INSOMNIO - EL MANIFIESTO DE LOS MUERTOS Invitada: ANA OLAYA- #50

Episode Date: December 26, 2024

⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️¡Bienvenidos a un nuevo episodio! Esta noche, nos acompaña Ana Olaya, quien nos llevará a un viaje a través de relatos y experiencias que desafían la lógica… y, sobre todo, el miedo. Aunque la mayoría de estas historias son profundamente aterradoras, hay algo aún más inquietante: los seres de los que nos hablará no pertenecen a este plano. Seres que, en su silencio, se ocultan en las sombras, acechando desde los rincones y esperando el momento perfecto para manifestarse… ¿Estás listo para descubrir qué se esconde en las sombras? Recuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#Oscuridad #TerrorReal #terrorymisterio #HistoriasEscalofriantes #paranormal #fantasmas #másallá #terror #historiasdemiedo #historiasescalofriantes #relatoparanormal #sombraoscura #sombras #miedo

From the entrains of the land, where the gusano are kings. I'm to the

people sepulted. Listen in the tambour of the inframund and they feel in the

name of my blood, abramed their eyes and they don't

the so new immund, devoured the the peace of the people,

come, sir, sir, sir, reclaming what is the this is

the manifest of the Muartos. Very good Good Good Good Good Good Good Good Good Good Good Good Good Good Good You. And in this occasion, is with us with us our Karendioura, how are you?

How are you? How are you? Well, very content. You're, now is strenating, eh? Yes, now is I'm starting. First time that is something. Oh, yeah, Anna, for favor, this, comment me to Here you dedicate, from where you're?

Well, I'm from Columbia. I'm the leader of the designers. I'm the encargated to all the part visual of the three podcasts of the criminal. The four, four. Criminally, insomnia, podcast, paranormal, and inquietante. And, well, more projecticos for there that are coming. Much thanks. Oh, for what we can't come to?

Because this is a chapter, well, tremendous. talking about this manifest of the Mewartos, Recurbanos, what are your social, for that the people to go and see you?

Well, I'm Apelopejas, that is my, my name artistical, but in Instagram I'm, I'ma

upsped. Very good. Amatopepias and olaya. P.S.D. Ah, but my name real is Anna Maria.

Much of gusto. Oh, it's true. It's true. You're Santa. Thank you, Anna. Thank you. I have a

question. I have a question, because it's like a response very great, but there's a responsibility

very great. I don't know what is, what is more, this, what is more impactant? If you

to start the capitur's insomnia, then I think I'm the invite to this night,

you, what do you preferes, to start the chapter? No, I prefer

to open for that you do you do before that we come

we're because to talk about this of the manifest of the people have to

many things that have with people with people transcended and more I'm you're

you have you have been experience with more more that

not personally no or maybe so I think it's

like a because I know because when I was a

little I'm I had with my mom and before

we had we So the cortina that was, like the other abitation of the other

was there was translucid so I, for various nights, I saw the figure of a woman in that,

in the courtina outside of the apartment of but of that in the other in that night

I, I had those nights, I suffered I, I'd I'd I'd

and I never to never to have more than never to more than how perceiving or to see,

no, I'm gonna' so. So, do you? Do you? Yeah, me has much fear, the truth. As I'm very.

So, I've been told me about many things that, this, yeah, yeah,

of a repent, I think that's like a much common. And I think that more the people,

like, like, they're more look at yeah, not, to where's the light

and not, to that the space of the My, Mirate. Yes, I'm. Yes, I'm.

Oh, yeah, well, then, you commences? Yes, yeah. Well, this history is called The Woman Sin Rostro, and no,

no, it's called our friend Patty, Patricia. Well, the stories I'm going to

tell in first person because it me facilitated a little more so, okay? Okay?

Well, my story occurred in the 2005, when my my son, David,

and I had two years in that moment, we've our first encounter paranormal.

My family and I we're we're married, I'm married, I'm a two

two years, and I'm two years, and Sergio, that's we're not we're a apartment

new, and was very very tranquil. So the apartment, when we went to see,

it was a very, very, but it was the sensation that someone was that,

like, like, that we were, like, you know, one puts like the

part logic to the thing so we we're doing and all all right all

was super good and a time we're and my husband my husband

was so we're so so we're so we're we're video

for grab a video because it's a moment so I'm eating his first sandwich I'm

eating like solito so his first sandwich and was

seeing a Sergio to do you play PlayStation so Sergio he said

to David while he was like something in the game look David

and he and David was he was so he was he was

so I going to do I'm I'm going to mention something

something so and is that so David too was

then he had he did like a surgery and I had to be all the

time under the whole time before the obviously that I'm that I'm to be in a

whole year all the day I was going to be in in in in the time I was just a night I'm gonna do you guys a little bit of yeah yeah it's a normal and so So, then I put to look at

the photos and the videos and I saw my impacted too, well, more than to be, I was listening. So, when I was

doing the video that was my first sandwich, I mean, I was going to the front of the recording, it was called to be to be there. It was a voice

grueza and ronka, repeatia the same that said Sergio. Look now, David, look now.

And the voice. And the voice, the voice, well, the voice, was a voice like a gruella and guttural. No,

it was of nobody that was that he didn't David, not of, he was,

of him, it was, no, it was an interference, no, because one was a part logic,

so, the point, the archive done, nothing, it was, all, it was,

all, it was, all, it was, all, I'm trying to to let's the

I'm I'm like I'm going to I'm going to know what I'm going to think that's I'm going to

keep to my life even a even I'm really a I'm like I'm not I'm like

I'm like the phone of the and I'm like the the environment of the house

it's to turn more strange since that day it's more

more feel and that that sense that you were more more more

more densed more more dense so like they they were

feo I see. So, it was, it was a bit, all the time, as observed. Like, two days after that were like the two or three of the morning, the hour magic. I was trying to to sleep, because,

I was, I mean, was, I was, I was, so, not so, I was there, the, you, the, of the, , you know, pasti-as-

to, like, to, so, to try to, to do not, so, so, in those, then, I go to the abetation,

me, I'm, and I, I'm, I, I'm, at the side of my camera. I was like

mecied the coach and I was like a back up upcasted, meciando the car,

mecianed the coach and I'm starting to get to get dormied. In those I'm

I'm I'm let's but firmes. Lentos but firmes then I said oh,

well, well, I'm going to get to when I'm was the camera at the

side was the the front was the door to the entrance to the

When I was to get up to get to my husband, what, you think, that I can't move? No, me can't move. And the environment was to turn more frio than what normal.

So, it's going to make much more free. And when you do like, that's like the umito, that's the,

how is, the vapor? The vau, yes, the vapor. The vapor of the of the respiration. Uh-huh. I'm at the front

in the mark of the door, a woman, vestida of black and I was I was like a

like that's those blusas like abulted like buttons uproids like like hagecett like

like and things like so that yeah and I was a and I'm

that's that's that's rare no I mean just just just like just like

just just like I'm so I'm so that I'm so I'm I'm

I'm I was so I was I'm going to see to the feet and no I'm I'm not I'm so I'm

so I'm not I'm no I'm no I'm no I'm no hair no I'm nothing

nothing nothing lice completely lice it was it was impactant it was impressive because

I was I was I was seeing that me I was that we were seeing that we were seeing

that we're that we're So, and that's the I could move. And, it's a other than that's,

a person a person extra-you- one- know what is, he wants to do something to do you,

he wants to and he's, and that's and he doesn't have an sensation. Oh, that's a

sense of, is that, while I read the story, me did a, me did a

cold, so, so, I'm, I'm, I'm, I'm going to get

to the camera, in those, it's, that he's at the side of the camera he

extends the hands and he took the feet to make the he was down the pressure he had to

get a fear I had impotency because no me could do do anything I could do

not do you don't I took the feet and I felt like his hands

those hands were rareissimed they were like like like like

more more delgated but they're firm were they're like

a texture like a of that where I was where I had more

more I'm trying to more more than I was not, I know, not I knew that he'd I was gonna do and I'm gonna

I'm a voice in my own and me he said it's time to me back all over still. So,

yeah, like the temperature started to get to be a lot of that's it's fum

and a old immundo, imbued invading the place. Yeah, when I

could reactioner, me and my son, David, was in a position

very strange. I was like, like, like, the head

he was the head He said, and it was snooka. Like if he had intended to hauled out of Yeah. So, he'd be a dormido? I was, I was done. I was afraid.

