INSOMNIO - 6 Historias Terroríficas en Cementerios | ¡Si me quito el COLLAR, MORIRÉ!

Episode Date: February 27, 2026

¿Existen cementerios donde se cruzan los vivos con los difuntos? 🪦👹 En este episodio, Fepo un gran narrador de lo paranormal y Maestro del Terror, junto a Jesús de Nazaret, presentan historias paranormales basadas en hechos reales, ocurridas en cementerios.😰⚰️ Escucharás casos como La Piedra del Panteón, donde una niña toma un objeto de una tumba y es perseguida por un ente maligno, te hablamos de la de un autobús que entra a un cementerio en Día de Muertos y le sucede algo aterrador; historias vinculada a desapariciones dentro del Panteón de Dolores, relatos de exploraciones de jóvenes que graban contenido en una cripta y enfrentan sucesos paranormales. 👹😈 Encontrarás las mejores historias de terror, relatos paranormales reales, cementerios embrujados, apariciones y experiencias inexplicables. No te pierdas este capítulo, suscríbete, activa la campanita y cuéntanos en los comentarios. ¿Te atreverías a cruzar un panteón de noche?👹💀🪦 😈 Redes de Fepo: https://www.instagram.com/fepomxhttps://x.com/fepomx 💀Redes de Fermex: https://www.instagram.com/fermex22https://www.tiktok.com/@fermex022 🔮Redes de Mariana Maus: https://www.instagram.com/darthmaus666https://www.instagram.com/platicasocultas 💀Redes de la invitada: https://www.instagram.com/nazaret.mtzhttps://youtube.com/@podcastmasalladelmiedo 🫡 Síguenos en redes sociales para más contenido: https://www.tiktok.com/@podcast.insomnio https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio 👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail] ✨Grupo oficial de Facebook: https://www.facebook.com/groups/548487930178860 💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx 🛒Compra Merch Exclusiva aquí👇🏼 http://store.podcastparanormal.com/tienda/ 📧 Consultas empresariales: [e-mail] Insomnio #Cementerio #panteones #Fepo #JesusDeNazaret #Fantasmas #Brujería #Paranormal #Terror #HistoriasReales #Apariciones #ExploracionUrbana #TrueHorrorStories #RelatosParanormales #PodcastInsomnio #CasosReales #TerrorReal #Miedo #ExperienciasParanormales #PodcastParanormal #PodcastDeTerror #TrueHorror #Horror #ParanormalStories #HistoriasDeTerror #MaestrosDelTerror #ScaryStories #HorrorStories #ParanormalActivity #NuevaTemporada2026

Very good good days, tardes, or no nightes. Beenews a new new capitual

in where we're going to talk the most terrorifices experiences reales of the audience.

So, let's if they tryven. And in this occasion, estrenate I'm sure

that's in this format, type of podcast where narramos these experiences

that terrorifices and we're we're a particular for the invitation for the

occasion, Jesus of Nazareth. How are you? Very well, Pepo. Thank you. Thank you. Thank you. Thank you. To be parted these stories the day of day. Oh, yeah,

amy, before we need to let's make, for favor, I know some people, surely you know you know,

and they're your channel, surely, they've seen this participation also that did you in podcast

paranormal, but I would be much much for the people that not you know to know

to know this channel in insomno that you you see as rapidly to you dedicate, what are your social, because

I know there many things that talk about these things. All right. Thank you. Thank you. I'm Nazareth

Martinez. As you also I'm creator of content. In M. M.A. of Mood Podcast.

There we about the themes of terror, mystery, and all these things that are the attention.

To us we can find with the same name more than Madoxx in all the Midoxxx

in all the Mottottott Martyrne's. But if you Jesus of Nazareth? Me, I'm Jesus of Nazareth. Okay, so that's. Because then, no, no, no, no way to think that's a problem or so, that's your name.

Yes, yeah, yeah, of course, is the name that's my mother, for some reason, I'm just a question. That's you can't discover in the chapter of a podcast for a normal? There, there can't see, there's a lot. Oh, yeah, I'm going to talk to a a

me it seems super interesting because we're earlier we're

we're about we're this is like something something but it's

the place where many times these things that terrible that the

people experimented a lot of forms and that are very

very very that we come we see you

you you have you want you you But I want to tell you a detail that I'm

that's amazing. I mean, we're making the, the, no, that'ser, not, that'ser,

that people are soliciting and what they're going on this time, when it occurs a notice, literally,

has, six days. Has, six days, occurred a news, that is something and it's something

and me to me, this news, but not of the part of, say, the government of

Mexico that anunce to this, but I get to the point of paranormal. Figate,

the 23 January of 2016, occurred what is the kind of the tumbling 10.

You know? No. I know this as a start of the Tomb 10. The allysgo

of the tomb 10. This occurred, because no I want to think I

want to in the CERro of the Canterer in San Pablo Witso

in the Bajac. This occurred there there is the alliasgo

most important obviously of the last years in Mexico to the research of the

research. Ah, okay. Yeah, you know what is? Yeah, that's, that's,

that's pretty a pretty. Exactly. What they found there is because someone of the city

very well, that they did you know, that they're saying, this, this, this,

the, before the, the, the, the, the, the, the,

the, the, it's going to here's they're robing all

there's there's there's there's there's a structure that's a

celled more or almost some 400 years from the period

classical tardio and is of the culture zapoteca but there there's a

thing super interesting super interesting is for so

a time a tomb part of a cemetery very

very old but at the entry of this tomb, in this cemetery, antivou, is the rostro of a

and the above of the rostro is what it is a little a rostro human. Dicen that the rostro human is of that that's the person that felles who was interrada. The buo, in the

culture Zapoteca, has to be with this, he said PS or BESU. And is the messenger of the death. It's the abe

that you cruiser and that is the encargated as a kind of an entity or like this

this veal that divide the world of the world of the people. For that

it's there in this tomb Zapotec. But what is super interesting. You know,

how is that the people, the people, the people, the people,

to talk to this while they're working in these days of an fact that for them is

insolito and, and, however, common in this type of the work, they can't

the image of the Buh, and they understand perfectly to what the messager

of the time. When they're working, every night that has been there,

he's a little a buo and it and it and it and they're so,

okay, for that So, if you go 100 meters more there, no,

there's overvuel this tomb of this cemetery is apoteca. Okay. It's super interesting,

no? Yeah, it's a concept of the buo, I mean I like much much

because, as I know, I am a personerator of the Santa Morte,

in many of the representations that there in the Santa Morte, precisely

came that buo, because I that connection between the life and the death and the

question. So, so it has much sense that that it that's a appearance,

that's good, interesting, and it's like it really, it's a point.

Dicen some some are there that are not like something that's

the contrary, but that that force of the world of the the world of the mortals is

that they take to these these the work of a way correct.

for that not obviously to to perturbate that's the world of the world of the world that are

doing the people are doing the people are so that you're very interesting. What you about how they're

making that they're to record that are a class of mausoleos of those times.

So it's a fault of respect the that get and they get in pieces

archeos because are places where are these these pieces for

some So, poor of the people that they're to get them to get us. That's the so is.

Uy. In this occasion. You know, in this occasion, Fepo, you,

I'm, I'm, you, I'm, I'm a story that's a story that's a special for me.

But that's is a lot to do you, not of the relats. Yes, this, this story is

my. Uh, yeah, so, it's a thing, uh, directly

me, and I'm to, I'm, to do a, context. Uh,

in the The area where I am of Sagwayo, Michoacan, is a area quite religious. It's a area cristera. For the time, you could say, that there are many, we're going to say, monasteries,

seminaries, there are Salisians, Diocesanos, some missioners. Okay. And I pertenesie to a a seminary missioner. I was in preparation

sacerdotal. Ah, so? Yeah. It was a So, quite young. Okay.

