Good Life Project - Rethink Aging: the Science, the Lies & the Possibilities | Karen Walrond
Episode Date: February 17, 2025Are you tired of the cultural narratives that frame aging as an inevitable decline? In this illuminating conversation, Karen Walrond, author of Radiant Rebellion: Reclaim Aging, Practice Joy, and Rais...e a Little Hell, offers a radical reframing to help you embrace your later years as a time of profound growth, purpose and audacious joy.Prepare to interrogate assumptions, stay playfully curious at any age, and join Walrond's radiant rebellion against the toxic mindsets holding you back from living each season of life to the fullest.You can find Karen at: Website | Instagram | Episode TranscriptIf you LOVED this episode you’ll also love the conversations we had with Tara Brach about making peace with the truth about our lives.Check out our offerings & partners: Join My New Writing Project: Awake at the WheelVisit Our Sponsor Page For Great Resources & Discount CodesFactor: Factor delivers chef-crafted, nutritionist-approved meals that heat up in 2 minutes, and you can get 50% off your first box plus free shipping at factormeals.com/factorpodcast with code FACTORPODCAST. Hosted on Acast. See acast.com/privacy for more information.
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I didn't understand why I was supposed to be upset about aging.
Karen Waldron is an activist, artist and movement builder who is rewriting the midlife
narrative to one of joy, grace and growth.
Her book, Radiant Rebellion is a bold manifesto for turning aging into an audacious
adventure of purpose and possibility.
Oh my gosh, like we really need to rage against this.
This is, this is toxic. Um, and we're buying to rage against this. This is this is toxic
And we're buying into it and don't even understand why. So when you look at
Raging against it. I guess step one is really like just pulling out the curtain and showing like here's what's really happening
The world is a dark place. Like we need to cultivate and create as many moments of light as we can and
As we get older, why would we ever say
I'm not gonna try something and deny ourselves
a potential moment of joy and happiness?
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I'm Jonathan Fields, and this is Good Life Project.
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You and I are similar ages. We have some weird overlaps also, like you and I in the law,
you were in the law for much longer than I was, but also having this fiercely creative side to us,
like really deeply trying to see and take in and understand the world, both not just intellectually,
but aesthetically as well. And then really just figure out how does that land with us? How does
it inform what the world looks and feels like? So it's interesting to be having this conversation
with you at this moment in time where it feels like you're sort of on the back end of a big date or a big age for you that really led you
into a questioning moment. Should we even call it an entire season about like, what is this thing
called age? How does it fit into my life? How does it fit into the cultural conversation?
And it was interesting also, I was catching up on some of your work and as I was doing that,
I stumbled back onto your YouTube channel, which I remember
first seeing years ago. And in doing so, found this video that you had created about 11 or so
years ago on beauty, where you were just sort of like showing all these different women.
And you offered sort of like these 10 different ideas or ideals around like,
can we really talk about this differently? And it was powerful because it spoke so much to what
you're talking about now. And you can see the seeds of so much of your thought process and
your conversation, your thinking around age, more than a decade ago reflected in your work.
I thought it was just really fascinating to see that.
Yeah, for sure.
You know, it's so funny because I decided to write this book,
Radiant Rebellion, because I didn't understand
why I was supposed to be upset about aging.
Like I had never been a person who worried about aging.
I always got excited about my birthday
and I wrote it last year,
right? It takes that long for a book to come out, as you know. So I wrote it last year,
and I was celebrating my 20th anniversary. I was turning 55. My daughter was turning
18, my only child turning 18 and going off to college. And everybody, except for the
20 year marriage, everybody when I would say any of those things, I'm turning 55, the reaction was,
oh, oh, oh, you okay? Oh, your daughter's graduating? Oh, how you doing? You okay?
And I kept thinking, isn't this the point? Like, aren't we supposed to be getting older?
Isn't our kid supposed to be graduating? Like, what is this about? And yeah, to your point,
it's very similar to sort of what I, beauty ideals. I mean,
and obviously beauty can be very tied up in aging, but I find myself sort of befuddled.
And I, you know, I don't think you can have a podcast called The Good Life Project without
also being befuddled at people who sort of look at these things and think, oh, that's too bad.
That's really tough when there's so much real beauty out there,
there's so much real potential out there, there's so much real good out there to be seen, all we
have to do is just open our eyes to see it. And that's really where I wrote the book. I will admit
that there was a part of me that was sort of like, well, maybe I'm wrong. Maybe I'm supposed to hate
this and maybe one day it will hit me that I'm really – it's really miserable. So, how can I approach my aging to make sure that I never lose this feeling of excitement and
the idea of the potentiality? And so, that literally was sort of the exploration that
I did in the book and I'm still happy. So, that's a good sign.
Yeah. I love that. It's funny. As you're sharing that, I was reflecting on – popped into my head
was in a past life I was in the fitness industry and part of the sort of like the aspirational led to go after the
quote silver sneakers market.
And I was thinking to myself back then that was defined by the age cut off of 55.
And I'm thinking to myself, do I consider myself a sort of like quote silver sneaker?
And I'm like, no. But I'm fine with the
age, but so often the language that we use built into that language itself is a set of assumptions
that include limitations and assumed feelings that often just aren't true and aren't there. BT. Yeah. That probably for me, that sort of the use of language
and the way we use language was probably the biggest aha moment for me because I went into this
feeling a bit smug. I went in thinking, I'm cool with aging and I will help educate all the other
people who are not cool with aging, but I'm so enlightened. And I had the opportunity to interview
a woman who's
fantastic. Her name is Ashton Applewhite, and she's an anti aging activist. And I was talking to her
and she said to me, you know, one of the things that I wish people did more was that I wish they
examined how they use the words old and young, right, just those words. And I thought, well,
okay, but, you know, say some more about that. And she said,
well, I hear people say all the time, I don't feel old. And I said, yeah, I say that all the time
myself. I don't feel old. Why is that bad? And she said, well, I suspect when you say that,
what you're thinking or what you're saying is, I don't feel unsexy or I don't feel irrelevant
or I don't feel invisible. And she says, I don't know about you, but when I was 13, I felt unsexy, irrelevant, and invisible. Those words are not age-related. And we so often
use the shorthand of old is bad, young is good, and we don't even realize we're doing it.
