Close All Tabs - Influencer Endorsements Gone Wild

Episode Date: January 14, 2025

This episode was originally published November 2, 2024. In this final episode of the Close All Tabs miniseries, host Morgan Sung examines the increasing power of social media influencers in politics.... Joined by WIRED senior tech and politics writer Makena Kelly, Morgan dives into the growing tensions between influencers and traditional journalists and explores how “shadow money” is quietly flowing to influencers for political endorsements, keeping the public in the dark about who’s funding content. Read the transcript of this episode here. Want to give us feedback on the series? Shoot us an email at podcasts@KQED.org Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:30 discounts, shop new arrivals first, and more. Plus, buy online and pick up at your favorite rack store for free. Great brands, great prices. That's why you rack. From KQED. Okay, guys, I know we're deep in fall now. We're putting away the Halloween pumpkins. It's getting a little chilly. And election day is right around the corner. But let me take you back to this summer. To the Democratic National Convention. It's a chance for Democrats to seize the moment and present a fresh version of the party under the leadership of, for the first time in history, a woman of color. We are honored to be a part of American history as we gavel in this convention and celebrate
Starting point is 00:01:24 this historic nomination. And in addition to the traditional press that's covered the convention for more than 100 years, is this fresh class of media. Good morning, my angels. Influencers. With just portable ringlights, tiny mics, and their iPhones, they are content machines. I can't believe we're on the ground floor at the DNC right now. Now I'm on my way to United Center for the convention tonight.
Starting point is 00:02:00 Also, every secret service guy is so hot. They were given media credentials and access that was pretty similar to what the traditional press was given. In addition to a few more perks, like a dedicated. filming space, a creators lounge. And on the first day, there was a yacht party for them. McKenna Kelly is a senior writer at Wired who covers tech policy. She also covered the yacht party that the DNC threw for creators, as well as the hotties for Harris after party, also for creators.
Starting point is 00:02:36 And throughout the convention, she reported on this new dynamic of creator media in politics. There was something that the DNC called the Blue Carpet, which is where, you know, the influencers were able to schedule time with different, you know, surrogates for Kamala and interview them. And then throughout the week, you know, they had access to the same buildings that I did as a reporter. The one thing I was incredibly jealous of with them having the lounges was that they had places to plug in their computers, which was like my biggest struggle. All this access for social media creators did not come without controversy. I would love to talk about whether or not
Starting point is 00:03:14 there are tensions between the traditional press and the creators that were invited to the DNC. Girl, I don't know what you're talking about. Yeah, look, there was some tension. This is Jose Rolone. He's a wedding planner and TikTok creator who goes by NYC Gaydad online. And he was one of the 200 creators invited to the DNC this year. He says that some claims about the perks that creators got, were exaggerated.
Starting point is 00:03:46 I've been to things that are just way over the top with ice sculptures and people swinging from the ceilings and there's caviar and all of these things, you know? This wasn't it at all. Look, it was nice. It was like a room. There was some hot dogs, maybe some chips. And then there was like bins of sodas for you to have, right? But I think the stuff that was written about that there was this over the top.
Starting point is 00:04:14 elaborate steak and all this other stuff, like none of that existed. Jose also says there is tension up in the high balcony levels of the United Center. That's a stadium where the DNC was held. What ended up happening is that there just didn't seem like to be a lot of enough seats for everybody. But we put our seats, our stuff down. And then we went ahead to film stuff to do a lot of content. And then when we came back, our stuff was gone. like my bag was gone, some of my equipment was gone.
Starting point is 00:04:48 And then there were people that were in our seats. What was happening is people, the staff at United were taking some of that stuff and just putting it away into lost and found. And then the press was sitting there. And perhaps vice versa was happening. I'm not a journalist. I would never want to be a journalist. It's a hard job.
Starting point is 00:05:11 I love being a wedding planner. I love doing content creation. I do love talking about this election. But there is a way that both can coexist very easily. As content creators, we were leaning on them to help us and to educate us. And they were looking at us like we were just these imbeciles. Influencers at the DNC racked up a combined 350 million views across social media over the 40-day-long convention. That's more than four times the amount of.