So, we're we're certain dynamics in the seminar. We're not we're

to go to the school, we're always we were coming. But we

were the secondaria, we know a great problem. Nunn't never, never

we've got to time. We're getting a hour more time. So,

so more the we're not not were not they were

to eat to them. They were they were all of all of all of

all of the other that they were to do you know the but the school was more

more more than so. For the I was thinking in a solution for that

the father that was our person us not to let us and

we just we we we're not we in the activities of

the that the misa that the rosario etc. So that's if I'm occurred a certain idea.

I'd say, I'd say to him, I'd say to my hand a salute. O'ga, what do you know, if, in the other than we we'reseeing the rosario, we go directly to the secondary, and, well,

we're sandsing in the the way. So, of that form we're going to get to the school and we're going to get to time. And you says,

that's that you're going to do, Padre, if we're doing, I'm in charge of that we'll do. So, of secondary, we're, we're three exclusively Ismael, that was of Chalco,

and Javier, that was, it was a a way of, it was, it was a way, it was very tethrico, and even the

people said, no, for there, no, there's, it's very feo. So, but it

was like, the, of, the, uh, anti- was, it was,

it was, it was, it, were, it, Okay. And at a on a costado there was a residential.

So, the Camino, the calljehorn was horrible, but that was the major of the problems. The problem

was in that we passed for the part of the pantheon. All the days, the lunas

and the days, and we're we're not we're we're on the time

that we were when we're saying Rosario we we're to the

part of the letania the Ruega for us, Ruega for him, for us and so we we've got over approximately

two months. One week before that was going to do a dynamic a very interesting. At the hour of the letania, I was in

a court with my companions and we we said, what you think, if in the other to Ruega for us,

Rueh for the almas of this Panteon, for all those who are that are and this

place. And all, ah, yeah, yeah, it's, it's a, it's a

good. So, so we did it during a time, and he came to

this event, that was really really perturbored for all. When we were

this Panteon Pepo, from the perspective of the the Cade like a

20, uh, practically very badito. And we we could have observed the tombas as far as

the endro. So when we were practically resando, saying the letania, rogah for them, rogo for

them and rogues, and rogues, and rogues, and then, I'm a susto of how my comanero

Ismael me halla. But me halla a fepo. And me says, look,

look, look, and I'm I was just, what happened? And we observable to the

panteon of the night of evidently of the night and she saw a woman with

reboso that was in one of the tumbes her silhouette complete and was so I'm trying

to tranquillism and I remember if me chine the skin I'm in the I'm

don't say no no no pas nothing look the that any person can be

pass, without, no, no, no, no, no, is that that it's not normal,

not normal, how you're going to be there's there's there's no, no. I'll

say, I'm going, to get to get the school, we're going,

will be a person that's to be a person, I'm saying, I mean,

it's that sometimes, the situations of alcohol, or that's for the style,

even, even, they're even in the panthe I'm trying to to give a calm.

The most calmado of of all is the most little that was the school, we've got our

classes, and we're normal. We passed to the pantheon. I never had passed

to the Panteon Fepo. Because, as my mom was dedicated to the

questions of the burghiria. So, so I want to think that had

something that never made to pass to pantheones. But as

under supervision of she had taken a trebiment of pass me. We passed for a passio

long, until we came to get to the tomb that was where was that was the

woman? Where was the woman? What was the problem Pepo? The tomb that the

was recando or was inclined was a tomb that was a three meters of

altitude. No see if you've seen the type of tumbas

where there's got got put in piledas after four cajas

that's that's one above and then another above, and so are

various pieces. Well, the more fresh of what they're that's

what's there's it's a up, up, up, up, up,

so then we then we're so, and is you're I'm

said, that not The worst, they were in that never had seen the perspective of the barb. Because,

from the street, no if you have seen, this class of disniveles? Sure. For you,

it was a 20-20? Exactly. But, but it was altissimo. It was much at the

altitude. So, Ismail, be that and he's to get to say, Vest,

I said, I'm, it's a normal, yeah, let me, let me, and then

of that, I mean, I mean, I don't have words to say, no, and not to have done

to get to the seminary very very asthm sure, in pox words, what we've

seen, what we've been, if it was, is a little a woman. A spectro that was, but it

was in the air. Yes, because, I mean, it's so I'm so curious

that in this that's talking, for example, it's like that's kind of it's like

it's a clear, that no is something, normal. So, like it's important that

you know, I don't know, I mean, that can't be there's that's been that's a thing,

yeah, yeah, yeah, I, I think, I was, I'm, so, it's,

so, yeah, was a, was a family, of the person, but that was,

yeah, that was a person, that, nobody would, and, I know,

he, he was, to, he was a person solitaria, no, I'm

so I can't, thousand things. Look. You I'm, I'm,

I'm a familyer, is a man, that when I was a young, is that

you know, in, so much time, in some in some places, they're

many, and then you when I said, but in the photo, only in the photo,

so it's that, but they're not, but they're 11, no? And so So, so in my family,

occurred two things rarestimus with that part of the family, that's the

family that's a peedda Lara. So, the other side of the family, a man,

he went, a day, so, of a little, he said, like, I'm going

to go to the U. States, and like, and the people, they're like,

you're like, you're going to get mojado if it's, you're a family very accommodated. Yes,

is that the US and blah, blah and a and a day disappeared. Passed a time

he was called and all the day after the day after the time that literally, then they were

their funeral when it's that's that he's he said and laterally he went he said

he never even was even a Spanish he had had taken his he got

took the door and he was her her mother when he was he was a woman

when he was remember of how to how to talk well, this the impression

he desmoyed but that not is the actual extraordinary but the he's the brother

of this family of these his abuel for so so one of

them had his his married he had he

maybe maybe maybe he's maybe 18 19 years

and his novi was that was in that

was that was to do his the families that they were to be able to

be able to be to be able to be being, et cetera, et cetera. And this person falle to form

repentina and then he's a a party of a year's where the people

not said that he had to fallyceer. Hego, he was she, but is

I conted this story in some moment but not he yeah, for completely.

I thought that were two people different. Figgate. Lugate. Saluda

to the people, and then she's, and then after this and then he says,

he has to go to a place, that's not to go to and he's to come with me?

But she not think in for ever but he doesn't in, but now

not, because I'm in my fiesta and my fiesta, and he said, but

other day. or so, then, he says, well, then he says, no,

he says, is he's, he's, he's, he's, he's, he's, he's,

he's, he's, he's, he's, he's, and in the other, he,

he's, he'll a place, to do you a, he's a little in the

period of, there's, there in Yucatant, is an oldos, there's, he gets, the

man, the manchchch that was a The taxist still like, we'd

we're not not there's not there were in the that's the person to pay you to give you

to get to and then when he's he's going to he pay me ah pardon me

he said he said he came he he went to the taxi meto the man to the box

he extended the hand and when he he put he put he put the earth And the taxist

So, this is a A drama The man My tio-a-o-ovelo He was coming And he was He said the taxist The Rejas of the Panteon

But there's a But there's a A bit rarer Is that he He has He says O'clock Occurren these

When they're To get a Cemetery And I'm The story For this I've got I'm

I'm going to I'm going to My mother, I'll say That me the count well because one of

my two of my mom um we're in a family and we said,

oh yeah, I'm going to tell the story, no I'm saying the name of the old old but

I said, yeah, me said, but not it's the same person and when she's

he went and he disappeared he, he's the person that's in the

person that so I'm so you yeah, I mean, I've documented like not, of that one person has been in the cemetery. But yeah,

but yeah, that's like, something, yeah, like, it's like, it's a certain, yeah, it's like,

it's very strange because the form that macabre in the way that appears that vision that you have because it's

floating, it's, it's, yeah, it's, yeah, I'm, I'm a familiar,

but he said, but he said, to be, he said, that, that would have been You know, you know, we're going to

We understand that we've got to definitely for these chas chos. I mean, I said, well, no, it's not if we'll come to pass by there. Yeah, no quixion to pass for the cemetery.

