INSOMNIO - CEMENTERIOS - INSOMNIO#03

Episode Date: January 12, 2024

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Very good good This is a new our new capitual of insomnia. are being welcome to hearerifices experiences real, vivid by the audience, that send them to the callreau. It's content and nervous in the moment on the screen. The truth is that I saw the chapter, the first the chapter

and me it's a very good. It's a good that you know. It's a good very good.

And you, I think you're next you're noticed to start talking two stories like in this format. The terror.

I mean, I like much. I'm much the terror. I think it's goody very good. Yes.

I'm very good. I'm very good. I'm very, very good. I'm very to see.

A very. A bit of how do you let's see before you. Before I'm before you before,

remember us what are your And what are you You're doing? Well, I'm just only in Instagram

as a ArrovaFermex 22 and so basically me dedicated to work in the podcast, I collaborate in the part of

insomio, I collaborate with the investigations of the BIRNs and some some

and with many. Much thanks for that, no, no, contrary.

Much thanks. I'm I'm hope we we're able to terrorize to terrorize

to the audience with these stories, the truth, they're they're

there's there some the stories very very very very strong

very very strong, very very forth, so it's very good, so it's recommendable that these these capitul

not those don't know, and the children and little because they can suggestion much,

muchissimo, and also if you're people are people impressionable and you go to

a Capitur of the podcast. Going to have a chapter of the podcast. Yes, I think this new format is full of a

terror that we've never never been not we've been a little more more crudas, a little more,

this, well we've practically almost almost all what we describe in the persons that

they're that's so, so, then we're not we're we're that's much more terrorifices.

Muchissimo more terrorifices. Fugate This first Not is history It's a introduction To what

Well, yes, It's a story But no is a story The format Okay It's a story

So, but so potent That's That's the moment correct to tell her

And for And for that we We're going To be This night Okay This night

The theme Cementerios This person We say the The next You can That's the That's

That's That's He said that He said He said He said he He said that He said

He said And so And his lamp Alcansav Illuminar A grand Distance

This This Paisasas This Paisas It's Aterrador The

Vient Frio It was That it He'd He'd He was there totally Sole

And of And of this Pascual, discover with her Lampara A woman vestia of black

She was inclined On one of the lapidas on the Cemetery Yorando He said

That's your When her She was There in the In the obscurity Yorando Sola

Sintae A lot terrible. His body was congel and

he knew that this not was a normal not not

possible that someone there there was there the

and the woman was transformed in a dark a

fria risa he elo the he was he

was paralyzed to a few many of her

Heiro Heiro Lentamente his Rostro Observandol And he He,

not he I could believe That was her mother The which had escaped

one once of the psychiatric A A story occurred in a cemetery

I I'm I was to say that was a A phantasm A

entity or something So, So, yeah, the, what occurs in

reality, no, the things that, the demons that are that are real,

can get to be more terrorifices than a spectro, see, yeah, yeah,

yeah, imagineate, to get to the cemetery and, see a mother there, so,

what, what, yeah, what, what, what, so, what,

what, I, I, did more fear that, he did more

impression, that even be a phantasm. That's. So, it's. It's. It's a

sad and it's to be mad so. So, but well, we're going, we're going to start then

with the stories, you know? Okay. This story, let's see, this story, it's a question,

his Scarsichael. He he has played that all his life has had been a certain sensibility for the

questions of terror. He has been paralysis of the suns, has seen sombras, has had been

pesadillas, even has even has seen, as his house or in other other places,

can be somebras or people passing. It's sensible to this type of

phenomena. He thinks that with the past of time he has accustomed

to He thought that until a time. Suced that one night

he's got to have some but these pesedias were recurrentes at

least they had between two and three times a same a recurrent

recurrent recurrent recurrent recurrent he he said he he was

to start to he came to come for a pass

and he a man he was simply be

a man incated The man was incade front of him with the head aghachated and the

man year was and heurably like with much angustia like with desperation but also I could

perceive a sadness in that yanto all the nights was the one of

those nights when one of the night when he's this man incated and he he gets

being in the In his dream, he'd be how this man in his eyes had clavados in each eye a clav. In every eye, a clavo, and could be able to be how the

blood were through his mejillo. The rostro that he was agonical, was of a dolor, was of a trestice. And the man he wrought. Then he'd he'd starto,

desperate, he was with fear, desperate, with fear, and so, imagine. And every night he repeated that same

pesadilla the man and the he was he was he was the two clavos in his

eyes in one of those pesidias something after the after the same

after the time the the man when when he

he he he he he he on the side

in the in the son he Jose he he he

he He still to see a little tablita that said F-16. He's kept in the dream thinking what could signify that? He was going to be able to distinguish as a little more of the passage, like if were, like if there were tumbas, like if were lopidas.

He waspired. He wasperted more agitado than never, with much more fear. And all the day next he went thinking in all this that had dreamed, because the dream had changed. Now, we've got to say.

All the day he kept thinking, all the day he was thinking, what could have been. So, like a flash-aso,

he came to the mind, he lived in a little little little. No, he said, but I said,

I live in a little little and there was a cemetery in the city, the cemetery

municipal. Cansado of the pesadillas, can't to have this dream every night,

decided to go to the cemetery. Never he had visited. unfortunately, no had been the necessity

to accompany to help someone or to get a family. Visit the cemetery, enter, and for his surprise,

discover that every passio had a letter that he could identify. You know, for God, that's

me chine the pale. No, man, yeah. Every pasch had a letter of the abecisario.

Camino a little, recorried the passios, until to get to the passillo F.

he. He was he he he saw that he was a number

they were numbered were not he was he was he was he was he came

a through the passio lentently he went so submerging every

more to get to get to get to to get to in

that he was he was he described that he he was

to continue, but, for other other side, I don't want to continue with the and if something

could be to do, it would be to do it, he had to do. When you

did it did you discover that there a mausoleo. Aosolos is a little

like casitas that are in some cemeteries, no? Uh-huh. The

door of mausoleo no had a canada. It was a big, it was a

I was there. Yeah, I was there. Yeah, I was there. Yeah, was there. He was the door, and he

and the first he perceived was that was that a feeling a a place, or has

been a where you have been that you that's a feeling that yeah, yeah,

yeah, it's yeah, it's so, it's, it's, so, I'm, that for the the

wasura that there was a little, it was a mausoleo that no had been visited in many years.

He was inspecting a little and he discovered that in the part of the back where he said

the name of the person that was there was there was a little a pinoleo a

pannuelo a rogo that had into something was made he was he said that not

he should be to talk not it would have to be able to. I think it's something we can't do you.

Although someone not we'll talk, but as I'm going to you know, I'm going to be there. Yeah,

to be an option. I wanted to resolve the mystery also. Abri-o and described that in the panuel

there was a little muhiko of trap. And in the eyes, or where they were

to go, the eyes, I'm clavated two tachuelas. It was that the a manoeuvre had been impregnated

with a blood. It was a second, blood seca, but he could distinguish or could intuite that had been been bathed with blood.

