History Daily - The Hitler Diaries Hoax
Episode Date: May 6, 2025May 6, 1983. What was thought to be Adolf Hitler’s long-lost diaries are exposed as forgeries, sparking one of the greatest scandals in modern journalism. Support the show! Join Into History for ...ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.
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It's the early morning of April 21st, 1945, at the tail end of World War II just north of Berlin, Germany.
A transport plane idols at a makeshift airfield, as 20-year-old Wilhelm Arndt hurries to load cargo on board.
Metal chests he's heaving are heavy.
Wilhelm doesn't know exactly what's inside, but it must be important.
They were given to Wilhelm by Adolf Hitler himself.
Wilhelm is Hitler's valet and one of 80 personnel who have just been ordered to evacuate Berlin.
With the Soviets closing in on the city, Hitler aims to establish a new command center in the mountains of southern Germany,
and he wants his most prized possessions move to safety.
A distant boom shakes the earth, but Wilhelm barely flinches.
He's used to the constant air raids by now.
And when the last metal chest is safely stowed away,
Wilhelm climbs into the plane, squeezing into a seat alongside 15 other passengers.
The doors are sealed, and the engine roars to life.
The plane lurches forward, bouncing along the grass runway before finally lifting into the dark sky.
From the air, Wilhelm can see the orange glow of fires stretching for miles in every direction below.
The heart of the Third Reich is being reduced to ash and ruin.
The Wilhelm breathes a sigh of relief.
They have made it out, and Adolf Hitler's possessions are safe.
The transport plane carrying Wilhelm Art and 15 other passengers will never reach its destination.
It will go down in a forest, a hundred miles south of Berlin, killing almost everyone on board, including Wilhelm.
The metal chests the plane carried will also be lost.
And when Adolf Hitler hears the news, he will exclaim, in that plane were all my private archives.
It is a catastrophe.
But within two weeks of the crash, Hitler will be dead, and the Nazis will surrender.
Still, almost 40 years later, Hitler's lament will have unexpected consequences, becoming part of an elaborate.
fraud that will only finally unravel on May 6, 1983.
From Noisor in Airship, I'm Lindsay Graham, and this is History Daily.
History is made every day. On this podcast, every day, we tell the true stories of the people
and events that shaped our world. Today is May 6th, 1983, the Hitler Diaries hoax.
It's 1975 in a small town near Stuttgart, West Germany, 30 years after a plane crash destroyed
Adolf Hitler's personal archives.
47-year-old Fritz Schiefel eases his car slowly down a street and peers through the windshield,
looking out for a particular store.
Fritz is the owner of a successful engineering company, but his real passion is searching
for Nazi artifacts, and recently he thinks he's found a fresh source of wartime collectibles.
There's a new antique store in town, and its windows are crammed with fascinating military
memorabilia. But each time Fritz has passed, the lights have been off, and no one has answered
the door when he's knocked. But today as he nears the store, he's delighted to see a small man
outside cleaning the windows. Fritz pulls over. Getting out of the car, he asks the man if he's
the shopkeeper. The man puts down his wet rag, dries his hands on his pants, and cheerfully introduces
himself. Conrad Fisher is a round-faced man with a balding head and mustache. He happily shows Fritz
inside, and it's soon clear to Fritz that Conrad must be well connected with collectors and
antique dealers. The store's shelves are full of military uniforms and weapons dating back
centuries. But Fritz is only interested in one period in German history. He has to be cautious,
though. The public display of Nazi memorabilia is illegal in West Germany, so he carefully
asks if Conrad has anything from more recent years. Taking the hint, Conrad shows him into a backroom.
There, behind glass, is a vast collection of Nazi artifacts.
It includes uniforms, flags, mugs, and weapons, and even personal items that belong to some of the most powerful men in the Third Reich.
Fritz is overwhelmed with excitement.
He buys one small trinket on the spot, but assures Conrad that he'll be back for more.
Fritz is true to his word.
In fact, he soon becomes Conrad's best customer.
Over several years, he buys hundreds of items.
Among them are paintings and documents attributed to the hand of Hitler himself,
including what Conrad tells him is the original manuscript of Mind Kampf.
But unfortunately for Fritz, his growing collection is worthless.
Conrad Fisher has been lying to him from the second he opened his mouth.
His last name is not even Fisher.
It's Ku Yao, and he's not a well-connected Nazi collector.
He's a prolific forger.
Almost everything in his store is fake,
something that Conrad has never been able to sniff out, which thrills Fritz.
So Fritz decides to undertake an even more ambitious forgery.
In the seller of his home, Conrad turns a cheap notebook into Adolf Hitler's personal diary.
