INSOMNIO - ¡EL EJÉRCITO ESCONDÍA A UNA SIRENA! | Relatos REALES de sirenas

Episode Date: February 5, 2026

¿Qué se esconde realmente en el mar? 🪸🧜🏼‍♀️👁️En este episodio de #Insomnio se reúnen Fermex, Maestro del Terror, y Alex Myers, parte del crew paranormal, creador de contenido que investiga y revela historias de misterio, presencias y entidades no humanas. 🎏🐡🧜🏼‍♂️Juntos hablan de historias de terror basadas en hechos reales de criaturas marinas, sirenas, entidades acuáticas y presencias antiguas que han sido vistas por pescadores, buzos y testigos comunes.🧜🏻‍♀️😈Escucharás relatos sobre El Gentil, una criatura del mar vista durante tormentas, historias de pescadores que escucharon cantos bajo el agua y nunca volvieron a ser los mismos, sirenas en pozos y bosques, objetos del mar que te llaman por tu nombre, archivos clasificados del Ejército Mexicano sobre entidades no humanas, y ofrendas antiguas en cenotes de Yucatán donde algo sigue viviendo debajo del agua.😰🦐Muchas de estas experiencias paranormales comienzan con un sonido, una presencia o una advertencia.⚠️👹👉🏻 No te pierdas este capítulo, suscríbete, activa la campanita y cuéntanos en los comentarios:¿Crees que el mar esconde entidades que no deberían ser despertadas?😈😰🧜🏼‍♀️Redes de Fepo:https://www.instagram.com/fepomxhttps://x.com/fepomx👻 Redes de Mariana Maus:https://www.instagram.com/darthmaus666https://www.instagram.com/platicasocultashttps://youtube.com/@platicasocultas👻 Redes de Fermex:https://www.instagram.com/fermex22https://www.tiktok.com/@fermex022😈 Redes del Invitado:https://www.instagram.com/alexmyersoffhttps://youtube.com/@alexmyersoffhttps://www.tiktok.com/@alexmyersoff🫡 Síguenos en redes sociales para más contenido: https://www.tiktok.com/@podcast.insomnio https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio👻 Comparte Historias, Memes y Evidencias Paranormales📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail]✨Grupo oficial de Facebook: https://www.facebook.com/groups/548487930178860💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx🛒Compra Merch Exclusiva aquí👇🏼 http://store.podcastparanormal.com/tienda/📧 Consultas empresariales:[e-mail]. #Sirenas #Mermaids #RealMermaids #Insomnio #Fermex #AlexMyers #Paranormal #SirenasReales #HistoriasDeTerror #HistoriasReales #TerrorReal #Horror #Miedo #PodcastDeTerror #PodcastParanormal #MaestrosDelTerror #EntidadesMarinas #CriaturasDelMar #LeyendasDelMar #MitosYLeyendas #Océano #Mar #OceanMystery #SeaCreatures #OceanHorror #DeepSea #DeepOcean #CreepyOcean #MarineMystery #ParanormalStories #TrueHorror #ScaryStories #HorrorStories #ParanormalActivity #NuevaTemporada2026

Amigos, how are? Welcome to a new Capituale. Today we have an invite-a-do-luc. Today is with us. My dear friend,

companyer, well, to come here. Alex Myers. Ammig, how is very good. A lot of being here.

First time with you, grabbing a capitual. And, so, very emosonable for the

time that we going to talk the day to you. Fikate that I'm very very emosionated

Alex, because I know that you in some moment you've had much convivance with the

mar. You were as a peskador, you've been much time in Altamar, de actually, you can't

literally, peskando, tendient, tendient, those experiences of, being in contact with

something so that impolos, so imponent that is the mar, the ocean. And today

us going to tell some of those stories, and that me have very very emos

because that, that be to be a voice, of someone that was in contact

with the water, with the ocean, me put me very emocionado,

you know, because I know, I like much this type of stories. But, my friend,

before you know your your social, platforms, what are you doing what you want to do you want to be

well, well, then you can't find in Instagram like Alex Myers Off, all of

little bit Alex Myers official in YouTube. And, now I did I'm to the

production here in podcast paranormal, in insomio, in pulse, incitante, no human

the new project that has FEP of Podcast baranormal. And, well, very emoconized. Even even, there tips to

those of the here. Because, I've goto much experience, thanks to start with PEPO, no? And, well, very emotional. And you have been brought, man. I've seen in the montage, in the production, in quadres, it's all. The is the fact is that you do

very well. And we're all to learn of you, because if you know, you know, know, very good. No, much, thanks, you know, man. Oh, yeah, Alex, before

to start with these stories, I want to share something. I want to give your

opinion. No we can start to talk to not not even of the

cases most iconic that's most about the question.

It's one of the case. I'm going to see to be to be the stories that they

we made make thinking and I said it's all the logic of the world.

It's for that I want to start with this history that's the most

known of Syrenas at least in Mexico this history is in the

Port of Acapulco in the years maybe finales of the 60s

and the the I'm talking the the story of

cantinflas and the Syrenas I know that you know

I'm investigating some those data very specific and I found things and I'm that I'm going to

think that this story as this remont to the years 70s and has its location in Acapulco

in Guerrero it's said that in these years Cantinflas a large mansion to the

area of the mar specifically in a place in a Brisas me perhaps

there in the Brisas he He bought this mansion. In those years, in the years 70s, we we understand that not even, maybe so, perhaps, tan, pan-pobladas, these zones, no there were a lot of times,

it was a little bit more pegged to the naturalness, the constructions. He bought this mansion, and it's said that bought this mansion, Cantinflas, because before before buying, yeah had heard rumors that, for some reason, that we know we know what is, some Ceres of the

Mar is a a corner to the area of this mansion. I don't if if

there were a tunnel, no if there were something that's that's these are

the sirenas. Now, the description of these sirenas not is how we know,

because these these are coming, Cantinflas and then this mansion and

so he and so and it to be to the observation and with the

the more to get to so so so that so so that

day of today if you go, well, the mansion is in ruins, but you can't find still vestigies of great statues of marble, of pietra, with figures of sirenas, there were great murals made with, um, with

pictures of sirens. Well, all the mansion had a decoration of sirenas impressive. This was like a way of, or to offer them a menace, or to say, here are bienvenies. Pass the time

and it's said that canty inflats every bit and so obsessionable with this theme of the sirenas a tall grade that in

many occasions he discovered with great valdes or great cubetas of carne cruda abentatantly to the mar

in the oria this mansion had a piece of a little portecito where they were lanchitas

and all this in that in that the little porto there he he was

he discovered abentando great pieces of car crud, with the intention of

these these would be the attention and they are the area. It's

it's a moment it was but also in many times Iventable

the car crud to the sea and not there that

that that was that sometimes flotando to be

the to the other houses of the the

back the mal olor it can understand because

because it's Cairne cruda, the contact direct with the sun of Capulco that is fortisim,

acelerable the decomposition of the and as a day, a little bit of the house of other people

and it was the olor fetid. It's one of these occasions in one of his

one of his his son that in that he was a there's a evidence of

this young that's he says he says his rostro but

he says I'm with my father to the residence of cantinflas. I no saw who was, I was very young, no knew of that was a person and my father and I

went, well, not to reclamar, but so say, oh,ga, no, I'm saying, no, I'm trying to the brough of my house,

and the aroma is very fearing. Entran to the mansion, the recive cantinflas, for some motive, I, coincidion with him,

the father, he's to reclame in good plan, saying to him no do it. While this chico is a

submerged for the history of the sirenas for these murals, and he's and he's to come in

the house until that's just to get to this mollies where cantinflas

tiraba the carne. There's the statue. Where is the statue? Where is the

statue? While his father is talking to this young is and what he he he

he he he has perpleho because he he was he he was there were

some there's just this carne that had been to reclamar but of the water

see how they come some some of a species not of a woman not of

he he he's he's he's not I'm in an interview that they

do you do pieces with eyes um no is like this

beauty that's that's describe the sirenas, that are beautiful, that are most, that have the middle of the woman, a woman, the other half,

then literally, a cola of peskado, no. He said that he said that he said, he was a bit fission to feel fission to

the eyes, but literally describe a peskado, a peskado with eyes so, so, asy, as he,

so, like, a peskado he's spanta, he's, he, he, he, he, to where is his father

he's he's he's he's but the he's got to they're going and this

young and this young he went the history many years after what he was real

and I think that in some something can'tinflas if took contact with

these because even even they even they even they're to

even in this mansion where he was the elite political

and the artists of the time, we've got a lex.

