INSOMNIO - ¿EL AGUA ABRE PORTALES? CASOS REALES DE TERROR | CON JULIO MORALES

Episode Date: March 13, 2025

Comunidad, hoy nos sumergimos en los oscuros misterios del agua, ese elemento vital pero lleno de secretos. Acompáñame junto a Julio Morales de ‪@MusicalmenteParanormal‬ , mientras exploramos aterradoras historias de criaturas ancestrales y fenómenos paranormales que habitan cerca de ríos, lagos y mares.¿Sabías que el agua puede ser la clave para entender lo inexplicable? Prepárate para descubrir relatos de terror que cambiarán tu forma de ver cada gota de agua…👻Host: https://www.instagram.com/fepomx🔗 Redes del invitado: https://www.instagram.com/andresc_1https://www.instagram.com/musicalment...https://youtube.com/@MusicalmentePara... Síguenos en redes sociales para más contenido:https://www.tiktok.com/@podcast.insomniohttps://www.facebook.com/paranormal.i...https://www.instagram.com/podcast.ins...👽Escucha Podcast Paranormal https://www.youtube.com/@podcastparan... 👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias:https://podcastinsomnio.com/[e-mail]✨Grupo oficial de Facebook:https://www.facebook.com/groups/54848...💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx🛒Compra Merch Exclusiva y Accede a los Mejores Videos:https://podcastparanormal.com📧Consultas empresariales: [e-mail]#MisteriosDelAgua #HistoriasDeTerror #CriaturasDelAgua #FenómenosParanormales #ElementosDeLaNaturaleza #TerrorEnElAgua #Paranormal #AguaYTerrror #MisteriosNoResueltos #AguaMisteriosa #HistoriasInexplicables #TerrorDeRíos #CriaturasDeLagos #RíosMalditos #AguaYFenómenos #insomnio #paranormal #historiasdemiedo #historiasescalofriantes #scarystories #históriasdeterror #fepo #historias #stories #HistoriasParanormales #musicalmenteparanormal #Agua #Elementos

Very good good days, tardes or noches. Beeman to a new chapter of insomnia,

in where we going to narrate the most terrorifices experiences reales of the

audience. So, listen them if they are for this episode special,

where we going to talk to another element magical. The water

is with us the his prodigal Julio Morales. How is

you? How are all? Very very. Thank you. to me to this space that I had

I had been to participate and well the porcille we've been participated one of one one of the

space, still in the studio little in the studio we did some time a transmission in live or

or something well it's out of control like for but here we're we're just

we're not I'm I'm I'm sure I'm I'm sure but well in this

new format now now you you're you're starting so is.

Amigo, before we can't say, what are your social, platforms, what are your

colors are your because of the blue reds? Okay. Because yeah we've got

some if they're redos and grisacios. Nothing, they're they're they're

like musical paranormal in YouTube, in Spotify, also in social like musical

point paranormal, Facebook, Instagram and TikTok and well, but

a channel oriented of things of music in the Ambit Paranormal, but also we're talking about

conspiracies, things of rogeria, santaia, spirituality, of all this thing paranormal, that is very great, and well,

for a year those we're very good, much thanks. Perfect. I have a question. What can you

you, for example, of these elements magical, specifically, of the water, because

it's about the fire. But I think the water is an element super-powerous. The

for-s- when I I do I do some type of ritual of limpia, sanation or something, I manage

much velomansia. Also, for my sign no I'm Ares Ascendente, Leo, Fuego,

well, is a good mix. But, many times when I do a

chapter, when I go to do a work, to do a lot, I'm

a box, because remember is an experiment that I think was a

Japanese, I'm sure, or a Chinese that he had a water, and this was a different, according to what he was saying, the water, when you're saying, the water, when you're doing it, it's a very good protector, as a very good

messenger, a time of the water, you can't understand what is happening around. For example, when you're in, you're in some a place, well, we're going to so much

you're in your studio. In your studio in an entity? Or, or there's no, no, so there's

there's in an iniqu. Okay, when it's a mind very tensu, if you put us if you're

to get to get to and you're to be able to get to there's a thing that's there's a

manifestando and that can't say something. For example, when you they're put a box of

the water down the camera, is to try an information purification and that this is being taken to clean

all the environment of the same way is an elemental that has its risks in the culture of Yurohruwa for example one of the deities more powerful is Olocun is the god

is the god-guerer in the profundities of the mar there is a ritual of protection yeah you're to buy a sandia you can buy a cocoa

that not anything even you can give us and you can't you can't get to make to get to

where you can't where you can't get the water you can be and you're to offer the fruit

like a and you you're going you're going you're you're you're the time

you're the that I'm that I'm you're to give this an offrende

so he's to get the the mar, seeren their eyes,

and they're in the comments, if one if they're doing, what's they're

what you feel, it's impressive, and it's of the most that they

have to pay permission. The water, like any other elemental

merese a respect, me to be care, and and manage

with much responsibility. Fiat, it's very good that you

is a territorial in specific, talking with who was, with, Gerardo Omar.

He said that the water, I mean, I don't I refer to the water that's the area

but the oceanos, the groups these that are that they're different you can't

you know, you know, there's a place where is going to go to one side and the

other and it is a way in the ocean for so

they're like they're like those groups of the

water, those oceanos or those mares, they're in a consensia in particular. They're conscious, are they're

living and not I'm not I mean to the life that is in the elemental. The elemental. It's a

real, it's very much. And it's could use. And, also, thinking that this planet

is basically water, is the element that more is the nature in the natural

and that has a energy colossal. But look, something in Reiki, but in Fen Shui

for the movement of energies in spaces. When they're to do constructions of zero, there are some people that do with Reiki

canalization of energy and other people with pendulos or with varillas of radiosthesia and then identify where are the

correntes of water subterranes and with base what they're they're they're that

is that's constructions. For a single reason, if you call you put a

lot of the water of the river the current subterraneous comes to me.

If I I'm the house with the door to me all what you

have of the you have of abundance of love of

tranquillity because the water so the water so so

some people know and they don't in a form very

sportive. That's a in a glamping that's Echo House Glampin

in Sogamo in Colombia with Alex Bolivar and the human in things energetic

is very good but so with the element of the water.

Now fiftate something more than the mystery and of all

what that's not for what we can find in

the life marina or of the phenomenon no human

the because not the land of the of the oceans. They can have things more

there are things in terms of spirituales that can involve the mystery of the water and the reason

the human not has to get to get to someal something the water is an

elemental that has a real real estate we're attack attack her despairly yeah

no no bevers ensuciar you think in some you think in some you

think in some that Sure that so. So it's it's perigroso. In the rituals of magic, of brugheria, there are rituals

very dangerous with water. There's even, there's a person, a person, like, of your contextura,

more or less, at the other day, despirta, and it was super gourd, totally inflated,

and then, and they were like an allergy, that something that had a legia, or you were a medicic,

and no there an explanation logical, at the point in that he started to get to

get to get to his own about but it's in question of 24 hours.

He put in a mask of oxygen, they're they're to stabilize and they say to

your wife, he's to be to be a night because

we need to know because he was that he was that he

did that the other day he the medical he

said we don't have Venga with me, for favor. Entran in the unit of

the care of intensive and he was completely well? How if nothing?

The senior doctor, no, and he said, look, I can

be able to have to the moment, the examines of

the same, and levels of oxygen is good, levels cardiac

is good, but for favor, we can have some more there,

there's a you need, Doctor. They were a world, and they were going to and he said and he said,

again, it was a other time, it was a little, like it the medical he said,

and he said to her, here not we're going to be able to help take that and call

to him. And she who is? He said, no, he said, no, he said,

he's, and it was a santaer. No, is that I'm recommended the doctor tat tatah. Yes,

I said. I saved a his wife. What's going to? And he said. And he said, and he said, me do you know,

to have? For sure. He gets a a, to the unit and like if all stood up he's pretty

quadrough, he's all the curtains, for that nobody be what he was to do a

tabco, he'll do it and it gets to start up um and

the splinter, and the, And in the abdomen, it's a and it's like, like, as it's like,

as he said, he said, he said, he said, he's going to my consultory. He went, and with

some, um, ojas of like, like, no, so it's plato, with what they're

with the tamas, with what the, with the lot of, it's a little, it's a

tamal, a, a mal. He says, confine in me. because no it will be to pass

nothing but I need to give in me and I'll look at the sir and he says what you

see what you see you can't move he's not so he starts a momey

and he he starts no no no no me stas you're you're coming and in that

the mat the mat of plantano he began to and it and it and it

like so like if they were in They were been in a He's all right and he He said, A you know,

to you know, a certain in where with a brand of vestir suhs, they were a muck

it was involved in the matas of platano, he would undied in the river when was inflamable

for the water, it was when you were they were torturarroar and leti it's

and then and back and back it. Until the moment in that his organs

us fallar and you you still no, still with his and he said, okay, doctor,

let me know something. Well, he said, let me know what he said, no he said,

Sir, Saintero. Let me question to ask him to do that work, that person

has to live near the river, right? He said, he said, my mom had

back the river. And it was with the elemental of the water. Wow.

Yeah, no, we're going to get to. No, it's incredible. You know, it's going to tell stories. It's about, I'm going to record to this story, and it's brutal. Wow. Wow. Wow. I mean, I remember one history, too.

No. I know if you know, that one of other channel, the Gota. Yes. Right. Right. You're talking to this, the torture with the elemental of the water. That's brutal. In the head.

So, it's all the local. No, and, well, and, well, That's that that was that's the in the structures

that were in the structures to the of the in the crossas

so they those they were and they were months and it calli

a got of the cranium started to be to be getting

to be getting to and you get to get to the dog so

wow wow wow oh we we're we're super

Firt Let's Let's let's let's you to open or start

the stories Well I I'll I'll agree one I'm Okay So that

That's That's I'm That's called Guardians of the Rio

and he sent our friend A O'Way Okay All

to apparently what she what she we're what she has impacted

to to her family a much. Because not the she was to be a

her to get a Georgina. Okay. This he was to be a little

when he was a little. Obviously he was living with his papas that were

the abelos of Alejandra in a in a place that is here

in Mexico and I can't say, although she I don't say I

can't even there. In this there are many of there's there's there

like much a no blina. It's like very, very beautiful. And obviously in that era, much more. It was something super, super certain to the naturalness.