So, we've got to change the route and to come in more. Yes, because yeah, if it was... You know, it's a piece of the

real, right? Yeah, you know, to do you. What was? What was approximately like at the six and a half of the morning,

but there where we're, still had too far it's a little about 30 minutes

of the very dark and when we're going we're without there's

only only there only was a light and it there's this silhouette

no man there there there's a story there I remember much

what you what you experimented but you do you do you do

you start you you see it's very interesting this because of

at the principle, the themes of cemeterious are the things of much respect. As, as well, as they're where they're where they're

who are their last place, where they're being in their own and there are people who

think that the simple fact of you know something, can't have certain consequences.

For more innocent that it is, it can have consequences. So, in this case, us

they're a story very interesting of a family that had certain certain

attitudes of the cemeterios. Because of the reason, I think also it's a

family that we have some these cemeteries and says, ah, look,

look, this this tomb, we're going to let's let's have it's a

very bonita, independently that that's it's your or

no. So, this chica mention a my abuel always

had this class of the custom to go to get to the

end of the times to the families most and and they

do that and they're that the tomb of the family was

in bad conditions then he was that he

was always had a regular my my my

no agress nothing. don't to me's nothing. Nothing us

pertainse. All what is in the cemetery is of the cemetery. And,

well, in those times this little, then I had a conscience of this.

Being all we know, we think we don't, we think we don't know. This

little when her father was reallating the tomb of his mother,

obviously was her his abuela, not that on a costado

of this tomb, there's a a piece in form of a heart of that

you know a lot of a lot of people. I think I'm a little a little a little

a piece a little little bit a piece of it's a very easy, the time to take her

to your bolsa. So when does that he and he and he to see a

boyle to say, look what I what I found and be a anciana

a quite flaca with a aspect a macrata palida something

something tenebrosa but in the time was in the time it was not it

was like something something was a woman was a man and

was a and this as a the first reaction what he was

he got the pietrit and to any any any

this woman no he's he did a way to a

turn to when observe the abuel that's that's what's

what's what I'm no I don't I'm doing not I'm so that

so the so he's he's he's a partion because

according the the story of this chica is that they had

to the abuel of his abel that participated

practically in a in a guerrilla, if not mal-recurdo. So this person was in a section special of the cemetery. Like of militares? Like of militares, precisely.

So when they were there in that zone of militaries said that it was very, very curious because he saw that various people were observing to that zone.

The interesting. All observing, nobody, nobody practicing. Imagine that scene. Persona only observing the stumbas, without dirigers the word.

Sying the little she was, this is a little bit. But these don't they ask us. So, the abuelo he says,

what you're doing? I'm sorry to the people, but no me saludan. So the abuelo voltae and he says,

No, no, no, you're preoccupies is that there's people that are more educated. No, you know, you guys case. Pass a time.

She decides to get to this rock in form of a carcone. In this passing of the time,

lamentably fallece his abuel. Evidentiment he really does a much, but this

perdida. But, he gets with certain customs that had his abuel. Go to

the cemetery, to clean the tombas, visit to the familyaries fallacied. But there is where it

is where she has a series of manifestations paranormal, very interesting. This mention that when

was practically arranging the tomb of his abel a woman that was practically inked,

that I think this scene is a quite common for all us us encated

in one of the stumbas, a pretty but above of her, or at a

costado, he was a man, and he was a can't and say,

and I'm, pardon me. Pardon, pardon me. So, this chick, he was

a lot attention, he and he says the sir, sir, is a

good, he can help in something? So this Mr. no respond,

only the observe and the repent a interruption and he was the child. What's the what you

are the what you're doing? And this he says, well, only I'm only I'm so I'm

when he when he again to this man with a man with a so a very,

quite or commovedora for her observe to where the

tomb she see the mirate see the the tomb and

there was a photograph was this there was there in that she mentioned

that she mentioned that never had passed for an experience paranormal of that

type what What what comes to to succeed to start of that

moment she she's not a non-nifestations paranormal when she was

in house and even carrying with this with this peterra

in a dinner in a family and a and he's

he said there to I'm a place in form

of the part of the part of the when even

my my abel. All were silence. All were atonitous. They said,

why did you that's that you your abuel not you had said that you don't have said,

but is that is that is that no, no, no, no, no, no, no, not, no, no, not,

no, not, you know, not, you don't see, to know, to know, don't, you know

to do do you, do you do you do it, you always get to

But the manifestations paranormal are still succeeding. Even in your house, see sombras, be people

that were there and even some voices or some murmurios there that were that were quite

and they're and it and he took a decision to guard this the pader the put in

a coffre and he says, I'm going to I think that is the cause of my problems

and the of these, in a cajone, in a coffre. When does this, the manifestations

paranormal cessan. Yeah no he'll do it to see. But here there's

another problem. And, and you start to get to have difficulty respiratory, I said

that his skin was cartonada, it was even palida, it was sentia

very well. Yeah, not could even get to the camera.

It was many times to the hospital, to do do you do you're

not. You know you're not we're we're we're and there

you're there's in the camera observing to the nothing without

without that after that he in reason and

he says all this all this is so that

so that the A piece, of that and he's

this a piece of a very much a lot really even as those

family we're we're we don't know we know but a

part of that he's to get to get to get to get

with her she has she she recuperer but there

there a problem. The manifestations paranormal regress. See being

sombras. Be a person that is supposed now exist in this plan and the manifestations

paranormal not going to be a because she has a connection with this world

spiritual. Wow. Now the question is the next? The she?

It's a day? That's is very interesting. It's very interesting. Fifat, there is a question that has to be with the objects of Cemetery.

As a moment, you mentioned in the history that I just I've just about to tell. Those that are practicants of certain arts magicas, they're in the Cemetery to potentialize many of those jobs. I could get to the conclusion of that this Piedra could be object of some kind of ritual.

with what objective, well, no we know but you know the charge energetic that could have

this this is a so it's that all this is that you have carried of the

cemetery was was actually of something that was actually so much so that's

part of what could do this this cemetery so me so me

so interesting interesting interesting and and also I'm

I'm quite with that that's that's a hilly tremendous the thinking

that's that's is that is that is that I am trying is that I'm so I'm

so I'm sure I know that I'm that I'm to go to bring to to be

to bring a part of football to eat something and is there is there

is there and she can see that she can see her and he he's a he's

a he's a that I'm a bit sure that's a lot of that's

a lot of this kind of kind of also does also do you know with with children

so there so there so there there's a lot of stories where the children

they're saying to the people who he's who's who's who

the people that's the people and the people how how

Yeah, it's a woman that's like a face of this form,

the cabo of this form, and the descriptions are of the same person

that's in the car. Oh, my see, I'm to tell

a story before that's that I tell you to be a story that I

think that you're that you want to like much and I

want to want to something before this just just we

we're we're we these stories, but other type of stories, but other

other chapter. And I of a point I noticed that the people that the

people who find that are not only a form of desawgars of something that

what they did that a more not they they're too quite,

inexplicable traumatic, and of some form they're they they're

they story, who not solicited that were anonymous, but I'm going to tell to form anonym, because

without what is the narrative, well, is the narration of a crime. No, is like

a form of desawgars is a form of disculpalser. Figate, the story is a

story of a sepulturer. And literally the first time the correo after the hello

the letteral when you're to tell his experience he

commences with this phrase no I remember the

name of the this lady this story us that we

know that in the actual that in the now not

he did a this profession but during much

much time was sepulturero in a in a place of a public,

and well simply in that office occur in a lot of things. But something

that he was that he was poor. The job, the office

not he never sufficient as for that was a house

or had a level economic more. But that

was the only to do. And then being a people, is a say, but if you, is certain, you know,

you know, to many people, especially to the people, so, you know, to the sacerdote, a the senior of the

tienda, or, you know, to knowces to those people. And there one, that not was

that no the name, simply they were the person, that clearly has a

money, and has a carota. and well, he no, he no know how he's the

woman who has the woman, this is the senior, major, fallece and then

then get the familyaries that's that's they're in the city or in other

places, get the families, and the children, et cetera, and he's a

funeral and then then they are to enter the person, he's being the

sepulturero says that observe that this this lady that's maybe I

had years of having felled very a little a demacrada seca

but he noted something that he important because apart to us I'm

I'm accustomed to the to observe to the people that have

fallen for me it's common it's normal it's to do you we need

to we need to we are things that maybe the people don't know but that right they're

going to enterer. That is very interesting of this this of this officio. What he

observes that he is that that's a senior is that they're then they're

and he's and a vestido very beautiful and a

an a big and that is of and that clearly

is of or with some some some the he can

he can't he intuels that are very caras and he can't

how can this family if I see seeing to the children

to the families all they're they're in the form

to get in the back in the sapats that no this she's

this the tomb with that anion of gold. But to

them not they're not a me and she and she

she she still when they they he he

is perfectly what he is he he pass

the time and when when he has has

been he had a pala that He said that the part of metal he had put a box of a black.