Yeah, to finalize the story, in the part of the mansion there was a piece of

tunnel that was a little a little little alberkita that was in a,

well, how can say, like in a patio to do a little

a little alberka that was direct to the ocean and in many many occasions

some people came to manifest that in these fiest that

are privates, of that alberkita was a a certain very similar to what we

could we describe as a syrenna. This means that in some moment, Cantinflas,

if he took contact with these and more to have contact with them, more than

that he got, he's not know how call him a amistad, I've

established some a little with them, because for yeah put

this tunnel and that could allow to them say and that he could be

to show to his invitators what he was to see or to do that's

to find out that's fabulous. And there many many people of the farandula,

of the politics of the years 60, 70s that they say can't

infathing if he took contact with these series and you're

familiar of cantinflas if no my not his not

to say that was that just that they infamar No, that they'd have

Vista. The persons that saw in this They were Vistas And one of them does a

in-vibing in a manse in a mansion, yet destroyed in years and he passed a similar to

what you to do you once to get to the mansion and then to get to get a

and then a Pounder a P-u-you- but that came from the man the

Piedra and the and the child came but he didn't

do that he did do he did that Cantinflas. A me

is very particular. A me very interesting because it's a question. It's the

story told of one of the people most famous of the years 70s of Mexico and a

reference of the cinema to the world. So, I don't think that has been

playing, no, I think that simply have been rumours. You, what do you

think? No, to me, well, this story of Candinflas, yeah, yeah,

I just, you know, one you, you pass this in a story, and it's very particular. I always I always

came to enter to explore that house. I mean, I mean, I'm going to the city of Mexico,

I said, I'm going to go to the house of can't when I'm when I'm that's

that's well, I'm, well, but it's real. It can be real, because there

anecdotas. For example, I don't I know if you want to you can't you, there's a

anecdote of a person just in Islare. where, where I I was, know,

where I was two years a year, in a moorje, just in a moor, even a

man, he had a house, he had a house, then he was very time to

the peska, he was to go to the caron. But, the, to go to the caron

no implic to get to the mar, you know, you're in the you're in the area,

or so, so, no, no, no, no, there's, you know,

he's something, so, So, that So, that's So, I'm in perfect Stato. Or so,

no, there were like that was going to get to be in a lot of, like, you know,

like, you know, that's bad, of those faculties, and then, then a time, he,

he, he's, and he starts, to delirar, and he says, no, I was, I was,

I was, and so, so, he, so, you've, no, are they,

are they, so, are, they, are, they, And all the people, I mean,

in the whole island so, like, what's the thing, no, so,

don't, Don, Don, Don, Ramiro, so, so, so,

he said, so the time, he was, he was, he said, to, a, a,

a, a, even, even, always, at the six of the morning,

agrava a little lanchita, as, so, so, so, so,

so, so, and in Campeche, and in various points costero,

no, So, he was, he metia just to the manglar, and of that, I mean,

I mean, again to say, to say, it was, it was, very, uh,

many, uh, so far as, no, not was a, no, not was a coerent

until that, uh, a, a, a, and, and,

he, he said, really, he, he, he, de, the,

he, the, he, he, a, He was a ser, Salia a and that he

he'd and he was a normal, you know, it was a something, it was, like,

he, like, he, like, he, like, he, he,

he'd, he'd, he'd, he'd, he, he'd, like, the voluntal,

the, the voluntat, exactly. Uh, so, so, a day, this sir, It was approximately

Like, about four years approximately to him they're in the moyee Mewo'emuerto.

He quit the life yeah no I want to. No mancha And so and all they're

with that he's a serena that's a that's a that's that's wow

is that I don't I'm how how how explain it? No

I'd to quit the romanticism that have the stories of sirenas but not is the only case that I've heard that

one person has been in contact with these many people obviously the cinema the movies Hollywood

principally has orillated this type of stories that's a fantasy it has romantic a world

quite beautiful sirenitas with the cabellio large you know super bonit super-styledas

and the reality, after to know these stories, after to know what you've got to the reality can be more cruent than what we

imagine us. This is, this I've about you about that this young in Acapulco be a

sirena, in theory, but be a certain that's all, but literally full of scams

with eyes human, no, no, describe a person a person a woman

of her. What you have you said, imagine the impression of this sir. Imagineate the impact

psychological that could have been to have been to these. Now, this what you say is, it has been much sense. More ahead, you're going to know why I'll tell you. Let's go to give a micro-spoiler.

One of the stories that I is a story classified of a person of the army that no quissue that's a number and that

much data technical about these and this you know, that this man

he said, he said, and then he went to enloqueser, enloqueser, enloqueser, in lokeeser,

has been much, much sense. Of actually, many, so, much people, they say,

to find me with a certain, a man, no, he's known, he said, no,

it would, it's a, but you know, the, the consequences that can have ,

there are many stories that are the same. I mean, there are some that don't damage, but there are some

that you can cost to the life, how he passed to this man. It's very dangerous, it's very

dangerous. The fact, I don't, I'm, I was, I never ever was a idea,

I'm going to get a sirenah, I'm in buska of other things. I'm

so, oh, I'm going to be a, but just to be it, you know, so,

all this type of things. But I I think it's the only that I'd know that's

a lot of a siren. A me too me too because, for what you have you said they're in the

capacity to make the control and the ability of your actions of your body and the what you

want to be you're at your and you're and also that's that that's that can't,

how can't you can't how you don't even that you're in an expedition like you you're

to be to be to be to be prepared for this. But in other way, if you're a peskador and you're going to Altamar, then you know

doesn't have protection. I think there's much people who don't have the knowledge to to put to find this type of things. You know where is the major error, I think I,

before that you start this story, the major error is in not creer. Because when no crees, as in many things, when

not you're, when you're in the sirenas in this case and you Lanzas, Altamar, is that when they're

this type of things, because you're that are the legends, because you're the sirenas, the gawals, the brujeria, no exists,

are the they're going to more vulnerable we're at this type of situations or at this type of series.

But are, they're very interesting. You want to you? The first story of the night?

Yes, see, see. Look. This story, Alex, is the

The call of the Mar, and us it's a envied Bernardo Hernandez. Let's start with a story a history. It's a story that's a

story that when I read me, me made to think much things. The call of the

mar suced in the Port of Veracruz. And we talk of a a peskador

justam by a person who is Bernard Hernandez. The story is situa approximately in the

70s, 80s, where he in the Port of Veracruz was dedicated to the peska, but a I know how they

call it in a scale very little, not it's like that's going in a little bit a little

lancha with redes and I'm to sell that product revendal well in Campeche

is it's like lancear you you're you're in a point with your GPS

fum they're at the red, recogen. Perfect. That's, that, that wanted to get. Well, he's dedicated to that little pesca, a back scale, and what recogia of the mar, yeah, yeah, he's a pescad, cameron, no see, any sort of, whatever species,

he recogia, it, but, I'm imagine, the mariskeries, no see, there's, there, there's, or to the bodegas, or to the bodegas, no, I don't know idea. So, to this was dedicated, but Bernardo was always was accompanied, for his little his

that in that he was he was he was he was he was he was

the art because it's an art is another a tradition that it's a

matter and you know you know you're so he was he was

he was you know to know to know to know to know to the process

of the and how localization the bank of the places in the

place in the place so always always she always was to

accompany of his he said, and the little bit of particular for the mar. It said that the

little, he was a love the mar, had a fascination to be always with his father in Altamar,

to be the water, always he kept seeing to the man to a way very special,

because even even it can say that it was a way, very,

particular. In one of those occasions in they were in Altamar abient the red,

and, and then a bank of peskation that was they've detected.

