INSOMNIO - CASAS EMBRUJADAS - INSOMNIO #08

Episode Date: February 16, 2024

⚠ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠ Apaga las luces y ponte los audífonos... 👁‍🗨 Si te gusta el terror, este canal es para ti. Dale like si quieres más contenido escalofriante y prepárate para no poder dormir esta noche... Nos vemos en tus pesadillas. 🕸️💀 Recuerda seguirnos en nuestras redes sociales: ► TIKTOK: https://www.tiktok.com/@podcast.insomnio ► FACEBOOK: https://www.facebook.com/paranormal.insomnio ► INSTAGRAM: https://www.instagram.com/podcast.insomnio GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIAS Servidor oficial en Discord: ► https://discord.gg/eRyqY3QJ Grupo oficial de Facebook: ► https://www.facebook.com/groups/54848... Grupo oficial de Telegram: ► https://t.me/+vFdn13cseD0zZWUx Todos los enlaces para ver y escuchar el podcast: https://podcastparanormal.com ► Envía tus evidencias a: [e-mail] ► Consultas empresariales: [e-mail] #insomnio #paranormal #terror #casaembrujada Send in a voice message: https://podcasters.spotify.com/pod/show/insomnioparanormal/message

Very good nights to all. Welcome to a new chapter of insomnia. In where we count us the more terrorifices experiences reales

of the audience. Here we're to be telling these tremendous stories and you're just that they're this time.

This night there's an invitation I'm very very very good to have here to have

this my senior progenitora Nelia Ponte how is my

very well my good, with a great pleasure to be with you, and with you and with

you're about the carino and the effect that has been to this community

that's in a new format with, also, also, it's a community paranormal, but

it's the community paranormal. Hey, a bit, the people question,

if you have a email for to contact to you for the lectures of

the cartes and you have one? You want you to put it on the Well, if you put it in a page, because,

no, if, I can't, I can't, I can't, the, the, the, the, the,

the, the, not, no, no, no, no, no, don't, no, I'm,

no, I'm, not, how I'm, how I say, how I'm going to say, the

call the email, for that can't communicate to my mother, oh,

yeah, um, one one one, one In the podcast, paranormal, I told a person

that's the story that's, I found I was very nervous that was the first time, like, not serre very

very well that history. No, very well that story. No, it's really, how was the

department and, et cetera, the history of the department where we've in Pachuka. Ah, so,

tremendous story, terrible, what happened to be, terrible. Well, what happened

to be around. Mm-hmm. But terrible, we'd be able and it's The dangerous the And we We're putting

to recollectar stories to know many stories because there are many times that have to be

with houses enbruchas you and I we live in a house embrugated well a department

but there a lot of stories about. This night we're to talk of cases

embruhas and remember that are that are reales you have a lot before

we're we're we're a manner of preamble, I'd want to a

story that the really is very interesting because it would be a story

type a or something that's that's that's been an anonymato

now you're now they're to understand it's a very

very good to start with these stories and

to remember to let's want to send your or evidences,

do you do a call for pho.com. Fepo. You're going to tell this. A bit,

I'll know, you know, I'm just, I'm just to move to get a and I

know, and I'm new to move to the city of Mexico. No, I think. I'm going to

have to rent a place there to a way more simple and able to be

different more simple in the city of Mexico. I don't not see if

I know. You know what is what I do A pereza Of the modanza The aval The papal

The papels It's a rollo It's a rollo And in the city of Mexico Much more In fact This story It's a phrase

And say Renting a house Today is a A verdaddera A trabecia Asterrema This person This man

He said He said that He needs to to move to get a house and I

had been been a time and he's going to be a lot of this house this place is

a lot of all, he had no, he had a ball so it was a

little more difficult and he said that a time down to the colony one of these

colonies of the city of Mexico and he saw he was a letterer he said it took the

the campana So it's a little bit of that he had to have a number of telephono for a question, mandar a message, to talk the campana. So he's a circle, observe at this,

it was a house very great, a casona, and he said that he noted that was not sucia but not that's done in the time.

Descalones. Descuitated. No, dejada for the time. Figate, no, I had much time that,

that, that, that, that, that, that was that was escalones,

they'd they were in the portico, they had accumulated the sojas of the

reds of the animals, even said that there were papers of propaganda that the people had

tried, and there were, and so he said, so I'm that I'm not nobody.

Noto a cadenita, the hallo, and plin, plin, it sounded a can't

a campana. So, so, so it got a momentit there, and

And, de-reepente, it's even, ooh, so he eris the pill, because the door, it's been,

like, and as it. And as a little, it's a little, but, yeah,

grand, that said, he said, he said, he said, to get, and get to get to

where he. And the was, the, the senior, was, arrastraining his

people, and the person, this she was very very, and a a smile

very little and he he said he good good good

good good I'm Toya Esthercita you are interested in rent

the house and he he said he he said not not the

not the that I'm that I'm really so it's very there's

a car like a here in the part of the back then

then then there then there there's a house that is the that's the

that's the that's the I'm he said he's I'm not I'm going to rent a

house of this time now now and yeah I'm yeah he's very

he's he's he's he's he passed he opened he went to the

part of the back there's there in effect there there was a like a a

extension of the house that had his his own his he said

when he's when he's when he's when he's So. And what requisites Pied?

Because the fact, I don't have a val. I'm in some documents because I've got to get to the

city of Mexico, but I need I'm going. I don't Pid so many I don't many things.

I'm only I only I'm a favor very great. Okay. And then the

The lady, he he he a sobre, so a sobre, sobe

he's that of those that have like the he went and so he wasco

and he he said a marriento recive of the bank and he said only

one one thing I tell you here here is my number

of my count my you you do you

do you do you you need to give more

more papers of really? Yeah, oh, well, I'm,

and he moved to live there, he's he put it, and he and he, and he,

transferia, or I'd go to and he said that he'd know that was,

he was that was he was this woman, and he in the

part of that then then a time when he he was he in

the when the in the the morning to do exercise or

something, I saw that Don Esther, Esthercita, was regando his plantitas and the way, the

woman, the she never, the she's, yeah, it's a great, and he had to be

the scovs and barry to all the patio of the house, the thing is that he made

that's very beautiful, that's entrap. And Don't Esther, Stercita, when he was being, a week,

he'd from the window. And he he was he'd and the sister.

And she he had his own his life in the part of the back of the

houseita and the senior a normal. Result that one day

he he's he he's and he and his things and he

he's he's and when he's there's there there there

a more of a 40 years that he he he was he he

what what was you do he asked he said well I'm well I'm I said

I'm here I'm going to how you're going to how you're going to be here this is my house my no

I don't disculp me but to me me me me the don't Esther Esthercita

and in that moment to the woman she went the color of the

little he's a almost he told he told that

the property had years abandoned and Don Esther

Esthercita her mother lived in Guad Dada and

result that don't Esther Esthercita she had months

in the hospital Meces in the hospital, very grave. No, had fallen. He was alive? He was in coma in the hospital. Wow.

And that result, that there was a thing very curious. The lady, she had been to fallacy. If she had to fallacy. For behease, well,

was there, and she was there a day. But, that there was a moment in that she, the

daughter, the daughter, the daughter, I'm very worried. Because, imagineate,

he had a mom in the hospital dormita, and you didn't have money to pay the

accounts of the hospital. No, he had a lot money, but he

had a money. So, so, he revised the his money.

He saw a little something of a very extrano. Every month there

was money. Every month there money. Diner that this young he was

depositing to Don Esther. Oh, that's me inching the body. Yeah.

She said she she fell and she I came here to make to make

to petition to my mother her cenises that are in a urn. And she, my mom, Don Yester, that when

falleceira, his sinisas in the urn she'd be located in that ventana, from where he liked to observe the call. How is? Tremendous, no?

Oh, no, no. No, no, no. Wow. Of really, here, even being a story

so so tremendous, I'm rompio the soul, imagine

you know, standing in coma to know that I would be to

find money. How is possible that a spirit so

can be to get money for not to lastimar to the

his, for that you don't know, no, no, it's a tremendous the story.

Yes, is a great history. Yes, the real story. Yeah, the story. Because, also,

she did know, she did know the mother, but her mom, she was a decision very

difficult what I had to do you know, no, I had money to pay

the the of the hospital and she, I mean, she's in coma and he's

the money. Yes, what I say, I'm a barbaro. Barbarro,

right? Yes, because he knows of many other forms of the spirits, they communicate

with the pendent, the preoccupation. But this is a tremendous. Yes, so. Tremend.

Wow. Oh, yeah, now so, for favor, let us Well, this story

The story, the envia Miriam is actually nearer how's the how's

the story? The story is the story is the idol okay the idol she was

in a city in a merida but pertenecent to the state

of Kampech in Mashkanu had a little time

of a much and and he and he he was also, I'm

living in the same his his son his coon one of his his unos

she had two two children, well, he had still two

two two years, the major, the the little the

little two years. And all started a domino

so his married was very very to work

but a a job simple, simple, because then he was going to see a football,

yeah, more than to participate with his friends in the football. Oh, that he's

football? Yeah, yeah. He plays until the time, he's, he's to

play to the football. And Miriam, as the work, does the work of the house with

silence, so, trying to that doorm in the major time, for that

they're to give to her, when he's the point, in the door of the

a raskido, toquido, like a perrita, a cachorrito, an animal little that's

a little to get a woman, and furious was going to be there's nothing.

