INSOMNIO - ENTRE LAS SOMBRAS - INVITADO ESPECIAL: CHRISTIAN VALERIO

Episode Date: January 9, 2025

⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️Acompáñame junto a Cristian Valerio, 'El Niño de la Luz', en este episodio exclusivo donde nos adentramos en los rincones más oscuros y desconocidos. En esta travesía, desvelamos historias escalofriantes que han permanecido en las sombras, esperando ser contadas. Seres extraños, sucesos inexplicables y secretos que podrían cambiarlo todo. Este no es un viaje para los débiles de corazón. Prepárate para enfrentar lo que acecha en la oscuridad… y descubre hasta dónde puede llegar el miedo. ¿Te atreves a escuchar hasta el final?Redes del invitado: https://www.instagram.com/christian_valerio.oficialRecuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#miedo #historiasmiedo #exclusivospotify #miedoyterror #desconocido #sombras #insomnio #fantasmas #seresdelmasalla

Very good good good good I'm Fepo. I'm I'm I'm

know and I'm think you need to please you don't know for people not for persons

impressionable not is for children and they're their protections to the hand

that they need to let us start we're we're generally generally

when I start when I'm especially to start with a fictitious in vocation

or some words that evoke that that sentiment, that temperature, that texture, and that aroma of the theme of that we're going to be able to be in the episode.

But I'm perhaps that in this chapter, it would be a much better if before you present, before that we're going to that that entry, us says, for you and in the knowledge that you have,

Tinos, for favor, what is that that is what is that is the suns? What is that that in the that's in the

that's the father of the ment the obscurity that those

beings that many many times we're demons. The demons

tend to seem to appear to to be to

as those deities that not have not they're

not you can you can is to give that are sombrios

without light, without a rostro like a sombre. So that you know

you know they're they're going to talk to talk of those people

that they are that they are not so now so I'm content

to be I think that the people don't like because

we have some we're some stories that fibers, that are to move much

energies, because the just the just of read them to listen them,

vibralas, it's, it may be that much of those that are that they're even to

get to get to the stories that we to tell. I think to many people

they're to put the lot of putt because many of these

things, a sometimes we're other other explanation because

we don't think that something that courting in

house. Amid before before, Dinos, to what are you do you do you

do your social, platforms, where the people you can see? My

platforms are Instagram like Christian Valerio guion Bajo official. So,

me can find on Instagram on Facebook like Christian Valerio

the Luz and in YouTube the Calderer of the The

Little the is my channel where I see some recetas because

to what I'm dedico I'm medium I'm liberator but the point of the Ceresa is the today is to the ramed the Palo Mayombe also. Very well

very well is, is it's is that be saying Sanderos? Uh, in the religion Yuruba, it's said Santeros

to us, to the, the religion of the Palo Mayombe is they're paleros but the real is

to us. Those who we are consagraved are the tattas. I in this case I'm

a tatah in the tata in ganga a tata in Kisi and it's like it's

so how it's going to say potestat or a rango in the religion

of the malyombe in the religion Yoruba can you can't sateros

because no or in this case the sacerdote is Bavalaos okay

Very well, very good. Amigo, I always I'm always I'm going to to the people to the people,

I don't see if they're going to start because it's a responsibility great, yeah who who has

has the first one, but who can seera, a lot of that's a hit very great. What do you?

You're to start or you're finalize? I'm want to finalize. Okay. Okay.

Look, so I'm, so I'm going to start with these stories of that's what

abit that's the and this is a story that we're a

manned a manned this story is called almas fusonas and let's

see Lex C C C de Casa thank I I'm

I'm that's really that's very strange fiftate I think you

think it you think you're to this story to tell her,

leaving a name that, it's like a pseudonym. That's, you're going to say. Never is

familiar, if only is an friend of the person that's that's situations. There's a

thing you and you have talked about much just, just a context to to start in this story

of almas fuconadas about that a sometimes the people, the people,

the people, in this type of things, talking in general, magic, burglary, this,

dones, vidences, etc. or experimentators as well, it's a question, a question

with those that are sure to be able to possess the fact, you know, they've passed more

of four years studying in some university and there there's a title and there also.

It's very difficult this part. But you know, you're more difficult because I

think one of the two has absolutely certainty and there's no there's absolutely exactly I think

that is to complementarce and you have to be able to the possibilities what happens when you're totally septic

and you're living a group of phenomena paranormals terrible, fagate this history

that we tell Alex if at those unacus and the other chica called

Paola when Paola I've been 15 years of age, that just obviously we're having

all the people in that in that part of the adolescence, you're suffering those changes tremendous.

Because you're going to to get to a little in an adult. Your body, your mind,

your hormones, your spirit, all to your around is changing. And a

time that can be a moment. In this case, the torment for Paula was distinct.

She obviously is a a chick normal very very very

the people always in this it has like a kind of a little very

very very studious a studious that that always is

like being in the school in what is doing in the

sports etc is a is a very good she

a really obviously also also we've got to live stress because the

things are to become complicated. Yeah, not you're the child. You're not the child.

You're you're doing to do your other other than other than to do you a bit of

a little bit of a lot of and that's stress. Obviously, it's also in cancansio and, then,

sometimes to occur in manifestations extranaes. Paola, at the 15 years, one day

is extremely extremely cansate, extremely man can't and she can

to do this to do when he was in the first I'm a feeling a

strange like the the person who's kind of that's but he does a

but he is a experimenting this that many people have experienced

many times that is the paralysis of the sono or this sensation of that

you see the mind depending of what one that one

that you want to that this sensation, not is something

is a good that the force that he is a

moment it's but he's a little of there

there there there is a that a that is

like is like the dark to start to

start and of that in the in the room

in a the area, commenced to start to come a human a mhm

dense. And there obviously, she's very intranquila when is being this,

what is what's happening in their room, and of this humo

black, appears an entity. This entity, I can say,

that is difficult to describe it, because I don't to say,

it was, it was that in this obscurity, this mass humosa, is like very complex to understand what is.

But, but if you can not know a little a figure humanoid, like if it is a, maybe, of a person,

maybe. The environment of the room, immediately a temperature, and it's still still more obscure

than what she was this entity is a certain slowly, syselelel to

Paula. She is a side of her. She has how this figure

the observe and the and the and a voice grave

in a tone masculine very, very, very, very, very

pesed. He said, I've been for you. She she

she's aterrata when she's that this that is being

has voice. But immediately he's he's talking. No pronunciate words, only

balbocea, not can make use of her but his is very clear.

What she is, what you want? And inmediate this entity let's

a rissue and before to respond in in the other than generate that voice, has that the voice is in the head of Paola. As she,

that no could have and then he said, then he'll make a idea with that voice grave in the head of Paola and he says,

What I want? Your Alba. She, in that moment, she thinks panic, is an adolescent, but

he feels that should be able so that replying with firmness. All this conversation commenced to do now

into his and he says, That's not possible. You're a product of my imagination. That's a dream and I'll starter.

This entity yeah no no, he was, he was to beck, it was a rissorlona

as like, it made feel very tont and simply he began to be

to be more potent and more potent and more potent. And she began to feel that he was draining her energy and, of a sudden, no put more,

he closed, and she got to dormita. When he wasperted the day the next, he was probably everything everything,

and was that was that that was that he had visited. And decided was rapidly to the biblioteca.

And he wasco information to respect. Then he went to his house and he put to

navigate for internet and discovered that there were many people that were about the paralysis

of the son, of these visitants, but there was a response that she was

the response of the question. And he put to learn all what

has to do the thing with the science medical this is what you

what is the problem, and he She liked that idea. He got that explanation scientific. She, what

had suffered, according in this article, was an hallucination hypnagogic, the Cerebrough enganying to his mind.

He wasto. He brinded alivio. So, imprimed the articles, and he put these

the articles impresos to the side of his camera in his room.

It was what she called a amuletto rational. So, he thought simply had been seen

an experience of a day and that that's going to get to sleep, she had

a little bit, but was a second you never this feeling the eyes, and he gave the point of

that no was able to move. Immediately he was his mirabed his window of the window

but it was more rapid, it was more violent. And this entity entered a through

of this portal of the umo, he was a and before that

the entity could be a word Pablo has made that he had been

that now he could he said he was no existes You're just my imagination. The sombra, in a tone

burlone, me responded. For sure, I'm just so. And she felt much fear. Because she was there. Now, sojourn't know,

those ojillo that they observed fichamently. She, no continued talking about. In her his head,

he said a repeat some words, like if were a mantra. I'm

hallucinating. It's a paralysis of the dream. This entity is real. I'm

hallucinand is a paralysis of this entity not real. Like if

were a mantra. Then this entity, like if respirate, expanded,

it expanded his force. And all was free. It's very

rapid, was very powerful. Then, he was a little more, and he was to press on

the colchon to the side of her. And she that was she was he was

the coldon, he doblable for the person of this entity. And he said, if no

exist, how you explain this? If no exist, how you explain

these almas? And in the moment in words, the

entity as a human emerged grits desgarred laments

orribles of hundreds of people Paula she aterro and the voices

seemed that she was there started to be to supplic the help

they're grott grott grimian year and the entity rea

and the She, knowing that's being that's trying to have to

be able to be able to even, more more valiant even. And he said,

you're my imagination. Only my imagination. The entity again

was to say to read. I closed and she

kept dormita. At the day the next, he he's

he didn't explain that. I didn't what said

to give. And he's talking then with the person that this

story. He said, that during months this entity appeared

and it tormented. Only that now, it was occurring something

that these almas that them, that were that

supplicable help, they were voices that she could recognize. But no I knew how to explain

this. And then he was to have more stress. I had fear of to be

because the entity disappeared when I was had a pesadillas horrible.

