INSOMNIO - EL MUNDO DE LOS MUERTOS - Invitado: OSCAR GALVÁN "EL MU3RTO" #31
Episode Date: August 25, 2024⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️En las diversas culturas y mitologías del mundo, el concepto del mundo de los muertos varía significativamente, pero ...comparten la idea de un lugar donde las almas van después de la muerte física, pero ¿qué pasa con las que no logran trascender? En este episodio, escucharás relatos impactantes sobre almas que aún nos acompañan, desde las más inocentes hasta las más oscuras que acechan buscando causar daño. ¿Te atreves a acompañarnos a EL MUNDO DE LOS MUERTOS? 💀Invitado: OSCAR GALVÁN "EL MUERTO"👁🗨 Si te gusta el terror, este canal es para ti. Dale like si quieres más contenido escalofriante y prepárate para no poder dormir esta noche... Nos vemos en tus pesadillas. 🕸️💀Recuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: fepo@podcastparanormal.com► Consultas empresariales: negocios@podcastparanormal.com#podcast #storytime #muertos #fepo #Paranormal #entidades #fantasmas #trascender #desconocido #sobrenatural #venganza #apariciones #espíritu #espiritual #entes #sobrenatural #aparecidos #almas #terror #insomnio #historiasdeterror #relatos #story
Transcript
Discussion (0)
Very good days,
tardes or noches.
Welcome to a new
chapter of insomnia,
in where we're going to
narrate the most
terrorificate
experiences reales
of the audience.
So,
listen them if
they're in.
I'm,
I'm much
faith in this
episode.
I'm very
emosionable
because,
fichens
nothing more,
what
a tremendous
we're today,
Oscar Galvan,
the Murto.
How you
you're doing
very,
I'm really,
so,
a
despite of
all what
we've
had been
to pass
in these
days
peridies
of the
cost
and necessaries
has been
difficult
has been
quite
difficult
to get
to your
house
carnal
very difficult
for the
two
apart
of that
apart of that
as
as much
people
know
we have
been
we've
told
that
the
magic
of
Oscar Galval
have been
Mewortho
Sures,
it's
going to
and the
moment of
today,
no has
been to
get to
get to
get a
and it
a tornado
a lot of
a
strong and it
is a
strong
the sky,
something
that
never is
getting
to know
my
man,
he's
got to
his
computer
and he
starts
the
programs
that he
normally
he
normally
don't
not
I don't I feel very content
because
no me
I'm going to
I'm going to
I'm going to
I'm going to
say the program in the
first time
we invited to
to have this
we're going to
some of your
people who's
and from your
companies and
from other
things.
I'm
I'm so per
feeling super
well at
moment of
that this
starts
no I
did you
Fepo did
so I
kept very
impacted
Fepo
Fipo saw
how a tenedor
so
a time to move
in the
mess.
First,
it was a
movement of
a
vaso that
not was
very perceptible
the obi
and I
did he
and then
he's,
and then
then he
and then
he's,
he's
move a
tenedor
of a
way way
super
rare.
So,
so I'm
something
something that
something
going to
be
going to
get to
this,
really,
very happy,
thank you,
thank you,
in fact,
for your
invitation,
my name.
I always
say,
look,
the way of the
little to be
in the world.
In
very very
very much
very much
I'm very
very happy
to come
when I'm
when we
when we're
when we're
when we're
when I'm
a rube
no,
the first
this was
the second
oh this
was the
when
when the
second
when we're
when we're
we're
we're
to have
but the
is that
we're
we're
in the
countering
in contrae
the
adversity
that
because today
have you
have been a
you're
a
commas
I'm going to
a compromise
a little bit
so it's
so it's
so it's
so
it's so
it's all
all that's
very,
very well
so
for,
for doing
to do
this
chapter
really good
really
I'm really
I'm really
I'm very
so I'm
so much
so I'm
let's see
we're just
we're
this theme especially
for you
but I'm
like you
to say the
people
what are
your
on the social
or platforms,
etc.
Where you can
see?
In Instagram
I'm
like a
newto
I'm back
29
on YouTube
I'm
on the
Morte
official
and in
TikTok
unfortunately
me
kicked
the account
no me
say
the
one of
the
no
I don't
I'm
no longer
I'm
I'm
where I'm
where I'm
where I'm
where I'm
so
you're
sometimes
you know
the
Rasa
internal
and
the
people
that
me
know
You know,
that apart
me dedicated
many
things more,
yeah,
yeah,
the other
a co-s-culte
and a million
things more.
So,
it's a little
on the
side, but
we're going to
get into the
but there
in Instagram
Muredo
and Bajo
29 and
YouTube,
as the
Morte
official,
we're
being
being being
being
to be
a second
chapter
that we're
going to
do a
part of
a podcast
paranormal,
where there's
is that
there's
there's that
there's
that I
think I
know,
I,
That will be very interesting because we'll,
we'll,
we'll see the centeria
from,
so, from Cuba.
So, there's be
very interesting.
And apart,
I was,
I've got,
I'm, I'm,
for me,
to show us,
for you're doing
this,
I've got to,
I'm doing this,
I've got,
in a house,
and to show us
going to show us,
we're going to
show us,
how,
how, how to
help the people,
how to have
a house,
for that you,
so,
you're,
so, you're,
they,
can,
so,
to their family and if in
a moment there's
a person that
is a
fastidying
or entorpecing
your life
how to
let's get it
to get it
from the
way to get it
no more
to get them
never I'm
never I
always I
know that
that's
they're
that are
for something
not for
not to
not to do
only
it's just to
keep
and for
that your
way
very well
very
so so
so then
so so then
so then
so so then
so then
so then
so let's
not
not you're
They're not being of a content
very perr,
very perro.
Oh,
fiatte that
when I was
revising
the questions and
the things
of the
we're going to
build new,
new,
the stories of the
people,
of the community,
I found with
a series of
relato that
me
were very
interesting,
because,
without
what you
was to be
you're
to be the
inviteable,
without
you're
to be the
list of
the story,
I'm
there's
the story,
and one
me
We're going to
We're going to
The World of the
Muredus.
Okay
And of inmediate
I said,
this has to
be to be able to
that's the time
You know,
I'm going to
That's like
So,
So,
What do you?
So,
you're going to
You know?
Sir,
you need to
start the
Maestro,
Carran.
This,
you're,
you're going to
you,
but I,
carnal,
the
that has to
give to
do,
to do
to do
has been the
head.
Let's get
let's start
with this.
Fiatte
that there's
a question
that is
super interesting
of this
story,
which is a
relato of
the other
world.
Some of
you've
heard that
when a
person
fallacy,
transient
in reality
not
doesn't
but you
don't
you
don't
you're
not you
don't you
have
that in
that
communication
varia the
place?
A
sometimes is something
more sonyric
a little
prohibited of
to talk
a little
like this
tangible
tangible
but always
like it's
going to
depending on the
conscience
that I'm
sure
okay
no me
it's
with the
tranquillity
that
can't
can't
we can't
we can't
we can't
we can't
we're
that's
unfortunately
pass
a better
a more
life
of a
way of
an accident, yeah
or a question
physical,
or for a
moment
tragic.
So I feel
that's a
person that
was from this
plan of
the plan of
to get to
and not
was a
kind of,
it's in the
how we
can we
call
sub-mundo,
the other
dimension,
as it
can you
want to
you want to
you
do,
I think
that is the
is the
peace in
that
I'm
how
Demonstras
how
How you
can
show to
your
people are your
people?
How
to make the
understand that
you're
doing,
how to
understand that
you're
not you're
that's
done that you
have done
that this
the
land
that
is of
him.
I've
used much
this
relato
that
is
anunu
but
does
name
to this
chapter.
D'E.
Fiatte.
This
person
us
this
story,
but more
more than
we need to
this story
because it's
a person
that we know
Oh,
so apart
is a compita
This is
a person
that we
know we
and so
so we're
to keep
to make
in animato
your
story
because this
is a part
of
your
life
that this
person
well
not like
the person
so that the
kind of
pen.
Yes, yes, I think.
I'm trying.
I'm trying.
Before, before
to dedicate to
what now
he's doing,
during much
time, and he
was going to
do so fission
of his office of
his life.
He worked as
a master
in a school
primary, in
a town of
Veracruus,
but in a
pavilion,
so, of
those very,
very,
very lehannus,
you know.
I'm,
angela, so,
so, so,
I'm,
he's,
he's,
he's a
very austere,
and,
and,
and,
with,
with
If you say,
the
Puele in the band,
you're going to
be a master
of the master
Pedrito,
he said,
he said that
this school
austerer,
he costed
much a
job to
get a
place, and
that was
young,
he was very
young,
and he
was very
very content
when,
no,
he had
the place,
and he
did the
last,
a man of
the left
to the
back,
a bit
to be
what you
and the
thing,
so,
so,
so,
so,
when he
he gets
a
person
that's
He's called Carlos, and is this
person, who is another master, the
that he tells this story.
Years after, when
the same form that he
had arrived to this school,
had arrived Carlos in his
his youth. And he gets,
and has a companyer
that, also, they're
known, since before, to get to this
school rural,
his friend, is Tonyo. So, Carlos and
Tony, they're in this school.
The same way,
because no
they're really
much perttenances,
no have money,
and another,
and,
also the school
has some
one that's
a lot of attention
and that the
people know,
well,
I know in that
that school,
like the
school electric.
Because it
was a lot
a little
a little
a little
a little.
To be a
time, so
to be able to
the light
literally during
the nightes
they'd
All right.
No, no
No.
No.
There was
all the
whole.
So,
tremendously, no.
And
they're
they're
in the
never in
where
get to
know,
so then.
So, the
directora,
in that
then,
let's say,
well,
in what
you're
in what you
have to
start a
class,
so can
get to
and can
use the
installations,
but the
banos are
the banos
generales,
that are
very great,
only
that,
but it
is
dark.
These
people
Right,
right that
you'll terminus
this,
right
that you
terminated by
interruption,
you know,
I'm sorry.
You'll
go to talk
something that
you're going to
go to be
to go to
exactly of that
the same
story, no?
The same
history.
No,
right you're
about to
be able to
be a
but in an
one,
a rancheria
Michoacan
and the
and the
bano is
out of
a bit.
Well,
they were
they were
they were
in the
the library of the school,
that was like a
place more
a little bit more
so much.
So,
so you know,
caros and
and they say,
I want to
do you know
but literally
not they're
nothing, no
see nothing.
Yeah,
they've been
of these
cell, that
were like the
ladrissel.
A,
a drusel.
You know,
you know, you
pickabas
like the
button and
the lampar.
And so,
he said,
I'll be
to be
to be
to put you
on the
other
side,
you're
the other
you,
you're going to,
to the lamparito,
so at least
have a little bit of
when I'm done to
banning,
me pass as the
cellular,
I'm playing the
lamparita and you
and you're
you know,
then we're doing,
those two,
these tisitot
and just,
we're just,
and so they're doing.
So,
then a day,
Carlos,
he said toio,
he said,
bro,
me want,
me want to be
backer,
let me get
to finish these
things,
to know what's
something to
what's doing
for there,
he said,
well, me
I'm going to
get a
little bit,
you know,
but you're still
the same
the way of the
time, so you
know, then he's
yeah, so,
yeah, so.