No, there was an animal. What had was a, like a a

a pietra. She has a question because has a figure, but it's a

idol of the Antigues Mayas. And, and he he's really really

a lot of the attention. And what he's that's that he did he for some

reason, and it's very quick, no, so there's that there there's there, there

he's got to and he introduced to his house, and he he's in a

messita to a little he's to the he's to

he's when he when he goes to his person uh he

said oh yeah What did you did you, that you did you? He said, no, no, what idol? That's.

He saw, he was, it's very rare, but, well, I know, I don't know I've got,

so, so, so, so, so, so, well, and they

didn't there's there, and it and so there's a time, no,

there were not, no, there, when they're to hear Rewidos, things

strange in house Uh-huh Ryditos Toquid gritos, gritos

like of animals, like, like, like, and then they'd and then

then they were to hear sonnids like the when the tracos when the

kitchen Uh-huh So, they were like, and nothing. Like,

Like if like if they were or like if were like if those manipulars? No, no,

no, like if they were. Oh, so, so they were not, no,

no, they were not, but not was heard. But, not, it was

heard of the call it that they were not that so that so that so,

so it and it had a more importance and so and then said

Miriam, that she sentia that she felt like she was clearly like if

someone would be there, no That sensation with that she kept the attribuio to ideas

and I'm suggesting and I'm he's talking about silence but this thing started

to move to tone so his his he started and the chico

terrors nocturns but yeah was much so he's he's

he said I don't say I I if I if I see a

few they had been a lot of he had been a lot of a lot of the other thing. The thing is that the new was that the new is that it waser, tocer, toce, tocer, and no he was able to get a good. The problem is that the things were putting the other.

His his or he had a lot of the family that's being a really a

and in the madrugas but what what most was the moment was the year.

It was a moment that he not had a preoccupied to my year

and then other people and if effectively they started to

the new and a part to me In the count Miriam, that was a peregrinear

between medics, laboratory, and medications. And the little, and every way worse.

He was a little. For a little a little a boy of a piece, and have to be very

but fastidated and and trying the worse for the child, they got to

the sonator or curandera of the people. The When a lady, when he saw, he said, I'm going to curate to your but the problem is that is

that's a different. Your child has a provoked by a demon who live in your house. And he says, yeah. How? Yes, and you know, you know, that you have a,

your husband. He said, and he's, and will attack those, one for one. Sacken what before. I I can help.

But first curate your child. Effectively. Curo the the new. The new

he started. A to tremend with phlegas. Bommita and vomit a unna. A unya

human. A new one of a little big. Cosa. It was impossible.

Where is a little a little a whole thing a total. A man. That's

clearly. Totally it's not really. Although it's a, that's, that's, a, that's, a, that's, a,

that's, a, in a, in a, in, in, in, in, in, the, well, the little,

the new, but the things, no. So, then, when, he gets,

a, car, with, the, and all, they're, that, that's,

that, that's, that we're, that's, he's, he's, let, let,

let's, let's, we, that's, it's the devil, it's a demon.

He was a ballitia and his marital and his he went to go to the more

way he was he put. The things calmered for a time when much

when when again they're to happen to happen. But now with

agressivity they had they had the they were they

moved the camera Rewidos Horrible Dice Dice Miriam

rasguian rasguian rasguian They're They're Yeah Aterridden And so

So So much So So So again So Because We're

We're We're We're We're We're We're We're We're

We're We're We're We We're We're We're We're

They're They're When So When She's She's He started,

Moma, Mom, and says, Mirren, he's going to see, I'm going to see,

because I'm going to be, because I'm going to in the cell, in a block, there was

an o'git. In the wall, in the wall, in the wall, in the wall, in a part of the part of the

part of the part of the part of the so, he was a idol. The idol, was the

idol, was a the part? The idol, an idolo, an idolo of 15,

20 centimeters, meted in a block. The blocks are, like, like,

20 centimeters, and, and, and, she was, she did, she,

she, she, she, so, for the wayquite he didn't,

he was, um, not only, I'm, no, I'm, don't,

I, I think, the, the, the, the, the, the piece,

archaeological, is a piece archaeological I'm in there, into the block. She has a susto much.

Sure. But, but inmediate to to your marid, to call him. What's what, so, and he and he'll to say, and he

he says, and he and says, that's prugheria. The papa with a pico and tumban that

part of the PATH. No manch. They're, and the father, no, don't they,

Okay. It was with a a post of plastic, met in the idol, into the box and says

the sir, we're going to do. And he's and there father and his father and they're

on the mountain, cargan gasoline and they're saying Miriam, how you're going

to be a one? When they they're they're they've got done the they've

they've got the black sin romper and not because they'd go to because they'd get us but we chasolina

and it's no, we're gonna but it's not we're very, very so it's like, the the swerggyn't, the suitor of Miriam. Fallease.

But the MEDO that they took they decided to get to

get the place. They're they're looking in the city

of the city of Merida they and both they get to

the family and pass the time but not all

it is a good day and not much

of this me a message Miriam for that she had some

because she had been about this thing even even I said and even you know

and I remember that when it was she and I did draw and I

just no in plan of but he said you you're you're

you're you're you you're you're you're you're you're

you're you you're you're But that is an idolo May, I'd say, I know, I know the figures of the deities, and no, no. Well, when he's made the image, get defraia.

Because it was equal. Well, for the minute with, yes, the eyes, a ball here, the sonrisa with the dents, and he says, this piece archaeological, she was found

precisely in the excavations of the train Maya in the zone of Mashkanu

and they go to the reds when no see the maridid and she and she

she's and she immediately me manda the image so when that I

don't that's not so no it's possible of this so

he's time so after approximately two years more

or less. Me, Miriam, he's that was very scared. He said,

he's he? That's that? That's another again. And very

a lot. But now it's physically. I'm how? No. I'm

I'm see a through the reflexes of the spej when when I

see the picture I see in the there And when I go And when I'm

He says What I'm gonna This Manches A be What I mean, What does this? That's

That someone He said Abrugia With a With a demonio A Deidad A, An entity

Maya Antigua Oh So, Practicco Brugia But with A Deidate

But the demon Is a Deid Antigua But the Deidat that she says piece archaeological

of the deidad of the death of the death no manches and you know you know the

image or what you did that you saw the that you saw you what you what happens

is that it is that there is it can do you do it can be we go to

look and let us we want to let us to put yeah Yeah, I'm, okay, okay. If she me,

she's, I'm going to, we'll put it. Okay, you know, I'm going to pass. Here, I have my telephone. And it's impressive. As well, if you're going to say, it's, how will be a...

Apuch? A-Puch is, is the Deidate of the Mourte. But generally, it's a personage, with a,

like, the calaver. It's a calabera. Yes, yes, and this is and this is and it's His hands have goths,

unias long as many a lot of the unias of the and that's me remember

the unia that's the manch if you see the you see the the deida of the

Morde but here this deida is as the quite me the she's he's

the little the eyes like like something like a little

like a and a a where where you see the dentator

Wow interesting it's very very interesting and it's very very and it's

it's perlust. It's what horror no no manches oh this

ohie this ohle there there there there's a there

there a there a there a thing that's like it's it's

very interesting oh I'll this change with the time. What? We can

stories. For example, this story, there's many stories that have to be with, this,

malditions, burgheries, phantasmas, et cetera, no? And then, when it was what

was going to that was going to a anecdote, where, even with the evidence, well,

I don't see if I'm, I think, I see, I think, I see, I think, I think,

but, but it's much, no, and I think that those are very important. Fugate. This story, since that I read, since the story,

I said, he said, saying the truth, because you, me told me something similar.

Tremendamently similar. Figate. And not only you, Lulu, also you, Lulu, also

me told them similar. This story no, I envied to our friend Loreena to Ruella,

and the revolutionaries. This occurs in Selaya, Guanajuato. It's when

obviously there was one of the points calientes, for so to say of the revolution

Mexican. For those who are who are not there many places, well, there are

various places where there were some different there were many people,

and it was much time that was a time in the years in the

80s, the city commenced to grow rapidly, as it's going to be going to be to grow and then obviously,

like any city, it's going to expand to the places that in this case, before they were camps.

So, then they're going to spend theirrenos in these places, a very low cost, as

how it comes when he grew in a city, and us says Lorena that's his family,

when they are they're getting these Terrenos, his papa a car,

and his Trio, the same they're one they're in a area,

so they still had no had light, water potable, drainage,

etc. but they started to and they went to and they were to

they're there. When they she was she was with her mother paterna

with the mother with the mother of her and they they're in

this place and she she remember that And,

from a little bit little, the family he said, Oh, Lorenita, has a

sensibility. That's what they said. Because he's that she doesn't before this

situation, but that said, comment that she had a sensibility for the paranormal.

But in that then it was very notorious because was a little.

In this the that he he had a his

father, there was a a house, a house tremendously antivua.