Starting point is 00:05:50 viewers that tuned in to watch it on TV. Both traditional news media and creators are vying for the same space, not just physically at the DNC, but also on the internet, in the larger information ecosystem. And although creators who were invited to the DNC weren't paid to be there, this new industry of political influencer marketing is flush with cash. So what are the roles in this new world of political media? Are there any? This is Close All Taves, a special series from KQED. I'm Morgan Sung. I'm a tech journalist, your chronically online friend, and your guide to the weirdest and most fascinating corners of the internet.
Starting point is 00:06:34 Together, we're diving into election memes, disinformation campaigns, political influencers, and we'll open as many browser tabs as it takes, all to better understand how the digital world affects our real lives. To start, we need to talk about how influencers became, so important to politicians. Let's get into it. Time to open a new tab. The White House Influencer Army. Back in 2021, the Biden administration recruited influencers as part of a public health initiative to fight misinformation and get the word out about the new COVID vaccine. They got TikTok creators, Twitch streamers, YouTubers who posted selfies with their vaccine cards and made informational videos.
Starting point is 00:07:29 When COVID happened and everyone was inside and was nearly impossible to do traditional politicking and, you know, doing traditional things that you would do for an election, they started building out this vast influencer network. And they took that with them into the White House. And, you know, some of these people are kind of like journalists who like do news online. And some of them, you know, we recognize them as like Harry Daniels who just, you know, sings to people randomly and goes viral for that. for you. We are the new Americana. And since then, creator outreach has been a key part of the administration's digital strategy. The internet has changed tremendously just in the last four years. Like even four years ago, I think you were able to send out a tweet as a campaign and everyone would see it. But now, you know, if they want to find these same groups of people, like young people
Starting point is 00:08:27 or people interested in abortion rights and stuff. The easiest way to do it is find a creator who's focused on it and whose audience is deeply engaged with that topic. And I think that's been the main goal of the White House when it comes to approaching influencers. In 2022, the administration started inviting specific influencers to special White House briefings, like on the war in Ukraine and when the Inflation Reduction Act passed.
Starting point is 00:08:54 Last year, the White House kicked it up a notch and debuted a dedicated briefing space on Zoom. Again, unpaid. It's kind of like a virtual press briefing room, specifically for influencers. And then earlier this year, the White House hosted its first creator economy conference to talk about AI, privacy, and the power of influence.
Starting point is 00:09:15 Look, my staff tells me that the creator economy is valued at $250 billion. But you break through. You break through in ways that I think, you're going to change the entire dynamic of the way in which we communicate. And that's why I invited you to the White House because I'm looking for a job. That $250 billion valuation that President Biden referred to, it's expected to double by 2027, according to research from Goldman Sachs.
Starting point is 00:09:52 And when it comes to marketing, creators are incredibly valuable, not just because of the number of followers they have, but also for the relationships they foster with their followers. If you have this kind of, you know, pseudo-parascial relationship with this person online, you may be more likely to go out and register to vote, vote for someone in specific. You know, the Biden campaign might try and put an ad in front of your YouTube video, but that's not going to get you to sign up to vote, right? Whereas someone like maybe Hassat and Piker who has this dedicated fan base.
Starting point is 00:10:25 Piker is a political commentator and streamer, popular with young people. McKenna explains he has more than just a dedicated fan base. It's also his community. I think the community aspect is really important with a lot of these creators, where these people are interacting together all the time. They're in discords. They're holding each other accountable for things. They're encouraging others to do things. And so I think it is really powerful.