He took forces of what the little that he kept up the tachuelas, las he threw to the piece,

the maneco he was and at the the cemetery he threw in a boat of

a a part of that day, he he's he said, he never

more he was to know to see a man with the eyes wow.

I, I, when I did, wow, what a good story.

I was I think that was, no, I mean, it was, it was, it was,

it was something that was there was a person that was that was there was

not forososoment because the brujeria, they're going to leave in the cemeteries. Okay.

But the person he went to where he was the work that was the lastimable. I think

that who was was there was who could have been had been the brother. But no,

you know, it was been to any other person and they were to get a to get

to be that that's a carion, yeah. It's a super super-furt.

Super interesting. That good history. When you said F-16, I thought in an avion. Yeah, I also when when I saw the title, it's a bit, I said, I mean, let, let, let's see it. What, what's a good story. That's great,

yeah, wow, no, man. It's, has, it's, it's, it's all the elements of what in reality occur with the phenomena paranormal of this type. The work, the form of what it does, Like a, a,

a spirit, an soul, a person that's not a person, he has a little, repetitive,

signaling something short. Uh-huh. Three, three digits. A letter, two numbers. And clearly

was something that he signaled to him. That's that's summed to that he always has

been sensible to this type of situations. So, I think that not all

all the persons, we think that fortunately, the sensibility of, to be things or to perceive an entity, a phantasm and people that if it has, like this person, well, is to I think, they're gonna, when they need

to help, really, yeah, that's all of his hands what, what is, what, what, it's, what, that's a barbaro, what, that's a good story, eh? Wow. Wow. Wow. It's good, so much. What, fear, and what,

What value of I don't I would have I don't know I don't know I don't know I don't know I don't know

I think I think I don't even I know to have been so so yeah and something

and it yeah to the cemetery something something what that's

that barbara communication that's that communication is that this story that

I'm this story that I'm Mami and no our friend our

CERO KAP Okay Dice that around of the year

his family obviously he's including that was a chico in that so

they're to come to Cozumel for those that's well it's

here in the Republic Mexican Caribbean Caribe is not a

place there is this play play is this this And,

and, not a place that great, no there's

not in other cities, so cemeteries. So, sometimes, they're

to do use of the resource of the space, as well.

He's that in that when they were to live to Cusumil, vivian

in an building that before was part of the Cement

that's the It's saying, the terrain was the cemetery. And what they

did they were they moved the cemetery. So, they're not all the cemetery. Uh-huh.

A part of the cemetery to be able to build these these were very

great and there was a place and there was a tendederos of the top.

And at final of this there had a old that collindaba

with the cemetery. From where they could see clearly the stums. You know, no moved

all the cemetery. Solo one only a part. Just one part. It's like they were to do you

to build. But obviously there were buildings. And spaces that were built in where it was

been used the cemetery. Okay. Dice that they were they were there, because

they're not many things. You know, that this of the mudansas not is like

of one for the other, little to you're going getting more and more things. For that so he's

his mom had to have to have to get to work for the thing to get to

get to the rope to get to get to to getterer to the the buildings

that were in this place where where it was the cemetery.

So one day his mom she put to do to laver

the and he started and it was a time

in the yeah had nochecid. There was much to lave and there was, imagine at a man,

do you know, and do you do a great of the night. And his father, for his

his work, that was had made to get to that yet, not had yet had yet

to have got to to work to a time. So, there was their manita, the

so he, so they, so they, well, then, well, so they're, well,

and the mom, they had said that, well, he went to do this is he's

going to be a question, that I'm very very curious of the my pajamas, I think that's that your pyjama

was of the cochecettos and the and the little bit of my yeah, that when I

had a a pyramita of a man. I remember of this very well. I mean,

I didn't a spider but I thought that the but I had his hour

to to do not his mom preferred to go to the the and he

he was he was he was he was to the car he was the door

and he went to attend he said that while she was she was that

she was the mom saw how his his his

little the person that he was he he

was after she was there was is my my

little simply he's he was he was he was his little

for the time. So, so while I'd the the

little the little was physically physically was the man was

playing with a little so so he he he

he he he he he he said he he's

almost you you is that I'm much fear. And the mom

didn't want to see, while I'm doing the while I'm why you do you see you

know I'm I'm we're we're we're and continue the

but then I'm so I didn't a haloncito in his rope I'm

I'm I'm I'm I'm is that I'm my my

my mom the mom term to tend to tend to go to come to his house, and he said he said that his

his son was going to be the apartment, he left the cubo of rope. There, he closed the door, and no he saw it. He said out of it. He was a rarro.

He was rapidly to the court of his children and opened the door. What was his surprise? That his two children were profoundly dormit. No man. Who had

He had He said. And it he was very rare and he was doing to the

kids he had been so he's not so he's with the

light paced when of a when of I heard a

voice she I'm now it's right to do

do and and he and he he and

he parado in the entrance of the room a little little a pymia with a pylama

of quadrits susy with a little a little no he had eyes he

so he he went to he went and that a partadeo of the the

sost he was not there but was so that was

so that was that that he in the room in the house she was a

bit of the one of the and he was until he he said he he was that his husband was going

to the department and he he went he was he was all in silence he thought

he said that his woman he had had been he he was and when

he was she was she was she was she was there in the The room of the children.

And she was palida. Pallida. And he told what had passed. And the papa, no, he creole. He said, they're

tontemps. Or so, you know, you know, you know, you know, you know, you know, but well, that's the history of

the mama. He said that they've been a time living in that edificio. And so, so, how they've

to be there, in that time, then they were to move the story the story

she was her mother about the last one this happened ago ago many

years but to he's that he wrote to the mother's the

experience that lived one when when they came

to get to those in cosumel and he

thought this is strange because in the time that

we're living there I remember to my brother that he was a little

a little a little a and a pyjama of quadrits I'm sure that

I'm china the is net that cano no yeah but that I

that's what that's also I know that's so profanar places no

that are that so yeah because at final, they're,

they're, they're, they're, they're to put a little, the, and then,

fiftate, when, when we're to do you know, see, I mean, I mean,

we know, we've done, we know, a person, actually, no, some, and he was

here, in the office, uh, , he, uh, so,

uh, so far, so plas, super- super-p- super-b- -bron- the calverer,

that's, that's, that, that, that, that, that bottle of glass of

a bitro of a bottle of when we're he's been he's a house that's

they're they're they're he he's he's he's like a

like a building like a but but not no no no see

like a kind of like the chab it's like a another another

house but it's a only another a little a another case

and then the other the other house the other fond. Uh-huh. It's the

of them. He lived there when was a little bit of when he umbras, how he

knew that's people, he didn't know that they're like, a little bit like a sound,

a fern, Firt, Firt, Firt, and a great, yeah, and it was a

because the room came to the question, was the table to start with a Cucille doing

whiltas. Ah, no manches. It was like if someone would be cutting something, and when he he went, he was,

he was he, he was he spanto. That house, all of those cases, the terrain he had

had been his abuel. So, his house, and then he did a house, a car

of kids, and so, etc. The terrain, before had been been occupied

by the cemetery. And then they were the cemetery, the same that in

this history, and there did this castes. No.