Of course that case existed, since the time of the revolution. But as I repito,

they're terrains tremendously antivus where the people that were living there in

that was not had light electric, apennas was like was to get

to the city, and it was to start a time until that this

pass and she, Lora, and her abuela paterna, she's going to live to this

house an area in this territory that had had been his father.

He's that when she got when she was in a house so big he'd

really, and also the people that that was there's the thing that's a thing that's

the first in getting to why she'd have been to live to a house a house a

where you a people, but not living a person. She was she was. She was

these people. At the beginning she was never not a normal. That was that was

there was seeing them. And he had a fear. He was scared of these

people. So, in one occasion, that was coming to get, I was

seeing these people, his abuela, and he asked, and he

said, like, Abolita, why there's there there's going to why you

know the you're to get to know that was her and I'm and I'm who was

who was who was who was the the house so then the abuel

that she has she seeing people that not there is there

and he he said me my hita how are how

and she and she thinking that is normal he says well I don't know who are but are

rareos is that they're not they're not they're they're like those women have

they're like they're like they're like you're like with vestiges and falters and a lotas and a

Sometimes, no me they're going to I don't like that they're in here. Why don't you're going to

enter? He's I'm going to ask. And the abuel and she kept in

silence, thinking in this, no said, she did not, he passed the day.

When she went to to be that night, the mother, he said he said

he's, if you want to go to go to the night, not you

go to you say you do you I'm I'm you're I'm

you're to get a vacinica but no you're you're so on the house

because the house was out was out like it like as

like it and it's and not he he said to

he said that he said that a whatever better here

she's she She had dormed solo in one of the abutations, her abuela, in other abetation, and a

sometimes he'd in the nights because there were rudos, risas, trastes that were in, silas that

were rastrable, people can't be many times. But, there was a moment in that's the time,

like if there were a fiesta in the house, no, it was a importance, no, did importance,

and simply she continued and she did know that the abuela

was very inquietta because when she heard these the night

the morning the the abuela was was the oyes

some oldits of that had were they were they were

they were there and the abel observed that the oil

of they were they were sussias. They had atolle Blanco. That atolle

was an atolle that was a little to every night, he was he was and when

they were these rissas the day the day the ojitas had a tole

black, like they had been used to eat to come

and the bula was in tranquil but but the bula if

was did a He was going. Yes. He had a little that something that's a

little bit of and in the night, she'd get a Loretna because in that occasion

had much, much, I had much to go to go to the bathroom. So, so I'm

he was that he was a woman in the vacinica. And he did a night

to the night. So, so he did he paro, came to the long and

the dark and the house, and when I was coming and I heard

I'm a echo very and he said, Norrena she she didn't

want to look to that voice she had much got to go to the

back and he's right right right right right

right opened the door and it's that were

a sort of little one two quite two

two one of one of you when you you, you're

the door of this latrina, this space little little to do the bathroom, for that

other person not were to enter, like in the vanes of the airports and

the place, the part of the door not get to the door,

but it that you can't, but you are in the bathroom, you know, and you

was there was there was there, when she's, when, of a And then, I'd say to

hear some some and they were like, and she thought, ah, is my

abuela, that's she said, he said, I'm to make to the baby,

and thence, so, Edito, he's there, but no took response.

And the those paths not were not they were more more

more the point. First, I saw a sombra to get. And then a pair of

bottles socied filled of the and they were just there just out of the

bathroom as far as the back in that when she saw the that was that was

that not those boxes not was not used nobody of her family and much less her

abuela she He was just so that he started to cry. The bottles

not they were there. She was aterrata and she started a respiration

so it was a respiration horrible because the respiration not

a not a not or a respiration with a quix

sonable sound a second like a hogs like a person

that can't breathe. And she was watching the bottle when that

that respiration that's that's a tocear toceer toceo

and the and I was I was I was I was on

the over the water and it was and it and came a and

it came a tear like someone was tociending Tire Tire

Tire then he So, he kept so thinking what I'm doing to do while he had

the boat and the and the and he heard that that was tociending out of

that he said something in that he got the he goto the and

he said to her and he said Lorena Lorena where you

she's and she in panico he went to to be back

I was in the boat And the Tierra How could He went, he was He said, he was She was well, he was He was crying,

he could He said, He was gonna And he made he To get to The house. That's that That night

Was terrible. Yeah, Traumatic for her She was. She was She said, And her

mother, and she said, And soveled And so forth, that was What had What had happened?

Sure. At the day He told to his What he had passed And her His abel And so

Yeah Something I have To have to do And they're To have A man He said

That's He said that He said She said She has She has And they're In a

house Dund Where Bum Where there Where there There's What's

What's is what is What's They're They're They're to

And They're where it's where we'll let's and he he's and he

he said this is very but in the in the house in the there's people

people who who who have to and they're and and in the and in what

part? Well, that is what we're to do and the abuela I had much curiosity. And he said,

I don't see if me are being the car or no, but here I have a little of money. And he

he's a person for that do you for that that are to be if it's

certain that there are in these two people and in the first

place of the extensive patio where met in the pala, they're in a

woman. Oh, so. Ah, yeah. In the moment in the when they're

saying, the boyla says, no the moment in the same the thing they're in the whole thing, and what they're

a quantity very great of people mortars, obviously, to cadabers old, antivus of the

era of the Revolution Mexican. She was a little and be to people and goy and

they were doing ojos and medicos and policies and photographers that were there, they were

in the world. They were in the they were when you when you were going one of

the forensics said something that said that's he was grabbed for always

He said the medical forensic to other person, while they were... Povered persons. Sufferedered much. How you know, right that we're taking the bodies? Commenced the study. All the way,

those enterrary those were dead. Tragoron Tierra. Tohugars. Oh! Oh, no. What,

what a lot so she was a spantosa for that she had the she said he said

help us oh yeah and she's being a she's being a yeah she they're scoping

the horror what horror that what terrible what what things that are that things that

I remember when you I remember when you I was when you when you were when you because the

house where we were I was I saw people Also, it was very Yeah, it was, it was a little bit.

I'd people, and I thought that were invited. I mean, to be, to that age not you'd do that's important. Yeah,

there's more people, no? Yeah. And what I did I remember, that the patio was very great,

there was a tron, a tronco, a tronco, the trunk, what was a old, but was a

hearted, but was he was that I'm so I'm that I remember. It was to

call the attention for you a tronco cuted. But it was

a patio. There was a part that not you didn't pass. And I

always had curiosity for going to get to get to get to because I had a

hand because I had a chance, but for me it was like an adventure,

so you get to imagine that you get to never never never

to be and I had. But I did a Ah, you did it in that side?

I was the other side. No, I saw if if I did me did a because the other people

me ignore they were they were not they're not they're not they're not they're not they're

but one I think I'm I'm supposed that I'm yeah me I said what

I'm because my my abuela paternal is the we're we're

too that's very it's very very so I I

agree and And my mom, we put a luce-cita, a sacred heart, because my sister, my mother, my aunt,

my aunt, I'd, in a chair, and I'm in other. The rechamans, were very grand, a house, the house, and I,

he had the focito. For that, so, it was, a little, the, the, the,

yeah, so, yeah, and that time me so, and when I opened the

the eyes, I'm, when I'm, But this no had a camisa.

Uh-huh. I was without the cams only had a canana an an contraversated

with the ball with the ballas. I mean a rifle with a

hand and a man. And I looked to see to be how

I used of those pants and but no he was the

piece I saw I had a pantal I

was with much courage I see the mirada of

courage, I said, I felt that me I wanted to do that I'm a lot of

a stana magica totally a protector and I put a reza me did

me say and I put a and I had a bigot no no moreno

was so no no no no no no no no so a a indigent

a Mexican yeah yeah yeah of the revolution so so

so so like curtid but but but it was

it A me made much fear. The truth did

me have done the fear. That is one of them to you know I said, I said,

I said, I said, Canelie? No, but if Dorena Arreola. No,

man, it's a story. For this I think, from this I said, this is

certain. This is real? Yes, yes, yes, so, so, so,

so, so, so, so, and, they're necessarily with revolutionaries. Also, there's

also. Well, well, you know, you talk to tell us a story, ma'am.

Well, this story is called the dwean, and we send her

and she says, Maricela us narrs, is that in this I,

I think, if I'm They start to be scared to be very fejo. I'm going. I don't me I'm going. We're going to this house.

Yes, but I'm going to get a curtidita like who who says, no? But one a person that

not is too like the case of Maricela. A little. Maricela, when she a, yeah,

so, so, so, so, so, so, his, was,

not we're going to come a car for the moment, we're going to

we're And then we'll buy us a house grand to to put a family. Okay.