Starting point is 00:10:49 And that's where all the money is going. How effective is creator marketing when it comes to politics? Well, if you talk to donors, PACs, campaigns, it's necessary at this point. There's a growing cottage industry of political startups, at least in the Democratic tech space, of building political influencer management companies, having these direct connections to the White House, and bringing these people on specifically because they're going to make these connections with, you know, D.C., politicians, et cetera. With the DNC and the White House, those creator events and partnerships are, for the most part, unpaid. But through this growing cottage industry that McKenna mentioned, there is a lot of money
Starting point is 00:11:40 flowing through DC to influencers. How does this process work exactly? And is there anyone in charge of rating it in? New tab. Political influencer marketing. With the right and the left employ influencer marketing. An earlier example is back in 2020 when Mike Bloomberg ran for president and paid meme accounts on Instagram to give his campaign some clout. Several are made to look like a direct message conversation between Bloomberg and social media influencers. In one, he asked for help to make him look cool for the Democratic primary. And their posts included captions that said,
Starting point is 00:12:28 paid for by Mike Bloomberg, which definitely did not make him look cool. They did post in support of him, but it backfired, spectacularly. The only comment you see is there's still time to delete this with over 4,000 likes. It kind of gives you a pulse on the community reaction to these meme pages, taking money from a presidential candidate. Political influencer marketing has matured a lot since then. By the midterm elections in 2022, we saw a lot more sponsored political content from influencers. I do think the thing that's changing now is incorporating that message into the content that these people are already creating and making it almost seamless.
Starting point is 00:13:07 making it feel as it's just part of their platform instead of something that's being injected into it. The majority of these partnerships are through influencer agencies. These agencies already have connections both in the political world and in this rapidly growing creator economy. They're basically a middleman between PACs, political action committees, and creators. McKenna says in some ways, it's not that different from how any brand partners with influencers. So if a makeup brand wants a beauty influencer to review their latest lip gloss, they'll probably start by reaching out to an agency, which will connect them with an influencer. They'll negotiate a rate and number of posts like one Instagram post, one two-minute TikTok,
Starting point is 00:13:54 and a shoppable link to the product in their post. And once they're posted, with a hashtag or caption indicating it's a sponsored post, the influencer gets paid. But there is a key difference with political marks. marketing. They do not have to disclose that it's an ad. As, you know, as compared to like the FTC and having to regulate, you know, having hashtag ad or ad place somewhere sponsored, whatever, and some social media posts, there are no rules from the FEC, whatever, to disclose that. I hate this term, but it is still very much like
Starting point is 00:14:29 the Wild West. The Federal Trade Commission, FTC, requires anyone who posts online to disclose when their content is paid for by a sponsor or advertiser. But the Federal Election Commission, that's FEC, who's in charge of enforcing campaign finance laws, does not have the same rules. Last year, the FEC rule that influencers or political organizations only have to disclose that they were paid to post their content in one specific situation. That's if they paid a social media platform to promote it. So, for example, when you post on Instagram from a business account, you can pay a fee to boost the post so more people see it. That's the only time you have to disclose sponsored political content. But if you're just posting to your own channel,
Starting point is 00:15:20 to your own audience, and not paying for that extra boost in views, you don't have to tell anyone that you're essentially posting a political ad. It is a bit of a black box. You wish that at the end of a video on TikTok. If someone is working with a campaign or something, they would say, this video was sponsored by, like we see on TV or on radio, right, where this was paid for by the Trump campaign. But that's not happening.
Starting point is 00:15:48 Some of these organizations do require influencers as part of their contract to disclose that the posts are paid. The biggest Democratic super PAC is Priorities USA. They launched a creator partner. program earlier this year, and influencers that work with them have to include the hashtag Priorities Partner in any sponsored post. But a lot of these deals fly under the radar. Like last year, when Texas Attorney General Ken Paxton faced impeachment, there was this influx of Gen Z influencers
Starting point is 00:16:21 suddenly rallying behind him online. This was not organic support. It was content paid for by a company called Influensible, they recruit young conservative influencers to spread right-wing talking points. The post about Paxton, who was acquitted, didn't disclose that they were ads. It's not just American super PACs working with these agencies. Anyone with enough money can partner with them. You may have heard of a company called Tenet Media in the headlines recently. The company was a sort of right-wing influencer supergroup that included pretty big names, like Tim Poole and Benny Johnson.
Starting point is 00:17:05 Their content followed typical far-right talking points, complaining about illegal immigrants and critical race theory and trans rights, that kind of thing. But they were also oddly fixated on Ukraine. Ukraine is our enemy being funded by the Democrats. Well, tenant media wasn't pushing these ideas for free. According to a federal indictment, they received 9.7 million.
