INSOMNIO - COLECCIÓN DE TERROR 2024 - #53
Episode Date: January 7, 2025⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️Acompáñame junto a cuatro invitados excepcionales en una colección de historias que pondrán a prueba tus nervios. D...esde fantasmas que desafían la línea del tiempo, hasta juegos que, sin saberlo, abrieron portales hacia seres de otro plano. Las historias de Mariana Portillo, Saúl, Ana y Ceide te atraparán desde el primer minuto. No te lo puedes perder... ¿Te atreves a conocer lo que nos tienen preparado?Redes de Invitados:Saúlhttps://www.instagram.com/sahb_sydMariana Portillo https://www.instagram.com/_marianaportilloCeidé https://www.instagram.com/ceidednAna https://www.instagram.com/olaya.psdRecuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: fepo@podcastparanormal.com► Consultas empresariales: negocios@podcastparanormal.com#paranormal #terror #podcast #insomnio #terroresnocturnos #historiasdemiedo #historiasescalofriantes #podcastmisterio #terrorymisterio #fantasmas #miedo #misterio
Transcript
Discussion (0)
Very good
days,
tards,
or noches.
Beeman
to a
new time
a special
of insomnia.
In where
we're going
to narrate
the most
terrorifices
stories that
get to the
co-repo
raborabranormal.com
experiences
reales
of you
of the
audience and
we've
selected in
this
occasion
eight
of the
most
incredible
and
the most
and
this special
with the
2004. And for that,
as the best of the
24, is with us
for us to start,
our friend, Marianna, Portillo. How
you are you? Hello.
Very well. Very
very, very happy to be part of this
ultimate insomio of the
last insomio of 2012.
The fact that, what honor?
I'm put so nervous.
No, much
thanks for invite me
and we're going to
see that the people
feel much fear with this
chapter. Oh, ha.
Oh, yeah. Okay,
Marianna,
before
we can
come us
please,
we can't
say to
you know,
and you
do you know,
I'm not
part of the
podcast
paranormal.
I do
do a little
into the
team.
And then my
media
social
is Instagram
I'm
and I
know,
I'm
like,
Mariana
Portico.
Very
very well.
Amiga,
I have
this question
that is
very important
and,
I'd like
if you
perhaps
well,
before
that we
start this
question,
that's a
question,
let us
how can
make their
stories and
about what
we'd
that they're
for a
topic
special that
we have,
but I'm
a question
first.
A
very.
Do you
want to
you start or
that I
start?
U.
I think
I'd
think I'm
going to
be.
Very
good.
So,
if you
let's
before you
do you
do
two brevism
annuces
that
are important
for
this
capitul. In this
chapter,
we're going to
tell various
stories and
us are going to
support other
people who
form a part of
the crew
paranormal.
So,
every who
will tell
a story.
I mean,
me,
it took to
count it
four,
but we
going to
start
telling these
stories one
to one.
And also,
I'm
I'm also,
I'm
want to
send us
experiences or
evidence,
for favor,
do you
call,
Fepo,
Rodcast,
Paranormal.
com.
In
the
Ascunt,
they're
to put
what they
think
that's
their
story.
If it's
of duendes,
if
is of
phantas,
if it's
of animals
acting
as humans,
et cetera,
put it on
there and
let's
let us
let's
let us
start
an anonymous.
Now,
we're going
to do a
special,
a special
of stories
with
evidence.
If you
you're
having
stories that
contain
evidence,
like,
for
example,
a
a gravation of objects
voluaders
not identified,
a photographia
of a phantasm
but that is
accompanied
of a great
story,
mandel it,
and they put
thematic
evidence,
evidence,
in the
issue of
the
question,
for that
we know,
we know,
that we're
going to
get in
that group
of stories
of insomnia.
For
forward,
mandel them
the most
possible,
the most
possible,
because we
want that
that chapter
is
list,
well,
the most
soon
that's
possible.
Much
thanks.
And now
so,
Marianita,
comece us.
Uy,
that's the
mind,
then.
That's the
idea.
Very well.
This
story with
that we
going to
open the
chapter of
today,
the
little
jeans.
Okay.
And the
Amanda Vika
Valencia.
Quenta
that his
brother
was a
case and
went to
live with
his
husband and her mom, more or
less for that time, had
received a new job.
As he was to enter,
she had to be capacited, and that
was in another city,
that was about eight hours
of where they lived.
So, so, he was to go for
a month to that
city.
His her manita more
little, she went with the
father of the
her to, to
live with him, with
her, with her family
paterna, and
And to her
He took
To get to
Get herself
So,
So it's
So it's
So, all
And she
She went and she
She kept
Sola
I was
She'd
She'd
But,
but no
He'd
Because
Yeah,
because
Her
Aubelita
and
Tias
Vivian
At three
Casas
So,
So,
So,
So,
they were
They're
She was
She'd
She'd
She'd
She'd
She'd
that the mom and the
hermana
had been
had been
had
had
had
with
that
with a
absence
of
people
but
of
a
way
not
she
was
not
a
all
there
there
there
there
there
was
like
she
she
she
she
she
she
she
she
she
she
when
he
was
she
put
to
do
the
commer
to
the
commed
Dicho comedor,
I had a lot of the escalars
that were done at the second
Piso.
In that time in particular,
she was,
as always,
came to do the
school,
she put to doves,
and she thought
that someone
was like
behind his.
But,
well,
he said,
I'm here
occupied in this,
I'm concerned,
not he
prested the
importance,
that something
was a figure
that was
like a
black
like if
had a
roba
black
and she
turned
rapidly the
and she
noticed
that there
was a
woman
with a
black
and
but
just
just
he was
just
he was
disappeared
and
he said
maybe
me
I'm
I'm
I
like
that
okay
she
she
she went
with
what
Suyo,
the
curious
that
after
that
after that
was of
the
custom
sat down
in the
commis
doing the
and then
again
felt
like
something
was
that
that
was
up
up
the
on the
escalers
so
he
he
passed
three
days
and
said
this
this
is
not
Decidio placarcered to her
abuelita.
He commented,
I'mosteated
this that
was being.
The abuelita
of the
really was like
was quite
a lot of what
the nietta
he told me.
And he said,
you know,
is that those
are the bruchas
because
you don't
restas
before to
go to
do you?
And this
she was
she thought
in reirce
for the
affirmation
of the
but,
but
when
the semblance
of the
abelanta
was really
serious,
quite
consternedated,
well,
no,
she said,
he said,
she said,
she said,
well,
and she,
no.
Also,
she's
she was
a one of
his
tias,
that,
like,
to try
to try
to try
to
he said,
is that
you know,
is that
you know,
you're
all the
accustomed to that
you're always
is your family
to get your
mind
maybe is
seeing that
being
those visions
for not
not feel
so alone
and isolated
living in the
house
and she
and she
said
yeah
well
and she
could
be
and the
the
she said
that the
next time
that I
see a
child
if I
try
to start
to
him
and
ask us
if
really
really
was
something
was a
or
to ask to
ask to
ask you
something
if it was
a
real,
a
vision
phantasmal
to
see he
she
she
he
she
she
she
even
she
had a
much
to
this
entity
and
he
did
do
do
I
want
to
dispeg
I'm
she
she
I know
I'm
that the chico
was
that was
he had
done
the
days
the lastriars.
So,
she sent to do
his
task that
that time,
as a
moment
in the
that figure
was
and the
she sentier.
And she
was,
armada of
the table,
I thought
that his
legs
were even
at
the
and I'm
he asked,
who is?
The figure
or
this
this chico,
he
didn't
he
responded.
He was
to get
quiet
when he
heard the
voice
of her
to be
but
just she
ended,
he continued
with her
time.
Only he
just
just got
to
her to
pass
for what
had
passed
but
especially
because
because
had been
the
opportunity
to
see
the
something that
no had
had been
in
the
other
occasions
there
he could
appreciate
the
appearance
in effect
if it was
a young
had the
a camisa
black
some jeans
azules
and a
garra
with the
that
was
a little
the
car
she did
also
that
the figure
of this
young
was
rather
like
like
it
was
a
a
a
like,
like,
like if
not were
something
a person
tangible,
obviously
it was
like,
like,
like,
vibra.
Exactly.
This
young
would
be
appearing
and
yeah
that she
had
had
had
had
a
little
the
mind
now
now
I
know
that
was
for
the
general
appeared
and
He was
and
every
in
every
occasion
I'd
see
other
details
of him
he
was he
he'd
he'd
see
he'd
know
that
that
that
that
was
that
was
the
he was
to
go to
and
there
he
disappeared
he
he
he
put
well
was
well
or he attempted to
talk to
in more
a occasion
after
after he
and he
never he
responded.
If he
had been
he'd
hear
hear her
but
with the
same
continued
his
his
his
he
also
he
he
he was,
the
child
was always
like
to
his
rostro
for
that
he was
so
that
this
continued
passing
Yeah,
I had
done the
month that
the
mom
was to
go to be
back to
and she
she said
she said
she
was a
but also
I'm,
but also
I'm
that
that's
that
what is
this
that is
this
that's
apparently
he's
she he
he's
she
he's
in his
story
and
also
something
that
was
that was
that was
that
was
that
I started to have
pesadillas.
Apeness
a chick
started
in that
house,
the
pesidias
of her
went in
a
time
that they
had
all the
days,
they were
more
reales.
It was
that was
that was
that was
living in
car
property.
In
one
occasion,
she
remember
that
was
was
reading
in
his
his
abitation, and it was
very tardy, and
decided, then,
then it was,
to go to
get to
get the
door,
aped the
lights,
and it
was he
taped with
the sabana,
nor
a minute
had,
that she
had been
when
she felt
how
something,
something,
something,
how even
the colchon
was,
like if
someone
had been
to be
to be
a
She was
She started
to tremble
of
fear
because
clearly
she felt
something
there
was made
he was
he was
he said
I'm going
to retire
the sabana
she
he was
and
he could
see
a
presence
a
family
was
was
his
abuel
a
man
that had
had
had
had
had
had
She said she said that with her
old was always a good
vincal, as like his parents
were separated when she was
very little, the abuelo
had been like that figure
paterna.
So, as well,
he was justed?
Obviously,
he said, what's doing
here?
No, he could move.
Intented to gritter?
No, could.
He was a congelada.
Sentia the adrenaline,
I felt like her
heart was going to
out of his
but she was
to move.
Also,
she didn't
something
something,
not was that
was a sensation
when he
was with his
abuel,
that was
a security,
no,
it was a
different,
that not
would be able
to explain.
Before
to be,
to be
going to
move
the man
that was
He was looking,
he wastube one of his
hands with
his armusiness.
His abuel.
Uh-huh.
He,
he was
he went to
his rostro,
and he
said,
Be with
Mommy,
you know
to go to
her.
She didn't
what was
going,
he was
still without
moving
to be able to
that the
man,
of his
abuel,
he was
to be
to be
as far
umo.
And
when
he
not he was
for
nothing.
Finally,
his
body,
was just
he was
so
with all his
forces
that's
that's
so he
went to
see what
he was
going to
she was
she was
she
was
she was
she
she's
her
she's
her
she's
she
she's
she
she
she's
we're
to go
to her
house
she
she's
so
Rapid, the two
were
and they went
to the
mother,
that's the
house of the
house of your
at the
while they're
getting to
get a
point of
something
and is
that the
house of
the
house of
had all
the lights
and it
was
that it
was a
time,
the
she had
had been
and they
came,
and they
found
the
the
world
the
was quiet
inconsient
just
well,
the back
the
stairs.
She had
had
a little.
When a
job
respirable,
so they
was rapid
called
to the
ambulance
went to
look to
the
she said
that they
had rote
various
costigias
for the
the
and that
he had
perforated
a
pulm
and they
and they
they're
they're
not
they're
they're
they
don't
they're
so
If you had
had yet
She had been
He had
Falleceive
But this
alerted
Obviously
For what
It was
The Abelowel
Well
Time after
That's all
This time
After this
They had
They've got
To live
In that
Cases
And in
That house
Where
I was
The child
And where
He was
So
She moved
One of
His
Tias
With her
family
With his
three
kids,
there
were living
for a
time.
Now,
the
extrano
it was
to occur
when the
primita
more chica
and he
said to
talk about
about
a lot.
When
he asked
with who
was
talking,
I was,
I,
with my
friend
and I'm
a
first,
all
they're
not
normal.
I mean,
it's
common
of
certain
form
that
the
children
have
people,
but
one
this
that chica that
she's
the
story,
he was
there's
a house
that
was a
a lot of
there's
his tios
and he
and he
he said
that's
that
she was
that he
began to
describe it
he'd
frie
at
the
that
that
the
same
that this
little
that this
was the
young
that she
was the
he was
he's
he has
the
camis
black,
some jeans
azules,
and a
garra.
She got
petrified
she got petrified
that
I could
think that
that was
that was
that was
that was
a good
of time
now
he was
a
friend
a
image
imaginary.