It was part of the naturalness. There was she was, she was a child, Regina, when she was a little, and was his papas. And in that place,

yeah, it was like something normal between the people of this people, of the Ceres

of the mountain. Okay. These Ceres of the mountain, not were

molestated, these were to have to have to be much good to them,

because what they were they're that they're especially people, especially, and then

these men, these are the men, are the are the menques,

not confunded with duendes. It's other thing. I had 12 years when it

occurred this story, the Tio Georgina. One day, her mom,

she was a man, he made to lavas a river. Something that in that

was a normal, that even that even was a very very long, to the

people was the place that was a normal. So, no, there was

a problem that that she would be to know, so I

said, go to laver the role. I'm that the abuel, is

the mom of Georgina was very d' very and when me I refer to

very Dura? It was very Dura. Okay. So, he was to

lave the Ropa. He got to the nebina, but that day in specific,

she felt that there was a something that was that was different to other

occasions in those that had been in that was that was that was a

and that that was that would be able to start to get to get

to but it was very, of the habitual. Obviously, she does a when she does a count when she gets

at the bruce of the river, she a rodilla and, put the hands to the water that the water was so

that was so it was very very cold. And well, well, I had to have to laver the so she

took a prenda, commenced to mohers to to laver the when of when of a repent,

he's a ruidito that he makes to let the vista. It was a crugid between the

arboles, like if someone was coming under the sojas and retirating like the ramitas. He was it was a move between the arbores. Then he started

to observe to see if could percatarse of who was there. Yeah no nobody. Bajo the vista

normally where he had the hands in the water and the water

was turned a turbia it was like the thing, would have had

had been a little a little and so had put turbia

and it was a very rar because that that was that that was

not the hand of the water that was like

too that was and he he, and then he'll

to see, that's that was doing the other side of the other side of

the river was there was a first he was a little and then

he'd know that he'd know the description that's the description that

is impressive because it like it was like that

was trying to be a person a but

no it was a a humanoid small, said that

did that a lot much, media a meter with 30 centimeters. It's

all his body completely covered of the lodo like for that

not to not his forms, the color of his color of his

skin, so and the and the and the and the was soel but the

he was he was he was on the like to not to not the form of his rostro

he had there and the eyes not were like those of the human

were more more grandes redondos totally black and was there

was there and she she first she first he's a little

and he asked what You do you do? And this CER, he gave the

and he said, Siggum. With a voice that was, that was like the imitation

of the voice human. She in that moment no didn't know what was

and she did know that the water under his feet

began to burbugear. Like if it was being burning but

was that was being to observe the and he

started to to get to the around, like if was doing a remolino and she

was in the center while burbugea was, I was like spantada

seeing what I when of a I was a thing I had the

present of her in her in her in the she was the man, the

other side of the now was to her, had taken the

other part of the prenda and the haled so abecito. Then she she sent the halon,

voltio to ber and this ser started to have the prenda like to

get her and guide her and she began to and she was a and she was a

and she he was put a his hand to the so that the ser not that the

ser not that And even it was diminut and livian when the ser sentio

that she was a little more of the force and his feet were

to the ground. Like if it were ultra very very.

She she was a sombroso this no had a

fear and he and he started to and he

he was between the the arboles in the bosque and of the

and then they were in the he disappeared in the town when

no regress was the Tia Georgina commenced as like

the people the families the people were for

hours to get his name near the river

they found the they found the Woyas but

not they found her and they started to pass the days and the desperation.

15 days after she appeared. When appeared was

disorientated confused but came to her house of his

parents she she she only she remember that

these cheneques or this cheneke she was a place

that is the place of where they're they're they're

this place was in the malice and that the air a difference of the

place that they're the place where they are in the bush the air whew to

the air the the the arboles are so

so frondos and are so so so far

that during the day only and can't to enter a little

of the light. It's filtered like lines of the little

in the teach. For the little spaces. He said when this ser

she was she went and that she went to come and they went to talk to

talk. These beings were to her with these eyes

and they were and they did you do it did do you did

they just they they They'd, they were their hands, his

and they they'd give them and they'd and they'd and she began to pass the

time, no, he was to eat what they'd and to take a water,

and I had to talk to them, but these people, but they're they're

just they're they're it, but in a moment, when he came the day 15,

that was when they they were encountered. Well, she was a little really how time had passed. No,

I don't know with these that's what they'd have to eat and they'd do they're and so.

And of this series, that I think is the same that's the had left. She was he made

with her, and he did a gesture. Siggem with a gesture. Then she

she was and he started to come in and it was like simply a place to a

place that she had recurried, but yeah, it was a profound to the malice.

So, they were coming and and coming and and coming, and coming, until that they

got to a clear, that she recognized. It was the river where they had taken

it. It was at the madugada and they were in, and they were,

it said that it was that the environment and the little different

distinct It was the river where she lavable the and at the same time

no there something that was something that I could define

and this being he said he said he he said

he said and he and she he got he set the

and the water was hot and he was very delicious the sensation

of the water between his hands so he was so it's

submerged to until under the water and he felt how the

water was her and his hands for his

hair in a way very very beautiful and

when it was when she was in the the

river, of the that she had been taken. Oh, that's when she

came to the river that she had had done that was in his place,

occurred to do something. The being was she was she was she

only, and she said he said to hear to be and

he said something that's super important. He said the

The next. This is for that your father's valor in your life and they'll to lastimart

you're so. Pronto, we will get to your mom to do a passer. She will

this. This she's she'll her mom two days after, at the

first, at the first, when the things were more calmadas, he

he's told to his father and her and the creillers because the

stories of Chaneques are very common. So, are very common and they're very in serious in this place.

So, he's not that's the moment, she thought that she had finalized, but no.

Because at the moment in the that she regressed of the river, something

had changed into the house. For the nights, she were not only she,

she, she was, she, and she mom and they'd and they were

some garrytas rasgando the madera of the and they were

not only that they they were a sombra that was the that was

that was moving into the and this was

then and it was a day after that

we we're like, the things just were more calmed and have learned to live with this situation of the

garretas and the sombra of the woman, what they were rar. So, her mom,

was to mose and no regressed. And never has returned. Yeah. They started to look her,

to lookerla, no, he was gonna. And the The residents were unedered and the family members were again

to the buskid and not regressable. No, he found. Fifteen days after,

a person came to the people and said that had encountered a senior Julia. He was

in a place? Impossible. It was a group of trees with spinas to the

that you could access to be. It was totally surrounded of arboles with

spinas confunded disoriented not record what had passed was a was really

and was grittable not could get to get to make chetes these arboles

until that they were to she could get to and she not had more

than some little raskunos no didn't how had entered that

where had been The relation between Georgina and the Sr. Julia, her mom,

changed. Because she had like a idea, not I had been what had

been a but he said, she had had had been admitted. Sin however,

one after started to start to and the things started to

and to to know and to and to to be to be a turn and, the time the

she was a little she got a little she got a presentia and this presence

and this is so totally present. The door was opened and it and soot

and he went to to see the door and the sombra of the woman

was there but this this time not she he went to she went to

get to Georgina was She was atonita, seeing this. The woman, conformed she went

to go to her mom, to Julia, he was to make form. It was a woman vestia of a negro. This woman

had the rostro palid deformed. Like if not were a human. He had a sonrisa

retorsida. And when he went, he was front to Julia that was a preza of the

fear no so he moved to her he was he was he was he was

like a wind elado and he said more he was he was he fell

dismayed in that moment and the sombra he went never never

again again I putting a hand on the hand on the woman. That's the

question. What, how special would she for that that they were to be that they

were back? Yes, they were back without the thing, they're

they're that they're special I'd have to have you special.

From our Chachrae we're we're we're so we the chakra

Rais mom, mom, pap with the father, she. Mom,

pap, a child, a mother, a amount of abundance,

and what you connect with the earth. And connect with the earth is connect with

the four elementals. But yeah, in her life, within

his register of lives, I had had had

had a relation very very for that they

have that they What interesting. That good story. Something of some of a life past, surely. Yes, certainly.

And, and it will be recording, it's going to, but the point in that's present in this plan and not

only only it's not only you see, and you see, and it's what me really really

really to the attention. You know, you know, that's this story? That when it's present this ser,

that's covered of loddo, blah, blah, blah, blah, blah. It's of a kind of like,

like, cruiser to this reality and is like, is like, taking a form a

reconnocible. But when she's started and starts the water and begins to formers from

a remolino, in reality they're they're crossando through the element of the water

to the way. For that then they go and they're to get to the

and they they're that they is the place but is distinct that

he says ban you when she enter and he goes to another way to the element of

the water it's like a like a like a but look at

something when cruises through that's in this dimension remember

that there there there there there for so so

that are people so people that's that so

that so but they do they're but here you're

doing contact with other things that are that are a other reality that clearly

not is in this plan of this plan of physical so so we about

how many how there can be in where clearly there elements

that we know you imagine you you submerges in

a softmarino or in a bus and you I know it as periology, in Cuevas, no, so, so it's called.

Bajo the water? Ah, no, so how they're called. I don't know. Inclusive, in Yucatal, the cenotes sagrados. Yes. Dicenotes are entrances to other worlds. Acibalba, yeah? Imagineate, into the mar, a quantas other realities,

moons and other, you could be able to do you could beacar. And what could you could find? that is something very similar to what they're about about in the interterrenos the archivos disclassified ago, in where they said

yeah that the navies are in the mar well, it's like if we're just a,

um, um, a hub, and here you get you send them, list, the next,

for Marte, or for the baran or for other reality, for other reality? So, So, how many realities

can't have? That would be like the portal. And also what is of the interterrenos, because these are like the intra-oceanics. The interoceanics,

but also the interterrenos, the persons that have visited the cities, the citadels, of these are these,

that can be like us or not, not is like you get you you're going to you're there, you're going to always there

always there in that caminata, say, in the quiver. The a great

gravity can be there's a cruce there's but I I think that's

so you have a level of a level of you you're to experiment

to be you have a not elevated you're to start to be

to be you you're you're saying here there's there

because we we're we're we're we we're Spirituality is

other level. At the point in that they have to say a only to say a

idea, for you to do a fear, or to you go back you'll go to

do you very and I'm and I'm the photographs and I'm I'm to a

temple that not is able to be public and I think will be

going to be even in many many years because they're

doing a a job there Archaeology. Okay. But I'm and when you when you're

when you're like a kind of a house, there's a thing that's very particular. The Egyptians

had some some of the portas the inframund. It's in a part of a piece of a piece, it

is like the mark of the door and there's like another mark of another and there's there's of

two, there's of three, of four, of five, of six, this is one of the one of

an illusion optic of that you you're going to go to I'm a photograph and we're going to put

I'm going to I'm going to the other the only difference in this temple is that when you do you do that

you can't you can't see the part the part posterior of that there's a

okay and when you when you do you do you do you do you know what you

have a form has a different on some these descriptions etc. The other

side there are a group of the like painted with

humeddad and the archaeologists are studying what is that is that

is that these doors literally cross to other reality but

it's that the Egyptians the those the Egyptians they were

they're they're but well no no no opportunity to know

to get it. I'll do do a point. In Colombia, no says

to see to see to see to see in the laguna of Guatavita. Yes.