But when they're they're to get to get to get to feel like the

piece of more, because there is a something that's there's something that's

like just like trying to get to get to get to get

to get to have to get a curiosity of what is

that what is when they get completely the red are

in the appellated, it's like, for a piece of a lansh or a lancha that discovered that in effect

they had been in effect, but also in the middle of those those pieces that there a little

a little a little and a little and a little and he's not he doesn't like a

delfin adult or as a littlefin a little in a time in a

and it was what was caught and it was it was they were they were they were they're

the delfin had a little bit alex the delfin I was like if had mordied

with the no see he'd know the or the bockita of the delfin

I was he had been redado but not enred but not enredasas with

his dentec a special a but it was a special was a

was a was a coll made with conches like with caracoles, etc. It was great,

but at the center of the collars, if you to do you gollas, here at the center, he'd call down a caracol of these great with those who make soundings the people. He was described

no more, not more than the palm is human. So, I want to think that it was a caracol more or less of this. So,

like if were a medallon, like if I were a medallon, that if I would imagine that I'd like so to make like that would be like so the caracol.

And all the other were conchitas, they were pieces small little of the sea, so the delfin

he was not like it was not like if it was being it was like if it was put up

like it like it was like it was like it was putt it obviously

not it was in the the old the the man

he he he he and he he he and he

and he he he he he he was

the let's let's let's let's let's let's let's the little bit of the lion and bernardo no care for some reason he was obsessedon with this little treasure that the delfin trailed in his boquita and

he's he let himitpink not solda emit a little soniditos of these sonnidos that are in the delfines and something like that and he was aferrava the collar tarded in quitar

but it was too much time in to quit. When he was the delfin started to move to a

matter erratica the little regressal regressal regressal and

bernardo no he said he opened with the ocic

when yeah the delfin no had the he he aback

the and he was he he was a a

true when when he turned the The delfin Yeah, no

He was in The little. The boy was No, No, he said, No, it's not, you're

Mattas't, a Bernardo no, he imported nothing. He got the delfin, he was,

and he went to the marr again. Incluso, the cruelty didn't know

there, and they were accompanied of other peskators, it was a bit, I imagine

that more or less great and the other pescadores, they said, why did you did it? We put him been sold, yeah, be complete or

for parts and to the delfines, they're paying well. And he said, no, it's too very little. No, me served for nothing. And he was,

that day, Bernardo, says, and he's repented profoundly of this. The little he put to doererer

much, much, because I feel horrible, sent it horrible, the having seen how his

father, for a collier that for them was a really, he was a

man, he was a real, he was he said, he was, he was red,

he put to have solded, no he did, he was aferro, the

little he was destroyed. No I was how react after this

because it was the first that was the the cruelty ante an animal isproteged

that simply I wanted to preserve what I'd in the box. One that's

this, Bernard Vel the collar he he'd totally the importance

and he does his his son. The little take the collar and he

he's he has he got like a record of that day in the

his father most the true he could do

you You could have many speculations and you could say to who pertainty the collar, maybe was one of these artisanias that they're at the bray of the play. Someone was to go to the fund. The delfin he found out of the story saying, well, the boy of the coin and no

succeeded nothing. But no. Soceded many things. The boyar like a little treasure. And conformed to pass the days

and they're, well, they're in their work, in the man, the little he was

he had a and he he was here, but not he was he was only he, but he

a, a medal, no? Ah, that was the caracol, the caracol gigante,

well, gigante of the time of a man, he, I'm, I'm,

he's heard that you've heard that when you put this caracol you can't you can't

you can't get and he he's used and in many occasions he said to his

father to learn he said and he he said what you he said he said

like like if someone he said oh my love he said he said

he said that those are some so that so that he took the time

for he to hear the caracol and always he had a his little

he was a he was never never he took a time but with

the past of the days he he was to be that the little

was to be a more his more his more

his obsession for more more time and he

he he he he he he he he

and he being the man never the more

the to have to talk to his friends, I don't go to go to go to

the school, I'm always I'm always with the caracol

in the o'id. No was it was to a time in that

that was it was the obscurity the obscurid they got a little

the sun was maybe a bit a bit a little before

the little was with the caracole here they

were they They were they went to regress to house. Bernard was in the caracers

propios of the barco, the peska that had had been that he was

his his his his little on the barco with

this here. It was a second when Bernard turned

to look to look to see to be to

see to his father and the last he

the the He was. Bernardo he said, no I know what was

and the little and the he was he left to go to get to the mar.

Bernardo he said, he said that the he knew that he was in middle of

the obscurity Bernard he gritt for his name the he says he grita

he he grita all the all those people are those that go

he went to he he all around, these lamps grand, that then they've been

to light to light, to be able to find him to look to him back. Hamas. Passed

hours that day, that afternoon called to the guard costterer, get them people

specialised in busk and came out, um, this, um, the,

uh, the marina, no? The marina, so, When I got people special, never, never encountered

the child, never. The only that they found at final of that was the collar.

But the rest of the new never, never, they've never ever, they've got in this

story, no, there was a contact direct with a siren no there were,

uh, these stories where these these and they're these and they're

they're they, but But Bernardo says that he is totally sure

that one of these he went to he lamented profoundly not have heard the can't

the can't the cairns in that caracol that his his his

his day of he has still the caracol he is a person adult

and is a person of the third age he says that he's

he doesn't not in a fantasy a loca of his and a he has

put that caracole in the o'id trying to to hear to hear to hear a little

never has not seen no a no, no, silence absolute

the the same silence that was, I've kept in his

life after after what what what you think

what that Mm-hmm. So, because, because, well, uh, to the species,

not, to the life marina? Yeah. All to let, then, that, that's, that's,

that's, for, for, for, for, for, for, for,

for, for, it's, something, uh, I, I'd, it's something

that, it's, because, one of, it, we took, it, I have

conted in Noche Paranormal that one one of a manatee but it was without it was in

being in Alta Mar to this manat this manat you're and believe that the

people that they were they were their and they they were you're firted

that me from when I went I went very many times at the

but I was a me they said my mom in special that never me never ever a conchita

because I said that no me pertaincy and that not tomara the things that not that are not that pertaintsen in the natural

then that that not not that or you could be to try to maybe a bad or I don't

see, something something is that it's like it's like if you maltratas a arbor

or so also you have consequences of something that's you can't pass, no,

because you're doing a something, you know, you know, you know, you know, because,

is there it's there, it's like I'm like you go to pay, or so, why you're to be able to

get a to get a something, no, the minimum, but why you're going to you're going to

do you, so, that's a thing a thing little, not, not is correct,

I think is exactly the same with the same, we have to have to have to

have much respect. Yes, totally. Of actually, when we We used to, I mean, to do you know,

a, a, so, before, earlierment was Christian. You? Yeah.

Earlierment was Christian, so, we always we'd always, we'd say, to do you,

and that we're always, and that, so, so, we know, we're going, we,

we have to come, so we, so we're to have to have to have to my,

I, I, to pass, Feeas, Cases, I'm Cousy, I mean,

it's still to say it but I'm it's more than three years that I'm to the mar To be a

MEDO Fiatte that even there's stories of, and no me let's mention, people

that's the day of today and to you're to do you to do you're

to do to the Peska and before to come to they're

they're they're they're they're permission to get to to what's they're doing

to get to get to the pesk get to get to give them they're they're

they're they're for provide that type of food of the fact when when you

the same the same the best yeah because in occasions so yeah

for to start to start my story in occasions there there

there was there sometimes there we're saying't and we we were

piscim we we're we're And we're with good Pesca. That's the naturalness, responding to the...

So, always have to be very good to be a great so. So, well, the first story

that I'm going to talk, is the general, the gentil. And we and we're called Michael

Rodriguez. This story not he passed to him, he passed to his father.

He said that this history passed approximately like 49-9 years. Okay.

He is originario of a a Pueblito of Halisco, that's 39 minutes of Puerto Bayarta. Yes, it's very very close.