He fills the pages with mundane musings, vague reflections, and sanitized accounts of wartime events.
On the cover, he sticks imitation metal initials bought from a department store.
And like most of his forgeries, it's sloppy work.
Conrad is even confused by an old Gothic font, and he accidentally uses F.H.
Instead of A.H., but it makes no difference.
When Conrad shows Fritz the diary on his next visit, Fritz is in awe.
He asks if he can have it on loan, and Conrad agrees.
Fritz devours the diary's contents, clueless to its inauthenticity,
and when he finishes, he places it in his safe with the rest of his fake Hitler collectibles.
But at this point, his trove is so much.
large that Fritz decides it's time to get an expert's opinion. So he contacts Nazi archivist August
Presec and schedules an evaluation inviting Conrad. This meeting puts the forger on edge. Not long ago,
Conrad signed a contract with Fritz that guaranteed every item he sold was authentic. So if August
realizes anything is fake, Conrad will owe Fritz a large refund. On the day of the evaluation,
Conrad stands stiffly beside Fritz as August begins his exact.
examination. Conrad braces for disaster. As far as he can tell, August is the real deal.
Back in the 1930s, Auguste worked as an art appraiser for the Nazi party,
picking out genuine Hitler paintings from the hundreds of fakes that polluted the German art
market at the time. Now, August's judgment could make or break Conrad's business.
But after careful examination of the items, Auguste declares the collection to be of great
historical significance. He even singles out one watercolor he claims to
remember seeing back in 1936. Conrad stifles a laugh. He finished that painting only 10 days ago.
And not only does Auguste fail to spot the fakes, he's so taken with the collection that he urges a local
history professor to come see it too. This professor also claims to be a Hitler expert, but he
doesn't notice the obvious red flags either, even when he flips through the pages of Hitler's
supposed diary. Instead, he's eager to learn more about where such rare items can.
came from. The two experts pepper Conrad with questions, but the forger only gives vague answers
claiming he must maintain secrecy to protect his contacts. Having feared that outside opinions
would destroy his business, Conrad is now delighted that they've had the opposite effect.
They've legitimized it. With two respected experts now vouching for his work, Conrad will soon
feel invincible. But a chance conversation will make his forge work into an international sensation,
and it will lead Conrad into the heart of a media frenzy.
It's the evening of October 20, 1979 in Stuttgart, West Germany,
a month after Fritz Schiafels' collection of Nazi artifacts was examined by experts.
Inside Fritz's home, a small dinner party is underway.
Conrad Ku Yao empties his glass of wine as he leans toward Jacob Tiefenthaler,
the former SS officer seated beside him.
Though their paths have crossed before,
Conrad and Jacob have never been more than casual acquaintance.
tonight, though, alcohol has loosened Conrad's tongue, and he starts bragging about his Nazi memorabilia business,
casually mentioning the diary he claims belonged to Adolf Hitler.
Hearing this, Jacob's interest sharpens.
Curious, he presses Conrad for more details, and Conrad boasts that he doesn't just have one journal,
he has access to 27 different volumes.
When asked where they came from, Conrad claims that the diaries were among Hitler's personal papers
that were on board a plane that crashed near the end of the war.
According to Conrad, these documents have been kept hidden by his secret contacts ever since.
As a fellow collector of Nazi memorabilia, and a former Nazi himself, the story fascinates
Yaacob. He goes to view the prize diary the next day, and shortly after, he tells
journalists Gerd Heideman about the find. Soon Gerd comes to see the diary for himself,
and he is just as stunned. As he flips through the pages, he's convinced that he's convinced
that he's looking at the greatest scoop of his career.
So over the next year, Gaird pieces together the diary's alleged provenance.
He researches the plane crash and discovers that there really were documents from Hitler's
bunker on board when it went down.
This is proof enough for Gaird, and he decides it's time to take the story to print.
All he needs now is images of the journals themselves.
So Gaird approaches Conrad with a tempting offer,
in exchange for photocopies of the complete set of Hitler's
diaries, Gerd's employer, Stairn Magazine, will pay Conrad 2 million marks, the equivalent of
over $3 million today. Gert assures Conrad that the magazine will treat the matter with the
utmost secrecy and that Conrad's anonymity will be protected. Faced with this amount of money,
Conrad can't pass up the deal, but he also can't forge all 27 volumes of the diary at once.
So he tells Gerd that the other volumes are still on the other side of the border in East Germany.
He can only smuggle one volume out at a time, every month or two, to avoid arousing suspicion.
So for the next two years, Conrad spends his days researching Hitler's life,
writing fake diary entries, and passing them to Gerd in batches.