In these pesadils Paula not was Paula. Paola was a man in

another time in other other other place, always the same man.

A man that was and he had things perversas, terrible. A man that committed

acts atroces. She could feel every call. The gritty of the victims. I could oller the

blood that was the same but the poor not was to be obligated in

the a Swear to do it, but he did you I'm

and when I'd I'm a brief moment I'm I'm the pleasure

of the acts atroces committed the person that the story

when Paola he told this he he asked

but that that you was you and she

responded yes I sent that I was that

this entity One A night Paola, Cansada of this situation,

decided to confront his alucination. In the other to repeat that mantra

that night was going to try to talk with that she was he was a horrible

a and he opened the eyes and he not he was

and there was there was the entity and

powerful, and he he said, A-un- you think that he's not

he said, why you know, why this entity she surprised

for the change in Paola and responded because you and always

has been me she she he he did he

no you don't you don't you over me. You're just

my imagination. He's started to read, to carcashas. No, you can't escape.

Every every that you make you make you make more you know

you do you do you and then this thing, it's expanded

the humo and he began to to do

the umo he started to take form of

hands with garras that that's encasable in the Pala. She feltia how

it was and she fusioned with her energy. It was a but it

was a not. It was a indescriptible tremendous. Tremendous. Delum started

to emerge rosters, children, Ancianas women and women and women grittando

and these faces these rosters were gritabond. No luches.

Unite to us us. Paula no put more and he was

with his forces. In that moment, his mother heard the gritty

his his he and went to the room.

At enter the light and he saw one he

never will never was I was on front of the

space of her room not he was not she was a

rar her her mom when she she right

front the question he asked with much fear

Paula and Paula with a voice totally different

a one a one of man he He said,

She, She's not here. Now, I'm who abit this man. Volteau

and said the mom that Paula had the eyes completely black,

desperated, a terrorized. The mother saw, came up from the room, took the

water and he commenced to rocear her all parts, for the room

for on the house, in every quarter and in every corner.

When the Agua Pau the focus of the house exploded.

So, she heard a gritty horrible, but not proven to Paola.

And however, that was the voice of her was the voice of

Paula. The form in that this Correo, this person

that amably this experience, me is even more inquietante. Because we're

that this what happened with Paula and her mother is something we're we're saying

recent. And it with some words. He's, Paola never never was

the same. That's all. Thanks. How is? definitively, it was a encounter

with a certain a certain a piece of that's a fact that's

a fact the the the science will resolve all

many many times is a period of time

and why I think a period of time because

that time that she durow in being trying a response

a through the books, it was used to have used to be not have

gotten to get to the possession. Much times that effect placebo

is the that the demonio a sometimes us make to think

that there no exists something that you want to

you think because is the father of the And the

Padrela The Mentira you will make make that he is a that's that's

that's that's my mind and when you're when you when you start

and when you start the real real Rostro effectively the father of

the is going to be because you you know you you're

you because you not was in front of you I was

there was Yeah, the voices not were to be or something, yet was interno. From that moment, we're not possession. Because still not was posseoused by complete.

He had that still behavior of able to decide certain things. When you pass to be a possession, is when she has been that bright of the eyes. When you see an arm, a person

posseida, the first that you look at and you see as an expert are the

eyes. Because there's the profound of the soul of the

people. And you see that that person with that's

that's that's that is that they're that's they're not

dark and the eyes of this little she

not it was she was that she was that

and posseonated completely for an end demoniac. And, all of what he did was, to say, to say,

she was, she was, she was, like, she was, like, said, but not the

true, no. So, he was trying and I'm getting, to make her to make her to say,

you're fisses this, for the time, so you're mala, and you don't,

you're merces because even the fact that you Sienta that you know that's a emotion that's that's including

in the peserical not is that you're doing you're doing you're doing you that you're

that you're that you're that's you're there's the oppression that is I'm I'm getting

me I'm in your mind to change your ideas to use with them and we

we're oppression. After the oppression, when I just used and you you're uprised and you you're saying

that you're to get because there are sentiments of gozo at this class of these classes

of fictitious and that you're that you're feeling that gozo to be all the

bad that you did you and that not was certain when you

opened the door. And then so it is a oppression, now so

a possession. To a possession. That's a great, no? That's what I'm so.

I'm a story that's a very strong too too. And fiat that has to

be not like the but this the manned to Marloss and she called

Cases Tangible. Oh, CASE Tangible. And, fiep initiates

because Anna she's going to a family and a cuneara.

And they start to get a a area specific if they

is a time, to be to come the night to the two

chikas and this her and was a man

and at last of the person that was your cune, in this case, her mother and

her and her and her back in the part of the part of the night. And the

panumbras of the cartertera between those arbules and he starts to

see that conform they're going to she is being a

a being in a a head with the head inclined to be

down but only she was she was nobody more

than than she was a a a a black

totally dark and a capuch and conform they

are going advancing, she volta, be a her woman,

be a her and the front of the car they're to this but

nobody no more than she , and he has the and when she

try to bring them, I don't go to see, and if no,

he's he's not me will see a me. When

when it is a that's that's there not there. He went

going to the car and they're to see. Wulbe to do the same

the eyes but this this time she was a feeling

that when she had that when she was that that

was not to be in the car but she at the

side of her. In the coach. Into the coach. Effectively

when she opened the eyes and he was that

was the person was on she she she gets a

friar the abel no can't get and it

can't and he this and what he to

see to see a is an a was

a a rostro, that only had some eyes blackestine, she went and she went when she

could grittar, it was because he was the same was the best were that they were

at the light of a gasoliner and that that's so is made,

now so, so he made, and it could be able to she

could be when she grita, pite that's stationing in the gasolinerer, enter in a hysteria,

and they start to say to her cunea and a her that if not had

seen, they had been seen the they, they said, no, they're they're

to tranquilize, they're to get to their house. When they're

to the car, the what curious was for this story

is that no I They're to the house of her mother

and as they're on the car of the car

she had had in the house of her and she

had to her house on the same on

the road she he he he back to

and he back to get to find when when

she gets to she and then she's another another is a

psychosis and he says to his man, there's there's there

I'm in the car. Observal, be it, there is the marido

and he and be the car without a vacio so. Vacio.

The chistoso of this story that she was that she

was that she had a a little , a little a

kind of I could say dumb, but also an anomaly.

The little had a second sense that but

he could be and he was the only that

he could see at this house to his

mom that not was only he was accompany.

And is that without emit a solo sound, Anna us says that

the person, and not be able fission face to face, but

not turn the little, to be, as the back, what was what was

that was what was what the was the terrorized more.

The The child had a sensation of fear, desencajado. This was her more in alert. So, continued the days. Talbbe's maybe he'll forgets this, until that one day in the night

they were the attacks, FEP. She's, she goes to the his son, and he's to give himmila because he was a new special, a person that she was a a young

great had certain characteristics, certain deficiencies, the little the boy

and she does the baby, and she does it but she does know that

there had been there. And the only paulies that were

in the garage. She was much fear because I felt

much fear because his he was going to

see and to see something that she He was sentia, but no he had.

With much a little a little to get a little to the body of the

house when when he met, he does know that something that was

that was he does much fear he got the packet of paulas

and try to open the and the perilla no can't

be in that moment she gets congelated totally congelated she a little

the eyes and will be to do the same the first in the car think

that what was there was your imagination think that what was there was

not going and open his eyes and automatically can be able

the perilla go to the abitation of his son and his and the

life continued with them common and current until that again

after the again to pass the same circumstances in seeing how the

things were more more more because not only was

the she was the the attacks were they were to

make a more with his son, a child a child of a

old of a little of a baby that they had to change to

to pay to do, but that that was in that that was

seeing what his mom was that had brought to the

car to his car to the he says that

her that's her constantly when she was she

had to he was very inquietto this was aggravating because

not only he and he and she he had the and the husband he had

voices or mumulios beia sombras and so it was to be

more more more more more even even to

they decided put cameras to monitor this A day of new

A new count It will be to pass the same No, no, no, and has

to go to this bodegita. The chistoso and the really was that

when she was she was observed, at bolted and

see the monitor of the cameras she not could see

what was in front of but to turn to look at the monitor, to get into

that something there was in front of her, a through a camera. She goes to the room of

his son, for to have that protection maternal, no? But, however, here, he's got to

come to more more strong, because yeah, this energy was in the room

of the house, and a little, it was a a sombra very great with those

eyes brilliant with the face, without a side of his

his his the discavellient was the trauma that this this

that they not have been that he and that

even that he says that every night every

day has been a thing because every that

they have that this this alma will to

the life and that when they they're they're there

there there and there's and that that that's that

still still looking to look to so he

decided to put to that that that that

that was that was a fear disblocked. Go to

get in the carreter and that's up to get to the road to have been a car

thing. Oh, but I have a doubt. I don't understand for these

stories because because it's one and other time that that

that that that are very very are so they are able

to even even even even they're even they

see that they see that's that this this

You can be, but has a fear. They have a capacity different. She also also has been and that's not even though.

