DGTL Voices with Ed Marx - Unveiling the World of Fashion (ft. Alla Eizenberg)

Episode Date: March 3, 2026

On this episode of DGTL Voices, Ed interviews Alla Eizenberg, Professor at Parsons School of Fashion. They discuss Alla's journey in fashion from starting her own up-scale menswear line, Maison Rouge Homme, to teaching at a major fashion school. The conversation delves into how clothing impacts confidence, the nuances of dressing for virtual interactions, and the role of technology in the fashion industry. Alla emphasizes that fashion is more than just aesthetics; it's about self-expression and how we present ourselves to the world.

Welcome to Digital Voices, where healthcare and life science leaders explore the real work behind transformation. This podcast is about people, leadership, and the conversations that move healthcare forward. Now your host, Ed Marks. Welcome to another edition of Digital Voices. I love changing things up every couple of weeks and having guests that aren't necessarily healthcare technology or healthcare digital transformation. but in other industries. And today we have a good friend of mine, Professor Ala Eisenberg from Parsons School of Fashion.

Ala, welcome to Digital Voices. Thank you for having me. Very happy to be here. Yeah, this is so much fun because I think some of my audience knows my background in fashion, although they would never know it by how I dress, but they might know it from some history of me speaking about it previously. And so when the time,

two of us met. So we have your husband is awesome. Rom, he's with contact I.O. And so we were having dinner in New York City, fabulous experience. And I got to meet you. And we just connected because of this fashion thing. I'm like, oh my gosh, Parsons. That's like the top four fashion school in the world. It's right up there with London, Milan, and Paris. If I got the three other ones right. And it's like there in New York City. And it's like, wow, professor. This is so amazing. So, Ala, thank you for being on this digital voices. Absolutely.

It's my pleasure. And here I am in Parsons, School of Design. And right here on 13th Street and very happy to talk. I don't know what I can contribute, but I will try. Well, I think all of us always, well, one year, it's just a fabulous person. So that's first and foremost. But secondly, I think all of us always have questions. I think all of us have some insecurity when it comes to fashion, when it comes to clothes.

And so I hope by having you, we'll demystify that in a little bit and help give people greater confidence. But, Ala, before we go further, the most important question is what songs are on your playlist? Like, what kind of music do you like to listen to? Well, my playlist is very broad. From Bach and Beethoven to Chemical Brothers and LCD sound system. And I do change it quite frequently. So, yeah, I know. That's probably my top ones.

I love, so Chemical Brothers, that's new. And you mentioned another one right after that. What was that one? LCD sound system. It's a fabulous New York band. They've been around since, I think, very late 90s. And we're still happy to join the concerts. Usually they have, like, you know, they do a small tour before the holidays.

So almost every year we go to see them. Yeah, and it's fun. And being a New Yorker, I should ask you also about Broadway. Like, what's the favorite play you ever saw on Broadway? Oh, that's not a good one to me. I'm less of a theater person, and if yes, then more like repair to our theater. So I would go to watch, I don't know, Brecht or Ibsen, one of classics. But we do go a lot more to Lincoln Center.

and we kind of like attend the Pilarmonic and the New York Ballet and sometimes opera. So yeah, a lot more there. Yeah, yeah, yeah, I get it. That's very cool. So tell us about yourself. Like obviously your accent's different than mine. Tell us a little bit about who you are. Like where did you grow up?

You know, how did you get to the United States, all that kind of stuff? Well, my background right now can be summarized by the few hot dots on. the math. I was born in Ukraine. My family immigrated to Israel when I was 14. And that's where I basically, I finished my high school and I went to fashion school, which without me expecting, it turned out to be a very serious fashion school. It was very much founded by Jewish, British Jewish community that were in textile and fashion businesses. And that's why we were very very much aligned with Central St. Martin. We had many, like, professors coming, and it was a great education. And after that, I started my career in women's wear. I designed for another

designer's brand in Israel. And later, Rome and I, we went to Milan because Rome continued his studies, and I thought for me it will be an awesome place to deepen my knowledge of fashion. and also my ambition to become a menswear designer. So that's exactly what happened in Milan for me. Two things, basically. One, that I started my own brand, which I never actually planned for, but it just happened that way. And second, that I could dive into traditional menswear. And I did a lot of kind of apprenticeship work, starting with the shirting, like small workshops for,

shorting, like custom-made shirts, and then tailoring ateliers. And after I kind of felt that I have enough foundation to start my own, I started my own brand that was called Mezon-Rouge-Om. And it was menswear, and it was a very kind of like innovative for that moment. And we came back to Israel after living in Milan for three years. And yeah, and I had Mousin Rouge for seven years. And then we moved to the U.S. Yeah, that's cool. And then you end up at Parsons and you're, tell us about what you do at Parsons.

