INSOMNIO - Especial de Halloween: Historias Reales de la Noche de Brujas

Episode Date: October 30, 2025

🎃 ¿Qué pasaría si una simple ofrenda o disfraz abriera la puerta a algo del más allá? 😈En este especial de Halloween de #Insomnio, junto a Christian Valerio, Alain Luna, Lourdes Gómez y Uriel Reyes, exploramos los relatos más aterradores basados en hechos reales de rituales, demonios y disfraces malditos.👻Relatos en donde se presentaron apariciones de espíritus desconocidos, y cómo un simple altar del Día de Halloween puede invocar a una presencia malvada aún rondan en busca de descanso.El Demonio Charro y La Máscara: Disfraces que cobran vida y buscan venganza, aparentan ser inofensivos, pero terminan consumiendo a la persona que los posee. 🕯Relatos de la comunidad jamás contados, donde la noche de Halloween no es solo una simple celebración, sino la noche en la que las brujas, los demonios y las maldiciones cobran vida.Es la noche más oscura del año.💀 Este especial revela que, en Halloween, no todos los espíritus vienen a celebrar…👇🏻 Capítulo especial ya disponible: Suscríbete, activa la campanita 🔔 y cuéntanos en los comentarios: ¿Cuál de estas historias te pareció más aterradora?👻Host: Fepo https://www.instagram.com/fepomx https://x.com/fepomx👻 Redes de los invitados:Uriel Reyeshttps://www.instagram.com/rdlnoficialhttps://youtube.com/@relatosdelanochehttps://www.facebook.com/relatosdelanocheAlain Lunahttps://www.instagram.com/alain_lunahttps://www.instagram.com/elgritodelalloronapodcasthttps://youtube.com/@elgritodelalloronahttps://www.facebook.com/ElGritoDeLaLloronahttps://www.facebook.com/AlainLunaOficialChristian Valeriohttps://www.instagram.com/christian_valerio.oficialhttps://youtube.com/@videntechristianvalerioLourdes Gómezhttps://www.instagram.com/insolitafamiliahttps://www.instagram.com/nochedelluviapodcasthttps://youtube.com/@nochedelluviapodcastSíguenos en redes sociales para más contenido: https://www.tiktok.com/@podcast.insomnio https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio👻 Comparte Historias, Memes y Evidencias Paranormales📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail]✨Grupo oficial de Facebook: https://www.facebook.com/groups/548487930178860💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx🛒Compra Merch Exclusiva aquí👇🏼 http://store.podcastparanormal.com/tienda/📧 Consultas empresariales: [e-mail]#Halloween #Insomnio #Fepo #Paranormal #insomniopodcast #podcast #EspecialHalloween #RelatosDeTerror #Historias #LeyendasMexicanas #AlainLuna #LourdesGómez #ChristianValerio #UrielReyes #HistoriasReales #HistoriasDeTerror #RelatosParanormales #ExperienciasParanormales #Fantasmas #Espíritus #demonios #PodcastDeTerror #NocheDeBrujas #HalloweenDelHorror #TerrorMexicano #Rituales #DisfracesMalditos #CosasParanormales #TerrorLatino

Very good days, tardes or noches. Beeman to the first special of Halloween here in Insomio.

We're going to talk some things extremely atterradoras and for that we've selected to

some of the bests and masters of the terror. And we're to start with

our great-com Christian Valerio. How you're content to be here

of new Quenta, Fepo, in some feces that's important for the

Mexicans. I always have said that the about the life for the

people is convivir with her and we not come of the sugar, we do

we make poems, but also we have stories. And we have stories that are

super avivated just for the feches that occur of the

first of November, that precede the Halloween that that, well,

that has a very interesting from Europe, it's a America, and it's in something

that's in a way, a union, both the day of the of the time, this days,

a union between the world of the people of the lives that I think

super interesting, with traditions, color, monsters, monsters, and stories atererer

to me, these feches are my favorite, and you are my favorite

Thank you. You know, you know, you know, you know, you know, this special is, since has a much time, well, this is the next time in which we're doing, but since it has been a much time, which I'd be very good. We're going to, effectively, of the murder, FEPP. we're going to like after

after to be almost metied with a misclan we'll we'll

again to know to be very good to be to be to be the emotion

my heart so the that's all the thing is something I think when you

you're when you you're when you when you get the when you do you

do you get to your places where you you see sure

is a very rare is a sentiment very rare. And to share, now see, cameras and

microphones with this community that I am with all my heart of my and that I know that this chapter.