For that I said, in serious, we're going. No, I feel like I'm going to get entities there and... The energies, right. The energies,

and even even even as molestas, yes. Yes, because interrompe their pass. So, is a place.

And, you feelate that I'm made a bit of I'm sorry, I'm trying to me to come back

in the in the in-vibo, but so I'm no, I'm going to do a pacharro, and I

maybe the car's, and I'm I think, if you think. Adelante, my go. Signing with the

same theme, I'm going to tell this story. This story we're an anonym.

Okay. This story is called the yantto. This person us platica that's a many of

his tias. They used in Zapopan in Jalisco in that moment. Exactly in the year

2001, was when his tia and she was a much much, I'm It's like like

79, 80 years. So, yeah, it was important the data because Baja was a person a major and all the community was it. So, it was very

known in all the, in all the world. This is your Tia? It was her Tia. Okay. It was a Tanyae.

So, then then, then, unfortunately, fallacy, and in that, uh, so, uh,

so, they're all the family, they're, they're doing to do the and, and we're that place,

in that people, and in many others, he accustomedrava that after the

have been the taut for some some of the community or the city.

And it's a special a procession. An special of procession where the people

was going to the people who had suffered the perdida

to the pantheon. This person said that came they were from the

house where they had been in that in that in that space of procession as a person yeah known in the community,

so he went unying people in the that the woman had had been seen the year, and they were

doing people and people people who were people who didn't know, people, and so they were unying to

the procession a little a little. This person was to the tumulte of the procession. Okay.

So, then all of all were in silence, many people were yoreando, others

are going and they're also that there's a custom of that there are some people who are some

they're going to go to the rosaries, and they're and they're some of the and then they're going

they're they're in the ten the case and just when they're at the cemetery when they

cross the door of the cemetery some minutes this person starts like a

question like a very very very difficult like, like, like, a yantto that no

been listening in the , uh, distinct to the different to what he was doing but,

but he said that's that the person that was you're, he didn't want to look to look

to look to because he did he's, to be a a bit of a way, but describe the yantto

like very very, like, very, very, very, very, were they were coming,

coming, coming, coming, conformed going to, the yantto is going to get a

little more to this person. Like, he was more closer, but decided it

definitely not to work because because, also, it's he also

he was living a lot. Sure. It was so it. So, no

Voltea, they're, they're, they're, to the part of the cemetery where they

they're to get to a, in that part of the cemeter

the people are, they're to in a circle, you know, around the

place where he's a where they're to enter the person. But for that moment, you're

many of the person. He described that were that they're between 50, 60 persons,

the last were the procession, the procession, so it was many of the people, they were there

are much, they're doing to do the and they're to be and then just there. Only

there was to get to the the pastor the father, that is the the

best the the moment of the Ta-A-us. Just in that moment, he starts again the

yantto. But in this occasion, in this occasion, if it's he disting where he

he'll, he'll, like, like, he said, the mind of a little, and he

and, and he was, a few meters, where he was to be a little a man,

a man, a man a bigita, a little gorgita, with a bellow negro in the head

aghachada. And then he came the yanked then he's heholes I mean with all the

thing is the thing is because the peridid I think the is still doing even more

than we like it so like like a like like sola so

so and then what you think you can't you think that when

yeah there there was the there there was there

yeah I'm a little more more a but the yantto was the

same he's a little bit of the and he said a

excuse a subrino of the person that I'm I present I

know is family or a person and a and the woman

without without without the and with the face agh and

he said was my my my name is Josefina

Belasks and he is rare but also I'm more sent me

a matter to be my family. And the she says, great. Just in that moment

he gets the sacerdote and then all the sacerdote that he had yet he said that

he'll he'll he's casas 10 seconds and when he goes to the time he's

he's not so he says, what's here he started to look at with the look at

the people and no he's well maybe it's so not so not it's he's he's

he's he's like he's not like he has disappeared he said he he's they're moving

the the body the the they're going to the house to the

and they're so but he he's not he's he never he never

then they're then they're all the thing to do it they're they're they're Just when they were

in almost minutes before to cross the door of the cemetery, one of the first tumbas

was the attention because he had two velas puttida. Something he said, because it was

a little passos, or was a tomb that was in the passillo central, not it was

in the passillo central and it was it was the time it was it was when it

when he he describes that he's full of terror because he's to learn and the lapida and the lapida

said Josephina Vasquez is the same person that had had been in the

sepile of his time after between families and he's to tell

what happened and a person major of the family that was also

also he had maybe the age between 70 80

years that was that was that is that is that

it's This person, Josephina Vasquez, if she was a friend of your Tia. They were amigas in the youth. All of her life, the Tia,

vivied in that in that her world. She was a friend of her youths. And they're being friends

after much years more, until that with the years, Josefina lost the life,

no see, and he went to do that to do you. And he said, well, I can

say a something? Yes. There is a question that that I'm like,

oh, yeah, she's, she's a little bit of but it's a little un-tranquil.

When fallaces, you receive in with gusto. Ush. Because I was crying.

Yeah. But I was to other other other side? Probably. Yeah,

you have all the reason, because I think there people that that's that's

a way, and that's an friend, a friend, a a family,

or a as you you can you can because you see it's because you're on the other

side with you're but the that has been so agonically and so it's not

where he took to go to go to to the tia no no we know we're

not we're a good person a bad person so no no there no there no there

so no no he's only not he's only let's I'm I'm

I'm a two things briefsimas only for what he said and I know,

I mean would also that the people, if you have some experience of the

type of what I want to continue to this story, put it for

forward in the comments. It's very important. Ponganlo briefly,

your version of your story. When my abuel fellesio I was present.

That's I've told many times. Stando present, before that he

fellacy in the day, he felles in the night, in the day, in the aterce.

He was he was like molesto, of that we were there were, like, neseando,

for that they were they were to be able to the day next. So, like,

like, so, it was so it was so it was like, it's like,

oh, yeah, I said, take me water, no? Yes, and yeah. And, of

a moment he was in silence. I thought that I'm that I'm a lot of and he's

a point in the techo, so, and then I was just had being, he like, he was,

he was, he was, he was, while he was over, to the teach, he was

sitting at the topadito so, and he he went to his hand, and he and he

And I'd but I'd but I'm a a reality honest me

you know and I he said Papi to who say you and I'm back and

I'm said that well it's Vincent or Jacinto a number I remember that he

said okay and then then he's no oh my look that

also another person me said and I saludate right and he

he said but what They want. They're doing the I mean they're giving to give me the

and I said the well I'm like me me me said if you see that

you've been you're that's that that's that that's that's

there's there's there's there's I'm I'm I'm I'm

okay tell you're that you're you're you're to

to be to you have to operate more time. And I'm going to operate tomorrow and you're going to be able to see. And I was going to be that mirabye and I said, for favor,

and saidelos. And he went to be to see that. And he said, like a man, so, oh, this, I'm going to go to be there, I'm going to be there, I'm going to be more time for here.