And that's not that's not. The father of the mentira is a limit of the fears. Recurred that there's a

movie that many times Hollywood has taken certain characteristics not of the fiction, but of the

fiction, but the life real. And recordem the people that we've studied to the demonios,

that the entes demoniacos are in the miedos. For that's when you're going to do you, a exorcism, a

liberation, the exorcist the liberator no de have to fear. Because in that moment,

when he has a little, it's that's the end, it's been to be posisionado

the person, you, you're to you, and there a the movie, the movie of

the palazzo, that you know, you know, you know, that this demon was

the fear of the people, and conforme he was being being strong,

until that these these kids were their and it was how they were

they're they're and effectively the demons as they are, they

are they they're they the people. You know,

I It's I'm It's a No, well, the movie,

but the book, that that's that's not is explicitly a demon

no. That's an entity in group that that comes of the profundities

of the space. Like the first text that the

text that about the I said that are entities that provide in the profundities of the space. Wow, me, me fascina that.

Uff, a day I have to talk to something. Well, well, I'm going to tell you this story,

that is anonym but, before that I'm, because if no, I'm going to I'm going to, it's,

it's, it's, I don't, I don't you need to say but I'm because I'm very peculiar.

Right, we're talking to talk about this. Yeah, yeah, Chris. She's sitting. We're talking of other things, totally of other things,

while we're putting the camera and blah, blah, blah. And I said, I'm going to tell something. But, but no I want to start to say, or that you're going to do. So, I want to tell them.

And so I'm sure, that, that's in that was what I said, to say, I'm going to tell something. Yeah. That's all.

I said, Vista a demonio. I don't know how you do what you do but I'm a spectacular because specifically

that's what that's what I know to talk. And the people that know that I'm know that I don't know.

I don't be an extraterrestre I, I've an offni, I, this, a phantasm but I saw how

you know, I know how you know a story that I'm a story that is anonymite but the things that here

are what I'd are you do. This story is called Danos a signal and it's anonym fiat who's

who's made this story this this chick this this occurred in Masatlan in a rancho

when I was very little bit very little that that has imagineate

in the story. She's in the age in the that she's a baby recently but Toma Vivoron still.

Shekita. Figate, there, you know, you know, those ranches, these places,

there, especially before, well, so, they're plagated of stories incredible.

Muchiss. Do-Dens, Naguels, and more. But there a story that's in this

region, that she has always he has put the Piel of Gagina the history or let us

the apparition of the man of the man of it's he's he incant in that

in that was the year she and her family she went to live to a

house rentada that was very and that had many years

many this this history contains for supposed these

elements Casa Grande and and barata So, so they're to this place and

since that they're there the parents record perfectly that more than the well the

well the job that the job that to make it to make it very well

because yeah I've been a tempit desabitada sentier like

a energy peculiar that this is something that's that's stories. Like the

obscurity is more oscura. Yeah. Like the frio is more elated. Right. Yeah. There's something that says... But it's a frio that cala. A few that cala. So, you feel like... Sientes your intuition

saying, not you know, but no you know why. And so is how they're... There's a detail that... Some various details, but one in particular that is very important. The first of these is that, well, saying,

that was a a, a house a little in the little in the little

the piece of the wall, the one of some when you when you

know, it has those sounds. Nothing we say that's

peculiar but if there there's a thing is very important of the

history the door of the first the part the

main is made is very great of a madder very gross

and it's a little colded so to to open the door or you're to carry it

and you're and push it with that's so you're so you do you do it

well a part of that they came to to live this little her

her manita that was a baby this was a babycita she was she was

she was horrible but But, she's that even she's that she doesn't know

not her not a baby that want to have a or that's no, no, no, no.

It was a a thing. Like if they were doing doing physically

there. There was something that she had that she had that she had been

that's they were they were and she she'd get to get to the

the mom and she was that's doing that's I'm not

my jugets and, of a repent, they were in places impossible. For example, disappear in the

jugets and they're in the congelator, but she even even had been to get

there. They were on the camera of the papas. In their

camera, a other sometimes were little weels of but they

were not men's adultas. They're wwellas of little. Pequineas. But his

hands were more little than those hands. The hands of her little more than those and the

hands of mom and papa were more more. They were more than those like,

that no corresponded to nobody that was there. One night, her mom went to

prepare a mammila to her. When he went he said that just before to enter

in the kitchen he heard a voice from from the

house and she he said and she he didn't want to know the voice

he had had that that that tone rare

no human and enter to the mom to

ignoring this voice that had pronounced his a man with

with a fear and decide simply do what he was to do it's

a gach to serve water in a vase to prepare the leach in the mammilla

of the garafone that was down the when is

burtient the water of is interrup because something

the take of the the time and the

to get her and she obviously when they they're the turn that's

super very so grita of the carafone and

the barfone and and and it and the the

pain when they they don't and this thing

or something that the that he he he

he got the she she she Who is doing that? And when

he looks something something like a woman is like a somber volumetric

gigantic, gigantic with a person very, very high, there

was something that he can he can't forget this this man or

what was, he had a capa a cap a black. He said that

no had a rostro it It was that the light sedia and the obscurity of

this thing that was there this man he's made like the he's made like if the

mother was there was there in the kitchen with her his his

his his he said he said he went and he ran he saw

he was he was a dark was a a woman with

capa that had her woman sustenia of the and obviously this man went to

the husband to help to help to his husband when he went to the kitchen

so disappeared and he he said he was obviously atonito because he saw

disappear to this man and she too she came to the soil when he was when he

disappeared he was he was he was he was he was he was the

he was he was he was she she said a sign no you know

he he was the entrance principal corri to the

court of the the baby to take a his she

the that he she the that he she she was

that and they they were to the house. Saliered from the house,

they were very much she was she was she went to get a house of some of the

twos. At the morning the next when obviously the adults

are doing all this that has said we're to

go to the house we we're to do something

to do the then then the papas, with the

tios, they're to get to the house to to have to be in the door

the they're they're they're they're they're they're with veals

take a bath with water they put in the center of the cell

they they're they're they're they're and the father says

with a voice firm if no you want here

give us a signal. All was in calm in silence he's a gesture. Salammon us

let us the velators and the water for that they're to carry the

door and they're they're to carry the door and they're and they're

they're just taking the house when they when they heard how the madder crugio

the the door, it's opened, they were, and when they were in the interior

of the house, of the point, it was it was to with a force

brutal. One person, if not carg the door, he could have done that that's,

you know, you know, we have to do something. They're went, to carry the door,

and when when they're they were to find of something very rare very particular

the the glass with water was was was

was and all the bells not were they were

put in the and when they saw they

found that that something that something that said

he said you don't to you don't to

The kids never regressor to this house. Papa and mom, together with the kids

they were to get their and even the house had been very bad at

because obviously not going to be with a baby and with a

little they were to go to other place but the

the father not so the father and mom had

curiosity to What is that that was that that was the case? Because it was this

story of the man of the man of the cap. So, then they were to investigate.

The way more simple and obvious they asked to the people. And the people

they said that, well, some, that were like, they were more recent

that, that they had occurred in that but that they had

seen something Something that, they were to they were to a man very old that was

a caper and that he was over the shoulder an atou this man was in the

the the house and when you're when you discover you discover that there,

does a handcadas and he brings between the houses and disappear

but still in that place. He parson to ask a house

to after he went to a a pair of the people who were a

parent major. They were the story. And he said, that

had much time that rancho in where were in these houses, and it

had been a house not much time. The house

that had had had had yeah existia in that that house perteness

at the capataz of this asienda but one day the duke of the asienda he found Alcapatas

robando and what he is that he went with his helperone to the wife

to the children and al Capataz in the house and then they're in the patio

a a little a a veces we're to know the past of the

places of the places how you holy that you're that you're

a point specific about those people that we've that

we we're how many we're we're we're we're

a car a a room of hotel and no know what what's there. And those

energies that you can't you can't that are natural, because at the

maybe there are air-conditioned and is moving something, and do something,

and we want to see the side scientific? Well, no, say,

something. Now, imagineate the great force that could have an energy to

put a a port that great and big and this that definitely for me

because me I remember a much a case that I told you the case

that we the case of the ballerina the case of a little a 14

years that moved the bankas that the that peses around

30 to 40 40 kilos and a year a 14 years

very and that were in a state more raquitical still, for the question of the possession that had. And that these

bankers were with five people, because they were very pesas. And that the girl, we put

the ballerina because she parable to puttits and he'd and he'd and I had the bankas and

it was abentable. Imagine Teppo, that energy that can have a a ser of a person

to be to be a person to and have that that this power that was a normal

to move a a door that you have to battle and you have to

carry and with much force to be to be to be to

to have And that energy can't easy it's a and even a sota

to do that so I'll say one because I've seen I've done that these energies

are they're active and to certain situations that can

seem like as curious to to her to

her a mom and she was a voice

that she was a voice that You can't assure you know, I can't assure you.