I was scared. I was not knew what to do. And, well, I was like, tremblava. Temblava, was studing, yorand,

no, I didn't know what to do. Yeah, pasted the days that night, let me, let me try it, like,

I'm, that one, well, who, well, who can, then, who can't, then,

to sleep, after that then the days I remember the video and I piqued the curiosity

and I'm going to see the put the the audiophone and I did the volume and

reproduced the video and I know if it was that not I know the first or was

something like a kind of something like something like something like you

didn't before in the same in the same video exactly

So, then after he said repeat he did, he said my

his his now, David, look now, he's he's he's

he's he so, so that so he no. Oh, that's

still still even being still then after that night my and I and I

did no we don't we've to don't not

after that with the light of the the bathroom, incendida, and, well, to try to

get to but then nobody doorme, the truth, nobody doesn't. Yeah, after after

that's, I said that, I'm going to my husband, and I go, I'm going to get to here,

I know, but I need to get to back, what I'm, what I'm, no, Amor,

I need to get to to come, to say, I can, I'm, I'm afraid to be a

to do I do something to be to be a little to look to we're, we're

With the time, in the months, there was a reunion of family of the my Tio was the

conserge of the building, that he was the apartment, the apartment was disoccuped.

So, me gave for to ask us because also, because that's

that I never had passed things paranormal and then after that also

also me did it also he said to my Tio, in that house in that apartment

there's apartment there's some people have told something, you have heard of something, a story

similar, is that I'm that I'm told me my story and he he said that

months before we we're going in that apartment and there were in those

brothers were much the oweeha well that was used they used

the whizabon the uh utilizes her and then one of them was like, in circumstances extranees. When the body was they were up on the policeies,

the bestinons said that in the windows of the apartment, there was a woman of a trage negro, as like of the time, with the caboeyer recogied and no had a rostro, I said, the face wasntive. Like a manikie?

Yeah, and sonre'd. but, but, but, I'm spanto that's that's

that I'm sorry. Pardon me. I was thinking in the terribly incorrect

of using the Uiha just like a game, no? No know,

you know, I have a question because, well, obviously in the time you

you've you're trying in the podcast, apart of that You, you've got some stories,

of some experiences, et cetera, and obviously what the people tell, family, friends, amig, et cetera. You have done a lot of that always, other than what we're going to consider as a personer,

a mortal, there's a little more, is like if evolutionarer in things different. This woman, of who knows what that time,

falleceo, a more of a way a way of a way of a

through the table whiffa. And decide to quit to give the life to a little,

but no has a rostro? In what he's he's a human? Or,

or it can be a demonio. Or it can't be a that is the response

to what are they are they're because, the demons do they do they

dole those formitas raras like, maybe bizarre, like a maybe creepys,

not? So, maybe creepyis. Medio creepy. Is that what, how,

how a many, the stories, they're because they're events that not only only only

live a person or a family in the time. There are many people who

have been in different situations very similar to those. This

is a kind of but it is a different. And this to me made

much fear because it's an event recurrent in the people. This story is the woman of the

door. And we'll have our friend Vicky Orosco. We said Victoria, Victoria,

that this story commenced when she was a little in that then they'd

visit them a vis-abuela. To her his ex-a-a-vuela, she'd a little and, uh, evidently, well, the vis-abweller,

yeah, the day of today of her. She's not with us. That's he's a little. And,

and, well, she, was, had a relation very very good, very amistos, with her

his-abweil. So, well, I, I think, when we're when we're sometimes when we're

little- because we're the novelty and we're so-and-so- super-be- super-p-p-padre, and us

consient, we don't they can portarn us and more in this case with she was a

little that says that's I'm supposed for the time the viceabuela had a

great very but with her was a indura yeah very condescending

me imagine yeah so so with her she she was

she was much so she she used to be she she was a

and a so when she had and she They were to to do a

to do a old old the vis-abuela had a custom that I'm that I know that I'm

a lot of sometimes I'm to try to evital it is to get to get you don't know

so you see the television never actually you're you're but it

in a program or what so it's like to do you like to make

that that's the volume no that's that's So, I'd, then, I'd say that she generally, when I put the program,

she'd be done. But in that occasion, that night, no, she'd doorme. Because literally, the program that was in the television,

he called the attention. Sheen, a little bit of the program with the vis-abuela, and no, she'd doorme. Of course, well,

yeah, the vis-a-buella, yeah, I was getting, dormida, simply the apago, she did the world, and she was done.

And she, as she had been made to dormita, then she turned to the back to the back to

the bice-a-wela, and it went to the front to the bed. In that the

wall, it was the window of the room. And obviously, because, for that

the window, the window, it was, the, the frio when it had in the night's, but she

was always, she was always she seemed like rarro, because she did a point of that rapidly the temperature was going, like abnormally. And, and, also, that's not

what he caused that kind of inquietude, but a part of the moment in that begins to be down the temperature, see, note that there's a one

that's a that an uncomod, besada and I was there was there,

he said, it's like those eyes invisible that they, and it

was pass and it and it in the spalda and with that the frio

he said that was a scalofereo that was the first in the first in

his until the nuka he passed. But when he was the scalo the scalofrio he was

a sensation rare. It was the first that the body was a very

very very he had control of his body he was rigid

he he started frenetically because he gave a

fear he I know I was that was what was that

was I was I thought that a little he was going to go to that feeling that a sensation that's a certain

rare of your but something interrupted his pensions was a

a susurro was a a voice of a woman was a voice grave

but strange not not was the voice of his-abuela not a voice

unicited. Incluso, I could say that not a voice human, but was a

woman. And this voice he said, a girl. And then the

fear that the sense of having the body rigid so it was intensified

with the fear that voice. But no pared. Niya. Niya. Yeah.

And he was so fear that he made the arms. No, he took to make

the sabanas and he taped. And it's that I said that he had he heard

his carousin horrible. But then in that that stiro the sabana

and she put on on the side of the saba was styrada to do the woman

or what or what she said he was to be able but a sound a more

it was because it was the sound of some longas running on

on the sabana she she she not she didn't she opened the

eyes and it was he was with much force because I saw that the hands, the garras

were there on his saba. He didn't want to open the eyes, no, he was with much a force, and he he started. And in his head, to rest, rogandle

to what he was there, that was there, like, hoping that all were a simple a small, and so with the eyes, in the frio, with

that sound, and Rezando, he got a dormita. You know, when you get a dormido, dormita, then you remember in what you get to be in the moment? You know,

and so it was. What he said, is to start very temprano in the morning, very, very, very and I waspantada.

The vis-a-a-sabuela yeah, she had been parted and all, and was she, was she, all in the

room, was the door, and, was the Well, observed, no had nothing, yeah not

the frio, and it was the cold, he was going to think, all was a piece of a but,

but in the mark of the door, in the madera of that mark he found something

really very rare. It was like if a man very very long was

posed and it had posed and as been humid and

a suce something a little a mark but there's a mark but there

another there's a one could think that that's maybe I was there maybe

is for idolia a simple mancha but in a mark like if

you had hadarra the mark of the marco and then you've started your and,

and debauched like if with a clavo or a uny-dure and a pointy-aguda would have

tulled on the marco a word a little. No. When she saw that

was being that was very little, he was running of the house, when

he saw his father's to his abelel and he's he's

and not to Well, obviously, the adults thought that it was a part of a pesadia. And, they said simply,

no you're going to go back to be in that house if you don't want to do that. When it came the night,

like he he was going to feel so a badient. It's a but even now he doesn't he doesn't

like something a little a new, a little, a newna, I'd to go to ,

but it's that it was like a bit of a bit of a little and it's not going to

pass nothing. And she went to to be to do that that's his abey

and the night. After that the visabuela apol the television. No had free.