So,
he's a carlos,
he gets to
the regattaries,
enter one
of these,
open the
key, then
he's to benaer.
When it's
there, she's
is a
banning,
no,
he's got to
to know
to know
but of
a repent,
a light
no,
even has
gone to
see her
to be
a cell,
are the
only two
people
there,
they're
They're preending the
light,
and then
he,
at the moment
of that he
he said,
he's a
he commented to
he's
he'd be,
you've been,
he's
then, then,
then he's
to bea-a-
time, and
the repented
the voice
of,
between
commies,
tono,
marronca,
he says,
a disculpa.
He
thinks that
a lot
he,
I don't see,
or that
simply
was a
form of
,
this,
of that,
well,
I'm doing
other
things.
Exactly.
Exactly.
Simon.
They're
so,
then they're
to be in
a,
but he,
like a
little
incoomod
he's
a little
to do a
conversation and he
said,
Oye,
you,
you're
where are?
And he
he said,
De,
where I am?
You,
where are you?
And,
he's
kind of
he said
a voice.
Well,
the
Waxaca.
Yeah,
I'd you had
I'd have
gone.
Quintam
I said.
And he
started to
say.
Well, it's
a place
where the
streets
are inpedra
it's very
beautiful.
The
domingos,
you can't
as the
center and
the market
and the
market
is very
very
there's a
many coloridid
and it's
he's a
he said,
and he's
you,
you're,
you're of
where
you're?
where where I
I'm
very
silencio
and
the
people
not talk
every
every
everyone
per
with his
problems
and his
penurias
not
not he
is about
you can
say that
is that
in the
center
and he
he's
the city
of Mexico
sure
that's
it has
has
has been
logic
has
and it
has
logic
with what
is
there
in the
city
in the
city of
every
one
one
goes
with
the
world
in the space. And then
then he says,
You're from the city of Mexico?
And the voice
he says,
You're of
Keretaro?
No, I'm going to
let me know
I'm just
I'm going to
one opportunity.
So,
so,
he's put
nervous when
he does
that that
voice is very
profound, is
very ronka
and it
sounds like
what he's
saying.
So,
so,
so,
I see
He said there completely
that that
that's
not his
bat.
And he
he said
he's
for
favor
you can
give me
pistas
and the
voice
he says
in that
place
it seems
it
is that
the
time
he's
this is
a
this is a
drama
maybe
be
for the
traffic
maybe
be
a
public
or
something
a person
very
very
very
trying to
enter in
this
is
thinking
in
this
and of
the
of a
moment the
voice,
you're going to
and then it's
and then
he was
so much
very nervous
and he started
to hear
to find out of the
passillo
some
and he
he'scuh
the voice of
tonoe tono
to know
that he grita
carlos
Pardon for the tardanza
I'm here
Where you're
And in that moment
He apaghan the
And he begins to
Gritin'
Where is
Here?
I'm here
I'm here
Where is you
Ando
He comes
What's going
What do you
Preet the
Lus
Prend the light
Prende the
So yeah no he
He doesn't
Prende the
Lus of the
Lamparita
of his
Cullar
And he says
What you
Tienes
He said, he was talking with
someone?
How are you going to
someone? If here no
nobody,
only are you
we're just here,
let me go-nose-
so,
get over-nervoose,
he's got over
his things,
and he said
that literally
it's like,
tap-and-se
with the man,
you know,
so I see,
to know,
to know,
to know,
I know what
was going to
get to the
book,
he came to
this role,
he says,
that voice,
what he said,
that was,
that said,
that was,
that's a
He seemed
amazado
and he
he didn't
he said
didn't get
so on
he said
to know
not he's
not quite
to get to
the day
next
very
very time
came to
the director
and she
present
after she
and she
Tonyo
and he
said
he said
this
the
night
of
the night
that
what is
what is
the
director
said in
silence
in
a
moment
and
he
said
see, look,
after
a
few
there
there was
there
was a
manned
and we
had a
same
that he
was
he was
he
was
at
a
so
in
that
the
light
was
was
and
a
day
he
was
he
was
he
was
a
something
something
something
was
a
cable
he
revented
He was
He was
He was
He bento
He went
When we got him
When we got
And the master
He was electrocuted
In the bayon
To start of that day
We've
We've tried
Of a lot of
Formas
To regular the
Luce
It's
It's always
It's failing
And not
Is you
The first person
That's
He's
He
He's
He's
He's
He's
The person that
this
says
that he
gave
much
curiosity
because
always
has
asked
what is
that
is the
world
the world of
the
world
just what
we're
we're talking
that we're
that's
a part
of the
experiences
of every
person
or is
a
place
that
depending
of what you
have you
have
fall yes
that you
is the
place you
you're going to go to say.
For me, for me
to understand,
and for what
I've talked,
it's more
what the
way in that
you
transcends.
Unfortunately,
your
time
no has
your
fin no has
made,
and it
is a
many,
many say,
that the
life is
that's
written,
that we
know,
that is
our
way
in what day
we're
in what day
we're
we're
to
get to
get to
get
and
unfortunately
in this
way
there's
there
one
and it's
a
time before
to
conclude
and it's
when
they're
to
happen
of
these type of
manifestations
not
I think
it has
been
the
part
for the
this
person
is
this
this
being
being
being
being
to
grito
the
the
right.
Exactly.
Pied another
a bit of
the
because I'm
only.
A person
that transcending
and he
has this
plen
and has
the tranquillity
of the
world,
you know,
that your
family
will be
well.
But
know?
He's a
really that
is a
completely.
For
so
that
with that
information
that is
and this
person
not
he does
and
know that
is a
is a
a
cycle completely
that
that's
someone
will be
going to be
because
you don't
me tell
that story
of the
bathroom?
Okay.
In the
time
that I'm
personal.
No, it's
of a
rancheria?
I was a rancher
in Michoacan
in the
Oro?
No,
in Pachacacuan
Kauran.
Baja
Kauran.
Okay.
We'd
invited my
madrina
Clara.
I was
a little
cellar,
Kaman.
No,
the motorona
or
the
Pegas.
And
the
red,
brother,
no,
the
of the
panthe
grand,
the mama
and the
yeah,
the
that was the
person
with a person
with a
good,
and it
didn't even
there was
no,
no
that was the
cello,
no,
the phone,
no?
Uh,
the,
the phone,
he was a
lampa
or the lamparance
or the
lamparita
red,
yes,
yeah,
no,
no,
there was,
but to,
no,
there,
in the
rancheria
I was
in the
night,
because I
had
the
the
but
they're
they're
an
a
patio
very
where they
have a
little
a
family
from the
side
the
other
the
and a
carbaccoa
and a
car
that's
the
next
the
first
the first
is
a
lettrina
okay
and now
is a
a
back
then
the
then the
the
kitchen
with
comal
and
with
fogon
you
from
you
are
the
first
is
like a
cell
of television
and then
the quarters of
the family,
the papa
and the
mom,
the quarter
of visits
and the
other of the
other of the
right and
that's just
pure enrajadit
so,
no,
you know,
it's a
house,
it's very
great,
but a
house not
moderna,
understand,
it's a
ranch.
I was
in the
last
quarter
on the
last time
on the
second,
if you
see this
in the
second
passio,
if we
put you,
we're to
the
the bathroom, the
kitchen,
and a patio
with flowers,
and the
side are the
other than the
quarters.
My
is to come.
It was like
the more
the way.
The more
way.
Because is
the visitas.
It was the
little of
the child.
It's very,
very normal
as all
the other
the children
to do the
United.
I'm
in that
in that
the
friend
Rodrigo
Negrette,
my
of Campi
Dragon.
Yes,
is this
I'm
did you?
Yes,
so,
okay,
so.
One,
a,
something,
no
I don't know.
So,
I'll
hear
and we'll
be able to
get a
question of
that's a
go to do
the court
because I'm
about the
pipy.
And,
but not me
to go
to go ahead.
The
daughter of the
house or
the
little bit
because there
also
there was
the
that the
day.
Uh,
for so
me did
know that
they're in
a
little
raster,
because they're
to
call the
the reses
and the
backas
and the
borrego
and the
barbaccoa.
Salgo
of the
court
there are two
pillars
for the part
central
that is what
the balcony
of the balcony
of the
so I'm
so I'm
desplaso
to the other
side to
walk
and get
directly
to get to
do
to
go
there's
no no
no
there
the light
the light
to the
light to do the
light
there's
there's
there's
there's
there's
there
there
there's
there
there's
there
there's
no
the light,
brother.
So,
you're in a
place with
light is
the light is
the light is
the way,
you're going to
see a
up to be able to
knowes and
you're going to
a lot of
stars, much,
the panorama.
At tientas,
it was so
that, okay,
okay, okay, okay,
okay,
okay, okay,
until that
I chocked with
something.
But I chocked
of a car.
De front
totally.
De front,
totally.
So,
so,
like,
so,
and I'm
doleo,
but it
not it was a duro way.
That's the problem.
Like a person
grand.
It was a guy.
Uh-huh.
And chocked
of front
and it was
like,
you know,
when you
talk you
know with a
person and
not with a
part of that.
You know,
you know,
the texture
of that's,
so I,
and sokeed
and so
I'm,
I'm spanteed
much,
and I
took it,
and I,
and I'm
bent to the
and I'm,
I'm,
I'm,
I'm,
pardon,
pardon,
and they
They're on the
light
of the
quarter of
in the
middle to
see who
and I'm
and I'm
and I'm
and I'm
I'm just
I'm
I'm just at
the middle
of the
patio
without
there's the
there's the
side and
the passio
that's
to do you
know
but you
talk to
you're
talking to
someone I'm
I'm
I think
I'm
one of the
things that's
when
we're
and,
and when
the light
in the
appagator,
I'm going to
the terror
that many
have been.
No,
no,
desafortunately,
more than I
did it,
but I'm
unfortunately,
no,
so I'm going to
do this.
I'm going to
that's,
how many,
how many?
About of 15,
two,
no,
no,
15,
I'm talking
to be
about two
years,
no,
wow.
So,
so,
it was so,
and when I
want to,
I mean,
I mean,
I mean,
the impact,
a impact,
a little,
a little,
you can't,
Why? Because
you
Because it's
concentrate
completely
So I
When I
I'm sorry
And it's
Like Ica
Pardon
And preender the
light
The middle
That's the
The room
That's the
The
The
The one of
The
And the
The partas
That's
The doortip
Refleja
It's
And I
And I'm
There
So I'm
So I'm
So I'm
So I'm
I'm
I'm
I'm
No, I'm going to
I'm going to
go to
go to
go to
know,
you know,
you know,
you know,
to go to
go to
my
room?
Maximum.
12 years
and other
time all
all over
over.
Look.
It's very
probable.
No.
So,
that here
there are
an inkylino?
Mm-hmm.
Yeah.
No.
It's very
probable that you
see.
Okay.
I'm the
really,
um,
as far
a series of
things,
that's the
fact I'm
that the
people that
work here,
the people who
come to the
night at the
normal, etc.
