INSOMNIO - EL HOMBRE DEL SOMBRERO- Invitado: Emmanuel Morales @MundoCreepyOficial #37

Episode Date: September 7, 2024

⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️Este episodio es un viaje en el tiempo a través de relatos sobre un mítico y temible ser que ha aterrorizado tanto a jóvenes como a adultos a lo largo de los años. Prepárate para vivir experiencias impactantes que te pondrán los pelos de punta. ¿Qué familia no tiene una historia aterradora relacionada con El Hombre del Sombrero? Emmanuel Morales de ‪@MundoCreepy‬ y yo te invitamos a compartir este momento de terror. Escúchalo si te atreves.💀🎩Invitado: Emmanuel Morales 👁‍🗨 Si te gusta el terror, este canal es para ti. Dale like si quieres más contenido escalofriante y prepárate para no poder dormir esta noche... Nos vemos en tus pesadillas. 🕸️💀Recuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#terror #diablo #fepo #mundocreepy #historias #Paranormal #pactos #horror #storytime #real #historiareal #entidad #sombrero #hombre #hombredelsombrero

Very good good days, tardes or noches. Beenews a new chapter of insomnia,

in where we going to narrate the most terrorifices experiences reales of the

audience. So, listen them if they are the time. We're a good

a good friend, a great friend, and also is an expert in all

that has to be to be with this time Emmanuel of the

Mondo Cripy. How you You're how you're doing? Thank you, thank you, PEPO, for the invitation. We've been

grabbing many things very interesting. And the really is that I'm really much in insomnia, because I feel like

in the water. Contar histories is what I do and is what my most to do so, so I think it is a

very interesting. I think I'm a very interesting. I'm much that's here. Before we want to come

much much as you would be to say briefly to you dedica and what are the networks and what are the stories? Stories that we're

going to send to the people to get a movie. It's the channel where I'm doing my friend Kevin Garcia Maskitman

and also I'm dedicated stories. Also, I like much to write stories of fiction.

We're just called, I'm Stoererittando that's all the year that's all year that year. That's all

parts. In line? Also. Also, and in linea, too. If not

where Mexico is in Buscalibre.com is called there. They can pay it international, but it's in

Amazon, it's in Gandhi and it's all the and it's all and also we're not we're doing

to do all what it has to do things to do things about things paranormal even we

also we also we also we're just we're also things that are

things that are around the world we're not like our networks social

of the channel is like a world creepy official for there in Instagram and in the

rest in the other ones except in X, where is like aro crappy world. In my

case personal, I'm they're in all parts like Emmanuel Guion Bajon Knight,

Emmanuel with two M's. Very good many. Thank you. Lookate that this thing,

I don't know why we haven't talked before we have been here in Insomnia

because it's one of the one of the one of the one of the cases

is confused in diverses of Latin America and the world they're done other names but at the final

it's being the same entity. We're talking of the man of the sombrero. You what

know of the man of the sombrero? Bastant because I think I am I'm sure I think

that's coincidence but I think that this thing had been a purpose in reference

to me as me as a because the pseudonibode of Nightcrawler in the the world creepy,

it's from a image that I used to very at first of the first of before I'm a man

of the sombrero that had a corbata roger. And originally the pseudonym of Nightcrawler

because Nightcrawler is a character of the sex men but his traducion is merode

nocturno or something that's that's something that I used because I

used because I used precisely the image of the man of the Sombrero

as to represent me in the videos before to get a camera and all this.

So when when I get the guion, I think it's a little bit a little bit a little bit to get a

coincidence. So then they're that the coincidences not exist. So, so I think it

is a detail interesting and this entity is also very, very interesting because in

the form more modern now in internet was when the people was to know

to do of something of something that's that's that's that's

people who have been in the problem, with the problem, and also many people

that they were in being in there, where they were a figure a very strange

of a man that was a sombrero but not they could

be the car was a silhouette a a sombra projected

or a kind of a piece but with the form

of a person that use a sombrero a sometimes

a lot of a little two eyes that are there's stuical looking from the

dark is a figure a very mysterious because that's not the anecdotes

no he knows an origin no has a name more than

hatman the the man the the man of the man of

the name as the entity only only a

not has a no origin no there, no, no, no, there's, who is, who

was, who why, is your objective, no? Exactly. What, what's, what's, it's a much,

no, that's very strange, because in all these interactions that people, yeah, so,

all the when you know, when you're, when you're, sometimes, like, in the dreams, other times,

that I think, the most terrible, when the people are, when the person's just, and this

entity, it's been observing, but at sometimes have interactions. So, it's like quite

rare. And I'm I'm pretty what's the thing, what's what's doing? Because it's around the

world. Yes, is very rare. Of course, I'm to know to know because

during my adolescence I'm a problem with the paralysis of the so.

So, so I was almost every night. And it was very complicated

because you can get to be a time schoolar, a time where

I had also many things to do this other things to do you know, and you're like with all the energy,

no, you know, do you're not you're and every every time I was going to do

my paralysis of the sleep. And I'm investigating of the paralysis of because

when you know, because you know, because you know, you're to get a

question, I'm to talk me to talk me with stories of the man of

the sombero. I never never never never Because in my paralysis of the I never

I'd ever I'd ever to open the eyes or not those or not you can't no I'm Ivite not I'm

because I'm because I see that there's people that it's and all these things that are horrible in the paralysis

of the problem that was paralyzed that was paralyzed that was in this in this state

that I was that I had been a specid and crechendo I was like a some vows

was a augmenting that's that's that's a moment I'm that's a

that's that I'm you're in you're to get a and you get to your

car, that someone that's someone, that's to say, I'm to hear the

I'm going to my, the room, it's like a interpede,

that no was like, no, there's not there was like, they're like,

it's, and I I heard like a little in the, in these

little bit of these little bit of the window, and they were a reason, and it was a reason, and it was

a reason that I'm a super a susted, but never I've been the eyes. So,

never knew that was that that could be that could be there. Fidate, I'm a manner

of preamble like the capitul of insomni, that's we're doing, I'm never

the term, the of the man of the sombrero, and the Hadman, I mean, I never, never had ever seen,

I've never had seen some interactions, but as sombras and things like, in one occasion, was a little

more young, in that same house, and I'd have been those eyes, and I saw, that was there, that parallel

of the soil not very potent and in the obscurity, and I saw, that was there was there, like,

in the end, and it was very rare, because it's like, it's like that cadency

human, but it's like an animation. Like if so you like, so you

did you did you did it very clear there's there's no, I'm

I'm I'm I'm so I'm I'm I'm I'm I'm

really, very, very, very, very, my, my, I'm talking about one or two years, but

I'm to do something, that's that's so but there was a about his

feet? There something. There was a bit of some When this, I saw

that's moved and me he came the attention the the way of the like a sombrero

but not exactly an sombero but like a smearer and me know me and I saw the vibration

so I was like to slowly I think that I'm there's a man to go to the

and I'm the first Ipatch that I'm that were of those that still that were

too I think was the one so like so so so

I'm going to I was to tell you, I went to go to the bathroom, I was going to be a a forum, because I was with this sensation of that, of, that what I had seen, not was human, but not an, or not an extraterrest,

it was, it was, it was, it was, something more. And I wanted to know what it was, and I began to look, in Spanish, no encountered nothing, and if I occurred to be looking to in English. And when I wask in English, I

went to a forum. I don't know, the really, what foro was, where it was the Hatman,

and there people who had his different, he had seen, no manches.

I remember to have seen a little bit of the end of my room with the

picture, fash, so, so when when you see that someone more

you know, and it described exactly exactly the world, and that are

hundreds or thousands of people around the world that are in a blog to talk, in a forum,

to talk to your experience, it has to be similar. And that's very similar. These are

these experiences. They're very similar. So, I think records, because curiously,

I'm more a memory in general. If I'm don't know, names, caras, if not

convivu much with someone, it's very very easy that I can't but I think I

think I think because very very clear is my abuelita changing me the paial.

For example I'm ches I mean I'm like I'm like and then I've asked you know because a lot

because you know you can't think you can't even my mom of oh yeah when we've we'd like

when we've a car that I'm oh yeah and how you know I'm just just not

so I'm just like I'm just like me just I'm just I'm super super

this present I'd with my my papas in his room in the room in the

room in the room and I'm in my little bit of the I'm in a woman that's

a year a year that's a year so I'm not about not my not even not even

not even my mom and my mom and I because was only I'm just only I'm

but I'm just many times, like many times, that it was all over

dark in the time was a little kind of kind of kind of

So, without to be a camp, but very a little light. And of a lot of

a lot very light out of the house. And was a person, a person,

a woman, a woman, or, well, I had a woman, probably the woman, a lot of

a lot of light, luminous. And, advanced so, like you did you but below

of his feet, there was a quadro perfect, a quadrado, that emitting a light.

And this she was... She was paraded over this quadro, she was over she was

she was a vestido and I remember that this was moving and behind she was

turning very and at the same she she advanced and there no

not had any a word but I'm and I made a lot a lot

to be a so it was a so not it was so I

see it so and I, the know the world that was a little, so it was

like, I'm sure if this is normal or no, but I'm more more

more than I'm like I'm invited like so with her and my papas, I'd and I was

and I'm just over and they're not, they're not just about, and like my mom

me agarrava or my papa, and I'm so, like with her like if me,

like if I made a fear because it's like, oh, why you want to

make me, you know? But you have to be, so you're like two years, I think

that's, but I understand some things, I was, I was I'm still I'm

like I'm kind of I'm, I'm like you like you? Yeah, but

you're, so, like, so, and I'm I'm, I'm subia I,

I, I, I, I was, I, I was, I'm, and I'm,

I'm, and it's, it's, something something solid, but I saw how this thing was just about, like, girando debacle. And, and then I don't remember more. I mean, like, of that I don't have

nothing, until that of a sudden, yeah, I was a, according to I was a dream recurrent, because I remember like, the sensation of that here came this woman, and I think, oh, there came, there again, so,

then it was, obviously, I'm talking to my papas, more great, and I'm talking, to talk to, I mean, I'm not, or nine years, that when I was a new, I remember this,

what on? And if it was like, you're like, you're like, and never you'd give me to you

and I'm trying to a woman of a black that's in the world. It's a very reaction exaterrestrial.

Control, et cetera, described as as kind of that's not that's a question? The Virgin

of Fatima there's a lot of other, of other virgins, these visions, and

these visions, never describe exactly a or persons that that are not exactly

that's a woman, but are like they're not exactly I've seen seen that I've seen

like I'm like a kind of a kind of a sort of me maceled with a dream but

also I'm so I'm so so much when you don't know when you don't have

information no no no no I didn't no more than the more than

I was I sentia, I'd say, I'd say, I know those know those, of those people, me, me, me criared very well, and I know do they're in that. So, also, too, I mean, for that's all right, like, a, well, a dream, a peasantia, very a bit of a bit, a little bit, that's

the first time, where I went to this story. It's like, I, in serious, I know what I was, until I sent me that, because you're a baby, with your papas, you know, is to be able to be able to be experimented something rare. Mm-hmm. And this, I never have seen,

to nobody, or at least no, I've toped a story, of this of the question, for this I'm, for this I'm,

for this of the movement, that I think, I do, like, like it's, like it's, like it's,

something, this is something because it was the first time that I saw, something of a person that was like,

so, and this of the picture, is like, it's like, was like, it was a

black, was like, it was like, it was like, it's like, imagine, so, imagine,

so, with a light, but not a leg-segedora. It's a light like... Imagineate, more well, these lamps of

the techo that are black or not. That's on the same and it's going. What barbarity.