No there were no further. Nothing. She had been. At the morning

the next was so it was like like, no no it's a

all of a thing and it was a normal and it went to the night

and saying that no had passed that that that had been

that he and he and he with the

vis-abuel when when of when he got he got

done rapidly because he had been that he

was he not he put to see the television, and in the madrugada, he wasperted because he had much free. He wash, heller.

He wasperted, he incorporated a little to try to taparse well, because it was a lot of the sabana, the covichas, when, of a repent I heard,

that was like if something raspera suavely in the madera. I thought that it was some a little normal of

the night, some animal something, simply decided to ignore it. It was accommodated

but the the noise increased to the intensity. More more

more. So, like he creasro the eyes trying to identify

to where came that was the room. It were

like some on the little on the on the other but that sound no cessable it was more further

more clear then then he went to where he was the

place for suppose it was the the door the

the the door and he commenced a no

peor it was the perilla the perils the

the part of the and then a sound more. The door cruginging, opening uprendo-length. He said that no could create what was being.

The door was opening slowly on. Front to her. No, he was immediately much fear. It was something

inexplicable. He sat on the camera to observe well what was going was going. And the

door is opened to par in par. And now see,

other that sensation was paralyzed. And what was there,

and the hell the blood. It was a figure horrible.

It was a woman. He was on the umbral of the door.

His cabello long and dark, a vestido black and and disgasted. He wascaste, immobile,

and observed directly to her. He said that the presence of this woman emanable something that not can't

describe with words. He was there but clearly not was alive was different. It was different.

She said that she She said how she started to erisar the skin because this woman with the cabo

and black that was looking he was the repented the rostro without

her to see her and the the the hair so is back

and then he was with much detail the the the

face of his eyes were like a It was a

total. That rostro no had the globo ocular. But

also had the partpado it was a little around had

some black in that pale palida and a smile and a

real and of that that thing he got I've

encountered you and so I'm he had so

I'm I'm that grito horrible. All all of all of all over

the lights, they got on the and after the great that that was disappeared so it

was free so it was all all and they not she not was she was

not I could explain to not even what had passed

the family was there was there He got to try and he's He got to calm

And he said, The mom, that's a little That's not Mintyne. Something rare had passed there.

I said that more or less me dormiered that night. But at the morning next,

her mom the first that he did was to get her with a curandera for that

to be the limpear the spanto. He said that when When they're

that they went directly to that's we're going to get a carer to

when when they're this she was that she said that something that was

that was going to get the and he was but when she

she the she was the curandera was normal so

passen come and and and when when they were

so when they were she kept in the rostro, it was serious.

And the mom wanted to talk, and he was, and he was, and he said, and he said, that's that's still

doing doing much fear. The curandera he said, she always regress for the children. No,

he's to explain really the that he referred to, but he put to work.

He said that they're , you're like a lot of like a lot of like,

like a ritual. They did all this, the rhesos, the rito, the protections. And it's that for a time the things

were calmer. In reality, the things were calmered as in his totality but for a time

he said he's not he's not to see the presence and that fear that fear

but the time was going and she she's he's he's he's totally

like if this not had occurred so he he'd something she

she didn't she not he never every every every every

Every that that that door had this mark of a matter a door an port

and she not was why because you know is a little but every

every time that had a quiet fear and fear like if that

the door in a room there would be someone

there and not was I know I don't because

but but but it but it's the correo

saying this I'm to learn I'm not I'm a new year

much time has been I I this story

for an strange I an night a night

a I didn't I I I'm I I'm

I'm now I know. It ran unias, rasgando the mark of the door. Abre, an frio normal in my

room. Me sent in the camera, extrana'd and I heard a voice familiar. It was that

woman. With her strange and peculiar voice me said, I know. Oh! Oh!

Oh! And me passed a na-na-a-na for the What is that? Do you? Yeah. Oh. I think that's it, you know,

you know, and I think you're going to, and then you're going to be the subconscious, well, the mind reprimmed that moment so much

because, because, that's things are very dense. Uff. You, what do you think that is,

is a phantasm? No, it has been to do you did now like, of a

point, something, that was human, that I'm that's human, yeah.

Who knows? Who knows? Who knows what he was? No? Who is like, like,

she's like, she's, she's, she's, with that the little, the the girl,

the that was, who was, yeah, or, it could be, not I'm,

before, before, in Colombia, no, they, they'd they'd say, they were,

they're much to the children, to the kids. Or, like,

the brujas, well, they were very, with a person in specific, a person in a person

determined, no see. A my mom, he passed, a my brother, he passed,

a my abel, he passed. They're to get to the children? Yes, or to

them, like, when they're like, when they're like, so, they're obsesionate,

so obsesionate, so, so, so, so, so, so, impressionant

with the , but, It could be a Brouha, can be a demonio, it can be whatever

but it's good intentions. No, no, no, let's. Well, A little.

Well, you talk to tell a story. Well, this story is called Crucese commemoratives and is anonymous. Of, the new year, my epoch,

like, all, were the time but it was because we're more than we family, I'd say

we'd be more than all for carterterer. And I me me, I'm

I'd be to get to travel Normally, we'd like to the Antigua D.P. And in the States al-a-da-a-dainous. Although I'd like much to go in the ventanilla, always there was something in the voyages

that was that was that was that I'd be inquieted about. No me'd be scared, but like, like, me inquietable. And is that were like, figures solitaries in the carretera, that were, like, they'd, like, came down-as-a-country-bigh,

like, they'd cross-ed between the cars, between the arbores, So, I mean, and, we're and we're

like, always they were, like, like, like, like, I'm,

like to say it's like, in Mexican. Like, with the way, like, like,

like, as like, like, like, like, like, like, like,

so, like, so, like, so, like, that's, it was,

was, like, it's, like, and and socia the the

skin was normally is extra the is very rare like a blackcusca

like a little a marrienta and and a particular in some is that

or they were they were on just walking so it was like they were

like they're like there also there also they were

sitting on a side of the carretera so like

being the vacill, so, like, so, like, so, like, in something, in their things, or in what he's

always, I'm always, I'm never, I'm never, because I'm thinking that was like the particularity of

the voyages, like it was like it was like it, so when I had nine years, I accompanied

my mom to a, a, a, a, we'd go to a, and we're to go,

a, we're going to in the state of Mexico. Uh-huh. To-huh. In the middle, all-normal, in the temple of the

Peregrination, all tranquil, well. But, but of the regresso, he sold to an aguasser, so,

so, it's sold a jubia impressionant, that the conductor of the bus, no, he could be

to be able by the carterterer. So, then he took to, how to get to

in, like, and, like, and, to expect to be that scampara because it was

impossible and also the way was like very miedosa because it was like a good

no, so it's a positive for accident better so they're so they're so they're

so they're they're gonna and in that it's like those he gotro in the night and the people are

we're going to let's let's turn the bus to beacensar to get to the bus to get to

go to go. Iskamp, is that he'd go to go to yeah, it's just all right yeah,

it's always yeah, I've been the people and the and I'm entered the urgency

to go to the pain so I went like I'm like the like the between the

I met and there a there was there I put to do my things

to patty the cheneke yeah yeah yeah so to pati the

cheneke then in those, that I was that I was doing my, I percato that there

like two figures at the side of, like, like, almost like to be

my front of so they're being, but then there are two figures and not they're rare

so like my my vista was I was used to like to the

obscene of the box the and I this is like this, this not is

like persons, but then then then then I see that in the middle of those, like those two things, those figures, there's a little, a new, a new year, was a vestige of, was, I was a, well, a vestige of flowers, and

had a muke in the man. And the little bit, like, like, like, so, like, so, like, yeah, it was, like, not, it was, like, it, like, it was, like, it was, like, so, like, so, like,

illuminate more. So, then, then it was a bit rather. And I was, I was,

I was, that was, that was, that was, that was, that was, that was, that was,

she was, it was, so, because it was, he said, but I'm , wait, when I

detent, me percato that, there's, there's, a, cross tulled in

a, and it's casted with epitaphio graved. No manch. Ninest-N-N-N-7. And,

in memory of Jose Luis, Anna, and Mia, that they've encountered a descanso in this place. The area around was turned very pesado. And with a scalofrio, me recorrived for all the body. I mean, God, what I've got to be? I mean, like, me felled the 20. And then, that little bit of that she had seen, was not another more than me.