So, like much people do do you know? So, so they're to be to live with

her suhue. Passed the time. She was a husband also, and she had a

good quantity, and a good day, I came to give to the husband a new

that had been made a adequate. So, for it was, it was

like a kinta. For house, they call kintas

to the wertas where there are there's the place, the space is a

big, and a house and a house of the sir, a good,

a price of a real and but but, back,

the immediate. There had to get to get to the house

was was very abandoned and they had put

not even a clavito the patio all All the whole was abandoned,

much a yearba, the arbores are also subject to the jubes, no there's more. So, so they were

to start to renovate the house. One of the things that started to change, that she

started to know it, was a matter, was a man, he had a in the

house era of two pieces, had a terrace very beautiful, with a starras, and the

house, he was he sent over, the Fines of Semana, because it was in the time,

she was all the day. She didn't even but the days of the time, in the other than

that they were to be to be to be able to see, she was always about in a signion,

mirro at the nathan. It's like looking to the wurt. Like looking to the wurt,

but she did know that she did know that. He'd. He'd. So,

so he was, and he responded. After he he was, until he What's what you

What do you? She said She, she, She, she, she was to do that

a lot to his manned and was thinking in other person, and for

so no those those changes of that isolation a

good day they started to hear in house

she she had the control of the television

in subur and she was the last in

to her side, his marido that's always always

always he's a lot of because they're not really when the

room, the volume, the volume of the television was and when

she and when she got, the the ralachitas of the volume to get to

the maximum, to get to the top to the inmediate with the television

she she has the try to get the control but no control. It's

a preends the light and disconnects the television. The noise was... The noise was

very much. And never, so, for the moment, no encountered the control. After that

they're disconnecting the television, well, if they're very alarmed because, also,

he also he also knew that did he didn't, he made, to separate a woman,

and where the day the second, that they can't be in the control, so muches.

And How is possible? Yes, what happened? I was. I was. I was going to do. Well,

that's one not all. Every time it was going to this situation was augmenting to be getting to

be a very much. To tell in that they started to get to get us levitted

the things. He said in his life had seen she had seen levita

the little. Tant that was so that was much, I would

had how levita and they were So, they'd, and they were for saying, a tassar, he said,

and, and then, like, so, like, so, like, like, she said,

she was really, she was really, she was more time in the house, and then so, he said, me,

don't, you know, renuncias, what you know, you know, you're, you're, are,

stress. Stress. Stress. Marisaa says, that she, from a little she never

saw things presentia and I saw and he'd and he his his marid

he he's but the problem I'll say she said not so

she said not the things that was the most he was a question there's

a moment in that the the man he he plant

the possibility to work from the because he's a

house. He loves a house and he he's the need and he said the

need to be and he says well, because how you're going to you're going to to be to the house?

So he started with some ideas and to work from the house? Yes,

yeah. Until that's all all right. No, because not it was because it

was all the day, so it's sporadical that these things were that were

that things were some A good day, she has been a madrugat and not

his marital as a door. The fact that is that says that the moon was to the

light of the and no needed to bring the light to come to be. No,

he, he, he's to look to he, he comes, he he comes,

and he he he's sent out in the cell with the mirada

perdida no contested he's going to get to get into he's

he's with the mind and he he's quietecito he thinking

he's so onambul so so he says let's we're going to

not he's he he'll he he's he the moment

he's he's going to a way with a a mirabre and he

he grita Largreens from here But feo She has She has She has

a pass And he on the mesa of the messita of center

the Mezita so the me makes a He made a Tremend

and the sir Despirt and when he when he wants to

talk she I'm going to venter manat, make me, because he was a lot of the call, and he said,

what you pass? Because for him, she was the was the same, and she had to start to and he

and also he said, and she she makes see that that was going that was going that house,

and that house is inbruh and that he is changing and he and he put him

a halt to this, I'm so I'm go. So, so, and he

says, look, we're we're going to do a thing,

because we the father for that he's his benches your benicia

it's a minute. It was what he did. And, and again again,

the thing, to the same, to the point of that one she evit

that his marid that's that he was, he saw, so he was

so, he was he he, he, he, he, he,

he, he, he, he, he , the second-piso, where she sat down.

She has a lot of and he asks, she's then he said, then he said, let me go,

let me, and they went to the house of her. Another way, regress, they went there,

they put her house in a house in the not they didn't, because always

there was a little. His suhra he said, oh, we're, we're

going to a bidden, I know, you know, you're to know what's going

and you can't resolve the problem if you went for the

evident they they were and she said that effectively there

there was not it was a demonio but the

the the the president had had made a

fact a satanic and that for that he

fell he he fell endemone the house. And that what

they needed were a depojo. Of the house? Yes, of the being the

entity that was there was a demoniac that was important to do it because that

house, not they were to be going to they were because he sentia the

the duke and not to make to nobody more.

How is? Do you? You think that did you did the story

No, that no, there in the best part. A very. The Sueger

said, ah, because the evidente said, I don't do you know I'm

the depojo. The depoge. But I can recommend to a a man a

catemaco. Ah, so? So, so. So, then says that they

paid to a man to exorcisar the house. And he

said, this is very so it's not one one or the occasion. A

the most, or maybe in three. They said, okay. Fished the fecha. Leroux-lawful-you-lawful-its. And it was encirrised in front of the house

almost three hours. And they're listening the doors that were fos that were and they were

and they were Rewidos, gritos, augid, of all. And the Brujo, talking in a language

that they when he when he is in a sudden, he says, three pieces for

that this is in eight days, go, they're going for me, and continue,

three three pieces was, he was, he was, that was, to dispugar.

Eight days They're Surpreza What happened The Brucho Caillow Coyed Repentinam

In coma And so Right Nobody has Could exorcis That house No manches Yeah

Abruch A catemaco Oh No manches Yeah No, I can They can't

They're What's the What's What's the You Can't You can Sackar

The Dwean The the the the demon or this demonio

of a way used to the duke the duene

because now is the house no yeah because I'm

was manipulating to her arsustan she but she was

she was accustomed to certain point for so was

that was provoking the suicide of the of

the the and that she was a time

He evito, a base of jolons, evito that he seter. It was horrible. He said that for an experience tremendous. Me, you know, the attention of those things. Fiatte that one

a me, me me, me, me, he was presented the Brucho Major of Catamaco. But not was he who me

he was another person who said, the, is that the people don't understand the difficult that is what what we're we do.

There are things very simple to do, that's what generally is what generally is.

But when are things very fertes, a sometimes we just we're simply not to help.

Because you can go to the life in that you like that you're

you're going so, so there there's a money that pay that you do you

do you do you to do that you say you there's there's right right

that you got you're you can't and it also. Who? Who said this?

I'm from that Catamaco. No, because Catemaco has a famous of good bruchos.

Precisely for the mother'sue of Maricela and this no passed just a little,

he has your rattito and he said, let's come a catemako, and the bruch.

And the broo, he was in coma. I know it's the what was that's the

what was this this next story, pardon? This this story is very

sperunate has very elements of what we've talked. That's what I know what I do. You know, you have a connection

between the things that I live one and other person. Sure. What could have done a veracity?

How would know what is living another person in 1980? Certe? But... Or of different

places. Yes. And it's one of those things that occur in that I consider that

is what the word maldition signific. the maldition of a A house A house maldita In this case

Figgate This is this This story It's called It's a Culp a manned Our friend Leslie Belmaris

This This is In Morelia Michoacan Dissue Dice that She was She was she

She didn't Tomarses a fine of a So Because There were Therein

some There were that they were to casar, there in Morela, Michoacan. So, they're going to

take that time, so those days, this time, like, some, like, some,

they're in a department, in a area, in Morela, in Michokan, that they, they,

they've got the photos, said, went on us to get them, said, that the city,

incredible, the architecture, the history, all, so, that's vacations, that boda that were

to be a spectacular. I said, yeah I saw that this was going to be spectacular. All right. All right. After that entered to the abitation,

to the department. He said that from the moment in the carriot in the door, she sent a vibra extrana, pesada,

no, I know how how to define it. And, well, simply not he, no, he said

a newio, he left to pass. At the the more it was for the voyage, the canstancey, they're

to be in a dormer. They're not so, uh, costed as, he immediately he got

dormied, and there he costed much much to get a time, so of that, you know,

you know, you're, you're going, you're going to get, and you're and get, and I'm

talking, you're to get to get to get to get to get to get time. And I'm,

do it, doro and do with that energy pesada. When, when of a lot of something that has to be

immobile, he sent you like a person he sent to just in where they were on his feet in the

camera. And then he was being thinking, it has been my novio

that's he was to do you went to me with this that I'm that I'm

don't do so that I'm so the eyes to be

to be her no. There was a woman, sentada at the feet. This

woman was a young, like she, of her, of the 30 years of age,

rubia, with the hair long to the back, and she was there was there

and she in the moment in the I was like the vision

of this person and if that now so, I'm going to enter in the

and he started to get dormita, but he was going, and in that he

was there, this person like he was going to look to see her and he got to

and he got dormita and he he was to get to be to get to

and the first that he thought was to go to she's to get to the

eyes, to look to see she there and the woman still there and she's

there. In that moment, when she see, she does know that that his

body starts like a kind of a kind of very, very, very strange and

paralysis of the sunno. Yeah only could move the eyes, yeah

not could move, but no, and the woman was sent there,

and she that the woman notable that she had had been

but not the was there was there was there being looking

to the window and she was a was a woman sitting there

she was with the paralice of the a woman sentada and

a looking that she she she was She began to

to think if it was an hallucination because I was a can't for the dream, for what he had imagined

time before before the paralysis of the pain, and in that somnolience she kept

a dormita and he back to now see now, now she, now, normal,

the of the memory of this what happened but but he thought that only

was a product of your imagination and the so she and the other

so he's his new his day normal. He gets the night I'm to feel to

feel a energy a extrana, they prepare for to do to

and he and he and he and he certainly is my imagination and if

I'm going to be going to be so I I'm I doorm.