What about. We have to more that in a moment. Yes, no more. Tampocoe but

but so, so, so, I don't not I refer to, but I not me referia to front

to the cameras. Ah, perfect. Wow, it's incredible, it's incredible. This, oh, we're going to to go to

a man of the sombrero. Yes, we're going to go to see a moment of after this preamble a bit of a extend it.

You'll tell a story? Yeah. Is it going to go? No. Yeah,

yeah, so, yeah, let's see, that story is the man of the devil

and is anonimable. Okay. I'm this story because we put in a context like,

where we can't visualize all what is happening in the places to be in Merida

Venezuela there's there's there's three merida where we're here in Yucatat

the original in Spain but also there's a merida in Venezuela in the years in the years 70s in

a zone rural the person that we can't this story us tells that this he's to

this is abelos, to his tios, Tias, etc. And, and also

to his mom. Well, this has more or about 50 years. What's

in that then, his abuelos, then they had to be moving to a

time, because the work that the job that had, was, they were in that

form. So, they were to be a certain time, in a little

They had to change a certain time to other place, and so they were in this region of Merida in Venezuela, has 50 years. One of his kids, that's called Cheo, of these abelos, that in a

then, was, was, was, was, a boy. The abuelo was mistratable. He had more brothers and brothers, but specifically to Cheo

he was, he was, he was talking of violence that gets more the violence

psychological. I'm talking of violence physical in contra of a

man. The reason for the that the abel maltratable mistratable

to this child, was because all his children were moreens he was

he was moreno and Cheo was Rubio was okay no

he said but it's evident that he was evident that he Of course, there was a disconfiance there. There was a disconfiance.

He was a point of to be able to be alcoholic, a barrage, so this we summamos in the time that that I was

that was before to back to his home, he was very barracho and when regressa

the abuela, is to the mom of Cheo and the brothers, most grandes,

etc., they'd they'd because the papa was furious and he wanted and he'd get his

ira against his that he had been he had been in he was that he

thought he he was his this happened constantly amenas and

and the fact the fact that the family was was a

really and not was that in that they were they were

they were they were they were they situation, medial

by the religion and other things. In a moment he gets tremendously

furious this man to be to get a little to they're they're they're

they're to do you and he in his locura in his violence he

he takes his his his car and the point to the

family directly directly to the the husband, the children, assuptos, where is that that

man? They're crying, grittando, when of a repent, in this

moment of a local, in the camp, in the house, in the night, it's

to hear the gallope of a caboio. Like, he's a little to

the house, and he comes to to be to be the house

this galope, but was very potent. They were so, and

they're Well, a little bit distraided in that moment of what was happening, observe at the window that's literally a carball a black, imponent relinching, that's passing there

and it's detain. And what more is that's that it's impregnars an odor like azoufrey in the house and the temperature

a little, rapidly, rapidly, rapidly, rapidly, so detain this

cabal and to see the and in the cabo there is a

genet. This genet has the classic sombrero in the

obscurity in the face, not the only the eyes as the fire

observing directly to the house. And then the

mom of Cheo, the The senior grita, Virgin of Carmen, is the

devil who came to get to his father, he said to the children. The

children, obviously, they were really really and this woman and this

woman, you know, and the woman, and she has a man, but she got a thing, and the

and it's to the door, for that nobody will get to get to be in the sir was also

maybe a and the genet when they're to get to know they're not even he had

been back to the cabo no, they've been in what he was not he was going

to be looking to the house and and of this this

man of the black that's out he he said And he said,

Benito, Salga, that we're going to go the two. The family was terrified terrorized. This man,

he, he was made to them, and although had been extremely violent a few seconds, well,

the family sent him so power that literally wereas in the middle of the room,

and they were those despert was the sound of the gaios at the and they

did you know that the man that had been out of that's terrible with these

eyes and the cabo had disappeared they're they're they're they're

they're all it's to be in complete normality but

when they're to go to the house they're they're something

they're they're they're they're and aterrados. In the madera, like if it was

there was the way of a man, like if you had been been to the rojo and had

been to get the matter to the point like to deret to get impregnable there.

She kept impregnated. To this this this woman, she called the man of

the man of the devil. She was was sure that was a manner in

that, in that, in a way, he was got to his marital for the

actos that's committing. And the marido, also, like, imagineate.

It's a thing that you're saying that you're going to be to go to get to and et cetera,

and other other thing, is that the same, what they believe, the devil came to

be in the door. So, this man, he's, so this to have to back her

rapidly to that violence to alcohol because he had a fear of that they were going to

and he was to have to trygare so that's like your and also just they were in that's

in the moment in the that they were to get to the family get to a new place

Cheo the the new that had observed this entity not

I was he was she had to this new house

in the first days, Cheo, is he's dormied and in his dreams has a a pesadilla. A pesadilla

that was very recurrent where that was a man that had seen in the part of the front of

the eyes, was the room, he's he was in he was very, much, much,

much, much, meod, because this being, he was able to he not could move

I'll, repeat, in a dream, he was a and he murmurable something, but he

not said that was that he said, in one occasion he and he

and he observe that was that was the same as well in his

life, parado in the corner in the room to to

heo was he was I'm murmurating something that he

not he not he could understand and, of a repent he

went to his man and signaled to the window. The ventana

that was to the patio. And he understood that this was saying,

to be to see, so with a he went, he went to the

window and he wasom to out there was the cabo

and the entity that He was in his second in his abitation and he was out of

over the cabo observantly from the from the and so he signaled to the

door of the house. At the morning the next they in this new house

the mark of the man again horrible horrible so then

obviously again the family will be to record this event Cheo

says that has been visited in his, in his dreams and that murmur to things. But, well, at final,

it was like, what we're like, what, we're doing? They were talking this? Of the man,

of the genet, when, of a moment, and then he's the sound,

the sound of the caro. And they're what we do, what we do?

And, and then the house, commences the lights to palpiting

like, like that's they're putting, and they're doing, that they're

in the there's there's there's there. The being, this entity,

is that is in the house, but like can't get to get to

a other, a bit of one the part most lehals, and they're are they're going to

to be to be to get. Pasha that's that's a sudden, and the

self is going. When he gets the father in the night, the papa when he he gets

he's got to say, he has he has this inquietude to, it's sure,

me are like if we're just we're like, I'm trying to, I'm trying to

not to be, of or something, but Bay, observe,

he effectively is a moment there's not because his work, but he's

not because the fear that he's he's that they will be going to

change of the house. And they do they're rapidly. And they're

a other house, a house more less that he'd

that he could continue to work to only only

that he was more the of the work, but he was more

sure. And all went. Cheo yeah no had a pesidias, the

things were doing as well so much that's like it was always the

thing of this genet this umbre with sombrero so was forgetting

with the time. Lovian there a rato when when of a

repent Cheo and his brothers more little were They were just

A lot of the night, and he was a little bit Cheo seemed like this sensation like when the genet

he had had seen and had to be a back on the window and he seemed

that sensation like that that order to be that's he's he he's not

the cabo but to the genet that is pared like behind

a a little, like trying to to be. But he and he said to his mom

the genet is there out of and say no man no, so you don't

you know you're to start to your your your your no mom,

I'm just I've got to be there's there there and see me

it they're to the window look and see and the

she's and she's to somers to to be between the trees and he's no,

that's free and the she's and she's she's is inventing this is this so you know

you know get to get to yeah but mom let's get to and then

obviously the men are so they're like what what's what's saying

hey you're going to do all once to let's let's go Let me, go,

let's go, let's, and all the kids like to do. All the kids are to do with all the little little

the little two little the little little kids like I want to what you're what you

see, and they're in the room, trying to do a silence for that the mom not

to do know, that's when they're when they're when they're when they

they're that the father is getting to the house. You're They hear their classic

botas of work, how they in the madera, and then it's put as a

content because they're that the father they're they're they're they're

this and just when it's in the door of the entrance a

the gritty and the car of a carid of a carer of

the when he when he's this open the door and there the

body of his mario with a mueca of horror and the heart

and the they're they're to revivir but they're dead in the

door a difference yeah not was this one but it was like that the

madder had been have pushed from inside almost imperceptible something and in the

the pecho of the man, a man marked that's the life.

This story, this story me remember much more more to the charro that

that the hatman of the dreams that who can know if there

there there's to the eyes but the description is very very similar

this man of a sombrero completely obscure, with eyes rogers,

even there stories of tessoros interrados and things like where he has seen a kind of

that has these same characteristics that the people that the people say, well it's the

representation of the charron negro. The charron negro thinks that's the diablo think it's

it's a person, it's like the entity, like an entity of an entity of

to get a person. I would more a kind of a special of a more than

the same yeah, like the entity of the infirno, a emissary no?

Yes. That's a person I'm like to like to a certain point that

that is that's work these entities in this case, of having a equilibrium

in the earth and then then because it was for the Lord directly

in his poor moment yeah the young out that we need us. Imagineate that

something, say, say, do you know, no, no, well. But,

so, and in these stories, always, also, there's this element, like,

this element, like, not it's like, they're, or a person that's a person that's

not, no, always, it's, it's, for someone that's, it's,

for a person, so, so, so, so, a creature, a,

a, It's, quite it's, it's, it's, it's percibe like a

but, in a certain thing, it's also doing, like a function of, then,

well, of the thing, so, and apart, it's also, something, no important,

that he intended to change, exactly, Benito, yeah, yeah, it's,

he's, to get, he, just, it's, just, it's, just,

I'm, postergando, the, So, So I'm A story That's That's really

A very, a bit of A bit, The story is called Vyance of here Okay

And we was envied by Renato Beisaga from Chile He knows He knows He's

He said About the eight years He lived to his mom

and the family of her and a house that they considered

was very very enbrugated he and his mother were who were who were people

and people were in the family of the mother a person a person submating never had

had lived something or at least not admitted to have lived in the case of

him of who he said he said he said he said he lived many

many things like things like some that they're of a

object that move in the place or that's the classic history of

phantasmas but there was an occasion in special where he passed something

that also was also the also the abistamint more clear that this

moment that he had had had been that he said that

that house had a corridor very very very

long where was the room he was the

things, no? And in that quarter, there was a window that was to be the patio. He was there, at the front of that passillo, doing a little bit of the school, we're a little, when of a sudden, he began to have a sensation that he no

knew very well, but was a sensation of an uncommodity. And he was found that he felt observed. Sentia that something was seeing but not he

but he he he he went to be back to the house

the room was completely vacate and then he

he looked to look to when when when

he was we we in the patio there in the

there obviously is a person because he thinks that

someone an intrusion so that was aterer to any person.