The same, well, that was, that was in the cross. So, I noticed that there were rest of viduos in the soil, like a mark of yanta,

like latikas, like raspones, as like around the, then to understand that something and that's and that's

fallacy a family, if we'd say it. So in that moment, like to be all that, a,

a gritty me saco de trance, my mom. My mom me was calling, I was super-assustada, had the heart acerated. So,

you know, you know, yeah, I've got a rato for a lot there, I'm a then I'm

and I'm and then my mom, I was super scared, like, oh, where you,

I was, I was, I was, I was pati the chanek. So, he said, Mommy,

look, you know, I mean, you know, and I, and I'm, So my mom, well, my mom, me said, I mean, he said, me he said, I'm free.

I said, there no, there no, there no, there no, any. You, what, what are you talking? So, did, tessa. Ked, tessa. I said, I don't know, this is, is, it's, it's, it's, so, it's, it's, so, yeah, of the bus, and, and, while we'd have to be able to, look, for the last time,

then, where was the little, and there was still, and me, so. Oh, no, man, she despeded? She despied, yes. And there was she, and there was she, and there was she did. And from her,

and from me, I began to see the things with more clarity and me did a reality very sad. And is that those figures

that always were in the carreterer were always of cruces commemorative. Like if his almas

they were there and were are abatted for a tragic accident, for a tragedy. And they're enclars

to the place. There's a thing that's very interesting. A little for, for,

for, for, to hear or to hear and hear that's stories.

Uh, there's there's a lot of people that have a ability some

sometimes from some of many times, other times for a series

of circumstances where they're not that not is only

this this, there's many other things inexplicable and

strange that they can see and the moment

where they can that that that that is

always with a story very very peculiar Like in this case.

I mean, I don't I'd have to feel like but that they're know that she did know,

was, it was, is the initial of something very important. Yeah. Uh,

I mean, I'm a fear, no? No, one is that you're one is that you know,

but that you're not to be at you, sepan that you know, no. No,

apagy, let me. And apart, there's a second meadow deslokeated. Oh, no.

After that how I go to go to do that so I'm to have to have to be two times

to be the moment. That not to be a close of a cross. Oh, no.

That's there's a other other me to be there. Oh, yeah.

Oh, well, a let, I'm going to tell a story that's,

that is, I don't, no, no, I want to spoiler. So, that there

go. Oh, but if you. No, I'm going to do a spoiler. Don't Hohlan. Fepo Joland.

No, I'm going to do you. This story is called The Entes also Temmen.

And no her man, our friend, Gabriel Casares. Figate. He's Gabriel

and we know this story of that Saltyio Coahuila, I just just to

be there. But the history not he occurred directly to him. But,

but a companyer of a companyer of the story, he was a super spectacular, he pied a and the companyer of his companyer of

his job, he said, manda my story, tell her. So, then before to start the history,

we have an advertence. Textually, Gabriel those say, let's advirt. What are

at point to hear not is for the devils of spirit. Ah, caray. Well, me go. My man, the man,

the man, the man, he was really. This friend of the job of the Gabriel was super

emotional because because he was doing something that is very difficult in these

days. He was comparing his first house. So, obviously,

obviously he was emotionally, he moose a Yeah, that I thought to do you ever

to be able to fall to get a money to get a business, this, this

adventure. But it resulta that had got to a house, that's

very an construction very old, but very great. And a price

a big very much. Oh, no. Super economic. Red flag. Red flag.

And the The fact is that he, no he asked him, simply, he saw the opportunity, and he was a he said, Gangazo,

Vena, it's a gonga, and he was a gongue, and he took. So, then, he's got a to clean,

to plan, how decorer this, well, that's very great, if he has to do,

, he has been , he, was in this, not, he was very emotional, and, and,

and, he gave of something, a part of the moment that he

he he he's a house this he will

sound to some to some it's like you

you did you know that that is that

is you see you you see you it

is like it is more more more that

of that there to be Me, you know, is like if the corners of the casas traparine to the

and the light not could counter that obscurity, that's what is there, and it's a lot of and the temperature is strangely more a bit more bad than what it should and of a bit of

a little bites that your mind try to say, it's a house a babya, it's the tubery, is an animal that's coming down in the techo. It's a point, it's the But, but it's a moment

in that are the times, tantas, the explanations that you want to give you

do, that you start is irrational. The house has something that's

that thing that thing extrana that it, in this person of the

felicity to feel to feel like a person something something that

you feel in the coo a mal-estar a presence invisible, that's there.

But try to ignore it. So, that they start the days. And a

time, was in the part of the house, barriending the banqueta, when

a repent a person, he was he he was he's he's

he but even the way of the person, not was that

rare, no? Like inquieto. And he went, like curious and cauteloso, this and he said, before he said, directly he asked,

how he was in his new house, joven? And he obviously, like, so, he deconcerted a little, no?

And he responded, well, thank. Why? Why he he said? And, um, Like, he's

inco the the other the he's a forced a a sonrisa and he

said, no, no, no, for, for nothing. I just

just wanted. And he was he was a little extra

because also after this the the back and he went and

he's so he got there kind of kind of kind of so

he was he continued doing the he things and in a moment, hours

after, he was going to go to take a box of all of what I had got to do. And he went to another vecina. But in this case,

not was the man that was a woman, a woman major, her becina. Dice that she was

a circle, but not was to get to where he. First, was like in the other side, in the

other era, and observant, like, fjavement, very rare, no? And he even, he knew that was there, the sir was there, threw the basura, her look at her,

she wrote, and the resident no, he regresseded the saludo. Simply, observe that no viny were cars, and he cruised, rapidly, rapid, rapid. He's kept there, like, what on, no? And he went, and it. And it was, and the same,

before to say or what or what is the question he said the

question. But I heard I've seen a time that the bestino he

asked and I want to I want to something about this house

if does know he has a dark of so

obviously he's so he's so kind of of the

tone of this woman what he did like

a past a exact What's what? And he said Justaminted That's just that.

Like a Aux Well, what's What's? And the sheora, like

with much to tell her but also like inquieta He said Look

Mere Ace years Here here I've been a man

So like You was Addicto to a substance

This that looks that's that is his parents was

interned in contra in his but he he he

he he a note but who know that

said that he was the important is that

that that that was something was something was

he was he What? Maldecy to his parents and he would

that nobody never would have a back under this

techo in this life in the other young have and he

took and he did the and he he he

he he he he he said and the And, well, no,

is a person that creates much in these things overnatural, or nothing. I mean, immediately he said, ah, I, I thought.

With reason, it was a barrenica. And he said that very in the fond, very in the fond,

he was kind of kind of, not for something, simply, the house that bought

had been a testigo of a thing difficult. Yes, He, thinking that what he had heard of what he was talking and the

sensation that was sentient to be into the house, simply was a cause of his imagination, well, he went to dream normal. Now, the first night that was going to pass in this house, and he had adecuado the sufficient. He wasoced,

tranquill, and he got me. But, exactly at the 3 of the madrugada, desperto, So, this that we've been

about, that the temperature had had had to inexplicable and exaggerated.

He was I'm a bit dormido when he when he gets this free three of

the morning and he and the first that is that in the

door at the door at the front of the passio there

a figure. A figure there in the obscurity a almost perceptible

like a person and he kept observing this image in this sombra

there this figure thinking that the most as he was imagine

when when of that that figure immobile is moving.