And saludable. So, so it was, and, of nothing, like, talking to other things, me asked other things, I took more

water, he was there, and then again, I started to say to say that I don't

me say nothing. I'm sure, that even could be that's the light, like if

if there were a sun, a little the rostro. And I would be still like, like,

what is this? And, And, well, fallacy that madrugada, and I know that's very well,

you know, he's, they're going to receive. A friend, that's he said, he said

one of this story. His abuela had been a person very bad. Very, very,

really the family no they were. So, well, to him not he took these situations

for the families the family not were, so they were a person really and that

He didn't want and point. And, of and then he's he said he was a really

a little and had got to an hospital. And nobody was to be to be to nobody.

Nobody he was to and he he gave much sentiment and he said,

well, he said, no, you're a bad person, is a very

bad person and he said, yeah, the, the, the, the,

the woman was a woman, because was there was there alone in

a room totally and when he said hello I'm my blah blah

son of your son what you what you know no well I'm

I'm going to care you need I need nothing you want you want you're

a book some one one one and I'm he went to he's

you're to you're going to to be there? Yes. Well. And he was super bad.

He said that in a moment he thought, yeah, I'm going. I mean, I'm going. And I was there. The camera

in the that was of these, you know, you know, that's, you know, like, of tubular. Like tubular. Well,

there was. And he, in the night, hallo a a chair, as a a little he had a

little bit of a little bit of and he's he gotro the revista that he had been to have been

a little he was there was there so he he gotro the revista in the madrugada

and he put to to learn with the little the little of the light that

there was he was he said a little he said he said he said he

he said sobec soov so he of of horrible I had

he's he said he said what he he said what he he was he was

he was and he he was with a rostro pardon me you think you

me he's that I'm okay I'm I'm I'm I'm

he's horrible no you don't the old. All right. No.

No. No, no. No, I thought. Ah, And then we're going to be. No, I'm. She'll be able to

go ahead. She was going to be able to hear a little bitation. He said, no see if I had done to but he's doing much free

and he was he's kind of he's when he was a little he made

a sunb in the tube like something and he he began

to advance something something that was that was going

and he was going and the way he was he

he was he was he was he was he was he was and when he pass,

the abuela felled my my, I'm I'm sure. I think

I think there's there's there's or there someone who there depending

the actions that you have been in life. Fiatate that is curious

but I think that this type of stories are that's that you

have you have to talk so has many many

years my my mother. I really much. Muchism. Creecy, a grand part of my

life I grew with her. She was like my second mom or like my first mom, I mean,

I mean many years of my life with her. I mean during the infancy and I felt

a love very very much years. And she felled more or about

of the 89 years. I was she was a pretty when she

was She, she fellacy, she could say that, of the cause of natural. I mean, it was yeah for the age, not was for

an end of, no, I mean, no, he was, that was a chronic, a little bit of causes natural.

The last days, this, he, he, he, he was, he was, he was,

I, did it, well, we, let me say, about my father,

and, and they, and they, they were to my mother, the mother,

the, and this senior was the mother of your mada. Is that it's a little complicated, the story that was so super rapid

was a brother, her mother of my mother, but I'm my mom, but I said

abuela, that in reality, would be being being my tia abuela. Uh,

and I said, and I wanted much much much because I'm with her.

So, for many reasons that no came to the case, I

I'm and she was a really, and she When she's when she's infirm,

the last they're to get a house of my abuel. There is where she felles.

A me me gave muchissima tristesse because when she fell. I don't get to

get to I'm not I'm really. Yeah, so for me was something

so I really really I cared so I knew that she was more time.

I presentia that he would be more time with us and unfortunately

not was she she she for San Geronimo, and when me advised them, I said,

I was all tehered to get a caron. I took a taxi, and from San Geronimo to Santa Maria La Rivera, that is where I was all the way.

But you know, you know, you know, because you know because you've had been advised that you've had fallen.

For that they were so when I when I was I was in the quarter where where I was at the

still, I'm, I'm to get a she, I gave a or he took the hand, but,

well, I was, I'm a more so. So, my abuela

me said that she said, she said, is a thing that was a

thing that was a said, I didn't, I don't get to his last words or

the last you that did, my abelah so I'm said,

I said, I'm, He said, is that is that my are my abuela, he said, no, Tranquilla,

Tia, tranquilla, of that's, of a doctor, is that you are my men's

and then it and thenro to all he said, no, you're not you and my

abuela, I said, no, Tia, no, there's that's that's Sabino,

is that is that, my abuela, no, Tia, yeah are

here, but Well, what she She said with her, well, what she said with a good. So, what I'm is that, well,

she was content. And, and, and, he went with his brothers. Yes. For so I think

that what we do we do what we're a percussion in the murder. For sure. I think, and I

know that she was a good person. And when she parted was with with people that in

life, she did, that. I see I want to transcend. I think that's. All. That's.

I dole much, but if it's a part that I don't I'll forget, that if someone is

that someone that's present at that's great. You're going to tell another story. You know, you know?

This story has a more a little to be with these situations that we We know

We're talking to Some of Vivor Some Some people They're This type of Things and

They're To look To do that Fuf What other Other people say They're

more than one This story is called They're They're They're Our

Myr Andres Alvarado Castro. I'm, and to share my experience personal. It's super interesting. Actually I've 22 years and

no padesco in no painst in a problem. It's important to recalcars to discarting pathologies. It's very important. Infermeda.

No, it's no, no, okay. For that you know, you know, the people that they'll start an immediately this.

For example, of what you You know, you've about your abuela, of what you talked about of my abuel and

what many people are to know, and the comments are going to be in the people who

not have their opinion but to say that this is so without so it is difficult.

No, what happens is that are disconnecting the functions cerebrates and then

the people hallucina. Obviously no. Dice this. Andres.

When was a little of the seven years of that, I'm

my mother, because I don't remember very but I think I experimented

a other things in my entorn these those soces

include sensations of not start solo sombras and movements

repentin of the things poltergast okay says that says his mother

that these experiences they were because that conform I was

advancing the time conformed andres was growing these events these sensations

these things went too even in augment he said that every that was he was

he was he was you know you're every time every every every

every every every every he he he said he said

he he he said he he was before me passing the

time he I remember clearly to see things that in that in that he,

well, he, he was that was something that was a other people,

not experimented. Okay. For him, what he was normal. Everyone they had.