Because at the moment of to come in and get to the point where they had been interreded this woman, no care that the metal were to bringer and it was to let us. There's

there. He met, no, he took to this turn, but he knew that if no, he did it, someone else, he was doing.

And then, and also, he said that is very, this are the things that are the one

knows no know. The best, from his point of

view, is to do that because the earth still is

so much, because no there's there are that's that

don't have said a little that the same and

it's very, very, very difficult. And in that moment, as they

have been much more more more more So, if not

he does now, to do someone more will be after he's

he's a pala get to the tomb of this woman and he begins

obviously delicately between commies and start the the

time until that for fin he's to get a but he

hascarvary to open and to take the the and he it

he he there's the woman and when he he

can't put the to make the hand this this

woman is with the two so he he

he he he he doesn't want to he

does because he's that the body although so

is fresh. No, he wants to manch the and he starts to move the

dead when the really, that the body of that the woman was

moved in a movement not natural of a body. He was he was

trying to the hand the and the hand and the hand was to be

back. He's he This is normal, but I'm here. So, so I agro with more force and he started to hauling that man with the hand and the hand that was like in form of garra,

while he was hallowed, of he p. So he piqued, ah, of his man here, of the muneca, and he He was he peter, and he, for a moment, he knew that was alive. And in that moment, when he was like, he said, no, this is not, this anil will be me. Joled his hand and he said the

hand, so, almost-sehrada. He gotro the pala, the place, he was justly in the nudillo, and from the above he pego with force to cut that dead. And when he pego, he said that in the third occasion, that he was with much force,

but, well, it's very hard. He pego. And in the third occasion, the body of the woman, he doubled a little

to the end up. And he feltio that he, de really, he said that the same thing he went to the feet, that he was to

put a moment, even he thought, that was the devil. No, know why. Like,

he recorded his infancy, he was the devil. Because when the woman opened the

book, he was the body with the little heard of the little

heard, and he said, a good, that was a quejid of the pain, no,

I don't, I'm he's alive, what what's, what's, what's,

and he he's to peg him to get to rapidly, rapid, rapid, rapid,

with the but yeah no in the dead because it was really

right here, just in the moke and this person the

person, the body grittable grittable he was to do do it he got to

do in that the whole he pared the hand

the the the the liquid the the kind

or tendones that was he that man and he said that the earth that he

had left for further for si only, like he started to come to be like if I

think you're and he he, he, he, he put, he put, while this thing was

he said, he said, he took the hand, he, he set, he, tried to

do the ta'o, and he brinked on this for to see

to see the and he's he's he's he's this person

said that obviously the motive of to do this was

to get to get to get to get but he

got much the and he he he renuc

he he he he's he he's at final

no to I'm going to to be a I'm I'm I'm I'm

that I'm that there no me but I see in

my I'm he's but to say I say something she's

she's she's poor and she's that I'm that to live with that. No.

To say something, this this is this is this one I'm not I'm going to

I'm not only I'm going on the attaute for that it's because

he had meted the the but after after the

man he was the thing he was the

woman was was a way was a over

and grittable, or he creak he cried that he grittable. And with the

pala he he commenced to goate the car to doble to be back to

and then after the taboo to get to get to see it. This person did

something in all the things terrible. Terrible. It seems incredible that says

that I don't I don't think to regress it. No, me to get to do but no,

man, it's a story. Very very very. Fiatte that

stories that have been with profanators, fuf, are very, very interesting,

because if no they're to be the dangers of what can be what can

do you do you do? And to start with the story

that I want to share a little a

story that by there went to the channel of a person

that supposedly he took to have a burghiria

of a tomb as you know are in the place where

they are so this person mentioned you know

that in a before he had interrado to

a person that was we we we we

we realized a burglary we know we were very bad with him but we know

we're going to get to get to then she mentioned I know that these questions of

the bourgeoisie not are commones or not are real in some cases but but

we're really we're we're not so there happened

things in the house there there there some the

people were sometimes there were saying that there

a person see this part this part, I don't know you can't put it sustaining your head

if you can put up and that the people are aterrados aterrados so they're that's

that's that is that is that is that goes with the head like to like that

so to give a little context this person this person is a question

to crime and a and a bando he did this situation

separated their That is that of his body. Yes. Then, yeah, that's he started

a general certain situations, certain things. Barr, is revised with someone, and this person said,

they said, they said, they said, they're doing, so, so, so you know, that's a

, a little, a delit. It's, clear, get, and get, so, so,

do some, do the, they, put here, the excuse, that they they're, they're

to use part of the gabeta and a things, but it had very little time.

It was they're obviously was a pretty fat and at a one side of

those liquids that sold a box a photographies the partes of bells

and all these things horrible horrible so so it's something so it's

something so that so it's so in this occasion we're to share

another history that's very interesting. Of the actually has a kind of

kind of kind of if it's this type of stories with failures with the reality.

I would say that has a part with this. There's a person that

has a story that's that's a year, a woman

that is a merida. Ah, my just right. You're to do you

do you're to do yeah, so, so, so, I'm

of the Merida, Yucata. Okay. Well, as you know, the day of Muartos, in all the

country, it's the people go to the cemeterios, they're in their flowers, they've

their respects, and this history me called much much the attention because it was a person

that was a person that had a sameterio. So, it was a person that not he

was never ever. This mention, you know, you passed for a process of

a in my work. So, then from the finales of September, I've

this accident, and they're the days of the day of mortals. For those times,

I was, I was, I was, I was, I was, I was, this situation where you

had to move me, then I took the decision of that my first movement was

to go to a center commercial and, so, to do some companies.

To be to this center commercial that she mentioned, it was in an

horridor about, I don't see if the colony of Juan Paul 2,

he had to take an bus in a parade in specific a route

that only went to that mentioned for the days

I suppose that the buses the carmions went

because all those that were going at tope

always Yenous So, then there was one where almost

I'm able to get to my incapacity for the situation of my

situation of my medical well, I thought to do you to get

between all the people totally about the people as people

as as as raras strange very rarely really

I I'm I autobuses so when she was there was

there all this world of the world of he does take a other route

not not go to the location where she I think that he had to

he he was he was he was he was she she's a person

a person a penosa me I know I don't I know I have

I have I don't see I think if something And I'm call it. This is

something that's something. So, so I don't, I don't, I don't, I don't,

I don't, I'm, I'm going to go to the bus. Nobody's got to, that's the

most extra-en. Yenno, and nobody was, he was during many

quarters, until that this bus is done to do to get a a

a, a cemetery. This cemetery, it Shoklan. If I know

I'm not I'm a so much I'm sure but it but it's to go after the front

this mention that this panteon this cemetery has a many many that are quite

great that can't the access of some vehicles and people and people have that

access for me of those vehicles particular and in this case so

the bus something that not is common in the cemterio Sure.