So basically, I started teaching fashion back in Israel with my brand came some kind of like certain level of, I don't know, recognition. And I started to be invited to school where I studied to critiques. And that was very fascinating for me because I could still remember very well how I felt as a student. But also there were like a lot of new insight and new kind of challenges that I had to solve while starting my own brand. So when they offered me to teach, I was like, yeah, I wanted. And it was from the beginning really exciting experience for me. So. when we moved to the U.S., I still continued having my own brand, but then with my son being born,

my travel around the world, and staying in other places, I just decided that I should slow down a bit. And I came to the decision that I want to stop doing my own brand. And that's when I joined Parsons. I mean, my previous experience obviously was very helpful there. And from the very beginning when they hired me, I was basically hired to teach fourth year. It's a graduating year, which is a year-long course called like Thesis, which is the main graduating collection. And, you know, the body of work with which people start their careers in the industry. So, yeah, I still do it.

It's one course that kind of like I continue doing through all of my years and farsons. But at the meantime, I taught practically every core course on the School of Fashion curriculum. I developed a number of courses. I also did my master's in fashion studies, which is more like theoretical side of fashion. I also teach theory as well. So, yeah. That's very cool. At what age, do you remember you first had the idea?

Hey, I want to go to, I want to be in fashion. I want to be in fashion school. Like, how old were you when this idea first came up? Well, I probably wouldn't articulate as I want to be in fashion, but I definitely wanted to make clothes. And it was from very, very early stage in my life. basically like my dream thing, which I never got was those tiny sewing machines. But I never had a chance to get one.

And so I went through doing everything I could with just my hands. So that's what brought me to fashion. I think kind of this word fashion, it's like so mythical, it's so loaded, that it's often overwhelms really what it really means. like what are we doing? It's a lot more human. It's a lot more closer to us. Well, let's talk a little bit about fashion, you know, in this day and age. And like for our audience, it's people like Rom, right? He's a fellow health care executive. And, you know, we spend a lot of our time not only meeting people in person and going places, but also doing many of these sort

of things where we're, you know, virtual and having these video meetings. What are one or two words of advice in general that you might give for professionals on dress, on how to dress, how to, you know, I don't want to say too much more, but I'll just leave it open-ended. Yeah. No, I think that it really connects to what I just said about this weight of attached to the word like fashion. We almost don't use words like style anymore. And I think that's kind of extremely, extremely important because clothes.

clothes are extremely influential to how we feel. So my word of advice always wear what you feel kind of good with. So I know there are dress codes. There are more expectations to particular jobs or situations. But my advice would be always to find something that somewhere bridges the expected code and something that makes you feel comfortable, feel in your skin, because clothes are the second skin. And when we wear something that we're uncomfortable with,

it impacts everything. So it's hard to perform well enough. Yeah, no, there are some really good things. I was just taking notes. But something that what you said made me think about this. You know, I often talk about the importance of having a personal brand, like who you are, what you're trying to communicate to others. And so you carry yourself in that way to align with your brand.

And something you said about style. And I sort of interpreted the same way. Should we be intentional about our style when I think about how I want to present myself to the world, definitely whatever makes me feel good in my second skin that came across loud and clear. But should I sort of be intentional about, hey, this is what makes me feel good. This is my style. and I should try to dress in my style.

I think it's a great thing if you can do it. And you definitely have it. I mean, we met, you know, maybe not so many times, but I can definitely see that you have intention. And obviously, like your wardrobe reflects things that makes you feel good. And I think that, but style maybe as a goal, it's not something that is interesting. for a lot of people or like they can consciously think about it.

So that's why I used more accessible terms. Like, yeah, you need to wear a suit. Great. So make sure that pants of the suit are something that really like make you feel good. That you don't need to be like uncomfortable in this chair or in that position. Something that can all a jacket and then go from there. Like find the suit. that has those qualities.