He
entered
the curiosity
because
that
not so
he had
put
to be
back
to
the
case
and
he
had
passed
before
time and decided to
to get to her primita
to ask her little more, no?
And she
he said, no,
well, yes, is my
friend Imaginario.
Of actually, one
I saw,
how it fell
from the
escalers and
she broke the car.
Yes.
A bit.
And also,
and also,
and also, he
told the little,
that a
Sometimes, with her
she
was about.
With
she was
and a
this
child,
it was
it was
that she
was very,
and with the
little,
no,
never
he said
nothing
of the
questions,
none of
those
intent
for
to want to
talk
or know
more,
have
had been
a
but with the
prima
she
had to
the
prima
also,
it
He thought
to
acercercer
to
the
girl
and say
he's
I know
you know
you
know
you
and he
said that
he said
that he
and you
he
know
they're
not
obviously
that
this
like
that
that
that
now
was
there was
there
was there
was
no
there
no
there
was
there
of that she
knew that this
thing that she
was the
amyro-imiginario
that's her primita
because this
story of the
of the phantasm
and the mass
that she had
seen,
only had
told to her
mom,
to her
and a
one of
his tias
and
no one had
said
nothing.
The prima
was very
little
even,
even,
like to
know,
but said
other
other
other
other
more
the
a little,
something
that
she
was put
petrified
you?
You know,
you
like
felle
my
friend,
something
he
he
he fell
like
our
our
mother
of the
escalers
and
this
was like
that
the
abel
had
had gone
before
this
story
that
I
told
before. And the
friend
also
also had
had
been made
to the
escalers.
For
that it
was it
was a
man.
Uh-huh.
To
I mean,
the
little
didn't know
of this.
I mean,
not of
the accident
that
had the
old.
And the
friend
was there
was there.
Then
the
chick,
obviously
a little bit,
I was surprised
that present
that person
and a familiar
like something
was behind
the girl.
The little
after the
she was
going to
like all
like it was
the most
normal
of the
world
but she
could feel
that not
they were
that was
that
that person
that had
that
that was
that
was
a
feeling
was
difficult
to describe
but
she
was
when
this
man
was
Acerca.
Brinked when the
door
did a sootone.
In effect,
no, they were
in a lot of
pretty scared,
because now
her primita
had a
contact with this
man that
he knew, really
if they were
intentions
good,
what,
decided to
tell to
her mom,
and to the
mom of the
prima,
so to her
tia,
let's
he said
that
all,
basically
that she
saw a
this
phantasm
and now
her
prima was
the
she was the
she
was obviously
that they
were
in all
moment
she
they
they're
they
and
decided
then
to
go
with
a
to
see
how
they
can
do
that
the
person
the
he
actually
effectively
there
actually
there
in the
house,
he's
a
kind of
a
sort of
different
to
clean,
and then
it's
it's
it's
a phantasm
spectro
as you
want you
want to
you know
never
appeared
to appear
the
first
was a
pretty
because
it was
with his
amigito
with
he was
and the
really that
was
I felt
I
felt like,
because, you
know,
they're in
the
heart to
say to
a little
that a
little,
that
that was
that
was,
no,
there was
and I
would
go to
and he was
to
go to
and he
was,
with
the time,
the
primita,
was,
was,
was,
was
but what
we
this
this chica,
is that
she,
even this
this
this
thing
he
can
he
doesn't
because
he
he
he has
he
has been
to
the chico
to the
he
has been
what
I'm
what I
did
my
was
coincidencia
who
who
can
know
we
we can
we
know
we're
really
not
so
you know
if
there
was
there
there was
something
more of this
young
in that
and that
and that
could be dangerous
sure
yeah because
he was
also to
the house
of the
or you
how you
can be
it?
It could
be
I think
I think that
I think
there was
there was
there was
there
had
put a
little
that he
had
put to
him
when he
was
he
he
I'm
I
maybe
someone
in the
family
no
He didn't even
know he didn't
Could be
Could be?
So what
me
I'm surprised
is that
maybe if
if there
if there's
if there
could be
not even
that's like
in the
house
but in
that perimeter
because
also he was
in the
house of
the abuela
and
also
she took
for the
escalers
or
it was
a coincidence
in both
cases?
No
I think
was a
coincidence
I think apart
it can be the
fact that
the fact that
maybe
she,
or all
the family
have the
capacity
like a
sort of
very
very abirta
this capacity
to perceive
entities
transcended
because
of another
or other
the
sobrina
she
the abel
the abel
the abel
and the
and also
the
about the
and
also
also
I said
I said
how
it's
it
really?
Yes,
yeah.
That's
it was
to save a
his
husband.
You know,
to my
abo'
we said
mommy and
my abel
papi.
I think
it's like
a certain
form
common,
like to
say,
yeah,
to say,
dad,
to say,
momas,
and mama,
and
papa and
papi.
Wow.
Wow.
Well,
wow.
Oh,
there,
there
I think it's very interesting
of what you've got
to tell
the fact of
the fact that we're
this idea
of that the
phantasas
in a house
for the idea
of the
house embrugated
but
at the more
they're in
a perimeter
or no
exactly
like us
not they're
not being
to be able
to be
not necessarily
they're in
where they're
in where they're
and at
the more
they're
so they're
in a
person and
if the person
is muda
with them
there's
There are some that
are
on the
that's like
to be able to
something.
Aha.
Or,
more than
to someone
maybe.
Yes.
But in
this case
the phantasm
like
that's
kind of
that's
because the
little
that was
that was
there
was there
was there
was in
that perimmetro
maybe
so.
Poor-sito
so he
broke
his
car.
That's
that
I'm
I'm
to,
I'm
to tell
a story
that
I think
that is
very
impressive.
This story
that also
has been
with phantasmus.
This story
is called
Ohar-de-Caridad
and no
it's our
friend
Anna Avi
Not the
not the same
person
No
No,
the media
was bico
Oh,
okay
Anna Avi
This
this that
what I'm
to tell
occurred in the
year of
1984
in the
city of
Mexico.
And this
he occurred
to this
person
Anna,
that was
in the
daughter.
Her
his wife
in that
had been
nine
years of
age.
They had
had been
to the
family
of the
brother of
Anna,
so of
the
man of
nine of
nine years
and
as
she was
she was
a
little,
then to that of those 11, 1130,
decided to regress to her house.
I went to another more,
she, Anna, with her daughter.
So, they're in a coche, 1994.
Imagine it, I've got in a circle.
Yeah, 1,984.
And they're back.
So, obviously, 11.30 of the night,
city of Mexico,
from a time,
there's certain zones
that are more insecure
than others,
for say it,
a form amable.
But in that case,
distinct to what is the day of today.
So,
because,
although it's always
has been a city
that has a
quantity
enormous of
the people,
in 1984,
was a
little more
than what there
now.
So,
was,
he was
going to
conducing,
solo,
with her
daughter,
in these
streets
in these
streets,
where only
the faros
in the
carer was
all the
illumination
that was,
not the
same
type of
light,
so some
were
so they
were a
pretty,
the
place.
And it's
that
also the
city
I was
also,
you're
with
the
things
but
very,
agudisated
for
whatever
something.
Well,
while
they were
managing,
she went
and her
went to talk about
about the
festival,
normal.
They were
so,
they were so,
they were,
so they were
a way
to come to
a
red,
and they're
to be there
and they're
there
and they're
when they
noticed that
her daughter
that she
was a
little to
see a
little
a
one
a secondit
At the side of
her
She was
her
while she was
to see a
to the
door of the
window
he took
and he
and she
spanned it
and then
they took
so they
then she
she
I look
to see
a man
a man
and he
with a
rostro
tremendously
serious
like
like
if that
that car
not
had
not had
expression
facial
You know, totally serious.
It's like like, like a maskara,
like a masker of human.
This sir,
was dressed with a robe
of camouflage,
the tela of camouflage
that's the military.
He was there,
vying it,
and she feltio
like a sensation
of that,
obviously,
after the susto and
see this type,
with that expression,
he put
inquiet.
But the
sir
was a
bigadito
to the
window,
biann't
a bitro.
Just a
little, just a
little,
for that
not were
dangerous.
And when
he was
before she
could
ask her
something,
what you
want,
what you're
that's
doing
there,
this
this
very grave,
as a very profound,
rara.
He said,
Disculpe,
my auto
failed.
Could I drive me?
I've been,
I'm close.
And she,
while listening this voice,
the first
that he wanted to say
he said,
he no.
He was to
negation,
but like
no, like,
no,
they said,
She was made
Muda in that moment of the impression
and he wanted to talk
and in a moment,
while he was there,
and I wanted,
he went to be to her
only toerer
to that her exercerer
to that her
was sure of that.
And the
he was like,
with that car
as serious,
with the eyes
enormous,
she went to
see a second.
And then
when he went
the car
to the
the window,
it was
the
man
yeah not
there.
And act
so
so I'm
a reflex
automatic
he went to
see the
retrovisor.
And this
man
was sitting
in the
part of
the vehicle.
What?
He?
He said that
no
he
opened the
door.
You know
when a
person is
a automobile,
so you
see this
movement,
no,
that's
that
can be
balancel, no
she's
not heard
to open
to the
door,
and it's
not she
didn't know
to start
to the
door.
But of
the
type,
he was
there's
sitting.
She said.
She
said something.
Like,
to behe
to that
she had
meted
to his
coach,
he was
a
but
simply
was there
was there
this
guy
and he
did
instructions
precise
in that
voice
rare
grave
and he
he indicated
that
it was
to
a
direction in
specific
and he
said she
she in
that she
was always
always
was always
was like
having
entered
in a
a
liger
trance
in
where
not
could
say
not
and
better
even
could
have
decided
not
advanced
there
there was
that was
that
that was
to execute
the actions
that this
man
he said
was the
fear
maybe he was
not
that he was
that was
that something
that was
that was
there was
there
was a
so
so simply
he
he began
to advance
and
he was
to take
rumbo
to the
direction
that this
man
he had
had
had
had
had
had been
they're
to advance
and she
would be
to see her
that's
aterrata
the poor
the poor
the girl
was
a
and he
he stiro
his
and he
put it
and he
he was
he wasurro
and he
he's
he said
to his
he
he's
all
all
all
doesn't
nothing
no
going to pass
nothing.
And,
well,
the
his
was in
silence,
mudita
there.
Finally,
they're
to get a
this
direction,
that this
man
had done.
It's a
house
very
great,
that has
that has,
in the
part
principal,
a
side of the
door
principal,
a
big,
a lot,
and it's
very
great.
So,
so,
he went,
he's
stacioned,
and
and
just like
you know
this
this man
that was
he was
being
by the
retrovisor
with that
he was
that he
was that
he said
he said
I'm
here
and she
no
she didn't
know
to
respond
the
the
man
he
he's
to the
house
and
then
she
she
he
He went to see the
house
and when
when I
went to see
to see
to see
to see
back.
And then
he went to
see
to see
to the
house
and that
that was
he was
standing
to the
door
of the
house
I mean
I had
got
to get
to
it
but it
was rapid
so
this
man
miltar
was
very
right
there
was
right
so
talking
to the
door
of the
door of
the
someone
abrio,
the
fact it
said that
in the
vental
very
see
a
door
that's
going to
the
door
and they
opened
the
door
and this
man
entered.
You
you're
you're
you
went to
he?
Yes.
They
were
being
the
ventanal
because
was
going to
something
that's
a lot
to be
to her
and
a
little
she and
that was
the
rae
of
these
things.
They were in
the
sombras
like
of two
people
and a
sometimes
more,
three,
one,
surely
this
man,
and they
were
and they
were in
a way
that
a man
could
say
it was
a
movement
erratic
tremendously
strange.
It was
like a
some
was like
a
only
and then
was
a little
and then
rapidly
and then
he was
and then
He said that was a bizarre.
Bizarro.
But more or less than what I could
understand is that
in front of these figures
were discussing.
It was like if
were attacking
the figures
were there,
these sombras erratics
movings very rare
and of a
and of a sudden
he sentio
how something
was to
the door
of the coach.
Uh-huh.
And, before
that could
look to look at
her,
I heard,
I'm a
sound
metal,
like a
redha
oxidated when
you're
like you.
So,
so.
And then,
he went to
see a
other other
other way that
and there
was.
There was
the
other way
sat down
in the
part of
the back
and he
said,
yeah
we're
let me
let me
she
she was
she didn't
advance
again
and I
felt
that even
respirass
it was
a lot
really
not a
he was
he was
he could
have
been and
he was
and there
was this
man
the
the
the
he said
he
he
he
he was
he
he
had
got
to
he
had
there
there
so
he's
there
so
obviously
she
She started to
with the
hope that this
man is
to be back
from the
car of the
car,
they're
more or
less to
where she
had recogied
and this
man,
he said,
there,
and signaled
a house.