It's going to the front. What more he called the attention

to her. Like if it were in ormigas the people. In

when it he's all, they're all of the doors rapidly

and and they are all the cemetery. It's they're

something. It's when it in the cemetery solo only says

I what do here? So, Temerosa, she said, you know,

I don't know I'm afraid to this. I'm too. When I was coming down, I was going to know how

to see, I mean to pass into all these passages between tumbas and not he was

at around. So, between all these tumbas see that there's a family

that was in their vehicle, that practically were only just having some flowers,

they're doing some of these tums, and the vent temerosa. He said, Amiga, you're doing? We're going to

help? And he's, no, no, no, no, no, no, no, no, no, no, no, mehurt. You know,

you know, you've got a , you know, you know, is that, I don't know where to get,

I'm a little bit of a thing, I'm, no, my, no,

my, You go to the vehicle and you We're going to get us? To the Horerah here of the Juan Pablo 2nd. Ah, look, we're going to

go over there. Subete, a little, we'll get you. Dickelp't, no, no, no, no, I can't,

excuse me, if you want to me accompany to come back. No, no, no, subete. You know,

this one mentioned a an adult major, parents of family, and a little.

She had in the part to the backer. Like all the attitude of the

children when they were when they were playing with a carrito the characteristic a boy doing caritas

doing with her practically when there that reaction of that she's more

a little she's there's a man yeah she's calmo when

when they're to the area they're to get to the mention that no

he's nothing that's simply and simply simply simply and these

people and we're we're going to get you get a little

when when it's when it was going to look to

not at the first he said well well

so maybe he was in the other other other

other things all he does all his companies

still with all this to recoges his cositas and get to this mention that has a certain convivio

with your family is in the dinner or in something that has been with the food

and then the classic family that he got to the lecture that

is in the people most most in the people reading the

she was she was she was preparing the food and when

was this family with the periodical with the portada of the

something something something a photo a photographia a vehicle a particular a vehicle

to be able to be the same family was the same the same what the most in the moment that this photographia

she she mentioned you know You know, I don't know I could, I don't know I'm

moved, they're, they're they're not, the same people, the fact, it was like

a photographia of this type that, that you take out of the house, with the vehicle,

that's presuming that is a family beautiful, that all are fulletos, that are

in their vehicle. Lamentablely, in this case, the report was that they had had been an accident

automobile which they were impacted by other vehicle and and, and unfortunately, nobody

survived. What he was more perturbored was a time was a day after.

Perturbator maximum. For that I mentioned of these questions, it has to be

between an encounter paranormal with persons with phantasmas with almas that we know is

in these plans, but the yeah to get to a vehicle what? What

how really we're doing we're doing a existence in a plan of physical and they're not

we're so we're so that we can't understand these strange moments

of the reality? Cirto. How is possible? I said I mentioned with an

friend about a friend about a friend we're doing why they're why they're and why in some of

the comments to the people have there are people that you mention that's that's ridiculous how

how you think that's going to manifester a person carrying what is a lavator

for example how how is how is how is manh managing what was

a car how is how it physical. Tocando people. Tocando

people or accompanying a person taken to the man, etc. Manystimony. So,

so this person was, depending of certain contexts. When the people

are the people are in a certain form, we're in our credency

religious we have that the paradise is the is the heaven.

The for that is to get to that form that we're in that religion has planted but what

that is the sky is the place where you're the place where you work where you were you

were you were the so you get us to the conclusion that many of the

apparitions of persons are doing the labors or the convivences that

that they they were so that in this case me it's quite clear

that the manifestations of this family was together. It was in that form that were retratedos.

So, no doubt that that was your place, a part of that they had been in

the photo because it was the coche new and one a second or two months

after we all together in family we're going to do something in the coach

new and we going to go to but, but, lamentably, not

they were. But it was a moment for a moment for them. In this instant it was a moment

of a moment of this story. Interesting. You're going to tell a story that this

not is an anonymous. This is Amanda Julianne Herrera and the titula

The Nia of Rho. Figate, this is also also, is also

also, that's, like, the story anterior that you tell about

Julian us comment that he during 30 years he worked he's he

in the Panteon of Dolores in the city of Mexico. Nothing just for

that we know, this is this that I going to tell you about

in 1998 in that then he was he did

his roundin between the tomas fosas and passillos

and that did at all all this all

it you know you know you know very, very well.

So, he said that when was in 1998 in this, not a family that is a lot of

families that are in that moment visiting the pantheon. And as you say, this family was with a

child. And he said, this is something quite common in the cemeterios that when

When they're the families, there are like different types of people, those who get to

keep to the stums, and that even they're doing the times, those who do

do you know, they're two minutes and they're retirn, those who can't more time

and they see that in that that's in that the more is something that's

something or something that was really very don't but also there's the

families that are to visit to the people and And at the

most the children, the young or the little of the little bit of the boy and he's

even know and it's in the he's not, and they're even to these families that they

get them, pardon, they're they're they're because because he and they

say, hey, calmate because there's going to get a little bit

that you are doing while while they're while they're they're just they're doing

to their family. See in this family is a little of a six years

normal simply passen for there and then so it's not that has occurred

something because this family commenced to gritty the criers hey no gritts no no

my my my my my what is we know we're

we're we're we're not no no We move us, but all. The Pantone is great.

Pied immediately that they're and they're and he'ser to look to this child. The family was, well,

deseched because it's going to pass the time and not they're when they're when of

one of the person that's that's there in the cemetery, the gosel, the gesture

that, that, that's that's when he he says that they're

they're they're they're they're the when he to get to the

police and when it's all the investigation is that was that was

just was being a being a man and no

he was there was a tomb abired was the

there was the And he He was He got So, and he

immediate Well, Well, he fellsio. Ah, He fellsio. Yes, so no, he was found

because literally was in the Oyo. And was this person that was there was

that he observed and was there about and there was there was

there was the thing, it was something horrible, horrible. The family, the

pain, but who were in the cemetery, they were they were in silence. They were not

very, not the distest, but more more well confused. Because one of the people that

worked in the cemetery he said he said to comment to the family and all

the other they said no no no no do you did you diduio

and someone and someone and he said for favor no because if you

do you don't you can in this cemetery in this cemetery he said

saying that he he He has a worked there during much time, 30 years, as you comment, in that cemetery, it's normal to be a a little bit of a little that's a little bit of a

coming, like, coming under the tumbas. They know perfectly that that a little, no is alive, because no has a and this

sir, a sepulturer, when he saw the the child, he said to

the family, he said to the police because he had seen to that that man

to the man of that that was to what was to that he was

that the family or the police that saw of a little of a nina

a but the question is this. He knows he's he's that in the

years 60s occurred something in this cemetery and the people

that are that that has a time that has a form of that's

that he is that the first basically is that in the years six

a family was in the cemetery the the little she was going

to be going to because he was to get a question very similar to the

little of this man and that's that she disappeared and they started to find her

and they and they also without a life inside of a

tomb that was still still not was probably

probably that was approximately that that would to be there,

you know, so it's there's a person so you the old, the

the new year the little but this little the no's not the

little was in life before to fall to that the

doctor the police determined that the the the

the she had been that was privated of the life

and they had they've been tirado and never encountered a person culpable.

But he, Julian, he passed the time, so, occurred this, and he

was in the point in that he was he could just to have to be

to be and he was two reasons. And this is going to

put in the pelt the first. That story is a

legend. That's not occurred. And the second, the people that are in the cemeteries, know that that that is a manna, no is a phantasm.

The entities malignas are they're being of things innocents. Cient. That's great. It's a good. It's great.

This was the first that I was going to tell but I said, no, Oh, it's. It's a very good

that history. Yeah, there's a lot of stories of this class of manifestations and also

there, even there, even some some of video, of what can get to do you

have been when you don't know, when you have feltas to the fact, it's been

a little chistos. Ah. Of. The one precisely talking of the

that's that's that's that's a and in the question of the testimony

is a he's he had said a few times because it's a little bit

a little a but that he will understand a little then then they're

doing a new and the the little he's like like

like like like like like like like like

so in the thing so it's a little chistoso, because the

little bit of the little bit back to get and now is for the time. It's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's a certain moment. So, so, it's, it's a fact of respect. So, I mean, the, you know, for that, for the, you know, the children, no,

nothing to but, but yeah, are some situations are quite interesting. The fact,

right you say you say this, I'm there's some interesting, many, many,

which have to be with cemeterios, where, for example, there's a video where some people

are, then, with their family, but of they're in a tomb that

is like more saladito, there's a little, a, see, a railete. Yeah, also.

