already seated himself, and he now spooned into a grapefruit with preoccupied salerity.

Starting point is 01:46:29 "'Theodore!' his aunt exclaimed. From below there came an indistinguishable mixture of sound, somehow vaguely convivial. Hooping it up, the nephew added, looking up at his aunt at her expression of reproof. In a hurry, he explained. Got to get done. Can't wait on those birds. He remarked his sister's guests for the first time. Who are your friends, Gus?

Starting point is 01:46:54 He asked without interest. Then he fell anew upon his grapefruit. Theodore, his aunt exclaimed again, the indistinguishable convivial sound welled, becoming laughter. Mrs. Moray roved her astonished eyes. What can they be doing? Mr. Talia Farrow moved deferentially.

Starting point is 01:47:13 tactfully. If you wish? Oh, Mr. Taliaferro, if you would be so kind, Mrs. Moray accepted with emotion. Let the steward go, Aunt Pat. Let's eat, the niece said, thrusting Jenny forward. Come on, Pete, give me your hat, she added, offering to take it. Pete refused to surrender it. Wait, the nephew interjected.

Starting point is 01:47:36 I'll get him up. He picked up the thick plate and flipping his grapefruit hull overboard. He turned sideways in his chair and hammered a brisk staccato on the deck with the dish. They adore, his aunt exclaimed for the third time. Mr. Taliaferro, will you? Mr. Taliaferro sped toward the companion way, vanished. Ah, let the steward go, Aunt Pat, then he's repeated.

Starting point is 01:48:01 Come on, let's sit down. Let up, Josh, for God's sake. Yes, Mrs. Moria, let's don't wait for them, Mrs. Wiseman abetted, seating herself also. The others followed suit. Mrs. Morier roved her fretted eyes. Well, she submitted at last, then she remarked Pete still clutching his hat. I'll take your hat, she offered, extending her hand.

Starting point is 01:48:24 Pete foiled her quickly. Look out, he said. I've got it. He moved beyond Jenny and put his hat behind him in his chair. At this moment, the gentleman appeared from below, talking loudly. Ah, wretches, began the hostess with flaccid cocketry, shaking her finger at them. Fairchild was in the lead, burly and jovial, a shade unsteady as to gait. Mr. Talia Farrow brought up the rear. He too had now a temporarily emancipated air. I guess you thought we'd jump the ship, Fairchild suggested, happily apologetic.

Starting point is 01:49:00 Mrs. Moray sought Mr. Taliaferro's evasive eyes. We were helping major heirs find his teeth, Fairchild added. Lost them, in that little rabbit hutch where we were. explained the florid man. Couldn't find him right off. No teeth, no Tiffin, you know. If you don't mind, he murmured politely, sitting himself next, Mrs. Wiseman. Ah, grapefruit.

Starting point is 01:49:23 He raised his voice again. How jolly, seen no grapefruit since we left New Orleans, eh, Julie's? Lost his teeth, repeated Mrs. Moray, dazed. The niece and her brother regarded the florid man with interest. They fell out of his mouth, Fairchild elaborated, taking the seat next, Miss Jameson. He was laughing at something Julius said, and they fell out of his mouth, and somebody kicked him under the bunk, you see. What was it you said, Julius? Mr. Taliaferro, I said to seat himself beside the florid man. Mrs. Morrier again sought his eye,

Starting point is 01:49:58 forced him and vanquished him with bright command. He rose and went to the chair next to her, and she leaned toward him, sniffing. Ah, Mr. Taliaferro, she murmured with playful implacability. naughty, naughty. Just a nip. They were rather insistent, Mr. Taliaferro apologized. You men, you naughty men, I'll forgive you, however, this once, she answered, do ring, please. The Semitic man's flaccid face and dark, compassionate eyes presided at the head of the table. Gordon stood for a time after the others were seated. Then he came and took the seat between Mrs. Moria and her niece, with abrupt arrogance. The niece looked up, "'Hello, Blackbeard?' Mrs. Moray smiled at him automatically. She said,

Starting point is 01:50:45 "'Listen, people. Mr. Taliaferro is going to make an announcement. About promptness,' she added to Mr. Taliaferro, putting her hand on his sleeve. Ah, yes, I say, you chaps almost missed lunch, we were not going to wait on you. The lunch hour is half after twelve hereafter, and everyone must be present promptly. Chips discipline, you know. Hey, Commodore? The hostess corroborated. You must be good children, she added, with a playful relief looking about her table. Her worried expression returned. Why, there's an empty place.

Starting point is 01:51:21 Who isn't here? She roved her eyes in growing alarm. Someone isn't here, she repeated. She had a brief and dreadful vision of having to put back short one guest of inquest and reporters and headlines and of floating inert buttocks in some lonely reach of the lake that would later wash ashore with that mute, inopportune implacability of the drowned. The guests stared at one another, then at the vacant place, then at one another again. Mrs. Morier tried to call a mental role, staring at each in turn.

Starting point is 01:51:54 Presently, Miss Jameson said, Why, it's Mark, isn't it? It was Mark. They'd forgotten him. Mrs. Morrier dispatched the steward, who found the ghostly poet still at full length on the upper deck. He appeared in his ironed surge, bathing them briefly in his pale gaze. You gave us rather a turn, my dear fellow, Mr. Telia Farrow informed him with reproof, taking upon himself the duties of host.

Starting point is 01:52:20 I wondered how long it would be before someone saw fit to notify me that lunch was ready, the poet replied with cold dignity, taking his seat. Fairchild, watching him, said abruptly, Say, Julius, marks the very man from Major Ayers any. "'Say, Major, here's a man to take your first bottle. "'Tell him about your scheme.' The florid man regarded the poet affably. "'Ah, yes, it's a salts, you see.

Starting point is 01:52:47 "'You spoon a bit of it into your—a what?' asked the poet, "'poising his spoon and staring at the florid man. "'The others all poised their tools and stared at the florid man. "'A salts,' he explained, "'like our salts at home, you know?' "'Ah,' repeated Mrs. Morrard. Mr. Taliaferro's eyes popped mildly. All Americans are constipated, the florid man continued blithely,

Starting point is 01:53:14 due with a bit of salts in a tumbler of water in the morning. Now, my scheme is, Mr. Taliaferro, Mrs. Morier implored. Mr. Taliafero girded himself anew. My dear sir, he began, is to put up the salts in a tweaky file, a file that will look well on one's night table, a jolly design of some sort. All Americans will buy it. Now the population of your country is several millions, I fancy, and when you take into consideration the fact that all Americans are caught, my dear sir, said Mr. Talia Farrow louder.

Starting point is 01:53:50 Eh, said the florid man looking at him. What kind of a jar will you put him in, asked the nephew, his mind taking fire? Some tweaky sort of thing that all Americans will buy. The American flag and a couple of doves holding dollar marks in their bills and a handle that when you pull it out, it's a corkscrew, suggested Fairchild. The florid man glared at him with interest and calculation. Or, the Semitic man suggested, a small condensed table for calculating interest on one side and a good recipe for beer on the other. The florid man glared at him with interest. That's just for men, Mrs. Wiseman said. How about the women's trade. A bit of mirror would do for them, don't you think?

Starting point is 01:54:35 The florid man offered, surrounded by design in colors, eh? Mrs. Wiseman gave him a murderous glance, and the poet added, and a formula for preventing conception and a secret place for hairpins. The hostess moaned, Mr. Taliaferro, Mrs. Wiseman said savagely, I have a better idea than that for both sexes. Your photograph on one side and the golden rule on the other. The florid man glared at her with interest. The nephew broke in once more.

Starting point is 01:55:07 I mean, have you invented a jar yet, invented a way to get the stuff out of the jar? Oh, yes, I've done that. You spoon it out, you know? But tell them how you know all Americans are constipated, Fairchild suggested. Mrs. Morier rang the service bell furiously and at length. The steward appeared, and as he removed the plates and replaced them with others, The florid man leaned nearer Mrs. Weiss. What's that chap, he asked, indicating Mr. Talia Farrow.

Starting point is 01:55:37 What is he? Mrs. Wiseman repeated. Why, I think he sells things downtown, doesn't he, Julius? She appealed to her brother. I mean, what race does he belong to? Oh, you noticed his accent then? Yes, I noticed he doesn't talk like Americans. I thought perhaps he's one of your natives. "'One of our,' she stared at him.

Starting point is 01:56:02 "'You're red Indians, you know,' he explained. Mrs. Moray rang her little bell again, sort of chattering to herself. End of Section 12, read by Sandra. Section 13 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org.

Starting point is 01:56:32 Mosquitoes by William Faulkner First day, 2 o'clock Mrs. Moray put an end to that luncheon as soon as she decently could. If I can only break them up and get them into a bridge game, she thought, in agony. It had got to where every time one of the gentlemen made the precursory sound of speech, Mrs. Moray flinched and cringed nearer Mr. Deliaferro. At least she could depend on him, provided. But she was going to do the providing in the way.

Starting point is 01:57:02 his case. They had discussed major airs, salts, throughout the meal. Eva Wiseman had turned renegade and abetted them, despite the atmosphere of reproof Mrs. Moray had tried to foster and support, and on top of all this, the strange young man had the queerest manner of using knife and fork. Mr. Fairchild's way was, well, uncouth, but after all, one must pay a price for art. Jenny, on the other hand, had an undeniable style, feeding herself with her little finger, at a rigid and elegant angle from her hand. And now, Fairchild was saying, No, here's a clean case of poetic justice for you.

Starting point is 01:57:41 A hundred-odd years ago, Major Ayers' grandpa wants to come to New Orleans, but our grandfathers stop him down yonder in those Chalmette swamps and lick hell out of them. And now Major Ayers comes into the city itself and conquers it with a laxative so mild that, as he says, you don't even notice it. Hey, Julius? It also confounds all the old convictors. regarding the irreconcilability of science and art, the Semitic men suggested. Huh? said Fairchild. Oh, sure, that's right. Say, he certainly ought to make Al Jackson a present

Starting point is 01:58:15 of a bottle oughtn'tee. The thin poet groaned sopulcrily. Major Ayers repeated, Al Jackson? The steward removed the cloth. The table was formed of a number of card tables. By Mrs. Moray's direction, he did not remove these. She called him to her. whispered to him. He went below. Why, didn't you ever hear of Al Jackson? asked Fairchild in unctuous surprise. He's a funny man, a direct descendant of old Hickory that looked to folks in 1812, he claims. He's quite a character in New Orleans. The other guests all listen to Fairchild with a sort of non-committal attention.

Starting point is 01:58:55 You can always tell him because he wears Congress boots all the time. Congress boots? murmured Major Ayers, staring at him. Fairchild explained, raising his foot above the level of the table to demonstrate. Sure, on the street, at formal gatherings, even in evening dress he wears him. He even wears him in bathing. In bathing? I say.

Starting point is 01:59:17 Major Ayers stared at the narrator with his round, china blue eyes. Sure, won't let anyone see him barefoot. A family deformity, you see. Old Hickri himself had it. That's the reason he outfought the bra. British in those swamps. He'd never have whipped him otherwise. When you get to town, go down to Jackson Square and look at that statue of the old fellow. He's got on Congress boots. He turned to the Semitic man. By the way, Julius, you remember about old Hickory's cavalry,

Starting point is 01:59:46 don't you? The Semitic man was non-committal, and Fairchild continued. Well, the old general bought a place in Florida. A stock farm, they told him it was, and he gathered up a bunch of mountaineers from his Tennessee place and sent them down there with a herd of horses. Well, sir, when they got there, they found the place was pretty near all swamp. But they were hearty, folks, so they lit right in to make the best of it. In the meantime, doing what? asked the nephew. Huh? said Fairchild. What were they going to do in Florida? That's what we all want to know, Mrs. Wiseman said.

Starting point is 02:00:20 Sell real estate to the Indians, as Semitic man suggested. Major Ayers stared at him with his little blue eyes. "'No, they were going to run a dude ranch for the big hotels at Palm Beach,' Fairchild told them. And in the meantime, some of these horses strayed off into the swamps, and in some way the breed got crossed with alligators. And so when old Hickory found he was going to have to fight his battle down there and those Shalmet swamps, he sent over to his Florida place and had him round up as many of those half-horse, half-alligators as they could.

Starting point is 02:00:51 And he mounted some of his infantry on them, and the British couldn't stop him at all. "'The British don't know Florida.' "'That's true,' the Semitic man put in. "'There were no excursions then. "'And they didn't even know what the things were, you see.' "'Major Ayers and Mrs. Moray stared at Fairchild in quiet, childlike astonishment. "'Go on,' said Major Ayers at last. "'You're pulling my leg.'

Starting point is 02:01:14 "'No, no. Ask Julius.' "'But then it is kind of hard for a foreigner to get us. "'We're simple people, we Americans, kind of childlike and hearty. and you've got to be both to cross a horse on an alligator and then find some use for him, you know. That's part of our national temperament major. You'll understand it better when you've been among us longer, won't he, Julius? Yes, he'll be able to get us all right when he's been in America long enough to acquire our customs. It's the custom that makes the man, you know.

Starting point is 02:01:45 Ah, yes, said Major Air is blinking at him. But there's one of your customs I'll not be able to acquire. Your habit of eating apple tarts. We don't have apple tarts at home. you know. No Englishman, nor Welshman, nor Scots, will eat an apple tart. You don't, repeat a fair child. Why, I seem to remember. But not apple tarts, old lad. We have other sorts, but no apple tarts. You see, years ago it was accustomed to eat it, for the young lads to pop out at all hours and buy apple tarts. And one day, a chap,

Starting point is 02:02:19 a cabinet member's son died of a surfeit of apple tarts, whereupon his father had Parliament put through a bill that no miners should be able to purchase an apple tart in the British dominions, so this generation grew up without him. The former generation died off, and now the present generation never heard of apple tarts. He turned to the Semitic man, custom, as you just remarked. The ghostly poet, waiting his chance, murmured, Secretary of the Interior. But this was ignored. Mrs. Morier stared at Major Ayers and Fairchild, and the others all stared at Major Ayers,

Starting point is 02:02:55 florid, bland face, and there was an interval of silence, during which the hostess glanced about hopelessly among her guests. The steward reappeared, and she hailed him with utter relief, ringing her little bell again commandingly. The others looked toward her, and she passed her gaze from face to face. Now, people, at four o'clock, we will be in good bathing water. Until then, what do you say to a nice game of bridge? Of course, those who really must have a siesta will be excused, "'But I'm sure no one will wish to remain below on such a day as this,' she added brightly. "'Let me see. Mr. Fairchild, Mrs. Wiseman, Patricia, and Julius will be table number one. Major Ayers, Miss Jamison, Mr. Talia Farrow.'

Starting point is 02:03:41 Her gaze came to rest on Jenny. Do you play bridge, Miss Child?' Fairchild had risen with some trepidation. "'Say, Julius, Major Ayers, had better lie down a while, don't you think? being new to our hot climate, you know, and Gordon too. Hey, Gordon, don't you reckon we better lie down a while? Right, you are, Major Ayers agreed with alacrity, rising also. If the ladies will excuse us, that is, might get a touch of sun, you know, he added, glancing briefly at the awning overhead.

Starting point is 02:04:13 But really, said Mrs. Morier helplessly, the gentleman, clotting, moved toward the companionway. Coming, Gordon, fair child called. Mrs. Morayette turned to Gordon. Surely, Mr. Gordon, you'll not desert us? Gordon looked at the niece. She met his harsh, arrogant stare, calmly, and he turned away. Yes, don't play cards, he answered shortly.

Starting point is 02:04:39 But really repeated Mrs. Morayeyer, Mr. Taliaferro and Pete remained. The nephew had already taken himself off to his new carpenters saw. Mrs. Moray looked at Pete, then she looked away. "'Not even necessary to ask Pete if he played bridge. "'You won't play at all?' she called after the departing gentleman hopelessly. "'Sure, we'll come back later,' Fairchild assured her, "'herding his watch below. They descended noisily. "'Mrs. Moray looked about on her depleted party with astonished despair.

Starting point is 02:05:13 "'Venice gazed at the emptied companionway a moment. "'Then she looked about at the remainder of the party grouped about the superfluous card-tables, and you said you didn't have enough women to go around, she remarked. But we can have one table anyway, Mrs. Morayayay brightened suddenly. There's Eva, Dorothy, Mr. Taliaferro, and me—why, here's Mark, she exclaimed. They had forgotten him again. Mark, of course. I'll cut out this hand. Mr. Taliaferro demurred.

Starting point is 02:05:43 By no means, I'll cut out. You take the hand, I insist. Mrs. Morier refused. Mr. Taliaferro became insistent. and she examined him with cold speculation. Mr. Taliaferro at last, averted his eyes, and Mrs. Moray glanced briefly toward the companion way. She was firm.

Starting point is 02:06:01 Poor Talia Farrow, the Semitic man said. Fairchild led the way along the passage, pausing at his door while his gang trod his heels. Did you see his face? She'll keep him under her thumb from now on. I don't feel sorry for him, Fairchild said. I think he kind of likes it. He's always a little uncomfortable.

Starting point is 02:06:21 with men, you know. Being among a bunch of women seems to restore his confidence in himself, gives him a sense of superiority, which his contacts with men seem to have pretty well hammered out of him. I guess the world does seem a kind of crude place to a man that spends eight hours a day surrounded by lace-trimmed Crip Dijin, he added fumbling at the door. Besides, he can't come to me for advice about how to seduce somebody. He's a fairly intelligent man, more sensitive than most, and yet he too labors under the illusion that art is just a valid camouflage for ratting. He opened the door at last, and they entered, and sat variously while he knelt and dragged from beneath the bunk a heavy suitcase. She's quite wealthy, isn't she? Major Ayers asked from

Starting point is 02:07:05 the bunk. The Semitic man, as was his way, had already preempted the single chair. Gordon leaned his back against the wall, tall and shabby and arrogant. Rotten with it, Fairchild. answered. He got a bottle from the suitcase and rose to his feet and held the bottle against the light, gloating. She owns plantations or something. Don't you, Julius? First family or something like that? Something like that, the Semitic man agreed. She's a northerner herself. Married it. I think that explains her myself. Explains her? Fairchild repeated, passing glasses among them. It's a long story. I'll tell it to you someday. It'll take a long story. It'll take a long story. story to explain her, Fairchild rejoined. Say she'd be a better bet for major heirs than the laxative

Starting point is 02:07:53 business, wouldn't she? I'd rather own plantations than a patent medicine plant any day. He'd have to remove Taliaferro somehow, the Semitic man remarked. Taliaferro's not thinking seriously of her, is he? He'd better be, the other answered. I wouldn't say he's got intentions on her exactly, he corrected. He's just there without knowing it. A natural hazard is regards anyone else's problem. "'Freedom and the laxative business, or plantations and Mrs. Morier,' Fairchild mused aloud. "'Well, I don't know. What do you think, Gordon?' Gordon stood against the wall aloof, not listening to them hardly, watching within the bitter and arrogant loneliness of his heart,

Starting point is 02:08:37 a shape strange and new as fire swirling, headless, armless, legless, but when his name was spoken, he stirred. Let's have a drink, he said. child filled the glasses, the muscles at the basis of their nose is tightened. That's a pretty good rejoinder to every emergency life may offer, like Squire Western's Hello, the Semitic man said. Yes, but freedom, began Fairchild. Drink your whiskey, the other told him, take what little freedom you'll ever get while you can. Freedom from police is the greatest freedom man can demand or expect. Freedom, said Major Ayers. The only freedom is in one.

Starting point is 02:09:17 War time. Everyone too busy fighting are getting ribbons or a snug berth to annoy you. Samurai or headhunters take your choice. Mud and glory or a bit of ribbon on a clean tunic. Mud and abnegation and dear whiskey and England full of your beastly expeditionary forces. You were better than Canadians, so he admitted, not so damned many of you. It was a priceless war, eh? I like a bit of red myself, he confided. Staff-taught. was worth two on the breast, only see the breast from one side. Ribbon's good in peacetime, however. But even peace can't last forever, can it?

Starting point is 02:09:57 The Semitic man added. It'll last a while, this one. Can't have another war right off. Too many would stop away. Regulars jump in and get all the cushy jobs right off. Learned in the last one, you know, and the others would all get their backs up and refuse to go again. He mused for a moment.

Starting point is 02:10:15 The last one made war so far. damned unpopular with the proletariat. They overdid it, like the showman who fills his stage so full chaps can see through into the wings. You folks were pretty good at war bunk yourselves, weren't you? Fairchild said. War bunk, repeated Major Ayers, Fairchild explained. We didn't pay money for it, though, Major Ayers answered. We only gave ribbons. Pretty good whiskey, eh? If you want me to, Jenny said. I'll put it away in my room somewhere. Pete crammed it down on his head, holding his head tilted, rigidly a little to windward. The wind was eating his cigarette right out of his mouth.

Starting point is 02:10:57 He held his hand as a shield, smoking behind his hand. It's all right, he answered. Where'd you put it anyway? Summers. I'd just kind of put it away, Summers. The wind was in her dress, moulding it and clasping her hands about the rail. She let herself swing backward to the full stretch of her arms while the wind moulded her thighs. Pete's coat buttoned, ballooned its vented, flaring skirts.

Starting point is 02:11:21 Yes, he said, I can just kind of put it away myself when I want. Look out, kid! Jenny had drawn herself up to the rail again. The rail was breast-high to her, but by hooking her legs over the lower one, she could draw herself upward, and by creasing her young belly over the top when she leaned far out over the water. The water sheared away, creaming a white fading through milky jade to blue again, and a thin spray whipped from it, scattering like small shot. Come on, get back on the boat.

Starting point is 02:11:52 We're not riding the blinds this trip. Gee, said Jenny, creasing her young belly, hanging out over the water while wind moulded and flipped her little skirt, revealing the pink backs of her knees above her stockings. The helmsman thrust his head out and yelled at her, and Jenny craned her neck to look back at him,

Starting point is 02:12:10 swinging her blown drowsy hair. Keep your shirt on, brother, Pete shouted by. back at the helmsman for form's sake. What'd they tell you, dumbness? He hissed at Jenny, pulling her down. Come on now. It's their boat. Try to act like somebody. I wasn't hurting it, Jenny answered placidly.

Starting point is 02:12:29 I guess I can do this, can't I? She let her body swing back again at the stretch of her arms. Say, there he is with that saw again. I wonder what he's making. Whatever it is, he probably don't need any help from us, Pete answered. Say, how long did you? she say this was going to last? I don't know. Maybe they'll dance or something after a while. This is kind of funny, ain't it? They're not going anywhere and they don't do anything,

Starting point is 02:12:56 kind of like a movie or something. Jenny brooded softly, gazing at the nephew where he sat with his saw in the lee of the wheelhouse, immersed and oblivious. If I was rich, I'd stay where I could spend it, not like this, where there's not even anything to look at. Yeah, if you were rich, She'd buy a lot of clothes and jewelry in an automobile. And then what did you do? Wear your clothes out, sitting in the automobile, huh? I guess so. I wouldn't buy a boat, anyway.

Starting point is 02:13:26 I think he's kind of good-looking. Not very snappy-looking, though. I wonder what he's making. Better go ask him, Pete answered shortly. I don't know. I don't want to know anyhow. I was just kind of wondering. She swung herself slowly at arm's length,

Starting point is 02:13:41 against the wind slowly, until she swung herself over. beside Pete, leaning her back against him. Go on and ask him, Pete insisted his elbows hooked over the rail, ignoring Jenny's soft weight. Pretty boy like him won't bite you. I don't mind being bit, Jenny replied placidly. Peter? Get away, kid. I'm respectable, Pete told her. Try your pretty boy, see if you can compete with that saw. I like peppy-looking men, Jenny remarked, she sighed. Gee, I wish there was a movie to go to or something. I wonder what he's making. What horsepower does she develop?

Starting point is 02:14:23 The nephew asked, raising his voice above the deep vibration of the engine, staring at it entranced. It was clean as a watch, nickeled and red-leaded, a patent and brooding power beneath a thin film of gold and lubricating oil, like the film of moisture on a splendid animal functioning, physical with perfection. The captain in a once white cap with a tarnished emblem on the visor and a thin undershirt stained with grease told him how much horsepower she developed. He stood in a confined atmosphere, oppressive with energy, an ecstatic tingling that penetrated to the core of his body,

Starting point is 02:15:02 giving to his entrails a slightly unpleasant sensation of lightness, staring at the engine with rapture. It was as beautiful as a racehorse, and in a way terrifying, since with all its implausent, lackable soulless power, there was no motion to be seen save a trivial nervous flickering of rocker arms, a thin, bright clicking that rode just above the remote contemplative thunder of it. The keel plates shook with it, the very bulkheads trembled with it, as though a moment were approaching when it would burst the steel as a cocoon is burst, and soar upward and outward on dreadful and splendid wings of energy and flame. But the engine was bolted down with huge bolts,

Starting point is 02:15:44 clean and firm and neatly red-leaded, bolts that nothing could break, as firmly fixed as the nethermost foundations of the world. Across the engine above the flickering rocker arms, the captain's soiled cap appeared and vanished. The nephew moved carefully around the engine, following. There was a port at the height of his eye, and he saw beyond it sky bisected by a rigid curving sweep of water, stiff with the fading energy like bronze.

Starting point is 02:16:14 The captain was busy with a wisp of cotton waist, hovering about the engine, dabbling at its immaculate anatomy, with needless maternal infatuation. The nephew watched with interest. The captain leaned nearer, wiped his waist through a small accumulation of grease at the base of a pushrod, and raised it to the light. The nephew approached, peering over the captain's shoulder. It was a tiny speck, quite dead. What is it, jar?

Starting point is 02:16:44 his sister said, breathing against his neck. The nephew turned sharply. Gabriel's pants, he said. What are you doing down here? Who told you to come down here? I wanted to come, too, she answered, crowding against him. What is it, Captain? What have you and Gus got?

Starting point is 02:17:01 Here, her brother thrust at her. Get on back on deck where you belong. You haven't got any business down here. What is it, Captain? She repeated, ignoring him. The captain extended his rag. Did the engine kill it? she asked. Gee, I wish we could get all of them down here and lock the door for a while, don't you?

Starting point is 02:17:21 She stared at the engine at the flickering rocker arms. She squealed. Look! Look how fast they're going. It's going awfully fast, isn't it, Captain? Yes, ma'am, Captain replied. Pretty fast? What's her bore and stroke, the nephew asked. Captain examined a dial.

Starting point is 02:17:40 Then he turned a valve slightly. Then he examined the dial again. The nephew repeated his question, and the captain told him her bore and stroke. She revs up pretty well, don't she? The nephew suggested after a while. Yes, sir, the captain answered. He was busy doing something with two small wrenches, and the nephew offered to help. His sister followed, curious, and intent.

Starting point is 02:18:05 I expect you better let me do it alone, the captain said courteous and firm. I know are better than you, I expect. "'Spose you and the young lady stand over there just a little.' "'You sure do keep her clean, Captain,' Anise said. "' Clean enough to eat off of, isn't she?' "'The captain thought. "'She's worth keeping clean. "'Best marine engine made.

Starting point is 02:18:29 "'German. "'She cost twelve thousand dollars.' "'Gee,' Denise remarked in a hushed tone. "'Her brother turned upon her, pushing her before him from the room. "'Look here,' he said. fiercely, his voice shaking when they were again in the passage. What are you doing, following me around? What did I tell you I was going to do if you followed me any more?

Starting point is 02:18:53 I wasn't following you? I, yes, you were, he interrupted shaking her, following me. You, I just wanted to come too. Besides, it's Aunt Pat's boat, it's not yours. I've got as much right down there as you have. Oh, get on up on deck. And if I catch you trailing round behind me again, his voice merged into a dire and nameless threat. The niece turned toward the companionway.

Starting point is 02:19:22 Oh, hauling your sheet. You're gibbing. End of Section 13, read by Sandra. Section 14 of Mosquitoes. This is a Librevox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox. Miskitos by William Faulkner First day, 4 and 6 p.m.

Starting point is 02:19:56 4 o'clock. They sat at their bridge on deck, shuffling, dealing, speaking in sparse monosyllables. The Nossica surged sedately onward under the blue drowsing afternoon, far away on the horizon the lazy smudge of the Manderville ferry. Mrs. Morier, on the outskirt of the game, gazed at intervals abstractedly into space.

Starting point is 02:20:22 From below there came an indistinguishable sound, welling at intervals and falling, and Mr. Taliaferro grew restive. The sound died away at intervals, swelled again. The Nossica paced sedately on. They played their hands, dealt, and shuffled again. Mr. Taliaferro was becoming distret. Every once in a while, his attention strayed and returning

Starting point is 02:20:47 found Mrs. Moray's eyes upon him, coldly contemplative, and he bent anew over his cards. The indistinguishable sound welled once more. Mr. Taliaferro trumped his partner's queen, and the gentleman in their bathing suits surged up the stairs. They completely ignored the card players, passing aft in a body and talking loudly, something about a wager. They paused at the rail upon which the steward leaned at the moment. Here they clotted momentarily when Major Ayers detached himself from the group and flung himself briskly and awkwardly overboard. Hooray! Roared Fairchild! He wins! Mrs. Moray had raised her face when they passed. She had spoken to them and had watched them when they halted, and she saw Major Ayers leap overboard

Starting point is 02:21:38 with a shocked and dreadful doubt of her own eyesight. Then she screamed. She screamed. The steward stripped off his jacket, detached and flung a life-belt, then followed himself diving outward and away from the screw. Two of them, Fairchild, howled with joy. Pick you up when we come back, he megaphone through his hands. Major Ayers came up in the wake of the yacht, swimming strongly. The Nossica circled, the telegraph rang. Major Ayers and the steward reached the life-belt together,

Starting point is 02:22:10 and before the yacht lost way completely, the helmsman and the deckhand had swung the tender overside, and soon they hauled major airs savagely into the small boat. The Nossica was hove too. Mrs. Moria was helped below to her cabin where her irate captain attended her presently. Meanwhile, the other gentleman plunged in and began to control the ladies, so the rest of the party went below and donned their bathing suits. Jenny didn't have one. Her sole preparation for the voyage had consisted of the purchase of a lipstick. and a comb. The niece loaned Jenny hers, and in this borrowed suit, which fit her a shade too well,

Starting point is 02:22:50 Jenny clung to the gunwale of the tender, clutching Pete's hand and floating her pink and white face like a toy balloon unwetted above the water, while Pete sat in the boat fully dressed even to his hat, glowering. Mr. Talia Farrow's bathing suit was red, giving him a bizarre, desiccated look like a recently extracted tooth. He wore also a red rubber cap, and he let himself gingerly into the water, feet first from the stern of the tender, and here he clung beside the placid Jenny, trying to engage her in small talk beneath Pete's thunderous regard. The ghostly poet in his ironed surge, he didn't swim, lay again at full length on four chairs, craning his pale prehensile face above the

Starting point is 02:23:36 bathers. Fairchild looked more like a walrus than ever, a deceptively sedate walrus of middle age, suddenly evincing a streak of demoniac puerility. He wallowed and splashed, heavily playful, and seconded by major airs, annoyed the ladies by pinching them underwater and by splashing them, wetting Pete liberally where he sat smoldering with Jenny clinging to his hand and squealing, trying to protect her makeup. The Semitic man, Paddle. around with that rather ludicrous intentness of a fat man swimming. Gordon sat on the rail looking on. Fairchild and major heirs at last succeeded in driving the ladies back into the tender,

Starting point is 02:24:20 a boat which they splashed and yapped with the tactless playfulness of dogs, while Pete refraining, Look out, God damn you! Look out, Christ, what you're doing! Look out! Struck at their fingers with one of his discarded and sopping shoes. Above this one-sided merriment, the niece appeared poised upon the top of the wheelhouse, unseen by those in the water. They were aware first of a white arrow arcing down the sky.

Starting point is 02:24:48 The water took it lazily, and while they stared at the slow green vortex where it had entered, there was a commotion behind Fairchild, and as he opened his mouth, his gaping surprise vanished beneath the surface. In its place, the niece balanced momentarily on something under the water, when she, She fell plunging in the direction of Major Ayers, yet passive astonishment. The ladies screamed with delight. Major Ayers also vanished, and the niece plunged on. Fairchild appeared presently, coughing and gasping and climbed briskly into the tender, where Mr. Taliaferro, with admirable presence of mind, already was,

Starting point is 02:25:27 having deserted Jenny without a qualm, I've got enough, Fairchild said when he could speak. Major Ayers, however, accepted the challenge. The niece trod water and awaited him. Drown him, Pat! The ladies shrieked. Just before he reached her, her dark, wet head vanished, and for a while major airs plunged about in a kind of act of resignation.

Starting point is 02:25:50 Then he vanished again, and the niece clad in a suit of her brother's underwear, a knitted sleeveless jersey and short, narrow trunks, surged out of the water and stood erect on his shoulders. Then she put her foot on the top of his head and thrust him deeper yet. Then she plunged on and trod water again. Major Ayers reappeared at last, already headed for the boat.

Starting point is 02:26:13 He had enough also, and the gentleman dragged him aboard, and they dripped across the deck and passed below to the derision of the ladies. The ladies got aboard themselves. Pete, standing erect in the tender, was trying to haul Jenny out of the water. She hung like an expensive doll confection from his hands, raising at lax intervals a white lovely leg, while Mr. Talia Farrow, kneeling, pawed at her shoulders.

Starting point is 02:26:39 Come on, come on, Pete hissed at her. The niece swam up and thrust at Jenny's sweet thighs until Jenny tumbled at last into the tender in a soft, blonde abandon, a charming awkwardness. The niece held the tender steady while they boarded the yacht, then she slid skillfully out of the water, sleek and dripping as a seal, and as she swung her short course,

Starting point is 02:27:01 hair back from her face she saw hands, and Gordon's voice said, Give me your hands. She clasped his hard wrists and felt herself flying. The setting sun came level into his beard and upon all his tall, lean body, and dripping water on the deck she stood and looked at him with admiration. Gee, you're hard, she said. She touched his forearms again, then she struck him with her fist on his hard, high chest. Do it again, will you? Swing you again, he asked.

Starting point is 02:27:31 but she was already in the tender, extending her arms while sunset was a moist gold sheathing her. Again that sensation of flying, of space and motion and his hard hands coming into it, and for an instant she stopped in mid-flight, hand to hand and arm braced to arm, high above the deck while water dripping from her, turned to gold as it fell. Sunset was in his eyes, a glory he could not see, and her taut, simple body, almost breastless and with the fleeting hips of a boy, was in ecstasy in golden marble, and in her face the passionate ecstasy of a child. At last her feet touched the deck again, and she turned.

Starting point is 02:28:14 She sped toward the companionway, and as she flashed downward, the last of the sun slid upon her and over her with joy. Then she was gone, and Gordon stood looking at the wet and simple prints of her naked feet on the deck. 6 o'clock They had raised land Just about the time Major Ayers won his wager And while the last of day

Starting point is 02:28:37 Drained out of the world The Nossica at half speed Forched slowly into a sluggish river mouth Broaching a timeless violet twilight Between solemn bearded cypresses Motionless as Bronze You might by listening Have heard a slow requiem

Starting point is 02:28:52 In this tall nave Might have heard here The chanted Orisons of the dark heart of the world turning towards slumber. The world was becoming dimensionless. The tall, bearded cypresses drew nearer one to another across the wallowing river with the soulless implacability of pagan gods, gazing down upon this mahogany and brass intruder with inscrutable unalarm.

Starting point is 02:29:17 The water was like oil, and the Nossica forged onward without any sensation of motion, through a corridor without ceiling or floor. Mr. Talia Farrow stood at the stern rail beside Jenny and her morose hat at Duena. In the dusk, Jenny's white-trupling placidity bloomed like a heavy flower, pervading and rife like an odour, lazier, heavier than that of lilies. Pete loomed beyond her. The last light in the world was concentrated in the implacable glaze of his hat, leaving the atmosphere about them darker still,

Starting point is 02:29:54 and in the weary passion of August and nightfall, Mr. Taliaferro's dry, interminable voice fell, lower and lower, and finally ceased altogether. And abruptly, becoming aware of an old mislaid sorrow, he slapped suddenly at the back of his hand with consternation, remarking at the same time that Pete was also restive and that Jenny was agitating herself as though she were rubbing her body against her clothing from within.

Starting point is 02:30:22 then, as if at a signal, they were all about them, unseen, with a dreadful bucolic intentness, unlike their urban cousins, making no sound. Jenny and Pete and Mr. Talia Farrow evacuated the deck, at the companionway the ghostly poet joined them hurriedly, flapping his handkerchief about his face and neck in the top of his unnurtured, evaporating head. At that instant, Mrs. Moria's voice arose from somewhere in astonished. adjuration, and presently the Nossica put about and felt her way back to open water and stood out to sea, and not at half speed either.

Starting point is 02:31:03 End of Section 14, read by Sandra. Section 15 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information, or to volunteer, please visitlibrovox.org. Mosquitoes by William Faulkner First day, seven o'clock Years ago, Mrs. Morier had learned that unadulterated fruit juice

Starting point is 02:31:38 was salutary, nay, necessary to a nautical life, a piece of information strange, irrelevant at first draft, yet on second thought quite possible, not to mention pleasant in contemplation. So she had accepted it, taking it unto her and making of it an undeviable, creating marine conviction. Hence there was grapefruit again for dinner. She was going to inoculate them first, then take chances. Fairchild's gang was ultimately started from its lair in his quarters. The other guests were already seated, and they regarded the newcomers with interest and trepidation, and on Mrs. Moyers' part with actual alarm, here comes the dog watch, Mrs. Wiseman

Starting point is 02:32:22 remarked brightly. It's the gentleman, isn't it? We haven't seen any gentleman since we left New Orleans. Hey, Dorothy. Her brother grinned at her sadly. How about Mark and Talia Farrow? Oh, Mark's a poet. That lets him out. And Ernest isn't a poet, so that lets him out, too, she replied with airy, feminine logic. Isn't that right, Mark? I'm the best poet in New Orleans, the ghostly young man said heavily, mooning his pale, prehensile face at her. We were kind of wondering where you were, Mark. Fairchild told the best poet in Nor Orleans. We got the idea you were supposed to be on the boat with us.

Starting point is 02:33:02 Too bad you couldn't come, he continued tediously. Maybe Mark couldn't find himself in time, the Semitic man suggested taking his seat. He's found his appetite, though, Fairchild replied. Maybe he'll find the rest of himself laying around somewhere nearby. He seated himself and stared at the plate before him. He murmured, well, well, with abstraction. His companions found seats, and Major Ayers stared at his plate.

Starting point is 02:33:30 He murmured, well, well, also. Mrs. Morrier chewed her lip nervously, putting her hand on Mr. Taliaferro's sleeve. Major Ayers murmured. It does look familiar, doesn't it? And Fairchild said. Why, it's grapefruit. I can tell every time. He looked at Major Ayers.

Starting point is 02:33:50 I'm not going to eat mine now. I'm going to put it away and save it. "'Right you are,' agreed major ears readily. "'Save them by all means.' He set his grapefruit carefully to one side. "'Advise you people to do the same,' he added at large. "'Save them?' Mrs. Morier repeated in astonishment. "'Why, there are more of them. We have several crates.'

Starting point is 02:34:14 Fairchild wagged his head at her. "'I can't risk it. They might be lost overboard or something, and us miles from land. I'm going to save mine.' Major Ayers offered a suggestion. Save the Rines, anyway, might need him. Never can tell what might happen at sea, you know, he said owlishly. Sure, Fairchild agreed. Might need him in a pinch to prevent constipation.

Starting point is 02:34:41 Mrs. Morrier clasped Mr. Taliaferro's arm again. Mr. Taliaferro, she whispered imploringly. Mr. Taliaferro sprang to the breach. Now that we are altogether at last, he began, clearing his sense. throat. The Commodore wishes us to choose our first port of call. In other words, people, where shall we go tomorrow? He looked from face to face about the table. Why nowhere, answered Fairchild with surprise. We just came from somewhere yesterday, didn't we? You mean today, Mrs. Wiseman told him, we left New Orleans this morning. Oh, did we?

Starting point is 02:35:19 Well, well, it takes a long time to spend the afternoon, don't it? But we don't want to go anywhere, do we? Oh, yes, Mr. Taliaferro contradicted him smoothly. Tomorrow we're going up the Chufuncta River and spend the day fishing. Our plan was to go up the river and spend the night, but this was found impossible. So we shall go up tomorrow. Is this unanimous? Or shall we call for a ballot? Gabriel's pants, the niece said to Jenny. I itch just to think about that, don't you? Fairchild brightened. Up the Chufuncta, he repeated. Why, that's where the Jackson place is. Maybe Al's at home. Major Ayres must meet Al Jackson, Julius.

Starting point is 02:36:03 Al Jackson, Major Ayers repeated. The best poet in New Orleans groaned and Mrs. Wiseman said, Good Lord, Dawson. Sure, the one I was telling you about at lunch, you know. Ah, yes, the alligator chap, eh? Mrs. Moyer exclaimed. Mr. Talia Farrow again. Very well, Mr. Taliaferro said loudly. That's settled then. Fishing has it, and in the meantime, the Commodore invites you all to a dancing party on deck immediately after dinner.

Starting point is 02:36:35 So finish your dinner, people. Fairchild, you are to lead the Grand March. Sure, Fairchild agreed again. Yes, that's the one. His father has a fish ranch up there. That's where Algot his start, and now he's the biggest fissured in the world. "'Did you see the sunset this evening, Major Ayers?'

Starting point is 02:36:55 Mrs. Wiseman asked loudly. "'Deliciously messy, wasn't it? Nature, getting even with Turner,' the poet suggested. "'That will take years and years,' Mrs. Wiseman answered. Mrs. Moyer sailed in gushing. "'Our southern sunsets, Major Ayers.' But Major Ayers was staring at Fairchild. "'Fisher'd?' he murmured.

Starting point is 02:37:19 "'Sure, like the old cattle, ranch is out west, you know. But instead of a cattle ranch, Al Jackson has got a fish ranch, out in the wide-open spaces of the Gulf of Mexico. Where men are sharks put in Mrs. Wiseman, don't leave that out. Major Ayers stared at her. Sure, where men are men, that's where this beautiful blonde girl comes in. Like Jenny yonder. Maybe Jenny's the one. Are you the girl, Jenny? Major Ayers now stared at Jenny. Jenny was gazing at the narrator. Jenny was gazing at the narrator. blue ineffable eyes quite round, holding a piece of bread in her hand. Sir, she said at last. Are you the girl that lives on that Jackson Fish Ranch out in the Gulf of

Starting point is 02:38:02 Mexico? I live on Esplanade, Jenny said after a while, tentatively. Mr. Fairchild, Mrs. Moria exclaimed. Mr. Tallyoferro said, my dear sir, no, I reckon you are not the one, or you'd know it. I don't imagine that even Claude Jackson could live on a fish ranch in the Gulf of Mexico and not know it. This girl is from Brooklyn anyway, a society girl. She went down there to find her brother. Her brother had just graduated from reform school, and so his old man sent him down there for the Jacksons to make a fissured out of him. He hadn't shown any aptitude for anything else, you see,

Starting point is 02:38:41 and his old man knew it didn't take much intelligence to herd a fish. His sister, but I say, major ears interrupted. Why do they herd their fish? They round them up and brand them, you see. Al Jackson brands. Brand them? Sure, marks him so he can tell his fish from ordinary wild fish, mavericks they call him, and now he owns nearly all the fish in the world, a fish millionaire, even if he is fish poor right now. Wherever you see a marked fish, it's one of Al Jackson's. Marks his fish, eh? Sure, not just their tails. "'Mr. Fair Child,' Mrs. Moray said.

Starting point is 02:39:21 "'But our fish at home have notched tails,' Major Ayers objected. "'While they are Jackson fish that have strayed off the range, then.' "'Why doesn't he establish a European agent?' the ghostly poet asked viciously. "'Mager Ayers stared about, from face to face. "'I say,' he began. "'He stuck there,' the hostess rose decisively. "'Come, people, let's go on deck.' "'No, no,' the niece said quickly.

Starting point is 02:39:50 "'Go on, tell us some more,' Mrs. Wiseman rose also. "'Dosson,' she said firmly, "'shut up. We simply cannot stand any more. "'This afternoon has been too trying. "'Come on, let's go up,' she said, "'herding the ladies firmly out of the room, "'taking Mr. Talia Farrow along also.' "'End of Section 15, read by Sandra.

Starting point is 02:40:23 This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Mosquitoes by William Faulkner. First day, 9 p.m. He needed a bit of wire. He had reached that impasse familiar to all creators where he could not decide which of a number of things to do next.

Starting point is 02:40:47 His object had attained that stage of completion in which the simplicity of the initial impulse dissolves into a number of trivial necessary details, and lying on his bunk in the cabin he and Mr. Taliaferro shared his saw at hand and a thin litter of sawdust and shavings well in permeating the bed clothing, he held his wooden cylinder to the small inadequate light and decided that he could do with a bit of stiff wire or something of that nature. He swung his legs out of the berth and flowed to the floor in a single, beautiful motion, and crossing the room on his bare feet, he searched Mr. Tayaferro's effects

Starting point is 02:41:26 without success, so he passed from the cabin. Still on his bare feet, he went along the passage, and opening another door he let subdued light from the passage into a room filled with snoring, discerning vaguely the sleeper and on a peg in the wall a stained white cap. Captain's room, he decided, leaving the door open and traversing the room silently to another door. There was a dim, small light in this room, gleaming dullly on the viscid anatomy of the now motionless engine. But he ignored the engine now, going about his search with businesslike expedition. There was a wooden cabinet against the wall. Some of the drawers were locked. He rummaged through the others, pausing at times to raise certain objects to the light for closer inspection,

Starting point is 02:42:11 discarding them again. He closed the last drawer and stood with his hand on the cabinet, examining the room. A piece of wire would do, a short piece of stiff wire. There were wires on one wall passing among and between switches, but these were electric wires and probably indispensable. Electric wires. Battery room. It must be there beyond that small door.

Starting point is 02:42:35 It was there, a shadow-filled cubbyhole smelling of acids, of decomposition, a verdigree of decay. Plenty of wires here, but no loose ones. He stared around and presently he saw something upright and gleaming dully. It was a piece of mechanism, steel, smooth and odorless and rather comforting in this tomb of smells, and he examined it curiously, striking matches. And there, attached to it, was exactly what he needed, a small, straight steel rod. I wonder what it does, he thought.

Starting point is 02:43:09 It looked, a winch of some kind, maybe. But what would they want with a winch down here? Something they don't use much, evidently, he assured himself, too clean, cleaner than the engine, not greased all over like the engine. They mustn't hardly ever use it, or a pump. A pump, that's what it is. They won't need a pump once a year, not any building a boat kept up like a grand piano. Anyhow, they couldn't possibly need it before tomorrow, and I'll be through with it then.

Starting point is 02:43:37 Chances are they wouldn't miss it if I kept it altogether. The rod came off easily, plenty of wrenches in the cabinet, and he just unscrewed the nuts at each end of the rod and lifted it out. He paused again, holding the rod in his hand. Suppose he were to injure the rod some way. He hadn't considered that, and he stood turning the rod this way and that in his fingers, watching dull gleams of light on its slender polished length. It was so exactly what he needed.

Starting point is 02:44:05 Steel, too. Good steel. It cost $12,000. And if you can't get good steel for that, he put his tongue on it. It tasted principally of machine oil, but it must be good hard steel, costing $12,000. I guess I can't hurt anything that cost $12,000, especially by just using it one time. If they need it tomorrow, I'll be through it anyway, he said aloud. He replaced the wrenches, his mouth tasted of machine oil, and he spat. The captain yet snored, and he passed through the captain's room on his bare feet, closing the door thoughtfully so the light from the passage wouldn't disturb the sleeper.

Starting point is 02:44:42 He slipped the rod into his pocket. His hands were greasy, and so he wiped them on the seat of his trousers. He paused again at the galley door, where the steward was still busy over the sink. The steward stopped long enough to find a candle for him. Then he returned to his room. He lit the candle, drew Mr. Taliaferro's suitcase from beneath the bunk, and dripping a bit of hot wax onto it, he fixed the candle upright. Then he got Mr. Talia Farrow's pigskin-en-closed shaving kit

Starting point is 02:45:11 and prop the rod upon it with one end of the rod in the candle flame. His mouth still tasted of machine oil, so he climbed onto his berth and spat through the port, discovering as he did so that the port was screened. It'll dry, though. He touched the rod, it was getting warm, but he wanted it red-hot. His mouth yet tasted of machine oil,

Starting point is 02:45:31 and he remembered the other cigarette. It was in the same pocket in which he had had the rod, and it too was slightly reminiscent of machinery, but the burning tobacco would soon. kill that. The rod was getting pretty hot, so he fetched the wooden cylinder from the bunk, and laying the cigarette on the edge of the suitcase, he picked up the rod, and held its heated end firmly against the selected spot on the cylinder, and soon a thin thread of smoke rose, curling into the windless air. The smoke had a faint odor like that of scorching leather in it also,

Starting point is 02:46:03 machine oil, probably. End of Section 16, read by Sandra. Section 17 of Mischion 17 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information, or to volunteer, please visit Libravox.org. Mosquitoes by William Faulkner. First day, 10 p.m. It's being an artist, Mrs. Moray said to herself with helpless despondence. Mrs. Wiseman, Miss Jameson, Mark, and Mr. Taliaferro sat at Bridge. She herself did not like playing. The strain of her party kept her too nervous and wrought up. "'You simply cannot tell what they're going to do,' she said aloud in her exasperation, seeing again major airs vanishing awkward shape and fair child leaning over the rail

Starting point is 02:46:56 and howling after him like a bull-voiced druid priest at a sacrifice. "'Yes, Mrs. Wiseman agreed. "'It's like an excursion, isn't it? "'All drunkenness and trampling around,' she added, attempting to finesse. "'Damn you, Mark!' "'It's worse than that,' the niece corrected, "'posing to watch the hissing fall of cards. It's like a cattle boat, all trampling around.

Starting point is 02:47:20 Mrs. Maurice sighed. Whatever it is, her sentence died, stillborn. The niece drifted away and a tall shape appeared from shadow and joined her, and they went on down the dark deck and from her sight. It was that queer, shabby Mr. Gordon, and she knew a sudden sharp stab of conscience of having failed in her duty as a hostess. She had barely exchanged a word with him since they came aboard. It's that terrible Mr. Fairchild.

Starting point is 02:47:46 she told herself. But who could have known that a middle-aged man and a successful novelist could or would conduct himself so? The moon was getting up, spreading a silver flare of moonlight on the water. Danusicaa swung gently at her cables, motionless but never still, sleeping but not dead, as is the manner of ships on the seas of the world, cradled like a silver-dreaming gull on the water, her yacht, her party, people whom she had invited together for their mutual pleasure. Maybe they think I ought to get drunk with them, she thought. She roused herself, creating conversation. The card players shuffled and dealt interminably,

Starting point is 02:48:25 replying, mm, to her remarks, irrelevant and detached, were pausing to answer sensibly with a patient deference. Mrs. Moria rose briskly. Come, people, I know you're tired of cards. Let's have some music and dance a while. I'd rather play bridge with Mark than dance with them, Mrs. Wiseman said.

Starting point is 02:48:45 Whose trick was that? "'There'll be plenty of men when the music starts,' Mrs. Moyer said. "'Hm,' replied Mrs. Wiseman. "'It'll take more than a victroller record to get any men on this party. "'You'll need extradition papers, three without and three aces. "'How much is that, Ernest?' "'Would you like to dance, Mr. Taliaferro?' "'Mr. Moyer persisted.

Starting point is 02:49:07 "'Whatever you wish, dear lady,' "'Mr. Taliaferro answered with courteous detachment, "'busy with his pencil. "'That makes.' "'He tauted a column of her. his neat fingers. Then he raised his head. I beg your pardon. Did you say something? Don't bother, Mrs. Morier said. I'll put on a record myself. I'm sure our party will gather when they hear it. She wound up the portable Victrola and put on a record. You finish your rubber,

Starting point is 02:49:33 and I'll look about and see whom I can find, she added. Hmm, they replied. The Victrola raised its teasing rhythms of saxophones and drums, and Mrs. Morier prowled round, peering into the shadows. She found the steward first, whom she dispatched to the gentleman with a command couched in the form of an invitation. Then further along, she discovered Gordon and her niece sitting on the rail with her legs locked about a stanchion. Do be careful, she said. You might fall. We're going to dance a while, she added happily. Not me, her niece answered quickly. Not tonight, anyway. You have to dance enough in this world on dry land. You will certainly not prevent Mr. Gordon dancing, however. Come, Mr. Gordon, we need you. I don't dance, Gordon answered shortly.

Starting point is 02:50:22 You don't dance? Mrs. Moria repeated. You really don't dance at all? Run along, Aunt Pat. The niece answered for him. We're talking about art. Mrs. Moria sighed. Where's Theodore, she asked at last. Perhaps he will help us out. He's in bed. He went to bed right after dinner, but you might go down and ask him if he wants to get up and dance. Mrs. Morier stared helplessly at Gordon. Then she turned away. The steward met her. The gentlemen were sorry, but they had all gone to bed.

Starting point is 02:50:54 They were tired after such a strenuous day. She sighed again and passed on to the companion way. There seemed to be nothing else she could do for them. I've certainly tried, she told herself, taking this thin satisfaction, and stopped again while something shapeless in the dark companion way unblent, becoming two, and after a while, Pete said from the darkness, It's me and Jenny.

Starting point is 02:51:17 Jenny made a soft, meaningless sound, and Mrs. Morrier bent forward suspiciously. Mrs. Wiseman's remark about excursion boats recurred to her. You are enjoying the moon, I suppose, she remarked. Yes'm, Jenny answered. We're just sitting here. Don't you children want to dance? They've started the Victrola, Mrs. Morier said, in a resurgence of optimism. Yes,em, said Jenny again after a while, but they made no further move, and Mrs. Morier sniffed.

Starting point is 02:51:44 quite genteelly, and she said, icily, "'Excuse me, please.' They made room for her to pass, and she descended without looking back again and found her door. She snapped the light switch viciously, and she sighed again. "'It's being an artist,' she told herself again, helplessly. "'Damn, damn, damn,' said Mrs. Wiseman,

Starting point is 02:52:06 slapping her cards on the table. The Victroller record had played itself through and into an endless, monotonous, rasping. Mark stop that thing as you love God. I'm far enough behind without being jinxed. The ghostly poet rose obediently, and Mrs. Wiseman swept her hand amid the cards on the table, scattering them. I'm not going to spend any more of my life putting little spotted squares of paper in orderly sequence for three dull people. Not tonight, anyway.

Starting point is 02:52:35 Give me a cigarette, someone. She thrust her chair back, and Mr. Talia Farrow opened his case to her. She took one and lifted her foot to the other. her knee and scratched a mat on the sole of her slipper. Let's talk a while instead. Where on earth did you get those garters, Miss Jameson asked curiously. These, she flipped her skirt down. Why, don't you like them? They're a trifle out of the picture on you. What kind would you suggest for me? Pieces of coloured string? You ought to have black ones clasped with natural size red roses, Mark Frost told her. That's what one would expect to find on you.