She,
well,
simply,
he was
repeated the
same action,
he went,
and he
madeatantly
to be
to be
back back.
There was
the
man.
And he
said,
you have
an
alma bondadosa.
Thank you.
She didn't know
she was to
respond.
Volteed to
see to
the house
this second
house and
yeah was the
man there.
There was
a porton
enormous
and the
man was
on the
other side.
She
obviously
another
again again
again
how had
passed
that was
so
clear,
it was
so evident
that a
scalofry
he
recorried
the
spal. And
yeah no
want to
more,
abras
a little
and was obviously
the child
and was obviously the
woman
disappeared and
didn't
and didn't
look to be
and to see
back,
he's on
another,
he was
to know
the door,
not to
the door
acelor
and he
went.
He said
that that
first
quadra
that
never was
that
he was
he was
a high
velocity
had
had much
fear. That's
alearse
and then't
of that
house,
she felt
like the
man was
watching the
he went,
that was
that mirada
in her
back in her
but
you know
he no
he no
he no
he was
he was
that he
could
he could
go to
he
got to
back
to his
home to
his
where he
was
the
there was
when
when he went
he was
he went
he went
and the
brother
his cousin
and the
people that
was there
was going to
go to
go to
get a
and they
and they were
they were
with some
some
and then
the brother
then the
then he was
so
no no
you're
not me
you're
not you
don't me
you're
you
and the
he said
he said
he
20.
Tranquilas.
Quintan us what
what happened.
And, well,
she and her
his wife,
her testigo,
started
to talk about
this man
that had
had been
on the
vehicle and
all what
had been
the
story.
But,
but also
was like
like,
wow,
no?
For him
simply
was,
it was,
it was
an anecdote
very
but her
esposa, is
saying the
cunada,
she was
super
interested in
what he
said,
he was
he asked
all the
details,
and when
he said,
oh,
you know,
and you
remember,
in where
were in
these
houses,
the
where you
did she?
No,
he said,
well,
you can
you get
to get
to make
a
man?
I want.
I want
to
know,
I'm
okay?
Okay?
Well,
That day,
they were
to be able to
get to
get to
and the
and the next to
and the next
the newnda,
we're going to,
get me,
to the house. Okay,
that's,
and then, you know,
and oxidada.
It's
saying
they discovered
that this
house
had
a car
for a
time,
at least a
time
of years.
Well,
he did
rarro,
no?
The
cunada,
that was
all of
a motioned,
she
put very
palida.
Because
she
recognized
that
house.
Resulta
that
that
the cunada
they
got much
the stories
legends,
apparitions,
crimene,
and
and that
case in
specific
she
she had
been
because
it
said that
in
that
house
was
a
woman
an
anciana
that
was
a
old
she
had
much
time
while
and
and
and
and
and
and
the
house
that
was
deterior
because
was
suffering
was suffering
for the
peridid of
his
son,
a military
to
have been
had rebutated
in
circumstances
strange
after a
couple of
years
the
house
not
a
time
was
it
had
to
have
much
time
dishabited
literally
that
that
that she was about this story,
so he entered when I went in the
period that that woman
that no dejahed to dream to the
other people,
had fallen.
And it was that house.
It was specifically that
house.
Well, obviously, she said,
Anna, he said to her
cunyada,
you want you to go to the other
house?
Yes,
we're going.
So, they went.
So, they went to
that first
house.
And when
they got
there,
no,
man,
well,
it was too
that's too
there
no,
that's
not,
that's
not,
that's
not a
carna,
but the
curiosity,
the curiosity,
she
got to
the coach
so,
so he
did
to know
that
also
was abandoned
that,
not
not was
a
house
functional,
and
and a
and a
person
that was
there
was
I was kind of
Like,
what,
what are you?
For what?
Because they're
seeing that
house?
So the
Cunyada
she
went to
this
and he
and he
he went to
talk to
him.
The
repent
the
the
the
said,
he said,
he gave
the
thanks and
he went
the
with the
rostro
palid
another
again.
What
what?
What?
No,
you're
going to
believe.
I'm saying the
bestine
that in
this
house is
in where
they're
the
body
of the
military.
Nobody
knows who
who
was who
came
and to
what
they
reported
disappeared
the
the
the
the
the
the
the
other
the
there was
where the
police
encountered
to the military.
Someone had
rebuted to the
life.
And since
since
that they've
found the
body,
that
that house
is abandoned
and that
is what
is what
me says
that
this
the
that
supposedly
in some
moment
the government
will
use this
house
to
to convert
in a
house
of
a carid
but
but,
it's
difficult
because
nobody's
to try to
get to
get to
this
house.
Well,
for
it was
a liby
not
not was
not a
was a
little that
what he
had seen
a way,
but
also he
also he
really
that were
stories
very
cruentas
so
very
very
very
and
simply
for
she
was
something
was
he's
to
let
it
pass. But
all what you have
told
not is
so extraordinary
as what I
say now.
What?
Passed
several
several
and then
happened,
it occurred
an
one
an
unexpected,
inexplicable.
Tocarone
to her
door.
She
was to
the
door
principal of
her
house,
and she
He wasomed by the mirylla and
he saw a man,
a man vestige with a
maletine.
No, it was a person that
she knew her?
Abriot?
And this
sir, he said,
he said,
I know me
know, I'm a
lawyer.
I'm going to
bring a notification
legal for you.
For that
me understand
this, the
house where
he had
had gone,
the house
that was
be doneed,
it was donned.
It was donned.
It was don't
a name of
Anna,
who
us manned
this story.
She doesn't
how.
How?
No,
never said
his name.
But the
military,
who was
the owner of
that
house,
had
had left
that property
to name
of Anna.
She,
she doesn't
do you
don't know
manchis.
Just
he also had to put
a firm
for so
say
it's said
that
also
just in
that moment
just in
that
moment
she was
going to
the moment
more
difficult
of her
because
she was
going to
get
a
home
and
the
person
the
house
that
was
a
military
had
been
transferred
to
her
and
her
her
her
in
a
moment
I didn't know
another
another
a refuge
no idea
no
know he's
not even
he's possible
and
I don't
he said
until
we're
this
house
every
every
every
I'm
my
mind
me
I'm
I'm
I'm
the
night
that
the
night
that
the
and the
and the
and the
and
those
changed
for
ever.
What on
no?
What
strange?
You know?
I said
that's very
strange.
So,
before
if it
to cross
the
sir,
how?
I'm,
I'm,
I'm,
I'm
think that,
because
we're
because we
understand
the time
to a
form,
but they
not.
So,
how could
could,
how could
transfer
a property
if
is a
property
if
is
a
falle
A fallacid.
How?
Exactly.
It's a modification of the reality
very great.
That's incredible.
For help to...
For being a...
For being a good
heart, as you said.
Yes.
For help?
Wow.
What?
What?
What?
What,
I'm sorry.
What,
but at least
it was
good, we'd
say it.
Oh, no,
it's a shock
for her.
I'm like,
Loka, I'm going to be
I'm going to be.
See.
Oh,
me help you.
Mm-hmm.
Me, you know,
to present to the next person
that,
to the next person.
To,
the next
a member of the family
and crew.
Paranormal?
Sure,
that's.
Who is?
Vienn,
a continuation,
the seniorita
Anna Matopeyas.
Anna Olaya.
Anola.
Anna Wapeya.
Marianita,
much thanks.
Thank you for invite me
And then,
always that
I'm here I'm
Oh, well, yeah
We're going to grab a
Capitone with Marianita
Well,
to see if it's
The Averna
The Evidences,
No?
Also, there's
One of the
For the love
and the amissat
Ah,
also,
also be good
Yeah,
It's very,
Goodsim
Oh, yeah,
Sorens
Like,
Like,
Like,
I'm,
I'm,
I'm,
A-huh,
Pa.
A-huh,
Pa.
A-huh,
Like,
so,
so,
wow.
I know
that
you're
magic
you're
Ah,
yes,
it's
really,
uh.
How
you know,
how you
very
and you?
Oh,
yeah,
welcome
and thanks
for
participate
with us
in this
dynamic
of stories
of the
2024.
Um,
for
forward,
before before
to come
to come
to get
to do you
know,
many,
many people
know,
I'm
Anna Maria
Alias
Anamatop
Peeas
and
I'm
in RET
and
so I
the
part
graphic
of
podcast.
We're a
group
great, but
I'm the
the part
visual of all
the podcast.
Very
very well.
Oh,
this,
the Columbia
for the
world.
Of Colombia
for the
world,
yeah.
Anna,
before
that we
start we
just,
just,
remember
us of
what are
the
things that
are going
to come
to come
to
the
people
can make
stories
specifically
of
those
them
people that
have
passed,
stories of
of the
Uiha
with the
Yorona,
in Colombia,
for example,
with the patasola
that's a
lot of the
yeah, but
yeah,
the patasola,
the matasola,
the moan,
well,
all those
those stories
that can
mandarned us
for
forward to
calloff
ppoorapap
arroapranormal
p.com
Thank you
and I
thank
much.
If not
has
subscribed,
subscribe
or do
to do you
continue
if you
are doing
or
listening or
on Spotify,
for favor,
much,
many thanks for
comment,
to share with
the abuel,
the abuel,
the prim of the
prima,
the friend,
the family,
and more.
Oh,
you're going to
start to start.
Oh,
my,
yeah,
it's a time.
Yeah,
it's all right.
It's a
good,
well, this
story is
a little
like a
pluma,
and us
and we're
a friend
Mariceela
Spinoza.
Hello,
Fepo.
This story
happened
when it
was a
year,
and the
her
like a
a
toyte.
In my
country
was
a
place,
where it's
where they
were in
all the
things
the
money of
the
United.
It was
the
most
caros,
but
his reputation
was
was
imprigante
and
probably
probably
that
that
that
would
that
that will
more than
more than
more than
more than
a
simple
game.
I
used to
all
the
times
with my
primas
that
were
near my
house.
A day
of the
arrasmion
us to
use me to
use me
a bauul
that had
my vis-a-
guarded
abouted
the same.
Between
objects
of the
polvo and
mantas
and so
things that
had
got to
we have
got
we
a
but this
not was
not it
was
in the
commercial
and all
those,
this
was much
more
more
anti-
the
letters
were
they're
they're
were all
the
time
and I
had a
like an
element
grabed
in the
middle
of the
table.
Enthusiasm
we
we're
the
game
so like
the
commercial
and
all of
the
and we
did we
think we
just
a
little
a
my
brother
and
my
two
and
we're
we're
we
we're
the
spirit
of
a
band
of a
as a band of rock
famous that
but recently
had died
for the 70s.
We're three
children with
the
deados
to be
and when
he was
he was only
only one
millimeters
an scalofrio
invadio
my
body.
I wanted
I was
my
brother,
but no
no,
no was
my
brother
because
his expression
me
he was
notar.
He was
almost as so surprised as I.
After a while, the
ambient was very dense.
A vecina said that he
had tolia the head,
a woman,
he said that
he said the voice
that they called
to her.
Wearded haphersurably,
where we had been
found, and,
we went to be there,
but the air
was, the energy
was very pesada.
There was a vibra very pesada.
To alleviate the attention, the decina
us proposed to play the famous
game, peesa like a pluma.
We went to the quarter and we're
the door and the windows.
A penumbra,
something that was cubrower
to us, it was a lot of
my prism, so forthy to
be to restarse on the soil,
while my prima and I
put our fingers
in his shoulders and in his talons.
I'll explain to what consists
this
game.
The
game consists
in that
the
participants
put,
one,
one's
on the
floor and
put his
his arms
as it's
like in
the
peachor
exactly.
Like a
morthewo
like if
if you
were one
falle
so
so you
and the
other
people
put in
like
those
hands
and
exactly
and
and
they
put in
in the
the
articulations
like
in the
plagues
of
the
under
the
above of
the
and
it
they
they
they
between
everyone.
But,
well,
before of that
is it
like a
ritual,
for so
say it's
like,
like,
like,
I know,
I know,
I'm a,
like,
an invocation
something,
like a
like,
a little,
like a
plume,
a table.
So,
and it
is repite
various
times,
then it
then it
does the
person,
and it's
supposed to
that is
that
it's,
so
well,
we're,
we're,
and
another
this phrase,
Ligero like a pluma,
duro like the table.
Ligero like a plume
duro like the table.
And the echo of our
voice like,
like,
rebuttable, you know,
because
like,
it's,
it's so it
was a
feel more
the alient
was made visible,
so,
like it started
the humito
of the
the boca.
Of a
repent,
my prims
commenced
to livearse.
At the
first I
thought that
was an
illusion,
but no.
We got
to us to rise
some
15
centimeters of
the
soil.
The sensation
was super
scalofriante
and the
fear
we made
and we
let him
and we
got to
my prima
and you
from the
room.
But
when I
felt like
if something
I
had,
like
some
some
some
those
had
had
a
carisied
my
arm.
That
night
none
none
of
no
one
did
to sleep
well.