So, so, his papa was, his dad was his transport of Platano and

cocoa. He said that night were approximately like at the night with his father,

that's called Filiberto, that has 70 years. So, they're they're that they

that, there were many factors that, that, maybe, not they were to get to Puerto

Bayerta. Okay? So, they had to go to because no had another transport.

We were talking about of the almost 50 years, no? The papa of

the child of Miguel was turned with the father that was that's

so was approximately like two hours of remado until get to get to

certain points. What what is that night is that it's a see a

storm in that the storming the the mar starts literally

just they were a lamp of a that they was that was

that literally nothing so then then then they

had had to them to them to get much frio. They started

very because, the storm the storm the water and the way, so,

not very very frequent, you know, not like particularly is calm he's, he's,

he's very brusco, the holes, even even even to remar them costable. Dice

that they started to, a, to send an an odor very

very A mixture between water pardida algas it's it's it's

very strange even there's a moment where they were they were

they were they were so so it thought they were that they're

in a zone rockosa It's dangerous no it so

so it in Porto Bayerta there a one

there is a one a called the coast. Uh-huh. That's a zone where the

mar is a different to all. Incluso, there are certain hours that you pass and it's

difficult that you can't get to that's that you have been to the

coast when of a repented a um an impact in the proa of

the canoe uh says that's he's he some meters

and he will be to get but in the moment the

the cluerdas but he got with rockas well they said

they're they're like they're a okay but they were not they're

not they're so so so so then the and then

they're they're they're they're they're in the stomach to

the the father of Miguel so he desconcerted and

And he will help to his Papa, no? Uh-huh. So, his he said

that was with the book abirted and with the eyes and that he he was

he was he's not the rest of the response. Uh-huh. You're you're

good, you're not you're the only reaction that he was a was too

uh he said he said he he got the lampara of the

that he had he had come and that the the border of the cano, he saw a

with a head great. He said that was that was never, or something,

or so, something, never, never before that had some eyes big, amarillos,

and that in the body, he disrended so like, something, even

even even had algas. He said he had some his hands gigantic.

Like if have aletitas, no, in the right? Exactly

like it's a He's a name in special but no I don't know

I'm not he's that he said I'm very little but that this ser

he got of the cano and that and that he was he was completely

the cano he trepa he's subio he he's he

he he he agar two platanos a cocoa, but no I'd

never to see a the father the father was very very impressioned

for what he had seen. So, so it passed approximately about five minutes

the the being and he submerged to the profundity the father of

Philiberto uh says that's he said he he he

And he He was He gave Aire And he He said To the He said to

Hema Rema And no Voltees Atras And They're To get a

Puerto Bajarta Yeah all Mojados Tembloros And And

Dissing And someone Someone Known And he He said What

What's What? And they They said They're They've They've They've

They've They've They're They've No, there was rastros that was that, he was, he was he, he said, he was he commented.

Yes, there are many people that have commented that for that one, they've been to this ser. The cell is the gentil.

The gentil? So, and they're good that they're not provocative, because if you know, you know,

you know, the story? There's, there's the story? Yes. A me I'd like it. I mean, I'd like to find one of those

Ceres. I'd say that I'm erie. I mean, I'm erie right because me projecte. Imagineate. So, we're talking

of the last 50 years where no there was a motor that could say, let's say, let's say, maybe they'd have the possibility.

Exactly, yeah. So, no, no, no, I was like, well, then to be in canoah. I,

I know what is to be in a canoe because also I'm to be there to go to get to the carol,

a certain things, no, the mashkil, which is like these cangrejo, that's

that's a carnada of pulp. Oh, then so, I'm, I'm, I mean,

that's, that's, that's, that's a story, of that should be something

something but imagine to find a, and that a, so, and that

you can do you can't do Imagineate how fabulous that would have to first hand the confirmation

of that these stories, look, these stories, Alex, are remonted even before the time

pre-Hispanica. So, before, of this rollo. The fact, the Spanish,

there are a script where they describe an kind of a species of the abistamient when

the little, the Santa Maria with Christopal Colon, Describes, some are they're delphines, others are they're beings, they're beings,

there are things very concretes about the abistamination of these centuries after, years after of this.

No, I think that a coincidence, no I think that they're simple legends, I mean, I mean,

that I think that are that's like this that you've to tell, they're are stories that

the public, some stories that we're going to the community. I guess because that's I think that

there's stories like the that's going to that's saying for favor maintain the anonymat my name

any anything that can be able to me for favor maintain them an

anonymat if they were stories that the people say I'm I'm I'm

to be to be to say my name it's a little bit, but you'd but when

are stories so far like this that you just a you know, it's not more than

I'm just some day, some day we'll get the good, to encounter with one of these

series, I mean I'm I'm really, I'm really, I'm really,

I'm really, and the next, and the next thing, is, it's, what you're

what you're that's going, is that you're in these things of the Syrenas that's

pass distinct, you know, to any any it's not a question.

So, let's tell me the story. Look, this story, of this

story, I'm going to learn some little specific in the descriptions

that they do, before to start the story, we've doubted

much before to this. Not because not because not because it's

because it has been consequences reales for me if is to get to

to discover my identity. No I'm going to give my name, no I'll give any data that me identifike. Aung-as-see,

I see that this message and that is a lot of public, has risk because we're very few people that know this story.

It's saying, I'm an element active of the forces Armadas Mexicanas. My rank is Sargento

1. For my function, for the things that I've had been access

during years to information that no is a parted out of certain circles operatives. And he

says, no, I'm about the articles, I'm about reports actual,

actual, classificed, those which are in course, his investigation and the annexing

more more proof to this type of expedients. He's that has participated

in operations conjuncts between the exorcist Mexican and the marina no

has a non-es or maybe no one those want to do you do

but it's super clear is being in Altamar to do localization and capture but

oh-o- no about the crime organized no about the

delinquency is a kind of a special like an

elite enfocated and here is where I go to specifically in entities of origin

of the known asocied to the environments aquatic. As he as he described,

documented in zones costters of Pacific and in other areas where have been this type

of the sight of this story that we is going and it is developed

and it's in the installations navals of acapulco where

he he assur he assurred that they are in resguard in these

installations navas in Acapulco, they maintain in resguards one or various of these entities, and it's classificate

as organisms not identifications of comportament no human, recuperated, tracred after incidents in the mar-abirt.

Here is where it's where the story. And he says, what I can say is that these are

not are human, to start, they're, they're, they're in the profundities of the

mar and for some motive, they have the mission to capture these to get to

this here in a part very important and the which always always

always relucing in many this sergeant first of the forces

armadas that the team of the team of the team of the

work and under the commandos states there is where all

it's it's sense. Because the United, the Americans, we know

of many those projects secretos that have done over over decades. Not only

of this type, of many people, we've commented to the can't

the podcast paranormal, it's a lot of in in notches

Paranormal, of those these projects secretos that the government

of the government of the United has done a time

one of those one of those projects ,

per me, is a case with the army and the military and

the mission is capture these capturing them and study those

of them to get those a other of them don't know for to

move to different ports of Mexico so it

and it says that these activities biological so

the active biologics of risk, those have captured in Acapulco and they've been to Veracruz, those have

to Guatulco, and they've been to different ports or different places or at different points of the place where

why? No, me question, is maybe there are laboratories in these ports, no I'm know, but

they're they're in confinement. What he says and he says, is that is that,

in effect, they've been atraped sirenas. Asi, asy, asy, asy,

all quite abiotably, have have trapped to sirenas. What is what he wants to tell? He says that these has been contact direct with them,

but yeah is a heart of that the histories not they know they know that these are not of fiction, that not are romantic, and that are

extremely dangerous. Al-igual that the first story that I told of this young that was at the residency of

