Classic Audiobook Collection - Wandl the Invader by Ray Cummings ~ Full Audiobook [scifi]

Episode Date: March 22, 2023

Wandl the Invader by Ray Cummings audiobook. Genre: scifi There were nine major planets in the Solar System and it was within their boundaries that man first set up interplanetary commerce and began ...trading with the ancient Martian civilization. And then they discovered a tenth planet--a maverick! This tenth world, if it had an orbit, had a strange one, for it was heading inwards from interstellar space, heading close to the Earth-Mars spaceways, upsetting astronautic calculations and raising turmoil on the two inhabited worlds. But even so none suspected then just how much trouble this new world would make. For it was WANDL THE INVADER and it was no barren planetoid. It was a manned world, manned by minds and monsters and traveling into our system with a purpose beyond that of astronomical accident! For ad-free listening try our premium subscription Chapters (Approximate) (00:00:00) Chapter 01 (00:14:15) Chapter 02 (00:41:09) Chapter 03 (00:59:20) Chapter 04 (01:24:52) Chapter 05 (01:51:24) Chapter 06 (02:05:53) Chapter 07 (02:29:56) Chapter 08 (02:41:52) Chapter 09 (02:59:15) Chapter 10 (03:16:26) Chapter 11 (03:30:04) Chapter 12 (03:39:50) Chapter 13 (03:52:34) Chapter 14 (04:15:14) Chapter 15 (04:32:19) Chapter 16 (04:44:50) Chapter 17 (04:56:17) Chapter 18 (05:09:45) Chapter 19 (05:15:03) Chapter 20 Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:00 Wendell the Invader Chapter 1 It's a planet, I said. A little world. How little? Venza demanded. One fifth the mass of the moon. That's what they've calculated now. And how far is it away?
Starting point is 00:00:20 Anita asked. I heard a newscaster say yesterday. Newscasters, Venza broke in scornfully. Say, you can take what they tell you about any danger or trouble and cut it in half, and even then you'll be on the gloomy side. See here, Greg Haljan. I'm not giving you newscasters Blair, I retorted. Venza's extravagant vehemence was always refreshing.
Starting point is 00:00:48 The Venus girl glared at me. I added, Anita mentioned newscasters. I didn't. Anita was in no mood for smiling. Tell us, Greg. She sat upright and tense, her chin cupped in her hands. Tell us. For a fact, they don't know much about it yet.
Starting point is 00:01:08 You can call it a planet, a wanderer. I should say it was a wanderer, Venzeg exclaimed. Coming from heaven knows where beyond the stars, swimming in here like a comet. They calculated its distance yesterday at some 65 million miles from Earth, I said. It isn't so far beyond the orbit of Mars, coming diagonally and heading very nearly for the sun. But it's not a comet. The thing was indeed inexplicable.
Starting point is 00:01:40 For many weeks now, astronomers have been studying it. This was early summer of the year 2070 AD. All of us had recently returned from those extraordinary events I have already recounted, when we came close to losing Johnny Grantline's radiactam treasure on the moon, and our lives as well. My ship, the Planetara, in the astronomical seasons when the Earth, Mars, and Venus, were within comfortable traveling distances of each other, had carried mail and passengers from Greater New York to Farak Shan of the Martian Union and to Grebar of the Venus Free State.
Starting point is 00:02:18 Now it was wrecked on the moon. I had been under-navigating officer of the Planetara. upon her I had met Anita Prince, whose only living relative, her brother, was among those killed in the struggle with the brigands. Anita and I were soon to marry, we hoped. I was waiting now in Greater New York upon the decision of the line officials regarding another spaceship. Perhaps I would have command of it, since Captain Carter of the Planet Tara had been killed. It was a month or so before that adventure, April 2070, that this mysterious visitor from interstellar space first appeared upon our astronomical horizon.
Starting point is 00:03:03 A little thing at first, a mere unusual dot, a pinpoint on a photoelectric star diagram which should not have been there. It occasioned no comment at the time, save that some thought it might be another planet beyond Pluto. but this was not taken seriously enough to get into the newscasts. None of us had heard about it as late as May, when the planetara set out on what was to be her final voyage. Presently, it was seen that the object could not be a planet of our solar system. Coming in at tremendous speed, it daily changed its aspect,
Starting point is 00:03:41 gathering velocity until soon it was not a dot, but a streak on every diagram plate. In a week or so, the thing passed from an astronomical curiosity to an item of public news. And now, early in June, when it had cut through the orbit of Jupiter and was approaching that of Mars, fear was growing. The visitor was a menace. No astronomical body could come among us with a mass as great as a fifth of the moon without causing trouble. The newscasters, with a ready skill for lurid possibilities, were blaring all sorts of horrible events impending.
Starting point is 00:04:22 I told the girls all I knew of the approaching wanderer. The density was similar to that of Earth. The oncoming velocity and the calculated elements of its orbit now were such that within a few weeks more, the new planet would round our sun and presumably head outward again. It would pass within a few million miles of us, causing a disturbance to Earth's orbit, even a change of the inclination of our axis, affecting our tides and our climate.
Starting point is 00:04:55 So I've heard, Venza interrupted me. They say that and then they stop. Why can a newscaster tell you what is so mysterious? For a very good reason, Venza. Because you can't throw people into a panic. This whole thing up to today has been withheld from the public of Earth and Venus. The Martian Union tried to withhold it. but could not. Every heliogram between the worlds is censored. And still, said Venza sarcastically, you don't tell us what is so mysterious about this wanderer.
Starting point is 00:05:31 For one thing, I said, it changes its direction. No normal heavenly body does that. They calculated the elements of its orbit last orbit. They've done it twenty times since, and every time the projected orbit is different. Just a little at first. but last week the accursed thing actually took a sudden turn, as though it were a spaceship. The girl stared at me.
Starting point is 00:05:57 What does that mean? Anita asked. They're beginning to make wild guesses, but we won't get into that. What else is mysterious? Venza demanded. The thing isn't normally visible. Venza shifted her silk-sheathed legs. Don't talk in code. Not normally visible, I repeated. A world one-fifth as large as the moon could be seen plainly by our scopes when well beyond Pluto.
Starting point is 00:06:29 It's now between Jupiter and Mars, invisible to the naked eye, of course, but still it's not very far away. I've been out there myself. With instruments, we ought to be able to see its surface, see whether it has land and water, inhabitants perhaps. You should be able to distinguish an object on its surface as large as a city, but you can't. Why not? asked Anita. Are the clouds too thick? What causes it? They don't even know that, I retorted. There is something abnormal about the light waves coming from it. Not exactly blurred, but a distortion, a fading. It's some abnormality of the light waves. A swift wrapping on our door grid interrupted me, and snapped Dean burst in.
Starting point is 00:07:21 "'Hololo, everybody! Is it a conference? You look so solemn!' He dashed across the room, kissed Venza, pretended that he was about to kiss Anita, and winked at me. He was a dynamic little fellow, small, wiry, red-headed, and freckle-faced, and had been the radio-heel-operator of the ill-fated planetara. He was a perfect match for Venza, for all the millions of miles that separated their native lands. Venza, too, was small and slim, her manner as readily jocular as his. "'And where have you been?' Venza demanded. "'Me? My private life is my own so far. We're not married yet, since you insist on us going to greb-bar for the ceremony.'
Starting point is 00:08:08 "'Do stop it,' protested Anita. We've been talking of, "'I know very well what you've been talking about. Everybody is. I've got news for you, Greg.' He went abruptly solemn and lowered his voice. Halsy wants to see us right away. I regarded him blankly, and my mind swept back. No more than a few short weeks ago, Detective Colonel Halsey of divisional headquarters here in greater New York had sent for us, and we had been precipitated into the Grantline affair. Halsey, I burst out. Easy, Greg.
Starting point is 00:08:45 Snap cast a vague look around Anita's draped apartment. An open window was beside us, leading to a tiny catwalk balcony. It was moonlit now and 200 feet above the pedestrian viaduct. But Snap continued to frown. Easy, I tell you, why shout about Halsey? The air can have ears. Venza moved and. closed and sealed the window.
Starting point is 00:09:12 What is it? I asked more softly. But Snap was not satisfied. Anita, do you have a complete isolation barrage for this room? Of course I haven't Snap. Well, Greg, do you have a detector with you? I had none. Snap produced his little coil and indicator dial. It's out of order, but let's see now. Shove over that chair, Greg.
Starting point is 00:09:40 He disconnected one of the room's tube lights and contacted with the cathode. It was a makeshift method, but as he dropped to the floor, uncalling a little length of his wire for an external pickup, we saw that the thing worked. The pointer on the dial face was swaying. Greg, he muttered, look at that. Didn't I tell you? The pointer quivered in positive reaction. An eavesdropping ray was upon us. Anita gasped. I had no idea.
Starting point is 00:10:12 No, but I did, Snap added softly. No one very close. He and I carried the detector to the length of the hall. The indicator went nearer normal. It must be the other way, I whispered. We went to the moonlit balcony. Way down there on the pedestrian arcade, I said. We'll soon fix that, Snap said.
Starting point is 00:10:39 Inside the room, we made connection with a newscaster's blaring voice. Under cover of it, we could talk. Snap gathered us close around him. Halsey has something important, and it's about this interstellar invader. It all connects. His office paged me on a public mirror. I happened to see it at Park Circle 40. When I answered it, Halsey's man wanted me to talk in code. I can't talk in code. I have enough to worry about with the interplanetary helios. Then they sent me to an official booth, where I got examined for positive legal identification, and then they put me on the official split wavelength.
Starting point is 00:11:20 After all of which precautions, I was told to be at Halsey's office tonight at midnight, and told a few other things. What? demanded Venza breathlessly. Only hints. Why take chances by repeating them now? You said he wants me to? I put in. Yes, you and Venza.
Starting point is 00:11:43 We've got to get into his office secretly, by the vacuum cylinders. We're to meet a man from his office at the eighth postal switch station. Venza, Anita said sharply. What in the universe can he want with Venza? If she's going, I'm going too. Snap gazed at her and grinned. That sounds like a logical deduction. Naturally, he must want you.
Starting point is 00:12:09 that's why he said Venza. I'm going, Anita insisted. We left half an hour before midnight. The girls were both in gray, with long capes. We took the public monorail into the mid-Manhattan section under the city roof of the business district and into the eighth postal switch station, where the sleek bronze cylinders came tumbling out of the vacuum ports
Starting point is 00:12:35 to be rerouted and dispatched again. A man was on the lookout for us. Daniel Dean and Party? Yes, we were ordered here. The detective gazed at the girls and at me. It was three, Dean. And now it's four, said Snap cheerfully. The extra one is Miss Anita Prince.
Starting point is 00:12:59 Ever heard of her? He had indeed. All right, he said. If you and Haljan say so. We were put into one of the oversized mail cylinders and routed through the tubes like sacks of recorded letters. In ten minutes, with a thump that knocked the breath out of all of us, we were in the switch rack of Halsey's outer office.
Starting point is 00:13:21 We clambered from the cylinder. Our guide led us down one of the gloomy metal corridors. It echoed with our tread. A door lifted. Daniel Dean and Party. The guards stood aside. Come in. The door slid down behind us. We advanced into the small blue-lit apartment, steel-lined like a vault. End of Chapter 1. Chapter 2 of Wondell the Invader by Ray Cummings. This Libervox recording is in the public domain.
Starting point is 00:14:02 Wondel the Invader. Chapter 2 Colonel Halsey sat at his desk, with a few papers before him, and a bank of instrument controls at his elbow. He pushed his audio phone and mirror-grid to one side. Sit down, please. He gave us each the benefit of a welcoming smile, and his gaze finished upon Anita. I came because you sent for Venza, Anita said quickly. Please, Colonel Halsey, let me stay. I thought, whatever you want her for, you might need me too.
Starting point is 00:14:36 Quite so, Miss Prince. Perhaps I shall. It seemed that in his mind were many of the thoughts thronging my own, for he added, Hulgin, I recall I sent for you like this once before. I hope this may be a more auspicious occasion. So do I, sir. Snap said, We've been afraid hardly to do more than a whisper,
Starting point is 00:14:59 but you're insulated here, and we're mighty curious. Halsey nodded. I can talk freely to you, and yet I cannot. His gaze went to Venza. It is you in whom I am most interested. interested. "'Me? You flatter me, Colonel Halsey.' She sat gracefully reclining in the metal chair before his desk, seeming small as a child between his big, broad arms. Her long gray skirt had parted to display her shapely gray satin legs. She had thrown off the hood of her cloak.
Starting point is 00:15:33 Her thick black hair was coiled in a knot low at the back of her neck. Her Carmen lips bore an alluring smile. It was all instinctive. To this girl from VIII. To this girl from VIII, she was a lot of Venus, it came as naturally as she breathed. Halsey's gray eyes twinkled. Do not look at me quite like that, Miss Venza, or I shall forget what I have to say. You would get the better of me. I'm glad you're not a criminal. So am I, she declared. What can I do for you, Colonel Halsey?
Starting point is 00:16:04 His smile faded at once, his glance included us all. Just this. There is a man here in Greater New York, a marshal. whom they call set Molo. He has a younger sister, Sedamika. Have any of you heard of them? We had not. Halsy went on, slowly now, apparently choosing his words with the greatest care. There are things that I can tell you, and there are things that I cannot. Why not? asked Venza. My dear, for one thing, if you are going to help me, you can do it best by not knowing too much. for another, I have my orders.
Starting point is 00:16:45 This thing concerns the very highest authorities, not only of the USW, but in Farakshan and Grebar too. He paused, but none of us spoke. Then Halsey said quietly, Well, this Martian and his sister are here now in greater New York. They have some secret. They are engaged in some activity, and I want to find out what it is.
Starting point is 00:17:10 I have picked up only little parts of of it. He stopped, and out of the silence, Snap said, "'If you don't mind, Colonel Halsey, it seems to me you are mostly talking in code.' "'I'm not, but I'm trying to tell you as little as possible. You, Miss Venza, need only understand this. The Martian, Molo, must be induced to give you some idea of what he is doing here.' "'And am I to induce him?' Venza asked calmly. "'That is my idea.' idea. The faint shadow of a smile swept Halsey's thin, intent face. My dear, you are a girl of Venus. More than that, you have far more than your normal share
Starting point is 00:17:54 of wits and brains. It did not make Venza smile. She sat tense now, with her dark-eyed gaze fastened on Halsey's face. Anita, equally breathless, reached over and gripped her hand. Then Venza said slowly. I realize Colonel Halsey that this is something vital. As vital, my child, as it could be. He drew a long breath.
Starting point is 00:18:23 I want you to understand, I'm doing my duty, doing what seems the best thing, not for you, perhaps, but for the world. I seemed to see into his mind at that moment. He might have been a father,
Starting point is 00:18:37 sending a daughter into danger. I need not disguise the danger. I have lost a dozen men. He lighted a cigarette. I don't seem to be able to frighten you. No, she said, and I heard Anita murmur. Oh, Venza! But you frighten me, said Snap.
Starting point is 00:18:59 Colonel, look here. You know I'm going to marry this girl very soon. Yes, I know. You'll have to consider this a sacrifice, a voluntary descent into danger. for a great cause in a great crisis. You four have just come out of a very considerable danger. We know of what stuff you are made, all of you. He smiled again.
Starting point is 00:19:23 Perhaps that prominence is unfortunate for you, but let me settle it now. Is there any one of you who will not take my orders and trust my judgment of what is best, and do it, if need be, blindly? Will you offer yourselves to me? We gazed at each other. Both the girls instantly murmured, Yes. Yes, I said at last. It was not too hard for me, for I thought I was yielding him Venza, not Anita. Snap was very pale. He stared from one to the other of us.
Starting point is 00:19:58 Yes, he said finally. But, Colonel, surely you can tell us more. Halsey tossed his cigarette away. I will tell you as much. as I think best. These Martians, Molo and his sister, do not know of Venza. At least, I think that they do not. They apparently have not been here very long. How they got here, we don't know. There was no passenger or freight ship. In Farak-Shan, they have a dubious reputation at best, but I won't go into that. Venza, I will show you these Martians, and the rest depends upon you. There is a mystery. You will find out what it is.
Starting point is 00:20:40 He reached for his inter-office autophone. I want to locate the Martian Set Molo. Francis, Staff X2, has it in charge. The audible connection came in a moment. Francis? We could hear the answering microphoneic voice. Yes, Colonel. Is the fellow in a public place by any chance?
Starting point is 00:21:02 In the Red Spark Cafe, Colonel, with his sister and a party. Good enough. The Red Spark has an image finder. Have you visual connection? Yes, the whole room. They have a dozen finders. Use a magnifier.
Starting point is 00:21:19 Get the closest view you can. It's done, Colonel. I did it just in case you called. Connected. In a moment, our mirror grid was glowing with the two-foot square image of the interior of the Red Spark Cafe. I knew the place by reputation, a fashionable, more or less disreputable eating, drinking, and dancing restaurant,
Starting point is 00:21:43 where money and alkaliate flowed freely. The patrons were successful criminals of the three worlds, intermingled with thrilled, respectable tourists who hope they would see something really evil. The Red Spark was not far from Halsey's office. It was perched high in a break of the city roof, almost directly over Park Circle 29. There he is, said Halsey. We crowded around his desk. The image showed the interior of a large oval room, balconied and terraced.
Starting point is 00:22:17 A deist dance floor raised high in the center with three professional couples gyrating there, and beneath them the public dance grid, slowly rotating on its central axis. A hundred or so couples were dancing. The lower floor was, was crowded with dining tables. Others were upon the little catwalk balconies, and still others in the terrace nooks and side niches, half enshrouded, half revealed by colored draperies.
Starting point is 00:22:45 The image now was silent, for Halsey was not bothering with audio connection. But it was a riot of color, flashing colored floodlights bathing the dancers in vivid tints, and there were twinkling spots of colored tube lights on all the tables. I saw too the black. The black rectangles of darkness against the walls, which marked the private dining-rooms, insulated against sight and sound. Here one might go for frivolous indiscretion, or for conspiracy, perhaps, and be as secure from interruption as we were here in Halsey's office. Venza asked eagerly, "'Which is he?' Over there on the third terrace to the left. That table. There seemed to be six of them in the party. We heard Francis' voice. He was in Halsey's lower Manhattan office with this
Starting point is 00:23:37 same image before him. We'll get a closer view. The table in question was no more than a square inch on our image. We could see an apparently gay party of men and women. One of the couples was gigantic, a Martian man and woman, obviously. The others seemed to be Earth or Venus people. Francis' voice added, I've got an audio magnifier on them. Folley's been listening for an hour. Nice, clear English. Much good it does us. This fellow is as cautious as a director of the lower air lane. Here's your near look. Our image shifted to another view. The lens eye with which we are connected now gave us a view directly over the Martian's table. We were looking down diagonally upon the table at a distance of no more than ten feet. There were three earth women in the party. There was nothing peculiar about them. They were rather handsome, dissolute in appearance. All of them obviously befuddled by alkaliate.
Starting point is 00:24:40 There was a man who could have been Anglo-Saxon. A wastrel probably, with more money than wit. He wore a black dinner suit edged with white. Our attention focused upon the other two. They were tall, as are all Martians. The young woman, Seda Mika, seemed, perhaps 20 or 25 years of age by Earth Reckoning. In stature, perhaps very nearly my own height, which is six feet too. It is difficult to tell a Martian's age, but she was very handsome,
Starting point is 00:25:12 even by Earth standards. And in Farak Shan, she would have been considered a beauty. Her gray black hair was parted and tied at the back with a plated metal rope. Her short dark cloak, so luminous a fabric that it caught and reflected the sheen of all the gaudy rest front lights, was parted, its ends thrown back over her shoulders. Beneath it she wore the characteristic Martian leather jacket, and short, wide leather trousers ornamented with spun metal fringes and tassels. Most Martian women have an Amazonian aspect, but I saw now that Seda Mika was an exception. Her brother, who sat beside her, was a full seven feet or more, a hulking sort of fellow,
Starting point is 00:25:56 far less spinly than most of his race. He might have come from the polar outposts beyond the Martian Union. He was bareheaded, his gray-black hair, clipped close upon a round-bullet head with a familiar Martian round eyes. I gaze into the face of Molo, as momentarily he turned his head. It was a rough-hune, strongly masculine face, with a hawk-like nose, bushy black brows, frowning above deep-set round eyes. The face of a keen scoundrel I could not doubt, though the smooth plucked gray skin was flush now with alkali,
Starting point is 00:26:34 and the wide, thin-lipped mouth was leering at the woman across the table from him. Like his sister, he had thrown back his cloak, disclosing a brawny, powerful figure, leather-clad, with a wide belt of dangling ornaments, some of which probably were weapons. How long we gazed at this silent-colored image of the restaurant table I do not. not know. I was aware of Halsey's quiet voice. Look him over, Miss Venza. It depends on you. Another interval passed. It seemed, as we watched, that Molo's interest in his party was very slight. I got the impression, too, that though at first he had seemed to be intoxicated,
Starting point is 00:27:17 actually, he was not. Nor was his sister. Anxiety seemed upon her. The smile she had for jests seemed forced. and at intervals she would cast a swift, furtive glance across the gay restaurant scene. More drinks arrived. The earth people at the table here seemed upon the verge of stupor, and suddenly it appeared that Molo had completely lost interest in them. With a gesture to his sister, he abruptly rose from his seat. She joined him. They left the table, and a red-clad floor manager of the restaurant came at their call. Then, in a moment, they were moving across the room.
Starting point is 00:27:56 Halsey called sharply into his autophone. "'Francis, hold us to them if you can.' They were standing now by the open door of one of the Red Sparks' private insulated rooms. We caught a glimpse of its interior, a gaily set table with a bank of colored lights over it. The figure of a man was in there. He was on his feet as though he had just arrived to meet the Martians here, and a hooded, long cloak enveloped him. It may have been a magnetic, invisible cloak,
Starting point is 00:28:26 with the current now off. We caught only the fleetest of impressions before the insulated door closed and barred our vision. The glimpse was an accident. Molo, taken by surprise at this appearance of his visitor, could hardly have guarded against it. The waiting figure was very tall, some ten feet, and very thin. The hood shrouded his face and head.
Starting point is 00:28:51 In his hand he held a large circular box of black shiny leather, of the sort in which women carry wide-brimmed hats. As Molo joined him, he put the box gently on the floor. He handled it as though it were extraordinarily heavy, and as he took a step or two, he seemed weighted down. Just as the room door was hastily closing, Mika sliding it from the inside, we caught a fleeting glimpse of horror. The lid of the hat-box had lifted up.
Starting point is 00:29:22 Inside was a great round thing of great, round thing of great. gray white, a living thing, a distended ball of membrane with a network of veins and blood vessels showing beneath the transparent skin. For the instant, we gazed stricken. The ball was palpitating, breathing. I saw convolutions of inner tissue under the transparent skin of membrane. A little tentacle, like an arm with a flat webbed hand, was holding up the lid of the box. The lid rose a trifle higher. The colored lights overhead gave us a brief but clear view of it. The thing in the box was a huge living brain. I saw goggling, protruding eyes, an orifice that could have been a nose, and a gash upended for a vertical mouth. It was a face, and the little tentacle arm holding up the
Starting point is 00:30:15 box lid was joined to where the ear should have been. Was this something human? A huge, distended human brain with the body withered to that tiny arm? The palpitating thing sank down in the box, and the lid dropped. And upon our horrified gaze, the insulated door of the room slid to. "'By the gods!' exclaimed Halsey. "'One of them dares come to the red spark, here almost in public!' So Halsey knew what this meant. His eyes were blazing now, his face was white,
Starting point is 00:30:50 with an intensity of emotion that transfigured it. Francis, tell fully I'll be in the manager's office in five minutes. He snapped off. Our image connection with the red spark went dead. We're going to the red spark, he announced. This changes everything. Yet, I don't know. Venza, I may need you more than ever now.
Starting point is 00:31:15 Halsey heard it us to the office door. From his desk he had snatched up a few portable instruments. and he flung on a cloak. It was a brief trip to the Red Spark, on foot through the subseller arcade, to where, under Park Circle 29, we went up in a vertical lift to the roof. We were in the side entrance oval of the restaurant in five minutes. In the dim metal room of Orantino, the Red Sparks manager, a barrage was up and Foley was waiting for us. We could hear it faintly humming. Now we could talk. Halsey slammed the door down. He said swiftly,
Starting point is 00:31:53 My man caught one of these things this morning. They have it now, and I think Molo does not yet know we captured it. A brain. We're convinced it understands English and can talk, but no one has been able to make it talk yet. Folly. Order that damned Orentino to de-insulate the room Molo is in. Now by the gods we may see and hear something. The frightened manager of the Red Spark was in the control room. Halsy killed our barrage to let the outside connections get through to us. We all crowded around the mirror grid which stood on Orantino's desk. Fully gave us connection with the control room. We saw Orantino's face, his eyes nearly popping with fright. Colonel Halsey, I will do whatever you tell me. What room is that Martian occupying?
Starting point is 00:32:42 Insulated 39. Break off the insulation. Do it slowly, and he may not notice. Then give us connection, audio, and vision. But I have no image finders in the insulated rooms. Cut off the barrage. I'll get connection there. Foley was already setting up his eavesdropper on the desk. The mirror blurred a little, then it clarified. We had the interior of the secret room, and voices were coming out of Foley's tiny receiver. The image showed the box on the floor, with its lid down,
Starting point is 00:33:16 The tall hooded shape of the stranger stood with Molo and his sister by the table. They were talking in swift, vehement undertones. The language was Martian, a dialect principally used in Farak-Shan. Our equipment brought it in, and I could understand it. Molo was saying, But you are the fool to have dared to come here. The master knows that there is danger. Something is wrong.
Starting point is 00:33:45 The hooded stranger spoke like a foreigner, but not a Martian nor an earthman, and not like any person of Venus I had ever heard. It was a strange, indescribable intonation, a flat, hollow voice. I say, the master is concerned. Let him be. And he demanded I bring him here to find you. He is displeased that you are here. What gruesome thing was this? Their glances seemed to go to the box on the floor at their feet, as though the master were in there. But the lid of the box did not rise. "'Well, you have found me,' Molo declared impatiently. "'When you know me better, always you will find I have my wits. The thing is for tomorrow night, not to-night.' "'But that, my master, is not sure.'
Starting point is 00:34:41 The hollow voice was deferential, but insistent. He fears danger. Something has gone wrong. He is working on it now, striving to receive the message. There is a message. He knows that much. Perhaps from our world, Wandal, itself.
Starting point is 00:35:02 For a moment, Molo had no answer. His sister had not spoken. I noticed that her gaze seemed roving the room. "'What is it I should do?' Molo asked at last. Come with us to your home room. But I have everything ready there. The contact is ready for tomorrow night.
Starting point is 00:35:24 Your world will control Earth. But if it be tonight... Again Molo was silent. My breath stopped. On our mirror I saw the stranger's hood part just a little. There seemed to be no face, just the blur of something brownish. "'But if it be tonight,' the voice insisted. "'I will go,' Molo said abruptly.
Starting point is 00:35:52 "'But your coming here was dangerous. "'Suppose we cannot get out undetected. "'You know I will never go to where all our instruments are set up "'and have some damnable spy follow me? "'Is all going well on Venus and Mars?' "'Yes, my master feels so. "'He seems to get messages. "'The contacts will be made simultaneously,
Starting point is 00:36:14 A gruesome chuckle. The capture of these three worlds. We shall have all three enchained at once. Helpless. The lid of the black box seemed again about to rise when there came a sharp cry from Mika. This room is not insulated. Our eavesdropping was discovered.
Starting point is 00:36:37 Beside me, I heard Halsey give a low curse. On our mirror we saw sudden action. The ten-foot cloaked figure laboriously lifted the black box and swung with it toward the outer wall of the room. I saw now clearly with what a dragging heavy tread that giant shape moved, as though it weighed here on earth far more than the normal weight to which it was accustomed. "'Over there!' Molo gasped. "'The escape port. This room has one. Mika, go with him. I will join you. You know where.' Foley cried, Colonel, I may be able to stop them.
Starting point is 00:37:16 But Halsey saw on our image that Molo was staying. Wait, let them go. If we have the Martian here, that's better. I saw the room's escape port swing open as Mika and the hooded shape carrying the box moved for it. The moonlit darkness of the outer catwalk enveloped the disappearing figures. Molo was left alone.
Starting point is 00:37:37 He closed the port swiftly. his detector now was in his hand, but Halsey anticipated him by a second or two. Our listener went dead. Our mirror darkened. Doubtless, Molo was never sure whether he had been spied on or not. Halsey was on his feet. Fully, get out into the main room. Stay with him. But there was no need to follow Molo. He had sent his visitor and sister out by the escape port, which was usual enough. Now he was back in the main room, as though nothing of importance had happened, with an appearance of intoxication about him. He wavered jovily across the room,
Starting point is 00:38:17 threading his way through the gay diners, and reached the table where his party still sat carousing. Again, Halsey shut us off. He's got a base somewhere in the city. You heard what they said about it. We've got to trick him into going there unsuspecting. Halsey seized the autophone. Your chance, Venza.
Starting point is 00:38:38 It's the only way. way. Fully, keep away from that Martian. Shut off all contacts. I'll meet you out there in a moment. I'm sending a girl. She'll go after him. Now? Venza asked. Yes, it's the only way. Perhaps you can get him drinking. Venza, use all the wiles you possess now. No, gasped Snap. It's too dangerous. Anita was clinging to Venza. Colonel Halsey, I'm going to. Halsey stared, then made a swift decision. Right, that is still better. I jumped to my feet.