But, but soon you know, the texture of this person not seems is a solid

of all the whole. It's very, very dense, but it seems a kind of a kind of

a new, very, very, very denso that is form the figure of a person. The characteristics

of this person, no can't to distinguish with clarity, no has factions, but

you can be that is a, a man, the complexion of an man alto, that's using a sombrero. Uff.

No, he was the eyes. The other hand, it seems to be the face, covering the face. But, even so, he feels observed.

And, you know, that, of this being, a time, this being, even of his sombrero, he's being

fichement. He knows that he can be. Obviously, the The sust is enormous and what is to get up and get to

get to get from there to talk to his mom. For when his mom comes and are observing the

patio and they're trying to look to someone, no, there's absolutely nothing.

In that his mom he says, that no doesn't know, that's he's sure he's no

that's that's that's that's not that's of night and one sometimes can So he

tried to to create that and try to try to try to try to

get to and the things in the case still are there are

things in a occasion a after this they were talking

about with the family of the person was a person that's

he said I'm he saw a man of a black

that was a and this molesta a a couple to the wife of

his mother is a bit of the stories of the that are things and to

see what and the she was had been had had been a other

other other other so this man with a

and he he's he said yeah basta in this house

no there doesn't there no there no there

no there no One of the lampars that was that was a

face in the techo and he and he he passes rosand for the car to

this man uh a sota against the sun and it revient and it

obviously all they're all to this person and they're

and they they're that this what is a here here

I'm here we we're we or something there in this house. The skepticism of this person

was going to the time because also of this began to occur more things and more more fertes.

Poco the things if they were to be made to a other, now are assotas.

The doors also. The objects were or directly were going and we

were going to something more more more and, and things of reojo.

Bajo under the insistence of that he had seen a this man,

he said a story, maybe to make him not he's not too, not not to

not to say, me, not you don't, she he said that constantly

he had a time with a man of the sombero. Also,

and in one occasion after after one of those the life, where this ser was at leastrapping her, aterrano, mirandthily

fithently. Even when, no, I could have his eyes. She's a levant, and she goes to the bathroom. Go to lavars the car, to

try to tranquilliserse, and to refresh a little and to say, well, it was a a pesadilla. When I

enter the in the space of the bay, be that with the vapor, this vapor that is when

you're doing, water Calient, no? Yes. In the space was written

something like if someone with your head, it would have written in the crystal.

Valliance here, says the message, clearly. The she didn't more than

to do to do and not say it. Because he was to be to be

to be to be to be to be to be to the person to the

person, and it was to this point where she decided for final

to say to you know you're you're you've seen I've seen and I'm

just me a message. They're they're going to that the house at the

final decided the three that the first was that not not

to get and that this and that this and there

there was there there was a the person the

person the person was a something was a

quarter, I was preparing to do that he was normally I'm a

a little lamparita encendida because he was not could be in complete

obscurity and when was sitting at the room, yeah at point of

to be his sunbra projected by this lamparita in the

front. Vio his proper sombra what is completely normal.

What not was normal was see how other sombra was formed behind the sui.

The sombra of a woman with a sombrero that he was he took the

he took the home. And he was able to a man free and invisible. But he was a small to the

armory, that's the same to the Also, this sombrough silhouetta, in her, began to draw herself a time a time of the and could see that this thing was onyering and he began to hear, and thenceau in his head, a risa. No, were not in the room,

in his own, and he could feel. For fin, he was going to be able to look at, to say, okay, what the say that's the I'm going to see there. No,

there was nothing. At when I'm going to the wall, no,

there's but this risa in his head was still still present. When

he said this to his mom, and when for fin he's

to be to talk, is when they're going to come from here.

I know that there in this house, no I can what can

But the solution is largarn us and that God bendiga to who will be to live here approximately,

but we're not we can't get. No, he'll be to see the man of the sombrero

unfortunately because there stories where you're and you see, in their case,

he was so much but remember this time of his life, like the

first aderererer where He lived, he and the mother and the wife

of her in a house malditably embruchated. And that valiant. Oh,

that's, yeah, when you contact physical, yeah. Voltear? No,

manches. I don't go, I'd be so, I'm not. I'm not. I'm just,

what, what's a sensation so, so, that's a, man

frieie, and invisible because he said, because he said, that was invisible, what I made think that he was going to and he no

but he was but he was but he was this relation of that can communicate in a manner like,

maybe telepathica but at contact no no manches. Like, like I need to talk it to some way

for that to hear but he but even, he's kept something there,

no. At the more he no took because because something something is going to

get to be there. This entity I'm like that's that's quite because it was the message

that he did you. So, so I'm that's for that's why. So, for you

want to you want to they're going to be a story that I'm going to tell one that

I'm going to one that's a very that's very strange. A very that's very

good. No, no I don't know, I know, how the people don't, well,

I suppose that's, is that, it's that, it's, to be, a be, a bit,

oh, ha, I'm, I'm going to try to that's very descriptive my words,

my respect, okay, of certain situations in this story, and I

hope that can imagine what, what, what, what, it's very interesting.

That's that's called, the Paraguas Maldito. The Paraguus The paragu is maldito. And we'll

send us our friend Jennifer Giraldo. We'll say, Hello, Fepo, I'm a little bit. Invium a word, for sure. Yes, thank you. Thank you. Much of thanks for your story. Fiatte, this story

commenced when Jennifer was very small. Much. So, they're in in-cassarunied, they're preparing the dinner, and listen

that I want to compare to the Tienda, to the dinner, no? So,

Jennifer, that's a chiquita, des Dese to his papas, that she want to

but she is a little. Because the the tienda is like, so,

two quadritas. And yeah is the that can go to the

house and she she wants to be a adventure as a kind of

a little a little more so then the so the so

the two quadras doesn't two quadras, and they're They say, okay, here's

the money, you're going to you're in, you're in a second, you know about, you're with nobody, take care, et cetera.

And so, he's got to gorenged. And he's a little bit of a little and she distract.

So, it literally, it's going to the feet. Uh-huh. He's going to the feet as if

he makes, I'm imagine, that I was doing this game that we're doing this of not

not pisar the line and not not to be and in the way of the way it's it's just

because he's a presence a and a and there a man that has a long

gaban so he described with a sombrero that he cover the the car

like you just that you've to tell what is to it's a girl

is an man that is a with wants black, all totally vestige of

a black like if were a mask with this sombrero has a much

cold. How would be a person a person bestied so? But the

most strange no that's not that was, but he had a paraguas

with the point of metal and this paraguas he was he was he was

he he the paraguas that has that This man is

So, this man is So, and then it's a side to continue coming down, and just when pass to the man, this

man is going with the paraguas, when is the side of her, the pica. The pica with the

paraguas in the brazo, and she'll be it. But this man simply the pica and continue advancing.

And she is a first time that is the first time that is the first that's the pinch of a pincaso

grita and he's spanta and go to the time get to the

the little is a she's a she no doesn't if a

more molest a person or something or something he has to come

to come and he's there's there's there to come to

his house when when he to tell to the

papas, that's toped with this man and that's but before that she

could tell the father they're in panic because he's the

breast batid in the area not was a light liiana

was a really a profound she she didn't she didn't

even even in this in this in this fear the the

the the sust, etc. No, he did know of his

his bra so he did know of the same so the father, obviously, in that

in that moment, get it to get it and then they're and they're and so.

And, well, it's a anecdote for her, of when a man rareissimo,

in the cold, in the day, with sombrero, Gabbin, and a sombrilla,

it, he, it's, many years, until she now has 19 years one day

one day, then is in a day, he's in night and simply go and she goesta to doorme

so. So, he's there when when of a repent when he has a sensation

rara, she gets and just she is like this camera is put against the

the pad the side and the side of the and she and she doesn't

the sensation of his life of the dead, and simply like

he's a question, what's he's so he he's he's

he's not a place, so he does the so that the and when

he did the and when he's there the man that he's

he's he's he's parted in the middle of the

room with this sombrero gigant very very close of the

camera observantly and she he, she's fear, but something you

described a little more more canst more than fear and what does it

not is not more than and has so much so so soon so it

so much and more and more and more the so he will to

say well at least he of the back. It's a way to get

profoundly dormied. At the day next, recordando what had been in her infancy and

what he got to occurrity, he he gets kind of, maybe, be a

her mother, that is her mother major, much more great, and he said,

oh, look at me something something really, I'm and I

I was this man, dressedied totally of a black, with a gavent, with a

sombrero, paraguas and was made and I was observing. And I had seen

when I was when he said this the herman says that literally he said,

I'm you're you're saying you're saying, you're not? Why?

Why? Why? What? What? And the her manna, he's like to

try to understand the things and he he said a little when she was when she

was a when she is Jennifer that's very chiquita well obviously is a baby

a new has been that occurred something the day that they're

to the her mother he says the when When you're nasiste, the day that you got to the hospital,

there was a passillo near the abitation. It was another house. During the nightgada, I felt that there was that there was that was opening the cajones and was looking

something. Then, I went and cameine, I was I was like revising the robes of the

cajones. I wasomed and I saw me exactly to the entity that you're describing. But in her hand,

I had a propita of baby, your her up. She obviously she kept totally

disconcerted. Why? Because I was revising my my roba. Specifically he describes the

describe the robita of baby that had this silhouette, this entity in the man.

Ropa that never never were to be. So, he's he's talking this and

he has kind of no? Like a clear, yeah, what is

what what's he's to be to sleep that night thinking in all

this, and he said that was a little extrano. Sintu the ambient more free of the normal. Recurra that's a tap-

Yeah. She's to sleep. Still, with this intrigue, but no can't do it. It's like trying, intentando, trying, intentando, intentando to dream when

of a repent, that is recording all these relato and more, this frio, commencing to to grow, to grow, to grow,

to grow, of that she that she does get that this is not normal. But not think it's

something that has a little to be in the entity, more than that's a thing that's a thing,

something, something because the free is exaggerated. So, then decide to get to

to go to see a thing, to see, what is what is what is what

is what is what? that he He'll help to revise to what is what

is what is the she's she's when she when I'm when I'm the door

of the room she's she's she's paralyzed for what he

there. Her her her is in her calm and

like if not that not in the room there

there there there there there is this man

that in cuclil in in the room of the room.

And she immediately he's he's he's immediately, he's he's

he's when he he's to be the door, he gets to get

totally in the foot, he is to be to her to

the moment in the he's the sombrero the he cae.

He It's, I go a little and it's but this being this ser

terminate to get to and he and he and he goes to her.

