INSOMNIO - AMIGOS IMAGINARIOS - Invitado: SAÚL HERNÁNDEZ#28

Episode Date: August 25, 2024

⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️Los amigos imaginarios a menudo son vistos como compañeros inocentes de la infancia, pero ¿qué sucede cuando estos amigos se vuelven oscuros y diabólicos? En este episodio estaremos contando las historias más aterradoras sobre esos amigos que se esconden tras la inocencia de los niños para lograr sus oscuros cometidos.Invitado: Saúl Hernández. 👁‍🗨 Si te gusta el terror, este canal es para ti. Dale like si quieres más contenido escalofriante y prepárate para no poder dormir esta noche... Nos vemos en tus pesadillas. 🕸️💀Recuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#insomnio #HistoriasDeTerror #Brujería #Sobrenatural #LeyendasUrbanas #Misterios #Demonios #Suspenso #Horror #Intriga #RelatosTerroríficos #Oscuridad #EntidadesSobrenaturalesr #NocheDeTerror #SectasMalignas #FenómenosParanormales #PactosSiniestros #Pesadillas #SusurrosDelInframundo #SecretosOscuros #amigosimaginarios

Community, in this occasion, I know that the chapter is supermement aterrador. They're about of things quite quite

delicate, so, for favor, if you're if you're people are people, or think

that this is the particular not the thing to hear it on the night, more,

listen to the day. So, much discretion, and nothing recommendable for menors. Comeence.

Very good days, tardes, or noches, welcome to a new chapter of insomnia

where we we're going to narrate the more most terrorificate experiences reales of the audience

so you're so they tryve this night or day is with us our greatest

our great sirs how you very so much content and with some

I don't know so I don't know if much people let me let me have done

some capitulos where there are stories that are like extraordinary, that at a more not so there are like in the case of exorcism or there are like certain capitals where are strong. And it's one of those, no?

It's that part of, let me say, that's more fear because this can be into your own own own. So not is the same the fear of, I know, to go go to the panteon, a car dark, to be, that are the things that can't be be able to your camera, in the

quarter of the other in the kitchen that's that's they're

that they're in a time. For the that all we're we're when we're

when we're people. We're talking of the people and that's before

before Savul remember to say what are your social to do you

do you do you do all for well my name is Saul

Hernandez and I am the part of the part of the

production for all what so that realise here in the podcast. Really, right, we're still very content because the people,

fifted, that he's what you're doing what's doing to do some videos. SIGAN LORTS, and put them to live because they're to see many things

that pass on there behind the cameras, how's accommodates how we're organized, how we're going to organize, sometimes the stress to know how

to get to all. But it's very good. It's very good. My media social, Instagram is the

most I'm the most I'm the SHB, GON, S-Y-D. So, so I'm

in SAP. There's where I'm more things and all. Very well, very good, very well,

much thanks. And yes, Alex Myers and Marianita are doing on the day to do you do

the day of the cameras of the three podcasts, that is criminalment, podcast paranormal,

and for the course, what we bring us here in this occasion insomnia. Cres

that can have done some secret of Fepu that the people don't know- yeah,

I think that when me stress I'm a nojone. The diet that

is Feppo What detail? You know, we're going to record to the people, because then they'll ask, how can I do for that one of my stories is a counted in insomnia? And I think that's a part very important.

There are other ways, but the principal that is the most important and that I still solicitando is that's so, although it's a little for favor, manden

a co-a-cropos paparawranormal.com where you addergan, in the issue, the general to pertaince their history. For example,

in this case, amygianaries, vases, astrasses, fantasas, chanek, duendes. And if want the

that the story be anonim for favor, aggregen it at the principle, to put anonimim

anonim for that we'll commit the error of the name of the

people. Sient that these are experiences real, even some of the evidence that's important is to say that,

well, if you want to be anonymous, or not even for the place of the work, do you know, let us to be

at the point to be shispas. I'm going to tell my story in brief for that they're

so that we're going, as we're more interesting it's, for the more easy is that gets to

get to get to those details are to put to to live more what would be in that moment.

And you know, just that those details are very important, I'm to ask

to the people, or maybe when you are you are going to have been out of

, or we're at point to to be the some of the programs

new that will have insomnia, one of one of them is

cinema insomno where we're not to narrar the movies,

not we don't to make the and we're we're trying to do it

from the point of view of cinemaists simply of people who you like you love and we we're at

a good movie of a bad movie of terror so there we're going to talk to some pictures of

some interesting in a format of blog where we going to see many many films

that that are going to say that rare and a bad movie but they're

to be a bit That's going to do through the platform a blue a Marche a Marche

a month a Marche a Marche a month no, a insomno extreme.

That is a not is a capitolo for the are so because we have because we

have a amount extreme of evidence in the courteau so are evidence

that generally generally the people not have been impactants some impactants

much much evidence so so what we we're going to do is that all the evidence that's we're going to put

in form of a program a through the platform as a FEPA, the FEPO, and there are some some stories, but generally we're going to include those evidences that have

given to get out every 15 days, all what we have done to show us. So, if you have good evidences that want to share those, they want to get in insomnia extreme. Now, see,

I'm going to do a question. A-er, tell me. In your family, or you, have you, someone has had been friends,

imaginearies? Fifiate that my my brother, nor I, we did, what I did I was

doing I was I was a voice of my characters. And if there was a moment, that a

repent, me went to be at a person, with this, with who, I'm not, so,

remember the Cilla Joe and all of all this, so, so, so, so,

I was, I had been, they, they'd I've been like a carrito, where they'd, um, these, some of the cameras

and things and all, so, so I was, like, like, the filmation and the voices and all, and so, yeah,

I was, I was, I'm, I was, like, some, like, and I'm, like, I said,

I said, so, so, so, so, you know, with the, he said, with a-

person, that, yeah, yeah, yeah, yeah, yeah, yeah,

and you're, and was, and it was, and it was, and, well, they're, that for the regular

the amygianor is in more in the children that are children who are there are certain stages,

no? It's when they're in this kind of kind of kind of of a kind of

for that moment we're just they're a little solos, no? Exactly

exactly and look, see that they're saying that

they're that can get to be aterer for many people

in the case of the the children, obviously, is in the annel of having company

with who to play. And it's there where we have to press a much attention. Because if

we're not we're doing we'll end repentying us. No we know who is talking. Our

son, our child. You're start with the first story? Well, we're going to

start with this story. This story that is a game macabro. So, so is it called? It's a little bit.

And you're going to be so Macabro, no, he's been Cynthia, Nellielli, Chivacke's. Fiatte, when I was

saying, I was going to get a little of a nerve because it's a lot with other type of

stories that we've talked to and I think you have to have much careful,

because you can't have been fun from other phenomena. Very interesting.

He gets to tell that has 14 years when her when her little

was a was a a little a little a little to be a of those babies you know

you know because they're all the people because they're really swery content and and that was a

characteristic that no let's let us let us like a or like a bandera

like to something to say something something that's it's normal those babies

of all so they're all right and all when they're just when they're of a sudden

balbuceia much as if if you were talking about but they're to be part because it's to start

because it's a lot of the years and around yeah almost of the four years they're

to know a little things, let us we're strange and the time the mom

was he was he was he was in the cooking and a little

to the little but that that the that this is like if was like I'm

like if some occasions like if some other things they're weird

no she's she's normal the she's she was

no pass more she she's she she says she she's

she she I'm like you like it's like like if

I'm to express something with something I have

smithed to where she is like that's a side of

the cuna, to the side where are the other to get in some point

of the part. Well, it's a friend imaginary. It's

a friend that she has a mind that she because a

unica no there was there more there no,

but I said that that that was so were a little more

long as and of she was she was she had in some other point of

the house and when she were the noise there no

no there was and the she was like she had interrupted

a like she he was it and he well it's a

more some more so more things they're going and

they're and she's like a sound strange like

a Rude cultural. Between the voices of the little she was playing, like a kind of a

imagination. Something. Something of my imagination. A lot of maybe I don't see, I'll hear

a little out of the room. The little with her with his and in one occasion

he went to hear how in the quarter of a two, some

some pizaditats but you know that no nobody more. The

The husband was working out of and she was just a little she was

not more with the time. And this behavior was making a little more

strange. Of she when she heard those noises was

to the little the little and a saw she was

she she saw she From here. Of the cooel. The cooel. He said,

What's doing? The little he said, I'm going. But why you're doing that to do you to do that?

It's like I play normally with my friend. The mom has surprised with her

friend. There's to record that they were they were no other more in the

house. The the young not assistia a school or something that

she had the reference of another child. He did something something

but he said it possibly maybe not say a tap something that's

something that's so she she goes going the time

and in a moment the the young and she she she

she did do do with his father that

night her mom, well, while being the three there, I think he a little no,

no, no, no way to be in the room. He went to the room of

the new year, and she recosted. Yeah, when, almost he was when I

was when I had beencied some of the little, some of my little,

he said, he felt like, he said, and he sat down in the camera.