Oh, no. And it and comes to to come in a way to the door

of your room. When he he was the he's the same what we're doing what we're

the sabana and it covered. Manta magica. The manta magica. And she

kept thinking no, no, no, no, no, no, no can't be. I'm imagine, but no

me going to see, I'm going to do, no. Simply simply he kept there

until that he got to be to be the morning the

next he did important because is sceptic to he's sceptic

to continue doing his his work and and

and and and and he went the and

he went to go but that night was

a last at three of the morning again

and a A A frio inexplicable But he He gave Miodtear

to see And then he did So, he did And he He was He was There was

In silence In the Obscurity With that Friyo When of a When of

A No A A He He said He said He was

He He was to have been out of the house, although it's son-o-dentro. And then, no sound like passes. It's a house of a house of year.

They're going to be sounds of the exterior. And then, mormulls. And then, risas. So, that he said,

and he decided to open well the eyes and to to somers to that passio and

he opened the eyes and before that his view

could get to get to something more more something

that was in the room there was a

figure dark and and sat in the sill that

was in the cell that was he was that

was there was like a woman something, not

he was he but he he sentia how this thing he was going

he he he he was looking looking to the figure

like trying to recognize who is what is and the first he was

that with the little of the light that there something

the dents of his sonrisa and in that to move,

to go to go and go but he's going to the terror

or something more he was he was not a time took a move

with much and he he and he he put and he turned the

light the the sill back no that that

that the house was free, that there were sonnits, but he was thinking, thinking, it has to

be my imagination. It has my imagination. When he passed several hours so, he did

count of that he was coming that he was up he prepared a coffee

and he still working in his house. He went and he went

and again again again it of the night. He decided

to gostarse, and I was sure that that night that was

all the night never will be to my dream. Apago the light and

he was I'm doing I I'm I and I don't

in the room there there a sombra like if

was a person but not sated in the sillion not was a parada in the

passio the actually no he was he was he was he said

it was so horrible that he was he went and he went and he

went to the and he went to the and I sentia a

sensation of MEDO brutal. No supo what he said. No, he went to. That night was going to

the streets with the mind. Thinking in how to wincer it is a tonteria and to

go to his house but not he was when he went he

he was soo soign so he saw so so that

that that's the most It's more more more more it's he's

installed there that that's inquietante inexplicable obscure that was

there and it's that the days all was the

bad that this activity the sound the things

that's that the things that were You occurristen in any moment and when

I came to the night those rissillas that came to hear of now were carcachas those murrumulls were gritos

the objects not so they were a little they were and they were like something was there

was there was a menacling and when when he was the night and I saw the room,

you know could enter. And he was out. And he was

in the street. No I wanted to be in that house. And

he was desperated and he started to go to the streets

in rumbo and the house and to the quadas

for there like a when a Vigilante. When, when I was

a night, a man, he was going to to see him. It was a perro, a perrito. He said that

was very very delgado, but that he noted that he had like an attitude very,

very very very very firm. And as he was he was about he was

coming in the nightes, then he was he And he, well, he,

and the perro he was to do and he he went to see to adopt him. Something something in

he said, he said, he was to find peace with this perro. So, then he

he was to go to his house. And he said that he was the

but the perro and he was with him. So, he He started to

eat to eat with the the perro peggatito

to him his new companion and he went to the

night the first night with the and he and he

and he he was at three of the morning or

surprise the frio terrible the the the grits. So he opened the

eyes and he said, for favor, no. No, another and in that moment

his perro he was he was and he observed. And observed something in the

room. The orcage up erisado fum brinko and he

He commenced to laddarl. But so, a honda of defense, feroose, to a one in the room. Wow, wow, wow,

he, he said, and he observed, no, there was nothing in the corner, but the perro was like

a-n-furecid, brinkable, he was, he, lad, and lad, and lad, and the rudes were more and the

things were and the per-and-st- and the per- He was distraining, he was trying and lading and he started a little, a little to the corner. And, of a little, the perrough, he was to lader.

All the rurysed disappeared. The things were to move. No, there was a single noise. And the perro, he calmed,

regressed, he got to, and he went to and then he went. The cat was he had defended of that that was

there. And the perro was put so bravo that what was in

that was in that house, in that's had seen fear and had disvaniced.

So, for first a few times, in various and he was, he did know that

something that something had changed. Yeah no I was I sentia that obscurity,

that oppression, that inquietant that was there. Now, it was a house

simply with a little of a so, so, that this friend

took a decision. Transform that that's a place in a refuge for

perils. In serious? Yes. And he says that when I went for me went going to get more and more perils, and he, well, he's dedicated to

to care those, and more, well, the house now is a lot of life, of felicity, of the legria, the perros, they're doing, then,

they're doing the , and more. And the friend, says, the broma, that that's entity is there,

but has to be in some a corner very temeroso because now he

various guardians of four patas and he says this my my friend maybe

he's a reason that's that's that's that but while

the people in that nothing he's to be to get to

spoiler oh it so that's a beautiful that that

final so Lindo, in serious. Yeah, I was living things terrible and of a repent, that's beautiful.

Yes, and is very real, the real, the real, the really, the mascots, or, well, the mascots. The cats,

you have gatticos, right? And there's a perrots. I'm a perrower, that's, the love of my

life, is my life, and in effect, they get to to guard to one, to solve them to all,

so in all the things, they're they're emotionally, spirituallyally, let's, for example, in this case,

they're, I don't know, illuminate, with her love and his spirit. There's, how is. Oh, that's how much. Well, that's a story. Well, it. You talk.

Me to talk. Well, the next story is the woman of the vestido Blanco and no, the name, Rosa. Well, my name is Rosa. I'm from Venezuela

and I'm 30 years. This story commenced ago in 1999. When my brother was my

mother was from from the from the from to help to help to help

to help with the first days of my abelioring my abuelah said well,

so vacations schoolers bannons then we're going to we're a a long

long. We went from the amnesty and we're going to the night 10, 11 at the

house of my mother in Cartagena. The canstance was immense I was

super can't but the emotion to be to my my my

kids, was it was more more. She, I was I'm over a

whatever whatever I'm that I'm I'm I'm I'm

I'm to get to the house of my my mother and something I don't know

what was, but I felt extraia but, but, I'm going to give a context

rapid. And is that in my family, we have what some of the

don't of the vision. My abelor maternal in his youth cased

a brao yeah, yeah, yeah, yeah, and my And my

abuela had the ability to see things that others don't I'm

of that and I'm and from my parents not were things unusual

in me wow yeah at the two years I'm an an

imaginary that's that's and then and well and and at the five

I'm sure I've seen to have seen a year years years

before I'm before I so before I Oh, what context, what a barbaro. No,

in the reality, yes. Yes, that night that we in the house of my abuela,

we did it like a camp-in-in- the cell. So, that we're we're doing form of,

the tient of the company of the camping. Me, more than the prims we're doing

us, that rick here, that rieddon for a way, and all all this,

and through all that, us agarrored the middanoche and we kept us dormied.

In the madugated like that's at the three, four of the morning I'm

like to get to go to go to another again. I'm I'm

in the night so all dormita and I'm to

the back I'm and I go to get to I'm impacted

for what I did two women were having coffee

in the tases of porcelana of my abuela. One of of them

had a tundo black and the other had a vestal black. And the two were

taking coffee. The thing is that the house of my had a

a passio long, it was a a salon, a a

little that's all the little in the last was the one.

At the front was the front was the front was the So, me took to cross all that.