Like,
not so,
because I'm going to
be able to
it's a
pass, yeah,
it's a special
that I did
a special that you
did,
I mean,
two,
but savors
in Guantau
no,
in, in
Agalentas,
where was
incitated,
was,
was incited,
this,
that,
that,
that,
something,
something
something that's
manifesto
in a manner
very strong and
he did a
message very
very strong
that he
took
consequences
you know
I'm so
you know
that's like it
just before
before we're
saying that
a gardener
a gardener
said that
there was a
person here
and he
was a
carable to
and he
a day
he said
oh no manches
because
he'd have
service here
yeah
does service
again
then
is Pasa and
he said,
he said,
he was to
buy a
car and
his eyes
in the day
so,
p, p,
he desbancio
and he
gave much
a lot of
that's been
going to
be to serve
over the
stairs.
You know,
the people
that are the
people that
in front.
Yes,
you know,
a person.
Yes,
you know.
That's
that's rare,
batto.
I mean,
how,
how,
how,
not you,
how,
how,
how,
not so
it's going to
manifest to
that's,
I'm going to
a girl,
and a girl,
yeah,
yeah,
yeah,
you know,
you,
has a
person, way,
too,
too,
a, way,
was,
the people,
the agent,
operative,
me,
I,
me,
I,
took the time,
to talk,
with them,
I'm,
I'm,
and you
know,
I,
no,
I'm,
but here,
I'm,
I'm
doing very correct. You know, you know,
I'm very mal-abled, and a ton to-
talk about a lot of, right? Right.
Right. Right. I mean,
I said, man, for
favor, try to not
to say majaderies.
You know, you
always have been a person
mal-ablada.
I'm cutorreying
with them a little,
and I do
a little bit more,
very, very,
very, very, very
very, very
very, very
very, very, very
great, car.
You know,
I'm saying,
so, you know,
you know,
you know,
you know,
You know, you know, you know, that my
people
that my people
are very brava,
way.
Yeah, no, here are
very brava.
When you have
a place,
my man,
logically,
these,
these beings
that are
that are
talking about
15 meters,
no more,
20,
maximum,
is a
little,
and I'm
much,
I'm,
and I'm
a good,
and I
do you,
I'm sure
that
I'm
when you
is a place where
they're
a lot of
those
things, they're going to
know,
I don't know
in what you
in what moment
you said,
that's the
place perfect
for doing
transmissions of terror
to tell the
things of terror.
This is
the carolera
is a carous
but I
think the reality
is very
good,
I reviso
the
I have
we have
we have
And, of a
rebecca,
oh, yeah,
that's the
man,
and they're going,
and they're,
yeah, you know,
but a year,
to me,
me,
I said,
and I was,
and I,
in the kitchen.
I was,
I was,
where they were,
and they were
and they're
on the
table,
things like,
but a
time,
and I,
I don't,
I don't,
until the moment,
no,
I'm,
I'm,
I'm going,
I'm,
I'm,
I'm sure,
I'm sure,
I'm,
this,
this ser is,
is
they're
they're
they're
they're
not it's
not something
that's
like they're
they're
they're
they're
they're
they're
they're
they're
so I think
is a
inquilino
so
if they're
so they're
in this
house
if a person
comes
with a
intention
is
when more
they're
when you
you
you're
doing
the
opportunity
that he
have a family
another way
another way.
In that
place,
no way.
And you
you have to
say,
in this
place I'm
in this
person,
everyone,
be those
problems.
In this
this place,
nobody,
nobody
doesn't,
you know,
you're at this
time,
a family
with who
to be here,
people,
with who
don't know
to be
a,
man,
where you're
where you're
there's the
tigueras.
I'm
that's traigua.
Yeah,
so me
me's
chistosos
and I'm
oh,
What good on.
Imagineate that you
you're
doing a
moment
more of life
to do a
something that
he's not
something that
he has
anela
like you
know you
you're not
you're in
the penumbra
you're in
a rancon
only in
an
obscurity
total
and of
the
five minutes
that
you're
permitted
to
get to
that
it's
to
you
do
you
you
you
And, from
He, he
He's
He's
He's
He's
Because he
He knows
He knows
He's
Oh,
And then
You,
You've
You've
You're
You're
You're
And he's
You're
You're
He's gonna
You're
He's
He's
He's
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
Conted
Conti
They all separated in the
corner
in the
corner of my,
to do my
departmentes.
I have
report of the
policeia.
I have
reported to the
business
that were
how it
was the
top of the
departments,
some departments
of three
levels, we
were doing that
each department
me to be
two, four,
six,
more the
five, the
five,
the fieldes,
seven
meters of
altitude.
And he
was
parado
in the
point of
the
publiced
of the
plaza,
Cesao,
in the bare
square
there are the
apartment
no me
do a
pen to
say it's
the
those police
do you know
you're
you're in the
house
of the
that's
that's
always
but that
was a
the guard
the guardian
the
guardian
of the
department
now
now you
now you
now you
now you
now you're
now you
now you
you're
that's
a
that's
a
man you
that's
a
man
that's
something
yeah
it's
a
well
now
I don't receive
nothing.
I mean, that
they're
that they're
in best
to espantarles.
They're
spant them
more of us
compadre.
Because
what they
want they're
is
know that
me
you see,
that you
see,
that's
one more
that's
you're
you're not
the earth.
They're
saying that
they're not
they're
here.
Now
when they're
that they
have friends
that
they're
families,
You know, you're going to
I'm going to
a little.
For you
is something
that's a
brief,
a brief
story that's
that's pretty
that's great
about this.
We're very simple
to talk to you.
This story
is called
Juanito.
And who
he's anonym?
I don't know
I don't know
because
me made
these stories so
that are
creepys anonymous
creepy synonymous
okay
to let's
to
this story
I was
I've
I'm
doing the
factory
textile
that works
that works
now
like a
museum
a
year
one
one
a
famous
photographer
was to
take
testimony
of what
was
the
the
the
factory
after
after
he
percat
there
was
he was
he was
he
he was
what was
what was
what was
what was the
what was
what was the
function
that existed in
every one of those
quarters
that was in
a little
in those
times,
he saw the
little of
the little
was out of the
little was
the little
was still
the little
he was like
he was like
he was
to be able to
be able to
like
like
like
but with a
fear
in a
moment
the photographer
he's
he says
who is
who is
who is
hello
I'm
I'm
And what's
You're going?
You're going?
Or you're out of
You're out of the school?
No, I don't go to the
school
So what's doing
I'm doing?
How's that you're trying?
Yeah,
only that me
I escaped of the
Capataz?
Why?
Is that he's
He's very serious
Very aggressive
But,
but,
Ben, we're going to
Come,
We're going to
For the
For what
now is the museum of TEPIC.
And he
he's
what was his
work.
What is what
did in the
moment that
he did,
after a
time
he did the
time that he
had you
as a
kind of
to go to
return to
go to
and he's
he's,
and he's
he's got
because he
he's that, and
he no,
he never to
see,
he knew
that something
he had
been a
that was
that was
that he was
was
a man
was very timid
and with
much
a lot
because
his
his
major
fear
was
the
number
he's
he's
he's
he's
he's
referred
to
the
photographer
as
a person
a
very aggressive
a
person
with
with
the
photographer
he
went
to
to
the
people
the
the museum
pardon for the
museum
who
In the
In 1900,
the
the
the
the
he was
contracted
to work
in the
factory
but the
little
he was
a
jettas
he was
he made
to try
and he
he was
to call
in the
roble
in the
the
roble of
the
man
the
the capataz
man
to orca
a
little
and
rebat
the
the
roble
that is
front
the
museum
in
the
this moment.
He very
spantado
he said,
is that
that's incredible.
Well,
not so,
because we
have the
archive of
the museum.
So how
it's how
it's a
old old
a legend
false?
Exactly
where
is the
archive of
the museum
is a
period of
a market
where
they're
in the
story
that the
capataz
he roba
the
life
to
for
having
the
little
the
the
little
the
Per'd.
And he was to
Colgare.
And he was to
Colgare in the
Role of
I mean.
So, how
they're
you're
talking of
this
ser
that was in
a world
alternate
to us
the
the
little
and still
and
still
still
still
still
still
like
that
that
that same
that
that
That's the same moment, that's the same energy, to
feel that's going to be to scounder, because
you want to go ahead, to have
been playing, to be able to be
a photographer, but he's been
repeating that same sensation. And of what
we've been talking?
Oh, yeah, of the life of the mortars?
Of course, in this
case, I mean, it's lamentable, no, because it's a
but it's a little bit of a
a child, because they say that generally
no
there are
phantasmas
of the
because
no
they're in
this case
but in this case
it's not
like that's
not just like
it's not
not much
it's not
it's not
it's horrible
if they're
not there's
because
they're
them as
them are
they're
they're
they're
they're
they're
to get
to get
exactly
he's
he's
he's
he's
that for the
for the
photographer
with
what they're
saying
he's
that
was
something
he's
there
there
there's
very
what?
What?
No, I'm
I'm, you know,
you know,
so the,
really,
it's,
you know,
a lot of
that's
that's
that's
that's
that's,
like,
that's,
that's,
that's,
that's,
yeah,
so,
in the
really,
it's,
so,
I,
say,
train a band that,
you know,
you're,
you know,
you know,
you're,
you know,
you're
to be
in first
laboring,
not quadra.
In that
because it was another
thing.
Yeah,
logically.
Completely
different,
brother.
Oh, yeah,
to be to
tell a story.
Okay.
This is
called,
it's got to
the time,
and it's
of our
name,
to the
name of this
has been to
Kimberly,
Leone.
This has
has been
the name
and
apegid.
Fidate.
Fidate.
All,
all,
all,
all,
all,
going to
a series
of a series
success
that we
could
we're
to be
that,
or Kimberly
was getting more
more effort,
more aperture,
at the more of
the third
eye or something
or the
entity was taking
force to
make sure.
He said that
when I was
when they were
when they're
when they're
going to occur
this is very important,
you're going to
understand
after she
to her
not.
To him
be passed
the things
raras
was her
her brother
little.
Jugable
with
a amiga
imaginary.
Nobody
he
I thought that existier.
They thought
that was the
image
imaginary.
But Kimberly,
one day,
when her
little her
little she was
playing with
the
friend,
enter to the
room and
see for a
moment that
there's a
little to
her mother.
There's a
little
with a
person.
Physically
he was
physically,
he was
not more
there.
She kept
thinking in
this,
that if at
the
maybe
had been
his
imagination,
because the
her
hermanita
is
about
her
her
to see her. Sentia
that there was a
presentia
not a lot of her.
No, he had a much
importance at the
first, and then
then I felt like
a manita
he to talk about
his skin.
Volteable,
no, there
nothing.
Poco, this
entity,
was to be more
present, but
the night to
the morning
to make that
she,
she has to
appear to
see to
see to
her manita
the little.
Of a
the
man.
Yeah,
no,
I don't
have more
with the
amy the
imaginary.
As you
not were
justs
strange,
simply were
like those
little
anecdotes that
one of
going to be
going.
It's
going.