Same about shirts, you know, like harder color, softer color. It's a thing that doesn't change the nature of the shirt. Shirt will remain the same. But it does change a lot about how you would feel wearing it. You know,

I never really thought through it, like you're explaining it, but it makes a ton of sense. And I think of how many times, yeah, I probably wore things or still have things in my wardrobe that I'm not comfortable with, but for whatever reason I would still force myself, maybe because I spent money on it, forced myself to wear it. And that's really silly in a way.

And I should be free from that. Well, I don't want to make you feel silly. But I think that, like, you know, I am not a good shopper. Like, Rom always tells, tells me that I'm a shopper. I'm not window shopping. I go, I get, I'm out. And I really need to sleep. on it and understand and if it's this thing or that thing, it could be very much the same. So I mean, that's maybe like personality thread. But I think it's important like when we definitely shop for clothes to identify from previous experiences what actually worked better.

Yeah. No, it makes a lot of sense. What about in the virtual world? Like is it, it's different in the virtual world how we dressed or present ourselves? and if it's in person. I mean, you still need to feel good. Yeah. But definitely if we're looking at the screen right now,

now our frame, there's a lot more attention to face and like upper body. So even today when I was dressing, I kind of, you know, in the winter I would say sweater is like fine. Yeah, it's winter. But because there is like only that knee, I thought, I'd better have something here to kind of like provide another cue. Yeah. So like I would say that, you know, with women, maybe it's easier because there is jewelry,

there is makeup, there are things like that. But I think that at the end of the day, it's about just to show that you care. Yeah. Like even if we are on Zoom, even if I can do it from our own bedroom, we still need to show that we care, that we respect the person on the other end. I like that as well, yeah. You know, because you're still presenting your brand,

like I call it the brand, but also the style. And if you do anything to diminish that, it's just, it not only is negative, I think, on you yourself for doing that, but yeah, it's disrespecting the person a little bit that you're meeting with, like, oh, you're not important enough. I think you're sending like a subconscious message maybe that you're not that important that I'm going to present myself well as if I were there in person. So I think we need, I think I agree with you.

We need to be intentional. Yeah. And also I think even if maybe it comes across as maybe like disrespectful, but then it reflects back on you. Because if you don't respect yourself, if you don't care, then nobody will. And that's kind of something that I say a lot to my students, how you bring clothes, how you speak about clothes. If you call your clothes the stuff, then it means that it doesn't mean anything to you.

It's like you don't care. Yeah. I think we may have had this conversation, but if not, I'll never forget two things that really stood out to me when it comes to fashion or dress or style. One was my first time as an adult in Paris. And I just, I was wowed. I would have to be careful how this is going to come across,

but I was just wowed by how, I could say the same for men, but I noticed the women, how confident they all seemed walking around compared to when I was in the United States. And I couldn't figure it out. I was like, why are everyone beautiful? And I, and I was like,

it's because the way they're dressing and carrying themselves. It had little to do with their physical. Right. It was their style and the confidence that that brought. Absolutely. I remember too. I remember being in Paris for the first time. I think I was like 17 and I was really taken by it like everybody. And it was winter. It was so cold. But those scarves and there was so much allure. Like they were just like magnetic. Yeah. And that's a fun thing too. You know, many people know I lived in New York City for about three years. And I love the, I saw I'm a summer person and more special. But I ended up liking fall and winter the best because people were dressing up a lot more in New York City than other cities in the United States. And it was sort of the same thing where, man, the fashion, it was like, it was awesome.

And it just made everyone, they walked with more confidence and they just looked better as a result, you know. And then, yeah, and the other experience I had, and again, I can't recall if I shared this with you or not, but I was on the board of a fashion school, Carra State University. and we like the once a year part of our job was we're at the runway right the graduate students were presenting their new fashions and we had a runway as like a big fashion show and and i'll never forget i was so intimidated because you know i was a judge and i really had no idea no idea what i was doing or anything but the revelation i had was similar where it wasn't that the model It was the clothes that gave that model of that confidence or how they carried themselves as opposed to the look of the model. You see what I'm trying to say?

I'm trying to say, it wasn't how attractive. You mean like appearance. Yeah. Right. It wasn't how attractive they were as the appearance. It was how they carried themselves with the clothes. And I found myself more drawn to those individuals had little to do with the attractiveness of the model. but I was drawn to those individuals that walked with confidence,

had the style, and that it was a complete package. And that was just revelation. Right. It's absolutely. And the truth is that this kind of like feeling good in clothes can make even less, you know, less expensive or even less good clothes. Because really like not all clothes are made the same. But if you have it, like if you have this charisma, if you have this good clothes,

body language, it makes the garment look so much better. And the same is correct other way. Like, you need the synergy, this body and garment, they work together. Yeah. I love that. Body and garment working together, it's the synergy of that. Yeah, this is great. It makes you want to take your course.