He said what he saw that that the rostro no

he can get to be to his memory he was

a cada palid palid and he no had eyes

it was like if there was a profound,

vacu, in those quenks. The boca, although human, was disfigurated,

was grotesque. And that boca was moving. He was generating a strange a surprise

a she was totally totally congelated by the horror of what

was, of what was being. And then this to be this her,

and he he was and the and the and he he was and he and he

and he and he and then in this movement of the so

he went to her she was she was she was elated with the ser to

some her and she's and he said I remember

It was So, the MED And she She went And she felt

how the reality Mism was a dense and it was only he could do some

those and the obscurity and the density, the vancied and

fell to the the back up up up and

he was that disfigurated car. When I opened the eyes, it was in your house.

It was a day. She sentia extrana, sentia I had to vomit, she was

a little. No could not even understand because he was I was

perfectly what had been to what I'm to be to be to

understand this. So, She's in your camera to prepare to get to get

but be something that is that's the moment the day that's the way that's

your burr, it was perfectly doblated the robita of baby

that the entity had had when she was she never

never never never ever that this story has

many many I've heard in this class of relato that's

that's the thing, to get the that's something not, it's a

element of the parawas also. For that I said that it was,

it was very important to imagine to. Yes, totally. That's, it's very

strange. The that's the thing is the he's the door and

his roste I think the she was to have a bril and sell it, me, open and startle, I'm sorry, I'm sorry, yeah, yeah, I'm sorry, the description quadra with how she's no, very good history. Very good, right?

Passing to the next. Vennepa. This is anonima. This is anonymous. And it's the man of the

person who who's in viz this history us and he said in a

time in a area in a house that's a family

but not a family nuclear but has been a

family during much time it's a a house

a great in a room remote. She she moment of the infancy of

her. Originally one of his tios lived there, but she came to be able to. She said that when she came out, the mom has seemed a little incommoda because

her papa was a lot of every day, and, as her place remote and a house so great, she was feeling insecure of her with her, with her her that in that moment, also, had little of ever-nacid.

So, so, ante this situation, the mom decided to call to one of

his hermanns, for that would be there and them to help in the house and

all this, and all this, and the father. Yeah, this Tia, live a

time there, but very little time, because one morning, he gets

his maletas and, and, and say, I'm go,

I'm going, I'm can't to live here and she's the mom tries to to convince her I'm a

new new a new new my my marina not is all the day but not

she she's the the things after that they're to put

to be sometimes sometimes because it's a very rare in the

house very very pesate there there the temperature and the temperature a

and all this if is rare not yet to be so sufficiently aterrador as to

put a attention and to give to get that something but

a night that really really it really it's really they're

while they're in the baby is in their cunna the

repent the papa commenced to get to dreams

without to start he's he's he's he's he's he's

he's he's he's he's she's the mom and he

and he he's to let's say he you're saying you're a

but you're talking in so he's he he's

he he's he he he's he he the man

the man the man of the sonbrero Oh, ta. Dice the

man of the sombrero is a and he and he a scalofrio horrible the baby

not is with them in the moment in the room and the mom and the mom

and like, despirta and but no. The papa says,

I'm I'm I'm let's not you're that's I'm like, is that I'm

just that's that's I'm going, but this is put much more aterrador when the

sir is going and he's going to pass for the limon in this moment the

the arbor of limones that were at the room and with one of his ramas

rosa the ventana like if someone would have passed running on

and he had been to be on the ramas no

manches the the sir no the he still

He's been in the He said, the perro, he's there. The perro he will to get to get

to be in that moment he began to hear the laddido of his

perr in the patio. Finally the sir says, he

he's he and he he he he's how the porton

length and it sierra. With a crash at the final. The she didn't

see a absolutely nothing. But all the was narrating his

marital he was he was she was she was she was

paralyzed without not do and when this does go

with the baby and there is it is

not not she don't don't don't dormita tranquillamently

but not you can't get to the head this sensation

of that something that's not was that's that's a day next

very very agitated and was she was she was while

his his he when he he said he said he

he said he was he he was he he was I don't

I but she was terrified and with her baby in so that day decided to go to her mom to the house

that's a that's a little bit of a town of a little bit he's going to her and he'll

talk and he he says mom is that this he happened my my mario

so know this he said that he's he not he but I heard

he was all that he was passing in the patio the mom

le She's like well, something something. But there in the house

also she was a woman in the she had been a time.

She put a palida and he said you you know you

did you know why you didn't do you didn't to be

I really I'm really much a night I've

had been some some I've been But in that occasion, I dreamed that there was a man with a sombrero, vested completely

of black, that was observing me from out from the patio. In a moment, for when I did count, I was in the room at the

room at the feet of my camera, mirandomely, with those eyes bright, brilliant,

the more is that of the stustro, and I'm there was I was going and not it was a

no was a no he was he said this thing this thing this is

disvanceo and the day the day I go yeah no I don't

be to but that but that that's after after that now

the mom she and the mom and I he was that he was

I was that I was in the patio, I dreamed that she was in the patio or from the room and every was more close. Lernered where she said, I don't want to live in this house, yeah no want to be able to

to my baby or my family. The marido, neither of all this not was a cord about, but she was convinced and he said, let me go, let's do you know to your family,

we're going to find another place, no matter, don't know, We're going to be better. Decided in irse. The house still still being of the family

and in that house are going many many things very strange. Then they they were

talking about this story of that the people have been seen the man of the

sombrero merode for the nights in that house. A resident he said that he

had a sometimes, I was going on the night, after the work, and I'm

a man with a man of a man of the man of the man of he was a little bit of

and he was always he was doing that he's not a manches, he said, good nights,

no, I don't receive no response, and well, it's like it was like, he was

he was going, but he thought that was a person, he was he was, I thought,

I was was a to his gardener. I mean, I mean, at a few times in the madrogas, someone passing with a sombrero for the patio of his house.

What locura! And that house still still with this entity, because various times the tio that was the duke, he was a

person to try to to bendicer, to try to to quit to to this entity, and to all the people that

they said, if I'm move to do something if I'm going to be a I'm the more.

I'm going to this, I can't, and they go to. No, manches. Without exactly what is, what he's, what he's there,

and because that's there. That house still still still, about the man of the sombrero,

and until the page, no, there can't want to live there. Berde! He's

she kept with the house. She's no, manches. You know, I came very impact

of something. I know some history but is out of the film but I know that story of people that in a house are having these

visits of the man of the sombrero and even they don't know but resulta that there's a when they're to talk with the

that is a a man and a a senior and a senior and they're no no or so I mean you

tell you more I think because that sir, the bestine he was a much,

much to smoke to every but the person he said no I'm not because all the

models apesta and so he was a carmina and he and at those

houses there was like a house so and they were houses

of two pieces so then he he he was

he got to get in the the sombrero in the part the top of the house and he thought that's

it's a so he's going to he said he oh yeah oh yeah like so but no he's but he's

he said he said he was he he started but he began by the wall the and he

he gave so he said he said he said not no no no it was

so it was so it was so the cigar that the he was he was

she was and it she was the cigar and this thing and this he went

and so, so right that you were talking this, of that other people was,

then they were there, and so, so, like, they were like, they were

like, and I'm, and she was, and it and they were, and the the people

were there, so, it was, it was, it was, it was, it was, it's,

so, Barbarro. What a barbarra. And the dream was too incredible.

Yeah, me also that that part is like, imagineate so you that's

a lot of a person that has been a thing that is going to what you

see that you're doing, you know, you know, you know, on the other

plan, it's is a experimenting is that is a thing that is a

important that I'm that I want to this person is doing and in

his dream, is combating with this entity. But in the world real,

we're in the world in the world of the question of what is saying is going to and in

his own his own he'd in other place, but in other place, in

other city, in other city, almost a way of an reality astral, no?

Cas like a thing, not you don't get to be that to let's

let's talk about that's of, Cueado, so foco-rojo, Cueado, because

it's heavy. That story is a disappeared, and is an history anonym. We said

this person that all his life has lived in Limache, that is a little in the

central of Chile. There, to that people is the people, as the

people of Brujas, Limache. Or Limache. The first that she, that she saw the

man of the sombrero was when he was a year, I know this is an adotation

that is a relation between certain some moments difficult for a person for a

little like the stories that we're talking and the apparition of this

entity he said when I had I was in the garden of children

of infants but not was that she'd assistia. More

well, I'm in this, that was where I'm a time, that's

his day, she had had to a cargo of her. But the the tia was out of

and then she had to be to be able to work to be a lot of times

had passed to be to be to the house and she she would be

that in that day. That day in special she she had she was not.

No, he was to not in this garden of children because there was

there was a companyer of the Tia that when the Tia was distracted

was trying to look at the she was in a little apart and she

was going to she was and he did a thing was cruel

he he was he obliga for example to I don't

know what the time it was he had

and he he he said doorm, but it's the day I don't have a dream, doormete

and he was obligated to doorme. Acuestate and see, the eyes, here I'm going to to be until you doerbys. Well, she had with the

fear, was obliged to be to be yeah, if not she'd he'd he'd

to getable a funda to a a co-in and with the funda she'd put in the

head. No you let's for not to be not to do you

do you and I'm doing it's many it's really simply it was cruel

because she not she not but she not but

she was she was she was she was she was she she was she was

she was she was she was she was she was

going to start with these things malas, when of a repent,

he sent you a mirabye a a moment, and he he saw, and he

saw that out of a corner, in a corner, a man, an man,

a man alto, totally vesty of a negro with a sombrero black,

and was there, immediately hepta's attention. Recurdement she had four years.

He said that he had wands black and that no she could see the person. Simply was there was there

and she she didn't fear. He called the attention that man that woman in the

colina totally vesty of a black that he was being

so this man he he went the and he made

he's a sign she she she called. Then she

so she pared and observed that's the rea. It's like that's like that's

like it simply and he and he's no I can't go to start

the reja and the man that he had on the hand up he

he he and he signaled to a point of the

reja and she he Just was like a and if

if you you're could say, so that's the man that

the woman that was and the woman that was at point to do do

to do things and he put the rhyita and

he went to the colina and he went to the

the moment in the he he he he he

he He gave the back and he commenced to come in. No, he said nothing. He said, and she started to

come to him. He said that in a moment then, simply went coming down to the nada,

there in the colina, well she was observing the entorn and started to be to be

to and he thought like, oh, what that fear.

It's dark. And in that moment, no know where but this entity got a lighterna

roja of these is like a quenke. That's of petroleum? Like of petrolio

and solita and so it's so it continued and then this was a

light that this light like this light as that the sombra of her but

over the of the man, to project to the world, like a kind of

that's really, and she was a look at the and her and her was her

more more more was just was like that was like

that this he was that was a living like she

was rather but she not she was she

was interesting this. And in a moment in that, record we're four years, she can't to come in. And then she

he gave to this man that she was, she was, because he was tired. But the man,

he didn't he went to see, he continued coming. And of a repent, so,

so, like, as, as How rarrow, she was very very very

he looked to see one last and he he went his

arms as she she her and she he

he he he he he he he he

is just a and the of his mom

was her mom, abasantly with much force, and she opens the

eyes, and she like she got to start to a dream and he and he's

not, because her mother, and the time, discover that for the people,

her t' she was desperated, because simply disappeared from the garden. He was

there in the garden of the children and simply disappeared. and they started to and they

had to advise to his papas and they took to advise her to the policeia and the people of the policeia

the mom the papa all all they were like looking a little bit of a year of

after a year and they they not they were they were they were

and they were and they're doing tranquillam in their a little bitation. That was when the mom he was around.

