CreepsMcPasta Creepypasta Radio - "ESCAPE ROOM." Creepypasta

Episode Date: March 11, 2022

CREEPYPASTA STORY►by Darkly_Gathers: https://www.reddit.com/r/nosleep/comm...Creepypastas are the campfire tales of the internet. Horror stories spread through Reddit r/nosleep, forums and blogs, ra...ther than word of mouth. Whether you believe these scary stories to be true or not is left to your own discretion and imagination. LISTEN TO CREEPYPASTAS ON THE GO-SPOTIFY► https://open.spotify.com/show/7l0iRPd...iTUNES► https://podcasts.apple.com/gb/podcast...SUGGESTED CREEPYPASTA PLAYLISTS-►"Good Places to Start"- https://www.youtube.com/watch?v=g7YCb...►"Personal Favourites"- https://www.youtube.com/watch?v=AEa2R...►"Written by me"- https://www.youtube.com/watch?v=gX6RA...►"Long Stories"- https://www.youtube.com/playlist?list...FOLLOW ME ON-►Twitter: https://twitter.com/Creeps_McPasta►Instagram: https://instagram.com/creepsmcpasta/►Twitch: http://www.twitch.tv/creepsmcpasta►Facebook: https://www.facebook.com/CreepsMcPastaCREEPYPASTA MUSIC/ SFX- ►http://bit.ly/Audionic ♪►http://bit.ly/Myuusic ♪►http://bit.ly/incompt ♪►http://bit.ly/EpidemicM ♪-This creepypasta is for entertainment purposes only-

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Starting point is 00:00:00 Oh, young, that I'm in three days. I'm a moor as I'm more on think. Oh, that to seeer that morning off must. I'm all mooh as I'm just on tomorrow. Oh, this is I'm all moor as I'm on thinking. Have you it mollick at home to come? Give you self then a boost. With biocure, Maxhot Liquid.
Starting point is 00:00:19 Three op-puppendant plants. Magnesium, Eiser. An energy booster, to get in right again to come out. BioCure, Maxxot, Liquid. Foodings Supplement, I awaken in a room with teal blue peeling walls. Directly above my head and attached to the ceiling are two electrical bulbs.
Starting point is 00:00:40 No lampshades, just two bulbs side by side and jutting out from the plaster. The bulb on the right is switched off. Dull and green and lightless. The bulb on the left is switched on. Light and bright red, it hums softly. Besides my breathing, it is the room's only sound. I rub my head and grugly sit up in bed. If you can even call it a bed.
Starting point is 00:01:06 There are no sheets or anything. It's just a rough, flat mattress. What the hell? Where am I exactly? Squinting, I turned to look around. The room is perfectly square. Its four walls are all that same faint, peeling blue teal, and each of them has a near identical door built into it.
Starting point is 00:01:31 wood by the looks of them. And I say near identical, as only two of these doors are blank. The other two have words scrawled across them in white paint. One of them says, exit. And the other says exit, the same word, just in all caps. Same white paint. Two exits. White two, is one of them fake perhaps?
Starting point is 00:01:57 I blink and peer across the walls. There I dawned with a series of grainy framed photographs, they appear to depict oceanic scenes, from the bottom of the sea, and many feature colorful coral reefs. I noticed one that shows a shark. I closed my eyes and rub my hands across my face. Where the hell am I? Am I seeing things? I try again.
Starting point is 00:02:25 I opened them up. Nope. Same view. Resisting the rising, cold urge to panic, I instead consider each of the individual walls, an attempt to focus to properly assess my surroundings. I turn my head, the wall behind me is bare, except for a mirror in a rough centre. The door is to the mirrors left, and like the others, is closed. The next wall going round has a few of those framed pictures of fish swimming in the sea hung across it,
Starting point is 00:02:56 and between them in the wall's middle is what looks like a hard plastic button, a button in the crude shape of a fish, on a little panel protruding out from the wall. There is also another door. This is the one that says exit. Ocean pictures, button, door. On the opposite wall to my current position is something I mistook at first glance for a window. But closer inspection reveals that it's merely a poster depicting
Starting point is 00:03:26 a window, and the view beyond. The view appears to be from a hotel room on some beach, overlooking the sea. Beside the poster is a second mirror, directly opposite the one behind me, and beneath it is another one of these panels and another plastic fish-shaped button, this one in blue. The wall has a similar looking door to all the others. Poster, mirror, button, door. Between myself and these features are two curious objects rising up from the floor. About waist height they look like little pedestals, placed a fair distance apart. One further out to the left and one further out to the right.