So, they were those indigenas in the balsas and they were

and they were and they were and they're made many investigations

have submerged, have done busseo of altitude, have met little

submarines, have met robots and they don't they're they're It's like if

they'd disappear Those the same Mayas between those confrontations

of a other they were even there's a lot of a turn tolum

that's you're you're and you're saying that's passing a dimension

and it's a portal of the limpeacy energetic so to

that I'm I'm I'm I'm what I refer. Now, imagineate, undiret, you know, you know,

you're not is a lot of it's, it's, it's, that's, it's, it's,

it's, that's, that you know to know, where you're going to get to get. O'y, that's,

I'm so, I'm a lot titticaca. Well, but, a very, oh, oh,

oh, there, there's, there, there's a thing, there, there a

I was too. I'm and I'm the other of Bolivia that also I'm very mysterious

after we talk about a chapter of the legos mysterious. But there are many

many, in serious I think we're not so fortunate to live in a planet so different

that we're we're we're not we're we're doing the resources to the basura to contaminate

until that that that's that's that's but not all, and all.

Yeah, we're doing. Yeah, that's the matter of the mother of the mother.

When the mother is a mother and when the mother's there's problems. That's. We're not

the madre to us. Oh, look, this story that's that's that's

that's from from the Rosario Baja California. I'm I'm

I'm sure to know Baja California Pronto. In April I'm

going to be to Tijuana. Finales of April I'm

going to be to Tijuana. So there there are pendents, there are

pendents. But look at this son of very interesting because

the man says to the husband we're going to get to

get and that's those spaces and they're to

a lake um some waters that called San

Carlos they're they're celebrating something something and they've

been five years visiting this place and it

was like something very very known for them and,

well, the and then, you know, a place water with water in water

and so much contact with the natural to be so, so, they're doing

they're they're in a space. They're they're to get to get

and, maybe they're sometimes they're a little music no

wasn't a strange. but, they're to move to other part of the

same as them and they're and they're to see that they're a little a lot

starts to start by the water he's going they're parpading and they're like I said

was like a something well it could be able to so no say

no they're not they they're they're And the water crystallina was completely turbue and the lights

started to partair every more more. So they said, I think, I think, you know, when the

trees start to move to with violence that the rams can, the, the water is like,

water is like, water's normal not has, no, has been to have a like a , like,

and they're to do you, and they're to, caro, let's, let's, Something

something. When they when they call in a Carlos in a trance

and he he said that what he lived in that he didn't know not,

no, no, no, no, he was really to know, he he started to

he, he, he, he, he, he said, he, he said,

he's, he, he's I started to gritty, Amor, Amor, Ben, Amor,

no corras Amor! Amour! When she met in the malice he's but in a

risa, deserring of those burlona with energy strong, he said, no me

to find. She, to him, she to him, no me going to find.

And he starts and he doesn't and he was in that moment in the

malice that that's The cerrador of her, Serrando with the next word. Help me. I don't

I'm. And it's when it on the ramas that's she's, he's

he's he's he's he's he says Amor, you're doing and she

says she's he starts he's he said Amor Reaction Amor

Vue, she'll be she'll be she'll be to start running and in the moment in he was to look at the

time he was to hear of the way he said Amour! Amour! Regressa! Amour! In that moment and he

and he went in the he, he said the trance. The first that was that his wife he was

he was saying, Amor, you're saying, Amor, you're saying I don't know where I'm

what I'm what I'm and she he said, but let me rapid for the hotel. We have to

come to come to something. Something is going to go out of her spouse went to

and in a reflex she looked to to look to make a pata in the piece to the

point in that he he was he came to he was he he was he

and the two get to the hotel when when they get to

all all the all all the all normal, but they were very assuastated.

They're to sleep. To sleep? To come to do? Who's who's going to do?

I think we need to recover all that we're not we don't know a one one of the we're going to

go to go back there, no important. We don't we can't do anything. We don't we're what

we're what we're what we did you? We know what we're you've got a hallucination

very We were in the water, we sent him. My my heart me says that we're

going to give to go to the other day. Go to the city where

they were there's their things and they're they're and they start

to get to get that feeling that's the reaction of it was

to take your camera photographic and to start to take

photos to all after until they they're they

they're they not The surpriseive of the is that when he started at the photographies, I saw that

around the thermals there were little beings like if were the body liquid. And they

they were watching. Maybe it was a territory prohibited, maybe they were not even

evened and they not they were permission to to be there

and simply me took like something recreational in where not are not

not quite when you go to enter to the water you need to make the

sea to the river to the lot of the or where if you not you

don't make sure they're so they're so oh okay good

story no good goodish Edward chbe I'm Carlos

Edward Edward I'm Man, an Brasso. Abrace, a braus.

Abrose. You know, but... You've got baptized like a called to Carlos?

The Tio Carlos. Oh, Julio. One question, how is the story? Agua stermal.

A water. Of course. Of course. The Togastermal, yeah. The D'Ward Chavez. Oh,

what, you, you, I never had heard about about of Ceres of Diminot

of the Never, right? Ceres of the lot. No, I do that they're I don't know

I do. No, I do that they're not that a series of air. Ceres of fire,

so I've seen, and in manifestations in Romandino and in grittes, and in gritty

the fire. When some day you're in an exorcism you're going to go.

Oh, oh, I don't know. Well, so, well, so, that's,

imagine, exorcism with Alex caminanded for the tachio. That's. The the of the

wind the fire, that's the fire is impressive the the water well I

do the most I've done the manifestation of a burbushas or that I've seen it's

when it's when it's when when it's when when it's perigrous look

this thing for X situation that you know you know but for things of privacy not

I'm not going to not going to not because I was doing a liberation to a person and I and I put

the last a glass with water and a bellita black and I

the bell I the intentioned I I turned the bell She was She was She was

She said She said I need to I need I need I need I need The face

The other The end of the The end of She said I can't I can't I can't Only look

Only see She's She's Very large His Pyrnas Like a calaver

With a With a vestido very And I Okay No you're

You No to You In that moment, she's She's He gets And he says He says,

In the tone more burlone And more Miedos that you can't He goes And I said If you're

So you're So I'm a good I don't have I'm nothing to Pirker I took the hand to her And I

came A drop energetic very very very I was and the only

was that I'm going to and the bottle and the veil, where's, and so I'm, and so they're scurred in those the legaments. And I'm, and you're,

I'm trying, you're not, if I'd have had that I waso with water. The next chapter you'd

have to look to look at a whiffa wow. So, it's so he's

so he's but imagine that you do you do you do that's no

no man's it's very very and I just I just I don't

with the I know or or from or from no

when when you know when you notice pressen the attention I said, I was

that I was present when when you know, like, and like, you know, okay. And I saw people that was people that spanned, and all, and all, and then,

and then, a minute after, when I was, like, all right, I was gonna, I got her and I, got so the brazo,

and I said, hey, you're, you're, and when I went to see, he, he said a

pause, and he no, he said, but in that pause, when I I went to see, that I'd that had the

pupillars like, so, so, so, and then he said, yes, yeah,

me said, I said, oh, okay. You know, to do you see, I'm eris to the headis to the

head. It's, is, that is, that is, that is, that is a case of

position. And, oh, the, the possessions not necessarily are demoniacas.

No. I would. I would I would of the 100% maybe a 90% are possessions

not demoniacas. And, and well, this, that I said said, I've mentioned

a not a position demoniac. But if was a work with

necromancy or a bashoastral, there an entity alojada. One of the forms

to determine when there entities is a through the mirade, a through the respiration

you know the air has been an odor if the color change it's a sign that

could have something like also if it's not very rapid in house, if there's

moscas or gus or insects that not should be that person that repentinam

that's you can get in the thing that's that's that's a question

is a signer very delicate but the the best I think

I know I in my ignorance because there are people who know more of this is to try to determine

who is the entity how you know's you? Felipe, okay I'm not I'm the power over you I see who

you're that person that I've told one day I've had a day I've a dream

he's with a person major with a baston very barbado and he he said

tranquil. You you're well. And I gave a card. And the

card was a name. That is the entity that was attacking.

What is what particular? You and I are we are great. Alex

is a great. She no. And if at that that age

they're they're that power to control entities that not

are of this plan, imagine what you have to have to 10, 15 or 20 years.

Are people people who are to revolution the world from the spiritual and from

the energy. Yes. It's a generation very very interesting. But

it's that me really, I'm a fear because I'm we're going

to be a position but the last time that I'm I'm

about this because I was really espantado when it when I

die he's he he's he he don't know you're

I'm he was he was he was he was he was doing

he was that I don't tell that that no no do you

tell you because you know I don't know I don't I don't I'm

yeah I'm a year I'm something that just to to

to have an idea When we were there talking me he said Liseron

is that we ran for because it was a year because it's a PEPE was Liseron

was Mawus was MawrG1 there there was another chica and there was a kid that's a

that's a that's with Pepe that's he's that he he's he's

he's he was he was and he's he was a July and Fermix, Alex, and

I. So, basically, we're doing to the same. All we're doing to the same. And we're talking about about about various things.

And we're talking about but of brujeria. But of brujeria that we, we know, we said, we said, we're doing

a group very particular. So, all have been here and I'm thinking, and I said,

well, yeah. Well, is that, like this you're you're doing, the repent,

cause, this, malestare's, and the people, well, I mean well,

so, there's a need to have much care of the other person has been to be able to

a certain to say, signals. And for to do it for that we're going to to the

story, in that moment, I was going for things very horrible, horrible,

horrible, horrible, that had to be with many things of this that we we've been, so,

so, when we came that department where, and, I'm regaled a,

a muneka that was a posseid and that was a one. There's a one I'm a

a newke. It's a normal, but it's sure, I did and the day I'm

and the I said, no, I said, you know, I'm just, no, I don't, I don't know

those things and I'm not, I'm not I'm just I'm just I'm just I'm

just parted and I started when I when we when when we were the

things the place. And there was a filter of water, of those that have been, like, piers and all that roll. There was a purificator. A purificator. But was a rot. And I no me did count. And I said, ah, this is the that I'm the way, and there we're

talking about water. The question is that in that one night, before to grab with Gerardo Amaro, that had been passed a lot of things or two nights, two nights, something. I saw that I was going to grab up to a person,

that also now is a very good amy a good friend, and in this then I know a

know that I know that I'm not and when I was to grab with her was Femmex also.