Me, of those that you are you do you don't know without the without

their feet, go to his feet and go a sombra the size of the time of the

thing that she made her made her not didn't no

a little he said what you what you want? A

silence you you are you I mean, Al-a-all-a-strean, try to incorporate

and open more the eyes and see how this sombra is up from the and it's a lot and it's all that's all over

back to the back on. The regress to be to be a costada but without able to

talk and with the eyes totally aberted and she she's how this

sombra advanced from from the his the the the

the back to the head to start to start to hear the I'm

after he was she he saw he saw he he was

almost salting of the coenca a a black to the

skin something very strange and he was trying

to recognize who was like this am this

was the but in her but in the place had found

her mother while she was she was she

did a gruny and it went to and it went to the

front to the mom she began to try

to get to try to and he he

he went so she and she what I had to

look at he said well, no see, there's no no there, they're

the lights, they're to be they're they're they're but this

he's a a known that had a temascal and I

had some questions of bruchery he let's that that night

that night I saw I'm something I was

that was his piece to his asio the

eyes, I can't keeper of my head. Then he said, that's a dwean. They've to have

been to care, because this type of entities are in the energy and the vitality of the

children. If you have been here, I know, what had happened to your

daughter. I'm I recommend that acude to some a certain of a

piece of a part of some things that he he's proportioned to try to

to alehy this, what were that was molestando to the young. They were

to the sacerdote, he led some of some his his own, he did the

bendition, he got in some the same night. He said that they were

some some of some but they did let's Some little rascuos. Some marks like of a manita

little. Estraigned for this, and for the MEDO, called another again to the sacerdote, they've given to

this, and the little, is that my friend, he's molested. Because after this,

you're not going to visit me. Now we will be to be able to do. Allisombrated

and thought that something Something more going to pass, but no.

After this last time all the tranquillity. They've passed 14 years and now

she's her not her own. His mom says that she not did you

to to talk to with no no no imaginary

or to hear no no but Fepo because here

we we're talking that now has a her

you start to talk to someone for the time. Yeah, I'm sorry. No manches.

What do you think of this this story? You mayerces an Oscar for your interpretation of the Dene

because I did a much me I mean I'm really you know much I'm really. You know,

that's my interesting an an amoe imaginary but I mean this interpretation, no,

that is a duende that's always in the stories are interested in the children and the little in the years. The way in the way in that she's noja, the

araja and, he was, like, with violence, no, with it was, it was,

and, well, of another or other, detubiered what in many of the stories of

duendes, we know, they're they're, they're, they're, you we, we, when

we're doing in the swine of duendes, that they're horrible. That's history is of these, it's of,

that's, it's of these stories that made up to say yes. It's that you imagine, you

imagine, the papas, see a his son? Because he'll at the final like, he's,

he's got to get to get to get to the deputies. Very good. Oh, look,

what chistos this story not, Not was the first that I was going to tell to you want to tell it for one

I put it like the first story. Also, that's subament terrorifica this history

is not that this person, that this person, has been having been observing or listening

the chapters that we've been in insomniomni but also in podcast paranormal. It's

does know some things that are important but this occurred

well, uh, well, it's a time, and it's of these situations in

those that you have to have to much look at. Amigues not?

But, and no imaginaries who are those people? This story

is called the Castillo of Monjuk. The man our friend Sylvia Daniel

Alar. This story he occurred to the brother of Sylvia the brother of Sylvia and a

group of his friends of those those of the friends that had before

years the brother of Sylvia was a child especially that in

that this this chico had 18 years like almost that

almost that he was she was she was with with his

family to his brother in Barcelona, there in Spain. They're originaries of Peru, but

are living in that moment there in Barcelona, in Spain. That story starts when in some

moment, his brother is invited by Raul to, to, uh, to,

so is how they said, as is how they said, Raul, he said, we're, we're going to

to to play to a Uiha. obviously, obviously, because they're young,

well, they're just they're just they're the attention immediately, no? And he's

I think I'm a table, I'm going to have to do the way correct. We need to go to

a place to a little bit of need. Others were some were some were kind of

extrai to respect like it was like that we're like to what we're going to what is that is that's a

no it's a lotcura but this this chico Raul was very insistent he tried to convince us in many

very very insistent he said in a in a in a in a well

like it they said you know so you know I mean you can get to

be a big there there was there I'm really a super insistent

So, it took his time in to make that all his group of friends he went to

go to do you. Of the fact, it was a few several in

convince them to all of Sylvia was the last he came he said,

he did he did you if you want to to go to the whiffa, go ahead. And then

then I'll me platica and then they'll say, no. We have to have to be we're all.

We're going, is that I don't believe in those things. No, it's not you know,

if you're just just to accompany us. Well, after several months, he's convinced and they

says, the plan is the same. We need to go to to play the Uighah within of

many nights to the castle of Monjik. Obviously all they're a little

disconcerted with this and they say, look, I'm, I'm, I'm,

I'm, I'm a respect to because we need to go to this place

in specific. But believe that if we're that we're

we're there, it, we go to move the He was convinced So he was not

they gave much importance and accept them to come to him to play to the Uiha The curiosity I'm going to

tell a little of this this castle is a castle is a mountain that the same

the same name that the castle is the mountain of Monjik as the

same that is there in Barcelona in the years in the castle

was testigo of great battles much a murder the brother the

brother of Sylvia and his friends and his people because for the

because for to get to play the wija in the night

they had to do to do so they're to they're

to they're that that buske to to enter

for the garden tracer and so, could ingressar

to get to the castle and you in the cell

in the night to be using the table whiff without the

guards those they were. And so they were to take the

telepherico and then then come during a hour for the bush to

then to be to enter to the and to romper the

vigilance. Yeah so it was to the environment from the beginning,

to pass to the past, you know, to get to this story and I'm really a

question, that's that one does in the new thing, a little a little a

little bit of the adrenaline to get to use the table and is other thing, but

maybe at a more they're maybe they were very embalentonados burlared the security

and they've got and they're there there into form a circle

Raul he's he's the table the planchette and they're to play

he said that at all the all they're they're they're they're they're

they're they're that one that the pointer was to because other person

was moving so then then then so so it like that oh that

that's that's you know that's person. At the principle they were

asking questions a little a sorosas and in tone of burl they were they were

they didn't they were they'd even if the punterer but in a moment, Raul let me

to all that they're in silence he was he was he he went and

he's you you, you're you, you're All the other

were in silence but not they were to be to be a question that's

specific. And the puntero, the which they were being physically, at the

first he moved and in a very much in a movement, it was rapidly

to the word after the word after the word all the all over

all in silence, like a madder cruginging so in the interior of

the castle where they were they were on the obviously they were to the

point of this sound this sonio proven of one of the

one of the windows of the castle and that was where it was that

the sound but the most interesting is that not

only was the only provenient of the ventana, that's maintained this crud. Sino, but there, in the ventana, in the part of

the above, it's like if for out of the castillo would have been a little. And they're saying a little, because,

was, it was, it was a, minute, so, not an adult, not was a person great, it was a person little,

there was the silhouette. And, and maybe for the same peso at being

the wall the door of the door was that was that crugia

they were they're there's there the little in silence asombrated

when of the all he said he started goons let us

let let's let's they're they're what what what

what what he what he he took the planchette,

Tomo the table, and he made new to his mochilla, and let's go, let's let's get, and he's

to gore. And all obviously, then, was spanted of what's had been running behind him,

they're back to back to the back, but, but, Raul, no,

he was desporied. They said that in reality, not took much fear.

No, they were much fear. In this moment, no they thought a phantasm or something a little, simply a little and then, they're going all, all,

every, yeah, without to be in deteners, because every one's to go to his house. That night, after that every one gave to his house, well, really not took them contactos one with others.

Simply was an anecdote feteer, well, a bit of a bit of a adventure. Yes. Maybe, maybe a drama of Raul. And, well, he He went to his

house, he went with his father, with his mother. Normal. But he's

that that was the first the first night of his only that was just

was to discover. It's that was not the Cessian Lacer? Exactly.

Exactly. Exactly. Just justly, just that is what mentioned Sylvia.

For so I think that has been doing the capitals. He said my brother

maybe not she did know of the but they're using

of the table whiffa not opened never a session evident

didn't not they're not they're so they're so

metien to a place in legally so so obviously

something something something something something something that He said that that night, the

brother, he said that he had a pesadilla espantosa. So, he had a manned that there was a decarned

that he had to get to a side. This being that pestered like a cañeria. He had the

skin all rojo vivid. The pupils grisaceasias and the most terrorificed is that

his quijada was enormous the quixada was grandissima I'd the boca a boca a form

discomunal and while it he made a kind of a spice of ripilant this

it was while with the mouth abired and the chirrido there

a way a a way a like if were a a a dream vivid,

where he could move only observe with this odor askeroo, this being being a

being a face, with the mouth abirted, and when was front to front

with him, he'd to chilear, cerraba the and he had to and he

felt how he was suction the alient, as his alient

vital he was a he still he felt he felt like he felt

the alient as if had been he had and he

was in the sun extremely aterr and supermently deadly

it was so so so that so that

even that even that I'm he, no he could. Recorded the

pesadilla. He was much a lot of so he came to after that manseo.