Look, to her to get a little bit more and they were menita's in the years. Ninos

that were interrados. Right. Manitas with the so, is it's is not

the people, the I'm saying her I can't say, that what

he's what he did this in that house is that the father that's

called Carolina to the way to this woman. And for so it's

active so far. There's some real there. And he's very enoged for what

they're because when they get a light and the water he'll he'll

and he doesn't go to it's. It's the signal that here the

energy yeah, call it God universe or you want to be

that that that that that to get to get to

and if you You're going to you because you're vengeance. And a signal also

machiavellica is put those candles, those veils to go. Because not I've

turned. It's turned. Acquired that the light where is where?

To be. To be up. And in that moment that energy me

is saying that that energy of that bell me is saying that your

God is the of the is the of the yeah is the

he's an nojado is an nojado and an man nojada and a

little like a demonio in a torture a great for a family

that's that that so that so I think I do

I do I do because not for the fact to let's

I put the valator and the water and I would I would that

but if me Volta on the belladora, I also I'm mud. Yes,

and it's something to have to have much good to talk about to

move to you know I'm a story also to have to be to

a new a new a new house. And is that we made Aler

Ramos a story a very that he was the title

Murmurus in the And is that she's that she is originator of Monterey

and for the work of his father, then they decided to move to Puebla.

It was a family a four integrants, the mom and her and other her brother

of 16 she's she's of 14 and the her man of 16

they're they're to this house a house very very great

Papa is getting money but of they're going to happen to happen

they're they're they're at the in the door of your house always

in the mornings when they're they they're they're things

like and work things and don't manches and and

animals eggs like etchados to and so all the days

a new thing a new that was to say someone no not we

not here until that a night it and

it's that Ale with his her mother, she'd long hours

solas in this in this house, because Papa was going to

work and mom, was also was working and also he was

and they had to these two nine of 14 and 16 years

solas. One night, she she was playing in her room

with her with her her the which was very juggotona with her and he'd and he'd be a woman of the abetation, he'd have a suing. And she'll go ahead.

When she's acuesta, she thinks that he hallowed the covisha. Us, I feel like, I feel like, when they're hallowed the covija, he said, well, was a broma of my brother. No, no, no, no,

no no no he decided to do the

unpercivied until that the day the next they're

to hear murmur but not only she not she

her and that a roommooes into some some

silvido, but at the little the She was put the pale erisada to the two

sisters. Sentient like a frio that they metian into their body

as a little they'd not so they'd much fear when

when when they're at and those presences they're

they're they're they're they they're they they're They're going to hear,

these mormullos, and they're in bell. At the day next, they're a mom, but no

they're in the point of the cobiha. Simple and simply, that they'd say,

that there was something that was in the quarter, and the classic mom,

of, no is certain. What you and your brother, they're because at

the house in the window of the room of this house d'all a badeo

and the mom says possibly come the echo of the balli don't

think they're no there time after they're still

perceiving this still passing the same after that

one day, they're to get solas, Ale, she

at the part of the house, her woman of 16 years

and she and she and she and then they're

in the and again again again again, the hallon

of his hand, the thing that something that

was that was immediately the silvido and the

mormulius. But this this time, I came accompanied of a

rostro very disgarrador, very feo, that he was he said,

as we've said during the all the transcurs of the

famous man with a capuch without a but

with those eyes very bright she she she

He thought that maybe her mother disfrasada and that was enganying and that he wanted to give a

terror. He'd a pata to this ser? No manches. But the rare was

that when that he was that he transpas his foot. It's kept

congelada and see how this being to get to

get to a that that space to that crystal that was to the

valdi to the window to the window to get a and then after a

little he'll go back to cover another of his his her

and he he platica he he platica the two to her and

they say that this is that this is that I'm

constantly constantly the so that no he had

had creed the mom that all said that had been a whole about the

bad that they're not the night, until that one night

he a same to the mom at being in the

room of these little you hear these mormoo you

hear this silvido and see a person that was a

bruchery for all what that had have encountered eggs,

animals, and localize to a person that in the company of his

father, the papa, the papa had had talked to his new other

of the and then they said, you know, you know, you know, you know, we know,

we're a person cubana that he's certain things, and you

should to get it to for that a ritual and can see

what is what is there. They're to this person to this

person that's person that was to be to be and the chistoso

was that that while at being the ritual this

person says that what there is that what there is not is

going to what there what there is not go because

not in the house what is to do the person

are you are you this he came he

did a ritual she didn't understand what what

was saying this person this chaman this man this this

palero or bet to know what energy manned this Cubano but if he

made very in clear that was a person cubana

that the nights were that all was that

all that was that again again again with

pass long with this energy to make present

but yeah he came in the pass the hall

for suerte, to his papa, they're to change to work, and they're

to send out to Quirnavaca Moreros. It's that all the

family. Yeah no going to pass nothing. Yeah had

been to be this energy at back. They can't

they move to house. Two months after in

that abitation of these nines, will to have the cobiha, will to hear

the silvido, they'll hear the mormuyos, and it's this being to be

that was more and that that was that was to get to to the

face of these little she had the eyes but at the

hour to This being and was they were in front of them. At the day the next

when they could do not they were they were muretones they were and they were

so they were and they they were after a time of much time of that they

understood what this bruch said that not the house but

but that they this being this ser was this ser was a that was her

his life that was her energy she she has she and it

and it textual to I will to learn because me he

a piece she she it's it was when we

we did in that that that that that

that that house, but not us and from

those their apparitions are sporadic but that even in the

when I'm my eyes I see I'm see

that that what is just what we we're

we're about we're 14 and 16 years so is

adolescence a a a a ton of energy. Clearly, that no I don't

care to the house, I'm and I'm here to this, this

class of things come to go to very very very that the

that the not that I didn't, that the that not

me, not me creer what I was what I was being

and what I'm sometimes we're we're not the we're the

we're the And, of really, we're as papas to put attention. And more fair, because here they're just they're doing something very important,

that they found in the door of their house. Why? Because that is what I wanted to know, and it's what I had you sent to this history. When they were new, when it was

new, when it was something new, to me something to me, that possibly they're at the time to get to

this house and that someone had a tiria and they they

went to this and they activated something that they they had they had

from the old and that to get to Puebla and that someone that someone

and that they were to give what they they were they were they did

they were they did they it they final of count as the

hour that this sonator Cubano let it's it's

not a clear but you know they're not they're not

they're to you're to you and they're to

a quark now and again and they see

the moment that that that that so that's

that's that's that's that's that's the thing that that

sometimes you so you know what can what can happen

because at the more not is the brujeria but that you're not that's a thing that

these, these entities that are that are in mind and then without, with our

things, with our situations in those we're we're doing we're more in the

adolescence and this to get in the cobiha to me I'm I'm

really fervent oh, wait get to me a me I'm trying, I've been trying

I've been decobigated, and less of the feet. I'm, I'm, I'm a terror to have the feet out of the cobiha. So,

always I'm going to be, so I'm doing a lot, I'm, I'm, I'm with a ventilator, but I'm, I'm a terror to be with the feet discobivated.

Like, like, like, like, Yes, literally. But tap-dictal. Calient, although I'm doing a climate

but you'll be a lot because me it's a thought, imagine the hands of someone that

can't carisial the feet. Imagine now that you keep in a covica and that you can you

see a energy in front of you. I, I just that me never have made them

have to the covishes. Yeah. And it's the principle in podcast paranormal in the first

because the sensation is fair. And at me no me no me they're just but they're so they're

so a little so oh, no manches it's, it's I feel horrible,

horrible. Because more than the sensation is the moment that you you're just that's going to

that's going to that there there's that there there something that you can't has the force

to have a co-jave. Well, it's fair. I'm going I'm going intense. It's going intense.

That's a story is called Practices Oskura and the man our man Nani

Obeda. I'd like very to know your opinion at final of this

story and I'd say much your opinion. Fiatte us says she's

of Costa Rico. Actualment has 32 years. It's called Nani. And this

that I'm going to tell. It's not between the year 2014 and 2015. So Nani in this

then I'd have a 22 years. Okay. I'm living in a house of a

madera that was great, was a big, and is like the site to talk

stories of terror. Dissue. He said even before the of all the

things that I think you are going to there there there

but all it's active other with the year

with the young a year to visit her this

her major he he he he he he

he he says that in his his woman she

the her practice a brujeria. When he gets her house, he gets with her his daughter, is

saying the sobrina of a young. And, well, yeah, there were certain things in the house, but

after the brother, with the son, they're to occur more things, like that all of the

thing. In the house previously, you have these relato and she had experimented,

for example, sombras that of a repent cruised the passions. A

sometimes you're with the rabble of the eye. In the nights

were there's there when there was a like if someone was up

the people, and there a presence that one day discovered

a presence like of a person that was that

was parted in the last the one of the madera. She

kept there and simply observable, like if I'm trying to happen to happen. She's accustomed to this situation.