So, so he was a little attention, well, was a middle,

that was the events were more frequent. And he, little to be being

more conscient of that that what was not something that's normal. It's normal, but not in the common

of the person. He's a doctora. Imagineate. Doctora. And, and he

worked in a hospital. When he took to be a guardia, he was just only in

his house. So, in those moments, when he was when he

was He was just and his mom was working in guardia occurred there's

there happened. There's a age in the that was

that he did not from the other disappeared he started. He

started only I know, yeah no be, with the sombra

of a man old and this man he he

simply he observed but the mom she did

into account of something. When you were celebrating that these things rare, you know, not occurred to his around, but simply a dream of a man, light, Triste. That he waservable?

When I sawed with that man, Alt, Andres, desper'd with rasguos and moretones. He's accustomed to this, to dream with this

man, alto, Triste, obscure, that he was that he'd And, yeah I knew that when I was

going to have moretones, resguions. So, it was normal. It was normal. It was when I'm

when I'm when I'm a success that he made a life. And it was that for

first he was to have his own room. It was a little that said that they

were to they were to work things, cajas and so. So, as I

had a 12 years, he was to have his first room. And they were ordering that house,

you're doing the things, painting the and the things, they're getting to be in one of

those occasions that he was still, he's a little, he's got to the room to

see how was going his future room, I was very content. That day, other

time, her mom was a guardian in the hospital. He's only in

house, he gets to see, to be how to his room, it opened the

door. And at enter, inside of the room, there was a sombra black.

This sombra was like a woman that had a belo, and behind of that

belo, no there was a woman without a un-mobile.

He had he saw, and when he retrocede, the woman He went to go ahead and he He'd a little bit more and the

Woman does a More than he And conform he retroceded The woman was approaching Every way more and more to him He spantorrible He began to cry and He was refuged in the

Abitation of his mother No, he did a He did a count of that he was committing a grave error When he went to The room to the Habitation of his mother He was there

The H. The Sombra of this man. Tal qual as his

but now, I was present in the room. He was there but no he

observed about and he was to he, he was to he was he was the only

that he did because the woman of the veal he was he was was trying to

get to be to be able to the sabanas and the cobihas in the camera and to be able it. You know, the sabauna. It's infallible. And there, she kept, trying to do not. No, she was going to somer, but for nothing of the world, for nothing of the world. And she got to dormido. When he goes to her mom, and to the day next, he told what had succeeded.

When he told her of the woman, of the belo. That rare, no? But when he said that the sombre was in his

house and not he was not that he was that the object that was in the

mom so you did it you're talking about my apartment just your

imagination but not so her so his mom he he said

to pay him to the to you to us that for favor, when she did a guardia, they'd

be to be to be able to do that they're not a family of the family members they'd because they're

that around there's there's a vibra malignant. The things can't see in

sombras and they gave a fear. He was a fear to do a little

to doce but but it's that one said that one when his mom

was in his mom He saw the sombra of this Humber Alton. But this this time, the sombra was just a second

he ran to the room to the mom. He then he also he also he took to the sombra

and discovered to her mom. He was there in the room in the room and so

he was a he said he was he said the mom the mom lot of and he

he said mom When you were Dormida I saw the He was a A man Alto

He was a Triste And he was To be inaud And the mom He said And then He called a

Parenthood He saw He saw He said, Neasite I'm And I And the

Parenthood And he He went And he He said To be in the Sal To him

But he He was to see what was going to be like, and she went to

his own and he said to the mom. And there was an object the that was

the car that they were and they went and they went to the back to

his mom he said he said explain. He said, it's that in that there was a

there a femur. A femur? A femur? A whewer. A weso. That was had been

the mom from his practices of the medicine of the university. Ah, well, it was a doctor.

That that was that femur he had taken without without a permit of a

cemetery. No, no manches. And he and he was to to get in the place in the

place to he had he had he had not you don't you can't

but you're but you're a lot that's it's it's

all it he did he was a year when he was

he was all that he was everything he he level

impressive It's fascinating. He commenced then to see somebras and entities behind of the people.

He's that is very interesting because now you can see the you can be

the faces of these people that are there but are like irreconocibles like

if they're diffuminated like borrosos like borrosos borroso. He says, I'll see when

I'm at the call to the call to my friends but the truth, I'm trying to apparent that

I'm not because only so I can't get a normal. And not alarm to

nobody. He's there's moments in that these sombras entities

blankas were in front of the people and a I think I felt

that something he said that he'd there's a there manches

vying it and then to the day to say he's that he he's with a

little a cover his head to not to not to be

to be he has he has I I think that people

like people like people who have and perceive, well, then, but people like us

never has been in a room, yes, obviously, has been in an apartment only,

working, in the night. You're going to tell to something I feel. Generally

when I when I'm when I'm about about some things, I live only.

Generally I'm like to work in the night. I'm, I feel more

more more tranquillity for that nobody me interrup. Much occasions,

of the very, when I'm on the computer I'm detain I'm I'm

I'm sure that I'm like like if someone was like what I'm doing what

I'm doing what I'm many times many times you have been that someone this

without someone without you know you can't you can't you can't you can't

is passing the hand in a person that's that's a same sensation I've

had been many times when of when of something I'm doing something and I kept quite

me kept quiet and so I like so so I'm trying to not I've

never seen nothing honestly never I never seen that but you're

that person that someone is there that someone that's that's that

that being you're to say something. I mean, I'm a

night, I'm always in the madugat. I'm paro, I go to the

bathroom, pass to the kitchen, me I'm I'm go to to come

to come to come and I go ahead and I do I'm. I'm even

I'm not I'm even I'm not even I'm totally conscious

that I'm in much obscured that that I don't

to not extrano that I'm going to lastime the feet. You know your house?

Yes, you know your space, know your space, so totally so totally tranquill.

At E. B, the perrita I'm in the covice I go and go and I go those things,

I'm going to the coli very content, we're going to get to get to and we're but I

sometimes I've to get to start and I know clearly the sensation

that there there's that there another more in the In the room. See,

observing. I don't know nothing. But I'm clearly that there's a person. But percives

like if were a bad or only something that's there? A sometimes is something is something

that's there but I'm it's a fear. So, as I'm see what I see what I'm

doing, then then you better to get to do to get to doorme. I'm

I'm going. Yeah, Yeah, someone, someone's, someone's a man, but I think

we never we're always. Never we're only we're, we can't perceive, sometimes with the five sentives,

but that sensation that someone is to your side, that someone is at you,

that someone is constant, and it's really fear. Much fear. A me to do much me do you.

I'm scared to me that's really that's really. That's me does fear. But I think that's probably

perceiving a sometimes, no? So, well, you know, you know, something you feel like you that's malign?