Starting point is 00:17:32 from Russia today, the news network backed by the Russian government. Tenet media posted hundreds of videos that the Department of Justice says were, quote, often consistent with a government of Russia's interest in amplifying U.S. domestic divisions, end quote. Look, we as humans love sensationalized content. It keeps us hooked, and it's very easy to take advantage of that. Specifically because of this idea of what's called push and pull media. Dr. Joe Lakito is an assistant professor at the University of Texas at Austin.
Starting point is 00:18:08 Her research focuses on political communication and disinformation. So when we talk about poll media, it's when you actively seek out a media or a piece of medium. So say like you're going on Netflix and you want to watch a TV show. You make a very conscious decision. So seek out what you're looking for. That's really different from our social media algorithms today, which tends to be push media. So rather than us seeking out that information, that content is served to us through some sort of social media algorithm. Like the way that TikToks for You page just feeds you videos in this endless scroll.
Starting point is 00:18:44 And this is by design. Social media platforms want you to stay on their platform. So they will introduce you to new influencers and new content that they think you might like, but not necessarily know about yet. And so if we have these social media algorithms that are specifically geared, towards keeping us on the platform, and propagandists or disinformation actors know that they can leverage or exploit these social media algorithms to add advanced sensationalized disinformation. What we get is this really tricky cycle where disinformation actors or propagandists are using and leveraging influencers to promote highly sensationalized pieces of disinformation that then reach this large influencer audience.
Starting point is 00:19:30 And so what we see is that these propagandists are both taking advantage of the social media algorithm, as well as the influencer industry and the combination of those two contributes to why we see so much of this political misinformation and disinformation. Okay. Well, if anyone can swoop in and pay influencers to spread messaging that, you know, weakens are very concept of democracy, then why aren't political ad disclosures required? I mean, this seems very dire. We'll open a new tab on that after this break. Support for a key QBD podcast comes from Xfinity. Thanks to the Xfinity five-year price guarantee, your guaranteed five years of reliable Wi-Fi with our best equipment, no annual contracts, and no fees.
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Starting point is 00:20:56 so my info stays secure, and best of all, unlimited plans start at just $35 a month. Whatever you do, your sake with Google. Explore Google File Wireless plans today. Plus taxes and government fees. Block spam known to Google may not detect all spam calls. All right, new tab. FEC influencer political ads. Remember, you only have to disclose political sponsorships online if you paid the social media platform to show it to more people. The FEC is in charge of political advertising, while the FTC regulates any consumer ads. But what's a difference between the two? Why does it even matter? To get into this, I call Dara Lyndonbaum, who's been an FEC commissioner. since 2022. Well, there are a few big differences, and number one would be the First Amendment and how the First Amendment controls and really restricts our ability to regulate political speech. So that's really the big one, and that's the big thing that we all operate under. When we try to regulate here, we have to make sure we're not violating the First Amendment. Lindenbaum says there
Starting point is 00:22:06 is potential for stricter regulations. I absolutely have a huge concern about, you know, foreign influence I'm also absolutely concerned about the First Amendment and not creating a system where, you know, people cannot express themselves the way they're constitutionally allowed to do it. But again, I think it is an area that we can absolutely regulate in. When somebody is being paid to do something, that is an area that we can regulate in here. But when it comes to dealing with social media ads, Lyndonbaum says the FEC's power is limited. We can only act based on what Congress tells us we can act. So they create the laws and then tell us to go create the regulations that implement those laws. And right now there isn't an agreement, I would say, that the regulations control what influencers do here
Starting point is 00:22:56 when they're putting out content on their own channels without promoting it. Do you think that the advocacy will revisit this issue in the near future? I don't think it'll do it on its own. I'm not sure. I think it will depend on Congress that I don't think there's a big appetite to, you know, push this and to have, you know, essentially a stalemate with limited resources without thinking this through and without a push from Congress. The FEC decided back in December last year that they wouldn't touch sponsored influencer content. And when they made that decision, two commissioners actually published a letter criticizing their own agency for not taking a stronger stance. They said that the problem isn't that influencers are taking these paid deals. It's that the public doesn't know.