Well, pass them four years more. Cumple eight years. Obviously, other

once, it's a anecdote, something inexplicable, but are very much that she's done.

Gere at the eight, eight years of age, and it will be a in this occasion,

it's a Swear. This being a night in a street that she's there's a

lampa but it's a lampara an old like a londinense and this man with the sombrero

is there now he can be the eyes like of a red carmesi

not exactly like these that's like like it's like lighted brights like of a

redemmesi He's there being it but now there's a other there's a lot of this person

of this man of the sombrero there is a rottweiler gigantesco it's a perrot totote

that has a collar dorado as if was of the or with incrustations of

the pietras precious the percius the perro is sentado right-to to the

man. She's he, he can't he, he says, he says, and he

he makes the attention that the perrough no- has been to come in the

man, as the person to try to understand because it's there what was

what what was, when this man, this man he, pronoun,

a phrase, a order, a word, a word, a word, and, he, he's

grittling, and the perro, like if was in a little, when he's he, he, he,

he, he, he a balance, over her with all the perforced that's that's

that's that's that's that's he's, and she, she, she,

she, she, she, she's, she's to be a ,

when he when he and, the, well, so, so, so,

so, and the papas enter and they they're going and they're like a

like a trytan to calm her and say you there's there's a there's there's a

man and the other until that he was a dream and it's a just a calm

but then the memory of what what was four years now is again is like

very very vivid and they're on some days, no he can't

get to the head even a little bit of and when she's going to go to

get to do you, it has a sensation that's that's that was that he

had been to be to turn to the window the so so

so then so he and see that out

of the he is this man there there

is being and he but he and other

every other time no Siente and before that the man could call her simply

is there like observing her and she go ahead to do sleep they're

another other years she she she says she many times

a this man a long of the life because

it has this sensation to see to the and

when he it's there he that she's accustomed but

they're many years and a day she's when they're in when they're they're

they're and they're they're they're they're done a bad not a lot and they

say your your mother has to have to you you're

you're you're to say she she she she

she was she she was she Amable his His mother. So the news

I got with a abrumator she was very much. Tretto to be to be

very to get to get in class but he started much to get a

desperation no there no there was a I'm

not he didn't. It's you know you know

all the process that that's horrible he he

came at the night to his to prepare, if he was to be

a funeral, the funeral of his abel and the repent he felt that the atmosphere

of your house was a different. The same pattern that is repit in many

stories. She started a much frio. She described as

quite, like, as it was a great, tremendous. She had abodered

in the abetations and I felt like the ambient was a dense, like if the

atmosphere peasers more in that moment and he started what's going, what is happening? What is happening? There was, there's a little more. There was. He was a lot of the situation very nervosa

when, of a sudden he saw a little, that even he said to do a grito. Like, of the sost. He was there,

the man of the sombrero, inside of his but there was also the perro

the the the man of the sombrero they were

they're they're they're this and the light of the room

is the not this man in the obscuridad not

he and the light generated a effect that now

more more more than was to terror like when it was

a little that the light of the kinket so that the sombra would be

a form terrible now the light of the room

so so that the the the sunbra of this the

object and normally in the the and if if it

had a life and it and it and

it and it but the light would be

normal She was She was having this with a sensation horrible The perro So completely A point of attack

A point of attack And she had He was always He was He was Gitter To call the attention of someone

But he gave He knew That he was He said a voice Of his Shepple Simply not He was

And the And the The Ambient Was more Pessado More denso So

She started to feel rended and she started to paralyzer. She thought that was maybe for the fear that

was going to be able to move and this man he started to go back to her very

let's he moved but his sombra she was project to make many

very very very very fast this man that he was

his eyes with this bright rojo carmesi and they're so to

be more more potentes so that now so it was that they're growing like if

they're in the little he went his hand he had

the light the kinket and now the sombra yeah

was a thing it was a thing because with the light

the king he was projected in a way the

He was horrible, he He was He was He was He said He said He said

Finally You're And with And with And with That He said La-

That was and P, Callon totally in the camera But he

He was Dement I could I hear I the Latido of his

heart. And so, with the eyes serrated, I felt the alient of the man, that also was helled and

apestos. She said, she had escape. With all the fear that was feeling, with this

sensation, decided to open the eyes to confront him. No, he could move. But I

saw, she, she, was that could control his fear, and to this man.

Abri, the eyes and he he was he, he was in the obscurity the same king he, he, he illuminated the face to this man, and what he

was the more than all what had occurred before. It was described so. This man no had a

a rostro human. He had a mask of of the skin human. Wow. He had the muscles

exposed of the rostro, a mueca torsied in this mask of human,

that was a a surprise of a satisfaction malignant to your around

the reality, the abitation, the wall, the was,

and it's He was disgarrand and desmoronando while he was illuminate more and more. The fear again is abodera of her and of a sudden a pain intense in all the

body and he felt as if it feller to a profound, profound, profound, profound obscurity. Like if he would be a murder. Silence, the

nada total. That sensation of obscurity, of silence, without, when it when it's the earth

more than all the other describes that it was the sensation exact of being a morning

next because she not went to the funeral her family was to her house and she

was there the camera wasia no there no all his

things were there including the the keys as if it was disappeared

from they were when she was a little she was to ask her

and the time and the authorities to involucar passed

several days when when of when the eyes.

I was a costed in his can. He had passed

more a second she was she was she

was not I had what he had he contacted

his papas well it was a lot but

there there is that she to her to

her tormenting. The visit every certain time. She's she's

she's she's asked, this entity will return? And if he goes,

I'll be to or I never will never I'm. And me

it's there's many stories of people that don't happen and

tell stories fantastic of creatures that were of Ceres that

they've seen a sclerofrio at the people who not were in those that not they know,

in those who no, no he's not even something. Because this entity not is

good. Clearly yeah, yeah, not, we know, we know, we know,

we know, we know what he did, he was a little years, but when she was a little bit of

a element very important. She acudeed to him because a person that should be a

good with a child or a yeah, especially for his work.

He was being cruel with her. And then she took the decision to go to the

man of the sombrero. She took of a debilidad human.

Totally. Yeah. What interesting history and that's chalofrient. Yes,

yeah, yeah, so it's is incredible. of the fact, I'm listening these stories I'm

that's a sensation of that's the same entity that's maybe the same type of the

entity but not the same conscience or the same being exactly, exactly because they

they're they're certain things that accessories that have accessories that have used and even

intentions some some are more more more more crueles.

It's very interesting. The next story has a an enfoque similar to the

I'm the I'm the but also this distinctive of that it was a creature

a creature different. This story is the name of the man of

the black and is envied by Yoselin. She she

she has occurred when when And this has 14 years,

more or less. Okay. She was only in his house because

that day not had been to the school but his so

so there was a moment of the day where her and she

was a she got to her and she was a little very

short. No was a lapse of time and

really really not that had had a fear of

that that's that that's his mom she went, Yoselin commens

to feel a very rare. A sensation that I described in a

story anterior, the sensation to be observed. When one

one's not always she feel in the other person,

there's a person, there's You can't feel observed because someone you recognized in the and not is sure to say you, but

you have this sensation to a certain point positive. In his case, not so it was a sensation of being observed but at the same time a sensation of

a fear, a sensation of that who had not had good intentions. He was he was He was

he wasnto he was to have a lot and also he was he was not a

not even in the and at the same time this he he was he

made she a little she she she did a

mom because he had a the mother that the

brus could care to give to then I then I

put a cross for the windows in the

door and the she being a a little, this story,

this custom of her mother, go and he's got and he's got to put them to make them as a way

as a mother, as a way to protect her. But this not function. She still

feeling aterrata and no know where this, because no there's just come

for the windows, for the door, in the street, no there no

any in the patio, but not can avoid this sensation of that not

is a only and that's in a little that she

does that she remember that her and the father has a arm

in the roper of the room up the up the escalas

and he and he a carh and he an arm cargated no manches

the take imagine this image a man a little a

eight years with an arm that's dangerous trembling or a an arm is a

a arm is pesable not it's something like and how it he can be a trying to defender's

that what that can that can't make to do you if it's that she is that

try to get to get to she she will try to

defenders she she also to to go to see she's her mom

want to want to get to get to see a of the or if a man's

she's a super ragania and castigar because obviously is a conscious

of that has prohibited prohibitissimo to to talk this this

thing so so it then says that can it can it

he can be the and he to the and

unfortunately for her, be a her mom that comes with her brother to the man and

they're in their back. Her mom when she gets impressioned she's

she can she put with the and she gets to get to the

house to to rapidly to to back this

to she also to the the tigeras in

form of cross that had had left for the

house and receive a mom. She said that simply she had suggested that had suggested that

had this fear because never they had never had never she was

and that she was that she was a little and he did even a

pain to say to her to do what did for the simple

sensation of the fear. when back back he

had had had all all back to receive

to his mom her mom is very a lot of and he he said

where is your there's a there a little he was he was and she

she said no there's no no there's no where is your

man you I did how you did you he said

it's when when when you when you saw I'm

you I saw a a No, I'll I can't see to see the car, but I imagine

that's your man a man so that's a man a new guy and when you're getting

to get you to the house, he's met you also he's too obviously

he put a lot to do to be a lot of he was a sustadish and he

he told to his mom now now she he confessed what he

had disovedecid and that he had done things that had done prohibits because they had much

fear. The mom thinking that was a person that could have been to have been to get into

his house and that was only only with the little to think that maybe maybe had been

had been someone to be a manasar and that had invented the story that

I think that as you're really much much that. So, then

then you probably probably was a person he put to be to look

for the patio he assumed for the other houses, asked to the people, but no.

Nobody had seen to nobody more to get to the house. Also, the lapse of time

had been quite. The school was very very so the mother

so the time, but at the same time she

also that this had had had had a his

when she was when she was some of

some of they said , look no I

did as as you do you do you have seen and various

residents said they're similar to the history that I earlier and then

they're and then they're on the night they there there

and in other houses and other cargated in a person a person a person

a person a person but a person This did that days after the father of Yoselin to other

other vicin decided to explore there in his patios, in the terrains, to be

if they were they maybe under the theory of that some that some that was,

maybe being to robar, maybe trying to do something that's a little

that's a time you have very very all pendient Of course. Detray in the patio of the house of Yoselin

they're in the marques a little strange as in the soil. It's like if they'd have rastra'd have rastra'd

or something or something. Between the yearba, between the earth, they're things

strange. And then they're there. When it's they're they're an

cajita. And the cajita is full of symbols that no recognize.