Starting point is 00:04:12 They kind of resemble towering rocks, I guess, undersea eroded towers of stone. There's clearly a theme here. And finally, on the last wall is one more framed picture of the ocean There is another button, this one orange And there is also a screen The screen for now is dead and dark Ocean, button, screen, door
Starting point is 00:04:38 The door on this wall is slightly different to the others It has the all caps exit written across it in white But what draws my attention are the four locks stacked on top of each other beneath the door's handle. I glance around to the other three doors, though none of them have any visible locks or places to enter keys. This is insane. Where the hell am I?
Starting point is 00:05:04 What is happening? It feels like I'm in some kind of bizarre purgatory. The poster of the window is particularly unsettling. I dropped my eyes to the floor, scanning it, and I realized that what I mistook for soft blue-wash yellow carpet is in fact a thin layer of what appears to be fine sand. It's all so surreal. All right, enough of this.
Starting point is 00:05:28 Cautiously, I clamber off the mattress. The second that my bare and shoeless feet touch the sandy floor, however, the screen to my right makes an abrupt beeping sound. I stare at it as the pixels flicker into life. My heart suddenly hammering, senses primed as my drowsiness evaporates. into the stale surrounding air. 16 minutes until doors lock permanently, it reads.
Starting point is 00:05:55 And then, the timer starts ticking down. 59, 59, 59, 58, 59. Damn, I start to panic. Lock permanently? I jumped to the right and tried the door beside the bed. It doesn't budge. I rush across the room to try the next, the one offering greater potential
Starting point is 00:06:17 with his marked exit promise. though as I do so, a series of sharp pain spikes suddenly up into my feet. Ah, jeez! I flinch and pause, shooting a look down to the ground. Orcadly, I stand on one leg and lift one of my feet a little closer, allowing myself to inspect it. To my dismay, I appeared to have been cut, and upon peering closer still, I spy the culprit.
Starting point is 00:06:44 Horrified, casting my eyes out over the floor, I finally see that here. Hidden in the sand amongst the grains is a tide of broken glass. Once you see it, you can't unsee it. The ground beneath my feet is positively littered with the stuff. What the hell is this? I murmur. Then I throw out my hands and look up to the ceiling.
Starting point is 00:07:08 Hello? Hello, is anyone there? What the hell is going on? There is no response. I grimace and tiptoe as carefully as I can to the second door. or do my best to avoid the glass. But I still take a few painful cuts across the toes in the process. This door, too, is locked up tight.
Starting point is 00:07:29 All right, think. Think, think, think. I scan the room for something that can help me. A pair of shoes would be a good start, or even socks. But there is nothing. Screw it. I race across the room to Door 3, wincing in pain, rattling the handle and slamming a handle.
Starting point is 00:07:48 into the hardwood. Hello? Hello. Please, can someone let me out? I hopped to the final door, feeling the weight of something jingling against my chest as I do so. I flinch and curse
Starting point is 00:08:02 as I step through the glass, trying the handle a door four as I reach up under my shirt to discern the source of the weight. My heart jumps momentarily as I realize that it's a key. A key hung on a piece of string and tied around my neck.
Starting point is 00:08:18 I fumble with the thing as I draw it up over my head, turning it over in my hands to get a good look at it. It has the silhouette of an octopus carved into its base, and it twinkles dimly in the overhead light. The thing is otherwise unremarkable. All right, I mutter. Come on you, let's get out of here. And I try it in the first lock. To my utter amazement, it turns all the way. and elation springs forth.
Starting point is 00:08:51 Could it be that easy, perhaps? I try the handle again, but still, no dice. The door does not budge. I roll my shoulders and try to force myself to remain calm. All right, no pressure, no pressure, maybe I just need to unlock them all. I withdraw the key and try it in the second lock.
Starting point is 00:09:14 It too goes all the way around, but the handle does not budge. Same story for the third lock. And then, after turning the key round in lock four, I mutter a quick prayer before attempting the handle. I'm not a religious guy, but I think perhaps that it might help. It... It does not.