Yeah, you have to make the case of the intuition. Uh-huh. And there occasions that

you know, it's a mind that you see, you don't see that sensation of that's something to be

a little. Oh, I'm going to tell me. But, well, to tell us Mr.

Quintas Well, this story no, it's Amanda Lewis Tirado. Okay. It's called,

it's equal in the same line of cemeteries, pantes, this role. A me me, I mean,

I mean, I'm, I'm, I'm, I'm sure, I'm sure that you get,

he, he he, he, he, he, he, was done, during a young, as a director

scenic, of a projections folkloricas. Okay. I mean, I mean, I was with the music,

I'd have been with the dance, with all these things of art and of balles typical. So, in those years, his father was a young, and he had a, a, uh,

a, uh, a, uh, a, a task of, information about a bigle typical of Chile, a ballet that had a much time,

no, it was a, so I could find, I know, much of music, but what I, or what I tried to understand is that,

His, his papa, wanted to know how was to dance, what passes were, they were, they were, exactly.

Yeah, so, no, no, no, there was a record, for supposed,

as a that he said, that he said, that was a little, he said, there was, there was a

video, of just that time, how it was there, there was a person, there was a

different, the way, but not exactly what were those parts. He, he, the,

the, the, the, the, the sensibility that I wanted to know exactly how.

I was in books, I don't know in videos, but not no more he had to get a

information. It was a little bit of a little time. We had been to have to have

to have a essence real of that so so it and so his papa

and his cemetery. Visit a his his parents precisely. Then he was with

his father, he'd He'd have some flowers, heavable, um, uh, water and all

to put in the floreros, et cetera. So, he's going for the cemetery, but he

said that's a part the old of the cemetery. There was a part of that they were

demolient. So, there was, you know, you know, you're not some, but they're

like, it's like, so, yeah, no, I remember exactly the number,

but in the paret met the, the, those, the chosos. So, then

I was Passed for an area of the cemetery where the carhons went in the and what

he put was a craneo of a person that had had metida a flower in the earha so,

no she spanted in that moment no he did what he was inojo because he said,

hey, what was he was the cranes where he was where he was where he was where he was

where he and he he met him a flower. Oh, and he meted them a flower. So, he's plaitica

that his papa what he was not a fear, so he's he felt a respect, that the

people come and he's with people that in life, this, they don't they're

not, and also, you can't not be the respect of that way. So,

so the father, what he is that is that, he, he's a kind of

a little a little or saying, pardon, you're going to talk, and And then,

the flower of the craneo and with much he's he's, he's not a taus.

I mean, it was a part of the cemetery that was a future they were to demoler. So,

he'll accommodate. It will be to comeod and to find to distinguish more

wesitos. So, no, I guess got the taud in some moment, it was

they're robber, no, no, I know, no see, what had there's just

the way's those places or cemeteries that just there's just the wussito

of the person Yeah it's he's and he and he try it

tap it with a little that's make that make they're to come

to that person that's one of the flowers or that he he'd put in a

flowererito and they're they're a manner to even he he's not

he did not bad, that manner of that's a way that's it's a kind of

it's a time, it's a one or two times and of your father has a

a dream, not a one of a dream. Dentro of this he's

he's in his house just see the the room just to

see the all the all all over all all and the exactly

his books his his chair, and his clothes, the

things that had normal, in the dream they're exactly exactly

equal. Dentro the he's not he's not a

kind of a kind of a kind of kind of he he

he's he and the he was a woman. He's

he he saw he was a man very well best very a

kind of a sort of a He used a, like a cint, in instead of a corbata, like a little cint, not a mojo, but a cintita.

The man is presenta, and only he he's onry. He's kept a parado, and in the dream, he says, who are you? And he says,

no, you're not, you're really, who are you? No, you're to know, but I'm going to do a gift. Like

Like if something something Disapparently the figure of the And in his You know You know, you know,

You know, You know, But in this moment, for you It's He's He's

He's He's He's He's He's When he When he He's

He's to appear The Imagine The Two people Tomadas The

Man And He, in the Swaynees He said, No, no, no, no, it was possible

I was I was a two people who were like very antivus, he was

he was he was looking he was that was that was that was that he perfectly.

Disappearce the image of the ballet and he will be to appear the

image of the man and he says thank and this person he will be

to repeat who are and he says no, you're going to you're going to you're really I'm

sure you're thank you thank you and he says well if you insistes that so

so that's so he will be to to borrow the image of the man and the

last he was this person before before was a craneo with a

flower so He's despirta exalted, he despirta with with fear, he's dispirta content, because he had

perfectly grabbed the passos, the music, of what he had been he was called for much

time. But not there's there's he. No manches. He, he,

he, he, he, he, he's got to this role of the music, and he said, oh,

you know, you know, something something, he said, something, super-extraign, but it's a bit

but I want to know a little more so his friend he says why not

we're going to go to the cemetery there's there's a something we can something

we can't be there in the there of the caradio so effectively they're they're

they're they're they're they're to have some flowers, but, this, they're, well, they're

more data of the person that's there. The surprise is that when, when, when they're done the data, in the register, said that the person that was there, had been a

ballerine folklorico, professional. So, then, they're, well, they're, so, they're, I mean, it's, so, it's,

it, so, so, yeah, but really, he came to make a message, and me, I'm very, to do the,

a part of that day this person all the semantics because it's very respectful with the question of his parents

they visit very every every day he he goes a veal a velator and a ramo

flowers what emotion yeah what what what I think when

the when I did me no it was a something a

beautiful a It's a sensation beautiful that that's a even when the people

transient and is people good, not always get and they're they're they're

they're they're and they give you and give to a message and thank

that you know, no, you know, and for that's that's where you're

where you're where you're that communication more clean. It's impressive.

You can you know, in some moment we're talking about because when when you spantan when an entity

is present while you're while you're so that's so you're little bites are things that you're not

percives but during the time you have the energy to transmit absolutely everything

everything everything they're and even it has to be only to

only to the verbal as like in this he he

complete of the ballet and to permit you can't remember it to have a communication

it's fantastic yeah, no you know you know you're not the limitants of the life physical

yeah it was a very common it's a super beautiful that's super bonita

I'm so I'm I'm sorry for what I'm to tell that's fair horrible for favor

I know I know they're been saying but they're been He's counting the fair, blah, blah, blah, blah. No, no, no.

No, no. No, can't hear this. No, can't hear this. A little, if they're not, okay. If they're not really, like if it's it's notary of the television

Antigua, they're changing a raltan to this story, for favor. This story is called premonition. No, not, no,

he, Mr. F.E. 502. So, so is that Mark. Christopher J.R. 5122. Attention, we know.

We know. He says that lives a cemetery of his locality. It's in a pendent.