Yes, yes, yes, yes, yes. And there's a... And there's a phenomenon very extra. But right, we tell us to the last stories. Uh-huh.

To tell you know, because I, me, it was really when we were the reality and what has to be

with a cemetery. For many things that are occurring in the United, since before, there was a group of

people who went around a cemetery fictitious. Okay? they, montarro in a cemetery fictitious in the street,

like, like a form of protest that there are people that are that's being that's being that's not,

okay. For the decisions of the government in a lot of aspects. So, still not

they're going to die, but they're to be because of government, then, then you're just a

one of a time of a process. And the people, obviously, the media, the protest,

the cemetery, etc. But it a phenomenon tremendously strange. For the nights

in the cemetery mounted, the people began to see the somebers that's

moving, and literally a person that's a person that is a creation of the

content, went to the site, and he took psychphonies. How can

you obtain a psychophonia? How you can observe a phantasm in something that

is a cemetery but not is a Oh, okay. It's like an alteration of the reality,

me you know, or we're going to or we're going to or they're people who are they're doing their bells, they're putting

their flowers, and I could say that there is a case that's quite similar here in Mexico. Ah,

yeah, here in the city of Mexico. I don't I remember if it was in the

Monument of the revolution or for the angel of the Independence but they

did a many of manifestations of women with just a reason for

disappearions. Yes, it's so. So, they've put many pamphletos

with images of people peridid even in Guadalajara also. And there people

that manifest that in those places, or there not passed the event there

there not found restos of these people but mention that there

are manifestations in those places. It is certain. It's

certain. is sure. No, I remember about I think you don't remember you know,

you know, you know, but well, I would like to continue with a story that really interesting

and at final, we're going to mention something to what I have a certain theory.

So, so you see, we're going, if we're we're not. This story

me got much so, it's a very interesting because has to have been

with an apparition spectral a Atearder. This story the titular on Put Limits.

Okay. This story, well, not is anonymous. The compaque Maria Jose directly from Sonora.

This chick mentioned, you know, we're not that we're not a person, well, we're not

for the style, a family a family that's a family and we're and we're all our

questions together to go to the park, to the cinema, to all the parts,

the and in a certain moment, the pap they say, you know, we're

going to to buy certain things to a a certain space, and we

go to all together. They're to go and then when they're going

to this place, there was a zone that functionable as a tach.

The cemetery. Recordemes the question is of the fault of respect. I'm going to go for that side. So, the papa says to all you know,

we're going to let's get to the way, passing us for the cemetery, because we're a long the tram,

or do, do it all the second or not. Let us for the middle. So,

that the cemetery for what they were going to pass was a quite extensive.

When they're to of this cemetery, this cemetery, like many others, had a certain characteristic, a sort of gloriata, where there were some founties and there were some banks.

So, they're a, as a lot of a lot, and they're a decision to siters and have a descanser a little, before to continue the road to his house. When they're sitting, they were quite tranquillous, they said that there was a tranquillity, unigualable

as it's like it's sulles suede in these spaces and when they're

in this space they're a person that's going to and they say well

a person that's a person who has a family who something but here

here so there something something something with a shirt

a shirt a quadros with pantalon of mesquilla with a tejana person adult

of the 60 and 70 years no had been fixed until that was more closer that had some eyes

great observed observable physically and not parpadeable until at a certain

point it was aterator the form of her so car so So at

the beginning to all to all, including the chief of family. And the

chief of family, as he was going to so I'm going to he said, what's

what I'm what? What does for a car? He can help? And this

not that's not said. No, respondia. No, respond yeah. With the

eyes abirted and without and now, but now nervous

So, I'm going to help in something? So, as he

not he was in a grad of a nervousism important, where the

most the most little were to be they were to the mom and

the father. But the papa reaction in what moment when

he's he over. No he was not he was not the part

inferior So, the part of the part of the part of the part of the part of the was there. It was

diffuminated. But the aterrador, the most aterrador, was the car. It was

like a person without a life. In that moment, this man,

he has a a all, according the story of Maria Jose, let us,

let us, so they're they're they're to And when they're to come to this person

no, it's a start, then it's and when those and when they see

to get that the way, and a past that that's that was with

a lentitude she she mentioned that they they're that they they're going to

think that was that it was that they're that this man

he's to say to this to say to this or this apparition

that those to leave in peace, that they were in and they're in

past and when when they're practically to the area to the area

and this see that this form spectral was still

even even almost getting to the entry to the

man that the man with a head of

family with that with that voice kebrada, he says, Yeah,

no I do authorization of that you see you, nor to my family.

I have the authority as to you know you know you're and in that moment

when it when it and they were to be a point in a

form incredible if even they still there could do this he's

disvanace and imagine what was Maria Jose that

were a nina. No, no manches. They were aterralled. And, and according

his relato of Maria Jose, no he was to do you to be able to a cemetery.

Nunn't. Never. No, no, no, no, no, I'd be a lot of

to play to to be. I think that the audience will be to confirmer. No

has heard Feppo that in occasions when there some kind of kind of

manifestation, you know, were like, burgas, naguals, fantasas, et cetera,

or some kind of manifestation denser or of demons, uh, one of the forms,

that's that they're those, for desacers to them, is to say, is to

say, there's a lot of so, so, super common. I think, and the,

and the, interesting, ccesan the manifestations. Yes, I'm, I'm not I don't think that what is detaining the manifestations

paranormal is, is the grosseria. So, is the authority with that you have to this entity. So, so, so, taking that concept,

I think that when this person was he planted to front, well, if I had a fear, evidently, but, without, to do that,

I don't permit that me you're, to get you, this is the limit. In that moment, it's a

moment, this situation paranormal. So I get to the conclusion of that the people who are the people who

are the not the grosseries that is what that's what that is what this, that's to be to

say, in many words, but the authority with what they do do you know. Exactly. Correct.

I'm totally of course. Inc., I think it's very important the, the form

in that you mention because when an exorcist, for example, that is what he says to the people that are going to help during the exorcism, you're going to rest, but not you distract, no, you don't, you put with fear, you're firm, firm, because that's

because that's authority. Your intention is to continue. When you, you're an entity of this type with grosseries, it's a power, the grosseria. So, because only the you're only

you're to be the way to the when you're when you're when you're more authority when you're

more imponent so that's so that when I'm so when I'm saying when I say,

no I'm let's say the right. So, now. Now, here is a

interesting the fact of that you parpade that that vision that in

some in some some cases in some They were a person of the carny and and the

body, so, so, but there something in the way, that no corresponded to

be a person a real. What's more more than is there. It's true.