It was sort of this big, oh my gosh, I am guilty of it as well. Even me, as healthy as I am around aging, I still fall into
that trap of ageist language. I love silver sneakers. I think that's hysterical. I've never
heard that before. But we do. We just have this sort of shorthand of what all that means without
even really interrogating what we mean when we use the words. Yeah. Now, that makes so much sense to
me. The language is something that I think we often,
it gets handed to us and we don't ever get curious about it.
But it's the assumptions that go along with the language
that I think you're speaking to really.
It's like when we use those words.
And decoupling those assumptions from the language,
I think is just so powerful.
That your example right there of saying,
well, we felt a really similar way,
many of us when we were our teens.
Right.
And that's the association that we have
with quote the word old.
Right.
So it's really not about that, you know,
it's about something else, it's about a state
that we're experiencing at any given time
or season of our lives.
Yeah, and she was so wise.
And one of the things that I've been,
so one of the things I've been doing
is I've been examining my language
and using the words older or younger.
Like for example, I'm 56 now,
and to a 20 year old, that may seem old,
but to an 80 year old, that may seem really, really young.
And so I really try to think about how I use that language.
And one of the things I learned was we have more in
common the younger we are than the only we are because we age at different rates. Seven-year-olds
have more in common than 27-year-olds, than 57-year-olds, than 87-year-olds. That idea of
if we think of ourselves in stages as opposed to ages, that probably makes more sense. If
I think, you know, I shared my daughter went off to college, I'm 56. Well, there are 46
year olds, you know, there are even 36 year olds who kids are on their way off to college.
I probably have more in common with those people that are at different stages of parenting
than I do with people who necessarily are my age, right? And so to think of ourselves as what stage are we in in life
and who we have in common with there,
as opposed to, well, I'm X years on this planet,
so I only have things in common with people
who have similar years on the planet.
When we talk about aging, getting older,
a lot of the conversation around it is guided by culture and culture changes
depending on who you are, depending on what country you are, what heritage you have. When
you started looking into the conversation around aging, what did you start to see as
the things that we were consistently getting wrong or misguided about and as you start
interrogating those, where does that come from?
That's a big question. Some of it is culture for sure. I'm originally from the Caribbean
and I think that the way that we look at aging in the West Indies is very different than the
way we look at aging in America. There is more,
I suspect, of people entering into their elder stages, right? They become elders in a lot of
countries that you don't see as much in the US. And that's sort of anecdotal. That's just sort
of my thing. What was really interesting to me though was sort of the history of the perception
of aging in the United States. Because I wanted to know,
did we always hate getting older? Was that a thing? I found this really interesting academic
article written by a psychiatrist and a medical historian, her name is Dr. Laura Hirschmein.
And she did this research and the way she did it, which was so interesting to me, is she looked up articles in popular magazines
and how they treated aging, right? And over time. And it turns out at the beginning of the
of the 1900s, around the 1900s, the beginning of the 20th century, most articles were written by
people who were older, who were in their 80s. And they loved aging. Like, generally, everybody loved
aging. It was like, Oh, yeah, okay, I've got an ache and a pain here but i just love the wisdom that comes with aging i love everything about it and so people really sort of.
What's the fast forward there's two world wars a great depression and the united states government decides you know what there's a lot of people who are in the work force that are in their eighties we got a lot of kids in their 30s who have young families and can't get jobs.
So we're going to mandate a retirement age.
65 is it.
Everybody.
So we want everybody out of the workforce.
So now, because these 80 something year olds are not contributing to the economy, they
are now a burden.
They're considered a burden on society, which is bad enough.
But then child psychiatrists and pediatricians decided to research to back
up what a burden they were, and the standard for normalcy as a five year old. So if you
weren't as agile as a five year old, or you didn't have the cognitive ability of a five
year old, it's sucking up knowledge just to grow, then you were impaired. And they started
writing articles. So now like if you read articles about aging
They're mostly written by psychiatrists or gerontologists or whatever and now it's a burden
So now we're starting to think of oh, I don't want to look old
I don't want to be perceived as old enter Clare all and everybody starts dying their hair
So because you don't want to let people believe that you're old anymore
You don't want to be perceived as a burden
You better hide that and all happened in the first 50 years of the 20th
century. So interestingly, it's not just sort of a, oh, I just don't like getting older thing. It
actually is baked into the culture in the United States that we think that older means irrelevant,
older means a burden on society. And we've really sort of bought into it as a culture. And that,
of course, affects everything. It affects beauty, it affects jobs, it affects everything when you start to
think of it that way. Yeah. And I mean, building on that foundation, it sounds like what then starts
to happen is a cascade of industry starts to really come into the equation. Hair color is
the example that you gave. But I would imagine you could trace all
sorts of other interventions where if the message becomes this is not the okay season of life to be
stepping into, here are all sorts of ways that you can either stop the process or make it appear
like it's not happening to others so it's more sort of societally acceptable wherever you are. Absolutely. And it's a trillion dollar industry, largely unregulated. And the target age is 24
years old is when they start to that, which is bananas, right? Like it's five years from
teenagerhood. And you are now the target for the anti-aging industry. It's insane. I started
writing this book thinking I was just going to be like, oh, it's fine. Don't worry about it. And I ended writing a book like, oh my gosh,
we really need to rage against this. This is toxic. And we're buying into it and don't
even understand why.