Starting point is 00:39:17 Colonel, I should prefer that one of us men, he gripped me by the shoulders. Greg Helgen, I take no suggestions from you. His blazing eyes bored into me. There isn't a second to lose. Don't you realize this means destruction of our three inhabited planets? I'll sacrifice myself, you or these girls. Venza, take Anita outside. I'll join you immediately. Give you last instructions. Take a portable autophone with you. He turned to Snap.
Starting point is 00:39:49 This is the only way. These demons can't be forced. You know that. The girls were moving toward the door. I met Snap's anguished gaze. Greg, don't let them go. No, no, I won't. I made a lunge past Halsey with Snap after. me. Halsey did not move, but one of his rays struck us. With all senses numbed, I felt myself falling. Greg, don't. Let them. Snap had tumbled upon me. My senses did not quite fade. I was aware of Anita's and Venz's horrified cries, but Halsey pushed them toward the door. It slid up. I vaguely saw the two girls going out with Halsey after them, and the door coming down.
Starting point is 00:40:41 End of Chapter 2. Chapter 3 of Wandal the Invader by Ray Cummings. This Libervox according is in the public domain. Wondel the Invader. Chapter 3. I have no idea how long it was before Halsey came back. Snap and I were seated on a low metal bench against the wall. The effect of the paralyzing ray was wearing off. We were tingling all over, our senses still confused. Halsey stalked in upon us.
Starting point is 00:41:17 "'So you are recovered?' "'Snap stammered. "'We—I say, we're sorry as hell we acted like that.' "'I know you are,' his voice softened. "'If I could have done anything else, believe me, I would have. "'But I don't think harm will come to them. "'They're clever.' "'Are they outside?' I asked.
Starting point is 00:41:39 "'Did they find a way of meeting the mark "'How long have you been gone?' Halsey merely stared at me as though he had no intention of answering, and then the autophone on the desk buzzed. "'This is Halsey,' he said. "'Yes, I have them here. Bring them. Did you say bring them?' We could not hear the answering voice,
Starting point is 00:41:59 for Halsey had the muffler in contact. "'No, I would prefer not to come. I'm watching something. I'm at the Red Spark Cafe. Well, I'm going back to my office presently to wait there." He continued in code. Like Snap, I had never had occasion to learn it. The words were a strange-sounding staccato gibberish.
Starting point is 00:42:21 He ended, "'I will send them, Grantline. Very well, I'll tell them to locate him. At once, yes.' He closed off the autophone. Halsey swung on us. "'You're all right now?' "'Yes,' I stood up, drawing Snap-up
Starting point is 00:42:38 with me. What is wanted of us, Colonel? That's better, Greg. He smiled, but he was still grim. I wanted you here to wait for this call from the conclave of public safety. It met at midnight. They have ordered both of you there. That's a secret meeting, isn't it? asked Snap. There was no report of it over the air tonight. Yes, secret. He was leading us to the door. They won't need you for more than half an hour. When they finish, come back to my office. You can come openly. He stood with his finger on the door lever. Goodbye, lads. Foley will lead you to the service room. You are to take a mail cylinder for Postal Switch Station 20. They'll reroute you from there to the Conclave Auditorium. The door slid up. When you disembark, he added, ask for Johnny Grantline. You are to sit with him.
Starting point is 00:43:35 He showed us out, and the door slid down before him. We trudged the corridor, and Snap gripped me. For myself, he whispered swiftly, I'll go to the damnable conclave because I'm ordered. But I won't stay there long. Once we get out of it, if I don't route myself back to the Red Spark, I'm a motor-oiler. I agreed with him.
Starting point is 00:43:57 We had a mental picture of Anita and Venza in the Red Sparks public room. Doubtless, Orrentino had created a way for them to meet Molo. They would sit there in the red spark with that drinking party, and in less than an hour we would be back. But as we crossed diagonally across an end of the main room with Foley leading us, we caught a glimpse of Molo's table. The party was still there, but Molo, Anita, and Venza were gone. We had no time to get any information. Foli abruptly left us and another man took his place. In the service room a passenger cylinder was waiting. Our guide entered it with us. At the switch station we had the breath knocked out of us.
Starting point is 00:44:39 After another ten minutes in the vacuum tube, we reached our unknown destination. The cylinder slide opened. We found ourselves with a lone guard, and through a gloomy arcade opening, Johnny Grantline was advancing to greet us. Well, so here you are, Greg. Hell to pay heaven going on here. Come on in, I'll tell you. We were sent for, Snap said. Yes, but they don't.
Starting point is 00:45:05 What what you yet. Come in here. He waved away the guard and led us through a padded arcade into a low-vaulted audience room, windowless and gloomy. Across it, a doorway panel stood ajar. Grantline peered through it. There was the glow of light from the adjoining room and the distant murmur of many voices. Grantline closed the door. Sit down and I'll tell you. Where are we? I asked. The ninth conclave hall. He knew its location, lower Manhattan, high under the city roof. Grantline produced little cigarette cylinders. Steady your nerves, lads, you'll need it. He grinned at us.
Starting point is 00:45:47 The hand with which he lighted my cylinder was steady as a tower base, but he was excited. I could see it by the glint in his eyes and hear it in his voice. What's going on? Snap demanded. It's about this invading planet. By the gods, when you hear what's really, been learned about it. Well, what? I asked.
Starting point is 00:46:09 He sketched what he had learned this night at the conclave. The mysterious invader was inhabited. How do they know that? Snap put in. Wait, I'll tell you the rest of it. The accursed thing changes its orbit. It banks and turns like a spaceship. It's stopped out in space.
Starting point is 00:46:28 It's poised out there now between Mars and Jupiter. A world about a fifth the size of the moon, and the beings on it can control its movements. They brought it in from interstellar space into our solar system. Evidently, the point they've reached now is far as they want to come. They've poised out there, getting ready to attack, not only us, but Mars and Venus simultaneously. Grantline gazed at us through the smoke of his cigarette.
Starting point is 00:46:57 He was much like Snap, small, wiry, brisk of movement and manner, but older. His hair was graying at the temple. His voice carried the authority of one accustomed to commanding men. Don't ask me for the technicalities of how they reached these conclusions. I'm no astronomer. I'm only telling you their conclusions and what their discussions have been here for the past hour. Heaven knows we had no inclination to dispute him. What we had seen and heard at the Red Spark tallied with his words.
Starting point is 00:47:29 He went on swiftly. The attack, of whatever nature it may be, is, impending at once. Not next month or next week, but now. Lord Greg, I don't blame you for staring like that. You don't know what's been going on for the past two days on Earth and Venus and Mars. It's all been suppressed. Neither did I until I heard it here tonight. The USW, the Martian Union, the Venus Free State are all preparing for war. Every government spaceship on Earth is being commissioned. We're not going to sit around and wait for invaders to land. The war won't be fought on Earth if we can help it.
Starting point is 00:48:09 We stared. Snap asked, What makes them so sure? That war is coming? Plenty. This new planet has sent out spaceships. The planet itself is hovering 60 million miles away from us, about 40 million miles from Mars and close to 90 million from Venus.
Starting point is 00:48:28 Perhaps its leaders think that's the most strategic spot. Then it sent out spaceships, three of them. One is hovering close to Venus. Another is near Mars, and the third is some 200,000 miles off Earth. Several of our interplanetary freighters are overdue. It seems now that they must have encountered these invading ships and been destroyed. Still more and worse. These three hovering ships have already landed the enemy on Mars and Venus. The Helio reports mentioned mysterious encounters in Farak-Shan and Grebar. For three or four days, Mars has been in a panic of apprehension. Venus almost is bad.
Starting point is 00:49:09 And some have landed here, not many perhaps, but one has been captured. A thing. God, it's almost beyond description. We could well agree with that, since Snap and I had just seen one. They've got it here, Grantline was saying. They've tried to make it talk. They can't, but they're going to try again. He jumped to his feet and went to the door. They're bringing it in.
Starting point is 00:49:36 Upon his face was a look of awed horror. We stood crowding the small door oval. It gave onto a darkened balcony of the conclave hall. The girders of the city roof were over us. There were a few official spectators sitting up here in the dark on the balcony, but none noticed us. The lower floor of the hall was lighted. Around the polished oblong tables, perhaps a hundred scientists and high government
Starting point is 00:50:01 officials of the three worlds were seated. Near the center of the hall was a small dais platform. On a table there, someone had just placed a circuit or black box, similar to the one we had seen previously. The hall was hushed and tense. On the dais stood a group of earth officials. One of them spoke. Here it is, gentlemen, and this time by God will make it speak. Grantline whispered, "'That's the war secretary from greater London.' "'I recognized him. "'Brayley, commander-in-chief of the land, air, water, and space armies "'of the United States of the world.
Starting point is 00:50:41 "'He was gigantic in stature, with a great shock of gray-white hair. "'A commanding figure, if there ever was one. "'Beside him, Nippur, the Japanese representative in Greater New York, "'seemed a pygmy. "'The acoustics of the silent hall carried his soft voice up to us. I would be afraid of drugs. Where do we use for us? It is vital. Yes, by God, anything. It seemed that everyone in the hall must be shuddering. I could feel it like an aura pounding up at me. Braley lifted the box lid, reached in, and raised the horrible thing. He held it up,
Starting point is 00:51:22 a two-foot ball of palpitating gray-white membrane, another living brain. Now, damn you, you're going to talk to us. Understand that? We're going to make you talk. Get that box out of the way. They flung the box to the floor and bradley placed the brain on the table. A glare of light, focused on it, showed beneath the stretch-taught membrane the convolutions of the brain,
Starting point is 00:51:47 like tangled purple worms. The blood vessel seemed distended, almost to bursting now. The gruesome face, with popping eyes and that gaping mouth showed a horrible travesty of terror. From where its ears should have been, a crooked little arm of flabby, gray-white flesh came down, one on each side and braced the table. And I saw now that it had a shriveled body, or at least little legs, bent, almost crushed under by its weight. "'Now, damn you,' Braley said, rubbing off his hands on a rough towel.
Starting point is 00:52:22 "'For the last time, will you talk?' The goggling eyes held a terrified. but baleful gaze upon Braley's face. Did it understand? The eyes were fronted our way, and suddenly their glance swung up so that I seemed for an instant to see down into them. And it struck me then.
Starting point is 00:52:41 This was a thing of greater intelligence than my own. A humanoid, with brains so developed that through myriad generations the body was shriveled, almost gone. A mind was housed there, and intelligence housed in this monstrous brain. Were these the beings of the new planet which had come to attack us? But how could this helpless creature, incapable of almost everything, obviously save thought, do the work of its world?
Starting point is 00:53:12 Then I recalled again that insulated room of the Red Spark Cafe, the thin, ten-foot hooded shape which was carrying the box. Was that perhaps an opposite type of being with the brain submerged, dwarfed and the body paramount? Were there, on this mysterious planet, two coexisting types, each a specialist, one for the physical work, and the other for the mental? I stood with Snap and Grantline in that dark balcony doorway, gazing down to where the giant brain stood braced upon its shriveled arms and legs, and realized why we of Earth and Venus and Mars are all cast in the same mold we call human. It is a little family of planets, here in our solar system.
Starting point is 00:53:57 system. For countless eons, we have been close neighbors. The same sunlight, the same general conditions of life, the same seed, were strewn here by a wise creator. A man from the Orient is different from an Anglo-Saxon. A man of Mars differs a little more, but basically they are the same. Yet confronting us now was a new type from realms of interstellar space far beyond our solar system. For the last time, will you talk? snapped Braley. There was another interval of silence. The eyes of the brain were very watchful. Its gaze roved the hall as though it were seeking for help. It shifted its little arms on the table,
Starting point is 00:54:42 seemingly exhausted from the physical effort of supporting itself. Braley's voice came again. Doubtless, you can feel pain acutely. We shall see. With what effort of will to overcome his revulsion, we may only guess, he reached forward and pinched the little arm. The result was electrifying. From the upended slit of mouth in that goggling face came a scream. It pierced the heavy tense silence of the hall, ghastly in its timber, like nothing any of us had ever heard before.
Starting point is 00:55:16 And in it was conveyed agony as though Braley had not merely pinched that flabby arm, but had thrust a red-hot knife into its vitals. The brain could feel pain indeed. It crouched with stiffened arms and legs. The membrane of its great head seemed to bulge with greater distension. The knotted blood vessels were gorged with purple blood. The eyes rolled. Then it closed its mouth.
Starting point is 00:55:43 His gaze steadied upon Braley's face. So baleful a gaze that, as I could see the reflection of its luminous purple glow, A shudder of fear and revulsion swept me. "'So you did not like that?' Braily steadied his voice. "'If you don't want more, you had better speak. How did you get here on earth? What are you trying to do here?'
Starting point is 00:56:06 There seemed an interminable silence. Then Nippor took a menacing step forward. "'Speak! We will force it from you!' And then it spoke. "'Do not!' Touch me again. Indescribable voice. Human, animal, or monster no one could say.
Starting point is 00:56:32 But the words were clear, precise, and for all their terror they seemed to hold an infinite command. A wave of excitement swept the hall, but Braley's gesture silenced it. He leapt forward and bent low over the palpitating brain. So, you can talk. "'You came as an enemy. We have given you every chance today for friendship, and you have refused. "'What are you trying to do to us?'
Starting point is 00:57:00 "'It only glared. "'Speak!' "'I will not tell you anything.' "'Oh, yes, you will. No.' "'All the men on the platform were crowding close to it now. "'Speak!' ordered Braley again. "'Here in Greater New York is a hiding-place.' "'Where is it?'
Starting point is 00:57:22 "'No answer. "'Where is it? "'You are perhaps a leader of your world. "'I lead ours, and I'm going to master you now. "'Where is this hiding place?' "'The thing suddenly laughed, a gruesome, eerie cackle. "'You will know when it is too late. "'I think it is too late already.'
Starting point is 00:57:45 "'Too late for what?' "'To save your world. doomed your three worlds. Don't touch me! It ended with a scream of apprehension as Nippor grasped the crooked little arm. Ter us! No! It screamed again.
Starting point is 00:58:06 Let me go! Terr us! Nipor strengthened his squeezing grip. The thing was writhing, the thin ball of membrane palpitating, heaving. And suddenly it burst. Over all its purpled surface, blood came with a gush. Nipar and Braley staggered backward. The scream of the brain ended in a choking gurgle.
Starting point is 00:58:31 The little legs and tiny body wilted under it. The round ball of membrane sank to the table. It rolled sideways upon one arm and ear, and in a moment its palpitation ceased. A purple-red mass of blood, it lay deflated and flabby. It was dead. End of Chapter 3 Chapter 4
Starting point is 00:58:59 of Wandal the Invader by Ray Cummings This Libervox recording is in the public domain Wondel the Invader Chapter 4 But see here, I said, Did they mention the Martian Molo at all? They were discussing Molo before you arrived,
Starting point is 00:59:20 Grantline told us. We had drawn back from the doorway. The conference with the... the dead thing removed was proceeding. Snap and I had momentarily forgotten Anita and Venza, but now we were in a panic to get back to the Red Spark. But you can't go, said Grantline. Braily ordered you here. He'll want to see you in a moment. Well, why doesn't he see us now? Snap protested. I'm not going to cool myself off sitting here. Oh, yes, you are. Grantline sent word to Braley that we were here.
Starting point is 00:59:55 In a moment the answer came. We were to wait a short time. He would want to see us. We swiftly told Grantline what had happened at the Red Spark and found that already he knew. Francis had related to the conference, and Halsey was in constant communication with the officials here. Then what is happening? I demanded.
Starting point is 01:00:16 Where are the girls? Has Halsey heard from them? Again Grantline went to a nearby room. Anita sent a message, he said, when he was. returned. They are with Molo. Halsey is ordering a squad of men to be ready. Grantline told us what had been happening in the red spark. Anita and Venza, simulating drunkenness with a skill for acting, which I knew both of them possessed, had joined Molo's party. Perhaps if Mika had been there she would have seen through them. But Molo did not. And they have
Starting point is 01:00:49 since told me that the Martian himself was far from sober, although he was probably not aware of it. He yielded to their demands to leave the restaurant with him. He wanted, as we know, to leave unobtrusively, and Venza threatened a scene unless he should go. He took them, leaving openly in a public fare car. Doubtless he had first intended to derail them somewhere, but they convinced him that he was not being followed. Twice he used his detector, and Anita and Halsey were clever enough to throw off their race in time to avoid it. Then Halsey lost connection with the fleeing car, and after that Molo changed his mind about ditching the girls. "'But where are they now?' I demanded.
Starting point is 01:01:35 "'You,' said Grantline sternly, "'are out of it. Do you think that Halsey, under Braley's orders, will neglect any chance to find out where Molo is hiding? Something is about to happen. This conference is wrestling with it. In Grebar and Farakshan, they're striving to find out what it is. Something impending now. Helios are pouring in here from Venus and Mars. They're mobilizing their spaceships, just as we are. Grantline at last was letting out all his apprehensions on us with this burst.
Starting point is 01:02:11 Halsey didn't tell you that the entire resources of this organization are out upon this thing tonight. Here at this conclave, there's a room of information source. orders. That's just where I came from a moment ago. Every country on our earth is making ready. For what, nobody knows. He's had two fragmentary calls from Anita. He has a hundred men ready to rush through their aid, and to capture Molo's lair. He expects another message from Anita any moment. This conference here knows every movement that is being made, within ten or twenty seconds of its making. Perhaps upon Anita and Venza, the whole outcome of this thing may hang. We had no answer to that. Do you know who Molo is? He's an interplanetary pirate.
Starting point is 01:02:59 His ship is the star streak. Good Lord! We had heard of him. For five years past, a gray spaceship with a bay supposedly hidden in the polar deserts of Mars had been terrorizing interplanetary shipping. They think, Grantline went on, that Molo was cruising with his pirate ship. He has, as you know, a band of criminals drawn from all the three worlds. There are about 50 of them, commanded by his sister and himself. We think that Molo encountered the three ships which that new planet set out. The Star Streak was captured, perhaps destroyed. Molo and his band joined with this new enemy to save themselves
Starting point is 01:03:43 and because they have been promised rewards. But why should these brains want their help? Snap demanded. Wouldn't you say it was because in Farakshan, Greb are in here in Greater New York, simultaneously tonight something has to be accomplished, something the brains themselves could not do? Molo and his band know all three cities. How they landed here in Greater New York, nobody knows.
Starting point is 01:04:11 The enemy spaceship is 200,000 miles out. Obviously, they came from it, landed secretly with some smaller ship somewhere on Earth, and made their way here. A buzzer sounded beside us. A voice commanded, Grantline, bring Greg Haljan and Daniel Dean to room six at once. In room six, we stood before the war secretary, who had arrived there a moment ahead of us.
Starting point is 01:04:39 Ah, Haljan and Dean, I'm glad to see you. He was still white and shaken. Beads of perspiration stood upon his forehead. He mopped them off. I've just had a rather terrible experience. He did not suggest that we sit down. He went on crisply. Grantline, no doubt, has told you of what's going on.
Starting point is 01:05:02 Disturbing, terrifying. Helgin, we have a ship being rushed into commission tonight. You know her, the cometara. I know her, I said. Quite so. She is taking off as soon as we can ready her. She will carry about fifty men. Grantline is in charge of the armaments and men.
Starting point is 01:05:22 You, Dean, we want to handle her radio helio. Right, said Snap. And you, Helgen, we can think of no one better to navigate her. He waved away my appreciation. Within a brief time, we shall have thirty such ships in space. Mars and Venus also are mobilizing. He stood up. We feel, Haljan, that if anyone can handle the comet
Starting point is 01:05:48 Tara, with skill enough to combat this lurking enemy, it will be you. I'll do my best, sir. We know that. The ship is leaving from Tappan Interplanetary Stay shortly after dawn. When have you and Dean last slept? Last night, we both said. Quite so. Then you need sleep now.
Starting point is 01:06:08 I want you to go at once to the Tappan Fieldhouse. The commander there will make you comfortable. Eat and sleep if you can. We want you in good shape. "'You're to keep out of this night's activities here in the city. You understand?' "'Yes, sir.' And Orderly was approaching behind Braley. "'I'll be back in a moment, Rollins.'
Starting point is 01:06:30 He shook hands with us. "'I may not see you again before it's over. Good luck, lads. Gratline, they need you for a moment in the hall. Something about electronic space weapons, further equipment for the Comitara. Then you better go to Tappenhouse, too, and get some sleep.' We were dismissed. Snap and I regarded each other hesitantly. I said impulsively, Mr. Braley, Detective Colonel Halsey, is using two girls.
Starting point is 01:06:59 Yes, we're watching that, Haljan. They're the girls we're to marry, I added. May we communicate with Colonel Halsey? Yes, call him from here. He smiled wanly. But keep out of it. We need you at dawn. The Tappan departure stage was only a few miles up the Hudson.
Starting point is 01:07:21 We could get there in half an hour. It was now nearly Trinite, halfway between midnight and dawn. I had my portable autophone and got Halsey at once. You, Greg? Yes. They're through with us at the conclave. Where is Anita? We heard from her twice.
Starting point is 01:07:41 I'm expecting... You could hear someone interrupting him. Then he came back. Greg, Molo took them somewhere. I didn't dare fling after them. He had his detector going, and Anita warned me not to try it. She had to stop connection herself. God knows how she was able to whisper to me at all. His voice, like Braley's, had the ring of a man strained to the breaking point. I could appreciate how Halsey must feel, forced to remain at his desk with its encircling banks of instruments, holding all the network of his far-flung activity.
Starting point is 01:08:16 centralized. His decisions, his commands in a hundred places almost simultaneously, while his body sat there inactive. Greg, the girls must have arrived at Molo's place by now. If only they know where they are. I have lookouts throughout the city with intricate and complete connecting equipment. Greg, I must disconnect. Colonel, give me Anita's frequency. Maybe Snap or I can pick up the message. He named the oscillating frequency. He named the oscillating frequency. He named the oscillating then disconnected. Try that frequency, Snap suggested. We've got to do something.
Starting point is 01:08:54 The door slide opened suddenly and an orderly appeared. Haljan? Get the hell away, roared Snap. We've had our orders. We don't want any from you. Greg Haljan and Daniel Dean are paged on the mirrors. Someone in the city wanted us. Our names were appearing on the various mirror grids
Starting point is 01:09:13 publicly displayed throughout the city in the hope that we would answer. That's different, said Snap. Answer it for us. That's a good fellow. We're busy. It must be important, the orderly insisted. The caller registered a fee at the search bureau.
Starting point is 01:09:29 That's how they located you here. He paid the highest fee to search you. An emergency call. It was against the law to invoke the services of the search bureau unless based upon actual impending danger. We'll take it, I said. "'Come with me.' He turned to the left and down the corridor.
Starting point is 01:09:50 We hasten with him to a corridor cubby. Upon the autophone there, I was at once connected with a voice, and an anxious man's face with a two-day growth upon it. "'Helgin, thank God you answered. This is Dud Ardley. Me and Shack are here. Listen, this is the lower-seller corridor, lateral three, under Broadway. Me and Shack just have seen your girls down here.'
Starting point is 01:10:13 News of Anita and Venza. I could see in the mirror image behind Dudd's head the outlines of the little public cubby from which he was calling. He and his brother, on some illicit errand of their own in Eastside Lower Manhattan, had seen figures alighting from a fair car. They had caught a glimpse of the faces of Anita and Venza. The girls were hooded and cloaked. A hooded man was with them. The fair car quickly rolled away and the hooded figures suddenly becoming invisible within their magnetic cloaks had vanished. "'Selt me, we couldn't do nothing. You know we take no chances with the police by carrying cylinders, so I paged you in a hurry.' "'Dud, that's damn nice of you. Where are you now? Tell me again.' The Ardlies, knowing nothing of the events of this night, supposed that the girls were being abducted, and decided I should be informed.
Starting point is 01:11:11 "'Dame right, Dud. We'll come at once. You two wait for us? Sure. If you got instruments, maybe we can track them. It wasn't a quarter of a mile from here, over toward the river. Plenty of rotten dumps down there. Wait for us, Dud. We'll come in a rush.
Starting point is 01:11:27 I slammed shut the autofone. Snap beside me had heard it all. He shoved the astonished orderly out of the way. Where's the nearest exit route out of here? To the city roof, sir, up this incline. We dashed up the spiral incline through a low, exit port, and were in the starlight of the city roof. Connected, Greg. You can't tell. Her message might come over any minute. I tuned my coils to the
Starting point is 01:11:54 seldom used oscillation frequency, which Halsey had told us Anita's transmitter was sending. Anything, Greg? No, dead channel. The air in Anita's channel was bafflingly silent. We had been challenged by a roof guard when we appeared from the upper port of the Conclave Hall. The city roof was not open to public traffic. But with our identifications, he found us a single-seat hand tram and started us southward on the deserted route. It was a cloudless night, with stars like thickly strewn diamonds on purple velvet.
Starting point is 01:12:28 The city roof lay glistening in the starlight. In my great-grandfather's time, there had been no roof here. The open city was exposed to all the inclement weather. But gradually, the arcades and overhead viaducts Cross balconies and catwalks, which spanned the canyon street between the giant buildings, became a roof. It spread, now terraced and sloped to top the lofty buildings, like a great rumpled sheet propped by the knees of sleeping giants. Some of the roof was of opaque alumite, dark patches, alternating with the great glassite panes which in places admitted the daylight.
Starting point is 01:13:06 Our little trams sped along the southward, wending its way over the terraces. save for the guards and lookouts in their occasional cubbies, and the air traffic directors in their towers, we were alone up here. The roof was tangled with air pipes, line wire conduits, aerials, arterial systems of the ventilating and lighting devices. As far as one could see,
Starting point is 01:13:30 the ventilators stood fronting the night breeze, like listening ears. There were water tanks, great cross bulkheads, and flumes to handle the rain and snow. A few traffic towers maintain order in the overhead air lanes. Their beacons shot up into the sky when the passing lights marked the thinly-strewn trinite traffic. We were stopped at intervals, but in each case were passed promptly. Nothing yet, Greg?
Starting point is 01:13:58 No. Anita's channel remained empty. It was, I suppose, no more than ten minutes during which we sped south along the grotesque maze of the roof, but to us it was an eternity. If only some message would come. I'll pull up here. Yes. I gathered up my little autophone, thrust it under my dark, flowing cloak.
Starting point is 01:14:22 If only our cloaks were magnetic. We leapt from our car. In a rush, Helgen? asked a guard. That's us. Orders for Mr. Braley. We left him and plunged into a descending automatic lift. A drop of a thousand feet. We shot downward past all the deserted levels,
Starting point is 01:14:42 past the ground level, the undersurface transportation lanes, the sub-river tubes, the sub-cellar, down to the very bottom of the city. Come on, Greg, two segments from here. We advanced at a run. At this hour of night, hardly a pedestrian was in evidence.
Starting point is 01:15:00 It was an arched vaulted corridor, almost a tunnel, dimly blue-lit with short lengths of fluorescence, and tubes at intervals on the ceiling. For all the vaunted mechanisms of our time, the air here was heavy and fetid. Moister dripped from the concrete roof. It lay on the metal pavement of the ground.
Starting point is 01:15:20 The smell of it was dank, tomb-like. There were frequent cross-tunnels. We turned eastward into one of them. For a segment, there were the lower entrances to the cellars of the giant buildings overhead. We passed a place where the tunnel corridor widened into a great underground plaza. The sewerage and wire pipes lay like tangled pythons on its floor. Half across it, by the glow of temporary light strung on a cable, a group of repairmen were working.
Starting point is 01:15:49 We passed them, headed into where the tunnel narrowed again, and there were now occasional cubby entrances to underground dwellings. It was a rabbit warrant from here to the river, haunted by criminals and by miserable families, many of whom never saw the daylight for one. weeks at a time. The giant voices of the city hardly carried down here, so that an oppressive silence hung upon everything. That next crossing, Greg, they said they wait for us there. Occasional escalators led upward. In advance of us was a narrow intersection. There were a few lights in the bullseys of the subterranean dwelling rooms, but most of them were dark. Easy Snap, not so fast. I pulled Snap to a walk.
Starting point is 01:16:35 We edged over against the tunnel's side. We had passed a small lighted autophone cubby, evidently the one from which Dud and Shack had paged us. They should have been here waiting, but there was nothing but the empty, gloomy tunnels. Something is coming, Snap clutched at me. We drew our cloaks around us and waited in a shadowed recess.
Starting point is 01:16:59 Down a side incline, a segment behind us, a small automatic food truck came lurching. It pulled up at an arcade entrance. Its driver slid the portals, deposited his cases of food, locked the panel after him, and in a moment he and his truck were gone up the incline. We heard in the ensuing silence,
Starting point is 01:17:19 a low-grown near at hand. Then abruptly it stopped. We saw, within twenty feet of us, two dark figures lying on the pavement grid in a black patch of shadow, where the mail-tube came down in a curve and disappeared into the tunnel wall. We bent over the figures of the two men.
Starting point is 01:17:39 They lay together, one half upon the other, black-garbed figures with white, staring faces. One twitched a little, and then lay still. They were shack and dud ardly. Murdered, Greg! Good Lord! Both were dead, but we could see no marks on either of them. I found my wits. Snap!