Yeah that mannice decided to talk to and he he told

about this strange a pastida that had had been but Raul

no he's no he heard a moment he

he he said I'm confess to but you'll

tell you more later and he's he's he he's

he's going to he's going to raul he he's in a

moment in the in the time in the house because it was a

moment in the he was so so so so I didn't

want to to what to what he he was to the

the the street, he said, for favor, go to my house

at this hour, I'm going to tell to do and he went. So,

obviously the co- what's going, he's to be to Raul was there,

he, he was at point to to be to the

end of the and he said, and he I'll I'll I I'm

a million discultas. For favor, pardon me for having been insistent in getting to play to his wija,

to castillo. Now you also you're too. Raoul he told that when he was

very little, he one day he saw a little a little like approximately

six years of age. Raul in that then he was also, also, he had six years.

Well, it was like this presence, little to go to be letting see more and more like,

making that he's accustomed to his presence. Then, this man, that simply at a

sometimes was there in his house, he was very and he was to be

he was he was to be to be Like an amigionary. Yes, another

another boy with the he was going to he was to play with this new and he suddenly

obviously for curiosity of that now I have a new a new a little

he's he said he said ohie how you you know you and this

he's he went to see he he's he's he's he

he's you're you're you're you and I don't I can't say my

name he in that he was, in this moment, he saw he was he said,

he was I'm going to say, no I'm but you know there's there

there's a there's there I'm you we're we're we're

we're we're yes he he he's he well

I'm I want you do What do you What do you want But we're We're

Yeah I'm You know that you You're That's a much He was He was a A little

Yeah Matar My dad Yeah You and I We're we We're just We're

Mattalus Raul de Chiquito No he He's much Cases He didn't He'd He'd

He'd But this was an kid was insistent He was He said Mat to His father

And continue They'd They'd Oye Matted To tell To get to A moment

In that Raul He said Why did you Stats Tant And he He said

You and I are We are We're We're you have to you have to your

parents for that so I can I can get to take my to the

place not can be able to ever will be in the eternity being

torturated and you and we we're we're we're so the time

the time was passing and conform he grew he he

continued there. Insistent. You have to to kill to your parents. Tant to see that Raul he was he was six

years and he was being this little he'd he'd been much time ignoring him but no

he was so a day at the 16 years decided confront him and the

the the only way in that I'll I'll be in peace. And if you accudes to

play to the Uyha to the Castillo of Monjic, but no you're going you're only, at least three

people have been accompanied. Passed many nights in that this this amiguing was

he tormented Raul, he said things horrible. And then that insistence

Raul, that had been years suffering this tormentor invited to his

to his friends to play the Uyha in the castle of Monjwick then

then he said obviously us Sylvia that his brother when he's

he was he didn't not even how act simply simply

he was he was he went while while Raul I and he

said pardon me for for pardon me and simply he gave

the head of the spal and he he went he he he

he said he he said to his parents that he he

he he he to the house of the

day of he have been twenty years of this

so so they they again again they live in

Peru to says Sylvia that his brother, a sometimes, that this entity of the quixada enormous

so much in his dreams to suction toccianed the aliento but a a day I see a

little that you and you are an you are So, still he's still,

I mean, I think to the four. The other don't say, no, well,

he's he's he's a Peru. He's reused to Peru, he said, no,

yeah, he said, he's, he's, imagine you, so, a characteristic of the

amoeoe is that disappears as if like he does not, but you imagine you

that that that's that maybe that never disappear. That not a

that's a idea of that's a adult and you see you're being there and you're and that

say things horrible imagineate that you're saying that's saying that's how they're how they're

they're inocence of that that's a exact because in that moment you know still still

you know still still you know that's that's that's also in the tap in what

they're more abjaten the perceptions those the children. It's more that's more easy that's more easy that

I'm going to admit to do you know to see that yeah wait a lot wait a wait a

wait a kiddo and I'm and I'm I'm gonna no no no no no no look

I'm still me are still yeah I'm I'm sure I'm yeah it's that I'm I'm sure

I'm thinking I'm thinking really really I know that much of those who

are listening and that's the imagination was a important in all this and you

transports so, of the real estate you know, you know, you know, with the

skylo you can't see your hands, the the color humed of the

cold, no, no, no, no, no, no, no. It's that's these stories.

It's so are so so, are so, they're so many, are so much,

you you're you had a imaginar no, no, Well,

maybe yeah. When when I was until the 11 years, a sometimes

I mean, is that no it was that I'm in, but I thought that there was

that I'm saying things. I mean said, but very interesting. Platicable with me

during hours. Uh, a sometimes to sinka to be to be

and I and I and I would and I had to be that's

that's that's yeah in my conversation but immediately it was

immediately immediately it was to start to be to be the I'm

sure that was a very important. And I suppose that is a kind of imaginary

no? Well, I don't want to I don't want to but that idea

to maintain to the end it for the okay okay that's that series

fift I'm the only I was the when when a when a

few times we're in a bus that all the vacations was like to be

like a way of I'm like I'm like I'm like I'm imagine I'm like

I'm like you go to little or a carito little and I like that

I was like I was I was I was like I'm like I'm like I'm and that

and that I'm but it more more more like more of imagination than really

to have like a kind of a man like to do like to do stories and the characters

and they like to all the other of the new people but no fiat that I see

I still still still trying to to agree me what I did

there were some there were some that were about of certain people

but there was one that I'm going to tell this story and at

the term I'll say to me I'm saying

because to let's let's let's say well the

The next story is the name Vicente. This story they're with the

mail on the letter to and he he's he says he he's

he says these people are these people consient much to the

little and they and he's and he he's he's he

he said that around of the four years he went

much to his abel his wellita. There with her wellita,

as being, also, also, again, a little one of the other one,

and he said, that a time he said that his mom, he said, ah, and then,

but, with who they're, they're going to the oldie and other

was the same, he was going to go to, he was to the parer,

to a a rinkon, to They started to be strange and say, there's a friend of imaginary. And, the curiosity of the

papes to know what's going to what's going to with your boy? With my friend? With your friend?

Yes, with Vicente. Ah, Vicente. Even number he had the friend. How is Vicente? Ah,

look. Vicente has a rope that's something a little a part,

a sombrero. and he practica much with me, and he said a much things. Well, the mom

was a man was a man, but he's an person, not having to more interactual then,

logically he created someone with who he was, he saw in some in a

quote, in the television, in some point he he created that that is the

that is the Pass The time And we Placiccan That Vicente Not just

He was He was just He was He was also He was also He was He was my Amigo

He came now With me I was I was I was To go to My To get a

To get a He He's in the house But fiel That's a friend was He was

He was He was He He was because he was more retraided like a

little so he was a little so he was even the school and who who made

this story is what comment if I said my my I'm like I'm

like I'm like Vicente was I was that I would be to

I'm and always so so so so then

he's that of some way it's something this entity if you

you know that one of these beer of these coffee in all they're some

some buson and some some figures of the night that I think that the

2009 the refrexco rogo and andall well she got

she look that I'm that I'm put he put a buson

and oh that's he's he's you You can't have used to

they had thoseesites and they had some bases like to that were to turn around those mokeets but those

you could desmonted then he he's going and that he's a his house a friend of

his mom the name Mario Mario yeah more great so he put to play

with the one of the that's that's he's going to get to with the chavito

and they he's he's he's he's he's he's what he

me brought my mom for the emotion of to have with who to talk he he said

he says I'm a man really I'm a man who is there is a

where is your friend is right here is your this is your

friend you're no in serious there there there's here

he's here with we we're sure I don't I don't see

nothing he said that Mario he's going to goalt no, he, no exist Vicente how

that's how that's Vincent, Vicente exists and is he's very molest for

what you said, he said that in that moment Mario I sent a scalofrio

the the new was because how no there if I'm he doesn't

he's he's he's he's and there And there is. And there is. Dice.

No, no, no, no. Vicente no, no. Vicente is an friend that is a friend that's a little no. He's up.