He tranquillized, he closed the eyes he was at a point of getting to get to be when

when he he gets that someone he got the topio. Oh, open the eyes

and there was the woman sentada to his feet in the camera with the

hand to make the topio and when she I went to to see to

her Immediately, other way, he will enter to a paralysis of the

dream. And this woman he was and he and he and he and he

he was to be able to get a and he and he and he and he

is a effect is there not a product of your imagination. And as

he was he he's he's trying to To close the eyes, tranquillization, to let the vision pass

and then continue and when they're the eyes to keep the sensation pass, it's a a pain a terrible

in your head. He said that was a migraina tremendously intense. Nunn't in his life

had seen so much a lot of the head. It was that that's so

that that's that And she took to go up and she was obviously the woman,

he was going to go to be able to do not of the pain so he's when he made to

do not the car and he did a point of that was that was that was

that I could not not even even had the never was nubloza

of that so so the he had the he he

said he said this this is this not this is this she had

Oh, that the chick that sheka this had petered and that was the

that's the first of the first, that's he was he was not a manned

and he said that she did that he was up and he was going to calmarse to be

to be able to make that he's the load and augmentable and and it was

and it was there was he was borroso he said what I'm what me is

what I'm saying? I felt that his energy was really for the and in that

that was so that was so I'm he did know that he got to the day next

as I'm like that how you know well I mean I mean I'm

I'm omit but but the pain the the door yeah

no there no there there disappeared so she she

she she she like thinking, I'm going to or no I'm not

I'm going to I'm going to no, I'm I'm going to imagine. No, it has been a product

of my imagination. This is, not it's not, it's not something, it's all

real. Passed the day and they're in the night. Yeah, so it's

he's been the whole the issue. Perfect. We're going to do to get a morning,

close. It's at the time, but I'm But I said that now not let's, I know, no, no, no, no,

no, no, he's, he preto with force, so, and so, he,

he, so, he, he's, and he was, and was there, sent out,

vented, no, the window. No, he was about, and he said, was her

fault, and she got, congelated when he heard, when he heard the

moment, after that he said this, the the pain. Intens,

intense, intense, it's that that's the eyes, it's a little

it's not it's not so, this is too, when it's the woman, the

woman that was the woman that was the woman that was a time intense that he

began to get to the cordue and he went to to the kitchen coming

and looking something to get to the the head

and he he was observable so nubloos opened the cajone met you

the hand he took the things he had a run and in

his his head he he said that if he was he was

he going to get the the door considering trying to

take a eye with a tenedore and he he was a manned and he said

no this is a lot of I don't I don't I'm soport if I see the

eye the the door and he took the tenedor no this is

all and I gave the tened and he's with the pain

intense a a dolor intense until after he he went to

he got to to go to go to control it. I have to control it. I have to control it. This is not good. And it's

he rolled the eyes to be there took the tovill. Abri- the eyes and was there

was there was there was going to the window she was she said that something that something

that was that was she felt that that was enojada Triste And she

And he He was And he He'd And he'd And he'd And he Nubbleable

The end up And then And then And then And then She was to the Ventana And she

He said This not To be She can And she He can't And he He said

And he He said And so For far I know That's That's For

favor, let me. Bajo the and he kept dormied. The day

the next he was and his novi so, oh, good days,

how you are you? Mal? What you have? What are things terrible

in the night? Let us here. But let us here. And they

started to the maletas but she had an urgency I don't

want to be a minute more in that No, well, how with that? No, because you're start a

minute more. Backer when they were going and they're going and they're with the vigilante.

It was a man, well, he had a time there was a time there was a

less than 15 years. This, this, this vigilante, was the conserge. The vigilante

this, and when those saw it was not that she was very bad. And he

said, I said Is it Is it? No No no no No Something

What's in this Department And the And the He said Another Another Again

Again Yeah Yeah Yeah Yeah I'm sorry But But all the

People That's That's That's What's What's What's You know

What's What? I'm He said this this man that he he has a 15

years working in this place. He's exactly five years, a woman

his marid, and his son of six years sospeded there. When

they were in this place that's very beautiful, the the little the little

he was to come for the ventana and not he not and when his

father not he did count, cogue a chair, he

a little to the window, he's sub- and when he was

he gave the and he fell to the window. When they

when they the moment, the mom enlocacio the inlocaceo. Well,

she. And he he was to reclam to his husband, saying

he had been his because had had decided without

his his that he was the culpable and they were the and they started to

like a like a like and in his in his desperation in that

discussion took a tenedor and he clas he was a tragedy

a tragedy terrible when he got a when he he had he went he

but for the ventana. And that day... What horror. Falleceo her and his his son. To the Lord

he was to get him to the hospital. And he said that's the day there are things terrible in that

department. And she he went to to see a newio, the noio was going to he said

he said no, this is not to be able to pass more. Who is the person

live in that department? No can rent a department so. No,

they can rent a apartment so. No, because they can occasioner

other tragedy. It was to go the door inhojid about the door

a door a man. The son, the son, the son, he can't

do you do you know, the man, was a man, he was a man,

so, so, but not it was the person, there there

a thing very rare. You know, is that I said that she saw this woman ruby,

delgada, like 30 years, like she. She is ruby, delgada. It's like

that's like, that's because they were physically. For that she had

that the pain that was, that the tened, that lucho,

that the interna of I don't the influence of that the spirit

in her I think I think I think the influence for that when he was that was a

man that was a man who was a mannably he was a mann't he was too

he was no no the disarm the she she was wow

what what history what story yeah yeah yeah so it's

yeah So, so is how it's how it's how it a maldition in a house,

a house maldita. Yes. So, it's a lot. It's a trapado,

no? It's, it's, it's, in the place, in the environment,

it's very difficult to retier a maldition and not it's a type of things,

no, no, that is it's not, it's not, and is that when you're,

that this man, that's, that's, that's, he was to try, he was going to

be a widow Maricela. And this that he was to show the window

and that she was to get a eye with a tenedor. No, manches.

Maybe she was she was to be to turn on a moment determined.

For that I'm sure. I think for that anojada. Imagine

you know, I was was disposed to repeat this I was was I was

saying that the door when was to get a or

maybe when it of the window, no? Yeah, it's terrible,

it's terrible. Yeah, and the justification was your cause of the cause of she's not,

like the obligation to care of the man were not more to part of one. It's of the

two. Well, is that in that moment I think that, you know, no, no,

is a lot of, you know, is the reason immediately. Accepting the thing, accept the mechanism,

no, mechanism of defense. You know to tell a story, ma'am. Well, this

This story, is that also we'll do we're with the diffunits, caramba. It's

called the three Muartos. This history is anonym The people

not wanted their names, no they're to be to, no,

there's to respect to the only is is the name. So,

so if they didn't tell the story, not with

No, with his numbers, not with his numbers. The place, yes, but his numbers, no. This is a city of the Carmen. For those who know, in Ciudel Carmen, is a zone petrolero, more important, of the most important

of Mexico, and pertainse to the state of Campeche. Yes. If it's a place, well, is the mar, there's a mar.

Yes, it's a island. It's a big, but it's an island. And there are no, no, no, no, no. No, no. No, no, no. It's all.

The zone of piratas. Well, they've... Extraction of petrol. Petrolio. Well, I think that where most histories of this naturalness exist are, is in Ciudadalcan.

In your experience, is there, right? In my experience, is where most occurs. No, there are things that terrible. Tremendous.

Tremendous. Well, this story of this is a a wife, they'd live in the house of

where originally she'd a little house front of the because he was looking

a enough enough great for the aspirations that he had to a

house, he he always he he he's always in the

head the idea of how I going to build my house.

Of those that was that was her was a thing, and it

was And she was in, yes, well, a day will be a person solvent,

that if could be a good, but could be to a house that not was a

very long, or that was in a good, in a good, in a good, and a

place. And if the house was an house was an, but reallyerament

antichisimates that's, that can never can save nothing, that's of her,

a terrain enormous and the house had a very important. When they do

the revision, they'll accept the trot, come to the house, the terrain

and all the engineer for that make the plan those those the construction.

And they see in a house has a piece of a marble that's

that rare. So, so the engineer well, what you

do you see if we're We can't conserve the piece, I go the cements

of your house, although are the disniveles, that there's not a disniveleveles

to conserve this piece and it's beautiful and what car that, that's, well,

that's, they're a house, a house that's that's hermosisim You,

you know, that house? Yes, I know that's a city El Carver. Well,

in a house hermosa? What I can say? The porton of an yarding enormous, the house was down. Entravs at the porton,

the garden, to find out of a sort of like templates for reunions, fiestas like a palapa the house

of this side, you're over there, there was a, like a, a,

a salita of an cellita to receive, a recivididor or, better a bar, the salar, the

a salon, the precious, and the a house of Carrara, the comedars. A lot of the comedisos. In the part of the area, he made put my in in in in in in in the inrike,

and, I'm sorry, erredia, to avoid that they were and then their garden. They were

some plants precious, enormous, very beautiful plants. But, we know, let me

let me talk, me, he came, me, he came to talk to what

what was what said to the case. Resulta that at the little

time of that they can be change. She's, she was in that

then she was obviously then she had a person that he had used to the service that he

he was and a and a day he said he said that he was to be a he was

he was he was so he he's beautiful black there there were

some gotas like clara of a little some

gotitas Like marientas? Yes. Yes. Yes. Transparentonas, but medias amaryientas. Uh-huh.