Cantinflas, he says that these are an appearance of pescato. Tal qual, I mean, a little car of pescado, curiously,

it's described as this first story, with eyes human. But it's that they're like various parpads. Like if a

parpado were to submergirt or another was like a kind of a kind of a idea, another for a

surface, those have studied, those have in cautivary in some moment of their

capture, those have been in Acupuco, I'd think in Veracruus, in

Guatulco, et cetera. And they've studied and he says that manifest an apprenticeship acerated, they're the

capacity to recognize patterns and adaptation strategic to the comportment human. That means

that they reaction to the form of the you do you don't maintain a language

like the not they don't they're emitens certain sound very

very very very to the sound that they do fendis. No

they don't have how's it this communication telepathica no exists no there manifest an intelligence yes

but no they're communicating directly with us or in this case with them have the capacity they have

arrojated different objects to how interactuant madera metal um food

etc and it's that they in a in a problem that he has in a

problem different objects to the stanked or they had and the creature he modified to create an arm a punso-cortant and in the moment of the discuedo, so, of a micro-descuito, this creature, as he, tried to attack to one of them with an object that created with madera or no-se with what they have invented. It's still studying and these

Ceres, I repeat, emits sonos but with a characteristic very particular. When

someone it's not what type of protection, they use, because they've done

because they're done, the people that are these and they listen, manifestan a certain

perdi of control. Yeah, they're the control any of their movements, and of

their actions, and simply they're in a been been been been, as if

were, like if they're hypnotized only, being to the stank. It's when those

they're when they're they're an they're they're in-se, but these are the

capacity to dominate with certain sound of a high frequency, the volunted

of the people. They've done done to these as these are,

as they did you know, Alex, that these are communicate a through frequencies

they started to emit their certain frequencies with apparatus to be they responded to the stimulus

and the beings not they're they're they're they're they're very very

particular I don't know who he's all the logic of the world one of

one of these people or of these people you're sound rare or

fantasios but it's so it's a story a

these sirenas they put in a volume a lot with a bocenaes specials and all,

movies of cantinflas and they said that when these these were the voice of

cantinflas there they were a stimulus too very very very hard

and they started to get to get to get some kind of and

they were they're manifest a change total when when they've heard the voice of cantinflas

like if he really in some moment would have been contact with them and this community, for call it, of Ceres, so pierre the existence of him.

Recurrected that these are kepted in Acapulco, in an initial, transladados to different ports,

yamese, Veracruz, Masatlan, Guatulco, etc. Apulco, where? But are

captained in Acapulco. Ah, okay, these are they're these are in acapulco and are

to be used to other laboratories, all listen the voice of cantinflas, reactioning in a

way incredible. Like if, so, so he's, like, as if, they were, like,

he's a voice of his benefactor. In these, uh, in these, well, there's, so,

so, periods of stress, to those which, lamentably, those have submitted, these are segregate a substance neuroactive, that provoke

disorientation, hallucinations, and distortions sensoriales. The way in the way in the they're in them is segregating

a substance that, as or when you to take the skin, no, they've done

the process, it's you disorientation, you disorientas, you start to hallucinor things and you have distortions

sensorials, a lot of the most you hear of you hear of things raras. This would explain the why the people,

like the story that you told us, that they're that they're in a front in Altamar,

they're in a shock, the shock. Maybe these people are being things that no

existent or that are they're they're allucinand they're listening things

that nobody more can't disorientation that's justly for this species of

toxina that segregate these these are a manner of defense the last what we're saying

and this is very important is that various of these are some of

some kind of some way chips this this story as I said

this is actual not that I'm the story of the 60s of the 70s

is actual and it remont to some 10 years when much to see

back in the time in the time in the we're going to put up because they're detected and they're

that based in all the studies in those studies have colonies are constituted there hierarchies

there literally societies in the more of the more profound and the

last thing is it's evalua the liberation controlled of the specimen

to identify zones of congregations of their species, or zones where these are reune in the most profound of the

sea. And the last that's the last he says, is that the sergeant says that has detected that he presents

he, effects secondaries. He has some years alterated, he's emissions of sonidos

without a point specific of where they've has manifested conduct erratic. There are people who have

have been said who are in the that's he's he's he's to talk

to be about the things that not a that's that they're in a around,

the time he has affected and in these last in this last

time he has when he is when he's this story and says no

I'm I'm don't I'm I'm that my history and that's

not I do it do the intention to have fame or that that I can

make me say that I'm hear that someone I'm story, create that these

exist and then has a certain type of divulgation and conclude saying that these

entities as the last don't show not much emotions human

only an objective persistent to get to his

is what he he about these Ceres. As a possible, promete

to send a second Correo with the last little actualizations to which can't

have access to him before that something that's these these chips

have the intention to know if there's where they're and

they're and to know if these have made

have found communities or information, if knows more of this, and if has the possibility to do and if this story, all salire to the

light, no location any problem, promete, then, then, then, and finalize, saying, there are many people who maybe create my

story, that they're just only I'm inventing to make me famous or to have the attention. What they know is that

not only the government actua with these Ceres, Sino there are many other other

Ceres Marinos, those which have been captured and the really, these

stories are totally reales. What do you think? It's that they're that they

don't know to, there's there's much, this, it's difficult to believe. Totally.

Totally. Totally difficult to create. But I think that just the

It's It's like And as far as We call We say, we're We're still We're still Every opinion

History, all what the community us manned. But it's very impactant Imagineate to know and

have more actual would be very brutal Even even know if there's there's a

community above, no? So, various that not only are one or are, no,

I don't see 500,000 I don't see. Fiatalex this is a data that is real and I

did at the first in the intro, we know more of the moon than the

ocean. The man has explored more the lunar and has more

data. No, I don't see because it is called planet Tierras

if really there there's a grand percentage super this is major

the percentage of the water than the planet so.

So, so we've explored nothing of No, we don't even the capacity, nor the technology,

as to submergern us in the most profound, but, of the most profound, where maybe these beings and others more can be able to live it. You know that when there are events natural like a terremoto

that provoke a tsunami, that has passed, for example, in Japan and in other cities of the world, the water, the water's revolveen, and from the most profound

of the ocean, a rastra species that we know we're in the

last few tsunamis that's done around of the world in the

years, have encountered species of pieces that we

know we were that they were in the most profound

of the ocean that they have the capacity to

and that when occurred these events and for the

current marines are sent to the surface we we

we And, no, it's his existence. Now, imagineate, beings,

you could be able to be living the water, it would be fabulous to be brutal. The,

the, the, the, the, the, the, it's, like,

you know, so, it's fabulous, to be what there more, there's, there,

there, there, it's, it's, like, a, one, a,

one, a, , I think it passed, no see, if you know, the pest diablo. That said that was the, the, the, the, the, ser more dangerous, no, if it's a circle of the earth. Because this fish lives in the profundities.

Ah. Yeah, so you know, so you know? Sure, that when these beings are, because there's a bit of a tornado, tsunami, or so. Ah, it's going to be. These are those peces, these, per se. Yes, yes, yes. Because, I know, no see, of some way,

no see if they're these vibrations aviant, no see, but when they're to start to get a more to get

to get us it's like a event natural yeah, yeah, yeah, yeah,

so it's a very interesting. No, we know, no, we know, we know, we know,

we know, we're, we're not, you know, another history? I've got this is a year,

I'm, and it's anonymimimim. There, there, there, there, there's a,

detracted detr. The narrator, this is the name is Richard. But he was, he passed to him. Okay. He passed to his papa. This story passes in a coast in Managua. Okay. So, he says his papa that one day three pescaders

disappeared. But no there rastro of, no there rastro of violence

no, no, no, there rastro of that something that's

going to um, these people were very great, in the cost,

because ensenia to the children, they were the art of the peska,

or so, not were people not were people that you're not

in Altamar are to take persons imprudent So, so that day It was approximately

Like, like, at 6th of the And in the coast, they'd give a But in that Pueblo No, it's, like, very particular

that there's, like, noticeros, radio, is a, it's a, a coasts very little,

an island a little, where it's, where, where, almost not yet the communication

So there there was a man that all what was on the coasted was

bocea about by by the mediaphone So I go to let me a little

because that is what what what really informa this sir

says attention attention Vecino of Purto is informa

that the Hermannos Rojas Manuel and Ernesto Rojas and the senior

Domatute they went to fanar. To do. To work. Exactly. The madrugada the day of and they're

has gone and they've been to get communication with them around the seven of the night.