Starting point is 02:53:13 "'Wrong me good man,' Mrs. Wiseman answered dramatically. "'You have wronged me foully. "'Where's Mrs. Morier, I wonder?' "'She must have caught somebody.' "'That Gordon man, perhaps,' Miss Jameson replied. "'I saw him at the rail yonder a while ago.' "'Ah, Mr. Talia Farrow!' exclaimed Mrs. Wiseman. "'Look out for yourself.

Starting point is 02:53:35 "'Witters and artists, you know. "'You see how susceptible I am myself. "'Wasn't there ever a fortune-teller to warn you of a tall red stranger in your destiny? You are a widow only by courtesy, the poet rejoined, like the serving maids in 16th century literature. So are some of the artists, my boy, Mrs. Wiseman replied, but all the men on board are not even artists. What, Ernest? Mr. Taliaferro bridled, smugly through the smoke of his cigarette. Mrs. Wiseman consumed hers in an unbroken series of deep drafts and flipped at railward, a twinkling scarlet coal.

Starting point is 02:54:15 I said talk, she reminded them, not a few mild, disjointed beans of gossip. She rose. Come on, let's go to bed, Dorothy. Miss Jameson sat, a humourless inertia, and leave that moon? Mrs. Wiseman yawned, stretching her arms. The moon spread her silver, ceaseless hand on the dark water. Mrs. Wiseman turned, spreading her arms. in a flamboyant gesture in silhouette against it. Ah, moon, poor, weary one, by yon black moon,

Starting point is 02:54:49 she apostrophized. No wonder it looks tired, the poet remarked hollowly. Think of how much adultery it's had to look upon. Or assume the blame for, Mrs. Wiseman amended. She dropped her arms. I wish I were in love, she said. Why aren't you? And earnest, more. More, come on, Dorothy, let's go to bed. Have I got to move? Miss Jameson said. She rose, however. The men rose also, and the two women departed.

Starting point is 02:55:18 When they'd gone, Mr. Taliaferro gathered up the cards Mrs. Wiseman had scattered. Some of them had fallen to the deck. End of Section 17, read by Sandra. Section 18 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information, or to volunteer,

Starting point is 02:55:45 Please visit Librevox.org. Mosquitoes by William Faulkner. First day, 11 o'clock. Mr. Taliaferro tapped diffidently at the door of Fairchild's room, was bidden, and opening it he saw the Semitic man sitting in the lone chair and major airs in Fairchild on the bunk holding glasses. Come in, Fairchild repeated. How did you escape?

Starting point is 02:56:10 Push her overboard and run? Mr. Taliaferro grinned with deprecation. regarding the bottle sitting on a small table, rubbing his hands together with anticipation. The human body can stand anything, can't it? The Semitic man remarked. But I imagine Taliaferro is just about at the end of his rope without outside aid, he added.

Starting point is 02:56:31 Major Ayers glared at him affably with his china-blue eyes. Yes, Taliaferro sure earned a drink, Fairchild agreed. Where's Gordon? Was he on deck? I think so, Mr. Taliafero replied. I believe he's with Miss Robin. Well, more power to him, Fairchild said. Hope she won't handle him as roughly as she did us, A major. You and Major Ayers deserved exactly what you got,

Starting point is 02:56:56 the Semitic man rejoined. You can't complain. I guess so, but I don't like to see a human being arrogating to himself the privileges and pleasures of Providence. Quelling nuisances is God's job. How about instruments of Providence? Oh, take another drink, Fairchild told you. told him. Stop talking, so Taliaferro can have one anyway. Then we better go up on deck. The ladies

Starting point is 02:57:20 might begin to wonder what's become of us. Why should they? The Semitic man asked innocently. Fairchild heaved himself off the bunk and got Mr. Taliaferro a tumbler. Mr. Taliaferro drank it slowly, unctuously, and pressed, accepted another. He emptied his glass with a flourish. He grimaced slightly. They had another drink, and Fairchild put the bottle away. Let's go up a while, he suggested, prodding them to their feet and herding them toward the door. Mr. Taliaferro allowed the others to precede him. Lingering, he touched Fairchild's arm. The other glanced at his meaningful expression and paused. I want your advice, Mr. Tali Fero explained. Major heirs and the Semitic man halted in the passage, waiting. Go on, you fellows, Fairchild told them. I'll be

Starting point is 02:58:08 along in a moment. He turned to Mr. Taliaferro. Who's the lucky girl this time? Mr. Tadio. Talia Ferro whispered a name. No, this is my plan of campaign. What do you think? Wait, Fairchild interrupted. Let's have a drink on it. Mr. Tali Afero closed the door again, carefully. Fairchild swung the door open.

Starting point is 02:58:31 And you think it'll work, Mr. Talia Fero repeated, quitting the room? Sure, sure, I think it's airtight, that she might just as well make up her mind to the inevitable. No, really, I want your candid opinion. I have more faith in your. judgment of people than anyone I know. Sure, sure, Fairchild repeated solemnly. She can't resist you.

Starting point is 02:58:52 No chance. No chance at all. To tell the truth, I kind of hate to think of women and young girls going around exposed to a man like you. Mr. Taliaferro glanced over his shoulder, Fairchild, quickly, doubtfully. But the other's face was solemn without guile. Mr. Taliaferro went on again. Well, wish me luck, he said.

Starting point is 02:59:13 Sure. the admiral expects every man to do his duty, you know. Fairchild replied solemnly, following Mr. Talia Farrow's dapper figure up the stairs. Major heirs and the Semitic man awaited them. There were no ladies, nobody at all, in fact. The deck was deserted. Are you sure? Fairchild insisted. Have you looked good? I kind of wanted to dance some. Come on, let's look again. At the door of the wheelhouse they came upon the helmsman. He wore only an undershirt above his trousers, and he was gazing into the sky. Fine night, Fairchild greeted him. Fine now, the helmsman agreed. Bad weather off

Starting point is 02:59:50 there, though. He extended his arm toward the southwest. Lake may be running pretty high by morning. We're on a lee shore, too. He stared again into the sky. Ah, I guess not, Fairchild replied with large optimism. Hardly on a clear night like this, do you reckon? The helmsman stared into the sky, making no answer. They passed on. I forgot to tell you. The lady said retired, Mr. Talia Fero remarked. That's funny, Fairchild said. I wonder if they thought we were not coming back. Perhaps they were afraid we were, the Semitic man suggested. Huh, said Fairchild, what time is it anyway? It was 12 o'clock and the sky toward the zenith was hazed over, obscuring the stars, but the moon was still undimmed, bland and chill,

Starting point is 03:00:37 affable and bloodless as a successful procurist, bathing the yacht in quiet silver. and across the southern sky went a procession of small clouds like silver dolphins on a rigid ultramarine wave like an ancient geographical woodcut. End of Section 18, read by Sandra near Montreal, 2023. Section 19 of Mosquitoes. This is a Lipervox recording. All Lipervox recordings are in the public domain. For more information or to volunteer, please, visit liverbox.org. Mosquitoes by William Faulkner. Second day, 3 a.m. By three o'clock, the storm had

Starting point is 03:01:30 blown itself out across the lake and by dawn. When the helmsman waked the captain, the lake, as he had predicted, was running pretty high. The trend was directly insure. Waves came up in endless battalions under a cloudless sky, curling and creaming along the hull, fading and dying as the watershoulders stern of the yacht to a thin white smother against a dark, impenetrable band of trees. The Nossica rose and fell, bows on, dragging at her taut cables. The helmsman roused the captain and returned swiftly to the wheelhouse. The deck hand got the anchors up and the helmsman rang the telegraph. Then Ossica shivered awake, coming to life again, and pausing for a moment between two waves like a swimmer. She surged ahead. She paid off a little and the helmsman spun the wheel,

Starting point is 03:02:27 but she didn't respond, falling off steadily and gaining speed, and as the helmsman put the wheel down hard, then Ossickett fell broadside on into the trough of the waves. The helmsman rang the telegraph again, and shouted to the decancted let go the anchors. By seven o'clock the Norseek and dragging her anchors had touched bottom with a faint jar. She considered a moment, then freed herself in crawling a bit further up the shoalding sand, she turned herself a little, and with a barely perceptible list, she sat down like a plump bay that waist deep in the water, taking the waves on her beam. Dorothy Jameson had a bold, humorless style.

Starting point is 03:03:11 She preferred portraits, though she occasionally painted still life, harsh, implacable fruit and flowers and dimensionless bowls upon tables without depth. Her teeth were large and white in the pale revelation of her gums, and her gray eyes were coldly effective. Her body was long, loosely articulated, and frail, and while spending in Greenwich Village the two years she had considered necessary for the assimilation of American tendencies in painting. She had taken a lover although she was still a virgin.

Starting point is 03:03:47 She took the lover principally because he owed her money, which he had borrowed of her in order to pay a debt to another woman. The lover ultimately eloped to Paris with the wealthy Pittsburgh lady, pawning her, Dorothy's, for a coat on the way to the dock and mailing the ticket back to her from shipboard. The lover himself was a musician. He was quite advanced, what is known as a radical. And in the intervals of experimenting with the conventional tonal scale,

Starting point is 03:04:17 he served as part of an orchestra in an uptown dancing place. It was here that he met the Pittsburgh lady. But this episode was complete, almost out of her memory even. She had had a year abroad and had returned to New Orleans, where she settled down to a moderate allowance which permitted her a studio, in the Vieer Carrey and her name several times on the police docket for reckless driving

Starting point is 03:04:43 and a humorless and reasonably pleasant cultivation of her individuality, with no more than a mild occasional nagging at the hands of her family, like a sound of rain heard beyond a closed window. She had always had trouble with her men,

Starting point is 03:05:00 principally through habit, since that almost forgotten episode she had always tried for artists, but sooner or later the end of her, evidently ran out on her, with the exception of Mark Frost, that is. And in this case, she realized it was sheer inertia more than anything else. And she admitted with remote perpiscuity, who cared one way or the other whether they kept Mark Frost. No one ever cared long for an artist who did nothing save create art, and very little of that.

Starting point is 03:05:32 But other men, men she recognized as having potentialities, all but. passed through a violent, but temporary period of interest, which ceased as abruptly as it began, without leaving even the lingering threads in mutually remembered incidents. Like those briefed thunderstorms of August, that threatened and dissolve for no apparent reason, without producing any rain. At times she speculated with almost masculine detachment on the reason for this. She always tried to keep their relations on the plane, which the men themselves seem to prefer. Certainly no woman would, and few women could, demand less of their men than she did. She never made arbitrary demands on their time, never caused them to wait for her, nor to see her home at inconvenient hours, never made

Starting point is 03:06:25 them fetch and carry for her. She fed them, and she flattered herself that she was a good listener, and yet. She thought of the the women she knew, how all of them had at least one obviously entranced male. She thought of the women she had observed, how they seemed to acquire a man at will, and if he failed to stay acquired, how readily they replaced him. She thought of the women on board, briefly reviewing them, Eva Wiseman. She had had one husband, practically discarded him, men liked her. Fyattshire, for instance, a man of undisputed ability and accomplishment. Yet this might be due to his friendship with her brother.

Starting point is 03:07:12 But no, Piachia was not that sword. Social obligations rested too lightly upon him. It was because he was attracted to her, because of kindred taste. But I create too, she reminded herself. Then she thought of the two young girls, of the niece Patricia, with her frank curiosity and things,

Starting point is 03:07:34 her childish delight in strenuous physical motion, of her hard unsentimentality, and no interest whatever in the function of creating art. I bet she doesn't even read. And Gordon, aloofed and insufferably arrogant, yet intrigued. And Fairchild also interested in his impersonal way. Even Pete, probably. Pete and Jenny.

Starting point is 03:08:00 Jenny with her soft placidity, who she a passive, appeal to the census and Mr. Talia Farrow, braving Mrs. Moria's displeasure to dangle about her, vaunting almost. Even she felt Jenny's appeal. An utterly mindless riveness of young, pink flesh, a supine potential for condesie, lovely to look upon, a doll awaiting a quickening and challenging it with neither joy nor sorrow. She had brought one man with her. No, not even brought. He had followed her in her blonde troubling orbit as a tide follows the moon. Without volition, against his inclination, perhaps. Two women who had no interest were ever in

Starting point is 03:08:46 the arts, yet who without effort drew to themselves men, artistic men, opposites, antitheses. Perhaps she thought, I have been trying for the wrong kind of men. Perhaps the artistic man is not my type. End of section 19. Section 20 of mosquitoes. This is a Liverbox recording. All liverbox recordings are in the public domain. For more information or to volunteer,

Starting point is 03:09:22 please visit liverbox.org. Mosquitoes by William Faulkner. Second day, 7 a.m. No ma'am, the nephew replied courteously. It's a pipe? oh she murmured a pipe he bent over his wooden cylinder peering at it with a knife delicately with care it was much cooler to-day the sun had risen from out a serrated miniature sea into a cloudless sky for a while the yacht had had a perceptible motion it was this motion which had roused her but now it had ceased although seismo waves yet came in from the lake creaming widely along the hall and spent themselves shawling up the beach toward a dark cliff of trees.

Starting point is 03:10:11 She'd had no idea last night that they were so close to land either, but distances always confused her by night. She wished you'd brought a coat, had she anticipated such a close fell in August. She stood huddling her scarf about her shoulders, watching his brown intent forearms and his course, crofted, exactly like his sisters, mildly desiring breakfast.

Starting point is 03:10:35 I wonder if he's hunger, she thought. She remarked, Aren't you rather chilly this morning without a coat? He carved at his object with a raft maternal absorption, and after a while she said louder. Wouldn't it be simpler to buy one? I hope so, he murmured. Then he raised his head and the sun shone full into his opaque, yellow-ficked eyes.

Starting point is 03:10:59 What did you say? I should think you'd wait until we got sure and buy one instead trying to make one. You can't buy one like this. They don't make them. The Solita came in two sections, carved and fitted cunningly. He raised one piece, squinting at it, and carved an infinitesimal sliver from it. Then he returned it to its husband. Then he broke them apart again, and carved an infinitesimal sliver from the other piece, fitted them together again. Miss Jameson launched him. Do you carry the design in your head, she asked. He raised his head again, huh? He said in a day's tone. The design you're carving. Are you just carving from memory or what?

Starting point is 03:11:47 Design, he repeated. What design? It was much cooler today. There was in Pete's face a kind of act of alarm not quite yet dispersed, and clutching a sheet of newspaper he rose with belated politeness, but she said, no, no, I'll get it. Keep your seat. So he stood acutely, clutching his paper, while she fetched a chair and drew it up beside his. It's quite chilly this morning, isn't it? Sure is, he agreed. When I woke up this morning and felt all that cold wind in the boat going up and down,

Starting point is 03:12:23 I didn't know what we were into. I didn't feel so good this morning anyway, and with the boat going up and down like it was, It's still now, though. Looks like they went him closer to the bank and parked it this time. Yes, it seems to me we're closer than we were last night. When she was settled, he sat also, and presently he forgot and put his feet back on the rail. Then he remembered and removed them. Why? How did you manage to get a paper this morning? Did we put in shore somewhere last night?

Starting point is 03:12:58 She asked, raising her feet to the rail. For some reason he felt uncomfortable about his paper. It's just an old piece, he explained, Lainly. I found it downstairs somewhere. It kind of kept my mind off of how bad I felt. He made a gesture repudiating it. Don't throw it away, she said quickly. Go on.

Starting point is 03:13:21 Don't let me interrupt if you found something interesting in it. I'm sorry you aren't feeling well. Perhaps you'll feel better after breakfast. Maybe so, he agreed without conviction. I don't feel much like breakfast, waking up like I did and feeling kind of bad, and the boat going up and down, too. You'll get over that, I'm sure. She leaned nearer to see the paper. It was a single sheet of a Sunday magazine section, a depressing-looking article in small print about Romanesque architecture,

Starting point is 03:13:57 interspersed with blurred indistinguishable photographs. Are you interested in architecture? She asked intensely. I guess not, he replied. I was just looking it over until they get up. He slanted his hat a no under cover of this movement. He raised his feet to the rail, settling down on his spine. She said,

Starting point is 03:14:20 So many people waste their time over things like architecture and such. It's much better to be a part of life, don't you think? Much better to be in it yourself and make. your own mistakes and enjoy making them and suffering for them, and to make your life barren through dedicating it to an improbable and ungrateful posterity. Don't you think so? I hadn't thought about it, Pete said cautiously. He lit a cigarette. Breakfast is late today. Of course you hadn't. That's what I admire about a man like you. You know life so well that you aren't afraid of what might do to you. You don't spend your time thinking about life, do you? Not much, he agreed.

Starting point is 03:15:07 I mean, I don't want to be a fish, though. You'll never be a fish, Pete. Everyone calls you Pete, don't they? Do you mind? I think the serious things really are the things that make for happiness. People are things that are compatible. Love. So many people are contentious to sit around and talk about them, instead of getting out and attaining them. as if life were a joke of some kind. May I have a cigarette? Thanks. You smoke this brand too, I see.

Starting point is 03:15:39 I'm a... Thanks. I like your hat. It just suits the shape of your face. You have an extremely interesting face. Do you know it? And your eyes. I never saw eyes exactly the color of yours.

Starting point is 03:15:54 But I suppose lots of women have told you that, haven't they? I guess so, Pete answered. they'll tell you anything. Is that what love has meant to you, Pete? Deception? She leaned to the match, staring at him with the humorless invitation of her eyes. Is that your opinion of us?

Starting point is 03:16:15 Ah, they don't mean anything by it, Pete said in something like alarm. What time do they have breakfast on this line? He rose. I guess I better run downstairs a minute before it's ready. It oughtn't to be too long, he added. Miss Jameson was gazing quietly out across the water. She wore a thin scarf about her shoulders, a webbed, brilliant thing that lent her a bloodless fragility,

Starting point is 03:16:39 as did the faint bridge or freckles, relicked of a single afternoon of sunlight across her nose. She now sat suddenly quiet, poising the cigarette in her long, delicate fingers, and Pete stood beside her, acutely uncomfortable. Why, he knew not. I guess I'll go downstairs before breakfast, he repeated. Say, he extended his newspaper.

Starting point is 03:17:04 Why don't you look at over while I'm gone? Then she looked at him again and took the paper. Ah, Pete, you don't know much about us for all your experience. Sure, he replied. I'll see you again, see? And he went away. I'm glad I had a clean collar yesterday, he thought, turning into the companion way. This trip sure ought to be over.

Starting point is 03:17:28 in a couple of years. Just as he began the descent he looked back at her. The newspaper lay across her lap, but she wasn't looking at it, and she had thrown the cigarette away, too. My God, Pete said to himself. Then he was struck by a thought. Pete, my boy, he told himself, it's going to be a hard trip. He descended into the narrow passage. It swept forward on either hand, broken smugly by space mute doors with brass knobs. He slowed momentarily, counting doors to find his own. And while he paused the door at his hand, opened suddenly, and the niece appeared clutching a raincoat about her. Hello, she said. Don't mention it, Pete replied, raising his hat slightly. Jenny up too. Say, I dreamed you lost that thing, the niece told him. Yes, she'll be out soon.

Starting point is 03:18:24 I guess. That's good. I was afraid she was going to lay there and starved to death. No, she'll be up pretty soon. They stood facing each other in the narrow passage, blocking you completely, and then he said, get on, Pete. I feel too tired to climb over you this morning. He stood aside for her, and watching her retreated clothed after her. Losing your pants? She stopped and dragged at her hips as a shapeless fabric, descended from beneath the raincoat and wanted slow and lethargic about her feet. She stood on one leg and kicked at the mass. Then, stooping, she picked from amidst folds a man's frayed and shapeless necktie.

Starting point is 03:19:08 Damn that string, she said, kicking out of the garment and picking it up. Pete turned in the narrow corridor, counting discreet identical doors. He smoked coffee and he added to himself. A hard trip and with unction. I'll tell the world it is. End of Section 20. Section 21 of Mosquitoes. This is a LipperVox recording.

Starting point is 03:19:40 All LiverVox recordings are in the public domain. For more information or to volunteer, please visitlibervox.org. Mosquitoes by William Faulkner. Second day, 8 a.m. It's the steering gear, Mrs. Morier explained at the breakfast table. table. Some, I know, Mrs. Wiseman exclaimed immediately about the grapefruit. German spies. Mrs. Moria stared at her with patient astonishment. She said, how cute. It worked perfectly yesterday. The captain said it worked perfectly yesterday. But this morning when the storm came up,

Starting point is 03:20:22 anyway, we're aground, and they are sending someone to get a tug to pull us off. They are trying to find the trouble this morning, but I don't know. Mrs. Wiseman leaned toward her and patted her fumbling, ringed to end. There, there, don't you feel badly about it? It wasn't your fault. They'll get us off soon, and we can have just as much fun here as we would sailing around. More, perhaps. Motion seems to have had a bad effect on the party.

Starting point is 03:20:52 I wonder. Dear child and his people had not yet arrived. Before each vacant place, it's good for. innocent and profound. Surely just the prospect of more grapefruit couldn't have driven them. Mrs. Moria followed her gaze. Perhaps it's just as well, she murmured.

Starting point is 03:21:13 Anyway, I've always wanted to be shipwrecked, Mrs. Wiseman went on. What did they call it? Scuttle the ship, isn't it? But Shirley Dawson and Julius couldn't have thought of this, though. Mrs. Moria, brooding above her plate, raised her eyes cringed, engine. No, no, the other answered herself hastily. Of course not. That's silly. It just happened as things do. But let this be a lesson to you, children, never to lay yourselves open to suspicion.

Starting point is 03:21:44 She added looking from the niece to the nephew. Miss Stewart appeared with coffee and Mrs. Morrie had directed him to leave the gentleman's grapefruit until it suited their pleasure to come for it. They couldn't have done it if they had wanted to, the niece replied. They don't know anything about machinery. Josh could have done it. He knows all about automobile motors. I bet you could fix it for him. If you wanted to, couldn't you guess?

Starting point is 03:22:11 He didn't seem to have hurt her at all. He finished his breakfast, eating with a steady and complete preoccupation, then thrusting his chair back, he asked generally for his cigarette. His sister produced a package from somewhere. It wore yet paint traces of pinker's centered powder. and Miss Jameson said sharply, I wondered who took my cigarettes. It was you, wasn't it?

Starting point is 03:22:37 I thought you'd forgot him, so I brought him up with me. She and her brother took one each, and she slid the package across the table. Miss Jameson picked it up, stared into it a moment, then put it in her handbag. The nephew had a patent lighter. They all watched with interest,

Starting point is 03:22:57 and after a while Mr. Talia Farrow with a vision, a seetious intent offered him a match. But it took fire finally, and he lit a cigarette and snapped the cap down. Give me a light, too, Gus, his sister said quickly, and from the pocket of a shirt he took two matches, laid them beside her plate. He rose. He whistled four bars of sleepy-time gal monotonously, ending on a prolonged excruciating note, and from the bed clothing at the foot of his bunk, he got the steep, heel rodden stood squinting his eyes against the smoke of his cigarette, examining it. One end of it was kind of blackened, and pinching the cloth of his trouser leg, I'd pouted. He shuttled his swiftly back and forth. Then he examined it again. It was still kind of black. The smoke of a cigarette was making his eyes water, so he spat it out and

Starting point is 03:23:53 ground his heel on it. After a time, he found a tooth-fresh in crossing the passage to a laboratory, he scrubbed the rod. A little of the black came off, onto the brush, and he dried the rod on his shirt and scrubbed the brush against the screen and a port, then against a red-leaded water pipe, and then against the pack of his hand. He sniffed it, a kind of machinery smelled yet, but you won't notice it with toothpaste on it. He returned and replaced the brush, among Mr. Talley of Ferrer's things. He whistled four bars of sleeping-dye-dye-dye-dye-old. He whistled four bars of sleeping di gall monotonously. The engine room was deserted, but he was making no effort toward concealment anyway. He found the wrenches again and went to the battery room and restored the rod without

Starting point is 03:24:41 haste, whistling with monotonous preoccupation. He replaced the wrenches and stood for a while examining the slumbering engine with rapture. And still without haste, he quitted the room. The captain the steward in the deck hand sat at breakfast in the saloom. He paused in the door. Broke down, have we? he asked. Yes, sir, the captain answered shortly. They went on with their breakfast. What's the trouble?

Starting point is 03:25:12 No reply, and after a time he suggested, engine play out? Steering gear, the captain answered shortly. You ought to be able to fix that. Where is the steering gear? Engine room, the captain replied. The nephew turned away. well, I haven't touched anything in the engine room.

Starting point is 03:25:33 The captain bent above his plate chewing, then his jaw ceased and he raised his head sharply, steering after the nephew retreating down the passage. End of Section 21. Section 22 of Mosquitoes. This is a Liver Vox recording. All Liberovox recordings are in the public domain. For more information or to volunteer,

Starting point is 03:26:03 here, please visit livervox.org. Mosquitoes by William Faulkner. Second day, 10 a.m. The trouble with you, Talley, Farrow, is that you ain't bold enough with women. That's your trouble. But I, fair child, wouldn't let him finish. I don't mean with words. They don't care anything about words except as little things, to pass the time with.

Starting point is 03:26:31 You can't be bold with them with words. You can't even shock them with words, though the reason may be that half the time they are not listening to you. They ain't interested in what you're going to say. They are interested in what you're going to do. Yes, but, how do you mean be bold? What must I do to be bold? How do they do it everywhere? Ain't every paper you pick up full of accounts of men being caught in Kansas City or Omaha under compromising conditions

Starting point is 03:27:03 with young girls, who've been missing from Indianapolis and Peoria and even Chicago for days and days. Surely if a man get as far as Kansas City with a Chicago girl, without her shooting him through chance or affection, or sheer exuberance of spirits or something, he can pretty safely risk a New Orleans girl. But why should Tali Afur want to take a New Orleans girl or any other girl to Kansas City? the Semitic man asked. They ignored him. I know, Mr. Talia Ferrer rejoined, but these men have always just robbed a cigar store.

Starting point is 03:27:42 I couldn't do that, you know. Well, maybe New Orleans girls won't require that. Maybe they haven't got that sophisticated yet. They may not be aware that their favors are worth as high as a cigar store. But I don't know. They're moving pictures, and some of them probably, even read newspapers too. So I advise you to get busy right away.

Starting point is 03:28:07 The word may already have got around that if they just hold off another day or so, they can get a cigar store for practically nothing. And there ain't very many cigar stores in New Orleans, you know. But the Semitic man put in again, Teller Farrow doesn't want a girl in a cigar store both, you know. That's right, Fierchild agreed. You ain't looking for tobacco.

Starting point is 03:28:31 Are you, Telia Ferro? End of Section 22. Section 23 of Mosquitoes. This is a Libervox recording. All Libervox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Mosquitoes by William Faulkner.

Starting point is 03:28:58 Second day, 11 a.m. No, sir, the nephew answered patiently. It's a pipe? A pipe. Fierreau drew nearer, interested. What's the idea? Will it smoke longer than an ordinary pipe? Hose more tobacco, ma'am?

Starting point is 03:29:16 Smoke's cooler, the nephew corrected, carving minutely at his cylinder. Won't burn your tongue. Smoke the tobacco down to the last grain, and it won't burn your tongue. You change gears on it, kind of like a car. Well, I'll be damned. How does it work?

Starting point is 03:29:35 be a child dragged up a chair, and the nephew showed him how it worked. Well, um-dammed, he repeated taking fire. Say, you want to make a pile of money out of it. If you make it work, you know. It works, the nephew answered, joining his cylinders again. Made a little one out of pine. Smoked pretty good for a pine pipe. It'll work all right.

Starting point is 03:30:00 What kind of wood are you using now? Cherry, he carved in a pine. fitted intently, bending his coarse dark head above his work. Dear Child watched him. While I'm damned, he said again in a sort of heavy astonishment. Honey, nobody thought of it before. Say, we might form a stock company, you know, with Julius and major heirs.

Starting point is 03:30:24 He's trying to get rich right away at something that don't require work. And this pipe is a lot better idea than the one he's got. I can't imagine even Americans spending very much. money, or something that don't do anything except keep your balls open. That's too sensible for us, even though we will buy anything. Your sister tells me you and she are going to yield college next month. I am, he corrected without raising his head. She just thinks she's going too. That's all. She kept on worrying dad until he said she could go. She'll be wanting to do something else by then. What does she do, Fairchild asked.

Starting point is 03:31:06 I mean, does she have a string of bows and run around dancing and buying things, like most girls like her do? No, the nephew answered. She spends most of her time in mind, too, tagging around after me. Oh, she's all right, I guess he added tolerantly, but she hasn't got much sense. He unfitted the cylinders squinting at them. That's where she change his gears, is it?

Starting point is 03:31:32 your childly nearer again. Yes, she's a pretty nice sort of kid. Kind of like a racehorse cult, you know. So you're going up to Yale. I used to want to go to Yale myself once, only I had to go where I could. I guess there is a time in the life of every young American of the class that wants to go to college or accepts the inevitability of education when he wants to go to Yale or Harvard. Maybe that's the value of Yale and Harvard to our American life. A kind of illusion of an intellectual nirvana that makes the ones that can't go there. Work like hell where they do go. So it's not to show up so poorly alongside of the ones that can go there. Still, 90 out of 100 Yale and Harvard turn out are reasonably bearable to live with

Starting point is 03:32:23 if they ain't nothing else. And that's something to be said for any manufacturing, I guess. but I'd like to have gone there. The nephew was not listening particularly. He shaved and trimmed solicitously at his cylinder, dear child said. It was a kind of funny college I went to, a denominational college, you know,

Starting point is 03:32:45 where they turn out preachers. I was working in a mowing machinery factory in Indiana, and owner of the factory was a trustee at this college. He was a sanctimonious old fellow with a beard like a goat. And every year he offered a half scholarship to be competed for by young Ben working for him. You won it, you know, and he found you a job near the college to pay your board, but not enough to do anything else to keep you from fleshily temptation, you know. And he had a monthly report on the progress sent to him, and I won it that year.

Starting point is 03:33:23 It was just for one year, so I tried to take everything I could. I had about six or seven lectures a day, besides the work I had to do to earn my board, but kind of got interested in learning things. I learned in spite of the instructors we had. They were a bunch of broken-down preachers, head full of dogma and intolerance, and a belly full of big, meaningless words. English literature course little Shakespeare down, because he wrote about whores without pointing a moral,

Starting point is 03:33:53 and one instructor always insisted that the head, had Devil in Paradise Lost was an inspired prophetic portrait of Darwin, and they wouldn't touch Byron with the ten-foot bowl, and Swinberg was reduced to his mother and his old standby, the ocean. And I guess they'd have cut this out, had they worn one-piece bathing suits in those days. But in spite of it, I kind of got interested in learning things. I would like to have looked inside of my mind after that year was up.

Starting point is 03:34:26 He gazed out over the water, over the snoring waves, steady and wind-frothed. He laughed, and I joined a fraternity, too, almost. The nephew bent over his pipe. Fairchild produced a package of cigarettes. The nephew accepted one with abstraction. He accepted a light also. I guess you've got your eye on a fraternity, haven't you, Fairchild suggested? Senior Club, the nephew corrected shortly,

Starting point is 03:34:55 if I can make it. Senior Club, Fairchild repeated. That means you won't join for three years, eh? That's a good idea. I like that idea. But I had to do everything in one year, you see. I couldn't wait. I never had much time to mix with other students,

Starting point is 03:35:14 six hours a day at lectures, and the rest of the time working and studying for next day. But I couldn't help but hear something about it, about rushing and pledges and so on, and how so-and-so were after this fellow and that, because he made the football team or something. There was a fellow at my boarding house, a kind of handsome, tall fellow he was,

Starting point is 03:35:37 always talking about the big athletes and such in school. He knew them all by their first names, and he always had some yarn about girls. I was showing you a pink envelope or something, a kind of gentlemanly innuendo, protecting their good names. He was a senior, he told me, and he was the first one to talk to me about fraternities. He said he had belonged to one a long time, though he didn't wear a badge.

Starting point is 03:36:05 He had given his badge to a girl who wouldn't return it. You see, your child explained again, I had to work so much. You know, getting into a rut of work for bread and meat, where chance couldn't touch me much. Chance and information. That's what they mean by wisdom. or sense, you know. He was the one that told me he could get me in his fraternity if I wanted to.

Starting point is 03:36:31 He drew, and his cigarette flipped it away. It's young people who put life into ritual by making conventions, a living part of life. Only all people destroy life by making it a ritual, and I wanted to get all I could out of being at college. The boy that belongs to a secret pirates gang and who dreams a defending an abstraction with his wife, hasn't quite died out before 21, you know, but I didn't have any money. Then he suggested that I get more work to do temporarily.

Starting point is 03:37:05 He pointed out to me other men who belonged to it or who were going to join, baseball players and captains of teams, and prize scholars and all. So I got more work. He told me not to mention it to anybody, that that was the way they did it. I didn't know anybody much, you see, he explained. I had to work pretty steady all day, no chance to get to know anybody well enough to talk to him. He mused upon the ceaseless fading battalions of waves,

Starting point is 03:37:35 so I got some more work to do. This had to be night work, so I got a job helping to fire the college power plant. I could take my books along and study while the steam was up, only it cut into my sleep some, and sometimes I would get too drowsy to study, so I had to give up one of my lecture courses, though the instructor finally agreed to let me try to make it up during the Christmas vacation,

Starting point is 03:38:01 but I learned how to sleep in a cinderpile or a coal bunker anyway. The nephew was interested now. His knife was idle in his hand, his cylinder reposed, but getting the agony of wood. It would take $25, but working overtime as I was, I figured it wouldn't be any actual cost at all, except the loss of sleep, and a young fellow can stand that if he has to. I was used to work, you know, and it seemed to me that this was just like finding $25.

Starting point is 03:38:35 I had been working about a month when this fellow came to me and told me that something had happened and that the fraternity would have to initiate right away, and asked me how much I had earned. I lacked a little of having $25, so he said he would loan me the difference to make it up. So I went to the powerhouse manager and told him, I had to have some money to pay a dentist with and got my pay up to date and gave it to this fellow. And he told me where to be the following night, behind the library at a certain hour. So I did. I was there, like he said.

Starting point is 03:39:12 Fairchild laughed again. What did the bird do with the nephew? U.S. Jepu. It was cold that night, late November, and a cold wind came right out of the north, whistling around that building

Starting point is 03:39:25 among the bare trees, just a few dead leaves on the trees, making a kind of sad, dry sound. We had won a football game that afternoon, and I could hear yelling occasionally, and see lights on the dormitories were the ones that could afford to, lived,

Starting point is 03:39:44 warm and jolly-looking, with the bare tree swaying and waving across the windows, still celebrating the game we had won. So I walked back and forth, stamping my feet, and after a while I went around the corner of the library where it wasn't so cold, and I could stick out my head occasionally in case they came looking for me.

Starting point is 03:40:05 From this side of the building, I could see the hall where the girls' students lived. It was all lighted up, as if for a party, and I could see shadows coming and going upon the drawn shades, where they were dressing and fixing their hair in all. And pretty soon I heard a crowd coming across the campus, and I thought, Here they come at last. But they passed on, going toward the girls' hall, where the party was.

Starting point is 03:40:31 I walked up and down some more, stamping my feet. Pretty soon I heard a clock striking nine. In half an hour I'd have to be back at the powerhouse. They were playing music at the party. I could hear it even in spite of the closed world. windows, and I thought maybe I'd go closer. But the wind was colder. There was a little snow in it, and besides, I was afraid they might come for me, and I wouldn't be there. So I stamped my feet, walking up and down. Pretty soon I knew it must be 9.30, but I stayed a while longer,

Starting point is 03:41:05 and soon it was snowing hard, a blizzard. It was the first snow of the year, and somebody came to the door at the party and saw it, and then they all came out to look. yelling. I could hear the girl's voice is kind of high and excited and fresh, and the music was louder. Then they went back, and the music was faint again, and then the clock struck ten. So I went back to the powerhouse. I was already late. He ceased, musing on the glittering battalions of waves and hands of wind, slapping them whitely. He laughed again. But I nearly joined one, though. How about the bird, the nephew asked.

Starting point is 03:41:47 Didn't you hunt him up the next day? He was gone. I never saw him again. I found out later it wasn't even a student in the college. I never did know what became of him. Fairchild rose. Well, you get it finished and will form

Starting point is 03:42:03 a stock company and get rich. The nephew sat clutching his knife in his cylinder, gazing after Fair Charles Stocky back, until the other passed from view. You poor goof, the nephew said, resuming his work again. End of Section 23. Section 24 of Mosquitoes.

Starting point is 03:42:27 This is a Librevox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libervox.org. Mosquitoes by William Flockner. Second day, 2 p.m. It was that interval so unbearable. to young active people, directly after lunch on a summer day. Everyone else was dozing somewhere, no one to talk to and nothing to do.

Starting point is 03:42:57 It was warmer than in the forenoon, though the sky was still clear and waves they came in before a steady wind, slapping the Norsica on her comfortable beam, and creaming on to fade and die-frothing up the shoaling beach and still palisade of trees. The niece hung over the boughs, watching the waves. They were diminishing. By sunset, there would be none at all. But occasionally one came in large enough to send up a thin, exhilarating spray. Her dress whipped about her bare legs, and she gazed downward into the restless water,

Starting point is 03:43:34 trying to make up her mind to get her bathing suit. But if I go in now, I'll get tired, and then when the others go in later, I won't have anything to do. She gazed down into the water. watching its surge and shift and change, watching the slack anchor cables severing the incoming waves, feeling the wind against her back. Then the wind blew upon her face and she idled along the deck and paused again at the wheelhouse, yawning.

Starting point is 03:44:02 Nobody there. But that's so. The helmsman went off early to get word for a tug. She entered the room, examining the control fixtures with interest. She touched the wheel tentatively. It turned all right. They must have fixed it. Whatever was broken about it.

Starting point is 03:44:21 She removed her hand and examined the room again, hopefully, and her eyes came upon a binocula suspended from a nail in the wall. Through the binoculars she saw her blur in two colors, but presently under her fingers the blur became trees startlingly distinct and separate leaf by leaf and bow by bow, and pendants of rusty green moss with beards of contests of contours. with beards of contemplative goats, ruminating among the trees and above a yellow strip of beach,

Starting point is 03:44:51 and a smother of foam in which the sun hung like fleeting rainbows. She watched this for a time, entranced, then swinging the glass slowly, waves slid past at arm's length, curling and creaming, and swinging the glass further. The rail of the yacht left monstrously into view, and upon the rail a nameless object emitting at that instant a number of circular yellow basins. The yellow things fell into the water, seemingly so near, yet without any sound.

Starting point is 03:45:24 And swinging the glass again, the thing that it emitted them, was gone and in its place the back of a man, close enough for her to touch him by extending her hand. She lowered the glass, and the man's back sprang away, becoming that of the street. steward carrying a garbage bale, and she knew then what the yellow basins were. She raised the glass again, and again the steward sprang suddenly, and silently within reach of her arm. She called, hey, and when he paused and turned, his face was plain as plain. She waved her hand to him, but he only looked at her a moment. Then he went on and around corner. She hung the binocular back on its nail and followed along the deck, where he

Starting point is 03:46:11 had disappeared. Inside the companion weighing obliquely through the galley door, she could see him moving about, washing the luncheon dishes, and she sat on the top step of the stairs. There was a small round window beside her, and he bent over the sink while light fell directly upon his brown head. She watched him quietly, intently but without rudeness, as a child would, until he looked up and saw her tear and serious face, framed loudly in the port. "'Allo,' she said. "'Alo,' he answered as gravely. "'You have to work all the time, don't you?' she asked.

Starting point is 03:46:49 "'Say, I like the way you went over after that man yesterday. "'With your clothes on, too. "'Not many had sense enough to dive away from the propeller. "'What's your name?' "'David West,' he told her, "'scraping a stewpan and sloshing water into it. "'Steam rose from the water and about it bobbed "'a cake of thick and plaque of it,

Starting point is 03:47:11 looking yellow soap. The niece sat bent forward to see through the window, rubbing her palms on her bare calves. It's too bad you have to work whether you are a ground, and ought to remarked. The captain and the rest of them don't have anything to do now, except just lie around. They can't have more fun than us now.

Starting point is 03:47:32 And Pat's kind of terrible, she explained. Have you been with her long? No, ma'am. This is my first trip, but I don't mind light work like this. Ain't much to do when you get settled out to it. Ain't nothing to what I have done. Oh, you don't.

Starting point is 03:47:51 You're not a regular cook, are you? No, ma'am, not regular. It was Mr. Fairchild got me this job with Mrs. With her. He did. He knows everybody almost, don't he. Does he? She gazed through the round window watching a blackened cat.

Starting point is 03:48:09 brightened beneath his brush. Soap frothed, piled like summer clouds, floated in the sink like small reflections of clouds. Have you known whom long, she asked? Mr. Fairchild, I mean? I didn't know him any until a couple of days ago. I was in that park where that statue is, down close to the docks,

Starting point is 03:48:31 and he came by and we were talking, and I wasn't working then. And so he got me this job. I can do any kind of work. He added with quiet pride. You can? You don't live in New Orleans, do you? Indiana, he told her.

Starting point is 03:48:47 I'm just traveling around. Gee, then he said, I wish I were a man like that. I bet it's all right, going around wherever you want to. I guess I'd work on ships. That's what I'd do. Yes, he agreed.

Starting point is 03:49:03 That's where I learned to cook. On a ship? Not? Yes, so. to the Mediterranean ports last trip. Gee, she said again. You'd seen lots, haven't you? What would you do when the ship got to different places?

Starting point is 03:49:20 You didn't just stay on the ship, did you? Noam, I went to a lot of towns away from the coast. To Paris, I bet. Noam, he admitted, just a trace of apology. I never seemed to get to Paris. But next, I knew you wouldn't, she said quick. say men just go to Europe because they say European women are fast, don't they? Are European women like that?

Starting point is 03:49:47 Pramiscuous, like they say? I don't know, he said I'd have. I bet you never had time to fool with them, did you? That's what I'd do. I wouldn't waste my time on women if I went to Europe. They make me sick. These little college boys in their balloon pants and colored stickers all over their suitcases, bringing empty cognac bottles back with them,

Starting point is 03:50:11 and snickling about French girls and trying to make love to you in French. Say, I bet where you went, you could see a lot of mountains of little cute towns on the side of them, and old gray walls and ruined castles on the mountains, couldn't you? Yes, them, and one place was high over a lake. It was blue-ass, blue-like washing water, he said finally. Water was blowing in it. They put bluing in the water when they wash clothes, country folks too, he explained.

Starting point is 03:50:42 I know, she said impatiently, were there mountains around it? The Alps Mountains and little white boats on it no bigger than water beetles. You couldn't see you moving. You only could see the water kind of spreading out to each side. The water would keep on spreading out until a pretty near touch both shores whenever a boat passed. And you could lay on your back on the mountain where I, I was and watch eagles flying around way up over the water until sunset. Then the eagles all went back to the mountains.

Starting point is 03:51:16 David gazed through the port. Past her sobriety and face moaned there by the round window, not even seeing it anymore, seeing instead his washing powder colored lake and his lonely mountains and eagles against the blue. And then the sun would go down, and sometimes the mountains would look like they were on fire, over. That was the ice and snow on him. It was pretty at night, too, he added simply, scrubbing again at his pots. Gee, she said, with hushed young longing. And that's what you get for being a woman. I guess I'll have to get married and have a bunch of kids. She watched him with her grave opaque eyes.

Starting point is 03:51:58 No, I'm not either, she said fiercely. I'm going to make Hank let me get there next summer. Can't you go back then, too? Say, You fixed it up to go back then, and I'll go home and see Hank about it, and then I'll come over. Joshua won't come, too, most likely, and you'll know where the places are. Can't you do that? I guess I could, he answered slowly, only. Only what? Nothing, he said at last.

Starting point is 03:52:27 Well, you fix it up to go, then. I'll give you my address, and you can write me, when to start, and where to meet you. I guess I couldn't go over on the same boat. Don't you'll be on, could I? I'm afraid not, he answered. Well, it'll be all right anyway. Gee, David, I wish we could go tomorrow, don't you? I wonder if they let people swim in that lake.

Starting point is 03:52:50 But I don't know. Maybe it's nicer to be a way up there where you were looking down at it. Next summer. Her unsaying eyes rested on his brown busy head, while his spirit lay on his belly above Maggiore, watching little white boats no bigger than, water beetles. And the lonely, arrogant eagles, aloft in blue sunshot space, surrounded and enclosed by mountains, cloud-brooded, taller than God. David dried his pots and pants and hung them along the

Starting point is 03:53:22 bulkhead in a burnished row. He washed out his dishcloths and hung them to dry upon the wall. The niece watched him. It's too bad you have to work all the time, she said with polite regret. I'm all done now Let's go swimming then It ought to be good now I've just been waiting for somebody to go in with me I can't he answered I've got a little more work I better do now

Starting point is 03:53:47 I thought you were through Will it take you very long If it won't let's go in then I'll wait for you Well you see I don't go in during the day I go in early in the morning before you are up Say I hadn't thought of that. I bet it's fine then, isn't it? How about calling me in the morning when you are ready to go in?

Starting point is 03:54:11 Will you? He hesitated again, and she added, watching him with her sober, opaque eyes. Is it because you don't like to go swimming with girls? That's all right. I won't bother you. I swim pretty well. You won't have to keep me from drowning. It ain't that, he answered lamely. You see, I, I haven't got a bathing suit, he blurred. Oh, is that all? I'll get my brothers for you. It'll be kind of tight, but I guess you can wear it. I'll get it for you now if you'll go in. I can't, he repeated. I've still got some cleaning up to do. Well, she got to her feet. If you won't then, but in the morning, you promised you know. All right, he agreed. I'll try to be awake, but you just knock on the door, the second door and the front of the room. The second door and the right of the passage, you know. She turned on her silent bare feet.

Starting point is 03:55:08 She paused again. Don't forget you promised, she called back. Then her flat boy's body was gone, and David turned again to his work. The niece went on up the deck and turned the corner of the deckhouse on her silent feet. Just in time to see Jenny Rowder and dispersion attack by Mr. Talia Farrow. She sat back beyond the corner, unseen. boldness but fairchild had said you can't be bold with words how then to be bold do you tried to do anything without words it seemed to him was like trying to grow grain

Starting point is 03:55:45 without seed still fair child had said who knew people women mr tallyaferro prouled restlessly having the boat to himself practically and presently he found jenny sleeping placidly in a chair in the shade of the deckhouse. Blonde and pink and soft in sleep was Jenny, a passive soft abandoned fitting like water to the sagging embrace of the canvas chair. Mr. Taliaferro envied that chair with a surge of fire like an adolescence in his dry bones,

Starting point is 03:56:19 and while he stood regarding the sprawled awkwardness of Jenny's sweet thighs and legs, and one little soiled hand dangling across her hip, Their surge of imminence and fire and desolation seemed to lightly distent all his organs, leaving a thin, salty taste on his tongue. Mr. Talia Farrow glanced quickly about the deck. He glanced quickly about the deck, then feeling rather foolish, but strangely and exuberantly young. He came near and bending, he traced with this hand lightly the heavy laxness of Jenny's body through the canvas which supported her. Then he thought terribly that someone was watching him, and he sprang erect with an alarm like a nausea, staring at Jenny's closed eyes.

Starting point is 03:57:06 But her eyelids lay shadowed, a faint, transparent blue upon her cheeks. And her breath was a little regular wind, come recently from all fresh milk. But he still felt eyes upon him, and he stood acutely, trying to think of something to do, some casual gesture to perform. A cigarette, his chaotic brains applied at last, but he had none, and still spurred by this need, he darted quickly away into his cabin. The nephew slept yet in his birth, and breathing rather fast. Mr. Talley of Pharaoh got his cigarette, and then he stood before the mirror, examining his face, seeking wildness, recklessness there,

Starting point is 03:57:49 but avoids customary expression of polite, faint alarm, and he smoothed his hair, thinking of the sweet, passive sag of that deck chair. Yes, almost directly over his head. He rushed back on deck in a search, of fear that she had weight and risen gone away. He restrained himself by an effort to a more sedate pace, reconnoitering the deck, all was well.

Starting point is 03:58:16 He smoked a cigarette in short nervous puffs, hearing his heart, tasting that warm salt. Yes, his hand was actually trembling, and he stood in a casual attitude looking about water in sky and shore. Then he moved, and still with casualness, He strode back to where Jenny slept, unchanged, her supine abandon, soft and oblivious and terrifying. Mr. Talia Pharaoh bent over her. Then he got on one knee, then on both knees.

Starting point is 03:58:49 Jenny slept ineffably, breathing her sweet, wakily breath upon his face. He wondered if he could rise quickly enough, in an emergency. He rose and looked about, then tiptoed across the deck and still on tiptoe, He fetched another chair and set it beside Jenny's and sat down. But it was for reclining, so he tried sitting on the edge of it, too high. And amid his other chaotic emotions was a harried despair of utility and an implacable passing of opportunity. While all the time it was as though he stood nearby yet aloof,

Starting point is 03:59:27 watching his own antics, he lit another cigarette with hands that trembled, took three puffs that he did not take, and casted away. Are this floor his all knees? Yes, yes. Jenny, her breath. Yes, yes.

Starting point is 03:59:44 Her red soft mouth Were little teeth but showed. Parted blondeness, a golden pink squirrel colatosculpic. A single blue eye not come fully awake. Her breath. Yes, yes. He felt eyes again.

Starting point is 04:00:00 No, they were there. But he cast all things away and sprawled nuzzling, but Jenny smiled as she came awake. Wake, sleeping Princess, kiss. Mr. Talia Farrow jabbered in a dry falsetto. Jenny squealed, moving her head a little. Then she came fully awake and got her hand out to Mr. Taliafarer's chin. Wake, Princess, with kiss, Mr. Talia Farrow repeated,

Starting point is 04:00:27 laughing at thin, hysterical laugh, obsessed with an utter and dreadful need to complete the gesture. Jenny heaved himself up, thrusting Mr. Taliafellow back on his heels. What's you doing, you old? Jenny glared at him, and seeking about in that vague, pinkish gregion, which was her mind, to buff forth finally an expression such as a steamboat mate or a railroad flagman, heated with wine, might apply to his temporary Saturday night, Felita, who would charge him for it by the letter, like a cablegram. Jenny watched Mr. Tellia Ferris' dapp a dispersion with soft, blonde indignation.

Starting point is 04:01:09 When he had disappeared, she flopped back again, and she snorted, a soft indignant sound, and turned again onto her side. Once more, she expelled her breath with righteous indignation, and soon thereafter, she drowsed again and slept. End of Section 24. Section 25 of Mosquitoes. This is a lip of all over. recording. All Lipervox recordings are in the public domain. For more information or to volunteer,

Starting point is 04:01:45 please visit liverbox.org. Mosquitoes by William Faulkner. Second day, 9 p.m. It was a sleazy scrap of slightly-soiled apple-green grape, and its principal purpose seemed to be that of indicating vaguely the shape of Jenny's behind as she danced, caressing the twin soft points of her thighs, with the lingering sterility of an aged lover. It looked as if she might have slept in it recently, and there was also a small hat of pale straw of no particular shape, rivened. Jenny slid about in Mr. Italia Ferry's embrace, with placid skill. She and Pete had just quarreled bitterly.

Starting point is 04:02:28 Pete had, that is. Jenny's bovine trouble and placidity had merely dissolved into tears, causing her eyes to be more ineffable than ever, and she had gone calmly about what she had intended all the time, to have as much fun as she could, as long as she was here. Pete couldn't walk out on her. All he could do would be to fuss at her or sulk, or maybe hit her. He had done that once, thereby voluntarily making himself her bond slave.

Starting point is 04:03:00 She had rather liked it. Beyond the lights, beyond the sound of it. the Victrola. Water was a minor ceaseless sound in the darkness. Above, vague, drowsy stars. Jenny danced on placidly, untroubled by Mr. Talia Farrow's endless flow of soft words against her neck, hardly conscious of his hand, sliding a small concentric circle at the small of her back. She looks kind of nice, don't she? Dear Charles said to his companion, as they stood at the head of the companion way. come up for air kind of soft and stupid and young yumo passive and at the same time troubling challenging he watched them for a time then he added now there goes the great illusion par excellence

Starting point is 04:03:51 what's telly fair is trouble asked the semitic man the illusion that you can seduce women which you can't they just elect you and then god help you the other added. And with words at that dear child continued, with words he repeated savagely. Well, why not with words? One thing gets along with women as well as another. And you are a funny sword to disparage words. You'll remember that species, all of whose actions are controlled by words. It's the word that overturns

Starting point is 04:04:29 thrones and political parties and instigates vice crusades, not things. The thing is merely the symbol for the word. And more than that, think what a devil if affects you and I'd be in, were it not for words? Were we to lose our faith in words? I'd have nothing to do all day long, and you'd have to work or starve to death. He was silent for a while. Jenny yet slid and poised, pleasuring her soft young placidity.

Starting point is 04:05:01 And, after all, his illusion is just as nourish. as yours or mine either. I know, but yours or mine ain't quite so ridiculous as he is. How do you know they aren't fair child had no reply? And the other continued. After all, it doesn't make any difference what you believe. Man is not only nourished by convictions, he is nourished by any conviction.

Starting point is 04:05:29 Whatever you believe, you'll always annoy someone. But you yourself will follow. and bleed and die for it in the face of law, hell will high water. And those who die for causes will perish for any cause. The more tawdry it is, the quicker they flock to it. And be quite happy at it too. It's a provision of providence to keep their time occupied. He sucked at his cigar, but it was dead. Do you know who is the happiest man in the world today? Mussolini, of course. And do you know who are next. The poor devils he will get killed with this Caesar illusion. Don't pity them, however. Were it not Mussolini and his illusion, it would be someone else in his cause. I believe it is

Starting point is 04:06:18 some green cosmic scheme for fertilizing the earth. And it could be so much worse, he added. Who knows? They might all migrate to America and fall into the hands of Henry Ford. So don't you go around feeling superior to Talley a feral. I think his present illusion and its object are rather charming. Almost as charming as the consummation of it would be, which is more than you can say

Starting point is 04:06:45 for yours. He held a match to his cigar. His sucking intent face came abruptly out of the darkness, and as abruptly vanished again. He flipped the match toward the rail. And so do you, you poor emotional eunuch.

Starting point is 04:07:01 So do you. Just Despite that bastard of a surgeon and a stenographer, which you call your soul. So do you remember with regret kissing in the dark and all the tender and sweet stupidity of young flesh? Hell, said dear child, let's have another drink. His friend was too kind, too tactful to say I told you so. Mrs. Moria captured them as they reached the stairs. Here you are, she exclaimed brightly. "'prisoning their arms.

Starting point is 04:07:34 "'Come, let's all dance a while. "'We need men. "'Eva has taken Mark away from Dorothy, "'and she has no partner. "'Come, Mr. Fairchild. "'Julius.' "'We're coming back, Peerchild answered. "'We're going now to Hunter Gordon and the Major,

Starting point is 04:07:52 "'and we'll all come right back. "'No, no,' she said soothingly. "'We'll send the steward for them. "'Come now.' "'I think we better go for them.' Fairchild objected quickly. This steward has been working hard all day. He's tired out, I expect.