It's
perfectly
well, the
first time
the first
that was
the
first of
the
front of
the
space
in the
room,
normal,
he agache,
scupe the
pasta,
and when
he goes,
the
she immediately
she'll
and
she's a
so he's
so he's
to take
much more
emphasis in the
presence of this
little
she's now
to fixar
to make sure
to get
that a
sometimes
are really
like a
way it
or she
raner
then
then I
sawbors
to the
and the
and
also when
she was
cost to
to
sleep
she
observed
no
there's
no
I'm in
no
I'm
not there
I'm
that's
he's
a little
he
came
a moment
in that
this
even
even
even the
family
started
to
let's
hear
the
day
the mom
fiat
that
yesterday
I
went
I
went
to
I'm
going
to
do
something
I
to
get
up
up
it
of the
kitchen
I thought
that you
my
but there's
a
manned to
you know
that you
a man
that you
a little
he said
but
he said
your
little
her manita
but your
manita
that's not
in the
the piece of
the
kitchen
as
like someone
was
a
little
a little
a little
okay
so you
in the
the pizat
simon
simon
so
is
He said
She said she
He had in
a saxophone
Colgando
of the
Like a dorn
But it was a saxophone
Buter on a saxophone
Of course
Of those
You put your
Pets and you
Picas
The buttons
Oh,
Like the
Oh,
Yeah, exactly
And tant
T'A
Okay, okay
And a
Munecaca
Of these
That's that
I've
Gottee
Some Cachetones
A few
A bit
So-a
Sola
Asian a
Carta
Or something
Pee, pip,
I started
the saxophone.
So,
she said,
he went to
have a
time, and he
was a little
little,
a shortito,
and son-
a short-o-
a little,
a saxophone,
it's,
he,
and no,
he has
the batteries.
The normal.
So,
then he
he gets
that the
little,
and he's
the n'
and was the
cabbage-patch
front of
she,
he's
the n'
the baby, and,
the cabage-patch
patch
is a
move, of this
that you
you know
that's
you're
know that's
you're going to
you know
like the
thing we've
he moved
rare.
After this
she
can't
in the
night's
thinking
in that
she's the
that she
had seen
that she
saw
she was
she was
she
and when she
was
she was
she
kept in the
she was
thinking in
this
and at
the day
after
when she
was
the time
when she
had to
the
door and
out of
his
court,
there had
someone
had a
from the
from the
commedor
he had
put out of
the
and over the
chair,
they had
put the
mukeke
patch.
Okay.
Okay?
So,
so it
took the
time of
all this.
And the
Mona?
It was in
the
room.
In the
court?
And they
had to
move the
chair.
And moving the
same.
So,
that was a
question.
That's,
that's,
His papas
Saliered,
she went,
she went to
the manned
to the
house to
care of the
mother's
and then
in the
night,
after the
she's
she's
to doorms
to the
court
of the
father.
There
says
he said
he's
to have
a series
very
strange
and
and
they're
alarm
what
was what
was
what you
remember
exactly
what
but
what
is that
he
was
he could
start
he
to start.
It's repeat.
It's repeat.
And after
that I
went to get
a moment,
in that
bad
the bad
he had, it's,
to go to the comedore and in the
commedore, be a little
she's there
right at her. When she
does fear, he does
a little, and he does a
pass to the time. And in
that moment the little,
the little, came in
her rapidly to her.
When it
she's a face
to her, she has to
back and the little bit
but she's more
He's there the
little
She's
And then
He's
He's gotcharse
To put the
hands in the
soil and
He begins
to advance
Like if
was a
Araenne
That's
really
He did
much
Miety
He
He's
in his
Suo
and he
He's
and he
He's
he
was in the
corner
He's
was
Agitada
with
this
that
He can
He
And then,
he does
know that when
he wants
to get
to come
to calm
etc.
Yeah,
no
can't move
as
when you
see the
he's up.
And it's
there,
and it's
to be able
in the
corner of
the
camera,
it's
that's
that's
and he
and he
starts.
And he
in the
entry
to the
door
to the
little
to the
little
the
position
of
Position of attack.
Like a ravene.
She begins to
advance to her.
She's aterrata
trying to
move her while the
little bit.
But when
he gets the
side of the
camera,
she aghacha
more and more
to get to
get to
and get to
the back.
She is there
there's aterrata.
He's
said that the
heart was
going to
see her but
I know it
but I'm
just about
the back
of the
camera.
And of
And then,
it begins to
start
a man,
the man of
the
little of the
little
grisacea.
Sal
the back
and the
the baras
that she
had to
put down,
it's
to start
the
take and
the hala
like
shelling
like
to get
down
the
and obviously
when
does this
halone
she
she starts
because
not she
can
move
she's the
man fria
and
conform he
is going
and she
the
abe
she's
the
He says
all what
what happened
and he
they're doing
they're doing.
The man
really
espantated.
So the
mama
go for
the
water
and he
and he
and he
starts
to roce
her in
the
house
and he
says
that not
going to
happen
nothing
but
there
no
never
the
story
but
it
says
that
he says
he
he
doesn't
she
not
she
not
see the
a little,
I know
to
sleep
and
when
when of
a
dream
in a
place
in a
very
very
and I
feel to
this
sensation
to
start
in a
real
in a
moment
conscientient
vivid
and
he
he's
a
pass
and
let's
much
you
look
to
look
to
people
people
people,
children,
children,
adults,
men and
women,
who are
coming
with the
mirabed
with the
mind.
Around
of her,
they're
coming
and
they're
they're
in
his
sound because
she
a voice,
the
voice of
the
the
voice of the
the
person,
the
would
be
here
with me
she
she
in
her
moment,
Voltae
to the
Fountain
of the
sound of
the
sound of
the
and
it's
there
is a
part of
being
she
and he
and he
says
and if
I'm
he's
he
he
back
back
and
again
has
this
this
this
sensation
of
horrible
and
the
mom
no
that
that
that
that
phrase
then
they
they
they're
they
they
get
with
a
a lady, that
says,
we'll see,
we're going to
see
some
some
there.
He's
to learn
the
cards.
And he
says,
that
that's
that
wants
to get
let's
let's
let's
get to
a
place
in the
that
this is
atorated.
This
this
woman
probably
was
living
in
that
was
and
was
so
so
then
he's
trying
to
find
a
friend. First,
he
he was
he was
a man
a minor.
But when
you discover
to you,
he
interested as
you.
We have to
do you.
He said,
we have
to take
cards in
the
issue,
because
if not
we don't
talk
to do you
do
to do
that's
doing,
and you
going to
get in
coma.
So,
he gave
a series of
amuletos,
he said
he was
to work
to work
a distance
and he was
to make
that this
little
the light
and disappear
of the
house.
Resulta
that
that's a
good
time
where he
was sure
that he
was sure
that he
was going to
this is when
she was in the
secondary.
We know
this
story
because
he said
the
I mean,
a
last
time.
I was a
time.
I was
this
years,
literally,
but I
know,
I've
already
I've got
I've
a dream,
the
dream that
always
that's
always
that now
there was
a different.
The
people that
was there
was there
was there
I,
I can't
I'm
sure that
the same
people,
only that
not
they were
they were
detenied as statics,
looking to
the nada.
The
the little was there.
He was
a circle,
he was
a serendering,
and me
he said,
you're going to
be to be
going to
get all the
day,
like with
them.
The
little,
so onriending,
trying to
go back to
try to
her hand.
She
was
she meant to
see
and when
she was
very close
and she
he was
to take
to the
muke
he was
he took
and he
he took
and the
little
she
kept with
the hand
in the
when
she
she took
her
and
she
he
he
he
she
she
was
she
was
she
was
she
he
said
these
words
that
resuenes
in
the
day
of
you
is necessary
to
get you
in coma
Proto
you're
you're
so you
oh
so
that's
how is
it's a
good
that
story
yeah
so
I'm a
I
have a
see a
no no
no
no
no
I mean
a
I'm a
a
a
yeah
that's
a
that's
when
you're
when you
can't
when you
The Cerever
us
plays a
really
very pesed
and logically
and
in the
moment
of your
stardia
to you
have
to be
to be
to be
perfectly
that something
that
something
that is
when you
are
getting
caught
or perciating
or
pursuing
is something
that is
something
to what
you're
you're
taking
the
back to
let's
that's
that's
that someone
to
do you
of that you
don't
are responding
to
to do
to respondent
in this
case
I think
there's
that there
had to
put to put
attention
no
did you
did you
did you
did you
did you
case when
you said
when I said
for second
time I'm a
third time when I
don't you
don't be
so I'm
you
I've said
The Cerebre is a
Amecineria perfect
Perfecta
That's not
More fear
Because the Cerebrough
You can't
When your
Your body
Yeah, you know,
You chinded, you know
Good, whew,
Oh,
Goodsima
Carnal
Cachorrito
Of Azul Robles
I'm
It's a history
I
Encanted the history
This story
me la
My Abuela
Dicae
That in those
years
He was used to exhumed
the muscles
for those days
festivos.
Two of the
October,
two of November
and to exhumed
and start
one night
with them.
Is serious?
For what?
To take what
they liked?
To eat what
they'd?
And take
that day
to festeark
with him.
This is
he did
do to do
in Mexico
before
many years.
A-o-o-o-o-o-o-o-
-o-o-o-o-to-o-a-a-a-a-a-a-a-a-estivity
in one of the pantheon
most of the pantheon of Miskitt
the point is adorned
in a manner
precious, impressive
and of the
which takes a video
a coco.
Unfortunately,
many people
who exhumed those
bodies never
got to his
to feret
one more.
After many
years,
they're still
with the
festivity.
And the
two
were to see
to their
to their
that's
not are here
in the
world.
But in
He found a little craneo.
He said,
Why are you alone,
you're going to invite to my
boda?
His wife
her wife, her
said, the
that's her
wife, he says,
"'For
favor,
and not you
don't you
don't even
and you're
too,
you're all-vibras?
We'll do
in my life,
we've given
in my boda,
Cachorritory.
I'll
to leave the
cranium.
It was a
cranium.
He'll
pass the time
and
he gets
the fermosos
day of
the
boda.
And the
He's percata that from the auspicying the
from the boda,
there's a person who nobody is
a kidduring.
A man who is after the noviour in all the moment.
He still seeing seeing
seeing a this little
playing for the, this
church, and this
same little man, he's
in his wedding.
They've already had already what had
passed. That was
a year's
years of
and the
moment that
he's
he's done
of this
man he
he's
he's
to ask
the classic
that he
did his
famous
to my
he
of who
you're
with who
who are
your parents
who are
what who
are my
papas
how
who
who are
who
you're
you
you
me invite
you
you
to
you're
to
you
I'm
you
I'm
I'm
I'm
I'm
I'm
my
The man was very, very nervous.
And he said,
"'For favor, be here.
"'For favor, bet you to here?'
"'The boy, he said,
"'Triste.'
"'He said, okay.
"'Dice, but I'm sure
"'that we're going to
"'to see.
"'And the young's
"'pasar some years.
"'And this story is very
"'reasible,
"'and you're going to be
"'and you're going to scalubriot
"'he'll be,
"'he receives the best
"'that's the most
"'that's a good news
"'that's a man in the life.
"'Bast her,
to be a father. Logically,
the light enters in the
house, the felicity is at a point,
or so, I think it's a point of turron,
va.
Lge the
beautiful day, nace his baby,
nace a man, a baron,
the, the
end of the
end of the moment,
the arrival of that
baby was happy.
At past the years,
the new was
a beautiful,
and content.