So when you look at raging against it, I guess step one is really just pulling about the
curtain and showing like, here's what's really happening. This is how the conversation has been controlled over a period of three or
four or five generations now, because the first step is, let's admit we have a problem.
Yeah. It really felt a lot. I wrote about this recently. It felt like Neo taking the
red pill, right? Suddenly it's like, oh my gosh, we're in the matrix and you
can't unsee it anymore, right? Where do you go from there? Because for you,
on the one hand, this is personal. You're sort of seeing, okay, so I'm at that age where I'm really
just looking at all these different things, but there's a bigger thing going on here.
You start to do the research and realize, oh, there were government mandates and there were
policy issues, literally policy issues that
completely changed the conversation around aging, which led to commercial industries
building up around that. And now media over generations, which is sort of like reinforcing
all of the messages. How do you even begin to think about raging against that?
Yeah. As with everything, it takes getting just really sort of curious and doing your
own research in a lot of ways and understanding, you know, for me, the reason that I got really
curious about it was because I looked around me and I saw people my age and older who were
doing great things, right? They were starting new companies, they were writing bestsellers,
like they were doing really good things and it just didn't jive with the messaging I was getting. I kept seeing these ideas like, oh, you're in your mid-50s,
so how good are you at technology really? Do you know what an app is? I'm like, but Steve Jobs
and Bill Gates, they invented this and they're older than me. That doesn't make any sense to
me that we think that. of getting very curious about it.
And then for me, I thought, okay, here I am.
I'm in relatively good health.
What can I do to see what the messages are?
What is really, I can expect as I get older and what are the things that actually
make sense for me as opposed to what Google tells me that I should do?
Like if you're a certain age.
And so I really, I I started talking to experts.
I went to a nutritional neurologist and had blood work up and said, okay, where am I really? And what
are the best things for my particular body that I need to do? I talked to people who were social
workers and I talked to clergy and I talked to just people who were creating really new things,
entrepreneurs, and really sort of went to them and said, how has aging changed
the way that you do the work you do? How has your aging changed people's perception of you? And what
have you done to sort of fight that? And ultimately, it's really about continuing curiosity. It's about
being curious about the aging message, but also being curious about what you're capable of, and
what is it that you want to do and what is it the things like,
if you say I wanna learn how to surf
and you think, oh, I'm too old for that,
like what is that about?
Like what is that,
what makes you think that that's the case
and what would happen if you just tried?
And sort of really just getting curious
and having a mentality of experimentation
was really the way that it seemed to work for me
and it seems to work for a lot of people
who I think age really, really well. Yeah, that makes so much sense to me. I had
the really great blessing of being able to do this work for over a decade now. Many of
the people who I've sat down with are well into their lives. I remember a year or two
ago sitting down with somebody who grew up in the Bay Area. When I talked to her, she
was in her late 70s living in Maui, and she was
excited for the conversation, but she was even more excited to rap our conversations so she could
go surf. Yeah, right, right. And she has a shock of long curly gray hair. And before she was going
to go surf though, the conversation and part of that was about how she was a part of the music
scene in the Bay Area in the 60s and the 70s. And she literally hired Jerry Garcia and Pigpen to play her high school graduation before
they were the great film Dead. And she just whips out a harmonica and just spends a couple of
minutes with this crazy, amazing, deeply passionate blues riff on harmonica. And having those
conversations, it wakes you up to the fact that there is no one profile
here. I think it's so powerful to think about the fact that the younger we are, the more
sort of similarly we are in terms of age biologically. And as we age, part of it is determined by
genetic, but so much is life. This is one of the things you write about. I think you
say 80% or so of how we actually move through the seasons of life is lifestyle
and not genetic. Which is bananas. And also, the thing that I kept coming back to was,
like, for example, one of the ways that we think about things is like, I woke up this morning
feeling really stiff, right? And I thought, Whoa, I'm feeling really stiff. What's that about? And
a lot of times, I think people will be like, Oh, getting older, right? Until you think, Oh,
wait, I took a Pilates class yesterday for the first time in
my life, I just did something new, of course, I'm going to
feel like so there's so many times that even the slightest
thing that we deal with, we think, Oh, it's because I'm old,
right? The slightest pain, the slightest ache, the slightest,
oh, I can't remember where I left my keys. Well, I'm the
mother of a teenager, she loses things all the time, oh, I can't remember where I left my keys. Well, I'm the mother of a teenager.
She loses things all the time, right? The way that we think about things that are senior moments or
that we label, we label so much and understanding like, oh, you know what? There's no real reason
why I can't try surfing. I actually just did a couple of weeks ago, so that's all. I mean,
it's amazing you were speaking to a surfer. There's no real reason why I
can't try that. And if there is a reason, is it really about
your age? Or is it about the fact that you might have an
injury? Or is it about the fact that just something is not
right? And so you literally can't do that. But we dismiss
things too easily, I think, for age. And I think that's
something that really it would do us all well to interrogate
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One of the other things that you speak about is not just our own assumptions, not just
culture, not just commerce, but also
medicine. I think a lot of us would look at the world of medicine and we're kind of like, well,
they're creating all the innovations and the things that are going to help us live longer and
feel better and be well, which is great. And at the same time, and you write about this,
you can sometimes go into a doctor and basically say, this hurts or this is going on. It's not
entirely unlikely that comments like that will be dismissed as, well, you're getting older, of course.
What do you expect? Yeah. That's not great.