Starting point is 04:08:09 And Gordon's kind of timid. He might not come if you send a servant for him. She released them doubtfully, staring at them with her round, astonished face. You will? Do come back, Mr. Fairchild? Sure, sure, Fairchild replied, descending hastily. Julius, Mrs. Morrow, called it after them helplessly. Upping them up in ten minutes, the Semitic Man promised, following.

Starting point is 04:08:41 Mrs. Moria watched them until they had passed from view. Then she turned away. Jenny and Miss Ditalia Farrow were still dancing, as were Mrs. Wiseman and the ghostly poet. Miss Jameson, partnerless, sat at the card table playing solitaire. Mrs. Morial looked on until the record played itself through. Then she said firmly. I think we'd better change partners among ourselves until the men come up.

Starting point is 04:09:10 Mr. Talia Farrow released Jenny obediently, and Jenny, released, stood around for a while, and she drifted away and down the deck, passing their tall, ugly man, leaning alone at the rail, and further along the knees spoke from the shadow. Going to bed? Jenny paused in turning her head toward the voice. She saw the faint glint of Pete's hat.

Starting point is 04:09:35 She went on. Uh-huh, she replied. The moon was getting up, rising out at the dark water, a tarnished, implacable Venus. Her aunt came along soon, prowling, peering fretfully into shadowy chairs and obscure corners, implacable and tactless as a minor disease. My lord, what have we got to do now, then? niece moaned. She sighed. She sure makes life real and earnest to everybody that woman does. Dance, I guess, Pete answered. The fishes serrated rim of his head, where the moon fell upon it,

Starting point is 04:10:14 glinted dully like a rope of bile teeth, like a gaping lithograph of a charging shark. Guess so. Say, I'm going to fade out. Staller off some way, or run yourself would be better. The niece rose hurriedly. So long. See you to-oh. You're coming, too? They stepped behind the companionway housing and flattened themselves against it, listening to Mrs. Maria's fretful prowling,

Starting point is 04:10:44 and clutching Pete's hand for caution. The niece creamed her neck around the corner. There's Dorothy, too, she whispered, and she withdrew her head, and they flattened themselves closer yet, clutching hands, while the two searches, passed, pausing to peer into every obscurity. But they went on finally passing from sight, and the niece wiggled her fingers free and moved, and moving found that she had turned into Pete's arm, and against his dark shape and

Starting point is 04:11:13 the reckless angle of his hat topping it. An interval like that, between two fences ere they engage, then Pete's arm moved with confidence and his other arm came up out of shoulders with a technique that was forcing her face upward. She was so still that he stopped again in the momentary flagging of confidence, and out of this lull a hard elbow came without force, but steadily under his chin. Try it on your saxophone, Pete, she told him without alarm. His hand moved again and caught her wrist, but she held her elbow jammed against his windpipe, increasing the pressure as he tried to remove her arm. Their bodies taught against each other and without motion. Someone

Starting point is 04:11:58 approached again and he released her. But before they could dodge again around the corner, Miss Jameson saw them. Who is that? She said in her high humorless voice. She drew near a peering. Oh, I recognize Pete said. Mrs. Moria won't you?

Starting point is 04:12:16 She peered at them suspiciously. What are you folks doing here? Hiding from Aunt Pat, then he answered, what are you going to make us do now? Why? Nothing. She, we ought to be more sociable, don't you think so? We never are all together, you know. Anyway, she wants to see Pete. Aren't you coming, too? I'm going to bed. Pete can go if he wants to risk it, though. She turned away. Miss Jameson put her hand on Pete's sleeve.

Starting point is 04:12:49 You don't mind if I take Pete then, she persisted intensely. I don't if he don't, Denise replied. She went on, Good night. That child ought to be spanked, Miss Jameson said viciously. She slid her hands through Pete's elbow. Come on, Pete. The knees stood and rubbed one bare soul against the other shin, hearing their footsteps retreating towards the lights

Starting point is 04:13:14 and the fatuous reiteration of the Victrola. She rubbed her foot rhythmically up and down her shin, gazing out upon the water, where the moon had begun to spread her palate and boneless hand. Her foot ceased its motion, and she remained motionless for her space. Then she stood on one leg

Starting point is 04:13:34 and raised the other one. Under her fingers was a small, hard bump, slightly feverish. Gabriel's pants, she whispered, they found us again. But there was nothing for it except to wait until the tug came. And finds a lot of

Starting point is 04:13:50 picked bone, she added aloud. She went on across the deck. At the stage, she said, stopped again. It was David, standing there at the rail, his shirt blanching in the level moonlight, against the dark shoreline. She went over beside him, silent on her bare feet. Hello David, she said quietly, putting her elbows on the rail beside his, and hunting her shoulders and crossing her legs as his were. This would be a good night to be on our mountain, looking down at the lake and the little boats all lighted up, wouldn't it?

Starting point is 04:14:25 I guess this time next summer we'll be there, won't we? And lots of other places, where you went to. You know nice things, don't you? When we come back, I'll know nice things too. She gazed downward upon the dark, ceaseless water. It was never still, never the same, and on it moonlight was broken into little fleeting silver wings, rising and falling and changing.

Starting point is 04:14:51 Wish I were in it, she said, swimming around in the moonlight. You won't forget about in the morning, will you? No, he told her watching her cross thin arms in the cropped crown of her head. Say, she looked up at him. I tell you what, let's go in tonight. Now? When the moon gets up more, Aunt Pat wouldn't let me go now anyway.

Starting point is 04:15:16 But about twelve, when they've gone to bed, what do you say? He looked at her, looked at her in such a strange, fashion that she said sharply. What's the matter? Nothing, he answered at last. Well, I'll meet you about 12 o'clock then. I'll get guests' bathing suit for you. Don't forget now.

Starting point is 04:15:37 No, he repeated. And when she reached the stairs and looked back at him, he was still watching her in that strange manner. But she didn't puzzle over it long. End of Section 25. Section 26 of Mosquitoes. This is a Libervox recording. All Libravox recordings are in the public domain.

Starting point is 04:16:05 For more information or to volunteer, please visit livervox.org. Mosquitoes by William Falkner. Second Day, 10 p.m. Jenny had the cabin to herself. Mrs. That one whose name she always forgot was still on deck. She could hear them talking. and Mr. Fairchild's jolly laugh came from somewhere, though he hadn't been upstairs when she left, and the muted nasal sounded the ventrola and thumping feet just over her head, still dancing.

Starting point is 04:16:39 Should she go back? She said holding a handglass, staring into it, but the handglass was bland, reminding her that after all this was one night she didn't have to dance anymore, and you have to dance so many nights. tomorrow night, perhaps, it said, but I don't have to dance tomorrow night, she thought, staring into the glass and sitting utterly

Starting point is 04:17:03 motionless. It's thin wine, rose keening to an ecstatic point and in the glass, she saw it mar her throat with a small gray speck. She slapped savagely. It alluded her with a weary practice skill, hanging fuzzily

Starting point is 04:17:19 between her in the unshaded light. My lord, why do we want to go to Mandevin? She thought. Her palms flashed, smacking cleanly, and Jenny examined her hand with distaste. Where did they carry so much blood, she wondered, rubbing her palm on the back of her stocking,

Starting point is 04:17:39 and so young, too. I hope that's the last one. It must have been, for there was no sound save a small, lapping whisper of water, any troubling, faraway suggestion of brass, broken by a monotonous thumping of feet over her head. dancing still. You really don't have to dance at all, thought Jenny,

Starting point is 04:18:00 yawning into the glass, examining with interest the pink and seemingly endless curve of her gullet. When the door opened and the girl Patricia entered the room, she wore a raincoat over her pajamas and Jenny saw her reflective face

Starting point is 04:18:16 in the mirror. Hello, she said. Hello, the niece replied, I thought you'd have stayed up there prancing around with us. "'Lord,' said Jenny. "'You don't have to dance all your life, do you? "'You don't seem to be there.' The niece thrust her hands into the raincoat pockets

Starting point is 04:18:35 and stayed about the small room. "'Don't you close that window when you undress?' she asked. "'Stand you wide open like that?' Jenny put the mirror down. "'That window? "'I don't guess there's anybody out there this time of night.' "'The niece went to the port and saw a pale sky bisected laterally by a dark rigidity of water.

Starting point is 04:18:57 The moon spread her silver hand over it, a broadening path of silver, and in the path the water came alive ceaselessly, no longer rigid. I guess not, she murmured. The only man who could walk on water is dead. Which one is yours? She threw off the raincoat and turned toward the two berths. The lower garment of her pajamas was tied up out her waist with the man's frayed neck is he?

Starting point is 04:19:25 Jenny murmured with detachment. That one, she answered vaguely, twisting her body to examine the back of one reverted leg. After a while she looked up, that ain't mine. That's Mrs. What's her names you are in? Well, it don't make any difference. The knees lay flat,

Starting point is 04:19:45 spreading her arms and legs luxuriously. Give me a cigarette. Have you got any? I haven't got any. I don't smoke. Jenny's leg was satisfactory, so she unrithed herself. You don't smoke? Why don't you?

Starting point is 04:20:03 I don't know, Jenny replied. I just don't. Look around and see if Eva's got some somewhere. Denise raised her head. Go on. Look at things. She won't mind. Jenny hunted for cigarettes and a soft blonde futility.

Starting point is 04:20:19 Pete's got some, she remarked after her time. He bought twenty-two-one. packages just before we left town to bring on the boat. Twenty packages? Good Lord. Where did he think we were going? He must have been scared of shipwreck or something. I guess so.

Starting point is 04:20:37 Gabriel's pants, the niece said. That's all he brought, was it? Just cigarettes? What did you bring? I brought a comb. Jenny dragged her little soil dress over her head. Her voice was muffled. and some rouge.

Starting point is 04:20:53 She shook out her drowsy gold hair and let the dress fall to the floor. Pete's got some, though, she repeated, thrusting the dress beneath the dressing-paper with her foot. I know the least rejoined, and so has Mr. Fier-child, and so has the steward, if Mark Frost hasn't borrowed them all.

Starting point is 04:21:13 And I saw the captain's smoking one, too, but that's not doing me any good. No, agreed Jenny placidly, Her undergarmament was quite pink enveloping her from shoulder to knee with ribbons and furbelows. She loosened a few of these and stepped sweetly and rosily out of it, casting it also under the table. You aren't going to leave them there, are you?

Starting point is 04:21:38 Then he's asked. Why don't you put them on the chair? Mrs. Wiseman puts hers on the chair. Well, you got here first. Why don't you take it? Or hang them on those hooks behind the door. "'Hooks?' Jenny looked at the door. "'Oh, they'll be all right there, I guess.'

Starting point is 04:21:57 She stripped off her stockings and laid them on the dressing table. Then she turned to the mirror again and picked up her comb. The comb passed through a fair soft hair with a faint sound, as of silk, and her hair lent to Jenny's divine body a halo like an angel's. The remote pictroller measured feet, and a overlapping of water came into the room. You've got a funny figure The niece remarked after a while, calmly watching her.

Starting point is 04:22:26 Funny? repeated Jenny, looking up with soft belligerence. It's no funnier than yours. At least my legs don't look like bird's legs. Neither do mine, the other replied with complacence, flat on her back. Your legs are all right. I mean, you are kind of thick through the metal for your legs,

Starting point is 04:22:46 kind of big behind for them. Well, why not? I didn't make it like that, did I? Oh, sure, I guess it's all right if you like it to be that way. Without apparent effort, Jenny dislocated her hip and stared downward over her shoulder. Then she turned sideways and accepted the mute preferring of the mirror. Reassured, she said, Sure, it's all right.

Starting point is 04:23:11 I expect to be bigger than that in front someday. So do I when I have to. but what do you want one for? Lord, said Jenny, I guess I'll have a whole litter of them. Besides, I think they're kind of cute, don't you? The sound of the victrola came down, melodious and nasal, and measured feet marked away the lapping of waves.

Starting point is 04:23:36 The light was small and inadequate, sunk into the ceiling, and Jenny and the niece agreed that they were kind of cute and pink. Jenny was quite palpably on the point of coming to bed and the other said, Don't you wear night clothes? I can't wear that thing, Mrs. What's her name, lent me, Jenny replied. You said you were going to lend me something, only you didn't.

Starting point is 04:24:01 If I depended on you on this trip, I guess I'd be back yonder about ten miles, trying to swim home. That's right, but it doesn't make any difference what you sleep in, does it? Turn off the light. Light followed Jenny, Rosalie, as you cross. the room. It slid rosily upon her as she turned obediently to the switch beside the door. Then he slayed flat on her back gazing at the unshaded globe. Jenny's angelic nakedness went beyond her vision and suddenly she stared at nothing,

Starting point is 04:24:34 with a vague orifice vaguely in the center of it, and beyond the orifice a pale moon-filled sky. Jenny's bare feet hissed just a little on the uncarpeted floor, and she came breathing softly in the dark, and her hand came out of the dark. The niece moved over against the wall. The round orifice in the center of the dark was obscured. Then it reappeared. And breathing with the soft, London tentness, Jenny climbed gingerly into the berth.

Starting point is 04:25:04 But she bumped her head anyway, lightly, and she exclaimed, Oh, with placid surprise. The bunk heaved monstrously, creaking. The plethole vanished again. Then the birth became still, and Jenny sighed with the soft explosive sound. Then she changed your position again, and the other said,

Starting point is 04:25:24 Be still, can't you? Thrusting at Jenny's boneless, naked abandoned with her elbow. I'm not fixed it, Jenny replied without rancor. Well, get in then, and quit flopping around. Jenny became lax. I'm fixed now, she said at last. She sighed again, a frank yawning sound. The slightly dulled feet, but thudded monotonously.

Starting point is 04:25:51 Overhead. Outside in the pale darkness, water leapt at the hull of the yacht. The close cabin emptied slowly of heat. Heat eb steadily away now that the light was off, and in it was no sound save that of their breathing. No other sound at all. I hope that was the last one, the one I killed Jenny Mermit. God, yes, the niece agreed.

Starting point is 04:26:15 this party is wearing enough with just people on it. Say, how'd you like to be on a party with a boatful Mr. Talia Farrow's? Which one is he? Why, don't you remember him? You sure aren't to. He's that funny-talking little man that puts his hands on you. That dreadful, polite one. I don't see how you could forget a man as polite as him.

Starting point is 04:26:40 Oh, yes, said Jenny remembering, and the other said. "'Say Jenny. How about Pete?' "'Gennie became utterly still for a moment. "'Then she said innocently, "'What about him?' "'He's mad at you about Mr. Talia Farrow, isn't he?' "'Pete's all right, I guess. "'You keep yourself all cluttered up with men, don't you?'

Starting point is 04:27:04 "'The other ass curiously. "'Well, you got to do something,' Jenny defended herself. "'Bunk,' Denise said roughly. "'Bunk.' You like petting. That's the reason, don't you? Well, I don't mind, Jenny answered. I've kind of got used to it, she explained. Denise expelled her breath in a thin, snorting sound, and Jenny repeated.

Starting point is 04:27:29 You've got to do something, haven't you? Oh, sweet adder or bunk, Denise said. In the darkness, she made a gesture of disgust. You women, that's the way Dorothy Jameson thinks about it, too, I bet. You better look out. I think she's trying to take Peter away from you. Oh, Pete's all right, Jenny repeated placidly. She lay perfectly still again. The water was a cool, dim sound. Jenny spoke suddenly confidential.

Starting point is 04:28:00 Say, you know what she wants Pete to do? No, what? asked the niece quickly. Well, say what kind of girl is she? Do you know her very good? What does she want Pete to do? The other insisted. Jenny was silent. Then she blurted in prim disapproval. She wants Pete to let her paint him.

Starting point is 04:28:23 Yes, and then what? That's it. She wants Pete to let her paint him in a picture. Well, that's the way she usually goes about getting men, I guess. What's wrong with it? Well, it's the wrong way to go about getting Pete. Pete's not used to that. Jenny replied in that prim tone.

Starting point is 04:28:44 I don't blame him for not wanting to waste his time that way, but weight makes you and Pete so surprised at the idea of it. Pete won't catch lead poisoning just from having his portrait painted. Well, it may be all right for folks like you are, but Pete says he wouldn't let any strange woman see him without any clothes on. He's not used to things like that. Oh, remarked the niece, then, so that's the way. she wants to paint them, is it?

Starting point is 04:29:13 Why, that's the way they always do it, ain't it? In the nude. Jenny pronounced it, nood. Good Lord, didn't you ever see a picture or of anybody with clothes on? Where'd you get that idea from, from the movies? Jenny didn't reply, then she said suddenly. Besides, the ones with clothes on are all old ladies, or mayors or something. Anyway, I thought,

Starting point is 04:29:40 But what? Nothing, Jenny answered, and the other said. Pete can get that idea right out of his head. Chances are she wants to paint him all regular and respectable. Not to shock his monstey at all. I'll tell him so tomorrow. Never mind, Jenny said quickly. I'll tell him.

Starting point is 04:30:01 You needn't to bother about it. All right, whatever you like. Wish I had a cigarette. They lay quiet for a. time. Outside water whispered against the hull. The victrola was hushed temporarily, and the dancers had ceased. Jenny moved again, onto her side, facing the other in the darkness. Say, she asked, what's your brother making? Gus? Why don't you ask him yourself? I did only. What? Only he didn't tell me. At least I don't remember. What did he say when you asked him?

Starting point is 04:30:40 Jenny mused briefly. He kissed me before I knew it, and he kind of patted me back here and told me to call again later, because he was in conference or something like that. Gabriel's pants, the niece murmured. Then she said sharply, look here. You leave Josh alone, you hear. Haven't you got enough with Pete and Mr. Talia Farrow without fooling with children? I'm not going to fool with any children. Oh, please don't. Let Josh alone anyway. She moved her arm, arching her elbow against Jenny's soft nakedness. Over some. Gee, woman, you sure do feel indecent. Get over on your side a little, can't you? Jenny moved away, rolling onto her back again, and they lay quiet, side by side in the dark. Say, remarked Jenny presently. Mr. and polite man. Telia Farrow.

Starting point is 04:31:40 the other prompted. Talia Farrow. I wonder if he's got a car. I don't know. You better ask him. What do you keep on asking me what people are making or what they've got for? Taxi cabers are best, I think, Jenny continued, unruffled. Sometimes when they have cars, they don't have anything else. They just take you riding. I don't know, Denise repeated. Say, she said suddenly. What was that you said to him, this afternoon. Jenny said, oh, she breathed placidly and regularly for a while. Then she remarked, I thought you were there around that corner. Yes, what was it? Say it again. Jenny said it again. The niece repeated it after her. What does it mean? I don't know. I just happened to remember it. I don't know what it means. It sounds good, the other said. You didn't think in her

Starting point is 04:32:40 yourself, did you? No, it was a fellow told it to me. There was two couples of us at the market one night getting coffee. Me and Pete and the girlfriend of mine and another fellow. We had been to Manderville on the boat that day, swimming and dancing. Say, there was a man drowned it at Mandeville that day. Pete and Thelma, my girlfriend and Roy, this girlfriend of mine's fellows, saw it. I didn't see it because I wasn't with them. I didn't go in bathing with them. It was too sunny. I don't think blondes ought to expose themselves to hot sun like brunettes, do you?

Starting point is 04:33:18 Why not? But what about? Oh, yes. Anyway, I didn't go in swimming where the man got drowned. I was waiting for them, and I got to talking to a funny man. A little kind of black man. A nigger? No.

Starting point is 04:33:35 He was a white man, except he was awful sunburned and kind of shabby dress. No necktie and hat. Say, he said some funny things to me. He said I had the best suggestion he ever saw. And he said if the straps of my dress was to break, I devastate the country. He said he was a liar by profession, and he made good money at it,

Starting point is 04:33:58 enough to own a Ford as soon as he got it paid out. I think he was crazy, not dangerous, just crazy. The niece lay quiet, she said contemptuatively. Do you look like they feed you on bread and milk and put you to bed at sunset every day? What was his name? Did he tell you? She asked suddenly.

Starting point is 04:34:21 Yes, it was. Jenny pondered a while. I remembered it because he was such a funny kind of man. It was Walker or Foster or something. Walker or Foster? Well, which one was it? It must be Foster, but, because I remembered it by it again with an F like my girlfriend's middle name,

Starting point is 04:34:43 Francis. Thelma Francis. Only she don't use both of them. Only I don't think it was Foster because... You don't remember it then? Yes, I do. Wait? Oh, yes, I remember.

Starting point is 04:34:59 Faulkner. That was it. Faulkner? Denise pondered in turn. Never heard of him, she said at last, with finality. and he was the one that told you that thing? No, it was after that, when we had come back to N-O. That crazy man was on the boat coming back.

Starting point is 04:35:18 He got to talking to Pete and Roy while me and Thelma was fixing up downstairs, and he danced with Thelma. He wouldn't dance with me because he said he didn't dance very well, and so he had to keep his mind on the music while he danced. He said he could dance with either Roy or Thelma or Pete, but he couldn't dance with me. I think he was crazy, don't you? It all sounds crazy the way you tell it,

Starting point is 04:35:44 but what about the one that said that to you? Oh, yes. Well, we was at the market. There was a big crowd there because it was Sunday night, see, and these other fellows was there. One of them was a snappy-looking fellow, and I kind of looked at him. Pete had stopped in a place to get some cigarettes,

Starting point is 04:36:04 and me and Thelma and Roy was crowded in with a lot of folks, coffee. So I kind of looked at this good-looking fellow. Yes, you kind of looked at him? Go on. All right. And so this good-looking fellow crowded in behind me and started talking to me. There was a man in between me and Roy, and this fellow that was talking to me said, Is he with you? Talking about the man sitting next to me and I said, no, I didn't know who he was. and this fellow said, how about coming out with him because he had his car parked outside? Pete's brother has a lot of cars.

Starting point is 04:36:45 One of them is the same as Pete's. And then, oh yes, and I said, where would we go? Because my old man didn't like for me to go out with strangers. And the fellow said he wasn't a stranger. That anybody could tell me who some name was. I forgot what it was, he said his name was. And I said he better ask Pete if I could go, and he said, who was Pete?

Starting point is 04:37:11 Well, there was a big man standing near where we was. He was big as a stevedore, and just then this big man happened to look at me again. He looked at me a minute, and I kind of knew that he'd look at me again pretty soon. So I told this fellow talking to me that he was Pete, and when the big man looked somewhere else a minute, this fellow said that to me. And then the big man looked at me again, and the fellow that said that to me, kind of went away. So I got up and went to where Thelma and Roy was pretty soon. Pete came back, and that's how I learned it.

Starting point is 04:37:49 Well, it sure sounds good. I wonder. Say, let me say it sometimes, will you? All right, Jenny agreed. You can have it. Say, what's that you keep telling your aunt? something about pulling up the sheet or something. Denise told her,

Starting point is 04:38:07 that sounds good too, Jenny said magnanimously. Does it? I tell you what. You let me use yours sometime, and you can take mine. How about it? All right, Jenny agreed again. It's a trade.

Starting point is 04:38:23 Water lapped and whispered ceaselessly in the pale darkness. The curve of the low ceiling directly over the berth lent a faint sense of oppression to the cabin. but this sense of oppression faded out into the comparatively greater spaciousness of the room of the darkness with the round orifice vaguely in the center of it. The moon was higher and the lower curve of the brass room of the port was now a thin silver sickle like a new moon. Jenny moved again, turning against the other side, breathing ineffably across the niece's face. The niece lay with Jenny's passive nakedness against the same. her arm, and moving her arm outward from the elbow, she slowly stroked the back of her hand

Starting point is 04:39:08 along the swell of Jenny's flank. Slowly, back and forth, or Jenny lay supine and receptive as a cat. Slowly, back and forth and back. I like flesh, the niece-mermit, warm and smooth, which I'd lived in Rome, oil gladiators. Jenny, she said abruptly, are you a virgin? Of course I am, Jenny answered immediately, in a startled tone. She lay for a moment and lacked astonishment. I mean, she said, I, yes, I mean yes, of course I am. She brooded in passive surprise, then her body lost its laxness. Say, well, Denise agreed judiciously.

Starting point is 04:39:54 I guess that's about what I'd have said myself. Say, demanded Jenny, thoroughly aroused. What did you ask me that for? Just to see what you'd say. It doesn't make any difference, you know, whether you are or not. I know lots of girls that say they're not. I don't think all of them are lying either. Maybe it don't come to some folks, Jenny rejoined Primley.

Starting point is 04:40:19 But I don't approve of it. I think a girl loses a man's respect by palm. I don't approve of it, that's all. And I don't think you had any right to ask me. good lord you sound like a girl scout or something don't pete ever try to persuade you otherwise say what are you asking me questions like that for i just wanted to see what you'd say i don't think it's anything to tear your shirt over you're too easily shocked jenny the niece informed her well who wouldn't be if you want to know what folks say when you ask things like that why don't you ask them to yourself did anybody have asked you if you were one? Not that I know of, but I would.

Starting point is 04:41:06 Well, are you? Denise lay perfectly still a moment. Am I what? Are you a virgin? Why, of course I am, she answered sharply. She raised herself on her elbow. I mean, say, look here. Well, that's what I'd assaid myself, Jenny responded,

Starting point is 04:41:28 with placid malice from the darkness. The niece poised on her tense elbow above Jenny's sweet regular breathing. Anyway, what biz? I mean, you asked me so quick, she rushed on. I wasn't even thinking about being asked something like that. Neither was I. You asked me quicker than I asked you. But that was different.

Starting point is 04:41:52 We were talking about you being one. We were not even thinking about me being one. You asked it so quick I had to say that. It wasn't fair. So did I have to say what I said? It was as fair for you as it was for me. No, it was different. I had to say I wasn't.

Starting point is 04:42:11 Quick, like that. Well, I'll ask it when you're not surprised then. Are you? The niece lay quiet for a time. You mean, sure enough? Yes, Jenny breathed her warm, intent breath across the other's face. The niece lay silent again.

Starting point is 04:42:31 After a time she said, Hell, and then, Yes, I am. It's not worth lying about. That's what I think, Jenny agreed smugly. She became placidly silent in the darkness. The other waited a moment then said sharply. Well, are you one?

Starting point is 04:42:51 Sure I am. I mean sure enough. You said sure enough, didn't you? Sure I am, Jenny repeated. you're not playing fair, the niece accused, I told you. Well, I told you, too. Honest, you swear? Sure I am, Jenny said again with her glib and devastating placidity.

Starting point is 04:43:15 The niece said, hell. She snorted thinly. They lay quiet side by side. They were quiet on deck, too. But it seemed as though they're still lingered in the darkness, a thin, stubborn ghost of syncopation, and thudding tireless feet. Jenny wiggled her free toes with pleasure.

Starting point is 04:43:34 Presently, she said, You're a bad, ain't you? No reply. You've got a good figure, too, Jenny offered conciliatory. I think you've got a right, sweet little shape. But the other refused to be cajoled. Jenny sighed again ineffably, her milk and honey breath.

Starting point is 04:43:55 She said, Your brother's a college boy, 80. I know, some college boys. Tulane. I think college boys are cute. They don't dress as well as Pete. Sloppy.

Starting point is 04:44:06 She mused for a time. I wore a frat-print ones for a couple of days. I guess your brother belongs to a Tony. Gus belongs to one of these jerk water clubs. I guess not. He's a Yale man. He will be next month, that is. I'm going with him.

Starting point is 04:44:25 They don't take every Tom Dick and Harry that shows up. and up there. You have to wait until sophomore year, but Gus is going to work for his senior society anyhow. He don't think much of fraternities. Gee, each will give him a laugh he could hear you. Well, I didn't know. It seems to me one thing you join is about like another.

Starting point is 04:44:48 What's he going to get by joining the one he's going to join? You don't get anything stupid, you just join it. Jenny pondered this a while, and you have to work to join it? Three years, and only a few make it then. And if you do make it, you don't get anything except a little button or something. Good Lord.

Starting point is 04:45:11 Say you know what I'm going to tell him tomorrow. I'm going to tell him he better hold up the sheet. He's, he's, what's the rest of it? Oh, shut up and go over on your side the knee said sharply, turning her back. You don't understand anything about it. it. I sure don't, Jenny agreed, rolling away in onto her other side, and they lay with their backs to each other and their be hinds just touching, as children do. Three years. Good Lord.

Starting point is 04:45:44 Fairchild had not returned, but she had known they would not. She was not even surprised, and so once more her party had evolved into interminable cards. Mrs. Wiseman herself, Mr. Talia Farrow and Mark. By craning her neck, she could see Dorothy Jameson's failed humorless intentness and the tawdry sophistication of Jenny's young man, where they swung their legs from the roof of the wheelhouse. The moon was getting up in Pete's straw hat, was a dull, implacable gleam, slanted above the red eye of his eternal cigarette.

Starting point is 04:46:20 And yes, he was that queer, shy, shabby Mr. Gordon, mooning alone, as usual. And again she felt a stab of reproof for having neglected him. At least the other seemed to be enjoying the voyage, however trying they might be to one another. But what could she do for him? He was so difficult, so ill at ease, whenever she extended herself for him.

Starting point is 04:46:44 Mrs. Moria rose. For a while, she explained, Mr. Gordon, the trials of a hostess you know. You might play dummy until I, "'No, wait!' she called Dorothy with saccharine insistence, and presently Miss Jameson responded. "'Won't you take my hand for a short time? I'm sure the young gentleman will excuse you.' "'I'm sorry, Miss Jameson called back. I have a headache. Please excuse me.' "'Go on, Mrs. Moria, Mrs. Wiseman said. We can pass the time until you come back. We've got used to sitting around.'

Starting point is 04:47:22 Yes, too, Mr. Talleyaffer, added, we understand. Mrs. Moria looked over to where Gordon still leaned his tall body upon the rail. I really must, she explained again. It's such a comfort to have a few on whom I can depend. Yes, too, Mr. Talia Ferrer repeated. When she had gone, Mrs. Wiseman said, Let's play Red Dog for pennies. I've got a few dollars left.

Starting point is 04:47:49 She joined him quietly. He glanced his gaunt face at her, glanced away. How quiet, how peaceful it is, she began, undeterred, leaning beside him and gazing also out across the restless slumber of water, upon which the worn moon spread of ceaseless peacock's tail like a train of silver sequins. In the yet lover raves of the moon, the man's face was fair and cavernous, haughty and inhuman almost. He doesn't get enough to eat. She knew suddenly and infallibly. It's like a silver of Juan's face, she thought.

Starting point is 04:48:27 But he is so difficult, so shy. So few of us take time to look inward and contemplate ourselves, don't you think? It's the life we lead, I suppose. Only he who creates has not lost the art of this, of making his life complete by living within himself. Don't you think so, Mr. Gordon? Yes, he answered shortly. Beyond the dimensionless curve of the deck on which he stood he could see,

Starting point is 04:48:56 forward and downward, the stem of the yacht, a pure triangle of sheer white with small waves lapping at its horizontal leg, breaking and flashing each with its particle of shattered moonlight, making a ceaseless small whispering. Mrs. Moria moved her hands in a gesture. Moonlight swung to greenly amid her rings. to live within yourself to be sufficient unto yourself. There is so much unhappiness in the world.

Starting point is 04:49:24 She sighed again with astonishment. To go through life, keeping yourself from becoming involved in it. To gather inspiration for your work. Ah, Mr. Gordon, how lucky you who create are. As for every others, the best we can hope is that sometime, somewhere, somehow, we may be fortunate enough. to furnish that inspiration, or the setting for it at least. But, after all, that would be an end in itself, I think, to know that one had given her might to art,

Starting point is 04:49:59 no matter how humble the might or the giver. The humble laborer, Mr. Gordon, she too has her place in the scheme of things. She too has given something to the world, has walked where gods have trod. And I do so hope that you will find on this voyage something to compensate you but having been taking away from your work. Yes, said Gordon again, staring at her with this arrogant, uncomfortable stare.

Starting point is 04:50:29 The man looks positively uncanny, she thought, with a queer cold feeling within her. Like an animal, a beast of some sort. Her own gaze fluttered away and despite herself, she glanced quickly over her shoulder to the reassuring group at the card table. Dorothy's and Jenny's young man's legs swung innocent and rhythmic from the top of the wheelhouse, and as she looked, Pete snapped his cigarette outward and into the dark water, twinkling. But to be a world in oneself, to regard the antics of man as one would a puppet show. Ah, Mr. Gordon, how happy you must be! Yes, he repeated.

Starting point is 04:51:11 Sufficient unto himself in the city of his arrogance, in the Marvel Times, in the Marvel Tower of his loneliness and pride. And? She coming into the dark sky of his life like a star, like a flame. Oh, bitter and new! Somewhere within him was a far dreadful laughter, unheard. His whole life was become toothed with jeering laughter, and he faced the old woman again,

Starting point is 04:51:36 putting his hand on her and turning her face upward into the moonlight. Mrs. Moria knew utter fear. not fright, fear. A passive and tragic condition like a dream. She whispered, Mr. Gordon, but made no sound. I'm not going to hurt you, he said, Charlie, staring at her face as a surgeon might. Tell me about her, he commanded.

Starting point is 04:52:03 Why aren't you her mother? So you could tell me how conceiving her must have been, how carrying her in your loins must have been. Mr. Gordon, she implored through her dry lips without making a sound. His hand moved over her face, learning the bones of her forehead and eye sockets and nose through her flesh. There's something in your face, something behind all this silliness he went on in his cold level voice, while an interval of frozen time refused to pass. His hand pinched the loose sagged flesh around her mouth, slid along the fingers.

Starting point is 04:52:41 line of her cheek and jaw. I suppose you've had what you call your sorrows, too, haven't you? Mr. Gordon, she said at last, finding her voice. He released hers abruptly and stood over her, gaunt and ill-nourished and arrogant in the moonlight, while she believed she was going to faint, hoping vaguely that he would make some effort to catch her when she did, knowing that he would not do so.

Starting point is 04:53:09 But she didn't faint, and the moon-spreaders. silver and boneless hand on the water, and the water lapped and lapped at the pure dreaming hull of the Narsica, with a faint whispering sound. End of Section 26. Section 27 of Mosquitoes. This is a Libravox recording. All Libervox recordings are in the public domain.

Starting point is 04:53:39 For more information or to volunteer, please visit Libravox.org. Mosquitoes by William Prockner. second day eleven p m do you know said mrs wiseman rising and speaking across her chair what i'm going to do if this lasts another night i'm going to ask julius to exchange with me and let me get drunk with dawson and made ears in his place and so to one in all good night aren't you going to wait for dorothy mark forrest asked she glanced toward the wheelhouse No, I guess Pete can look out for himself, she replied, and left them. The moon cast a deep shadow on the western side of the deck, and near the companionway, someone lay in a chair. She slowed passing. Mrs. Moria, she said, we wondered what had become of you.

Starting point is 04:54:36 Been asleep? Mrs. Moria sat up slowly, as a very old person moves. The younger woman bent down to her, quickly solicitous. You don't feel well, do you? Is it time to go below, Mrs. Moria asked, raising herself more briskly. Our bridge game. You all had beat us too badly, but can't I? No, no, Mrs. Mori, you're objected quickly, a trifle testily.

Starting point is 04:55:05 It's nothing. I was just sitting here enjoying the moonlight. We thought Mr. Gordon was with you. Mrs. Moria shudged. These terrible men, she said with an attempt at light. these artists gordon too i thought he had escaped off senator julius gordon too mrs moria replied she rose come i think we'd better go to bed she shuddered again as with cold her flesh seemed to shake despite her and she took the younger woman's arm clinging to it i do feel a little tired she confessed the first few days are always trying don't you think but we have a very nice part don't you think so an awfully nice party the other agreed without irony but we are all tired we'll all feel better tomorrow i know mrs moria descended the stairs slowly heavily the other studied her with her strong hand and opening mrs moria's door she reached in and found the light button there would you like anything before you go to bed

Starting point is 04:56:14 "'No, no,' Mrs. Moria answered, "'entering and averting her face quickly. "'She crossed the room and visited herself "'with the dressing-table, keeping her back to the other. "'Thank you. Nothing. "'I shall go to sleep at once, I think. "'I always sleep well on the water. "'Good night.'

Starting point is 04:56:33 "'Mrs. Wiseman closed the door. "'I wonder what it is,' she thought. "'I wonder what happened to her.' "'She went on along the passage to her own door. Something did. Something happened to her, she repeated, putting her hand on the door and turning the knob. End of Section 27. Section 28 of Mosquitoes.

Starting point is 04:57:01 This is a Livervox recording. All Livervox recordings are in the public domain. For more information or to volunteer, please visit livervox.org. Mosquitoes by William Faulkner. Second day, midnight. the moon had got higher that wound and bloodless one old and a little weary in shedding her tired silver on yacht and water and shore and the yacht the deck in its fixtures was passionless as a dream upon the shifting silvered wings of water when she appeared in her bathing suit She stood for a moment in the doorway, until she saw movement in his white shirt, where he half turned on the coil of rope where he sat. Her lifted hand blanched slimly in the hushed treachery of the moon, a gesture, and her bare feet made no sound on the deck.

Starting point is 04:57:57 Hello, David. I'm on time, like I said. Where's your bathing suit? I didn't think you would come, he said, looking up at her. I didn't think you meant it. Why not, she asked, good Lord, what did I want to tell you I was for if I wasn't? I don't know. I just thought, you sure are brown, seeing it in the moonlight. Yes, I've got a good one, she agreed. Where's your bathing suit? Why haven't you got it on? You were going to get one for me, you said. She stared at his face in consternation. That's right. I sure was. I forgot it. Wait, maybe I can wake Josh up and get it.

Starting point is 04:58:40 It won't take long. You wait here. He stopped her. It'll be all right. Don't bother about it tonight. I'll get it some other time. No, I'll get it. I want somebody to go in with me.

Starting point is 04:58:55 You wait. No, never mind. I'll rode the boat for you. Say, you still don't believe I meant it, do you? She examined him curiously. All right. then. I guess I'll have to go in by myself. You can row the boat anyway. Come on. He fetched the oars and they got in the tender and cast off. Only I wish you had a bathing suit you repeated from the stern. I'd rather

Starting point is 04:59:22 have somebody to go in with me. Couldn't you go in your clothes or something? Say, I'll turn my back, and you can take off your clothes and jump in. How about that? I guess not, he answered an alarm. I guess I better not do that. Shucks! I wanted somebody to go swimming with me. It's not any fun by myself. Take off your shirt and pants, then, and go in your underclothes. That's almost like a bathing suit. I went in yesterday and Josh's. I'll row the boat for you while you go in, he repeated. The niece said Shucks again. David pulled steadily on upon the moon and shifting water. Little way slapped the bottom of the boat, lightly as it rose and fell, and behind them the yacht was pure and passionless as a dream against the dark trees. I just love tonight, the niece said. It's like we

Starting point is 05:00:21 owned everything. She lay flat on her back on the stern seat, propping heels against the gunwale. David pulled rhythmically. The motion of the boat was a rhythm that lent to the moon and stars, swinging up and down beyond the tapering simplicity of her propped knees, a motion slow and soothing as a huge tree in a wind. How far do you want to go? he asked presently. I don't care if she answered, gazing into the sky. He rode on, the oarlocks thumping and measured, and she turned onto her belly,

Starting point is 05:00:55 dragging her arm in the water, while small bubbles of silver fire clung to her arm, broke away reluctantly, and swam slowly to the surface, disappeared. Little casual swell slapped the bottom of the boat lightly, and slid along beside the hull, mooned with bubbling fire. She slid her legs oversight and swung from the stern of the boat, dragging through the water.

Starting point is 05:01:20 He pulled on a few strokes. I can't row with you hanging near, he said. Her two hands vanished from the gunwale, and her dark head vanished. But when he slewed the bowed, boat sharply in half rows to reappeared, whipping a faint shower of silver drops from her head. The moon slid and ran on her alternate arms and before her, spread a fan of silver lines, shifting and spreading and fading. Gee, she said, her voice came long along the water, not loud but still distinct.

Starting point is 05:01:54 Little waves laughed at it. It's grand, warm as warm. You better come in. Her head vanished again. He saw her sickling legs as they vanished, and once more she raged, shouted Silva from her flung head. She swam up to the boat.

Starting point is 05:02:12 Come on in, David, she insisted. Take off your shirt and pants and jump in. I'll swim out and wait for you. Come on now, she commanded. So he removed his outer garment sitting in the bottom of the boat, and slipped quickly and modestly into the water. Isn't it grand? she called to him. Come on out here. We better not get too far from the boat, he said cautiously.

Starting point is 05:02:36 She ain't got any anchor, you know. We can catch it. It won't drift fast. Come on out here, and I'll raise you back to it. He swam out to where her dark wet head awaited him. I bet I beat you, she challenged. Are you ready? One, two, three, go. And she did beat him, and with a single unceasing motion she slid upward and into the tender, and stood erect for the moonlight to slide over her and hushed silver. A plunge for distance with you, she now challenged. David hung by his hands, submerged to his neck. She waited for him to get into the skiff then, she said.

Starting point is 05:03:18 You can dive, can't you? But he still clung to the gunwale, looking up at her. Come on, David, she said sharply. Are you timid or what? I'm not going to look at you if you don't want me to. So he got into the boat, modestly keeping his back to her.

Starting point is 05:03:37 But even his wet, curious garment could not make ridiculous, the young lean splendor of him. I don't see what you are ashamed of. You've got a good physique, she told him. Tall and hard-looking. Are you ready? One, two, three, go. But soon,

Starting point is 05:03:56 She was content to float on her back and recover breath while he trod water beside her. Little hands of water laughed at her, in her hair and upon her face, and she breathed deeply, closing her eyes against the bland, waning boom. I'll hold you off a while, he offered, putting his hand under the small of her back. You sure can, she said, holding yourself motionless. Is it hard to do? Let me see if I can hold you up. This water is different from seawater. You don't hardly sink in sea water if you want to. She let her legs sink and he lay obediently on his back. I can hold you up, can't I?

Starting point is 05:04:37 Say, can you carry somebody in the water like lifesavers? A little, he admitted, and she rolled again onto her back, and he showed her how it was done. Then she must try it herself, and he submitted with dubious resignation. Her hard young arm gripped him chokingly across his throat, jamming his windpipe, and she plunged violently forward, threshing her legs. He jerked up his arms to remove her struggling elbow and his head went under, over-mouthed. He fought free of her and reappeared gasping.

Starting point is 05:05:12 Her concerned face came to him she tried to hold him up, unnecessarily. I'm so sorry, I didn't mean to duck you. It's all right, he said, coughing and strangling. I didn't do it right, did I? Are you all right now? She watched him anxiously, trying to support him. I'm all right, he repeated.

Starting point is 05:05:35 You had the wrong hold, he explained, treading water. You had me around the neck. Gee, I thought I was doing it right. I'll do it right this time. I guess we better wait and practice it in shallow water sometime. He demurred quickly. Why? All right, she agreed.

Starting point is 05:05:55 I think I know how now. I guess I had better learn good first, though. I'm awful sorry I strangled you. It don't hurt anymore. I don't notice it. But it was such a dumb thing to do. I'll learn it good next time. You know how now, all right?

Starting point is 05:06:14 You just got the wrong hole that time. Try it again. See if you don't know it. You don't mind, she said with quick joy. I won't catch you wrong this time. No, no, I might duck you again. I'd better learn it first. Sure you won't, he said.

Starting point is 05:06:32 You know how now. You won't hurt me. Try it. He turned onto his back. Gee, David, she said. She slid her arm carefully across his chest and beneath his opposite arm. That's right. Now I'm going.

Starting point is 05:06:48 She held him carefully, intent on doing it correctly, while he encouraged her. But their progress was maddenably slow. The boat seemed miles away, and so much of her effort was needed to keep her own head above water. Soon she was breathing faster, gulping ear and then closing her mouth against the water, her thrusting arms swirled up against her face.

Starting point is 05:07:11 I will do it, I will do it, she told herself, but it was so much harder than it had looked. The skiff rose and fell against the stars, and moaned water bubbled about her. It would take more effort, or she'd have to give up, and she'd drown before that. The arm that held him was numb, and she swam harder, shifting her grip, and again her arred elbow,

Starting point is 05:07:36 shut with strangling force upon his windpipe. But he was expecting it without moving his body. He twisted his head aside, and filled his lungs, and shut his mouth and eyes. Soon she ceased swimming, and her arms slid down, again, holding him up, and he emptied his lungs and opened his eyes to remark the gunwale of the tender, rising and falling against the sky above his head. I did make it, she gasped. I did make it. Are you all right? she asked, panting. I sure did it,

Starting point is 05:08:10 David. I knew I could. She clung to the skiff, resting her head upon her hands. I thought for a while when I had to change my hold that I was doing it wrong. again. But I did it right, didn't I? The remote chill stars swung over them, and the decaying disc of the moon over the empty world in which they clung by their hands, side by side. I'm pretty near all in, she admitted. It's pretty hard, he agreed, until you've practiced a lot. I'll hold you up until you get your breath. He put his arm around her under the water. I'm not at all the way winded, she protested, but by degrees, she relaxed until he supported her whole weight, feeling her heart thumping against his palm, while she clung to the gunwale, resting her bowed head upon her hands,

Starting point is 05:09:01 and it was like he had been in a dark room and all of a sudden the lights had come on. Simple, like that. It was like one morning when he was in a bunch of hobos, riding a freight into San Francisco, and the bulls had jumped them, and they had had to walk in. Along the waterfront it was, and there were a lot of boats in the water, kind of rocking back and forth at anger. He could see reflections of boats and of the piles of the wharfs in the water, wavering back and forth, and after a while dawn had come up out of the smoke of the city,

Starting point is 05:09:36 like a sound you couldn't hear, and a lot of yellow and pink had come onto the water, where the boats were rocking, and around the piles of, of the wharf little yellow lines seemed to come right up out of the water and pretty soon they were calls looking like they had pink and yellow feathers, slanting and wheeling around

Starting point is 05:09:56 and it was like there was a street in a city, a street with a lot of trash in it, but pretty soon he was out of the street and in a place where trees were. It must be spring because the trees were not exactly bare and yet they didn't exactly have leaves

Starting point is 05:10:12 on them and there was a wind coming through the trees, and he stopped and heard music somewhere. It was like he had just waked up in a wind with music in it, was coming across Green Hills, brave in a clean dawn. Simple, like that. She moved at last against his arm. Maybe I can climb in now. You better give me a push, I guess.

Starting point is 05:10:36 His hand found her knee, slid down, and she raised her foot to his palm. He saw her flat boy's body against the stars rising. and she was in the boat, leaning down to him. Catch my hand, she said, extending them. But for a time he didn't move at all, but only clung to the gunwale and looked up at her with an utter longing, like that of a dog.

Starting point is 05:11:01 Mrs. Moria lay in bed in her darkened room. There was a port just over the bed, and a long pencil of moonlight came slanting through it, shattering upon the floor and filling the room with the cold, disseminated radiance. upon the chair, vaguely, her clothes, a shapeless familiar mask, comforting, and about her the intimate familiarity of her own possessions, her toilet things, her clothing, her very particular odor with which she had grown so familiar that she no longer noticed it at all. She lay in bed, her bed, especially built for her, was the most comfortable on board, surrounded, left in security and even. peaceful things, walled and secured within the bland hushed plains of the bouquettes.

Starting point is 05:11:50 A faint, happy sound came into her, little tongues of water laughing ceaselessly alongside the yacht, against her yacht. That island of security that was always waiting to transport her comfortably, beyond the rumors of the world and its sorrows, and beyond the yacht, space, water and sky and darkness and silence, A worn cold moon, neither merry nor sad. Mrs. Moria lay in her easy bed within her comfortable room, weeping long shuddering sobs, a passive, terrible hysteria without a sound. This morning waked in a quiet, fathomless mist. It was upon the world of water unstirred.

Starting point is 05:12:35 Soon the first faint wind of morning would thin it away, but now it was about the Norsica, timelessly. The yacht was a thick jewels swaddled in soft gray wall, while in the wool somewhere dawn was like a suspended breath. The first morning of time might well be beyond dismissed, and trumpets preliminary to a golden flourish, and held in suspension in it might be heard, yet the voices of the far gods on the first morning saying,

Starting point is 05:13:04 It is well. Let there be light. A short distance away, a shawl. a rumor, a more palpable thickness. This was the shore. The water fading out of the mist became as a dark metal in which the Nausekicker was rigidly fixed, and the yacht was motionless, swaddled in mist like a fat jewel. End of Section 28. Section 29 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Read by Pipes. Mosquitoes by William Faulkner. Section 29.

Starting point is 05:14:00 The third day. This morning waked in a quiet, fathomless mist. It was upon the world of water unstirred. Soon the first faint wind of morning would thin it away, but now it was about the Nostom. timelessly. The yacht was a thick jewel swaddled in soft gray wool. While in the wool somewhere, dawn was like a suspended breath. The first morning of time might well be beyond this mist, and trumpets, preliminary to a golden flourish, and held in suspension in it, might be heard yet

Starting point is 05:14:41 the voices of the far gods on the first morning, saying, it is well as, Well, let there be light. A short distance away, a shadow, a rumor, a more palpable thickness. This was the shore. The water fading out of the mist became as a dark metal in which the nossica was rigidly fixed, and the yacht was motionless, swaddled in mist like a fat jewel. Five o'clock. Up from the darkness of the companionway, the knee-score.

Starting point is 05:15:16 came, naked and silent as a ghost. She stood for a space, but there was no sound from anywhere, and she crossed the deck and stopped again at the rail, breathing the soft chill mist into her lungs, feeling the mist swaddling her firm, simple body, with a faint, lingering chillness. Her legs and arms were so tan that naked, she appeared to wear a bathing suit of a startling white. She climbed the rail. The tender rocked a little under her, causing the black motionless water to come alive, making faint sounds.

Starting point is 05:15:58 Then she slid over the stern and swam out into the mist. The water divided with oily reluctance, closing again behind her with scarce a ripple. Here at the water level, she could see nothing save a grayness and flaccid disturbed tongues of water. lapping into it, leaving small, fleeting gaps between mist and water, before the mist filled them again, silently, as settling wings.

Starting point is 05:16:28 The hull of the yacht was a vague thing, a thing felt, known rather than seen. She swam slowly, circling the place where she knew it should be. She swam slowly and steadily, trying to keep her approximate distance from the yacht, by instinct. But consciously, this was hard to do. Consciously, in this vague, restricted immensity, this limitless vagueness whose center was herself, the yacht could be in any direction from her. She paused and trod water while little tongues of water kissed her face, lapping against her lips. It's on my right, she told herself. It's on my right. Over there. not fear, merely a faint unease, an exasperation. But to reassure herself, she swam a few strokes in that

Starting point is 05:17:27 direction. The mist neither thickened nor thinned. She trod water again, and water looked at her face soundlessly. Damn your full soul, she whispered, and at that moment, a round huge thing like a dead lidless eye, watched her suddenly from the mist, and there came a faint sound from somewhere in the mist above her head. In two strokes, she touched the hull of the yacht, of indication, and she knew a faint pride and a touch of relief as she swam along the hull and circled the stern. She grasped the gunwale of the tender, and hung there for a while, getting her wind back. That faint sound came again from the deck, a movement. and she spoke into the mist.

Starting point is 05:18:14 David? The mist took the word, sweeping it lightly against the hull. Then it rebounded again, and the mist absorbed it. But he had heard, and he appeared vaguely above her at the rail, looking down at her where she hung in the water.

Starting point is 05:18:30 Go away so I can get out, she said. He didn't move. And she added, I haven't got on a bathing suit. Go away a minute, David. But he didn't move. He looked. leaned over the rail, looking at her with a dumb and utter longing, and after a while she slid

Starting point is 05:18:48 quickly and easily into the tender. And still he remained motionless, making no move to help her as her grave, simple body came swiftly aboard the yacht. Be back in a minute, she said, over her shoulder, and her startling white bathing suit sped across the deck and out of the ken of his dog's eyes. The mist without thinning was filling with light, an imminence of dawn like a glory, a splendor of trumpets unheard. Her minute was three minutes. She reappeared in her little colored linen dress, her dark coarse hair still damp, carrying her shoes and stockings in her hand. He hadn't moved at all. Well, let's get going, she said. She looked at him impatiently. you ready yet? He stirred at last, watching her with the passive abjectness of a dog.

Starting point is 05:19:44 Come on, she said sharply. Haven't you got this stuff for breakfast yet? What's the matter with you, David? Snap out of your trance. She examined him again with a sober impersonality. You didn't believe I was going to do it. Is that it? Or are you backing out yourself? Come on. Say so now if you want to call it off. She came nearer, examining his face with her grave, opaque eyes. She extended her hand. David? He took her hand slowly, looking at her. And she grasped his hand and shook his arm sharply.

Starting point is 05:20:22 Wake up. Say, you haven't... Oh, come on. Let's get some stuff for breakfast and beat it. We haven't got all day. He followed her, and in the galley she switched on the light and chose a flat box. of bacon and a loaf of bread, putting them on a table and delving again among boxes and lockers

Starting point is 05:20:42 and shelves. Have you got matches? A knife? She asked over her shoulder. And where are oranges? Let's take some oranges. I love oranges, don't you? She turned her head to look at him. His hand was just touching her sleeve so diffidently that she had not felt it. She turned suddenly, putting the oranges down, and put her arms about him, hard and firm and sexless, drawing his cheek down to her sober, moist kiss. She could feel his hammering erratic heart against her breast, could hear it surging in the silence, almost as though it were in her own body. His arms tightened, and he moved his head, seeking her mouth, but she evaded him with a quick movement without reproof. No, no, not that. Everybody does that.

Starting point is 05:21:38 She strained him against her hard body again, then released him. Come on now. Have you got everything? She examined the shelves again, finding at last a small basket. It was filled with damp lettuce, but she dumped the lettuce out and put her things in it. You take my shoes. They'll go in your pocket, won't they? She crumpled her limp blonde stockings into her slippers and gave them to him. Then she picked up the basket and snapped off the light. Day was a nearer thing yet, though it was not quite come. Though the mist had not thinned, the yacht was visible from stem to stern, asleep like a goal with folded wings. And against the hull, the water sighed a long awakening sigh. The shoreline was darker, a more palpable vagueness in the mist. Say, she remarked, stopping suddenly, how are we going to get a shore? I forgot that. We don't want to take the tender.

Starting point is 05:22:40 Swim, he suggested. Her dark, damp head came just to his chin, and she mused for a time in a sober consternation. Isn't there some way we can go in the tender and then pull it back to the yacht with a rope? I, uh, yes, yes, we can do that. Well, you get a rope then. Snap into it. When he returned with a coiled line, she was already in the tender with the oars, and she watched with interest while he passed the rope around a stanchion, and brought both ends into the boat with him,

Starting point is 05:23:14 and made one of the ends fast to the ring bolt and the stem of the skiff. Then she caught the idea, and she sat and paid out the line while he pulled away for sure. Soon they beached and she sprang ashore, still holding the free end of the rope. How are we going to keep the tender from pulling the rope back around that post and getting aloose? She asked. I'll show you, he answered. And she watched him while he tied the oars and the rollocks together with the free end of the line and wedge them beneath the thwarts.