Of course, no, he had a much importance. But when when he gets there a there,

a time, it's supposed if it's going to get to a time, she's better to

get to my bedation, with me we're going, we're going, when he's when he's

to get to when he's to be a Sobrina, all that's her little

her mother is taking the same those most passes. Practices of the

drugeria. And she says, look, our our our religions

are opposis, are opposed. So, I want that respectes

my faith. And the sobrina he said, sure, Tia, for

supposed. No, no, you're not you don't have no

but but the calm no dur. And when the calm

no it's that that same night they're going to pass things.

He's obviously you're talking with your son of your time, that's

putting it as you're putting it like the time. And in a moment the question,

about the pardon and the confession, the confessartes for that you

can you can't do you when you were talking in the night, of the

Pekent call the temperature. It was all the thing. He said even what

he said, is that one of a ventana had had been abirated and had

entered an air of the carie. But no. The window of the

room was was a and in immediate he

felt how there a presence there in the room

that was that was that was that was

very and so, simply when I went to see the window, to see had collated the air

for there, that no was there, and she said this this mirab, continue observing,

and he he has a mirabing in a room of the room, because that rinkon

had something something was very too, more than the normal, and of the He suddenly,

he sent her man that he posed over his man. It was her his his son.

He was he was he was a man because he said he said, Tia, there is

there's a there's a moment. In that when he said this his so-sobrina

there had a radio that she, Nani used to

to hear a station religious all the nights even while they were talking about that radio

was on that radio was used to that station religious in a volume but when

her so she put the man and he said there there there is

there there there is there now they're in

a silence absolute and and madera. Something was

inside of the armory and was made and the armory grugia. Voltearone

to see to be to be that he did so, so fear. I want

that they make the idea like if if it was going on this moment.

You call the radio. Silence absolute. And clearly you can't

you hear there into your armory. He said that he gave so much that was the first in all his life

that he was a sensation that never will forget he felt her heart laughing that I'm

that I'm that he was he was and when he was when I'm the armario she and

her and her sonna that had the man over the she had a front the

armario Let's between where they and the armory in the middle of the room, a sombre was going to

to get to put her. She said, she had a no, yeah was that was that was that

was that was there while she was up it was that the little of the light that was

in the room it was diminuting like if consummiera the light. She was paralyzed. No, you know, she did the fear

because not was at costed. He was sentada. But this thing, it paralyzed totally of fear. Yeah,

I don't know even if it was going to and of this entity that was there was there, he was

like her and he said, and she ballasto over her. She was She was a He was going to directly to the

Pecho, he fell in the camera, and he postro on the door. He broke

the mouth and he started to robbered his sobrina that was on

a little grito and the great that was so powerful that that rompe

that that strange and the dark and she stiro the

man and took the switch And it and it'send you the light.

When it's the light has to know that all the thing that

I'm never occurred. No, there was an entity on the

she was nothing was moving into the ropero. The room

only was a light and the light sunned and the when

this when it was obviously she was very, very very

a little bit of the sobrina was about calm her but she was aterrata and we're to remember

that she was a young 22 years is the tia but is very young

that this night for to be to be they're to be they're

to do you to the morning next I'm discovered something so

his so his sobrina and she had the

arms full of moretones and rasguos when he to be to do you to

find out of those moretones and they were to be in his arms, they were in all his

his and also in the his his own to the day, he said

that every night he was a night he was a

he'd he was a this armario had a

a spejo in the doors. And he gave a much more meh. So,

before to do them, they'd these these and the house,

you know, this idea of that are the things, they were they're they're

they're but now they had to have a paralysis of when

when he was totally and was sort of this

paralysis of the son I had a person

was that she was sitting over his shoulders. This sensation of a

pesedess. He was and when he was put in the he, I felt

how this was to and he susurrava the o'o things that she

not was she would be in other language. The Sobrina

for part he he confessed a day that had regress

to the practice of druggier. Sentia that that was

that had appeared and that was being in the house, it was

a guide. A guide for that she would a

guide to her to her to her to her she not she

was a she and the sobrina she began distant call

but continued living in her house. She had the subrina that was

doing all the way to do you and the he said that she said a little calm in the

house. But there was something that he was a and he was not a not to do

that's that every night before these these she was

she had read every night before to to do not but

now now he's because she had in the front of that she

resable the presence would be and the and the

torment and a one day was the the

church and and he he he he he

he said he he he he he he was

he he was that was that was Not a phantasm,

not an entity aggradable, it was literally a demonia, attracted by the practices of the subrida. When she was the endered of this,

the manifestations began to intensification to be a time. He went to that someone he waservable. Volteo to the

end of the escalator and there was that was that was that was that had seen.

He was there, immobile, miranded, mirro the abitation. She gave a point of that that was very clear now and that, like the entity that had been there, this entity

also was, like, consuming the light, and noted something. Also, to consume the light and make the the environment to turner more

oscuro, consume the the cold of the environment and so that the temperature back to

she went to do to know knowing that's there was there and in the

madrugated she he went no this is my house I'm

to confront it was he arm of the and he

he was there was immobile took a crucifio and

he was front of her, and he began to up the escalars, I'd rest about with the crucifix at front. The entity

only was to look at the sunbra neither was immutable. This that I'm going to tell, is

something very extrano. The entity not was not was a final of the a

scale. One part of his body is a little

in the last the last one. It's just only see you

like three four parts of her was an entity

horrible dark and dark and really that he

didn't even she did she went she she

was The entity, the other the movement tremendously strange,

that she she had her very, very, very, very, as you know, was a

submersed in the last the last he he went, he said,

and then he was continued his his way, and he

the entity disappeared in the tachio, her sobrina, record that was in the first he was at the

and she and she was going and he said, he said, and he said that he had a

terrible. In the dream, there was a sombra that was front to his

camera, he was a one of his hands and in the other of the

heados had a pesuna, great and pointyaguda. This entity she was with that pesuja

ponteaguda in the pecho and he he wasperto grittando. She said, Let me see. The sobrina she discovered the pecho,

had a moretone enormous with an hered that was suppurating the same. Dice that

that night was the point of quibre. He said that he took a and he

started to roce her and he the house the mark in the her son's

never disappeared and it was marked by life he began to rest again

to do more to do to to avoid to any contact

with the entity Agua Bendita Rezos Entregar your devotion

To God The repent The Sobrina Tubrina Tupo She was To go to And it

Mood And in that moment The Calm Regressed To her She said That her

She was She was Now, I'm reigning the Pace But But it a time

and he he took curiosity about the way that had made

his son for so so practice of the burghuras

of the now. Now he's totally entregated to this she she

learned something maybe not she's not they're in

his church maybe for some they that that

was that was that was well. Not was a phantasm.

It was a good. Agrade that not was there. But yes, is true?

That's maybe was there for her sobrina. But what what's if

some day decided to go you? You what you think? Because

I think I have an idea that the broad is a

real, no? Look, it's many times no, no,

no there's no, the sense it's it's what

for you can be so it's black I'm I've put

example the and the magic is a instrument

but but if you put that you put is in a destruction.

Then, then there the intention can be for that tool. I'm an

a hand a a chichio. A cuchillo, if I put in the hands of a chef,

will be maravillas with that cuchillo, with that don, with that sensation

of knowing that's the same the same the same the same in the hands

equivocados of an assassin that you think that can't pass.

Desgracidating the knowledge could get to be dangerous. It can get to

be dangerous in the hands equivocas. Here there is something

important of the case. There said she that this energy not

was thanks to God to the universe or

as how he want to call for she I'd

say. No was invoked for her, but that energy was there

was that he was because the father of the I'm because the

father of the other, that I've invoked. Of those that are they're

they're they're they're they they're the people, that are

the things are the things. If you you put to analyze every

case of exorcism, all the cases are to reflect that the person

was a devote, that were children, that were people, that were people who

were people that had a great that were that vibraban in the

light. And what is what is, that the demonio will attack

to to keep them that and renegeen of a creator, of a God or call it, or call it, like you want to

doble to be in a little in a little in the guard. And there is where it is where it

is a little the uncertainty to say, well, if they're they're not in God, because God

not they don't liberate in that moment. There's a time there. And it can't, that enter

the demonia to for bar to you, that that's the most. Figgat. In this story, she didn't because I thought

that she was to be to be able to this entity of her. And when he said, I'm going to talk cards in the issue,

I'm going to get in the holy thing, I'm going to my devotion to God, until she decided to

go. And what? And what happened? There was a question imperpetua, that I

had I had said earlierly, that is a oration imperpetuous, is that you you salgast of your and in the name of

enter that ser, called God, Jesus Christ, as you want you to want to, and enter, and be the exulse that'ser. What you have you abacred us is an exorcism.