Starting point is 01:18:03 We can't see. stand like this wholly visible. I pulled Snap away. We darted a few feet. The light of the tunnel intersection was directly over us. Not here, Snap, run. Under the curving vacuum tube, a little further along, we found shelter. Snap murmured. The girls went past here, but which way, Greg? As though I knew. I felt at that moment, under the shirt against my skin, the anode of my autophone tingling. A receiving signal. In the gloom, I could see Snap's white face as he watched me bring it out. We heard a tiny, microphonic voice. Anita's voice. Colonel Halsey. Yes, I have the location. Lafayette IV. East Corridor, lowest level.
Starting point is 01:18:52 A descending entrance. Don't you speak again. I've only got a minute. Venza safe, but send help. Something we don't understand. A strange mechanism here. Then Halsey's interrupting voice, "'Anita, escape! You and Venza!' "'We can't. They've got us.' "'I'm sending men. They'll be there in ten minutes.' "'Ten minutes will be too late. Molo is—' "'It seemed that we heard her scream. Then the waves blurred and died.
Starting point is 01:19:23 Lafayette IV, East Corridor, lowest level. "'Snap! That's here! A descending entrance!' We stood back against the great curving side of the postal vacuum tube. Within it, I heard the hiss and clank as a mail-cylinder flashed past. Halsey's secret orders must be going out now. His men nearest this place would come in a rush. But Anita said that would be too late. Snap and I were frantically searching.
Starting point is 01:19:53 Somewhere here was an entrance to Molo's lair. It seemed in the silence that Anita's scream was still ringing in my ears. Had it been entirely from the instrument, or were we so close that we had heard its disted echoes? Greg, help me! Snap was tugging at a horizontal door slide, like a trap in the tunnel floor, partly under the vacuum tube. Stuck, he gasped. It yielded with our efforts. It slid aside. Steps led downward into blackness. We plunged in, caution gone from us. The steps went down some twenty feet. We were in another smaller corridor. It was vaguely lighted by a glow from somewhere, and as my pupils expanded, I could see this was a shabby alley, opening ahead into a winding
Starting point is 01:20:41 passage with the slide-port above us like its back gate. A whirn of cubbies was here, a little sequestered segment of disreputable dwellings. We stood peering, listening. Shall I try the eavesdropper, Greg? Yes, no, wait. We were. I thought I heard distant sounds. Voices, snap, listen. More than voices. A thud, footsteps running, a commotion. Back in this warren within a hundred feet of us.
Starting point is 01:21:12 This way, I murmured. We plunged into a black gash. There was a glow of light, a glass-eyed pane in a house-wall nearby. The commotion was louder, and under it now we heard a vague humming, something electrical. It was an indescribable. weird sound, like nothing I had ever heard before. Snap clutched at me. In here, but where's the accursed door?
Starting point is 01:21:38 There was a glass-eyed pain, but we could find no door. In our hands we held small electronic bolt cylinders, short-range weapons. The hum and hissing was louder. It seemed to throb within us, as though vibration were communicating to every fiber of our bodies. Light was streaming through the glass-eyed pane, and we glimpsed the interior of the room. The light now came from a strange mechanism set in the center of the metal cubby. I caught only an instant's glimpse of it, a round thing of coils and wires. The metal floor of the room was cut away, exposing the gray rock of Manhattan Island.
Starting point is 01:22:17 And against the rock, in a ten-foot circle, a series of discs were contacted, with wires leading from them to the central coils. The hole was glowing with opalescent light. It was dazzling, blinding. Within it, the goggled figure of Molo was moving, adjusting the contacts. He stooped. He straightened, drew back from the light. Only an instant's glimpse, but we saw the girls, crouching with black bandages on their eyes. Mika, goggle like her brother, was holding them. A tall shape, carrying a round black box, darted through the light and ran. Molo leapt for the girls. The hum had mounted to a wild electrical scream. Molo flung his sister back out of the light. They all vanished. There was nothing but the light and the mounting dynamic scream. Beside me, Snap was pounding on the glass-side panel. I joined him. Everything was dreamlike, blurring, as though unconsciousness was upon me. Where was Snap? Gone? Then I saw him nearby. He had found a door, but it wouldn't yield. I saw his arm go up in a gesture to me.
Starting point is 01:23:32 He ran. I found myself running after him, but I stumbled and fell. Then over me, this scream burst into a great roar of sound. It seemed so intense, so gigantic a sound that it must ring around the world. And the light burst with an exploding puff. The black metal cubby wall seemed to melt like phantoms in a dream. A tight, blow torch. The opalescent light shot upward, a circular ten-foot beam, eating its way through all the city levels as though they were paper, up through the city roof. Molo's cubby was gone. His mechanism was eaten by the light and destroyed. There was only this motionless, upstanding beam contacted here with the earth, streaming like an opalescent sword into the starry sky.
Starting point is 01:24:22 End of Chapter 4 Chapter 5 Of Wondel the Invader by Ray Cummings This Libervox recording is in the public domain Wondel the Invader Chapter 5 I must paint now upon a broader canvas
Starting point is 01:24:46 to depict the utter chaos of this most memorable night in the history of the Earth, Venus, and Mars From that point in the bowels of Greater New York near the southern tip of Manhattan Island, the mysterious light beam shot up. It screamed with its weird electrical voice for an hour, so penetrating a sound that it was heard with the unated years as far away as Philadelphia. A tightened voice it was, shrill as if with triumph. There were millions of people awakened by it this night, awakened and struck with a chill of fear at this nameless siren shrilling its note of danger. The sound gradually subsided. It seemed to reach its peak within a few minutes of the appearance of the light,
Starting point is 01:25:30 and within an hour it had ceased. But the light beam remained. Those who inspected it closely have given a clear description of its aspect, but to this day its real nature has never been determined. It was a circuit or beam of about a ten-foot diameter. In color it was vaguely opalescent, rather more brilliant at night than in the day. With the coming of the sun, it did not fade, but remained clearly visible, with a spectrum sheen when the sunlit hit it, so that it had somewhat the appearance of a titanic, straightened rainbow. From that contact point with our earth, the inexplicable beam stood vertically upward. It ate a vertical hole like a chimney up through all the city levels, through the roof and into the sky.
Starting point is 01:26:20 It had a tremendous heat, communicable by contact, so that it melted the city above it with a clean round hole. But the heat was non-radiant. I was found lying within fifty feet of the base of the beam. There had been an explosion, so that Molo's metal room was gone. But from where I lay, there was only a warmth to be felt from the light. Halsey's men found me within half an hour. I was unconscious, but not injured. I think now that the sound and not the light overcame me. I presently recovered consciousness. For another hour I was
Starting point is 01:26:59 blind and deaf, but that quickly wore off. They rushed me through the chaos of the city to the Tappan headquarters. Grantline was there, but not snap. I sent them back when once I was fully conscious. They searched all the vicinity at the base of the light. Snap, alive or dead, was not to be found. Anita and Venza were gone. I had seen Molo and Mika plunge away with them as the light beam burst forth. They were gone, and Snap was gone. There was by now a turmoil unprecedented throughout all the metropolitan area.
Starting point is 01:27:35 The motionless light beam itself had done little damage, but its appearance brought instant chaos. Within a radius of five miles of its base, the city was plunged into darkness. All power was cut off. Every vehicle, even the arrows passing overhead, and the ventilating system stopped. Autophones were wrecked. It subsided within an hour, though, and after that, lights and instruments brought into the area were not affected. But during that hour, South Manhattan was in panic. A multitude of terrified people awakened in the night to find out of the night. To find out of the night. To find out of the night. The night, South Manhattan was in panic. A multitude of terrified. blackness and that screaming sound. The streets and corridors and traffic levels were jammed with throngs trampling and killing one another in their efforts to escape. This was in the stricken area, but everywhere else the panic was spreading. Transportation systems were almost all out of commission. The panic spread until by dawn there was a wild exodus of refugees jamming the bridges and viaducts and tunnels, streaming from all the city exits. This, this.
Starting point is 01:28:42 was Greater New York. But from Venus and Mars came similar reports. In Grebar and in Farahshawn, doubtless, almost simultaneous with Greater New York, similar light beams appeared. But what can it be? I demanded of Grantline. Something Molo contacted there? He did it. That was what he was working for, and he accomplished his purpose. But what will the beam do to us? It's doing plenty, said Grantline grimly. He didn't intend that. There was something else. But what?
Starting point is 01:29:18 As yet, no one knew. I had already told the authorities what I had seen. I was the only eyewitness to Molo's activities, and heaven knows I had but a brief, confused glimpse. The beam remained. It streamed upward from the rock. They thought this night that Molo's strange current had set up a disintegration of the atoms,
Starting point is 01:29:39 and that electronic particles from them were streaming into space. The light beam seemed impervious to attack. Within a few hours, the authorities were attacking its base with various vibratory weapons, but without success. From where Grantline and I sat, we saw the dawn coming, but the radiance beam remained unaffected. Greg, look there at Venus! To the east of us, there was a distant line of metal structure surmounting the Midwesternet
Starting point is 01:30:09 Westchester Hills. Above them, in the brightening sky of dawn, Venus was just rising. Mars had already set at our longitude. Venus, fairly close to the earth now, was the morning star. It mounted now above that line of metal stages in the distance. As Grantline gestured, I saw from Venus the same sword-like beam streaming off almost to cross our own. Grantline and I, with a mutual thought, ran around the balcony and gazed to where Mars had set. A narrow radiance was streaming up among the stars off there. Three swinging swords of light in the sky. With the rotation of the planets, they swept the firmament. The mysterious enemy had planted them, but why? What was coming next? And as though to answer us, from far to the south, over mid-Jurzy, came a new manifestation. We saw a speck rising, a distant mounting
Starting point is 01:31:09 speck of something dark, with streamers of tiny radiance flowing from it. A spaceship, Greg. It seemed so. It came slowly from above the maze of distant structures, gathered speed, and in a moment was gone. But others, better equipped, had observed it. It was a cylindrical projectile, with stream fluorescence propelling it upward, an unusual form of spaceship. Telescopically, it was seen until well after dawn. on, speeding out in the direction of the moon. Molo and his weird allies had escaped, I thought. With their work done here on Earth, they were off to rejoin the hovering enemy ship
Starting point is 01:31:51 two hundred thousand miles out. I stood gripping Grandline on that balcony and gazed with sinking heart. Were Anita and Venza prisoners on that mounting ship? And snap. I prayed he was there with the girls to lend them the protection I had failed to give. Hulgin and Grantline wanted below. A voice of a mechanic on the balcony behind us roused us from our thoughts. We went down through the busy building. The workshops of Tappan Interplanetary Headquarters
Starting point is 01:32:22 had for hours been ringing with busy activity. The comitera rested upon her departure stage outside, with a score of workmen conditioning her. Newly installed additional armament was aboard, ready to be assembled after the start. The men to handle it were embarked. My half-dozen officers and the ten members of the crew I had already briefly met. They were waiting for me.
Starting point is 01:32:47 On we go, Greg. Let's wish ourselves luck. From grim, silent abstraction, Grantline had now sprung into his familiar dynamic self. There was a solemn group of officers and a hundred or so workmen here. They stopped their fevered labors now to watch the Comitera get away, first of Earth's ships speeding into space to confront this nameless enemy. Grantline and I went past them with silent handshakes and murmured goodbyes. I saw the towering figure of Braley. He raised an arm for a farewell gesture to us. We mounted the incline to the Comitara. She rested upon her stage a great, sleek bronze ship,
Starting point is 01:33:29 low and rakish, with pointed ends and a flattened, arched turtle-back dome of glassite, covering the superstructure and the decks from bow to stern. She lay quiescent, gleaming in the glow of the departure beacons, but there was an aspect of latent power upon her. My ship. My first command. As we went through the open port of the dome side and I touched foot upon the deck, I prayed that I might justify the faith reposed in me. Men crowded the narrow, covered deck.
Starting point is 01:34:03 I saw the space guns at the deck pressure ports. partly assembled. My chief officer, a young fellow named Drack Davidson, who, with his twin brother, had been in the interplanetary freight service, rushed up to me. We're ready, sir. Very good, Drac. He hurried me to the turret control room. Grantline instantly had plunged into details of assembling the weapons. Her ports are all closed, said Drac. He spoke calmly, but his thin face was pale, and his dark eyes glowed with excitement. The interior pressure is set at 15 pounds. You can ring us up at once.
Starting point is 01:34:42 No formalities to this departure. With pounding heart, I entered the small circular turret and mounted its tiny spiral stairs to the upper control room. But as I touched the levers, calmness came to me with these familiar tasks at which I was skilled. I slid a central hull gravity plate. It went smoothly,
Starting point is 01:35:02 perfectly operated by the magnus. The vessel trembled, lifted. Outside the enclosing dome, I could see the dawn light of the sky and paling floodlights of the stage. Figures of men out there made silent gestures a farewell dropping slowly beneath our hull as we lifted. The bow gravity plate slid into the repulsive force positions. The bow lifted. The comatera responded smoothly. We went up, poised at a 45-degree angle. I saw the outer beacons on the state swing upward with their warning to passing traffic in the lower lanes. Light our bow beacon, rack. We lifted through the lower thousand and two thousand foot lanes. The lights of Tappan were dwindling beneath us. The interior of the cometara was humming with the whir of its circulators and air receivers, mingled with the throb
Starting point is 01:35:56 of air pressure pumps. At 3,000 feet, I started the air rocket end. engines. They came on with a gentle purring. The fluorescence from them streamed along our hull and down past the stern, like twin rocket tails. With gathering speed, we slid smoothly upward through the highest traffic lanes, out of the atmosphere, through the stratosphere, and into space. Leaving the stratosphere, I cut off the air rocket engines, slid the stern gravity plates for the Earth's repulsion and the bow plates for the attraction of the moon and sun. The firmament swung in a slow arc, and steadied with the earth behind us and the sun and moon in advance of our bow.
Starting point is 01:36:39 We were on our course, plunging through space with accelerating velocity toward the unknown enemy ship hovering 200,000 miles ahead of us. My orders were to find the ship and maneuver us close to it, and Grantline's orders were to assail it. I gaze down at the convex North Atlantic with the reddening coastline of North America spread like a map. What was the nature of this strange enemy whom we sought? That opalescent being from greater New York mounted with its radiance into the dome-like starfield. The one from Venus and the other from Mars seemed crossing overhead amid the stars. Three swords crossing the sky. What did they mean? Will you swing
Starting point is 01:37:27 east or west of the moon? We haven't decided. Drac Davidson and I were alone in the Cometera's control turret. We were some ten hours out from Earth. Over such short astronomical distances, it was impossible to attain any great velocity. When once we were clear of the Earth's atmospheric envelope, the rocket stream engines were useless.
Starting point is 01:37:50 The Cometera was equipped also with tail streamers of electronic nature. They exerted a slight pressure, useful for sudden curving and turning, but they had only negligible influence upon the main velocity of the vehicle. I used the repulsion of the earth upon our negatively charged stern gravity plates, and with those of the bow electronified to the positive reaction, we were drawn forward by the sun and the moon. For three or four hours I held to this combination with steady acceleration,
Starting point is 01:38:21 but then I had to retard. In close quarters such as this, the retarding velocity, velocity must be calculated with a nicety many hours in advance. We hung now, very nearly poised, within some forty thousand miles of the surface of the moon. Bleak and cold, sharply black and white, it hung in a gigantic crescent in advance of our bow. The sun, whose attraction night ceased using some hours back, was visible sharply to one side now. Its great gas streams of giant flame licked up into the blackness of the firmament.
Starting point is 01:38:58 The sunlight caught the lunar mountains with a light glare and left the valleys black with shadow. Moonlight and the mingled sunlight painted our bough. Behind our stern, the great disk of earth hung somber and glowing. And everywhere else was the great black and closing firmament. The stars blazed with a new white glory never seen through the haze of an atmosphere. Like a little world in the vastness of this awesome void, we hung poised. Gratline came into the turret. I've got everything ready, Greg. By the gods,
Starting point is 01:39:35 once you can lay telescope upon that accursed enemy ship, I'm ready to open fire on it. Good, I said. But the thought of hurling our bolts at this enemy ship had struck terror into my heart for hours passed. I was convinced that the three who in all the world were dearest to me, Anita, Venza and Snap, were upon that enemy vessel. Grantline asked, Are you going closer to the moon? No. The ship couldn't be between us and the moon. Waters and I have been in the heliol room for the past hour, searching with the scope there. Nothing doing, Greg. Not a sign. I know. Our instruments here show that. Our instruments here show that. There might be a way of sighting them, Drac put in. I'll try the Zed ray, I suggested. Drac and I
Starting point is 01:40:28 have it corrected, but I doubt if it would penetrate the sort of invisibility this enemy would use. Grantline nodded. Or the Benson Curvelight. You think the ship went behind the moon, or landed on the moon? It could have done either. Has waters still got contact with the earth? Have they seen it? No. I made a sudden decision. It would take us two hours at least to make a careful scanning with the Z-ray, and to take an elaborate series of spectro-heliographs of the moon's surface, which might show the enemy vessel if it had landed there, was a laborious process. After a brief thought, I discarded the idea. We'll go to the heli-room, I told Grantline. I'm going to try the Benson Curve-Light.
Starting point is 01:41:18 Grantline and I left the turret, heading along the catwalk under the glass-site dome toward the heliocubby where the rotund, middle-aged waters, was in charge. It made my heart sink to think of the heliol room. Snap should have been there. We crossed the transverse catwalk. The superstructure roof was under us. Farther down, the narrow deck showed with Grantline's men grouped at the firing ports, whereas weapons were mounted and ready. I saw those grouped men, low. I saw those grouped men loitering on the deck, waiting for me to give them a sighting. I prayed I could do so. And yet, there was the shuddering fear that the first blast would bring death to Anita. Waters met us at the door of his cubby. His face was red. He mopped the perspiration from his bald head.
Starting point is 01:42:06 I'm so glad you came. Will you want the Bensonlight? I say, I've lost connection with the earth. I had the Washington transmitter. Five minutes ago, they sent me a flash of the Mars and Venus news. They both sent ships out. He gasped for breath, then added in a rush. Both the Mars and Venus ships were destroyed, and the enemy escaped. Grantline and I gasped with horror. Destroyed, I said. How? Waters did not know. The news came, then immediately after, the Washington transmitter changed its wavelength and he lost connection. But why in heaven's name? But why in Heaven's man, didn't you ring and tell us? Grantline demanded. Destroyed? Only that? Just destroyed? I was afraid to leave my instruments, Water said. How could I tell? I might be able to renew connections
Starting point is 01:43:03 with Washington any minute. Come on in. Do you want to try the Benson curve light, Mr. Helgin? Yes, I said. I do. We entered the dim heliocubby. See here, Waters, what about the projectile that ascended from Earth last night. Did the Washington Observatory report what happened to it? No, not a word. They lost it, evidently. Our scopes on the Coma Terra had not been able to locate the projectile. The large instruments of Earth had lost it. Was that because, with tremendous velocity, it had sped directly for the new planet out beyond Mars? Or, with some form of invisibility, might it be close to us now, just as the lurking ship might be somewhere around here? From the little circular heliocopy, perched here under the dome like an eagle's nest,
Starting point is 01:43:55 I could see down all the length of the ship, and out the side ports of the dome to the blazing firmament. The sun, moon, and earth, and all the starfield were silently turning as Drax swung us upon our new course. Waters bent over the projector of the Benson Curvelight, making connections. The cubby was silent and dim, with only a tiny spotlight where waters was working, and a glow upon his table where his recent messages from Earth were filed. Grandline and I glanced at them. Panic in Greater New York, Grebar, and Farroch Sean. The three strange beams which the enemy had planted on Earth, Venus, and Mars still remained unchanged. I could see them now plainly from the heliocubby windows, great shafts of radiance, sweeping, the firmament. Water straightened from his task. That will do it, Mr. Haljan. He met me in the center of the cubby. When you locate the enemy, do you think they'll destroy us as they did those other ships?
Starting point is 01:44:58 Grantline laughed grimly. Maybe so, Waters, but let's hope not. Fat little Waters was anything but a coward, but being closed up here all these hours with a stream of dire messages from Earth had shaken him. What I meant, Mr. Grantline, is that prudence is sometimes better than reckless valor. The comitera is no warship. If Earth had sent an international patrol vessel, Grantline did not answer. He joined me at the Benson Projector. Can we operate it from here, Greg, or will you mount it in the bow?
Starting point is 01:45:33 From here. Drax swinging. When he's on the course I gave him, I can throw the Bunsen ray through the bow dome port. Waters, you're all done in. Go below and sleep a while. But he stood his ground. No, sir, I don't want to sleep. We've had ours, said Grantline. We'll call you if anything shows up.
Starting point is 01:45:55 We said waters away. Ready, Greg? Yes, I've got the range. The coils hummed and heated with the current, and in a moment the Benson curve beam leapt from the projector. The Benson curve light was similar to an ordinary white searchlight beam, except that its path, instead of being straight, could be bent at will into various curves. Hyperbola, parabola, and for its extreme curve, the segment of an ellipse, gradually straightening as it left its source. It was effective for police work, with hand-torches
Starting point is 01:46:30 for seeing around opaque obstructions. It had also another advantage, especially when used at long range. The enemy, when gazing back at its source, would, under normal circumstances, conceive it to be a straight beam, and thus be misled as to the location of its source. Or even realizing it to be curved, one had no means of judging the angle of the curve. A narrow white stream of light, it flung through our window oval, forward under the dome, and through the bow dome bullseye, into space. I saw the men on the deck spring into sudden alertness with the realization we were using it. The bowed lookout on the forward observation bridge crouched at his scopefinder to help us search. From the control turret came an autophone buzz and Drax voice. Am I headed right? The swing is almost completed.
Starting point is 01:47:24 Finish the job and don't bother me now. I bent over the field mirror of the projector. On its glowing 10-inch grid, the shifting image of my range was visible, a curving, brilliant limb of the moon, with the sunlight on the jagged mountain peaks. Everywhere else was the black firmament and the blazing dots of stars. Grantline crouched beside me. I'll work the amplifiers. Going to spread it much, Greg? Yes, a full spread first. We're in no mood for a detailed narrow search. I gradually widened the light. Three feet here at its source, its spread
Starting point is 01:48:03 in a great widening arc. With the naked eye, we could see its white radiance, fan-shaped as an edge of it fell upon the moon. And though optically it was not apparent, the elliptical curve of it was rounding the moon, disclosing the hidden star-field to our instruments. Nothing yet, I murmured. No.
Starting point is 01:48:25 I'll try a narrower spread and less curve. Grantline was searching the magnified images on the series of amplified grids. There was nothing. For an hour we worked. Then suddenly Grand Line cried, Greg, wait, hold it. I tensed, stricken. I held the angle and the spread of light steady. Two seconds of arc, east, try that. The damn thing is shifting. He gripped me. It's at the eastern edge of the field. It shifts off. It must be in rapid motion. Then I saw it, a mere moving dot of black. suddenly it clarified.
Starting point is 01:49:05 I saw a dot, which I could imagine, was a shape with disks along its edge, moving with high velocity. Grantline was shifting our field to hold it. Got it, Greg. By God, that's it. Now we'll see. Then presently we saw that from its bow, a very faint radiant beam was streaming. Beside me, I heard Grantline gasp, Greg, am I crazy? Or is that bow beacon like the light beam planted in greater New York.
Starting point is 01:49:35 There did seem to be a similarity, but thought of it abruptly was swept from my mind. Our cubby was alive with signals. Both the bow and the stern observers saw the enemy ship now with their scopes, gazing directly along our Bensonlight. And Drac was calling, I've got the measurement of its velocity, doubling every ten seconds. God, what acceleration! I flung off the Bensonlight.
Starting point is 01:50:00 The enemy ship had come from behind the limb of the moon, Our straight light telescope showed it clearly. It was heading unmistakably in our direction. Drac was pleading. We need velocity. Are you coming to the turret? Yes. Grantline and I rushed out upon the catwalk.
Starting point is 01:50:19 Waters was mounting the spiral ladder from the deck. Into your cubby, I shouted. Call Earth. Keep calling until you get them. Grantline rushed for the deck. I gained the control turret. Drack, with his thin face, white and set, met me at the door. We need velocity.
Starting point is 01:50:38 I nodded. We'll get it, Drac. Have no fear of that. I set the gravity plates for the greatest possible acceleration forward, and added the stern rocket engines for narrow angle maneuvering. With gathering speed, we plunge directly for the oncoming enemy ship. End of Chapter 5. Chapter 6. of Wondel the Invader by Ray Cummings.
Starting point is 01:51:09 This Libravox recording is in the public domain. Wondel the Invader, Chapter 6. But there's something wrong, Drac. We've got Grade 5 acceleration. Grantline had joined us in the control turret. How far would you say, at a rough guess, that ship is from us now? 30,000 miles, about that. Drac scanned his page of Cal
Starting point is 01:51:35 calculations. Impossible to gauge with any exactness. They change their pace so often, and I can't figure out how large the damn thing is. Say they've got a 40,000 velocity, added to our 10, that's 50. And we're accelerating, and half an hour will be within range. But there's something wrong, I persisted. For several minutes now, I had been aware that the comet Terra was acting strangely. A sluggish response to the control. trolls, I thought. But when I called ancient chief Franklin, he had not noticed it. Yet I was certain. Grantline stared at me. Something wrong? Yes. Drac, try orienting us. I did it ten minutes ago. I shoved him at my equations, giving the angles with the sun, earth, and moon, which we should have now.
Starting point is 01:52:27 There's our flight course as it ought to be. Measure how we're heading, actual position. If it's what it ought to be, with the plate combinations I'm using, then I'm crazy. Oh, you're just naturally apprehensive, Grantline said. But we were not where we should be. The Cometera was off her predetermined course, and then I realized a factor of error. There was a gravitational force here for which I was not allowing. The error was not within the Cometera. She was responding perfectly. But there was a force upon her, and not that of the sun, earth, moon, or the distant starfield. I had calculated all of these. It was something else,
Starting point is 01:53:10 some gravitational pull, so that we were not upon the course of flight we should have been on. But what could be wrong, Grantline demanded. It was Drack who guessed it. That radiance from the enemy's bow? It was that we felt certain. Even at this thirty thousand mile distance, the bow beacon seemed streaming upon us. We could not see that it illumined the Kamatera, nor could our instruments measure any added illumination. Our flight orbit, if held, would carry us with a swing
Starting point is 01:53:43 some ten thousand miles above the south pole of the moon. It would cross diagonally in front of the trajectory that the enemy vessel was maintaining. But we were off our predetermined course, with a side drift toward the enemy. That bow beacon radiance was exerting a force upon us, a strange gravitational pull. Grantline gasp when Drax said it.
Starting point is 01:54:07 If it's that now, what will it be when we get closer? The minutes were passing. The 30,000 miles between us and the enemy was cut to 10,000, to five. The ship was soon visible to the naked eye. Its visual movement, for all this time measurable only as a drift upon the amplified images of our instruments, now was obvious. We could see it plunging forward, could see that probably we would cross its bow. Within 50 miles? We hoped and guessed that would be the result, so that with this first passing we could use our weapons.
Starting point is 01:54:43 Fifty miles of distance at combined speeds of some 50,000 miles an hour. That would be something like three seconds from a collision. The danger of a collision, which both ships would do anything to avert, was negligible. In the immensity of space, two objects so small could not strike each other, even with intention, once in a million times. We could not calculate the passing so closely, but suddenly it seemed that perhaps the enemy could. The bow-beacon radiance, so obviously a miniature of the weird light-beam streaming from Earth,
Starting point is 01:55:17 Mars, and Venus, now swung away from us and was extinguished. Whatever alteration of our course the enemy had made, they seemed to be satisfied. satisfied. The passing would be to their liking. Would it be to ours? Grantline had left the turret. He was down on the deck, ready with his men. The weapons were ready. We had long since advanced beyond the possibility of mathematical calculations keeping pace with our changing position in relation to the enemy. But it seemed that the passing would be within fifty miles. Grantline's weapons would carry their bolt that far. It was barely two thousand miles of. away now, two minutes of time before the passing. I stared at it, a long, low ship of dark metal,
Starting point is 01:56:04 red where the moonlight struck upon it. I estimated its size to be about that of the cometara, but it was much more nearly globular. Upon its top, seeming to project from the terrace dome, was an up-pointed funnel, like the smokestack of an old-fashioned surface steam vessel, or like a great black muzzle of an old-fashioned gun. and in a row along the bulging middle of the hull there was a series of little disks. The vessel was still a tiny blob, but every instant it was enlarging, doubling its visual size. Drax said tensely, "'Fifteen hundred miles. We'll pass in a minute and a half.'
Starting point is 01:56:44 I turned the angle of the stern rocket streams. The firmament slowly began swinging. The enemy ship seemed swaying up over us. I was turning our top to it, so that Grantline might fire directly upward from both sides almost simultaneously. It might be possible if I could roll us over at just the proper seconds. But the enemy anticipated us. As they observed our roll, again the bow beacon flashed on. It visibly struck us, bathed all our length in its spreading opalescent radiance. It seemed for an instant to do nothing. Our dome did not crack. There was no shock. But our side roll slowed.
Starting point is 01:57:24 The heavens stopped their swing, and then swung back. We were upon an even keel again, the enemy level with our bow. Against the force of my turning rocket streams, this radiation had righted us. It clung a few seconds more, and again vanished. Grantline's deck autofone rang with his startled voice. "'Greg, roll us over! Quick! I can only fire from one side!' "'I can't!' It was too late now.