I was commensating the the podcast and I said, I have to have to

have a moment to go to get to go to go to go to and when I was

coming to the back I was a energy I tried

to enter in me. It was very very very And I said, wow, so, so, no, no, no. But then in the

I'm thinking, well, to see what happens, no, for experimenter this. And I was the order mentally to accept.

Okay, you'd let go enter. And I'd be to be like an observer inside of my but I don't he never,

I don't even I'd get to the time, he'd be able, he'd and said, I said, I said,

and I said, and said, and said, we said, and said, we'd say, we're, and when

when we'd When we started, from my body, this entity said things or repilantes and I started to cry.

And Fermix came to say, oh, yeah, what do you say, what is this? And me he said,

and I said, and I said, things that Fernex, and he said, to get to to be to get a

and in that before, before I, the eyes, the energy vibrating, so, and I,

and I, I, and I saw, all my my You know, and they're going to pass things

horrible. There's a photographia of the realad of the hospital because to be taking

the water, vomito in the street spantoso, oh, so it was too, when he

was a when he came out of he was, and he was just, he was like,

viewing and I'm analyzing your energy. And I said, I'm can,

I'm my son, my said, and we And we We said, you know,

you know, I said, I said, and he said, and I'm going to talk in the podcast. And he said,

because you accept this in the dream, and literally he opened. He opened. He said, so now

we have to get to get it. So, that's a also super rapid anecdote,

we're just in a scene, two, two, two, two, two

and I, and I, we, we were conversant, in them I'm I'm

I'm he's to tell that I know very bad his last

his own so my he said he said my and I said,

and your entire relation me said why you don't

not normal and I'm because I think that you

don't you are you are you are very enclated

of that or I I'm not I'm I'm going to I'm in you're in those

relations more for pleasure physical than for whatever other other

other thing and me says yes you know I don't because I think you

you have you have a marri and it's like the kind of the

environment to we're in in a public he said you

you can you can you can you can't you live as like for inercy. A-air, if some day

happens something different, if some day pass something new. And, pardon me to say, the brujeria is very close to you. And in that moment passed a woman a five meters, no,

less, three meters of where we're saying, ah, ha, ha. And she was pallid, palid, paled, and I said, no you don't think you know,

more importance of the that she's merit. mandate to check with a person that's that's the thing and retina and get to

that's but you can keep going to so years to recover your life but you know that's a problem

but what I did much impression was the when when it was like if not she was

like she she'd clearly with her with her she'd and clearly

she'd but but all it so so so so

so so super that's where it's some things

that are the things that are the wow uh is that I'm

to tell that's we're going to for the podcast yeah because

is that you know you I'm going to send a message yeah me have

said that yeah I've said that's not just that's a but in a

place to be to see a person and as a fan and me

is that I'd like that that's something to I know I'm going to his

his him and I'm he said in a place where we'd to do we're to make

an video before to start the first of a minutes before and when

he came when he I didn't I didn't why I wanted I wanted to

I was so me He told the history, no manches, Julio. You're sure? And this, this, I'll be to tell in the podcast, paranormal. What fear me did. What fear.

And there were the two children, and I was going to see, and they've over this. But I was terrified. Of course. Oh, yeah, me to tell a story, right?

For favor. We're going to three, three, three. There's a lot. Let's go. This story is called Gottas and he's Jandy Ventura.

Cheka just. Yandy is of the Salvador but actually is living in Italy. This story

he occurred when I had 10 years and I think that when finalize this story I think

you will to be light to what is what is what is what is super interesting.

and I'm going to a person for this story Pongas for favor in the zapato

of Jandy imagine to be that that nine of 10 years that that's

situations try to imagine it. He had 10 years was a night

of a night was she was on the time and

her two her was listening a station of radio. Okay. The lights

were there are a little of the light that is a through the window,

the light of the light of the day. It was at the night. When of

a repent, the women's just were not and she was here listening the radio,

music, etc. And, and of a sudden, static. But it It was like very rare

because basically you're listening to a station of radio and then you're in a static of a great, you're

at a costada, you're a lot of you know? You know? And then when it so,

so, so, so what, what's, so, it's, it's retire immediately to

the audiphones, he's that I feel a scalof that he recorre the spalda

and in the obscurity and he's to tend in the camera to

the telephone and pause. He was looking when of a repent something detain his man.

She wanted to see who had been his man knowing that his hermann's

and in that moment like if a brazo would be crossed by his and they

they're to to hark and she immediately want and they

want to they they And they're They're to plastar and she

could be to breathe He was trying to start out of and he began to hear the soundphone posthos.

No, yeah, he's been and he heard of the soundbiv in those videos.

And he said that he resonable yeah super very strong there, that was

like he was like he was there and after that was there was there was

they were and the and the and the elevars. And he said to float

some centimeters on over on the camera. And that sensation

was like if not could be a body, like if there an

energy that was he was and he did so

fear to be in the dark in the eyes and not

see how it's not that's not is talking and is levittando

that he was that he said to be the voice and for the end of was trying to

what I'm what I'm to hear of she was she was she was she was not in a

projection but in a so I'm so it wow and the only

that's what he's was to rest the father not into

the but but so much and he he said into the

mind no, I have to do do you God our that's

in the God and in that he's a voice burlona that he

said and he said and his his body came to the

cab when he so obviously he just he

just he he he he Dormidas? Only she experimented

this. She thought that had been that had been maybe a hallucination

a a subida of the Murto, something and simply decided how

this not would be to occur not no pass some days and

occurred something there was she was she when,

when of a when of a repented, maybe he's a little or what you

know, but he doesn't, and when open the eyes, when you get you

get to the night, your eyes you're used to get to the light, and if

there's a little of the window, you know, you can't to be details

to your room, not in all the majority. In the the grand majority.

And the it's it was so rare that no beia nothing. It was an obscurity total.

So, that exaggerated was the that he could have his man even to the

person, and he spanted because he felt that a more not even

in the room. And then with the man, he started to tend to

the camera trying to know where was to be

where to put to put to be and And when I was tentating with the

hand, of the time, Ptok water. And retiro his man immediately.

What is this? And then the water began to impapar the camera, the sabanas,

the covica, until that he took his body, and she was a desperate,

no be nothing, and the water to go to get, to get,

until was the water as if was that was inunding his

abitation in an obscurity total, that she was separated of the

and was floating on this water totally completely dark and he

and he and he to be to try to to try to to understand

what is what was the water still going and she

was there was there and usurros lehands. And then those usurros

were made in grits and see found of something that was that they were distorsionated. These grits were

gritsonated because not provenian from the lo-lejo of other house or of the

house. Provenian from the water. So, then I heard of the gritos

desgarrators. And then I started to to hear some voices that were doing a cantico ritual and also

they were in the water. And she gave much fear to hear of this. And then

was there in the water, agitandos, trying to to find to find that was what

was going, but then the water that was only suddenly subient, and

so it started to form and a circle, and it was to generate

a and she and she not could be able to the water

and the remolino he was going he was getting to get to get

to get to and he and he and he he was back in his cab

but was he was and he was and he he was thinking

this was this was a this was a I'm to

calm me She sent to to put to put in the and when he sat sat and his

feet took around the water. She looked water. She observed this and the water

was to be out of the room and he gave much curiosity I had

much fear but I wanted to know that was what was

going to continue this rastro of and it was a small He went to the bathroom

and when when he turned the light saw something that he was the tina was

full of and that there was that that was that had been being

had been had had had that had that was there

there passed some days and she said this has to

this has this not is real. One night she was a night

because I heard a really in particular. The water. It was directly

to the door, opened the light, the tina a part of this says

that she she has has a where is in water and no

can see that and two occasions have encountered the tin and yet

and even she's she's living in the Salvador but now that now the reason

for the manned this is he thought that it he's still tormenting in Italy

he's he said a few last he he was he he was

he he was he went to the the light and the tin

Yeah, and a How is? How is the person? Jandy Ventura. What do you think? Firt. Firted for, for various reasons. First,

there's a contact physical. And in the cases of presences of entities, when it's a contact physical is a entity very

very strong, and you when you want to do you want to do that, then the damage is a lot, it's a

is very, it's a, it's a, it's a, could do much damage, even even

it's even it's it's not not not for other

other thing definitely there there there is there

is you know that I feel that is what is what is

I'm like if that was that is elemental

because it's very very so if if if

was something with the was something that for that he said

some mal or something, it's not they're not to not in the

room, they're they're in the tina. And simply there

they're in their life. But no, no, not, not,

that's also, also, the also, it's entry, it's

entry, is entry of dimensional, as as the televisories and the

spaceos. For there can enter and to be used to be used to be a humaniaca or from the water because the water is element

purificator, not is the element of damage. So, for example, the water liera feo and was a turbi, is another quote. But in this case, no. So, my best recommendation is that, that be sent to consult, or do a very good

a limpia? Not a limpia of web, and that's why don't know if it's not even if it's no, these days, me have gotten to be some days, me have to get a little bit, I said a little bit, and I'll open and I'm here. And in your house, they're passing some of the, oh, and so, and why you're doing this, because you've evered as well,

what you've got to be there, limped. No, they're doing so. But I considerer that I'd rather than to be a and to do a very good and make a

limpia and try to start to start to meditate to connect to

use a bit of a water intention and say and say

that that that that that he is what is what

it is what is what he needs he look in front

he he all the all the all those eyes and that that

that's a but that's like the like the mk ultra more or less if you know you know you

have to have a signal to because if you know you can't you can't you can't

your central aure for that if you start to get to do

do do so it's impossible but if you don't have the force or the

valentia you can you can have a you can't have a lot of the head it's like the people who are

in this mode of holistic they're doing no it's no it's no those angels and they're

with their eyes no no those angels not is that are very very beautiful I never

I've seen one but not so don't so many as they're so they're going to

do those angels also you can be contact with demons, because it's a sano equilibrium. If you

not are prepared for that you don't do you know, in the case of the person of your story, if not it's a good, but

you have to look to look to look at rapid. Because there's a contact physical and not it's

too, it's too a bit too pretty bad. It's that when you started the story, I'm,

I'm, me, me. I mean, I'm, I'm, I don't understand what I'm

really very what's because it's is rare because there There is a element No, it's common. What is

common is, for example, the Zumbido, the way that it's the that's allvite the father or the oration that you

have you have been, it's all the words. You know, you know, you know, of her,

right? Yes, so if you want, if you're, we're, we're, we're,

we're, with a we've done, if you know, we can't we can't we can't let's make

a few we can't if we're to be to her. Okay, list. Because it's

particular reform in the form in the the amount of the all right, yes, yes, yes. A little. Okay. I'm, me, it seems very rational that I have been a new thing, is that's the Emperor-Tris, and it's all the what she's living is very certain. And only every

kind of the person that one carga they're not in two

Arcanes major of one so here the cart of the judge

and it's a woman ultra tormented especially in the night

do you with much fear with with much anxiety

and I think not it is not to determine

it so is not not it's not the

is a between what is real what you can

control and in what your mind also you can't you have alimenting there are in this

tirade I mean I'm saying I'm also a protection for her is a protection

for her just I just say to say for please you have what's

here there's water water water the the equilibrium the

temperance that that and we we're we're we're we're

we're we're Let's do the last question for And is if is being A tormented by Temas of Braueria,

magia, or things so we'll be and that's a tirade of five cards in where more than

the interpretation if the cards that are the cards that are the cards that are inverses

is no the card of the card of a recommendation or a vision all the

cards say in the card of the center is something very very strong the force and the

card is the recommendation or of the vision the solar inverted to where she will it's italia Kaparnau

Colombia Salvador this is this is not no no not he can be centration

in the because me it did who did what is what is what is not so no no is

in this centres in quit do this, not to give more to the more force to the

he's to get the right to help out of the hope. Wow. An arraso. Abrazo.