He gets to and he starts to him. Mario is behind him and at the first escalon

he's preends that buson and the figures are going to get to but no there was

nobody more. Vicente no of they're they're they're

they're how these figures start to move the little he's

he said to the he said to your mom that you I'm going to be

he said he said I'm I'm I'm I'm I'm I'm

he was at the velocity he he he to

a motor he he's up to his motor to go

to that he At the other day, Receive a man, a a man, a A lot of

what? What? What? What? What was? He was a accident? They're

going to visit a Mario. The boy, he also he was he was

like, recuperating of the golfes. Very preoccupated she's what was

what was what was what was what? He said, well I'm, because it was

something I'm a motor I'm I'm I'm I'm going to where I'm

to go to where I'm where I'm but you know so the so the

people the the streets are very and in a curve

and in a turn the turn to take the figure there was a big

dark and a sombrero So, he pared, he said. At trying to

esquivar her, he, he'll get calmed. Rapidly, for his mind, he's a

friend, is an amigo imaginary. But he doesn't because he has a fear that

he's the thing the he's the fair. So, then they're to come to the

house. He's is a little nervous And then, and then again

he gets to, you know, you know, this dynamic of the thing, and he said,

you'd like, you'd like to your mom to be to do do you

do you do you do you, I can't I'm I can't let her money

to never you, will need to be to work to work.

Well, the I'm a little bit of a way to help her mom. Content to go to the

room. Is Momah, Mama, what you think? Vicente me said, something

something. Oh, yeah? What, what did? I said that if I go to

him, me will to have some of gold. And you don't need to

need to work. She is a really? How? Yes, is that he

said, he's that he does that he but I have to go to go with him. No, there was nobody more in the house, and, of prong, outside of the abitation, some passes.

She, assuited, took the child, went to have an amiga, and she recommended a person with the which could consultar to know how to help her. The child, they did an protection, he helped them to limpire.

And he says that Vicente never more appeared to after that moment he

he he he's he he's he's he's he's

what had happened if I had had had taken the

I a change of this monos this this

this this this this this I'm I say

something Vincent you have a sombrero? Yes. You know, you know, you know, the man

of the sombrero, but you'll say something. A be. I know a story tremendously

similar. In serious? You know. Of course, for that when you said, I thought that he was

to go to a little. No. I thought that Vicente was like a

little, that's named a Vicente. But when you say it was this silhouette grand with a sombrero, how brutal, how much fear is in you. Then I'll tell to,

to all. Yeah, look. Yeah. Yeah, and it's super erasized. And I don't me viscest, but I was there. I said, no, you know, you know,

you can't be a man, that's like so, so, so, of a sudden, you get your auto, and you can't you know, you know,

you're put, you know, you're in front, in the night, so, if it's suppone that

it was the imagination that's that terrible that's that's tremendous

that's for this this story that I want to I'm going to ask you want to

hear a person that for favor there there's there there

I'm to know I'm I'm I'm I'm Occup.

That's that you use your imagination for that you can

you can you can't visualize what will be a important. Super important

because if it's this will be one of those stories that more

more more this story no the man our

Sharon Rios and it's called Accomp me to

play when Sharon had eight years of age, she moved with her

mom, she, she, a, a house. That house to the mother,

actually, she's there, she's a woman, adulta, she's living in

that house, but they're when she had eight years of her, her,

her, her, her She's a She's a little Metserner. The cemetery

principal of your municipality. So, like we're saying, that's what I'm going to say, here.

It's very very. So, we're going to the cemetery, she also, but the

principal of your municipality. At the principle, well, you know, you know,

you know, you know, a new house, you know, a new car not, no, not

doesn't, you know, the mudanza of that time, but then, before with the months, it begins to occur to

something. She saw a day a little. He said that was in his court when he

is soma to the patio to the house that is very great and he saw a little.

This was there was there was there like of her same age of eight years,

only that was a little different to her. He was a discalza, had the lot of some of

some of and a little of the kind of a little bit of the little was there. The new

was very very very disquidate. So there's there there's a

very important in her story that she for the she did rare, to see a

a little in a patio this is a child. Okay? So Sharon us says that

these houses where she's living in that she's living in this moment, there's in the world, it's, in the world, and... very

Albarraads. Of the actually, these albarradas for that's an idea, you can't you can't

cross them. So, it's more than that for that's not for that the animals. The animals,

but a human, it's a brinked. The brinkas. So, obviously she see a

one of an nine of eight years that's a little a little socia and a little bit

what he thinks is that's that's your becina that that's that's that's

he's because he wants to want to or that was that was she was

simply occupied the patio to play the so she was she was

she was there in the patio and decided to she's she's

she's she she she she she she she

she she she They're going to play. And they're going to be a rata

like a little normal, a little when of a little, when of a little bit, in a corner,

there's a house of Sharon, in the corner, there's a kind of a kind of

a piece of a little, it's a little bit is a pileta. So, they're saying

they're they're just they're also this is this is a psaler Shella,

I'd gore to the pilate and he grittable come, come me to

play to get to but she not he was one because his

papas had had had been that not that

that because because not he was it was it was

it was so she not not not not

another again the water was there was stank

was stanked was as And, well, she also, like, he aggradable to play there.

And she, well, he said, no, well, we'll get us on this side.

But Angela, was insistent. So, so they passed in the time, and the time,

the mom he gritted to Charon. He said, Charon, vent to come to come. He said,

then we've then, again, And the mom, I, she was a Sharon that came so much

that's that's a have been a lot of the part of the out of the and he said, what you know,

and she said, oh, my mom, I'm, I'm, I'm super really, because I'm

a new a new friend, she's called Angela. Yes, I've got a new

am I, and I'm really and I'm really, but the mom, the truth

is that did so to do much a to this. Can you can't

be able to know, or no. Yeah, it's a good. In the school. Who knows?

Well, yeah. We're going to come. So, then they're and the mom,

although he's not he's a much case, and this this little

in the school, your friend? No, mom. It's in the

patio. I'm, I'm right in the patio and I'm she was she was playing

with her and the mom how he did she a bit of having so much

to give to say and she she was she was no she was she

she he was she not not she she she she

she she not she was she was she she was also

there in her house and he said, we're going so she went to go to the

party in the times and they're to play. And every that they they said, we're saying,

we're going to go to where was the pileta and she said, no, no, I

want to go to the play us that game. That action was repeated constantly

one. A one a yearn was he went more time

because the day the next, how it was going to be a school, then he was

to get to much more time, she could know, she was going to get to be there a lot of time. So, so

then they were playing and and of a little, something, something, while they were

playing, close of the Pileta, Angela was like behind of Shard.

She was she was He started to hear that Angela was laughing. But not was this risa of a little that was had been conformed

they were playing. But that that risa was like raspoza, like, as a grave. It was like a macabra. Profunda.

Profunda. So, she says that Angela is laughing of this form and when he'll go to look at Angela he percata of something

better. In the pileta, a side, there's a person. It's a woman, very high, with a vestido black, with

humidity and the earth, like the angel. His skin palida, grisacea, no he he can't see the

rostro because the the the hair almost he's it

is a woman is a woman immobile tall and a

little and the and of this woman met the

the head into the but not it does

he So, the middle, totally rected with the arms

to the side, he's doble, met the head the and you get the

and you, thence to get to, the water, only the head, so the while the

while the body is doing, and she is being this really, aterrata,

perturbed, And then after she, Angela continued rindling every

more more more ronka and then the woman after after the after the

and then she's she'll look to her and he does a gesture

to be and he's and in that moment when the woman she's

she's like someone he's she's she's she's The stabia,

itropiece and he's in the pilate. And in that moment he's to get to ask to give the mother, but he

makes his voice and he and he can't get the conscience. She, at that that's a moment,

no he says. But her mother so. His mother still inquieter with this idea of the

friend of Angela and she did a point that she was obscuring much and Sharon no

regressa so he started to come to the patio and between the obscurity

I heard a the it was like if there was someone

like someone was notading in the pilet and it he was

rather to hear that goelpeteo. No, there was a lot in the patio. So, he went to hurrying, and he saw her daughter,

and she was sacudied, but without asking a help. She made the hands to try to take a Sharon of the Pilate, but it was

like Sharon to pass a tonelada. And no could take her. And she'd still retortying. And Then he started to grittarly to his husband,

"'Ayude me! Help me!' And as he could, with all his forces, he got her to get a Charo. Yeah, that she was

that was there, he, was at point of to get to tocer to to get the water. When she

recobra the conscience, he's in her house, the mom and the mother and the

father are very spantadoes of what what happened they're like, they're they're

they're just going to the attention because they had been said that not going to get to

the pilate. And he said that she said he thought that all the whole all the

everything had been that was that was simply a lusinacion he gave much

a very to tell to his father to that he

had seen so so simply, you have passed the susto, she kept in

silence and he said nothing. They started to pass the nights and the days, the

days, and the years. And she no was never never to see

a coming I grew that he was that he had no

she had been and he was completely of that imaginary Angela, but

passed much time. As you said the principle of the history, Sharon still living in that house. Sharon, the day of

today, has a daughter of two years. She remembered this that had experimented her when he had eight years, and

then he made to tap to find that pyletta. And on the tap he made the image of a virgin

to maintain the place secure he said that conformed hecorded all these things, she decided to mandarn us his story. Ace one's

his daughter was her soned by the window in silence she saw her she saw her, he was He was He was

He was a lot He was what is what he's He was looking In the He was He was over He said

He said he He was over That's At the That's Again, again, he went to

see that She'll But in this occasion The woman Not was She was She was

She was She was She was She Yeah I was I was She

I was I'm I'm One I'm I'm It was that. A me, my imagination, no.