Me took to cross all of that. That was when I saw the scene of the two women, me congelled, no super I knew what I did. So I was, I ranke to go to work for the abitation of my abuela. That house, the abetation of my

old, pardon, no had a port. So what was the one quarter of the other was the, the, the cartinas. They had cortinas. Ah, as I,

as I told you, at the principle in my house, so. So, So then I went to to get up my abelah

and I said Mommy, Despirtate look He's I'm And my Abel

my Mora There's two Mora There's two My vizuer So my She noticed that she

She didn't He said Nothing To say So he said There's he There's no Theremany

Theremete I was I was I knew that she was I knew that she had because she sentio she was like as a bit more like a lot of

that's not even though I thought that she was I mean that she had also and the and the fear I still was like invading me I still had

much much fear but my my gas were more to go to go to go to

so so very very valient I said I don't know, well, respiro, I'm going to go to the

way to get to sobecied, and then I was like, coming down, lentecito, mirro to see, so,

I'd be at the eyes, when something when I blocked my way my way, and I was like, and it was

the woman and was the black, that was like so, so it was rarer, and me

was looking so, I'm looking, so I, so, so I, so, in front?

Yes, I was so I'm so I'm a front, blockio my way and I'm

looking and I'm looking, I'm not, I mean, I'm like, I'm that's,

I'm, I'm, I'm, I'm blocky in that my I'm like, my

my hands, like, I'm me, I'm so, I'm and I'm

back, and I repased and I meted to the back in many,

much hours. A duras penas had passed had been about 10, 15 minutes,

but I I met me hours, hours in the banion. When I was, the lady, the lady was still outside of the bathroom. Me started.

I was looking at me started. So, I was going to do with my abo'uil. My primos, I'm going to my abuelita. So, me went to

my abelah. The same, Manta Magica. Poon, for the be be the co-dice, and there was. And from that day, that woman

Me Accompania From, from I'm looking for between, like, the vidos, as like for the rabidio, and I see a woman there. Siento, I'm like a presence

always that's always, that's looking, a little bit, like an aliento, like a little free, and she's there in any, in any rinkon,

in any corner, in any place, she always there's there. Cree I'm I'm used

to be to be to be to be to be to be a present in my

life even even very, very, very, so I'm to go

to go to continue with she she, she's only only always

there's like just always like I'm like I'm not

what are those intentions no does nothing but there

there And this, me perturba, me perturba much, how it's, how it's, how it's-a-catch, how not does it, is it, is it that to do something after, is it, that's gonna be, what it's gonna, no-seh. And, of actually, I've got a story,

a story, well, no me pass to me, but, so, that's many years, in Colombia, there's a radio, that, before,

before, determined a, days, I think it were the lunas, they were like things paranormal. So, I'm

a quote patentico because that story me marked too that one was, they'd

the people, they'd the people, and they'd the cards of the tarot and, well, the locutors

and all. So, one of a man, he said, he said, I need to get

that someone me help, I'm I'm sorry, I'm so, they're

they're like, what's what's what's what's So, no, is that I have an entity that

always. A little? No. No. No, the of the is the of the taxist? Yes, and that

was the one to all the Colombia that was called in this moment, but no, that's it. That's what? And what?

So, he said, I'm sorry, I'm desperated because there's a entity, no, I'm but I'm to come back to

where I'm the difference is that, for example, in the history of Rosa, she said that,

I always I always I'm always I'm trying to and she's always he's but in the

case of the man yeah it was a attack physical so yeah they're

they're physically so so that that that that thing that that was

that always when he he had something he had he was he

he'd he'd he'd he'd he aruja he had many things

very pesas even hezlo of all the people that's of his friends,

of his family because he not was that he was still when he was going to he was

about that he was going to that thing that was he was that I'm even I remember

much that day he said yeah yeah now just he said that they're

that not more yeah no more I I'm I'm I'm I'm

of the really, yeah, yeah, no I'm going to say, no I'm going to say,

and it's a little I'm going to because he he took a little to the car he's like a carrow

that's like he was like on the other side, he was a telephone that's a phone of that's the

cell of the thing, he went to a carer, for that he was super molest of that he was

talking to him and that he's I'm going to be with these people. They're trying the cards. It was like, come to my son. And since when he passed to that?

No, from a adolescent, from a day, he came uprocious, so it was like to be a lot of the house, and me started,

at the beginning, I was like in insidious, that was the lady, that was the lady, but then every he started more, to get more, and then after he was

he was to agred, in the dreams, no, in the dreams, no, in the dreams, no, She's terrible. So,

he passed, I mean, you know, you know, normally, and it was the person raretip,

like the rarito, the rarito, the rarit, the person rarer, that's all the world

Aisla. No, isle them the people. That day, he were the cards and they said,

is that here, they were a job, so, they did you a job to your

family. They did those they were they're they're But a moroher or a

word. He's not quite He took to the murder. He was, like, the heads of the family, the mom, the, mom, the papa. In this moment, I don't know, I don't know, but it was like the mom or the papa. And he came to do that day, that name, that was impressive. Because I was

I listened in live and in direct and to me to me, to me to be all over the things very easy

but that history that story me marked because that's the day that day was a

feeling the the environment in the house and that was that was time after that

was the that was the I think that is like that is

more malentendid certain situations. Fagate. Because the fact that in the santaia they use a mortals,

and I will say as with all the respect, between commas, positive, because they're going to help. Me, you know,

not they're not they're not, as we've told some of those stories. But I go, between commies, positive, perturbes the world of the

mortals. But I don't know who invented that. So, we're going to let her there. There's a

part of the burglary, where the magic negra, where they use the mortals not

not with the permit, but the person, but they're to be able to and

those and they're independently of this, there are some people that in

manner natural can perceive those. and they're there. And there are who are

who are like the story that you have you know, there's there

is a not they're not this. A person that's being assediated

by a death in this world that we have been a mental

I'm you You know, I'm saying totally, sceptically, but if we know what is,

if we don't we can open the possibility of that existan other things, and as

we don't us understand and as we don't we can't we can't demonstrate, it's

all that. So, the persons that get to live this prefer to or to tell

a story. This story is called My Guardians. And he's and he's Susanna Galvez Ludea. I'm going to start

with this phrase large that we're and says every attempt to runper the

maldition has fracasado the the dead and I am used to them

attached to them, cargating with stories that nobody else can't understand. A-beckos I'm asked, if I'll ever to see

his presence so clearly as before because in this world who are more aterrador can be the

only who really they're really us are. This is a history, a experience that lived

Susanna and that It's very interesting. He's that in his family they're that since she was

literally in the vintre of his mother there was a day in that occurred an event

that was that all what he was presenti they were they were held they're

there were of there of all class of this his mother

was embarrassedada, very young. And, and of a father, also

very young, he sent to front to her, he, he put his

man on the the vintre, and he started to murmur something, like,

invocating. And then he closed and when those opened, they were

totally in blank. And he spoke very very

very very voice ronka, that no has nothing with the voice of his father.

And declared all the all the presentes all the obviously they were spantados

some most but he not he not because they were molestos

he no he doesn't simply occurred with the time they were in a little

in that when he said the the new the was made in the sex of the

baby and no there was in that he was when he's a little and is a

little they're sure they're that in some he was he was and that

was still more perturbored what was the the The fact

rare that sometimes no signals in this type of situations

not there. A part of the last the mother,

her mother fell in a profound depression so great

that he gave to his his care of

his and he disappeared of his father were

very young they were separated separandos. Each one still

his own his own his own. The Papa no, he said she said

she was with her but in his his father

was her his visit that that was when she

being very little in this history family commenced to

notice things very strange things that others ignored and that for her were things of the day-a-day, something of day, something of the day,

somebras, figures raras that were observed from the corners. Her family said that from very little, she was a lot,

and that day obligated to go to the school, things bad were they were to the school because the bullying was intense

and he began to take classes. in house. And then those presences as

was only almost almost all the time they were more presentes

they were more time there were their their their their

their their their their and their and they they

don't they they they they were they She awesomable and they were you, they were there.