Starting point is 00:23:47 And since influencers are already familiar with sponsored content rules, requiring the same rules for political posts wouldn't be very different for them. In fact, some states are already taking action on this. California passed a law last year that requires people to disclose, but only when it comes to content about specific candidates or ballot measures. The Texas Ethics Commission just ruled that influencers have to tell followers if they were paid to make any kind of political statement. But there's one more wrinkle here if we just zoom out a little bit more.
Starting point is 00:24:21 The power to actually enforce regulatory laws like this has been weakened by a Supreme Court ruling from earlier this year. For the last 40 years, federal agencies had a lot more power when it came to interpreting laws and deciding how to enforce them. There's this legal doctrine called Chevron deference. it comes from a 1984 Supreme Court case. And it basically says that, if Congress passes a law and any part of it is unclear, agencies fill in the gap and interpret what Congress meant, not judges.
Starting point is 00:24:54 The idea is that agencies are experts in very specific fields. It's like how the Environmental Protection Agency would know more about the minutia of air pollution particles than a federal judge would. And when it comes to policymaking, Congress, doesn't always have the time or expertise to deal with every single detail and legal question. So they delegate it to agencies to figure that out. Chevron deference gave agencies a lot of room to create and implement rules without the court stopping them from making policy choices. Well, the Supreme Court killed Chevron deference
Starting point is 00:25:29 this year, and in overturning that 1984 decision, they stripped federal agencies of a lot of their rolemaking power. But while the government works this out, keeping this industry in check falls on social media companies. So what are they doing about this? That's a new tab. Social media political ad rules. Every social media platform has completely different policies when it comes to political ads. And because of that, Dr. Lakito says it's even harder to regulate this space and keep track of advertisers.
Starting point is 00:26:11 This is not a decision. I think we should be leaving up to social media platforms, especially in a media ecology that has so many social media platforms. YouTube and Meta, which owns Instagram and Facebook, allow political ads. Kamala's agenda is live. President Trump is for you. Meta actually has specific roles for political brand deals now, thanks to that whole Mike Bloomberg fiasco. X, or Twitter, as many people still call it, actually lifted its ban on political advertising when, Elon Musk took over. However, the site still bans political paid partnerships, those deals with
Starting point is 00:26:48 influencers. TikTok and Twitch, the platform for streamers, ban political ads completely. But there are a few issues. Even the most well-intentioned rules around political-sponsored content aren't 100% enforceable. Twitch and TikTok both have very robust moderation, but banned content gets through all the time. These social media platforms will take down posts that don't properly disclose at their ads, but users usually have to report it first. And moderating on this case-by-case basis is not very efficient. And it also doesn't stop these disinformation actors or unwitting political influencers from pushing that content on another platform that does not have those regulations, right? And so it creates both this sort of inconsistency, but even worse, this lack of transparency so that
Starting point is 00:27:39 that when platforms are doing this sort of regulation, we can't assess whether they're doing a good job or not, because how are we to know if there's no transparency? Dr. Lakito says that meta actually does something that should be the standard on social media. It's their ad library. Anyone who purchases ads on Instagram or Facebook has to register with this publicly available archive, which shows who paid for the ad, how many people saw it, and how much they spent on it. Meta is actually pretty transparent when it comes to dealing with content that isn't allowed on their platforms, like violence or nudity.
Starting point is 00:28:16 And Dr. Lakito says that all platforms should be just as diligent and transparent about political content. Not just transparency around what those regulations are, those content moderation regulations, but transparency in terms of how those decisions are being made. And that's true broadly about internet communication, right? So Facebook, for example, has like an oversight committee that makes decisions on when certain types of content gets removed or not. We also see these large social media platforms have some sort of explanation for how they moderate content, whether it's coming from content moderators they hire or flags that are coming from users. And I would really like to see that level of transparency not just be applied to porn or violent content, but also be applied to political content, right?