For all the has the same they're made made made

made made very rudimentary when when they there

there a lot of paper there are things like

invocations or of conjuros one of these papers it

makes much the attention because in it is

written the same the that the man of the man of the and take

what he pertaince in the moment in the in the they're reading and

opening this car all the the people were the the

were the the the guys and they start and they start

to feel and they're to get much fear and one of them

says look what there and and when And when

look at the man of the black that he's seeing

from the distance from the house he's he and he and he

and he perceiving that's furious he's very enogated and in

his eyes that can be that's can see that

all all all they're all they're even even

the that has much MEDO When this happens, when they are in the patio

they're the cajita destroyed. Yeah is made pieces as if had exploded

and and pieces of the pieces of all those they're they're

not they're so. De fact Yoselin has like an

notation that she that she think that of some form

this of that the cajita explote of that the papers are in all the

partes is a bad because it's a a lot of this this would be

a more she she she really there really

no there there because the manifestations continue and

the people still see in the terrain where they're in the cajita. The yerba

creases in a very irregular and not crees in certain parts of this soil.

Like if nothing could grow there and and also not can moh that's

how? How? No, it's not you mucar. If you you get a

part and it is a part of the part of this part is you being this part of the terrain is

the sea and no and not he's nothing she doesn't she has any idea

of what is that that person if someone she's an entity for she is a

same is a spirit and then what what much less is what

is what is that is that is that is that is supposedly he

pertaines and for what is empecinated in that You like the things of

of the brujeria? Yes, has heard when they're a manned a new and that's like for

to say a person fallacy, the spirit a person fallacy. If they're they're

a person a man, that's a person, that's the family of her of her and the patio

of the past of his that's that's for that's and it is

something but very potent. Or, so, revented the cahita,

revented the fetish, I'm also I'm the idea of what I said Yoselin, she

liberated. That's, that not was a good that they were and that and that

they were in a good onda, the work was made done in contra

of someone of the family of Yosel. But when revental the fetiche

now there an entity liberated in this that, that

has no has a proposite. Okay. Ah, sure. So, when I said

that he pertaince, that's not important for him. No, yeah, can't

take what that we're. Okay. So, yeah, just is like there. Suelt.

Mm-hmm. For that they're going to continue. But... And you not can't...

No, so, no, there's, so, no, but, but,

how, can be what did it did it, like, like, the

The place where was or the that's the he's not even to get to

do you? And how I'm going to have to have a person for someone to tryver's

to do that? That also not I know if that's a time, that that's a time,

and that that's not if that's possible. Yes, if there there's there's cases

that's that the person, the most the person, the more, the person, the way,

it's, it's, it's Pasa much. Yes, yeah, pass much, pass much.

What grave, Oye, that's this type of stories are what I'm that's a only one

one of a whole entity. I think this is a type of entity. That's she was

she had seven years and was there. The part of the part of, the part of,

the, but, the part of, the, plus, see, they're where's

that's, that's that's that's it's a very good, it's pretty so I'm

a little of this, of a little about a person that's that's a and that they were in

that they were so that she had a little and they're going to get a car with

with this arm in the obviously they were going to they're and they're what you're

what's doing? Is that I'm I'm I'm with the bestinita

and the I'm to make Imagine obviously a kid not knows the

person is the what those words are the words are you see a see a if you

get you get you get us all the well more than you know so it's no

don't have not have not have not not have not well well

as sure that they not are in the not even any of any of not

the children because at the 15 years don't even is like the to is that, I'm just you know,

she's she was where the arm and this entity was doing it. A little no more

no, it's not the force to take the arm or do but if

has the force for energetically to make that this need a need to make a

great- great-sim error. So, so, so, so, so,

so, we have, those, all, you know, opportunities for what they're in. A me

me made also the sense of that you know, this is a congeture me, of that the

mom, yeah, had been I've seen things, because for her was very common this of the

tigeras. The mom said, the mother's and this, but probably probably been had been

passed things and she was trying to try to to be to be so much,

so, so, so, that for her was a person, no, so,

it was very, very, very, present. At the Maybe he had seen in the patio

to do something that's something that's about the other of the and he said are the ones and he said

so what I think so they're so I'm so I'm and I'm yeah wow wow uff

that's good story yeah I'm I'm I'm I'm I imagine

how is the cajita and all yeah yeah yeah yeah so you

I'm just you know in a one so in another so I'm symbols and

all this. We, a let's be, let's let's, let's, yeah in the

last story, this story is our own Marjorie Hernandez. Marjorie us comment, she's of Bogotah, Colombia

and this history us is the envia because, of some way, he'll find a

response to these these happen to get especially she. When she had ten

years, he'd with her mom, the brother of his mom, his tio, to the

house of his abuel. But there are more people, various adults,

that are there are her, and are her, um, there's, there,

there's, there more people. Bezaring. And, well, she was she was a little bit of

ten years. And then that night that were there, they were going to get in that house, they're going

some of the that they were there, and then, and then, they were in the age, they'd decide

to get to they're in a zone and they're saying, you're goings to get to the

patio, here in the house of the and they're doing, they're doing, the suyo,

the adult and the and the kids and the kids, we're

playing in the patio. In a moment decide to play to

the little this game in the person a a

little a little a 10 in voice and

all and all and they're to you have

to then then so and I'd I'd to find to this

other one, one, two, while all the people all the and the gritty,

three, four, and so, de ch, cackin's, no, one's for here,

others, for a other, and she and that the other, and so,

six, seven, eight, silence total. Nine, ten. And she

was, and she was, in-mobile in silence, when But of a repent,

you what the same that people in these cases, someone

with a mind a mirabement and a mirage to her

and there in his in the silence he and he and back

and there a man vestido totally of a

black with a sombrero some little eyes rogers

but no can't see the that that is like this

part of the dark but no can not maybe

the dark not not factions and nothing simply

is there she she she she she she

she she and immediately he he is who is

who is of my family and this be like you

turn in his eyes, he does a, but a lot of a lot of

a lot of he's and he he's he's he's a God,

adios the game she's going to go to the house and the

and he's saying mom mom man man man

there there there was there and he's here

in the patio and he there there there

man, I went to go to and he was there and he was going and then obviously the same.

In that moment, for the family, for the adult, there's an adult

there's that's that's there and the children and the children. Salen

to look. Where? There. And they they're going and they they're going to start and

obviously the vicinitas and they're that's they're that's

that there was that there's I started this conmocion. And the little bit of the kids they say, yes, we're also

we've seen. We thought that was a familyar. He was there? No, did nothing. Only was

just was he was his sombrero seeing a Marjorie. And all they're like like,

oh, you know, you know, you know, we're to get They put perfectly, because there

no, and simply better decided that each one that's that they're not going to

go to the patio and well after this situation, then they're they're just they're going to get

to their house. Yeah, not they're going to get there in in the mother.

So, they're they're they're like, like it's like,

you think that at the most Marjorie imagined this situation and when they're in the house she knows that in this place was she was she was her mom, for the person and also was hermina minor and one of hermadas

that still had lived with them. So, like no they're going to do make the story, the story, what had happened, and then it was late to be done. Dice that night,

she's acuestered to sleep and in her abitation, because she had done with this her mother and with her

mother and she was she was a costada, all right, and all right, when she was

about to get to get to the something, something, she makes her,

she makes a sensation strange. Like, from her life of the mother, but as

he does not to open the eyes, and he And she's

that something is moving around of her and he a

face, to your face, to his voice, and he begins to

repeat his name. In a voice grave, Marjorie, Marjorie,

Marjorie, Marjorie, Marjorie. But she was so aterrata because

only are women in house. to hear the voice of an man very grave because he gave

much fear and decided not to open the eyes until that this sensation was vanice and yet

no still listening the man and then he gets dormita but at the day

next when when he see a her one and a her mother

and a her mother and they're like talking between with

fear. What What happened? No, nothing, nothing. No, they they're going to tell. Well, is that's what

happened to do a lot immediately at the Armaz, what happened? Well, I took a sensation

very strange, I heard a man that was a man, and me said my name to the o'clock.

It's that we saw it. Sentimed a sensation very rara, that we were telling

when when we're the eyes, there was a sombra like a

woman with a sombrero that was inclinated murmurating something but I

did much fear, he said his her mother and the only that I

did it was tap me and the her and the mother was obviously

more and also he also but also only only only only so

so they they were that in effect was not an

hallucination Passed the time Marjorie Cumple 18 years and he said even specifically

the day it was 14 of April and we say I remember exactly the day because it's

a feature very important that that that's marked for my family because it

was the year that was that had fallecided to the 8 years

of age so 14th of April, she has 18 years. And he was in this house, normally Solas, her mother,

her mom, and she said that they're around at around the 10 of the morning, when she he gets to go to prepare

to food, he's a never a that not in the kitchen, but this nevera is in the

passillo that connect the two abitations with the cell. Well, she Abre, and he starts

Like, he starts Like, when of a When, of a repent, Siente like someone is a pose to his

spiel, and he toke the costillas. But not he pica the costillas, but with the toes,

he toke the costillas. And she that this person should be her mother, and, and,

and, he says, Dime, thinking, that's that's her mother

but as a but as she's a question she he's

he he doesn't he but she she said

there was that she was immediately is the

room and the room and the door and

she she she she she she she she

like so he's like so when she the door and

regress the window, in that moment see a person, and that will be a have been

my mom then. So she is she is going and she is far out of the

baby, waiting to that the person out. But, obviously, no,

who's is a mom of your house, and he says, Marjorie, what is

there? He says mom, there's a person that He just got to enter to the

and he's my her mother. The mama is like like, she's like,

so they're still even with a little to be the door. And no there's

nobody in the bathroom. My mom, you I'm sure, you

I'm sure that there was a person that's more, me took

the costillas. It's kind of an anecdote more, this

but pass on some days and it the night. That day, that was the 14th,

April, pardon, no, no, it was a much important. This occurred in the morning, that's, that's true in the day, he gets to his house, her mom, and in the night, after all the things that did, with another of his brothers, that in that moment, a baby, a baby of nine months of age, a chiquito. So, then he says, I'm going to get to to be here

here with the baby no perfect everything so they're they're they're they're they're

that she's she's she's she's in the room of the mom and in the other

room his mom and she okay perfect well you're they're in this

they're in this she's she was she was she was atose she

was chatteating with her was so so, well, WhatsApping, chatte, I don't know, I'm in this,

and the moment, the mom was at least, a woman, a lot of, a lot of, a room, and a little

of the window. And they were when, when it was this hour of to be this hour of and I'm not so I'm

not done. She saw, how the door of the room, it was, it was, the attention

or that was in the cellular, he came to the attention, that's able to, that the point not

is not the the window or the thing, but there literally there's a

man who he's like that he's sobe-s like that's that's

opening the door and when she she the she but this

man says that was that was that immediately

me know that that that man no pertinacy to nobody of my family. Because we're moreno.

He saw this man and he said to his mom and a her mother. He said, oh, again,

I've just I've done to do this. And the mom that she had been to be to be

to be, let, let's let's go to start the door the door. And the

other man is like like okay, I'm also I'm I was to go to sleep. He said, well, it's all right.

He's par to start the door. And in that moment, so, it's a door, and it's he'll be able to and then.