His first
word of this
little was the
Cachorrito and he
he was going to
No
all past
of the years
the little
he went to
he went
he went
and he
he no
he didn't
to hear
the word of
Cachorrito
to me
the story
does
no manches
fantastic
her mano
fantastic
she
just
he presented
one more
then then
then
then
then
and then
he was
in the
boda
and then
when
he
present to
to
talk,
to talk
and say
the first
word that
the little
little
the little
he's
he's
and that
he's
borrulled the
what you
do you
what they
do you get them
the
the
the
the
the
personal
they're
in the
white
here
yeah
that's
where you
know
where you
don't
you
don't
they're
they're
they're
those
those
where you
stood
the
belo of Isis.
When you
quitted
the
time you
a little
that the little
he said
a chachorrito
and at
the past
of the years
the time
no, I'm
a doubt
yeah?
Well,
first that
I don't
have a
pardon because
I think
I think
I'm a
realtoria but the
fact of the
religious
so then
so I don't
that's right
that's
yeah
the second
well the
question
so
he lo
he knew
but I suppose that more
people
he was not
he said,
he doesn't
that's
that he
but for he
was there
was there
for him
he was
he was up
the old
from the
postpice of the
because he
waspiceing
the body
he did
know that
he was
he was
in all
moment
like if
just
like a
like a
like hecett
like a
just he
he did
count that
that the
he knew
that he
he called
the
he said
I don't know
I know
I know.
What is your
pap?
And maintain
this
chomacko.
Exactly.
Exactly.
Maintain
keep to this
wherkito
that is madroso.
A
see,
a bit,
my son,
with who
came,
who are your
father?
Who's,
who's,
who,
this chame
to the
chameco
of the
tos?
Very good
story.
A grand
surprise
that you
did,
you me
invited
you,
I'm
Cachorrito.
You know what can
pass in your
Cerebron?
Every time
that one
you say,
how's your
cachorro?
No,
you know,
you know,
you know,
you know,
you know,
you're going to
tell you
a story,
let me,
this next
story,
it's called
Voces
of the
Masayah
and we
send our
Mouserer
Alexandro.
Voces
of Masel
That's,
there's,
there's,
there's,
there's,
there's,
there's a
there
a
A video.
Okay, okay, okay.
There's
Fugate.
Uriel
knows
he has
he's
two years
in this
moment, but
it occurred
to a series
of events
between the
eight and
the 10
years.
He's
he can't
see that's
he can't
see a
point,
evidently
that the rest
of the
people,
not.
But these
things,
when he
was a
little,
he
did a
kind of
that is
something of
the
day-a-day
and it's like
something
until that
it's when
when he's
when he's
is when
the people
commonly not
do they're
their parents
are they're
and they're
they're
they're
they're
they're
they're
they're like
so they're
so they're
so he
generally
generally he
was in the
house of
his mother
that was
the house
of her
but also
also to
visit
with his
father
that was
in the
The house of his
abelos
paternors.
Okay.
She was the
living in the
house of the
abelites.
And of a
time,
because
also,
the house
of the
tia,
etc.
He was
a day,
when he was
a little,
he was
there was
there was
and he
was not
just,
just,
just,
while he
was going to
be back
back to be
to be
the
feet, and
there was
the water
that he
had made
a charkito
of the
that
was
going to
the
way
he said,
and it
was
that it
a little that
had
asomated
asomated
like
by the
courtina
but he
he was
he was
a little
he did
he's not
he's like
kind of
like that
he was
another
little
in the
same
he's
he's
he's
he's
he's
he's
he's
to be
to
he
put a
put
the
carthine
and when
he
when he
actually
there's
a
little
a
so it's
he's
no
no
he
He's, the
He was there.
The young was there.
He was,
he was,
he was,
he said,
he said,
no, no,
they were,
like,
they were,
like,
and the
sonreured,
and the
he was,
he was coming
because he was
also,
because there's
a little,
no,
that's been,
so oneriener,
so they're,
so they're,
and that was
the first
that was the
first time
to do a,
yeah,
he,
he,
he was done,
so,
okay,
so,
okay.
After this, he's
to start
to make
to make
that he's
that's
that's
that's
that he's
clearly,
as we're
not that
not it
not that
he meant
that they
emanated
a energy
and each
one of
each other
has a
energy
different.
Yes,
that
that was the
other
day he
did he
did he
and he
he was
he came
he was
he
he said,
and he
you know,
and this
man
he said
me
and he
he told
that he
had much
time
that he
was there
and he
was like
his friend
that he
was
but he
knew he
was
he was
he was
he was
he's
he's
he's
he's
he
when he
in the
house of
his
his
he was
he was
he was
he was
just
the
only
the
only
he's
he
a
bit
a
where he
he
is there
there's
then he
he's
he's
there's
a little
there
a little
a little
more than he
and is
like
he's there
in silence
in the
in the
dark
so he's
he's
he's
he
he's
he's
but he
he's
he's
he's
okay I
I'm
okay I'm
I'm
okay
I'm Uriel
And you, how
you call you
You're,
Hello, Jose.
Hello, Jose.
You're
well?
No.
I'm
I'm
I'm
I'm sure.
See?
No say.
No,
it's not
Yeah,
yeah,
what's the
What's?
And this
he's
He does
He does
He's
He's like
He's like
He's,
He's
He says,
is that one day
my mom
was
my mom's
when I was
when I was
I was
I was
because
no he did
know
my mom
and he
he left
my
I'm
intoxicated
I'm
intoxicated
and I
and I
he said
look
if you
you're
you're
you're
you can't
you
can't
to rest.
And Jose
simply
he kept
being.
He gave a
world and
he went.
Jose.
No, no,
Uriel.
Uriel.
Oh, Uriel.
Well,
Well,
Well,
he said that
another occasion,
ah.
When he
went to
the
abelos,
he's,
the abelos
paternors.
Okay,
I'd
have had
had been
in the two
casas.
And more
those are
significant
The two
two, the
two,
the two,
the two
two,
that was
in
peace and
harmony,
that's
the
was the
bliando,
Louisito,
And Jose.
And Jose, the
that was
molest for
having
his,
his life
and his life
with his
life,
for the gas.
Okay.
He's
to the
father of the
father and
his father's
but I mean,
the mom and the
mom went to
he was to
he was going to
and it's
a time.
And it's
they're a
little,
he's got to
him, he
didn't know,
so normal
when of
that night,
that night
I hear a
He's a little bit.
So he
He'll have
the eyes
and he
a lot of
the camera
that he
a little
but this is
totally
different and
he's not
clearly that
this
is distinct
to the other
two.
This
new has
put a
capucha
like
trying
of that
not
he's
not
his
face
his
eyes
are
rogous
like the
fire
like
a braza
there
And this
And this
He's
He's
With a
Pellot
Vientol
He said
He said
Immediately he
He gave
Like,
like,
So,
this
This is he
was there
being
So,
well,
he
gets in
silence
like to
see
to be
to be
so.
And then
the
Mama
and
he
doormete
well
he's
he
he's
he
he's
a
morning
the
mom
he
he said
he said
did he
did a
what
and he
said
see a
he
he's
and he
he said
look
I
I've
I've
seen
that
he's
he said
his
mom
there
in
the
father of
the
father
but
I
never
I don't care I said to
nobody,
because
me
can't be
a little,
not you
know,
he's
to get to
he's
he's
when he
he's
only in the
house
of the
father of
the
father,
he's
going,
in a
room,
in a
room,
in the
mere
skin in the
part
most
obscure,
there was
that he
was a
little
and he
he
he
he
he
let,
we,
we,
we,
we're
to
to play. And he gave me a
spina. And he said, no.
If you're
with me, I'll pressue my pelota.
No.
Ben, you
with me? No.
I have to be in the
obscurity.
Ben.
He got the
and he went.
As he was
very small, the mom
said,
I don't know
to deal with these
things, with what
he's living my
and he was
and he was
a little.
He had a
A friend that he had commented in many occasions that,
that from the capacity to see a
person transcended, of all the type.
So, yeah, he commented about his son and he
says, to be, let me, let's talk to him, to see,
this woman is called Anna.
So, then, he gets, he sits with him, with Uriel
of the child, and he says, What is what
what happens?
Well, he begins to tell her, he begins to tell him of his
friend, Luis,
the who
live in
his
house,
he
he says,
he
says,
the other
little
little
he's
how he
has,
he's
the
little bit,
he's
and he's
me, I'm
to start
to explain the
situation.
Luis and
Jose
were some
those
like you
but
that
were
that
they're
and
for
some
they
got there
and
the
capuchia
that
has
the
eyes
Rojoos,
no
you
know.
That's
not a
little.
That's
another
thing.
What you
normally
say,
that the
people are
that the
suns,
in the
suns,
in the
suns,
no,
and apart
of that,
in the
, in the
other,
in the
he said,
he said,
he said,
he said,
that
that's
I'm sitting
that
demonio,
that's a
man,
he's
is a
you,
because he
he's
something you
want to
you're
he's
he's
he's,
but
no we
want to
let's
need to
his
his first
compit
to his
his
his
his
he said,
he
he said,
he's
we're
going to
do
that we
trycented.
Okay,
okay.
So,
Then then they prepare,
he says that the mom,
he's not,
he's not really
but he's
little bit,
but there's a bellas,
water,
things like.
So,
yeah,
you know,
is all right.
Uh-huh.
There's two
forms of
to nacear.
Okay.
How are you?
No.
I don't see?
Okay.
Tienes.
Ah.
Cessaria and natural, no?
Oh, no.
But you can
be nace
also,
you can't be
in the water?
So,
you can't
try them in the water?
And no, and no, and it will pass nothing.
They say that's the water, because it's a, um, uh, uh, conduct.
It's the conduct of the life and the murder.
That's in the water.
You're in that same, you're doing it.
Uh-huh.
And in that same, you can't do that life.
As far as.
Is the conductor more precise for doing things,
to call things.
To get it transcending.
And for that's the sun, Simon.
They're saying that the light and the water are the things that transcend the
series.
Well, she says, I mean, he says, that this chick,
chica, Anna,
put there the
things and,
and of
he says,
is here
this,
is here,
Louis?
Yes?
Where is?
And he
says,
is here
at the
side of me?
No,
but
we're going
to start.
She's
to
learn to
do a
other
things
that he,
the
the truth is that
is that
in that
moment
I don't
understand
what
was doing
but
of a
but of
the
right
he said
he said
I'm
careful,
take care
with what
going to
do that
and he
said
he saw
how
if the
reality
that
apart
and generate
two
two
weco
one
above
and
one above
and
the
way
said
that
they said
that
some
hands
black
and it
and it's
it was
like what was
right
to the
front,
like the
and the
right,
and the
of the
above, and
from the
down, it's
that's
like,
he's,
he saw,
he said
that the
fact,
so,
this is that
this is
too,
these
two
two
two
ague
that's
present
here in
the
cell,
obscure,
rarer,
And, of
And of a
He was
He was super
strange
His friend
He was
He was sent out
He was
He was in
He came,
he was
He went to
The way
that was
Right,
the hands
He gotier
He got
He was,
He was,
that
That was in the
reality
And he
He was
He was
And he
He said
He said,
He said,
And he
He's
He said
thinking, if those are our two options, we're
in problems.
Then, he was passing the time and he
saw that conforms past those years,
this situation of ver those
so clearly, disminuia.
But, he learned many things.
Now, he is in that age, like Anna,
where no can't see those,
but can't send them and listeners,
and listen to them.
can even
from
his point
to
help
them to
even to
even
when he
like
when
was a
little
but there's
a detail
very interesting.