Starting point is 05:23:49 That'll hold, I guess. Somebody will be sure to see her pretty soon, he added. and prepared to draw the skiff back to the yacht. Wait a minute, she said. She mused gravely, gazing at the dim, shadowy yacht. Then she borrowed matches from him, and sitting on the gunwale of the tender, she tore a strip of paper from the bacon box,

Starting point is 05:24:11 and with a charred match printed, Going to. She looked up. Where are we going? He looked at her, and she added quickly, I mean, what town? We'll have to go to a town's son. Somewhere, you know, to get back to New Orleans so I can get some clothes and my $17.

Starting point is 05:24:31 What's the name of a town? After a while, he said, I don't know. I never. That's right. You never were over here before, either, were you? Well, what's that town the fairies go to? The one Jenny's always talking about you have fun at. She stared again at the vague shape of the Nossica.

Starting point is 05:24:53 Then she suddenly printed. Mandiville. That's the name of it. Mandiville. Which way is Mandiful from here? He didn't know, and she added, No matter. We'll find it, I guess. She signed the note and laid it on the stern seat, waiting it with a small rock. Now, pull her off, she commanded. And soon there came back to them across the motionless water, a faint thud. Goodbye, Nassica, she said. Wait, she added. I better put my shoes on, I guess. He gave her her slippers, and she sat flat on the narrow beach and put them on, returning the crumpled stockings to him.

Starting point is 05:25:35 Wait, she said again, taking the stockings again and flipping them out. She slid one of them over her brown arm and withdrew a crumpled wad, the money she had been able to rake up by ransacking her aunts and Mrs. Wiseman's and Miss Jameson's things. She reached her hand, and he drew her to her feet. feet. You better carry the money, she said, giving it to him. Now for breakfast, she said, clutching his hand. End of Section 29. Section 30 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Read by Pipes. Mosquitoes by

Starting point is 05:26:30 William Faulkner, Section 30. 6 o'clock. Trees, heavy and ancient with moss, loomed out of it hugely and grayly. The mist might have been a sluggish growth between and among them. No, this mist might have been the first prehistoric morning of time itself. It might have been the very substance in which the seed of the beginning of things fecundated, and these huge and silent trees might have been the first of living things,

Starting point is 05:27:05 too recently born to know either fear or astonishment, dragging their sluggish umbilical cords from out the old miasmic womb of a nothingness, latent and dreadful. She crowded against him, suddenly quiet and subdued, trembling a little, like a puppy against the reassurance of his arm. Gee, she said in a small voice, that small sound did not die away. It merely dissolved into the moist gray surrounding them, and it was as if, at a movement of any sort,

Starting point is 05:27:41 the word might repeat itself, somewhere between sky and ground, as a pebble is shaken out of cotton batting. He put his arm across her shoulders, and at his touch, she turned quickly beneath his armpit, hiding her face. I'm hungry, she said at last, and that small voice, that's what's the matter with me, she added with more assurance,

Starting point is 05:28:06 I want something to eat. Want me to build a fire? He asked out of the dark coarse crown of her head. No, no, she answered quickly, holding to him. Besides, we are too close to the lake here. Somebody might see it. We ought to get far. from the shore. She clung to him, inside his arm. I guess we'd better wait here until the fog goes away,

Starting point is 05:28:33 though. A piece of bread will do. She reached her brown hand. Let's sit down somewhere. Let's sit down and eat some bread, she decided, and when the fog goes away, we can find the road. Come on, let's find a log or something. She drew him by the hand, and they sat at the foot of a huge tree on the damp ground, while she delved into the basket. She broke a bit from the loaf and gave it to him, and a fragment for herself. Then she slid further down against her propped heels until her back rested against him

Starting point is 05:29:08 and bit from her bread. She sighed contentedly. There now, don't you just love this? She raised her grave chewing face to look at him. All gray and lonesome makes you feel kind of cold on the outside and warm inside, doesn't it? Say, you aren't eating your bread.

Starting point is 05:29:30 Eat your bread, David. I love bread, don't you? She moved again inward upon herself. In some way she seemed to get herself, yet closer against him. The mist was already beginning to thin, breaking with heavy reluctance before a rumor of motion too faint to be called wind.

Starting point is 05:29:52 The mist broke raggedly and drifted in sluggish wraiths that seemed to devour all sound, swaying and swinging like huge spectral apes from tree to tree, rising and falling, revealing sombre patriarchs of trees, hiding them again. From far, far back in the swamp,

Starting point is 05:30:13 there came a hoarse, homely sound, an alligator's love song. Chicago, she murmured, didn't know we were so near home. Soon the sun, and she sprawled against him, contentedly munching her bread. End of Section 30. Section 31 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain.

Starting point is 05:30:48 For more information or to volunteer, please visitlibrovox.org. Read by Pipes. Mosquitoes by William Faulkner Section 31 7 o'clock They hadn't found the road But they had reached a safe distance from the lake She had discovered a butterfly

Starting point is 05:31:10 Larger than her two hands clinging to a spotlight of sun On the ancient trunk of a tree Moving its damp, lovely wings Like laboring exposed lungs of glass or silk And while he gathered firewood A difficult feat since neither of them had thought of a hatchet,

Starting point is 05:31:28 she paused at the edge of a black stream to hairy a sluggish, thick serpent with a small switch. A huge gaudy bird came up and cursed her, and the snake ignored her with a sort of tired unillusion and plopped heavily into the thick water. Then, looking around, she saw thin fire in the somber, equivocal twilight of the trees. They ate again, the oranges.

Starting point is 05:31:54 They broiled bacon, scorched it, dropped it on the ground, retrieved it, and wiped it and chewed it down, and the rest of the loaf. Don't you just love camping? She sat cross-legged and wiped a strip of bacon on her skirt. Let's always do this, David. Let's don't ever have a house where you've always got to stay in one place. We'll just go around like this, camping. David? She raised the strip of bacon and met his dad.

Starting point is 05:32:24 dumb, yearning eyes. She poised her bacon. Don't look at me like that, she told him sharply. Then, more gently, don't ever look at anybody like that. You'll never get anybody to run away with you if you look at him like that, David. She extended her hand. His hand came out slowly and diffidently, but her grip was hard, actual. She shook his arm for emphasis. How was I looking at you? he asked after a while, and a voice that didn't seem to him to be his voice at all. How do you want me to look at you? Oh, you know how. Not like that, though. Like that. You look at me just like a man, that's all, or a dog. Not like David. She writhed her hand free and ate her strip of bacon. Then she wiped her fingers on her dress. Give me a cigarette. The mist had gone,

Starting point is 05:33:21 and the sun came already sinister and hot among the trees upon the miasmic earth. She sat on her crossed legs, replete, smoking. Abruptly, she poised the cigarette in a tense cessation of all movement. Then she moved her head quickly and stared at him in consternation. She moved again, suddenly slapping her bare leg. What is it? he asked. For reply, she extended her flat tan palm. and the center of it was a dark speck and a tiny splash of crimson.

Starting point is 05:33:56 Good Lord, give me my stocking, she exclaimed. We'll have to move. Gee, I'd forgotten about them, she said, drawing her stockings over her straightening legs. She sprang to her feet. We'll soon be out, though. David, stop looking at me that way. Look like you were having a good time, at least. Cheer up, David.

Starting point is 05:34:20 A man would think you were losing your nerve already. Buck up, I think it's grand, running off like this. Don't you think it's grand? She turned her head and saw again that diffident still gesture of his hand touching her dress. Across the hot morning, there came the high screech of the Nossica's whistle. End of Section 31. Section 32 of Mosquitoes.

Starting point is 05:34:54 This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Read by Pipes. Mosquitoes by William Faulkner. Section 32. 8 o'clock. No, sir, the nephew answered patiently. It's a pipe.

Starting point is 05:35:19 A pipe, eh? repeated Major Iirs, glaring at him with his hard, affable little eyes. You make pipes, eh? I'm making this one, the nephew replied with preoccupation. Came away and left your own ashore, perhaps, Major Ires suggested after a time. Nah, I don't smoke them. I'm just making a new kind. Ah, I see, for the market. Major Iers' mind slowly took fire. Money in it, eh?

Starting point is 05:35:54 Americans would buy a new country. kind of pipe too. You've, uh, made arrangements for the marketing of it, of course. No, I'm just making it for fun, the nephew explained, in that patient tone you use with upto's children, major Ires glared at his bent, preoccupied head. Yes, he agreed. Best to say nothing about it until you've completed all your computations regarding the course of production. Don't blame you at all. All. Major Ayers brooded with calculation. He said, Americans really would buy a new sort of pipe. Strange no one had thought of that.

Starting point is 05:36:37 The nephew carved minutely at his pipe. Major Ayers said secretly, No, I don't blame you at all. But when you've done, you'll require capital. That sort of thing, you know. And then, a word to your friends at the proper time, eh? The nephew looked up. A word to my friends, he repeated, say, I'm just making a pipe, I tell you. A pipe. Just to be making it for fun. Right you are, Major Iers agreed, suavely. No offense, dear lad. I don't blame you. Don't blame you at all. Experience the same situation, myself.

Starting point is 05:37:20 Nine o'clock. They had found the road at last, two faint scars and a power. of unbearable dust upon a raised levee traversing the swamp. But between them and the road was a foul, sluggish width of water and vegetation and biology. Huge cypress roots thrust up like weathered bones out of a green scum. And a quaking, neither earth nor water. And always those bearded eternal trees like gods, regarding without alarm, this puny desecration,

Starting point is 05:37:56 of a silence of air and earth and water, ancient, when hoary old time himself, was a pink and dreadful miracle in his mother's arms. It was she who found the fallen tree, who first essayed its oozy treacherous bark and first stood in the empty road, stretching monotonously in either direction, between battaliant patriarchs of trees.

Starting point is 05:38:21 She was panting a little, whipping a broken green branch about her body, watching him as he inched his way across the fallen trunk. Come on, David, she called impatiently. Here's the road. We're all right now. He was across the ditch, and he now struggled up the rank, reluctant levy bank. She leaned down and reached her hand to him, but he would not take it,

Starting point is 05:38:47 so she leaned further and clutched his shirt. Now, which way is Manderville? That way, he answered immediately, pointing. You said you never were over here before, she accused. No, but we were west of Mandeville when we went around, and the lake is back yonder. So Mandeville must be that way. I don't think so. It's this way.

Starting point is 05:39:11 See, the swamp isn't so thick this way. Besides, I just know it's this way. He looked at her a moment. All right, he agreed. I guess you are right. But don't you know which way it is? Isn't there any way you could tell? She bent and whipped her legs with the broken branch.

Starting point is 05:39:30 Well, the lake is over yonder, and we were west of Mandeville last night. You're just guessing, she interrupted harshly. Yes, he answered. I guess you are right. Well, we've got to go somewhere. We can't stand here. She twitched her shoulders, writhing her body beneath her dress. Which way then?

Starting point is 05:39:52 Well, we, uh, she turned abruptly in the direction she had chosen. Come on, I'll die here. She strode on ahead. End of section 32. Section 33 of mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visitlibrovox.org.

Starting point is 05:40:26 Read by pipe. Mosquitoes by William Faulkner. Section 33. 10 o'clock. She was trying to explain it to Pete. The sun had risen, sinister and hot, climbing into a drowsy haze, and up from a low vague region, neither water nor sky, clouds like fat little girls in starched frocks marched solemnly. It's a thing they join that that place is going to,

Starting point is 05:40:55 only they have to work to join it, and sometimes you don't even get to join it then. And the ones that do join it don't get anything sap the little button or something. Piped down and try it again, Pete told her, leaning with his elbows and one heel hooked backward on the rail. His hat slanted across his reckless dark face, squinting his eyes against the smoke of his cigarette. What are you talking about? There's something in the water, Jenny remarked. with placid astonishment, creasing her belly over the rail

Starting point is 05:41:29 and staring downward into the faintly rippled water while the land breeze molded her little green dress. It must have fell off the boat. Oh, I'm talking about that college he's going to. You work to join things there. You work three years, she says, and then maybe you... What college?

Starting point is 05:41:50 I forgot. It's the one where they have big football games in the papers every year. He's Yale and Harvard? Uh-huh. That's the one, she said. He's which one, Yale or Harvard? Uh-huh. And so he, come on, baby, you're talking about two colleges.

Starting point is 05:42:09 Was it Yale, she said, or Harvard, or Sing, or what? Oh, Jenny said. It was Yale. Yes, that's the one she said. And he'll have to work three years to join it. And even then, maybe he would. won't. Well, what about it? Suppose he does work three years. What about it? Why, if he does, he won't get in if they and sat little button or something, even if he does join it, I mean.

Starting point is 05:42:38 Jenny brooded softly, creasing herself upon the rail. He's going to have to work for it, she recurred again in a dull, soft amazement. He'll have to work three years for it, and even then, he may not. Don't be dumb all your life, kid. Pete told her. Wind and sun were in Jenny's drowsing hair. The deck swept trimly forward, deserted. The others were gathered on the deck above. Occasionally they could hear voices, and a pair of masculine feet were crossed innocently upon the rail directly over Pete's head. A half-smoked cigarette spun in a small, twinkling arc astern. Jenny watched it drop lightly onto the water, where it floated amid the other rubbish that had caught her attention. Pete spun his own

Starting point is 05:43:27 cigarette backward over his shoulder, but this one sank immediately, to her placid surprise. Let the boy join his club if he wants, Pete added. What kind of club is it? What do they do? I don't know. They just join it. You work for three years, she said. Three years. Gee, by that time, you'd be told to do anything if you got to join it. Three years. My lord. Sit down and give you wooden leg a rest, Pete said. Don't be a dumbbell forever. He examined the deck a moment. Then without changing his position against the rail, he turned his head toward Jenny. Give Papa a kiss. Jenny also glanced briefly up the deck. Then she came with a sort of wary docility, raising her ineffable face. Presently, Pete withdrew his face. "'What's the matter?' he asked.

Starting point is 05:44:24 "'The matter with what?' said Jenny innocently. Pete unhooked his heel and he put his arm around Jenny. Their faces merged again, and Jenny became an impersonal softness against his mouth, and a single blue eye and a drowsing aura of hair. 11 o'clock. The swamp did not seem to end, ever. On either side of the road it brooded, fed it and timeless, somber and hushed and dreadful.

Starting point is 05:44:55 The road went on and on through a bearded tunnel, beneath the sinister brass sky. The dew was long departed, and dust puffed listlessly to her fierce striding. David tramped behind her, watching two splotches of dead blood on her stockings. Abruptly, there were three of them, and he drew abreast of her. She looked over her shoulder, showing him her rinked her. rung face. Don't come near me, she cried. Don't you see you make him worse? He dropped behind again, and she stopped suddenly, dropping the broken branch and extending her arms. David, she said. He went to her awkwardly, and she clung to him, whimpering. She raised her face,

Starting point is 05:45:41 staring at him. Can't you do something? They hurt me, David. But he only looked at her with his unutterable dumb longing. She tightened her arms, released him quickly. We'll be out soon. She picked up the branch again. It'll be different then. Look, there's another big butterfly.

Starting point is 05:46:04 Her squeal of delight became again a thin, whimpering sound. She strode on. Jenny found Mrs. Wiseman in their room, changing her dress. Mr. Tarr, Tell you a Pharaoh, Jenny began. Then she said,

Starting point is 05:46:23 He's an awful refined man, I guess. Don't you think so? Refined, the other repeated. Exactly that. Ernest invented that word. He did. Jenny went to the mirror and looked at herself a while. Her brother's refined too, ain't he?

Starting point is 05:46:42 Whose brother, honey? Mrs. Wiseman paused and watched Jenny curiously. The one with that saw. Oh, yes, fairly so. He seems to be too busy to be anything else. Why? And that Popeye man. All English men are refined, though.

Starting point is 05:47:02 There was one in the movie I saw. He was awful refined. Jenny looked at her reflected face, timelessly and completely entertained. Mrs. Wiseman gazed at Jenny's fine, minted hair, at her sleazy little dress. revealing the divine inevitability of her soft body. Come here, Jenny, she said.

Starting point is 05:47:26 End of Section 33. Section 34 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visitlibravox.org. Read by Pipes. Mosquitoes by William Faulkner. Section 34

Starting point is 05:47:53 12 o'clock When he reached her, she sat huddled in the road, crouching bonelessly upon herself, huddling her head in her crossed thin arms. He stood beside her, and presently he spoke her name. She rocked back and forth,

Starting point is 05:48:11 then rung her body in an ecstasy. They hurt me! They hurt me! she wailed, crouching again in that impossible spasm of agony. David knelt beside her and spoke her name again, and she sat up. Look, she said wildly, on my legs, look, look, staring with a sort of fascination at a score of great gray specks hovering about her blood-flecked stockings, making no effort to brush them away. She raised her wild face again.

Starting point is 05:48:44 Do you see them? They're everywhere on me, my back, my back where I can't reach. She lay suddenly flat, writhing her back in the dust, clutching his hand. Then she sat up again, and against his knees she turned, wringing her body from the hips, trying to draw her bloody legs beneath her brief skirt. He held her while she writhed in his grasp, staring her wild, bloodless face up at him. I must get in water, she panted. I must get in water. Mud, anything.

Starting point is 05:49:19 I'm dying, I tell you. Yes, yes, I'll get you some water. You wait here. Will you wait here? You'll get me some water? You will? You promise? Yes, yes, he repeated. I'll get you some. You wait here. You wait here, see? He repeated, idiotically. She bent again inward upon herself, moaning and writhing in the dust. And he plunged down the bank, stripping her shirt off and dipped it into the foul, warm ditch. She had dragged her dress up about her shoulders, revealing her startling white bathing suit between her knickers and the satin band binding her breasts. On my back, she moaned, bending forward again.

Starting point is 05:50:05 Quick, quick! He laid the wet shirt on her back, and she caught the ends of it and drew it around her. And presently, she leaned back against his knees with a long, shuddering sigh. I want a drink. Can I have a drink of water, David? Soon, he promised with despair. You can have one soon as we get out of the swamp. She moaned again, a long whimpering sound,

Starting point is 05:50:30 lowering her head between her arms. They crouched together in the dusty road. The road went on shimmering before them, endless beneath bearded watching trees, crossing the implacable swamp with a puerile bravado like a thin voice, cursing in a cathedral. Needles of fire darted about them,

Starting point is 05:50:51 about his bare shoulders and arms. After a while, she said, wet it again, please, David. He did so and returned, scrambling up the steep, rank, levy side. Now bathe my face, David. She raised her face and closed her eyes, and he bathed her face and throat, and brushed her damp, coarse hair back from her brow. Let's put the shirt on you, he suggested. No. She demurred against his arm, without opening her eyes, drowsily. They'll eat you alive without it. They don't bother me like they do you.

Starting point is 05:51:29 Come on, put it on. She demurred again, and he tried awkwardly to draw the shirt over her head. I don't need it, he repeated. No, keep it, David. You ought to keep it. Besides, I'd rather have it underneath. Ooh, it feels so good.

Starting point is 05:51:47 You're sure you don't need it? She opened her eyes. watching him with that sober gravity of hers. He insisted, and she sat up and slipped her dress over her head. He helped her to don the shirt, then she slipped her dress on again. I wouldn't take it, only they hurt me so damn bad. I'll do something for you someday, David. I swear I will.

Starting point is 05:52:10 Sure, he repeated. I don't need it. He rose, and she came to her feet in a single motion, before he could offer to help her. I swear, I wouldn't take it if they didn't hurt me so much, David. She persisted, putting her hand on his shoulder and raising her tan, serious face. Sure, I know. I'll pay you back somehow.

Starting point is 05:52:34 Come on, let's get out of here. End of Section 34. Section 35 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or text. To volunteer, please visitlibrovox.org. Read by Pipes.

Starting point is 05:53:01 Mosquitoes by William Faulkner, Section 35. 1 o'clock. Mrs. Wiseman and Miss Jameson drove Mrs. Moray, moaning and wringing her hands from the galley and prepared lunch, grapefruit again, disguised thinly. We have so many of them, the hostess apologized helplessly, "'And the steward gone. "'We are aground, too, you see,' she explained.

Starting point is 05:53:31 "'Oh, we can stand a little hardship, I guess,' "'Fairchild reassured her jovially. "'The race hasn't degenerated that far. "'In a book, now it would be kind of terrible. "'If you force characters in a book "'to eat as much grapefruit as we do, "'both the art boys and the humanitarians "'would stand on their hind legs and howl.

Starting point is 05:53:53 "'But in real life, In life, anything might happen. In actual life, people will do anything. It's only in books that people must function according to arbitrary rules of conduct and probability. It's only in books that events must never flout credulity. That's true, Mrs. Wiseman agreed. People's characters, when writers delineate them

Starting point is 05:54:17 by revealing their likings and dislikings, always appear so perfect, so inevitably consistent, but in life, that's why literature is art and biology isn't, her brother interrupted. A character and a book must be consistent in all things, while man is consistent in one thing only. He is consistently vain. It's his vanity alone which keeps his particles damp and adhering one to another, instead of like any other hand full of dust, which any wind that passes can disseminate. In other words, he is consistent.

Starting point is 05:54:53 inconsistent, Mark Frost recapitulated. I guess so, the Semitic man replied. Whatever that means. But what were you saying, Eva? I was thinking of how book people, when you found them in real life, of such a perverse and disconcerting way of liking and disliking the wrong things. For instance, Dorothy here, suppose you were drawing Dorothy's character in a novel, Dawson. Any writer would give her a liking for blue juries.

Starting point is 05:55:23 jewelry, white gold and platinum, and sapphiles in dull silver. You know, wouldn't you do that? Why, yes. Yes, so I would, Fairchild agreed with interest. She would lack blue things, sure enough. And then, the other continued, music. You'd say she would like Grieg and those other cold, mad, northern people with ice water in their veins, wouldn't you? Yes. Yes. Yes, Fairchild agreed again, thinking immediately of Ibsen and the peer-Gint legend, and remembering a sonnet of Sigfrie Sassoons about Sibelius that he had once read in a magazine. That's what she would like. Should like, Mrs. Wiseman corrected, for the sake of aesthetic consistency.

Starting point is 05:56:15 But I bet you are wrong. Isn't he, Dorothy? Why, yes, Miss Jameson replied. I was like Chopin. Mrs. Wiseman shrugged, a graceful dark gesture. And there you are. That's what makes art so discouraging. You come to expect anything associated with and dependent on the actions of man to be discouraging. But it always shocks me to learn that art also depends on population, on the herd instinct,

Starting point is 05:56:46 just as manufacturing automobiles or stockings does. Only they can't advertise art by means of women's legs yet. Mark Frost interrupted. Don't be silly, Mark, Mrs. Wiseman said sharply. That's exactly how art came to the attention of the 99 who don't produce it, and so have any possible reason for buying it. Postcards and lithographs barely esoteric enough to escape police persecution. Ask any man on the street what he understands by the word art.

Starting point is 05:57:19 He'll tell you it means a picture. Won't he? she appealed to Fairchild. That's so, he agreed, and it's a wrong impression. Art means anything consciously well done to my notion. Living or building a good lawnmower or playing poker, I don't like this modern idea of restricting the word to painting at all. The art of life of a beautiful and complete existence of the soul,

Starting point is 05:57:48 Mrs. Morier put in, don't you think that is art's greatest fact? function, Mr. Gordon? Of course you don't child, Mrs. Wiseman told Fairchild, ignoring Mrs. Moray. As rabidly American as you are, you can't stand that, can you? And there's the seat of your bewilderment, Dawson. Your belief that the function of creating art depends on geography. It does.

Starting point is 05:58:14 You can't grow corn without something to plant it in. But you don't plant corn in geography. You plant it in soil. It not only does not matter where that soil is, you can even move the soil from one place to another, around the world if you like, and it will still grow corn. You'd have a different kind of corn, though, Russian corn or Latin or Anglo-Saxon corn. All corn is the same to the belly, the Semitic man said. Julius, exclaimed Mrs. Moray. The soul's hunger, that is the true purpose of art.

Starting point is 05:58:47 There are so many things to satisfy the grosser appetites. Don't you think so, Mr. Telia Pharaoh? Yes. Mrs. Wiseman took her brother up. Dawson clings to his conviction for the old reason. It's good enough to live with and comfortable to die with, like a belief in immortality, insurance against doubt or alarm. And laziness, her brother added.

Starting point is 05:59:12 Mrs. Moray exclaimed, Julius, again. Clinging spiritually to one little spot of the earth's surface. So much of his labour is performed. for him. Details of dress and habit and speech, which entail no hardship in the assimilation and which, piled one on another, become quite as imposing as any single startling stroke of originality, as trivialities in quantities will. Don't you agree? But then, I suppose, all poets in their hearts consider prose-writer shirkers, don't they? Yes, his sister agreed. We do think they

Starting point is 05:59:50 are lazy, just a little, not mentally, but that they are, not hearts. Souls, her brother suggested. I hate that word, but it's the nearest thing. She met her brother's sad, quizzical eyes, and exclaimed, Oh, Julius, I could kill you at times. He's laughing at me, Dawson. He's laughing at us both, Fairchild said. But let him have his fun, poor fellow. He chuckled and lit a cigarette. Let him laugh. I always did want to be one of those old-time eunuchs for one night. They must have just laughed themselves to death when those sultans and things would come visiting. Mr. Fairchild, whatever in the world, exclaimed Mrs. Moray. It's a good thing there as someone to see something amusing in that process, the other rejoined.

Starting point is 06:00:43 The husbands, the active participants, never seem to. That's a provision of nature's. for racial survival, Fairchild said. If the husbands ever saw the comic aspect of it, but they never do, even when they have the opportunity, no matter how white and delicate the hand that decorates their brows. It's not the lovely ladies nor dashing strangers,

Starting point is 06:01:08 the Semitic man said. It's the marriage ceremony that disfigures our foreheads. Fairchild grunted. Then he chuckled again. There'd sure be a decline in population if a man were twins and had to stand around and watch himself making love. Mr. Fairchild. Chopin, Mrs. Wiseman interrupted.

Starting point is 06:01:29 Really, Dorothy, I'm disappointed in you. She shrugged again, flashing her hands. Mrs. Moray said with relief, How much Chopin has meant to me in my sorrows. She looked about in tragic, confiding astonishment. No one will ever know. "'Surely,' agreed Mrs. Wiseman. "'He always does.'

Starting point is 06:01:53 She turned to Miss Jameson. "'Just think how much better Dawson would have done you than God did, with all deference to Mrs. Moray. "'So many people find comfort in Chopin. "'It's like having a pain that aspirin will cure, you know. "'I could have forgiven you even Verdi, but Chopin.' "'Shopin!' she repeated, then with happy inspiration.

Starting point is 06:02:20 Snow rotting under a dead moon. Mark Frost sat staring at his hands on his lap beneath the edge of the table, moving his lips slightly. Fairchild said, What music do you like, Eva? Oh, Debussy, George Gershwin, Burlios perhaps. Why not?

Starting point is 06:02:41 Barlios, repeated Miss Jameson, mimicking the other's tone. Sweden, Barthes, on a French holiday. Mark Frost stared at his hands on his lap, moving his lips slightly. Forget your notebook, Mark? Fairchild asked quizzically.

Starting point is 06:02:59 It's very sad, the Semitic man said. Man gets along quite well until that unhappy day on which someone else discovers him thinking. After that, God help him. He doesn't dare leave home without a notebook. It's very sad. Mark's not.

Starting point is 06:03:17 such an accomplished buccaneer as you and Dawson, his sister answered quickly. At least he requires a notebook. My dear girl, the Semitic man murmured in his lazy voice. You flatter yourself. So do I, Fairchild said. I always, whom? The Semitic man asked. Yourself or me? What? said Fairchild, staring at him. Nothing. Excuse me. You was saying, I was saying, that I always carry my portfolio with me because it's the only comfortable thing I ever found to sit on. Talk, talk, talk. The utter and heartbreaking stupidity of words. It seemed endless as though it might go on forever. Ideas, thoughts became mere sounds to be bandied about until they were dead. Noon was oppressive as a hand as the ceaseless blow of a brass hand. A brass blow. A brass blow

Starting point is 06:04:17 neither struck nor withheld. Brass, rushing wings, that would not pass. The deck blistered with it. The rail was too hot to touch, and the patches of shadow about the deck were heavy and heat-soaked as soddened blankets. The water was an unbearable glitter. The forest was a bronze wall

Starting point is 06:04:37 cast at a fearful heat and not yet cooled, and no breeze was anywhere under the world's heaven. But the unbearable hiatus of news, passed at last, and the soundless brazen wings rushed westward. The deck was deserted as it had been on that first afternoon when he had caught her in mid-flight like a damp swallow, a swallow hard and passionate with flight, and it was as though he yet saw upon the deck the wet and simple prints of her naked feet, and he seemed to feel about him like an odor, that young, hard graveness of hers. No wonder she was gone out of it. She, who here, was as a flame among stale ashes,

Starting point is 06:05:21 a little tanned flame, who, gone, was as a pipe blown thinly and far away, as a remembered surf on a rocky coast at dawn. A. A. Strangle your heart, O Israel, winged with loneliness, feathered bitter with pride. Dust spun from their feet. swirling sluggish and lazy in the brooding dreadful noon. Beside them, always and always, those eternal bearded trees, bearded and brooding, older and stiller than eternity. The road ran on like a hypnotism, a dull and endless progression from which there was no escape. After a while, he missed her from her position at his shoulder, and he stopped and looked back. She was kneeling beside the foul ditch.

Starting point is 06:06:16 He watched her stupidly. Then he suddenly realized what she was about, and he ran back to her, grasping her by the shoulder. Here, you can't do that. That stuff is poison. You can't drink it. I can't help it. I've got to have some water.

Starting point is 06:06:32 I've got to. She strained against his hands. Please, David. Just one mouthful. Please, David. Please, David. He got his hands under her, arms, but his feet slid in the rank, sloping grass, and he went up to his knees in thick,

Starting point is 06:06:48 reluctant water. She twisted in his hands, please, oh please, just enough to wet my mouth. Look at my mouth. She raised her face. Her broad, pale lips were parched, rough. Please, David. But he held her. Put your feet in it like mine. That'll help some, he said, through his own dry, harsh wrote, here, let me take off your shoes. She sat whimpering like a dog while he removed her slippers. Then she slid her legs into the water and moaned with partial relief. The sunlight was beginning to slant at last, slanting westward like a rushing of unheard golden wings across the sky, though the somber twilight under the trees was unchanged, somber and soundless, brooding and filled with a vicious darting of invisible fire.

Starting point is 06:07:44 I must have water, she said at last. You'll have to find me some water, David. Yes, he climbed heavily out of the hot ooze, out of the mud and slime. He bent and slid his hands under her arms. Get up. We must go on. End of Section 35. Section 36 of mosquitoes. This is our Libravox recording.

Starting point is 06:08:15 All LibraVox recordings are in the public domain. For more information or to volunteer, please visit LibraVox.org. Mosquitoes by William Faulkner. Day 3, 2 p.m. Jenny yawned, frankly. Then she did something to the front of her dress, drawing it away from her to peer down into her bosom. It seemed to be all right,

Starting point is 06:08:40 and she settled her dress again with her preening moose. motion, lifting her shoulders and smoothing it over her hips. She went upstairs and presently she saw them, sitting around like always. Mrs. Morrieh wasn't there. She drifted over to the rail and laxed herself against it and stood there, placidly waiting until Mr. Taliaferro became aware of her presence. I was watching these things in the water, she said, when he came to her like a tack to a magnet, volitionless and verbose. Where? He also stared overside. That stuff there, she answered, looking forward to the group of chairs.

Starting point is 06:09:20 Why, that's just refuse from the galley, Mr. Taliopferro said with surprise. Is it? It's kind of funny looking. There's some more of it down hereaways. Mr. Taliafaro followed her, intrigued and curious. She stopped and glanced back over her shoulder and beyond him. Mr. Taliah Farrow aped her but saw no living thing except Marquis. Frost on the edge of the group. The others were out of sight beyond the deckhouse. As farther on, Jenny said. Further along, she stopped again, and again she looked forward.

Starting point is 06:09:55 Where, Mr. Talley Afaro asked. Here, Jenny stared at the lake a moment, then she examined the deck again. Mr. Talia Ferro was thoroughly puzzled now, even a trifle alarmed. It was right here, that funny thing I saw. I guess it's gone, though. What was it you saw? Some kind of a funny thing, she answered with detachment. The sun is hot here. Jenny moved away and went to where an angle of the deckhouse wall formed a shallow niche. Mr. Talia Farrow followed her in amazement.

Starting point is 06:10:30 Again, Jenny peered around him, examining that part of the deck, which was in sight and the immediate approaches to it. Then she became utterly static beside him, and without moving at all, she seemed to envelop him, giving him to think of himself surrounded and closed by the sweet, cloudy fire of her thighs as young girls can. Mr. Talia Farrow saw her as through a blonde mist. A lightness was moving down his members, a lightness so exquisite as to be almost unbearable, while above it all he listened to the dry, interminable incoherence of his own voice. That unbearable lightness moved down his arms to his hands and down his legs, reaching his feet at last, and Mr. Talaferro fled. Jenny looked after him, she sighed. After a while, the white, dusty road left the swamp behind.

Starting point is 06:11:27 It ran now through a country vaguely upland, sand and pines, and a crisp thick undergrowth, sunburnt and sibilant. We're out of it at last, she called back to him. Her pace quickened, and then she said, called over her shoulder. It can't be much further now. Come on. Let's run a while. He shouted to her, but she trotted on, drawing away from him. He followed her splot-flashing legs at a slower pace, steadily losing distance. Her legs twinkled on ahead in the shimmering forgotten road. Heat wavered and shimmered above the road and the sky was a metallic intolerable bowl, and the tall pines in the windless afternoon exuded a thin, accelerating odor of resin and heat, casting sparse patches of shade upon the shimmering endless ribbon of the road.

Starting point is 06:12:20 Lizards scuttled in the dust before them, hissing abruptly amid the dusty, brittle undergrowth beside the road. The road went on and on, endless and shimmering ahead of them. He called to her again, but she trotted on unheeding. without faltering in her pace she turned and ran from the road and when he reached her she leaned against a tree panting. I ran too much, she gasped through her pale open mouth. I feel funny. All gone. Better hold me up, she said, staring at him. No, let me lie down. She slumped against him. My heart's going too fast. Feel how it's going? He felt her heart leaping against his hand. It's too.

Starting point is 06:13:05 fast, isn't it? What'll I do now? she asked soberly. Do something quick, David, she told him, staring at him, and he lowered her awkwardly and knelt beside her, supporting her head. She closed her eyes against the implacable sky, but opened them immediately and struggled to rise. No, no, I mustn't stay here. I want to get up again. Help me up. He did so, and had to hold her on her feet. I must go on, she repeated. Make me go on, Dave. I don't want to die here. Make me go on, I tell you. Her face was flushed. He could see blood pumping in her throat, and holding her so he knew sharp and utter terror. What must I do, she was saying. You ought to know. Don't you know what to do? I'm sick,

Starting point is 06:13:53 I tell you. They'd give me hydrophobia or something. She closed her eyes and all her muscles relaxed at once and she slipped to the ground, and he knelt beside her in terror and despair. "'Rase my head a little,' she muttered as he sat and drew her across his legs and raised her head against his breast, smoothing her damp hair from her forehead. "'That's right,' she opened her eyes. "'Cheer up, David. "'I told you once about looking at me like that, and she closed her eyes again.' "'End of Section 36,' read by Bryce Cries.

Starting point is 06:14:36 "'Section 37 of Mosquitoes. This is our Libavox recording. All Libavox recordings are in the public domain. For more information or to volunteer, please visit Libavox.org. Mosquitoes by William Faulkner. Third day, 3 p.m. If we were only afloat, Mrs. Moray moaned for the 12th time. They can't be further than Mandeville. I know they can't.

Starting point is 06:15:04 What will Henry say to me? Why don't they start her up? and try to get off again, Fairchild asked. Maybe the sand has settled or something by now, he added vaguely. The captain says they can't. They'll have to wait for the tug. They sent for the tug yesterday and it hasn't come yet, she added it in a sort of stubborn astonishment.

Starting point is 06:15:27 She rose and went to the rail and stared up the lake toward Mandeville. You wouldn't think it'd take a tug to pull us off, Fairchild remarked. She ain't such a big boat, you know. seemed like any sort of boat would pull us off. I've seen little launches hauling bigger boats than this around, and a river tug can haul six or eight of these steel barges upstream, too. Mrs. Moray returned hopefully. It really doesn't seem necessary to have a tug to move this yacht, does it?

Starting point is 06:15:59 You'd think that sailors could think of some way, something with ropes and things, she added, also vaguely. What would they stand on while they pulled the ropes? Mark Frost wanted to know. They couldn't pull from the shore. That isn't the way we want to go. They might row out in the tender and anchor, the Semitic man offered as his might.

Starting point is 06:16:20 Why, yes, Mrs. Moray agreed, brightening. If they could just anchor the tender securely, they might. If there was something to pull a rope with, the men themselves. Do you suppose the sailors themselves could move a boat like this by hand? I've seen a single river tug not much bigger than a Ford hauling a whole string of loaded steel barges up the river, Fairchild repeated. He sat and stared from one to another of his companions, and a strange light came into his eyes. Say, he said suddenly, I bet that if all of us were to.

Starting point is 06:16:57 The Semitic man and Mark Frost groaned in simultaneous alarm, and Pete sitting on the outgirts of the group, rose hastily. and unostentatiously and headed for the companionway. He ducked into his room and stood listening. Yes, they were really going to try it. He could hear Fairchild's burly voice calling for all the men, and also one or two voices raised in protest, and above all of them the voice of the old woman

Starting point is 06:17:26 in an indistinguishable senseless excitement. Jesus Christ, he whispered, clutching his hat. People descending the stairs alarmed him, he sprang behind the open door. It was Fairchild and the fat Jew, but they passed his door and entered the room next to his, from which he heard immediately sounds of activity that culminated in a thin concussion of glass and glass. My God, man, the fat Jew's voice, what have you done? Do you really think we can move this boat? Nah, I just wanted to stir him up a little. Life's getting altogether too tame on this boat. Nothing's happened.

Starting point is 06:18:06 at all today. I did it principally to see Talia Farrow and Mark Frost sweat some. Fairchild laughed. His laughter died into chuckles, heavily. But I have seen a river tug no bigger than a ford hauling us steel. Good Lord, the other man said again. Finish your drink. Oh, macula cherubum, he said, going on down the passage, Fairchild followed. Petered their feet on the stairs, then crossing the deck. He returned to the the port. Yes, sir, they were going to try it, sure as hell. They were now embarking in the tender. He could hear them, thumping and banging around and talking, a thin shriek of momentary alarm. Women, too. Damn to hell, I bet Jenny's with him, Pete whispered to himself,

Starting point is 06:18:54 and somebody that didn't want to go at all. Voices without alarms and excursions, etc. Come on, Mark, you've got to go. All the men will be needed. Hey, Mrs. Moray? Yes, indeed, indeed, yes. All the men must help. Sure, all you brave, strong men have got to go. I'm a poet, not an oarsman. I can't. So is Eva. Look at her. She's going. Shelly could row a boat.

Starting point is 06:19:23 Yes, and remember what happened to him, too. I'm going to keep you all from drowning, Jenny. That's damned to help, he whispered. Why I'm going. Oh, come on, Mark. earn your board and keep. Ooh, hold the boat still, Dawson. Come on, come on. Say, where's Pete?

Starting point is 06:19:43 Pete, Pete, feet on the deck. Pete, oh, Pete, at the companionway. Pete. Jesus Christ, Pete whispered, making no sound. Never mind, Eva. We've got a boatload now. If anybody else comes, they'll have to walk. There's somebody missing yet.

Starting point is 06:20:02 Who is it? Ah, we've got enough. on. But somebody ain't here. I don't guess he fell overboard while we were not looking, do you? Oh, come on and let's go. Shove off, you Talia Farrow. A scream. Look out there, catch her. You all right, Jenny? Let's go then. Careful now. Ooh. Damn to hell, she's with him. Pete whispered again, trying to see through the port. More thumping, and presently the tender came jerkily and lethargically into sight. loaded to their gunwales like a nigger excursion. Yes, Jenny was in it, and Mrs. Wiseman and five men,

Starting point is 06:20:42 including Mr. Talia Farrow, Mrs. Morriy leaned over the rail above Pete's head, waving her handkerchief and shrieking at them as the tender drew uncertainly away, trailing a rope behind it. Almost everyone had an oar. The small boat bristled with oars, beating the water vainly, so that it resembled a tarantula with palsy and no knee joints. But they finally began to get the knack of it, and gradually the boat began to assume something like a definite direction. As Pete watched it, there came again feet on the stairs, and a voice said guardedly,

Starting point is 06:21:20 Ed, an indistinguishable response from the captain's room, and the voice added mysteriously, come up on deck a minute, then the footsteps withdrew accompanied. The tender evinced a maddening inclination to progress in any fashion, save that for which it was built. Berchal turned his head and glanced comprehensively about his small, congested island enclosed with an unrhythmic clashing of blades. The oars clashed against each other, jabbing and scattering at the tortured water, until the tender resembled an ancient, stiff-jointed horse in a state of mad, unreasoning alarm.

Starting point is 06:21:59 We've got too many rowers, Fairchild decided. Mark Frost drew in his oar immediately, striking the Semitic man across the knuckles with it. No, no, not you, Fairchild said. Julius, you quit. You ain't doing any good anyhow. You're the one that's holding us back. Gordon and Mark and Talley Pharaoh and me. I want to row, Mrs. Wiseman said.

Starting point is 06:22:24 Let me have Julius's oar. Ernest will have to help Jenny watch the row. Take mind, Mark Frost, offered quickly, extending his oar and clashing it against someone else's. The boat rocked alarmingly. Jenny squealed. Look out, Fairchild exclaimed. Do you want to have us all in the water? Julius passed your oar along. That's it. Now you folks sit still back there. Dammit, Mark, if you hit anybody else with that thing, we'll throw you out. Shelly could swim, too, you know.

Starting point is 06:22:57 Mrs. Wiseman got fixed at last with her oar, and at last the tender became comparatively docile. Jenny and Mr. Taliaferro sat in the stern, paying out the line. Now Fairchild glanced about at his crew and gave the command, let's go. Give way all, Mrs. Wiseman corrected with inspiration. They dipped their oars anew. Mark Frost drew his oar in once more, clashing it against Gordon's. "'Let me get my handkerchief,' he said. "'My hands are tender.'

Starting point is 06:23:32 "'That's what I want, too,' Mrs. Wiseman decided. "'Give me your handkerchief, Ernest.' Mark Frost released his oar, and it leapt quickly overboard. "'Catch that paddle,' Fairchild shouted. "'Mrs. Wiseman and Mr. Talia Farrow both reached for it, and Gordon and the Semitic man trimmed the boat at the ultimate instant. It became stable presently, and Jenny closed her mouth upon her side. soundless scream. The oar swam away and stopped just beyond reach, raising and falling on the faint

Starting point is 06:24:04 swells. We'll have to row over and get it, Mrs. Wiseman said. So they did, but just before they reached it, the oar swam on again, slowly and maddeningly. The rowers clashed and churned. Mr. Taliaferro sat in a taut, diffident alarm. I really think he said, we'd better return to the yacht. The Ladies, you know, but they didn't heed them. Now Ernest, Mrs. Wiseman, directed sharply, reach out and grab it, but it eluded them again, and Fairchild said, Let's let the damn thing go. We've got enough left to row with anyway. But at that moment, the oar, rocking sedately, swung slowly around and swam docilely up alongside. Grab it, grab it, Mrs. Wiseman cried.

Starting point is 06:24:54 I really think, Mr. Talia Farrow offered again, Mark Frost grabbed it, and it came meekly and unresistingly out of the water. I've got it, he said, and as he spoke it leapt viciously at him and struck him upon the mouth. Then it became docile again. They got started again finally, and after a few false attempts, they acquired a vague sort of rhythm, though Mark Frost, favoring his hands, caught a crab at every stroke for a while, liberally wetting Mr. Talia Farrell and Jenny where they sat tensely in the stern.

Starting point is 06:25:30 Jenny's eyes were quite round and her mouth was a small red O, a continuous soundless squeal. Mr. Talia Farrow's expression was that of a haggard anticipatory alarm. He said again, I really think. I suspect we had better try to go another way, the Semitic man suggested without emphasis from the boughs, or will be aground ourselves. They all scuttered their oars upon the water, craning their necks. The shore is only a few yards away, and immediately,

Starting point is 06:26:03 as though they had heard the Semitic man speak, needles of fire assailed a crew with fierce joy. They bent to their oars again, flapping their spare frantic hands about their heads, and after a few minutes of violent commotion, the tender acquiesced and crept slowly and terrifically, see-word again. But their presence was now known. The original scouting party was reinforced, and offing could not help them. I really think, Mr. Taliaferro said, for the lady's sake,

Starting point is 06:26:36 that we'd better return. So do I, Mark Frost abetted quickly. Don't lose your nerve, Mark, Mr. Wiseman told him. Just a little more, and we can take a nice long boat ride this afternoon. I've had enough boat riding in the last half hour to do me a long time, the poet answered. Let's go back. How about it, you fellows back there? How about it, Jenny? Don't you want to go back? Jenny answered, yes, sir, in a small frightened voice, clutching the seat with both hands.

Starting point is 06:27:08 Her green dress was splotched and stained with water from Mark Frost's oar. Mrs. Wiseman released one hand and patted Jenny's knee. Shut up, Mark. Jenny's all right, aren't you, darling? It'll be such a good joke if we really were to get the yacht afloat. Look sharp, earnest. Isn't that rope almost tight? It was nearly taught, sliding into the water in a lovely slender arc and rising again to the bow of the yacht.

Starting point is 06:27:37 Mrs. Moria stood at the rail, waving her handkerchief at intervals. On the farther wall sat three people in attitude studiedly, casual. These were the captain, the helmsman, and the deck-hand. Now, Fairchild said, let's all get started at the same time. Telia Farrow, you keep the rope straight. And Julius, he glanced over his shoulder, sweating, marshalling his crew. During that shore, he exclaimed in an annoyed tone. There it is again.

Starting point is 06:28:10 They were nearly a shore a second time. Commotion and more sweat and a virulent, invisible fire. and after a while the tender acquiesced reluctantly and again they attained the necessary offing give way all this is wiseman cried they dug their oars anew mine hurts my hands mark frost complained is it moving earnest the tender was off the yacht's quarter the bows of the yacht pointed inshore of them mr tallya ferro rose cautiously and knelt on the seat putting his hand on jenny's shoulder to steady himself "'Not yet,' he replied. "'Pull all you know, men,' Fairchild panted, "'releasing one hand momentarily and batting it madly about his face. "'The crew pulled and sweated, goaded into madness with invisible needles of fire,

Starting point is 06:29:02 "'clashing one another's fingers with their oars, "'and presently the tender acquired emotion reminiscent "'of the rocking horses of childhood. "'The rope's becoming loose,' Mr. Talia Farrell called in a warning tone. "'Pull,' Fairchild urged them, gritting his teeth. Mark Frost groaned dismally and released one hand to fan it across his face. "'It's still loose,' Mr. Talia Farrow said after a time. "'She must be moving, then,' Fairchild panted.

Starting point is 06:29:33 "'Maybe it's because we aren't singing,' Mrs. Wiseman suggested, presently, "'resting on her oar. "'Don't you know any deep-sea chantees, Dawson?' "'Let Julius sing. He ain't doing anything,' Fairchild answered. "'Pull, you devils!' Mr. Talia Farrow shrieked suddenly. "'She's moving! She's moving!' They all ceased roaring to stare at the yacht.

Starting point is 06:29:56 Sure enough, she was swinging slowly across their stern. "'She's moving!' Mr. Taliaferro screamed again, waving his arms. Mrs. Morrier responded madly from the deck of the yacht with her handkerchief. Beyond her, the three men sat motionless and casual. "'Why don't the fool start the engine?' Fairchild gasped. Pull, he roared. They dipped their oars with new life, flailing the water like mad. The yacht swung slowly.

Starting point is 06:30:26 Soon she was pointing her prow, seaward of them, and continued to swing slowly around. She's coming off, she's coming off, Mr. Taliaferro chanted, in a thin falsetto, his voice breaking, fairly dancing up and down. Mrs. Moray was shrieking also, waving her handkerchief. She's coming off, Mr. Taliafairn. Farrow chanted, sanding erect and clutching Jenny's shoulder. Pull, pull. Altogether, Fairchild gasp, and the crew repeated it, flailing the water.

Starting point is 06:30:58 The out was almost broadside to them now. She's coming, Mr. Talia Farrow screamed in an ecstasy. She's calm. A faint abrupt shock. The tender stopped immediately. They saw the sweet, blonde entirety of Jenny's legs and the pink seat of her ribboned under garment, as with a wild despairing cry, Mr. Talia Farrow plunged overboard, taking Jenny with him, and vanished beneath the waves. All but his buttock said is, they didn't quite vanish,

Starting point is 06:31:30 and presently all of Mr. Taliah Farrow rose in 18 inches of water and stared in shocked amazement at the branch of a tree directly over his head. Jenny, yet prone in the water, was an indistinguishable turmoil of blondeness and green crape and fright. She rose, slipped and fell again, then the Semitic man stepped into the water and picked her up bodily and set her in the boat where she sat and gazed at them with abject beseeching eyes, strangling. Only Mrs. Wiseman had presence of mind to thump her between the shoulders and after a dreadful trance-like interval during which they sat clutching their oars and gazing at her while she beseeched them with her eyes. She caught her breath wailing.

Starting point is 06:32:19 Mrs. Wiseman mothered her, holding her draggled unhappy wetness while Jenny wept dreadfully. He scared me so bad, Jenny gasped after a time, shuddering and crying again, utterly abject, making no effort to hide her face. Mrs. Wiseman made meaningless comforting sounds, holding Jenny and her. arms. She borrowed a handkerchief and wiped Jenny's streaming face. Mr. Talia Farrow stood in the lake and dripped disconsolidly, peering his harried face across Mrs. Wiseman's shoulder. The other sat motionless, holding their oars. Jenny raised her little wet hands, futilely about her face. Then she remarked her hand, and she held it before her face, gazing at it. On it was a thinly spreading crimson stain that grew as she watched it, and Jenny wept again with utter and hopeless misery.

Starting point is 06:33:14 "'Oh, you've cut your poor hand, Dawson,' Mrs. Wiseman said. "'You are the most consummate idiot unleashed. You take us right back to that yacht. Don't try to row back. We'll never get there. Can't you pull us back with the rope?' They could, and Mrs. Wiseman helped Jenny into the bows, and the men took their places again. Mr. Talia Farrow flitted about in the water with his despairing face. "'Jump in,' Fairchild told them. "'We ain't going to maroon you.' They pulled the tender back to the yacht with chastened expedition.

Starting point is 06:33:50 Mrs. Moray met them at the rail, shrieking with alarm and astonishment. Pete was beside her. The sailors had discreetly vanished. "'What is it? What is it?' Mrs. Marier chanted, mooning her round alarm face above them. They brought the tender alongside and held it steady while Mrs. Wiseman helped Jenny across the thwarts and to the rail. Mr. Talia Farrow flitted about in a hairy distraction,

Starting point is 06:34:18 but Jenny shrank from him. You scared me so bad, she repeated. Pete leaned over the rail, reaching his hands while Mr. Talia Farrow flitted about his victim. The tender rocked, scraping against the hull of the yacht. Pete caught Jenny's hands. "'Hold the boat still, you old fool,' he told Mr. Talia Farrow fiercely. His legs were completely numb beneath her weight, but he would not move.

Starting point is 06:34:45 He swished the broken branch about her, and at intervals he whipped it across his own back. Her face wasn't so flushed, and he laid his hand again above her heart. At his touch she opened her eyes. "'Hello, David. I dreamed about water. Where have you been all these years?' She closed her eyes again. I feel better, she said after a while. And then, what time is it?

Starting point is 06:35:10 He looked at the sun and guessed. We must go on, she said. Help me up. She sat up and a million red ants scurried through the arteries of his legs. She stood dizzy and swaying, holding to him. Gee, I'm not worth a damn. Next time you elope, you'd better make her stand a physical examination, David. Do you hear?

Starting point is 06:35:32 But we must go on. Come on, make me walk. She took a few unsteady steps and clutched him again, closing her eyes. Jesus H, if I ever get out of this alive, she stopped again. What must we do, she asked. I'll carry you away, he said. Can you? I mean, aren't you too tired?

Starting point is 06:35:54 I'll carry you away until we get somewhere, he repeated. I guess you'll have to, but if you were me, I'd leave you flat. That's what I'd do. He squatted before her and reached back and slid his hands under her knees, and as he straightened up, she leaned forward onto his back and put her arms around his neck, clasping the broken branch against his chest. He rose slowly, hitching her legs further around his hips as a constriction of her skirt lessened. You're awful nice to me, David, she murmured against his neck, limp upon his back. Mrs. Wiseman washed and bound Jenny's hand, interestingly. Then she scrubbed Jenny's little soft, warm-like fingers and cleaned her fingernails while Jenny, naked, dried Rosalie in the

Starting point is 06:36:44 cabined air. Under things were not difficult, and stockings were simple also. But Jenny's feet were short rather than small, and shoes were a problem, though Jenny insisted that Mrs. Wiseman's shoes were quite comfortable. But she was clothed at last, and Mrs. Wiseman gathered up the two wet garments gingerly and went to lean her hip against the bunk. The dress Jenny now wore belonged to the girl Patricia, and Jenny stood before the mirror, bulging it divinely, examining herself in the mirror, smoothing the dress over her hips with a slow preening motion. I had no idea there was that much difference between them, the other thought. It's far much. more exciting than a bathing suit.

Starting point is 06:37:31 Jenny, she said, I think, really I. Darling, you simply must not go where men can see you like that. For Mrs. Moria's sake, you know, she's having enough trouble as it is without any rioting. Don't it look all right? It feels all right, Jenny answered, trying to see as much of herself as possible in a 12-inch glass. I don't doubt it. You must be able to feel every stitch in it. but we'll have to get something else for you to wear.

Starting point is 06:37:59 Slip it off, darling. Jenny obeyed. It feels all right to me, she repeated. It don't feel funny. It doesn't look funny, not at all. On the contrary, in fact, that's the trouble with it, the other answer, delving busily into her bag. I always thought I had the kind of figure that you could wear anything, Jenny persisted, holding the dress regretfully in her hands.

Starting point is 06:38:22 You have, the other told her, exactly. that kind, terribly like that, simple and inevitable. Devastating. Devastating, Jenna repeated with interest. There was a kind of funny little man at Mandeville that day. She turned to the mayor again, trying to see as much of herself as possible. I've been told I've a figure like Dorothy McAiles, only not too thin, and I think a little flesh is becoming to a girl, don't you? Devastating, the other agreed again. She rose up. and held a dark-colored dress between her hands. You'll look worse than ever in this, terrible as a young widow.