No. No, it's not great. That was really, really interesting. That probably was where the anger really started
to rise in me was doing that chapter on health. One of the things that we think about is if
you go into a doctor and you're like, you know what, my knee is bothering me. They're
like, oh, well, you're getting older. Well, why not tell the doctor, yeah, okay, but my
other knee is the exact same age and it's doing fine. So how about we check out what's going on with my knee? And it turns out that geriatric medicine is actually the
least popular medicine to get into. And it is the lowest paying part of medicine to get into
because there's this idea like, well, why do we study, why help older people? They're going to
die anyway is kind of the thing. And also the industry is such that doctors make their money getting people through their doors as quickly as possible.
And sometimes with older people, you need to spend some time to really explain what's
going on. It's just not as lucrative a practice, which is horrifying to me. My parents are
both alive, both in relatively good health. They're in their mid-80s. And I tell them
about all the time, I'm like, if you ever hear that, then maybe it's time to find a new doctor. It's like their job is to help you. Don't let them dismiss
anything that you're feeling as, oh, well, you're just getting older. Yes, I am getting
older and also your job is to help me feel better. So what can we do? What can we do
to do this? There's so much of this that I was like, oh, we're really going to have to
push back on what people tell us and say, tell me more about that. Explain this to me. And you know,
of course, there's, you know, as we get older, of course, there are going to be things that start
to wear out, right? Your knee may hurt. I went to eye doctor yesterday and for a symptom that I was
having, and he was like, Yeah, that actually does happen when you get older, right? And here's what
you can do about it. Or here's what you can't do about it.
So there's definitely, and I don't want anybody to think
that I wrote this book to say all of the bad stuff
and the challenging stuff about aging is a myth.
That is not what I'm saying.
What I am saying is that we spend so much time
focusing on the really awful stuff.
We never focus on the really great stuff
that can happen with aging, right?
The ideas of perspective,
the fact that a lot of times in a later stage of life, you don't have to take care of kids.
And so now you can have the freedom from not having to worry about parenting anymore to have
fun for yourself and create different relationships and start new things that you did not have the
freedom to do before. Why
don't we talk about that more often?
Geoffrey out what's happening with me and how will different things affect me if I try them. The other one was going out and trying to sit down with people who have deep insight,
who have wisdom and find the middle ground between. How do these different paths inform
each other as we move forward? As you start to travel down those two roads simultaneously,
running your own experiments and talking to people about it. Like one of the topics that gets centered again,
and we kind of touched on this earlier,
is the topic of beauty and how that plays into
what we're quote, supposed to do as we age
and what is acceptable.
Take me more into this, and I'm fascinated by this also
because you're a photographer and you've created
just amazing, amazing images of many different people
over a long window of time. So you have this really interesting perspective, not just as a
person exploring beauty and aging, but also as somebody who has been capturing something
through the lens of a device for years. And that process, I would imagine, really informed your take on beauty and aging as well.
Yes. I don't know that I've ever really thought about it the way you just said,
but I think that's absolutely right. And the older that I get, the more that I've been taking,
the more experienced I am at taking portraits and that kind of thing. I am convinced that what we are attracted to in people and what we find beautiful in
people when we see somebody and you find them really captivating, even if they don't speak,
is much more than whether or not they have a symmetrical face or sort of the typical
to be beautiful, you have to look X, you have to be a certain height and a certain weight
and everything else. There is something about the essence of a person that really is partially confidence.
I think it's probably largely confidence. But there's also all these other things that
when you see them, that's when you're like, that person is really hot or that person is
really beautiful or that person is just mesmerizing or what any of the words that we describe. And I think that thing, whatever that thing is, that doesn't really age. I
feel like people who really are very, very grounded confidence in who they are and who
they want to be and how they want to move through the world and have that all wrapped
up in a kindness and a warmth, that stuff doesn't age. You can be that
person whether or not you're 20 or you're 100 years old. I've taken pictures of people who
are stereotypically beautiful, like have all the things, and who are very cold. It's a really hard
thing to capture their photograph in a way that people are really interested in. I've taken
pictures of people who are stereotypically not beautiful. And I take the photograph and people go, whoa, what is
that? And I think that if anything, and that was true 20 years ago when I first picked
up a camera, and that is definitely true now. And it's definitely true with all ages of
people that I've ever photographed. That's what I wanted to explore
in the book. I interviewed one woman who is a model, who makes her living as a model.
She had such a really interesting take about it because she says, if I am not in a place where I
feel like I'm living my purpose, you can see it in the photographer takes. You can see it. I can look
at my portfolio and you can see the difference and photographer takes, you can see it. I can look at my portfolio and you can see
the difference and the photographers can tell the difference. And I think that there's something to
that. I really, really do. And so if that's true, then all the other stuff is sort of irrelevant,
right? Whether or not your hair has turned silver or not, whether or not you have wrinkles,
whether or not, you know, like all that other stuff becomes very, very irrelevant. And if anything, can
help add character to whatever that essence is. So that was a very interesting – it
was very validating to find that out. And I say this as a person, let me just be completely
transparent. In my 20s, I did model. And I definitely have changed over the last 20 years.
And so not only have I been on behind the camera,
but I've been in front of the camera and I can see it.
It's the thing that captivates,
the thing that really truly captivates.
It's not physical at all.
It never was.
It may be really pretty to make a pretty picture of in a thing,
but it's not the thing that you are viscerally attracted to
when you meet
someone.
And yet I wonder if when people respond to an image or to somebody standing in front
of them with that, wow, there's something just incredible about, like there's an energy,
there's a glow, whatever it may be.
I wonder if we're even aware of the fact because maybe you're looking at somebody and you're
saying, okay, so they are sort of prototypically beautiful.
They check the boxes of symmetry and this and that.
That must be what I'm responding to. But what you're offering is you're sort of inviting us to say,
well, maybe get a little bit curious about that because that's the obvious thing you may be
responding to, but it's entirely likely that there's something else going on there.