Starting point is 01:57:54 miles of distance. Drak stood clutching me, staring through the port, and I stared, breathless, awaiting the results of these next few seconds. The ships passed like crossing, speeding meteors. A few seconds of final approach. I saw the enemy vessel as an elongated, flattened globe, with a triple terrace dome and terrace decks beneath it. That queer stack on top. The round discs, like ten-foot eyes, gleamed along the equator of the bulging hull. One of Grantline's weapons fired a silent flash, still out of range. The spit of our electrons leapt from our side. The enemy was untouched. The thought stabbed at me. Anita, not killed by that one. Another shot from Grantline. No result. It seemed that I saw the bolt strike. There was a reddening,
Starting point is 01:58:49 a flash upon that bulging hull, but nothing more. I was aware again of the enemy bow beam swinging upon us. The beam was pressing us over again, so that in a moment we would be hull-bottomed to the enemy, and Grantline could not fire. He anticipated it. The ship was broadside to us. In the split second of that passing,
Starting point is 01:59:11 I saw that it was not fifty miles away, hardly ten. Grantline flung his remaining bolts. The enemy was a strong. streaked blur going by, and all in that second it was passed, reddening in the distance. Untouched by our bolts. It seemed so. The bial radiance darted ahead of it. The globular shape, unharmed, dwindled in the distance behind us. And it had done nothing to us. The control levers were in my hands. I would shift the gravity plates and make the quickest turn we could. We would go around the moon, probably, and come back within an hour.
Starting point is 01:59:49 hour or two. Perhaps our adversary would also turn to encounter us again. At that second I had not seen the little disks, but I saw them now. They came sailing in a line, ten foot, flat, circular discs of a dark metal. They gleamed reddish where the sunlight painted them. They had been fastened outside the enemy vessel, and in our passing they had been discharged. They sailed now like whirling plates. There seemed perhaps twenty of them. heading in a curve toward us. Grantline's voice came again from the deck autophone. Missed them, Greg.
Starting point is 02:00:26 That's what I thought, but at least two of our bolts must have struck. But it didn't hurt them. No, I replied. It seemed not. They must have a defensive barrage. Drac was pulling at me. Those things out there, those discs, Grantline demanded,
Starting point is 02:00:43 Yes, what in the hell are they? We could not tell. It seemed that their curve would take them behind our stern. Grantline added, Will you try going back after that ship? Yes. But I did not. To the naked eye, the enemy's ship had already disappeared, but with the scopes we saw that it seemed to be turning. I did not attempt to turn us, for we were afraid of those oncoming disks which took all our attention. They passed within
Starting point is 02:01:12 five miles astern of us, but in a great curve they swung, and now seemed heading across our bow. With what tremendous velocity they have been endowed by their firing mechanisms. Their elliptical curve swung them a mile or so ahead of us. They were circling us like tiny satellites in a narrowing spiral ellipse. Our attraction, the normal gravity of our close bulk, was drawing them to us. The men on the Comitera's deck stood gazing, surprised, but not yet alarmed. The lookout call sounded with routine notification each time the disks passed across our bow and stern. In the heliocubby, Waters was still trying to raise an Earth station.
Starting point is 02:01:54 Grantline came running to the control turret. If those cursed things should strike us, Greg! I had set the gravity plates into new combinations, turning our course downward, trying to swing us under the plane of the disk's orbit. But they swung downward with us. They were no more than two thousand feet away now. Grantline said, At the next broadside passing, I'll fire at them. Drack looked up from his calculating instruments. Look, a circuit or rotation.
Starting point is 02:02:24 Horribly swift. But I've caught a picture. Look! He had a still image of one of the discs. It had sawteeth at its thin, knife-like outer circumference. Whirling at tremendous speed, the saw-toothed metal discs might cut into our dome, or some other part of our ship. At the next round, Grantline fired. The discs reddened a little, but came on unharmed.
Starting point is 02:02:49 From the other side, he fired again. Three of the discs seemed to have been caught full. His bolts, sustained for their fullest ten seconds of duration at this close thousand-foot range, took effect. The three discs seemed to crumble with a puff of queerly radiant vacuum-spark glows, then were gone. But the others came closing in. The Comatera rang now with the excitement and alarm of the men. Grantline could not set his gauges fast enough to fire it every round. I had a sudden thought. With the rear rockets, I rolled us over.
Starting point is 02:03:24 For a moment we were hulled down to the passing disks. From our hull gravity plates, I flung a full repulsion. Would it stave them off, bend their orbit outward? It did not. Their course was unaltered. Again, Grantline was shouting at me. "'roll us back! I must fire!' It had been an error of that rolling.
Starting point is 02:03:46 Grantline lost several shots because of it. I swung us level. The disks passed within a hundred feet. Half a dozen of them were still closer. Gleaming, whirling circles, thin as knife-blades. They passed close under our stern, came broadside. These were tense, horrible seconds. The discs skimmed our bow.
Starting point is 02:04:07 One seemed to miss our dome by inches. Grantline's volley annihilated four more, but there were still eight of them. They swung in at our stern. I was aware of confusion throughout the Comitera. The crew and stewards were running up to the bow quarter-deck. My second officer stood there, stricken. The stern lookout screamed his futile warning. Useless.
Starting point is 02:04:32 I saw one of the discs strike our stern dome, then another. Still others. They were silent blows, but it seemed that I could feel them cutting into the dome plates. The dome was cracking. Then, after that horrible instant, came the sound. Crunch, a rumble,
Starting point is 02:04:49 the grind of crushed and breaking metal, then the puff and surge of outward explosion. I saw the whole tip of the stern dome cracking, bursting outward, forced by our interior air pressure. And over all the comitera, the outgoing air was sucking and whining with a growing rush of wind. I shouted,
Starting point is 02:05:09 Drack! Close the stern bulkhead! I set the word buttons for the distress siren and pulled the lever. Its voice screamed over the uproar. Keep forward. Take the spacesuits. Prepare to abandon ship. End of Chapter 6. Chapter 7 of Wondel the Invader by Ray Cummings. This Liberovox recording is in the public domain.
Starting point is 02:05:42 Wondel the Invader Chapter 7 In the midst of the chaos I was aware that all the remaining disks struck us upon the port stern quarter. The broken dome of the stern showed a jagged hole, but the upsliding cross bulkhead partially shut it off. Two or three of the crew and the stern lookout
Starting point is 02:06:01 were gone behind that closing bulkhead. Their bodies in a moment would be blown into space. It may hold, Drack. Order waters out of his cubby. Forward! I was calling the engine room. Order your men up by the bow, not the stern. But I got no answer from the engine chief.
Starting point is 02:06:21 I raised Grant line. Order your men forward. Clear amid ships. I want to close the central bulkheads. If the stern one breaks with the pressure... Right, Greg. Are we lost? God knows.
Starting point is 02:06:33 We'll know in a minute or two. Get all your men into their spacesuits. Keep in the bow. Prepare the exit port there. Right, Greg. You coming down? "'Yes, when I finish.' I cut him off.
Starting point is 02:06:47 "'Drak, get out of here. Did you order waters forward?' "'He won't leave. "'Why the hell not? "'He thinks he may be able to get communication with Earth. "'He can't stay where he is. "'There's no protection up here. "'When that stern bulkhead goes—'
Starting point is 02:07:03 "'It was breaking. "'I could see it bending sternward under the pressure. "'And at best it was leaking air "'so that the decks were a rush of wind. "'Already, Drac and I. were gasping with the lowered pressure. Drac, get out of here. Go get waters.
Starting point is 02:07:18 Bring him forward. The hell with his transmitter. This is life or death. But you? I'm coming down. From the forward deck, call the hull control rooms. Order everybody forward and to the deck.
Starting point is 02:07:31 What about the pressure pumps? I can keep them going from here. I set the circulating system to guide the fresh air forward, but it was futile against the sucking rush of wind toward the stern. As the pump speeded up, I saw, with the little added pressure, the great cross-panel of the stern bulkhead straining harder. It would go in a moment. Draq was clinging to me.
Starting point is 02:07:54 "'Tell me what to do. I've told you what to do.' I shoved him to the catwalk. "'Get out of here. Get waters forward. Get the men out of the hull.' His anguished eyes stared at me. Then he turned and ran forward on the catwalk. I saw him forcibly dragging the bald-headed waters from the heliocubby. It was the last time I ever saw either of them. A buzzer was ringing in the turret, and I plunged back for it.
Starting point is 02:08:23 The exertion put a band of pain across my chest, a panting constriction from the lowering pressure. Fanning, assistant engineer, was still at the pressure pumps. His voice came up. Pumps and renewers working. Will you use the gravity shifters? "'Hell no! Get out of there, fanning! We're smashed! Air going! It's a matter of minutes. Abandoning ship! Get forward!' Suddenly the stern bulkhead cracked with a great diagonal rift. I waited a moment to give them all time to get forward. Then I slid all the cross-midship bulkheads. It was barely in time. The stern bulkhead
Starting point is 02:09:02 went out with a gale of wind, but the barrier amidstship stemmed it. Half of the vessel sternward was devoid of air, but here in the bow we could last a little longer. Beneath me, I could see Grantline's men, some of them, not all, and a few of the stewards, crew, and officers crowding the deck, donning spacesuits. The two side chambers were ready, half a dozen men crowded into each of them. The deck door slid closed. The outer ports opened. Helmitted, goggled, bloated figures were blown by the outgoing air from the chamber into space. Then the outer slides. went closed. The pumps filled up the chambers. The deck doors opened again, another batch of men. I saw a grant line, suited but with his helmet off, dashing from one side of the deck to the other,
Starting point is 02:09:50 commanding the abandonment. The central bulkhead seemed momentarily holding. Then, little red lights in the panel board before me showed where in the hull corridors the doors were leaking, cracking, giving away, breaking under the strain. The whole ribbed framework of the vessel was strained and slewed. The bulkhead sides no longer set true in the casements. Air was winding everywhere and pulling sternward. It was the last stand. I was aware that the alarm siren had ceased. There was a sudden stillness, with only the shouts of the remaining men at the exit ports mingling with the wine of the wind and the roaring in my head. I felt detached, far away. My senses were reeling. I staggered to the gauges of the
Starting point is 02:10:37 Ayrant system, the system whereby an oscillating current, circling within the double-shelled walls of hull and dome, absorbed into negative energy much of the interior pressure. The main walls of the vessel were straining outward. The cometara would collapse at any moment. I started for the catwalk door. The electro-teloscope stood near it, and I yielded to a vague desire to gaze into the eyepiece. The instrument was still operative. I swept it sternward. The enemy ship had to be a not vanished. By what strange means, I cannot say, its velocity had been checked. A few thousand miles from us it was making a narrow, close-angle turn. Coming back, I thought so. I suddenly realized my intention of having all the gravity plates in neutral before abandoning the ship. I seized the
Starting point is 02:11:27 controls now. An agony of fear was upon me that the shifting valves would fail, but they did not. The plates slid haltingly, reluctantly. I recall staggering to the catwalk. It seemed that the central bulkhead was breaking. There were fallen figures on the deck beneath me. I stumbled against the body of a man who had tangled himself in the stays of the ladder rail and was hanging there. I think I fell the last ten feet to the deck.
Starting point is 02:11:56 The roaring in my ears, the bands tightening about my chest, encompassed all the world. Then I was on my feet again, and I stumbled over another body. It was garbed in a space suit with a helmet beside me. it. I stripped it up the suit. I was panting, with all the world whirling in a daze, bursting spots of light before my eyes. Ten feet away down the deck was the open door of the pressure chamber. A bloated figure came into my dreamlike vista, moving for the pressure door. It turned, saw me, came leaping, and bent over me. I saw behind the visor that it was Grantline. His bloated, gloved hands helped me don my suit. He helped him. He helped him. He helped him. He helped me. He
Starting point is 02:12:37 helped me with my helmet. The metal tip on Grantline's gloved hand touched the contact plate on my shoulder. His voice sounded from the tiny autophone grid within my helmet. Greg, thank God I found you. All right? Yes, my head was clearing. I've got the chamber ready. We're the last, Greg. I gripped his shoulder. You are sure there's nobody else? No, I've been everywhere I could reach. The central bulkheads are almost gone. He pushed me into the pressure chamber. There was hardly need to close the door after us. I stood gripping him as he opened the small outer slides.
Starting point is 02:13:17 The abyss was at our feet. The outgoing wind tore at us like a gale, so that we stood gripping the casements. Thank God you've got a power suit, Greg. So have I. We must keep together. Yes. I could feel the floor grid of the chamber
Starting point is 02:13:34 shuddering beneath my feet. The cometara was cracking. bursting outward throughout her length. At any instant she might collapse. For a moment we stood poised. Beneath us, here at the brink, were millions upon millions of miles of emptiness, the remote, unfathomable void. Blazing whirls down there in the black darkness. Goodbye, Greg. It may be the end for us. Good luck, Johnny. His bloated figure dropped away from me. I waited just an instant, and then I dove into space. For a moment there was a chaos of strangeness, the range to my sense of the transition.
Starting point is 02:14:17 I had been the inhabitant of a little world, the comitara, with a gravity beneath my feet. Now, in a breath, I had no world to inhabit. I was alone in space. No gravity, nothing solid to touch, emptiness. I was in a world to myself, and the abnormality of it brought a mental shock. But in a moment the adjustment came. I passed the transition, the sense of falling. The firmament steadied, and my senses cleared.
Starting point is 02:14:50 My dive from the cometara carried me in a slow arc some 300 feet away. There had been a sense of falling, but no actual fall. My velocity was retarded, with the mass of the comatessen. a Tara pulling at me. I went like a toy boat in water shoved by a child, quickly slowing. In a few moments the velocity was gone, and I hung poised. I saw Grantline's bloated form not over fifty feet from me. He waved an arm at me. Out here in the void, I lay weightless, as though upon an infinitely soft feather bed. I could kick, flounder, but not endow myself with motion. I craned my neck, gazed around through the bulging visor pain.
Starting point is 02:15:37 The earth and the sun hung level with the white star dots strewn everywhere. I could not see that unknown light beam from Greater New York. It was shafting out now in the other direction, so that the earth hid it from me. Venus was visible to one side of the sun. The enemy light stream from Grebar was apparent, and as I turned my body and bent double to look behind me, I saw Mars and the sword-like ray from Farak Shan. The beam streamed off like the radiance of the Milky Way, faintly luminous, but seemingly visible for an infinite distance. The cometara was obviously falling now toward the moon, drawn irresistibly, and all of us wither, toward the lunar surface. It seemed so close, that black and white mountainous disk. We were, I suppose,
Starting point is 02:16:28 some 20,000 miles from it, gathering speed as it pulled at us. But that motion was not apparent now. Distance dwindled all the celestial motions so that all the firmament seemed frozen into immobility. But there was some motion. Twenty or more bloated figures, the survivors from the wreck of the cometara, were encircling it in varying orbits, revolving around it like tiny satellites. Some were closing in, drawn against it. I saw one plunge against the wrecked dome and begin crawling like a fly, and I found that the forces of the firmament were molding my orbit also. My outward plunge was checked. I poised for an indeterminate instant, and then I took my orbit. I too was a satellite of the cometara. I gazed at the wreck of the cometara. My ship! My first command! So smooth
Starting point is 02:17:28 confidently rising from the earth only a few hours ago, and she had come to this. She lay a skew in the heavens. The dome was cracked throughout all its length, and smashed like a shell at the stern tip. I could see the interior litter beneath the dome, the twisted and strained lines of the hull. A dead ship now, the mechanism stilled, dead and silent inside, with all the warmth gone out of it. All the air dissipated, so that in every single, cubby, every dark corridor of that broken hull, there was the coldness and silence of interplanetary space. I suppose these thoughts swept me within a few seconds. I saw myself starting to revolve in my orbit. Perhaps my motion would carry me around indefinitely, or I might be drawn down to the vessel
Starting point is 02:18:20 as those other survivors had been drawn. Grantline, with one of the fewer power suits, was coming toward me now, with tiny fluorescent streams back along his body from his shoulder blades. I switched on my own mechanism. It moved me toward him, and our gravity attracted us. We shut off the power went 20 feet apart, drifted together, contacted, bounced apart like rubber balls as our inflated suit struck. Then in a moment we had drifted back and clung. I touched the metal plate of his shoulder. Working all right? "'Yes, thank God for this much, Greg. I wonder how many are alive.'
Starting point is 02:19:01 In the chaos of the abandonment, many of the men's air mechanisms had failed to operate. It is always so in times of disaster. We could see, revolving around the wreck, and motionless against its dome, those horrible, flabby, deflated suits where the delicate errant's mechanism had failed. Within was only a corpse.
Starting point is 02:19:23 "'Too many,' I said. and not more than four or five of us with power. What shall we do first? Round them up? We must all get together. His answering voice was grim. We can tow them from the wreck. Six or seven of us altogether have power. Do you suppose we can get away, Greg? Get loose from the ship before she falls? Only trying it could tell us that. The cometara and all of us with her were plunging for the moon. We would seek out the men who were alive and tow them in a string. If we could break the gravity pull of the ship
Starting point is 02:20:00 and then struggle upward from the moon, we could maintain ourselves here in space until some rescue ship from Earth, Venus, or Mars would come and pick us up. You take one side, Greg, I'll take the other. Don't go aboard. She might collapse. I'll pick up the men without power and alive. The others with power suits will do the same. Then, we'll meet out here, about where we are. We are. We'll meet out here, about where we are now? Yes, and hurry, Greg, every mile toward the moon makes it that much harder. We're falling fast. Good luck. I shoved away from him. And within a minute, as he went in an arc toward the cometara bow and eye toward her stern, I suddenly thought of that returning enemy vessel. My last look through the scope had shown that she was returning, and then I had forgotten it.
Starting point is 02:20:52 My gaze swept the firmament now. I had no scope instruments within the helmet. With the naked eye, the enemy ship was not in sight. But I knew that meant little. Within a moment she could come in view and be here if she were going at any great velocity. There were on the cometara, at the time of the disaster, some sixty-odd men. Perhaps forty had gotten away. And I could see very soon that not more than fifteen or less out here were alive. Two with power were ahead of me now, slowly floating past the wrecked dome of the stern. One had picked up two others, found them alive, and was towing them out. They went past me, moving very slowly, so that I could see that two were all that one of us
Starting point is 02:21:42 could tow and attain any velocity at all. I contacted with the leader. He was one of Grantline's men. Two or three hundred feet out, I directed. I gestured. Grantline said to meet out there. I'll tow others. Yes, around the stern you'll find, God, Haljan, look! A mile from us the enemy ship was in view. Passing, no, stopping.
Starting point is 02:22:09 With incredible retardation, she had plunged into view, was here, and yet had no great forward velocity. She seemed no more rapid than a great airliner winging past, so close that her reddish tinge bulging hull length showed clearly. The discs were gone. The funnel set on top of her was sloped diagonally toward us as she rolled on her side, so that momentarily I could see down into it. There was some mechanism down there. The bow radiance was a narrow opalescent beam in advance of the bow. Slowing, Helgin. Yes, stopping. Don't try to meet Grantline. Toll your men away. Or should we board the
Starting point is 02:22:51 cometara and hide. No, they've come back to bombarder. I kicked at him violently. With his two drifting figures clinging behind, he swung past me. I headed behind the stern. Upon its dangling framework, several of our men were glued, lying there inert. I caught a glimpse of the interior of the stern, the littered deck. Men lying there had been stricken before they had time to get into their suits. On the outside, forward, I saw the saw Grantline come rounding the bow, towing a figure and heading for another. On the outside of the bow peak,
Starting point is 02:23:28 a group of others were perched, gesticulating for help. I started that way. Then I saw another and near a figure in a power suit heading for them. I swung back. There were two figures on the outside of the underhole whom I could more quickly reach.
Starting point is 02:23:45 Inverted flies. Their feet were on the keel. They stooped and waved toward me. I took a swoop. Passing close down the hull, my rocket stream struck the hull plates and gave me sudden downward velocity. I shot down, out past the keel. And again I saw the enemy ship. She hung poised, no more than two miles away. And as I looped over, with all the black star-strewn firmament in a dizzy whirl, the great moon-disk, first above and then below me, I saw the bow-beam of the enemy swinging. It came to the cometara, and there it clung. I had gone perhaps fifty feet below the keel with my dive when I ride it.
Starting point is 02:24:27 I was mounting. I saw the opalescent ten-foot circle of the beam moving along the cometara hull. It seemed to do no damage. Then suddenly it darted down and clung to me. I felt nothing save the impact of a gentle push, something shoving with a ponderable force against me. I saw the cometara receding, the heaven swinging as I turned over. The red disk of the distant earth swooped.
Starting point is 02:24:55 The moon surface momentarily seemed rotating and lifting above me. I was helpless, rolling, then whirling end over end. Then again I steadied. The beam was gone from me. I saw the cometara a full mile away from me. The enemy ship was again in motion, moving toward me, and between the cometara and the cometara and the, the earth, and the beam was steady upon the cometara's midsection.
Starting point is 02:25:21 The cometara had a new velocity now. I could not miss it. She was dwindling rapidly in visual size. Relative to me, she was receding, falling upon the moon. More than that, she was being pushed downward by the repulsive force of the strange enemy beam upon her. I stared, as with all the little dots which were our men around and upon her, she went down into the void. I found myself presently alone up here, with the enemy ship hovering nearby. Its maneuvering to thrust the wrecked cometara toward the moon had brought it within a mile of me. The bow beam was still on the cometara, and then abruptly it vanished. The cometara had almost dwindled beyond the sight of my unaided vision. By chance, undoubtedly,
Starting point is 02:26:11 the beam had fallen upon me and thrust me from the wreck. I was alone up here now with the enemy, but they may not have noticed me or cared. I found my power mechanism intact. I turned it on. Slowly, like a log in water, I began moving away. A minute, five minutes. The cometara was lost. Grantline, all the men were lost. With that, added downward thrust, they could never free themselves from the falling wreck. I was jerked out of my thoughts by the sight of an oncoming red blob. Something was coming from the enemy's ship, red with the sunlight and earthlight, silvered by the moon and the stars.
Starting point is 02:26:56 It took form. It was a disk, another of those cursed whirling disks sent to annihilate me. Then, when it was a quarter of a mile away, I saw that it was a disk which was turning slowly. Rocket radiances came from its rotating circumference. It came sailing directly at me, so swiftly, that my own velocity was futile. Another minute, and I was caught. I saw that the disc was some fifteen feet in diameter, and that it bulged, so that within its convex floor and ceiling was a space of several feet. I cut off my power, and with pounding heart, lay waiting.
Starting point is 02:27:35 The spacesuit had no weapons for equipment save a knife hung in the belt. I drew it out, held it in my arm. gloved fingers. The disc sailed upon its level, vertical axis. Its rotation slowed. I saw little window set around its convex middle. It came up and bumped me with its metal side. I kicked away, shoved off. Shapes were moving in a dim interior light behind the port panes. Little handbeams of radiance darted out. They seemed to seize me, draw me. I found myself glued helplessly to the convex outer surface of the disk. The rotation gathered speed again, but I looked presently only at the gleaming surface to which I was pinned. Had I been a metal bar upon the horns of an
Starting point is 02:28:24 electromagnet, I could not have been more helpless. An interval passed. With the contact plate of my fingers against this hull, it seemed that I could hear voices within, strange, indistinguishable words. I twisted, but could not see into the port. Again the rotation was slowing. The near shape of the enemy vessel swung close and passed, and again and again I saw that we were over it, dropping down into the wide black opening of the funnel top. It yawned presently like a great black tunnel into which we fell.
Starting point is 02:29:01 The jar of landing knocked me loose, and no doubt the attraction radiance also released me. I fell in other space, bounced up and sank back. I thought that something like a sliding port door closed over me. And then, in the dimness, figures were gripping me. I lashed and struck, but the knife was wrenched away. I was a prisoner in the pressure port of the enemy ship. End of Chapter 7.
Starting point is 02:29:36 Chapter 8 of Wandal the Invader by Ray Cummings. This Libervox recording is in the public domain. Wondel the Invader. Chapter 8. It seemed that the small room had a very faint radiance showing through my visor pain. Narrow enclosing walls were visible. It was a triangular-shaped space, fifteen feet or so down one side, with a concave ceiling overhead. I was lying on the floor. The darkness at first had been impenetrable. The figures which had flung me down and seized my knife were gone.
Starting point is 02:30:12 I had not seen them, nor where they went. For a moment I laid down. I laid down. I had cushioned by my bloated suit. When I struggled to my feet, I was almost weightless. The movement of getting upright flung me upward as though I were a tossed feather. My helmet struck the metal ceiling, so sharp a blow that I feared for an instant I had smashed the helmet. From the ceiling, with flailing arms and legs, I sank back to the grid floor, and in a moment I was able to stand upright, with so slight a feeling of weight, that I could have been a bit of thistle ready to blow away in the least wind. There was, as I stood there balancing myself,
Starting point is 02:30:53 a queer feeling of triumph within me. A triumphant hope, for coming down in the ship's capacious funnel, larger than it had seen from a distance, I had seen what appeared to be a small projectile, resting in some strange landing gear. The disc bearing me had settled on a stage alongside it. Was that the projectile from Earth?
Starting point is 02:31:14 A growing air pressure was around me. The tiny Arendt's dials within my helmet had been immovable, but now they were showing outside pressure. I stood waiting. Whatever sounds were here I could not tell. Then presently the dial stopped. They registered 17 pounds, whatever that might mean here. I loosed the helmet and took it off. With the first gasping breath my senses reeled. I sank to the floor, and though I tried to replace the helmet, It was too late. My thoughts were fading. A strange chemical odor was in my nostrils.
Starting point is 02:31:53 It was like breathing a thin, perfumed water. The drifting away was pleasant. Tortured dreams came with my awakening. I found myself in the same dim room upon the floor. I could breathe better now, and in a few more hours the strangeness had almost gone. I found now that I was not injured, but I was ravenously hungry. Again, gingerly as before, I stood up and slid my spacesuit from me, and now I was aware of movement and sound. The floor-grid vibrations were apparent, and there was a dim, distant,
Starting point is 02:32:30 tiny throbbing. It was much like the interior of the comet Terra while in flight. And there were other sounds, indescribably faint, yet strangely clear. I thought they might be distant voices. I took a cautious step. I could see a dim, blank wall nearby with what seemed a bowl-like article of furniture on the floor against the wall. For all my caution I sailed upward, but this time I held my balance.
Starting point is 02:33:00 And I found that, with my negligible weight, I could almost swim in this strange air. I hit the wall and slid slowly down it to the floor again, like a man sinking to the bottom of a tank. It suddenly occurred to me to put my ear against the wall. At once, the sounds all became incredibly louder. It was a confusion of sound, the mechanisms of the vessel, some of which I thought I could identify, and some not, the strange swish and thump of what might have been people moving, and there were voices. The voices seemed mingled babble coming from everywhere. The timber of
Starting point is 02:33:39 the sound was very strange. It held no suggestion of how far away from me the voices might be. There were so many of them I could only think they were scattered about the ship, and yet they all seemed together. After a moment, the blend was less confusing. Again, very strangely, my hearing seemed able to separate one from the other. I was to learn that the atmosphere handled sound vibrations differently from that of Earth. Voices had a muffled tone, as though they were smothered. There was undoubtedly a vibrational distortion, and a sound wave speed slower than Earth's normal pressure rate of 1,050 feet a second, perhaps as slow as 700. Yet sounds remained audible over longer distances than on Earth. In this instance now, as I listened with my ear to the wall of
Starting point is 02:34:31 the ship, I was hearing all its sounds picked up and carried by the metal. Now I heard a strange tongue. Two types of voices, slow, measured, carefully intoned phrases, and voices of a curiously sepulchral, hollow sound. My mind went back to the Red Spark restaurant room. And suddenly I realized that amid the babble I was hearing English, a man's voice talking English. I caught very clearly the first. "'Master, yes, she means well. Can you not see it?' "'Molo's voice. Then the girls must be here also.' "'Another voice.'
Starting point is 02:35:13 "'I am not sure. Perhaps. The great intelligence will talk with her when we are arrived.' It was the slow-measured voice of one of the brains. "'When will that be? Pretty soon now, won't it, Molo?' "'Venza. A great wave of thankfulness swept me. And then I heard Anita. You're two captives. Where are they?
Starting point is 02:35:38 You're not going to kill them, are you? No, said Molo. Perhaps not. No one has inspected the new one yet. The other is being cared for. The great intelligence will question him when we arrive. We are arriving, said Venza. That's your world, Wandal, down there, isn't it?
Starting point is 02:35:59 Yes. We are dropping fast. The voice of the brain. Come, Wick, the instruments are showing events on our captured worlds. Take me to watch. I am tired of movement. Yes, Master. It seemed that the brain was being carried away.
Starting point is 02:36:19 Molo and the two girls were being left alone. I had thought at first that they were in the adjacent room to me, but they could have been far distant. They had mentioned two captives. One obviously was myself. Was the other snap? Come, Molo was saying, stand here with me and we were watched this world.
Starting point is 02:36:40 Not mine, Vinsa Chia, as you just called it, but my adopted world. And it will be yours until we rule the new Mars. I heard them moving to gaze through the window port. Then came Anita's voice. If it's anything like this ship, it will be very strange. "'Strange indeed, little dove. "'I was there only once, a month ago, and for a few hours only.