The
of the
the
the
the
and he
he went
to
this,
he said
Anna
that
he
he's
he
was
he
he was
this
and the second
this
he's
he's
he's
he
he's
he
now that is an adult,
he's a little,
he's still.
A-beer.
Jose,
not was a
little
that was simply
there in
his aunt.
Jose,
was his
prime.
And the
woman that
was his
was his
tia.
It was
his tian.
The things
that I've
experimented
were reales.
Okay.
I'm
really
too,
what you
what you
did you,
what you
did you
did you
that portal
I don't see
that's rare
like a portal
that's
we're
we're
we're
we're
we're
to say
that's the
sky
and is where
are the
angels
so
what we
romantic
they're romantic
they're
because if
we're
we've
we've
we're
the
angel
more
powerful
no
is tam
no has
ails
and he
goes in
a
cabo
and
I'm
a
spada,
any of
ped,
eh?
There are
archangels,
kerubines,
this,
I don't
know,
what's
the other
but the
most
powerful that
in the
Bible is
this being
this being
many eyes
that's
a circle
great,
is an
an o'clock
is an
eye-th
and he
has an
and it's
something
very
very
very
very
very
very
this, this
portal
that was
abirted
we're
about
we're
a little
a light
like a
like a
like
like the
like the
and they're
those
those
those
and the
and the
and the
back
they were
those
black
some
lines
that
they're
to get
to
they're
in a
little
in a
little
so
there's
one
was
they're
in the
black
and
and the
other
was
dark
and
they're
like some
lines
black,
obscurity
total.
For that
he said he
I don't know
where was my
friend and
never was
but if
those two
are our
options at
we're
we're in
problems.
You
think I don't
see if that
also I've
talked about
you.
You think
that God
did to
the
diablo
that's
that castigo?
No
God
did the
job
to do the
person
that
he's
that
the
A job more difficult, eh?
Well,
you know,
you know,
you know,
that's the
whole,
he has a
capacity to
see this
things.
But,
but,
he was a
little bit
to know,
I don't,
I didn't
what he
was being.
The
paradox of that
and it was,
exactly,
and it was
to,
he was,
to be it,
because he
were two
portals,
and at
final,
Luis,
he's
the right,
he's,
he's,
Okay.
I mean, I mean, but also, I mean, I
also made sense that the other
ser, is he's all right?
Okay.
So, you know?
As, as we're passing,
we're going to,
changing of age,
we're thinking of many things.
We're many,
many examples,
Toy Story.
Peliculas
that's so,
that's like,
how we're changing.
Toy Story is an example
very basic of how
the little
is
growing.
Go,
he goes
with his
toys,
then he
he'll
and the
last one
he'll
say,
this
what is
our
case,
we're going
to be
in transformation
and
in
the
growth
we're
we're
not
we
don't
not
different.
Because
he's
the
of the
one
if he
could
be
there's
and
because
she
not
not
not
but
they
can
change
you
can
you?
When
when a
when a
many
of them
can
to play
with certain
new
and they're
this
this muke
is my
good
he was
my
good
man he
Juanito
or
Pedrito
or Pablito
will be
my
good
with the
I'm going
to
play
all the
life
and I
go to
start
to pass
my
energy
to
this
ser
in the
when
the
moments
in
some
moments,
you're going to
you're
talking with
you're
saying he's
saying he's
sorry,
he's
yes,
yes,
answer,
and you're
going to
and you
you're going
and you're
and you're
going to
and you
first you
got to
you're
in a
moment
then you
then you
a repis
and the
past of
the years
you
you'll
have
to know
to
know
he's
he
moved
and of
this
where these
where these
these
are not
they're
and are
the
love
that they're
they're
to be
a this type
of seres
they're
they're
they're
so
are
not things
it's
what
they
they're
they're
he's
he's
he's
he's
so
that's
that's
that
that's
that
that
that you
could
do you
could make
to make
to make
to see
but as
it was
pum
pump pump
pump
pum
pum
plum
plum
and I
just
just something
because it's
something
you can't
you
and you
do it
you know
but I
do it
because
the LECD
that's
you
can be
you
can't
not
just
you know
you
not
you
know
you
like this
faculty,
not,
to
to be able to
trycending.
For you
to trycending.
Because it's
difficult.
Ayer,
so that's
so that
so that's
accompanied by
one of
your
chos to
a,
a,
a,
a,
an exploration.
In
some moment,
he said,
keepence
here,
den me
chance
to,
to be
to be
to
the
light of the
I'm in the dark.
I want to
doces and
me want to
go to
go to
all,
to the
dark
and of the
whole and
I'm
to get to
these people
that are
there and
I'm
I'm
contact
I'm
only,
I'm
contact
I'm
I'm
back
to be
back
to
I'm
I'm
I'm
I'm
they're
I'm
I'm
I'm
I'll reverse.
My reverse?
A third
ageno to your
people
me says,
here you
found you
said,
that's the
he said,
who's the
I'm saying
that I'm
many
many miles
much more
a lot of
so,
so,
they didn't even
you're saying,
who were,
who was,
who's talking,
who's,
who's,
I said,
because?
I said,
you,
you know,
because,
you said,
there's,
that,
I mean
someone
more
only
I'm in the
and the
transmission
I'm talking
I'm in
contact, I'm
contact
when I
came to
this
he said,
here you
got to
there's
there
had someone
there's
there's
talking
and he
did I
don't
I'm
only
I'm
that's
that I
I
know
I
I
but I
but
no
I
didn't
do
that
capacity, no?
That's
changing.
I went to
do you
know, and it's
a good
that's the
I'm doing,
I'm going to
say, if there
is someone
here, if
I'm going
someone.
No,
I'm going to
do the
light,
and I'm
going to be
back and I
go to
light.
Me reversa
completely
without light.
But I
did that
contact and
you're here.
It's when
that he's
when he was,
no,
no,
no,
not your
a
person,
the
person,
the
He said, there's been
someone else,
he said,
because I was with
you,
he said,
with him
he's,
he's,
he's,
he's,
he's a
this story
is called
Guahuita.
Aw.
It has
name,
but she
she
prefer
the arno and
he's a
animato.
This
comes,
after the
fallacement
of my
abuel and
the
letter
of the
testament
after
the funeral.
Puf.
He was
always a
man
a
man
for what with a
with a lot of
me and my mother, for
my mother, for hereto, and my
hernihers, we're going to be the
people of a party of 40 years.
That's a lot of
present it
He presented as a
novio
He said
She said
She said
She said
They said
They said
Aweller,
Date
Counte
that this
person
only
want to
get your
money
Yeah
The
Belae
embeleased
for this
person
She
Negue
and
Pied
the opportunity
that
stood
a time
in the
house
9 months
he was
living
this
person
and
The
Codas
started
to
And
and
said
And
they
they
metion
They took
They're
They said
They said
They're talking
They're
They're
They're still
They're
They're going
And they're
They're from the
He said that
When she's
He said
He found
They're doing
They're
They're
There's a
There's a
This house
There's a
This chient
Corretteando
the ladrons
in what she
is being
what is what
is what
is going to
the action
of the
moment
she does
there are
there
there's a
person
there's
a person
in a person
that's
they say
they're
they're
they're going
they're
they're
they're
she starts
and a
surprise
and a
surprise
behind the
there's
a person
that's
a guahuita
Tranquila, I'm
Guawita in Quechua
Signific
A-niya
I'm
Tu Taita
Pallara in Quechia
For abuel
And he says
No is
true
My abuel
My Abolio
T'uita
I'm Taita
I'm just
I'm to take them to
take them
a notice
for
favor
listen
me
the
the
has tried
a
enemy
and he
want to
have
much
care
the
enemy
the enemy
is
the enemy
when she
will
go
and
tait
yeah
not
taita
disappears
she
she
she
she
he says
her
family
without
the
woman
the
the
thing
that
had
to
after
after
after
of the
of the rob.
In contra Taita.
You're gonna say,
me
I said that the enemy
is in case and that
we're much
good care.
That we need to
look at
because
there's risk
and that
the abuela is
in danger,
that the
things are in
a good,
I was sure
I was
I was my
my abuelo
me said
he said
guahuita
as he said.
are
some words
Quechus
they put
all as
like
to be
to be
that if,
in
really,
never had
never had
ever
of the
years,
never had
robbed
that sands
that's
rare that
a person
to get a
person a
family of
40 years.
And they're
much more
more,
I don't
think the
40,
because I'm
the 40.
And then
they're not.
And then,
and
if it
and it
is,
and it
is a
person, the
spirit of
the
father to
say they
have
there's
there.
The
my abuela, was
bad,
yeah,
was,
logically,
for the stress
that was
going to
get to be
and the
thing you know,
he said,
he's
a little
care, the
friend,
he wants
in the
person,
that was to
find a person
that would
be a
reference to
the damage
that's
doing.
I've
encountered
nothing
near
the,
the
Asienda, but it's rare.
He said that in the patio
they've got to
something.
He had a sienna
a lot of a patio, a
and of a loto,
an space
in the past, in the gram,
as you want to say,
that no, it's not
no, it's not a rarro, because here no
we don't have any a pillar, no
we don't have any a fount of water,
because this is like,
that was
that was
the
area
in the siena
in the
but the
but the
way of the
lot of the
people
they were
to get to
see what
there was
there
and effectively
they were
a cubeta
of yerro
there
had a cubeta
of yor
with a
black
they were
they're
they're
very
very strong
they're
thinking that
was a
a
a
personer
that was
unfortunately
no it
was
It was a
A guyna
With X
things
This is the history
So
Spantarone
They were
For a
A brouca
A spiritista
For that
He could help
With what he was
When this
person
To the as
The Sienda
The first
Is in a
Circulo of Sal
And put
the cubeta
to center
A chero
A Chorrode
Alcohol
And it
he did
go to
go to
get
to the
head
to the
people are
to start
they're
but
grits
but they're
very
roncos
like that
someone
was that
was gritting
the
head
to the
head
to the
guy
to the
moment
that
they're
they're
they're
they're
they're
saying that
the
back
the
got
the
got
he was
he's
he's
he
he was
that
grito of
like a
human
and a
woman
completely
achicharra
and doubled.
The person
that's
in this
moment
to the
spiritism
or the
religion
retiro
and he
he was
to do
a
enterro.
It was
he
did for
his
side.
It was
finiqued
the
trato and
he
was
at the
three
months
the
while
was
taking
decisions
very
tach
until
the moment
on
the
not
the
notices
that
they
want
to listen.
For
fin
he
went,
me
separate
to him.
The
abuela
also
had
encountered
things
that
this person
was
doing
to
that she
to
get to
this
thing
that
a
an
an
man
that
he
made
to
that
they
had
because
the
enemy
was
in
the
I'm
okay
it's
very
little
and
apart
it
comes
it
Peru, no, that's, it's all right-sim, it's a padrissom.
Yeah.
And it's, there's, there's a little...
No, me.
I'm going to cagher up, huh?
Yeah.
Okay, go, go, go, go, let.
If she's...
If it's a...
Is it a...
Is it a much?
...it's a much.
I've been told them very good stories.
A me, the cachorrito.
Ah, it's a bader-sim.
The story.