Actually, o'clock where he lives, his house is a two houses from where

the cemetery. And the and the of his tios, the which are the

protagonists of this history, is the house that's just where it

the cemetery or the house is a pared with a okay is a peggard with the cemetery

yeah so your your your your so the house the house

is pegated the the cemetery he's that around of 1992

the the wife the the wife paula she

was on a in the house normal when

But of a repent, it started a real good very very strange. Not is something

that's what you a day-a-day, you know, but it's a word, that is a realtor you

would be an immediate. I'd how they were they're trying on their

on their techo. The the the house the um,

well, the lamina, we've seen the we've heard that that's

a real for a reason in in all in all in all the moment we've seen how

we've that's that the that that's so she starts how in the teche

in the techo and it's that's going to the and it's so it's

so per rarro so he's and he and out of who is the

chistosit or chistosita that is tearing on your

house. And when it's no there's no one he's only in

the day. He's that's about 15 or 20 days

and the and it was the and he's and it

was that they're that they're on the house every

that was that he was he was and

he didn't even because they didn't there So I'm going to get it.

But what he said that was the only that he was going to hear of this the road. One night,

he told to his abuela what he was going to the night's. And the abuela, when he

he said it, he said, he said, a secret. A secret? A secret. He's a secret.

It's like as so how they call to the work or amuletos. Ah,

okay. In this family. So, the secret or amuleto or amuleto

or did a I'm a so I'm a process of a limpia

is the thing I'm a cub of water tibia deba with a little

a hand of the hand so then I had to all the night

this cub cuss with water and salt of a

mar a a punea a a a so she came

to she came to the water tigia a pion a

a in a cubito and he put to his cab. The the noise no appeared.

And so there was a time in the that all was with much much tranquillity.

So, one day he made to his kids to clean the house. And his

kids, they put to get to get to the house. And of they're

they're they're behind the camera of the mom, then

a cubo with water assalada. Okay. It They were And as they were

They're They're They're They're They're They're playing, they're She's gonna She's gonna

She doesn't They're cut out of The Cube Coo-N-Awa and salemar And then she She'd just to Dormin' Normal Normal

And then I'm gonna hear the noise. So, the techo of your house. Another other

another way. And they were in this occasion, the noise now not only only only was

that the thing, but it was it was a lot of, the world, and it was a lot more more much more. And I was,

Oh, and, let's be, who's Tired, Fuerra Fula, blah, blah, blah, blah. And I'll go, and no nobody. The chistocit, chistocit, is it's sconded. So, there's

something. I'm going to get a little without noise, without pending the luses while I

hear you. And so I'm to discover who's doing this. And so he's doing. He went to and he went to

little, and he went to the door of the house. And then as he

he was there, he noticed something about the door. And he was made, they were

some votas but of some feet little. Like a little? Like a little.

Like if there were a little out of a little with a little but little

those botitas were pointing in direction of the house.

So, to the door so. Yeah, he's he's he.

He was and he was able to through this space ample that there's between the

door and the and the and he he's thinking who is this

this is this man who is this should be to be to be in the house.

So, so he then he opened a window that had the room

in the mirror had a a quadrit like a quadrit there

he, he he opened to be to see to see a see to see a terrorized he saw a figure little

a face dark, uh, obscure he'd a strange sombrero but the

most terrorific is that over his back, over his shoulders he was a taub

a taud a taud of a-oot of a-o-o-d-de-neau-de-nean. So, the I mean, he was carrying

a cargating a atooth a aft that clearly was the that's

the little little and then and with the other man and I

metia into the the at the house and he and he and he

and he and he and he to have the hand and he took

a the Tant to that he dismayed. No, well, quallquire.

Yeah, well, after, just, you know, despite, the day the next

he told to his family, what he had seen. And all of

were, so they were with the church. And he did some orations

in the house. He's some and he with her and he went,

he's his time, he's Lister. After that the father he did these

orations, the the noise no did he his work. And one passed a year.

No, he was a other no he said that time that year

this year this she was and gave a He gave a luce a man who was born in the year of 1995, to which he gave the name of Christian.

Passed a time. Passed more than a year. Zero rudes, zero things strange. The baby, he had a year and seven months of age. And his mom he was he was set out in his handador.

The baby was eating an elad that he had regaled to his mother. She she was he, comiennose his oldatito because she

was going to get to and so he was he he was going to eat soeladito and then you remember

you know, you know, you know, this place in a pendent in the pendent a car

a car with without friends and literally went to the house in the accident

the the automobile He quit the baby No destroyed the house in that

she she recorded she had seen several years after when this figure

a figure a tear with a taut of a of a man

of the that's the same that he's the same he would

she would that what's that What was that entity? What was? He was.

He was going? He was trying to prevent something? It was terrorifica. But all so, the earth? Sure.

The house desisos. So, transpas, the house, they're not a lot of a cemetery.

Uh-huh. But yeah was there was enderrando something? So, yeah, it was predestined

to occurr be avoided? No, I don't know. No, I don't know. No, no, no,

no, no, no, no, no, you know, no, no, But, no,

the chiste. No, you know what you know, no you know, not you know, that's a tremendous,

terrorific, that's, that's, that's, that's, that's, no, poor person,

eh, of the really, I think that, he's, surely, he's,

he's gonna, this, he's gonna, this, great story, for sure, thanks for thank

for sure, but is very very, the fact, we're, we're, we're, we're,

we're, stories. And we and we we're we're going to us. But it's a

story very very very very very very very very very

for you not really people to hear of people people who people or children,

yeah, yeah, because the so the is that is real, that someone that someone

took a person, that someone took them just to just talk with much respect

so. Yeah, so that's so you don't know another one story one

one one one Look, this story This history It's a About a

Before that We started I finished to Arreglar Only it I said Because I

wanted Because I wanted The idea This This story Passed In a family

A family To be a family Okay Not Family Family A family To be

Yeah They'd be done much details, but not come in the case. It's a family that's very close

to the new year. Okay. Passed so many, many years. This family was a matrimonial.

First, the, the woman, the, the, the wife of this man, and

this man, he's just only with his children, but when his

father, his children, they were women, so, they were men, they were

in total seven of kids. All those barons? No. There were a umbers and there were

women. Uh-huh. Uh-huh. But for a dispute, this, um, the family,

the family is, it's, they're going to separate, uh, the brothers were,

they were for money, they were for some properties, they were, they were for any

quantity of tonteries that no never had to have played. The father was

obviously, passed the years, no, he was he was his his

his his his his his he he's he's

he's to come to get to him, he's to get to him but the

fact that all the father is that he's living only, living only,

living poverty this at a sometimes not he he was

a sometimes no no no no no no no

no no the sir the it was not It was really Yeah,

I'm yeah, I'm depression and there. Yeah, yeah, he's

he's he's and he and he tried to, to give us and I'm to do you

do it and that those those differences that were they were and they were to

and start to reuner again. But they're always were very grosserous

with him, no they were they were economically not they they

they'd they've given them they just what he had to pass. This

Mr. Fallece in the poverty, falle in conditions very deplorable. And that was the only, the only