Starting point is 02:37:07 "'The great intelligence, as they called him, talked with me, absorbing my knowledge. "'They call it that. "'And he was much impressed by me, "'and made very wonderful promises in exchange for my fidelity, "'and for my sister, too. "'I learned further how Molo and Mika became identified with the Wondolites. "'It was as we had suspected. "'You will rule Mars?' Venza was saying.
Starting point is 02:37:34 "'When this is over, you mean you will really be given Mars to rule?' "'I would rather live on the earth,' said Anita. "'There was a young man there.' "'He will not be there much longer,' Molo laughed. "'You are very lucky that I fancy you.' "'Lucky indeed,' Venza echoed. "'No death for me. I'm too young.' "'But all those millions dead.
Starting point is 02:38:00 It seems so terrible. It is for them. Molo was in high good humor, pleased with himself and with these girls. See down there, that blurring is the heavy air. We're almost down into it now. I heard the sound of someone joining them, and then the hollow voice again. Molo, bad tidings come from Mars. One of the masters was captured there in Farak-Shan.
Starting point is 02:38:28 They tortured him as they were. did the one on earth, but he did not die unyielding. He spoke and told our plans. Ha, did I not advise you to keep those helpless things on Wondel? But it is done now. The worlds know our purpose. They are preparing spaceships. Already some are rising from Farrakhan, from Grebar, and from Greater New York. We knew they were doing that. But now they know they know. They know. They know our purpose. The master intelligence fears that they will come raiding Wendell. Our vessels are being made ready to go out and repel them. The hollow voice ceased. Your purpose discovered, asked Anita. What does that mean? Won't you tell us now? Twin queens for your future Mars and you treat us
Starting point is 02:39:23 like children. That light beam he's so cleverly planted in Greater New York, Venza hinted. "'Yes, I will tell you. Without me in New York and my men who went with these Wanderlites to Farak Shan and Grebar, the vital gravity beams could never successfully have been planted. The apparatus was complicated. You saw it. You saw the labor I had in making the contact.' "'But what are the light beams for?' I listened, breathless, as he told them. The electronic beams could not be destroyed. A disintegration of the rock atoms had been set up. With each rotation of the earth, it was sweeping the sky. From a great control station, Wandal was flinging a traction gravity upon that beam,
Starting point is 02:40:10 using it as a monstrous lever upon the rotation of Earth. With every daily passage now, the force was being exerted. The rotation was slowing. In a few days, it would stop, with the end of the beam drawn to Wondel and held there. And the beams from Grebar and Farakshan were the same. Three giant chains. Then Wondel, traveling of its own gravitational volition, would withdraw from our solar system. The gravitational chains would pull the Earth, Venus, and Mars after it.
Starting point is 02:40:44 Titanic tow ropes. The destruction, not of our worlds, but of all life upon them, for the cold of interstellar space would leave no living organism. Three dead worlds. Wondel would draw them to her own sun and then, free them, send them with new orbits around the distant blazing star. Three new worlds brought home triumphantly by Wandal to join the little family of inhabited planets revolving around this other sun.
Starting point is 02:41:13 Three fair and lovely worlds, warmed back by the other sunlight to be green mansions untenanted, ready to receive the new beings who would come and possess them. End of Chapter 8. Chapter 9. of Wandel the Invader by Ray Cummings. This Libravox recording is in the public domain. Wondel the Invader Chapter 9
Starting point is 02:41:43 You snap! Greg! But how, hush! They might hear us! They can do more than that. They can almost hear you think. Anita and Venza are here. I know it. I was with them for a time. This accursed gravity, I can't walk. Careful!
Starting point is 02:42:03 I whispered. You can crack your head on something with the least false step. Are they taking us ashore? I guess so. How did you happen? Tell you later. They had come from me in that dark pressure port, taken me along a dim corridor of the ship, which evidently had landed a few moments before. Then Snap, with strange figures around him, had been flung at me. These weird beings—the brains were here, but not many. I saw half a dozen on the ship. They could move easily now. They bounced upon their small arms and legs, hitching with little leaps of a few feet. Close at hand they were gruesome. From a distance, they had the aspect of 30-inch ovoids, bouncing of their own volition. And I saw too that
Starting point is 02:42:50 underneath toward the back was a shriveled body. The other figures were wholly different. They seemed at first to be ten-foot upright insects. The two legs were like, like stilts, the body narrow but with bulging chest. The neck was thin, holding the small round head about the size of my own. Words seemed futile to picture this thing which was a man of Wondel. There was no skin, but instead what seemed to be a glossy, hard brown shell. It was laid in scales, and upon the legs was a brown fuzz of stiff hair. There were many joints, both of the legs and the torso. Clothing was worn.
Starting point is 02:43:36 A single garment, hanging from a wide belt halfway down the legs seemed incongruous, fantastically aping humanity. This was the worker, equipped by nature for the mechanical tasks. There were not two arms, but at least ten. From what could have been called the shoulders, they were tentacles, half the length of an elephant's trunk,
Starting point is 02:43:59 with many-fingered hands at the ends. From the waist depended huge lobster-like pincers, and from the chest and back the arms were smaller, each with a different type finger-claw. The head and face were almost of all a personal mocking of mankind. Wide, upstanding, listening ears were upon the sides of the head, one on the forehead and one on the back. The face was mobile, with tiny brown scales, small as a fish.
Starting point is 02:44:29 A nose orifice, with true protruding brown eyes above it, was set outward on stems, and an upended slit of a mouth. There was an eye in the back of the head. Probably over eons of upward development from what was perhaps an original single type, these two specialized forms had developed. The masters, as they were known upon Wendell, neglected the body for the brain, and the workers, the reverse. There was no sense. separate individual for the female. As is the case with primitive organisms, they were all bisexual, the parent dying in the reproduction of offspring. Of necessity, I have been forced into digression. But at the time, Snap and I clung together, whispering as a group of workers pushed us down a descending incline.
Starting point is 02:45:21 Snap, back there in greater New York, when Molo's contact light had burst into existence, had fallen half unconscious. They picked him up. Molo was going to kill him, but the girls persuaded him to take Snap with them. Anita and Vensa pretended never to have seen me before, Snap whispered to me now. You take the same line. If we get with them, we will. It was weird, this landing upon Wondel. We had left the vessel's side port and were descending what seemed a narrow, hundred-foot landing incline. We were outdoors, and it was night. shafts of colored radiance flashed around us. The ship was poised on a disc-like platform,
Starting point is 02:46:05 with skeleton legs. It seemed a hundred feet or more down to the ground level from where the colored lights were darting up. Overhead was a cloudless, purple-red red sky of blurred, reddish stars. No doubt the curious atmosphere of Wando gave the sky and stars this abnormal look. Later, what a multiplicity of obscure wonders we were to glimpse upon Wondell. The slowing rotation of the earth caused climatic changes there, volcanic and tidal disturbances, but Wondell rotated and stopped at will. Undoubtedly, she was equipped to withstand the shock. Her internal fires could not break into eruption.
Starting point is 02:46:47 She had very little fluid surface, and the nature of her atmosphere was such that it was not easily disturbed into storms. Only if there was laxity in the handling of the planet's motion would a storm come. But now, questions pounded at me. Earth, Venus, and Mars were to be towed into interstellar space. All life on our worlds would perish in the cold of that stellar journey. Yet Wondell had made that journey.
Starting point is 02:47:16 Was her atmosphere inherently such that it did not transmit rays of heat? Snap and I had been pushed down the incline with half a dozen figures in advance of us. Without difficulty, we could have leapt down that hundred feet unaided. Figures were leaping into mid-air from several pressure ports of the ship. They did not fall, but floated, drifted down. I saw one of the insect-like workers dropped with motionless, outstretched arms. Others came mounting up, using their arms and legs with sweeping strokes as though swimming. It was like being underwater.
Starting point is 02:47:52 It was a strange, weird scene, the vessel wavering above us, the flashing lights, waving beams of radiance. A fantastic structure nearby reared itself several hundred feet with lights on top, and outlining its many lateral balconies one above the other. The air was full of the leaping, swimming insect-like figures. The brains, the masters, were not in evidence. Then I saw one of them being carried, and others floating down like distended falling balloons to be caught by the workers in small nets, and thus saved from jarring contact. Snap was suddenly whispering, "'That fellow back of us is our guard.
Starting point is 02:48:34 I can feel his ray. Some form of attraction. It's pulling at me.' Snap was a little behind me. I turned and saw the faint radiance of a narrow light beam upon him. It came from an instrument in an upper shoulder hand of the insect figure following us, no doubt the reverse form of the same ray which have been used to thrust the wrecked cometara toward the moon.
Starting point is 02:48:58 We reached the bottom. I saw now that the group of workers in advance of us were carrying metal cubes, seemingly of considerable weight. They also had to use the incline. We stood presently on a smooth ground surface. We had not seen Anita and VIII. Venza, nor Molo and his sister. The insect figure, who was our guard, came forward. You stand here. Molo comes.
Starting point is 02:49:26 Where is he? I demanded. I want to see him. I stopped myself quickly. I had very nearly mentioned the girls. And talk with him. He comes soon. I'm hungry. I gesture to my stomach. Food. You know what that is? The brown scaly face contorted for a smile, a ghastly grimace. Yes, you shall have food and drink. It seemed that the hollow voice came not from the neck, but from the shell-like bulging chest. He stood aside with the globular weapon of the ray in a pincer hand.
Starting point is 02:50:04 We waited, standing gingerly together, wavering with our slight weight. A wind would have blown us away, but there was no wind. Instead, there was a heavy, sultry air, warm as a midsummer Earth night, warmer even than the neotime of Venus. Snap and I were dressed much the same, wearing heavy boots for which weight we were thankful, tight putty-like trousers, flaring at the top, and high-necked white blouses. Both of us were bare-headed. Doubtless, we were as fantastic a sight to these Wondolites as they to us. Some of the workers crowded up, reaching out to pluck at us, but Snap waved them away,
Starting point is 02:50:48 and our guard dispersed them. One of the master brains came bouncing up. Upon his little upright body, the great head wavered. "'You will wait here,' his eyes glowed up at us. "'But listen,' Snap began. "'You will wait here for the Martian. He has his orders to take you to the great intelligence.' the little arm from the side of the head had a hand with a finger pointing for a gesture.
Starting point is 02:51:18 "'There is a meeting place there. We decided now what to do to destroy the warships of your worlds. I do not like your thoughts. They are black. I will inform the great intelligence when we can spare the thought for you.' He added something in the Wendell tongue. A worker came forward, lifted him carefully, held him in the hollow of an encircling tenter. and with a bound the worker sailed upward and was gone. Again we stood through an interval. I noticed now that the towering structure nearest, with its storied balconies, was not perpendicular. Its front curved up and back.
Starting point is 02:51:59 It was convex, somewhat in the fashion of an irregular globe, a 300-foot ball, with a flattened base set here on the ground. The balconies were segments of its front curve. At the top, the roof was as though the ball had been sliced off, like a giant apple with a slice gone for a base and another for the roof. At the bottom was a huge portal with a glow of light from within. And at the terraced balcony levels were lighted windows. "'Is that the meeting place?' Snap whispered.
Starting point is 02:52:34 "'Probably. And look at the side of it, Snap. It was a city. There was a vista of distance to one side of the great, globe structure. Now that our eyes were more accustomed to the queerness of this night upon Wondell, we could ignore the colored light beams of the landing stage and the disembarking palisade upon which we were standing. Gazing into the distance, the curvature of the surface of this little world was immediately apparent. The reddish firmament of the stars came down to meet the sharply curving surface at a horizon line, which seemed about a mile away.
Starting point is 02:53:08 Spread upon this near distance were a variety of structures, with little roads of open space winding between them. Most of the buildings seemed globular in shape. Some were small, little round mound-shaped individual dwellings. Others were larger. Some were tiered, like half a dozen apples, speared in a row upon a stick, and set upright. I saw a ribbon of what might be a river in the distance, with a reddish starlight glinting upon it. To our left, half a mile away, perhaps, was a row of beutes and rocks, which stood like a miniature range of mountains. The city seemed entirely to encompass them, and every little rock peak had upon its top a globe-like dwelling. Lights were winking everywhere, and figures
Starting point is 02:53:58 bounded a hundred feet and more, and sailed in an arc, coming down to the ground to bound again. row of workers went by overhead, not swimming or leaping, but stiffly motionless. Tiny opalescent rays went from them to the ground, as though to give them power. Five minutes of earth time might have passed, while Snap and I gazed at this busy night scene in this Wondell city, upon the occasion of the landing of their ship so triumphantly return from its mission to earth. As I stood, certainly a helpless captive if ever there was one. Nevertheless, a strange sense of my own power was within me. This was so small a world. The people were so flimsy. With a poke of my fist, I could kill any one of these master brains.
Starting point is 02:54:50 The ten-foot worker seemed mere shells, light and fragile. Even the buildings were light and flimsy. The little globehouses on their sticks seemed to waver, almost like nodding flowers. If we ran amok, we could smash everything we saw here on Wondell. We became aware of Molo approaching. What a solid giant this seven-foot Martian seemed now in the midst of this buoyant, almost weightless city. He was still bareheaded and wearing his garments of ornamented leather, with his brawny legs bare.
Starting point is 02:55:25 Upon his feet were strings-looking, wide-souled shoes. His hands and forearms were thrust into loops of small shields. These shields appeared to be constructed of a heart-shaped, flexible framework, covered with an opaque membrane. They were about two feet long and half as wide. With a handed forearm thrust into fabric loops, the shield appeared to serve as wings so that the arms had more thrust against the air.
Starting point is 02:55:54 He came at us with a sort of swimming stroke. He landed somewhat awkwardly, half stumbled, and almost fell, but gathered himself up and confronted us. He gained his balance and waved our guard aside. His gaze went to me. "'You are the new prisoner taken from that wrecked earthship?' "'Yes. What is your name? You are an earthman, evidently?' "'Yes.' I hesitated. I had seen Molo and heard him talk, back there in Greater New York.
Starting point is 02:56:28 But he had not seen me, nor heard of me, probably. Greg Helgin. I added, I am a skilled navigator. Perhaps it was fortunate you saved me. He flung me a look, and there was a tinge of amusement in it. You would save your own skin now? Why not?
Starting point is 02:56:49 You're a Martian, and this is a war also against Mars. His look darkened, but then again sardonic amusement struck him. We shall see what the great master says. There will be a few of our type humans, men, and women, wanted when the world's begin anew. The great master said so. He wants to study life on Earth as it was before the destruction. Molo's glance swept behind us. I turned to see three figures approaching.
Starting point is 02:57:20 My heart pounded. They were Anita, Venza, and Molo's sister, Mika. They came slowly, trying to walk, with balancing outstretched arms. With a dozen curious Wondel workers crowding them, they came and joined Molo before us. My heart was pounding, but I flung them a curious, impersonal stare. "'You are here,' said Molo. "'Good, we go now.' He bent over, Snap and me.
Starting point is 02:57:49 "'I advise you make no effort to leap away, though it may look easy.' "'Not me,' said Snap. "'Where would I go alone in this damned world? I can't very well leap back to earth, can I? True enough, said Molo. You have sense, little fellow. But I just warn you. The guard who will watch you always is very sharp of eye,
Starting point is 02:58:14 and the weapons here bring very swift death. I could feel Anita's gaze upon me, but I did not dare look her way. Let's go, I said. You will have no trouble with me. With Molo leading us, and the giant insect-like guard following close behind, we made our slow, awkward way across the esplanade portals
Starting point is 02:58:36 of the huge globular building. And within, we traversed a cylinder-like padded corridor and came presently upon the strangest interior scene I had ever beheld. End of Chapter 9. Chapter 10 of Wondel the Invader by Ray Cummings. This Libervox recording is in the public domain. Wondel the Invader.
Starting point is 02:59:04 Chapter 10 The room was so large that it seemed almost the entire interior of the building. It was a globular room, a hundred and fifty feet or more in diameter. The inner surface was crowded with people. It was a huge, hollow interior of a ball, and upon its concave surface a throng of the brown-shelled workers were gathered. They sat on low seats at the curved bottom of the room, where we entered, and up the sides and upon the slopes on the top, like flies in a globe, hanging head downward.
Starting point is 02:59:39 There was no up or down here. The slight gravity made little difference. I gazed up a maze to where, a hundred and fifty feet above me, head downward, the crowd of figures were calmly seated. These were clinging, of course. The pound weight of each of them would drop them down if they let loose, but it required only a slight effort. Between the tears, there were narrow open aisles bearing glow lights at intervals. With Molo leading us, we stared up the curving incline of one of these aisles. Greg, good Lord, it's weird, Snap said. Where are we going to sit?
Starting point is 03:00:19 Don't speak to the girls yet. Have you spoken to them? Yes, a little on the ship. They're watching for an opportunity, but we have to be cautious. Greg, I've got so much to tell you, but no chance. the brains can just about hear your thoughts. We went only a short distance up the incline. There were vacant seats seemingly held ready for us.
Starting point is 03:00:42 Our passage created a commotion among the figures. Some leapt up and over us to get a better look. I found that we were clinging to the mound-like convict surface of a small half-globe. It raised us some ten feet above the floor. There were low seats with arms against the side pull of gravity. I found Anita close beside me. Her hand touched me, but she did not turn her head or speak. Molo was on my other side.
Starting point is 03:01:11 I chanced to see his feet. They were planted firmly on the floor. He wore wide-sold shoes equipped with suction pads, no doubt, which would enable him, like the Wondolites, to walk and stand upon the upper inner surfaces of buildings. As during the moments when Snap and I stood in the landing esplanade, there was so much here that at first, I could not encompass it. But now I began to grasp other details of the strange scene.
Starting point is 03:01:39 Poised in mid-air, almost exactly in the center of the huge globular room, was a metal globe of some 30 feet in diameter. It was held, not by any solid girders, but by four narrow beams of light, which mounted to it from widespread points of the convex room. Upon the entire surface of this 30-foot globe, a group of masters were seated, in little, cup-like seats upon resilient stems. They swayed and nodded with movement. There seemed to be glowing wires and grids and thread-like beams of light carrying current. Light threads shot from the mechanisms to the heads of the seated brains. All the devices were evidently in operation, and upon this poised central globe the attention of the audience was directed. Molo bent over me. The great intelligence soon will see you. Snap from the other side
Starting point is 03:02:35 of Molo whispered, What are they doing up there? The faint hiss and throb of the devices were audible. I stared, trying to understand. Images and sounds, invisible and inaudible, were being received from across the millions of miles of space, and they were being transmuted within the brains themselves. I saw that discs were fastened upon the bulging foreheads of the brains, upon which the tiny light-beams carrying the vibrations impinged. These brains, receiving waves of some unknown variety, were within the mechanism of the brain cell transmuting, translating the vibrations into things knowable. They were not seeing, not hearing, but knowing what went on millions of miles across space. Again, Molo bent over me. They are about to show this audience what is happening on the three worlds.
Starting point is 03:03:31 Upon the thirty-foot globe, I saw now a dozen or so balls of about three-foot diameter. These had been dark, and I had not noticed them. Now they began glowing, not from wires carrying the current, but from the little hands of the brains touching them. I stared at the brain nearest me. His flabby little arm was extended. His hand touched the image ball, gave it light and color, like a fortune teller of Earth with a crystal before her. Even though I was some sixty feet from it, I could see the moving images clearly and recognize the scene. The Tappan Interplanetary Stage.
Starting point is 03:04:11 Ships were rising, two of our spaceships mounting. And all in an instant the scene blurred took form again. The red-green spires and minarets of Farak Shan. The central canal extended like a gash across the foreground. The mushroom mountains were in a line upon the horizon. Three Martian spacefires slid up while we watched. And now Grebar. The silver forest in all its shining beauty where Venza was born.
Starting point is 03:04:39 The sunlight sparkled on the river. A spaceship was rising in the distant sky over the shining forest. Beyond Anita, I heard Venza murmuring, home, if only I were there. I could feel Anita move to silence her. Molo was whispering, They come, but we will be ready for them. Another image, mid-space,
Starting point is 03:05:05 the Allied ships gathering, waiting for others to arrive, a group here of about ten of our ships from the three worlds, poised, waiting. I was aware that upon the mound-like protuberance of the room floor where we were sitting, a door was opening. It slid or melted away. At our feet was an opening downward into the small interior of the mound. Molo whispered,
Starting point is 03:05:31 The great master, said quiet. He will talk to us. Over us now, a barrage came with a hiss, a circular curtain of insulation. The huge globator room faded. We were alone on the mound. Snap, Molo, myself, Anita, Vanza, and Mee.
Starting point is 03:05:49 upon the end of our bench. Behind us stood our single Wandelight guard with a weapon in his shoulder hand. At our feet an opening yawned into the mound interior. It was a tiny lighted room. In a cup-like seat, a brain was perched, just below the level of our feet, the great master brain of Wandel.
Starting point is 03:06:12 He was alone here, not attended by retinue, no pomp and ceremony to usher us into his presence, no underlings obsequiously bowing to mark him for a great ruler. We stared down, and the great brain stared up at us, seemingly equally curious. His head was a full four feet in diameter. The little body sat in the cup with dangling legs. The clothes were ornamented. There was a glowing device on the chest.
Starting point is 03:06:40 He spoke with a measured rumble in Martian. "'You are Molo of Farakshan.' "'Yes,' said Molo. "'You must say, "'Yes, great master. "'Yes, great master.' "'I know about you. "'I know that we trust you.'
Starting point is 03:07:01 "'The huge round eyes next fastened upon me, "'then to snap and back to me. "'The words were English this time. "'Men of Earth, "'are you decided, like the Martian, "'to join with us?' "'I tried with sudden vehemence to still my thoughts, or to change them, so that they lied. Fear surged upon me. Could this vast
Starting point is 03:07:26 mechanism of human mind here at my feet interpret the vibrations of my thoughts? Could this great master of Wando see into my mind? The brain said, "'You are uncertain. You do not want to die?' "'No, great master,' we both answered. "'You shall not, unless you attempt to cause, us trouble. Your thoughts are black. He addressed Molo. Have they ever been read? No, great master. When opportunity comes, have them read. He added to Snap and me. I plan to take prisoners. My supreme rulers, rulers of a neighboring, more powerful planet, which sent Wandal upon her mission of conquest, ordered it. When your worlds are vacant of life, though, who command me will want some of you left alive to be studied. Your thoughts are very black,
Starting point is 03:08:24 Earth-man. I think when they are carefully read, you will prove no great advantage to us. There was irony in the voice, and upon the monstrous bulging face came the horrible travesty of a grin. The grin on the brain's face faded. His interest went again to Molo. "'That is your sister.' His eyes. swung to Mika and back. Yes, great master. She is caring for this Earth girl and this girl from Venus?
Starting point is 03:08:57 Yes, great master, I am fond of them. I have plans. They are in your charge, Martian. I will not interfere with you. But guard them well. I trust you and your sister. These others. The Earth and the Venus girl
Starting point is 03:09:13 can be of help to me, great master. How? They knew young men who were in the spaceship service. They can tell me the armament of men and weapons on most of the spaceships which Earth will send against us. Did Molo really believe that? Probably not, but he wanted the girls with him. Again came that grotesque smile.
Starting point is 03:09:36 Let them not bother you, Martian. You have work to do. Listen carefully. There will be a battle. Earth, Mars, and Venus may be. perhaps have a hundred ships. I cannot bring destruction upon those three worlds in a day. We soon will make contact with the light beam you placed on Earth, that I will show you, but the rotation cannot be stopped at once. It will take time. The enemy ships might dare to
Starting point is 03:10:07 come to Wendle, but I shall not wait for that. All my spaceships are very nearly ready. If there is to be a battle, it shall be far from here in the neighborhood of the enemy worlds. We are at this time about 62 million of your miles from the earth, a third less than that from Mars, and about a third more from Venus. I understand, Marsham, that you are skilled in space warfare. The brain went on. I have given you a vessel to command. You will be surprised to know its name, the Star Streak. Mika gasped. But you destroyed it, great master.
Starting point is 03:10:50 Only wrecked it, Martian girl. It is repaired now. You, Molo, and your sister to help you. Who could command it to more advantage? All your own weapons and hours of Wondel have been added. You may select your crew. Is it to your liking? Yes, great master.
Starting point is 03:11:11 "'You will be housed in this city, war, in the dwelling globe you occupied before. Keep your prisoners with you, if you like.' "'These two earthmen,' began Molo, but he was interrupted. "'Settle that later. I do not want the annoyance.' I was dimly conscious of a great clanging, coming through the curtain of barrage which was over us. The brain added, "'Keep Wick with you to guard the prisoners.' He will also attend your needs.
Starting point is 03:11:44 In the battle, Martian, I expect great things of you and your star streak. Great Master, you will not be disappointed. And prisoners, but not too many. Bring me a few young specimens like these, representative of Venus, Mars, and the Earth. I want both of the sexes an equal number of each. Yes, great master. The warning signal is coming. You will now see our first contact. The light at our feet was fading. It clung last by the gruesome face of the huge brain.
Starting point is 03:12:23 The goggling eyes shone green, and as the light in the little mound room dimmed, there was in a moment nothing left but those lurid green pools of the brain's eyes. Then I was aware that the aperture at our feet had closed. Over us, A barrage curtain was dissipating, sighed and sound coming into us. The huge ball-shaped conclave room again became visible, the audience crowding its entire inner surface. I suddenly felt Anita's fingers twitching at my sleeve. Greg, darling, can you hear me?
Starting point is 03:12:58 Yes, be careful. But Mola was gazing up over our heads. The crowd was shifting, bending, so that they all seemed gazing at their feet. A dim white radiance, seeming to come from down here somewhere near us, lay in a splotch on a segment of the throng overhead. Molo was watching. I whispered, All right, Anita, quick, what is it? The great control station is not far from here.
Starting point is 03:13:26 Venza and I have been trying to find out where it is exactly. She stopped, evidently fearful of Mika. Then she added, Greg, we haven't been guarded very closely. They're not suspicious of us. Later, Anita. Can't talk now. No. Watch our chance. Later. I turned toward Molo.
Starting point is 03:13:47 What's that up there? The transparent ray is opening the top of the globe. The clanging signal gong had stilled. The audience was hushed and expected. The white patch of light overhead spread until it encompassed all the top of the globe. The whole area, was glowing. The people were white spectral shapes, transparent, and the top of the globe was transparent.
Starting point is 03:14:14 I saw the night sky with the gleaming reddish stars. It was in a moment as though we were staring up at a huge square window orifice cut in the top of the room. A broad vista of cloudless sky and stars was visible. Across it, like a shining sword, was a narrow opalescent beam. The earth beam which I planted, Mola whispered triumphantly. Our control station were contact with it now. The first contact! Earth was below our angle of vision, but the beam from greater New York, sweeping the sky with the Earth's rotation, was passing now comparatively close to Wondell.
Starting point is 03:14:56 There was an expectant moment. Then, into the sky, left another ray, narrow, luridly green. It swung up from Wondell and darted into space. The hissing, agonized electrical scream from it as it burst through the Wondal atmosphere was deafening. I saw it strike the earth beam, grip it with a blinding burst of radiance up there in the sky, clinging, pulling against the rotation of the earth with a lever 60 million miles long. A moment of screaming sound in the atmosphere around us and that conflict of light in the sky. Then the screaming suddenly stilled.
Starting point is 03:15:35 The Wondel beam vanished. The Earthbeam still swept the heavens like a stiff, upstanding sword. But in that moment, when Wondel gripped it, the axis of the earth had been changed a little. The rotation was slowed. By a few minutes, the day and the night on Earth were lengthened. It was the beginning of Earth's desolation. End of Chapter X. Chapter 11.
Starting point is 03:16:07 Of Wondel the Invader by Ray Cummings. This Libervox recording is in the public domain. Wandal the Invader Chapter 11 But when do we eat? Snap demanded. Soon, said Molo. I hope so.
Starting point is 03:16:27 We were leaving the great room as we had come. Walking? I can only call it that, though the word is futile to describe our progress as we made our way to the lighted esplanade, across its side, and into what must might have been called a street. Globular houses, single or one set upon another, or half a dozen
Starting point is 03:16:49 swaying on a stick, gardens of vegetables and flowers. I saw what seemed to be a round patch of hundred-foot tree-stocks, like a thick batch of bamboo. It was laced and latticed thick with vines. "'A house,' snapped murmured. "'That's a house.' Another type of dwelling. This patch of vegetable growth, so flimsy it was all stirring with the movement of the night breeze, was woven into circuit or thatched rooms, birds' nests of little dwellings. Staring up, I seemed to see a hundred of them. Rope vine ladders, flimsy vine platforms, tiny lights winking up there in the trees. On a platform twenty feet above us, a group of tiny infant brains sat in a gruesome row,
Starting point is 03:17:39 goggling down on us. We passed the tree patch. Again, the city seemed all a thin, flexible metal. The ground was like a smooth rock surface, alternating with small patches of soil where things were growing. We walked in a slow, unsteady line. Molo led. Behind Snapping Me came the girls, ignoring us,
Starting point is 03:18:03 and at the rear, the brown-shelled giant guard stalked after us. Molo stopped at a large globe dwelling. We rest here. I will go see that our rooms are ready. He gestured to his sister. Mika, you come with me. Wick will guard them. We stood at an oval doorway. A worker came out, stared at us, then went back.