No, no, but in the nights, in his dreams, they were in much force, with much intensity. He advertied. He wasrable by the images,

sonnids, phrases, tragedies that were going to occurrere. She had started to to advertir to

his abuelos and to other people of those things terrible that were to be able to

but nobody he was a little. And a sometimes he was even he

was able to what he because not had the words because not he not knew

the other the but so so he's with these people

when when I was a little more great, I suppose like in the

secondary. Caminada, another once he had had regressable to the school,

I'm to his school because also his school was very,

very of his house, literally like a middle quarter. And the

house that was at the house in the house in that that

was a property that was abandoned and that, that house,

that property the people not only the children and the no no the people

the people know that a house abandoned as a house maldita it

said that in that the house was the the devil no

you don't you see you see that care with

that she she was she was he he said that when

when when when passed for there I sentia like

that someone was observing so he and he he was there in the entrance of the house a

woman a woman vestida of black a sometimes was like floating

in the house and he and he at through the windows and

other times I saw a a sombra that for her

was like a a a man, very imponent, very grand, but that

was in the penumbra and he observed from he was growing he started to have attacks of

ira. He said that was something was a oldisencia was something was an

dark that was that was about of her and his emotions and

did you see to things terrible very very very but

not only that she gave that that that's that's

a little that's going to be accompanied to the other his body

was so so it was like she not she

she was she was she was that she was that was

that was it was an was there was there was

and she was her and she's extra. Fiat. Dissue that that Firmament, that's

a power, not it was simply like that the repent it was a rarer. No, no, no. So, no. Executable actions and movements tremendously precise.

Cosses that's supposed that his body not was able to contortioned and to come to a form distinct.

to have a force extraordinary and execute actions of things that she's supposed that she didn't know. An adolescent, with a force tremendous, doing things that not should be able to do, with attacks of ira. He said that it was literally like an entity

doing use of his body. One night, I'd walk around the college, near to his house when of a minute

I think a minute I'm a thing you was a it's aterrador

and it was a looking and he was just he was a sunbara so

he's he was he he was he was a man he was a man

old of a and eyes that irradiable a fury and

were there were there, and then she and then she sent her that mirabye

that's spanted a little. And he he was to grow to his abuel abuel!

Abuel! And the Abelow! And the what is he ha! What is? What is?

And he said, Who is that man? And the abel he was there. No,

there? And he He started. I was sure. He's there. He's there. Here you. And the abuelo

bolted and no nobody. Calmate. For favor, calmate. No, Abuel. Miral.

There's that right. He's there. Look at the people, the people, the people, the people,

and they were the grittos and they were. Mere, just to the Pilar. And the man was

there. Parado observant only to her, with much fury. And the of the of the

people and the hejole. She let's he sold the turnio, so the so he wasle

so the little he looked to know with fear calmate and she she went

to see that there there had there that the was very un-tankill

she cameo and the And the residents were there and the kind of

looking to observe what she observed to the pillar. There. For some reason

they were to make excavations in that house, just in the place where

was the man. Junto the pillar and they they were

an and they found three cadabere enthered and what?

A man a woman and a and a man nobody he was

he said but she he had seen before was the man that was

the woman that was the woman they were in the backer the presence of these is vanceo

and she she did see the the presence of those of those

three persons had disappeared but so that's that's that was

that was that was it was something something something something something

some people got to live there were and they

ended abandoning again the house no they had

before before these people of the house maldita.

They've brought bruchos, pastors, well, of all. With all to allientar

what was there, but that was inraised. That's yeah, I've been there.

This is my. Dice, that is like a story of what I happened.

Because are many and are many and are all sides. But she no he does

fear. Because those entities, they're they're silencios, vigilantes, but they're there to

care. This man that was with fury just just wanted that she had the place where

were the where he with his family. Just I wanted to look the

path. He found the way to see. Vindola with fury

something. something, but it was the only that could be able to be able to and the time was passing, and she felt like these were there, and they were their day-a-day. But a day

he wasperted and something had changed. She said that his family members did something because from one day to the other per die her capacity to

see totally. She went to see a a woman for

the contrary to what were other people. She wanted to be her

same and the and the she said that someone had

made a actually a tremendous powerful a a

a exis a to blocker their connection with

they're and well she was she was a very very

powerful she she's she she's she they're they

can see they can to see and it

and it when the frio inund a one

they they are there but but you can't perceive those the same form.

The worst of all is that they're they're that they're that's they need that they need

that they're there are there and not can do that. So, his own desire,

recuperate that connection. Oh. Volver to see to who have even they've been

even when nobody more That's That's That's Like, Like,

It's not Like, She didn't Peller Permissue What, What, So,

What, So, So, that's special. Not is that's Malos.

Well, not all. Well, yes, not but, she

learned how to convivir with that so, so, so, that was

that was that was that was there, and was, was, like, was,

like, was, like, was, kind of kind of both both

planes, no? That is. So, right? Yeah. That's a story. I like that story. I like. Oh, yeah. You know, you know,

it's to talk. Because yeah, we're going to let's see. We're going. This story is called the Chouquetes of the Baul,

and no, he's called Samuel of the Luz Macedo. Okay. Since that I had nine years,

my parents had been a colony San Juan of Aragone. It was a house Antigua. For the night a sound constant, me maintained a

little bit, something a ballon that rode down, that was, rode over the tejado, caught the stairs that were like of metal,

they'd be there, and so, and one and another time, all the nights me maintain and then I'm still,

that, well, that noise back was down after the escalator dererer, resonando as a echo

that made to vibrar the silence. Me aterrava that I'd always me behind the

manta magica, Sintiento that in any moment someone could tryarmelas to the

floor. My abitation was just just at side of those escaleras of the

redia So we we had a perrita that's called Casimira one day I subia

to give to the steea and to be to be to be with her and to get to in

that something, I mean, I was just I was just, I was solito with the perra, and someone me empoo-sook super-fired for the sotea and, pah, I mean, I was, I was, I, I was, I was to, I was to, I was to, you know,

those caird, were like those cures of the tendero, where the, where, where, where, where, where, the, thing, so, it's, other area, and, plus, other area, the history. Baird?

So, those sucesos extraions in that house, not things rarer. I mean, they were a lot of

things, that were to be in my mom door and was a door principal was closed.

He went to go to back to be in those primos that were two quarters so I'm there was

nobody then nobody responded and so it's like so it's so it opened the door

and there no there was like um well so then so

so always always they were like those things things very strange so

I always heard like ricitas or queggitos like paces and all that that case there was

like a quarter of a little a room where it's like all the like a exactly

like a where they like all the and the lady of the house

said this this court not me don't you this

court I have my things got my not is this court

not is day, of my curiosity of the new, I said, well, what is there? And I went to get there. Me, met in that quarter, and there was a ball, a little. So, there was a little chiquet, and then, me called much the attention, and I

there was, that there are here, me. So, I got, I opened the bagel, there was a traincito, and a, a, a trincito of a jugget with his vias and all, and there a tarro with monedas. I was

Ike the traincito and I'm so it's so so it's so so I'm I'm trying to but

I know like I like I'm to feel that's that that so I'm

so I'm I'm the train out of the ball and I'm the ball and I

did that that's there that normal that that night the

sound of that was in the terraza was intensified was intensified was more

the ballon in the escalers of the airer I feltia a presence and I was I was

I was the same the way they were they were so much yeah my mother

no have been so much that I've been there for there for having yeah for having

have been the ball after After that, we We're like a chisement of Barreau, that the duke of the house

had two children. So, one of the his children, was, was, was, he was, and he snooked.

No, man. So, then, was, it was, like, a secret, so,

a secret to, well, no, I know, that was, like, he was, he came to,

the 20, well, he came, the 20, then it was like, mm, I'm,

I don't know. It's this boy that's a lot because he took

his toys. Nothing. I'm like, it's a next night.

I'm going to get to do with and then I'm doing the other way the ruses.