The talk, Curious. Anna, toco the gotita and it was suave, but durer. No,

who's know, said the sir, no. Kittal? Well, no, they're not. But what

curiouso was that the day next had gotitas again in the same place. He'd

They called the attention, because this this time they were more durs. Okay. And more... They were going to the intensity of

their duresa and his color. So, it's a man. And of inmediate he said, the general, to be,

what is this? No, say, they're they'll, and say, we going to go to go to the laboratory

because it seems a reason. He's, but he's to put to put to the

piece. Let me what is, because how we're to combat to what is.

And where Uh-huh. So, of a car rara and met a marmol.

So, how, how, how, how's the how it, how it, how it's

how it, it's not to do you, the answer, the response was, the response was, I don't

know, material that's that was the response. But when came, the information

of material that's not, not were some three gotitas or four,

like the first, it's it's gotas for all the

piso. Gotas. Like ectoplasma? Exactly. But this not was all.

They're to happen. They're going to say that Anna always was a person from a

little, that you know, that could be, sent him, I presentia the things and the

thing, that at the right of that starts to give a fear in the

house. But no I'm going to say nothing because his very much

and absolutely exceptic no, and apart all the effort he did after that

sure her of a car, his prudency of her says no

no my I'm call that those sensations horrible that

I've that I sometimes was a little was there was

that time that she was a he'd a

his house. Much, much a night that they were they were in

their recamara in the part in the recamara they were like a

tapango in that tapango was an sign where was a where I

sometimes his his his house with a house and I'm

a house a scalon that had a gymnasio and to his gymnasio

private and aparted they had another. Okay. Tremendda a house. It was a

tremendous house. It was a house. A beautiful. A house beautiful. Well,

they were watching the television. When, of a moment, something it was eleva,

something they're like, as if had been has been a movement sysmico.

Like a storm like a a storm so, but they're in Carmen

there there's and there never ever ever never of that's

the city of Mexico know what is a thing but a person who

has a really a so that they're they're they're and they the

recamar was alfombrated and where was the the to

the side of the side the right was the bathroom, and the side of

the gymnasio was up the room, like, like if was like, like, like if

something, like, like, so, like, so, I was, he,

he was, so, he, he was, and he went to the camera,

to the, uh, so, not more in the recamara. So, cruised

the recamara and rompio, so, obviously. The engineer another to is that here no

there's theremin, something that's this? Without a regular the house

but I'm the car yeah they're going the problems then then then the

sir starts to hear to hear to hear to hear but accept

what his husband he says this house is embrugated or so

he starts to Well, after that because no, nothing more, I'll

just say, in many words, the vivences that they were, apart of the gotas that were

going to and that were black, one day, the gotas that were like the uh,

the uh, the uh, the, uh, the uh, see, the arraeus rompired

the marmol. No manches. it. It was rompired impressive like the like the

like the one of a person yes like the like someone but with that's that

that's that you said that you was that the arraignment a carnazo one something

horrible they're they're the recamara but the luses that

werepade constantly moment, olores desagradables, ruidos, things, lamentos

of all started on. But when they said, it was one night. One night,

I remember that were at the night when received the call. He said, what you

think, come, and I, and I went, and I went. to the house of they're

when I when I called the attention that they're making they're people

yeah people and they're some they're not some palms have some these

so of grossas like 10 centimeters of serenadas and I go and I'm

going and I'm saying what I'm you're you're they're they're

they're we we're we're we're we're we're the

garden interior that they had in front at the commas she

narrs that they were on the television when they're they're

in the obscuring in the obscuring they're an horrible that

came and proceed like and it was a like

a like a like a turbina so like

so something something so me He said, you know, they're both

also, but he had also, not he went to, no, and I go to go. Pardon, the two.

Salen the two , are those, uh, brazados. Prende the light the

light, and the light, but the two very abrasadit to know that had passed,

they've been with good and result that there, in the garden interior, all,

those, his plantas was a like a lacer parrejito. I was

that's all the same measure not? Impresionant What? It's just, what?

It was from the right? No. That same day he said, I'm

going with my mom. Of that? She. She, she no want to

more. And she went, I'm This is dangerous. Sure, it's dangerous. It's a person that was taking things.

In that moment, just wanted to hear you want to be it. She said, I want to see. She's going with her mom. We're going to

get him. And the Lord's kept still with the people. And then she me platica what what

was that night. When they were the people to make all this he's

he said, he's kept, into his recamara and prepare some things to because he

also is going to get to get to be to the person who going to be going to get to be

I'm going to I'm going to say that he said he had already yeah much fear and he turned all the

light and the house was very great because the house was doing it was dolaing

all over I put in a maletit so a little something something and there

see so they come and conform he was going the light

was was ap Reventable the... The foco. Conforms said, he's he came running.

It's... It was... It was going perciating the focos that's going to all in the obscurity.

It's got to no going to govue. And when they were, they're

they're to be what they're investigating, what's there because there's

there, something you're going to abandoning a house so.

Sackal exactly. Exactly. No, what they costed. Well, effectively, they were a one person. It was a santa. They were a santa.

And the santares and the santares said, Here, there are people who fellesied with much

dolor. Persons that were really were really really were really with much of the

assessinated for some those and are interradas they're to get

them to do you and give and give a santa sepultura because they're

not can get to he he's he's he said to be a bit

wait wait wait I'm I'm to take here

there there's the skeletons, but, some people, but, for where I'm so, and he said,

the engineer, look, when we did this house, he said, he was to have to get to

all, because it was not served nothing, all the cements, it had to be a

profound and we never we never never, and he said, you're, you're,

you're taking the power. Yeah, they're taking the no, no, no,

He said, there still a little. The Piss of Carrara. That's not you

didn't any reason. They've to desacers of the Pissor effectively. Abajo

found three skeletons. Of some a some of these people or what

was of their spirit and so it was there. Because as they

were were supermently Catholic and they needed a santa sepultura and not

they were to not to get to them they're not they're they've got they've

got to they've got but it was a experience terrible that they they've

lived they've they're very they're very and well he

he he And then, where I went to, where I'm going to get to the piece, and they were in the

other people, and they're in their santa sepultura. Yeah, no, I'm I think. I think,

that's the moment, yeah. No, I suppose, they're the house, and no passed to,

and I, you know, that's, you said, because, yeah. Yeah, because,

nothing more, was telephonic and, again, I, I asked, I, I said,

I said, I said, I'm, but, but, but, but, not,

I suppose. Yes. And they're a person known. It's a great. I'm a little bit more.

Yeah. No. They're going to be in the name of all. Of course, no.

The engineer, yes. But he, a part of there, also, he, like,

something he's, like, something. You have to tell a little but a ratao'

so. Yeah. and then then I'm going to talk in the podcast for normal, no, I'll be to

tell you to let's this story that I'm to tell, also is anonymous. They're

good, the same are you? They're very good actually I know a time you're

that's a lot of because here's the name so I said, this name

is changed, because is an anonymous but they're talking to a person and there

there's a name and me he said well, I think so I'm so I

go to the story the story the story is the name

the Anonymous. The person that this story and we said that it was about about 10

years when was in the preparatory. That day was there was there with his friends, they were

when of the when of something, something, that decided that they decided suspended

the classes. Then they said, to be all, and all, regressence to your

house. She and her and her and their and they were that,

they were suspended to the classes to go to the house to get a movie

to relaxers for that's they're to go to their house so

so one of these chicas the name Frida said I have

a other and also not just only not not

not my we're we're we're we we're we're

we're we're all right perfect well they're perfecto the group of

of the group of the brought up to the was in the the house of the department of who's the story,

who said that's the story, that's a bit of a bit of a vibrator, It was like an enormous askerosito. So, I'll, and the department that was in front had the door

interabirda. And he gave curiosity. So, so he was and he wasom, and even it was the day, it was a,

it was a day, it was a, it said that the department for the was, it was like, so they'd

have been taped the windows with something, that that did that were that was

that was too that was to know to not to not to that was there there

there's there's that that's that's that's the so that's

the the door the door and then and they say to his

amy it's that I don't I don't be much time in this

in this department because I don't see I feel like a very very

very sort of of the quarter that there but I think

that has been because that apartment that's there's there's a I think it's of a brook

because if you know, is it, no, that's the odor that's allor that's and,

well, so, so, so, he said, he said, he said, no,

not you don't you don't you know, because there, I'm sure that there live a

bruca or something. It's really weird. What's that's strange that I have

the door that I'm so. So, they're what we'll do.