At the day
next
my
my
mother,
Ligeramene
Alterate,
visibly
altered.
He told
that my
prim,
to have
been
had
rumped that
night,
in his
room
at the
night
grittando
that
some
the
light
that
the
was
pally
with the
eyes
disorbitated
he
had curucated
in
a
corner
in a
middle of
the
and he said, there are, there are
there are, mom,
me want to get it, no
deges that me get them.
His mom no
saw that, but
he was sure
to feel that a
current of
the air
elado,
he passed
for the
room and
there was
no, there
was any
a point
tangible
to that
that was
that
the current
of the
air.
I was
I'm
with
the
tears,
with the
eyes,
Pidient
for all
what we
had been
done.
No,
my
prima,
and I
didn't
we're
about the
time,
because
we're
we're
to be
to go
to invoked
that we
we're
that we
we're
to get
to this
plan.
A
my
prim,
he
got to
the
church.
I know
much
because
he
from
he
didn't
completely
he
was
more
cali
more
frio,
more
retrayed
He never
He never
He never
He never
He never
A lot of
a tint
inquietante
of obscurity
It's like
someone
more
habitar
silencius
in his
body
have
passed
many years
and
never I
never had
the
value
to
what was
what
really
he
was
a
night
I'm
I'm
my
question
and
what
is that
what he
is
that
here, not this
world.
That sombra
still maintains
its essence,
provoking
fear in
other
people.
For me
also it
has been
easy.
During
all these
years I've
had been
to live
with the
so
that every
that I
feel that
I'm
that I'm
look
for the
rincones
of the
house.
The
sensation is
inconfund
always
is the
same,
a
invisible, that's
that's
a little
a
house
and the
moment
that's
to be able to
see.
And a
when I
see that
I'm
I'm not
I'm sure
to see the
my prim
reflected in the
crystal
mirandom
fithamente
how you
all
all you're
all
all,
soly
no manches
you know
you know
you know
well
obviously
well obviously
I never
I'm going to be to
a favor of the
use of the
tabla Uiha
as a
a medium
recreational or
a pretext
to obtain
vistas,
no?
Uh-huh.
So,
me makes,
it's very
responsible.
And what
I'm going,
after
I've done
the table
as,
and it
and it
even it
even if it
probably,
I'm
I repiento,
I repent
much of
having done
that,
no,
no,
no,
no,
I don't
important the
fact that the
people
create or not
create if
the table is
real or if
there's
an investigation
on the
respect to
do your
investigation
definitive
definitely
people
people of
and you
and you
do you
do you
do you're
and do you
do you
do you
after you
did you
after you
did you
passed on the
office in the
other office
in the other
officein
in the other officein
so
no yeah
yeah
still
there's
that
but I'll
say one
one
I'm going to
you know
you know
you know
you
know that you
know I'm
not you
know
it's extraordinary
when I
when I was
I'm
I'm 18
years
11 years
and I'm
and a group
of children
of 11
years
there was
a
man who
media
that media
that made
like
one
95 or
two
meters
gigantes
like
a
player
of
a
balloncesto, but so, this,
grueso.
Imagineate,
it was so high,
so grand,
that we'd say we'd
patas,
because they had
some peseototts,
like,
Shaquil O'Neil,
fattas.
I don't know,
I'm imagine,
how'd
be sad.
More high
than the
promed,
more than the
more.
No, I
know, so,
sure, or
he's dedicated
to football
American,
or so
dedicated to balloncest.
Seguricisicitim.
Gigantesco.
We were a group of
children.
So, one, two,
three, four,
five,
nils.
Two in
every one,
and two
at the
armory of the
arms, and
one in the
head.
Only that
me me
me were
to other
form.
How?
It's,
it's a
difficult
because,
I'm
that it's
to be
with a
real.
But you
the
name
complete of
the person.
Oh,
car.
Then,
then I
I'm saying
of the whiffa
and then I'll
say how
it's going to
do you know,
but basically, you
know, it's supposed to
be a mind,
the mind
over the matter.
And only
you'll just
you'll look at
us and the
third we'll
not do you
don't know
you're not.
No, no
you're separate
from the
piece.
And we're
all so in
the
piece
inked,
encados
with the
the two
down the
the
Pyrna,
under the
Hombos,
behind the
whole of
the eyes
and the
whole of the
first, the
thing is the
thing is the
is repitian
and it's
going to be repeating,
and it's
and so we
going to
get to the
and the moment
that he's
and for that
you're going to
you're
you're going to
we're
we're
five
five.
Ah,
car.
We're not
we're
we're
we're just
you're
so you
another person and
other person and other
other people
and when
we're going to
and for this
we're going to
one of the emotion. And so, we're going to level. And so,
Okay. I'll tell you to
tell you a story that
I love much because it's
very,
it's very
from here.
It's very
Latin American.
This story
is called
El Pino,
and we'll
send our
friend Mia
Arellano.
This story
has some
things with
which I
think many
we're going to
feel,
frankly,
we're going to
feel related
and she
she knows
comment that, well, this story
has her own years in what
occurred, but she still
feeling like this occurred
a year.
He says that a menudo
they're pursuing certain
pesadillas that
they record those events occurred
that night.
Before,
before, before
that occurred that event,
she was sceptica.
But how could
be a sceptic?
after having experimented
something
something
so
sooo,
sinister,
and paranormal.
You,
I suppose
that,
before the
podcast,
before
insomnia,
you,
disutabas
by some
program of
radio or
television or
even of
internet,
where they
are this
type of
stories,
and
maybe in the
In the front,
I enjoy
the stories
and even
one's
to get to
do you
do what
happened
or what
lived by
other people
because in
the
you know,
I want
to be
to me
and two,
no
I think
that that
is real.
Very
exaggerated.
No?
Until
that you
live's.
She,
Mia,
was
In that case,
I was living in Guadalajara,
Mexico,
there are three Guadalajas
in the world,
but he's in Guadalajara,
Mexico.
And he had
an amiga,
his best friend,
that was a
businesser,
the other
times,
these turns
nocturns
that after
that's after
the restaurant,
then we
have to clean,
or,
ordenar,
imagine a
at a pceria
to the
horser,
and a
sometimes
you're very,
too,
even a
sometimes,
pass to the
midnight
How was
your
good
friend?
And saying
that Mia
was,
he
was a
problem
that she
was
to be
to be
after
time,
and
out of
the
car
and then
to go
to the
house
that
the
house
in the
house in
a
area,
was in a
area,
where the
streets,
see,
very
very
vacuous,
and,
and, well,
I mean,
they'll
get to be
dangerous.
So,
she preferred
to make sure
to make a
time,
was,
even though,
that's
time,
to get a
safe to
his house.
So,
almost
all the
nights,
if not
to say,
all the
nights,
passable
for her
and then
he was
to get to
her house.
In that
transcurso,
otherwise
to talk
and commentar,
well,
what was
what was
in the
day,
as my
amigas,
they'd
listen
a station
of radio.
Because in
that station
of radio
there
was a
program
in the
people
the people
had
to be
the conductor
and he
had
had
stories
paranormal
experiences
terrorific
that have
been
so
Mia and
her
and her
and
they were
and
then they
were
they're
a
little
they
were
inquietas
comment
about
about
the
experience of
some
person
but
always
it was
it was
it's like
a form
maybe
to liberate
the
pressure.
These
stories were
a form
to liberate
the
and that
night
was one of
these
nights
particular
in those
that were
listening
these
stories
rying
and
talking
after
that they
got
to the
house
of
the
amiga
they
they
came
to the
and
they were
they
got
and cameo
until she
came to her
first that she
came to
and they were
talking to
start the conversation
terminate
the amy
the amyta
her
her
and she
is back
she's
she's
her go to
his coach
and
before
to get
to
the
car
he
he
he
he
like
not a
a
a
He's a
His back.
He looked
and he said
that it was
like that
he was
because
he costed
a job
at the
beginning
to define
the figure
there was
a
there in the
and in the
street
and there
was
in the
part of
the
above
between
the
ramas
there
was a
woman
but
this woman
was distinct.
It was like
if not
had eyes
and
it would be
aque
odd
penetrant
the
the
mouth
was
open
and
also
was
it was
not
it was
like
if
was
it was
there
there
some
things
that
were
particularly
strange
it
said
when
he's
that
when
movement
when
when you
get to
first observing
a moment
to understand
what was
being
not he
was a
immediate
that was
to be
a woman.
He was
when he
was when he
noticed
that
was a
oqued
was
that was
pointing
directly
to her
was
very
very delgated
was
like
subject
between
the
ramas
had
a
vestido
long
and
the
Cabello
oscuro
and
also very
large.
But the
rare
was this.
The
the
the
head was
moving
like
if
if there
would be
a
wind
changing
radical.
Of
a
right
was
moving
and
then
he was
to be
and
then
to the
other
side
and then
then
again
to
again
and then
was
like
if
was
a
electrized.
But the
vestido
undulable
suavely
to
a one
one
direction.
He was
like
rompient
the
laws that
we
we're
that
this
reality.
He said
he
did
so
fear,
the
form in
that
the form in
that
the
body
and
the
vestido
and
that the
the
tree
of the
pine
and
And around,
no
they were
moving.
No,
there was
a wind that
were
that
He was up,
he was up,
Encendio,
and
he was in
his coach,
the more
rapid
possible.
When
he was
to get
to be
to be
to avoid,
and he
went to
the retrovisor
to
see that
was in
the
arbor.
But
yeah
not was
on the
arm.
He was
was descending
flotando
as
the gravity
not
existed.
I was
directly
to
her
with the
hands extended, the
boca abirted, the
eyes, those
those wwecos
enormous,
without
noise, and
while it was
it,
and it was
it was a
point to disappear,
and then
it was a point
to disappear, and
another time,
it was normal,
every
more close,
and more
closer,
every more
closer, every
more, the cabo,
I was,
how it was moving
to that
manner,
tan rara.
And she acelero and he
he didn't want to
look to
look to
see that
he said
he said
the
heart
that's
he was
to get
to
he went
and he
thought
he
he
had
left
back
he
he
he
he
he
went to
and
he
there
no
there
nothing
and
he
felt
that
he
had
all
had
passed
but
in
that
he
he'd
He'd
respond
in the
part of
the car
in the
part of
the car
had been
had been
been able
on the
car
and in
that moment
all
all
was
he nublo
was
in
mode
supervvency
absolutely
and
acel
all
what you
did
his automobile
and
he was
going
Whiltas
while
I'd
hear about
I'm
like up
the
carjia
how it
and he
and he
he had
to
get a
advance
he said
he's
he was
he
never
he had
ever
had
never
I was
only
I'm
driving
at
speed
no
he
not
he
not
to
just
to
advance
I
sent
the
presence
that
was
there
there,
there
a
repented
not about
the
movement
of what she
thinks that
was the
thing,
that was
that was
to be
tommar
in the
periferia
of the
vision.
Of
a
repented,
it disappeared.
She
got to
hear of
the
real
that
the
presence
of
her
and she
and
he started
to
get to
I
think he
he
got
to get
another
of
the
color
to
the
Pierre, was
aterrata, but as
could, he was
to his house.
He went to
his house,
he stacioned,
apagued
the vehicle,
and said
that it
took it
a few
seconds in
to be able
the door
to his
car, and
to bea
the vehicle.
He said
that he
had
if
had resisted
to see her up, but I had to be
back. So,
so I opened the door,
he was going to a brink, and
he went to his coach.
No, it was
but
the part of the
top of the vehicle
was
a raeada.
The paintura and the metal
like if
an animal
enormous with
some garras afiladas
and durnas
would have
rasged
the
techo of
the
caribus
and in the
parabrisas,
there was
a macho
be chavis,
that was
a post
a proposito.
She,
no,
he was so
that's
that's
he took to
with the
hands,
he was
he was
and he
he was
and he
he was
he did
this,
Sintio
a
respiration
elated in
his ear
said of a
risa
macabra.
Salo
he went
to his
house.
That night
no,
he was
he was
he was
with her
friend,
he said
what
had
passed.
And her
his
amina
not so
he said
that
was
common
that the
people
of the
people of
the
on the cup of the
Arboles,
that some
times
had
attacked
to
children,
women,
and that
only
they were
the
bodies,
with the
eyes
and the
eye
open,
in a
gesture
of terror,
that
was necessary
that
would
to
go back
to her
to
her
to get to
her
to
her
I don't know.
She said that
after that
experience and that
thanks a
God has been
the ultimate
never more
has
been to
read of the
experience
paranormal
of another person
because
lamentable
to her
to live
one that
she left
with the
rest of
her life.
I'm
I'm
I'm
my
I'm
no
I
when you
told that
that
You know
imagine you,
right?
Yeah,
and more
that's
a bit of
a stust.
I'm a sustast
it.
It's that's
that's that
is that
yeah,
so it's
all the
hands of the
mannitch.