Dice any person that has a favor to report it with the authorities of the

moye. That is the informe that they dider. The camioneta

still still advancing without deteners and He says that the people

who started to to to think to think many things even between the

people and they had been what they're what they're they know they're to go to

some that they're not know they're so it's very difficult are

some those people are some they're so they're the

days even the people of the cost, yeah no, yeah no, yeah,

no, I don't want excuses, no, I'm going to remend to red, tomorrow we're going

that the time is too. It was something was a strange, imagine it, imagineate a

people, not to start to work, literally, you're you're getting of

many things, even the food, because of you know, imagine it's a

cost. Yeah, because they're they're, they're Exactly. Not is that they consume,

it's the They're going. Exactly. After of seven days, even there was an silence in the

people that was of a it's a really, where people who people that were in the

times, to put music, to enjoy, of the environment, of the the, of the

carida of the tarder, just All right. All right. But there were a reason. All were just

they were that there were responses of the brothers Rojas and Domatute. They were so two

days more and in captainia, or so in the muele report that they had appeared.

Then they're the aviose and they're that they're they're they're To go. Regressor.

Regressor. The person that boceava says for the megaphone. Attention, attention. The

people are the presence of the familyaries. The panga of the brothers Rojas and the Mr. Matute

was localized this madrogada. But, hejo just to be able? They're

living? I mean, no, no, the pancha, the pancha is the barco,

not? The lancha. Exactly. Okay. No, no information of this, then all the coast, all the people,

so it was directly to the molley. There were people that were not yet. The news, there, it was made, because they were

some people very good. So, then it came, and they see that the three people are completely

flakas. Of being people with a proportion great, uh-huh. So, they're

flakas unknowable. The brothers rojas, literal, were like per'd not they're

not like that recognition of rapid when you ask you obviously we know,

we're in desidatation. How many did get about? Approximately like nine days.

Yes, but nine days, well, no, no, your physonomia, no? Exactly. There are

ways to survive and more if no, you know, uh, the pangah bolted,

or nothing of that's, so they found it didn't, the pangue, no there was a

impacted, that a torment, that would be a torment of, so there was a rastroof just,

just disappeared. Just disappeared. Just happened. Uh-huh. Even when they got to get them to ask

what they're what they're what they're what they're they're, and they They're desentendied

always were a reaction so we're we're but are they're they're

so they're what they're what they're and all so the paramedics came out of those paramedics

was the most doneiated of all he'd tapable the ohidos and

I said Yeah, no can't. Yeah no can't. So, so, when they'd back him the brasos

to put her to stop him he'd be puttable in a manner aggressive. No, soeltem.

No, no, no. It was the only that they said. So, so, they'd

been very extranated, passed the years, they still not recover,

I mean, I, still, I, still, they were, they recuperated the conscience,

still still they were very, well, was disbaried, it was normal. Not was normal. Not was normal. Passing approximately

two months, they'd the news to the brothers Rojas of that Domatut had fallen.

And all in the people, those in the people, they'd be disconserted. Because, as, as, as, as people very

very very that they'd to the coast, to the people

to be to be good people even they're like as

they're like the place and that all so

all in the people let they they're the and

the sirena because they're that these are those

are those culpables of that these people perdi

the know and that per die dom matute you know you know you know

that's not that's that's the and that did say yeah no can't

you know it was a I imagine that he was it's

something that's something when you when you have you think

you know you don't want you you know I'm I metia more, more, more in the and that's

it's a problem, then, it's a big, it's a problem, as a way I've commented, as well, the case that I've got to

I've got to I've got to you've got to what you're saying because this person that, more than to tell us a story or

something, basically us envio a informer of that these are, that these are they're in resguards, government,

yeah, is a Mexican in a whole with the American, and this

type of things, of the people, of the people, the people of the

people, they're not going to they're saying, he's talking, and I

agree to say, he said, these, these are segregate a neurotoxina that at contact with

it, no see physically or, at the oler, the person that were

just themselves that type of conducts erratics, the ones are not comprehensible and hallucinations, conduct erratica,

yeah not are in their cabals. So, it would be that all the stories are going to

connect. Now, not all the stories are romantic. Not all the stories have been

a visstamient of these beings. This story that you have been not about a

contact with a siren. But if is about of how they've survived in Altamar 9 days

9 days how regress on conducts erratics how if they're so they're super

flaquitos like if they have cuted the energy vital no

I don't how describe yeah is that two two of they're

completely disorientated as the day of today they're they're well

you're not not it's something you can remedi new

not with with therapy, including. No, there's no.

No, no description of series, simply is that no there's, no, there's not

information because they were there's disorientated. The only that I imagine, I imagine,

in various stories, is, no can't another other way, are you. Look,

this is what that's what I'm that's things, they're, they're that they're

that they're that's real because it's described, no, we we've got to we're we're

we're no, no, no, there's no, the stories reales

are going to to end or that final with a turn of or that magic of the lobby

of front and, no? Exactly. There, there, there, there are cases like this,

you're that you can't where you don't stories tragic, where one

person pierde the life, where other two are almost in a state of

shock, no they're not You're sure that these Hes, how's the name are you? The brothers

Rojas. You're sure that the do you're gonna not going to enter in the mar. No.

To be no, I'm any of the prong, bro. No, podram. I'm these stories.

And apart are these stories. And aparted, what is? So, here in the history, the people

say that were sirenas, but they they're not affirmed nothing, you know? They're

only don't little, small, little fragments or little pieces of something that is going to

get, maybe in the anonymat. Surely never never never is to see the reality.

The reality exactly. Of that that story. But, well, it's very interesting,

Alex. You do it? If you my ultimate story, and

then you start with your story? Sure that's this story

you're to like to well, it's that are just that

are this is is a very good the story but I go to get a right

you're going to because you know where you know where you know this this story is more based on the

experience and in the plattics that you we've you have I'm you

have had notado where this history so I know because one you

in company of Marianita of Pepo and yeah yeah yeah yeah

yeah a tour for almost all the tenets or at least those most famous of Merida you know, you know,

we went to do you know we went to turn, we went to get to get ridg a lot of a lot of a lot of

we did you make a time, we did make a hour and a two hours and we get us a little

a homeum to comeum and from we take a little a little a little taxi and we

did we go to we went to we're going to get to all the cenotes most important and well

you, better than nobody know these these sites because those have visited a lot of

many of this story as you know how you know the person that the person that does

make to maintain the anonymat this story is remont to after 15

and 20 years and it starts saying this this history has two

versions the first version was in the period And the second version is the I'm going to tell.

Because, after many years, I decided to to talk. Because at the day of today, I'm a person now adult, yeah, of the third age, the which has a cargna' on his shoulders. This story, the person that's scribe, says, me pessa.

Me pesa, now, you'll see why. He says that in those years, He had 15 years, he was a buso, it was a buso professional of a team that worked for, this, they'd have to, um, they'd, they'd docear in the senotes, in the senotes of Merida. This story was suede in Merida.

Busear in the cenotes. Why do they were? Because they'd, because they'd work for the government, and the intention was, well, otherwise to mapear, of some manner the

enotes also a bit of rest of archeological you know in the in the

in the inotes they're a lot of sacrifices you know so you

know so and so map to mapes know a little more

of them and when they were these restos are abacos

to the institution corresponding for that so it was the

moestreo or recog practically all what was to

to use to cover the surface to document it. This is what is the Institute of National of Archaeology, in any of the ramas that's enveloped. So this person, the which, I'll, repeat, no, does his name, says that's dedicated to, to go to all the senotes of Merida and documentarles.