Starting point is 00:09:37 Damn it! I shout as I rattle the handle, slamming and kicking against the door. Let me out! Let me the hell out! The key does fit the locks? Maybe there are just more of them Maybe there are four keys in here I need to find But where would they be hidden?
Starting point is 00:09:55 I glance around The room is pretty bare There is a bed frame And a narrow mattress across it But no sheets or pillows There are no cabinets or drawers No chairs The only furniture are the two bizarre
Starting point is 00:10:09 Rock-like pedestals in front of the poster First things first What am I going to do about the glass. I glance to the timer. Fifty-four minutes, fifteen seconds. I make a quick plan and execute. Removing my t-shirt, I tear it with a grunt into two rough halves, which I then do my best to wrap around my feet. They don't make particularly great shoes, but they'll help for now. The spots of blood are also serving grimly to keep my shirt stuck to my skin. Why is this happening to me? I wonder bitterly, as I tread my.
Starting point is 00:10:46 my way across the room. I'm a good person and I don't deserve this. Was I kidnapped? What the hell was I doing last night? The memories for now elude me. My focus is on escape, I'm getting out. I'll have a better time to think later. I begin by scabbling about in the sand, pushing it aside and wincing with every cut across my fingers as I do so. I take the opportunity to try and push as much of the stuff to the sides of the room as I can. But the room is large, and there's a frustrating amount of glass, particularly difficult to see among the grains of sand. I check onto the bed.
Starting point is 00:11:28 I check the mattress, though it is securely fastened to the bed frame. The bed frame likewise does not budge. My desperation rises. I check behind each of the ocean pictures on the wall. I smash them to see if there's anything high. behind the photographs, succeeding only in adding yet more shards of glass to the ground. The time ticks ever down. 4702, 4701, 4659.
Starting point is 00:11:58 Sweating and swearing, I try hitting the coloured buttons. No response from any of them. I look for clues in the pictures to see if I'm supposed to tap them in a certain combination. It hurts they keep crossing the floor, treading through the same. sandy shards as I move from one of the buttons to the next. But it's all pointless. They don't do a damn thing. I tear down the poster of the window.
Starting point is 00:12:24 Nothing. I inspect the mirror. I stare back into my own face. Then turn to look behind me. The mirror is exactly opposite the one on the back wall. They create the illusion of the never-ending tunnel when you look into them. Moving hastily on, I approach one of the two pedestals. inspecting it thoroughly, I realise with a spark of hope that there's a little button in the groove around the pedestal's upper surface.
Starting point is 00:12:52 I reach down and press my thumb against it. I hear a little beep from the screen and I look over. Something has changed. Beneath the timer is something new. 0.3% complete. It says above a thin blue line of pixels. 0.3% complete. I consider this, tapping the button again, and again, and again, and again.
Starting point is 00:13:22 But it does nothing further. I wince and tiptoe across the floor to the second pedestal, searching to see if it has an equivalent button of its own. I find to my relief that it does. I tried tapping it, and the little blue line of pixels grows slightly longer. 0.6% complete, it now reads. My heart jumps.
Starting point is 00:13:47 Okay, okay, I think I get this. I tried tapping the button a few more times to confirm, but, as expected, it does nothing. I have to return across the floor, back across the glass to pedestal one to press the button there. The line of pixels, which I realise can surely be only a progress bar, grows ever so slightly longer. 1% complete, it reads.
Starting point is 00:14:13 Right, progress. My going is slow to begin with, minimizing the pain of the glass. I tiptoe, I push as much of it aside as I can as I go back and forth, back and forth. But, no matter how carefully I try to clear the route, there always seems to be a piece that I've missed. Conscious of the time, however, I am forced to pick up speed. slowly but surely exhausting myself as I race relentlessly between the two pedestals 12.3% complete
Starting point is 00:14:45 12.6% 13% complete In my haste my foot slams down hard onto a particularly painful shard of glass I cry out of frustration and swear as I reach down to dislodge it from the skin blood starts flowing immediately and as I'm forced to continue my back and forth a series of bright bloody footprints are left across the ground.