No. No, you know, you feel like the woman is Angela? Like a image. Right? Yeah. Projected something to attract. Like, this pest that viv in the profundities that has a fochito. To attract others, most people.

That's. Right? Yeah. But the force that had to do a projection, or so, to have to work hours.

That reference of the pesk of the fish, I'm very they're because they're

to get a yeah, to get a and that the and that he was to doble

and to get the head, that's what I mean for that I said that's

that's imagination imagine to a imagine to a woman alt, delgada

that that's doble for the middle and the to sacudirre

into? It's something is a spantos It's that it's like it's a way that

she got to get a trap out of there. But for to find a and hauled more people.

I think is an soul for other. Oh, yes, yes, right?

Is it. Or so, that's a very. Horrible. No, no, I know.

I know, I'm the real me so, so When narrate

the patio with the albarradas the pileta of the really has the way that's

describing the patio of the house of my no well you you're transport me

transport directly to that's there passing the albaradas there had one of

these pilates because there had had had had they're they're they're

where they don't know But, no, is that when your imagination has a reference very strong, any other history that you tell, I mean, the experiment is. The, you know, you know, you, you know, you? You know, you know,

that I told me story, I said, of a companyer? Yes. No, I can't talk about. Solely, I'm going to say what we're talking about. He, yeah not was his mom. Uh-huh. had fallen

and then he we said we're we're saying that we're and we said he said no because

a little that a that he he was he was he was and that yeah

how many how many how many? How many? We were in the primary yeah

so that yeah yeah and this yeah of

the stories that I'm I'm I'm a I'm a because yeah I said,

the that's he was, I'm going to it. Uff, so it's so,

then a rapid, then, I mean, I don't know, because you know,

you know, you know, and when you're you're, and you start, of many

things, or things that then then you talk, and all that, you know,

you're, like, you're, like, you're, and there could say that the

man imaginary, you, possibly to the the more was that he

that's the kind of the want to want to see her to see he was

he was or possibly he was she was she or other thing. Who,

who is that is that is that apart the people know,

like apart the thing where they've seen the monster. Yeah, uh,

that's only had seen one you know I'm going to do a spoiler but no no no no no but very good reference

that's no and apart you're going to comment to other other more movies? Yes, yeah,

yeah, yeah, yeah, so at the final, do you know, so? For a

so, so, so, very good, it's very good. It's very good. It's very good. It's very good.

Go, well, well, well, the next story is the child,

the child of Sartagas. No, it's envied Alejandra Reyes. This

story is to put a little attention because it has elements

that are between the fantastic and also all what we have been

talking for what we are about that that those those

people that have other roles or at the maybe

not are not not some things, what you are

doing. Well, it's about that this history is in the

2004 in a last of six months she she enter

to the school in a school for only they're just

they're there there there there there for those

that they was well they was to learn some questions

of manual normalities, to talk some instrument, so many activities, not?

That are necessary even even to computation and things but she said that she took

the class of guitar. He liked much to be there and he relaxed and he

liked this part. But I said that a day, more even a time,

there came like not cajava so that's the other newies like I'm

like it's something particular her energy his form to plant

in the salon rapidly you know your presence she was she was she she

she was she she's she said that this this new

exel rapidly she's He started to get her and they were very good friends.

He said she had she had with much confidence that he had a really to

practice what was the guitar. There was much a much and there

and that some that's a complicitity to talk to

and that said at the salon when realized when they

were in the activities but that she she was

special of that Xel would have preferred the amistice of her

about the other the other she's he's also a little bit rare in the

form of her form of because he was much the pantalones of mesclia the

flierras not were like the other companions that they loved those

and they said that she she didn't that she didn't that the

final the amistat was what he was he started to

go to the house of Excel. But not something very rare every

that was to be to that's there's no way. So, always were in she's

always. The actually, when she said, no, I, I'm going to

I'm from the first because to be sure to where will be my

daughter and who will be able to be to the exel, he had the door

to be to the car, they'd talk for hours, jugab

and Sometimes direct of the school she went to a house to Xcel and that even to Xcel

he'd he'd I'm she'd feel different because the plierras had much

like those playeras like those bands of rock things like she was she was

that that complicit that was that I said that I felt something something different in

Xel like if there was two people in one one

one she she felt like the curiosity of to know more of

your friend and say, because there's no, why we get and never see to

his papas? Adultos, no? Nobody, no, it was strange. And one day,

he said, he said, hey, why, no, there's no there's a more here?

Exel he's kept callied, thinking, he said, wait a time, he went

a closet, it, he made, he, a, album, he She said,

Look, I'll tell you. He'll see the photo of another chick. What is

she did her is she was like I said. Who is? It's my brother.

Your her mother, but never has never has you. It's it's you.

For Gemelas, no see. It's that I'm something to

tell you. I've a scalofry because that's that is what is

I see a nobody now now result that there's a there's a her

but also she's the she's she's so she for that I could be here

I don't I'm what you you're saying I'm I'm a

man and my father is a demon you know Sartagas

A Bemus A Alexes of of the black and the alas

black he he he to look to you to

we're we're we know to know more of the men

she she me she but in some moment

I have to get she she was awombrated

of the was what I'm was what was Yeah, of

actually, well, he knows. And, for that I'm to get to give me

with you. For so no, you know, see a nobody more. Dicea

that I mean, she started to see things. Because Xel

also he was an angel of the alas blackas and that they

had a mission. They had something had something had a thing,

She never He said Because he said that He said He said He said, Cere your eyes

Requestate And I'm to make a kind of a kind of You're going to go to go to the

place I said She said She said She said She said She's She's

But he He never He never He Nothing What So that So that

In his house At the Dormer A Somba A somber A

A little clear, of a sudden, another way a part of color more very rare all that. And he said

that when when I was he'd because a bit of years, she had with rascu-

and she said, what's the he said, what's that we were to we're going to

we're in a battle. She at sometimes even, even, Even he started to to doubt

if really Excel existed. But he said well, my papa me try,

my father has seen, he's he's and he he's his classes

with us his his roba. But he said that in some

moment he he he'sel and passed days and

they've been in the Semanas And so He was very I'm very I'm

Why I don't I've I've gone He's He said To say His father You know

I'm I'm I'm I'm I'm I'm I'm So I'm

So you Come Yes They're They're Two to They're A door

A man A man Yeah Dime Disculpe I'm I'm I'm

I'm Axel She's She She's She's She's She's

She's She? No here no, there's no, I don't my kids. But is that I've been

and the papa the halla, I think we we're not, but yeah she's kind of, what's

what's what's what's his papa her and they and they're to the

house he says that he's that from that he's not something

like all they're like if they're more being they were not

in class, etc. In classes, other people that had been seen, oh, yeah, but you know, you do you know,

of who? Nobody's nobody's it was like that was that I would have fumated. But,

his papa still still was the little bit of the little she was saying, no,

well, I, I think, I still I'm, is that you know, nobody more

does that. Very strange. But he says that of a sudden those other presences, the sombras

were more in the house. He said that there was a day in the that she

trying to remember a friend, I, I think a presence there. And that

that was like if he said to me accompany me. She She started

to regal things and to sell other and her clothes of her

clothes some some some some some some a way

and the parents and the people she began to the time

when they they they were to nobody nobody

had the person she had had intended to get to

to get a to get a woman not where the papa has stusted she took

in a brazos she she was she was she was she intended to

keep the life yeah and this was an alert for the parents

and they they were to she she was shegian she was

saying that's her but it was it was more the time and so they'd even even his papa to her

he said he's been has passed a lot of time since she was to that the last

that's the last that's her and since he started he said he said that possibly he said

a little of the manos the having a an amigionary but she not

he's she she thinks that in some moment will have to get to

her to get to where she is no it's a story that

no no no no no no how how so how do so so

they're all those elements and and they they they

they they they they they're with the person a

a point that's but it's despondos oh, God, oh,

that's a feo this story I'm a question tell me um, no

me regawn how was the demon how it's aftagas or so I'll say

put an advertency at the principle yeah so how fared has

been that's has been stories that is that sometimes I think the

people I think the people are that's weird wow no what I'm what I'm

oh no this so me did much yeah wow I did your

name the person that was the person who made this story yes alex alexander Reyes

I'm ohle alexandra if if you if you're if you're this

no I'm nobody to make me in your life but I'm to give you

give you I'm there's no no in all the universe and in

all the realities no no no no no it's

for that you you don't you get to

you get to this reality so if is

if it's a etc. When when you get your

moment to at an adult after after after after

you'll you'll you'll you'll you what is. And then

Sartagas that's that's if they're they're to you know

when we have about exorcism so of so of

so of so that's the human so why

for why detener This life is dolorous. A lot of sometimes of the one

don't know no, nor his second to breathe and when it's that's

that's more bad we can't happen, something and I know so,

even as even as we remember that that may come in the

basura crees in the flowers. So is. So, there,

always, there's a moment in that the sol was going to always

there's a moment of a lot of a pen to be a this life to this reality for those

little moments of extreme felicity always you know the movie of the movie of

yeah yeah the reflection that has Nicholas Kay in his character

so at final that that's that that to take a coffee

the the eat, the it's so really living, it's so rich to do the

little the little little the little the time even we're even we're sure but it's

so much those sensations those colors the colors and hear a melody yeah a caricia