There was a sonote in particular that says, no I'm going to say what is, because I know-a-law-law-a-l-l-a-famous, if it's one of the most famous famous in Merida for its complexity for the beauty

that has, for how I'm going to do a piece but I don't know if it's a piece because I don't know it says that the light is direct from the

sky to the is one of the most speciales even says that in the center of the there's a particular

of the pacharitos that live there agonrindrins golondrines I think they're of it, it's described

in a way a way a way is transparent that the sonate is one of the most

most famous because it's like a kind of a little a little light from the sunote

in the day and even even calienta the water because the sun enter direct. Like if

this cenote would have made to do a way to be being

but this person is submerged in this cenote in company of two

persons more I'm going to read this that I think it's very important Alex

just to give a great variety of the history he said I was a point

was the pointer was the he was a team standard I

a backmound honestly I'm honestly not I'm I'm I'm imagine I'm

I'm make the make the carmunt light lanterns primaria two

lanterns of respals a carrette mark directionals and had a good visibility for this system. They were submerged between 6 and 8 meters initially.

With a current in nula, the water was free in the aloclinas and it was much more stable, the more you were submerging. The fact is that are not know the data technical. Yes, yes. I know but me it was very important to read them because this does a major veracity to the story that we're talking. If someone that is

saying I'm saying a little or I'm to corrective if someone know this type of practices

like the busseo professional for favor help me to say to say that the mission was documentar

with cameras internas photographicas possible offrendas mayas antivas so yeah

there was there was for antecedents that in this sonote they had encountered

some and they're documenters. The mission or their work was documentarles. But this

this time going to go a pass more than they were to submerge in the middle of

these and they were to come to they were they're there

and they were to get to the sonote. You know know there's

that there don't don't have no but it is impossible. And is that

sometimes a vener of a sonote you you can't get to other

other other other other that's a way to be a good and then

you know you're not you're you're not you're so much they're in quarries

in caves in caverns subterraneous above the cenote with all this

group of he he was to the point he said that's getting

so that's that the lampions not that the last to try to

to learn to he'd at the point the

two companions came at and they're going to discover what

they were to be in a different, offrendas, ruins, ruins, Mayas

or is what they thought. Describe that they found in the most

profound in a way unaccessible a kind of like if

was a little a little a house that said that

was that was that was where someone could enter but

was made like with, I see, like with coral, like with the world, and with rockas that are

above the mar, and I had a little little when they were there were

there basijas there were little little little little figures

or women mayas and some those vasos coencos

so what you know you there something there something

that people. Dentro of this casita, they were a little that all passing the

lamper bright, brillia it was getting being, so they were like

signs of that there there was there and one of this person well the here to

the put the hand, but before to make the the light

the umbrer the house no entro and he said that he said that he

he was he that he that bright something and he was like pieces

of gold know, like, well, literally, or not describe if it was

a pulser, just just a piece of the light, the lumbra

is emosion for what he got to find and the first

is to make the hand to to get to take it

and before that could even to try it

he seemed like another another out out the inside

it was he exalted horrible he sentio but horrible because initially he thought

that was but when he felt how this he was he was when he described

that he he sent you a a special a kind of more more than

that of spas and and with these partecit that so I

don't not we don't we don't we know they're

like are like the dead. He was heinted and immediately he took

the man. He no he's not quite he's been he's quite he's going to he's

he was the only that he was he got like a shock he didn't a

light into this this kind of a space of a coevita no how to

describe it and what he he describes that he was some those

eyes of some Some eyes, pardon, of human, in a rostro of pescado. Some eyes human, or are like those humans, in a rostro of pescado. He has stusts, but just in that moment, heard all control of his body and the

voluntat of movers, to do, and do you know, me ask, how? he describes that this where the world was a sort of like a an impack, no see how to

describe that there was a little bit of a little, it was like it was a tomb funerary he was

he the being the being he has that has to understand that has that has felt the respect

because what was there was He pertaincy He pertaincy No, I know If you

His son His family No, I don't know I'm idea of this Ser and He's

He'll He'll He'll He'll He doesn't He doesn't He's He's

He's He's It's like simply The information He Yeah

He He gave to He didn't So, When he He When he He

He He He He to his companions and the two companions were so, floating, respirating for inertia

at the through these chuponcitos that they put in? Yeah, but no they were in conscience, only were floating. Like if not had conciences of what is

happening, like the only that had a conscience and was being to this being, was he, not he was not he was to

the face, He only he only he saw he saw the eyes of the with the car of pescado and in this rarer communication that the being, the ser he manifests that he's

enojured because profaned a place where not should be to be it the impossible. You want to do? Do you?

Do you make a offrenda? No, me does an offrenda? Here's And he's the three. And he, to some, want to

offer, what? So, you know, to do you, I mean, the, the,

he's, he's, he said, he said, no, those things, and he

he's getting to one of his companyers, indicating that the offender that he was, a one of them.

He says that pass seconds and take a decision and say let us go to take a

offrenda this this is he's a better he and other of the

other of the people they're recobran to one way the the other

company when regress in si no know what is what

is what is this person only he says that they have they have

He doesn't know what happens. Only they're at the ascent. The other companyer is there never never was

never said they're they're because they they're not they're the other and the other

he said he said no I'm no I don't he doesn't he said, but what's what I said

we've We need the control, I don't know. Entran, busk the rescue, they're going to to look it, never they're going to

find out. At the day the day the diaries of Yucatan and the people where they were

only said buso perid in the in the in the tenote of Yucatan. The

news is to know to a buso that went to look to and was the other

two, doing his testimony that simply the the long of the tunnels and the caverns and they were never

more knew where he'd his companyer. He, he knew that he had passed. It's for that many years after, he decided to tell this story, because is what I said at the beginning, the story, he says,

and it's saying, me pesa, me pesa, me pesa, my decision, for I was who came to save my life and the other companyer, decided offending to some way to, to the third friend. For

So, is that this story is that this story is a friday because of some way, it was a thing, look,

look, look, are you know, are you when, when, when those read,

and the people, you know, you're saying, you know, they're not, they're, they're

false, say, that, this, so, they're all people, and are things, and are

stories, of real, really, really impactant, for so is that this story is two,

to do the day one, we know. What you think? I've heard, in Yucatam,

this news is so, so, so, how's years? You, how's years you,

how's years? But, well, no, I don't know I'm not so there's a

other, there's a thing that you've got that you did so so much, but I

think it was in Kintanarro that's, but, so, also, I mean,

Offrendar to Algin't You know, imagineate, it's family Or so Yeah, one,

one, one thinks in, in si, but also the other people,

what, but what you're, so, I'm in a decision difficult

for for salvar his life but, but, I know, I, I,

the fact I'd that would let me pass to the three. is,

is, is, is, it's, it's, I'm in the position, to know, I know,

I know, I'm, I'm, how you're gonna feel, that they're going to come back,

and, but you, but you know, just standing in a situation so,

you'd be the decision, not correct, but, yeah, and I'm, and I'm,

with all respect, with all respect, simply is a opinion, but I'm, but, I think,

this person, was, he took the decision that he took because he was sent you in the moment. And a

other are things that are a lot of not, not he has done to do certain things simply your

your body and your mind actua. And what is that is real, real, the cenotes

have a magic tremendous, are just for that you pass to your second

and the last and the last occasion that we went to the one we've got you know,

like some quivitas and so we've we've been a kind of that's that's about that's

soembrated for what we were to get and we're some little and we're some very little

but super basic that's not no, nothing no pro nothing no pro

only oh I'm I'm I'm video the yeah there's

yeah there of so yeah I'm no I'm I'm I'm

I'm lampars. I think they were with those of the cellars. No, in bolsitas. We no, no, we're just there. And it's just to remember. And it's a lamparita, so micro-pecheon and we those tirled. It's that video. If it's true. Oh, hallel, you'll find that video. It's a video. For you're going to find out. So, yeah, they'll sonar, extra. But we're met him and we've seen a piece of pyramid. Because we went into, like,

like this story in the coveitas of the cenote. A me me gave fear but I would be

to be able to because you and Fepo you're... of something. And it was when we're we're trying to see,

we're trying to see, we're we're going to so we're so there's there's structures there's about the

genotes. This story not is too the reality. I think what we're going to what we're going to be

something that's so we're saying, let's see a way that I'm very certain, you know,

the venas of a sonote you can to give to who know where and it's

and they're even in even with the mar. Yes, of the actual, there's

there's testimonials of persons that, for example, if you you're going a senote

and you put in a salvavidas no is for nothing. So, there are to have

much care, there's certain hours that the sonotes have

that they're that can't and you don't go back to appear. There

have stories of my, my abuelita me had told that a one of her brother, he had given a sonote. Yes. I was

that I was, like, as a tourista that I was, so, without, and I don't consider like

a person that can, not know, so I see to know, but, so much as to submerger

in a sonote, no, no, no, I'm, not, impossible.