Starting point is 06:39:02 She went to Jenny and held the dress against her, contemplative. Then still holding the dress between her hand, she put her arms around Jenny. A little flesh is worse than a little dynamite, Jenny, she said soberly, looking at Jenny with her dark, sad eyes. Does your hand still hurt? It's all right now, Jenny craned her neck, peering downward along her flank. It's a little long, ain't it? Yours will dry soon.

Starting point is 06:39:30 She raised Jenny's face and kissed her on the mouth. Slip it on and will hang your things in the sun. End of Section 37, read by Bryce Cries, Ohio. Section 38 of Mosquitoes. This is a Labor Vox recording. All Labor Vox recordings are in the public domain. For more information or to volunteer, please visit Laborvox.org. Mosquitoes by William Faulkner

Starting point is 06:40:05 3rd Day 4 p.m. He strode on in the dust along the endless shimmering road between pines like fixed explosions on the afternoon. The afternoon was an endless, unbearable brightness. Their shapeless merge shadow moved on, two steps more, and he would tread upon it and through it as he did the sparse shadows of pines.

Starting point is 06:40:30 but it moved on just ahead of him between the faded forgotten ruts, keeping its distance effortlessly in the uneven dust. The dust was fine as powder and unbroken, only an occasional hoof print, a fading ghost of a forgotten passage, above the metallic and placable sky, resting upon his bowed neck and her lax damp weight upon his back and her cheek against his neck,

Starting point is 06:40:58 rubbing monotonously against it. Thin fire darted upon him constantly. He strode on. The dusty road swam into his vision, passed beneath his feet, and so behind like an endless ribbon. He found that his mouth was open, drooling, though no moisture came,

Starting point is 06:41:18 and his gums took a thin, dry texture like cigarette paper. He closed his mouth trying to moisten his gums. Trees without tops passed him, marched up abreast of him, topless, and fell behind. The rank roadside grass approached and became monstrous and separate, blade by blade. Lizards hissed in its sibilantly, ere it faded behind him. Finn unseen fire darted upon him, but he didn't even feel it, for in his shoulders and arms there's no longer any sensation at all, saved that of her lax weight upon his back and the brass sky resting upon his neck and her moist cheek rubbing against his neck monotonously.

Starting point is 06:42:04 He found that his mouth was open again and he closed it. That's far enough, she said, presently rousing. Let me down. Their merged shadow blended at intervals with the shadows of the tall, topless trees, but beyond the shadow of the trees, their blended shadow appeared to give. two paces ahead of him. And the road went on ahead of him, shimmering and blistering and wider than salt.

Starting point is 06:42:31 Put me down, David, she repeated. No, he said between his dry, rough teeth, above the remote, imperturbable, tramping of his heart, not tired. His heart made a remote sound. Each beat seemed to be somewhere in his head, just behind his eyes. Each beat was a red tide that temporarily obscured his vision.

Starting point is 06:42:53 But it always ended, then another dull surge blinded him for a moment, but remote like a tramping of soldiers in red uniforms, stepping endlessly across the door of a room where he was, where he crouched trying to look out the door. It was a dull heavy sound like a steamer's engines, and he found that he was thinking of water of a blue monotony of seas. It was a red sound just back of his eyes. The road came on, and endless blistered.

Starting point is 06:43:23 string ribbon between worn ruts where nothing had passed for a long time. The sea makes a swishing sound in your ears. Regular, swish, swish, not against your eyes, though, not against the backs of your eyes. The shadow came out of a blotch of larger shadows cast by trees that had no tops. Two steps more, no, three steps now, three steps, getting to be afternoon, getting to be later than it was once. step, then, all right, man walks on his hind legs. A man can take three steps. A monkey can take three steps, but there is water in a monkey's cage in a pan. Three steps, all right, one, two, three. Gone, gone, gone. It's a red sound. Not behind your eyes. See, see, see, see. You're in a cave. You're in a cave of dark sound, the sound of the sea is outside the cave. See, see, see, see. Now when they keep

Starting point is 06:44:26 stepping in front of the door. There was another sound in his ears now, a faint, annoying sound, and the weight on his back was shifting of its own volition, thrusting him downward toward the blistering blanched dust in which he walked, took three steps. A man can take three steps and he staggered, trying to shift his numb arms and get a new grip. His mouth was open again, and when he tried to shut it, it made a dry hissing sound. One, two, three. One, two, three. Let me down, I tell you, she repeated, thrusting herself backward. Look, there's a signboard. Let me down. I tell you, I can walk now.

Starting point is 06:45:08 She thrust herself away from him, twisting her legs from his grasp and forcing him down, and he stumbled and went to his knees. Her feet touched the ground and still astride of his body. She braced herself and held him partially up by his shoulders. He stopped at last on all fours like a beast, his head hanging between his shoulders. And kneeling beside him in the dust, she slid her hand under his forehead to lessen attention on his neck

Starting point is 06:45:37 and raised her eyes to the signboard. Mandiville, 14 miles, and a crude finger, pointing in the direction from which they had come. The front of her dress was damp, blotched darkly with his sweat. After the women had hovered Jenny's draggled helplessness below decks, Fairchild removed his head and mopped his face, looking about upon his fatuous Frankenstein with a sort of childlike astonishment. Then his gaze came to rest on Mr. Talley Farrow's haggard damp despair,

Starting point is 06:46:11 and he laughed and laughed. laugh you may, the Semitic man told him, but much more of this sort of humor and you'll be doing your laughing ashore. I think now if Talia Farrow'd start an act of protest with you as its immediate object that we'd all be inclined to support him. Mr. Talia Farrow drifted forlornly and utter and hopeless dejection. The Semitic man looked at him, then he too looked about at the others, and upon the now peaceful scene, of their recent activities. One certainly pays a price for art, he murmured.

Starting point is 06:46:48 One really does. Talia Farrow is the only one who has suffered any actual damage, Fairchild protested, and I'm just going to buy him off now. Come on, Taliar Farrow, we can fix you up. That won't be sufficient, the Semitic man said, still ominous. The rest of us have been assailed enough in our vanities to rise from principle. Well, then if I have to up. bow you all off, Fairchild answered. He led the way toward the stairs. But he halted again and

Starting point is 06:47:19 looked back at them. Where's Gordon? He asked. Nobody knew. Well, no matter, he knows where to come. He went on. After all, he said, there are compensations for art, ain't there? The Semitic man admitted that there were. Though he added, it's a high price to pay for whiskey. He descended in his turn. Yes, we really must get something out of it. We spend enough time on it and suffer enough moral and mental turmoil because of it. Sure, Fairchild agreed. The ones that produce it get a lot from it. They get the boon of keeping their time pretty well filled.

Starting point is 06:47:59 And that's a whole lot to expect in this world, he said profoundly, fumbling at his door. It opened at last, and he said, Oh, here you are. Say you just missed it. Major Ayers, his neglected tumbler beside him and clutching a book, came up for air when they entered, festooned yet with a kind of affable bewilderment. Missed what, he repeated. They all began to tell him about it at once, producing Mr. Taliaferro as evidence

Starting point is 06:48:28 from where he lurked unhappily in their midst for Major Ayers' inspection and commiseration, and still telling him about it they found seats while Fairchild again, assumed the ritual of his hidden suitcase. Major Ayers already had the chair, but the Semitic man attempted the book anyway. What have you got there, he asked. Major Ayers hardly bewilderment to send it upon him again. I was passing the time, he explained quickly. He stared at the book.

Starting point is 06:49:00 It's quite strange, he said, then he added. I mean the way they get their books up nowadays. I like the way they get their books up. Jolly with colors, you know. But I, he considered a moment. I rather lost the habit of reading at Sandhurst, he explained in a burst of confidence. And then on active service constantly. War is bad, the Semitic man agreed.

Starting point is 06:49:25 What were you reading? I rather lost the habit of reading at Sandhurst, Major A. Years explained again. He raised the book again. Fairchild opened a fresh bottle. Somebody will have to dig up some more. glasses. Mark, see if you can slip back to the kitchen and get one or two more. Let's see the book, he said, reaching his hand. The Semitic man foresawed him. You go ahead and give us some whiskey. I'd rather forget my grief that way just now. But look, Fairchild

Starting point is 06:49:56 insisted. The other fended him off. Give us some whiskey, I tell you, he repeated. Here's Mark with the glasses. What we need in this country is protection from artists. They even want to annoy us with each other's stuff. Go ahead, Fairchild, replied equably. Have your joke. You know my opinion of smartness. He passed glasses among them. He can't mean that, the Semitic man said, just because a new republic gives him hell. But the dial once bought a story of him, Mark Frost said, with hollow envy.

Starting point is 06:50:32 And what a fate for a man in all the lusty pride of his Ohio Valley masculinity. immolation in a home for old young ladies of either sex. That atmosphere was too rare for him, eh, Dawson? Fairchild laughed. Well, I ain't much of an alpinist. What do you want to be in there for, Mark? It would suit Mark exactly, the Semitic man said, that vague, polite fury of the intellect in which they function.

Starting point is 06:51:02 What I can't see is how Mark has managed to stay out of it. But then if you'll look close enough, you'll find an occasional grain of truth in these remarks, which Mark and I make and which you consider merely smart. But you uttered things not quite clever enough to be untrue, and while we are marveling at your profundity, you lose courage and flatly contradict yourself the next moment. Why, only that tactless and well-meaning God of yours alone knows, why anyone should worry enough about the temporary meaning or construction of words to contradict himself consciously or to feel annoyed when he has done it unconsciously is beyond me. Well, it is a kind of sterility, words,

Starting point is 06:51:47 fair child admitted. You begin to substitute words for things and deeds, like the withered, cuckled husband that took the decameran to bed with him every night, and pretty soon the thing or the deed becomes just a kind of shadow of a certain sound you make by shaping your husband. your mouth a certain way. But you have a confusion too. I don't claim that words have life in themselves, but words brought into a happy conjunction produce something that lives, just as soil and climate and an acorn in proper conjunction will produce a tree. Words are like acorns, you know. Every one of them won't make a tree, but if you just have enough of them, you're bound to get a tree sooner or later. If you just talk long enough, you're bound to say the right thing,

Starting point is 06:52:33 someday. Is that what you mean? The Semitic man asked. Let me show you what I mean. Fairchild reached again for the book. For heaven's sake, the other exclaimed, let us have one drink in peace. We'll admit your contention if that's what you want. Isn't that what you say, Major? No, really, Major Ayers protested. I enjoyed the book, though I rather lost the habit of reading at Sand. I like the book myself, Mark Frost said. My only criticism is that it got published. You can't avoid that, Fairchild told him. It's inevitable.

Starting point is 06:53:09 It happens to everyone who will take the risk of writing down a thousand coherent, consecutive words. And sooner than that, the Semitic man added, if you've murdered your husband or won a golf championship. Yes, Fairchild agreed. Cold print. Your stuff looks so different in cold print. It lends a kind of impersonal authority even to stupidity.

Starting point is 06:53:32 That's backwards. the other said, stupidity lends a kind of impersonal authority even to cold print. Fairchild stared at him. Say, what did you just tell me about contradicting myself? I can afford to, the other answered. I never authenticate mine. He drained his glass. But as for art and artists, I prefer artists.

Starting point is 06:53:56 I don't even object to paying my pro rata to feed them, so long as I'm not compelled to listen to them. It seems to me, Fairchild rejoined, that you spend a lot of time listening to them for a man who professes to dislike it and who don't have to. That's because I'd have to listen to somebody, artist or shoe clerk, and the artist is more entertaining because he knows less about what he's trying to do. And besides, I talk a little myself. I wonder what became of Gordon.

Starting point is 06:54:28 End of Section 38, read by Bryce Cries, Ohio. Section 39 of mosquitoes. This is our Liberbox recording. All LibraVox recordings are in the public domain. For more information or to volunteer, please visit LibraVox.org. Mosquitoes by William Faulkner. Third day, 5 p.m.

Starting point is 06:55:00 Evening came, sad as horns among the trees. The road had dropped downward again into the swamp were amid rank, impenetrable jungle, dark streams wallowed aimless and obscene, and against the hidden flame of the west, huge trees brooded, bearded, and ancient as prophets out of Genesis. David lay at full length at the roadside. He had lain there a long time, but at last he sat up and looked about for her. She stood beside a cypress, up to her knees in thick water, her arms crossed against the tree trunk and her face hidden in her arms, utterly motionless. About them a moist green twilight filled with unseen fire.

Starting point is 06:55:46 David, her voice was muffled by her arms, and after it there was no sound in this fecund, timeless twilight of trees. He sat beside the road, and presently she spoke again. It's a mess, David. I didn't know it was going to be like this. He made a harsh, awkward sound as though it were someone else's voice he was trying to speak with. Hush, she said. It's my fault. I got you into this. I'm sorry, David.

Starting point is 06:56:15 These trees were thicker, huger, more ancient than any yet amid their brooding twilight of their beards. What must we do now, David? After a while she raised her head and looked at him and repeated the question. He answered slowly. Whatever you want to do. She said, Come here, David. And he got slowly to his feet

Starting point is 06:56:38 and stepped into the black thick water and went to her. And for a while she looked at him soberly without moving. Then she turned from the tree and came nearer and they stood in the foul black water embracing.

Starting point is 06:56:52 Suddenly she clasped him fiercely. Can't you do something about it? Can't you make it different? Must it be like this? What do you want me to do? She asked slowly in that voice, which was not his. She loosed her arms, and he repeated as so prompted. You do whatever you want to do.

Starting point is 06:57:12 I'm damn sorry, David, for getting you into this. Josh is right. I'm just a fool. She writhed her body beneath her dress, whimpering again. They hurt me so damn bad, she moaned. We must get out of this, he said. You tell me what you want me to do. It will be all right if I do what I think is best.

Starting point is 06:57:33 she asked quickly, staring at him with her grave, opaque eyes. You swear it will? Yes, he answered, with utter weariness. You do whatever you want to do. She became at once passive, a submissive docility in his embrace. But he stood holding her loosely, not even looking at her. As abruptly her passiveness faded, and she said, You're all right, David.

Starting point is 06:57:59 I'd like to do something for you. Pay you back some way. She looked at him again and found that he was looking at her. David, why David, don't feel that way about it. But he continued to look at her with his quiet, utter yearning. David, I'm sorry, sorry, sorry. What can I do about it? Tell me, I'll do it.

Starting point is 06:58:21 Anything, just anything. It's all right, he said. But it isn't. I want to make it up to you some way for getting you into this. His head was averted. he seemed to be listening. Then the sound came again across the afternoon, among the patriarchal trees, a faint fretful sound.

Starting point is 06:58:42 There's a boat, he said. We are close to the lake. Yes, she agreed. I heard it a while ago. I think it's coming in near here. She moved and he released her. She listened again, touching his shoulder lightly. Yes, it's coming this way.

Starting point is 06:58:58 You better take your shirt again. Turn your back, please. David. End of Section 39, read by Bryce Cries, Ohio. Section 40 of Mosquitoes. This is a Labor Vox recording. All LibraVox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org.

Starting point is 06:59:27 Mosquitoes by William Faulkner. Third day, 6 p.m. Sure, I know where your boat is. senior hove too when I come along. In mighty shallow water, too. Ain't more than three miles down the lake, the man told them, setting a galvanized pail of water on the edge of the veranda. His house stood on piles driven into the moist thirst at the edge of the jungle.

Starting point is 06:59:53 Before it, a dark, broad stream was seemingly without any movement at all between rigid palisades of trees. The man stood on the veranda and watched her while she poured dipper full of heavenly water on her head. The water ran through her hair and dripped down her face, sopping her dress while the man stood and watched her. His blue collarless shirt was fastened at the throat by a brass collar button. His sweat-stained suspenders drew his faded cotton trousers snugly over his paunch. His loose jowls moved rhythmically, and he spat brownly on the earth at their feet, barely averting his head.

Starting point is 07:00:35 "'Folk's been wandering around in the swamp all day?' he asked, staring at her with his pale, heavy eyes, roving his gaze slowly up her muddy stockings and her stained dress. "'What do you want to go back for now? "'Feller got enough, huh?' He spat again and made a heavy sound of disparagement and disgust. "'Aid no such thing is enough. "'Get a real man next time.'

Starting point is 07:01:00 "'He looked at David and asked him a question using an unprintable verb. Anger, automatic and despite his weariness, fired him slowly, but she forestalled him. Let's get back to the boat first, she said to him. She looked at the man again, meeting his pale, heavy stare. How much? she asked briskly. Five dollars, he glanced at David again. In advance, David put his hand to his waist. With my money, she said quickly, watching him as he dug into his watch.

Starting point is 07:01:35 pocket and extracted a single bill neatly folded. No, no, with mine, she insisted, peremptorily, staying his hand. Where's mine, she asked, and he drew from his trousers her crumpled mass of notes, and she took it. The man accepted the bill and spat again. He descended heavily from the porch and led the way down to the water where his launch was moored. They got in, and he cast off and thrust the boat away from the shore, and bowed. bent heavily over the engine. Yes, sir, that's the way with these townfellers, no guts.

Starting point is 07:02:11 Next time, come over to this side and get you a real man. I can get off most any day. And I won't be honing to get home by sundown, neither, he added, looking back over his shoulder. Shut your mouth, she told him sharply. Make him shut up, David. The man paused, staring at her with his pale, sleepy eyes. Now look here, he began heavily. "'Shut up and start your fliver,' she repeated.

Starting point is 07:02:38 "'You've got your money, so let's go if we're going.' "'Well, that's all right, too. "'I like him to have a little get-up and get to him.' He stared at her with his lazy drooping eyes, chewing rhythmically. Then he called her a name. David rose from his seat, but she restrained him with one hand, and she cursed the man fluently and glibly. Now get started, she finished.

Starting point is 07:03:03 If he opens his head again, David, just knock him right out of the boat. The man snarled his yellow teeth at them, then he bent again over the engine. Its fretful clamor rose soon, and the boat slid away circling, cutting the black motionless water. Ahead soon there was a glint of space beyond the trees, a glint of water, and soon they had passed from their bronze nave of the river onto the lake beneath the rushing, soundless wings of sunset and a dying glory of day under the cooling brass bowl of the sky. The Nazikah was more like a rosy gull than ever in the sunset, squatting sedately upon the darkening indigo of the water against the black metallic trees.

Starting point is 07:03:50 The man shut off his fussy engine and the launch slid up alongside, and the man caught the rail and held his boat stationary, watching her muddy legs as she climbed aboard the yacht. No one was in sight. They stood at the rail and looked downward upon his thick backside while he spun the flywheel again. The engine caught at last and the launch circled away from the yacht and headed again into the sunset while the fussy engine desecrated the calm of water and sky and trees. Soon the boat was only a speck in the fading path of the sunset. David, she said, when it had gone, she turned and put her firm, tanned hand.

Starting point is 07:04:33 hand on his breast, and he turned his head also and looked at her with his beast-like longing. It's all right, he said after a time. She put her arms around him again, sexless and hard, drawing his cheek down to her sober, moist kiss. This time he didn't move his head. I'm sorry, David. It's all right, he repeated. She laid her hands flat on his chest, and he released her. For a time they gaze at each other. Then she left him and crossed the deck and descended the companion way without looking back, and so left him and the evening from which the sun had gone suddenly and into which night was as suddenly come, and across which the fretful thin sound of the launch came yet faintly along the dreaming water beneath the tarnished sky where stars were already pricking like a hushed

Starting point is 07:05:27 magical blooming of flowers. She found the others. She found the others. at dinner in the saloon, since what breeze there was was still offshore, and the saloon was screened. They greeted her with various surprise, but she ignored them and her aunt's round suffused face, going haughtily to her place. Patricia, Mrs. Moray said at last, where have you been? Walking, Denise snapped. In her hand she carried a small crumpled mass, and she put this on the table, separating the notes and smoothing them into three flat sheaves.

Starting point is 07:06:05 Patricia, said Mrs. Morier again. I owe you six dollars, she told Miss Jameson, putting one of the sheaves beside her plate. You only had a dollar, she informed Mrs. Wiseman, passing a single note across the table to her. I'll pay you the rest of yours when we get home, she told her aunt, reaching across Mr. Taller Farrow's shoulder with the third sheaf. She met her aunt's apoplectic face again.

Starting point is 07:06:31 I brought your steward back, too, so you haven't got anything to kick about. Patricia, Mrs. Morrier said, she said, chokingly, Mr. Gordon, didn't he come back with you? He wasn't with me. What would I want to take him along for? I already had one man. Mrs. Morrier's face became dreadful, and as the blood died swooning in her heart, she had again that brief vision of floating inert buttocks.

Starting point is 07:07:01 later to wash ashore with that inopportune and terrible implacability of the drowned. Patricia, she said dreadfully. Oh, haul in your sheet, the niece interrupted wearily. You're gibbing. Gosh, I'm hungry. She sat down and met her brother's cold gaze. And you too, Josh, she added, taking a piece of bread. The nephew glanced briefly at his aunt's wrung face. You ought to beat hell out of her, he said calmly, going on with his. his dinner.

Starting point is 07:07:33 End of Section 40, read by Bryce Cries, Ohio. Section 41 of Mosquitoes. This is our Labor Vox recording. All Labor Vox recordings are in the public domain. For more information or to volunteer, please visit Labrovox.org. Mosquitoes by William Faulkner. Third day, 9 p.m. But I saw him about 4 o'clock, Fairchild, the Argon.

Starting point is 07:08:06 He was in the boat with us. Didn't you see him, Major? But that's so you were not with us. You saw him, Mark, didn't you? He was in the boat when we started. I remember that, but I don't remember seeing him after Ernest fell out. Well, I do. I know I saw him on deck after we got back, but I can't remember seeing him in the boat after Jenny and Talia Farrow. Ah, he's all right, though. He'll show up soon. He ain't the sort to get drowned. "'Don't be too sure of that,' Major Ayers said. "'There are no women missing, you know.' Fairchild laughed his burly appreciative laugh.

Starting point is 07:08:44 Then he met Major Ayers' glassy, solemn stare, and ceased. Then he laughed once more, somewhat after the manner of one feeling his way into a dark room, and ceased again, turning on Major Ayers' his trustful, baffled expression. Major Ayers said, this place to which these young people went today. Mandeville, the Semitic Man supplied. What sort of place is it? They told him.

Starting point is 07:09:13 Ah, yes, they have facilities for that sort of thing, eh? Well, not more than usual, the Semitic man answered, and Fairchild said, still watching major airs with a sort of cautious bafflement. Not any more than you can carry along with you. We Americans always carry our facilities. he's with us. It's living high tension, go-getting lives like we do in this country, you see.

Starting point is 07:09:38 Major Ayers glared at him politely. Some of like the continent, he suggested after a time. Not exactly, the Semitic man said. In America, you often find an H in Caste. Fairchild and Major Ayer stared at the Semitic man.

Starting point is 07:09:56 As well as a cast and chaste, Mark Frost put in, Fair Child and Major Ayer's now stared at him, watching him while he lit a fresh cigarette from the stub of his present one, and left his chair and went to lie at full length on the deck. Why not, the Semitic man took him up? Love itself is stone blind. It has to be, Mark Frost answered. Major Ayers stared from one to the other for a while. He said,

Starting point is 07:10:25 This Mandeville now, it is a convention, a local convention? Convention, Fairchild repeated. I mean like our Gretna Green. You ask a lady there, and immediately there's an understanding, saves unnecessary explanations and all that. I thought Gretna Green was the place where used to go to get marriage licenses and a hurry, Fairchild said suspiciously. It was once, Major Ayers agreed,

Starting point is 07:10:54 but during the Great Fire all the registrars and Parsons homes were destroyed, and in those days communication was so poor that word didn't get about until a fortnight or so later. In the meantime, quite a few young people had gone there in all sincerity, you know, and were forced to return the next day without benefit of clergy. Of course, young ladies, durst not tell until matters were remedied, which during those unsettled times might be any time up to a month or so. But by that time, of course, the police had heard of it. London police always hear of things in time, you know.

Starting point is 07:11:31 And so when you go to Gretna Green now, you get a policeman, the Semitic man said. You've Yokohama in mind, Major Ayers answered as gravely. Of course, they are native policemen, he added. Like white bait, the Semitic man suggested. Or sardines, Mark Frost corrected. Or sardines, Major Ayers agreed suavely. He sucked violent. as his cold pipe while Fairchild stared at him with intrigued bewilderment.

Starting point is 07:12:03 But this young lady, the one who popped off with the steward, and came back the same day. Is this customary with your young girls? I asked for information, he added quickly. Our young girls don't do that, you know. With us, only decayed countesses do that, cut off to Italy with chauffeurs and second footmen, and they never returned before nightfall. but our young girls. Art, the Semitic man, explained succinctly.

Starting point is 07:12:32 Mark Frost elaborated. In Europe, being an artist is a form of behavior. In America, it's an excuse for a form of behavior. Yes, but I say, Major Ayers mused again, sucking violently at his cold pipe. Then, she's not the one who did that tweaky little book, is she? The syphilis book? No, that was Julie. Billy's his sister, the one named Eva, Fairchild said.

Starting point is 07:13:00 This one that he loped and came back ain't an artist at all. It's just the artistic atmosphere of the boat, I guess. Oh, said Major Ayers. Strange, he remarked. He rose and thumped his pipe against his palm. Then he blew through the stem and put it in his pocket. I think I shall go below and have a whiskey. Who will come along?

Starting point is 07:13:22 I guess I won't right now, Fairchild decided. the Semitic man said later on. Major Ayers turned to the prone poet. And you, old thing? Bring it up to us, Mark Frost suggested. But Fairchild vetoed this. The Semitic man supported him and Major Ayers departed. I wish I had a drink, Mark Frost said. Go down and have one then, Fairchild told him. The poet groaned. The Semitic man lighted his cigar again, and Fairchild spoke from.

Starting point is 07:13:55 his tentative bewilderment. That was interesting about Gretna Green, wasn't it? I didn't know about that. Never read it anywhere, I mean. But I guess there's lots of grand things in the annals of all people that never get into the history books. The Semitic man chuckled. Fairchild tried to see his face in the obscurity.

Starting point is 07:14:15 Then he said, Englishmen are funny folks, always kidding you at the wrong time. Things just on the verge of probability, and just when you have made up your mind, to take it one way, you find they meant it the other. He mused a while in the darkness. It was kind of nice, wasn't it? Young people, young men and girls, caught in that strange, hushed magic of sex and the mystery of intimate clothing and functions and all, and of lying

Starting point is 07:14:42 side by side in the darkness, telling each other things. That's the charm of virginity, telling each other things. Virginity don't make any difference as far as the body's concerned. young people running away together in a flurry of secrecy and caution and desire and getting there to find. Again he turned his kind, baffled face toward his friend. He continued after a while. Of course the girls would be persuaded after they'd come that far, wouldn't they? You know, strange surroundings, a strange room like an island in an uncharted sea full of monsters like landlords and strangers and such. the sheer business of getting their bodies from place to place and feeding them and caring for him

Starting point is 07:15:26 and your young man thwarted and lustful and probably fearful that you'd change your mind and back out altogether in a strange room all secret and locked and far away from familiar things and you young and soft and nice to look at and knowing it too of course they'd be persuaded And of course when they got back home they wouldn't tell, not until another person turned up and everything was all regular again. And maybe not then. Maybe they'd whisper to her friend someday after they'd been married long enough to prefer talking to other women to talking to their husbands while they were discussing the things women talk about. But they wouldn't tell the young unmarried ones though. and if they, even a year later, ever got wind of another one being seen going there or coming

Starting point is 07:16:15 away, they are such practical creatures, you know, only men hold to conventions for moral reasons. Or from habit, the Semitic man added. Yes, Fairchild agreed. I wonder what became of Gordon. Jenny remarked his legs, tweeted, How can he stand them heavy clothes in this weather, she thought, with placid wonder, calling him soundlessly as he passed. His purposeful stride faltered, and he came over beside her.

Starting point is 07:16:47 Enjoying the evening, eh, he suggested affably, glaring down at her in the darkness. Inside her borrowed clothes, she was rife as whipped cream, blonde and perishable as an expensive pastry. Kind of, she admitted. Major Ayers leaned his elbow on the rail. I was on my way below, he told her. "'Yes, sir,' Jenny agreed, "'passive in the darkness, "'like an erotic lightning bug "'projecting that sense of himself,

Starting point is 07:17:15 "'surrounded and closed by the sweet, cloudy fire "'of her thighs, as young girls will. "'Mager's looked down at her vague, soft head, "'then he jerked his head sharply, glaring about. "'Enjoying the evening, eh?' he asked again. "'Yes, sir,' Jenny repeated. "'She bloomed like a cloying heavy flower. Major Ayers moved restively.

Starting point is 07:17:39 Again he jerked his head as if he had heard his name spoken. Then he looked at Jenny again. Are you a native of New Orleans? Yes, sir. Esplanade. I beg pardon? Esplanade. Where I live in New Orleans, she explained. It's a street, she added after a while.

Starting point is 07:17:58 Oh, Major Ayers murmured. Do you like living there? I don't know. I always lived there. After a time, she had it. "'It's not far.' "'Not far, eh?' "'No, sir,' she stood motionless beside him,

Starting point is 07:18:13 "'and for the third time Major Ayers jerked his head quickly "'as though someone were trying to attract his attention.' "'I was on my way below,' he repeated. "'Gennie waited a while, then she murmured. "'It's a fine night for courting.' "'Cording?' Major Ayers repeated. "'With dates,' Major Ayers stared down upon her hushed soft hair. "'When boys come to see you,' she explained.

Starting point is 07:18:38 "'When you go out with the boys.' "'Go out with the boys,' Major Ayers repeated. "'To Manderville, perhaps?' "'Sometimes she agreed. "'I've been there.' "'Do you go often?' "'Why, sometimes she repeated. "'With boys, eh?

Starting point is 07:18:55 "'With men, too, hey?' "'Yes, sir,' Jenny answered, with mild surprise. "'I don't guess anybody would just go there by herself.' Major Ayers calculated heavily. Jenny stood docile and rife, projecting her little enticing aura, doing her best. I say, he whispered presently, suppose we pop down there tomorrow, you and I. Tomorrow, Jenny repeated with soft astonishment. Tonight, then, he amended.

Starting point is 07:19:25 What do you say? Tonight? Can we get there tonight? It's kind of late, ain't it? How will we get there? like those people went off this morning did. There's a tram or bus isn't there, or a train at the nearest village? I don't know. They came back in a boat. Oh, a boat. Major Ayers considered a moment.

Starting point is 07:19:49 Well, no matter. We'll wait until tomorrow then. We'll go tomorrow, eh? Yes, sir, Jenny repeated, tirelessly, passive and rife, projecting her emanation. Once more Major Ayers looked about him. Then he moved his hand from the rail, and as Jenny, seeing the movement, turned to him with a slow unreluctance, he chucked her under the chin. Right then, he said briskly, moving away. Tomorrow it is. Jenny gazed after him in passive astonishment, and he turned and came back to her, and giving her an intimate, inviting glare, he chucked her again under her soft, surprised chin. Then he departed permanently.

Starting point is 07:20:33 Jenny gazed after his tweed-clad-dissolving shape, watching him out of sight. He sure is a foreigner, she told herself. She sighed. End of Section 41, read by Bryce cries. Section 42 of mosquitoes. This is a Libravox recording. All Libavox recordings are in the public domain.

Starting point is 07:21:01 For more information or to volunteer, please visit Libavox.org. Mosquitoes by William Faulkner 3rd Day 9 p.m. continued. The water lapped at the hall of the yacht with little sounds, little hushed sounds like boneless hands might make, and she leaned again over the rail, gazing downward into the dark water. He would be refined as anybody, she mused to herself, being her brother, more refined,

Starting point is 07:21:33 because she had been away all day with that weight of, in the dining room. But maybe the waiter was refined too. Except I never found many boys that. I guess her aunt must have jumped on her. I wonder what she'd done when they come back if we got that boat started and went away. And now that red-headed man, and she says he's drowned. Jenny gazed into the dark water, thinking of death, of being helpless and that terrible suffocating resilience of water, feeling again that utter and dreadful helpfulness of terror and fear. So when Mr. Talia Farrow was suddenly and silently beside her, touching her, she recognized him

Starting point is 07:22:16 by instinct. And feeling again her world become unstable and shifting beneath her, feeling all familiar solid things fall away from under her, and seeing familiar faces and objects are swooping away from her as she plunged from glaring sunlight through a timeless interval into fear, like a green lambent straying to receive her, she was stark and tranced, but at last she could move again, screaming. You scared me so bad, she gasped piteously, shrinking from him.

Starting point is 07:22:49 She turned and ran, ran toward light, toward the security of walls. The room was dark, no sound within it, and after the dim spaciousness of the deck it seemed close and hot. But here were comfortable walls, and Jenny snapped on the light and entered, entered into an atmosphere of familiarity. Here was a vague ghost of the scent she liked, and with which she had happily been impregnated when she came aboard, and which had not yet completely died away, and the thin, sharp odor of lilacs, which she had come to associate with Mrs. Wiseman, and which lingered also in the room,

Starting point is 07:23:28 and the other's clothing, and her own comb on the dressing table, and the bright metal cylinder, of her lipstick beside it. Jenny looked at her face in the mirror for a while, then she removed a garment and returned to gaze at her stainless, pink and whiteness, ineffable, unmarred by any thought at all. Then she removed the rest of her clothes, and again before the glass she passed her comb through the drowsing miniature goconda of her hair. Then she got her naked body placidly into bed,

Starting point is 07:24:01 as was her habit since three nights. But she didn't turn out the light. She lay in her berth, gazing up at the smug layer of light upon the painted, unbroken sweep of the ceiling. Time passed while she lay rosy and motionless, measured away by the small boneless hands of water lapping against the hall beyond the port, and she could hear feet also and people moving about and making sounds. She did know what it was she wanted, except it was something. So she lay in her back rosy and quiet,

Starting point is 07:24:34 beneath the unshaded glare of the inadequate light. And after a while, she thought that maybe she was going to cry. Maybe that was it. So she lay naked and rosy and passive on her back waiting to begin. She could hear people moving about, voices and feet, and she kept waiting for that first taste of crying that comes into your throat before you really get started. That feeling that there are two little salty canals

Starting point is 07:25:00 just under your ears when you feel sorry for yourself, and the other kind of feeling you have at the base of your nose. Only my nose don't get red when I cry, she thought, in a placid, imminent misery of sadness and meaningless despair, waiting passive and still and without dread for it to begin. But before it began, Mrs. Wiseman entered the room. She came over to Jenny, and Jenny looked up and saw the other's dark small head, like a deer's head, against the light,

Starting point is 07:25:32 and that dark intent weighed the other head of looking at her, and presently Mrs. Wiseman said, "'What is it, Jenny? What's the matter?' But she had forgotten what it was, almost. All she could remember was that there had been something, but now that the other had come, Jenny could hardly remember that she had forgotten anything even, and so she just lay and looked up at the other's dark slender head against the unshaded light. "'Poor child, you have had a hard day, haven't you? She put her hand on Jenny's brow, smoothing back the fine hush-gold of Jenny's hair,

Starting point is 07:26:08 stroking her hand along Jenny's cheek. Jenny lay quiet under the hand, drowsing her eyes like a stroked kitten, and then she knew she could cry all right whenever she wanted to. Only was almost as much fun just lying here, and knowing you could cry whenever you got ready to as the crying itself would be. She opened her blue ineffable eyes. "'Do you suppose he's really drowned?' she asked. Mrs. Wiseman hand stroked Jenny's cheek,

Starting point is 07:26:38 pushing her hair upward and away from her brow. "'I don't know, darling,' she answered soberly. "'He's a luckless man, and anything may happen to a luckless man. "'But don't you think about that anymore, do you hear?' She leaned her face down to Jenny's. "'Do you hear?' she said again. "'No,' Fairchild said. "'He ain't the sort to get drowned.

Starting point is 07:27:01 some people just ain't that sort. I wonder, he broke off suddenly and gazed at his companions. Say, do you suppose he went off because he thought that girl was gone for good? Drowned himself for love, Mark Frost said? Not in this day and time. People suicide because of money and disease, not for love. I don't know about that, Fairchild objected. They used to die because of love, and human nature don't change.

Starting point is 07:27:29 Its actions achieved different results under different conditions, but human nature don't change. Mark is right, the Semitic man said. People in the old books died of heartbreak also, which was probably merely some ailment that any modern surgeon or veterinarian could cure out of hand. But people do not die of love. That's the reason love and death in conjunction have such an undying appeal in books. They're never very closely associated anywhere else. but as for a broken heart in this stay of general literacy and facilities for disseminating the printed word,

Starting point is 07:28:07 he made a sound of disparagement. Lucky he who believes that his heart is broken, he can immediately write a book and so take revenge. What is more terrible than the knowledge that the man you have just knocked down discovered a coin in the gutter while getting up. On him or her who damaged his or her ventricles. besides cleaning up in the movies and magazines. No, no, he repeated. You don't commit suicide when you are disappointed in love. You write a book.

Starting point is 07:28:38 I don't know about that, repeated Fairchild stubbornly. People will do anything. But I suppose it takes a fool to believe that and act on that principle. Beyond the eastern horizon was a rumor of pale silver, pallid and chill and faint, and they sat for a while in silence, thinking of love. and death. The red eye of a cigarette, 12 inches from the deck. This was Mark Frost. Fairchild broke the silence. The way she went off with the steward, it was kind of nice, wasn't it? And came back. No excuses, no explanations. Think no evil, you know. That's what these post-war

Starting point is 07:29:19 young folks have taught us. Only old folks like Julius and me would ever see evil in what people, young people do. But then I guess folks growing up into the manner of looking at life that we inherited would find evil in anything where inclination wasn't subservient to duty. We were taught to believe that duty is infallible or it wouldn't be duty. And if it were just unpleasant enough, you get a mark in heaven, sure. But maybe it ain't so different, taken one generation by another. Most of our sins are vicarious anyhow. I guess when you're not so different, you're not even if you're you are young, you have too much fun just being to sin very much, but it's kind of nice being young in this generation. Surely we all think that when our arteries begin to harden, this Semitic

Starting point is 07:30:07 man rejoined, not only are most of our sins vicarious, but most of our pleasures are too. Look at our books, our stage, the movies, who supports them? Not the young folks. They'd rather walk around or just sit and hold each other's hands. It's a substitute, Fairchild said, don't you see? Substitute for what? When you are young and in love yesterday and out today and in again tomorrow, do you know anything about love? Is it anything to you except a rather dreadful mixture of jealousy

Starting point is 07:30:41 and thwarted desires and interference with that man's world, which after all we all prefer, and nagging and maybe a little pleasure like a drug? It's not the women you sleep with that you remember, you know. No, thank God, Fairchild said. The other continued. It's the old problem of the aristocracy over and over, a natural envy of that minority,

Starting point is 07:31:05 which is at liberty to commit all the sins, which the majority cannot stop earning a living long enough to commit. He lit his cigar again. Young people always shape their lives as the preceding generation requires of them. I don't mean exactly that they go to church when they are told to, for instance, because their elders expected of them, though God only knows what other reason they could possibly have for going to church as it is conducted nowadays, with a warden to patrol the building in the urban localities and in the rural districts, squads of KKK's beating the surrounding

Starting point is 07:31:41 cops and all those traditional retreats that in the olden days enabled the church to produce a soul for everyone that's saved. The youth in general lives unquestioningly, according to the arbitrary precepts of its elders. For instance, a generation ago, higher education was not considered so essential, and young people grew up at home into the convention that the thing to do was to get married at 21

Starting point is 07:32:07 and go to work immediately, regardless of one's equipment or inclination or aptitude. But now they grow up into the convention that youth, that being under 30 years of age is a protracted sophomore course without lectures in which one must spend one's entire time dressed like a caricature, drinking homemade booze and pawing at the opposite sex in the intervals of being arrested by traffic policemen. A few years ago, a so-called commercial artist, groan, damn you, named John Held, began to caricature college life, cloistered and otherwise, in the magazines.

Starting point is 07:32:46 Ever since then, college life, cloistered and otherwise, has been busy caricaturing John Held. It is expected of them by their elders, you see, and the young people humor them. Young people are far more tolerant of the inexplicable and dangerous vagaries of their elders than the elders ever were or ever will be of the natural and harmless foibles of their children. But perhaps they both enjoy it. I don't know, Fairchild said. Not even the old folks would like to be surrounded by people making such a drama of existence, and the young folks wouldn't like it either.

Starting point is 07:33:24 Young people have so many other things to do, you know, I think. His voice ceased, died into darkness and a faint laughing sound of water. The moon had swum up out of the east again, that waning moon of decay, worn and affable and cold. It was a magic on the water, a magic of pallid and fleshless things. The red eye of Mark Frost's cigarette arcs low and lateral in his invisible hand, returned to its station 12 inches above the deck, and glowed and faded like a pulse. You see, Fairchild added like an apology,

Starting point is 07:34:00 I believe in young love in the spring and things like that. I guess I'm a hopeless sentimentalist. This Semitic man grunted. Mark Frost said, Virtue through abjectness and falsification. immolation of insincerity. Fairchild ignored him, wrapped in this dream of his own. When the youth goes out of you, you get out of it.

Starting point is 07:34:26 Out of life, I mean. Up to that time, you just live. After that, you are aware of living, and living becomes a conscious process. Like thinking does in time, you know. You become conscious of thinking, and then you start right off to think in words. And first thing you know,

Starting point is 07:34:42 you don't have thoughts in your mind at all. you just have words in it. But when you are young, you just be. Then you reach a stage where you do. Then a stage where you think, and last of all, where you remember, or try to. Sex and deaths, said Mark Frost apulchrali, arcing the red eye of his cigarette.

Starting point is 07:35:05 A blank wall on which sex casts a shadow, and the shadow is life. The Semitic man grunted again, immersed in one of his rare periods of uncanny. communicativeness. The moon climbed higher, the pallid, unmistled belly of the moon, and the Nazica dreamed like a silver gall on the dark, restless water. I don't know, Fairchild said again. I never found anything shadowy about life, people, least of all, about my own doings, but it may be that there are shadowy people in the world, people to whom life is a kind of antics shadow. But people like

Starting point is 07:35:41 that make no impression on me at all. I can't seem to be. get them at all. But this may be because I have a kind of firm belief that life is all right. Mark Frost had cast away his final cigarette and was now a long, prone shadow. The Semitic man was motionless also, holding his dead cigar. I was spending the summer with my grandfather in Indiana, in the country. I was a boy then, and it was kind of a family reunion with aunts and cousins that hadn't seen each other in years. Children, too, all sizes. There was a girl that I remember about my age, I reckon.

Starting point is 07:36:21 She had blue eyes and a lot of long, prim, golden curls. This girl, Jenny, must have looked like her when she was about 12. I didn't know the other children very well, and besides, I was used to furnishing my own diversion anyway, so I kind of just hung around and watched them doing the things children do. I did know how to go about getting acquaintance, with them. I'd seen how the other newcomers would do it, and I'd kind of plan to myself how I'd go about it, what I'd say when I went up to them. He ceased and mused for a time in a kind of

Starting point is 07:36:54 hushed surprise. Just like Talley a Farrow, he said at last quietly. I hadn't thought of that before. He mused for a time, then he spoke again. I was kind of like a dog going among strange dogs, scared, kind of, but acting haughty and aloof. But I wasn't. them, the way she made up to them, for instance. The day after she came, she was the leader, always telling them what to do next. She had blue dresses mostly. Mark Frost snored in the silence. The Nossica dreamed like a gall in the dark water. This was before the day of waterworks and sewage systems and country homes, and this one had the usual outhouse. It was down a path from the house. In the late summer, there were tall burdocks in either side of the path, taller than a 12-year-old boy

Starting point is 07:37:44 by late August. Yacht house was a small, square-frame box kind of thing, with the partitions separating the men from the women inside. It was a hot day in the middle of the afternoon. The others were down at the orchard under the trees. From where I had been, in a big tree in the yard, I could see them, and the girls colored dresses in the shade, and when I climbed, down from the tree and went across the backyard and through the gate and along the path toward the privy, I could see them occasionally through the gaps in the burdochs. They were sitting around in the shade, playing some game, or maybe just talking. I went on down the path and went inside, and when I turned to shut the door to the men's side, I looked back, and I saw her blue dress kind of shining,

Starting point is 07:38:32 coming along the path between the tall weeds. I couldn't tell if she had seen me or not, but I knew that if I went back I'd have to pass her, and I was ashamed to do this. It would have been different if I'd already been there and was coming away, or it seemed to me that it would have. Boys are that way, you know, he added, uncertainly, turning his bewilderment again toward his friend. The other grunted, Mark Frost snored in his shadow. So I shut the door quick and stood right quiet, and soon I heard her enter the other side. I didn't know yet if she'd seen me, but I was going to stay quiet as I could until she went away. I just had to do that, it seemed to me. Children are much more psychic than adults. More of a child's life goes on in its

Starting point is 07:39:19 mind than people believe. A child can distill the whole gamut of experiences it has never actually known into a single instant. Anthropology explains a little of it, but not much, because the gaps in human knowledge that have to be bridged by speculation are too large. The first thing a child is taught is the infallibility and necessity of precept, and by the time the child is old enough to add anything to our knowledge of the mind, it has forgotten. The soul sheds every year like snakes do, I believe. You can't recall the emotions you felt last year. You remember only that an emotion was associated with some physical fact of experience. But all you have of it now is a of ghost of happiness and a vague and meaningless regret.

Starting point is 07:40:08 Experience. Why should we be expected to learn wisdom from experience? Muscles only remember, and it takes repetition and repetition to teach a muscle anything. Octurus, Orients swinging head downward by his knees in the southern sky, an electric lobster fading as the moon rose. Water lapped at the hall of the Nossaca with little sounds. So I tiptoed across to the seat. It was hot in there, with the sun beating down on it. I could smell hot resin, even above the smell of the place itself. In a corner of the ceiling, there was a dirt-dobber's nest, a hard lump of clay with holes in it, stuck to the ceiling, and big green

Starting point is 07:40:52 flies made a steady droning sound. I remember how hot it was in there, and that feeling, places like that give you a kind of letting down of the bars of pretense, you know. a kind of submerging of civilized strictures before the grand implacability of nature in the physical body. And I stood there feeling this feeling and the heat and hearing the drone of those big flies, holding my breath and listening for a sound from beyond the partition. But there wasn't any sound from beyond it, so I put my head down through the seat. Mark Frost snored, the moon, the pallid belly of the moon, inundating the world with a tarnished magic,

Starting point is 07:41:34 not of living things, laying her silver fleshless hand on the water that whispered and lapped against the hull of the yacht. The Semitic man clutched his dead cigar, and he and Fairchild sat in the implacable laxing of muscles and softing tissue of their forty-odd years, seeing two wide curious blue eyes into which an inverted surprise came clear as water,

Starting point is 07:41:57 and long golden curls swinging downward above the, or dur. And they sat in silence, remembering youth and love and time and death. End of Section 42, read by Bryce cries, Ohio. Section 43 of Mosquitoes. This is our Labor Vox recording. All Labor Vox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Mosquitoes by William Faulkner 3rd day, 11 p.m. Mark Frost had roused and with a ghostly epigram had taken himself off to bed.

Starting point is 07:42:45 Later the Semitic man rose and departed, leaving him with a cigar, and Fairchild sat with his stocking feet on the rail, puffing at the unfamiliar weed. He could see the whole deck in the pallid moonlight, and presently he remarked someone sitting near the afterrail. How long this person had been there, Fairchild could not have told, but he was there now, alone and quite motionless, and there was something about his attitude that unleashed Fairchild's curiosity, and at last he rose from his chair. It was David the steward.

Starting point is 07:43:22 He sat on a coiled rope, and he held something in his hands between his knees. When Fairchild stopped beside him, David raised his head slowly into the moonlight and gazed at the older man, man, making no effort to conceal that which he held. Fairchild leaned nearer to see. It was a slipper, a single slipper, cracked and stained with dried mud and disreputable, yet seeming still to hold in its mute shape something of that hard and sexless graveness of hers. After a while, David looked away, gazing again out across the dark water and its path of shifting silver, holding the slipper between his hands, and without speaking, Fairchild turned and went quietly away. End of Section 43, read by Bryce Grice, Ohio.

Starting point is 07:44:21 Section 44 of Mosquitoes. This is the Libervox recording. All Libravox recordings are on the public domain. For more information or to volunteer, please visit Libravox.org. Read by Michael Fosio. Mosquitoes by William Faulkner. The fourth day, seven o'clock. Fairchild waked and lay for a while luxuriously on his back.

Starting point is 07:44:46 After a time he turned on his side to doze again, and when he turned he noticed the square of paper lying on the floor as though it had been thrust under the door. He lay watching it for a while, and then he came fully awake, and he rose and crossed the room and picked it up. Dear Mr. Fairchild, I am leaving the boat today. I have got a better job. I have got two days.

Starting point is 07:45:08 coming to me, I will not claim it. I am leaving the boat before the trip is over. Tell Mrs. Moore, I have got a better job. Ask her, she will pay you five dollars. Of it, you loaned me yours, truly, David West. He re-read the note, brooding over it, then he folded it and put it in the pocket of his pajama jacket, and poured himself a drink. The Semitic man in his birth snored, profound, defenseless on his back. Fairchild sat again in his birth. His drink untasted beside him, and he unfolded the note and read it through again, remembering youth, thinking of age and slackening flesh like an old thin sorrow everywhere in the world.

Starting point is 07:45:50 End of Section 44. Section 45 of Mosquitoes. This is a Libervox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Librevox.org. Read by Michael Fasio. Mosquitoes by William Faulkner The fourth day, 8 o'clock.

Starting point is 07:46:17 Now don't you worry at all, they reassured Mrs. Morier. We can do just as we did yesterday. It will be more fun than ever that way. Dorothy and I can open cans and warm things. We can get along just as well without a steward as with one, can't we, Dorothy? It will be like a picnic, Mrs. Jameson agreed. Of course the men will have to help too. She added, looking at Pete with her pale humorless eyes.

Starting point is 07:46:46 Mrs. Morier submitted, Dogging them with her moaning fatuousness, while Mrs. Wiseman and Miss Jameson and the niece opened cans and heated things, smearing dreadfully about the galley with grease and juices and blood from the niece's thumb, opening at Mark Frost's instigation a can labeled beans, which turned out to be green string beans. But they got coffee made at last, breakfast was finally not very late.

Starting point is 07:47:15 As they had said, it was like a picnic, though there were no ants, as a Semitic man pointed out just before he was ejected from the kitchen. We'll open a can of them for you, his sister offered briskly. Besides, there was still plenty of grapefruit. At breakfast. Fairchild. But I saw him after we got back to the yacht.

Starting point is 07:47:38 I know I did. Mark. No, he wasn't in the boat when he came back. I remember now. I never saw him after we changed places just after Jenny and Ernest fell out. Julius. That's so... Was he in the boat with us at all? Does anybody remember seeing him in the boat at all? Fairchild. Sure he was. Don't you remember how Mark kept hitting him with his oar? I tell you I saw... Mark. He was in the boat at first, but after Jenny and... Fairchild, sure he was. Don't you remember seeing him after we can't? back, Eva? Eva. I don't know. My back was toward all of you while we were rowing. And after

Starting point is 07:48:21 Ernest threw Jenny out, I don't remember who was there and who wasn't. Fairchild. Tellia Farrow was facing us. Didn't you see him, Talia Farrow? And Jenny, Jenny ought to remember. Don't you remember seeing him, Jenny? Mr. Taliah Farrow. I was watching the rope, you know. Fairchild. How about you, Jenny? Don't you remember? Eva. Now don't you bother Jenny about it. How could she be expected to remember anything about it? How could anybody be expected to remember anything about such an idiotic, idiotic, fair child? Well, I do. Don't you all remember him going below with us after we got back? Mrs. Morier, wringing her hands.

Starting point is 07:49:05 Doesn't someone remember something about it? It's terrible. I don't know what to do. You people don't seem to realize what a position. it puts me in, with such a dreadful thing hanging over me. You people have nothing to lose, but I live here. I have a certain... And now a thing like this? Fairchild. Ah, he ain't drowned.

Starting point is 07:49:26 He'll turn up soon. You watch what I say. The niece. And if he is drowned, we'll find him all right. The water isn't very deep between here and the shore. Her aunt gazed at her dreadfully. The nephew. Besides, a dead body always...

Starting point is 07:49:43 floats after 48 hours. All we have to do is wait right here until tomorrow morning. Chances are he'll be bumping alongside, ready to be hauled back on board. Mrs. Morier screamed. Her scream shuddered and died among her chins, and she gazed about at her party in abject despair. Fairchild. Ah, he ain't drowned. I tell you I saw. The niece. Sure. Cheer up, Bant Pat. We'll get him back, even if he is. It's not like losing him altogether, you know. And if you send his body back, maybe his folks won't even claim your boat or anything. Eva, shut up, you children. Fairchild. But I tell you I saw. End of section 45. Section 46 of mosquitoes. This is a Libravox recording.

Starting point is 07:50:38 All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. by Michael Fasio. Mosquitoes by William Faulkner. Fourth day. Nine o'clock. Forward, Jenny, the niece, her brother, come temporarily out of his scientific shell, and Pete stood in a group.

Starting point is 07:51:02 Pete in his straw hat and the nephew with his lean young body and the two girls in their little scanty dresses, and awkward with a sort of terrible grace. So flagrantly young they were that it served, as a barrier between them and the others, causing even Mr. Talia Farrow to lurk nearby without the courage to join them. These young girls, Fairchild said. He watched the group, watched the niece and Jenny as they clung to the rail and swung aimlessly back and forth, pivoting on their heels, in a sheer wantonness of young muscles. They scare me, he admitted. Not as a possible or probable

Starting point is 07:51:39 chastity, you know. Chastity ain't, a bodilessileless illusion multiplied. by lack of opportunity, Mark Frost said. What? he asked, looking at the poet. Well, maybe so. He resumed his own tenuous thought. Maybe we all have different ideas of sex, like all races do. Maybe us three sitting here are racially unrelated to each other, as regards sex. Like a Frenchman, an Anglo-Saxon, and a Mongol, for instance.

Starting point is 07:52:09 Sex, said the Semitic man, to an Italian is something like a firecracker, at a children's party. To a Frenchman, a business, the relaxation from which is making money. To an Englishman, it is a nuisance. To an American, a horse race. Now, which are you? Fairchild laughed. He watched the group forward a while. There's strange sexist shapes, you know, he went on. We, you and I, grew up expecting something beneath a woman's dress, something satisfying in the way of breasts and hips and such. But now, Do you remember the pictures used to get in packages of cigarettes, or that you saw in magazines and barbershops? Anna held and Eva Tanguay with shapes like elegant parlor lamp chimneys. Where are they now?

Starting point is 07:52:57 Now on the street, what do you see? Creatures with the uncomplex awkwardness of calves or colts, with two little knobs for breasts and indicated buttocks that, except for their soft look, might well belong to a boy of fifteen. Not satisfying anymore, just exciting in my own. monotonous, and mostly monotonous. Where, he continued, are the soft, bulging, rabbit-like things women used to have inside their clothes. Gone, with a poor Indian and ten-cent beer and cambric drawers.