Yeah. I remember once when I was in my 20s, I was with a friend of mine,
a guy friend of mine, and a friend of his was in town. She had moved out of town and she was in
town because I want you to meet this woman. I think her name was Alex. My daughter's name is Alex,
so that's why I remember it. And I remember she walked in and she was a fine looking person,
but she was short. She wasn't like this sort of statuesque person
that you would expect to be a beauty. My friend, the guy, was absolutely stumbling over himself.
They weren't dating. I don't even think he was expecting anything to happen because she
was just in town when she was leaving. I saw it. The way she talked, the way she moved,
the way she was just captive, even I was like,
oh yeah, this person is something and it had nothing to do with it. So just like you say,
interrogate if the beautiful person, if what is it really, like, I think we've all had experiences
where we've been in the presence of somebody and you're like, man, this person is just bowling me
over and I really don't even understand why.
I think when we're in that presence, that's the thing that we're talking about, that glow,
that inner light is what I like to say. The same is true, I think, with photographs. I
know as a photographer, I can take a photograph and know when I've caught the light, literally
know when that moment has happened. I'm like, there it is. That's the one that everybody's
going to respond to in this portrait because I it is. That's the one that everybody's gonna respond to in this portrait because I caught it, right?
That's the thing that really makes them beautiful.
And everybody has it, everybody has it.
Yeah, it's a matter of how do you elicit that.
Yeah.
So part of this curiosity, you know,
for you around aging and beauty,
also leads you to make just some personal decisions,
like to try something out.
And part of that is like,
what happens if I stop dying my hair?
What actually happens if I let it just be the natural color that it is? I'm curious what that experience
was like for you when you started saying like, okay, I've been doing this thing for a long
time. I'm making assumptions actually. So I'm just going to quote buck convention.
Let me actually start to not just listen to the things that people are telling me, but
what happens when I actually embody this? And one of the most observable ways to do that,
if you're somebody who colors your hair,
is to start to let it go natural.
Because everybody else can see that and can see it quickly.
Talk to me about what that experience
has been like for you.
Yeah, so I did dye my hair for a long time.
At first, when I started dying it,
I was probably in my 20s and it wasn't to hide grey.
It was just I liked how my hair looked when it was extra dark. That was really the thing. I was
like, oh, I love how it looks. It looks like that jet black. It was 80s and 90s and I thought it
would look really cool. And so I started doing that. And then as I got older, I felt like that
color was a bit harsh, so I went lighter,
so sort of a dark brown. For me, what was really interesting was because again, I wasn't a person
that worried about aging, but I thought that's just what you do. That's part of grooming.
Part of what you do is you dye your hair. I started to see silver come in, but it was in
really strange places. I thought, oh my
God, if I let it go, it would look polka dotted and that would be really weird. So I'm not
going to do that. Then I finally was like, but what would happen if I did? The thing
is several times in my past, I had had very short hair, half an inch. So I thought, you
know what, if I don't like it, I'll just dye it and keep going. So I cut it all off.
A lot of people will just let it grow out. I decided I'm just dye it and keep going. So I cut it all off. A lot of people will just
let it grow out. I decided I'm just going to cut it off and start from scratch because I'm used to
having really short hair. What was really interesting was at first I was like, oh my gosh,
what if people think I'm older than I am? I don't care if they think I'm my age, but what if they
think – I think at the time I was 53 or 54 when I started and I thought, what if they think I'm 70, right? And then I thought, and if they did, what would that mean?
So what if that's what they thought? What did that mean? And I had decided that if I did it,
I wanted to, if I was going to die it, I wanted to die it all silver. I was like,
there's no going back to black. Like I'm'm going to go back to – what ended up happening which is really interesting is people really responded to it favorably. I would
get – and to this day, I can go out and people will say, oh my god, I love your hair.
I love how – I love it. I could never do that. People say that a lot, right? I could
never do that. I love how it looks on you. And what I think is really interesting is
my hair is not particularly – I mean, it's the salt and pepper hair, but there's nothing particularly great about it. It's just hair.
But I think people are really responding to the fact that I'm comfortable with it, that I'm,
you know, and I think that's, you know, we talked about that with beauty, like they're seeing
somebody who's like, I'm good with it. And I might as well have dyed it purple or blue or any of the
other things that you're like, Whoa, I love that you did that. I could never do that. That was really interesting to me. Never had anybody say, wow, it ages you, which I think
is interesting because I did expect that. Nobody said that. Literally always been positive and
often from strangers. It's not like, oh, well, that's my friend. They're being nice.
Often I get stopped, often, almost inevitably if I'm out in public, somebody will say something
about it. There are some people who are beautiful silver, like that's not my hair. I think that's
really interesting. I think it goes to what we were saying that the more comfortable and
the more confident that you are in who you are and who you're becoming. I think if I
were going to talk about what it means to be part of the Radiant Rebellion, it is this
sort of I am really, really comfortable with who I am and who I'm evolving to be.
And I don't care really what the world says I should feel like about this.
This is what I feel like about it and get really, really comfortable in that.
And that is what people respond to.
Yeah.
I mean, wrapping your head around the fact that that's actually the more important thing,
not just internally for how you want to feel about yourself, but also because I think so
many people, we adopt the things that society tells us that we kind of
have to do because we want to be seen in a particular way. But if we can separate that
and say like the thing that lets us be seen in the way that we want to be seen is not actually
this really the cosmetic facade. It's the decisions that happen underneath that that somehow radiate
out no matter what that facade appears to be.
It's a little hard to wrap your head around the fact
that could that really be true?
But like you just ran a really interesting experiment
that says, you know, like, well, yeah, it could be actually.
And what if we all stood more in decisions like that?
So let me ask you a question around this though,
because there are gonna be some folks who are listening
to this and saying, well, okay, like I get that and that's you. And I'm guessing you
were probably a pretty confident person before this. Like you probably showed up in a room,
you seem like you're strong, like you're aware, you're present. But what if I'm not that person?