that's that's observe to see observe to see it's always

always for more so long doors that can be the reality that

it's it's So this story. We'll, let me talk a man really a bit of my mind,

the next story, no, we're invited our friend our Marvella Narvaez and the

title of the story is Clarita. This happened about about nine

years when Marvella for motives personal of those which we have to

have to have to talk a little more Adelaide, she, with her

kids, they've got to go to go to her a little a little an old

unidational. She has two daughters. The minor, in that was a six years

of age. At a little time of having got to the house of

her her mother, of the little, she's percat, that's

her the years of age, he started to play to a unusual. Dice

that generally generally, as they've been a pastante age, the two two years,

then they're not they're not playing between them, one is an adolescent or the other is a little

so this little this little generally has generally has a way to play with his moukees

as, like you voice-citas and all. So, but now I'm going to

to play in a way in that not occupable various mukees

or various mukees but only only occupable one and the other

was like if was another person to they

and when when I was about like about

and if other person was there there with a

person with a conversation so so so which,

who, and when she was, and then she percate of this situation

and he he said, and he says, I'm, with who you're and her his wife

the thing more he said, with my friend, Clarita. Obviously in that

moment, she thought, my my daughter is going to for that moment of the friends imaginaries

and they're sure that passed on the time and that conducts she went to make

more and more only that now now not only not only he cached in various

occasions to her his little a more making travesuras I think that also

that's normal no all those all the and yes they're so they're just

there's only came a problem At the principle, then were little travesures. And conform I was passing the time

that she was more and more to play and to talk with this amiga imaginary, Clarita,

those travesuras went accentuand each, every were worse. Yeah, not were simply

travesuras, they were little accidents controlled that were in contra

of their other her her and her and she she'd know that

she'd know that could cause them cause us a deal that's travesuras

and actually omit narrarles one of those travesuras because

I don't want to give ideas to someone but just to

say that is something is a is something rather. So, obviously,

she has got a question of this change, and she'll then to talk to her and he

and he said, why did you this? Mom, is a travesura? No. This is

very dangerous. It's very dangerous. Why do you did? Pardon,

Mama. Clarita me said that was her idea. She said she'd thinking in this situation.

The amiga imaginary, this conducta reprobable, and she's what she thinks is that surely her daughter is that a very bad moment, because the reason, for the which they've got to go to live with her mother.

It's because she was separated. The father of his kids. A way to fugars to the reality. Exactly. The child, the little bit of, so the little bit of her family, well, for so

so, for so so, she's she is a he's a ex-spos. The

mudanza, of a repent, imagineate, in six years, is the first time

that's in the school, and obviously when you to move to another city,

to other place, then you change you to get to the right, so,

you know, you know, you know, you know, and she thinks that all this,

was a a reflex that was having her her to control this type

of situations but it was even even so that's that's that's that's

that's that that's a name, that that that is and he said

a bit how is your my where is who is and he he said

well well well it's a a little he's yes

but he's but how is and then her his wife he describes

the aspect of Clarita the which is the his his his he said

Clarita has the skin pale and asper the eyes are

undied his his his his hair is like

in maraud suce has has a kind of like the

calaver. The the cabello, although it's so me or revoked, has two coletas, but not

are not well made madeches. His robe is rachada, manchada, desgastada.

He has some some tachitos and coles but us

said our friend that the part most aterrador was when

described the she said. Mom, there is something I don't like

her his his head not is a she is that

she has an enormous cuted in the coo and a sometimes

we sometimes we're getting his his his when

he said he got elate and he he never

he had said a so she she she

in this moment he thought that probably and maybe, and maybe

clearly, Clarita, not was only a amiga imaginary. So, so,

that she decided to to present more attention to her when was going

to be not, to be not but be very atent. It's

very atent. It was then that in a moment was she was

she was and she top with the vicina, a woman that has a much

time living in those departments antivus. Well, the boarda and the talk of a

repented, she obviously had a intention. It was to ask curiosity of,

of clarita. And he he said, um, Oiga, you know, you know, you know,

has been something rare, maybe in the department of my mother, something that has called, something that's that's been given to the attention. And the

becina, this woman major, of the immediate knew to, and he said, I'm going to relate to what's what

happened before that his mother to move to this department. Figues. or less or

30 years in that department where you live in actually, I'm

a young matrimonio that had a little little. No I remember

his name. He had like seven a year age. Desafortunately this

matrimonio young had many many problems of violence family

the father agred constantly to his and to her wife and her her daughter.

The the little she was a bit a bit of a time. After

to hear a very discussion in the department, I heard a

horrible. The little. The girl had had been a vent but he

had done that that when to that his cooo

impact against a lamin of a the that was in construction here above. Due to the

the story, because of this terrible tragedy, many people say that it's He shared this relato to his mom and a her and her daughter. And obviously, they're like, why not you know, because you're going to you're doing fear?

Why don't you tell us this story so terrible of a little of a little that's a little bit of a little?

Because I want to pay them a favor? When I know I can or not atent you,

you're not atentas of my little because she is sure that she has a friend

and is that a little a part of that a moment then the mom, her daughter and she

were super atentous super atent a one day of the nothing

she was she was she to have to this a little

she She put her in He went on He went to his mom And he said Moma Clarita No, he wants

He said You're You're like She's a Mala mother No, he doesn't When you're

You're going And she went And she went And she went She gave She was impacted I'm sorry I was like

thinking all the manners to be able to deal with this situation she was and she

was dangerous but she had to play with Clarita even his personality was changing

like that was distraiding of the world she was she was

all the day trying to her her she was apart He was aparting. He said that one day,

some days after, he went to his house, there's a house of her mom. The mom not was

her his child a little not was not being a person to her minor,

was in the he was in the he was no, no he was her he didn't he was he didn't

he was he was he was so he Then he entered the room in silence when he opened

the door the door he was a he was in a bank pegated to the window the window

abjured when he saw that the image I felt that the world he did but no

he wrote he he mantoo the calm he he got sikilosam and he

took him immediately she spanto when she was when she was she she took her

she was her the window she was she was front of her what did she

and the she said he was to start Clarita me said

that was to that would be that was that was

and that then then I would I would she

she she she she in that moment, he's

that he's he's he desmorned but he's he's

he's he he's here now yeah yeah there

there and he he he he he he

started he he he he he he he

he he he he he said here here

not you here but Mom Silencio Largo She's your

My She's my She's my Bete de here Bete Now Tell I'll I'm

Unfortunately Clarita No, she never To play To work To get to She's

She's She's She's She's She's She's She's She's

She's major Also She's I was very in-traquilla for all this that had passed. Yeah, yeah, yeah, so. In some form or another, I had made a Clarita

to that place that was the next the day next to go and have been an place to live. And, he sentio a little.

He went to the window, and for the first she, it was, a little, a little with the cabo

in marraigned with a a cut terrible in the coo observing from the window with a

face of the a face of a first and the last time she was

but she was her without her without what? What

what? Vista? I'm I'm I'm got a I'm see

that what I did pass I I don't know how

explain Oh, you're Yeah Jolay It's that It's that It's that's No, maches

Right, Is that these Histories are Very strong It's like Passes We've got to Amigionarias

To, A pesadilla of Amigos Yeah, no No, no And you know And you know The last

Chispas How many Countas Hous Care? One One Ah, yeah are the last

Yeah, this is the last. And yeah, for your car, I feel like Yeah, yeah, I mean, you know, is that you remember that you

know, that's in the same you know, and you're and you're so, yeah, so,

this story that's called Mateo, Anonymous, about a man, a man who was a

other, a time, a time, through the so-oh- then, so, then,

so, we're, to, to start with, this story that you're going to

do say when I was a scarlete I felt a scalo frio yeah you know yeah

is that there's that there is that you read it and you know that also kind of

kind of kind of and it's that there's there's there are there things that

there there there will be a detail that I'm going to make

that I know that I know that it's that I get to that. But it's too

very very very very very so well we

we know that there had a that every

that that was that that that another name

of Mattio he always he was with him

in a park very so with his past

and with other other children around but but that

the dream the adventures the things were with Matthew

the games and there was a very special in that place

a castle an inflable there there all the adventures so were

those those those those those those they were

that really I have I have I have I I have I

to be my friend Mateo and I'm going to play with him and we're going to have more

more it's the emotion to doorme he's he a he's a he's

he's that I'm that I'm a friend with the with my sword and we're

we're we're all the world so maravowed with those stories

but Matthew not here is Matthew is Matthew is in your

son you his your Imaginario. His papas also

said the same. I'm Mateo is your friend imaginary. It's a

friend that you visit dreams with the you can you can't with the you have

all those adventures but Matteo not out. Mateo is that

is that like a one only only during what does

he he don't he he not he was he

was too with him, with many adventures, but always in the same place. Always in the same park,

with the same castle, but he never was he said he said that in some vacations, all in

family, they said, let us Acapulco, to rents those departments in those in the

center, there is an area area recreational, area recreational, around

they're all the places because it was those vacations that all

want to they're in family no it's that in a house

in a chaos so just just just just just

and I'm that I'm so I'm when I'm when I

was it was it was many many many

I'm many stories of many so of vacations

vacations. Also, I mean, I have to say that love is to be vacations.