A me to put to put me, the chelco, because they're they're, is that,

there, there there's some sort of or no, I know how you know, you know, and you know

you're not you're not not sure, I'm not so you're going to say, but they're really magicos

those places. It's very beautiful, it's very beautiful, but yeah, and with a good. enter to the senote, you know, you

did you, you said, if you're going to enter, if you going to nap, if you're going to to napar, pique, peremissue to enter to the senote. If not set to do permission, there's a signal, and if no there's a signal, you can't accessar. And you know, you know, to ask us to, evens of the same people, they, to do you know,

they're saying. Yes. You, they're give that information, because they're know, it's not, because you're, boom, that same day, you're going to pass something. No, but more valid prevenous. more value to prevent. So, with much precautions and respect, as like all what we've been talking this, this

time, this night in insomio. And visit in Yucatan. It's magical, fabulous. It's a beautiful. He knows. Alie, we'll, we'll just, for a favor, to your ultimate story, my God. Now see, my God. Del.

I feel too because we've got to, well, yeah, we've got to the final of these stories, and the really, but I've but I, do you've got to? Yes, so you're just to?

Yes, perfect. Well, my ultimate story that I'm going to tell you're going to tell. Sirena's in the Bosque. Sirena's in the Bosque? I've had that

same reaction, but there's an desenlace something in this story. As you you know, you know,

you told me told me, the sonote, I'll to tell of something to what we know

in Merida as Awadaz. Okay. That are like, little craters where the water

is stank and and then it's always it's always a a, a forest or or to

the mountain as we know we're in Yucatam but this history passed in a

poplado of Chiapas okay passed approximately in the 2018 the person

that the person that we're called Christian Gambboa okay okay

he said it was a day normal that was with his primo and that's he's antojo to

tomars some chelitas so, then he said that they've been taken, but not the sufficient as to be

ever, so they're just like normal, normal, just like, normal, and the

company of his prime and, well, the the fiesta that they had,

but he was to carry cabras and borregos, borregos. So,

so, Primo, what's we're going to come to the house to get to

get some, for that's some people, the cabras. And he said, go, well,

we're going to sing and they're so, but got to

a one that all the public said that was that was

restringed even the animals said that that zone not was

Like a kind of reserve A special of Areserve Uh huh And Christian With his

Prymo They were With his two perritos So, So, Primo What's

If you today Um Well, we'll We'll Let's Let's see

What There's There's There They're To And They're

To This This This A Mauda That He

He He but, but is more great than a pozo. They're, they're

stillsheleando, listening music, and there's a moment that they started to throw up

and they started to try to and then but the water began to turn to

be a too a little too started to get to get to get

and they're oh, well can be normal but the perros

started alarm armarsen. Empeas to comportar and they were,

like, so it was an awedged like like a prevention and they they were

in the so you when the nothing, a letteo in the water

and they said no, no, what we are what we're doing?

I we're we're taking we're we're we're we're we're

we're And the perros, alterados, or so, trying to attack to what he's had moved in the water.

Uh-huh. When, when, of a pront, salo a and he he gets a animal,

and it in the profound. To end the to the to the per ruck. Uh-huh. Uh-huh.

So, the animal. They're spantadoes. Saling corriending, they're going to to go approximately like a

kilometer to go to a little bit of a little the other

perro even after of them the cabras and the and the

burregos literally started to disparcercer to go to to go to go to

but it's he's so it's because they're they're because they're

they they're they not so there there there

there there there say a and they're for romper

the rules discovered what really is what was what it was the time

I think approximately two years Christian uh regress

the place but when he goes he there's there are there

canoionette's that there Sure, It's always It's always Yeah, there People,

even That's even They're not A logo Uh-huh Ofh That you You know,

So, then, So, I've decided never overpass that line And yet

the day of today They're Inanimato the Because They're What's

What's What's What's the Magic Of this story This is this So,

this species of lagoonita? Laguna, exactly. How do you Aguada? In Merida, we know us

as we know as we're that we're that's in places in places in the middle of a

busque in a a serro mountainia? A Cerro, mountainia, I don't

know of this but well, you know, you know, that these places so not

we know the structures that this places that this that you've to come down could be linked to venous

so much enormous kilometers of coves subterraneous and full of water and

connecting a problem to the mar to a laguna or a the

water much more more more than those we know and how these

beings of some can't they know these routes so, so,

so, so extra- and un-knownst for us. This story

me is fabulous and me also also incredible, but I do you

do you do it, because it's, so, it's, so, it's,

he'll get, it, we know, recordem that these stories not

a lection unquestant these are not romantical as them

are the these. These these are these, um, um, women of a

cabello perfect. With a rostro like, of, de, of,

Dioces. No, for nothing. So, are not so, are the people that have really that have

been really, grotescoes, like, spantos. Spantos. Dienous scamas, with eyes

human, and cars of Pescado. And even those, most some boca. Ah.

It's can't be. Yes. Sin, naris. Well, there, there are

many many descriptions. There are some that is just they Like placas, no, conchas In occasions

Yeah, and there is where emitting this sonido Or this can't So can't so famous That's the can't of the sirenas But, stories like this I sound,

de really, me sound very real, Alex, because no exaggerate, they're structured in an environment that not would be the common

or so, not you, you expect that someone you'd say, I'm a cinderin' in the boston,

no. They're fosososos, are stories that the people us has come that me I'm

I'm really to be and I'm I'm because many people not they

they're they're I'm send you especially for Fepo because you're

they're these things and they're and I don't and I

do it and respect every story that I know that I'm

I'm fabulous so I'm to this this theme

of this theme of and, it's something that me like in the life of the mar.

I mean, like, I'm quite to be the stories, that's what is what we know what we're

about, the fact we've got that we've found a match in this time, and so much

thanks, I'm thank you for, for me about these stories, those who

told us this night. No, the contrary, Alex, I'm that's the last the

last time that, now that now that we're now we're we're the opportunity

to co-hoste to Mariana a Maus, to me, and well, he, that's as as a titular of insomnia, then we'll we'll come to find, you and I,

with other stories of the sea-in-as-in-the-money, because, o'ho, no only exist in the sirenas in the front of the mar, there other beings mythological, there's magic,

it's about of calamars-gamous, it's, about of the series impossible, it's, it's many things incredible, of this

contraparte of the sirenes, the tritones, if not I'm There's a little bit of course. And I hope, to really, that in a future

you and you go to sit here and we'll come these fabulous stories of the late? Sure that is, I'm really, much thanks. Ale, before you know, for last time,

share us, and what are you doing? Well, then you can't find in Instagram like Alex Myers-off, all in minuscula, in YouTube,

Alex Myers-Official that we're going to get, even content for there, and, well, now me I'm dedicated to the production

here in podcast paranormal. In all the canals, no-human, in-immoccurant, in insomio, podcast paranormal, pulse, and all the other that's going, even helping in occasions to criminal-mently to

all what that's we can't. Alley, much thanks. Thank you, very much thanks for having gotten to the final of this

video. I hope the stories that talked to Alex, the last I know, and well, you know, we know,

us help us they're just to like, if you do not even if they're a lot of even if they're just some proper experiences with sirenas

in the mar, etc., uh, me me can't read the comments. A lot of we don't have the

opportunity to answer those but, believe me, we're we're always we're fascinated with what

we're going to so. So, so much thanks to all. We're we're going

the next time here in insomno to tell the stories reales envied

by the audience and you know, disru the stories, apag the light, but

pass what pass it, no mireen atras.