Starting point is 00:15:09 I shoot a look at the time. 42 minutes, 30 seconds. The pain is just too much. I have to take a few minutes to thoroughly clear the route between the pedestals. So that's what I do. Crouching down, brushing and pushing every last trace of glass and sand to the side, further cutting my fingers in the process. God damn it.
Starting point is 00:15:35 I swear beneath my breath as I push it all the way My finger's shaking And once I'm satisfied that the path is now safe I return to the task at hand Running between the pedestals My feet still stinging with every step The timer ticks on The progress bar moves its way along the screen
Starting point is 00:15:57 My breathing becomes shallower And the sweat begins to bud across my back My body heat rises with a tightening tension in the room 39.6% complete, 40% complete, 40.3% complete. As I run, I try to think of what I might have done wrong to deserve this fate, to find myself trapped in so sick and hateful a place as this. I would do such a thing.
Starting point is 00:16:24 Lock me up here all alone, make me play these games. Am I being watched? I wonder, beginning to pant with the exertion. Is someone getting a thrill out of watching me push myself like this, back and forth like a rat in a lab. Is this all punishment? For something, but for what? I do not know.
Starting point is 00:16:44 So, back and forth I go, slipping occasionally in the trails of blood that I am leaving behind. My feet intermittently numb and then sharp with pain. With every single step, I wince, not just with a feel of my injured feet upon the ground, but in anxious anticipation, waiting, tensed in preparation to step down, onto a shard I might have missed.
Starting point is 00:17:07 This expected shard does not find my feet until I am red in the face at 84.6% complete. It strikes up thin and sharp between my toes. I scream out loud in pain and hobble, knocking sideways into the pedestal
Starting point is 00:17:23 and using it to balance myself. Screw this! I shout out loud as I pull the shard from the soft flesh my foot. The t-shirt socks have just about worn through now. I held the shard across the room What do you want from me?
Starting point is 00:17:38 Why are you doing this? But there is no response. I am answered by nothing but the gentle buzz of the lights. The shard strikes the far wall and lands on the mattress directly beneath the glowing red bulb overhead. It twinkles scarlet
Starting point is 00:17:53 in the light. Fine, fine, I can play your game. I mutter bitterly, catching my breath and do my best to get it over with. Back and forth. forth, pressing those buttons again and again and again. 2329 reads the timer.
Starting point is 00:18:11 2328, 2327. But the progress bar now stretches the length of the screen. It's nearly there. 99.3%, 99.6. 100. I let out a gasp of relief as the screen flickers, and my heart pounds as I rest against the pedestal. I wipe some sweat from my forehead.
Starting point is 00:18:34 glancing between the doors, is one of them going to unlock, am I going to be given the keys? For a moment, nothing happens. Then the screen cuts the black, and a new message is displayed across it. Round two is all it says, and a picture of a yellow fish appears on screen. Round two? I stifle a sob of distress. Another round I don't know if I have this strength for another round I wasn't even rewarded with a damn key
Starting point is 00:19:08 I need to get out I need to get out now I try all the doors again swearing and kicking out clouds of glass as I run but of course each door remains locked uptight I glanced back to the timer 2121 until doors lock permanently could it be true
Starting point is 00:19:30 could I really be locked in here forever Surely not, right? Right? Hell, I can't afford to risk it, so I allow myself a scream of frustration. I brace, and I get ready to play round two of this twisted game. The screen shows a yellow fish, and so my next move seems simple enough.
Starting point is 00:19:55 I reach behind me and slam a hand up against the hard plastic of the yellow fish button. This time, there is a reaction The button glows for a split second And the same progress bar appears on screen I'm treated to a 0.3% And the fish on screen changes from yellow to blue I am exhausted but fuelled with adrenaline
Starting point is 00:20:18 And have little choice but to play along Fine, I mutter Spitting onto the ground Let's do this I creep over the floor Whincing until I've arrived at the blue button On the opposite wall I press it and the progress bar jumps to 0.6%.
Starting point is 00:20:37 The fish changes to orange. And so it goes. As the timer ticks steadily on, I'm forced to cross the floor again and again, right through the glass that I pushed aside earlier from the trail between the pedestals. Blood is streaked across the ground and the pain only grows. It becomes difficult to move to take even a single step onto the glass-free space sends chutes of pain racing up my lower legs. But I play.