An exorcism that no is it seen- but that his sixth sense, his don and his and the

tools, he gave the tools to put a and to find out that he had in that

more power than she. When went with the crucifix and all that was that was

that that was that he didn't he was he went but he he's

he he important and you can let me do you the endemone

are they're to burlary when you when you are when you

let's you're to let's the water is the water

that is the that is a term a a so

it's a a a instrument for that alborot

the energy what when a demonio you when a

demon demon to doorme or so you're so you're so you

you're going to get your tool to get your thing your

water exorcised so this that that is the person

and you know what he did you that nobody

so nobody's he no to not to not

to a thing the water Bendita. What is

this is the thing. What is what is? A oration that

Avent Awebendita I'm with my crucifico because is the that I

stand do the power And apart with the energy of the valentia

the valentia, no I'm no I'm no that so I

just turned and he was this being a fear.

we'll we'll we're going to the meroes not so he could to be

and that that's that's so that's that that's that

that there's there's there is a fact that's that

is that nobody no no no no you

know us don't ask demonios and we're we're

to know how to how to be this energy today today that we're

getting we're I'm going to you take a story based also in the burghry

a bit a story terrorific this no la manda Anna Castaneda she's

of Sackatecas and decided put to this story the sombras the cormras of

the ritual with the PURO HETO TITU, I want to imagine

what can pass. And is that Anna, she is of Sacatecas, as

all people of people of Sacatecas will that the great majority

of Sacatecas then, then they're to know and

his brother and his brother who the famous

the famous Desgracially, no he can't. Cruzar, no he does the papers, he regress to

house. He regress to house where there were many problems. Desgracially

when he regressa he's a family dysfunctional, retorsida, where there there were

there were things very very and where he did a man.

Um, he, he had to be all this situation and that no had papers and that he he was going to be, because he was not, you to be in the way, well, well, yeah,

well, yeah, no was his home. He decided for the desperation recurring to the other

darker to and is that a market of Sakatecas, and in those tiendas esotericas He's a book

of rituals of magic a negative, of rituals of apertures, of rituals, of satanical. And he,

compra this book, he's got the house, open a portal, pite to this deida

that he give the power to the power to that their people that's

In the ritual, it was to be to the luses, to put some some species of that we're in the religion

Yoruba cartuchos. What are those cartridges? Some are some those

bolsitas. And in those were certain covered to a mantas and so he had to put

in every end these cartuchos. or molotitos, as they call in the

people. But the important, Fepo, is that the ritual that in those

molotitos had to have animals sacrificed. So, what you was you

were that you were a ritual to do something that were to

packtar to get your those the Apag the luses

and it's the invocation of that ritual. That the

little, a middle of the room commencing a ritual

a to invocation in voice a energy that

he knew to he was to him was

but that was one another other and I again until

that's the number seven. Seven times says the name of this ser. The perlundant

was that when he opened the eyes, and in total penumbra and only with the

lights of these velas that were very very big he he was

a that was that was a a part of a

like a a chapulin that escalabes and brinked on one side to but he

he no could have no rostro only be in the penumbra's this being

that was that was that was a another the things started

to and he started to he decided to

turn the light to the and do like

nothing had occurred occurred. The Fuerte came after

days after this. One night when he is done

he's he has this animal or humanoid that

that that even that he in this camera

where he was on his his and we

we we we we the same, the how it's repeat in

every story the same characteristic. A man with

a capuch a vesty but this this this does see

see see the and it's a rostro that this

this little that her her saw his was

a very palid very black like the like the a of a

man like a human like a human but it was a a

a the the the man the the the

what the characteristic of this is that this ser had the the

the two had the teeth feos those those dents

horrible he he he he starts to fear and

he's to rest. And what you think what what's what? What happened?

With this ser, he's to be to be to be those dents

feos with those dents etchous to per but with a skin

totally blackecina palida at a cabo at a time of a raster

this energy disappear. The family disappear. The other more feo. It's going to be more problems. The family's to separate. The things

start to turn to different because there were aromas, pestes, orribles without cause.

They're to get muskas. And they're to get plagues and not I didn't the family because.

The mom, after after after after the the the

of her and the and she is a but a to go

to his and he recurre to the burgh

she she she she is a and he he

does make a make a Marr, no he he

to get to his care he he disvivial that

would that would torment that would be to get to all the

nights that he would be that he would

be with with the witch he he cobrer

a quantity and he said effectively to you

will to help. But the other part of the ritual, you have to do in your house. If you have done, a house where had been opened a portal. And, de new account, it's a new way, it's going to be able. The signora, encealed some velas, invoca,

and will be to take force what his his son, anteriorly, yet had incited, and had been able, for that enter to his home. What curious No,

days after, but the day after. Because the work that was made was to

that the person to start to lose the mobility of his hands. No,

manches. This woman, at the when to get to get to

his and is in-jagged. What? Jena of yagas, Jena of ampullas, where supurabuus. And it's commenced

the most terrorifico. Empeas to hear murmur, and it's to be an ambient very pesado to the that they, as a child

and as my and as they're doing rituals, invocating beings that they knew they didn't

knew that this woman's he was going to revert to the brujeria. And what happened? That's,

that he moved. He was in a chair of the rowas. The brother of

this little that the story caught in a depression. Never he

to America. He was he was loco and he alcoholism and

trying to desivis every night, because every night this ser, it's de

her atormentata. She decided to go to see to her all these

things that were that were, she no, she no, she no, she's,

she's, she, but us that, that, that she does in

a time, it's the house of his, the papas. It's the home of her mom. And not to visit to her mom

because, because imagine you can't, you can't find out with this ser. That not only only got to see them, but the other kids, those

which are also opting for to get to this house. Actually, Anna us says that that,

that, when visit a mom but of the entry for a little

because at this house and see a his mom postra in a

chair to see a man, how is alcohol and a daily with a

demency that they're to be to be the night because

he want to get it's it is but the

terrorific is to get to the and hear susruss,

and of a time, but he a man that the same have been

seen that a through the windows a man of the dents pardos

and of the skin very black like the man

that that that that that that he saw

this this is there and this still there. And we go to

you know one and she did her name she? She said Anna Castaneda

she's she's she's she knows she knows she's her name

is Anna Castaneda of Sakatecas well Anna the that

you that you you don't you don't you know

you don't because to pay for the people that's that you

that is that's that's that That good that you understand the gravity of the situation and that these people, even though they're in your family and even, they've decided the way that they wanted to make.

Imagine, Fepo, we'll, we'll, we'll, how the father of the mentira can't get me. And I can't say, I can't get papers. We'll look at the same, the menatiras. Decid, I'll tell you to do a requeza, I'll try a man, like he's her mom

or I go to a man or I'm a but all has a repercussion and the

repercussion was that you did you did you did you did it not good

could occur if you what you do you do you so so that so

that's so much wow wow I'm my my fear so

so it's now now those last stories that are the

ones are the most And in this moment, I ask the people that the story that the story that

I'm going to you, they're in those eyes. And that conform we go to

we're going narrating, see in that panorama. See imagine that they're in this

story. And that maybe the protagonists are they are they, that they're they're

with their eyes. But not the of the eyes of the imagination, that willing the imagination in

this moment that we're in this rectal of these two stories, two stories, very strong. The story,

and the I'm going to love. This story is this last and it's called our friend, Camilla, Wagner.

I suppose that's a pronunciable Wagner, is with Wagner, but I suppose that's Wagner. This story us gets from Chile. Actually, Camilla live in La Branza, and this

occurred also to the year 2014. For this history, we're going to have to understand something. Our friend Camilla, and various of the people that appear in this history, for so

say to say not are people people common that are

in front to situations extraordinary result that these things they

are they do they practice they they they they're

that they know that they know they they're

they they're with his family Fabiola and Carmen

She's called Camilla, Fabiolla and Carmen, that in many occasions had been friends, apart of amigas, of many experiences paranormal, result of when one's to make to these

things. But just in those days, they've decided to do something a little more temerary. This, because Carmen, like Camilla, have the capacity

very, very, and very open of the power, to be, see, things that are there,

and that are people, persons, people, people, as much, they're this capacity

like this don, but also, entranan. So, they're one,

of the other, because they're not being to be not, they're

when they get to things, they're that the other person also

and you know the confirmation that you see. And then they're the same.