And obviously, you know, that the doors of the quarters of the door to be in some of the

case, in this case, so it's, so it's, so they're to be to turn. And she'll

be to be to be. And she'll to be a mom. And her and she cierra.

Cierra the door, see a mule that is a side with a lampra

and thinking that probably is made to go to the pickaporte and he the mule

and it put on the door. And the mom observe what is

doing what is that that's a door and before that he could do that

they can make the door with a force impressive impressive.

So that the mobile is going to the lamp the door the door

isota against the the wall that the piquport so it's rombe

so and so and obviously the the sound potent that the

baby the she has the herman the herman that is

observing in this abitation all commenced to the mama grita and she

by the big of the blow that's going to go to and he in the

camera when she she's the people the people grittando her

her herman her mom the baby and she not she can

move she's like she's a and has a sense

when she's the Well, here she's still this is like if if they're

sitting on you, and you know you're not going to she. She'd say we're

going to but it like if a person was like if she were over her detenying

of the muckees while the same person over her to get her to get her

to be sitting her and the person the same person of the a repent,

he would two and he would be to hirker and he starts asphyxia and she

she can move because is detenida by this entity that that's infixying, and is

he's still the grits and trying to let's and in this forsegeo that is doing

he, he's to the other part of the camera and be to the

man of the sombrero is simply sent him to

him not is the man of the man of the man of

the man of is sat on a side of

she simply simply sent there immobile no he

can see not he can see fact he is

there is there simply sent and She begins to gritter. And her family, when they're what

is all right now, and the mom, what he does it, and the mom, what he does, demer, what she does, and she says to cry. And the hermana, that's also in shock of what is happening,

very astustada, be to her mom that's resando and he's unes in these resos. And he says that rapidly all quickly, to start,

to calm, to calm, to calm, to calm, to calm. And, of a repent, yeah, you can't breathe. Yeah, the man of the

sombrero, that's a thing that has a thing that not is a but in this moment

they're in the room, they're the door and they get the room,

say the mother with the baby and the other other room

and nobody will be to be and simply, they're

to the other other other they're some some thought that

that had been the moment more of this that was happening and as they've been

repeated these things simply it was they were not going and it was a

anecdote a anecdote terrible she passed the she has a she has a

she has in her his house has a his his his little

is a baby and she is a And, you know, is doing the baby, is she's doing her.

Of course, he has a sensation. So, so, he'll be the eyes, out of the dream, and

then he he'll and see to the figure of the man, the sombrero,

in the room in a corner in the dark, observantalas. And she thinks,

no, I've a girl, no. So, he's with valentia,

prended the light, he's not he's, he has a and in that's a

moment to go to the house of her brother, he gets and the

herman the woman, she's better, no, he doesn't ask a

matter, passal. Then she decided to be to be to be to be

there's so her and, also, with with her baby. And pass on some days that she

gets there in this house and there's a day in the pasted it's at the 10 of the night she's with her

in the breast, that's that's dormidita and then he's a room.

The room that they've had had to be. When he that a

a chair mecedora is a moving solo. In the The obscurity, the note and

the movement. But it's so obscure that the first that's the sill is that's she's moving solo, maybe because he left a venter that's going to be able in

his baby in brazo and prended the light. And there is the man of the sombrero. Sented in that sill, meascied and it's so that it's so that

that he, that grita. And so, The same man, the spouse of her brother, he gets running, he's heard of the gritty,

he gets to get the baby, he goes, what's going to? He said, there's a guy, there was a bit of

the abatation. What? Look! And, and still still still is moving a little.

The seat. There's someone. But he doesn't, he's not what's going,

he's and he comes to and he and he said, no, there

nobody. Tranquilla. I know that a lot of it's rare, you know, you know, you're going to

you're going to you know, don't you suggestions. And still she's thinking if maybe she suggested or not.

Okay. Revisa very well all the cunyado, revise and he says,

no, there's nobody. Pase the time. It's at the 12 at the night,

more So, he does know that no is a thing

and he and he and he's going to get a so, I'm going to get to

go to go to the room, because he has a little the cuneo

I think he's I think he and the brother was, and the she's,

that in reality, is, is very can't and that and that's very very astated

and that he's he said, no, you're don't you keep here in

my and put caricatures. No, for the baby, but for her, for that she relaxes and be much more more than you. I said,

well, do you're and get to be quite. Acuctor in the baby, and she and she

and gets watching the caricatures when of the repent is so in the obscurity with the

television, she's getting dormida and I hear a really very

very and it and and it and it and Attention. In this moment that

he's up, it's something something that's she see a

see a and see a and observe in the room, what was what was what

what was what and see his own body is on the

bed and she and she is parada in the

or what she thinks, she's a parada, think that is a parable, and see

his own his own his own what he's what's what's and he is a

moment. The man of the sombrero pass to a side of her

but no the see. Okay. The man of the sombrero

is seeing his body that's doing and it and it

She is advancing, She's going to as a statue simply observing what is occurring and then one of the things

most spelunate that you can pass. It's like if it was a capa or a gabardina very large

and slisandes slowly in the security, illuminated only by the light of the television.

While he his eyes are augmenting in intensity that's

bright that is imponent and and can't go

the going to the next it's like to sing a

risa and and he's to do Sheer-ro-doo, Oh,

and he came for you. Why me you you not you you

she said this and he does that so much the entity

and gets and for his costillas and she she's

how is going to get to get to get and he

and she and she can't you know with me

I never me forget you never I I

don't I have I don't I I I

I'm I'm going to stay. She's so, and she see, how her

body paralyzed commences to tremble, with the eyes closed,

she starts and she can't see how this entity with some garras

afiladas of those hands are in their body is the crugient

the costillas no can move and the baby grita and he

and he and he comes he he he he he's

he he he he he he he goes and he

and he and he can't get to this no can get to the

head to the he he's at the four of the man

she was aterrata other Every other way, everyone is all the world is all the

whole she's going she's in the yantto totally, totally, totally

discontrolate. Calmate, calmate, calmate. No, me have to go to get to

but if you have you got to go to your last you've got

to go and the baby and the well, well, calm he'll

he said come to come back to She goes in seguida with a baby, as can, and he gets to the house of her mom.

And her mom, well, is still out of the what's, so, and she says, mom, she'll have to

occur to this, and he's going. And the mom and he says, no, no, it's been.

Why? Is that that day that they were the door in the house, I, I saw exactly to the

same entity I was sat in the camera to you no manches desperated desperated

and and he starts to investigate what can do you do not he

and all the and all the they indicate that they're to go

a a a bruce with a shaman is there where has

where has where you have to find a response for

this and acude with various bruchos, chamanes, bruchas, that when he gets and they're, they're going to throw the cards, no, they can't attend, yeah, but, for favor, bettie.

A shaman, he says, you're going to say, what is what you have, and then you go, I don't put to help me. Is, for favor, help me, dime, at least,

tell me. And he said the next, who knows how but a man,

an old, he pego. This entity is the disperation and the

suffering and not to be to be for favor. For favor,

tell me something. You pay what you want to you want to do you

I can do I can't do to do. You're going to point out here. A recet is a ritual. Do you. And that God, you know, don't regress you never, for favor. She'll write.

Nervioso. Toma. She'll get to her house. Lear the ritual and says, no me important. I'm going to do. And it's a little.

There's to do a little, blah, blah, blah. Blah, blah. She does all. all. It's all. It's all very raras and, and while he executed these actions

sentia the presence of this being very inquietant there, that was observing her with odio.

But she said, I don't go to par. I don't to be a daughter. And it

starts with this. And pass several months because the ritual had a time.

She continued with that. Passed several and a night where I sentia more tranquillity in house.

He was there, when, when, they're in the dream, like that's not can't get a

but he's that's your son. And that that's a start in intensity, in intensity, in

intensity, in intensity, and, and maybe for that love of a mother,

it's liberate, and he's He's up. Corre and see a his daughter and is she's and she's

and she's she's like what is this? The room was still elated but

the baby was not she was she she was she's she's playing

with me he's back to his camera when when of a

moment, not a movement in your abitation. It's the man

of the sombrero. He a little, I'm going to and he

is there like if if if was trying to

local to she not she and when she

when she entered the room she is he is

there and then it bolted and it's in car

to face a sombrero imponent eyes rogos and

she is a very to confront it and this entity

starts more to be a bit and in the moment

in the moment in it's not it was and then then

she to get to her very and let's she's totally

congelated and commenced then to feel a fear terrible conform he's

he starts and he starts to notice that his eyes, his eyes

bright more that's growing in force no he can

see totally the rostro but is palid and

all Like in all these stories, has a sonrissor retorsied, macabre. She comes and only she'll answer what what happens to hear what is the door of the

room. Sin to talk to this being the ser, the sierra. She kept front to her. She is desperated.

She wants to give to help. No, He knows what do and then this

this ser is detain front to front and he clina his

head and he he says never me forget Marjorie

I always I'm here and this time you

can't you can't he grito so so so

potent that He sent he was the garro the gargant the gritty the gritty

that the gritty after that he's not his family he went in his camera

to the morning the next but occurred a terrible when they

they found they were not not been not done you have

heard this of the state catatonic Yeah, sure. Algo

Intermedio He said that was with the body torsied with the deads

rigid the eyes abirtos and a moke of terror when

the family they they're because the baby I've had

hours and they're they're they they're to the and they saw her,

they thought that was a minute, and she was a was torsida and what

he could was to her family and trying to reanim her and he went and he

put to and I felt a sensation or ripilante because what she was that

in this occasion this entity had had got to quit that

something from that's it's like he felt a something

and she said that the entity even that can't have

that has that that that is that still

but she that whatever that he he he

he he he he I do not He's That's how This story

I don't I consider a person I'm a mind of I'm fasting to be

after a decade telling stories one I don't suppose you do you

do a carazes but this history me scarofrios in various points

because apart me revivist trauma of my paralysis

of the I'm because many elements are very similar

and I can to avoid to put me in your place and feel

to get these sensations are really the paralysis of the problem has a

impotency of sent you feel to feel that is a mercy

and that you can you can't move you can do you only I only

the only that I had control in the paralysis of the

so the eyes are I could be to maybe

if I in some occasions, in others, no? But, never did. And the respiration. That's the only

that I can control. The fact, my wife, my wife, you know, that when I'm there's been when I'm doing,

if I'm trying, it's an for her. Because is what I can do. It's the only that I'm that I'm

to do you know, and that she has to move and get to get to get to

and now that now that I'm I'm a I'm married, I'm going to be able to work alone, but in my adolescence, I know, I don't, no, I'm not able to be able to, so I'm I also, I'm parted a quarter to my brother in Litteras. But,

but, it's like that she'd know she had the same yeah, she has always had problems of the

sleep, of the insomnia, of a life, of paralysis, then when I could

do it, I'd have done paralysis of the so I'm so I'm, I've been,

like, I'm, and apart I'm a man of the coffee, I'm not me help I'm just,

but this story is being escalofient. It's really, So, has many

elements is very large, but is that is going going to, is that

that's that point where she is going to that's really, that is me so

very so it's like, because it's like, it's like, it's his

body, in the plan, let's that's this person, that obviously

not pertene's that's that but he can't see that he

is all from a third plan. From the even this

being not is able to see, it's like it's like it's like this like this

of the second dimension, third dimension no, quarter and the

so it's like she she had had been in a plan that this can't

this is very curious and there a thing that's that's what I'm what

was what she that he and that he was he got he did it

did also also I remember this scene of

the creature with various braces to to what I told when when I

started that I'm really that's a really, that's me recorded much. I'm

I'm but I'm never but I'm but I'm I'm sorry I'm just I'm

this and when you're this creature not the man of the sombrero but

a something was a something something something that he could be

something and he was he was there was I'm back

to project to and think that if if I had, pardon, if had

been, if you had seen, what you've seen, yeah, for that's when you

know, I'm sure, when you tell you know, when you talk about more stories

and you see that there's that's similar that's impressive that's

impressive. The ultimate story that I've for you the name

is impactant is pacto with the facted The endia Diana Lima, that for sure, pied a salute. A saludete,

a diana. A saludo for the story. Thanks for the history. It's a story quite, but super interesting. She says

that the vis-abuela of his abel is the protagonist of this. Okay. So, her tatarabuela.