Okay. Yes, but well, well, one, one of the

other of the family was a little bit retraired. The kid he cost

a much to social to socialize with others, and I saw, and he

put to talk with the mom of the friend that she

said, he's said, he was a little a little

conversation and and And she said, you know, you know, comes the birthday of a new year. But he has

many people have been a time. I mean, I'd like that this all this thing we're perfect.

The mom is the mom's, I mean, they're more activities for that the

kids were all that they're so they're so they're so muchionate that scene,

the past bird all around of the games, to the festival,

the table, the time, the time. So the father of this

new, he'd give to a surprise so, but grand, spectacular.

This young was fascinated with all the stories medievals. Wow. The

caballeros, the dragons, the spas, the armadur, all,

all that that's a marvellous that they're he his his comepla-year,

we'll have a castle. A castillo an castillo inflable. The boy,

was the man, he was fascinated. Well, that's they're two.

As he he recorded a friend of his his, it's like to have my

friend out of the so they started, to get to all,

and he gets to the moment, he's well, we we're

to put the more emotional. I'm talking that the time the

time the time was going to yeah, there was a poca light, but all

those adults were content of that the kids were going to they're going that they're what can't

that's that's they're going to and they're more time because imagine you know five years in

a house and in vacations so we're going to get to get to Let's

Let's Let's He says He He's He puts To turn To put

He puts his eyes, and he begins to count. One, He gets a Hector, he says, Hearder to bechee of a yantre. A-Referect. that he came

after a silence all the kids were in the those

grandes that were there the the car the

the the little he was he was he

was he on the pavement and the car and the

car didn't all all all and that scene. But for

our friend, the most strong was to hear to the mom of this young when he gritted. Matthew. Matthew? Why? Why? She, she

to have to his body, the body is in life of Matthew. He said that after that, all recogied his things. And all that voyage of the return to the city of Mexico

was in silence. Nobody wanted to say nothing and commenter this

story says saying that one once that they were in the castle

of the school, he was he was he was a that a time

that was a man he was not just in the life to that

he was to Matthew he he was to go to

him he he accompanied out of the dreams. He kept

with him and he he's he's playing with Matthew. What

story that so that and that a sometimes we've

talked about the time it and it was a

little a little a premonitorio but apart how

after that after that so they were so he

then he A story that Is that, you know, imagine that's a scene Like the one that You know, there's more Details there, of that

But I think Those omitist They're on the mass I mean, so, yeah, no match, it's, that's horrible. Oh, my que's in Palabas, Saul,

that's feely. It's that, is that, is that you imagine? I mean, You know, to know, I'm,

I'm sorry, I was with you and, of a repent. Oh, no. So, start, start, so,

start, so, start, so, poor, Matthew, so, one of the

last I, did you, that's a time, you said, that, that, so,

for example, that, you know, so, and then then, like, you,

experimented, you know, the history, uh, because you know, a place, similar,

very like people, events and things like that's a one of

a place in the city of Mexico to be to see to be a little a little we're going

on the escaleras and we we're taking a coffee to practice the movie

this this day a a new a but it's the city of

Michigan I'm I'm I'm But in that occasion he lost this, he was a

and the papas thought that they had privated to their liberty. Yes. And hear the

grits of a mother, no manches. Look, I'm horrible. Contar something. In some occasions

me took to accompany to those of the policeica. And a a basis in the accident there were

in the mom. You know, that that that's a gritty of desperation

no, no, no, no, no, no, no, no. Oh, yeah, you've said this,

and you told me to do that about this, I'm not, I'm not, I'm not, no,

it's, it's, no, I mean, really, that's, that's that they're

that people that are that part of the information, oh, le, it's very

very, very very, very very, very, very, so you're going to tell that but in other

in other other there's there's a there that's a yeah, I said,

I said, I said, I'm, I don't see, because I see, because I

live the stories, then I don't, yeah, there's one that's that's

that's in a in a periodico. Oh, man, so. Yeah.

Ah! You know, you? Tim. It's a story that I'm going to tell. The last. Also,

also is anonym and with a with careful. With care. If are

people impressionable, if the story that I've got to tell Saula,

the of Matthew, um, those moved, look at. I said, I said a lot

I'm I'm thought that have been been atentous. This story is called,

No Tengas Mied, it's anonym. This story started. It's a when this person,

this man, for fin, after to much to try, he and

his his wife, for fin, they've got that her husband

be that's embarrasser. Well, that both to have been embarrassed.

And they've had tried in many occasions, they've been

with help, obviously, of the medicine, and for fin, in this

third occasion, that was that was that was not not to

get to get, he was he was, he was a termino. and

Gemelas and said I don't I can't remember a moment more more in my

life that that I was in that first beautiful beautiful so

perfect even there there there there he and

his and his husband had decided to let pass

for Alta. No, I don't like an anecdote. Nothing, nothing

could impaner that moment so so to have to have

to his gemelitas perfect and is that result that during

the gestation the gemelas has had heard in the

vintra of your mother. It came came the the

ambient the like the festiv Aligres. The family entire

they gave the well, they've brought to their house. One of

two little some babies, sanas super intelligent tremendously intelligent.

Fiatte. All the people say, that's people, those babies,

is super intelligent. But, but, but, oh, with this. To be

not is very common, to the 11 months of age, they're going to talk. But there something

about. Ablabel they were they're in them to have you. Language. They're

saying that they're a language to develop a language. Well, they were they're

much between them. They started to when they started to start

to learn, of well, so they they're in those plattical,

platics, part, so that, that literally it was like that the gemalas not cared

to communicate with the parents. Only between them. And, this rassgo was accentuand

conformed they were growing. It was like they were in their world

and all the other and all apart, not distant. Sin however, they were some people,

they were very very happy, they were much in what that she that she

were that they were not. Obviously, he as Papa and his husband, she as

as a man, then they were participes of the games of those gemales. And then

then they were to talk to them, and they were they were they were more than they were

to talk and play together. So, they were in their little bitation these these

nine, these were in their situation, literally they were in the door and they were

to play between them and all, no. And then it was

it was a practice recurrent that when they were that the door was

that were going to and they were the and the and

they had a moment to to to hear to

the two big that they're saying not not

to listen there there but there there there

there he he did like like like kind

Like, rarro. Because not I didn't what they were saying, but

he was a voice rara. A more. A voice. A boarra. Maybe some of them

is a voice distinct. No? It's a rar a little. And he opened the

door. What do? No do you the door when we don't don't get

our friends that open the door. For favor, sir, your

friends? Yes, Papa. Our our people are nojan if we the

door. Sirrala, salte, for favor. You can the door and he said,

well, they're playing. They're are gemela and also, then they have a

those their their people, not they did much, so,

like, much important to this, continued passing the days continued

they're growing the gemelitas and they're there yeah like all all the

people assumeia ah well they're those their them

they're they're they're they're and they're when they're they're

they're more silencius they're they they're they're they

they're they like one they've the other like is a moment

very serious Moma, Papa we have to say to let's say okay when we

go to you know don't be we'll we'll we're to visit

always we're we're going to be we're we're we're to

never they're they're they're when when when they're when

they're not they're not important Yeah. So I think that it

was a game between them that they're that they're saying, oh,

and at the more mom and they're that they're that we're that we're these

and then we're they're very little, and said that they're with

much seriedad and that also more than more than more than more than

it was like if were something to make to make to them

when they were with them they were going to be there going to be able to

be going to and they know he's a time one he

he's he he he went to to be to be to

be to and he was so he's so he he's

to get to to go to and he he

he he he So, we'll the baio has a

a ventana that's that's a car, but as well, it's like someone is like that

someone, it's like, but from from that the window, you can't you can't see,

you can't the city. The the and he he's he's a noise.