Oh,
Anna,
much
thanks,
much thanks,
I hope
that you're
that's a
great,
I'm sorry,
before before
that with
a act
magical,
permit us,
who may
come
to come
to come
to
continue
CID.
Cid.
You can
this,
repeat your
social,
for
I'm sorry,
I'matopepegas
arrovaolaya.
PSD.
Very good.
Muchisimazes.
To you,
thanks for the
invitation.
Well,
me go.
Oh,
enchisada.
Enchisada.
How are you?
Very well,
and you?
Very well.
This,
you can I presentar?
Adelante.
Yes.
I'll present to
you.
Like,
like in the
extreme,
Acaba to
to be with
our
greatestine
how you
very much
thanks
thank you
good
and my
socials
that's
in Instagram
CID
guion
down down
never I
never I'm
I'm
super
easy
that's
those
your
FEPO MX
excellent
oh yeah
but we
we're
we're
we're transmitted
in vivo
although
we've
we've been
some
pre-gravados
in what
in what
we got
to begin
with the
in vivo here in insomnia.
Tell us a little of that so,
for a favor.
If we're
we're in the
jubes
we're in
where we've been
all the evidence
that they're
on the media
social.
Martes.
Martes,
right?
Why I went to
the show
on the normal?
Uh-huh.
Well,
Marches.
The insomnia
extreme.
It's the
Marches that no
Marches
of Tard with
Lulu.
Uh-huh.
So,
is a day in
a podcast
for a norm,
a martes in POTS
and so on
and so one and
one and so.
What is
there?
There are
the evidences
most
to send to
to the
media
social.
So,
if you
have
evidence,
please
manden them
to get to
call to
co-off
Fepo-Rob
Pottcast
ranormal.com.
Of that
if we're
we'll
let us
the stories,
if we
check them
and can
get in a
capitual
of an
appearance
extreme.
An apparction
extreme.
Exactly.
Amiga,
you
talk to
to start
with the
story.
Me
to come.
Okay.
Well,
this
story
is the
dunde
and the
Amanda
Emeral
Angel.
She knows
She has a
She has a
She has been a
She has
when her
a baby
of approximately
one year,
a year and
a baby
from a baby
She was a
little
colorier.
And then
she,
for obviously
to do this
labors
domestically,
I put a
little
with her
libretta
and a
lot of
crayolas
in the
table
of the
cell
and then
she
could
do
what
needed
to do. But
it was to
occur to
something
that's
a little
question.
And is that
in some
occasions,
the little
she was
puttable to
and
started to
and you're
to get a
lot of
the mom, obviously
was going
and he
was going to
say,
well,
what happened,
or something
he said,
but I'm
didn't
absolutely
nothing,
but the
little
the
little
when you
you have
when you
you're
that the
yantos
have like a
sound
special.
Ah,
yeah?
Well,
for the
moms,
you know,
you know,
you know,
so you
know,
when you're
when you're
when the
yant is
of that's
that's
and the
baby
year was
and the
so this
he started
to get to
the attention
to the
mom.
This
passed vocational
but
conformed
the
little,
she was
doing,
that was
that
pass
other
things.
Like,
for example,
I was going
and then
he was
running and he
was just
like he was
a little,
or she
was going to
see a
and then
other occasions
he'd
and then a
cargara
because I
felt like
something,
it was
that for
that any
person
could be
disapercivited
and not
they were
the
great
thing,
but the
mom
was able
that something.
Of course.
Another
that she
feltia
that was
this
this instinct
like I
feel like I
feel like
I'm not
I'm sorry
well
they're
obviously
solitas
so you
do you
a comodas
your
bed
to the
bed
not that
that
that day
she's
he was
to do
something
she
she put
in the
little
the baby
and put
the baby
in the
oria, but
put a
almoada.
And here
comes the
most
aterrador.
Okay?
She's
a
a question to
get to
his baby, no,
and he's
a very
little,
but he a
figure a
little bit
to get
to be to
the camera.
Baird?
Baird.
Dice.
Dice.
It's
Like this is what
we all we know
as do-oenes,
okay?
Orejas
Alargatitas,
reds,
the car like
of a biggit
like froncid
the seigne
and with
those eyes
very profound
and aterrador
and more
that he
had a
a smile
like a
really a
person, he
had to be able
and he
to get the
part of
this at
this all
the person,
she makes that the baby
is move and
the
and when
she makes,
she does
know that
it's not
a new
a new
was going
exactly
the same
that she
was going
in his
dream.
Nothing more
that the
being,
she was
just was
like,
she was like
just like
to get
to a
little in
little
to the
little,
so,
so she
she was,
she was
she
kept like
paralyzed
and her
instinct
was
hauled to the baby
and this
ser
is a
count and
he's
going to
but he's
incredible
because the
windows
were in
the door
was closed
with
a door
and this
was
running
and he
metio
and it
metio
for the
materialized
and it
was like
it's
like it
and he
went
for
the door
and
obviously
she
no
He was
to doorme
with the
light
apagated,
no?
And the day
next
he was
to take
precautions,
he put
the famous
amuletos,
the,
she was
she was
a curandera,
he did
the restes,
etc.
And the
curandera
he said,
after this
the
little
is that
you're
going to
get to
the
baby?
Uh-huh.
And
so,
so it
was,
passed a
time,
passed the
years,
and the
And the little bit.
Until
has a little time.
And is that
her daughter
she's still
doing doing.
A she says
that's going to
the room of the
little.
He said,
what you're doing?
Ah, I'm doing.
And he's
and see
and see what
is doing
and he
does a
question that
is the
same duend
that she had
seen when
she was
and he said
why
did you
that?
Is that
I don't know my
misjudice
and me
do a
much
fear of
but he's
a lot of
that she
she said
that he's
that's
was materializing
other
by the
time it's
a sensation
like a
strange
okay
or so it's
like if
the
the pictures of
her
force
power
exactly
so
so the
mom
took
the
the
two
and he said
she
she's
that she
the time,
after she
in the
fire,
the
face of the
duend,
like the
kind of the
question you
know,
if you're
in the
duendies,
for
that she,
and she
was going to
the story
of when the
duendus
when the
doundes
they were
to get
to the
little
definitely
yeah,
yeah,
it's a
goodyce
very,
yeah,
me,
me,
me,
me,
Iterran
the stories of
the
stories of
the duendes,
that's
but not
I think that's a dweens.
I think it's a
chenic.
Oh,
well,
well,
there are many
species and forms,
no?
Uh,
yeah,
of duendies.
Wow.
Look,
the,
this,
ah,
well,
yeah,
no,
yeah,
not be a
point, for,
when the
podcast paranormal,
specifically,
specifically in Pulso,
yeah
is the,
this,
the,
the,
the,
the,
the,
the,
there,
some,
there
that me
were
very
interesting.
For example, that the most
great prophets, and even
not like to the people of what I'm
saying, no include a Nostradamos,
if we're not, we're doing Nostradamos,
they're talking to
people with beings, extraterrestres,
in the planet to the earth, not in the space,
no, for me, a signal, physically
actually, so. Pronto.
I put to investigate
and some
concepts that
are in those
prophecies
and more
with what
they're
in what they're
people
contact those
canalsisaders
investigators
et cetera
et cetera
et cetera
not they
they're
they're saying
that there's
that there's
a better
of other
world
not they're
not
not a reality
or universe
parliens
no no no no
no no
no no
no no
no
of a
humanoid
like when
when
when they
they ask
which
there's
a
very big
and a
very big
say it's
it's
the gris
altos
or the
grises
altos
that have
or the
grises
altos
that have
a
blue
or the
grises
or the
humanoids
that
are
that's like it's a lot of the
very
very
very
very
so I think
these duendes
or entities
that are
to get to
those
I think
they're
specifically
one.
I think
I'm
know.
Yeah,
so it
can be.
Like,
I know
not so,
I don't know
I'm not
I'm not
a lot of
another dimension
that for
some reason
something,
something
something
I'm
what I'm
really
is how
can
manage the
matter
dimension, that's
supposed
that we're
going to
do we're
doing the
to connect with the
matter of the
baby to
to make it
to pass to
your dimension.
For that they
they're taking
so they're
so much
so much.
Yeah,
wow.
Uff.
Thanks for
to have a
story of duend
I'm
I'm
also.
Now I
tell you to
tell a
story that
is totally
different.
Okay,
a
let's see.
This
story
is called
The
Veeca
and the
man our
Erica
Heffi.
This story
commenced in the
year 2009
in a place
that's called
Kuatemok in Chihuahua
I don't
know of this
place called Kautemok
in Chihuahua
here in the
Republic of Mexican
in the north
and says
that when
when it was
she had
19 years
of age
in that
in that
then she
her,
her brothers,
hermas,
etc.,
they were a
family
great,
right you're going to
to be able to
see,
there's
a lot of
people who
interactuals
but it's
a family
great and
for the
same,
they've been
been started
moving in
many occasions
as trying
to localize
a house
sufficiently
amplia
in where
could be
and coexisting
in peace
where they
coulder
live as
yeah
where cupier
basically
and
and they
they're
they're
They found a house very great that could pay.
And they were to live for there.
Then she went to live apart.
But in that moment, in that moment, specifically,
when I had 19 years, I was there living.
And they went to this house that is ample.
Well, obviously,
was it was a living very big.
This vivienda was of adobe.
They had a patio very great.
And this is very important for that you take into account of this house.
The house is very
great with a patio
enormous
but there
a quarter
separated.
This quarter
was at the
bottom of this
patio.
To this
court
not could
get to
have a
door
of the
that was
a
with
with a
candor
and in
reality
like nobody
could
like
for what
would be
that
nobody
would be
there
He was in the patio
There's a lot of
The house is
So, so it's
Like, so it's
Like,
Oh,
Widened.
It's been
For the
Quartto.
He said
that's the
first time
he went to
the airisable
the pill.
In this
moment,
he said,
Casa
A new,
a new,
normal.
But
immediately
started to
occur to
occurrences
of the
first of
those
socesos, that
you can
remember,
is when
his
sobriano
Axel
and he
he had
had been
a night
had been
a night
inquietta.
And,
well,
that's
maybe
can be
normal,
no,
so that
a
that a
little
is normal.
But when
he
was made
in the
morning and
you're
like,
mom,
you know,
you know,
so
kind of
rare,
then,
they discovered
that in
his
arms,
his
his
his
spalda
had
rasguoos.
In fact,
he said
in the
spalda
were
significantly
profound.
A man
no
can't
do that's
so.
So,
obviously
they were
so,
so,
so,
then.
Then,
Oscar,
another of
his
sobrinos,
he
he gave
a
he
he
was
he was
to be
a
start of
imagine
you know
what you
want to
do you
and
to go
and to
get to
be
only
was
still
I'm
going to
get me
to
get me to
do
because
no
he
was
not
in the
house
I
I'm
I'm
I'm
know
he
had
much
me
really
nobody
he
never
he
Well, one day, one of his
brothers, he told
something horrible.
The hermada
he told, that
was normal in the
house, in the night,
dorming, when
of the repent
he waspirted in the
madrugada and
he had much
to go to the
house was normal.
All the house was
so perfectly, perfectly
well. Simply
she
was she tap
and she
went
in the
passio,
he went to
the
no,
nobody.
All of
all of
the light.
He was doing
the suyo.
And in
that calm
absolute
of the
night,
of a
rector to
get to
like a
and then
and then
then
he said he
he said
the
yantto.
Firt
Clear
Imagine
Imagine
See,
I saw
that that
that
that's
he went to
the
window
and he
saw
and he
saw
that the
man
he was
he did
fear
he
he gave
like
inquietude
to
hear
an
young
an
young
and
and
And he's assumed for the
window
with the idea
to ask him
you're doing
you're
you're doing
you're
something
and when
it's almost
and when it's
a second
calm
and silence
total.
Oh,
no,
no,
but I'm
there.
But,
no
I'm a
act of
after that
his
her mother
did
tell this
and she
kept
like thinking
and the
her
that has
been
not
occurred
with
things
very
rare,
he's
a
son,
and
he says,
no,
you know,
my
friend?
And you're
not?
And you're
so I'm
I'm a
friend?
How is your
friend?
And the
little
obviously
he was
the thing
more
normal and
common of
the world.
Axel
he's
he told
that they
had
a
friend
a
little
but
that
like a little
of a
little of
a
fear
to be
to the
because
he had
a
very great
in the
head
and he
he's
he said
what you
know,
you know,
and Axel
said
yes
my
my
friend
me
he said
that a
perro
he was
he
he mordio
the
he made
they did
you know
the fact
they just
No.
Some days
after,
they were in
at the
Basar,
that's
just to
the pantheon.
And Axel
he was
and he
took to
and he saluted
to the
panteon.
To who
you say,
Al Qel?
A my
friend,
is there,
no you see?
Okay.
Letons.
But with the
time,
the things
were more
better.