Starting point is 07:53:29 But still, they're kind of nice, these young girls. Kind of like a thin, monotonous flute music or something. Shrill and stupid, the Semitic man agreed. He, too, gazed at the group forward for a time. Who was the fool who said? said that our clothing, our custom and dress, does not affect the shape of our bodies and our behavior. Not stupid, the other objected. Women are never stupid.

Starting point is 07:53:55 Their mental equipment is too sublimely sufficient to do what little directing their bodies require. And when your mentality is sufficient to your bodily needs, where there is such a perfect mating of capability and necessity, there can't be any stupidity. When women have more intelligence than that, they become nuisance. sooner or later. All they need is enough intelligence to move and eat and observe the cardinal precautions of existence, and recognize the current mode in time to standardize themselves, Mark Frost put in. Well, yes, and I don't object to that either, Fairchild said.

Starting point is 07:54:33 As a purely lay brother to the human race, I mean. After all, they are merely articulated genital organs with a kind of aptitude for spending whatever money you have, so when they get themselves up to look exactly like all the other ones, you can give all your attention to their bodies. What about the exceptions? Mark Frost asked. The ones that don't paint or bob their hair. Poor things, Fairchild answered, and the Semitic man said. Perhaps there is heaven after all.

Starting point is 07:55:06 You believe they have souls, then? Fairchild asked. Certainly. If they are not born with them, It's a poor creature indeed who can't get one from some man by the time she's 11 years old. That's right, Fairchild agreed. He watched the group forward for a time. Then he rose. I think I'll go over and hear what they're talking about.

Starting point is 07:55:28 Mrs. Wiseman came up and borrowed a cigarette of Mark Frost, and they watched Fairchild's burly retreating back. The Semitic man said, There's a man of undoubted talent, despite his fumbling bewilderment in the presence of sophisticated emotions. Despite his lack of self-assurance, you mean, Mark Frost corrected. No, it isn't that, Mrs. Wiseman put in. You mean the same thing that Julius does, that having been born an American of a provincial Midwestern lower-middle-class family,

Starting point is 07:56:00 he has inherited all the lower-middle-class's awe of education with a capital E, an awe which the very fact of his difficulty in getting to college and staying there has increased. Yes, her brother agreed. And the reaction, which sheer accumulated years in human experience has brought about in him, has swung him to the opposite extreme without destroying that ingrained awe or offering him anything to replace it with at all. His writing seems fumbling, not because life is unclear to him, but because of his innate humorless belief that, though it bewilder him at times,

Starting point is 07:56:37 life at bottom is sound and admirable and fine. because hovering over this American scene into which he has been thrust, the ghosts of the emerson's and lolls and other exemplifiers of education with the capital E, who, seated on chairs in handsomely carpeted parlors, and surrounded by an atmosphere of half-calf and security, dominated American letters in its most healthy American phase without heat or vulgarity, simper yet in a sort of ubiquitous watchfulness, a sort of puerile bravado and flouting, while he fears, he explained. But, his sister said,

Starting point is 07:57:16 for a man like Doss, and there is no better American tradition than theirs, if he but knew it. They may have sat among their objects, transcribing their Greek and Latin and holding correspondences across the Atlantic, but they still found time to put out of their New England ports with the Word of God in one hand in a belaying pin in the other, and all sails drawing aloft, and whatever they fell fast.

Starting point is 07:57:40 of was American. And it was American, and is yet. Yes, her brother agreed again. But he lacks what they had at command among their shelves of discreet books and their dearth of heat and vulgarity, a standard of literature that is international. No, not a standard exactly. A belief. A conviction that his talent need not be restricted to delineating things, which his conscious mind assures him are American reactions. Freedom, suggested Mark Frost hollowly. No, no one needs freedom. We cannot bear it.

Starting point is 07:58:18 He need only let himself go. Let himself forget all this fetish of culture and education, which is upbringing and the ghosts of those whom circumstance permitted to reside longer at college than himself, and whom, despite himself, he regards with awe, assure him that he lacks. For by getting himself and his own bewilderate and inhibitions out of the way, by describing in a matter that even translation cannot injure, as Bolsac did. American life as American life is, it will become eternal and timeless despite him.

Starting point is 07:58:53 Life everywhere is the same, you know. Manners of living, it may be different. Are they not different between adjoining villages? Family names, profits on a single field or orchard, work influences. But man's old compulsions, duty and inclination, The axis and the circumference of his squirrel cage, they do not change. Details don't matter. Details only entertain us.

Starting point is 07:59:18 And nothing that merely entertains us can matter because the things that entertain us are purely speculative. Prospective pleasures which we probably will not achieve. The other things only surprise us. And he who has stood the surprise of birth can stand anything. End of Section 46. Section 47 of Mosquitoes. This is the Libervox recording. All Libravox recordings are in the public domain.

Starting point is 07:59:51 For more information or to volunteer, please visit Libravox.org. Read by Michael Fasio. Mosquitoes by William Faulkner. Fourth day. 10 o'clock. Gabriel's pants, the nephew said, raising his head. I've already told you once what I'm making, haven't I? He had repaired to his retreat in the lee of the wheelhouse,

Starting point is 08:00:14 where he would be less lag. to an eruption, or so he thought. Jenny stood beside his chair and looked at him placidly. I wasn't going to ask you again, she replied without rancor. I just happened to be walking by here. Then she examined the visible deck space with a brief comprehensive glance. This is a fine place for courting, she remarked. Is, huh? the nephew said.

Starting point is 08:00:42 What's the matter with Pete? His knife ceased and he raised his head again. Jenny answered something vaguely. She moved her head again and stood without exactly looking at him, placid and rife, giving him to think of himself surrounded and closed by the sweet cloudy fire of her thighs, as young girls do. The nephew laid his pipe and his knife aside.

Starting point is 08:01:04 Where am I going to sit? Jenny asked. So he moved over in his canvas chair, making room, and she came with slow unreluctance and squire. squirmed into the sacking chair. It's a kind of tight fit, she remarked. Presently, the nephew raised his head. You don't put much pep into your petting, he remarked. So Jenny placidly put more pep into it.

Starting point is 08:01:29 After a time, the nephew raised his head and gazed out over the water. Gabriel's pants, he murmured in a tone of hushed attachment, stroking his hand slowly over the placid points of Jenny's thighs. Gabriel's pants. After a while he raised his head. Say, he said abruptly, where's Pete? Back yonder somewhere, Jenny answered. I saw him just before you stopped me.

Starting point is 08:01:57 The nephew craned his neck, looking aft along the deck. Then he uncrained it, and after a while he raised his head. I guess that's enough, he said. He pushed at Jenny's blonde abandon. Get up now. I got my work to do. Beat it now. Give me time to, Jenny said placidly, struggling out of the chair. It was a kind of tight fit, but she stood erect finally, smoothing at her clothes. The nephew resumed his tools, and so after a while Jenny went away.

Starting point is 08:02:34 End of Section 47. Section 48 of Mosquitoes. This is a Librevox recording. All Librevox recordings are in the public domain. For more information or to volunteer, please visit LibreFox.org. Read by Michael Fasio. Mosquitoes by William Faulkner. Fourth Day, 11 a.m.

Starting point is 08:03:01 It was a thin volume bound in dark blue boards and a narrow orange arabesque of esoteric design, unbroken across front and back near the top, and the title, in orange, Satyricon in Starlight. Now here, said Fairchild, flattening a page. under his hand, his heavy horn-grimed spectacles riding his blobby, benign face

Starting point is 08:03:23 jauntily, is the Major's syphilis poem. After all, poetry has accomplished something when it causes a man like the Major to mull over it for a while. Poets lack business judgment. Now if I, perhaps that's what makes one a poet, the Semitic man suggested, being able to sustain a fine obliviousness of the world and its compulsions. You're thinking of oyster Fisherman, Mrs. Weissman said. Being a successful poet is being just glittering and obscure and imminent enough in your public life to excuse whatever you might do privately. If I were a poet, Fairchild attempted.

Starting point is 08:04:01 That's right, the Semitic fan said. Nowadays, the gentle art has attained that state of perfection, where you don't have to know anything about literature at all to be a poet. And the time is coming when you won't even have to write to be one. But that day hasn't quite arrived yet. You still have to write something occasionally. Not very often, of course, but still occasionally. And if it's obscure enough, everyone is satisfied,

Starting point is 08:04:24 then you have vindicated yourself and are immediately forgotten, and are again at perfect liberty to dine with whoever will invite you. But listen, repeated Fairchild. If I were a poet, you know what I do, I'd... You'd capture an unattached but ardent wealthy female, or lacking that some other and more fortunate poet would divide a weekend or so with you. There seems to be a nobles, oblige among them, the other answered. Gentleman poets, that is, yet.

Starting point is 08:04:51 No, said Fairchild, indefatigable. I'd interspersed my book with photographs and art studies on ineffable morons in bathing suits or clutching imitation lace window curtains across their mittles. That's what I'd do. That what damn it is art, Mark Frost objected. You're confusing art with studio life, Mark, Mrs. Weissman told him. She forestalled him and accepted a cigarette. I'm all out myself. Sorry, thanks.

Starting point is 08:05:20 Why not? Mark Frost responded. If studio life costs you enough, it becomes art. You have to have a good reason to give it to your people back home in Ohio or Indiana or somewhere. But everybody wasn't born in the Ohio Valley, thank God, the Semitic man said. Fairchild stared at him, kind and puzzled, a trifle belligerent. I speak for those of those. of us who read books instead of write them, he explained. It's bad enough to grow into the conviction after you reach the age of discretion that you are

Starting point is 08:05:52 to spend the rest of your life writing books, but to have your very infancy darkened by the possibility that you may have to write the great American novel. Oh, Fairchild said, well, maybe you are like me, and prefer a live poet to the writings of any man. Make it a dead poet and all agree. Well, he settled his story. spectacles. Listen to this.

Starting point is 08:06:18 Mark Frost groaned, rising, and departed. Fairchild read implacably, On rose and peach their droppings bled. Love a sacrifice has lain. Beneath his hand, his mouth is slain. Beneath his hand, his mouth is dead. No, wait. He skipped back up the page.

Starting point is 08:06:42 Mrs. Wiseman listened restively. Her brother with his cussain. chastomary quizzical phlegm. The raven bleak and filamel, amid the bleeding trees were fixed, his hoarse cry and hers were mixed, and through the dark the droppings fell. Upon the red erupted rose, upon the broken branch of peach, blurred with scented mouths, that each to another sing and close. He read the entire poem through.

Starting point is 08:07:15 What do you make of it? He asked. Mostly words, the Semitic man answered promptly, a sort of cocktail of words. I imagine get quite a jolt from it if your taste is educated to cocktails. Well, why not, Mrs. Weissman said with a fierce protectiveness. Only fools require ideas in verse. Perhaps so, her brother admitted, but there's no nourishment and electricity, as you poets nowadays seem to believe.

Starting point is 08:07:45 Well, what would you have them write about then? she demanded. There's only one possible subject to write anything about. What is there worth the effort and despair of writing about, except love and death? That's the feminine of it. You'd better let art alone and stick to artists, as is your nature. But women have done some good things, Fair Child Objected. I've read, they bear geniuses.

Starting point is 08:08:10 But do you think they care anything about the pictures and music their children produce? That they have any other emotion than a fierce tolerance of the vagaries of the vagaries of child. Do you think Shakespeare's mother was any prouder of him than, say, Tom Obedlem's? Certainly she was, Mrs. Weissman said. Shakespeare made money. You made a bad choice for comparison, Fairchild said. All artists are kind of insane. Don't you think so? He asked Mrs. Weissman. Yes, she snapped. Almost as insane as the ones that sit around and talk about them. Well, Fairchild stared again at the page under his hand.

Starting point is 08:08:48 He said slowly, It's a kind of dark thing. It's kind of like somebody brings you to a dark door. Will you enter that room or not? But the old fellows got you in the room first, the Semitic man said. Then they asked you if you wanted to go out or not. I don't know.

Starting point is 08:09:08 There are rooms, dark rooms, that they didn't know anything about at all. Freud and these other discovered them just in time to supply our shelterless literati with free sleeping quarters. but you and Eva just agreed that subject, substance, doesn't signify in verse, that the best poetry is just words. Yes, infatuation with words, Fairchild agreed. That's when you hammer out good poetry, great poetry,

Starting point is 08:09:35 a kind of singing rhythm in the world that you get into without knowing it, like a swimmer gets into a current. Words. I had it once. Shut up, Dawson, Mrs. Weissman said. Julius can afford to be a fool. Words, repeated Fairchild. But it's gone out of me now, that first infatuation, I mean, that sheer infatuation with and marveling over the beauty and power of words.

Starting point is 08:10:02 That has gone out of me, used up, I guess. So I can't write poetry anymore. It takes me too long to say things now. We all wrote poetry when we were young, the Semitic man said. Some of us even put it down on paper, but all of us wrote it. Yes, repeated Fairchild, turning slowly onward through the volume. Listen. Oh, spring, oh wanton, oh cruel, bearing to the curved and hungry hand of March your white unsubtle thighs. And listen, he turned onward. Mrs. Wiseman was gazing aft, where Jenny and Mr. Talia Farrow had come into view and now leaned together upon the rail.

Starting point is 08:10:43 The Semitic man listened with weary courtesy. Above unsapped convovillet of hills, April a bee sipping perplexed with pleasure. It's a kind of childlike faith in the efficacy of words, you see, a kind of belief that circumstance somehow will invest the veriest platitude with magic. And darn it, it does happen at times. Let it be historically or grammatically incorrect or physically impossible. Let it even be trite. There comes a time when it will be invested with a something not of this life, this world at all.

Starting point is 08:11:16 It's a kind of fire, you know. He fumbled himself among words, staring at them, at the Semitic man's sad, quizzical eyes in Mr. Wiseman's averted face. Somebody, some drug clerk or something, has shredded the tender. And do you know what I believe? I believe that he's always writing it for some woman, that he fondly believes he's stealing a march on some brute bigger or richer or handsomer than he is. I believe that every word or writing man writes is put down with the ultimate intention of impressing some woman that probably don't care anything at all for literature. as is the nature of women. Well, maybe she ain't always a flesh and blood creature. She may be only the symbol of a desire, but she is feminine.

Starting point is 08:11:57 Fame is only a byproduct. Do you remember the old boy has never even bothered to sign their things? But I don't know. I suppose nobody ever knows a man's reasons for what he does. You can only generalize from results. He very seldom knows his reasons himself, the other said. And by the time he has recovered from his astonishment at the unforeseen result he got, he has forgotten what reason he once believed he had. But how can he generalize from a poem? What result does a poem have?

Starting point is 08:12:26 You say that substance doesn't matter, has no proper place in a poem. You have, the Semitic man continued with curious speculation, the strangest habit of contradicting yourself, of fumbling around and then turning tail and beating your listener to the refutation. But God knows there is plenty of room for speculation in modern verse, fumbling too, though the poets themselves do most of this.

Starting point is 08:12:49 Don't you agree, Eva? His sister answered, what? Turning upon him her dark, preoccupied gaze. He repeated the question. Fairchild interrupted in full career. The trouble with modern verse is that to comprehend it, you must have recently passed through an emotional experience identical with that through which the poet himself has recently passed.

Starting point is 08:13:12 The poetry of modern poets is like a pair of shoes that only those whose feet are shaped like the cobbler's feet can wear. while the old boys turned out shoes that anybody who can walk at all can wear. Like overshoes, the other suggested. Like overshoes, Fairchild agreed. But then, I ain't disparaging. Perhaps the few that the shoes fit can go a lot further than the whole herd of people shaw alike go. Interesting, anyway, the Semitic man said,

Starting point is 08:13:39 to reduce the spiritual progress of the race to terms of an emotional migration, aesthetic Israelites crossing unweded, a pink sea of dullness and security. What about it, Eva? Mrs. Weisman, thinking of Jenny's soft body, came out of her dream. I think you are both not only silly but dull. She rose. I want to bum another cigarette, Dawson. He gave her one and a match, and she left them.

Starting point is 08:14:06 Fairchild turned a few pages. It's kind of difficult for me to reconcile her with his book, he said slowly. Doesn't strike you that way? Not so much that she wrote this, the other answered, but that she wrote anything at all, that anybody should. But there's no puzzle about the book itself, not to me, that is. But you, straying trustfully about this park of dark and rootless trees, which Dr. Ellis and your Germans have recently thrown open to the public,

Starting point is 08:14:34 you'll always be a babe in that wood, you know, bewildered and slightly annoyed, restive, like Asher Bonnie Pals' stallion when his master mounted him. Emotional bisexuality. Fairchild said. Yes, but you are trying to reconcile the book and the author. A book is the writer's secret life, the dark twin of a man. You can't reconcile them.

Starting point is 08:14:59 And with you, when the inevitable clash comes, the author's actual self is the one that goes down. For you are of those for whom fact and fallacy gain verisimilitude by being in cold print. Perhaps so, Fairchild said with attachment rooting again on a page. Listen. Lips, that of thy weary, all seemed weariest, seem wearier for the curled and pallid sly, still riddle of thy secret face, and thy sick despair of its own ill-obsessed. Lay not to heart thy boy's hand to protest, that smiling leaves thy tired mouth reconcile, for swearing so keeps thee but ill beguile, with secret joy of thine own woman's breast. Weary thy mouth with smiling, canst thou bride thyself with thee and thine own kissing,

Starting point is 08:15:46 lake, thy virgin's wicking doth itself deride, with sleep's sharp absence, coming so awake, and near thy mouth thy twin heart's grief doth hide, for there's no breast between, it cannot break. Hermaphroditus, he read, that's what it's about. It's a kind of dark perversion, like a fire that don't need any fuel, that lives on its own heat. I mean, all modern verse is a kind of perversion. Like the day for healthy poetry is over and done with, that modern people were not born to write poetry anymore. Other things I grant, but not poetry. Kind of like men nowadays are not masculine and lusty enough to tamper with something that borders so close to the unnatural.

Starting point is 08:16:32 A kind of sterile race. Women too masculine to conceive, men too feminine to beget. He closed the book and removed his spectacles slowly. You and me, sitting here, right now, this is one of the most insidious things, poetry has to combat. General education has made it too easy for everybody to have an opinion on it. On everything else, too. The only people who should be allowed an opinion on poetry should be poets.

Starting point is 08:17:03 But as it is. But then all artists have to suffer it, though. Oblivion and scorn and indignation and what is worse, the adulation of fools. And, added the Semitic man, what is still worse. Talk. End of Section 48. Section 49 of Mosquitoes. This is a Libervox recording.

Starting point is 08:17:34 All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Read by Michael Fasio. Mosquitoes by William Faulkner. Fourth day, 12 o'clock. You must get rather tired of bothering about it, Fairchild suggested as they descended toward lunch. There was an offshore breeze in the saloon was screened. And besides, it was near the galley.

Starting point is 08:17:58 Why don't you leave it in your stay room? Major errors is pretty trustworthy, I guess. It'll be all right, Pete replied. I've got used to it. I'd miss it, see? Yes, the other agreed. New one, eh? I've had it a while.

Starting point is 08:18:11 Pete removed it, and Fairchild remarked its wanton, gay band, and the heavy plating of the straw. I like a panama myself, he murmured. A soft hat. This must have cost five or six dollars, didn't it? Yeah, Pete agreed. but I guess I can look out for it. It's a nice hat, the Semitic man said.

Starting point is 08:18:30 Not everybody can wear a stiff straw hat, but it rather suits the shape of Pete's face, don't you think? Yes, that's so, fair child agreed. Pete has a kind of humorless, reckless face that a stiff hat just suits. A man with a humorless face should never wear a stiff straw hat, but then only a humorless man would dare buy one. Pete proceeded them into the saloon. The man's intent was kindly anyway.

Starting point is 08:18:54 way. Funny old bird. Easy. Somebody's gutting. Anybody's. Fairchild spoke to him again with a kind of tactful persistence. Look here. There's a good place to leave it while you eat. You hadn't seen this place, I reckon. Slip it under here, see? It'll be safe as a church under here until you want it again. Look, Julius, this place was made for a stiff straw hat, wasn't it? This place was a collapsible serving table of two shelves that lit shallowly into the bouquet. It operated by a spring, and anything placed on the lower shelf would be inviolate until someone came along and lowered the shelves again. It don't bother me any, Pete said. All right, the other answered.

Starting point is 08:19:40 But you might as well leave it here. It's as a grand place to leave a hat. Lots better than the places and theaters. I kind of wish I had a hat to leave there, don't you, Julius? I can hold it all right, Pete said again. Sure, agreed Fairchild readily, but just tried a moment. Pete did so, and the other two washed with interest. It just fits, don't it? Why not leave it there just for a trial?

Starting point is 08:20:05 I guess not. I guess I'll hold on to it, Pete decided. He took his hat again, and when he had taken his seat, he slid it into its usual place between the chairback and himself. Mrs. Mauir was chanting. Sit down, people. in an apologetic, hopeless tone. He must excuse things. I had hoped to have lunch on deck, but with the wind blowing from the shore,

Starting point is 08:20:28 they've found out where we are that we are good to eat, so it doesn't make any difference where the wind blows from, Mrs. Weissman said, business-like with her tray. And with a steward gone, and things so unsettled,

Starting point is 08:20:41 the hostess resumed in an antistrophy, roving her unhappy gaze, and Mr. Gordon. Oh, he's all right. Fairchild said, heavily helpful, taking his seat. He'll show up all right. Don't be a fool, Aunt Pat, Phineas added. What would he want to get drowned for?

Starting point is 08:21:00 I'm so unlucky, Mrs. Maurer moaned. Things. Things happen to me, you see, she explained, haunted with that vision of a pale implacability of water and sod in pants, and a red beard straying amid this lengthing green regions of the sea in a dreadful simulation of life. Ah, shucks, the niece protested. Ugly like he is, and so full of himself, he's got too many good reasons for getting drowned.

Starting point is 08:21:29 It's the ones that don't have any excuse for it that get drowned and run down by taxis and things. But you can never tell what people will do, Mrs. Maui or rejoined, becoming profound through the sheer disintegration of comfortable things. People will do anything. Well, if he's drowned, I guess he wanted to be, the niece said bloodlessly.

Starting point is 08:21:52 He certainly can't expect us to fool around here waiting for him anyway. I've never heard of anybody fading out without leaving a note of some kind. Did you, Jenny? Jenny sat in a soft anticipatory dread. Did he get drowned, she asked. One day at Mandeville, I saw... Into Jenny's heavenly eyes, there wailed momentarily a selfless emotion, temporarily pure and clean.

Starting point is 08:22:16 Mrs. Weisman looked at her, compelling her with her eyes. She said, "'Oh, forget about Gordon for a while. If he's drowned, which I don't believe, he's drowned. If he isn't, he'll show up again, just as Dawson says. "'That's what I say,' the niece supported her quickly. Only he'd better show up soon if he wants to go back with us. We've got to get back home.'

Starting point is 08:22:39 "'You have?' her aunt said, with a heavy astonished irony. "'How are you going, pray?' Perhaps her brother will make us a bow with his saw, Mark Frost suggested. That's an idea, Fairchild agreed. Say, Josh, haven't you got a tool of some sort that'll get us off again? The nephew regarded Fairchild solemnly. Whittle it off, he said. Lend you my knife if you bring it back right away.

Starting point is 08:23:04 He resumed his meal. Well, we've got to get back, his sister repeated. You folks can stay around here if you want to, but me and Josh have got to get back to New Orleans. Going by Mandeville? Mark Frost asked. But the tug should be here any time, Mrs. Mowryer insisted, reverting again to her hopeless amaze. The niece gave Mark Frost a grave speculative stare. You're smart, aren't you?

Starting point is 08:23:31 I've got to be, Mark Frost answered equably. Or I'd have to work, huh? Takes a smart man to sponge off of Aunt Pat, don't it? Patricia, her aunt exclaimed. Well, we've got to get back. We've got to get ready to go up to New Haven next month. Her brother came again out of his dream. We have?

Starting point is 08:23:54 He repeated heavily. I'm going to, she answered quickly. Hank said I could. Look here, her brother said. Are you going to follow me around all your life? I'm going to Yale, she repeated step only. Hank said I could go. Hank, Fairchild repeated watching the niece with interest.

Starting point is 08:24:13 That's what she calls her father, her aunt explained. Patricia, well, you can't go. Her brother answered violently. Damn if I'm going to have you tagging around behind me forever. I can't move for you. You ought to be a bill collector. I don't care. I'm going, she repeated stubbornly.

Starting point is 08:24:29 Her aunt said Vanley. Theodore. Well, I can't do anything for her. He complained bitterly. I can't move for her. Now she's talking about going. She worried Hank until he had. had to say she could go. God knows, I'd have said that too. I wouldn't want her around me all the time.

Starting point is 08:24:50 Shut your goddamn mouth, his sister told him. Mrs. Maurer chanted. Patricia, Patricia, I'm going, I'm going, I'm going. What do you do up there? Fetchot asked. Denise whirled, viciously belligerent. Then she said, what did you say? I mean, what'll you do to pass the time while he's at classes and things? Are you going to take some work? too? Oh, I'll just go around with balloon pants to nightclubs and things. I won't bother him. I won't hardly see him. He's such a damn crumb. Like hell you will, her brother interrupted. You're not going, I tell you. Yes, I am. Hank said I could go. He said I could. I, well, you won't ever see me. I'm not going to have you tagging around after me up there. Are you the only one in the world that's

Starting point is 08:25:38 going up there next year? Are you the only one that'll be there? I'm not going to going up there to waste my time hanging around the entrance to Dwight or Osborne Hall just to see you? You won't catch me sitting on the rail of the green with freshmen. I'm going to places that maybe you'll get into in three years. If you don't bust out or something. Don't you worry about me? Who was it? She rushed on.

Starting point is 08:26:01 Got invited up for prom week last year. Only Hank wouldn't let me go. Who was it saw the game last fall while you were perched up on the top row with a bunch of newspaper reporters in the rain. You didn't go up for prom week because Hank wouldn't let me. But I'll be there next year and you can haul out the family sock on it. Oh, shut up for a while. Her brother said wearily. Maybe some of these ladies want to talk some.

Starting point is 08:26:29 End of section 49. Section 50 of mosquitoes. This is a Libervox recording. All Liebervox recordings are in the public domain. For more information or to volunteer, please visit Librevox.org. Read by Michael Fasio. mosquitoes by William Faulkner Fourth day

Starting point is 08:26:51 Two o'clock And there was the tug squatting at her cables Breaking the Southern Horizon With an effect of abrupt magic Like a stereo opticon slide flashed on the screen While you had turned your head for a moment

Starting point is 08:27:07 Look at that boat said Mark Frost broaching Mrs. Morier directly behind him shrieked It's the tug She turned and screamed Down the Companion Way It's the tug. The tug. The tug has come. The other's all chanted. The tug, the tug.

Starting point is 08:27:23 Major airs exclaimed dramatically and opportunely. Ha, gone away. It is come at last, Mrs. Morier shrieked. It came while we were at lunch. Has anyone? She roved her eyes about. The captain. Has he been notified? Mr. Taliaferro? Surely, Mr. Taliaferro agreed with polite alacrity. mounting the stairs and disintegrating his members with expedition,

Starting point is 08:27:51 I'll summon the captain. So he rushed forward and the others came on deck and stared at the tug, and a gentle breeze blew offshore, and they slapped intermittently at their exposed surfaces. Mr. Taliaferro shouted, Captain! Oh, Captain! About the deck. He screamed it into the empty wheelhouse and returned. He must be asleep, he told them.

Starting point is 08:28:16 We are off at last. "'Missus Morriet intoned. "'We can get off at last. "'The tug has come. "'I sent for it days and days ago. "'But we can get off now.' "'But the captain. "'Where's the captain?'

Starting point is 08:28:30 "'He shouldn't be asleep, this time. "'Of all times for the captain to be asleep. "'Mr. Taliaphero.' "'But Gordon,' Mark Frost said, "'how about?' "'Miss Jameson clutched his arm. "'Let's get off first,' she said. I called him, Mr. Taliafaro reminded them.

Starting point is 08:28:50 He must be asleep in his room. He must be asleep, Mrs. Morier repeated. Will some gentlemen? Mr. Talley Farrow took his cue. I'll go, he said. If you will be so kind, Mrs. Morier screamed after him. She stared again at the tug. He should have been here, so we could be all ready to start, she said fretfully.

Starting point is 08:29:17 She waved her handkerchief at the tug. It ignored her. We might be getting everything ready, though, Fairchild suggested. We ought to have everything ready when they pull us off. That's so, Mark Frost agreed. We'd better run down and pack, hadn't we? Ah, we ain't going back home yet. We've just started the cruise.

Starting point is 08:29:38 Are we, folks? They all looked at the hostess. She roved her stricken eyes, but she said at last, bravely. Why, no. No, of course not, if you don't want to. But the captain, we ought to be ready, she repeated. Well, let's get ready, Mrs. Wiseman said. Nobody knows anything about boats except Fairchild, Mark Frost said. Mr. Taliaferro returned, Baron.

Starting point is 08:30:08 Me? Fairchild repeated. Taliafero has been across the whole ocean. And there's major heirs. All Britishers cut their teeth on anchor-chain. and marlin spikes and draw their toys with lubbers lines mrs wiseman chanted it's almost a poem finish it someone mr tallyaferro made a sound of alarm no really i mrs morriette turned to fairchild will you assume charge until the captain appears mr fairchild mr fairchild mr fairchild is temporary captain people the captain doesn't seem to be on board mr fairchild mr tallia farrow parroted mr fairchild is temporary captain people the captain doesn't seem to be on board, he whispered to Mrs. Morier. Fairchild glanced about with a sort of ludicrous helplessness.

Starting point is 08:30:56 What am I supposed to do? he asked. Jump overboard with a shovel and shovel the sand away. A man who has reiterated his superiority as much as you have for the last week should never be at a loss for what to do, Mrs. Weisman told him. We ladies have already thought of that. You are the one to think of something else. "'Well, I've already thought of not jumping overboard and shoveling her off,' Fairchild answered. But that don't seem to help much, does it?'

Starting point is 08:31:25 "'You ought to coil ropes or something like that,' Miss Jameson suggested. "'That's what they were always doing on all the ships I ever read about. "'All right,' Fairchild agreed equably. "'Well, coil ropes, then. Where are the ropes?' "'That's your trouble,' Mrs. Wiseman said. your captain now. Well, we'll find some ropes and coil them, he addressed Mrs. Moray. We have your permission to coil ropes?

Starting point is 08:31:57 No, really, said Mrs. Morier in her helpless, astonished voice. Isn't there something we can do? Can't we signal to them with a sheet? They may not know that this is the right boat. Oh, they know, I guess. Anyway, we'll coil ropes and be ready for them. Come on here, you men. He named over his depleted watch and herded it forward.

Starting point is 08:32:20 He herded it down to his cabin and nourished it with stimulants. We may coil the right rope at that, the Semitic man suggested. Major heirs ought to know something about boats. It should be in his British blood. Major errors didn't think so. American boats have amphibious traits that are lacking in ours, he explained. Half the voyage on land, you know, he explained tediously. Sure, Fairchild agreed.

Starting point is 08:32:50 He brought his watch above again and forward, where instinct told him the rope should be. I wonder where the captain is. Surely he ain't drowned, do you reckon? I guess not, the Semitic man answered. He gets paid for this. There comes a boat. The boat came from the tug, and soon it came alongside, and the captain came over the rail. A stranger followed him, and they went below without haste.

Starting point is 08:33:17 leaving Mrs. Morier's words like vain unmated birds in the air. Let's get ready, then, Fairchild-Lord has grew. Let's tie a rope to something. So they tied a rope to something, nodding it intricately, then major errors discovered that they had tied it to a winch handle, which fitted loosely into a socket, and which would probably come out quite easily, once a strain came onto the rope.

Starting point is 08:33:42 So they untied it and found something attached firmly to the deck. And they tied the rope to this, And after a while, the captain and the stranger, clutching a short, evil pipe, came back on deck and stood and watched them. We've got the right rope, Fairchild told his watch in an undertone. And they knotted the rope intricately and straightened up. How's that, Cap? Fairchild asked. All right, the captain answered.

Starting point is 08:34:10 Can we trouble you for a match? Fairchild gave them a match. The stranger fired his pipe, and they got into the tender and departed. They hadn't got far when the one called Walter came out and called them, and they put about and returned for him. Then they went back to the tug. Fairchild's watch had ceased work, and it gazed after the tender. After a time, Fairchild said, He said that was the right rope, so I guess we can quit.

Starting point is 08:34:39 So they did, and went aft to where the ladies were, and presently the tender came bobbing back across the water. It came alongside again, and a negro, sweating gently and regularly, held it steady while the one called Walter and yet another stranger got aboard, bringing a rope that trailed away into the water behind them. Everyone watched with interest while Walter and his companion made the line fast in the bows, after having removed Fairchild's rope. Then Walter and his friend went below.

Starting point is 08:35:11 Say, Fairchild said suddenly, do you reckon they've found our whiskey? I guess not, the Semitic man assured him. i hope not he amended and they all returned in a body to stare down into the tender where the negro sat without self-consciousness eating of a large grayish object While they watched the negro Walter and his companion returned, and the stranger bawled at the tug through his hands. A reply at last, and the other end of the line, which they had recently brought aboard the yacht and made fast, slid down from the deck of the tug and plopped heavily into the water. And Walter and his companion drew it aboard the yacht and coiled it down, wet and dripping. Then they elbowed themselves to the rail, cast the rope into the tender, and got in themselves,

Starting point is 08:35:59 and the negro stowed his strange edible object temporarily away and rode back to the tug. You guessed wrong again, Mark Frost said with sepricul irony. He bent and scratched his ankles. Try another rope. You wait, Fairchild retorted. Wait ten minutes, then talk. We'll be under full steam in ten minutes. Where did that boat come from?

Starting point is 08:36:28 The boat was a skiff, come when and from where they knew not. and beneath the drowsy afternoon there came faintly from somewhere up the lake the fretful sound of a motorboat engine. The skiff drew alongside, manned by a malaria-ridden man, wearing a woman's dilapidated hat of black straw that lent him a vaguely bereaved air. Where's the drowned feller? he asked, grasping the rail. We don't know, Fairchild answered. We missed him somewhere between here and the shore. He extended his arm. The newcomer followed his gesture sadly. Any reward?

Starting point is 08:37:08 Reward? repeated Fairchild. Reward? Mrs. Moray chimed in, breathlessly. Yes, there is a reward. I offer a reward. How much? You find him first, the Semitic man put in. There'll be a reward, all right. The man clung yet to the rail. Have you drug for him yet?

Starting point is 08:37:31 No, we just started hunting. child answered. You go on and look around, and we'll get our boat and come out and help you. There'll be a reward. The man pushed his skiff clear and engaged his oars. The sound of the motor boat grew clearer steadily. Soon it came into view, with two men in it and changed its course and bore down on the skiff. The fussy little engine ceased its racket, and it slid up to the skiff, pushing a dying ripple under its stem. The two boats clung together for a time, then they parted, and at a short distance from each other they moved slowly onward while their occupants prodded at the lake bottom with their oars look at them the semitic man said just like buzzards probably be a dozen boats out there in the next hour how do you suppose they learned about it lord knows fairchild answered let's get our crew and go out and help look we'd better get the tug's men they shouted in turn for a while and presently one came to the rail of the tug and gazed apathetically at them

Starting point is 08:38:34 and went away. And after a while the small boat came away from the tug and crossed to them. A consultation, assisted by all hands, while the man from the tug moved unheardly about the business of making fast another and dirtier rope to the Nazica's bows. Then he and Walter went back to the tug, paying out the line behind them, while Mrs. Moray's insistence wasted itself upon the somnolent afternoon. The guests looked at one another helplessly. Then Fairchild said with a termination, Come on, we'll go in our boat. He chose his men, and they gathered all the available oars,

Starting point is 08:39:13 and prepared to embark. Here comes the Tug's boat again, Mark Frost said. They forgot and tied one end of that rope to something, Mrs. Wiseman said viciously. The boat came alongside, without haste, and it and the yacht's tender lay rubbing noses, and Walter's companion asked, without interest. Where's the feller y'all drowned it?

Starting point is 08:39:37 I'll go along in their boat and show him, Fairchild decided. Mark Frost got back aboard the yacht with alacrity. Fairchild stopped him. You folks come on behind us in this boat. The more to hunt, the better. Mark Frost groaned and acquiesced. The others took their places, and under Fairchild's direction, the two tenders retraced the course of yesterday.

Starting point is 08:39:59 The first two boats were some distance ahead, moving slowly, and the tenders separated also. and the searchers pulled along, prodding with their oars at the lake floor. And such is the influence of action on the mind, that soon even Fairchild's burly optimism became hushed and uncertain before the imminence of the unknown, and he too was accepting the possible for the probable, unaware. The sun was hazed as though wearied of its own implacable heat, and the water, that water which might hold soon to be revealed, the mute evidence of ultimate

Starting point is 08:40:34 flouting of all man's strife, lapped and plopped at the mechanical fragilities that supported them. A small sound, monotonous and without rancor, it could well wait. They pulled slowly on. Soon the four boats, fan-wise, had traversed the course, and they turned and quartered back and forth again, slowly and in silence. Afternoon drew on, drowsing insomniolent. Yacht and tug lay motionless in a blinding shimmer. of water and sun. Again, the course of yesterday was covered foot by foot, patiently and in vain, and the four boats,

Starting point is 08:41:14 as without volition, drew nearer each other, drifting closer together as sheep huddle, while water lapped and plopped beneath their halls, sinister and untroubled by waiting. Soon the motorboat drifted up and scraped lightly along the hall in which Fairchild sat, and he raised his head, blinking against the glare. After a while, he said, Are you a ghost, or am I? I was about to ask you that, Gordon, sitting in the motorboat, replied. They sat and stared at each other.

Starting point is 08:41:46 The other boats came up, and presently the one called Walter spoke. Is this all you wanted out here? He asked in a tone of polite disgust, breaking the spell. Or do you want to row around some more? Fairchild went immoderately into hysterical. laughter. End of Section 50. Section 51 of Mosquitoes.

Starting point is 08:42:14 This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Read by Michael Fasio. Mosquitoes by William Faulkner. Fourth day. Four o'clock. The malarial man had attached his skiff to the fat man's motorboat, and they had puttered away

Starting point is 08:42:37 in a morose dejection, rewardless. The tug had whistled a final derisive blast, showed them her squat on pretty stern, where the negro leaned, eating again of his grayish object, and, as dirty a pair of heels as it would ever be their luck to see, and sailed away. The Nassika was free once more, and she sped quickly onward, gaining offing, and the final sharp concussion of flesh and flesh died away beneath the afternoon. Mrs. Morrier had gazed at him, raised her hands in a fluttering, cringing gesture, and cut him dead.

Starting point is 08:43:16 But I saw you on the boat right after we came back, Fairchild repeated with a sort of stubborn wonder. He opened a fresh bottle. You couldn't have, Gordon answered surely. I got out of the boat in the middle of Talia Faro's excitement. He waved away the proffered glass, the Semitic man said trying to, I told you so, and Fairchild essayed again, stubbornly.

Starting point is 08:43:41 But I saw, if you say that again, the Semitic man told him, I'll kill you. He addressed Gordon, and you thought Dawson was drowned. Yes, the man who brought me back. I stumbled on his house this morning. He had already heard of it some way. It must have spread all up and down the lake. He didn't remember the name exactly, and when I named over the party and said, Dawson Fairchild, he agreed. Dawson and Gordon, you see? And so I thought. Fairchild began to laugh again. He laughed steadily, trying to say something. And so, and so he comes back and spends, again, that hysterical note came into his laughter and his hands trembled, clinking the bottle

Starting point is 08:44:25 against the glass and sloshing a spoonful of the liquor onto the floor. And spends, he comes back, you know, and spends half a day looking, looking for his own babub-b-b-b-b-b-bod. The Semitic man rose and took the bottle and glass from him, and half lead, half thrust him into his bunk. You sit down and drink this. Fairchild drank the whiskey obediently. The Semitic man turned to Gordon again. What made you come back? Not just because you heard Dawson was drowned, was it?

Starting point is 08:44:55 Gordon stood against the wall, mud-stained and silent. He raised his head and stared at them and threw them, with his harsh, uncomfortable stare. Fairchild touched the Semitic man's knee warningly. That's neither here nor there, he said. The question is, shall we or shall we not get drunk? I kind of think we've got to myself. Yes, the other agreed. It looks like it's up to us.

Starting point is 08:45:20 Gordon ought to celebrate his resurrection anyway. No, Gordon answered. I don't want any. The Semitic man protested, but again Fairchild gripped him silent, and when Gordon turned toward the door, he rose and followed him into the passage. She came back, too, you know, he said.

Starting point is 08:45:39 Gordon looked down at the shorter man with his lean, bearded face, his lonely hawk's face, arrogant with shyness and pride. I know it, he answered. Your name is like a little golden bell hung in my heart. The man who brought me back was the same one who brought them back yesterday. He was? said Fairchild. He's doing a land office business with deserters, ain't he? yes gordon answered and he went on down the passage with a singing lightness in his heart a bright silver joy like wings the deck was deserted as on that other afternoon

Starting point is 08:46:15 but he waited patiently in the hushed happiness of his dream and his arrogant bitter heart was young as any yet as forgetful of yesterday and to-morrow and soon as though an answer to it she came bare-legged and moulded by the wind of motion and a grave surprise ebbed and she thrust him a hard-tanned hand So you ran away, she said. And so did you, he answered, after an interval filled with a thing all silver and clean and fine. That's right. We're sure the herrings on this boat, aren't we? Harrings? Guts, you know, she explained. She looked at him gravely from behind the coarse dark bang of her hair. But you came back, she accused.

Starting point is 08:47:01 And so did you, he reminded her. from amid his soundless silver wings. Five o'clock. But we're moving again at last, Mrs. Morrier repeated at intervals, with a detached air, listening to a sound somehow vaguely convivial that wailed at intervals up the companionway.

Starting point is 08:47:22 Presently Mrs. Wiseman remarked the hostess's preoccupied air, and she too ceased hearkening. Not again, she said with foreboding. I'm afraid so, the other answered unhappily. Mr. Taliaferro hearkened also. Perhaps I'd better—

Starting point is 08:47:41 Mrs. Moray fixed him with her eye, and Mrs. Wiseman said, "'Poor fellows, they have had to stand a great deal in the last few days.' "'Boys will be boys,' Mr. Taliaferro added with a docile regret, listening with yearning to that vaguely convivial sound. Mrs. Moray listened to it, coldly detached and speculative. She said, "'But we are moving again, anyway.' End of Section 51.

Starting point is 08:48:17 Section 52 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Recording by Michael Fosio. Mosquitoes by William Faulkner. Fourth day. 6 o'clock.

Starting point is 08:48:40 The sun was setting across the scudding water. The water was shot goldenly with it. as was the gleaming macogony and brass elegance of the yacht, and the silver wings in his heart were touched with pink and gold while he stood and looked downward upon the coarse crown of her head, and at her body's grave and sexless replica of his own attitude against the rail, an unconscious aping both comical and heart-shaking. Do you know, he asked, what Cyrano said once?

Starting point is 08:49:11 Once there was a king who possessed all things, all things were his power and glory and wealth and splendor and ease and so he sat at dusk in his marble court filled with the sound of water and of birds and surrounded by the fixed gesturing of palms looking out across the hushed fading domes of his city and beyond to the dreaming lilac barriers of his world no what she asked but he only looked down upon her with his cavernous uncomfortable eyes what did he say she repeated and then was he in love with her? I think so. Yes, he was in love with her. She couldn't leave him either. Couldn't go away from him at all. She couldn't? What did he done to her? Locked her up?

Starting point is 08:50:01 Maybe she didn't want to, he suggested. Huh. And then, she was an awful goof then. Was he full enough to believe she didn't want to? He didn't take any chances. He had her locked up in a book. In a book, she repeated. Then she comprehended.

Starting point is 08:50:20 Oh, that's what you've done, isn't it? With that marble girl without any arms and legs you made, hadn't you rather have a live one? Say, you haven't got any sweet art or anything, have you? No, he answered. How did you know? You look so bad, shabby. But that's the reason.

Starting point is 08:50:39 No woman is going to waste time on a man that's satisfied with a piece of wood or something. You ought to get out of yourself. You'll either bust all of a sudden someday or just dry up. How old are you? 36, he told her. She said. Gabriel's pants. 36 years old and living in a hole with a piece of rock like a dog with a dry bone?

Starting point is 08:51:01 Gabriel's pants. Why don't you get rid of it? But he only stared down at her. Give it to me, won't you? No. I'll buy it from you then. No. Give you, she looked at him with sober detachment. Give you $17 for it. Cash. No. She looked at him with a sort of patient exasperation. Well, what are you going to do with it? Have you got any reason for keeping it?

Starting point is 08:51:30 You didn't steal it, did you? Don't tell me you haven't got any use for $17 living like you do. I bet you haven't got $5 to your name right now. Bet you came on this party to save food. I'll give you $20. $11. in cash. He continued to gaze at her as though he had not heard. And the king spoke to a slave crouching at his feet. Halim, Lord, I possess all things, do I not? Thou art the son of mourning, Lord.

Starting point is 08:51:58 Then listen, Halim, I have a desire. Twenty-five, she said, shaking his arm. No. No, no, no, no, she hammered both brown fists on the rail. You make me so damn mad. can't you say anything except no you you she glared at him with her angry tanned face and her grave opaque eyes and used that phrase jenny had traded her he took her by the elbows and she became taut still watching his face he could feel the small hard muscles in her arms what are you going to do she asked he raised her from the floor and she began to struggle but he carried her implacably across the deck and sat on a deck chair and turned her face downward across his knees.

Starting point is 08:52:46 She clawed and kicked in a silent fury, but he held her, and she ceased to struggle and set her teeth into his leg through the gritty cloth of his trousers, and clung like a raging puppy while he drew her skirt tight across her thighs and spanked her good. I meant it, she cried, raging and tearless, when he had dragged her teeth loose and set her upright on his lap. There was a small wet oval on his trousering.

Starting point is 08:53:12 I meant it, she repeated, taught and raging. I know you meant it. That's why I spanked you, not because you said it. What you said doesn't mean anything because you've got the genders backward. I spanked you because you meant it, whether you knew what to say or not. Suddenly she became lax and wept, and he held her against his breast. But she ceased crying as abruptly, and lay quiet while he moved his hand over her face, slowly and firmly, but likely. It is like a thing heard, not as a music of brass and plucked strings is heard in a pallid voluption of dancing girls among the strings.

Starting point is 08:53:52 Nay, Halim, it is no pale virgin from tall with painted fingernails and honey and myrrh cunningly beneath her tongue, nor is it a scent as of mur and roses to soften and make to flow like water the pith in a man's bones, nor yet. Stay, Halim. Once I was. Once I was. Is not this a true thing? It is dawn in the high cold hills.

Starting point is 08:54:17 Dawn is like a wind in the clean hills, and on the wind comes the thin piping of shepherds, and the smell of dawn and of almond trees on the wind. Is not that a true thing? Aye, Lord, I told thee that. I was there. Are you a petter as well as a he-man? She asked, becoming taught again and rolling upward her exposed eye. His hand moved slowly along her cheekbone and jaw, pausing,

Starting point is 08:54:43 tracing a muscle, moving on. Then hark thee, Halim, I desire a thing that, had I not been at all, becoming aware of it, I would awake, that dead, remembering it I would cling to this world, though it be as a beggar in a tattered robe. Yea, rather that would I, than a king among kings amid the soft and scented sounds of paradise. Find me this, O Helim. Say, she said, curiously, no longer alarmed. What are you doing that for?

Starting point is 08:55:16 Learning your face Learning my face Are you going to make me in marble? She asked quickly, raising herself. Can you do a marble of my head? Yes. Can I have it? She thrust herself away, watching his face.

Starting point is 08:55:33 Make two of them then, she suggested. And then, if you won't do that, give me the other one, the one you've got, and I'll pose for this one without charging you anything. How about that? Maybe. I'd rather do that than have this one. Have you learned my face good?

Starting point is 08:55:50 She moved again, quickly, returning to her former position. She turned her face up. Learn it good. Now, this Salim was an old man, so old that he had forgotten much. He had held this king on his first pony, walking patiently beside him through the streets and paths. He had stood between the young prince and all those forms of sudden and complete annihilation, which the young prince had engendered after the ingenious fashion of boys.

Starting point is 08:56:21 He had got himself between the young prince and the inevitable parental admonishment, which these entailed. And he sat with his grey hands on his thin knees, and his grey head bent above his hands, while dusk came across the simple, immaculate domes of the city and into the court, stilling the sound of birds, so that the lilac silence of the court was teased only by the plashing of water, and on among the grave restlessness of the palms.

Starting point is 08:56:49 After a while, Halim spoke. Ah, Lord in the Georgian Hills, I loved this maid myself when I was a lad. But that was long ago, and she is dead. She lay still against his breast while sunset died like brass horns across the water. She said again, without moving. You're a funny man. I wonder if I could sculpt. Suppose I learn your face.

Starting point is 08:57:16 Well, don't, then. I'd just as soon lie still. You're a lot more comfortable to lie on than you look. Only I think you'd be getting tired now. I'm no hummingbird. Aren't you tired of holding me? She persisted. He moved his head at last and looked at her again

Starting point is 08:57:32 with his cavernous uncomfortable eyes, and she tried to do something with her eyes, assuming at the same time an attitude, a kind of leering invitation so palpably theatrical and false, that it but served to emphasize that grave, hard, sexless. of hers. What are you trying to do? He asked quietly.

Starting point is 08:57:52 Vamp me? She said, shucks. She sat up, then squirmed off his lap into her feet. So you won't give it to me? You just won't? No, he told her soberly. She turned away, but presently she stopped again and looked back at him. Give you $25 for it.

Starting point is 08:58:14 No. She said shucks again. and she went on her brown silent feet and was gone. Your name is like a little golden bell hung in my heart and when I think of you. The Nazica sped on. It was twilight abruptly. Soon. A star.

Starting point is 08:58:36 End of Section 52. Section 53 of Mosquitoes. This is a Liprovox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. by Michael Fasio. Mosquitoes by William Faulkner. Fourth day, seven o'clock. The place did appear impregnable, but then he had got used to feeling it behind him in his chair, where he knew nothing was going to happen to it. Besides, to change now, after so many days, would be like hedging on a bat.

Starting point is 08:59:19 Still, to let those two old bums kick at him about it, he paused in the door of the saloon. The others were seated and well into their dinner, but before four vacant places that bland eternal grapefruit, sinister and bland as taxes. Some of them hadn't arrived. He'd have time to run back to his room and leave it, and let one of them drunkards throw it out the window for a joke. Mrs. Wiseman, carrying a tray, said briskly, "'Gang way, Pete!' And he crowded against the wall for her to pass, and then the niece turned to her. turned her head and saw him.

Starting point is 08:59:56 Belly up, she said, and he heard a further trampling drawing near. He hesitated a second. Then he thrust his hat into the little cubbyhole between the two shelves. He'd risk it tonight, anyway. He could still sort of keep an eye on it. He took a seat. Fairchild's watch surged in, a hearty joviality that presently died into startled consternation when it saw the grapefruit.

Starting point is 09:00:23 "'My God,' said Fairchild in a hushed tone. "'Sit down, Dawson,' Mrs. Wiseman ordered sharply. "'We've had about all that sort of humor this voyage will stand. "'That's what I think,' he agreed readily. "'That's what Julius and major heirs and me think at every meal. "'And yet, when we come to the table, what do we see?' "'My first is an Indian princess,' said Mark Frost in a hollow, lelting tone. But it's a little early to play charades yet, isn't it?

Starting point is 09:00:58 Major Ayers said, A, looking from Mark Frost to Fairchild. Then he ventured, It's grapefruit, isn't it? But we have so many of them, Mrs. Morier explained. You were supposed to never tire of them. That's it, said Fairchild solemnly. Major Ayers guessed it the first time.

Starting point is 09:01:20 I wasn't certain what it was, myself. But you can't fool Major Ears. bears, you can't fool a man that's traveled as much as he has with just a grapefruit. I guess you've shot lots of grapefruit in China and India, haven't you, Major? Dawson, sit down, Mrs. Wiseman repeated. Make them sit down, Julius, or go out to the kitchen if they just want to stand around and talk. Fairchild sat down quickly. Never mind, he said.

Starting point is 09:01:49 We can stand it if the ladies can. The human body can stand anything. He added outwishly. He can get drunk and stay up and dance all night and consume crate after crate of GER. Mrs. Wiseman leaned across his shoulder and swept his grapefruit away. Here, he exclaimed. They don't want them, she told Miss Jameson across the table. Get his, too.

Starting point is 09:02:15 So they reft major heirs of his also, and Mrs. Wiseman clashed the plates viciously onto her tray. In passing behind Mrs. Moray, she struck the colloquy, she struck the collars. lapsable serving table with her hip and said, Damn, pausing to release the catch and slam it back into the bulkhead. Pete's hat slid onto the floor, and she's thrust it against the wall with her toe. Yes, sir, Fairchild repeated. The human body can stand lots of things, but if I have to eat another grapefruit. Say, Julius, I was examining my back today, and do you know my skin is getting dry and rough,

Starting point is 09:02:51 with a kind of yellowish cast? If it keeps on, first thing I know I won't any. more dare undress in public than Al Jack. Mark Frost made a sound of sharp alarm. Look out, people, they exclaimed rising. I'm going to get out of here. Son would take off his shoes in public, Fairchild continued unperturbed. Mrs. Wiseman returned, and she stood with her hands on her hips,

Starting point is 09:03:16 regarding Fairchild's unkempt head with disgust. Mrs. Moray gazed helplessly at him. Everyone's finished, Mrs. Wiseman said. Come on. Let's go on deck. No, Mrs. Moray protested. She said firmly, Mr. Fairchild. Go on, the niece urged him. What about Al Jackson?

Starting point is 09:03:40 Shut up, Pat, Mrs. Wiseman commanded. Come on, you all. Let him stay here and drivel to each other. Let's lock him in here. What do you say? Mrs. Moray asserted herself. She rose. Mr. Fairchild, I simply will not have,

Starting point is 09:03:55 If you continue in this behavior, I shall leave the room. Don't you see how trying? How difficult? How difficult? Beneath the beseeching helplessness of her eyes, her various chins began to quiver a little. How difficult? Mrs. Wiseman touched her arm. Come. It's useless to argue with them now. Come, dear. She drew Mrs. Maurya's chair aside, and the old woman took a step and stopped abruptly, clutching the other's arm. I've stepped on something, she said.