Well, we're going to see a movie of terror. Well, yeah was the

environment, no, perfect. And so they're they're in a quarter, put it put it in a

movie, they've seen the movie of the report, you know, you know, you know,

you know, we're saying, you know, blah, blah, blah, blah, blah, blah. and she said, and

she said, I'm going to pass to do you know to the baby, so, passal,

there there's, and it's, he's He was his He was doing his When he He was

When he said He said He said he He said he He made much He made much The attention Sacko

His billet And while He was painting He was Observando Observando This spejo Because he said

That this Spejo He was He was Antigue Dorado Of a Marko

So very very great And and and literally he had

been he'd have been before she was so perfect

relucient her so so she make she make she makes

she makes her she she she and he he

he he he said oh yeah can you can't tell

where they can't you can't how that the

the space in the the room. No, there's no, wait a

wait, wait, wait, don't inventes. I'm to say from the bano,

me I've got to paint the lapis with me the spejo. That's the is the

is the is the is the is the is the no, no, no, there's a

no, no, there's with me with me, I'm to be to know

the picture. Okay. So, they're they, opened the

door of the bathroom, and he said, in the moment of when they

opened the door in the door in the time, he saw, he was there's he said,

he said he was hello, and even vertigo. The moment he said, I'm

I've got to be to be the and no there's a there.

Like the the other people see, what's what's he's,

he's no, no, this no, this is not, And then they were like, like, what on, no?

Tranquilla. And in that moment of the abitation she's a risa sinister. Wow.

So, but... Fee. Horrible. And in that moment, all, they've been

about horror, the department in front, this that has to occur to the

picture of the picture. They're they're to get to get to get in hysteria

collective, no? mystery, they're between and they're and they're and they're

going to let's go to get to get to put into little to start at the

department it's the door of the entrance of the department so that they're

so they're congelated so the door a person and he said Frida

what you are doing here I'm, Tranquilas, is my Papa. It's my Papa,

all of the all of all of all? It's that we're doing we're doing we're

going to see, I said that you that's that I'm that I'm the time

give me the give me the give me the what you're what happened what happened? It's that my,

my, my my my friend and then what happened? What happened? And, well, the

Papa is seeing a people who are these and obviously they gave curiosity So, they were

like seeing what did the pap, and the papa and the papa was and the

he gotchacha and he goth-a- and he got to a box a black

that was with something that was to come out, like that not tap totally

the content The content was a a screen with a mark dorado

exactly the same to the which she had seen in the bathroom when he when he was sonar on the

crystal rotos the the spejo was rot and was there was there

he was there he was he he said go and so goans

to all to the house yeah not don't do

two sir he went the the there's a man there with Frida. They just went.

When when when they were in the school Frida no was. And passed a month. First was an anecdote

and then simply, well, it was the time, a month entire, you know,

he's had forgotten and Frida no had had been and they were always they were

in the past with Frida. That's that year he goes to Frida. And all

they were so that's you're going to you're going you're what you're what you're

and then Frida let's all the story and those left her that

that house not was the house in the evidentently Frida and her and her

mom they're they're in other place that this department is

of the Papa um Mises After they They're They're

They're They're For a reason Terrible Result that The Papa That has He has much

money and Negosios He had two families Frida and her mom was a family The official

Yeah Yeah And the Other in the house Chica The other in the apartment

He said To be a a mom, that, as many businesses and some were out of the city,

because every certain time had to go to get to his business. And when

he, he'd back to the city, then, was, was, and the

wife, he said, that the days of the time that were were

for questions of the time, and so he had the

two families. But the mom of Frida, not a tont. Well, he had been

casted with him. Of a repent result that only the time you have the

business of the city. He does and discover the department. And discover the man.

And then, rent a department of the front. One day, the man,

when he gets the father of Frida to see her, she was very content because

result that I had discovered that had discovered that I'm happy now now if now if

yeah she was to concreted that that she had thought and he

when he he starts to discuss to and the things are

to move to more and more and more and more and more and more and more is that

you are my amante. I don't have a child with you. You are the, you are my amat.

And this woman me enloquese, he's to get to get to the bathroom he's

he's waiting to be to be and he pass and he he's when I

hear a he'll he he gets a and he starts and he's a

and he's saying, Abremme, let me enter, and of a repent, she'd in silence. For

favor, pardon me, we're going to talk, abrem me the door. For favor me the

door. And no contest. Abre me the door, I'm going to have to try.

And no contest. And he and he the door. The tomb

and he's a man and he one of the of the pieces of the video

of the of the the of the the of the the the

thing he's he was he was he was the

great and the he was that he was because rapidly he

was he fell so so so so and

he and he did the police and the

mom of Frida that had the department in

front and that he He also, he was he he was

to get of this. Everything kept in family. And the husband no,

so, so, he was, so, so, was, like, was,

the life, they're, the space, the picture, they put

down to that the and then they're as family of

that there is a department, but they can enter,

but Frida had the life's the reason for that's that's he had been

a copy and he gave to his people who she had had been everything

but there a detail very interesting the mom the mom rented the

department of the front yeah you did you didn't it was

very very dark and it was that result that

the mom of Frida pardoned because she thinks

that she has the control of that family. That that's a practicant of magic and he said

that he's a ritual for that that was that was that was that was going to

the life and that's he'd get trapped in that department for so

they're and for so it has the two the pieces of the

because is torated in the spejo. That's. Ooh. After

that Frida he's all the little time abandoned the school. And never

they've never they're to know of her. Poor Frida. And is anonym

this? Yes, is anonym. For so I think I think they have

to have a Frida and that not the that's the Yeah.

Uff. Yes, if there are in where it's impressive. No, that the mom,

the mother make a magic and magic of that type. So the magic no has

no, it is black is to help. But how I do? No, no,

but also it's a perversity, being malvado. So, so for much,

so for much so much to you know? So, so. That's

so. Yeah, also calculated all and not he's manch my hands no but it's

very unfeo it's terrible oh yeah mom you're not the honor to tell us

the last the last story of the last sure sure this this is

very very very very very very very very

very so I see this this so this so

in a city in a city important the person is Lu

Maria. Lus Maria, she is known Lus Maria

Gonzalez. And no I'm going to give more details

the name of her name the story? The

Nido. Okay. I want to this person is a

very good person, generous a very good person.

And, unfortunately, a few to the good people like the things, like the what he

was the mother. Well, her little, he had a little, and when the little

had approximately two years of the mother, this man, this man, this man,

and they're they're receiving in their house, and they're doing the time, the time,

a house, a house very very very great, the she has

she has she has she has in the part of the house

there a house in the end of the house was a

lot of a closet so very great so so

so they adapted for that her and that

she was there was so he so so

so so so so there came car who is a

man, Carmen, and he's installed with his son. Carmen,

was it was difficult for she was a young, because it's

a woman, and it was very difficult for her to what he

was going. So, so, so, so, so, so, so,

so, so I'm, she was very Triste. And he said that it would be

a good that would be a help her to help to get to get to that's

he's he's he's a little and he a doctor and the little

was well but they're but they're to pass things

after a time that that this that this

is without that he know she was she was

what was what recamara. Well, it's that one the

grits of the little were the people, they were to see what the was there.

The little he was aterrado, not he could control his mom.

Horrible. At the end, they were a lot putrefact that came to

the bao. So the Lord said, well, this is a

bad. Prend the the light of the water and the the focus no sir. To get

the next. The same the next the same. All the focus, well, it's not

all right. All right. All right. All right. But Carmen, no. Carmen came a

moment in that was very bad, but no, he said that was passing.

And because was the child in those conditions. She was a his

juice, to his first audience, I think, and he says that when

he goes to he was very enoched. That's he's encered, he said to his

mom. He said he said, because he said, that for his cause,

he had meted a a demonia in his house. What? So,

what? What? What? What? What? What? You're You're

You're You? The therapist no serve, what's what's what's doing here?

So, she said, no. What is that me gave a question

for an friend, and me said, that put her a veil in the

and that leger and that was an or a other, it was for that

was to her not you, manch and that he was he was saying

all the days and that after the audience, she was now anojada because

his marino, he was going to return with her, that he had seen with much desprecue

and with indifference. And that she gave much courage. For that he was encerro.