I would love to actually just accept this season of life and feel really good about it. But I don't
really feel really good about myself in general. So how do I then take the risk?
I think that's a great question. One thing I also want to say, I mean, just sort of as far as the
silver hair thing and everything else is, like. There is no part of me that says,
okay, everybody stop dyeing their hair.
There are some real repercussions.
People get fired.
There was a story just this summer of a woman
who was an anchor woman in Canada
who let her hair go silver and she got fired for that.
So I don't mean to suggest that everybody
should follow my path at all, ever.
And I hope that people don't see it that way.
What I would suggest is just get curious about
why you're making the decisions that you're making. That is the biggest thing, right?
It could have been honestly that I was like, yeah, you know what, I'm not comfortable yet,
and I don't know what that is. And maybe I need to work on why I would be comfortable with my
hair silver and white. So I'll just dye it back and really interrogate that. That to me is the biggest thing is just interrogate how does this – if you sit there and you
think I hate getting older, let's just start with that. I hate getting older. I don't
feel good about getting older. Interrogate that. What is it about getting older that
you're disliking? And then when you figure that, well, I dislike whatever it is, then
go, is that true? Is what
you believe true? Are your friends who are your age that age or older, are they all that way? Are
the people that you're seeing doing great things out in the world, right? We just had a spate of
people in their 60s get Oscars, right? 50s and 60s get Oscars, like their first Oscars ever,
right? And that came into acting like, are you seeing people out there who
are your age or older who are really all fading? Is that true? Does it have to be true? And then
go see where that leads you because that's really all I did with the book. I was like, is that true?
And figured out more often than not, it wasn't true. More often than not, there was another
thing or at least it wasn't universally true. It wasn't 100% of people. Maybe it was only 20% of people. So what are these other 80% doing?
That I think is the most important thing. And that's what I hope people do when they read the book.
CB That makes a lot of sense to me. It's like the invitation is just like, accept who you are,
accept where you are in your life, accept whatever feels right or not right or true or untrue to you,
where you are in your life except whatever feels right or not right or true or untrue to you, but at least start to ask the questions. Yeah.
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You know, one of the questions that you asked along the way also, and you kind of referenced
this earlier when you shared about this one woman who's a model who sort of like stepped back into it a little bit later in life and she
referenced purpose. And I think that's a part of the conversation that often gets skipped.
And I think it's very generational also. Like I'm Gen X. We were never brought up with the expectation
of purpose in our lives. It was like,
put your head down, do the thing that you're supposed to do, follow the prescribed path,
and eventually you'll get to check the box that says I'm successful.
Right. For most who followed that, it hasn't worked out all that well. But purpose was never
really part of the conversation. Now I think a lot of folks are really bringing
it back into the conversation and in no small part because you're realizing, but I did all
the things that I said I wanted to do and I don't feel the way I want to feel. And now
again, you add that to entering this next season of life and saying, what do I want out of
this? I am older now. And I'm going to get, God willing, keep getting older.
Really inquiring into like, what is the role of purpose at this moment in this season in the way
that I want to feel is so important. This is something that you really took a look at as well.
Yeah, for sure. And honestly, it was a big part of the book that I wrote right before this,
The Lightmaker's Manifesto, right? Which is about how to work for change without losing your joy.
And it turns out, Victor Frankl wrote about this beautiful man search for meaning, the Lightmakers Manifesto, which is about how to work for change without losing your joy.
Victor Frankl wrote about this beautiful man's search for meaning that really at the root of true
deep abiding joy often is purpose and meaning. That's not to say that there isn't challenge to it, but the idea of doing something for something bigger than yourself, that might be the secret
sauce, honestly. That might be the secret sauce to living well, that might be the secret sauce, honestly. That
might be the secret sauce to living well. That may be the secret sauce to happiness. That might be
the secret sauce to aging well. It's figuring out a couple of things. One, what are the things that
really stir a passion in me? Again, that passion could be anger. What are the causes that make me
think it's not right that things aren't
this way or it's so great when things are this way? Either one of those. And how can I be a part
of that? And coupling that with what am I really good at? What do people thank me for? And how can
I use that thing in service of that cause? Man, that is the secret sauce. That to me is the way
you live well. And that is the way aging is living. That is the way you age well is really sort of tapping into how can I help make
the world the kind of world that I want to live in and that I want people coming up behind me want
to live in? What is my small part? And that's a really, really big part of it for sure.
Dr. John Svazic I would imagine. I think related to that also,
I recently heard Arthur Brooks talking about significance as one of these things which
is really critical. My sense is that when we get further into life also, things like
purpose and significance, and I don't see them as the same. I wonder if you do. Purpose
to me is a verb. It is something meaningful that you're moving towards. Significance
is a feeling of I matter.
Oh, interesting. I feel like they're related but different,
but also both really important. My sense is that they become increasingly important also as we hit
a point in our lives, even if we, God willing, it's 10, 20, 30, 40, 50 years down the road,
but we start to sense that there's a less road ahead of us than there is behind us.