Pocco,
it was more
the
places
in those
that
had been,
this
Presence
The
the
was particularly
the
place
predilect
so
they were
in the
the
music
and they were
things
if you
put you
back
you
felt
you
felt you
something
it was
like a
a
way
to
parate
to
the
back
to the
I don't
want
more
and
you know
to
have to
have
there
you
know
there
but
you
you can't
you can't
then
the
kitchen was the
place
to come
and they
were in
the
poor
work of
the day
to have
to have
to
do you
and who
did it
who I
didn't
be a
time
went
to
the
last
the
when
they
when they
were
they
found
to
those
six
sobrin
y'allando in the patio.
Okay.
They were
very assustated.
So, obviously,
they're asking,
what happened?
What did?
And the six
were all over
and they'd
until that
they'd
have gotten
a little,
and the
children told
that they
were in
the house
when
when of
when they
heard
they were
a silvido
in
the house
and
they were
and
and in the
passio
the passage
the
the room
of the
one of the
abetations
was somed
an ombra
ansean
and he
he saw
something
that he caused
much fear
this
this o'bran
was he
saw,
he went
to a
quarter
and of
and inmediate
he was
he summed a
other
they were
they did
much
fear
because
that,
also they said that
he was a
very feo.
Salarrowing,
they were
crying,
they're trying,
she,
especially,
like,
I don't
think I was,
like I
thought that
they were
that they
was going to,
then he
went to the
house and
he saw
to the
and saw him
and he
saw the
one of the
doors
like
was
like that
was
moving
like if
someone
it
put her
from
even if
it was
a
little
the door
was in mobile
and the
and then
to do
dun dun dun
tunton
chinton
rechid
like if
someone
recargar
in her
and
she went
so
decided
that this
not is
not
he was
to tell
he was
so I'm
so
I'm
a grabator in the
kitchen
during
the
night
She was
He went there
He went to
Deree
To go to
To go to
To see a
But there was
Nothing
There were
There were
There were
There was a
noise of
automobile
That was
Murmooos
Things normal
No,
sounds normal
But he
said I
I'm going to
continue
And continue
So it's
Much time
Until you
I'm used
That's
He was surprised when, when, at regressar the cinta and put replay,
there was a sono.
No one.
Not the sound of a person.
It was the sound of many people.
So, there were the sound of many people.
It was called, lamentes, yantos, horrible.
Okay.
He said that the first that was that were, like,
gritos of suffering, of, of dolor.
Like if a
Pueblo
Stubber
Stubber
being consumed
by the
fire
Not I'm
But the
gritts
were
Spantos
Well,
she went
and he
He was
to her
Moma
The
her
The
Mammar
when
heard
this
Wow
She
was to
look to
another
house
But
But
but it
is
something
It's a
family
very
Siening that
I had this
proof
of that
was real
what was
continued
and he was
because
maybe I
could discover
something
a next
the next
the
grabator
it was a
night
was a night
particularly
a
morning
next
she went
and
and she
waiting
to hear
more
but not
another
again
was
it
was
it
runged of an animal.
Something
between
canine and
felino,
like grunienda,
and
they were
in the
and they were
in the
kitchen.
It was very
clear.
The
night
the night
the
next,
something,
something
more
perturbable.
It was
a
in a
that she
not
but
clearly were
words.
And between
the words
terminated
with a
phrase
that distinguished
perfectly.
This voice
of a
man
he said,
she detovo and
said,
she
she,
she,
she,
he didn't
say
to say
to the
family.
But in
the
night
those
desperto
a grito.
Berenda,
her
Sobrina,
Desperto
Soresaltada and
he was
he said
He said that
he was in
his
when he
felt something
that he
got to
and he
he was
and there
to the
back
was a
a kid
to not
he could
see
very well
the
he
was
like a
purpose
he
was
in the
he
was
like he
he was
he
was
he
he
He thought that he was
of some of his
brothers,
so he's
he was
the little
he was there
and he was
he was to talk
but his man
he was
and he
he got
and the little
the man
got a
house more
and she
started to
move
but she
didn't
go to
then
so
when they
started
to go
the
in more,
she
thought
that
all
had
finished.
Then she
had
been in the
house,
she did
a reunion
with her
husband and
one of
his friends.
One of
his
his
friends,
Cheo,
so he
said,
he was
to get to
get to
to get to
the
morning
next
Cheo
no
was
and it
was
rareissimo.
He's
took a
telephone and he saw
know that he had
a lot of
calls of
Cheo.
He had been
marking all
the
madugated.
So,
he marked
for the
regress.
Of course,
he said
Cheo,
and he
started to
what had
passed.
He was
very
very
very very
he said,
he was
that in the
night,
when
he was
just yeah
well,
he was
he said
a silvido
out of
the
window.
He was
He got to get ridgifted
that the Silvido
had been literally
pegged to the window
so he went to
think that
a lot of
maybe he had
forgotten or someone.
He was awesom
and no
there was nothing
so
so he went
to be to
sit and
he was
he was ready
to get to
to be to
do not
and he
he went
to chif
in that
in that moment
sent you
the panic
So, they opened the
Eyes,
Observe to his
Around,
no,
no,
there was nobody.
And in
that,
he hailed
the feet.
Oh,
no.
He was,
he,
he got his
tennis,
and he
went to
the house.
So,
but,
but,
with the
fear,
after
up,
he,
he was,
he,
he was
that,
and it
he started
to mark
saying
all what
was going to
and then
you know,
you know,
we're
we're going to
get back
and they're in
another house.
They were in
other house and
all that
all that
had been
in that
house.
She
not know
if at the
most
is because
because
she
was a
little
a little
a
lot of
the
things
that
happened.
But the
first
night
that
was
out
of this
house
this old
she
was a
dream
more
more
a
one of
a
one
in a
dream
he was
a
demon
that
was
that he
was
it
was
so
great
that
great
that
the
and
the
sun
he
had
some
no
eyes
and
he
was
looking
directly
to
she
she
she
was
in
the
sonita
seeing the
immensity
of that
demon
that
that was
to
advance
a
but
in a
way
a distance
enormous
enormous
to her
and when
was about
to
get to
get her
and he
kept
thinking
it's only
a
a dream
is a
dream
this is
not real
but
if
they interrupted
those
when I heard a
Rewo
that I
had heard
that I've
heard
before.
Some
passes
as
as an
animal
out of
his court
that's
like
rugido
and then
the
room
and then
they were
and she
felt
much
a lot
fear
I
wanted
to
think that
he
was
to
think
that's
the
pisas
pesas
pesas
that
They were from the
quarter of the
mom
and they
were the
passio
to the
door.
And they
were
outside of
her
door.
She said
that she
was imagining
not possible
and then
she said
a
respiration
a
back to
the
door.
He said
this
has to
have to
have to
the
value
so he
and he
opened
the
door
From the other side,
there was the
passio
oscuro,
vacio,
but impregnated
of an olor
nauseabundo,
askeros.
Just when
he thought
that that was
the only
that was
that he was
because
he moved
at the
front of the
passillo
was an
manciano
he said
that his
eyes
Negro
Horribles
Irradiable
An odio
Tremendor
He had the
Boca
Abirta
Like if
he was
Gritando
He said
That's a person
His rostro
It was
a portal
to an abyss
And
he was
coming down
Lentamentame
to
She was
paralyzed
of
Mio
and conform
he was
and then
he was
he gritted
and gritted
that
that he
lastimed the
garganta
well
obviously
they were
the vision
disappeared
the
the smell
still still
there
was a moment
but
when
passed
that
they got
that
that
something
that
was
he had
seen
to
a
few
days,
he was a
other
a
new
this
was a
very
rare.
In
his
dream
for
some
reason,
she had
had
had
had
had
to
a
quoctem
to
the
old
the
house
and the
house
never
had
had
a
time.
And in the
enter
to the
house
recorri
to the
court
and I
saw the
patio
and the
the
the
the
the
the
the
that was
that
was
and
he
was
continued
in
cadenado
so
that
now
these
are
not
those
and
the
canded
and
he
had
and
he
felt
that
it was
a
as a invitation for that
enter.
Retiro the
cadenas and
he poked.
Dentro
there was a
kind of
an species of
altar
made of objects
old,
mukees
rotos,
monedas
cussos
little
and a
bela
a black
consumed
to the
base.
Of
a
He was all.
He was a lot of fear.
But he
atrevee to
get to
back and
back to
and he
saw a
his
husband.
But
not he.
It was
his wife
his eyes
were in
the
cunned here
and his
rostro
in a
moeca
of odio.
Before
that she
could
reactioner
the
door
was
the
the
chains
were
and
the
And he heard the candide
serranos
like
like,
like,
like he
had been
outpored
and he
had to
get to
go to
go to
that
that house
yeah
not could
enter,
yeah
not they
didn't
but
he put to
talk to
with the
people,
talking with
the
people,
he was
he entered
of what
he had
occurred
in that
house
that
all
we
had
had
a
one
a
man
had
had been attacked by a perro
that he destroyed the head.
Also,
they said that in that
house,
had been a manseeing.
His body was
encountered days
after.
He was thrown in the patio
near the
and he said
this.
Now I'm trying to
that what we'd
not was a casualty.
The house
cargave to
a
maldition
that
never
that's
that's
that
maybe
we're
not that
for the
rest of
our
days.
No manches
that's
good
story.
That's
horrible
that?
That
horrible
but
good
story
Yeah
these
are
that's
one of
those
that's
much
me
too.
How
you
can
you
can't
get in the
place
and you
in
a
same
house that
has
passed
two
things
like the
of the
thing.
The per
is horrible.
I don't know.
The old
but,
but so.
Like,
it's
like it's
like it
was a
and it's
that you're
like you
don't
you know
at the final,
it's in the
end of the
end you
do you
do you
oh, it's
good
goody
so it's
been cloned
so,
so I'm
I'm
I'm like,
I'm like,
I'm
I'm just,
but
like in some
the,
the,
the dolor
of the
biggit
the suffering
of the
thing,
like they've
had been
a bit
a lot of
other things
because what
was
like a
animal
was a
other thing
was a
a demonio
or something.
Well,
so at the
most the
the
door,
it's not
it,
could
be.
Consider that
that
is.
And the
felicity
also,
but
any of
the
emotions
in a
grade maximum,
exactly.
You can
open a portal.
Wow.
Wow.
Very good
history.
Very,
very chiva.
Much,
many,
thanks for,
for help us.
Thank you.
No, no.
The contrary,
thanks for
invite me.
Oh,
we'll repeat
your resources and
you're going to
our next and
the last invite.
Sure.
My
media
are the
un-bho-denegri
in Instagram.
It's the
only that I
thank.
Much thanks.
We'll see.
In the
March.
We'll see.
We'll see.
Poin.
How is Saul?
Very well.
Fepo here.
Feliz to
share the microphones
in insomnia.
Ah.
Portando it with
Orgoyo
the powerositima
Yeah,
yeah,
I don't think
I'm gonna
the time of the
I'm sure
I think
that's there
I'm gonna
like that's
I'm gonna
I'm gonna
I don't
yeah
probably
they're
on these
only
only
only has
only has
And, Saul.
Yes, yes.
Of what privileges
gosan you?
Well, you know
you know,
that's
we've got to
the elite.
The,
oh, yeah,
yeah,
sure it's
that's so.
It's just
that we're
making us,
thanks.
You can't
say,
you can't
say,
you know,
you're doing,
I'm,
I'm doing
to be able to
get to
all the
world.
No,
you know,
you know,
we know we're
here,
we're in what
is the
question
of the
production and
there
and the
and all
my
social is the
always, no, Instagram, that is S-A-H-B,
yeah, below, S-I-D,
we'll say the contest.
S-Y-D, we'll use the concurs.
We'll use the concurs, no, to change it.
But is that, look, if I put a Sao,
how do Sao-O-W-A-L-A-N-L-A-N-R-N-R-L-A-L-L-R-N-A-R-L-A-R-L-A-R-R-A-R-S.
Well, you know, you know, is that I'm, you know,
you know, you know,
and then, usually, you know, I'm going to recoghers-U-R-R-R-R-E,
I thought, you'd be to say,
Saul Hernandez, I don't.
No, manch.
The cantator.
You can't put it.
No, I'm sorry.
The guy.
The, the,
Saul, Ernest, the no can.
The Lorde is, the one of
the same.
The kiddita.
The kiddita.
So, yeah.
Well,
a bit,
to talk
the, the
ultimate story of the
inviteos,
the inviteas.
And to me,
the ultimate
story that I took to me?
The sierre.
The sierre.
Is it,
is the terrorifica?
I mean,
and you know,
and you know,
and you know what
is the
thing?
of this
story.
That the most sure is that
they're going to
something is that they're
going to look at
and then we're going to
or it's a little
or something.
Or some kind of
my abo'rita
me made some
photos that
that's all right.
And it's always
a lot of
this time.
So,
in the cellarer and
you're on the
side of the
sillons.