Starting point is 00:29:03 it's not just about regulating it, but having transparency so that any citizen can go on Facebook or go on a TikTok website or page and just learn like, here's what the regulations are. Here are the specific steps in which we, you know, regulate and remove political content if that's what they do. Will these companies actually make an effort to be more transparent, though? Who knows? Unless it directly benefits them financially, they don't exactly have an incentive to be better. Okay, let's bring it back to where we started. All that drama that was brewing between traditional journalists and content creators.
Starting point is 00:29:46 For one thing, the total lack of regulation and transparency in the influencer world definitely contributes to that friction. And there's a big difference in norms between the two worlds. The journalism industry has a system of editors and fact-checking processes and editorial standards that keeps reporters in check. Granted, it's not always perfect. Newsrooms make mistakes all the time, but it's still more support than what a lot of influencers who make political content have. They may have a manager or agency handling their brand deals, and maybe some assistance when it comes to putting their videos together, but there's no real industry standard for
Starting point is 00:30:27 content the way that there is with journalism. And without any rules from the FEC, what they post, and disclose, is really on the creator's personal standard. Still, people in both groups are starting to acknowledge that there's a lot they can learn from each other. Like Jose, the wedding planner we heard from at the very beginning of this deep dive. I think sometimes when politicians, when they see you, and they're automatically on the defense and they're ready to give you a scripted response.
Starting point is 00:30:59 But when it feels like someone that is relatable, I think their guard down is a little bit more and they're more willing to just open up and really share from something that actually feels a little bit more personal versus than, you know, any of the scripted response. Look, I think you saw that some of the creators were not shy about asking about the war in Gaza and Palestine. I think for them to not be shy and ask them really difficult questions, whether if it was this or, you know, other hot topics around reproductive rights and so many other things that are really hot. right now, it was really wonderful and beautiful to see. I think there's still this misconception with creators where just a bunch of goofball dancers or, you know, our stuff doesn't really matter.
Starting point is 00:31:46 Like, there's so many ways we could help journalists, just like, you know, there's ways that, you know, they can help us too. And as Wired Reporter McKenna points out, journalists can't necessarily share political opinions the way that creators do, but they can show more of themselves online. What I like to say is that I think what creators have taught journalists is that we need to be more than just like black and white text on a, you know, byline. If we want to be able to earn that trust back that I think voters now have replaced oftentimes with news and political creators, then we have to show more of ourselves and more of our process and take readers along for that ride in a similar way, whether that's writing, you know, a newsletter or doing TikTok or whatever works for you, right? And I know this all sounds pretty bleak, the absence of government regulations or individual social media site rules or leaning on each creator's personal conviction.
Starting point is 00:32:46 But McKenna reminded me of something that's a small comfort in this wild west of the internet. There is one more force keeping creators accountable when it comes to any kind of content. You know, the one thing that's regulating this space and that this is what it's been. and like online forever is communities. It's communities of people holding other creators accountable. These creators get into little spats. There's all this drama. They sick each other's followings against each other.
Starting point is 00:33:18 And that seems to be like one of the biggest ways that change happens in the communities when it comes to disclosures and things like that. Now, obviously a system of online communities demanding transparency from the creators they follow doesn't compare to actual regulations or effective moderating. But it is a start. Influencers tend to be pretty open to listening to their followers. And it's bigger than just public shaming. These call-up posts and community spats actually do, sometimes, boss for change,
Starting point is 00:33:52 like when drama among streamers led to the crackdown on gambling content online. But that's a deep dive for another day. For now, let's close all tabs. Close All Tabs is a production of KQED Studios and is reported and hosted by me, Morgan Sung. Our managing producer is Chris Agusa. Our producer is Maya Cueva. Jen Chean edited the series and is KQED's director of podcasts. Original music and sound design by Chris Agusa.
Starting point is 00:34:29 Additional music from APM. Audience engagement support from Mahas Sanad. Katie Springer is our podcast operations director. Holly Kernan is our chief content officer. A special shout out to the team at Political Breakdown for letting us share our episodes on their feed. And special thanks to founding producer Jorge Olivares. We'd love to hear what you think about the series. Hit us up at podcast at kQED.org.
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