Oh, padrissive.
The of the children?
Yeah, the, the, the, the, the, the, the, the, the, the, the, the,
Incorporate, no, no, no, the dorida.
Incorporate a demon,
a man who has
a fallecid, and a
family.
If we're going to
get to that,
if you're going to
bring the balls
to change that
that's,
let's,
this story
is anonymous.
And that's
going to say much.
Fience.
The story
is called
Culp.
He says that
his papa,
the person
that
this story
us narrs
the story
that
experimented
his father
of the
world of
the world of
his
father is
trailero
and
recor
the
carterteras
there
are
there
pre-establish
that they
know
but
they're
that's
the
long
the
part of
the
the
spinoes
the
the
diablo
the
rumoros
the
colomium
montes
the
Arco North, the City of Mexico, O'Alajara.
This story
occurs passing
to the casetta
of Arriaga.
It's there.
In my
state?
No, in Chiapas.
Ah, okay.
In Chiapas.
He's...
That night,
he was in
that carreterer
that has
transited
N.
quantity of
a lot of
and of a
because he does
count of
that
there's
two
women
in the
carretter
by the
time,
then he
is he
he's
detient,
first
for
to be
just
just
these
people,
that's
that's
something,
you know,
so it
and then
he
and he
and he
he's
going,
and he
said,
we're
going to
we're
to be
to be
just,
only are
just
two?
Yes,
so
suvense.
This is
a
a road
dangerous and
I go in that
direction,
no's
so they're
so they're
so they're
so they're
then
then this man's, the
but
you know,
that's a
sort of
like that
something
like that
something,
no,
that's
bad,
I'm going to
see a
look at
these women,
and she
does a
one of these
is a
and is being
the pancita
and he
says,
my baby,
my baby
my baby
so,
so he
so he
then he,
so he,
he,
he's,
obviously,
he's,
obviously
if she's
if she's
emarresada
I'm sure
I'm
so he
says you
know I'm
I'm
have a space
atas
if you
want to
pass to the
part of
a back
that's like
a
and there
and there
you can
be much
more
more
more than
and he
accept
they
they're
they're
they're
they're
they're
they
these
women
and
this woman
and
the other
back
he
continue to
their
trajectory.
Abansan
a
time,
like a
two hours
and a
half,
a lot of
those two
hours,
that still
they're
two hours
and a
time,
but they're
to get
to the
time,
one of these
women, the
major,
the who is
the
is a
and he
said,
oh yeah,
here
there's
there
there
we're
a little
a momentitit
to come,
to be to be
a little
and then
continue.
The fact is
that no
has to
get to
but he's
that the
woman
is coming
and he
my baby
and he
and he says
well
it's right
I'm going to
be a
back.
There's
a restaurant
they're
they're
to the
women
enter in this
restaurant
and
and from
that's
that sensation
that's
it's
but now
it's
even
even the
there
there
in the restaurant, but
are like,
too, others are
molest, they're
in silence and
they're in silence and they're
going to
and he's
and he's
that all the
eyes are
to him.
Uh-huh.
So,
he's sitting in a
mecero
and he
says,
uh,
I only
try me a
coffee
black.
Okay.
This man
he,
he,
he,
he,
he,
a look at a
very
pesable
on him.
So,
he'll
and be that
in the barra
of the
kitchen,
there's a
man
there who's
not a
working,
not he's
not doing,
he's
just being
looking to
with much
audio.
Okay.
He,
he's been
this,
he does
like very
rare,
he's
to get
very
very incoo
and the
other
woman
still
with,
my
baby,
my baby,
and
He says,
I don't
to sit in
so on the
I'm going to
not I'm going to
I'm going to
see what I'm
not so I'm
not so much
not it's not
it's a
good and he says
to the
two women
ohyad
you know
I don't
want to get
here here
let me
let mehijia
but let meh
let meh
in this moment
no no no
we have to
we're going to
come and
you're trying
to trygant
to say
the senior
major
he said no
no
I'm
so
I'm
I have to go to go
I have a route
to cover you.
If not
they're going
with me
in this
moment,
to you're
okay?
Okay.
Well,
he gotro,
he's
he's got to
a carmion,
to the trailer,
and he
went.
He went
to the
final of your
recorried
and yet
at the
final of
other trailers,
that are
there are
there that's
there that
they're
to be
It just
has
to
And what's the
thing?
And he was going to
this place
and he said,
well,
it was a
carretary,
right?
Yes,
it's normal.
How?
Yes,
exactly
after two
years?
In these
feches,
in these
two years,
there was
a woman
that was
embarrassed
and was
with her
wife.
This woman
was going
to feel
bad,
they were very
poor and
they needed
to get to
his husband
that's a
work in
a restaurant
for that
they continue
their
to come in
hospital.
Salen
to the
carterer
to
to ask
to
venton
but
not they
were
because it's
very
so
and a
trailer
he
was
he was
the
The man in the restaurant
he, he
he went to
do to do
his job
and he
went rapidly
for to
see her
his wife
her
baby were
well,
but
lamentably
all they
had fallen.
This
man,
the
the trestesse
it,
he's a
job,
and the
fact is that
nobody
was there
that's
the restaurant
you could
say that
only was
only was
surviving
for this
person
that was the
that was the
when it
when it's
the restaurant
quibra
and the
restaurant
yeah
no exist
only there are
the cascajos
of that
was a
okay it was a
cachimba
that was
he was
he when
he's
he thinks
that his
company
he's
he's talking
he's
but if I
just I'm
there
there's
there
no that
that restaurant
yeah
no
that's
he's
he goes to
the trailer and
he
of
regress.
This is a
detail
very important
because
no
can't simply
take it,
he's,
he's,
he's,
he's,
he's
going to
the trailer,
he's
detient in
the restaurant,
it's
a back,
and in
effect,
the restaurant
is a
backio,
only
only there
was what
in some
moment was
a restaurant.
Okay, the
structure
is totally
also,
no,
he can't
believe,
he,
he can't
be
there,
He regress
He goes
Now,
so he
He's up
to your
trailer,
he does
the
back to
return to
return to
his
final,
newingly.
He's
he goes
very
very astus
recording
these
things,
recording these
things,
when,
of a
repent,
he's
that's
a person,
like the
part of
his
carer,
and he
he says,
I'm
my baby,
my baby,
the
Susso,
pierde the
control,
go in a
backada,
he's
a trainer,
no
can't
control the trailer,
he's
come,
it's
strained.
No
falle.
Evidently
because
us tell the
story,
he's
his child,
no
fall yes.
But if
he has
a
great bad
very
grave.
Who
who's
who makes
the history
that
prefer
to
remain
in the
unimato
is the
child
when
he says
that his
father
in the
hospital
very
grave, immediately
he gets,
he,
he,
he's more
stable,
but
he's
he's
he's
he's
he's
what he
has,
you have
to say
something?
Because if
I don't
feel
that the
fault
me will
invade
for
always.
H.
Has
two years
I
got to
that
carterter
and
I sent
how
impact
with
something
I've two years
Mintyndom
Keregaring me
To make
I'm saying
That's what I'm
Anxed
When I came to
My destiny
Final
And I
The same
And I
Lave
And never
I never said
I
I'm at those
People
No
No
No
No
No
No
How is
Wow
Wow
I
I
I
I
I was
super heavy
Uff
For that's
Rearce
He said
Oh, it's over
It can't be
Oh,
it'ser
Well,
but it's
I'm talking to
Serrard
This
And
And,
And,
And,
And,
You,
You're
To get
To be
To
To
To
I'm
Yeah,
Yeah,
It's
Yeah,
Maka,
Muck,
I'm
I'm
I'm
I'm
Yeah,
I
To be
The story that
The story that
The last
I
called
Sonrisa
I don't
know
why me
took
for one
just one
person
who is
an
anonymous
okay
and it's
rare
but
well
one
one
a
one
was
yeah
was
like
the
introvertia
of
the
salon
the
right
the
the
new
the
dark
that
not
not
the
rumored, no, no, no, the
no, the new, the new
is a cures.
Yeah, they're
two friends,
to the other people,
to the
, well,
we're going to
a party in my
house,
to celebrate
that we're going to
go to do that.
The people
say, well,
we're going to
go to go to
get a
to a person,
and they say,
no,
is that I'm
going to be
a new
a fiesta in
my house.
And they
were very
committed,
because,
before this
had been
had been
Even a more even,
I had
a
mother.
Uff.
Povercito.
The question
was that
the
people were
that the
everything
what had
had been
the
of her
love you,
the relation
that had
had to
the
fallacement
and the
suffering
that
had
her
for all
the time.
He said
I
was
I'm
with her.
In
the
the
family,
we're
let's
let
Alo and his
Amiga
Lourdes
because
he's
completely
without
his name
he says
Lalo
he's
like it's
over
no
between
commillas
oh yes
is
the fiesta
there
where
are all
there
there
there
no
one
one
one
there
a
one
she's
that is the
she is the
that is
the other
Fiest
let's
He said, no-mast we'll take five minutes more for here.
To which the amiga,
iscura, is enter.
He says, no, me degen solo.
Today, no, I want to be alone.
Today I want to be with my friends.
No, no, no, here we're going to be to be.
He says...
Well, me does permission to go to your baio?
Yes, sure.
It's up.
The chava, saw.
He found a door.
When it was...
He said that was just a woman.
There was a woman
in the room.
Disculpe me.
For favor,
excuse me.
He said that this person
only
he was
he gave a
smile and
he was
a ballance of her.
Oh,
the chabas
spanted,
cero the
door,
he went to
and he
said to Lalo
oh yeah
I'm
I'm
I'm
I'm
don't know where's
the
the
bathroom,
he went
to the
door,
and the
same
person
was there.
Disculp
me,
sir,
I went,
I went to
go to
the
and he
and he
he'll
and he
he'll
go and
he said
you
get to
the
court
to the
mother
to the
yeah?
Oh yeah
he
we don't
we
don't know
the
second
door
and say
there
just
just,
uh,
well,
uh,
I don't know
if it's
a little
my or the
old,
this,
that,
that we're
to get us
to the
court and
he was
and it
and like,
so he's
the
what was,
what was the
court,
what,
why?
Why?
Why?
Why?
Why?
Why?
I said
that they were
in the
bano.
Why are
in my
house?
What are
doing?
He said,
you know,
well,
you know,
well,
you know,
alivianate,
the
man
was
was looking the
ban.
She
she doesn't
know
of the
right of
here.
So,
so,
like,
calmate,
no?
No,
you know,
it's
that they
didn't
to get to
any
room.
Me
asked,
to get to
the
bad,
oh yeah,
you know,
you know,
you know,
you know,
you're,
you know,
it's not,
no, it's
that's
not, they're
to come
to come to
any
car,
this is my
house.
He's
said that
started
to
to know
to the
moment
that
he was
the
Who was there?
Why, who, who vetted?
No, well,
was, you know,
but she was
smiling, and,
and, of a repent
he was,
and he was,
he was,
he said,
or she,
and she,
he said,
and she,
and she,
she said,
another way,
more,
she said,
she had to
back,
she,
you know,
she's,
she's,
she,
the net,
you know,
we're,
I'm,
I'm,
I'm,
I'm,
I'm,
No, I've left it, since I was a little,
yeah, she was my abuela, and me
he, and he, he-cathed to keep to my mother.