But more more fertes then the the pelota that was that he was a that would

in the escalera the presence and all that this but this this this

I'm armed of valor and I opened the

And in effect, there was the little bit of the So, then the little bit of the So, the new year, he was going to be so, I'm getting so I'm so,

I'm paralyzed to the MED, also, I'm not able to move. I think a pattern very common in all these stories is that

is that always when there are these entities, paralysis of the and the environment like is more free I was the same

in this case when it when it was this new then I'm so I'm sent to in the camera

so I sent it so I'm so I'm I'm kind of but I'm couldn't move me too

so no me could move so I'm so I'm soovia so I'm and he was to rastra

sobeciito sobecito sobecito oh this was well then so it so it was

so much then that I had I had so I I'm so I so I'm so I

and I'm completely at the I'm a real a free more more

more than the normal the the little was sitting

there me he said he said we're we're always so

so so then I was the and I had the and all

I'm was like I'm like just like just A little rickita

I see I'm like, so like macabra a rickita of a little

but macabra so then then the other day I'm I'm I'm

I'm I'm I'm I'm I'm and I was in the

camera not had the his on the was like he in

like someone someone was that I didn't all the

night I was like... With fear. With much MED, clear, no me move.

And at the feet of my camera, it was the train, the bus of the train,

and all perfectly armed. I took the trincet and I went to

to the room to the house, that I'm I'm I'm

I'm I'm I'm I'm I'm sure I'm never in the life

he'll go and I'll be to to the gato completely mm-mm mm-mm and I

don't know then after so we're like the the noise and all so I'm but I

feel that that's that's that's that I will go to talk his

his juggetes well something something something could pass

or something maybe could be so it's like so it's like it's strange that

sensation. Sass. I don't know if the kid wanted to or if he was so he was

to for that not he never to play a bromita. A bromita. But as

it's a look, I'm I'm just I'm don't, no, not go to

what you pertainst you want to say I'm one I'm I lived in a

house that here, that we're rented, and there was a quarter that's that's

that's that's more about because a quarter literal not said was a little bit of

afto San Alejo the San Alejo a one a bodegita a bodegita

a and me was a and I'm a much muchissima curiosity to

to be there and certainly there were there Well, imagine to you had passed

the same that would have to be able to get to the time. Oh, me to have to

have to have. It's a story very shortita but that

I'm really a shortita but that's insious who uf

this this story is the name the the

man of the the person and the And then our friend J.P. Rios.

J.P. Rios. Fiatte. You know that here in Mexico, the 1st of 2th of November, celebrate the day of Mewartes. Yes. It's that velo, that's very delgado

and things extraordinary, that occurs. Well, this story occurred in the night of 2. And this person, J.P.,

He was conducing room to Morelia, Michoacan, in a carterra desert. So, so, only was his automobile. And there was a little of the use, because there was a lunar-den, that night. Well, it said that it was the 11th of the night. It was he, mannedering, and a friend was he was accompanying. in that trajectory.

As it was too not there other coaches, and it was all very silencious

they were talking, that is something very important because they were talking about

they were that they were that that was that energy of the conversation

and he did a dream because he was to keep that

there they were there they they were there In the in the conversation

of the nada, the friend braeming he says, you imagine that we imagine you

know that says that today those mortals are in us and the

question, the comment they're they're riled a ha ha ha

but he was the ballante and that that the

a lunar Jena, well, he's a little like, um,

quiet. Of a little, a more, for what he had said,

a scalofry horrible, provoked, by a sensation like if someone

he would have talked leavenly the back. Oh. Uh.

He no he didn't say nothing. and simply continued and he went

and he was and in that they were in a tram that was apparently in reparation I go apparently because

they were in these these signals of the and he obviously he obviously he was

a lot but when they were in this part that was supposedly in reparation

he did know there no had machinaria no there are there's

no, there's nothing. It was totally to see the carterer

like the way the way the way and then simply like

the after the after after had seen that that they

they took the back in that it's a dark that

he was he put still more more more more

just just just And, um, term of the purpose reparation,

he, well, he metio, this, more velocity to the vehicle because he wanted to

get to there. So, so, it was, no, and for a moment,

he was made a silence. He was thinking onlyly in to get to that place.

Sentie something. In that moment, his her her friend,

and he even with the look at the carterterer not he that

his his his and he looked to be and she she was

and she was quite transparent and he he's he's and like if

maybe could even not not not even the she

said I don't you to your ventana because

but but but, you say, no, you'll go to the window.

What is the first? The curiosity. Voltehace the window. And the volante, for the

suspicion, gave a volantazzo. Tocarone out of the carretera to a velocity

enormous. He quiss he wanted to take the control. The coach he was to get

in the carterter and he started to paten and he was so.

trying to control the vehicle. She was sacudying until she was going to, he was to take the control of the vehicle and he was to look at and there he was going to. What he saw. What he saw,

was a man parado in the stribo of the carmionette. This man vestia a trage of color red, impeccable.

The Rostro was palid carcomed His eyes were

but they were but they were with a fury with a indescriptible and was there

pegged to his camionetta after after after almost to be

the person was a few a some centimeters of

his car, observant fitherto fichament. He said that was clear that that he was

in process of a decomposition. That's not not a person a person a bit, but

a cadaver. He said that he he pett with all his forces to the

volante. He accelerated a fond. The fear was

terrible. And as as he was accelerating, de And then,

you'd do a ballantazos. And the coach, the canionette was colegable with a

lot of force. And he would be the hope that that person that man

with that velocity, with the movement of the vehicle to be and it

and it but not he moved there. There was there

was pegated being and he and they were

They were maybe a minute, but it was a minute of extreme terror. He no, he was going to accelerate. And he was doing this. So, her friend, grittable. But nobody was about. No, I was there. And, of the way,

saw the casetta of cobrough. And the acered more. And yeah, when I was closer, piso the So, so as it as it

disappeared and it the and they were really they used and they're tensas

all all, advanced he posse there in the casetta of cobr and

he went to see to be the child that was there and before

any other other other other other so so

so palid he said to this a man was a

man was he was he disappeared just before before to get to and this man

he was he was he was he was a guy he said he said he he sent you

that the blood to he was he was only he only

he was with the and the manchach continued you You is the fourth conductor that that report this night.

That man died in an accident of traffic, in a tramo in reparation, but not in the other. A tramen reparation more ahead. They said that

he was fired by the parabrisas and his body was thrown in the middle of the carreterer. But what I'm year, it was his

trage. The the trage was intact. Without a single

a little resgoon a simple. A despite of the

the the of the death of the person the the

the his was intact. It's that when I

said that he was to be to smay. He was the

pressure, me imagine. He advanced. He was after having paid to get a

and to get a immediately in an oria of the carreter. So, her and

her and they were in a moment in silence, and of

he was down from the vehicle and said that he saw his

and that the hands he were terrible. And she

also she was spantadiditism. And he wasco, he saw a cigar, he wasnton, trying to

recuperate a little of the control. And a thought of his mind. That the man no

went to his destiny. But I was, maybe, where he encountered his final.

And for an instant his destiny was probably to become

to be the mine. And They were there in silence when then saw something in the stribo of his camionetta. Just where that man had been been in those whewas like

as aangue. Or fango. They were impregas, like some of the hands. Dalian that had subjected that camionetta, a macabro recordatorio, of your presence. Oh, I mean, yeah, yeah. No,

Mieda? Yeah. Oh, we have to we have to because I think is there the

point. For favor remember us your socials. Well, I'm Matopepeyas

Olaya. p.sd in Instagram in X, in Facebook in in,

well, in treats in all all sides in allows on Olaya p.m.

Alah p.S. Thank you. Thank you. I hope to have done these stories.

I hope that they've given much fear. If you want to send them your stories, mandel it to

send them to calloff. Feporraubhaupatopopetopanormal. Adderle at the correo anonym or anonym

if you want to give your name and in the issue they put more or dundes

stories of carterterer what you think of what it to do the story for that we

We'll finder most rapid. If it has evidence, a lot of we'll have evidence. If there's evidence, and if no, no, no pass nothing. Thank you, Anna.

Much thanks. Yeah, we're going. Only, only, I'm going to say something to do something.

In some occasions, the dead have to say. And I'm going to comment to tell me. Talves not

you did this But we don't we're going to we're only while we we're these terrorifices

experiences reales so we're we're we're if you tryven chow

chow