You know, probably on design, but on the theory. This is like... We should have more of those conversations next time you're in town. Yeah, you know, next time we're in town, instead of the mat, which, as you know, we've done the mat and done some other fabulous experiences, I'm going to take my colleagues and we'll come visit Parsons and just learn more about fashion.

We can do that too. Because the things we're talking about are, while we're talking about fashion, it's really about your confidence and, you know, understanding body and garments. You know, it all comes together and it helps with leadership. Because we are tech, digital voices, I have to ask one technical question.

How has tech influenced the fashion industry? Not necessarily for the better. I mean, it's nothing to do with tech, but I think that what happens is that when we kind of very driven by this agenda, by tech innovation, a lot of things that are very fundamental for human experience, they become really derailed in a way. kind of like depreciated. And that's especially true for like human touch, manual labor.

But most importantly, it creates a solution that everything is a lot easier and a lot less important than tech. And I think that something detrimental is happening in a process. Because I think our one of the things that really like human genius, is amazing. It's in this cooperation between, you know, like mind and hand. My number one example for that is actually very close to your area because it's surgeons. Yeah. Surgeons, even if they operate with the technology, it's still kind of very intense thinking

and hands that actually perform. Yeah. And that's correct to art. It's correct to many areas of design. manual aspects became left behind in a way. We don't have appreciation for them. We kind of forget that manual processes involved also in a very serious thing that our life defend on them, including making clothes. You know, like clothes don't jump from conveyor lines. Clothes actually are made by hands.

Yes. And even if there is a sewing machine, somebody still need to put it together and make sure that it goes in the right way because if, Abrek is like soft and it's a different way of thinking. So I think it would be great if we could keep space to value those processes. And actually recently I listened to this interview with an artist who is now kind of like very famous. His name is Luke to Inan. He's a Belgian, a Flemish artist. And he was talking about it in relation to iPhone.

how he was kind of like very dismissive of all the cell phones. He didn't felt a need to be found in any given moment and, you know, and texting. But when iPhone was out, it was the first time that he kind of like experienced interest in technology because it reconnected again this kind of, it was technology and hand and it was moving together and it made it a lot more intuitive and it related. to this kind of like needs that he experiences as an artist. But it was a special example where technology considered human and considered human needs.

Yeah. No, that makes total sense. Where do you go when you feel like your creativity is drained a little bit? Is there ever a time where like you're looking for some inspiration and when that happens, what do you do? Like I think for me it's mostly art. I love art and I'm very lucky to live. in a place like New York City

where there is no shortage of that and it doesn't cost any money to enjoy art. So, yeah, even if I'm not drained of inspiration, but I do have some time on my hands, I would go to see gallery shows, museums,

whatever comes. There's always something. Yeah, you are lucky to be in New York City for those reasons. This has been an amazing conversation. We got some new bands for our play for our digital voices playlist. The sound system, chemical brothers,

those are some new ones for us. Learn a lot about you, you know, growing up in Ukraine and Israel and then how clothes became so important to you or fashion or style of design. So that was great. And we learned about what you do at Parsons and the work that you do.

And then we talked about a lot advice for dressing for success, the sense of style, wear what makes you feel good, the body and garment connection for synergy. We talk a lot about the very, virtual side of that as well. And then we sort of ended up on the creative. What did we miss? Or is there anything you want to double down on? I'll give you the last word.

I think I already mentioned it, but I want to say it again. Close a lot more than those like smoke screens of fashion. It's a lot more about how we are, how we feel, how we can express ourselves and how other people read us. and it's a lot more intuitive and tactile, and I just want to, you know, kind of like scratch this element that very much attached to fashion, which makes fashion or clothes threatening or kind of like creates insecurities about it. It's a lot more fundamental.

Yeah, I love that. It's a great way to end. You're an amazing person. glad that the two of us are connected. Looking forward to more opportunities to be together. And thank you for sharing your wisdom with our audience on all things style. Absolutely. Thank you for listening to Digital Voices. We hope today's conversation sparked ideas, reflection, and connection.

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