To dress up the notebooks, he sticks on red-wax seals in the shape of a German eagle,
with a label declaring them to be Hitler's personal property.
And to age them, he sprinkles tea over the pages and bashes them against his desk.
And although Conrad's efforts are simplistic, they are enough to ensure that these fake diaries don't arouse suspicion.
From the moment Gaird and his colleagues at Stern opened Conrad's first batch of journals, they are transfixed.
No one even considers the possibility that they might be forged.
The dark allure of something so personal that once belonged to Hitler proves impossible to resist.
So when it comes to authenticating the diaries, the team at Stern do the bare minimum.
To preserve its secrecy, only a small sample is sent to handwriting analysts for verification.
The reporters supply a few additional documents that Hitler wrote for comparison, but unbeknownst to them,
some of those papers have also been forged by Conrad.
But based on the assumption that all the comparison documents are genuine, the experts wrongly affirm the authenticity of the fake diaries.
With this settled, the magazine editors move ahead with forensic testing.
But their plans are derailed by a leak.
Other publications catch wind of the Hitler Diaries, and the race to break the story begins.
Scambling to stay ahead, Stern Magazine turns to a historian for swift authentication.
Press for time, unable to decipher much of the handwriting, and doubtful that anyone would bother
to forge dozens of diaries, the historian declares them genuine.
Soon thereafter, on April 25, 1983, Stern Magazine will hold a press conference,
formally announcing the discovery to the world.
Three days later, they will publish the first installment of Hitler's Diaries.
But the magazine will not receive the reception they hoped for.
The news will be met not with celebration, but with skepticism and even scorn.
And what began as a historic scoop will soon unravel into one of the greatest scandals in modern journalism.
It's 11 a.m. on May 6, 1983 at the West German Federal Archives,
a week after the publication of Adolf Hitler's supposed diaries in Stern magazine.
Inside an office, Stern's legal advisor, Andreas Rupert, shakes the hand of a government archivist.
The official is holding a thick folder, a set of reports that will make or break the reputation of dozens of people.
Since the announcement and publication of Hitler's diaries, experts and journalists around the world have been dissecting their inconsistencies and errors.
While the general consensus is that they're fake, the reporters and editors at Stern have been reluctant to accept this conclusion.
To settle the matter once and for all, they have sent the journals to the Federal Archives for forensic testing.
Now, Andreas is about to hear the findings.
The archivist begins to relay the results, and it's immediately clear that what Stern has hailed as the discovery of the century is indeed nothing more than a shoddy forgery.
The diaries are made of poor-quality paper, containing a chemical whitener that wasn't invented until the 1950s.
The ink was clearly sourced from modern art shops and the forefeworthy.
order couldn't even manage to replicate Hitler's signature.
In addition to forensic evidence, the experts at the Federal Archives have found numerous
factual errors in the text of the diaries. Analysis of the mistakes show that they all originate
from a single source, a book of Hitler's speeches and proclamations. Almost every entry in the
journal has been seemingly lifted from this book, errors in all. Andreas exhales sharply,
the weight of the findings sinking in. But before he can respond, the archivist's deliberation
another blow. The government is going to hold a press conference at noon to officially announce that
the diaries are forgeries. This scandal will deal a devastating blow to Stern's credibility,
forcing the resignation of two top editors. And as more details come to light, forger Conrad Kuyah
will be arrested, convicted of theft and fraud and sentenced to four and a half years in prison.
But he's not the only person to get in trouble with the law. Stern reporter Gerard Heideman
will also be jailed after it's discovered he embezzled some of the magazine's money
that should have been used to pay Conrad. After serving three years in prison,
Conrad will be released and re-emerge as a minor celebrity. And rather than retreat into
obscurity, he'll open a gallery, openly selling forgeries of paintings by Hitler and
famous masters, some fetching tens of thousands of dollars. His fakes will become so popular
that others will even begin forging the forger, a remarkable turn for a man whose most
infamous act of deception was revealed on May 6, 1983.
Next on History Daily, May 7, 1994, Norwegian police cornered the criminals behind an audacious
heist at the theft of Edvard Munk's most famous painting, The Screen.
From Noisor and Ayrship, this is History Daily, hosted, edited, and executive produced by me,
Lindsay Graham, audio editing by Mohamed Shazim, sound design by Gabriel Gould, supervising sound designer
Matthew Phyllis.
Music by Thrun. This episode is written and research by Alexandra Curry Buckner, edited by Scott Reeves, managing producer Emily Burke. Executive producers are William Simpson for airship and Pascal Hughes for Noiser.