Starting point is 09:04:25 peering blindly. Pete Rose with a mad, inarticulate cry. Old Man Jackson, Fairchild continued, claims to be a lineal descendant of Old Hickory, a fine old Southern family with all a fine old Southern family's pride. Al has a lot of that pride himself. That's why he won't take off his shoes in company. I'll tell you the reason later. Well, Old Man Jackson was a bookkeeper or something, drawing a small salary with a big family to support, and he wanted to better himself with a minimum of labor, like a descendant of any fine old southern family naturally would. And so he thought up the idea of taking up some of this Louisiana swamp land

Starting point is 09:05:09 and raising sheep on it. He'd noticed how much rancor vegetation grows on trees in swampy land, so he figured that wool ought to grow the same rank way on a sheep raised in a swamp. So he threw up his bookkeeping job and took up a few hundred acres of, Chafunkda River Swamp and stocked it with sheep, using the money his wife's uncle, a member of an old aristocratic Tennessee moonshining family, had left them. But his sheep started right in to get themselves drowned, so he made life belts for them out of some small wooden kegs that had been part of the heritage from that Tennessee uncle, so that when the sheep strayed

Starting point is 09:05:46 off into the deep water, they would float until the current washed them back to land again. This worked all right, but still his sheep kept on disappearing. The ewes and lambs did, that is. Then he found that the alligators were, Yes, murmured major airs, old hickory. Getting them. So he made some imitation ram's horns out of wood and fastened a pair to each ewe and to every lamb when it was born.

Starting point is 09:06:11 And that reduced his losses by alligators to a minimum scarcely worth notice. The ram's flesh seemed to be too rank even for alligators. After a time the life-belts wore out. But the sheep had learned to swim pretty well by then, so old man Jackson decided it wasn't worthwhile to put any more life-belts on him. The fact is, the sheep had got to like the water. The first crop of lambs would only come out of the water at feeding time, and when the first shearing time came around,

Starting point is 09:06:41 he and his boys had to round up the sheep with boats. By the next shearing time, those sheep wouldn't even come out of the water to be fed. so he and his boys would go out in boats and set floating tubs of feed around in the bayous for them. This crop of lambs could dive, too. They never saw one of them on land at all. They'd only see their heads swimming across the bogs and slews. Finally another sharing time came around. Old man Jackson tried to catch one of them,

Starting point is 09:07:12 but the sheep could swim faster than he and his boys could row, and the young ones dived under the water and got away. So they finally had to borrow a motorboat. and when they finally tired one of those sheep down and caught it and took it out of the water, they found that only the top of its back had any wool on it. The rest of its body was scaled like a fish. And when they finally caught one of the spring lambs on an alligator hook,

Starting point is 09:07:37 they found that its tail had broadened out and flattened like a beavers and that it had no legs at all. They didn't hardly know what it was at first. I say, murmured Major Ayers. Yes, sir, completely atrophied away. Time passed, and they never saw the next crop of lambs at all. The food they set out, the birds ate, and when the next shearing time came,

Starting point is 09:08:01 they couldn't even catch one with the motorboat. They hadn't even seen one in three weeks. They knew they were still there, though, because they would occasionally hear them bawing at night, way back in the swamp. They caught one occasionally on a trot line of shark hooks baited with ears of corn, but not many. Well, sir, the more old man Jackson thought about that swamp full of sheep, the matter he got.

Starting point is 09:08:26 He'd stamp around the house and swear he'd catch them if he had to buy a motorboat that would run 50 miles an hour, and a diving suit for himself and every one of his boys. He had one boy named Claude, Al's brother, you know. Claude was kind of wild, hell after women, a gambler and a drunkard, a kind of handsome humorless fellow with lots of dash. And finally, Claude made a trade. with his father to have half of every sheep he could catch, and he got to work right away. He never bothered with boats or trot lines. He just took off his clothes and went right into

Starting point is 09:09:01 the water and grappled for them. Grappled for him, Major Ayers repeated. Sure, run one down and hem him up under the bank and drag him out with his bare hands. That was clawed all over. And then they found that this year's lambs didn't have any wool on them at all, and that its flesh was the best fish eating in Louisiana, being partly corn-fed that way, giving it a good flavor, you see. So that's where old man Jackson quit the sheep business and went to fish ranching on a large scale. He knew he had a snap as long as Claude could catch him, so he made arrangements with the New Orleans markets right away, and they began to get rich. By Jove, Major Ayers said tensely, his mind taking fire.

Starting point is 09:09:48 Claude liked the work. It was an adventurous kind of life that just suited him, so he quit everything and gave all his time to it. He quit drinking and gambling and running around at night. And there was a marked decrease in vice in that neighborhood, and the young girls pined for him at the local dances and sat on their front porches of a Sunday evening in vain. Pretty soon he could out swim the old cheap, and having to dive so much after the young ones, he got to where he could stay underwater longer and longer at a time. sometimes he'd stay under for half an hour or more, and pretty soon he got to where he'd stay in the water all day, only coming out to eat and sleep, and then they noticed that Claude's skin was beginning to look funny, and that he walked kind of peculiar, like his knees were stiff or something. Soon after that, he quit coming out of the water at all, even to eat. So they'd bring his dinner down to the water and leave it, and after a while he'd swim up and get it.

Starting point is 09:10:43 Sometimes they wouldn't see Claude for days, but he was still catching those sheep, hurting them into a pen old man Jackson had built in a shallow bayou and fenced off with hogwire, and his half of the money was growing in the bank. Occasionally half-eaten pieces of sheep would float ashore, and old man Jackson decided alligators were getting him again. But he couldn't put horns on him now because no one but Claude could catch him, and he hadn't seen Claude in some time. It had been a couple of weeks since anybody had seen Claude,

Starting point is 09:11:14 when one day there was a big commotion in the sheep pen. Old man Jackson and a couple of his other boys ran down there, and when they got there, they could see the sheep jumping out of the water every which way, trying to get on land again. And after a while, a big alligator rushed out from among them, and old man Jackson knew what had scared the sheep. And then, right behind the alligator, he saw Claude. Claude's eyes had kind of shifted around to the side of his head,

Starting point is 09:11:43 and his mouth had spread back a good way, and his teeth had got longer. And then old man Jackson knew what had scared that alligator. But that was the last they ever saw of Claude. Pretty soon after that, though, there was a shark scare at the bathing beaches along the Gulf Coast. It seemed to be a lone shark that kept annoying women bathers, especially blondes. And they knew it was Claude Jackson. He was always hell after blondes. Fairchild ceased. The niece squealed and jumped up and came to him, patting his back.

Starting point is 09:12:21 Jenny's round, ineffable eyes were upon him, utterly without thought. The Semitic man was slumped in his chair. He may have slept. Major Ayers stared at Fairchild a long time. At last, he said, But why does the alligator, one, wear Congress boots? Fairchild mused a moment. Then he said dramatically, he's got webbed feet. Yes, Major Ayers agreed. He mused in turn. But this chap that got rich, the niece squealed again. She sat beside Fairchild and regarded him with admiration.

Starting point is 09:12:59 Go on, go on, she said. About the one that stole the money, you know. Fairchild looked at her kindly. Into the silence there came a thin, saccharine strain. There's the Victrola, he said. Let's go up and start a dance. The one who stole the money, she had. existed. Please. She put her hand on his shoulder. Some other time, he promised, rising,

Starting point is 09:13:24 let's go up and dance now. The Semitic man yet slumped in his chair, and Fairchild shook him. Wake up, Julius, I'm safe now. The Semitic man opened his eyes and major errors said, How much did they gain with their fish-ranging? Not as much as they would have with a patent, nice-tasting laxative. All Americans don't eat fish, you know. Come on, let's go up and hold that dance they've been worrying us about every night. End of Section 53. And so he thought up the idea of taking up some of this Louisiana swamp land and raising sheep on it. Section 54 of mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Read by Michael Fossi.

Starting point is 09:14:34 Mosquitoes by William Faulkner Fourth day 9 o'clock Say, the niece said as she and Jenny mounted to the deck Remember that thing we traded for the other night? The one you let me use for the one I let you use? I guess so, Jenny answered. I remember trading.

Starting point is 09:15:00 Have you used it yet? I never can think of it, Jenny confessed. I never can remember what it was you told me. Besides, I've got another one now. You have? Who told it to you? The Popeyeed man, that Englishman. Major Ayers? Uh-huh. Last night we was talking and he kept on saying for us to go to Manderville today. He kept on saying it. And so this morning he acted like he thought I meant we was going. He acted like he was mad. What was it he said? Jenny told her, a mixture of Pigeon English and Hindustani that major heirs must have picked up along

Starting point is 09:15:42 the Singapore waterfront, or mayhap at some devious and doubtful place in the straits. But after Jenny had repeated it, it didn't sound like anything at all. What? The niece asked. Jenny said it again. It don't sound like anything, to me, the niece said. Is that the way he said it? That's what it sounded like to me, Jenny replied. The niece said curiously, Men sure do swear at you a lot. They're always cursing you. What do you do to them anyway?

Starting point is 09:16:15 I don't do anything to them, Jenny answered. I'm just talking to them. Well, they sure do. Say, you can have that one back. You loaned me. Have you used it on anybody? Jenny asked with interest. I tried it on that red-headed Gordon.

Starting point is 09:16:34 That drowned man? what did he say? He beat me. The niece rubbed herself with a tanned retrospective hand. He just beat hell out of me, she said. Gee, said Jenny. Ten o'clock. Fairchild gathered his watch, nourished it, and brought it on deck again.

Starting point is 09:16:58 The ladies hailed its appearance with doubtful pleasure. Mr. Telia Farrow and Jenny were dancing, and the niece and Pete with his damaged hat were performing together with a skillful and sexless abandoned that was almost professional, while the rest of the party watched them. Wee, Fairchild squealed, watching the niece and Pete with growing childish admiration. At the moment they faced each other at a short distance, their bodies rigid as far as the waist.

Starting point is 09:17:25 But below this, they were as amazing, jointless toys, and their legs seemed to fly in every direction at once until their knees seemed to touch the floor. Then they caught hands and whirled sharply together without a break in that dizzy staccato of heels. Say, Major, look there. Look there, Julius. Come on. I believe I can do that. He led his men to the assault. The Victrola ran down at the moment. He directed the Semitic man to attend to it, and went at once to where Pete and the niece stood. Say, you folks are regular professionals. Pete, let me have her this time. will you? I want her to show me how you do that. Will you show me? Pete won't mind.

Starting point is 09:18:11 All right, Lenise agreed. I'll show you. I owe you something for that yarn at dinner tonight. She put her hand on Pete's arm. Don't go off, Pete. I'll show him and then he can practice on the others. Don't you go off. You're all right. You might take Jenny for a while. She must be tired. He's been leaning on her for a half an hour. Come on, Dawson. Watch me now. She had no bones at all. Major Ayers and the Semitic man had partners, though more sedately. Major Ayers galloped around in a heavy dragoonish manner.

Starting point is 09:18:49 When that record was over, Miss Jameson was panting. She offered to sit out the next one, but Fairchild overruled her. He believed he had the nag of it. We'll put the old girls' dance over in style, he told them. Major Ayers, inflamed by Fairchild's example, offered for the niece himself. Mr. Talia Farrow, reft of Jenny, acquired Mrs. Wiseman. The Semitic man was cajoling the hostess. We'll put her dance over for her, Fairchild chanted.

Starting point is 09:19:20 They were off. Gordon had come up from somewhere, and he stood in shadow, watching. Come on, Gordon, Fairchild shouted to him. Grab one. When the music ceased, Gordon cut in on Major Ayers. The niece looked up in surprise and Major Ayers departed in Jenny's direction. I didn't know you danced, she said. Why not? Gordon asked.

Starting point is 09:19:45 You just don't look like you did. Then you told Aunt Pat you couldn't dance. I can't, he answered, staring down at her. Bitter, he said slowly. That's what you are. new, like bark when the sap is rising. Will you give it to me? He was silent.

Starting point is 09:20:06 She couldn't see his face distinctly, only the bearded shape of his tall head. Why won't you give it to me? Still no answer, and his head was ugly as bronze against the sky. Fairchild started the victrola again. A saxophone was a wailing obscenity, and she raised her arms. Come on.

Starting point is 09:20:29 When that one was fixed, finished, Fairchild's watch, rushed below again, and presently Mr. Taliaferro saw his chance and followed surreptitiously. Fairchild and major airs were ecstatically voluble. The small room fairly moiled with sound. Then they rushed back on deck. Watch your step, Talia Farrow. Fairchild cautioned him as they ascended. She's got her eye on you. Have you danced with her yet? Mr. Taliaferro had not. Better kind of breathe away from her when you do. He led his men to the assault. The ladies demurred, but Fairchild was everywhere,

Starting point is 09:21:07 cajoling, threatening, keeping life in the party, putting the old girls dance over. Mrs. Morier was trying to catch Mr. Talley Faro's eye. The niece had peremptorily commandeered Pete again, and again Gordon stood in his shadow, haughty and aloof. They were off. End of Section 54. Section 55 of Mosquitoes.

Starting point is 09:21:35 This is the Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Read by Michael Fasio. Mosquitoes by William Faulkner. Fourth day. 11 o'clock. I say, said Mr. Taliaferro,

Starting point is 09:21:56 popping briskly and cautiously into the room, accepting his glass, we'd better slow up a bit, hadn't we? What for? asked the Semitic man, and Fairchild said, "'Ah, it's all right. She expects it of us. Somebody's got to be the Hawaii Pulla, you know.

Starting point is 09:22:11 Besides, we want to make this cruise memorable in the annals of deep water. Hey, Major. Talia Farrow had better go easy, though.' "'Oh, we'll look out for Talia Farrow,' the Semitic Man said. "'No damned fear,' Major Ayers assured him. "'Have a go, eh? They all had a go.' Then they rushed back on deck.

Starting point is 09:22:33 "'What do you do in New Orleans, Pete?' Miss Jameson asked intensely. One thing and another, Pete answered cautiously. I'm in business with my brother, he added. You have lots of friends, I imagine. Girls would all like to dance with you. You are one of the best dancers I ever saw. Almost a professional.

Starting point is 09:22:52 I like dancing. Yeah, Pete agreed. He was restive. I guess. I wonder if you and I couldn't get together some evening and dance again. I don't go out tonight. clubs much, because none of the men I know dance very well, but I'd enjoy it with you. I guess so, Pete answered.

Starting point is 09:23:13 Well, I... I'll give you my phone number and address, and you can call me soon, will you? You might come out to dinner, and we'll go out afterward, you know? Sure, Pete answered uncomfortably. He removed his hat and examined the crown. Then he slanted it once more across his dark, reckless head. Miss Jameson said, Do you ever make dates ahead of time, Pete? Nah, he answered quickly.

Starting point is 09:23:39 I wouldn't have a date over a day old. I just call them up and take them out and bring them back in time to go to work next day. I wouldn't have one I had to wait until tomorrow on. Neither do I. So I tell you what, let's break the rule one time and make a date for the first night we are ashore. What do you say? You come out to dinner at my house and we'll go out later to dance. I've got a car.

Starting point is 09:24:05 I. Well, you see, we'll just do that. Miss Jameson continued remorselessly. We won't forget that. It's a promise, isn't it? Pete Rose. I guess we... I guess I better not promise.

Starting point is 09:24:22 Something might turn up so I... We couldn't make it, I guess. She sat quietly, looking at him. Maybe it'll be better to wait and fix it up when we get back. I might have to be out of town or something that day, see? Maybe we better wait and see how things shape up. Still, she said nothing, and presently she removed her patient humorless eyes

Starting point is 09:24:47 and looked out across the darkling water, and Pete stood uncomfortably with his goading urge to keep on saying something. I guess we better wait and see later, see. Her head was turned away, so he departed unostentatiously. He paused again and looked back. back at her. She gazed still out over the water, an uncomplaining abjectness of passivity, quiet in her shadowed chair. As he embraced her, Jenny removed his hat slanted viciously upon his reckless head and examined the broken crown with a recurrence of soft assauchment.

Starting point is 09:25:26 And still holding the hat on her hand, she came to him in a flowing, enveloping movement, without seeming to move at all. Their faces merged, and Jenny was immediately utterly boneless, seeming to suspend her merging rifeness by her soft mouth, then she opened her mouth against his. After a while, Pete raised his head. Jenny's face was a passive, drowsing blur, rich, ineffably rich, in the dark. And Pete got out his unfresh handkerchief and wiped her mouth quite gently. Got over it without leaving a scarred in you, he said.

Starting point is 09:26:03 Without volition, they swung in a world unseen and warm as water, Unseen and rife and beautiful, strange and hushed and grave beneath that waning moon of decay and death. Give your old man a kiss, kid. The niece entered her aunt's room without knocking. Miss Morier raised her astonished, shrieking face, and dragged a garment shapelessly across her recently uncorceded breast, as women do. When she had partially recovered from the shock, she ran heavily to the door and locked it. It's just me. The niece said.

Starting point is 09:26:40 Say, Aunt Pat. Her aunt gasped. Her breast and chins billowed unconfined. Why don't you knock? You should never enter a room like that. Doesn't Henry ever? Sure he does, the niece interrupted. All the time.

Starting point is 09:26:56 Say, Aunt Pat. Pete thinks you ought to pay him for his hat. For stepping on it, you know. Her aunt stared at her. What? You stepped through Pete's hat. He and Jenny think you. ought to pay for it, or offer to anyway. I expect if you'd offer to, he wouldn't take it.

Starting point is 09:27:15 Think Sayotip... Miss Moray's face faded into a shocked, soundless amazement. Yes, they think so. I mentioned it because I promised them I would. You don't have to unless you want to, you know. Thanks, I ought to... Again, Miss Moray's voice failed her, and her amazement became a chaotic thing that filled her round-faced interestingly. Then it froze into something definite, a coldly determined displeasure, and she recovered her voice.

Starting point is 09:27:46 "'I have lodged and fed these people for a week,' she said without humor. "'I do not feel that I am called upon to clothe them also. "'Well, I just mentioned it because I promised,' the niece repeated soothingly. "'Mrs. Morier, Jenny and the niece had disappeared to Mr. Taliaferro's mixed relief. "'They still had two left, however. they took turnabout with them. Major errors, Fairchild and the Semitic man rushed below again. Mr. Taliaferro followed openly this time, and a trifle erratically.

Starting point is 09:28:22 How's it coming along? Fairchild asked, poisoning the bottle. Mr. Taliafero made a wet, deprecating sound, glancing at the other two. They regarded him with kindly interest. Oh, they're all right, Fairchild reassured him. They are all as anxious to see you put over as I am. He set the bottle down well within reach, engulfed at his glass. I tell you what. It's boldness that does the trick with women, ain't it, Major? Right you are. Boldness. Dash in. Take him by storm.

Starting point is 09:28:55 Sure, that's what you want to do. Have another drink. He filled Mr. Taliapferro's glass. That's my plan, exactly. Boldness, boldness, boldness. Mr. Taleifero stared at the other glassily. He tried to wink. Didn't you see me dancing with her? Yes, but that ain't bold enough. If I were you, if I were doing it, I'd turn the trick tonight.

Starting point is 09:29:22 Now. Say, Julius, you know what I'd do? I'd go right to her room, walk right in. He's been dancing with her and talking to her. Ground already broken, you see. I bet she's in there right now, waiting for him, hoping he is bold enough. to come in to her.

Starting point is 09:29:40 He'll feel pretty cheap tomorrow when he finds he missed his chance, won't he? You never have but one chance with a woman, you know. If you fail her then, she's done with you. The next man that comes along gets her without a struggle. It ain't the man a woman cares for that reaps the harvest of passion, you know. It's the next man that comes along after she's lost the other one. I'd sure hate to think I'd been doing work for somebody else to get the benefit of. Wouldn't you?

Starting point is 09:30:07 Mr. Taliaferro stared at him. he swallowed twice. But suppose, just suppose, that she isn't expecting me. Oh, sure. Of course you've got to take that risk. It would take a bold man, anyway, to walk right in her room, walk right in without knocking, and go straight to the bed. But how many women would resist? I wouldn't, if I were a woman. If you were her, Talia Faro, would you resist?

Starting point is 09:30:36 I've found, he went on, that boldness gets prepared. pretty near anything in this world, especially women. But it takes a bold man. Say, I bet Major Ayers would do it. Right you are. I'd walk in, by Jove. I say I think I shall, anyway. Which one is it? Not the old one. All right. That is, if Talia Farrow don't want to do it.

Starting point is 09:31:01 He has first shot, you know. He's done all the heavy preparatory work. But it takes a bold man. Oh, Talia Faro's bold as any man. man, the Semitic man said. But really, Mr. Talia Farrow repeated, suppose she isn't expecting me. Suppose she were to call out. No, no. Yes, Taliah Farrow ain't bold enough.

Starting point is 09:31:23 We'd better let major errors go, after all. No necessity for disappointing the girl, at least. Besides, Mr. Talia Fero added quickly, she is in a room with someone else. No, she ain't. She's in a room to herself now. that one at the end of the hall. That's Mrs. Moray's room, Mr. Talley Farrow said, staring at him.

Starting point is 09:31:46 No, no, she changed. That room has a broken screen, so she changed. Julius and I were helping her move this afternoon, weren't we, Julius? That's how I happen to know. Jenny's in there now. But really? Mr. Tally Farrow swallowed again. Are you sure that's her room?

Starting point is 09:32:04 This is a serious matter, you know. Have another drink, Fairchild said. End of Section 55. Section 56 of Mosquitoes. This is a Librevox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Mosquitoes by William Faulkner.

Starting point is 09:32:36 Fourth Day, Part 10. 12 o'clock. The deck was deserted. Fair Child. and Major Ayers halted and gazed about in pained astonishment. The Victrola was hooded and mute, smugly inscrutable. They held a hurried counsel, then they set forth to beat up stragglers. There were no stragglers. Put on a record, Fairchild suggested at last. Maybe that'll get them up here. They must have thought we'd gone to bed. The Semitic man started the Vectrola again, and again Major Ayers and Fairchild combed the deck in vain. the moon had risen its bony erstwhile disk was thumbed into the sky like a coin after too much handling mrs morrier routed out the captain and together they repaired to fairchild's room find it all she directed every single one the captain found it all now open that window she gave the captain further directions when they had finished and she returned to her room and sat again on the edge of her bed moonlight came into the room and sat again on the edge of her bed moonlight came into the room to the room and she came into the room and she had finished she returned to her room and sat again on the edge of her bed "'Moonlight came into the room level as a lance through the port,

Starting point is 09:33:45 "'like a marble pencil shattering and filling the room with a thin silver dust as of marble. "'It has come at last,' she whispered, aware of her body, heavy and soft with years. "'I should feel happy.' "'I should feel happy,' she told herself. "'But her limbs felt chill and strange to her, "'and within her a terrible thing was swelling. "'A thing terrible and poisonous. and released like water that has been damned too long.

Starting point is 09:34:15 It was as though they were waking within her comfortable, long, familiar body, a thing that abode there dormant, and which she had harbored, unaware. She sat on the edge of her bed, feeling her strange chill limbs, while that swelling thing within her unfolded like an intricate poisonous flower. An intricate, slow convovule of petals that grew and faded, died and were replaced by other petals, huger and more implacable. Her limbs were strange and cold.

Starting point is 09:34:47 They were trembling. That dark flower of laughter, that secret hideous flower grew and grew until that entire world, which was herself, was become a slow, implacable swirling of hysteria that rose in her throat and shook it as though with a myriad small hands,

Starting point is 09:35:07 while from overhead there came a thin, saccharine strain spaced off by a heavy thumping of feet where Fairchild was teaching major Ayers the Charleston. And soon another sound, and the Nosica trembled and pulsed, girding herself with motion. Mr. Taliaferro stood in the boughs, letting the wind blow upon his face amid his hair. The worn moon had risen, and she spread her boneless hand upon the ceaseless water, and the cold remote stars swung overhead, cold and remote and incurious. What cared they for the haggard despair in his face, for the hushed despair in his heart? They had seen too much of human moiling and indecision and astonishments

Starting point is 09:35:53 to be concerned over the fact that Mr. Taliaferro had got himself engaged to marry again. Soon a sound. And the Nossica trembled and pulsed, gurding herself with most. motion. Suddenly Fairchild stopped, raising his hand for silence. What's that? he asked. What's what? responded Major Ayers, pausing also and staring at him. I thought I heard something fall into the water. He crossed to the rail and leaned over it. Major Ayers followed him, and they listened, but the dark, restless water was untroubled

Starting point is 09:36:31 by any foreign sound. The night was calm, islanding the worn, bland disc of the moon. Stuart, throwing out grapefruit, major airs, suggested at last. They turned away. Hope so, Fairchild said. Start her up again, Julius. And soon, another sound,

Starting point is 09:36:52 and the Nossica trembled and pulsed, girding herself with motion. End of Section 56, read by Sandra, Here Montreal, 2023. Section 57 of Mosquitoes. This is a Libervox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org.

Starting point is 09:37:20 Read by Michael Fasio. Mosquitoes by William Faulkner. Epilogue, Part 1 Lake Water had done strange things to Jenny's little green dress. It was rough-dried and draggled, and it had kind of sagged here and drawn up there. The skirt in the back, for instance, because now between the gracious miniature ballooning of its hem and the tops of her dingy stockings. You saw pink flesh. But she was ineffably unaware of this as she stood on Canal Street waiting for her car to come

Starting point is 09:37:54 along, watching Pete's damaged hat slanting away amid the traffic, clutching the dime he had given her for car fare in her little soiled hand. Soon her car came along and she got in it and gave the conductor her dime and received change and put seven cents in the machine while men, men, unshaven men and coatless men and old men, and spruce young men and men that smelled of toilet water, and bay rum and sweat, and men that smelled of just sweat, watched her with the moist abjectness of hounds. Then she went on up the aisle, rife, placidly unreluctant, and then the car jolted forward and she sat partly upon a fat man and a derby in a newspaper, who looked up at her and

Starting point is 09:38:39 then hunched over to the window and dived again into his newspaper with his derby on. The car hummed and spurted and jolted and stopped and jolted and hummed and spurted between croaching walls and old iron lovely as dingy lace and shrieking children from South Europe once removed and wild and soft as animals and cheerful with filth. And old rich food smells, smells rich enough to fatten the flesh through the lungs. and women screaming from adjacent door to door and bright, dirty shawls. Her three pennies had got warm and moist in her hand, so she changed them to the other hand and dried her palm on her thigh.

Starting point is 09:39:24 Soon it was a broader street at right angles, a weary green spaciousness of late August foliage and civilization again in the shape of a filling station, and she descended and passed between houses possessing once and long ago individuality, reserve, but now become somehow vaguely and dingily identical, reaching at last an iron gate through which she went, and on up a shallow, narrow concrete walk, bordered on either side by beds, in which flowers for some reason never seemed to grow well,

Starting point is 09:39:57 and so on across the veranda and into the house. Her father was on the night force, and he now sat in his sock feet, and with his galleces down, at his supper of mackerel. It is Friday, and fried potatoes and coffee in an early afternoon edition. He wiped his mustache with two sweeps of the back of his hand. Where you been? Jenny entered the room, removing her hat.

Starting point is 09:40:24 She dropped it to the floor and came up in a flanking movement. On a boat ride, she answered. Her father drew his feet under his chair to rise, and his face suffused slowly with relief and anger. and you think you can go off like that without a word to nobody and then just walk back into this house? But Jenny captured him and she squirmed onto his rising lap and, though he tried to defend himself, kissed him through his mackerelish mustache, and held him speechless. So while she delved amid that vague, pinnish region, which was her mind. After a while she remembered it.

Starting point is 09:41:03 haul up your sheet, she said. You're jibbing. End of Section 57. Section 58 of mosquitoes. This is a Libravox recording. All Libravox recordings are on the public domain. For more information or to volunteer, please visit Libravox.org. Read by Michael Fasio.

Starting point is 09:41:30 Mosquitoes by William Faulkner. Epilogue. Part 2. Pete was the baby. He was too young to have been aware of it, of course. but that electric sign with the family name on it had marked a climactic. The phoenix-like rise of the family fortunes from the dun ashes of respectability and a small restaurant catering to Italian working people, to the final and ultimate Americanization of the family,

Starting point is 09:41:57 since this fortune, like most American ones, was built on the flouting of a statutory impediment. Prior to 1919, you entered a dingy room fecund with the rich heavy odor of Italian, cooking. You sat, surrounded by Italian faces and frank Italian eating sounds, at oilcloth of a cheerful red and white check and cunningly stained, impermeated with food, where you were presently supplied with more food. Perhaps old lady Janata herself came bustling out with soup and one thumb in a thick platter and a brisk word for you, or by Joe, anyway, bare-armed and skillful and taciturn. While Mr. Janata himself, in his stained apron, stood talking to a table of his intimates.

Starting point is 09:42:46 Perhaps if you lingered long enough over your banana or overripe, oft-handled grapes, you would see Pete in his ragged corduroy knickers and faded clean shirt, with his curling shock of hair and his queer golden eyes, 12 years old and beautiful as only an Italian lad can be. But now all of this was changed. Where was once a dingy food-laden room, wooden floored and not too clean, was now a tiled space cleared and waxed for dancing, and enclosed on one side by mirrors and on the other by a row of booths,

Starting point is 09:43:22 containing each a table and two chairs and lighted each by a discreet table lamp of that surreptitious and unmistakable shade of pink and curtained each with heavy maroon rep. and where you once got food good and Italian and cheap, you now paid so much for it that you were not required to eat it at all, and platters of spaghetti and roasted whole fowls, born not by Joe, bare-armed and skillful and taciturn, but by dinner-coated waiters with faces ironed and older than sin,

Starting point is 09:43:56 platters, which served as stage properties for the oldest and weariest comedy in the world, were served you and later removed by the waiters with a sort of clairvoyant ubiquity, and returned to the kitchen practically intact. And from the kitchen, there came no longer any odor of cooking at all. Joe's idea, it was. Joe, five and twenty, and more American than any of them, had seen the writing on the wall, had argued, prevailed, and proven himself right. Mr. Janata had not stood prosperity.

Starting point is 09:44:32 He was afraid of the new floor, to begin with. It was too slick, dangerous for a man of his age in bulk, and to look out of his kitchen, that kitchen into which he no longer dared bring his stained apron, upon a room once crowded with his friends and noisy and cheerful with eating and smells of food. But all that was changed, you know. The very waiters themselves he did not know,

Starting point is 09:44:57 and the food they broor back and forth was not food. And the noise was now a turgid pandemonium of saxophones and drums, and riding above it like distracted birds, a shrill and metallic laughter of women, ceaseless and without joy, and the smells a blending of tobacco and alcohol and unchaste scent. And from the kitchen there came no longer any odor of cooking at all. Even his range was gone, replaced by an oil stove. So he died, fairly full of years and with more much. money to his name in the bank than most Italian princes have. Mrs. Janata had the flu at the same time. It had settled in her ears, and as time passed she became quite deaf.

Starting point is 09:45:44 And because of the fact that her old friends now went elsewhere to dine, and the people who came now arrived quite late, after she was in bed mostly, and her old man was dead and her sons were such Americans now, busy and rich in Tasseterne. And because the strange waiters, frightened her a little. The old lady had got out of the habit of talking at all. She prepared food for her sons on the new stove of which she was afraid. But they were in and out so much it was hard to anticipate their meal times. And her eyes, being no longer good enough for

Starting point is 09:46:19 sewing, she spent her time puttering about their living quarters overhead, or in a corner of the kitchen, where she would be out of the way, preparing vegetables and such, things that didn't require keenness of sight or attention. The room itself she would not enter. Though from her accustomed corner in the kitchen, she could on occasion watch the boneless sophistication of the saxophone player and the drummer's flapping elbows. And years ago she had heard the noise they made. But that was long ago, and she had forgotten it.

Starting point is 09:46:52 And now she accepted their antics as she accepted the other changes, associating no sound with them at all. Joe had several automobiles now, big noticeable ones, and used to try to persuade her to ride in them. But she refused stubbornly always, though it was a matter of neighborhood comment, how good the Janata boys were to the old lady. But Joe, with his shrewd, taciturned face and his thinning hair and his shirt of heavy striped silk smoothly taut across his tight embryonic paunch, Joe, standing with his head waiter at the desk, paused in his occupation to glance down that room with its every modern fixture, its tiled floor and lights and mirrors with commendable pride. With the quiet joy of ownership, his gaze followed its mere diminishing tunnel, and passed on to the discreetly curtained entrance beneath that electric sign, that ultimate accolade of Americanization, flashing his name in gold or, in letters in rain or mist, or against the remote insane stars themselves, and to his brother,

Starting point is 09:48:01 slanting his damaged hat defiantly, turning in beneath it. Joe held his sheaf of banknotes in one hand, and his poised, wetted finger over it, and watched Pete traverse the mirrored length of the room. "'Where in hell you been?' he demanded. "'To the country,' Pete answered shortly. "'Anything to eat?' "'Eat hell,' his brother exclaimed. "'Here, I've had to pay a man two days just because you were off helling around somewhere. And now you come in talking about something to eat. Here.'

Starting point is 09:48:38 He put aside a sheaf of money, and from a drawer he took a pack of small slips of paper and ran through them. The head waiter counted money and disturbed, methodically. "'I promise this stuff to erred by noon. You get busy and run it out there. Here's the address. And no more foolishness, see?' Pete, hell. But Pete had brushed past the other without even pausing.

Starting point is 09:49:03 His brother followed him. You get right at it, you hear? He raised his voice. You think you can walk out of here and stay as long as you want, huh? You think you can come strolling back after a week, huh? You think you own this place? The old lady was waiting inside the kitchen. She didn't hardly talk at all anymore.

Starting point is 09:49:25 Only made sounds. sounds of satisfaction and alarm, and she saw her older son's face, and she made those sounds now, looking from one to the other but not offering to touch them. Pete entered the room, and his brother stopped at the door, and the old lady shuffled across to the stove and fetched Pete a plate of warmed over spaghetti and fish, and set it before him at a zinc-covered table. His brother stood in the door and glared at him. Get up from there now, like I told you. Come on, come on, you can eat when you get back. But the old lady bustled around, getting between them with the stubborn barrier of her deafness, and her alarmed sounds rose again, then fell, and became a sort of meaningless cruning

Starting point is 09:50:11 while she kept herself between them, pushing Pete's plate nearer, patting his knife and fork into his hands. Look out, Pete said at last, pushing her hands away. Joe glared from the door, but he humored her, as he always did. Make it snappy, he said gruffly, turning away. When he had gone, the old lady returned to a chair and her discarded bowl of vegetables. Pete ate hungrily, sounds came back to him, a broom and indistinguishable words, and then the street door opened and closed, and above a swift tapping of heels he heard a woman's voice. It spoke to his brother at the desk.

Starting point is 09:50:54 But the brittle staccato came on without stopping. And as Pete raised his head, the girl entered on her high, cheap heels and an unbelievable length of pale stocking, severed sharply by her skimpy dark frock. Within the small bright bell of her hat, her painted, passionate face, and her tawdry shrillness was jointless and poised as a thin tree. "'Where you been?' she asked.

Starting point is 09:51:21 "'Off with some women?' He resumed his meal. More than one, she asked quickly, watching him. Yeah, five or six. Reason it took me so long. Oh, she said, you're some little papa, ain't you? He continued to eat, and she came over beside him. What you're so glum about?

Starting point is 09:51:43 Somebody take your candy away from you? She removed his hat. Say, look at your hat. She stared at it, then laid it on the table and sliding her hands. hand into his thickly curling hair, she tugged his face up and his queer golden eyes. "'Wipe your mouth off,' she said. But she kissed him anyway and raised her head again. "'You better wipe it off now, sure enough,' she said with contemplation.

Starting point is 09:52:11 She released his hair. "'Well, I got to go,' and she turned, but paused again at the old lady's chair and screamed at her to an Italian. The old lady looked up, nodding her head, then bent over her beans again. Pete finished his meal. He could still hear her shrill voice from the other room, and he lit a cigarette and strolled out. The old lady hadn't been watching him, but as soon as he was gone, she got up and removed the plate and washed it and put it away, and then sat down again and picked up her bowl.

Starting point is 09:52:47 Ready to go, huh? His brother looked up from the desk. here's the address. Snap it up now. I told her I'd have it out there by noon. The bulk of Joe's business was outside like this. He had a name for reliability of which he was proud. Take the Studebaker, he added.

Starting point is 09:53:07 That old hack? Pete paused, protesting. I'll take your Chrysler. Damn, if you will, his brother rejoined, heating again. Get on now, take that Studebaker like I told you. He said violently. If you don't like it, buy one of your own. Ah, shut up, Pete turned away.

Starting point is 09:53:27 With one of the booths, beyond a partly drawn curtain, he saw her facing the mirror, renewing the paint on her mouth. Beside her stood one of the waiters in his shirt sleeves, holding a mop. She made a swift signal with her hand to his reflection in the glass. He slanted his hat again, without replying. She was an old hack, beside the fawn and nickel splendor of the new Chrysler. But she would go and she'd carry six or seven cases comfortably. The four cases he now had were just peas in a matchbox. He followed the traffic to Canal Street, crossed it, and fell into the line waiting to turn on St. Charles.

Starting point is 09:54:07 The line inched forward, stopped, inched forward again when the bell rang. The policeman at the curb held the line again, and Pete sat watching the swarming, darting newsboys, and the loafers and shoppers and promenaders. little colt-like girls with her monotonous blonde legs. The bell rang, but the cop still held them. Pete leaned out, jazzing his idling engine. Come on, come on, you blue-bellied bastard, he called. Let's go. At last, the cop lowered his glove, and Pete whipped skillfully into St. Charles,

Starting point is 09:54:44 and presently the street widened and became an avenue, picketed with palms, and settling on to his spine and slanting his damaged straw hat to a sweat, staggering slant on his dark, reckless head. He began to overhaul the slow ones, passing them up. End of Section 58. Section 59 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org. Read by Michael Fasio. Mosquitoes by William Faulkner. Epilogue, Parts 3 and 4.

Starting point is 09:55:28 Fairchild's split. head ultimately roused him, and he lay for some time submerged in the dull, throbbing misery of his body, before he discovered that the boat was stationary again, and, after an effort of unparalleled stoicism, that it was eleven o'clock. No sound anywhere. Yet there was something in the atmosphere of his surroundings, something different. But trying to decide what it was only made his head pound the worse, so he gave it up and lay back again. The Semitic man slumbered in his birth. After a while, Fairchild groaned, and rose and wavered blundering across the cabin and drank deeply of water. Then he saw land through the port, a road, and a weathered-bored wall, and beyond it

Starting point is 09:56:15 trees. Mandiville, he decided. He tried to rouse the Semitic man, but the other cursed him from slumber and rolled over to face the wall. He hunted again for a bottle, but there were not even empty ones. Whoever did it had made a clean sweep. Well, a cup of coffee, then. So he got into his trousers and crossed the passage to a lavatory, and held his head beneath a tap for a while. Then he returned and finished dressing and sallied forth. Someone slumbered audibly in Major Ayers' room. It was Major Ayers himself, and Fairchild closed the door and went on, struck anew with that strange atmosphere which the yacht seemed to have gained overnight. The saloon was empty also, and a broken meal offended his temporarily refined sensibilities

Starting point is 09:57:09 with partially emptied cups and cold soiled plates. But still no sound, no human sound, save major heirs in the Semitic Man in Slumber's Strophy and Antistrophe. He stood in the door of the saloon and groaned again. Then he took him. his splitting head on deck. Here, he blinked in the light, shutting his eyes against it while hot brass hammers beat against his eyeballs. Three men dangled their legs over the edge of the key and regarded him, and he opened his eyes again and saw the three men. Good morning, he said. What town's this? Mandiville? The three men looked at him. After a time, one said, Mandiville. Mandiville? Mandiville what?

Starting point is 09:57:58 "'What town is it, then?' he asked. But as he spoke, awareness came to him, and looking about he saw a steel bridge and a trolley on the bridge, and further still a faint mauve smudge on the sky, and in the other direction the flag that floated above the yacht club, languorous and a faint breeze. The three men sat and swung their legs and watched him. Presently one of them said, "'Your party went off and left you.' "'Look like it,' Fairchild agreed.

Starting point is 09:58:27 Do you know if they said anything about sending a car back for us? No, she ain't going to send back today, the man answered. Fairchild cleared his aching eyes. It was the captain. Trolley back over yonder ways, he called after Fairchild as he turned and descended the companionway. Part four. Major Air's appointment was for three o'clock. His watch corroborated and commended him as he stepped from the elevator into a long, cool corridor, glassed on either hand by opaque plate from beyond which came a thin tapping of

Starting point is 09:59:05 typewriters. Soon he found the right door and entered it, and across a low barrier he gave his card to a thin, scented girl, glaring at her affably, and stood in the ensuing interval gazing out the window across diversified rectangles of masonry toward the river. The girl returned. Mr. Reichman will see you now, she said across her chewing gum, swinging the gate open for him. Mr. Reichman shook his hand and offered him a chair and a cigar. He asked Major Ayers for his impressions of New Orleans, and immediately interrupted the callers confused Staccato Beswant's to ask Major Ayers, for whom the war had served as a single possible condition

Starting point is 09:59:47 under which he could have returned to England at all, and to whom, for certain private reasons, London had been interdict since the armistice, how affairs compared between the two cities. Then he swung back in his patent chair and said, Now, Major, just what is your proposition? Ah, yes, said Major Ayers, flicking the ash from his cigar. It's assaults. Now all Americans are constipated.

Starting point is 10:00:15 End of Section 59. Section 60 of Mosquitoes. This is a Librevox recording. All Libravox recording. are in the public domain. For more information or to volunteer, please visit Librovocs.org. Recording by Rita Butros Mosquitoes by William Faulkner Epilogue Part 5

Starting point is 10:00:44 Beneath him on the ground floor, where a rectangle of light fell outward across the alley, a typewriter was being hammered by a heavy and merciless hand. Fairchild sat with a cigar on his balcony just above the unseen but audible typist, enjoying the cool darkness and the shadowed, tree-filled spaciousness of the cathedral close beneath his balcony. An occasional trolley clanged and crashed up Royal Street, but this was but seldom, and when it had died away there was no sound save the monotonous merging clatter of the typewriter. Then he saw and recognized Mr. Talioph.

Starting point is 10:01:29 Farrow, turning the corner, and with an exclamation of alarm, he sprang to his feet, kicking his chair over backward. Ducking quickly into the room, redolent of Penny Royal, he snapped off the reading lamp, and leaped upon a couch, feigning sleep. Mr. Taliaferro walked dapperly, swinging his stick, his goal in sight. Yes, Fairchild was right. he knew women, the feminine soul. No, not soul.

Starting point is 10:02:03 They have no souls. Nature, the feminine nature, that substance, that very substance of their being, impalpable as moonlight, challenging and retreating at the same time, inconsistent, nay, incomprehensible, yet serving their ends with such a devastating practicality. As though the earth,

Starting point is 10:02:28 the world, man and his very desires and impulses themselves had been invented for the sole purpose of hushing their little hungry souls by filling their time through serving their biological ends. Yes, boldness and propinquity and opportunity, that happy conjunction of technique and circumstance, being with the right one in the right place at the right time. Yes, yes, opportunity, opportunity, more important than all, perhaps. Mr. Talia Farrow put up opportunity. He called for a ballot. The eyes had it. He stopped utterly still in the flash of his inspiration. At last he had it, had the trick, the magic word. It was so simple that he stood in a maze at the fact that,

Starting point is 10:03:26 it had not occurred to him before. But then he realized that its very simplicity was the explanation. And my nature is complex, he told himself, gazing at stars in the hot, dark sky, in a path of sky above the open coffin of the street. It was so devastatingly simple that he knew a faint qualm. Was it—was it exactly sporting? wasn't it like shooting quail on the ground?

Starting point is 10:04:00 But no, no, now that he had the key, now that he had found the word, he dared admit to himself that he had suffered. Not so much in his vanity, not physically. After all, man can do without the pleasures of love, it will not kill him. But because each failure seemed to put years behind him with far more finality

Starting point is 10:04:25 than the mere recurrence of natal days. Yes, Mr. Italia Pharaoh owed himself reparation. Let them suffer who must. And was not that woman's part from time immemorial? Opportunity. Create your opportunity. Prepare the ground by overlooking none of those small, important trivialities, which means so much to them.

Starting point is 10:04:52 Then take advantage of it. and I can do that, he told himself. Indifference, perhaps, as though women were no rare thing with me, that there is perhaps another woman I had rather have seen, but circumstances over which neither of us had any control intervened. They, like a man who has other women for some reason. Can it be that love to them is half adultery and half jealousy? Yes, I can't do that sort of thing. I really can. She would have one suit of black underthings,

Starting point is 10:05:31 Mr. Taliaferro said aloud with a sort of exultation. He struck the pavement with his stick lightly. By God, that's it! he exclaimed in a hush tone, striding on. Create the opportunity, lead up to it delicately but firmly. Drop a remit. Drop a remark about coming tonight, only because I had promised. Yes, they like an honorable man. It increases their latitude. She'll say, please take me to dance, and I'll say, No, really, I don't care to dance tonight.

Starting point is 10:06:11 And she'll say, won't you take me? Leaning against me, eh? Let's see. Yes, she'll take my hand. But I shan't respond at once. She'll tease and then I'll put my arm around her and raise her face in the dark cab and kiss her coldly and I'll say Do you really want to dance tonight? And then she'll say, oh, I don't know, suppose we just drive around a while.

Starting point is 10:06:42 Will she say that at this point? Well, should she nod? Let's see, what would she say? Mr. Talia Farrow strode on, musing swiftly. Well, anyway, if she says that, if she does say that, then I'll say, no, let's dance. Yes, yes, something like that. Though perhaps I'd better kiss her again, not so coldly, perhaps.

Starting point is 10:07:11 But should she say something else, but then I shall be prepared for any contingency, eh? half the battle. Yes, something like that, delicately but firmly done, so as not to alarm the quarry. Some walls are carried by storm, but all walls are reduced by siege. There is also the fable of the wind and the sun and the man in a cloak. We'll change the gender by Jove, Mr. Taliaferro said aloud, breaking suddenly from his reverie to discover that, he had passed Fairchild's door. He retraced his steps and craned his neck to see the dark window.

Starting point is 10:07:56 Fairchild, no reply. Oh, Fairchild! The two dark windows were inscrutable as two fates. He pressed the bell, then stepped back to complete his aria. Beside the door was another entrance. Light streamed across a half-length lattice blind. like a saloon door. Beyond it, a typewriter was being thumped viciously.

Starting point is 10:08:24 Mr. Taliaferro knocked diffidently upon the blind. Hello! A voice boomed above the clattering machine, though the machine itself did not falter. Mr. Taliaferro pondered briefly, then he knocked again. Come in, damn you? The voice drowned the typewriter temporarily.

Starting point is 10:08:47 Come in! Do you think this is a bathroom? Mr. Talia Farrow opened the blind, and the huge, colorless man at the typewriter, raised his sweating Leonine head, and regarded Mr. Tali Afero fretfully. Well, pardon me, I'm looking for a fair child. Next floor, the other snapped, poising his hands.

Starting point is 10:09:12 Good night. But he doesn't answer. Do you happen to know if he is, in tonight? I do not. Mr. Taliaferro pondered again diffidently. I wonder how I might ascertain. I'm pressed for time. How in hell do I know? Go up and see, or stand out there and call him. Thanks, I'll go up if you've no objection. Well, go up then, the big man answered, leaping again upon his typewriter. Mr. Taliaphaer watched. him for a time. May I go through this way? He ventured at last mildly and politely.

Starting point is 10:09:54 Yes, yes, go anywhere, but for God's sake don't bother me any longer. Mr. Taliaphero murmured thanks and sidled past the large frenzied man. The whole small room trembled to the man's heavy hands, and the typewriter leaped and chattered like a mad thing. He went on and into a dark corridor, filled with a thin, vicious humming, and mounted lightless stairs into an acrid region, scented with Penny Royal. Fairchild heard him stumble in the darkness and groaned. I'll have your blood for this,

Starting point is 10:10:33 he swore at the thundering, oblivious typewriter beneath him. After a time his door opened, and the caller hissed, Fairchild, into the room. Fairchild swore again under his breast. breath. The couch complained to his movement, and he said, Wait there until I turn up the light. You'll break everything I've got, blundering around in the dark. Mr. Talia Farrow sighed with relief. Well, I had just about given you up and gone away

Starting point is 10:11:06 when that man beneath you kindly let me come through his place. The light came on under Fairchild's hand. Oh, you were asleep, weren't you? So, sorry to have disturbed you, but I want your advice as I fail to see you this morning. You got home all right? He asked with thoughtful tact. Fairchild answered, yes, shortly, and Mr. Taliaphael Pharaoh laid his hat and stick on a table, knocking therefrom a vase of late summer flowers. With amazing agility, he caught the vase before it crashed, though not before its contents

Starting point is 10:11:47 had liberally splashed him. Ah, the devil, he ejaculated. He replaced the vase and quickly fell to mopping at his sleeves and coat front with his handkerchief. And this suit fresh from the presser, too, he added with exasperation. Fairchild watched him with ill-suppressed vindictive glee.

Starting point is 10:12:11 Too bad, he commiserated insincerely, lying again on the couch. but she won't notice it. She'll be too interested in what you're saying to her. Mr. Taliaphaero looked up quickly, a trifle dubiously. He spread his handkerchief across the corner of the table to dry. Then he smoothed his hands over his neat, pale hair. Do you think so? Really?

Starting point is 10:12:38 That's what I stopped in to discuss with you. For a while, Mr. Taliah Fero sat neatly and gazed at his, host from beyond a barrier of a polite and hopeless despair. Fairchild remarked his expression with sudden curiosity, but before he could speak, Mr. Taliaferro re-assimilated himself and became again his familiar articulated mild alarm. What's the matter, Fairchild asked. I? Nothing, nothing at all, my dear fellow, why do you ask? You look like you had something on your mind just then.

Starting point is 10:13:20 The guest laughed artificially. Not at all. You imagined it, really. His hidden dark thing lurked behind his eyes yet, but he vanquished it temporarily. I will ask a favor, however, before I ask your advice, that you don't mention our conversation. The general trend of it, you know.

Starting point is 10:13:45 Fairchild watched. him with curiosity. To any of our mutual women friends, he added further, meeting his host's curious gaze. All right, Fairchild agreed. I never mentioned any of the conversations we have on this subject.

Starting point is 10:14:02 I don't reckon I'll start now. Thank you. Mr. Talia Farrow was again his polite smug self. I have a particular reason this time, which I'll divulge to you, as soon as I consider myself, you will be the first to know.

Starting point is 10:14:21 Sure, said Fairchild again. What is it to be this time? Ah, yes, said the guest with swift optimism. I really believe that I have discovered the secret of success with them. Create the proper setting beforehand, indifference to peak them, than boldness. That is what I have always overlooked. Listen, Tonight I shall turn the trick. But I want your advice. Fairchild groaned and lay back. Mr. Taliaferro picked his handkerchief from the table and whipped it about his ankles.

Starting point is 10:15:00 He continued, Now I shall make her jealous to begin with by speaking of another woman in a quite intimate terms. She will doubtless wish to dance, but I shall pretend indifference. And when she begs, me to take her to dance, perhaps I'll kiss her, suddenly but with detachment. You see? Yes, murmured the other, cradling his head on his arms and closing his eyes. Yes, so we'll go and dance, and I'll pet her a bit, still impersonally, as if I were thinking of someone else. She'll naturally be intrigued, and she'll say, what are you thinking of?

Starting point is 10:15:45 and I'll say, why do you want to know? She'll plead with me, perhaps dancing quite close to me, cajoling. But I'll say, I'd rather tell you what you are thinking of, and she will say, what, immediately, and I'll say, you are thinking of me. Now what do you think of that? What will she say then? Probably tell you you've got a swelled head.

Starting point is 10:16:12 Mr. Taliaferro's face fell. "'Do you think she'll say that?' "'Don't know. "'You'll find out soon enough.' "'No,' Mr. Taliaferro said after a while. "'I don't believe she will. "'I rather fancied she'd think I knew a lot about women.' "'He mused deeply for a time.

Starting point is 10:16:34 "'Then he burst out again. "'If she does, I'll say, perhaps so. "'But I am tired of this place. "'Let's go.' "'She'll not want to leave. but I'll be firm, and then— Mr. Taliaferro became smug, bursting with something he withheld. No, no, I shan't tell you.

Starting point is 10:16:56 It's too excruciatingly simple. Why, someone else has not—he sat gloating. Scared I'll run out and use it myself before you have a chance, Fairchild asked. No, really, not at all. I—he considered a morgue. moment, then he leaned to the other. It's not that at all, really. I only feel that being the discoverer, that sort of thing, eh? I trust you, my dear fellow, he added swiftly in a burst of confidence, merely my own scruples, you see, sure, said Fairchild dryly. I understand. You will have

Starting point is 10:17:39 so many opportunities, while I, again, that dark thing came up, behind Mr. Taliaferro's eyes and peered forth a moment. He drove it back, and you really think it will work? Sure, provided that final coup is as deadly as you claim, and provided she acts like she ought to, it might be a good idea to outline the plot to her, though, so she won't slip up herself. You are pulling my leg now, Mr. Talia Farrow bridle. slightly. But don't you think this plan is good? Air-tight. You've thought of everything, haven't you? Surely, that's the only way to win battles, you know. Napoleon taught us that.

Starting point is 10:18:31 Napoleon said something about the heaviest artillery, too, the other said wickedly. Mr. Tallyferro smiled with deprecatory complacence. I am as I am, he murmured. "'Especially when it hasn't been used in some time,' Fairchild added. "'Mr. Taliaferro looked like a struck beast, and the other said quickly, "'But are you going to try this scheme tonight, or are you just describing a hypothetical case?' "'Mr. Taliaferro produced his watch and glanced at it in consternation. "'Good gracious, I must run!' he sprang to his feet and thrust his handkerchief, into his pocket.

Starting point is 10:19:16 Thanks for advising me. I really think I have the system at last, don't you? Sure, the other agreed. At the door, Mr. Italia Farrow turned and rushed back to shake hands. Wish me luck, he said, turning again. He paused once more. Our little talk, you'll not mention it. Sure, sure, repeated Fairchild.

Starting point is 10:19:42 The door closed upon the caller. and his descending feet sounded on the stairs. He stumbled again, then the street door closed behind him, and Fairchild rose and stood on the balcony, and watched him out of sight. Fairchild returned to the couch and reclined again, laughing. Abruptly he ceased chuckling, and lay for a time in alarmed concern. Then he groaned again, and rose and took his hat. As he stepped into the alley, the Semitic man, pausing at the entrance, spoke to him.

Starting point is 10:20:19 Where are you going? he asked. I don't know, Fairchild replied. Somewhere. The great illusion has just called, he explained. He has an entirely new scheme tonight. Oh, slipping out, are you? The other asked, lowering his voice. No, he just dashed away, but I don't dare stay in this evening. he'll be back inside of two hours to tell me why this one didn't work.

Starting point is 10:20:47 We'll have to go somewhere else. The Semitic man mopped his handkerchief across his bald head. Beyond the lattice blind, beside them, the typewriter still chattered. The Fairchild chuckled again. Then he sighed. I wish Talaferro could find him a woman. I'm tired of being seduced. Let's go over to Gordons.