Yeah, I think that's right. I love that. I have not considered that. I think that's
right. I think significance and purpose are different. I think that in many ways, maybe
I'm showing myself out, that significance can feel potentially more elusive sometimes, like I think that that can be harder
to get to, but I feel like purpose can lead to it, right? So I think that as you seek
out purpose and seek out how to serve, and you start to see I'm making a difference,
that feeling of significance can tend to grow is what I feel like happens. And yes, I think as you get older,
you start to think about both of those things more, but I don't think that there's an age you
should get to before you start thinking about them. I think that the sooner that you start
thinking about them, you know, my daughter's 19 and we talk about it all the time. And we talk
about how also you don't have to have the answer to both right away either. I think the goal is to keep
experimenting and being curious about what it might be. That is a lot of it. You don't have to
know, well, my purpose is this right away. You don't have to feel like if I haven't found my
purpose by X age that somehow you failed or that you're insignificant. I think it's really the curiosity and seeing what feels
right and I'm going to serve in this way and how did that feel and what gifts did that tap into
with me that make me feel like, oh, I actually made a difference here. And if that didn't work,
then you just pivot and you start keep doing that. And I think that might be the gift of Gen X,
because I think possibly that those of us who are in Gen X, we grew up with our boomer parents who probably had a job and stayed in that job for
decades until they got the gold watch, right? That's sort of the thing. And we Gen Xers are
sort of like, ah, we'll try this, right? Let's try this next and let's do that. So I think that's
sort of been the gift of our generation. And I hope that happens that for the generations coming that
they take the lessons from that because I think that's really quite a gift to be able to do that.
Yeah, I agree. We have daughter similar ages as well and I look at that generation and I feel like
there is such a focus doing things that matter at that age that I didn't have none of my peers when I was in my late teens or even
20s really had any strong sense of. And yet I feel like the generation that's coming up now,
it's so centered in their beings and the way that they make decisions about what they say yes or no
to or invest energy in or completely reject that it gives me hope. And if those seeds can be planted
reject that it gives me hope. And if those seeds can be planted decades earlier in life, imagine how that feeling will manifest and show up physiologically, psychologically in terms of
impact you make in the world and just passion that you bring to relationships and communities.
I think it's astonishingly optimistic and hopeful about that. It's not really the flipside to the
conversation around purpose and significance, but one of the other things that you explore in the way that we think
about aging is the notion or the role of adventure, the role of discovery. Again, I think it's one of
these things where we're so often, we're like, oh, I left that season of life behind me. But
it's so important to the way that we step into
the later seasons of life. I will say that I'm very lucky that I have a dad who actually makes
an appearance in this book who has been a great model for me about curiosity and trying things.
He's in his 80s. He rides his bike 20 miles every other day. Sometimes I want to tell him, Dad, I wish you would slow down,
you're scaring me with all of these risks that you're taking. But even as I say that,
I laugh because I'd rather live that way than any other way, than timidly and that not trying.
I think it's such a – I am a little spoiled that I've had that modeled for me already. But for me, the
thing that I think is really interesting is, let's just talk about this podcast, for example.
When 20 years ago, if somebody said, hey, you know what? I think, Jonathan, that you're
going to have this thing called a podcast, you'd be like, what the hell is a podcast?
What are you talking about? It's like radio? I'm not going to be a radio journalist. There are so many things that
have changed just in our lifespans that we wouldn't have ever considered would exist.
So why should we stop trying new things when that world around us changes so rapidly and the
opportunities that the world creates for us
changes so rapidly. Why would you stop that? That to me is like, that's not fun. That's where the
fun is, right? Is like, sorry, seeing how things are morphing and changing and being a part of that.
If you had told me that I would be a writer, like I was an engineer 20 years ago, like if had told me that I'd be a writer like I was an engineer twenty years ago like if you told me I'd be writing books out of sunlight okay why would I do that I have a job right like that would have been sort of my thought and my life is so much richer for having tried these things that.
I would have seen so weird so why would I stop doing that and why should anybody stop doing that like the worst that's gonna happen is that.
should anybody stop doing that? The worst that's going to happen is that you aren't interested in it. So then you move on to something else, right? That to me is just so much of what brings moments
of joy, that play, that experimentation. Those are how you cultivate moments of joy. And if there's
one thing, one learning I think I've had in doing the work that I've done for the last 20 years,
is that joy and happiness, I think I used to think doing the work that I've done for the last 20 years is that
joy and happiness, I think I used to think that you live your life and hopefully joy and happiness
will find you. And what I have learned is that joy and happiness require work. You have to work for
it. You have to work to create those moments that really light you up. And as we get older, why would
we ever say, I'm not going to try something
and deny ourselves a potential moment of joy and happiness? The world is a dark place. We need to
cultivate and create as many moments of light as we can, just for our own sanity, far less for
making the world just better. Yeah. And I think there's two lines of self-talk that I wonder if often stop us from
just playing or trying new things. One of them is, but what if I don't get really good at it? Or
what if I'm not good at it? Because there's a storyline that we tell ourselves that only things
that we're capable of being really good at or accomplished at are worthy of our energy,
which is absurd. I mean, like as a a kid when you're six years old and in
art class, everyone's just messing around with everything, having the time of their
lives. Nobody's thinking, I need to be an accomplished artist or this is not a worthwhile
pursuit. And yet as adults, we have that absolutely absurd overlay and we stop ourselves from
doing things purely for the feeling that it gives us while we're doing it.
I feel like the other overlay that often comes, I'm curious how you feel about this, because you
have made really interesting career shifts too, is this feeling that if it will not in some way
allow you to contribute to the way that you support yourself or your family, then it is not a valid use of your
time. I feel like that's a message that we get too often. It stops us from just doing and trying so
many things. Well, it's funny that you're asking these questions because this is actually the
subject of the book I'm currently writing is this idea of what would it mean to instead of seeking mastery is we sought being an amateur.
That's it. Because you're right. There's this sort of idea that why try anything if we're
not going to be good at it, right? And I think probably social media feeds into a lot of
that. You see a lot of people who are excelling on social media. So why even bother? Because it's not something I would ever be good at, which is a strangely prophetic thing
to say. If you say that, that's probably true. The flip side of that is, okay, you're trying
something, you get really good at it, how are you going to monetize it? How are you going to
make it to be – how are you going to become famous with it? To me, what is wrong with trying
things just because they're fun and maybe other people don't
have to see it and maybe it just brings you pleasure and it just brings you joy. One of
the things that I do a lot on social media, I have started as part of the health chapter of this book,
is I started hula hooping. And so I hula hoop several times a week. I am not a good hula hooper.