Oh, man, she's.
She's here, no, I want to be here, no, I want to be here.
They're out of the house, and no, don't have to resume.
Hey, no, wow.
Cuck, Lord.
That's a man.
That's a ser, still living in his house.
he
Arrancor
The Vida
And he
Arrancor the
She has been
Incered in
That's in the
Quarto
And even
So, even
He's not
He's
So it's
So,
Entren
to the
Baio
They said,
They're
Upren the
Scalor
And in the
first
Quantra
They're
To find
A sonr
What's
What's?
They're
They're in
Aemone?
It's
is a
In a
Cork
In a
Cork?
He's a demon
Encerrared in
So,
That's the
I thought that was
I thought that was
I'm looking
A man
They're looking a mom
No
They're
They're in a
She's a
She has a
She has
She has a
She has a
She has a
One of the
She's
Her mother
And her
And probably
To her
She's a
Cumpire
No,
No, no
No, no
No, no
It's super
It's super
terrorifices
It's a very horrible,
very horrible.
What?
They've talked stories
very heavies
ultimately.
Tocern,
the net,
me,
I'm,
I'm really,
this sonrissa,
this isonrisa.
This isonrisa,
it's pretty,
but,
they're like,
the,
the of the
fault,
no?
No,
this is very
very strong,
man.
It's,
very,
very,
because,
uh,
it's a
You're out of that
story
Of a lot of
A lot of
Radatos
of Carreterter
Exactly
In a
A lot of
Relatons
of Carreter
and of
and all
you get to
get a
head
to get a
flashback
of
of many
things that
you've
heard
how you
said
Oh,
this
I've
said,
this
but this
last
but this
last
why I think I'm
that I
was playing
I'm
I'm
was reading
in the
avion
I'm
on my
cell
I'm
doing
the
stories
So, well, I'll listen,
I'll hear this story, anonymous,
and I said,
it's real?
He said, it's not,
it's the same.
And he's the
person, and he's the
person also, too,
and I said,
hey, bro,
I'm saying,
I'm sorry,
this story,
who's the man?
And me,
he said,
I'll,
let me say,
this is your
person, this is your
, because?
And he said,
to be,
let me the
correau.
So,
this is real?
I said,
well,
I said,
well,
I said,
He read the story, obviously
it's like like, the, uh,
those acentos, the,
the comas, the points, the,
it's a little bit of, something that's not
to go to anywhere. But the history is
this. And I said, bro,
this is incredible. It's horrible,
but it's incredible. Yeah, yeah.
Horrible. They're very
bad, but at the way,
that the culp has
led to, manches.
To, man, man, yes. To live
one and other
and other, and other, so, in that
Rulo, where you have to
be suffering.
He was trying
what he's
exactly.
The baby.
I mean, and the
impact that
that's,
that's,
that's,
that's,
that's
that's,
that's
and you
get, or
you,
he,
he, he,
he, he,
he,
he's,
my baby,
was what
was what
was the
thing,
so,
was what
and,
and,
and,
like,
like,
like,
like,
a,
,
Yes, because he
did
casso
to the
accident.
Because logically
you can
have been to
a pedo
very great
is a
bigote.
Because,
because we
know we
not going to
not I'm
going to
thank you
not
they're
not
names
and I
can't
be
so much
but
well
in this
case
in line
car
can
can
have
been
have
taken
a
coffee
of
a
let's let's go there
they've been
two coffes
de-as
what I'm
alterated or
there are people
there's
a good
I'm a
master
chof-fer
chikotes
that's in the
sky and me
see being
being
day-day
that he
said the
those
those
are the
most
dangerous
and I
did
yeah
I'm
for what
because
not the
first
are the
middle
when
you're
most
the
those
the last kilometers,
is when you say,
yeah,
I'm,
that's when you're
going,
yeah I'm in my
city,
yeah, I'm
to go to
your guardia.
And it's
when you get
to pass to
those incidents.
No,
you know,
you'll consume more
than what you
do your
your body,
because you
can't make,
you can
make,
you can't
get to
this reality.
I'm
teaching many
my old.
So,
so,
if,
if,
Fortunately, my
brother,
he took
two coffes
and my
brother,
he was
he was
he was
he was
because I
imagine
that he
was too
because
he was
he no
he no
he took
his
view
in the
people
he
he put
he
he,
he,
he,
he,
he,
he,
he was two
discarned
in his
autobus
she
never,
he never
saw
he,
he,
he put
attention
and he's emphasis on that.
I'm more
preoccupied for what
is in front
making notar
that a
peridda,
a incident
anterior.
Exactly.
That's the
same way
to get to
go to
go to
or aghachart
or some
stupiness
that we're
in the
thing,
no?
We can
get to
provoke this.
So,
that,
that,
that,
that,
that,
that,
that,
that,
how,
how,
how's,
how's,
That second-it-to, that momenter that you distraes.
That little second changed the life of him.
And, of there he said,
Pongan the attention to where they're.
Yes.
No, he said.
No, he mentioned.
And, no, no, we've been found out of the
response.
The response is horrible,
way.
Yeah.
Horrible, a-cabron.
And the rea-gnaio
that he was too hard.
Until he,
until he,
after he,
And he said he
He said,
he said,
He said,
I've had a
error
and unfortunately
he rebutte
the life
to two persons.
A two persons.
And she
always he
was a
sirbo,
he,
I,
I,
I,
I,
I was a
man,
an animal,
an animal,
an animal,
an animal,
X.
Oh,
oh,
yeah,
it was
been chido,
but
yeah,
we're going
to
for favor
I don't know
How do you
Do you like
Two hours
And so
No, I think
No,
Well,
Men's for the
Dition
But,
but if
So,
but she
Oh,
So,
uh,
No?
Was his
Pansa of him
He's a
Goon?
Hamtaro
Oh,
please,
repitens the
Reads
Socials and
platforms
Okay
Mured
Bajo
29
in Instagram
And in
YouTube
I'm
I'm
I'm
I'm
He's
And you're
It's
to be
podcast
paranormal
More
to
The people, no
don't
you know,
podcast
Paranormal.
I'm
I'm going
there
some figures
that I'm
going to
my
mano.
It's a
secretit
that I
took a
car
that was a
thing
was a
I'm
to give us
to giveles
a
good
to have
a bobe
spiritual
so
I'll
do
to
to be
to be
to get a
family
and to
to quit
of
your
way
to the
thing to
that's
not just
end of
you're doing
very much
thank you
thank you
thank you
the invitation
no
you know
the time you
know the
you're
going to be
we've
got out
we've been
we've been
in Monterey
has been
in my
barrio
now
I'm
to do
to do
to your
to
do you
don't you
don't you
don't you
I'm
I was
I'm
I'm
I'm
just
molesting to your
people.
In real.
Thank you.
Neta.
Very grateful for
this invitation.
No, I'm very
grateful.
I'm so super
aggraceed.
Of course,
you know,
it's much
that no,
I don't know
I said,
I've said in
insomnia,
but I'm going to
comment to
briefly to
start.
Figate,
the people
not to
send to some
stories,
even things
very
fertes,
so,
things that
they're
to doleer much,
no,
familiarment,
personally.
us manned
their stories
and they're
they're talking
the time
and they're
many
there's little
today
there's three
people
is learn the
stories
catalogs,
divide them
and so
we're not
not even
to say
yes
thanks
that we
want to
we're
so much
so much
so that's
thanks
for mandator
so
are great
stories
experiences
things
incredible
and
even
even
have
even
they're
I'm
I'm
I'm
a
writer
and
this is
fiction
but
they're
to send out
and are
things
incredible
there's
there's many
many things
very interesting
all the
thing that
the issue
the fact
that there's
a little
the
people who are
that's
these people
have been
or invited
or people
that we've
known
in Meet and Grits
etc
all we
we're
all we're
we're doing
we're
we're
I'm just
I'm
thank
a lot
because
the
the fact
that you
we're
we
we're
so
But,
before, it was the
FEPO that
I'd
be able to
start
to be in
your voice
about your voice
of your
voice,
I'm present,
and today
is, I'm
the FEPO
that's there
sitting, but
it's thanks
to the
community.
It's the
people.
They are
the people
of this.
And that
always.
I've
always.
I've said.
So,
thank you.
Thanks,
thanks to
you,
we're,
we're
figures
publicas.
That's
so.
Thanks
to you,
the
has known
in the
city of
of Mexico
and out of
the city of
Mexico.
Yes.
Thanks,
we're
many times
to a
plate on
our table.
Yes.
I'm
don't have
more to
thank you
to thank
to the
and to
my
people that
you see
carnal
that you
have put
that's
going to
be a
something
something
something
I'm
I'm
I'm
I'm
I'm
to be
to be
for a
In a retort all
that
I can
and we
super him
No, in
real,
in the real,
I don't have
to thank
to my
Rasa
and to
your Rasa
much more
because
they're
they're
they're
they're
I'm in a
big pedo of
your own
your community,
your
people,
I'm just
I'm sorry,
I'm sorry
Seriously, I'm
of a
barrio,
I'm a
person of
a barrio,
and of
a very
and a
bad,
because
there's
there's
people,
there's
very,
very rectal
unfortunately
I'm not
so I'm
so I'm
a little
that,
that,
that's always
the things
very,
very
very,
I think
I'm
measured
too,
I'm
so,
I'm
so I'm
not,
no,
no,
no,
I'm,
that I'm,
that I'm
a person
very
warra.
No,
but
thank
Super chie.
To you, carnal,
and thanks to your
people,
that net,
they're very,
very cabrones.
Demaciated,
for my
good,
you're,
you're just,
you know,
these,
now I'm
I'm not,
I'm,
I'm not
that this ball of
minimums
that have
working with
with you,
you know,
there's various minimum.
There are various minimum.
Um,
are part of the,
of the community,
way.
Yeah.
That,
loco.
We're some cracks.
Yes,
yes, they're
very,
so you know,
and they're
in a lot of
those stories
incredible.
There's people
to other
other.
Yeah,
carnal,
net,
a great,
your and to
your people,
in reality,
thanks to
all you
all of you
thank you,
and my
sandsons,
me do you
keep,
always,
thank you.
Thank you,
thank you,
community
of
really.
Now,
now
more,
the disclaimer
of the
same,
if you're
Evidences,
do you know the
CorreoFEPA
Rwaparovad Podcast
Paranormal.
In the
issue of the
general,
you think you
think you're
that you're
to make the
story, if it's
anonimic,
it's put in
up up anonym,
anonimo
for that
yeah,
I'm just a
name.
I said,
that was the
that was,
that was,
that was,
that's,
so,
and if you
don't say
not you,
not you,
I'm,
I'm,
do I per
I'm not
so,
well,
you can't
see,
yeah,
if you,
let's,
If you want to look at the raza,
and it's your ped.
Well, me say,
John Calaver.
John Calaver.
I mean, you know,
you're saying,
but up to up
to get us to
confunding.
Now,
yes, much
thanks.
Mewarto.
We'll be to
go back to
and go to
go back to
be a super
chido.
Thank you.
Thanks to
all.
And we're
we'll see the
next time
to continue
narrating
these incredible
experiences
reales
of the
audience,
experiences
terrorificas
for you
that you
listen
if
if you
try
Bye.
Ciao.