Wow. And for a turn to tell a story. That's cool. D'clock to you.

Oh, me to talk to me. Yeah. You know, I'm going to tell a story. No,

to talk a story. Okay. Oye, um, one I've heard that you

not do you do you do you do you use much of the registries Akashikos? No, or? No, if you're well? Okay. Why? Because

no me like that so in the lives pastas. I mean, the hypnosis regressive to see your lives pastas

because I feel that the progress that can't have your conscience and your spirit is a through the

experience vivid in each one of the experiences terrenals or no, that you can't

have you don't you don't you do you're you can't you So, for

something, I think the velo of Isis. If you simply recognize you observe,

what is what what's in your life past. If you observe, what are these

these details that are there and not you know, and you know, so that's in this

moment, it's like to soplar the responses of the examines, what experience

positive you're to have to be so. As if I'm, I'm,

I'm, I, that's so it's a opinion supremely valid. A little

point. A lot of this is my opinion and then will be going to change.

Surement. Surement. I've made two two times registos to

chasichos not for doing, yes, to ask a situation that was going to

be passing in that moment and that yeah is supered but what I did, I

know, I'm marked really really the because were were presences

very fertes and the person that was doing the time of the

registries no I could see what I'm my my guys they're

you know you know you know time after I know what you know what you

what is what is what is what we're doing and you have that you're

I'm I'm I'm I'm a right so I'm

my third tarot and the 24 of March

I had a chapter in vivo with Josh to doh for a session of Tarot and to tell stories and other. My only assertion with Tarot was with Isabel Pino.

I mean, I read one of the cards and the other. Of course, we're going to connectar. Fallen the cameras, the internet not functioned. The audio of Josh, terrible. He said, Maestro, no, we can't

connect us, no. No, no. I'm sorry, no, I don't you can't help you. I can't canceling the chapter. it's five minutes

but I do to do I'm going to do you I'm going to community I'm going to a child

a talk about a talk about a talk about but for problems that's not you can be in this

moment well you're going to do you're going to do you're going to do all right

so I'm no no no don't come after another man

revolv I'm I'm but you you you see? No, never I've read a tarot. And the people

say, oh, but you've a lot of time doing that, and I know, so I'm not, I'll just, I'm, when I started astrology, I think that for my sun nasient,

I'd know of esoterism, of magic, of the metism, that is like they're like, and now you're so, and now you

remember. So, So, for that is so easy connectar and recordar. And if you you're down, in the chapter of Pacto satanical,

what I did was, what I did was a canalization. Some of you I said, with the King Maya, that you and we have a complement

so if we were us, we're, we're, we're, we're we're going to get to

get us to do you know, I'm sure, demonstrated, of the So, to

what I want to this reflection? You can bring records

of your life and it's very valid, and if those you

do you do you mention it. There are other people that are to make

registries because they need something they need an information to

provide to make our friend Sandra America. Ah,

I understand for the reflection. that's in Uruguay. Okay. Resulte that

this story is in the 2017, in where she basically, a person normal, but I said

that was that's a but it's very, it's very jodd that you make a

and not you know, and a person he said, well, be, you do,

you do do you, you know you know some information? It's that no we know we

It's a big. He's a one of a person and the city was a very strange. It was a domo aparted of all, with a silence incredible and the little that could you could have

the sound of the naturalness. She, when he gets, his sensation was first of calm and then a little of an little in comodity. And the

incommodity is totally explainable. You're you're just you're revoking your energy and that you're going to do you're going to you know you know, it's something you know you're going to confronter.

Ten care. Sin embargo, the channelizer, he said, okay, you're going to be good with me. You're going to put in that position. We're going to

start to connectar. When she canalisa, she had to be it I'm still at the eyes open I'm going to see a channelizer and she'll change the expression and he says this not

going to be a canalization normal this me say that has been to be with water you have to contact with water

because your messageros and your brothers are from the elemental of the water and she

I don't I don't think that this locura. You're prepared and I said, okay? We're going to start. Concentratate,

you're going to visualize this. I want to you see, you know, you know, you're doing? And she said,

she's saying that they've said that they've been much time and they're looking. That, for fin

appeared. In this moment, she entered his experience she connect and

they're and they're and she had the fear of to be to go but I

know that he could breathe to be that and I know that many

people were they're and they said well she said we're

we're we're we're we're she had a confusion

between a Alegia, much angustia, much fear, because clearly not

I thought that was what was experimenting mention that at the first when she was

up the could have the, the, the, the, the, the,

the, the, the, when, when he went to the the mar that's

going to see, but at the beginning, but at the matter that she had been

undying, undying, all she was a dark and she he started much fear and I'm going to say no I want to let me let me let me say let me

let me say the canalizator in parallel the only thing was he was he coged his hands and he said for favor Sandra govvvvvvvvvv he was he waspea and she said I don't want to return the canalisator

I know that if not parable that And he was to lose the life. Sure. And I started to get to please,

no you don't you know you're you have you have much things for you

have to you pertinces to this you're please for favor and then

when in that when he said and he he went and he said he said

you're you're I'm harmonized because you're I'm a alterer. He was harmonized with a pendul.

She was harmonized with energy. He did something of Reiki. Until that she's to be ... This session they're doing in audio. Because she wanted she wanted to

when he goes to her house put the audio in the audio is the sound of the mar and the same

words that they said she said she she's we're

we're we're we're we're we're we're we're we're

doing the time and she is she's looking a person that

she did a little orientation because she she knows that she's she has

the register of those registers that has the redundancy, has the experience

of the canalisador, but in the raciosinio of this society, no can't

think that she is a Atlantean that is living in a earth. Saz. Wow!

That good this experience, this Sandra, it's called. Wow. Our

our Amanda, Sandra America from the hermosa Uruguay I've

been I've been really the time of the Atlantic ultimately and

there's a prophecy that Edgar Kise that if

if pass these things not malas is a termino

emerge emerge a part of the Atlantia wow I

I I'm I'm I'm I don't know about of a little wow Shere

Goodsima story, goodissima story. Wow. This, me to for

favor. But you know, but you know, I'm an idea. A bit. Oh, is that you're

very long. Well, yeah, I think you you're going to live so so there we're going to

do we're going to do we're not a one once a month a podcast but not a

program where, of all the things that that's that's going that's, that's,

that's, connecting, I'd say I'm, of the stories, of what you want, of the consults

and what I have so and we're to be, and we'll be and we and we're about,

it's great, not? De one. This would be a story. This story, it's called,

the Reflejo of the Garrafone's. And as I'm notymym this is another that can

get to a enigma and if you it seems good. I'd like that

we'd like we'd like we're a little that's like he's anonym. No, no matter.

No. It's important. Okay. This, and right to explain for why. For you,

for to give us a context of me. Sure. For favor. This story occurred when

this person had between 10 and 11 years of age. Uh, vivia, um,

this chico and his brother that in that moment he had about eight years.

So, he had ten, 11, years, the father were going to

get to that not a night, not they were going to get to but

they were to be a one, a little, and a brother. Kereen

out of the house, portens well, don't have the door to nobody,

please follow the instructions even if when the telephone, no contest, we're going to

go, we're to go, we're to say, we're going to get to the night, we're in the madrugat. You're in the

time. And they're in and they're and they're and they're in the cell, seeing a

movie, while they'd be a little sounito to be to get back. When they

they're in the cell, he says that, well we know, it's a brief

description of his house, so that we're to understand this.

It's a house, not a apartment, it's a house, and when you

enter to the kitchen, there's a door that's a

patio. In that they're in the patio, they're some garrafones

of the water. Well, it's a caravent, you grab, the garrafone

of plastic, you put you there, that's like, some, some some of

some some you're some you're some one you

you get to the house. He was there being a movie his

brother he got he got he he back the volume for to

get to his he he got to the television and

he not was not he was the and

he he was a that he was that

that was a a bar a bar that is this plastic,

the prum, pump, so that's what that's and he's so on. So, in that

moment, no, no, he did know, of what he was there was a

but he had been to the house, because it was in the patio so,

so he went to with a curiosity, he was a person, he was

he was he, he went to the he said, he he said

that the sonio came to he and he started to there in the obscuried

observing, observing, observing, and he he found the garrafone in the piece. He gave

a point of that was that it was like the not it was like the it was like it was

like it had been and it just simply it was he left pass it,

he took the garrafone it, he was he was he was he was he was

to go to your house, something and he went to the look at the mirrofons.

They're in these garrafones apart of the that's there are those garrafones that are full and

they're there's something that's really. The water obviously for being in

these garrafones for the gravity, they're in a line right, horizontal perfect.

And there a car? No. That line horizontal was inclined. In the two garrafones. And it was

very rare. Because, because, they were inclinating every little more, a little more.

And he was seeing this when he did know that that in the reflection of the water of the

garrafones was made a form a silhouette delgated. And that silhouette was advancing.

He was seeing the garrafones, but for the silhouette was he was in his little. Then he he noticed this

thing so peculiar of the water and the silueta and he and no see nothing. Regress

to the view to the garrafones and the silhouette is literally to a one side of

him. And he with much fear he gets to entrap in the piece

because he knew that there a barra of metal. There's a take in his hand and he's.