occasion in that his children were to join. And part of the family that was, no had

nothing to but they're to these people, because for the fallaciment of the

son. So, so, they, they're, they're, they're doing the sepelio,

they're to the Panteon, the depulted, they're in the cemetery. Wulven

to play there, this, they're going to say, being his father, to them to get back,

and they're they're they're doing, I think, I'm not I'm think, I'm at

a gold in the cemetery, some of them, so, they're, they're doing all the

things, no, from the first, if it was something that was a family, those

mark quite, and was marked by life to do the whole of what you

know, entierran to the papah, pass the time, and in one of

them of his his his and he makes, he's no,

if we know, if we we not we not in the panteon

we took a respect, if I feel me I feel

so so I'm so he decided many months

after then visit a his father, he he gets some

he's got a his motor, he's he's got to a lot of he's got a time he he's got to talk to

him, you know, when he's had been some a little a little to talk to

talk to make a person, to make a he's he's he's he's

to go to his motor he's and two quadras ahead he

he went a he went to a trailer and and he fellacy

at the moment so they're what they're to do they're to get to they're

they're they're and other of the other of the same to his father to his

father to do this all this was in the panteon Dolores that's in the city of

Mexico of the the actually the and there there

and there there there there part of the family that

a through the years, has been fallecing. There, there's a kind of a kind of a kind of a

kind of, yeah. He's a second brother to visit to his father. This second

brother, that's, that's the second brother, he's, he gets, he gets,

his or his orations, what's he's, he, he's, he, he,

he, decided to make a a few months ahead, to Capulco, in the trajectory of

Mexico to one of the yantas is a a lot of it was a way of a job of

a business and it a lot the auto is a falle and he felles and then

then in the family is to diseminer the theory of that

every one of the one of the other of the the tomb of his father he was

to die so it's he's two two years not it's a coincidence pass the

time and decide not go to go to decide any one of the

five two he was he was to be to be to be a

part during the period in that they did do do

do not normal but one of one of that in that was the

most the five that they'd have said, no, that are

don't is that this is not a second, but this, no pass nothing, et cetera.

And he said, I'm going to go to my papa, I'm going to leave his flowers, I'm going to

visit to my brothers and not going to go to not. Effectively, was to

the Panteon Dolores, he left the flowers, et cetera, et cetera, and it's and it's

and it doesn't nothing. So, no no. Passed various years.

Inclusive I think that it was to a month and a year. And a

night when he was out of his work, he was he was a much

night, he was a much, he was about 10, 10 and his

time. He worked there. He was not so much they're

they're relatively close the center of the city. He

met for a call a man of a man of

a man, he he's a lot of but he doesn't he's

he's he's he's he's and he does he do me all the

and he he's he's he's a a day of a

day of his money his he said he's he's he not

I'm not I'm don't give what you try

you in that they're they they're and this

manchch's He met a, a punalade in the abdomen. He quits the things and he he starts. This person

is a marear and he'll the piece and he try to askilio no, nobody that he'll accily

in that he's a person he's he starts to be the vision of that

he's he's getting blood, he's being to smearer he's

to smearer a little the vision, the sient, the pain, the pain, the

person, and he says, help me, help me, for favor. So, a person,

a person a little little gorgita, he's, he says, no me visit, and in that

moment, he desmach. When he went to open the eyes, he was in the hospital,

soverevive- but that person a person bigita, that was exactly the figure of

his father. A part of that moment, and this last, to the

first time, to the moment, absolutely nobody visit the tomb of that's

this year. This has years, has many years, many years. Very feo.

Cas me said the heart of this. This is, of really is a story real,

and it was a first man for the people that lived here. of the fact,

I'm going to to be honest, no me in some moment, they were the one of my mom,

and my mom was who my was who my last you know, after you know

to be opportunity to talk with one of the other for the time,

that's that's that's I'm to say, and with the curiosity

I'm also with all respect but I just said, yeah,

it's that's the day of all day of the day of in the Panteon Dolores, nor pass us

we pass us for that. A that we have a reason. And my brother who survived he's

the assault this, but no the chiste and less. Minos. So the advertencia

was clear. No me visit. Uh-huh. That's brutal. Yeah, yeah.

Yeah, it's, it's very feo, but it's a great history. Well,

it's, it's a barbara. I think that this person was very molested, so was

very enojada. That's just I was thinking. And if not me visited in life, if not

me procurated in life, not come to be to see me when I'm not going to be in the

cemetery with the ender of the ender the he was maldhiko, but

then you he's to be back and you can't do that. So,

as he he's he's he said, no, I think that's he's

he's He's that was enojaed. Is that is that is that is to say, no me visit it.

Yes, you know, but is that he's a he's a he's not he's a so he said,

he said, I'm so he said, no me visit him. Yeah, no come. No me

visiten, yeah. Wow. Oh, oh, oh, oh, oh,

fair. The peshires are part of Fere, eh, that that's,

this, umigo, I'm to learn this text this text final, if

me can't, of Cementaries. I'm going to read this text final with the time with the

story of this third chapter of insomnia in his new format, which now is a podcast. And it's the

next. The cemetery gase silencioso under the manto dark of the night, where the

lapidas are as long testigos of the eternity. The statues funerarias

with rosters sculpted in gestures of the odor eternal, they're over life in

its penumbra. His eyes of are fissues in the nada. Between the lapidas

sombras indistintintas deslisan juging to scunders between the mausoleos and sepulchros

as spectros curious. The aroma humidity impregne the air, creating an

atmosphere lugububri that so dearer to give and shrewed and disprendent of the

soil, as if the same the same the same the matter, lamented the

piece of the secretes depulted under the mantle and he here, here is

where we're irremediablyably many, some to to be to be to

and other to suffer for the other in life, penando

for all the eternity. No there there this

history. Even even I said Chit Chit to learn,

no? Oh, Oh, Fermex, much for us to be here with us to be your friends

to please, for the people to go to to say, for you know, I'm going to me, I'm going to

Instagram, as a romex 22. Perfect. But, like, as, as I'm like,

I prefer that see you too, to follow to this new format of insomnia. Insomnia,

for please, there passen to continue it. Recurred that if

you want to send out your experiences evidence do you do you

for a call to make in the page of pepo pottcast anormal

com. Very important very important put the name of you of you of you

of the people that are telling the the story a less

that you don't want that you never that you say you

by the text, I want that the story is anonymous. For

favor, it's very important for that you don't we go to get to give us for a few for you know,

put it in manyucculas, and I'm that you're that you're that you're that you're that you're

not going to say the name that's no, right, no, so. There is where you

don't know anonymous or anonymous. Much thanks, thank you. Thank you. Thank you.

Thank you. Thank you. Thank you. Thank you, thank you. Thank you, thank you. and I hope that never, never have to live,

an experience like this. Chau.