Dr. Mario Alonso Puig - El error silencioso que te frena y cómo soltarlo

Episode Date: September 16, 2025

¿Te has dado cuenta de que lo que más te frena no suele ser lo que te pasa fuera, sino un hábito silencioso por dentro? En esta conversación con Araceli exploramos ese automatismo: el juicio. Desentrañamos cómo las etiquetas —sobre ti y sobre los demás— te empujan a vivir desde el pasado, sabotean la colaboración y apagan tu creatividad. Hablamos de la mirada exploradora: una forma de estar presente que suelta condenas y abre posibilidades reales. Verás por qué soltar el juicio no es ingenuidad, sino eficacia: calma la mente, te devuelve la claridad y te ayuda a mantener la constancia cuando el día se complica. Deseo que estas ideas te inviten a elegir presencia en lugar de prejuicio, y que descubras la fuerza que aparece cuando dejas espacio para lo esencial.🌐⁠Página Web⁠📷⁠Instagram⁠⁠⁠⁠▶️⁠Youtube⁠📲⁠Facebook⁠⁠⁠ 🎟️Entradas a la nueva conferencia 2025

that we have identified with our judgments, with our forms of our forms of our forms of etiquette that we're not

never in the present, we're always in the past the art that you are you're you're trying

because for me not is a science, it's an art is the art to let's do you do you

condens accusations for logics that we are that's that we have accumuladas from the past

and we know to explore. The intuition you say what you have to do but not you explain why and chock with

our reason. Welcome. Marcelli. Tell us a point us a little that moment vital in which you

and how to the intuition is something that you want to do you want to what you

want to we're going to explore. Much thanks, Mario, the first for

giving this opportunity to explore with the question that I'm that I

want to want to want to I'm that I really really, for me

the activity professional is very important in the life I think

not is casual that we develop one or other profession

that coincid with one with one or other other

other other other other professionals, are companions of the people are

and the question that I think I think in that in that work there is a

way, there a way to work maybe more a more more than a way to

the superficial and when one intuye that that is how be constant

in that attitude in the time. of not to not get to, not to get to,

at the whole in the time of the time of the other people, or in the things that

we know one of others when you've got when you've working, how to get that

that the work is more betterer, for that the what surja is more

creative and at final, I'm sure that will be more more more than

that's also that's the way, the mind a little innocent who is difficult to to maintain,

to maintain the mirabler, of the time you're that you're talking, when you have commented in your conferences, in your books. And that is the

inquietude that I have basically that I want to work a little with you. I want to we want we some moment

in which you have done a view in an car and it was the day, you have

been Is it passed, has happened that one Has happened? Yes. And one that has supered the nubes, yeah there is

stability, yeah, there's a day, there's all. You can't position it? Yes.

Okay. What is what does that that is a that's a time when it starts a not decide

to be to be I'm I'm I'm the pilot that the circumstances

not are the adequate to impend that manoeuvre to the intervizage.

You have seen a single a tormentor brutal, you have seen a vehicle

that an vehicle that's when the pilot says, sirs, there's

there much turbulence, we're going to be airste? No. No. And has

had been those turbulences? Because still ascending the avion. If there

have scenarios better, I think circumstances more different, no,

it's not clear the pilot that that's part of the voyage. Yes.

The truences are part of the voyage, and it and know perfectly

that when superes the turbulence is going to get with

a sea with a sea. Mm-hmm. That's is what

we us we're a lot. Arcel and we us

us we're because we don't we don't we think

in that the turbulence, always is the sun. The pilot no needs faith, the

pilot, the person that really has faith, it's a second, remember we the faith is

a sentiment of certainty. They have the certainty of that the the subvolences,

is the sun. What occurs? That we we're that we're to be

to the sun, to that the that in when they're to start

to surging us the and they're to surgern the inquietudes we're we're because we're

reos of the fear and we don't we're moved by the faith and I I'm a

natural not so natural is in a certain of a certainty

of the when you when you abandonas the etiquettes. Abandones the

juries. Abandones experiences pasted that you have that's been congelated, as if no couldier's or and you you have to

that mirroousa and interested, mirab also humilded, of who want to explore, but what

what occurs? That's we have been that we've identified with our judgments, with our own

our own our forms to forms of etiquette. That we're not never in the present, we're always in the

past. For so there's a thing that's create a dream. If someone has made

the etiquette and justify all those their errors no, no, because all the

world has a despise but as just the opposite when you when you has considered

a person problematic if you do you Even the problematicos are doing things good. And then they're going to in the casia.