Who are you? No, there's no response. With all the fear, knowing that he,

he gotro the barred of metal and he started like, like if if there's there's

there's a and he started so he got to and he was to be the water was normal

and the Reflejo, I don't be a lot fear, he gave much

fear, he was his brother he was he was this sensation, that something,

that was a incoodidid malo, he he left pass, he got

his he's repented to see himself, no, was something

was a imagination well, passed some days and he had

like this record that And even, you know, I don't want to get

to get those garraffones when he said, the mom, no, this, oh, yeah,

it's got to a carafone, it's like, oh, no, even if it's a day. So, the place,

yeah, he'd have a fear. Passed a day. And, of a sudden, and the

he was, his room, he was done and he's, he's got a little, and he's, he said,

no? He's, he said, he was, he, was, strellated or that

had been vented a rock. So, with much careful, he was a somed for the window to

see what had been to see what was going to the house. It was the silhouette.

It was there. Enormone. Not like if was a person in obscurity.

Like if was a made of a dark. A sombra

volumetric there. The only that could not not was the

little brill of his eyes. Observantle. And then, in a movement, he went

to the dark. And he thought, no. No, no, this is not can be real.

I have to know what is going to the house, to the patio, to that patio, to be

looking to the place to the sunbra to discover what it was. but no there was nobody

no there was no there no one there was a night in calm

the arboles and he he went and when I came on the wall

that was that was the but there was a one a

one a one of a water still still was

I'm sure that obviously that one the way,

disappear but when he saw he he noticed something that is very particular.

That man no was human was more more and large then his

his parents not his brother he was he was very very

He said that her abuelita He dedicated to things that have been with the magic, the brujeria, and that she had to help. Well, he went to be to the abelita. And the abulita was received. He told her what had happened. She began to revise with the cards. And he said,

That's what you visited? No, was a person. That was not a man. That's what you visited is a demon. And you did this permission when you asked, who you're asking, who is? He says that these words, being so young, he's marked.

He was marked, he impacted. And he said with this doubt. But he thought that he was going to go to go back. Simply that time when he went, and he's there and never

never much it was like it was like it was a yeah it's a right and he

was a little bit of the time and he he said he said he was and he

saw that that that's that was he had been he did a lot of he didn't

have done a house of the barrow It was like the And the water No, it was Right, it was overteed

It was overteed What, What, let me Let's see When, we're, we're going, when, here no There's no

But, but if there a story and an one or another way you can't canalize When I

you asked that's I'm to see to see The first that was the

first that was the first that was the And it was the silhouettes. It was the silhouetta, but the car was at the other.

Yeah, he was there. What story so strong? It's a fear, right? Sure, because he did, I mean,

the way, I mean, the permission, he gave the permission, because simply, when you know the name of the entity, you can't dominate

and you can expulsar. But when no, what you do is give more force. Because that

that's entity know that you can't dominate, so that you can't dominate, that doesn't have sufficient force.

For that's when they're doing rituals of exorcism, in what more is in

know who is the entity, and you to be to make decisions. Additional

to you that these entities then they're going to say, much

good, I'm I'm the I'm no, no, no,

no, no, no, no, no, no, no, no,

no, no, it's Let's see. I don't think as a not as a a entity demoniac

so it can be a thing of astral I'm many amarrs

themes of marries there things that that's that's that's

that's that's that you call you that's what you

see what is that is being that's a disequilib

emotional great in he himself no know because that the

other is going going to certainly. For that's they're an anonymous. Exactly. Look.

What energy do you do they're in this moment? The Diablo the

Revevevex? You know? The is a entity demoniac? Insist I,

but if it's the back, I mean, I think is a demon but if

is something of the back astral and it's something that's a point

in that he no knows that still being aseched when

he's also also. And you know that the environment she put super

tense. So, imagine for example you, but why, what do you

what has what has that has a method of transition of energy

is like if it was like the light, like if it was

like the electricity when you are you have much a

but you're It's so easy and I go this vase with water and I'm

I'm intentioned this water for the energy of this city. It's

I'm here. Here we the program. You take the water and you terminate in the

hospital. Yes, because it's a method of to get and energy.

This entity encountered that his method to make to make

present in this plan physical is the water. So

is wow Firty The of the man me I'm

a don't that you don't not human and

that's in the I don't I know I'm not so

this this is this is the this is the this is the demonia

when when there when there when there people that

there is a problem very jodid when they they

they they they can I'm going to tell a story that I have to

I'm a I'm going to let me the chapter that's but you're going to do

a person a guy a super good but those sessions me and I'm

and you know and then you're saying no is that my my

my my he's a sometimes I'm I'm I'm

I'm I'm I'm I'm I'm I put the foot

on the front and I start like to be in a sense contrary

to the mannice of the reloy. I said why you do you do you

know, I always always he has always to do that I said

no that's not that that's let me see something the

tarot the first tarot that me I barah

and I just barag a car a cart bow and

he came and it came when the card

was had parted and it was just the card of the devil but that

was the particular of the issue well here not because this

is a a rider as a but the rider has the

the the devil a woman a woman and a man

the card was had had in diagonal and

the line where was partia parted the front of the woman,

the the the woman, the little the child was the

other see a the entities that were atormentating to the and what

he was saying was to start the and the chacra

and the guides or the the the the did you don't

do you do you do you want to I'm you're you're

you're you're right you're right that again is right to the I'm

because it's a be and I'm and I'm sure because I'm really because I'm like it

like a like a like a like a but clearly not I'm I'm gonna I'm gonna

I'm gonna and I'm gonna do you I'm gonna go to I'm gonna go to uh...

a there a a tinder a in Buenos Aires and and I'm where the

a there's a a a tent normal yeah I've seen

and I'm to my tarot and I just and I'm a second he's

you know you're you know yes excellent excellent service so yeah

so yeah how you know how so he said because your

tarot suffered a a sorry I'm she's sorry

my I'm no I'm no I can I say recognize

Let me He'll hear I'm sure He's He's like The tarot Me said He's

He's The demonio The man He's over there Yeah no He's And it's impossible That's

And it's Of the Of the Because I've I've done Musicalally And I've I've

And so I'm And so I'm Perno And so I'm To tell you To tell you Two Cochoo Chin

This is It's It's Podcasts Paranormal. Well, let's it's the fault of

Julio. The first this you have you have you've seen, look, it's a

oracul. This is an oracul. This is a ron. This is a ron. This is a ron evidente to the 14 years and heucah

all the cards and when you consults this oracul you have to do you do because if not

simply not you respond. It's like a form of AISi, of mediumity And they're just That's justly that To do, they're taking cards

Asi, they're passing Hasn the question I do, I do the question Of course, I do the question And et cetera And the person that Does it does the oraculo commenced to ask

In French And of a repent Poon, brinked a card You know, You know, can't I have information Of this oracul Very well?

Who? Pamela. She let me know. Okay. No, I know what you've ever said, because no I'm going to understand. But no...

And I'm... But I don't know that's very delus. This. Yes. Is that I say, this, this, this, of here,

here, there's a card of more. Salto. This card, yes, is the death of one person. So,

she said, this comes from here and from that's that's a and I'm

like to say, me he's want to know who is? Yes. So,

so they're the cards to ask them and me say in the three people

in the I'm thinking and the person that I did this I'm

I don't do do not do not I'm not

do I'm a question that's a very a

For a simple the spal the I don't the spal so

take care I'm oh, that's me to be a thing that I'm your it's your

yeah yeah yeah yeah yeah yeah yeah yeah

yeah I'm oh yeah you're I'm I'm I'm

I'm I'm when I know when I'm I'm when I'm when I

when I had been I had been about this person that in peace of a man that was a puf, so,

so, like, so, a part of a person of a person of science. It was a

biochimica. Okay. And this person loved much to talk to my mom because

they put in with the blah, blah, blah, and we fumab a lot of this senior,

then we we'd we'd be a quarter and we we'd play games, et cetera,

no. In one occasion, he said, to my mother, and I'd like my mother would say that my mother would be because I have the information

onlyly of what I experimented. He said, hey, we're going to see, this person is an excellent tarotist. I think my brother had had gone to

a house of a friend, and I don't I, I know, I don't know, then I'm going to go, we're going, and you're doing, we're going to

get to the house of this senior, a woman. Supposed that my son, I don't you know the record as that we're

to the house. Entrances to the house of this woman. No had a loose. Or if I had a lot, maybe my memory was failing. But this

woman was a see guy. It was a woman very, very major, very and no I didn't know.

I didn't. I don't see that, but my mother said that when he went, obviously she recognized

her space, her house, and she said, blah, blah, blah, blah. she sent out, and they said,

you know, she had prepared a coffee, she said, the coffee in the tassas and they used a cuchara

and put the acurair. When it she was a curate. Well, because the the woman

no, be, is a see a and how you're a little there's a carache in

your case? And, well, no, I think that has been so that

so, because it was incerro for the accident, no I think, but

I want to say to where Where's where we're going? So, she's with much a pain, my mom

and my mom said, ah, yeah, so I'm going to be to make a and the question is

here, how you know, is the tarot? If you know, can't be, that's, they're there,

me seems that for a way, because she took the cards, my mom knows,

my mama knows this is this is able to learn the tarot, and they're going to seega,

she's sheg, she wrote the you've got to see a and he he's a

and he said my mom what he he said and what canalize and he said was

that's well and he learned you can learn to learn to you can't

you can't take a course see a video in YouTube to buy

you know you know first you know you're you're in program with Ignis

Regum me are some Cracks. So, those cracks. And they're

they're the cards. Yes. So, there's there's the Diablo,

the Cavalier of Copas and six of Spad Invertied. So this

This means this. Spadats are in the emotional. Copas are about

of abundance if you want to the devil can be about to be

many things. Like can can be about In fin. This,

this, more this, is this. This is the lecture of the card. And it's valid. Yes.

It's supremely valid. When you canalize, the cards are they're like a productor. That's it.

The information that you're is taking here, the discargas here and you the mandas here.

But in history anterior, we're two things. When the the batted were

they were on and he saw the look at the no, he saw the look at the car, but the car was the cardas

but I'm not I'm seeing the thing to it's like, as I see how I

would be out of my physical and in the astral I'd go to go to a

look at what is what is what is what's what's what I'm when

Pamit you do make an arm when when you do

that that lecture, Pami, you had a contract in a sense of Pam, I'm you're going to for you

do you know that you know that's a bad and that's that's but that you know you don't

me have said. I simply what I do is canalize the intention of that tirada

and the message one that is it's something is something is something

you're you canal more for various reasons I don't have your authorization. No, I have the authorization of Pame.