Starting point is 03:18:29 On an upper balcony, a brain was gazing down at us. I caught Molo's brawny arm. Won't you tell us what's going on? "'Rest here with Wick.' "'What are you going to do?' asked Snap. "'I am going to select my men for battle. "'When do you go? In a few hours, Earth-time.' "'And you're taking us on the ship, Molo?
Starting point is 03:18:53 "'Where is your star-streak? "'That I must find out.' He gazed at us with a slow, faint smile. "'Not far. Nothing is far on Wandle. I do not know if I will take you on my ship. You might be of help, or you might be troublesome. The great master wants prisoners, or I would have killed you long ago. He took his sister and left us.
Starting point is 03:19:21 There was a brief moment when Wick, standing aside and curiously, gave us opportunity for swift whispers. Again Anita clutched me. Greg, we'll be separated now, but with Molo gone, Vanza and I can get us. get away from Mika. Vends a world on us. Greg, listen. Snap, be quiet.
Starting point is 03:19:42 If we're ever going to escape, now is the time. You get away from Wic. We'll handle Mika. And do what? Snap demanded. The control station. We'll find it. Anita whispered. We've got to wreck it, Greg. Stop those contacts. It'll mean the end of Earth if we don't. I protested.
Starting point is 03:20:04 Better try for more. Molo's vessel. We might be able to navigate it, escape from this world. The control station first, Anita insisted. Greg, we know something about it. You and Snap, with your strength, can demolish it. And then, if we can locate the star streak... It was a desperate, mad plan, but there seemed nothing better. The girls insisted now that, though they did not know where the control station was located, they knew the details of its interior, its physical.
Starting point is 03:20:36 layout. It's human operators. In an hour, whispered Snap. Have you got a timer? Is it going? The little timers we still had with us were undoubtedly operating differently from on Earth, but they were in agreement. An hour by our timers, I whispered. We'll make the break then, try to find you inside. Anita, if you get free of Mika, don't come out. All right. We had only a moment to try and planet. Anita, in an hour with Molo gone, he came suddenly with a driving leap from the doorway and dropped among us. All is ready. Come. We ignored the girls. Snap again protested that he was hungry, which indeed, for me at least, was certainly the truth. And I was parched with thirst.
Starting point is 03:21:28 I felt that this vaunted strength of my earth body would not last long without food and drink. We entered the globular interior. There were narrow corridors, triangular rooms, a slatted, ladder-like incline leading upward to a higher level. The girls followed Mika up the incline. Molo and Wick hurted us into a nearby room. You will have your food and drink here, cause Wick no trouble, and you will be quite safe.
Starting point is 03:21:58 He turned, but Snap plucked at him. When are you coming back? Not too long. I said, We will cause you no trouble. Take us on the ship. I will see. He murmured to Wick and Martian, then left us.
Starting point is 03:22:17 The small triangular room had no windows, and only the single door. Wick touched a mechanism, and it slid closed. The place was a queer apartment indeed. The floor was convex, curving upward to the walls. The light radiance. dimly glowed, as though inherent to the metal ceiling. There was strange metal furniture, a table in chairs, high and large, bunks of a size evidently for the ten-foot workers.
Starting point is 03:22:48 The door opened, and a worker brought us food and drink. Wick sat apart and watched us while we consumed the meal. I noticed that he seldom let himself get close to us. He sat stiffly upright, with his jointed legs bent double under him. His many arms and pincers hanging inert, save the one short shoulder arm with flexible fingers gripping his weapon. At his waist, and upon several hook-like protuberances of his chest, other weapons and devices were hanging. Snap gazed up from where on the floor we were ravidously eating and drinking. "'Aren't you hungry?' he asked Wick. "'No.' "'You eat often?' No.
Starting point is 03:23:31 An incurious, taciturn creature, this insect-like being, Snap whispered, Got to talk to him, make him let us get close. That weapon. How the weapon operated, we did not know, but that a flash from it would bring instant death we well imagined. Half of that hour of waiting was passed. I said to Wick,
Starting point is 03:23:55 You would call this night on your world. The sun obviously is on the upper. other hemisphere. When will it be day? His gaze swung on me. His hollow voice, deep from the capacious shell of his chest, echoed and blurred in the room. I think Wando has no rotation now, or almost none. He was not as taciturn as he had seemed, and presently we had him talking. We learned several things regarding the gravity controls of Wandel, by which, at will, the planet it could be rotated on its axis, and by which also it could navigate space. We learned that the Great Control Station contained these gravitational mechanisms,
Starting point is 03:24:41 as well as the mechanism by which the Earth had been attacked, but we could not discover where on Wondell that station was located. Then, with our meal finished, Snap rose to his feet. Those arms of yours seemed very strange to us, but they must be mighty useful. Snap had taken a cautious, shoving step. It wafted him directly toward the guard. The weird, brown-scaled face of Wick, with its popping eyes upon its stems and its upended mouth,
Starting point is 03:25:12 contorted with surprise. "'Back! Don't come near me!' He flung himself back, but struck the wall of the room. All his arms were writhing. Alarm was in his voice. It was the first time either Snap or I had made an unexpected move, and it startled Wick. Wait! Let me go! Snap cried.
Starting point is 03:25:35 Wick's longest arms were a round snap, like the tentacles of an octopus, and Snap was struggling, fighting. We had not intended this at this time, but the opportunity was here. I scrambled from the floor. Now, with the need for powerful action, the lack of gravity was a tremendous handicap.
Starting point is 03:25:54 I went up with flailing arms into the air. Wick fired his weapon, but it missed me. a soundless, dimly white bolt. It hissed along the curving wall of the room. The smell of it was a stench in my nostrils. I hit the concave ceiling, shoved down, and like a swimmer in water, struck against the struggling bodies of Snap and the guard. The waving little shoulder arm with the weapon came at me. Snap shouted, Greg, look out! I seized the little arm. It felt like the shell of a huge crab. For a moment, we were all three entangled, floundering, unable to find a foothold. Then suddenly I felt snap pulling me loose.
Starting point is 03:26:37 We've got him! The brown-shelled body of Wicks sank away from us, hit the floor and lay still. I felt the floor under me and snapped clutching at me. In my hand I was clutching Wick's little shoulder arm, with fingers still gripping the weapon. I had jerked it out of its shoulder socket. With a shudder, I cast the noisome thing away. Whether we were, we were. Whether we were, we were Whick was dead or not, we did not know. He lay on his back, the hideous face stared upward. I cracked the shell, Snap gasped. We've got to get out of here. Better try and get the girls loose now. We wasted no further time on Wick. Snap snatched several of his weapons and mechanical devices. We stowed them hastily in our pockets. One was like another to us. We could only guess at their uses.
Starting point is 03:27:27 His shoes, Greg. I can't get the damn things all. him. Here are shoes. A small pile of shoes was in a corner of the room. Wide, resilient suction soles, built like sandals. They were very large, but the things were so placed that it seemed we could fasten them to our boots. But not now, Snap. We snatched up four pairs of the shoes. There seemed nothing else to do. Could we get the door open? Snap was already fumbling at it. A curse a thing, it won't give. Then it slid open. The dim corridor was visible.
Starting point is 03:28:04 No one, nothing out there. Come on, Greg, in a rush. We went like bouncing rubber figures up the incline ladder. Snap, watch out. He all but cracked his head with an upward leap. Every instant we expected to be set upon. There was a terraced upper hall, black with shadow, dark ovals of doorways led into rooms.
Starting point is 03:28:29 No one here. As yet, we were not discovered. We stood at the intersection of two corridors. One went almost vertically up, like a chimney extending into the dome peak of the globe. Its sides were latticed. We could go up at hand over hand like monkeys. The other sloped at an angle downward.
Starting point is 03:28:50 "'Which way?' Snap whispered. "'What do you think? "'Got to find them!' "'It still lacked about five minutes of our designated time, "'but it would not do to burst in upon the girls, "'perhaps to find Molo and guards there. "'Let's wait a minute. Listen. "'See if we can't get some idea.
Starting point is 03:29:11 "'We were backed against the corridor wall, almost in darkness. "'From the dark length of the descending corridor came a thump, "'the sound of a struggle, and then a muffled scream. "'Venza, and we were, heard her words. Anita, look out for her. She's got a knife. As though diving into water, Snap and I plunged head first into the blackness of the corridor. End of Chapter 11. Chapter 12. Of Wandel the Invader by Ray Cummings. This Libravox recording is in the public domain. Wondel the Invader. Chapter 12.
Starting point is 03:29:57 Later, we learned that Anita and Venza had tried much the same tactics on Mika that we had used on WIC, but their task was more difficult. She was suspicious of them. Venza asked her where the control station was, but she wouldn't answer. "'Your brother said it was just beyond the dark forest,' Anita said. "'What is the dark forest?' "'A place with trees where no one nives.' "'Off that way,' Venger gestured. "'That's what Molo said.
Starting point is 03:30:28 "'Will it be day soon, or will it be? will the night keep on? If they cause Wando to rotate, it will soon be day. An ironic look crossed Mika's face. I am in no mood for answering more of your city questions. Save the breath. Well, if that's the way you feel about it, replied Venza, laughing, we will. There's not much air in here.
Starting point is 03:30:54 She shoved herself across the floor toward the closed window. Get back. Oh, all right. All right. Perhaps Mika herself felt there was not enough air. She stood waveringly upright and pushed herself with a slow leap for the window. Her back for that moment was to Anita and Venza. They shoved from the floor, whirled through the air, and were upon her. It was a brief struggle, and instantly they knew that they had lost. The huge Martian world and flung them off. Her upflung fist, with a blow like a man's, caught Anita's thigh and knocked her toward
Starting point is 03:31:30 the ceiling. She sank in a heap on the floor, saw that Venza had shoved back, but was standing upright. Anita bent double, with her feet braced against a chair, tends to shove forward again. At the still unopened window, Mika crouched. Anita heard Venza's warning outcry. Anita, look out for her. She's got a knife. Upon this scene in a moment, Snap and I came with a rush. The closed door was not barred. We slid it down and catapulted through the opening. Mika sailed over us. I swam up at her, seized her. The knife ripped my blouse and slit the flesh of my upper arm with a glancing blow.
Starting point is 03:32:12 Then snap came and struck against us. We sank to the floor. Mika had fought silently, but now she was shouting. I twisted her wrist, seized the knife handle, and flung the knife away. I was aware of Anita lunging to retrieve it. And over us, Venza appeared, waving. a metal chair as though it were a huge feather. Snap gasped. Greg, get her hand over her mouth. Shut her up. We had her subdued in a moment, but it seemed
Starting point is 03:32:42 almost too late. Outside the open door, a distant shout sounded. I shoved Mika toward the door. "'If you don't do what I say, I'll kill you,' I whispered into her ear. "'What shall I do?' There came another shout, closer now. someone was coming. Call out in Martian. Say there's no trouble. Nothing wrong. You were arguing with these girls. She did as I commanded. The voice down the corridor answered, and then subsided. Snap slid the door closed. Hurry, we'll go out by the window. I dropped those damn shoes.
Starting point is 03:33:22 Anita and Venza tore their dark coats into strips. We bound and gagged Mika, laid her in a corner of the room. We had dropped the shoes as we came plunging through the door oval. We found that we could all fasten their things to our feet. I put Mika's knife in my belt. Hurry, all of you, Snap was saying. Got to get out of here. Jump by the window. Say, look at these wing shields. From a recess in a corner of the room, Venza appeared with an armful of the small shields.
Starting point is 03:33:53 We thrust our hands and forearms into their loops. The shields extended from a few. few inches beyond our fingers to the elbow. Snap had slid the window blind. I bent over the prone form of Mika. Don't try to move. Molo will release you when he comes back. We gathered on the starlit balcony.
Starting point is 03:34:14 The city stretched around us. There was as yet no alarm. No swimming figures near here. But a distance away, we saw the towering conclave globe, with its audience just beginning to emerge, like bees coming from a hive. Let me go first. I held Anita and Venza at the rail.
Starting point is 03:34:35 It's like swimming. I suppose we'll get the way of it pretty quickly. I balanced on the rail and then leapt off. With the others after me, we swam awkwardly upward into the reddish starlight. The city structures dropped away, showing in a dark blur with winking lights. Over us were the stars. on the cloudless night sky. Behind the flashing light beams of radiance at the landing stage, the figures fluttering, the great globe, all dropped swiftly beneath a sharply curving horizon.
Starting point is 03:35:10 We had passed the city. A thousand feet below us, a dark forest stretched. It was beyond this that the control station was located. The swimming flight became less awkward, but it was an effort in this abnormal Wondell air. Snap and Venza were behind me. Anita was leading, a strange, bird-like little figure. White blouse, long-parted dark skirt from which her gray-sheathed legs kicked out as she swam, sometimes half upon one side or with a breaststroke. The braids of her dark hair fell forward over her shoulders. She was tiring. I could not miss it. How far had we gone? Ten miles, perhaps. There was only a small vista of this little world visible at once. It was so sharply convex. A line of distant mountains was to our left.
Starting point is 03:36:02 We had crossed a river at the forest edge. I suppose we had been half an hour swimming these ten miles. Was daylight coming? It seemed that the sideline of the mountaintops had a little light on them. The opalescent beam from earth had swept this portion of the sky and was gone below the horizon. Apparently there was no pursuit from the city. Behind me, Venza panted, Say, I'm about finished. Can't we rest? With this altitude we could cease our efforts and drift down. It would take several minutes.
Starting point is 03:36:38 We gathered together, falling with a slow drift toward the dark forest under us. The trees seemed huge and spinly, a porous growth something on the Martian style, with huge leaves and a tangle of matter vines. They came mounting up at us as we fell with slow. slowly gathering speed. Shall we go on? I suggested. Yes, but she was tired, and Anita as well.
Starting point is 03:37:06 Girls, I asked, where is the Star Streak? They did not know. Anita said, perhaps we can land in the trees and examine what devices we have here. The girls had carefully watched Molo upon several occasions. They thought we might find we had a handglobe or a couple of the repulsive rays. With these we could attain rapid flight without effort. We sank, fluttering into a dark and tangled mass of the forest tree-top growth.
Starting point is 03:37:37 I had understood that Wando was crowded with its human population, yet this dark and silent forest evidently was uninhabited. We clung, like awkward birds, to a swing limb of a tree-top. The trees were closed together. Let's see what you've got, Fenza demanded. We handed the girls the various devices we had taken from WIC. Most of them were the size of my fist, globular metallic projectors like hand bombs, ray cylinders, a device with multiple barrels the size of one's finger, set in a small circumference of a circuit or grid of wires.
Starting point is 03:38:16 Anita said, I saw Molo with one of these. He killed an unwilling worker on the ship. "'I'll take a look around,' Snap said anxiously. "'Suppose we're being followed. "'Give me that weapon.' "'There was vegetation partly over us, "'so that the sky was half obscured.
Starting point is 03:38:36 "'Snap took the weapon, "'and like a monkey swaying precariously, "'he ran and leapt among the upper branches, "'crashing his way until he could see back "'toward the horizon beyond which lay the city of war. "'We heard his voice. "'All clear, nothing in sight. You coming up? Better get started.
Starting point is 03:38:56 I put the weapons in my pocket. Snap had one now in the branches over us. I was examining an electronic bolt when suddenly there came Snap's call. Greg, look out! We heard the hiss and saw the flash of his bolt. Anita swung at me. Greg, see there!
Starting point is 03:39:16 I followed her gesture, and then I knew why this forest was shunned by humans. End of Chapter 12. Chapter 13 of Wandal the Invader by Ray Cummings. This Libervox recording is in the public domain. Wondel the Invader. Chapter 13. The forest swarmed with living things. Here in the dark they have been crawling upon us.
Starting point is 03:39:51 Every branch of this leafy tree-top angle had something staring at us. The darkness was suddenly glowing with a myriad little green torches which were their eyes. They all winked on in an instant as though at a signal, or the sound of snap shout and the hiss of his bolt. Insects? I suppose I should call them that. With a glance I saw that they were of many sizes and shapes, tiny little things with eyes like lanterns, things of many legs, finger-length, hand-length, and some as long as my forearm, brown-shelled things, with eyes glowing on stems.
Starting point is 03:40:32 There was one quite nearest, a smooth, brown-shelled body, a round head on top, as big as my fist. And these things had heads like little distended brains. What horrible jest of nature this was, with miniatures of the Wondel workers,
Starting point is 03:40:52 crawling here, unable to stand erect, groping with the, little pincers, and miniature brains with naked, shriveled bodies. It seemed that the eyes of that little brain were fixed on me with a baleful green glare in the darkness. Anita and Vanza were floundering to their feet in horror. They all but slipped from the limb. The weapons and devices they had arranged there slid off and went down into the darkness unheeded. From above us came Snap's horrified shouts and the hiss of his bowels.
Starting point is 03:41:25 "'Here,' I gasped. "'My hand, Anita, Venza, jump!' I shoved Anita upward. The little eyes suddenly were all in movement, advancing upon us. Anita floundered, fluttered, got into the air, and mounted towards snap. Again Vanza slipped off the limb. I lunged and drew her up. Green eyes nearest us came swooping.
Starting point is 03:41:50 I did not dare fire a bolt. It was too close to Venza. I flung the entire weapon at the green eyes, but I missed. The little thing bit Venza's arm. She screamed, and her flailing hand hit the tiny distended head. Its hideous little scream mingled with hers. It floated downward, mast and purple-red with gushing blood. I struggled upward with the inert form of Venza under one arm.
Starting point is 03:42:18 Anita was mounting free. Snap came lunging down. Fired every bolt in the chest. damn weapon. He saw the unconscious Venza. Good God, Greg! Never have I heard such anguish in his tone. Greg, she isn't! One of them bitter, help me.
Starting point is 03:42:40 He floundered up with her, a hundred feet above the treetops of that horrible forest. The little lanterns of eyes down there all had winked out. The open starlight was over us. Anita came swimming. then Venza stirred. She murmured. She murmured. All right. She had fainted. It seemed nothing more. But I found her upper arm swelling. She tried to bend her body and sit up. But it threw us all out of balance. Lie straight, snapped murmured. Venza, are you all right?
Starting point is 03:43:15 Yes, why not? And then she laughed. It sent a shuddering chill over me. What's the fuss about? Let's get away from here. Somebody will be coming. She was swimming now, and we let her loose, but stayed close by her. The reddish firmament was like an inverted bowl. The curving wandal surface gave us a narrow little vista, the forest rolling up from the horizon in front. Then we saw where the forest seemed to end. Water was beyond it, a ribbon like a broad river, and beyond that, frowning mountains, terrorist inspired with jagged peaks. Snap and I suddenly recalled the gravity ray projectors. We tried them, found that they would fling little beams of two varieties.
Starting point is 03:44:05 Pencil points of radiance, they seem to have an effective range of no more than a few hundred feet. I let myself drift downward, experimenting. The tiny beam struck the forest top. I felt the projector pulling violently downward in my hand. I clung to it. I was being drawn swiftly down by the attractive gravity force of the ray. The forest rose rapidly under me. I was all but flung upon it before I could find the other controls.
Starting point is 03:44:35 Then the ray altered its nature. The projector in my hand pulled me steadily up, but after a few hundred feet I felt I was mounting only of my own momentum, with gravity and air friction retarding me. Snap had tried similar experiments. We rejoined the swimming girls. I stared at Venza's face. It was pale, but she did not seem distressed.
Starting point is 03:45:00 She winked at me. How's your arm, Venza? It hurts, but I guess it's all right. I turned to Snap. I guess we can work these things. Get Venza to cling to you. Our progress now was far less difficult. Venza clung to Snap's ankles and Nenaena to mine. With the repulsing rays directed downward,
Starting point is 03:45:23 we had a strong upward and forward thrust. We went forward with great thousand-foot bounds. The forest rolled back under us. We came over the gleaming river. It seemed several miles broad. It appeared to have a swift current. I saw sunlight upon the mountain ahead. The darkness had been paling. now day suddenly burst upon us. The sun, smaller than on earth, mounted swiftly up. It was a flattened, distorted, dull red disk, blurred by Wandal's strange atmosphere. We were in a dim red daylight. Anita twitched at my ankles. Look back of us! We were going up. Venza and Snap behind us were in a descending arc. Above them, far back in the direction from which they had come, two blobs were visible up against the reddish-day sky. Pursuit? It seemed so. The blobs went down, but came up again,
Starting point is 03:46:26 traveling with rays like ourselves. I called to snap, "'Some one after us! Two figures back there!' He was shouting. "'Greg! Greg! Help!' My gaze had been on the distant figures. I have been on the distant figures. I saw now that at the bottom of his arc and starting upward again, Snap had lost Venza. The impulse of his ray had twitched his ankle from her grasp, or had she let loose. He was about a hundred feet above the river, and Venza, with acceleration downward unchecked, was falling into it. Greg, help! Venza, swim up! His frenzy call reached me as I used the attractive ray, and Anita and I whirled over and lunged
Starting point is 03:47:11 downward. Greg, help! Venza, use your arms! Swim! She was lying inert, making no effort to keep from falling. Her body turned slowly, end over end. She struck the swiftly flowing river surface, but did not sink. Instead, she half emerged, came up and lay in a crumpled heap, and with its rapid current, the river carried her away. It was several minutes before we could reach Venza. Snap was already there, floundering on the water, awkwardly maintaining his balance, bending over Venza. Greg, she's unconscious, fainted again. The bite of that insect. The thought of it turned me cold. The river's surface was like a very soft rubber mattress. The water clung to us, wet us. We could not kneel or stand erect, but in sitting down only a few inches of our bodies
Starting point is 03:48:09 were submerged. We floated like corks. We were so light, and so little water did we displace. We struggled with Venza across the glowy river surface. She had fallen near the further shore. Rocks, crags, and strewn boulders were passing as the current swept us along at a speed of about ten miles an hour. She lay in our arms, eyes closed, her face pallid but calm. She seemed to breathe rapidly, but that on Wondell was normal. We landed on the rocky shore. It was still daylight. The blurred sun was winging across the zenith so swiftly that its movement was visible. Wondel had been suddenly endowed with axial rotation. Even in these few minutes, the day was past its noon.
Starting point is 03:49:00 On the distant mountain peaks looming above the nearby horizon, it seemed that the sheen of coming night was mingled with the red sunlight. Anita and Snap laid Venza on the rocks. I suddenly remembered the two blobs in the sky behind us, which had seemed to be following. I stood gazing across the river. The red sky there seemed empty. Thank God! She's reviving!
Starting point is 03:49:27 Snap called at me, and I joined them. Venza was stirring. Color was coming into her cheeks. Her lips were murmuring as though she was. were talking in her sleep. Then she opened her eyes. Her gaze fixed on us as we bent over. "'Why, what's the matter? Where are we? I thought we were in the treetops. Snap! Don't look at me like that, dear. I'm all right. Only confused.' She could remember nothing since that gruesome thing bit into her arm, but the attack of its poison in her veins seemed definitely over. We sat with
Starting point is 03:50:06 with her, soothing her, explaining what had happened. And she was wholly rational. Her strength came back, her mind cleared. The brief red day came to its close. The sun plunged below the horizon. The stars winked into being. The red-purple wandal night again was here. And now we saw that the whole firmament was swinging, the rotation made visible. The darkness leapt around us. Shadows filled the rock hollows. The caves and recesses of this rocky shore turned black with darkness. And in the sky now, we saw another of those familiar opalescent beams. This was the one from Mars. We could identify the red disk of the planet. And then, from the mountains ahead of us, but still below our horizon, the Wandal control station
Starting point is 03:50:58 shot its attacking beam upward. Again, there was that conflict in the sky. The axis of Mars was being altered, its rotation slowed. We could see now that we were much nearer than before to the control station. It seemed only about twenty miles ahead of us. The scream from it was deafening. The Wandal beam died presently. The electrical scream from the control station was stilled. The Earth's axis had been altered.
Starting point is 03:51:30 Now Mars, and next would be Venus. A few more of these gravitation. rotational attacks and then the helpless planets, with rotation checked, would be towed away by Wandal, out into the deadly cold of interstellar space. Anita abruptly gave a startled outcry. The four of us, sitting in a group, had no time to rise. From behind a dark crag nearby, two figures appeared. The starlight showed them clearly. Molo and Wick. They lunged forward at us. End of Chapter 13.
Starting point is 03:52:15 Chapter 14 of Wondel the Invader by Ray Cummings. This Librevox recording is in the public domain. Wondel the Invader Chapter 14 We were unarmed. I had flung my weapon at the thing in the forest, and Snap had exhausted all his bolts firing at the multitude of green eyes. Molo and Wick came with a dive through the air.
Starting point is 03:52:41 Two tiny flashes leapt from them to the rocks behind them and flung them forward. Snap and I seized Venza and Anita. It was a second of confusion. Then I saw we would not be able to rise in time. The driving oncoming figures were no more than twenty feet away. Protect Venza, Snap. Get her behind you. Snap shoved Venza behind him.
Starting point is 03:53:05 I got myself in front of Anita. We had almost gained our feet. I tried to thrust Anita. and myself violently upward. We rose, but only a few feet. And then we were struck by the oncoming body of Wick, like a huge, light-shelled, three-pound insect lunging in mid-air against us. The two longest tentacle arms wrapped around us. Anita twisted and kicked. The gruesome, goggling face of Wick thrust itself almost into mine. The hollow voice panted, "'I have you fast!' One of my arms was free.
Starting point is 03:53:41 and I struck with my fist at the gaping, upended mouth. There was a crack. My fist sank through the shell. A cold, sticky ooze spurted out. Wick screamed. His encircling arms fell away. The grizzly smashed face was white with ooze and pulp where my fist had gone in. We had sunk back to the rocks.
Starting point is 03:54:03 I kicked the dead body of Wick away. Anita, swim up! No! Sinking beside us were the flailing body. bodies of Molo, Snap, and Venza were drifting down. They seemed intermingled. Snap was shouting, No, you don't. Drop that! I leapt for them. Something long and thin and glowing was dangling from Molo's hand. He broke loose from the struggling Snap and Venza. His feet struck the rocks, and he shoved himself backward. My leap carried me too high. I saw that in his hand was a six-foot
Starting point is 03:54:37 length of glowing wire. He whirled it. The way of the way of the way of the way of the way of on its end described an arc, and then he flung the handle. The weighted wire struck Venza and Snap just as their repulsive ray shot down against the rocks and shoved them upward. The whirling wire wrapped itself around them, bound them together. Its glow vanished. Snap had been shouting, Greg, come up! But it died in his throat. All this while, in those few seconds, I was vaulting over Mola, trying to get back to the ground to leap again. I saw a that Anita was crawling on the rocks. My gravity cylinder was at my belt. I jammed it there to leave my hands free, just as Wicks struck me. I saw that snap and Venza, wrapped together by the wire,
Starting point is 03:55:24 had dropped their gravity projector. Their entwined figures went up some 50 feet and stopped, then began drifting down. Molo was shouting, You, Greg Helgen, now for you! I struck the rocks and fell 20 feet behind him. I jerked out my gravity projector, but I did not know what I wanted to do with it. And in that second, I saw that the standing Molo was aiming at me. Directly over my head, the inert-bound bodies of Venza and Snap were falling. A flash leapt over the dark rocks from Molo. There was a split second when I thought it was the end of me. But I was still alive. The bodies of Venza and Snap struck my head and shoulders, knocked me down. I felt Molo's ray upon me. Not death, but I was still alive. I was a little. I was
Starting point is 03:56:10 but only his gravity ray, like a giant hand pulling me. Apparently he wanted us alive. I was scrambling on the rocks, entangled with Venza and Snap. Molo's radiance clung. All three of us went tumbling forward toward him. I flashed my own ray, but I was rolling end over end, and it went wild. I dropped it, saw Molo's beam vanish, saw his upright standing figure towering above me. Snap, Venza, and I were in a...
Starting point is 03:56:40 a heap at his feet. He leaned down and seized me. Now, Greg Helgen, I would teach you not to try escaping like this. With the huge muscular Martian gripping me, his fist striking for my face, but missing and hitting my shoulder. This was a semblance of normality. I could understand fighting like this. I wrapped my legs around him. My fingers reached for his brawny throat as he kicked us into the air free of the entangling bodies of Snap and Venza. We rose a few feet and sank back, gripping each other, lunging and striking. He was very powerful, this Martian. I caught the round pillar of his throat with my hands. For an instant I shut off his wind, but I could not hold the grip. He struck me a glancing
Starting point is 03:57:28 blow in the face, then the heel of his hand was under my chin. It forced my head back, broke my hold on his throat. With returning breath he gasped an inhalation, and I heard his his exulting words, "'You are not strong enough!' We rolled and bumped over the rocks. I caught a blow from his fists full in my face. It was almost the end. I felt my strength going.
Starting point is 03:57:54 He laughed as he struck away my answering swing. I was on my back against the rocks, with his body on top of me. Then, beyond and behind his hulking shoulder, silhouetted against the sky, I saw Anita rise up. She was lifting a jagged gray mass of stone, full four feet in diameter. She poised it, then crashed it down on Molo's head. He sank away from me, his arms relaxed.