It's actually, it has a enough basically is a manifestation

clear of a person that's in, that's that's in the

just that's I'm to be a person that was a person who

is one of the main forms of you know that one that one has been much much

sense that some of the manifestations spectrals of these are of that that they

are of that they're not they're not parpading because you know they're not they're

there a particular there's I think it's like comedy I don't I've seen but I

know that this with Johnny Depp And what they did He's a vampire Is a revenient It's a Mervient, is a

MIRTO Digitally Retirate The Parpadeos So, So, always

With the eyes With the No, they don't mention it, but you notice

something that's something in it. That's the fact of that you do you're Yeah, because

it's a Murto vivien in many in the few words Yeah, it's a Murto Vivient

So, so I So, I so. I see that this story to be to fascinar

to To be. To me Enkanto. You're this story. It's a

title, but I put the Cabeza. It's anonym although if you can mention

the numbers of the people because are two names of a lot of many

common. I actually I'm at the moment to do it did the

problem because with us there are two people are

Marianna Maus and Marianna Portillo. So, well, here,

this story, that we know, for sure, Alberto, us comment Alberto, that,

well, he, no was that, he said, no, I'm not I'm trying to

say, no, for nothing. Simply, I'm going to my story. Mariana, no,

this, well, yeah, no, so, so amygo because

this experience resulta that Alberto and Mariana are from

some very good good and they was just in this moment of the

of the youth where you're thinking in many things of your

future that you you're to come with you're to do and

you're to do an business of design graphic

or a lot of a lot of things but really

because they not were sure of what they were they were they were there's a something,

Alberto, he'd love the the stories of terror, they're they're the content

where they are, the spectros, and all this, and a Marianna if she

he's like, but he had a so much it was, it was, more well, it was like

Alberto he had the things that was he a little, no, no,

yeah, quit it, It's that I'm scared, I'm afraid. So, so one day he said

Alberto, Amarina, Oye, you know, you know, we don't we can't do we

know, for internet because they need many things, no? That the light,

that cameras, that microphones, this and we're not we don't have money, but there there's something

we can do. We're doing we're doing exploration urban. Sure. So,

we need basically of a camera. And they if they were the fact of to say,

Oh, and if we do do we say, to do you know, I'll say, I'm going to say, in this moment our phones

are very chaffas because, I'll repeat, we don't we need to. So, I said, no, this

not going to functionar, no, no, there's not a loose, generally in these and so, I'm going,

I'm going to do you, and do it and talk to do it. And, Alberto, he started,

uh, but he was to do, how he could do do a camera of video.

And he said, perfect. Yeah, I did. Yeah, I did. I need. No, I need my telephone

cutre. And he put to to look at his his papas. And he found,

well, so he almost all a world in the lampra. Tove a lampara,

was he said, no, this is this is so he said, so he

said, and with other friends as the places to the

other to be there there there there there there

there's but the way the form more the way

you do you because in a cemetery obviously was it's

like tetric dark dark the tumas all and it

is very probably that something that if you basically you get

to get the police with there with Mariana. Sure. I was to

get to get in a problem grave, no? And he said, well, well, so.

And he does a point of that there's that when it's when it's no

has a no time. So, he's said that he was a day, that's

so I'm and he he's put to do a little to make to make

a so he did count of that in a corner in the way in

that's a place in the way to you can't get to get to not a

little a reja that has a something so it only are two people

they're not and I say to Mariana let make the camera

carga the carga his lamp and they're and then

they're in this site he He helped Marianna to break and then he said the fact

it's very very simple so if you you're just you're very so there's so there's there's a

little bit of much fear of the they're going to get to and then we don't pretend we're

the lampara and we're to get us in where yeah it's more difficult that we're

going to go to go to go to to the the center they're

they're It's his camera and the lampra and I'm going to and the the truth is we're not

we're prepared for this and not for questions paranormal but it's so it's so easy

to be front to the camera and the the the is when no

doesn't nothing you you're you're you're a there's

a something and basically our video was going to like talking about

in voice a bit of there can be a bit of something there's there know,

do you know, you know, you know, and Marian made like you know, you know,

what does that you know? So, it's that has that has to have been a good

rato trying to try to do something and sometimes said, if we

said, we're It's the air, it's a one of the one of the of the passages, no, between these, um,

uh, tumbas and, and no passable then, then it said that there was a moment in that was like,

he was, he said, I'll be, to be, I'm going, to say, there's a thing,

because no is going to nothing. And we're going to a lot of time, yeah is super

time. I mean, it's the madugada, we've done to be and it

and he he's got kind of in this of what they do you know, when of

she got to put her like a person, he said, and he said, what is,

what is what you're doing? And he immediately with the camera and he said,

something something to be talking to the he'll he looked to and he

he said, if there something, they're going to the tibes to be the marianna. And then

Alberto thought, God, we're the worst explorators of the history. No,

it's a thing. And he said, no, you know, he's got a

got to you know in the cemeteros there's many many caracles. There's

certain. And he said what, you know, let me no, how

yeah you know the battery in rojo and no I don't have more batteries so is the only

and it's the he's just he said then I'm so I'm so I'm the light the light

the light the light and they're and they're and they said where was the point

for the point for the we're and not they're they're they're not

not peridid but so they they're disorientated and he said

Mariana we We're going to to come back that's basically the part central of the cemetery,

there's, and when we get us we're going to we're going to because it was the first point

to get us. Okay. They're going to and he decided to the lampar because if

there's a little that's going to get to get to get to it's

going to when they when they're when they he's he's he's he's

there I think there And she And she says That's like And he's Because, why, why?

Because he says, No, calmata, a person of a person A vivo Like us. Because that's

a light of a vealator. And everything is here that's a That's a person, someone he has been

to put up we know, we know there's this. There's a there's And he said, let us,

go, we're going to, we say, no, we're going to to be to be right in the cemetery. He said,

no, for favor, he's like, we're going to just let's go just going to let's go and they're

to come back and effect there's a hermita a year that you know, you know, that you know,

these, like they have kind of, and all. It's a little, is a serrata, is a

carada with the security. The vidreos of the doors of this hermit are so bigos

that's like socios and in pañed. Dentro of the hermita there's a bellator encinded. That is the

light that they saw, no manches, but in what in what moment someone opened up and it?

It was recent. It was this was someone he had to put it. So, so it's a question

yeah of content, yeah the camera was just apada, but more more than

much curiosity isom, and he does know that that's a belator there's a

a mark with a photographia. And he said, look, they're, they're

to, like, to know, what is what is what's what's they're

more or can intuire that's like, a child or an pre-adolesent

but is so so it is so really not, no,

it's a bit long, but not know very well. And he is there like trying

to observe this when of this, Marianna, she'll because I heard a and see

what she consider in that she's a little that is a minute, vying it. He said

that in that moment no, he didn't that there was a little there.

So she She's She'll look at and she And she comes to come out and she's

She's Hello Amidate Hello She was a little Like between 12 and 14

years And Alberto When she gets He's He's he can't hear

what she's saying He's He's like murmurating And I look And he

said Marianna What is it? But she But she's But she's And he Obserba

Because he He's He's like She's Like she's Like He's like And he's

And there Only there Only there Only there And she And yeah And What you

And he says And he He'll And he He'll And so So he And so

So And then To Let's Let's That that He's

to take the lampra, the point, and when it, if there's there's a little. There's like an adolescent or a young, or a little, right to them. This what I'm going to say, according to the story, was a thing of a second. Because when

the light impacted, He felt so that fear that he left the lamp and he

not went because Marianna no grito of the impression

she put so palida and disvanceo of the impression and he

what he did he did he did not try to get that and he saw

his labios were totally disvanicic and he He pego in the car, tantito.

Marianna, Despirt, Mariana, Mariana! And she, like, opened the eyes, the little, the little, and she was up. She was going to and they were

running from where they had entered. Dissue that when it was turned, and the light impacted, it was like a a pre-adolescent

with the classic vestigititto black, with the The cabello negro, large, but in the other than a rostro, it was a head of a cabo. No, he moved, no

he was a real, but was impractant. When they went to the side, he went to for curiosity, something. No, was the little, with a

caboio, but she noted that that in the hermita that vellator that's alas it's a pavo. No, they're

a form of to explain it, simply is what what happened. And I am sure

that you have you heard of the woman with a man with the yeah.

Yeah, there are some in that some in the some the

Siguanava the Cuea and I think there other definition

fiatty, there is something and of this of this, of this that I'm there data,

there are videos, there's that has to be precisely with creators of content

and has like seven years approximately that I started

in the creation of content I I'm I know

with a video very interesting where one one

one had absolutely nothing of success. I was he used and he

was he was to go and he was in a house to make cemeteries

but nobody he said and he he said I want that I want to

me want to be that there are those videos there are I don't

remember how I'm the child but but it if

no I don't I don't if is Venezuela

I don't remember where it was. But this mucho he said a little he got a cemetery

and he found a work of a and he he's a desacare. Photographies

I don't I don't I remember if I had some stutuilla something belas and

even even he's to be to be to be look what me I have to

look it's it and he's a romper. Ah, this

or a brouho that is this, yeah not he going to work.