So, her tatarabuela. Okay. A man, of these super, super rigid as a rancho, no, a

a man of character that was the matriarcha and the family and she did he

did he not specifies if the vis-avuel well the tatar-o had had

had she was the she was the she was she was absolutely everything

in his ranch and he was a rancho very, very prosperous

because he was he was he had he had

he had very very very economic very good

but never she did her to do do you do it a

particular particularity a particularity a particularity quite curious of her

is that she had cultivables fruit and but there

was a arbal that was not not was that

was that only was for for the and

when I don't I refer literally to literally

to not no no-s-noiras, nobody more could eat those fruits that not were their

kids. And when one of those his children occulted some of those

to get to get to their own to their families, she always, she'd never,

she'd and they confiscated the botin and they could not could getersel

those. No know they're something that's something that's kind of

that's family, but, you know why, but that that's the fruit

were for their kids, not for she was and they're fruit of delicious.

It was something was an incredible, but that they could not

do you know, that was very well, and that had all this prosperity,

he had a time a time, and she, she one

even, still more or more more more more,

had to cabalgar to people and people and they went to I'm saying a girl

she's saying a woman of the last of the she she was to go to another

people to get insum and things things that I needed for her

rancho even even to do you do things she she was she was

she she was she was in a night when she was she went with

a genet a genet that is in a a cabo negro

enormous, very, very, very robust, and this man, to he he's

to be a he's a black, and it was a somber, a signet

sombra. He, without anything he, he starts to come to come

to the part, to even even amistos he's like a

company like a family , we're paternal. And she

and she comes to come to she doesn't say he's he's not he

and they're until she he gets to her rancho like she

he was she she was she was she was like if she for a man

and she go to like all over something like like sheltan

like she there there there there there's a part of the

that she not because curiously a part of that that's

when the prosperity gets to your life. A part of that occasion

the rancho crees the the canada so that's great quality

vacas well and the plants and the fruits and

everything seems it it is brought for some

without more effort, a other a quality impressive that,

for supposed, it's that can be able and that it's to be

and the rancho that was a rancher a ranchito chiquito with a

little of a little of prosperity then, then it was a something

grand. And and it and he gets the point in the

abel is a terratenient important. She a certain age falle

she's she she's and then then there was a very strange

and very scalofrient because before not was not so the use of a

funeraria but in the ranches even in the case of my

abelita for example they they and she and so

she was with this she she prepared the

court put belas no there electricity in that moment in the people.

So, so they prepared velas, put their attaude in middle, adorned with flowers,

was people to be their own their own their own their own they're really,

it was a person, also very very important. I had a trotos with much people

of people and so it was a funeral quite great. But it was

this moment of the night where the people, the people, the people,

the people, they're to go to their people who and the

family most very much there's the people, the kids, the newers,

to belar it. In some time, they're going to get to

a parvada of black, not know they're not

something they're very similar they're they're and they they're on the

house to a parvada enormous and only are there.

It's all it's rare but nothing more. And then the wind

to start to be able to be out of the house a wind very

very like a hurricane in some moment the

windows the the the wind enter so that

all so that all and it and it's

suming this abitation in complete obscurity The kids They're

They're They're They're To work To work To work And they're They're

And they're And they're To turn to And thencending To work To get the Vela's So they're

They'll Illuminar The And so They're And they're And The Atoe

That's Bacio And you Yeah And so Is in Is in Sereo?

And yeah It's It's Bacio? It's And where is the the of the

to do you know, to much, a minute or two, what was in the obscurity, not seen anything, not heard anything. And no, they're not, they're to find them, no, they'll ever get to find. With fear and, and also with a

pain of to tell this and that nobody they're all they're they're all

they're and they're and they're they're they're they're and they all day

the next the new the new the people, the family for the people,

to to nobody they say this this is a secret that's a

secret that's a family. And time after some months they're for a

man of the people that he had a visitability he took a

he's he's going to tell something but he not was he was

he was of the of the the of the person

of and I don't I want to and I don't

I want to do I do I did this I

saw I I'm I had for the serro in the mountain

doing my things with my machete and there pasting with the people when the

when the middle of the river that I no I know I know

the I know I know what there and what there and that never

I've never was in a covea that's that was that was and it was really

much the attention I'm I'm I'm I'm and I'm a

perr a perro encadenaed enormous of color black and he he's and he's

and he not I'm that's that's that he's then of I don't

I'm going to be I'm going to I'm but I'm to be something in the

in the cave there is her his abuela encadenada with the

mouth tapada with a a tela to hogar his gritos and with a mirada of horror,

of fear, and of despairation. Like, I'm asking me help, but I

could do nothing. I'm I'm going to be and the worst is that

when that the place with more people, the cova yeah

not the family I still the day to

that the Her father did some type of pact with the devil with this

man of the sombrero a change of prosperity and they they're

that when she fell the the devil was to to talk about

to the eternity and not to be to get her in santa

sepultura it's very is very very but but this

history I know I don't know I know a

very similar that they were made a year of I'm going to see if I'm not a

really a cross, furs, fift but a me be encountered of a ranchito

where a man, aubelite but he were on the person who's someone,

or someone was like all over he was so that was a little and at the

little there was there was there sometimes and someone he was like a row of the

and I said, oh again there there and there and there times, even

it was people to keep a people, but in a decuido yeah not and they were, and every they were more

discomposed, but they were they were, of casuality in the camp in the rio, in the milpa,

of the pronto, then just were those, after they were to be it and they said that

had a pacto with the diablo and that was to be to be to be

to be never to be able. That is a story that's A lot of We've got to be a lot of This, the way of the The Veracruz is similar

I imagine A man that Was he was He was much the Trague No, he had So it was like in a In a town

Yeah, it was Like, it was Like, So, and so In a moment The people Thinks that is A pacto

With the devil Because He's a To have Like, money, so, so it's

to be this person and they're done of the animals commences to disappear. Um, commenced to

disappear animals and then they're that in the nights, in the madugated, this man, with money and all,

acude to different places and he'd robes to the animals of the people. So,

when it's questioned about this, he says that he has to have to have to have to

him, um, vestido of the negro, that live in the Cue. Okay.

That is a pacto with that he He has to give to osamentas because

if not, he's going to ask him. So, he says, I don't want to

them to you know, I'm to get to the animals. I'm to do it. And he

a change, me I've been to do the I'm saying, well, it's,

he's a good now, but it's a barach and he pass

the time, and falle. When falle, this always

occur. Fallece this person and then then to some some of the way, there's a

place to do you do that's a second funeral for this man who not had a family

and when they're in the funeral put on some some they're all they're

they're in the and when so they say they're they're in the door and they're

not they're not so these these stories are So, So, So,

That's a That's rare. That's rare. That when You said That's not I said, I said,

I said, No, What's it? What's the What's, What's the attention? Much more

the attention. I mean, why only the kids could eat that Because they was trying

because I'm trying. Okay. I'm, I'm sure that we don't know to the

man, the senior said. Yes, so. Because she told this story, but there's

something, but there's a lot of there's a question, so, so it's like, ah, so it's like, so it's like,

it's quite other thing, what was there. It's, but how it would be protecting with the fruit?

So, it's like, something something, something, that's rare. I suppose he's a

something, and surely she was the that was the thing, and that's the idea that could,

the work, the job that he did, the job, he did protect to his the petition, the pact,

not so it's a maldition generational. And not were necessary that were like not, it was, it was just

his children. Solo his his children. Yeah, that's interesting. The truth, no, I don't see,

these stories are very good. It's too. It's too. Of course, I'm going to have to pay a favor.

Right, let's come to be able to have seen the principle. We're going to grab an

advertency of content because is, yes, in serious? That I'm afraid. In serious?

What I'm going to? I'm going to be able to so to be able to so. And I'm, I'm sorry. I don't consider. I'm maddozo and you I'm sure that. I mean, it's all the

piece. Especially because I've lived, because I've lived, because I've lived things very similar and not I can't

identify me and feel me in the place. I think many people have experienced. And then, so you know,

you know, you know, you know, I don't see, I've lived really, I've really really

but the paralysis of the problem is something so that me made in the talon of quillers.

Oh, no, if it was too it was too heavy. Oh, yeah, before we go ahead,

we'll remember us social to the platforms. Yes, sure, in all the people are like Emmanuel Guilla

Bho Knight Emmanuel with two M's there me can in Instagram in X all parts

and to the channel to Mundo creepy official, MundoCripy in YouTube also

we have the podcast Histories of Mundo creepy that's for in all the

platforms of audio and in X they're in the channel as the radio the channel

as a creepyymund there's you can find out very well very well I'm

very well I'm very so if you want to make an experience or evidence do you

make it also in your page fepa rbropos pfranormal p.com

we're we're we're we're ordered and you us help much

if at the moment to send your stories in the issue of the Correo we're in the

name of the sombrero, this, no se, monsters that are you down to the duendes, cheneques,

bruches, bruches, blujas, bluos, maldicions, conjures. Pongelow there for

that you help us to help us to help that you want to that your story

are an nonimim putan- at the beginning of the redaction of the

letter say, I'm, For favor, for that we'll go to commit a error. Thank you.

Muchisman, thank you. Thank you, Emmanuel. Muchisman. I'm sorry. I'm sorry. It's a

good to talk with you to talk stories because we know the time rapidism and, and then, thanks for the

invitation. Yeah, we're also also also. We're to be restructuring our

our contentios. And there many things that we're that we're that totally you're invited. Muchism

thanks. Mucher thanks. I always I'm going to accept with you. Muchism thanks.

Thank you. Now, if you, we're going, we'll be the next week to see the next time to

these terrorifices experiences real of the audience. You know, you're listening. You know, you're just listen them.

If you tryven, chau.