For this this what they're to do this that she call a act

temerary are going to use the other people Carmen

decided to invite to her her her because what they

are a session spiritistic the reason for what

they want to do this session Spiritist is because they want to obtain

responses to the respect to a entity in specific that has a time present and

they're saying that they've been several years studying specifically

a ritual for this session spiritista for this ritual for

that we see let us I'll let us let me a little

It's a pentagram Celta that is used to contact with a presence in specific

that's that's being this is a sombra that that that

appears in different places in different places this sombra emerge

always of the rincones of dark she has she and the of the

entity the entire the does a circle around of her

and also of the person when he present in his house and

after this he a a corner a it's disvanes

and disappear when does it when he they're to go

in the environment a sensation like of the eladess

and a fear. A they don't like this situation. Then

decide to do this session spiritist to bring to the

entity and question her. Not only they use this pentagram

Celta says that they're they and reunier objects

that they they're they represent to each these

objects are they a form in specific and

commenced the ritual. They're for this in an evitation where the light that is reigned in this place

to start the session spiritist is uniquely the light of the bells. They're in a cellular

to grab audios. This is a practice that I've seen that many people that can

do you do they're directly the audio, because if if it gets to occur something

can be registered and not only the anecdote that the person is that the person's they're

that at the first she's she's quite deceptionate she she

Carmen Fabiola and the her Anna Maria because no was

not she's they're doing the ritual at the letter

but no no no no no no no

no no there no there no no a

and in that frustration, of a sudden he was a unquestion unexplicable. Intented was resisted, but no

he was closed, and he was a little subito. But, but of a repent

when he heard the gritos of Faviola. He was was gritting and he's hysterical,

and he said, and the light something's something she said she opened the eyes

when he said she was she was confused like she was going to she was what she was

Carmen her a little more serena but also she was she was

she began the light said that in that she didn't know she knew what was

what had experimented Fabio and Anna Maria but when when

they were they were they were pallid as of fear they were those things and

they were they're wait they're they're they're they're they're

they're to get us the most possible to the carmen and camilla she

came in a moment but they're not they've had gotten done

so they're reuniered all newly and more calmedas and they started

about about the and Maria still they're very very

very and before they're they did you what did

Fabio and said I remember that put a

cell for grab and they did do do

do something Camilla, in that moment, he said, I don't know, only I remember to have me profoundly dormed.

Carmen, he said the same. I mean, the only that I remember is that no passed nothing. And,

and then something did that I made that I did not make Anna Maria she went to see,

Anna Maria saw his cellular, and they said, I grabbed. No, no

because it was to the dark but it he's all. He put his

telephone to the center and he put play. The audio was with his

voices doing the ritual. Of a repent there was a silence long

and then a voice masculine profound and scalofrient Recurred,

only were these four chikas. This voice masculine said clearly Who are you? And then? And then?

Another voice masculine, a little more suave but the perturbator responded You know

Who you I'm I'm with you? Dice that when I was I'm I'm

put together all the Pellos of Puntah Like you said, that night no

had more people, no have no members nor in that house, and in that

house. Fabiola she looked and he asked, of who you think that is

the first voice? Well, she no responded nothing. How could

know to know to that that was? And Fabiola

continued. That voice provino of you. The bells illumined the

but not you're you, it was a man, the other voice provened of Carmen.

She's kept on thinking in this situation, but something and all happened. And all changed.

That same night, while I still gave down to this thing, of the

the corner, that is the skin that's a little bit of she's

she's she's she's going to be a turn around me

and then he's but this this all changed the the

sunb the round to her and when finalized

that circle he he deto and he took

form this figure was a man, alt, that

had the cabell black like the was totally vesty and he

was sure that she she, Camilla, he would be to the perfection.

She he was to his to his and when he

saw the car this man he he he He showed his

eyes. He said that in the moment in the moment in he he went, he's

never more he went to the dark and never more again again again

she saw the the mirror and in his reflection

there was he always to her there no

there no there in that that was there

a Sometimes, thinking, I'll go there, and I'd and by the rabble of the eye, notable, of the presence. There was.

And I had to see a spejo and to prove it. Never was the days passed. She wanted. She wanted to

get to this sensation that rare that there was a man of a baby black, like a

new be a new and the negro, always accompanying her. He said to

Carmen, what do you know, if we going to explore the pampa? It's a

place desolated and forgotten for the time. Maybe we can be able to

be quite and so they're not they're because, but it was

that they had to get to get to get into to get and to

and they're and they're a the arbor was

around by a circle perfect of canes. In the center,

another of the tree, there a mounticle of a tree

that had the form of a human. She were seeing

this for supposed that not that was a circle made

a and that that that that was that

was formed as if it was a Cabeza human. Camille was having this and Carmen he was

with much curiosity and prudent maybe he took a bar and he made it the circle she saw what

was doing she was very but also to Carmen he called more the attention that that case

human made of the so that with the bara took the monticula

and, and of when it he was a great a gritty

a woman not from the montycule of the this desis

it was it was so it was something and that that

was the and the great and the great he he

didn't be so he came so they they

Simply they're trying to get to get to the gritty horrible of a

woman that was that they was that they were extraordinary but they were

they were there was a house a house in middle of the

that was that was chicharra was chicharra entered to this

house as looking a refuge but in when when they went to enterer and

they were just to a grunnered, like of an animal. And in a act, desperated of valentia, he was to the founted of the sound of the cabin that came out, and grittor, no, I'm afraid. And I know that the kemah of this

place, no was of the of It was a lighto and fettico acarice

his coo and he paralyzed Carmen not that was that was congelated

and it took her and when it took her he came he went to that ran

again they were not again they're they They were and they're with with muchissue Miod.

After that they got to her house. When he went he was exaust and her

mother immediately he asked what you what you in the arm almost at the armory

had a mark a rock or repilante it was like a man of a man of

a man of a biganteous with garras that had lastimed very profoundly

some days after to try to dispejarse to forget everything all this

series of and these things and maybe errors that had made made

a little on his bicycle when he was in a moment in a

place in a one a extraordinary the A. L. with a bicycle, and then

she threw her asses. She saw her she was to go to get her. She covered and came

to the side. And, for the supposed, I thought that was she was

there just the side in the that he fell with the back,

the the the and he got and he had nothing.

The only that was a terrible the she went to her house

rapidly and he went to see to be in the mirror and discovered that there three

large rugs that went from his hair from the back you but she

was sure that she was sure that's he had protected the and those rascuos

was they were more being like like a night The next

the next occurred to something was a extraordinary he's he's

he's he's unmovilized he was this sensation of paralysis of the

but inmediate in in a other to to observe

to discover who was there and at the the

side to his feet he he when they

went those hands large with with nunas gigantic that had

outing and they were and they were and then he was going to put in a man was a macra

had demacrata had hered and herriads for all and a sonrisa maliciosa

she was and she was sure he was savoreing to her victim. And she he also

he said and move but he was in the moment in the moment in the

person that was that was the same that they were the same was going

to be to be to her to the end of the dark of the

sombra it was materialized a man He was rapidly and took

a woman for the coo. La hallo to the back and he gritted with a

boce cavernosa. Dejala is my and was under my mantle. The woman

solte a grito desgarrador and he dismone The the man

the She was her. It was a little a little smile. And he

went to his story and we said the story and we're you've been you've done that this

story has the name of a man from from from so

Vladimir how he has called has been to have been to

his presence is constant perturbator and a manner protector.

The truth is that never I've done. His energy it's all his energy his

eyes rogous are testigues are testigues I've I've said that the that's

he's and the history initially mal because the that's

to make to to indigar to investigate to move

energy You know you go and you know you're going to and a lot of times you're going to in the caminart you're going to find protectors that they're going to help and you're going to

do you you've lived. But also in the and the endar of the world paranormal you're going to find these people that can

liveer and what What would be to What would be able to what was the that's a protector

that was more strong? That would have taken to the life but he'd have roared to be able to do that energy So, it would have been So would have been able to make more Fierterter. Yes.

I can assure that that chosca that's a chos that there

was a very very because is the clave of the

story. Yeah been occurring many things in that

that that that that was the point that

that all the other to be to energetically.

But also was the point where this being a black, of barbass of black, of the

white, he's got with more force. Like the quite, like, as, to,

as, to protect but at the first was, he was a also a

sort of a and that, and that he gave a time at the

story, and we did us that this ser not that's not a dark

of the where he was, who was, who know, but the only that I

can't say, that is a protector. Sure. And, and the actually there's

a thing is very particular of this story. If they saw you know

when she when she doorme in the two when she does doormy,

Carmen also. Carmen, of actually, is like a parallel a very

very much. You can be the same. The being also he does a

man and then he goes to the when they are not they're in the

their and they're saying who is and the other respond with

the voice of a man you know, you know you know

I've I'm I want to that that I'm Camilla

has a protector that's called Vladimir and certainly Carmen

has another protector that he went to have a story

in parallel you know you're not you didn't you had earlier

to this story to have had had an encounter

with not this planet like like another like

another dimension because a me not me me vibra,

for more that I want to get in the sense, like a protector, like a person,

like a angel, like not a protector, but if they're, for the sixth

sense that they were in the world paranormal, would have been, I don't

remember the word, when you have the encounter with the beings, that they

inserted that information. Yes, like a contact, an abduction, something. That's right. I feel

that's that's that way, that's this second sense, and these sex are so much,

that maybe not can't be two beings, a little is the same, and that's

and that's and that's being to be present to the two, as if were a

certain but the blackesino of the the Cabello and all.

So, the eyes right. So, the I'm it

I'm imagine, I'm a person, but he's doing

you're doing. I imagine like very, exact like

extraterrestrial like this human very perfect very and

androgy oh rogo cove about and almost almost

corpulent I know like no human but not a essence humanoid

of a no, an energy of a manned an angel No, no, no, no, no, something. This history

me gave a flavor that effectively has a story that's interesting. That's that's and gloving in this.