Like I can keep the hoop up, but I'm not doing tricks. I'm not spinning over my head and spinning off my leg and doing dances. I'm not doing
that. It's so funny because people keep saying,
like, oh, I couldn't – what? They say, I could never do that, which I'm like, clearly
you can because I can and I'm the most unathletic person on the planet. Two, well, can you do
tricks? I'm like, I don't want to do tricks. I just want to sit in
my garage, listen to some music, and have 20 minutes of my time. And what does that mean that
we don't do that anymore? And what would it mean if we decided to do that? It's not about being
great. It's about just playing, just let's see what happens. And what was really interesting in
writing this new book
that I'm doing is how very little research there is about it. It's sort of like, yes,
you should be an amateur because that's how you'll get good. You should have amateur mindset because
that's how you'll end up being perfect and the best at what you do. I'm like, but maybe that's
not the goal. What would happen if that's not the goal? I think if we did more of that play and experimentation and curiosity and
keeping our ego detached from it, from the outcome, I think the better will age. I think the better
life will be. I hope I never stop playing. I think honestly, I spent too much of my life already not
playing because I was so focused on all the other stuff that you're supposed to do.
You're supposed to go this far in your career and you're supposed to be this type of person
as a parent. And I don't want to spend another day wasting on what's supposed to be. That's boring.
Yeah, no. Right there with you. And it doesn't have to be a binary thing also. You can have a serious career and hula hoop and do all the fun things on the side and just do it purely
because you love doing it. It's fun. It's like the association, well, I'm too old to
do that. Well, maybe the reason you feel that you're too old to do that is because you haven't
been doing it. Right. Right.
It's like maybe we've got it reversed.
Yes. Yes. I want that tattooed. Maybe the reason you're feeling old, too old, is because you're
not doing – you spent too long to do that. That's absolutely it. In a lot of ways,
that's sort of how I felt about – you said that you had a fitness career. I am basically
the anti-Jonathan. I am like, If you see me running, I clearly have to go
to the bathroom and I'm looking for one. I just am not that person. It took for me switching
the reason that I did it because for me, exercise was all about having the perfect body. If
the perfect body didn't come fast enough, then why am I even doing this, right?
And it was really through the writing of this book,
because I decided I was going to do this,
because movement is what they say you have to do,
and I'm going to do this for the length of time
that it, right?
And suddenly I found out that I was moving,
and I call it my movement practice.
I don't call it exercise, because that's really hard,
but I was moving five days a week. But I was doing it in just things that I wanted to do. It wasn't
like, okay, I've got to jog a five-minute mile or, you know, like that was never it. It's like,
what happens if the reason that I haven't been an athlete is because I never tried and the reason
I didn't try is because I had this sort of preconceived notion of what that was supposed
to look like, right? And, you like. I mentioned I took a Pilates
class yesterday for the first time and the instructor, she said, do you exercise? I said,
yeah. She goes, well, what do you do? I said, well, I jump rope several times a week and
I walk a few miles a day and I hula hoop and I also have a rowing machine. She was like,
oh my God. I was like, I know. who would have ever thought? But it's because I never really thought of it as my workout. It's like, this is how I
exorcise the demons from my head. This is how I make myself – this is how I have stress
and so I need to move to work the stress out of my body and that's it. I never think about
it anymore as it means that I have to look perfect anymore. And the minute that I start to do that again,
I promise you I'll never do it again, right?
Because that's hard if you're cheap.
If that is my motivation for me, it's never gonna work.
Now for some people it may work,
it's never gonna work for me.
It's really interesting how you say that.
Some of those self-limiting thoughts
might be because you've never tried to play with
why do I believe that about myself
and how could I do what I'm just saying
in a way that detaches from whatever that idea of perfect is supposed to look like,
for sure.
It's almost like you walk around asking yourself, would I say yes or no to this if I were six?
Yeah, sure.
It's like, if yes, all right, let me give it a go. Rather than judging ourselves for all the different reasons. Yeah, for sure. You know, it's like if yes, all right, let me give it a go.
Yeah.
Rather than judging ourselves like for all the different reasons.
Yeah, for sure.
I'm super excited for people to be able to dive into the Rebellion and spend some time
reimagining and asking a lot of questions.
By the way, there's a whole toolkit, just a lot of great stuff for everyone listening
in.
There are granular things built into this book also that you can really dive into and prompts and tools and things
that you can explore. So please check it out. And it feels like a good place for us to come full
circle in our conversation. So in this container of good life project, if I offer up the phrase,
to live a good life, what comes up? To live a good life, remember what's already good and stay curious about what could be good
and don't be afraid to try. That's what comes up.
Thank you. Thank you. It's always such an honor to speak with you. Too much time passed since the
last time I've seen your wonderful face. So I'm just really, really honored that you had me.
Hey, before you leave, if you love this episode, say that you'll also love the conversation we
had with Tara Brock about making peace with the truth of our lives. The find a link to Tara's
episode in the show notes. This episode of Good Life Project was produced by executive producers
Lindsay Fox and me, Jonathan Fields. Editing help by Troy Young, Christopher Carter crafted our theme music
and special thanks to Shelly Del Bliss for her research on this episode. And of course, if you
haven't already done so, please go ahead and follow Good Life Project in your favorite listening app
or on YouTube too. If you found this conversation interesting or valuable and inspiring, chances are
you did because you're still listening here. Do me a personal favor, a second favor, share it with just one person. I mean if you want
to share it with more that's awesome too, but just one person even, then invite
them to talk with you about what you've both discovered to reconnect and explore
ideas that really matter because that's how we all come alive together. Until
next time, I'm Jonathan Fields,
signing off for Good Life Project.
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