No say that I'm seeing. But I see what I'm seeing. So, my guides me say, look, maestro, is very simple. If you want to send it to Bogarty and get it in the car, you askle. That's a thing to do you. But if you want to do that's the answer,

keep it. For that you'll be able to say, it's bad. Let's go ahead. There's actually, when I was

when I was reading the cards me said oh, my blah blah

of this is oh, etc. All this and then he's a one he doesn't

he doesn't he he's a briefs a pause ah look and he

he said no wait no don't not say not not

not to say to me for me has that that that

that one that has very maternal to read it. And I said, no,

tell me the word. He said, you and I know that that's a good. Dime the

word. Okay. And yeah he said, and I said, I said, I said, I'm,

I'm, let me do you, what you, what you think you, and me, that's I was looking

a card, I'm, I'm sorry, yeah, and I'm, and I'm, tell me what is, okay,

okay, my husband, me said, to die a person. Okay Me, he'll Want to

Who? But I want to You know This card This card you You're gonna You're gonna And the car

And so much It's a moment For him Do you? And not Only the Entity That's

Aseching But, The carroñero That's That's There's a There's a Corroenus

That's a an oraculo that me really beautiful because and you

remember this this image is the third album of

steylaj the people those people with the person's that

I'm I'm I'm for messages of the I'm

for messages of and one of the gotos to

make the make more more more more more

more polite oh you to I was going to tell you. No, yeah. No, that's a story.

No, no, no, no, I'm sure. I'll tell them. Yeah, no, I'm sorry. Tell me. Imagineate to have a balladour in a mountain. No, man, that's a ballast.

In Egypt. In Egypt. What happened? No, you imagineate to get with the good Alex to an Airbnb. To make a a chapter,

grab it or what he said, you know, I'm going to be to be tired, I'm going to get to be to be tired of

to come. Alex says, too, I'm going to get to I don't do that. The next night, not is in the lava-plato,

but in the lav of the lavato, yeah, of your baio or the of Alex. There's not normal. Salen, those two,

and they're to see, and they're not, but if there's not the the key of the water.

Now, they're at in a can't, and all the little the water are in their

maximum intensity. This is the story that we've sent Cervardo Limon

from Nogales Sonora in the which I'm in a house in a

house where simply they were they're they're a little he's

a little they're not even they're not even they're how they

didn't the door the house of our but he's not

he's not even near the the way. It's not

going. After it, after all of it, while all and then everybody, and he

heard of the water that's going to get to get to the time when

he got to he recorri a scalofy for all the spalda and that

free that you to get to when you have so

you no was what was what he was what he was what and no

had more an explanation logical of the because the water

the door. The sierra and he said be to the

kitchen before to hear when he he he

he he he and he and a feeling

a he The only thing could do was start to orer. The next night, all

all the doors of the water were there were to their house. They said, this situation

is, no, no, no, has no, has, no, one of the

person who's was to be the door and it was the door, and it's the retien, like a

person the door. And she started to push, to push, to push, until when he was,

that force was, and she fell. He was, he was going. She said, I, I said, I,

said, I, said, I, said, there were, many things that, at the beginning, like,

but I was, to have, like, something seriously, that not attack to one, but he,

attacked a other. The success most extrano, in one night when they were doing, they were going to

hear the the passos of someone, when you, when you you're on the chispoto of the water,

but it was coming in the bayon. And they were very very astustas, abren the and the

the room and the the piece was completely inundated, like if they were had been

puted a ballado of the but but the regadera or the lavans

were they were They were open, of if they were sick. They were they were not able to

support more those socesos and simply decided abandoning the house. Right

where they are living all this is normal but never could know what

was the the water that was tormenting that

never never didn't know it's like a one

is like a other not it can be but

that I know more like something something something something

in no, they're attacking simply it's just a something that

it's not quite that's totally out of the normal. But... But... They're

their forms too, but... They're not. Wow. Wow. For that I understand

what you did you what we did we we're... I'm you know, and so

yeah I've been I've said, I'm that one that one made

so the light of the light, and son't a sounded a plastic

that's like the plastic of the paleta like if you say it's a plastic that's a

sound that's a little a matter or not a other other thing that's

was was and the and the the and the the and the

and you have to give no and laved the lot of

I'm I was I'm was And I and I and I went

and they they were and they're totally open and they're and they're I'm

I think about that's two little that he did so and it went to

the ventana in Merida you know in Yucatans we have these mosquiteros that in my house were

of metal so I I thought and I thought in an insect like if had been a more

been a bit of my and for so I saw it like a and then I went to the

mostkitero where he had come that that's a sphere was like a

circle, like if you'd have an pump of a jobon, and if it would be so if you'd be able to see in the panthear,

for example, a television aped and then it's a form. The markita. Ah, so it was

and so it and then so rare. And in the night, that night occurred that was that

me traumated when I opened the eyes, after it's a piece of trying to give to

a a pesadilla and I saw that there something was that the same night. First was the

water, then was the sphereita and then that occurred that event the night. I think the

entities of any other form, what they're they're they need. Necessita I don't

because how prepare the way, I know, no I don't know.

But there some some manifestations previous to the presence to the grand

manifestation. That's. It's like abonando the terrain. No, no. No, no. So, yeah,

yeah, it's, but I think that's that's the thing to any person. And it

would be interesting in the chat, for favor, in your cajah of the chapter

of this chapter. Quenten us what manifestations have you have you're

that's, that so, so, so, so, I'm, I'm

I'm so I'm sure, that no things locus. Busk in a

sense also of raciocino because the mind is very powerful and you can get to get

to get to not are real or that you know you're not you're not not a conservative and no

liberal and it's paranormal but what manifestations have been you've done you're

or what's you know or what's you can't you you're going to find a point

middle and there there's some there's be very humildes in

to the experiences. I don't that's a total. Not all it has to have an

explanation. I mean, if we don't have an explanation of the world physical.

Yeah, imagineate. Now imagineate of a world in that we know, I don't know

that is that's a sphere, no see that is and I don't know in the

water in the water, it passed and I don't know why.

But, but well, we're to go to my ultimate story? For

favor. All all all right? I think I'm took on the back

I thought that was like Alex saying it's like that like that so. No.

No. Alex is you're sitting tated. Yes, me spanted. It's the effect

Julio. A bit. Amores, odios, and spantos. There's there. I'm going.

I'm going to tell this story for this. Wow. It's that is heavy. This story is called

Sediento. Okay. And it's anonym. You'll be to be because it has much of the elements

of the things that we've talked to at the final. This person us says that even actually

live in Mexico, in Veracruz. This person is originaria of Cuba. She was in Cuba, She lived in Cuba,

her infancy, her youth in a little in this island that isla so important, interesting,

and hermosa. There, in that town, in Cuba, she grew with creencers and culture

distinct to what the rest of Latin America has very particular. In where she was

the influence of the religion Yoruba, was maximum. To all. To all what it was. In this people,

she says all are Joruba. All the people is Yoruba. All of this religion. The people

is a community small and all is a town small and the people and the people know. They know

perfectly for the situation of the place of Cuba. In the noches,

it's like the alumbra public is working at the end, or simply it's a

pan. Cuba is very oscura in the nights. It's very oscura. And in this world,

imagine it, in the night is noche, obscurity total. And the only that's that's

that's a lot of one would be a lot, but they're not used in that

security total, are the tambores. The tambore the tambores are using

because they are using to to the santo, and other type of things. She's of the little bit of Prentia, that this

experience terranal is convivating in each one of us and in general this experience terrenal with something that goes more than

that many people don't want to accept the world spiritual. It's convivating always, divided by a liger aligher telia.

And then the first experience that he took of this type, that she the mark

is when he's six years. In his house a day saw he got

of something something had changed, something had happened, something that had

happened. She did know that in the obscurity of her in a corner,

there had two eyes that they were observing. And she he had

he was not he was six years and first he he was a whole he was a little

he was they were they were and they were to be she he

he he he not just not because we was

we had a not so that those eyes they

they they specifically to her they had like

much a much potency not one one one

one one several times that she sentia that they were observing and and in some the end up in the penumbra, there was

observant her. She said, she said to her not sure because she was a little bit more because she was something they thought that

was something for the experiences that they didn't know her own little. When he was her brother these things

start to intensification yeah not were not just the eyes the

little she was it's not that it's that's a presence that someone

was there and she she was a bit more more more great

had had been his little and he was so I'm and he

was this is going to this is going this I'm I'm scared, I'm

I'm scared. And the papas, they were inquietos, they're in a baby, and they said,

you know, what? We're going to let's go to get to the psychologist. She says that this person,

this doctor, she will hear and he will say what can do. And decide to tell the all of the

eyes and the presence and they're doing and et cetera, and he's a child. And the psychologist,

his is to his is looking attention. is of her of her

brother. No, not is seeing nothing, no there no there's

and he not. Obviously, that's not very because she was a

single in this experience. Then in the house of his other

things were a different when when was the

time the night when the sun was and it's was a

very is the people in the house of the house of the other people the things are

still more than she was more great and she was a little and after

after this after this the psychologist he's looking to attention etc etc then they

they're an house of the you're you're going to be you're going

she she's she's she didn't that was just

you you're you the passillo, but as a first abetation, was it to begated to the kitchen. We'd say,

and to the right was there to be to the kitchen. So, that first night that she'd in this house, occurred at this

situation, commenced to hear a that's just to the sound. And he said that the noise was potent.

He put the pill of a guyina. It was the trote of a cabo. Okay.