Starting point is 03:58:22 The boulder rolled beside him. It was over now. Wick was dead. His gruesome body with its smashed face lay near us. Molo was unconscious, breathing heavily, lying motionless, with a wound on the back of his head, the blood welling out, matting his hair. Anita and I were uninjured, victorious. But what a hollow victory. On the rocks here, bound together by that strange wire, Snap and Venza lay inert. We bent over them. The wire was cold to the touch now. It resisted our efforts to untwine it. We pulled frantically, as we pleaded, "'Snap, speak to us. Venza, can't you speak?' Their eyes were open. I was aware that there was no starlight above us, but instead a lurid sky of flying clouds shot with a greenish cast. The darkness here was green. The glow of it struck upon the wide open, staring eyes of Venza and Snap. It seemed that there was intelligence in those eyes. Snap, can't you hear us? His eyelids came down and up again slowly.
Starting point is 03:59:34 as though by a horrible effort. Can you move, Snap? His right eyelid moved. Was his answer no? Anita and I had never felt so horrible a sense of aloneness as that which swept us in those succeeding minutes. A breeze was springing up in the lurid green night. It came from the mountains.
Starting point is 03:59:55 It wafted across the nearby river, rippling the surface, which was now green and sullen. We did not know where to go, what to do. We found at last that we could untwist the stiffly clinging wire. We laid Venza and Snap on the rocks side by side, about thirty feet back from the river. The glowing wire had burned their clothes only a little, as the current was absorbed by the contact with their bodies. Snap, are you in pain? His eyes seemed to be trying to talk to me.
Starting point is 04:00:28 Anita rose from Venza. Oh, Greg, what shall we do? Can't we carry them? But where? To what purpose? Wild thoughts thronged me. Wondell's control station, bringing chaos and death upon Earth, Mars, and Venus. What was that now to me? I thought of Molo's ship. Anita, if we can get to the Star Streak, seize it, and escape from this world. Carrie Snap and Venza there now? But we don't know where it is. Can we make Molo lead us? Molo lay unconscious.
Starting point is 04:01:04 I could not rouse him. Anita and I were so alone. We clung together. Greg, look at that sky. Mounting wind was tugging at us. It whined through the dark mountain defiles, surged out over the river, where the water now was beginning to toss with waves
Starting point is 04:01:23 crossing the swift current. The sky was shot with green shafts or radiance. Over us, the lowering, leaden clouds were scudding, riding the wind. It burst now upon us. I found suddenly that Anita and I were bracing against it. A puff dislodged us, so that we were blown a dozen feet, bringing up against a crag as though we were balloons. Anita, this wind! We can't maintain ourselves here. We—horror checked me at the thought
Starting point is 04:01:55 of Venza and Snap, lying there on the rocks. We saw the body of Wick, like a great dried insect lifted by the wind, hurled like a brown leaf over and over, and carried away. A little pebble came hurtling and struck me. Then a rain of pebbles, like hailstones, was pelting at us. The storm was probably caused by the axial rotation of Wandel. The light beam upon Earth had been attacked by the Wondel control station without axial rotation. But to attack the beam from Mars, a manipulation of Wondel was necessary. The planet was a planet, as rotation was started, and suddenly checked. It remained night now here in this hemisphere. Perhaps there were natural storm tendencies here. Perhaps the operators of the control station
Starting point is 04:02:43 were unduly eager, manipulating the rotation too suddenly. At all events, it was frightening. I shouted above its wine and the clatter of the pebbles. "'Hold on to me! We'll get to Venza and snap!' We reached the two inert forms, where they had blown. into a niche between two boulders. Can't stay here, Anita? No, if it begins again. Over there, a cave! We got Venza and snapped into it,
Starting point is 04:03:13 just as another gust came, with a rain of dirt and loose stones pelting past outside. Suddenly, I thought of Molo. Anita, stay here. Must get to Molo. Greg, no, I must. If we can bring him to consciousness, make him tell us where the
Starting point is 04:03:31 Star Streak is! I flung off her restraining hold. The wind had eased up. I leapt out into it, swimming. The rock slid by close under me in a swift, sidewise drift. In a moment I would be carried out over the river. It was a chaos of green, wind-swept darkness. But there was bursting light now overhead and rumbling claps, like thunder. I saw Molo's body where the wind had held him pinned against the side of a flat ten-foot butte and dove for him, swimming down frantically, until I struck against the rock with a blow that almost knocked the breath from me. Molo was still obviously unconscious. How long it took me to get back to Anita floundering with Molo's body? I do not know.
Starting point is 04:04:19 I managed to keep against the ground, was blown back, and struggled forward again. The wind came in strange puffs. In one of the lulls, I hauled Molo through the air, and into the cave. Greg! Anita held to me, her arms around me. Greg, dear, you were gone so long. I was battered and bruised and breathless. The cave's mouth was like a ten-foot tunnel
Starting point is 04:04:44 leading downward into blackness. Greg, I put Venzhen's snap here. They lay side by side, like two dead bodies, here in the greenish darkness. We placed Mola with them. Together, Anita and I, beside them, clinging to each other, listening to the wild sweep of the wind outside. The storm had burst into full fury now. It would whirl us away like feathers outside there now.
Starting point is 04:05:13 The lightning and thunder hissed and crashed. Stones and boulders were being flung like hailstones. This flimsy, weightless world. It seemed as though the rocks here on which we were crouching would be shifted and carried away. "'Greg! Greg! Is this the end?' A mass of rocks fell at the opening, closing it, so that we were buried here in the darkness. Anita, my darling, I will never stop loving you. Darkness, with her arms around me and a shuddering world outside. But here only Anita and her soft arms.
Starting point is 04:05:51 "'Greg!' horror was in her voice. Then I saw what she was seeing. It was not just Anita and I buried here in the darkness with the bodies of Snap and Venza and Molo. Something else was here. From the blackness of the cave, two green, glowing eyes were staring. Their radiance showed me the outlines of a distended head. An insane thing? But it was not another of the forest insects.
Starting point is 04:06:19 This seemed to be an animal. The glow of its distended head disclosed a life horizontal body, seemingly solid and muscled. A chattering, insane animal, here in the dark with us. We heard mouthing, mumbling words and an eerie, cackling laugh as it came patting toward us. The thing in the cave stared at us as we clung together in the darkness, transfixed for a moment by horror. The distended head, ghastly efface with its green glowing eyes, wobbled upon a long, spinly neck. The eyes seemed luminous of their own internal light. The radiance from them faintly lighted the black cave, so we were able to see its tawny, hairy body.
Starting point is 04:07:04 It was long, sleek, the size of an earth leopard. A muscled body, with ponderable weight, it was moving toward us, padding on the rocks. I recovered my wits and shoved Anita behind me. I crouched on one knee. There was no escape, nowhere to run. This tunnel was blocked by a fallen rock mass behind us, with a wild storm raging outside. The thing was some twenty feet away, where the tunnel broadened into a black cave of unknown size. Beside me, Snap and Venza lay inert, the still unconscious Molo with them. There was nothing to do but crouch here and protect Anita. I waved my arms, shouted above the outside surge of the storm.
Starting point is 04:07:49 my voice reverberated with a muffled roar in this subterranean darkness. Get back! Back! Back! Back away from me! It stopped. Round ears stood up from the bloated head. Then it laughed again. I felt in need a shoving a rock at my hand, a chunk of rock the size of my head. Its face, Greg! Aim for its face! The rock felt like a ball of cork. I flung it and hit the thing on the body. Its laughter checked abruptly. It crouched, as though gathering for a spring. And then I thought of my gravity projector. I flashed on the repulsive ray to its full intensity. The tawny body leapt. It came hurtling, but my beam metted in mid-air. For a second, I thought that I had been too late. The thing was clawing the air. Its momentum carried it against the push
Starting point is 04:08:45 of my ray. For an instant, it hung snarling. and then laughed that wild laugh. The ray forced it back. It receded through the air, back across the blackness of the cave, gathering speed until, in a moment, it brought up against the opposite wall some forty feet away. There it hung, pinned as I held the ray upon it.
Starting point is 04:09:08 The body had struck the rocky wall, but the head was uninjured. It was writhing and twisting. The cave was filled with the reverberations of its screams. Over the screams I heard another voice. Oh, Greg, where are you? Snap! Behind me, Anita was moving sideways toward where Snap and Venza were lying.
Starting point is 04:09:29 The thing pinned in my light stopped it screaming, with curiosity perhaps at this new sound. Snap, we're here, Snap. Then Venza's voice. It's letting me talk. We're better now. They were recovering. Anita was bending over them. "'Greg, they're all right. The shock is wearing off, thank God.'
Starting point is 04:09:51 But I did not dare move to them. My light on the snarling thing across the cave held it, but I did not dare to relax my attention. I called, "'Stay with them, Anita!' I moved slowly forward, holding the beam steady. The cave floor was littered with loose stones and boulders. Ten feet from the pinned animal, I selected a great chunk of rock. It towered in my hand, but the weight of it was only a few pounds. The gravity held the animal as though I had pinned it by a pole. From the distance of a few feet, I heaved the boulder.
Starting point is 04:10:26 The palpitating head mashed against the wall. The body and the pulp of the head and the boulder sank to the floor when I removed the beam. Snap! Thank God you recovered! And you, Venza! Anita and I sat with them. They had been fully conscious all the while, but they were out of it now. An hour passed while we sat crouched, listening to the storm. It's letting up, Venza said out of a silence. Anita was sitting over the prone form of Molo.
Starting point is 04:10:57 He had stirred and mumbled several times. Let's see if we can get out of here, Snap suggested. Rocks had fallen and blocked the only exit from the cave, but to our strength, even the hugest of the rocks was movable. Shall we try it now, Greg? As though we were elephants, heaving and pushing, we struggled with the litter choking the passage. There was a danger that the whole thing would cave in on us, but we were careful of that. We tossed the small rocks aside like pebbles.
Starting point is 04:11:29 There was one main mass. Together we pulled and tugged and shifted it. A small opening was disclosed, large enough for our bodies. The wind puffed in through it. The girls called us. Molo had regained consciousness. The blow from the rock had only stunned him. We bound his wrists with a portion of his belt which we cut into strips.
Starting point is 04:11:53 What is it you do with me? Is weck dead? Yes. He lay silent and sullen. Look here, Molo. We're going to get out of this, and you're going to help us. If you don't. The knife which we had taken from him to cut his belt was in my hand. I drew its blade lightly across his throat. "'Will you talk freely and truthfully?'
Starting point is 04:12:17 "'Yes, I will talk the truth. "'Do you know where the control station is located?' "'Yes. Where? Not far.' "'The hell with that!' Snap burst out. "'Get it meshed in your mind, Molo, that were in no mood for talk like that. "'How far is it?' "'On earth you would call it ten miles.' "'In these mountains?'
Starting point is 04:12:43 He told as it was, said Anita, underground. Do you know where your ship is? I persisted. He told us that it was some thirty miles in another direction, not in the mountains, but in the outskirts of a city like war. It was equipped and ready for flight, all but the assembling of its crew. And now we had weapons. Molo was carrying several of the gravity projectors, two small searchlight beams, little hand-torches, and three electronic ray guns of short-range size. Hope filled us. The storm was abating.
Starting point is 04:13:21 We could creep upon the single small control room of the gravity station, where usually but two operators were stationed. The delicate mechanisms there could be wrecked. And then we would seize the star streak. No one would be on the lookout for us. The fact that Molo's prisoners had escaped was as yet unknown. He and Wick had not dared tell it. Mika was back there waiting.
Starting point is 04:13:45 Our absence from the globe dwelling might have been discovered, but Mika would say that we were with Molo. She was waiting there, hoping that her brother and Wick would recapture us. All this we dragged piecemeal from Molo. Snap and I shared the gravity projectors and the small electronic guns. Let's get started, Greg. The storm seems over. It was. We found the purple-red starry night again outside. The river was lashed white with waves, but they were spent.
Starting point is 04:14:16 There was only a mild, warm breeze remaining. Molo's legs were free, but his wrists were lashed behind him. I hooked an arm under his, holding him like a huge but light oblong bundle. Snap called, Ready, Greg? Yes. Snap flashed on his gravity ray and mounted, with the girls clinging to his ankles. Then I followed with Molo.
Starting point is 04:14:40 By great arching swoops we swung up into the frowning, tumbled mountains. End of Chapter 14. Chapter 15 of Wandal the Invader by Ray Cummings. This Libervox recording is in the public domain. Wondel the Invader, Chapter 15. This would be the place to land Greg Helgen. We were drifting down upon a barren region of naked crags of dark, frowning, rock masses, broken and tumbled, as though by some great cataclysm of nature.
Starting point is 04:15:20 Mountains upon the moon could not be more desolate of aspect. We landed on the rocks. The heights here had a purple-red sheen from the starlight. We had seen frequent evidence of the storm, and it showed here. Rocks were abnormally piled in drifts, smooth areas showed, where the pebbles, stones, and boulders have been swept away by the wind. Snap and the girls landed beside us. We spoke softly. None of us, not even Molo, knew how far sound would carry in this air.
Starting point is 04:15:55 Where is the place from here? Snap demanded. Off there. Molo spoke with a docile, guarded softness. He gestured with his head and shoulder. A quarter of a mile away, over these uplands, the broken land went down in a sharp depression. It is there. I think from here we should go on the ground. There is no guard, and I think seldom is anyone on top. If I help you now, if we should wreck the gravity controls, then Wandal will be helpless to navigate space, or to interfere with the rotation of Earth, Mars, and Venus. The allied
Starting point is 04:16:33 worlds might then defeat the Wandal's ships in battle. If that happened, perhaps your governments, because of my help here would forget what my Starstreak has done. Your piracy, I said. Yes, I am outlawed. I might be reinstated if you would speak the good words for me. Maybe. Maybe even they would reward me. You think so, Greg Helgin?
Starting point is 04:17:00 He wanted to be on the winning side. This suited us. Let's try it and see, Molo. I'll speak plenty of good words for you. Now, as we landed on the uplands, he said, "'You will do best to free my hands.' "'Oh, no,' Snap declared. "'But I am a good fighter. Something unexpected might come.'
Starting point is 04:17:23 "'Too good a fighter,' I said. "'We trust you because we have to, Molo, but no more than is necessary.' A small recess in the rocks was near us. We put Molo there with his hands bound and with Anita and Vents to guard him. Venza held the electronic gun. She knew how to fire it. The girls crouched in a depression about 20 feet away. They could see Molo plainly.
Starting point is 04:17:49 If he moved, a flash of the gun would kill him. He knew that. The girls gazed at us as we were ready to start. Goodbye, Greg. Goodbye, Snap. Good luck. We won't be long. Sit where you are.
Starting point is 04:18:05 Snap touched Venza's shoulder for his goodbye. Listen, Venza. Molo has already told us enough to enable us to find the ship. If he tries anything, kill him. Right, she said. We left them. A minute or two, cautiously shoving ourselves along the rocks, and we were crouching there. The cauldron was about two hundred feet broad and fifty feet deep, an irregular circuit or bowl. The starlight gleamed on it, and there were dots of small artificial light. We saw a group of small metal buildings. very low in squat, like balls mashed down, flattened in a bulging disk shape.
Starting point is 04:18:45 Between them were tiny skeleton towers. The towers, twice the height of a man, were spread at irregular intervals in a hundred-foot circle, with a group of three or four in the center. There seemed some twenty of them. Taught wires connected their tops, each tower with every other, so that the wires were a lacework above the small disk buildings. The bottoms of the towers were grounded with electrical contacts, and every tower had a ground connection with each other by means of cables.
Starting point is 04:19:17 Far to one side, across the bowl from us, was a single globe dwelling with lighted windows. From its ground doorway, a narrow metal catwalk extended like a sidewalk on the ground, winding and branching among the towers and disks. This was the exterior of the Wando Gravity Station. It lay silent and dark, safe for the starlight and the little lights on the towers. No sign of humans. Then we saw movement in the globe dwelling. A man came to the doorway, gazed at the sky, and went back.
Starting point is 04:19:53 I whispered, Which is the best entrance to the underground rooms? We saw where at several points the winding catwalk terminated in low, dome-like kiosks, giving ingress downward. One was on our slope of the cauldron. That's the one we'll try, Snap murmured. We stopped suddenly. The top of the distant globe dwelling was glowing.
Starting point is 04:20:18 A little round patch there was radiant, like a lighted window. A transparent ray was coming from inside. The operators within this globe were observing the sky, training instruments upon it, no doubt. And now we saw in the sky the third of those sword-like beams. It had probably been visible there for some time, but we had not noticed it. "'That's Venus,' I murmured. It seemed so.
Starting point is 04:20:46 A blurred star, red in this atmosphere, was close above the horizon. The light beam stood out from it, sweeping up to the zenith. The gravity station here was about to make contact with the Venus beam. We heard a muffled siren, a signal echoing from the subterranean control rooms. The current went into all these wires and towers and 20-foot ground discs. The hissing and throbbing hum of it was audible. The discs and towers were glowing, red at first, then violet. Then that milky, opalescent white.
Starting point is 04:21:21 The overhead wire aerials were snapping with a myriad of tiny jumping sparks. I saw now that the top of each tower was a grid of radiant wires, a six-foot circular projector with a mirror reflection. close beneath it, and a series of prisms and lenses just above. It all glowed opalescent in a moment, a dazzling glare. Then the tower tops were swinging. The lights from them had reached the intensity of an upflung beam, and the projectors were swinging to focus the beam inward. The focal point seemed about a thousand feet overhead. All the beams merged there, and guided by the towers directly underneath, a single shaft was standing into the sky. The entire cauldron depression was now
Starting point is 04:22:08 a blinding mass of opalescent light. We could see nothing but the milk-white inferno of glare. It painted the rocks up here on the rim so that we shrank back, shaded our eyes and gazed into the sky. And from the cauldron, the hum and the hiss of the current, the snapping of sparks, were all lost in a wild, electrical screaming turmoil. Overhead, we saw the Wando beam from Venus. Apparently, this control station had two functions, the control of the planet's movements, its axial rotation and its orbital flight, and its ability to apply gravitational force to other celestial bodies. Wando was controlling her own movements by applying gravity force, attraction, and repulsion to all the celestial
Starting point is 04:22:55 star field, and doubtless also by applying the repulsive beam tangentially against the ether-like rocket streams. In this respect, I realized, the planet was probably operated not unlike one of our familiar spaceships. In effect, it was itself a gigantic, globular vehicle. Later, I learned that it was thought that Wandel's atmosphere could be highly electronized at will, with a resulting aberration of the natural light ray reflected from her into space. This could have caused the blurring of the image of Wondell when viewed telescopically from other worlds. Again, for a moment of the contact, there was that bursting light in the sky. The contact with the Venus beam lasted a minute or two.
Starting point is 04:23:40 Snap and I, on the cauldron rim, were engulfed in the blaze of reflected light and the wild scream of sound. Then, presently, the turmoil subsided. The contact in the sky was broken. The tow-rope of Venus jerked itself away. But on the next Venus rotation, it would be attacked again. Another few minutes passed. The little circular depression beneath us was dim and silent as we had first seen it. Figures were moving within the dwelling structure.
Starting point is 04:24:10 From several of the underground entrances, figures came up, the ten-foot insect-like shapes of workers. Three or four of the brains came bouncing up, moving along the ground catwalk with little leaps. All the figures entered the distant main dwelling house. The contact was over. "'Probably hardly anyone left down below,' Snap whispered. "'Now's our chance.' "'If we can get into that opening without being seen,' I said. "'Shadows down the rocks to the left.
Starting point is 04:24:43 "'Damnation, Greg. We can make it in one calculated leap. "'I'll try it first. I'll get in and wait for you. "'Right.' "'We each had a gravity cylinder at our belt and a ray gun in our hand. The slope of the depression was dim here, merely starlet. It was a steep, broken, and fairly shadowed descent, fifty feet to the little dome-like kiosk which marked the nearest subterranean entrance. I went down it with a swoop, landed in a heap beside the kiosk, and ducked into it.
Starting point is 04:25:15 Instinct made me fear a guard, but reason told me none would be here. There was only the danger of encountering someone coming up. I was at the top of a winding, descending passage, a step-terrised floor. There were occasional lights in the ceiling. In a moment, Snap joined me. Got here. I wonder how far down it goes. I gripped him.
Starting point is 04:25:40 Snap, no matter what happens, do it with a rush. Keep with me. And if I shout to get out, we go out with a rush. Yes, back to the girls. Use your ray gun and the gravity projector in getting back to them and get away without me, if I fall. Same for you, Greg. We went down the deserted passage.
Starting point is 04:26:02 We had had experience in movement on Wendell now. We handled ourselves more deftly. We went down several hundred feet. The passage branched, but there always seemed a main tunnel. It was all deserted. There were distant, dimly-lighted, silent rooms. Were these factors? of the strange forms of electronic gravity currents Wandel used. Some were in operation. A hum
Starting point is 04:26:27 issued from them. Workers moved about. We stopped to consult. The girls, and Molo himself, had described what we would find, a main route leading to the control room where the delicate mechanisms which operate all this were centralized, the nerve center of Wandal. It seemed that we were following that main route. A worker came with a swimming leap past us. We dropped into a hollowed shadow at a tunnel intersection, and he went swooping by. Lord Snap, I muttered, that was too close for comfort. Again we advanced. The tunnel turned sharply. Down a short slope, a glowing room was disclosed, with two or three workmen moving within it. The main control room. We could not doubt it. Molo, in his enthusiasm, had once described it
Starting point is 04:27:19 clearly to the girls. Its great scanes of little thread-like wires spread upon the walls. The myriad, tiny opalescent disks contacted with a small gray rock surface under the tangled masses of thread wire. The levers and dials banked on the circular tables. They were unmistakable features. "'There it is, Snap,' I whispered in his ear. In that central rack, those insulated rods see them? Anita told us they used them to adjust. "'I just. They used them to adjust. the discs. Watch out for the current. But it's off now, Greg. There's still danger in it, and you'd short-circuit somewhere. Keep your hands off. Use the rods. The operators, he got no further. A figure lunged into us from behind, a giant worker. His largest pincer bit into my
Starting point is 04:28:11 shoulder. His hollow shout resounded. The operators of the control room came with leaps at us. There was a moment of wild confusion. Light, seemingly almost weightless bodies, flapped against us. Arms gripped us, but they were flimsy. The huge body shells cracked gruesomely as we struck with our solid fists. A moment of turmoil passed. No bolts were fired. The shouts were briefed down here in the narrow confines of the tunnel.
Starting point is 04:28:40 Panting, bruised more by our collisions against the rocks than by our adversaries, we ceased our wild lunges. We did not look at the scattered, broken and crushed bodies drifting now to the floor. Now, snap, hurry. Others may come. We lunged into the glowing control room, seized the long, insulated poles from the central rack. They had a grateful feel of weight.
Starting point is 04:29:04 I picked one up, jumped with a 20-foot leap to the wall. The wires came down like cobwebs under my sweeping blows. The little discs knocked off as though they were fungus growth. Sparks flew around us. shafts of electronic radiance spat out. The wall was hissing over all its length as I ranged up and down it. The tangled broken threads of wire writhed like living things on the floor, then crumpled, fused, and turned black.
Starting point is 04:29:33 I swept that wall segment with frantic haste, lunged around, and started another way. Across the room I saw Snap doing the same. A turmoil of electrical sound was reverberating around us, deafening, and the glare was blinding. A belt-shaft shot from the wreckage under my rod. It seared my left arm. My sleeve burned off. The arm hung limp and tingling at my side. I stopped to rub it. In a moment, strength came back to its muscles. Snap was raging like a great heavy bird gone amok. Through the green fumes of electrical gases which were filling the room, I saw him lunging at the circuit or tables, overturning them. They cracked like thin polished stone as they struck the metal floor. I finished with the wall. There was a
Starting point is 04:30:23 twenty-foot-square piece of metal apparatus, ramified and intricate. I heaved it over upon its side. A thousand little mirrors and prisms, dislodged from it, came out in a splintering deluge. I was aware of snap fighting with a brown-shelled figure. Then he was free of it. I saw it smashed and broken at his feet as I dove past, swimming. in the smoke to lunge the length of a great fluorescent tube which was still dimly glowing. My pole pried it over. It crashed with a brief puff of light and the rush of an explosion as air went into its vacuum. I found Snap panting beside me, clinging to me in mid-air. The glare was dying around us. The din was lessening. We were choking in the chemical fumes of the
Starting point is 04:31:12 released half-burned gases. Turgid darkness was coming to the wrecked room. with little hissing flare spitting through it. Enough, Greg. Listen. Up overhead. A great siren from up there was screaming into the night. Snap panted. Got to get out of here.
Starting point is 04:31:32 Can't breathe. Together we'd lunge for the tunnel by which we had entered. I stood a moment, gazing back upon the strewn and scattered room. The delicate nerve center of Wendell. Heavy, green-black gas, swirled in it. Darkness and silence closed down. End of Chapter 15. Chapter 16 of Wandal the Invader by Ray Cummings. This Liberovox recording is in the public domain.
Starting point is 04:32:08 Wondel the Invader. Chapter 16. Over us was turmoil, that screaming siren. Then suddenly it was checked, and we heard the thump and swish of what on earth would have been called running footsteps and shouts. Snap shoved me. Don't stay there, you fool! We lunged up the passage. Figures barred it, but they scattered.
Starting point is 04:32:32 A bolt hissed at us, but missed. At the kiosk, a group of workers and several peering little brains leapt away in terror to let us pass. We gained the open air. With the small gravity rays darting down with repulsion upon the rocks, we mounted like rockets out of the cauldron. The upper plateau laid. silent in the starlight, but the cauldron behind us was ringing with alarm, and again the
Starting point is 04:32:57 danger siren was blaring. I changed my way of direction, swung it to the plateau rocks ahead. The arc of my flight was sharply bent as I went hurtling down. Over me I saw Snap use the same tactics. I tried to aim for where we had left the girls and Molo. I could not see them down there amid the starlit crags, and suddenly a wide. Wild apprehension filled me. How had we dared leave them to Molo's trickery? Then, ahead and below me, I saw the slight figure of one of the girls, standing on a rock with arms outstretched to signal us.
Starting point is 04:33:36 I changed my ray to repulsion, barely in time to avoid crashing. The landing flung me up in a heap. Twenty feet away, snap came whirling down. We picked ourselves up, saw Anita waving from the rock, and bounded to her. The girls were safe. Venza sat in tents with unwavering watchful gaze across the intervening space to where Molo had flattened himself against his rock, not daring to move. Still got him, Venza exalted. He wasn't willing to take any chances with us.
Starting point is 04:34:08 You did it, Snap? I'm a motor-oiler if we didn't. Come on. Got to get out of this. They're after us. We wrecked the whole damn place, Venza. Wandle's a normal planet now. No more of this accursed dislocation of Earth.
Starting point is 04:34:24 We learned later that our hope and our assumption that we had irretrievably wrecked the entire gravity control system of Wandel was proven to be a fact. Wondel was, in effect, a normal celestial body now. The beams planted in Greater New York, Farrakhan, and Grebar still streamed across space, but there was no giant beam from Wondel to seize them, and Wondel now could not move through space
Starting point is 04:34:50 of her own volition. Like Earth and all other known planets, satellites, comets, and asteroids, she was subject now to all the normal natural laws of celestial mechanics. We had done a thorough job of it. Now I shoved it snap. No time to talk. You told the girls, I'll take Molo. Got to get to the star streak. I lunged over and seized Molo. We did it. Now for your vessel. It will be ill for you if she is not where you say she is. She will be there, Greg Helgin. He dossily put himself in position for me to hook my forearm under his crossed bound wrists and carry him. Snap rose up past us, towing the girls. Over the nearby cauldron, a figure mounted to gaze and see the nature of this strange attacking enemy, and then sank back. With Molo hanging to me, I mounted with my ray,
Starting point is 04:35:47 following Snap and the girls into the starlight, with the turmoil of the cauldron receding, until in a moment or so, it was gone behind our horizon. We headed now, not toward war, whence we had come, but over at an angle to the side. Our great bounding arcs soon left the mountains behind.
Starting point is 04:36:07 We crossed the river, another portion of the forest, and came over undulating lowlands. It was a flight of under half an hour. The pursuit, if indeed anyone followed us, remained below our little segment of curving horizon. Everywhere there was evidence of the storm. The forest trees were laid flat, strewn like driftwood over the area. The river had in several places lashed over its banks.
Starting point is 04:36:35 The lowlands were dotted thick with globe dwellings. Some were hanging awry on their stems. Others were pulled from their place, cracked and piled into a litter. We kept well along. The surface scenes were only glimpses of wreckage, moving lights, and people, and there were areas which the wind had seemingly spared. The confusion from the storm was mingled now with a spreading alarm from the gravity station. The sound of the danger siren there was still audible behind us. As we advanced into what now seemed the outskirts of a city like war, with a pile of solid-looking metal structures ranging the horizon ahead,
Starting point is 04:37:15 I saw a distant spaceship rise up and wing away. Wondell was proceeding with the dispatching of her space navy to oppose the distantly gathering ships of Earth, Venus, and Mars. No doubt, with the wrecking of the control station, the masters of Wando immediately recognized the paramount importance of the coming battle. The huge globular, disc-like ship sailed high over us, rotating with the impulse of its rocket streams. In a moment it was lost in the summer.
Starting point is 04:37:45 stars, and then another rose and followed it. There were many human figures in the air around us now. I mounted higher and snapped with the girls followed me. The figures, intent upon their own affairs, did not seem to heat us. Molo's vessel lay alone upon a low metal cradle. No other ship was near it. But half a mile away on both sides we could see others resting on their stages. Lights were moving around and upon them.