Because in that moment he broke the oration and he said, I'm that I'm

still, I'm was so enojated and frustrated and he was y'all

and said her to her mom. So she said he said he said, not suggestioner, that no, he, no,

he, no, he's, she passed. In the nights, I'm, I'm, my sabana,

my saba, me la and my camisone he, says, I'm going to sit,

because I do much fear, he said his mom, I'm, me, I'm much

fear. The the little the little, the clot it's

heard a ruy and me susurran to my ohio, mom, I'm going

I'm going going to a little a little well, I'm he said, well,

what's what's what's what's she's very confused, what's

she's well, well, but they have to take some

and they're to get with with she they're so,

so they're no, so it's like no, no, how

how a demonio you, you but the The child is the that was the that's the

question because the little he was getting year and he was a student

a year the she was the the she said that he's when I was

the gritts of grittos corred to what was what was the

recamara now and she she was she say come me

I'm that I'm that I'm I the door of

the door the They'd be able and no could be but grittable but he

was when he did it not he the peria but when finally he'll

make a his his wife in vapor terrible with a horrible and with

an horror and with that is when she is when she is

when she he's that it's that is that is that was that was that is

that were passing things in that place. So, he said a little because she

has a little bit of in this then he's he's years. And he said to

go and in the screener, that was in the recamara of her were to do that

to do that for that not that he was that he was just that he he was

he took and he to do to do when he's to do when he's

pegando of grits, because of the closet they were and they said, Abren, that he'd be the closet, and he

was fired a little, assuptatism. Ante that situation, Lus Maria, will be to look to a

person for that he they're and when they're they're saying, here, he's

opened a portal in that in that there's a portal that's, and

he's, and he's, to have to be so easily. Necessiote help of people that come and because I

only know, this is dangerous. I'm going to die. I need. I need. He said, what that's

something. He broke. Bajo. But he's a thing. And so, he went. He said,

he'd to turn. Because they'd have to do a belation and at the day

next to do you doge. Well, yes. Pusiered vellas, aromatic, all, carisimas, but put them belas in all what was the

house, or not the house, the entry, the entrance, the house, in a cominito, meti-saintop a recamara, and three vellas, velas, because are vellators in the baio. Stubiered there, no, they were, because they were

They were, they were vigilante, they were beling. And they were talking in the kitchen, while they were, and this woman, and this lady was

he was up occasionally to give a little a word, and regressable. Lus Maria? No. A, the person

that they were. The person that they were. And they they're talking. In that he said, he's

he's all he's done, yeah, we're doing, yeah, we're The spohojo. Yeah, is enojo.

And he says, how do you know you know, come, we're going to see the bellators. All the

bellators, that were that were many, all, without exception, in the

pavilo was a manita, perfectly made, a punito, but doing a

signal obsela that I don't want to present here, but imagine what?

The of the middle the one of the two. All the

bellators without exception. Well, I go you're all right because

you're noj they're they're they're they're they're back and

the day next came the depojo used many things

an anafre with an incensso the incinso very

in the center of the of the of the In the room.

Veledores in the corners with incinces apart. Five persons forming a pentacle. Each one with their

Bible. That you're going to say a psalmo. The the of the same?

The Salmo of the common, the the protection. Okay, all

all. All they're met in a circle of the San. The five

people protected for a circle of salt. They were to do. And the

person that was with ajo and other things more, he said

to say certain orations for the wall especially and

just doing all this in the and he and

he and the obviously this am this am

she He was going to be present. And he said, no, you're going to be able to be, you're going to be protected in this circle of salt. So, so they were, not so they were, but it said that what she saw, it was impossible to believe.

The anafre, to set a, to a, a no, black, necro, formed a remolino, and all of the same time, conform the person and the person

was indicted all of read one and other she was to know the moment in that

was one and other and other and other and other and the

remolino started to circular for the pass going to enter

to at the circle to but but I didn't they

sent you felt in them how they revolve the cabel

intent the the the of the Bible were to they were

and they were the eyes the the remolino out of the

raomolino the then then he got to be the back

and the person that was behind behind the behind

um some some some some the liquid that

he was event to the remol To push it to the portal. So, no. ...metio to the

baio and he's perdi-in the colladera. He gotro the liquid and he was to do, and he he let's go to the regarer.

To the colladera? A the colladera? Yeah, yeah, where's the ragadena. There's a

remolino, she made the rest of the liquid and it got a tapado. So, so they were so they're

so they're all right and apparently all of so it was over the portal.

It's This person, but the consequences desafortunated is that are many times irreversible. The traumas, what they've lived and the daughter of her, still in treatment.

It's that she opened the portal. She opened the portal. And that's... You're crossing the line. Yes. What that was... It was terrible. It was terrible.

to be to learn orations that no know know, no say, don't know, because he a force, I wanted to

with all the energy that he was projecting because he was going to to work a person? Yeah,

I wanted he said, he said, and then he and then he says, that's mure. That's mure.

So, all the energy that was doing to this entity? Yeah. So, he crossed to

this side. I've never this question. Well, there's a I do that I'm blah blah blah blah blah blah blah blah blah blah blah Always they're and they're

They're and they're in this case So it's going to the colladera That's going to do it Yes but it's with the liquid If it's all and liquid But it's going to go? And then what's what What's what?

Well, it's supposed So it's there It's just so it's It's not so it There's treatment of Agwas Negras That are the That's the earth

For the campos And the the earth is a purificator natural. For that's not it's a bit contaminant the water. Because many it's in the rivers or in the water, because it's contaminant and the

people are still. Fisicca and emotionally, because you know you're going to be you're going. So, when you're doing it's a cleanpia. When they're doing a limpiazscheat, the water never gets to throw into your house.

Because, acuade that there four elements and with the four limpies. Air,

the air, the water, fire, water. The water is the that it contains

all the mal vibra, the limpeza. So, it's in the

water. The fire is the that the light, the

entry. In fin, are many, so many things that

are that can make a correct, and it's very strict

because this is a good, the things are not a very, very in serious.

I've seen with many people and the really, I'm really, I'm really, I'm really,

so they're they're a remedy, but will have your time. Yes, yeah,

yeah, we have to have much care, no, no, no, this,

oh, oh, God, it's sub. It's the theme of

all these things, look, a sometimes when I hear some or I'm

certain stories that they they're they're and they they're and I know,

I mean, I know, I know, it's that you know you're to think. Yeah,

it's a yeah, but they're they're they're because even those

who think they're not respectan. And then commit

grave, grave, actions that are grave, that are terrible and that are very malignas although

not we know a person and the man a saludo me he said that in the way that they

are in the area, in that zone have been a lot of people but not is a curva

so is a a tram a a tram where there a a

carterer have had been much people. At the initial of the carreterra,

there's a Santa death there's a lot of the death and the fact that have fallen

many people, there are people who are, and there they're done the work. So, like if it

were a cemetery natural, there they they're done the work. Very bad done.

Well, this me, me, this, me, it's a question, and I'm

my mom wanted to this was a meet-and-grit of insomnia. And I I said, well,

I said he came. I don't know I'm super very longisimus and the he's the

little bit and the mom and they were to get around and they're doing and we started and we said the

mom. I said, he said to his son tell them the of the thing that that's

that's that's me said, is that we was, I was managing and my man

and my mom and then and then I'm I think, I think I think I think

I think it was I think that was the Santa Morde. It was a kind of great.

I said, I said, and I said, no, like, like a big, a negrateful,

a normal, so humanoid, but so, enormous, parada in the middle of

the carterter. And the coach of the front, he said so, and so

that's a staria. And then so the mother, he said, what is that is that,

he's he said, no, you know, he's he started to and it passed, but that

thing was moved and the coach of the back and the God, he said, and I said, wait,

wait, wait, that thing was that was going about, because if I got a a car and

someone fellacy. Me said, that's not all, one of one of I was

going, I was managing, no had had taken, not had been taken, but it was

too, but it was too, it was so advancing and and of a repent, he's

kind of like, that's weird, you know there are there are curbs and I

only see right. What curious. And in that a car was that said that came

that came from of the nada, he was going to the barranco.

In his mind he he'd right. Correct. But there were

curbs. And the he was that was going to he was that was

when he And me said, in that the people go, as you know, as a person, the people, and they're and they're,

and they're, and they're, and they're, and they're, work for sure. Sure, for that's, what's the

thing is, there's going, but there's, there's, there's, there's, so when it's when it's

the water, it's, to be to try, to the car, to the car, or the water,

because it's, because it's putre, the poor macetas, and the the job is,

the the mal, it's, to the earth where the the earth absorb and purify

we need to we'll have to talk about that we'll invite to that we're going to talk about because not is that there's a

way of this and it's this and it's all no no no no no no it's so but for the people

but for you're going to keep to not like you know what you want to want to you want

to want no no no no oh yeah so the so the many thanks so much thanks

but a manner of the to learn, it's always has to be with the stories. And it's the next. He says, all the casas guard different stories. One

are felices, others, Tristes. But, also, many times, guard stories of the horror, of death,

and even those curses of brujeria. Mudart to a new house always will be something

an idea a case surprise. You can find the Felicidad that you want to

you can find out with the other and you know, you, you,

you know, you know, what's what you in the place in the place you

actually? Much thanks, my mom. I hope that you have been very

very well. This, you know, you can say that will be to do you

do do do do you do do electronic is very simple, it's my name, but my name

is Nelly, with Y, but in my Correo, is I-L-Y, but in my Correo, is, I-L-L-L-L-I, and I, and together. So, you know, 4? Yeah, Nele-A-Ponte, 4.

The number 4? Uh-huh. Yeah, I think, because you're going 4 times that I do. Because it's never, I'm always, I'm a lot, I'm, so, I'm put it, there's a, there

put us, there's, for if... There's a... There's a situation grave, that, you want, like they've like you take the hand of my mom there's

but well we're going to put the correct. Thank you thank you thank you thank you

I'm sorry I'm so my friend Ppo ah I'm I'm sure never

never have to live in a house in bruched like

we're we're in insomno where we we're going to let's we're to narrate

terrible and terrificic experiences of the audience and listen

let's if it they're they they're