That that was like something something something had had

had had had Pegged against the vidro To the window So, So, he's weird

Abe Abe, Tomo the tawya It's, It's, It's, I've got to rassurar

Comey to rassurars Obviously At the side of the And, and of The end And I

I'll The sound And he And he And for A moment Heo Heo,

He's like A'Rae? So, so it is the window and what he observes

is the city, the day me it'll have imagined. Termina, she goes

to do his day normal of the time, it was like a anecdote

of something that a more he made, and a little more

of time, some days more. His kids had with this

to have to have to have the the door and he went and he went

and his occasion to the house because he said there was much work

there was much work there and there was much things and it

and the time and the time and the time and he he went and then he

he said he said he said he was a day he had been and

I'm to be to be to to relax me

to And, um, I want to doorme. If, no you preoccupies. Banyate.

So, I'm gonna be to doorme and it's when when of repent when he

does hear that the window, the window, no can be, corre the cartina and

observe the the window abirta but not only so that, there in the mark of the ventana

there a dark. He's that even he could see that

he only remember something something that he called the attention

had a a big macabre with some enormous

dintes and he was a sombrero a top grand

ah so the hands were in the mark of the window

and was putting her his head and he observing to get to the

when he he gritts horrible so that that his

gemels and his wife and were going and

went and they're and they're they're they they

I'm in the regattar grittando to have I've been something horrible

the window the ventana abired and the gemelas vire the

window they were a not you you don't you don't

of our friends he's he comes for not for you

not for you don't you obviously that Iter more than the vision of the ser.

Casie didn't do not and he talked to her talk to make a

and then they recommended to a woman, a bruce. At the day

the next they were there they were and they said he he said he said

he's I need to guide those but a little a moment

he the tarot, and he said, I'm going to help us for that they're going to understand

what's going. They're going to start the cards and of a repent this woman was detu and they

said, before that she had you passed something because the cards

me said that you're not And they said, Yes. When they were in my vintre,

said her husband, let's hear and say, The Bruea. That's that means that they're very special.

And me said the cards that one an entity malignant she was she was it,

they're they're they're they're they're and we have to protect

them because that you know they localized in this plan

and they're for them this entity busca aboderarse of his almas

he says that his and he observed they gave the thanks

they were and they went and they went the the woman was

he tried to do not no no no no no no we don't

we don't we we have we have to No, we're We're not

we're in a way of and they're a little way of his wife here he said here came to

the part where we would say that not not going to be to be that car but

there was there was there this this woman is being our necessity

and is it's is being is our necessity to

make us the last last that's the last time we're to come to this type of the husband

concorded with this for the grave error one a second last last

the gemels of six years felles during the night the dictam forense

arroj He thought that the cause of death had been a infarto fulminant in both at the same hour. Pivio the anonimato because

so his wife as he are very repentied and they're one one one

a bad decision in his life and not only that you can't have children how something

that was like that could change the rest of your life? You me asked in your

story, the of the story, the of the that would have been said, if it would have been

if you did I know, I know, I know, that's this. That's what happens.

When you you're going when you when you go to when you when you go to

it. It's that also it's related with the other history

that's of the young that's the young that he's that's

that's these these these people like, these people are honestly,

honestly, when we passed in the guion, this recopilation of

the stories, and I amigable imagerios I thought, this

not going to be very terrible if you when I started stories, I was

one thing, I said a thing, I'm I've the computer and I I'm going to read the

stories in the night in my house, just I'm the first. Cere the computer and I said,

no. No. Then, then I'll let's, I'll read. I'll do it in the

morning and in the time, but in the night no. Definitely no. It's that apart,

I go, there's this situation, no, of the me imaginary, that is like to start a little bit of the environment, no,

no, of course if there's problems in house, if no, there's more people, and for example,

this, this story and also the anterior, the demonio, me so recall a little this

cinted of a penta that's that they're that they're you know, you know, and they

imagine all a reigning. Yeah, and the final. And, You know, you're going to

that that that's a movie when when I did the first

time? Tio, Tomas a more young. Yeah, so he's met

so much many. Much. No, no, no. A monster came to

be a person. That, but fiftate that this was based a

story real. That to the daughter the story of the story of the

story of I. I don't know I put to learn because I

reading the gion and I I remember of the cinta I was to be checking the data

to talk about to talk about and I know he was a man who was a little bit

and that was just he was like just to get a little and have

a little a school and knows a new very very similar to what

that so in the scene but but so they

are very good friends and all but in a moment

this a a little has an accident he commented that he he came

a rio and falle and it was a great terrible because it was his

good his best and it was like his support in that that he no

he no had more amissaries and there the story of the

the scene if if they differing some some but

all that part magic all that part kind of of that

reality, the that you know, the monster that's the monster that that's a

movie Pough's, I'm to confess there, I'm manches, I'm I'm,

I'm, no, no, just, just of just, just, I'm, it's so

that's so, and if it's so, and if it's certain, a bit, you know,

and you're a friend and imaginary, possibly is, is a no? Because that is the

support will be in that moment that you can't be able to talk about and you

can't be able to you know, I think that's very important to be there's good to watch the

people. And when you have that's a friend that's that he's a man,

it's so chid to be all the things. What's what you know

if that's if that is the friend is the kind of she's

her she's a A friend, Yes, that, that's, that's, that's,

that's, there's, and there's and the whole of the person, and then the person like if

no existier. So, you're the only that at the final, you know, you're just there's,

various stories of phantasmas in those that say, ah, is that I, I'm a person,

there's a, a school in Halapa, that at the school, so, and it's, tachymechanography costura,

all those these activities talking about about the 60 70s more or or less or and in

that school appeared to be a student some people some are and others no and a

maester and the each every day of Allos they put the photo

of this maester in the altar and there was where many people

when they say that I that I've that I've seen that I'm

no says, like, it's like, a kind of a kind of a sort of a question, I'm not,

but is that I'm in the back in the carrieu, that's that's you know, you know,

you know, you know, I mean, you know, I'm , I'm remember that you know,

that's doing of these movies, uh, uh, uh, talking of um,

I think yeah, I've seen, zero spoilers. Uh, but, but, but,

uh, but, it's, and the poster, I'm, that it's a acereto

for the amos in in Spanish well in in Mexico I suppose in Latin America

is he known as like hide and Sikh with Robert De Niro and Dakota Fannies

where Dakota Fannin where her personage is this a girl in the movie of Robert

DeNiro she has she has an friend she that if no me

I'm I'm a equivoco, he's called Charlie. Mm-hmm. What he said, Charlie? Charlie, he's at a lot. Yeah,

and he does know that this man of the imaginary that has a man, he has been doing things malas.

I'm going to recommend to come to another come down. Gohstown comes Nicholas Kay. No,

I know. I know. It's of those that does this actor, that of this actor, that of a

repute, no so You don't know you know much, but we're going to that's a little what does some of those people. And,

and he's, and he's, that's all right, but, but, yeah, in Spanish, I don't recall how they put it,

but in English, that's like, a little a person, oh, yeah, are excellent recommendations, four other,

four movies, four movies for four movies, this, a phantasm, no, a monster, no, a monster,

no, a monster, is the place where Don't have those monsters which is another that's awesome that's awesome

the point teravitia Pentateravitia Aresik and Goestown and Gostown yeah excellent

yes yes yes yeah so yeah so I think that with those recommendations and you

see we're going to start we're going I'd like another more I'm just I'm thinking I'm

I'm talking with stories that that's that's that's been have the public referent,

as a people. I don't not know I don't think that this were to happen

in a moment I think was a very carried of energy perjia of the that he

does a so I want to give us a way of a second a year or a little a little

a little talking only, and a little with a something with a thing

it, perhaps be good to present a little more attention,

because that's only, simply is that you don't see that you that's

there, we have to have to have to pay attention. Saul, much thanks

for aterran a very in this occasion. Well, always, but in

this occasion, fuh, was a what's what? Correct.

Red So, Reds social, for favor. Well, there in Instagram as app

y' bho S-I-D. S-I-D. Z-Y-D. I'm rebelea the mystery.

S-A-H-B Y-D. All difficult. Difficial. It's that I said, if I put Saul Ernandez

you'd say the sound the singer or my papa, and there's there's a lot of there's a lot of that's, so, in the

kind of some people say that no? but, so, there we're and, um, and also the content that's up,

then the content that's up, give them like, and they'll like, they're doing. Those are, those are going to be good with our comedy Alex, with Marianita,

eh? Yeah, they're there are there and they're really, yeah, yeah,

yeah, yeah, yeah, want to know, you know, want to do feel for really?

What? Ah, no. I'm just a lot of a stust terrible in the ban, he's,

want to be the no, manches. Oh, Very well. Well, yeah we're We're going.

Yeah, we're We're going. We're going to be. Thank you for the invitation. I'm going to. I'm sorry. Oh, no. That's another podcast.

We'll see. We're going to see. And we're going to we're going to see the next time to narrate more of these terrorifices

experiences real real, reales of the audience and you're listening if you're at the time. We'll see the next

the next