So the, the art that you are you're trying, because for me not is a science, it's an art, is the art of to let's go

juries, condens, accusations, for logics that we're for evidences that we've accumulated from

we've comeulated to explore. The intuition you say what you have to do you have to but not you explain why and chock

with our reason. Chocke with our reason. Our reason not is the logic. The logic is

much more amplia than our reason. Our reason is our form limited to etiquette the things

to put them a number and decide that that is and that is and that

is and that the number never honor the reality of what knownbrado. In that sense,

I'd like to ask me to ask to what I've said, there's something that has resooned

in your interior? Yes, humilded to let to get to be to

solter. And the sensations is that you're in the backio, right?

Yes. Because one says, what would I, if my my own my way of my form of

thinking, without things that are totally certain, without my accusations, without my

declarations, what would be that? That's called the angustia ontica, that means the sense of that is the moment in

that is all. Why are you all? Because in that moment, your mind your mind, you know,

an anchura and a profundity that never could to have to have a look at a look at a I think you know that you think in a person

no you have to say the number for nothing Arcele in a person that you have mirrored of that that one never never

you know you know that's a yeah what you did you was an professor in the

university that changed a little you had a lot you had some some of some of the

that time? Sure. Sentiste that those defects grew in their or like no existian? That not

existian, not existian. Senties, you know, you had some limitations in that year? Yes.

You? You're still limited in your presence? No. No. You

did it to do do. Has it did this? Well, I was in second

of career, some some some years? Not Not too, not a few years,

and Célie. And still present in you. What, I've needed in the world of this type of mirada?

The facelona is the mirada that that accuser, that injuice, that does the declaration of

culpability and condena to the other or to one. Oh, and this

professor to help to care to more? Sure. It's obvious.

It's obvious. It's that. Because he had a mirabreciative he made that you develop that

that you when you when one is a point of the importance of that is that is difficult

or so difficult to be constant? I think if one to with that

that that's I think no. Exactly. Because the the essence is the

soul. Exactly. And at the final it attracts for their

It's a very, right? Exactly. Exactly. Exactly. Exactly. Exactly. Imagineate

that that's that is a simultaneously in two realities. It's

certain that in that is real? The sun is the sun exists well, no

it. It's is really that the nubes are reales and the

turbulence are real? Yes. What is more real in that moment

for the the plane. The turbulence, because it's what is what is what is what is

to work, to come to here. It's brutal. It's brutal. But there's a very much more profound,

a reality much more real, that is the sun. The turbulence disappear. The sun

persistirah. And in that moment, when you you, you, you dejas to present

to present the physical and what you are you are doing and you put more

your focus in what you know, that is more real, that is

the and not the turbulence, in that moment and then it starts to completely your experience. I'm

convinced that that professor, to record you remember you also that also had his moments of difficulty

that not all the days he had to do class, that not all the days

he was more cariosos more affables or that he were

they were more intensity but he a to experimented where

he put a phone and how we know we're the effect that's this is the

cause because the life is a a voyage where there is a but always

is the sun and in that we're we're we're that

we're that to be to that to to maintain

that that solid in your trajectory, always you have to have present

the sun. Because in the moment in that you don't have present the sun and appear in the

turbulences, you're to think that's the only reality existent? What

you're to record that there other reality much more more profound,

infinitely more a that's a Now, me to talk turbulences. So, every ever you're progressing more, and every bit,

the turbulences will have less impact on your life, until they're sure soaps, vintos of cola. Do you have for you? Yes,

all. Yes, it has. Well, dearies, this is a thing fundamental for all. To be,

know, that in the life there are turbulences, yes, if we, if we're to restrable

for those turbulences, thinking that is the only reality, never tendremes the occasion to be a altrues more altars. We've been an example in a person

extraordinary, like Araceli, that really has that annel of to volar alto. And has

seen that that's he could. It's his professor and it can, she, she,

he.