Starting point is 10:21:10 End of Section 60 Section 61 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org, recording by Rita Butros. Mosquitoes by William Faulkner Epilogue Part 6 The niece had already yawned elaborately

Starting point is 10:21:47 several times at the lone guest. She was prepared and recognized the preliminary symptoms, indicating that her brother was on the point of his customary, abrupt, and muttered departure from the table. She rose also with alacrity. Well, she said briskly, I've enjoyed knowing you a lot, Mark. Next summer, maybe we'll be back here, and we'll have to do it again, won't we? Patricia, her aunt said. "'Sit down.' "'I'm sorry, Aunt Pat. "'But Josh wants me to sit with him tonight.

Starting point is 10:22:23 "'He's going away tomorrow,' she explained to the guest. "'Aren't you going to?' Mark Frost asked. "'Yes, but this is our last night here, "'and Gus wants me to—' "'Not me.' "'Her brother denied quickly. "'You needn't come away on my account.' "'Well, I think I'd bet her anyway.'

Starting point is 10:22:44 "'Her aunt repeated. "'Patricia.' but the niece ignored her. She circled the table and shook the guest's hand briskly before he could rise. Goodbye, she repeated. Until next summer. Her aunt said, Patricia? Again firmly.

Starting point is 10:23:04 She turned again at the door and said politely. Good night, Aunt Pat. Her brother had gone on up the stairs. She hurried after him, leaving her aunt to call Patricia. From the diner. room and reached the head of the stairs in time to see his door close behind him. When she tried the knob, the door was locked, so she came away and went quietly to her room. She stripped off her clothes in the darkness and lay on her bed, and after a while she heard him

Starting point is 10:23:36 banging and splashing in the connecting bathroom. When these sounds had ceased, she rose and entered the bathroom quietly from her side, and quietly she tried his door. unlocked. She snapped on the light and spun the tap of the shower until needles of water drummed viciously into the bath. She thrust her hand beneath it at intervals. Soon it was stinging and cold, and she drew her breath as for a dive and sprang beneath it, clutching a cake of soap and cringe, shuddering and squealing while the water needled her hard simple body in its startling. bathing suit of white skin, matting her coarse hair, stinging and blinding her. She whirled the tap again, and the water ceased its antiseptic miniature thunder,

Starting point is 10:24:29 and after toweling herself vigorously, she found that she was hot as ever, though not sticky any longer. So moving more slowly, she returned to her room and donned fresh pajamas. This suit had as yet its original cord. went on her bare silent feet and stood again at the door of her brother's room, listening. Look out, Josh, she called suddenly, flinging open the door. I'm coming in. His room was dark, but she could discern the shape of him on the bed, and she sped across the room and plumped, jouncing onto the bed beside him. He jerked himself up sharply. Here, he exclaimed, what do you want to come in here worrying me for? He raised himself still for. He raised himself still

Starting point is 10:25:17 further, a brief violent struggle, and the niece thudded solidly on the floor. She said, ow, in a muffled surprise tone. Now, get out and stay out, her brother added. I want to go to sleep. Oh, let me stay a while. I'm not going to bother you. Haven't you been staying under my feet for a week without coming in here where I'm trying to go to sleep?

Starting point is 10:25:43 Get out now. Just a little while, she begged. I'll lie still if you want to go to sleep. You won't keep still. You go on now. Please, Gus, I swear I will. Well, he agreed at last, grudgingly. But if you start flopping around, I'll be still, she promised. She slid quickly onto the bed and lay rigidly on her back.

Starting point is 10:26:08 Outside in the hot darkness, insects scraped and rattled and droned. The room, however, was a spacious, quiet coolness. and the curtains at the windows stirred in a ghost of a breeze. Josh, she lay flat perfectly still. Huh? Didn't you do something to that boat? After a while, he said, what boat? She was silent, taught with listening.

Starting point is 10:26:36 He said, why? What would I want to do anything to the boat for? What makes you think I did? Didn't you now, honest? You're crazy. I never heard. I never was down there except when you came tagging down there that morning. What would I want to do anything to it for?

Starting point is 10:26:56 They lay motionless, a kind of tenseness. He said suddenly, did you tell her I did something to it? Oh, don't be a goof. I'm not going to tell on you. You're damn right, you won't. I never did anything to it. All right, all right. I'm not going to tell if you haven't got guts, too. You're yellow, Josh.

Starting point is 10:27:18 She told him calmly. Look here, I told you that if you wanted to stay in here, you'd have to keep quiet, didn't I? Shut up then, or get out. Didn't you break that boat, honest? No, I told you. Now you shut up or get out of here. They lay quiet for a time. After a while, she moved carefully, turning onto her belly by degrees.

Starting point is 10:27:42 She lay still again for a time, then she was still again for a time, then she was. raised her head. He seemed to be asleep, so she lowered her head and relaxed her muscles, spreading her arms and legs to where the sheet was still cool. I'm glad we're going tomorrow, she murmured, as though to herself. I like to ride on the train. And mountains again. I love mountains, all blue and blue. We'll be seeing mountains day after tomorrow. Little towns on them that don't smell like people eating all the time and mountains. No mountains between here and Chicago, her brother said gruffly. Shut up. Yes, there are. She raised herself to our elbow. There are some. I saw some coming down here. That was in Virginia and Tennessee. We don't go through

Starting point is 10:28:36 Virginia to Chicago, Dumbel. We go through Tennessee, though. Not that part of Tennessee. Shut up, I tell you. Here, you get up and go back to your room. No, please, just a little while longer. I'll lie still. Come on, Gus, don't be so crummy. Get out now, he repeated implacably. I'll be still. I won't say a word. No, outside now. Go on. Go on, Gus, like I tell you. She heaved herself over near her.

Starting point is 10:29:12 Please, Josh, then I'll... go. Well, be quick about it. He turned his face away, and she leaned down and took his ear between her teeth, biting it just a little, making a kind of meaningless maternal sound against his ear. That's enough, he said presently, turning his head and his moistened ear. Get out now! She rose obediently and returned to her room. It seemed to be hotter in here than in his room, so she got up and removed her pajamas and got back in bed and lay on her back, cradling her dark grave head in her arms and gazing into the darkness. And after a while it wasn't so hot, and it was like she was on a high place,

Starting point is 10:29:59 looking away out where mountains faded, dreaming and blue, and on and on into a purple haze under the slanting and solemn music of the sun. She'd see him day after tomorrow, Mountains. End of Section 61. Section 62 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org.

Starting point is 10:30:38 Recording by Rita Boutros. Mosquitoes by William Faulkner. Epilogue number seven. Fairchild went directly to the marble and stood before it, clasped in his hands at his burly back. The Semitic man sat immediately on entering the room, pre-empting the single chair. The host was busy beyond the rep curtain, which constituted his bedroom, from where he presently reappeared with a bottle of whiskey. He had removed both shirt and undershirt now, and beneath a faint reddish fuzz, his chest gleamed

Starting point is 10:31:15 with heat, like an oiled gladiators. I see, Fairchild remarked as the host entered, that you too have been caught by this modern-day fetish of virginity. But you have this advantage over us. Yours will remain inviolate without your having to shut your eyes to its goings-on. You don't have to make any effort to keep yours from being otherwise very satisfactory and very unusual. The greatest part of man's immolation of virginity is, I think, composed of an alarm and a suspicion that someone else may be, as the term is, getting it. Perhaps Gordon's alarm regarding his own particular illusion of it is that someone else may not get it,

Starting point is 10:32:07 the Semitic man suggested. No, I guess not, Fairchild said. He don't expect to sell this to anybody, you know. Who would pay out good money for a virginity? he couldn't later violate, if only to assure himself it was the genuine thing. Lita clasping her duck between her thighs could yet be carved out of it, however, the other pointed out, it is large enough for that, or... Swan, corrected Fairchild.

Starting point is 10:32:39 No, duck, the Semitic man insisted. Americans would prefer a duck, or udders and a fig leaf might be added, added to the thing as it stands, isn't that possible, Gordon? Yes, it might be restored, Gordon admitted dryly. He disappeared again beyond the curtain and returned with two heavy tumblers and a shaving mug bearing a name in Gothic lettering of faded guilt. He drew up the bench on which his enamel water pitcher rested, and Fairchild came and sat upon it.

Starting point is 10:33:16 Gordon took the shaving mug and went to lean his tall body against the wall. His intolerant hawk's face was like bronze in the unshaded glare of the light. The Semitic man puffed at his cigar. Fairchild raised his glass, squinting through it. Utters and a fig leaf, he repeated. He drank and set his tumbler down to light a cigarette. After all, that is the end of our. I mean, we do get something out of art, the Semitic man agreed.

Starting point is 10:33:53 We all admit that. Yes, said Fairchild, art reminds us of our youth, of that age when life don't need to have her face lifted every so often for you to consider her beautiful. That's about all the virtue there is in art. It's a kind of Battle Creek, Michigan for the spirit. And when it reminds us of youth, we remember. remember grief and forget time. That's something. Something, if all a man has to do is forget time, the Semitic man rejoined. But one who spends his days trying to forget time is like one who spends

Starting point is 10:34:32 his time forgetting death or digestion. That's another instance of your unshakable faith in words. It's like morphine languages. A fearful habit to form. You become a bore to all who would otherwise cherish you. Of course, there is the chance that you may be hailed as a genius after you are dead long years, but what is that to you? There will still be high endeavor that ends, as always, with kissing in the dark, but where are you? Time, time? Why worry about something that takes care of itself so well? You were born with the habit of consuming time. Be satisfied with that. Tom of Bedlam had the only genius for consuming time, that is, to be utterly unaware of it. But you speak for the artists. I am thinking of the majority of us who are not artists

Starting point is 10:35:31 and who need protection from artists, whose time the artists insist on passing for us. We get along quite well with our sleeping and eating and procreating, if you artists only let us alone. But you, accursed, who are not satisfied with the world as it is, and so must try to rebuild the very floor you're standing on. You keep on talking and shouting and gesturing at us until you get us all fidgety and alarmed. So I believe that if art served any purpose at all, it would at least keep the artist themselves occupied. Fairchild raised his glass again. It's more than that. It's getting into life, getting into it, and wrapping it around you, becoming a part of it. Women can do it without art. Old biology takes care of that, but men, men, a woman conceives.

Starting point is 10:36:32 Does she care afterward whose seed it was? Not she. And bears, and all the rest of her life. Her young troubling years, that is, is filled. Of course, she. the father can look at it occasionally, but in art a man can create without any assistance at all. What he does is his. A perversion, I grant you, but a perversion that builds shart and invents a leer is a pretty good thing. He drank and set his tumbler down. Creation, reproduction from within. Is the dominating impulse in the world feminine, after all, as Aboriginal people, believe. There is a kind of spider or something. The female is the larger, and when the male goes to her, he goes to death. She devours him during the act of conception. And that's man, a kind of

Starting point is 10:37:30 voraciousness that makes an artist stand beside himself with a notebook in his hand, always, putting down all the charming things that ever happened to him, killing them for the sake of some problematical something he might or he might not ever use. Listen, he said, love, youth, sorrow and hope and despair. They were nothing at all to me until I found later some need of a particular reaction to put in the mouth of some character of whom I wasn't at that time certain, and that I don't yet consider very admirable. But maybe it was because I had to work with.

Starting point is 10:38:12 all the time to earn a living when I was a young man. Perhaps so, the Semitic man agreed. People still believe they have to work to live. Sure, you have to work to live, Fairchild said quickly. You'd naturally say that. If a man has had to deny himself any pleasures during his pleasure in years, he always likes to believe it was necessary. That's where you get your Puritans from.

Starting point is 10:38:42 We don't like to see anyone violate laws we observed and get away with it. God knows, heaven is a dry reward for abnegation. Fairchild rose and went to stand again before the fluid, passionate fixity of the marble. The end of art, he repeated. I mean, to the consumer, not to us. We have to do it. They don't. They can take it or leave it.

Starting point is 10:39:10 probably Gordon feels the same way about stories that I do about sculpture. But for me, he mused upon the marble for a time. When the statue is completely nude, it has only a coldly formal significance, you know. But when some foreign matter, like a leaf or a fold of drapery, kept there in defiance of gravity, by God only knows what, draws the imagination to wear the organs of reproduction, are concealed, it lends the statue a warmer, a more speculative significance supplied the Semitic man.

Starting point is 10:39:52 Speculative significance, which I must admit I require in my sculpture. Certainly the moralists agree with you. Why shouldn't they? The same food nourishes everybody's convictions alike, and a man that earns his bread in a glue factory, must get some sort of pleasure from smelling cattle hoofs, or a change his job. There's your perversion, I think.

Starting point is 10:40:19 And, the Semitic man said, if you spend your life worrying over sex, it's an added satisfaction to get paid for your time. Yes, but if I earned my bread by means of sex, at least I'd have enough pride about it to be a good honest whore. Gordon came over and filled the glasses again, Fairchild returned and got his and prowled aimlessly about the room examining things. The Semitic man sat with his handkerchief spread over his bald head.

Starting point is 10:40:52 He regarded Gordon's naked torso with envious wonder. They don't seem to bother you at all, he stated fretfully. Look here, Fairchild called suddenly. He had unswaddled a damp cloth from something, and he now bent over his find. Come here, Julius? The Semitic man rose and joined him. It was clay yet damp,

Starting point is 10:41:18 and from out its dull, dead grayness, Mrs. Morier looked at them. Her chins harshly and her flaccid jaw muscles with savage verisimilitude. Her eyes were caverns, thumbed with two motions, into the dead familiar astonishment of her face, and yet, behind the,

Starting point is 10:41:38 them somewhere within those empty sockets. Behind all her familiar surprise, there was something else, something that exposed her face for the mask it was, and still more a mask unaware. Well, I'm damned, Fairchild said slowly, staring at it.

Starting point is 10:41:59 I've known her for a year, and Gordon comes along after four days, well, I'll be damned, he said again. I could have told you, the Semitic man said, but I wanted you to get it by yourself. I don't see how you missed it. I don't see how anyone with your faith in your fellow man could believe that anyone could be as silly as she without reason. An explanation for a silliness? Fairchild repeated, does her sort of silliness require explanation?

Starting point is 10:42:36 It shouts it, the other hand. answered, look how Gordon got it right away. That's so, Fairchild admitted. He gazed at the face again, then he looked at Gordon with envious admiration. And you got it right away, didn't you? Gordon was replenishing the glasses again. He couldn't have missed it, the Semitic man repeated. I don't see how you missed it. You are reasonably keen about people, sooner or later. "'Well, I guess I missed her,' Fairchild returned, and extended his tumbler. "'But it's the usual thing, ain't it? Plantations and things, first family and all that.'

Starting point is 10:43:21 "'Something like that,' the Semitic man agreed. He returned to his chair, and Fairchild sat again beside the water pitcher. She's a northerer herself, married it. Her husband must have been pretty old when they married. That's what explains her, I think. What does, be in a northerner or marriage? Marriage starts and explains lots of things about us, just like singleness or widowhood does. And I guess the Ohio River can affect your destiny too,

Starting point is 10:43:55 but how does it explain her? The story is that her people forced her to marry old Morier. He had been overseer on a big place before the same. Civil War. He disappeared in 63, and when the war was over, he turned up again riding a horse with a Union Army, cavalry saddle, and $100,000 in uncut federal notes for a saddle blanket. Lord knows what the amount really was, or how he got it, but it was enough to establish him. Money, you can't argue against money, you only protest. everybody expected him to splurge about with his money,

Starting point is 10:44:40 show up the penniless aristocracy, that sort of thing, work out some of the inhibitions he must have developed during his overseer days, but he didn't. Perhaps he'd got rid of his inhibitions during his sojourn at the war. Anyway, he failed to live up to character, so people decided that he was a moral coward, that he was off somewhere in a moment, hull with his money like a rat.

Starting point is 10:45:08 And this was the general opinion until a rumor got out about several rather raw land deals in which he was assisted by a Jew named Julius Kaufman, who was acquiring a fortune and an unsavory name during those years immediately following General Butler's assumption of the local purple.

Starting point is 10:45:32 And when the smoke finally cleared somewhat, He had more money than ever rumor could compute, and he was the proprietor of that plantation on which he had once been a head servant, and within a decade he was landed gentry. I don't doubt but that he had dug up some blue-blood emigre ancestry. He was a small shrewd man, a cold and violent man, just the sort to have an unimpeachable genealogy,

Starting point is 10:46:03 humorless and shrewd, but I don't doubt that he sat at times in the halls of his newly adopted fathers and laughed. The story is that her father came to New Orleans on a business trip with a blessing from Washington. She was young then, probably a background of an exclusive school and a social future, the taken for granted capital letter kind. but all somehow rather precarious, cabbage, and a footman to serve it, a salon in which they sat politely, surrounded by objects and spoke good French, and bailiff's men on the veranda and the butcher's bill in the kitchen. Gentility, evening clothes without fresh linen underneath.

Starting point is 10:46:54 I imagine he, her father, was pretty near at the end of his rope. some government appointment, I imagine, brought him south, hijacking privileges with official sanction, you know. The whole family seemed to have found our climate salubrious, though what with hibiscus and mimosa on the lawn instead of bailiffs, and our dulcet heirs after the rigors of New England, and she cut quite a figure among the Junest Dore of the 90s, fell in love with a young chap, penniless but real people, who led cotillions and went without gloves to send her flowers and glassy trifles from the Rue van Dome, and sang to a guitar among the hibiscus and mimosa when stars were wont to rise. Old Morier had made a bid himself in the meantime.

Starting point is 10:47:54 Morier was not yet accepted by the nobles, But you can't ignore money, you know. You can only protest and tremble. It took my people to teach the world that. And so, the Semitic man drained his glass, he continued, You know how it is, how there comes a certain moment in the course of human events, during which everything, public attention, circumstance, even destiny itself, is caught at the single possible.

Starting point is 10:48:27 instant, and the actions of certain people, for no reason at all, become of paramount interest and importance to the rest of the world. That's how it was with these people. There were wages laid, a famous gambler even made a book on it, and all the time she went about her affairs, her parties and routes and balls behind that cold dressed in China mask of hers. She was quite beautiful then, they say. People always paint in her, you know. Her face in every exhibition, her name, a byword in the street, and a toast at Antoine's or the St. Charles. But then, perhaps nothing went on behind that mask at all. Of course there was, said Fairchild quickly, for the sake of the story, if nothing else. Pride, anyway, I guess, she had that. The Semitic

Starting point is 10:49:26 man reached for the bottle. Gordon came and refilled his mug. It must have been pretty hard for her, even if there was only pride to suffer. But women can stand anything. Hand enjoy it, Fairchild put in, but go on. That's all. They were married in the cathedral. She wasn't a Catholic. Ireland had yet to migrate in any sizable quantities when her people established themselves in New England. That was another thing, mind you. And her hoarseless Lockenvar was present. Betts had been made that if he stayed away or passed the word, no one would attend at all. Morrie was still regarded. Well, imagine for yourself a situation like that, a tradition of ease unassailable and unshakable gone to pieces right under you,

Starting point is 10:50:22 and out of the wreckage, rising a man who once held your stirrup while you mounted. Thirty years is barely the adolescence of bitterness, you know. I'd like to have seen her coming out of the church afterward. They would have had a canopy leading from the door to the carriage. There must have been a canopy, and flowers, heavy ones. Lakenvar would have sent Gardinia's, and she decked out in all the... the pagan trappings of innocence and her beautiful secret face beside that cold violent man,

Starting point is 10:50:59 graying now, but you have remarked how it takes the harlequinade of aristocracy to really reveal peasant blood, haven't you? And her Lankenvar to wish her godspeed, watching her ankles as she got into the carriage. They never had any children. Morrie may have been too old. yourself may have been barren. Often that type is, but I don't think so. I believe. But who knows, I don't. Anyway, that explains her to me. At first, you think it's just silliness, lack of occupation, a tub of washing, to be exact. But I see something thwarted back of it all, something stifled,

Starting point is 10:51:47 yet which won't quite die. A virgin, Fairchild said him. immediately. That's what it is exactly. Fooling with sex, kind of dabbing at it, like a kitten at a ball of a string. She missed something. Her body told her so, insisted, forced her to try to remedy it and fill the vacuum. But now her body is old. It no longer remembers that it missed anything, and all she has left is a habit, the ghost of a need to rectify something. The lack of which her body has long since forgotten about. The Semitic man lit his cold cigar again. Fairchild gazed at his glass,

Starting point is 10:52:33 turning it this way and that, slowly in his hand. Gordon stood yet against the wall, looking beyond them and watching something not in this room. The Semitic man slapped his other wrist, then wiped his palm on his handkerchief. Fairchild spoke, and I missed it. Missed it clean, he mused.

Starting point is 10:52:55 And then Gordon. Say, he looked up suddenly. How did you happen to learn all this? Julius Kaufman was my grandfather. The Semitic man replied, Oh, well, it's a good thing you told me about it. I guess I won't have another chance to get anything from her at first hand.

Starting point is 10:53:16 He chuckled without mirth. Oh, yes, you will, the other told him. She won't hold this boat party against us. People are far more tolerant of artists than artists are of people. He puffed at his cigar for a time. The trouble with you, he said, is that you don't act right at all. You are the most disappointed artist I know. Mark Frost is much nearer the genuine thing than you are. But then he's got more time to be a genius than you have. You spent too much time writing, and that's where Gordon is going to fall down. You and he typify genius decolete, and people who own motor cars and food draw the line

Starting point is 10:54:03 just at Neglige somewhere about the collarbone. And remind me to give that to Mark tomorrow. It struck me several times these last few days that he needs a new one. Speaking of Decolate, Fairchild mopped his face again. What is it that makes a man drink whiskey on a night like this anyway? I don't know, the other answered. Perhaps it's a scheme of natures to provide for our Italian immigrants, or of providence.

Starting point is 10:54:36 Prohibition for the Latin politics for the Irish invented he, them. Fairchild filled his glass again unsteadily. Might as well make a good job of it, he said. Gordon yet leaned against the wall, motionless and remote. Fairchild continued, Italians and Irish, Where do a homegrown Nordics come in? What is he invented for us? Nothing, the Semitic man answered.

Starting point is 10:55:07 You invented Providence. Fairchild raised his tumbler, gulping, and a part of the liquor ran over thinly and trickled. from both corners of his mouth down his chin. Then he set the glass down and stared at the other with a mild astonishment. I am afraid, he enunciated carefully, that that one is going to do the business for me. He wiped his chin unsteadily, and moving, he struck his empty glass to the floor. The Semitic man groaned.

Starting point is 10:55:44 Now we'll have to move again. just when I had become inured to them. Or perhaps you'd like to lie down for a while? Fairchild sat and mused a moment. No, I don't, he stated thickly. If I lie down, I wouldn't get up again. Little air, fresh air, I'll go outside. The Semitic man rose and helped him to his feet.

Starting point is 10:56:12 Fairchild pulled himself together. Come along, Gordon. I've got to get outside for a while. Gordon came out of his dream. He came and raised the bottle to the light and divided it between his mug and the Semitic Man's Tumblr. And supporting Fairchild between them, they drank. Then Fairchild must examine the marble again.

Starting point is 10:56:38 I think it's kind of nice. He stood before it swaying, swallowing the hot, salty liquid that contains, that continued to fill his throat. You kind of wish she could talk, don't you? It would be sort of like wind through trees. No, not talk. You'd like to watch her from a distance on a May morning,

Starting point is 10:57:02 bathing in a pool where there were a lot of poplar trees. Now this is the way to forget your grief. She is not blonde, Gordon said harshly, holding the empty bottle in his hand. She is dark, darker than fire. She is more terrible and beautiful than fire. He ceased and stared at them. Then he raised the bottle

Starting point is 10:57:28 and hurled it crashing into the huge, illitered fireplace. Not, murmured Fairchild, trying to focus his eyes. Marble purity, Gordon said in his harsh, intolerant voice, pure because they have yet to discover some way to make it unpure. They would if they could, God damn them? He stared at them for a moment from beneath his caverned bronze brows.

Starting point is 10:57:58 His eyes were pale as two bits of steel. Forget grief, he repeated harshly. Only an idiot has no grief. Only a fool would forget it. What else is there in this world? sharp enough to stick to your guts. He took the thin coat from behind the door and put it on over his naked torso.

Starting point is 10:58:22 And they helped Fairchild from the room and down the dark stairs, abruptly subdued and quiet. End of Section 62. Section 63 of Mosquitoes. This is a Librevox recording. All Librevox recordings are in the public domain. For more information,

Starting point is 10:58:49 or to volunteer, please visit Librivox.org, recording by Rita Boutros. Mosquitoes by William Faulkner Epilogue Part 8 Mark Frost stood on the corner, frankly exasperated. The street light sprayed his tall, ghostly figure, with shadows of bitten late August leaves,

Starting point is 10:59:14 and he stood in indecision, musing fretfully. His evening was spoiled, too late to instigate anything on his own hook or to join anyone else's party, too soon to go home. Mark Frost depended utterly upon other people to get his time passed. He was annoyed principally with Mrs. Moray, annoyed and unpleasantly shocked and puzzled, at her strange, not coldness, rather detachment, aloofness, callousness. you were at all artistic, if you had any taint of art in your blood, dining with her filled the evening. But now, tonight, never saw the old girl so bloodless in the presence of genius,

Starting point is 11:00:03 he told himself, didn't seem to give a damn whether I stayed or not. But perhaps she doesn't feel well, after the recent excitement, he added generously, being a woman too. He had completely forgotten about the niece, the sepulchral moth of his heart, had completely forgotten that temporary flame. His car, owned and operated by the city, came along presently, and instinct got him aboard. Instinct also took the proper transfer for him, but a crumb of precaution, or laziness at the transfer point, hailed him amid automobiles bearing the young, enchanted of various ages swiftly toward nowhere or less to and within a corner drugstore where was a telephone. His number cost him a nickel.

Starting point is 11:00:58 Hello, it's me. Thought you were going out tonight? Yes, I did. Very stupid party, though. I couldn't stick it. So you decided to stay in, did you? No, I just thought I'd call you up. You're welcome.

Starting point is 11:01:15 I have another button off. thanks i'll bring it next time i'm out that way to-night well huh all right i'll come on out good-bye his very ghostliness seemed to annihilate space he invariably arrived after you had forgotten about him and before you expected him but she had known him for a long time and ere he could ring she appeared in a window overhead and dropped the latchkey, and he retrieved its forlorn clink and let himself into the dark hall. A light gleamed dimly from the stairhead where she leaned to watch the thin evaporation of his hair as he mounted. I'm all alone tonight, she remarked. The folks are gone for the weekend.

Starting point is 11:02:07 They didn't expect me back until Sunday. That's good, he answered. I don't feel up to talking to your mother tonight. neither do I, not to anybody, after these last four days, come in. It was a vaguely bookish room in the middle of which, a heavy, hot-looking champagne-shaded piano lamp cast an oasis of light upon a dull blue brocaded divan. Mark Frost went immediately to the divan and lay at full length upon it. Then he moved again and extracted a package of cigarette.

Starting point is 11:02:45 from his jacket. Miss Jameson accepted one, and he relaxed again and groaned with hollow relief. I'm too comfortable, he said. I'm really ashamed to be so comfortable. Miss Jameson drew up a chair just without the oasis of light. Help yourself, she replied. There's nobody here but us. The family won't be back until Sunday night. Elegant, Mark Frost murmured. He laid his arm across. his face, shading his eyes. Whole house to yourself. You're lucky.

Starting point is 11:03:21 Lord, I'm glad to be off that boat. Never again for me. Don't mention that boat, Miss Jameson shuddered. I think it'll be never again for any of that party. From the way Mrs. Morrier talked this morning. Not for Dawson and Julius anyway. Did she send a car back for them?

Starting point is 11:03:42 No. After yesterday they could have fallen over board, and she wouldn't even have notified the police. But let's don't talk about that trip any more, she said wearily. She sat just beyond the radius of light, a vague, humorless, fragility. Mark Frost lay on his back smoking a cigarette. She said, while I think of it, will you be sure to lock the door after you? I'll be here alone tonight.

Starting point is 11:04:11 All right, he promised, from beneath his arm. His pale prehensile mouth released the cigarette and his arm swung it outward to where he hoped there was an ashtray. The ashtray wasn't there and his hand made a series of futile dabbing motions

Starting point is 11:04:28 until Miss Jameson leaned forward and moved the ashtray into the automatic ellipsis of his hand. After a while she leaned forward again and crushed out her cigarette. A clock somewhere behind him tapped monotonously at silence, and she moved restlessly in her chair, and presently she leaned and took another cigarette from his pack. Mark Frost removed his arm long enough to raise the pack to his

Starting point is 11:04:57 vision and count the remaining cigarettes. Then he replaced his arm. You're quiet tonight, she remarked. He grunted, and once more she leaned forward and ground out her half-smoked cigarette with decision. She rose, I'm going to take off some clothes and get into something cooler. Nobody here to object. Excuse me a moment. He grunted again beneath his arm, and she went away from the oasis of light. She opened the door of her room and stood in the darkness just within the door a moment.

Starting point is 11:05:34 Then she closed the door audibly, stood for a moment, then opened it again slightly and pressed the light switch. She went to her dressing tape. and switched on two small, shaded electric candles there, and returned and switched off the ceiling light. She considered for a while, then she returned to the door, and stood with the knob in her hand. Then without closing it, she went back to the dressing table and turned off one of the lights there.

Starting point is 11:06:04 This left the room filled with a soft pinkish glow in which a hushed gleaming of crystal on the dressing table was the only distinguishable feature. She removed her dress hastily and stood in her underthings with a kind of cringing, passive courage. But there was still no sound of movement beyond the door,

Starting point is 11:06:26 and she switched on the other light again and examined herself in the mirror. She mused again, examining her frail body in its intimate garment. Then she ran swiftly and silently to a chest of drawers and in a locked drawer she sought feverishly among a delicate neat mass of sheer fabric, coming at last upon an embroidered nightdress, neatly folded and unworned and scented faintly.

Starting point is 11:06:55 Then standing where the door, should it be opened, would conceal her for a moment, she slipped the gown over her head, and from beneath it she removed the undergarmament. Then she took her reckless, troubled heart, and the fragile and humorless, calmness in which it beat, back to the dressing table. And sitting before the mirror, she assumed a studied pose, combing and combing out her long, uninteresting hair. Mark Frost lay at length on the divan, as was his habit, shading his eyes with his arm.

Starting point is 11:07:31 At intervals he roused himself to light a fresh cigarette, at each time, counting the diminishing few that remained with static alarm. A clock ticked regularly somewhere in the room. The soft light from the lamp bathed him in a champagne-colored and motionless sea.

Starting point is 11:07:52 He raised a fresh cigarette. His pale prehensile mouth wrapped about it as though his mouth were a separate organism. But after a while there were no more cigarettes, and roused temporarily, he remarked his hostesses

Starting point is 11:08:08 prolonged absence. But he lay back again, luxuriating in quiet, and the suave surface on which he rested. But before long he raised the empty cigarette package, and groaned dismally, and rose and prowled quietly about the room, hoping perhaps to find one cigarette someone had forgotten, but there was none. The couch drew him, and he returned to the oasis of light, where he described. and captured the practically whole cigarette which Miss Jameson had discarded. Snipe, he murmured with sepulchral humorlessness, and he fired it, averting his head, lest he lose his eyelashes in doing so, and he lay once more, shading his eyes with his arm. The clock ticked on in the silence. It seemed to be directly behind him.

Starting point is 11:09:05 If he could just roll his eyes a bit further back into his. skull. He'd better look anyhow after a while. After midnight, only one trolley to the hour, if he missed the 12 o'clock car. So after a while he did look, having to move to do so, and he immediately rose from the divan in a mad, jointless haste. Fortunately, he remembered where he had left his hat, and he caught it up and plunged down the stairs and on through the dark hall. He blundered into a thing or so, but the pale rectangle of the glass door guided him, and after a violent struggle he opened it, and leaping forth he crashed it behind him. It failed to catch, and in mid-flight down the steps,

Starting point is 11:09:55 he glanced wildly back at the growing darkness of its gap, that revealed at the top edge a vague gleam from the light at the head of the stairs. The corner was not far, and as he ran loosely and frantically toward it, there came among the grave gesturing of tall palms, a worn and bloodless rumor of the dying moon, and the rising hum of the streetcar crashed among the trees. He saw its lighted windows halt,

Starting point is 11:10:26 heard its hum cease, saw the windows move again, and heard its hum rise swelling, drowning his horse reiterated cries. But the conductor saw him at last, and pulled the cord again, and the car halted once more, humming impatiently. And Mark Frost plunged his long, ungovernable legs across the soft, slumberous glare of polished asphalt, and clawed his panting ghostly body through the open doors,

Starting point is 11:10:57 out of which the conductor leaned calling to him, Come on, come on, this ain't a taxi. End of Section 63. of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, please visit Libravox.org,

Starting point is 11:11:30 recording by Rita Butros. Mosquitoes by William Faulkner Epilogue Part 9 Three gray soft-footed priests had passed on, but in an interval hushed by windowless old wall, there lingers yet a thin celibate despair. Beneath a high stone gate with a crest and a device in carven stone,

Starting point is 11:11:56 a beggar lies, nursing in his hand a crust of bread. Gordon, Fairchild, and the Semitic man walked in the dark city. Above them the sky, a heavy, voluptuous night, and huge hot stars like wilting gardenias. About them,

Starting point is 11:12:15 streets, narrow, shallow canyons of shadow, rich with decay, and laced with delicate ironwork, scarcely seen. Spring is in the world somewhere, like a blown, keen reed, high and fiery cold. He does not yet see it, a shape which he will know he does not yet see it. The three priests pass on. The walls have hushed their grey and unshawed feet. In a doorway slightly ajar were women, their faces in the starlight, flat and pallid and rife, odorous and exciting and unchaste. Gordon, Hello Dempsey, loomed hatless above his two companions. He strode on, paying the women no heat. Fairchild lagged, the Semitic man per force also.

Starting point is 11:13:10 A woman laughed, rife and hushed, and rich in the odorous dark. Come in, boys. Lots of girls cool you off. Come in, boys. The Semitic man drew Fairchild onward, babbling excitedly. That's it. That's it. You walk along a dark street in the dark. The dark is close and intimate about you. Hold in all things, anything.

Starting point is 11:13:36 You need only put out your hand to touch life, to feel the beating heart of life. Beauty. A thing unseen. It suggested, natural and fecund and foul. You don't stop for it, you pass on. The Semitic man drew him onward after Gordon's tall striding. I love three things, rats like dull and cunning silver, keen and plump as death, steal out to gnaw the crust,

Starting point is 11:14:07 held loosely by the beggar beneath the stone gate. Unreproved, they swarm about his still recumbent shape, Exploring his clothing in an obscene silence, dragging their hot bellies over his lean and aged chilled body, sniffing his intimate parts. I love three things. He drew Fairchild onward, babbling in an ecstasy. A voice, a touch, a sound.

Starting point is 11:14:37 Life going on about you unseen in the close dark, beyond these walls, these bricks. Fairchild's stucing. He stopped laying his hand against the heat-drunken wall beside him, staring at his friend in the starlight. Gordon strode on ahead. In this dark room or that dark room, you want to go into all the streets, of all the cities men living,

Starting point is 11:15:03 to look into all the darkened rooms in the world, not with curiosity, not with dread, nor doubt, nor disapproval, but humbly, gently, as you would steal in to look at a sleeping child, not to disturb it. Then as one rat, they flash away, and secure again and still, they become as a row of cigarettes, unwinking at a single level. The beggar, whose hand yet shapes his stolen crust, sleeps beneath the stone gate. Fairchild babbled on. Gordon striked. on a head, turned and passed through a door. The door swung open, letting a sheet of light fall outward across the pavement.

Starting point is 11:15:52 Then the door swung to, snatching the sheet of light again. The Semitic man grasped Fairchild's arm, and he halted. About him the city swooned in a voluption of dark and heat, a sleep which was not sleep, and dark and heat lapped his burly short body. about with the hidden eternal pulse of the world. Above him, above the shallow, serrated canyon of the street, huge hot stars burned at the heart of things. Three more priests, barefoot, in robes the color of silence, appear from nowhere. They are speeding after the first three when they spy the beggar beneath the stone gate. They pause above him. The walls hush away. The walls hush away.

Starting point is 11:16:42 their gray and sibilant footsteps. The rats are motionless as a row of cigarettes. Gordon reappeared, looming above the other two in the hushed starlight. He held in his hand a bottle. The priest drawn nearer, touching one another, leaning diffidently above the beggar in the empty street, while silence comes slow as a procession of nuns with breathing blent. Above the hushed walls, a thing wild and passionate, remote and sad, shrill as pipes and yet unheard. Beneath it, soundless shapes amid which, vaguely, a maiden in an ungirdled rope and with a thin, bright chain between her ankles, and a sound of far lamenting. They went on around a corner and into a darker street. Gordon stopped again, brooding and remote,

Starting point is 11:17:42 He raised the bottle against the sky. Yes, bitter and newest fire, fueled close now with sleep, hushed her strange and ardent fire, a chrysalis of fire whitely, splendid and new as fire. He drank, listening to the measured beat of his wild, bitter heart. Then he passed the bottle to his companions, brooding his hawk's face above them against the sky, The others drank.

Starting point is 11:18:14 They went on through the dark city. The beggar yet sleeps, shaping his stolen crust, and one of the priests says, Do require aught of man, brother? Just above the silence amid the shapes, a young naked boy dobed with vermilion, carrying casually a crown. He moves erratic with senseless laughter,

Starting point is 11:18:39 and the headless naked body of a woman carved of ebony, surrounded by women wearing skins of slain beasts and chained one to another lamenting. The beggar makes no reply, he does not stare, and the second priest leans nearer his pale, half-shadowed face. Beneath his high white brow, he is not asleep, for his eyes stare quietly past the three priests without remarking them. The third priest leans down, raising his voice,

Starting point is 11:19:17 Brother, they stopped and drank again. Then they went on. The Semitic man carrying the bottle, nursing it against his breast. I love three things. Fairchild walked erratically beside him. Above him, among the mad stars, Gordon's bearded. head. The night was full and rich, smelling of streets and people, of secret beings and things. The beggar does not move, and the priest's voice is a dark bird seeking its way from out a cage.

Starting point is 11:19:53 Above the silence between it and the attic sky, there grows a sound like that of the sea heard afar off. The three priests gaze at one another. The beggar loves. The beggar loves. motionless beneath the stone gate the rats stare their waiting cigarettes upon the scene I love three things gold a marble and purple the sound grows amid shadows and echoes it becomes a wind thunderous from hills with the clashing hooves of centaurs the headless black woman is a carven agony beyond the fading placidity and of the ungirdled maiden. And as the shadows and echoes blend, the chained women raise their voices anew, lamenting thinly. They were accosted,

Starting point is 11:20:49 whispers from every doorway, hands unchaste and importunate, and rife in the tense wild darkness. Fairchild wavered beside him, and Gordon stopped again. I'm going in here, he said, give me some money. The Semitic man gave him a nameless bill.

Starting point is 11:21:10 The wind rushes on, becoming filled with leaping figures, antica's flames, and a sound of pipes, fiery colt, carves the world darkly out of space. The centaur's hooves clash, storming. Shrill voices ride the storm like gusty birds, wild and passionate and sad. A door opened in the wall. Gordon entered, and before the door closed again, they saw him in a narrow passageway, lift a woman from the shadow,

Starting point is 11:21:45 and raise her against the mad stars, smothering her squeal against his tall kiss. Then voices and sounds, shadows and echoes change form, swirling, becoming the headless, armless, legless torso of a girl. motionless and virginal and passionately eternal before the shadows and echoes whirl away. They went on.

Starting point is 11:22:12 The Semitic man nursed the bottle against his breast. I love three things. Dante invented Beatrice, creating himself a maid that life had not had time to create and laid upon her frail and unbowed shoulders the whole burden of man's history of his impossible heart's desire. At last, one priest, becoming bolder, leans yet nearer, and slips his hand beneath the beggar's sorry robe against his heart.

Starting point is 11:22:47 It is cold. Suddenly Fairchild stumbled heavily beside him and would have fallen. He held Fairchild up and supported him to the wall, and Fairchild leaned against the wall. His head tilted back, hatless, staring into the sky, listening to the dark and measured beating of the heart of things.

Starting point is 11:23:12 That's what it is, genius. He spoke slowly, distinctly, staring into the sky. People confuse it, so, you see, they have got it now to where it signifies only an active state of the mind in which a picture is painted or a poem is written, when it is not that at all. It is that passion weak of the heart, that instant of timeless beatitude, which some never

Starting point is 11:23:43 know, which some, I suppose, gain at will, which others gain through an outside agency like alcohol, like tonight, that passive state of the heart with which the mind, the brain has nothing to do at all, in which the hackneyed accidents which make up this world, love and life and death and sex and sorrow, brought together by chance in perfect proportions, take on a kind of splendid and timeless beauty, like Yassault of the white hands and her Tristan, with that clean, high-hearted dullness of his, like that young, young lady something that some government executed, asking permission and touching with a kind of sober wonder the edge of the knife that was to cut her head off, like a red-haired girl,

Starting point is 11:24:42 an idiot, turning in a white dress beneath a wistaria-covered trellis on a late, sunny afternoon in May. He leaned against the wall, staring into the hushed mad sky, hearing the dark and simple heart of things. From beyond a cornice, there came at last a cold and bloodless rumor of the dying moon. The Semitic man nursed the bottle against his breast. I love three things, gold, marble, and purple.

Starting point is 11:25:17 The priests cross themselves, while the nuns of silence blend anew their breath and pass on. Soon the high windowless walls have hushed away their thin celibate despair. The rats are arrogant as cigarettes. After a while they steal forth again, climbing over the beggar,

Starting point is 11:25:40 dragging their hot bellies over him, exploring unreproved his private parts. Somewhere above the dark street, above the wind-carved hills, beyond the silence, thin pipes unhurt, wild and passionate and, and sad. Form, solidity,

Starting point is 11:26:01 color, he said to his own dark and passionate heart, and to Fairchild beside him, leaning against a dark wall, vomiting. And of Section 64. Section 65 of Mosquitoes. This is a Libravox recording. All Libravox recordings are in the public domain. For more information or to volunteer, Please visit Librivox.org, recording by Rita Boutros. Mosquitoes by William Faulkner. Epilogue Part 10

Starting point is 11:26:44 The rectangle of light yet fell outward across the alleyway, beyond the half-length lattice blind, the typewriter yet leaped and thundered. Fairchild. The manipulator of the machine felt a vague annoyance, like knowing that someone is trying to waken you, from a pleasant dream, knowing that if you resist, the dream will be broken. Oh, Fairchild!

Starting point is 11:27:13 He concentrated again, trying to exercise the ravisher of his heart's beatitude by banging louder on the keyboard. But at last there came a timid knock at the blind. Damn, he surrendered. Come in! He bellowed, raising his head. My God, where did you? you come from? I just let you in about ten minutes ago, didn't I? Then he saw his caller's face.

Starting point is 11:27:42 What's the matter, friend? He asked quickly. Sick? Mr. Taliaferro stood blinking in the light. Then he entered slowly and drooped upon a chair. Worse than that, he answered with utter despondence. The large man wheeled heavily to face him. Need a doctor or anything? The caller buried. his face in his hands. No, no, a doctor can't help me. Well, what do you want then? I'm busy. What is it? I believe I want to drink a whiskey. Mr. Tally Farrow said at last, if it's no trouble. He added with his customary, polite diffidence. He raised a stricken face for a moment. A terrible thing happened to me tonight. He lowered his face to his hands again, and the other rose and returned presently with a tumbler, half full of liquor. Mr. Talia Farrow accepted it gratefully. He took a swallow,

Starting point is 11:28:44 then lowered the glass shakily. I simply must talk to someone. A terrible thing happened to me. He brooded for a moment. It was my last opportunity, you see, he burst out suddenly. For Fairchild now or you, it would be different, but for me. Mr. Taliaferro hid his face in his free hand. A terrible thing happened to me, he repeated. Well, spit it out then, but be quick about it. Mr. Taliaferro fumbled his handkerchief and weakly mopped his face. The other sat watching him impatiently.

Starting point is 11:29:26 Well, just as I'd planned, I pretended indifference. said that I didn't care to dance tonight, but she said, Ah, come along, do you think I came out just to sit in the park or something? Like that. And when I put my arm around her, around who? Around her. And when I tried to kiss her, she just put... But where was this?

Starting point is 11:29:52 In the cab. I haven't a car, you see, though I am planning to buy one next year. And she just put her elbow under my... chin and choked me until I had to move back to my side of the seat. And she said, I never dance in private or without music, Mr. Man. And then, in God's name, friend, what are you raven about? About that girl I was with this evening. And so we went to dance, and I was petting her a bit, just as I had done on the boat. No more, I assure you. And she told me immediately to see. stop. She said something about not having Lumbago. And yet, all the time we were on the yacht,

Starting point is 11:30:37 she never objected once. Mr. Talia Fero looked at his host with polite, uncomprehending astonishment. Then he sighed and finished the whiskey and set the glass near his feet. Good Lord, the other murmured in a hush tone. Mr. Talia Fero continued more briskly, and quite Soon I remarked that her attention was engaged by something or someone behind me. She was dodging her head this way and that as we danced and getting out a step and saying, Pardon me. But when I tried to see what it was, I could discover nothing at all to engage her like that. So I said, what are you thinking of?

Starting point is 11:31:22 And she said, huh? Like that. And I said, I can tell you what you are thinking of. and she said, who, me? What am I thinking of? Still trying to see something behind me, mind you. Then I saw that she was smiling also, and I said, You are thinking of me, and she said, oh, was I? Good God, the other murmured.

Starting point is 11:31:49 Yes, agreed Mr. Taliaferro unhappily. He continued briskly, however. and so I said, as I'd planned, I'm tired of this place, let's go. She demurred, but I was firm, and so at last she consented, and told me to run down and engage a cab, and she would join me on the street. I should have suspected something then, but I didn't. I ran down and engaged a cab. I gave the driver $10, and he agreed to drive out on some unfrequented road,

Starting point is 11:32:26 and to stop and pretend that he had lost something back along the road, and to wait there until I blew the horn form. So I waited and waited. She didn't appear, so at last I ordered the cab to wait, and I ran back upstairs. I didn't see her in the ante-room, so I went back to the dancing floor. He ceased and sat for a while in a brooding dejection. Well, the other prompted.

Starting point is 11:32:56 Mr. Talia Faro sighed, I swear I think I'll give it up, never have anything to do with them any more. When I returned to the dancing floor, I looked for her at the table where we had been sitting. She was not there, and for a moment I couldn't find her, but presently I saw her dancing with a man I had never seen before. A large man like you. I didn't know what to think. I decided finally he was a friend of hers with whom she was dancing until I should return having misunderstood our arrangement about meeting below yet she had told me herself to await her on the street

Starting point is 11:33:38 that's what confused me I waited at the door until I finally caught her eye and I signaled to her she flipped her hand in reply as though she desired that I wait until the dance was finished So I stood there. Other people were entering and leaving,

Starting point is 11:33:57 but I kept my place near the door where she could find me without difficulty. But when the music ceased, they went to a table and sat down and called to a waiter, and she didn't even glance toward me again. I began to get angry then. I walked over to them.

Starting point is 11:34:15 I didn't want everyone to see that I was angry, so I bowed to them. And she looked up at me and said, why, hello, I thought you'd left me, and so this kind gentleman was kind enough to take me home. You damn right, I will, the man said, popping his eyes at me. Who's he? You see, Mr. Talia Farrow interpolated, I'm trying to talk as he did. I can't imitate his execrable speech.

Starting point is 11:34:45 You see, it wouldn't have been so, so, I wouldn't have felt so helpless had he spoken proper English. but the way he said things there seemed to be no possible rejoinder. You see, go on, go on, the other said. And she said, why, he's a little friend of mine, and the man said, well, it's time little boys like him was in bed. He looked at me hard, but I ignored him and said firmly, Come, Miss Steinbauer, our taxi is waiting. Then he said,

Starting point is 11:35:19 Herb, you ain't trying to take my girl. girl, are you? I told him that she had come with me firmly, you know, and then she said, Run along, you are tired of dancing, I ain't. So I'm going to stay in dance with this nice man. Good night. She was smiling again. I could see that they were ridiculing me. And then he laughed like a horse. Beat it, brother, he said, she's gave you the air. Come back tomorrow. Well, when I saw his fat red face all full of teeth, I wanted to hit him. But I remembered myself in time, my position in the city and my friends, he explained. So I just looked at them and turned and walked away.

Starting point is 11:36:05 Of course everyone had seen and heard it all. As I went through the door, a waiter said to me, Hard luck, fella, but they will do it. Mr. Talia Farrow mused again in a sort of polite incomprehension. more of bewilderment than anger or even dejection. He sighed again. And on top of all that, the cab driver had gone off with my ten dollars. The other man looked at Mr. Taliafero with utter admiration.

Starting point is 11:36:38 O thou above the thunder and above the excursions and alarms, regard your masterpiece, Balzac, chew thy bitter thumbs. And here I am, waste in my damn life. trying to invent people by means of the written word. His face became suddenly suffused. He rose towering. Get to hell out of here, he roared.

Starting point is 11:37:03 You have made me sick. Mr. Taliaferro rose obediently. His hopeless dejection invested him again. But what am I to do? Do, do. Go to a brothel if you want a girl. or if you are afraid someone will come in and take her away from you, get out on the street and pick one up, bring her here if you like.

Starting point is 11:37:29 But in Christ's dear name, don't ever talk to me again. You have already damaged my ego beyond repair. Do you want another drink? Mr. Tali Faro sighed again and shook his head. Thanks just the same, he answered. Whiskey can't help me any. The large man took his arm. and kicking the blind outward,

Starting point is 11:37:52 he helped Mr. Taliaferro kindly but firmly into the alleyway. Then the blind swung to again, and Mr. Taliaferro stood for a time, listening to the frantic typewriter, watching planes of shadow, letting the darkness soothe him. A cat, slinking, regarded him, then flashed a swift, dingy streak across the alley.

Starting point is 11:38:18 He followed it with his eyes, in a slow misery with envy. Love was so simple for cats, mostly noise. Success didn't seem to make much difference. He sighed and walked slowly on, leaving the thundering typewriter behind. Presently he turned a corner and heard it no more. From beyond a cornice,

Starting point is 11:38:41 there came at last a cold and bloodless rumor of the dying moon. His decorous pace spaced away streets, interesting with the darkness, and as he walked he marvelled that he could be inwardly so despairing, yet outwardly the same as ever. I wonder if it does show on me, he thought. It is because I am getting old that women are not attracted to me. Yet I know any number of men of my age and more who get women easily, or say they do. It is something I do not possess, something I have never had. and soon he would be married again. Mr. Talia Farrow, seeing freedom and youth,

Starting point is 11:39:28 deserting him again, had known at first a clear, sharp regret, almost a despair, realizing that marriage this time would be a climacteric, that after this he would be definitely no longer young, and a final flare of freedom and youth had surged in him like a dying, flame. But now as he walked dark streets beneath the hot heavy sky and the mad, wilting gardenias of stars, feeling empty and a little tired, and hearing his grumbling skeleton, that smug and dour and unshakable comrade, who loves so well to say, I told you so.

Starting point is 11:40:14 He found himself looking forward to marriage with a thin but definite relief as a solution to his problem. Yes, he told himself, sighing again, chastity is expected of married men, or at least they don't lose caste by it. But it was unbearable to believe that he had never had the power to stir women, that he had been always a firearm unloaded and unaware of it. No, it's something I can do or say that I have not yet discovered. As he turned into the quiet street in which he lived, he saw two people in a doorway embracing. He hurried on. In his rooms at last, he slowly removed his coat and hung it neatly in a closet, without being aware that he had performed the right at all. Then from his bathroom he got a metal machine with a hand pump attached,

Starting point is 11:41:17 and he quartered the room methodically with an accurate spraying of Penny Royal. On each downstroke there was a faint comfortable resistance, though the plunger came back quite easily. Like breathing, back and forth and back and forth, a rhythm. Something I can do, something I can say, he repeated to the rhythm of his arm. The liquid hissed pungently, dissolving into the atmosphere, permeating it.

Starting point is 11:41:48 Something I can do, something I can say. There must be, there must be. Surely a man would not be endowed with an impulse and yet be denied the ability to slake it. Something I can say. His arm moved swifter and swifter, spraying the liquid into the air, in short hissing jets. He ceased and felt for his handkerchief before he recalled that it was in his coat.

Starting point is 11:42:18 His fingers discovered something, though, and clasping his reeking machine, he removed from his hip pocket a small round metal box, and he held it in his hand, gazing at it. Agnes Mabel Becky, he read, and he laughed a short, mirthless laugh. Then he moved slowly to his chest of drawers and hid the small box carefully away in its usual place, and returned to the closet where his coat hung, and got his handkerchief and mopped his brow with it. But must I become an old man before I discover what it is? Old, old, an old man before I have lived at all. He went slowly to the bathroom and

Starting point is 11:43:06 replace the pump and returned with a basin of warm water. He set the basin on the floor and went again to the mirror and examined himself. His hair was getting thin. There was no question about that. Can't even keep my hair, he thought bitterly, and his 38 years showed in his face. He was not fleshily inclined, yet the skin under his jaw was becoming loose, flabby. He sighed. He sighed, and completed his disrobing, putting his clothing neatly and automatically away as he removed it. On the table beside his chair was a box of flavored digestive lozenges, and presently he sat with his feet in the warm water, chewing one of the tablets. The water mounted warmly through his thin body, soothing him.

Starting point is 11:44:01 The pungent lozange between his slow jaws gave him a temporary surcelling. Let's see, he mused to his rhythmic mastication, calmly reviewing the evening. Where did I go wrong tonight? My plan was good. Fairchild himself admitted that. Let me think. His jaw ceased, and his gaze brooded on a photograph of his late wife on the opposite wall. Why is it that they never act as you had calculated?

Starting point is 11:44:34 You can't allow for every contingency, and yet they will always do something else, something they themselves could not have imagined nor devised beforehand. I have been too gentle with them. I have allowed too much leeway for the intervention of their natural perversity and of sheer chance. That has been my mistake every time, giving them dinners and shows right away, allowing them to regulate me to the position of a suitor of one waiting upon their pleasure. The trick, the only trick, is to bully them, to dominate them from the start. Never employ Wiles, and never allow them the opportunity to employ Wiles.

Starting point is 11:45:20 The oldest technique in the world, a club, by God, that's it. He dried his feet swiftly and thrust them into his bedroom slippers, and went to the telephone and gave a number. That's the trick exactly, he whispered exultantly, and then in his ear was a sleepy, masculine voice. Fairchild, so sorry to disturb you, but I have it at last. A muffled, inarticulate sound came over the wire, but he rushed on unheeding.

Starting point is 11:45:54 I learned through a mistake tonight. The trouble is, I haven't been bold enough with them, I have been afraid of frightening them away. Listen, I will bring her here. I will not take no. I will be cruel and hard, brutal if necessary, until she begs for my love. What do you think of that?

Starting point is 11:46:16 Hello? A fair child? An interval filled with a remote buzzing. Then a female voice said, You tell him, big boy, treat them rough. End of sex. 65. End of Mosquitoes by William Faulkner.

Classic Audiobook Collection - Mosquitoes by William Faulkner ~ Full Audiobook [comedy]

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