And the of the head of that was what strange that was there a head

of Dyerrakeh, I see this circle rodeando this arbor. And all after that chosah. So,

it's barra this head and... Like, liberate the energy. Libera the energy. It was like something that

had contained and had been closed. And they just, boom, it was back. For that's very important,

and I want to exhortar to all the people that do you do this to do you

get to the world, but you get to I'll regaure. Yeah, I'm going to a little

to go to a little to go to a guy, I'm going to give to the little bit of but at the

final of the world is a world very delicate Fepa. The audience, your audience

are children, are people are people too between certain certain

and it is easy to get a camera to get a and want to

get to this story of the paranormal but what's what they

is what's what's there's there's how there's there's that's

good because someone they've but they've been the design

totally different and also it's something it's and also for what I

know for what I'm I'm I'm I'm think you know

that are people and even they're even they're they're they're

they're as expert we're not we don't we don't we don't we're

we're not a information we're always we're we're doing we're we're always

we're to be a person that a person that a community as a medium as per

an architect and says well well well it's that I'm I'm I'm

I'm like I'm I'm all I'm or equivocation sir so that you're you're

to you're to new entities, a new energies. Yeah, a new situations that you're going to control.

And it's oh yeah, and it's going to be a bit more and it's going to modernizing. Today, wehaz

virtual. No, me, you know, today, now is, the game the table

normal. Today, you can be playing virtually with a person of Japan, of Russia,

at the time. the demonio is going to go agranness of that energy

and it's the bad in the mentira yeah sure sure so imagine

yeah yeah fipo that this this story I decided I decided

that I'm the last because really now I do I say

you're in your eyes start to imagine the and then start to imagine

all the panorama because all is a situation in a specific. And with

someone in specific. And is that this story no, she's she has

Lilliana Marin. And Lillian Marin to this story the sombra

in the silla. The Sombra in the Silla. And is Lilliana

actually has 20 years, but we're retroceded the time 10 years

when Liliana had 10 years. And is that a night very in particular in the region

where she was a night in specific the wind so plough very very

you can imagine that that that the wind, the

that much sometimes even even even even even even

that the that enter the air, the that moveiered the windows, the chocketeo of the

windows, because the air was a very dense. And is that Liliana, to his

10-a- in the night was completely solo. With a panorama very

very very because solan a house with this Viento

Fierce, where the chocketeo of the windows, of the wind of the wind

so far, it was it was a lot. But is that Lillianna was

only that night for something and it's that we know, we can

we can pass to the children. And Moma was really a father.

Papa was a father was a grave and they had to leave

a Liliana, desgraciously solita in the house. Liliana at altas

hours of the night she's like to do you but says you

know, I'm going to get to be to be a fear put a chair

a door to the door to that not that there

were chocating these doors with the door they'd have to do

do to bathe to be to get to get to the surprise

the night that that's a with that had had had

the door I'm not so no manches there

had a energy an entity sent in that silla. Liliana yeah not

was alone in the room. Yeah there was a person sated in a

way, with capuch with capuch of black, totally with the head

to be down and that when of a repent Liliana observed

fithed and saw something and saw a little she got

fria for one seconds and he's his eyes he's

he does forces and he goes and he's going to and he's

there someone in house the the people come in a

line of 10 years that is that is

he and he's a and he's a person

a masculine in his house. When when they're the people,

they're to get to the house, and they can't get to the

house and they're they're they're they're and they they're they

that's energy Liliana she he he's to have to have

because Liliana said something something to something different

will come She intuia, her intision said, something will pass. Decide

to to sit his eyes and when shears his eyes

I'll to see in that this energy this being, but

there's something there's to see this energy with the head

to go but with a bordeon or a baston but it was a

baton particular and is that you know that this baston

was the beston was the the because his papa had

a a certain immobil and had to use

a and when she and when she see that

this energy has the baston of his father. Cair the

eyes and he and he and he's he's and that that's still

going to the hours I'm in can't and he's and he and he

and he he his eyes and the eyes and the see

that the the the the she starts to move

a only to where she She was in that Cama recosted. He does

much fear. Pega a gritty and a brink. She'll say, I'm trying to say, I'm trying. When

he the chair, she does that it's a question that not a she'd

a a clock, markable a hour in specific. She's

she's she's he gets marked much that hour. As to the hours, Baja the situation

paranormal in house, and he's kept totally dormita. Of new, a count, for the cancantio, of not having been dormited during the night. That's what I'm saying, and it was very of morning, and that gave the confidence of to

be able to be able to sleep. What is what happens, Fepo, that the the in the the the the

someone that was sculcating. She despirte to her and she does

and she did a in the room continual many noises open the

door and her intuition when she was when she was

thinking in her she begins to come to He approached him to the

room and was inter-abiered the door of the habitation of his papas. And effectively

they were their mom. Buscundably accidentally something, documents. But the

she was she was to be to get a door. I'll and see

to her mom and he said that what The mother The mother

And she says And he He's a That in a hour in particular had had fallen

her father She's She's She's She's She didn't He didn't

what a night earlier had succeeded The to be

this being a a being desgaradour a a ser with a baston of the

pastoral. Passed all the act of funerary or passed many things

that maybe they were they've divided to her like a

little but but after after that after she

she in specific us she says that with a

very temerosa he He tried to say to his mom, "'te want to tell "'alue, is that, "'if you know, when "'papa murio, and

"'me dehasted solo, "'se presented a "'and a ser, "'a with a "'capucha, and a "'that me gave much "'mio. "'And he had the baston

"'of-pap. "'The lady "'not's "'since, no, "'sino, "'sino, he had "'sentied to "'a-oh.

"'And is that "'the is that the other signora he said to his wife a minute that you a

day you your papa muriara your father be a man man a

man a capuchia a man to a man black a

man that after the the room he was

to go to and he the day that the

sir was his last as suspicions, bolted, and with a voice very tenebrosa and very

vaguely, because he had a man, he said to his wife, there's there's a

and she said, tell you he wants. He'll he, he said, and the

signora no be to any, more than this, this sir. Voltae

and he He says that me He's time that's time that I'm going to him.

Posterior of this he's from the house the she's and when

he's his husband he's he's he's made much sense

to the she that clearly the visitant that had

visited to his he was he was giving as

that that night that the baston that the It was because

he had had given to his father. That's how good. That's how much.

No, manches. The murder But that's, but that's the murder? He's,

he's, that's the death of his father? But that's the murder? Look, for me,

for me, it's can be a symptom of the murder. And many times the

death to be to be to do, and you does that

the to the face to the murder a person who you who is

a man who is that's that's that you say that many do you

say I put the person is that I put the face of a woman

but remember that this deida called a death angel

of the death no has sex the sex so you

you and many they have a encounter with the same because

not it was a person that was a perjudic to the little

if she had had had been had perjutic it was a being

being to albert to what was to because

that is the first is the first or move-sillas. Trapa to call the

attention of the little and he didn't know the message until when he

has to this being this is with the baston of his father. But is

that, so, if I would be to me, me would be the doubt

why why the murder or what is that is that thing that

he wants that he that he's to get to

my If, of all the most, I'm going to teller. Because he wants mark me. Because he wants to assure me your existence. It would be very important

of that oh,hale, she would be to be able to communicate with us and we said, if at this moment,

o'ho, she has had been this entity every that will be to die to be a

don't too. Remember that there are many people that this ser, Lesvin and says this being and says, this is her

going to be to cure. So, possibly it's probably that's for there. That this

being called a murder the had prepared with the death of his father

to to be that that that that that that every

that someone will die of that that's that he's

he's he man, is that I'm that's a thing,

I'm that's I'm don't know, me, I'm keep in a

good story, what experience that difficult, so if you

have 10 years, no? Very difficult to all, 20 years

yeah 10 years after imagine what marko you

can you can seen the hour of the death of your father and have this energy there and have this

a chair and see how a chair and then like a a chair that was a not is that

but it and it and you mark a an orario and then then you then you

you know the bastel wow no much who's who who's who

oh yeah wow what what Yeah, what, what, what I've heard about

heard the stories that you, of the and you're and you're to be men's about another

but I'm, I said, no, this, because I know, I know, I'm going to get a

Christian, but me so much and I don't know. I'm always I'm gladiased with all the,

the invitations with the people bonita, that they they're sending all those their

evidences there's there's there's being a activity for here.

Every when when we about about those things things are going to

do this evidence, sign us and send us stories that I'm that I

want to you're to be very much and that I'm thank we're

we're we're we're we're we're we're let's let's

let's let's for. Reds social and platforms. Reds and

Valerio in the Lino of the Lus on Facebook, Instagram Christian

gion bio Valerio point official in Instagram in

TikTok Igual Chris Valerio the Nio and the

channel of YouTube the Calder of the Lose that for sure

Pronto Pronto ohal and someone me do an

interview to do it in a podcast in my channel.

You I'm with a very good. You me do you and Halloween very.

I'm just I'm just thank you thank you to thank you to all the people, I'm saying to

give you want to send us bloggereravs podcast for nubra.com I'm thank much much

if in the issue of the email they put in the never of try it be to be there

never to they're that's Anonymous, put it to the first of so that I'm

going to my story to say that we don't want to say this person, this person

does this person, this person. Thank you. Thank you for to share it for all

us and we're we're the next time. Thanks, Christia. Thank you. We're

see here in Insomnia to continue narrating the experiences reales and terrorifices

of the community and you hear those If you're

if they're