No, so they're
half raras.
Merea.
Dice.
I've adorned
for that
Now that you've got to make,
this,
you take,
there photos
with the adornos
and,
you know,
this,
no,
no,
no,
thanks.
Well,
well,
take another photo
and the photoshop
on,
there's a,
an,
an,
an,
an,
a little
so,
a hundred,
a hundred-
real,
no fake.
Yeah,
no,
but,
so,
but,
so,
but,
so,
it's of,
of a
mouke.
Well,
it's of a
,
okay.
It's of a
A toyte.
You, you did this service
military?
Yes, yes, I took.
But me took it
because that just that just
one of the first
a month.
Oh, yeah, yes,
no, the other
good, that's
they're going to
arm, disarm,
put more activities.
Ah, me took it
was a bit of
a story that
has to be
with the
the army.
Oh,
that's a good.
Of course.
Anddele.
A bit.
PAS!
Quintanus.
Well,
this story
is called.
Yeah,
It's almost is hour.
We'll
let's have
Elizabeth Mel.
Okay.
We're going to
talk about
to this
story.
That's
sure all
all of
all is
all right.
I'm
in the
house.
She
she's
she's
that she
her,
her
house,
is a
place a
very
very very
a place
that
you get
and you
get you
you're
that you
don't
that you
feel
to be
a
good,
that you
you're
to,
then you
to
preoccupations,
no?
She has
her house
with his
two years and
his husband.
Nothing more
that clarer
in the
story that
he's
his husband
and you
know there are
some, there
are some
some months
in platform,
regress,
they're in
a month
with your
family, and
that's the
he said,
there were
nights
that he
not was
there,
but even
even she
even she
declared
a meodos
and
shegider
of the
podcast,
it's
that it
It's like to maintain
as well
apart of the
other's a
part of the
house was
very very
very relaxed
to be
that he said
a day of
the end of
his family
that's
something like
something to
have got
to do
make a
marathon of
series
so that
they said
that's
that's
that's
that's
that's like
some of
some of
some
so much
very
very emosion
his
he said
oh well
we're
we're
we're
we're
to see
our
series
said that
they're
that's
they're
they're
you have
seen the series
of Mandalorian
yeah
well,
you know,
you know,
and that figure
apart,
he's a
baby Yoda
back on
a mochilla,
like he
describes,
and he says
that's of
that now
you do you
pressionas,
then they
have like
some of
some of
those,
but
he's like,
that's
he's always
he's
like a
question.
I imagine
that all
us that
they're
getting
those
people
that nobody
to talk
more
than you
did so
it's
so it's
so
that
He went,
he was a
jubotone
with him,
and he
he said,
that at the
time that's
accommodated to
get the
movie,
he's like,
I'm like,
I'm like,
I'm,
I'm going to
start a
middle of a
series,
when we're
being in
entered,
it's active,
and we
will be
to be a
answer,
and actually,
he's,
he's that,
he's that
is that
He got the muke
and he put
a little
little bit of
and they're
doing the series
no,
just doing
eating like some
some palomitas
and all
I think
after the
time,
like the
ambient is
so it's
more
to be more
to be
a little
that
like it
just
it was
not come
and then
when it
was
when he was
he was
he was
that of
the first
capito and still
not
that's not
he's not
not really
not really
not really
but he
said well
I'm going to
keep a
little
no,
he's
still with
what he
was going to
and all
to bring
to the
second
and he's
that
in the
night
he starts
a
very
and he
he's
where he
comes
where he's
where he
came
like all
he was
surprised
and
he's
he's
he's
he's
he's
he's
he's
the fear,
but
that
that
raguio
was accompanied
to a
laddried.
I remember
that's
her
herrita
for the
nights
accustomed to
go to
and
yeah,
uh,
all
accordarse
to
listen to
her
and
she,
she had
much
got to
get
to the
camera
because
I
felt
a
something.
Even
so,
he
the
mind,
he
was for
her
was
the
perita
did
what
had
to
do
and they're
to the
house.
She,
she,
like,
he gave
curiosity to
know,
and he
said,
no,
is that
not I
say,
it's
the time,
the hour
maldita.
So,
so he
preferred
better
there the
relo,
and not
to talk
it.
Continu
doing
some
series and
all
that,
and
he he
he's
a
the other
Ruedo.
A
light,
the
dark of the
room,
you know,
while,
when you
know,
when it's
obsceneed
more what
is the
around,
and not
that's the
room.
And,
it's a
kind of,
it's a
question,
there's a
curiosity,
the
of a
he got,
he got,
to be
a lot,
245.
Dice,
let's in
my nerves,
no?
And
I'll
to hear you.
So,
then
the
of the
obscurity
see the
figure.
This
man he
had a
little
she said
but those
noises
why are
doing?
It's like
a
ruggied
like if
were
like when
the
leon
before
to attack
they
were
they're
preparing
so
so
so
so
she
she
with
the
she
He levanted the
camera and
he starts
to come
to
start to
but every
that's
he was
going to
it
was a
he said
he said
he said
he said
he said
he said
he's like
a
a
still
almost
when you
when
the figure
to
he says
he says
it
is over
the
figure
the figure
and
again
and other
again
it
is
her
she
she
she gets
a
and,
and then
he's
a figure
and
remember that
they're
to try
the piles.
He's
that in
that moment
remember
a few
some
some
the podcast
says,
I'm
I'm not
when
when
not
to
have the
not
the
figure,
he's
he's
he says
that
he
the
disarmado
I'm
the
disarmado
I'm in the
But with the
MEDEWTENI,
no,
no,
and even
when I used
when I used
to hear the
but he said
a boy
to do you
do you're
to do you
think it's
he's not
he's not
that's a
thing he's
he's going to
move him
he was cutting
tornillo
for tornillo.
At
the
ultimate
he
a tap
the tap
the
and she
had the
yeah
for her
for her
for the
a moke
a little
a little
never
we never
we've seen
a more
a fial
a
something
a file
something
something
said that
he said that
he was
he
he was
to put
a
a
little
and
he
dispused
to
to restaner. But as
I had done
out of
another way
he gave
curiosity to
see the
the relo
he's
and they're
at the
morning.
No,
he did
know how
it was
so much
time.
He was
and at the
other
day,
he'll
say,
oh,
I know
what happened.
We're
we're
seeing a
series and
the
so
he's active
the
muke
and he
started
sound
very
strange.
Let's
see,
let's see
the
Pilas, we're
to check it.
He puts
the pilas,
attornilion
it,
they put
all the
dialogues
that he
had,
in
no one
did,
much
less,
it's
almost,
it's almost,
it's a
time.
It was,
it was
it was
he,
he was
saying,
that's
about,
the
hour,
at three
the
three of
the
morning.
Dice
that
that's,
it
started
to
suggestioner,
and
He said, no, at a
more
were coincidences
of that night.
The nerves,
a little
another stress,
I don't see.
I thought
that I'm
like I'm
imagine.
They're in
the muke
and all.
And continue
normal,
your life.
One morning
they're
to get
to get a
little to
her job
to get
to the
school,
so he's
to get
to the
backo
and she
is doing,
she's
when they're
when
I'm
when I'm
grita, Moma! Moma!
She's
Spanta, Volta, and
go direct to the
Ba'Ane. Salis
her son, without,
without, mohando, and
trembling. He says, is that
I was, in the
mirror, I was, and
what, you know, no, I don't
understand, tell me what
happened? Is that
I was, I, I'm, the
space to me, and
I went, and I,
how it took my
reflex in bolted.
No manches.
I, did my nuka.
So the impression of
he made
that he said
that's
she went
and he went
and he started
to revisit
the place
and nothing
no there
no there
he said
what's what
what's what
what's
what's
a part of
that night
no know
in what
he's going to
start
he began
all
and it
was a
question
that
she was
she was
so
so nervous
but
not just
to
her
her
His son, despite of that moment,
no could go back to enter
to the bathroom
to be a bit of
a plan,
to keep it,
to be it,
for the
fear, for what
I've been.
He said that
all those
questions were
very strange,
very raras.
From there,
the classic,
some of the
ruses,
of a
repent,
those,
some,
some,
pesadillas.
But she,
to terminate
this story,
She said that in
some moment
has calmed
the things
says that
before
to enviars
these
these
these
are she
are she
are you
some coincidences
of something
that not
transcends
more
and that
his
major
fear
is to
send
a
continuation
of
something
that
and so
that
so
so
that
so
that's
what
what
what
you
It's what I'm
I've got to
a susser
I'm sorry.
I'm
I'm trying to
even they've
done.
It's that
you imagine
to see your
reflex of that
way?
It's one of
my
my fears
great.
You,
you,
you and I
are you
are you
you're
you're
you
you're
when we
were
when we're
adolescents
that's
that were
so,
that were
those videos,
that
had been
videos
very famous
and over
those that
were the
people who'd
have been
a lot of
a little of
a little of
a new
yeah,
yeah,
that was
like peinandos
and the
and the
thing,
and the
thing, and the
real thing,
and the
record?
Yes,
and the
actually,
it's that
there's a
other,
that also
that were
to move
the hands
and it
was like
to get over the
final
and then
they were
like
the
kind of
were
many
were many
so
were
various.
So,
it's
that's
that's the
videos that
the people
obviously
corresponded to
a new
that I think
to all the
from the
time as to be
that's all in
a room
and there's
and there's
and you
you're
and you
say,
I'm going to
my reflexe.
So,
so that he
has seen
the nucca
in the
tower.
I mean
I'd
have said
but
but it's
that part
there have
been stories
here
so,
I think
the worst
would be
a trapado
in a
sph
you know
you're
just to
it's just
it's just
it's just
that's
that marre
that marre
the fear
oh
I'm going to
tell a
story that
that's
we're
we're
we're
we're
we're
we're
we're
this
this
this history
has
some
interesting
that's
that's
occur in the
2007
and
you're
to be
to be
because
that's the
that
I said
that
it's the
in the
force
a area
of the
service
military
in
Colombia.
This
history
is called
relevo
in the
post
four.
And it's
anonym.
Ui,
ui,
fiat
this person
that person
that
this
story,
don't
say your
name,
we know,
he is
of Colombia
and this
history
he occurs
in the
year 2007.
He was
in this
moment in
his
service
military in a base
of the force
a air.
And there is
something that
when we
read this
correau
us
called the
attention
and we
rescat us
this text
as
as well
as
was,
as we
was
it.
Although
I prefer
to
my
anonymat
this
history
merces
be
said
said
in
his
life
the
fact
that
all
that
all
that was
paranormal, the phenomenon
human
etc.
Simply,
for him
was a
thing
without
importance.
Really,
never he
had
interested
these
things,
never.
But
a day
had a
experience
paranormal,
the
which in
reality
simply
was an
anecdote
of
something
that in
that was
that the
people that
paranormal, and more,
no is tending.
Simply that are
rare.
And,
and a lot of
you have
experienced,
it's difficult
that accept
the reality
of the
phenomenon.
But,
he's a
event that
occurred was like
that's like
that's
he was a
for what he
to live
after,
a few
months
after.
When
I was there
was a
base,
it's
that one
of the
things,
of the
the
worst
things,
and not
for the
work
physical or
any other
type of
situation
referring to
the
military,
no.
But that
in the
nights,
to make
the
relives,
that are
a routine,
is something
a
terribleific.
Especially
in that
base of
the
force air.
About
of these
relives,
we
comment to
the
puttos,
until the
commandant
it was
the commandant
some
malvado
in the
techo of
these houses
from there
from this
lampra
so you
alumbas
like the
the frontes
exactly
exactly
he's that
never will
forget
it was
it was
it was
assignated
to the
post
six
that
that post
was
was very
known
by
supposed
appearances
since
that came
from
he said
he's
He said that
an extranais sensation
of immediate
he invaded.
But he
he
intended
to ignore this
sensation,
thinking that
was the
story's
that they were
in the
menriors,
traitioner.
And,
and also,
I was,
I was,
I would
to come to
start the
relevals,
so
that simply
just I
just have to
have to
get to
ten
minutes.
And no
passed
a
ten minutes
he
Melendez and he
he was going to
he went to comeinandah
he went to
the post
five.
This space in
that one
is a lot of
another is
a quite
so,
but,
but if
you know
you can't
in the
night, in
the total
obscurity,
in the
that,
then you,
then you,
put you
a lamp,
you know,
to light
to the
way,
but you
don't know,
then you're
really,
as a penumbra.
In the penumbra and in the soledat.
And,
he,
being that was of
the new,
was not he knew
to all the
other people.
Of course,
they were
their name,
for his appellee
for example,
he said,
he said,
Melendez,
that no
he knew,
but that
was the
was the
was he was
he was
going to
go to
the post
five.
All right
all over
super
tranquil
until
that,
to his
bad
a
bad
he
not he
was
in the
the
people.