Starting point is 04:38:13 but the Star Streak was dark and neglected. We poised a thousand feet over her and to one side. I saw her as a long, low-pointed vessel, dead gray in color, longer than the cometara and seemingly narrower, but very similar in aspect. Mika and I are supposed to be gathering our crew, said Molo. No one bothers with my vessel. Will you take me to war now to get Mika?
Starting point is 04:38:41 "'I will not.' "'Snap was drifting down with the girls. "'They were near us. "'His arm waved at me with a gesture. "'And then came the muffled tone of his voice. "'Shall we drop down, Greg?' "'Yes, but cautiously. "'Have your gun ready.'
Starting point is 04:39:00 "'Molo protested. "'I would like to take Mika with us and a few of my crew. "'You will have trouble handling the Star-streak, "'just us three men.' "'We'll take Mika. our chances. We dropped swiftly down the dark and vacant platform. The gray hull of the Star Streak loomed beside us. Her dome arched still higher. An inclined catwalk went up to her opened deck port. I'll go first, I said softly to snap. Come quickly after me. Watch out. There might be
Starting point is 04:39:34 someone on board. Venza still clung to her weapon. Mine was in my hand as I lifted Molo. And and, ignoring the incline, bounded the thirty feet for the deck-port. I landed safely and stood modal upon his feet. "'Don't you move!' I admonished him sternly. He stood docilely against the cabin wall of the superstructure. "'No one here. We had thought there might be easily one or two workers on board.' Snap and the girls came sailing one after the other and landed on the deck beside me. We stood silent, alert.
Starting point is 04:40:13 No one appeared from within the cabin or from the lengths of the deck. Venza was watching Molo with her weapon upon him. Snap and I had planned this boarding. Anita and Venza to stay here and guard Molo while we searched the ship and inspected the controls. We started for the cabin door oval. Greg! It was all the warnings Snap could give. I was within the dim cabin, but he, behind me, was still.
Starting point is 04:40:39 on the deck. I whirled to see a dozen dark forms leaping from the roof of the cabin superstructure. Snap was all but buried by them. These were not men of Wandal, but Molo's pirate crew, Martians, Earthmen, and Venusians. Snaps Raygun spat as he went down. One of the men dropped away. I saw Venza's turn with startled horror as the huge figure of Mika leapt down upon her and Anita from the roof. For an instant weapon in hand, I paused in the doorway. I could not fire into the turmoil of that struggling group, so instead plunged into it, striking with my fists. Molo was shouting, Do not kill them! I was ordered not to kill them! These men, so different from the insect-like
Starting point is 04:41:27 workers and the brains of Wondel, were solid in my grip, but we were all so weightless. I felled one, but others gripped me, pounded me. A struggling mass of bodies, arms, and legs, we surged up to the superstructure roof and dropped upon it. My weapon was gone. Half a dozen adversaries had me pinioned. Down on the deck, I could see that Venza had lost her weapon. Molo and Mika were clutching her. Snap was fighting with several antagonists. Anita was loose. She dove for the group in which Snap was struggling, hit them, kicked and bounded upward, to be seized by two of my own captors.
Starting point is 04:42:07 Anita, don't fight. They'll kill you. I tried to break loose, but four huge Martians were holding me. Oh, Greg! There was horror in Anita's voice. Snap had broken away. At the open deck port he stood, as though undecided what to do. The deck was almost black around him. He was silhouetted against the outside starlight. From almost at his side, in the darkness, a tiny bolt spat upward at his head. His arms went wildly out. He tumbled backward. At the top of the boarding incline, his body seemed spasmodically to kick, and the thrust whirled it down into the darkness.
Starting point is 04:42:49 The end of snap. A pang went through me. Snap! My best friend! Molo cursed the unknown man of his crew who had fired the shot, but none would admit who did it. Get to your post! Molo roared in Martian.
Starting point is 04:43:06 "'Enough of you are here. Lash up the prisoners. We're launching away now.' He thumped his brawny sister as she passed him. "'Well, played, Mika!' These wily Martians, Molo had planned that Mika was to gather the crew and wait here at the ship for him and Wick.
Starting point is 04:43:25 If they returned with us as captives, it would be here that they would come. But if by chance things went adversely, Molo reasoned we would act just as we did. and Mika and her men were lurking here in ambush waiting for us. All the many various ports swung shut. Anita, Venza and I, with arms and legs bound, were taken by Molo to the forward observation and control room.
Starting point is 04:43:52 The ship was resounding with signals. The interior controls in the hull base raised the gravity pull within the vessel to a strength comparable to that of Earth. Within a few minutes, the star streak lifted from the stage. Strange, weird Wondel fell away from us. We slid upward through the atmosphere, following one of the globular Wondel vessels, and headed into space toward the point where, a few million miles distant,
Starting point is 04:44:18 the ships of Allied Earth, Venus, and Mars were gathering. End of Chapter 16. Chapter 17 of Wondel the Invader by Ray Cummings. This Librevox recording is in the public domain. Wandal the Invader Chapter 17 They are visible Molo turned from the eyepiece of his electro-t telescope.
Starting point is 04:44:48 Do you want to see them, Greg Haljan? We were in the forward control and observation turret of the Starstreak, Molo and his sister Mika, Venza, Anita, and myself. Unobtrusively squatting on the floor was a small, gray rat-faced fellow, put there weapon in hand to watch us. He was a ruffian from the old. Underworld of Grebar, a member of the Star Streaks pirate crew. We were some ten hours out from Wandal.
Starting point is 04:45:16 A group of four of the globular Wandel ships were with us, strung in a line some ten thousand miles to our left. We had been heading diagonally toward Mars. Some fifteen other Wondel vessels were ahead, and others following. We were no more than fifteen million miles from Mars when Molo sighted the Allied ships. Will you observe them, Greg Helgin? I moved to take his place at the scope grid, with the gaze of Anita and Venza upon me.
Starting point is 04:45:46 They sat huddled together on a low bench against the back curve of the circular turret. It was dim here, with little spots of instrument lights, and the radiance coming in the glass-site plates of the encircling dome. The loss of Snap had put a grim look upon the girls. They were dispirited, docile with meek.
Starting point is 04:46:06 They had hardly had a word with me. I think that all of us had about given up hope during those hours. Molo had consulted me several times with his policies of navigation. But I saw no chance to trick him. He was indeed far more experienced than I, and more skillful, in celestial mechanics. I worked with him. I learned the operation and the handling of the Star Streak,
Starting point is 04:46:33 which was not greatly different from the cometara or the plan. planetara. Poor snap. He and I had planned to capture and navigate this Star Streak. We could have handled her. There were, I gathered, some fifteen men aboard her now, but no more than two or three were engaged at the navigating mechanisms. Even they could be dispensed with at times, for the ship's controls were all automatic, handled directly from the forward turret. I learned too something, though not much, of the Star Streaks' weapons. They were similar to those of the allied ships, since Molo in equipping his pirate craft had seized upon all the best
Starting point is 04:47:12 he could find of the three worlds. The Starstreak, during this flight toward Mars, was in close communication with the Wando-craft. There was a giant vessel, the war, off to our left now. It carried the brain-master in command of the Wondel forces. Molo took his orders from the war, but since his equipment and his weapons were so wholly different, the Star-Striek was set up. part. I can do what I like, Molo told me. With my own judgment, I can act. You shall see. You've had plenty of experience, Molo. Have I not? The terror of the starways, your world called me. He chuckled ving gloriously. I must justify it now. Act, do not talk, Mika commented sourly. Children with toys make speeches like that, and then the toys get broken.
Starting point is 04:48:08 Fear not, sister, never again will the Star Street come to grief. And now I gazed through the scope at the waiting Allied ships. They were lying some eight million miles off Mars. I gazed and saw the poised little group. There were perhaps fifty of them. The majority were Martian, long, low, and very sharp-ended, and dull red in color. The wider Earth and Venus ships were silvery and drab.
Starting point is 04:48:38 I could distinguish the several different types of craft in this hastily assembled fleet. Many converted commercials like my ill-starred comitara, a few rakeish police ships, and about a dozen of the long, narrow, supermodern warships. It was their first voyage into battle. They had only been built these past few years, by peaceful governments that protested, there never again would be another war.
Starting point is 04:49:05 The little fleet was lying waiting for us. It was being augmented by occasional other ships from Mars. They saw us coming now. The radiance of a Benson curvelight enveloped them with a shaft toward us. The image of them shifted over a million miles to one side. Molo laughed when he saw it. Protecting themselves already!
Starting point is 04:49:27 But we are not going to attack them there. The first tactics of the Wandole Commander surprised me. We swung away from the course to Mars and headed diagonally toward Earth and Venus. Earth was the nearer to us, with Venus some 40 million miles beyond her. For hours we turned in that sweeping curve. Then, with our Wando convoy following, we headed for Earth. I could not help admiring the way the Star Street was handled. She turned more sharply than the Wondel craft, and before our next
Starting point is 04:49:59 meal, we were leading them all. Would the Allied ships follow us? It was immediately apparent they were coming, but from their poised position, hours of attaining velocity would be needed. The other allied vessels approaching from Venus and Earth checked their flight and turned after us. We passed within five or six hundred thousand miles of several of them.
Starting point is 04:50:22 I found now that some twenty other Wondell ships leaving Wondell after us had headed directly for Earth. We were all together presently, the Star Streak and nearly fifty Wandal ships gathered close to one side of the moon. The Allies, about a hundred of them, were strung through space, scattered, with varying velocities and flight direction, but most of them endeavoring to get between the moon and Earth. This was the day. I called it that, a routine of meals which Mika grimly served us in the turret, and a little sleep when she took the girls below, and I lay on the turn.
Starting point is 04:50:59 turret floor. I wondered who was in command of this allied force, and did not learn until afterwards that it was Grantline. The Cometera had fallen upon the moon Apennines, not very far from where my old planetara still lay, near the base of Archimedes. But Grantline and a few of his companions, with their powered suits, had struggled free from the gravity pull of the wreckage, and a few hours later a ship out from Earth picked them up. Grantline, on one of the Earth pull police ships, commanded the fleet now, and he afterward told me in detail how he endeavored to conduct his forces in the battle, thus enabling me to describe it from both viewpoints. He had been cruising toward Mars when he saw us make the turn. He thought a landing upon Earth
Starting point is 04:51:45 might be planned and hastened all his ships into the area between the moon and Earth to cut us off. But that was what Wendell wanted. The Wondell ships, with the star streak among them, made a complete slow circuit of the moon. It took another day. Molo said very little to me in explanation of the Wandal tactics, but I could see that the object was to lure Grantline into following. A few of the Allied ships did follow us around, but not many. The rest stayed carefully guarding the line between the moon and Earth. There have been no encounter yet between the hostile ships. The huge distances involved in the engagement must be kept in mind. The gravity rays from the Wando's ships were only a slight disturbing element at such a long distance. Grantline's Z-rays and Benson curvelights
Starting point is 04:52:36 were defensive only. For offense, Grantline's electronic guns and other weapons were a varying range, but none for such distances as these. Wando seemed unwilling to begin the battle, and Grantline was cautious as well. He did not know what weapons these strange globular vessels would use. His only experience had been our encounter with the whirling disks. Then, at the end of the second day, came the first clash. The Star Streak and all the Wandsel ships were again clustered on the Earth's side of the moon. They were hovering perhaps 20,000 miles above its surface. Grantline's force was a hundred thousand miles off, toward Earth. One of the Wondel's ships ships came tentatively forward, and Grantline sent one of the new-style warships to meet it.
Starting point is 04:53:27 They encircled each other. Both were cautious, but there was a passing within fifty miles. The earth-ship fired her bolts. The insulated barrage of the Wandal ship withstood them. There was a shower of ether sparks close to the ship, and a reddening of the hull, but nothing more. It seemed that the electro-barages of the Wandel and Allied ships were very similar in nature, An aura of electromagnetism, enclosing the ship like a curtain fifty feet away, absorbed the electronic stream of the enemy bolt. The Wandel ship flung no bolts. She loosed a score of the whirling disks during the passing.
Starting point is 04:54:06 They were of varying sizes, but similar to those which cut and wrecked the cometara. In this instance, the Grantline ship was able to destroy each of them as it came close. This was the first encounter. The Earth's warship went back to its squadron, and the Wondel vessel rejoined its fellows. It had fired no bolts. Grantline suspected now what afterward proved to be the fact. These Wondel vessels were not equipped with long-range electronic guns. The Wondle defensive tactics were necessary.
Starting point is 04:54:39 They feared a widespread encounter. They were hovering in a compact group, covering a 500-mile area, over the moon surface. Their purpose was not yet apparent, but Grantline saw now that one of the Wandal ships was dropping down and landing on the moon. It skimmed the Apennines and landed not far from Archimedes. What was that for? Grantline noticed that the lowering, closely gathered Wondel fleet tried to mask the landing, and their gravity rays, with repulsive force, darted out to impede the Grantline vessels should they try to advance. This earthward hemisphere of the moon was now largely in shadow,
Starting point is 04:55:20 but Grantline's Z-ray magnifiers showed the vessel on the moon. Apparatus was being unloaded. It seemed, down there on the rocky moon plain in the foothills of the Apennise, that some extensive, elaborate base was being prepared. It was for this the hovering Wendell fleet was waiting, holding off from conflict until this moon base was ready. When Grantline reached that conclusion, he ordered all his vessels forward to a general attack.
Starting point is 04:55:50 End of Chapter 17. Chapter 18 of Wondel the Invader by Ray Cummings. This Liberovox recording is in the public domain. Wondel the Invader. Chapter 18. During this time on the Star Streak, as we and the Wondel fleet made that preliminary circuit of the moon, an incident occurred which changed everything for me. I had noticed several times as we gathered in the Star Streaks forward turret that Venza and Anita were eyeing me. Their expressions were furtive, but I realized that they were trying to attract my attention. We had no opportunity to speak secretly. Molo or Mika, or that rat-faced
Starting point is 04:56:39 guard, were always too near us, and Molo kept me busy with computations of our course. We rounded the moon. We gathered with the Wandal fleet some twenty thousand miles above the lunar surface, and I watched that ship descend and land. Like Grantline, I wondered what for. Molo gave me no hint. I saw, through his scope, bloated figures in pressure suits on loading mechanisms. They seemed to be placing huge contact discs in a circle on the lunar rocks. It was reminiscent of the Wando Gravity Station, and the contact beam which Molo had planted in Greater New York. Then at last the girls had an opportunity to whisper to me. A swift phrase came from Anita.
Starting point is 04:57:26 Greg, Snap is alive, hiding on board. I gasped. Snap? Alive? Planning to rescue us. You and he can capture the star streak. Anita, tell me how. No more now. A room below. He's near it. He spoke to us. No more. She moved away from me. But it was, was enough. Snap, alive! I recall that when he fell beside the ship, no one had bothered to go down after the body, and at that time the hull-ports were open. After a time, Mika took the girls below. I sat with Molo, gazing down at the dark and gloomy surface of the moon. I had finished the
Starting point is 04:58:09 mathematical work Molo had given me. My thoughts were with Anita and Venza, down in their cabin now with Mika. Perhaps even now, Snap was joining them. I hardly heard Molo's low, muttered curses, as he set his lenses for a slight alteration of our slow circular course among the Wondal fleet. "'That fellow at my gravity shifts acts like a nitwit. He has them disarranged.' It snapped me to sudden alertness. Something wrong, Molo? Nonsense. These men of my crew answer my controls too slowly. They should jump when my signals come. The plate suddenly shifted normally, but there had been an interval of delay. Molo was puzzled and annoyed. My heart pounded as I wondered if he would investigate, but he did not. You had better sleep, Haljan. Take advantage now. We shall
Starting point is 04:59:06 have action presently. Did you figure our emerging curve? I shoved my computations across the table to him. There. You are quick, Haljan. We should emerge from the moon's shadow in about two hours. But I will not hold that course. We're staying close near here with the other vessels, but I want some velocity always. Take your sleep, Haljan. I stretched on the narrow floor mattress. The turret was silent. I was aroused from doze by Molo's activities in the turret. The girls in Mika were still below. The ever-silent Venutian, squatting in the turret corner, still had his gun upon me. I saw that Grantline ships, over a wide, fan-shaped spread, were advancing.
Starting point is 04:59:54 And presently we were engaged in the soundless turmoil of battle. I cannot relate more than fragments, things I saw and experienced during six or more hours of bursting electronic light and puffs of darkness in that spread of battle area within the moon shadow. It was a silent battle of crossing lights, ships a thousand miles apart, gathering velocity with great tangential curves, passing each other in a second, sweeping a thousand miles apart again, turning and coming back, a hundred engagements. The Star Streak was very fast, very mobile, and, unlike all the other Wandal ships, had the Allies' own weapons to use against them. I saw now why they called Molo the Terror of the Starways. We swept into the shadowed battle area. Over all its thousand miles spread were the radiant Wando
Starting point is 05:00:48 gravity beams, disturbing and impeding the course of Grantline ships. There was the luminous gleam of projectile rockets, like little comets, soundless, launched by the Wondell craft, and the radiance of the rocket streams which all the vessels were using now for close maneuvering, the glare of Grantline's searchlight bombs and his white search beams to disclose the deadly whirlwinds whirling disks which the weapons of his vessel must seek out and destroy. A chaos of silent light, stabbed here and there with Grantline's darkness bombs, bombs of limited local range which exploded in space and which, for a few minutes' duration, absorbed all light rays, giving a temporary effect of darkness. And then, wreckage. Broken, leprous, wandal vessels, whose barrage at close range
Starting point is 05:01:37 had been smashed by Grantline's guns, torn and littered Allied ships, struck by the huge exploding comet projectiles and the whirling disks. Airless hulks, and scattered fragments which no longer resembled a ship at all, but only a hull plate or a torn segment of dome. And little drifting blobs, the survivors in pressure suits who had leapt from the wreckage. Little blobs ignored, whirled away or drawn forward, as by chance the sweeping gravity beams fell upon them. Tiny derelicts, floating storm-tost until the moon's attraction caught and pulled them down, or whirling disc cut through them, or the distant aura of a bolt shocked them to a merciful death. It was a three-dimensional, thousand-mile spread of fantasy infernal.
Starting point is 05:02:28 Out of it, after an hour or two, a steady sift of every manner of wreckage was drifting down upon the moon. The scene began to blur, a haze like glowing star dust, or the radiance from a comet's tail was spreading a weirdly luminous mist, blurring, obscuring the scene. This was the release of electrons and the dissipating gases of the space guns and exploding projectiles, forming dust which glowed in the mingled starlight and earthlight. The Starstrike had plunged during those six or eight hours through the battle area. Our several encounters were all characterized by the Star Streaks' extreme flexibility, her speed, mobility, and Molo's reckless skill. We came through unscathed. There's a certain advantage for the man who seems not to care for his own life. But there was an encounter, the last one as it
Starting point is 05:03:22 chanced, just before we emerged downward out of the fog, and found ourselves no more than a thousand miles above the moon's surface, where our adversary was equally reckless, and only Molo's skill saved us. We came upon a Venus police ship. We plunged, as though seeking a collision, and the Venus ship was willing. For a moment of chaos, both barrages held against the exchange of bolts. Then we rolled over and tilted down from the impulse of the stern rockets. The passing must have been within feet, not miles. And in that second, Molo timed a shot to strike at the enemy bottom. It went through their barrage. Behind us, a second later, there was only strewn wreckage of the ship, so finely powdered that it became a silvery radiance, like moonlight shining on a little patch of fog.
Starting point is 05:04:16 Not too bad, Molo gazed around for appreciation. Not bad, Greg Haljan. Molo is not too unskilful. We hung now close above the moon surface, with the battle area over us. Out of the fog up there came the drifting wreckage, and now the Wandal ships were coming down one by one. Not so many of them now, no more than ten of them emerged. Gratline did not follow. His ships withdrew the other way. The fog gradually dispersed.
Starting point is 05:04:50 Gratline could now take stock of the battle. He had been victorious. One might call it that. since his percentage of strength, numerically, was greater now than when the battle began. Ten remaining Wondel ships, and the Allies had about twenty-five. Another hour passed. Grant Line's twenty-five ships were gathered in a close group, ten thousand miles above the moon's surface. Under them, the ten Wondel vessels and the Starstreet seemed ranging in a five hundred-mile circle. Down through it, on the rocks of the moon and the foothills of the Apennines, the mechanism established there abruptly sprang into action. It was a giant gravity beam, of infinitely greater power than any Wondel vessel could generate,
Starting point is 05:05:37 it flung out its spreading conical ray. So this had been the purpose of all the Wondel tactics, to manipulate Grantline into his present position. This gravity beam, though far smaller, was comparable to the one used by the Wandel control station. A rock contact against a huge mass, Wandel, and here the moon, were necessary to give the ray its power. No ship could generate such a ray, so the Wandelites chose this battleground where they could establish themselves upon our deserted moon. The beam had about a hundred foot diameter at its base on the rocks. It passed upward through the circle of Wendell vessels, and its spread bathed all of Grantline's ships at once. An attractive beam, so powerful that the ships were helpless. Against all their efforts, they were pinned and drawn downward.
Starting point is 05:06:30 A slight velocity at first, but with a tremendous acceleration. Within an hour they were hurtling, coming together as they speeded down the narrowing cone of the beam. The ten thousand miles, their distance above the moon, cut to five thousand. The Wandal ships drew aside, keeping well out of range to let them pass. In another thirty minutes they would crash against the rocks. I gazed in horror from the Star Streaks turret. We were sideways to the angle of the beam. Grantline ships were pulled together now into almost a fifty-mile group. They hung all askew, helplessly pinned, some broadside, some upended. The movement of their fall was so rapid, that even with the naked eye it was apparent.
Starting point is 05:07:18 "'Got them now!' Molo chuckled. "'This is the end for them, Greg Haljan.' There were only three of us in the turret, Molo and I, and my watchful, silent guard, who sat cross-legged with a ray-gun pointed at me. Beka and the two girls were below during all the engagement. It was over now. During this lull, Molo had sent the men from the deck gun-ports
Starting point is 05:07:44 to their hull quarters. Our decks were empty now. The bridges and catwalks up here had momentarily no occupants. The Starstreet had little velocity, only a slow drift downward toward the moon's surface, which now was only a few hundred miles beneath us. The lunar disk was a great dark spread of desolation, with only the sunlight topping the distant horizon limb. And from under us to the side was the source of the giant gravity beam. Over us were the watchwondel vessels, and still higher the helpless knot of Grantline's ships hurtling down. "'Got them now,' Moldo repeated.
Starting point is 05:08:25 "'In another!' he never finished. From the open doorway of the turret, a figure rose up. Snap! His aspect, even more than his appearance, transfixed me. Snap, with his clothes torn, grimy and spattered with blood. his face pale and gaunt, with hollow blazing eyes, and above it the shock of rumpled red hair. In one hand he clutched a ray gun, and in the other a blood-stained knife.
Starting point is 05:08:54 My guard squatting on the floor half turned. Snaps' bolt met him before he could raise his weapon. He tumbled dead almost at my feet, and mingled with the hiss of the bolt was Snap's shout at the unarmed molo. Into the corner you, you. Back up, you damned traitor. Else, I'll kill you as I've killed everyone else on this ship. End of Chapter 18. Chapter 19 of Wondel the Invader by Ray Cummings. This Libervox recording is in the
Starting point is 05:09:32 public domain. Wondel the Invader. Chapter 19. I had leapt and seized the gun which was still in the hand of the dead guard. Snap! The girls! Down below, free. They've got Mika bound and gagged, locked and sealed in a bunk room. You bring them up. I'll hold this a cursed traitor. No need to kill him. By the gods, I've killed enough. He saw for the first time the vast, silent drama in the firmament outside the dome windows. Greg, for the love of—no time, snap, I'll get the girls. Watch out. I might have missed somebody down below. He had. Three men appeared at the forward deck. near the foot of our turret ladder. My bolts spat down upon them. Two of them fell. The other ran aft,
Starting point is 05:10:23 toward where I saw Venza and Anita appearing from the lounge doorway of the cabin superstructure. I fired again, and the running man tumbled forward on his face. He was the last of the pirate crew. Molo was crouching, half-bending forward over his instrument table, with snaps gun upon him. The girls burst upon us. We armed them. Mika was sick. safely fastened down below. We backed Molo to the floor in the corner, with Venza and Anita watching him. Snap and I were in control of the ship. For temporary periods, the automatics would handle the gravity shifters. I could operate them here from the turret. We had a downward velocity toward the moon. 500 miles below us, no more, was the base of that diabolical
Starting point is 05:11:09 gravity ray, which was so swiftly pulling the 25 grant-line ships to their destruction. I gripped snap and told him what we must do. The forward gun on the starboard side is almost identical with our earth guns, the Francine projectors. With a short range, you can handle it, and I'll give you a close mark. He dashed for the deck. I set the levers. Gravity plates with full bow attraction.
Starting point is 05:11:35 Stern repulsion to the earth and the stern rocket streams at highest power. The Star Streak responded smoothly, with acceleration such as only Molo's famous terror, of the star waves could attain, we'd do for the moon. Breathless minutes. Those Wandel ships up in the firmament behind our stern would probably do nothing. They would not understand this sudden move of their friendly ship. The brainmasters, the insect-like Wandelites down on the moon rocks operating the mechanism of the gravity ray, would not suspect until too late what the Star Streak was doing. Up-rushing rocks, the Apennines to one side. The dark, yawning mulling,
Starting point is 05:12:15 of Archimedes on the other. We were diving parallel with the gravity ray now, hardly a mile from it, diving for the mechanism of its source. Twenty thousand feet of altitude. I bet our rocket streams up for the start of our turning. Bow-ho gravity plates next. Ten thousand feet. Five thousand. How close we went, I never knew. It was seconds now, not minutes. I shifted all the controls. Our bow lifted as we straightened. The whole spreading lunar surface tilted and dipped. Snap fired. I saw the bolt flash at the tilting landscape and a puff of light down there on the rocks. And an instant later, there were vacant rocks where the little cluster of men and mechanisms had been, and the upflung gravity beam was gone. The giant towering cliffs of the mountain of Archimedes seemed to rush at our upturning bow.
Starting point is 05:13:11 The great dark crater mouth slid under our hull. But we could, cleared it. The maw of blackness slid down and away. The whole lunar world tilted down and dwindled as we mounted again into the starlight. Minutes passed while we mounted. Above our upstanding bow was a new drama. The suddenly released Grantline ships, almost level with the ten Wondel vessels when the ray vanished, turned sideways. The poised Wondel craft, devoid of velocity, could not pick up the ray to escape now. Grantline, for those minutes, ignored the frantically flung disks. It was a desperate encounter, all at close quarters. We saw the spitting, puffing lights and the silent turmoil, hidden presently by the spreading clouds of luminous fog. Then out of it came drifting the wreckage.
Starting point is 05:14:03 We plunged through an end of the glowing fog, encountered nothing but two triumphant Venus vessels. With them we mounted into the upper starlight. This was the end of the battle. The victorious Grantline ships, one by one, came lunging up. Only twelve of them now. No Wandal vessels were left. The great spreading cloud drifted down like a shroud to hide the wreckage, drifted and settled to the lunar surface, a great, radiant area of fog, gleaming in the earthlight. End of Chapter 19 Chapter 20 of Wandal the Invader by Ray Cummings This Libravox recording is in the public domain.
Starting point is 05:14:50 Wondel the Invader Chapter 20 There is very little more pertinent to this narrative that I need add of the events on Earth, Venus, and Mars during this momentous summer. The main facts are history now. The wild storms, the damage done by outraged nature, and the panic among the people. All of it has been detailed as public news. The strange light beams
Starting point is 05:15:15 planted by Wondel in Greater New York, Grebar, and Farrak Shan have not yet burned themselves away, but they are lessening, and scientists say they will soon be gone. The changed calendars call this the new era. The axis of each of the three worlds was not appreciably altered. The climates are at least restoring to normal. But the axial rotations of all three planets were slowed by that attacking Wondel beam before we wrecked the gravity station. The Earth Day has been lengthened, resulting in the new calendar, the new era. Our year, formerly of approximately 365 and a quarter days, now contains but 358.7 days. Molo and Mika have been returned to Farak-Shan. They were tried there, for piracy and treason and are imprisoned.
Starting point is 05:16:09 And Wondel? With her gravity controls wrecked, Wondel became subject to the balancing celestial forces. During those succeeding months of the summer and autumn, no other spaceships appeared from her, nor did our world investigate. Her presence here, even a little world one-sixth the size of the moon,
Starting point is 05:16:30 was causing disturbance enough. Wando moved with slow velocity. like a dallying, strangely sluggish comet about to round our sun. What would her final orbit be? By fortunate chance she headed in, far from the Earth and Venus, missed Mercury by a wide margin, went close around the sun, came out again. But the pull of the sun and Mercury dragged her back.
Starting point is 05:16:58 Her velocity was not great enough. I recall that late autumn afternoon when, with Anita, Snap and Venza, I sat in the observatory near Washington, gazing at Wendell through the dark glass of the solar scope. Doomed Invader. She showed now as a tiny dark dot over the sun's giant blazing surface. This was her final plunge. The dot was presently swallowed and gone.
Starting point is 05:17:26 It seemed, amid those giant, licking streamers of blazing gas, that there was an extra puff of light. And some claim now that for a brief time our sunlight was a trifle warmer, a little pyre to mark the end of Wendell the Invader. The end of Wondell the Invader by Ray Cummings Thank you.

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