It was heard first a little and it was to passers close to your house. For further and deteners out of the house. Then, he was heard of the

rechinnar of the skin of the montura of the cabo. Seguided of this, passos, pesados,

botas, the tintineo of the spuelas. Then, that sound was a house. He was

directly to the kitchen. I used those passes with the tintineo and then

a sound very particular when it was an refrigerator. Then it was still was going

in a and then then, taras and long. So, the club. With paus

in the who, who said, that was taking water, I said

pauses to restir. She was listening this and he said,

he's my abuel that came to get to get but

the sudden the sound. And he said, and I had

nobody in the kitchen. He no he said, he came to the secondaria

this soundion he was a night it was that they were

that they were taking water and so. It's like, the time of the secondary, it was a

day, she was she came to the school, she put to do the task to do a lot of

and she was doing, blah, blah, blah, then she no, merend, very

very, and as well, he was very, very, accelerated his day, she sent me very,

and he said, to the family, that was there was there was there were there talking,

he said, I'm going to go to to do to sleep. So she went and she he's

he's he he's he's his eyes and he gets immediately profoundly

profoundly dormied. But something something he was back from the so

because he started to feel a much fear and he was to see a

presence that was that was and he took that memory

of when he had six years. So, so he went to the son, opened the eyes, he wanted to

get up, and he was able. All his body was totally immobile, and then he felt like a piece he put on her

and he was to undir in the camera. She was there while this he would endia, trying to liberate,

and of And of a repent, he he was trying to to liberate because I heard a sound. The passos

with the spuelas. But you were not out of the house. They were in the

door. He spoke these in your room. And I heard how the

passos were to her. And then the respiration. She was,

she said, that something that was there in her room. Camino for the

room. Then he went to the door, entered to the kitchen, abro the

refri, servio water, took the I was, he said, he was to take

water, and when he said, the refrigerator and so another back, in that

moment, he, he, he was he sort his court, and he

went, and he went and he to the and there was his family

like and he said he said no they're not what you someone

somebody had to get to some some spuelas came to the kitchen opened

the door and he said it was so he's so they're like

like what you about you you've heard much I've heard a

lot of times and he said no here no here no there

She had to live with this during various years, until that he took up 25 years and she moved to

live to Veracruz, there in Veracruz, and being those records of the genet, that had

said, et cetera, then, so a little to little bit, until that he

he was he was totally. Passed the time, and nacio, his first he was,

she was she was She was cremando, and when the little he had three years of age, decided to Cuba with her son.

Super emotionated because she had told to his son, that was a little chiquitit, he had told about the

things that were totally different in the town of Cuba where she was a little, and he was

he was a dark, and the religion and of the tamboures. And, obviously the the boy

didn't know that but he loved the stories of her mom. He says,

we're going to to go to Cuba for that to know his family and know his people. And she was the family,

very content of that they were going to know the nieto, and she had had gone. Some days, he was to

be to be there? Liste. Where are to be? In the room? And then then she

she never was even was a situation. He'd at the night, they were

talking, we're we're to sleep. And just I was concilating the when I started

a real the noise that recognized to inmediate. He came the cabo he was he was

the spuelas but no he took in the kitchen in this occasion.

Continued he went to the room and he to the occasion

she was a gote of a goteo of the that that

this this this decided that no I'm to be

to be so he he's he he was there

and opened the eyes and she she was

that she was there many many times had

occurred so so that on this on not

she was there in the room, there was a figure Alta and Oskura. He was

detained observing. He said that the eyes were dark and disprovist totally of life.

It were the eyes of a woman. The skin has an aspect rugoso, seco.

But the book is the thing more terrorific and perturator that had

seen. He said that grotesquately abiered has a language long and viscosa

of the that got a liquid a black that was what was that was what I'm

like gotitas she was she was observing to the creature to this being trying to

understand what it but then saw that he he impacted this

was this ser had something in in the hand, his

his he was he was he was he he was he he was

he was he he had he had he he was he was so

the the entity with the language of he said

she she she she she she was she got

impacted she he he and he took a his son and he went to go

to the room the little he was going and all they were when

he said when he said the abuel the abuela they said that they've heard

the spuelas that in this occasion did it they were and when they were to

they were to try to to explain what had said she

she said she He regressed to Veracruz with his and the and the family no they're going to put a foot

in that room. I think that's not not the story, that something something

did they're in that situation. I'm get the same sensation and the and the

abelos had what they've done. Yeah. Yeah. Yeah. Yeah.

Yeah. Me, me, me, me, me, me, It's very very very

one to have to have to be in a his son or a manches.

Or me have to or? Oh, I can even have to be dead to say,

yeah, yes, yeah, the image me made a very impacted

because the entity was horrible and the form in the thing that

imagine that you know, no, you're you, you're you're

you and the first, the first night that you get to

the a people of Cuba, the entity you're up. And is that in Cuba, Cuba is very pesed. Cuba, Haiti, parts of Brazil, parts of

Colombia. And Republic of Dominican? That's a yes. Only that Dominican is a little more reserved. But to

share a frontier with Haiti, then they're clearly they're going to one side to other. So, if it's normal.

But, this is that us is that we're our friend Raphael Lopez from Indianapolis.

Wow. How's the name? Rafael Lopez. No, let me. A bit, Concentratate, for a bit more. The arroyo,

it's called. And of all the stories, I think that's the that the most me... I'm

impacted, more than to impact me, me commovio. Res. The story is it's story she was to

her father. We're to call it Raphael, Papa. And Raphael Papa he told

that this story here in turn to a Juan a boy a boy a little a little

normal in a family a family camppesina mom and he was the only the only

his own the only his and they and those they were some

they're to help and to buy and that they they're a family

very almost all the father of Juan was He was up very

time to ordain the vacas and Juan at the morning he was

up to help to help to help so it so it result that

in that's in that's a caron can't so moved

like a yeah and it was here didn't no so

where was that so so not so I so but

no or so I think that the well can't can't the

but not we don't We don't know we're just at the end of the We're saying the passio? No. But son- Okay, so if I wierce... I'm...

I'm going to go to be. Wait. Wait. Look. No, wait. But, look. If we used, no,

so it would have filtered the sound. And is that I've got very very, I felt like me, I really, I felt like me, I felt like,

that I was saying, Alex, like, I'm, I don't know, I'm going to change the battery or or something. A bit.

This, when we are you Yeah, I Jalamos energy Yeah, we We're gonna We're gonna Yeah, we're There's

There's Let's make Let's make In this moment Different is The energy Fepo, Alex,

and Julio If you can be a An entity And since you've got You've seen The same

What the is that You're just You're doing More conscientia to Your intuition you've been

been marking your aperture of a third eye to have

been going to be your part of your have been you know signaled

signaled and you know, pertain is a woman that was

in much soled in much that's that I could not

not a really simply he'd help yeah about about

and we're going to put a one a

a So, So, The Papa went to prepare the disjune and they were in a

coffee with some of the guys that are very famous in Veracruz that are animals,

the gadgets of animalsitos. The gadgets of animals but when were to allista the

guys, only had five. So the father he said, Juan, go to

Don Miguel, to the Tienda, you I'm, and I don't

you're on where is the Gaud. He went to Juan, he went to Don Miguel, Don Miguel,

for a friend of some of guillities of animals, he'll buy five of the gadgets, and he was to look to his father.

In that the river began to the arroyo because it was a torment a strong.

And obligatorially to get to get to where the man had to cross the arroo and Juan

with with all his valentia of 10 years that one's he created, Superman, he was to cross the arroo. He was a

storm a stormy and the father of Juan began to not to know to know

his son. And it starts to gover very very and he into that

that and that angustia and he he was to be to be to be

he was and they are to find to Juan for all

the people. are where Don Miguel Don Miguel said He came about two hours and a minute He said

and got a catas of animals and I know I'm supposed that I'm a car in the house with you know

this was Box Populi whole the Juan never appeared passed 15

years and Don Miguel was attending his he was sitting

in front of the tent and he he was hello Don Miguel, how I've been? And he's He kept looking

like, You, who are the boy? Don Miguel, how do you remember, if I'm Juan,

I'm a few minutes I came to buy some some he's a more, he's more

more more more than he was he said the kid he said to the he said

he said I'm going to go to be my parents my when I

went when when Juan he came He went the grand

surprise that his house was that was a distinct was very very

was very she was a poor so he opened the door

and he said you he's here and this is

the sir the man more more canas he said

he he man you who And he said, And he said, He said,

I'm going to Juan, I'm going to you know, you're going you're why you're so,

and he's he was going to he said, he said, Juan, have passed 15 years since we've

seen the and the little, I went to the man, he grew up, and I'm in a in a formation

of the piece of and there was the way and there was the there

and there in many Ceres, like many the but that were in, and I

played with them a rata while was the water and could be here to be here to be here

to be here to be we and the the new and the man was he's a man and

he's a he's to tell to the father of the father of Juan what was

and the two see the the man they're going to get

Effectively, the boy to the rollo, go to a formation of a fire, and he's, come,

and he's, when he's when he's a man, and he's a only had in the last time

that they were the last time that you did you. How you see? Oh, no manches

that's, if I got me I'm going to do you. It's very very strong. Look,

we had to we've been going to be four and four stories and we're a lot of a monoton

of things yeah that's that I'm really that's that wow yeah yeah

yeah yeah wow oh it's how you like you like wow

wow what's yeah but what what's what yeah

I'm yeah I'm I'm maybe it's maybe it's a spectro but it's

very rare to so, no. And you're saying, his papa, here I'm but I've heard a lot

of stories that literally that's really a open the and there's there. And the

time no doesn't pass it well. No, the time not exactly. That's what

we said a rata, is how you enter to that other dimension. Yes, totally.

But here, a kid there's a dimension of the light. Yes,

of the are the light. But at the way, I know see, in

50 years, you know, you know, it's a man a messenger. His mission

the did it. What was? No. Yeah. It's the hour that you're going

to us. No, man. That barbar. What barbar. What a great

story, mandarin, eh? Yeah, what, wow. Oh, um,

we're, we're, we're to finalize for this I've got a question. I've got much curiosity to go to

get to what's what's movue. But much curiosity. And you thank you much much.

I'm really, the stories, the, this, all what came to the most,

the cards, this great story that made sure, and others that are much me know,

before we're on us, social, platforms, all. Sure, that's me can't

musical paranormal in Facebook, and musicalement PuntorN, Facebook, Instagram,

TikTok, and in YouTube and Spotify as Musical. Paranormal. Welcome. And thanks for invite me and thanks to your

friend and thank you. and a friend for opening the doors of your house. No, man, much, many,

thanks, thanks. Well, yeah, we want to to record to the people,

that the email, that is the is the page in the description, because probably probably

then we're going to probably then we're about podcast paranormal. com.

There can can send those experiences, evidence, and more. For

favor, put it in the issue of the general they're in the thing that the general people,

animals, and animals of the stories of animals and they're those stories of people as and write

to the more that can't, clavens in the details important and they're

not those details that not important, for that's narrate in a form. And, uh, and,

uh, if you're that's anonym anonymous or an Anonymous, no, so you'll be to put it. At first, at the first of the corral of so, hello, FEPO, I want that my story is anonym. For favor,

for that for you, for you. Much thanks. I hope that has liked and served the information that's managed and the experiences that you've shared. We'll see. The next time. Thanks, Julio. A team, my. You know, you know, in Insomnia,

where we're going to relattar the experiences real, more terrorificas. So, so listen them. If you're treven. Chau. Bye.