He
saw
that
there
was there
was
there
activity
so
he
he
he
he
he
was
a
figure
that
was
that
was
moving
from
to
a
other
but
I
see
that
was
so
was
a
a human,
only that a
human
not so
he was
not a
he
was in
that was
so strange
the movements
so
non-natured
and inhuman
that did
for a
moment
about what
was about
what he was
and
that was
that was
moving
in the
people
disappeared
and some
seconds
after
over the garita,
he kept in silence
knowing that that
that was there
on the teches
of the people
now was over the garita.
And acto
a second,
a gritty
a gritty
desgarado.
He said that
this sound
was like a
lament
carried of
odio,
apog
the faro
but he
even
that he was
that was
that was there
that was
that he
was above.
He had much
Mio
he was
made a
ballita
with the
hope
that if
he had
that
thing was
he'd
and he
he said
and he
he was
he was
he was
he
was who
was
he said
he said
he said
he said
he said
he was
he was
on his
back
the
sudor
that he
was
he was
he was
he was
he
And he was
trembling.
He said
that those 30 minutes
that he was in
silence,
agasapado,
listening to
move,
were the worst
30 minutes
until that
his moment
of his
life.
When
of a
repent,
he went
to get him
Melendez
to
re-level
to his
post.
No
he said
nothing.
And then
he did
to be
to the
Puesto
four.
Apen
she
kept
only in this
new
garita
started
the
the
the door
the
commas
the
the
he said
that it's
that it's
not it
more
more
more
if
was
like
to
destroy
the
the
that
that was
that
was
definitely
definitely
had
uh
uh
uh...
uh...
because
I
He'd hear about how
he'd
arraged in the metal.
He said
that the
golfs
were so
intense that
that in
any moment
the techo
was going to
be to be
back.
When of
the
when of
the
way, I'm
to hear
deliverers
little,
little
to go to
go to
going to
go to
the garita
he was
was aterrado.
Like,
that,
that was there,
was just
that was
feeling his
fear.
So,
took a lampra,
he was a
matter, and
he was,
and he was
a second
he was a
there.
There was a
and when
he put it
with the
light,
he saw
disubrippeda,
he moved
and she
went,
and it's
He disappeared in the penumbra.
But he's
sure of that he
saw the
night of the
night.
He was going
to know about
the way.
What was
like he was
like he was
in absolute
silence,
he didn't
I didn't,
you know,
he was
that he'd
be a
that
that would be
that
that was
to the
madruada
I'm
he was
a
he was
he was
he was
he was
a
soldier,
he was
there
was a
little
the soldier
he did
a gesture
with the
head of the
head
he's
he's
he's
he
he went
the
garita
he
he went
he
he said
he
did he
do you
I'm
the
recluta
Ponce
me
they're
to
put
in the
relaves
he
said
that
his
was
a
was
a
was
a
a
much
time.
But it was
a recluta
according
what I
said,
and his
voice, he
was very
inquietante
because
it was
a bit
understand if
me
understand this
like if
someone
had read
his voice
in a
format of
audio
and then
when
to
reproduce
the voice
if
had
distorted
of
uh
of
the
psychophonia
like a
voice robotic,
like of
something
with technology
apparent to
be human.
So,
he's
incomodoo,
and this
recluta,
Ponce,
was he
was doing
fichament.
Well,
he no
he said,
he said,
okay,
he,
he's,
he went
to the
post two.
If you
see,
they're
on number.
The
post
three,
was
has errado
for a
suceso
espelusnant
that had
occurred
months
after.
It's all
what he
said.
So he
went to
two.
The four
he went
to the
post two.
When
he was
there
another
soldier
blank.
So,
so he
was in
the post
two
and he
he was
he was
he
he went
what he
did
he
is
here?
The
post
four
has
no
have
relives or
what?
And he
well
like,
he
no
he's
he
he's
he
he's
I'm
to Ponce
there
Ponce
nobody
is
doing
relevals or
what?
Preguntow
and
then
he gotro
and
and
before
that
they were
question
and
he did
the
world
and
he went
to
go
and
he
went
He went,
he was
how the
faro
was
moving
to a
place to
a other
to a
different
directions.
Sub I
a little
on the
escaleras
and he
was made
a garita.
It was
a back
so.
Then
in that
Melendez
is the
that was
now in
the
post
five,
he
was called
by
the radio.
So,
sono.
Adelante.
Who
is
in the
the techo moving the faro.
He asked,
and he,
and he,
no,
he's, he
paralyzed.
No,
there's no
there.
He said Melendez.
Well,
he said,
and he
went there
and he
kept there
there,
and he
was the
carita, the
escalera.
Gellendez,
he said,
we're going
to go
to get
to get
to the
garita.
When
came,
they were
something,
they were
something,
that he was
without
words.
There were
messages
written
with
the
same
in the
parades.
A cat
a
man who
in the
soil
that had
served
his
his
his
his
his
to
write
to
these
messages
in
the
messages.
The
message
said
the
if
me
will
to
light
and
I
I'm again,
no
willveras
to doorming
in peace
until
that you.
Between the
the odor
to the
was in
that was
insoportable
and that
after
he said,
he said
out there
out the
the grito
horrible
of a
cat
he,
he felt
that
that
was a
way,
it was
a
mananza
a man
because
was
he,
the
He was, with the faro,
to the thing about the
texas of the houses of the
people.
They were back
in the garita.
Melendez
no quix
informed him
to him.
But he
spoke to
the sub-official
Castro for
the radio.
The sub-o-o-official
Castro
went rapidly.
Observue the
panorama.
He said that,
for favor
to be there
they were to have
to be
to be
a be
a bit of
there
no
I'm going to
that's
the
garita
number three
and obviously
he was
he's
he's
kind of
that they
are talking
and even
that's
soo
this
suboficial
Castro
he
he brought
to a
a
a
I'm
I don't
know
but
for what
what we
say in the
battalion there's a
sacerdote.
Yes,
there's one.
Always there
one?
Yeah,
I know
I know.
So,
they're a
sacerdote
for that
were to
be a benedice
this
place.
The
sacerdote
came to
that same
night,
he,
he,
he was to
restar
in the
post
four.
And he,
curious,
he's
he's
he's got
to
he's
to say,
he's
to ask,
a
to do,
the,
what they
do you
do the
what they
do
And, of
the front
he
heard
the
gritty
of a
gaito
like
like he
were
uniquing
in that
moment
and the
faro
and the
repent
and it
was
solit
for si
only.
And he
was
like
very
unquietto
thinking
in this
that
he
he was
he was
he
he was
a
pointable
to
and it
and he
observed
this
arbor and
of a
when he
turned it
he was
there
was this
figure a
humanoid
in the
and when
the light
was
and when the
light
he was
the
pundo
and he
he pego
to the
arm
and he
he was
so
he
said
that
that
that
creature
to golepear with
Tanta
Fuerce
The arbor
It was
it was
a little
It was
Investing
Resulted that
the official
Ponce
If it
existed
The official
Ponce
had been
in the
Garita
No 3
a
few years
before
that he
had
reported
by the radio
to
Melendez
that
There was
there
was
on the
arboles
on
the
of the
tachos
of the
casas
that
not are
human
but
nobody
he
he was
the
the
last
what you
saw
is that
Ponce
alumbrava
something
and then
a gritty
a
grotto
and a
cold
a
seco
on the
piece
when
when
came
was
he
was
been
brinked
from
the garita
he
had
straddled
against
the
soil
for
so
it was
a
but
who
who
does
know
the
story
us
assur
that
Ponce
no
he
took
to the
life
there
there
there
there
is
that
it
from
the
sunbr
of
the
bosque
something
that
is
human
something
something
that
something
that
maybe
in
some
moment
regrece
to reclame
that he
he's not
he'll
he's
no
is that
I know
know I
know many
people who
they're
to bring
to the
sender's
and all
some
they've
heard
that's
they're
that
it's
like the
depredator
in that
in that
I'm
in that
I'm
but
never have
seen
what is
so
they're
they're
so they
know
well
yes
it's
that's,
you,
you know, and you'll see,
that's like,
that's not,
but nobody has,
you know,
but nobody has,
or some people of black,
or some silhouettes,
some figures,
so completeas of a person
negative,
this,
brinking, or in the peas
or,
and,
and,
so,
there,
there's
some,
like,
like a
human,
no,
no,
not a
way,
a velocity of
extreme.
Yes,
and,
and altos.
And,
let's,
say,
that's,
so,
so I've
heard of many
stories,
in the popo
and the
poste
those,
those,
those,
like,
those,
those,
like,
they're,
they're,
that,
they're,
that,
they're,
they're,
he's,
he,
he,
he,
he,
he,
the,
said,
the,
,
No,
I'd like him,
because he,
those things,
no,
no, he,
no,
he's,
and like,
no,
never,
he'd
never,
he'd be
there's a
thing,
and a
other things,
and then,
they were,
they're,
people,
there's,
well,
there's,
there's,
he,
but,
I mean,
I think,
I think,
they're,
those abilities,
those people,
no,
imagine.
To do,
see,
see,
see,
imagine,
imagine,
with,
he,
he's,
pointing and, of
a
repent,
from the
people,
to be able to
the garita,
I,
or wvelas
or something.
I thought
you were to
do you as
did something,
I said something,
like,
something like,
I said,
I was,
I was
to say,
and you were
a man of
a new thing,
I said,
I thought,
I,
I thought
that was the
man,
or something,
but that
that he
he was to
he was
to the
thing,
and that
he was
that he
did,
that in a
moment,
No, from the
Pueblo,
so,
like,
so, like,
so,
like,
he's got
on the
end up in the
guy,
if you've
seen,
there's been
a movie,
of a
superman
malo,
I think it's
good,
bad,
is,
think,
that,
that has been
a little
something,
no see,
because he
does write
and in
Spanish.
So,
no see,
and so
put to
get to
get a
catos,
this,
this rarration.
Because the
story is,
so,
so,
I, so, I'm, I remember, and I remember that this
person's a lot, when it's just a bit, like,
like, it's a lot of, it's a pretty little bit.
And it's a movie. I like, I guess.
And I guess that's gonna start?
Yeah, you know, because they were to extend the universe.
And there are some, as, as to this group of James Gond?
Uh-huh, is it?
You know, you know, that's kind of superheroes?
Yeah.
And it's a while a disaster at final, and no,
they're not able to save a nobody,
super, oh, super cool,
or something that's a movie.
the one of, the, the person
of the office,
also is there
also there's,
the character
principal.
And,
yeah,
super.
Yeah,
super,
so they're
super,
super,
and all the
final,
put in those
characters
when they're
doing the
news,
and say,
and I'm,
see,
you know,
you've seen,
see you,
see,
I'm going to
see,
I'm going to
get,
I,
so I'm,
and so I'm,
it's supposed to
they're,
it's,
they're,
it's,
yeah,
I'm,
it's,
Sunburn or something.
Ah, but no, no, no, no.
Yes, yes, yes.
Oh,
oh, much
thanks.
Yeah,
we're going to
end of this
series special
of stories of
2024.
Very good,
very good.
Apart,
thanks,
for invite us
here.
Oh,
thank you.
Oh,
thank you.
Thank you.
Thanks to all the
invite of the
invited and
and,
uh,
help me to
record,
what are your
social and the
courteau
for that you
manage their
experiences or
you know
you know
like,
FEPO,
it's a
FEPO,
FEPO
ROTC,
PodcastPanormal.
Because then
I'm regey
I'm going to
to comment something
to get us
to go ahead.
Then we go to
get to
the other,
the other,
and then say,
no, that
the correo and
it was
me too,
I'm going to
put it.
So,
so you
you're going to
say,
you're doing this,
you're doing
this,
PEPA,
Robobap
Paranormal,
dot com.
It's that
was a bit
RORO.,
said,
to appear here the
Correau.
Fepo and not
I'm going to
appear and then
it was like I'm
like here.
Here's not
like the meme of
Will Smith and
not appeared
nothing.
For that
then we're
indications.
Yes.
No, no.
No, no.
Thank you.
And I'm
thank you.
I'm sorry
to all the people
that we're
not sure.
And there
are things
very good
for insomnia.
Yeah.
There are
things very
good.
Stories also
and well
for all,
so,
so what
is like
of inquietante
what
is the
podcast
the
grand year, the
year,
2025 will
be a grand
year.
But now in 2025
we have to have vacations.
For here?
So,
yeah,
so,
we have to have
vacations.
Yeah,
I'm going to
go to go to
go to go to
my family.
Prometing
to try many
stories.
I'll try to
get more
stories.
There's all.
When you're
going to
get to
go to be more
about.
Oh,
all right.
Many
thanks,
so.
No,
thanks to you.
Cue
so.
We're going
we're
the next
time.
You know,
here where we're going to be
to be able to start
narrating these
these incredible
and terrorifices
experiences reales
that you're
the audience
and we're
we're in the
most way
possible.
I hope
much this
episode.
We'll see
the next
time.
If it's
that they're
trying.
Chau.