Starting point is 00:21:07 I play their game. Blue to orange, to yellow, to orange, to blue, back to orange, back to yellow. At 54% I make a critical error. Warrid and angry and stress beyond measure. I mistake the yellowfish for the orange one. I press my hand against the button. And the progress bar cuts back to zes. zero. The timer, however, continues ticking down. I am forced to increase my speed yet again.
Starting point is 00:21:40 All pretense of caution and care when it comes to crossing the floor are abandoned as I run from place to place, smacking the buttons as quickly as possible as they appear on screen. The pain is excruciating. I can feel the little shards of glass stick to my skin, and I simply do not have the time to do anything about it. In that moment before my foot lands on the moment. the ground, that brief anticipation of the incoming pain, it is almost worse than the pain itself. But, I do my best. Orange, blue, yellow, blue, orange, yellow. Over and over. And as the timer ticks down to five minutes, I just have to pray that there is no round three, there will not be time. I am still yet to receive any more keys.
Starting point is 00:22:31 With a cry of bitter determination, I slap my hand down on what should be the final button, gritting my teeth through the waves of constant pain throwing up from my feet. The progress bar hits 100% for the second time, and once again disappears as the screen flickers. Come on, and mutter through raspy breaths. Come on! And, with a little beep, the screen changes to... Congratulations. I wait, tense and afraid, as a screen holds this phrase for a moment more.
Starting point is 00:23:09 32, 321, 320. And then, the message changes. You have successfully completed the room. You are free to leave. Two doors will now unlock. Audible click sound from two of the doors, the one beside the opposite mirror. and the one labelled exit in lowercase.
Starting point is 00:23:33 You may only open one door, the act of opening the door will permanently lock the other. Please make your choice. I wonder if this is some kind of trap. I hesitate, but then after taking a step toward the exit door, the mirror besides the torn poster suddenly changes. In one second, there stands my reflection, and then in the next, the mirror effect, has entirely vanished.
Starting point is 00:24:02 Where once there was a mirror, there is now a window. Though it does not show me a view of the beach or any kind of view to the outside world. I stepped towards it, heart beating, winting with every movement, and I bring my face in for a closer look through. The window shows me another room, a room, in fact, identical to mine. I can see a copy of the same screen. I see the poster of the beach through the hotel window. I can see the coloured buttons and the framed pictures of the ocean.
Starting point is 00:24:39 I can see three doors from this position. And I realised, quickly, that the fourth must be the one that connects to my own room. I see a floor covered in sand, and catching in the light amongst it are little shards of clustered glass. And I see something else too. Or someone else, I suppose I should say, as my heart hammers in my chest. They're asleep on a thin, rough mattress, identical to my own. The hands are crossed over their chest, rising and falling, and directly above them are two bulbs, both glowing in their respective colours,
Starting point is 00:25:18 one red and one green. The hell, I mutter out loud. I look back to the screen, eyes wide, One minute, four seconds, one minute three, one minute two. You may only open one door, the act of opening a door will permanently lock the other. Please make your choice. What the hell kind of choice is that? I shout out loud.
Starting point is 00:25:44 Escape or put myself through all that again. As if, in response, a series of sharp stings echo across my feet. The cuts across my fingers and hands ache and throb. I shake my head. It's no choice at all, surely. But I think about the games I was forced to play, about what I went through alone. A memory from the beginning returns to me. One of my own thoughts.
Starting point is 00:26:11 I'm a good person, and I don't deserve this. I'm a good person. With jaw clenched, I turned back to the screen. You may only open one door. Twelve seconds. Eleven. Ten. I release a guilty, sad sigh, and wipe for the hundredth time a sickly layer of sweat from my forehead,
Starting point is 00:26:35 streaking it a little with blood as I do so. I'm sorry, mate, I murmur through the window as I head to the door, marked exit. My knuckles white on the handle. I mentally prepare myself. And I turn it. It relents and the door creaks open. Beyond is a long hotel hallway, narrow and leading away into the unknown. I shoot one less look back behind me.
Starting point is 00:27:05 I can still see the window. I can see the sleeping man on the mattress, and I can see the bulbs above his head. The green one has now gone out, and only the red light shines in the shadow. I'm sorry, I whisper one last time, as I take my leave. and close the door tight shut behind me.

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