He's to be to be able to get a situation. The video is super viral.

Muchisimous visits, muchisitim muchis. For the people me's know,

but he got a message. Oh, I'm sorry, that you know to be

to respect. And he he asks, you, who are you? Why are you saying that? I'm saying that. I'm the brush that did that

job. And now for your fault, no I'm going to complete to something for what what

they paid. So, so now you're so I'm the video, the video where are the

captures and he's going to be to the witch. Look, how can this?

That's that's saying, that me going to pass things and I know

so much that's next to that's a little public a video he's

and he and he soplicating for favor for favor yeah yeah

I don't I'm yeah for for favor I'm to do do you

do you do you do you do do you I don't I don't I'm

I'm so I'm so you see the video that was the last video that It's all

in videos. Just that just I don't remember how it's that case. It's that you

have you have been ever has encountered a burghry? In cemeterio yes. You've

manipulated? No. But I think it depends with what intention you're

because, well, a, I mean, to be the brain to be

done it's just intentioned and is that you're a person

that has a character or the form to do this, deser a burglary, better not

do you say that's what I'm saying something. We're going to a occasion, me refer to Alex and me,

we went to Spinazzo New York, Casa of the New York and just to the entry, not

at the carterterer, but at the entry of the world, the left there is a hill,

and a lot of cruces, is a cemetery improvised for what what they

they're people saints for example in the children that were people who came to

do you okay okay people of people of character religious that's they're totally to

the help the progim so in this serro are these cruces and the really

also also also with much respect I do you when you observe when you do you

do you do you do some with some with some

after after inquietante, me is super interesting or maybe to do it in paranormal I like much

it's very beautiful. It's very beautiful. These cruces, this serro in a mountain very high,

so, like, like, a lot of so, and I said, Alex,

me pared, pared the carer the can't have rented and he said, we're to do

we're to come and we're to come some more more more

more regard to the vestiges of 15 years that the little bit when we when we were the fetish

the mucke's the mucke the and I said no manches brubisto so it's it's impressive

and we we're just we're just like document only I said no you're going to

you know I'm going to let's say no just no just he was so you

no no no no no I said no no I don't don't you don't you're not to

say the things with those that's what they do this but I mean it's a

fair yeah and then I'm sure I'm like I'm like okay you know

you know I'm okay to open one and document but with much we're

we're we're we're because I'm one that's that's

a job of this is a work he's he's he's he's

the listone the those I'm was trying to do without with

some alambres, no so it's simply it and I'm

I'm to make it and I'm and then I'm the attaub because I said

there's there's but there a photograph there. So when I'm I don't

know how is this possible and for there I hope that in the video

see there there had there arnana there and vivas

in that putterfaction no so or the gusanos, but there were arrains

vivas into that putrefaction. The olor was a thing of the locus. So,

they were in these pieces of Chile, and well, I'll say other things because are of the

they put in, so I'm, so I'm, I'm, I'm, I'm, because I'm back there

was the photography, and the thing, and the thing, and so, and so,

and it's allpick, oh, no. You know, I was grue for God. Alex

really not he came to a little so he a coo a little a coo a little

but a car I'm not I'm sure that in this moment the the dolor of the

so that so in a second in a second to not have a time to a

that I'm to get to get to the the cameras Pim Pim

Pim so they're psal and the alex a

agar the things, alhate, alexate, alexate, me said, I said, alhate, alhate,

for favor. And I'm going to go to other side, because I'm going to give to give up. When we

back we're we said, let me get the cabiot to the caravit to get in a

caravit and me said, what's, what's what's going, what's going, I'm

advanced, we detooe, and I see, so, all, I said, I'm,

I'm, I'm, I'm, I'm, I'm, I'm a and I'm my mother.

He's not me reganen, actos and I'm reggae, I'm doing this, we're doing this, and me said,

my mother, first you're going to do this while Christian is the he's a work, we

have to do we we're just we're the thing that's that's the thing that's that's the

thing that we're the circle and do a oration and there was crement of animals,

persons and perils to any point in the we're a lorrable. This is like the discerto

and there was excrement, excrement, excrement, excrement, excrement, excrement, excrement, excrement, I said, no it can't be

and I'm he said, and he said, because here no there's a pedacito, we did

the circle, we're we're we're We advanced a little more and Alex he was going to do-as-tombs, we had to do-

the time, I said, I got into the coach and I said, right I was going to with the eyes so-and-and-a-tranker me like, this is a tonteria is a tonteria, this is not real and me said,

Alex, you know, you know, you know, you know, no, let me get into here. Me, I feel very bad. Very, very

man. We said a Christian, we're we're and not see if

has been but between Monterey and Durango we're we're going that the entry to

Spinozo New Orleans the carter is literally pure right right

pure a pure a correct and I did a so a right

so then we we were we've been in the coach I was thought

so like they're are working, we're going to be doing, etc. And of

when we were going to we're going to be something, I've got to have to have to be

to look at his, I'm his signetural of security and he said, I need to that's very

calmado, for favor, if he gets to happen to be to be a very, I need to

get the put the hands to front. He said, look, what is? He said, don't you spantes, but

look what's what what's going to be there. And there's Alex, you know, my foot,

I'm going to I've got I'm going to the accelerator and the accelerator solito. So,

he was going to do you know, for God brother, for God. And I was so in the

volant trying to that he would be calmed and all my senti-scentied were super-enfocados. The aceroy was soly-soil, and I saw the coaches and how I'd have to go

rebassing, while I was to peg her to the accelerator for that he waslet, because it was to, he went to the piece, only. I was going, and so, and he was, he was, rebassing at a altissimo velocity, until, of that, of a puttow. That night, when we when we we're going to

those brutal and I'm very much the help my mom the help the help of

Christian Valerio and even a cat that's going to get to get to get

to pass so between us and I see a titit too for

favor thank good you can you come you're on a one

and the other of the other fuf no no no no it was

it too it's in a a spinason of the leon

for the idiotess, to open a job of a brugery. Okay. Fiatte,

now that I remember, if I took to open one, that was a armre in the Pounte

in the Pouette Guantua. There me took to go with other creators of content, and it's

a quantity of burglary that is there in that's important. And the

form of amarrres that were there or were important. Imagineate to find

Bruchery that I I'm sure that it was that type of Brugheria of the person for that your amygote so you know

that's that was the most interesting that the boxers or the the robber of the women

those clavable in cactus that were there were so you imagine you're the class of the class of

the time of the fact yeah well we're going we're going to we're going to

finalize this capitulo, if you do you do you want to comment to

the people that I'm going to your channel literally talking about of brugheria because

you have to prepare some super oscuras super oscouras so so per

there we going to be in our channel and then I let you I'll

give the invitation to all the person approximately we're for initial a new

step and you can be being interesting. Much more than my own podcast. Muchismas thanks.

Amig, well, I'm very much to the people to do the people who heard these and over all

the people who made their relato, that they've been those experiences. Thank you. Thank you. Before,

before we're going to us, comment us to your social, for that you can't continue and

we're also also, we're also, we're also, we're also, I'm very I thank you. Thank you very much for this invitation. The fact of you. I enjoy much to be with very good creators of content.

Like you. I'm, I'm going to continue as much my own way of the podcast in all the platforms. There we create this class of content where we're stories of terror. We have invited us quite interesting. And, if you want to see my perfilies personal, I'm like Nazareth Martinez.

Perfect. Amigo, then, in the next. I'll thank you. I thank you. I thank you. We'll go the next

week. Here in Insomnia, where we're to relate the most terrorifices experiences

reales of the audience. And you listen them if you tryven. Ciao.