We'll be really good to the number of the community that's not the community that's not that's a

thing to be to come to we're not does, but of what what are you? Who is? Quentan us,

please, Reads Social, what projects you have now, for what is Chrysian Valerio? Chrisian Valerio

is better known as a Luys, I'm Vindent Medium and Liberator currently I professed the religion

of Palomonte or Palomayombe and also professed the religion Yoruba malditch santaia

that I do that I do know my my don't that I have my readers social is Chris and Valerio

Aluuu on Facebook the verified because there a lot of raters that are going to pass for a servitor

and Instagram Christian guion-bajovalerio point official also the verificated no I've got TikTok and in the question of the

new projects I've got my my channel of YouTube like Christian Valer the New Law where we

we're doing new things new consultas we're we're consulting things that at the most have

got to get out of Fpo imagineate that a Vindent, as they do in the

US, they put on a mess a case specific of a of a, of a case like

Devan and Escobar or the case of Polet, that that that's, that's,

that's, and Firmex, and Firmix me said, or me exponia to all the other

criminal, but that a student with his facultes, you consulte and you tell the

the fact that that person was, and what was what what happened really with your videncia. In this case

does the case, a year of 360 degrees. That's what my channel today is to do with us to consultar those cases more fervest and consultar the lives of some creators of content. Because we're going to be, like you, sentados, quadrants,

dandons, dandons terror, but are beings humans. They're their side, they're their side occult, a side sensible, a lot where many times have a lot paranormal. And many

times they're accustomed to that normal and they're going to they're

there's there's a lot of but many times when they're when they're to come

to me a little we're that's what is what's what you

can't that's a that's a very close to you that's the same

that's the person or it can be a mano wow wow

what what what that what classical, that you say, oh, then I'm going to tell us stories, no, of terror.

Or I also, I'm going to talk to extraterrestres. So, I'm going to, like, how do they do? How do it's in the United, no see, in Mexico, etc.? It's going to say, it's like when you say,

it's a good, so, it's a part of the format, but, well, I'm evident. Sure. I'm going to put there in use and function, and me

seems super interesting. My toke, and my to consultar. And as I'm a consultant, constant, with all my people, with all my

my, my my, my, my, people, for me, are you call you're

when you're because you're monetarily, for me are not very, because they're with a case specific.

In that moment, the creator of content that, for sure, possibly, you're going

to be you're doing, you know, community, you know, and they're going to be a,

grab, and he has a little never, we've been never, And, God, so they want.

I know that the you see in the channel you're going to because you're going, now see, to consult with me. And it's, and it's,

and it's like, it's like, a consult, without, for what, what's, what's, what's,

what's, we've seen, that's been, you've been, to have, many, encounters, extraterrestres,

these, these encounters with, with these beings, but really is sure that possibly

be, that's certain, are are demonious, that's all we're going to discover in a consult. Okay,

me seems very good. Me, me, it's very very well. Amigo? A lo

that's true chencha, I think so is it is, I. I'm, I'm, I'm a

question, because if me it's, I'm going to bring with the stories, but I have a

question, before to come you, you have had been an experience, I know

that's, But I'll ask you Have you Have you Have you Have you Have you

Have you Have you Like Halloween Day of Muartos That has to be With Phantasmas Brujas

Fiatty That's A year Exactly I've An encounter With my Abuel

What? With my Abuel Exactly Has a year I remember I

I've I I'm I You've To me To be to the City of Mexico, because we

grab us with some creators of content very strong. I've been told about, for there, that... It was with with Fredelow and Chris Martin, not? They've been to a salute, and also to Kennell. And when I came to here, for the City of Mexico, I, I'd leave my altar placed,

and I've tolded that we've got to be able to my abelow paterno for some situations that passed between my father and his brothers. For the time he moire on

the Wednesday we're we're not we're not we're not we're because you're

because he's because it's a point. It was a socess very dolorous for the

family. It was a whole completely. We're not much

time. They're not they're and I didn't talk to

where my abel that with the you know you know

you know but you could make that that situation for

the respect to my father. My father, during much time, I wanted to see a father. Imagineate that you know you know to know you

that you have been to be able to be able to your father. When I came a year for the city of Mexico,

it's my old. When I'm putting his offrenda, it's my brother and me say,

I want that you see, I want to my my son. I mean my

father. So, I'll I don't, I'm so you can be, well,

you can't Because I don't I can't do something more that's out of my

can't you know you know where you know where you know the problem that

there is so if you do you do you do that my papa and

we we're we're we're we know I'm so I

do a ceremony with my preend I I'm

I'm I go to the city Mexico to

to grab for that the special of Day of Muartos with Fede of Lovie and with Tito. And to the days

exactly the 2th of November we went to a event, you know, a event of Spotify when I was my mom and me said, I want to talk

your papa with you for that when my abel when my abel me says I'm going to

because I want to you want to you want to then doble them My abuelo me

is, I'm you're going to do you when you're you're going to you're going to be

me. He's, I'm I'm a little a bit more so. But what is

that? When I go to I'm I'm going to my question. I'm going

to look at and I think, oh, well, it's a man, it's a

good, so you're going to you're going to get to you're going to

when you we've we've got to we is that we also we've a myth for those

time for those time for those time for those they're all they're all and they're

when I'm when I'm exactly I don't know I know nothing of a bit

a bit when I was soning in that a moment a song of Jesse Joe

that's that's that's when I'm when I when I'm a little a good

a good song so I I say to Tony, oh yes, how is it, come it's, he's,

he's, it's, it's that he's called a little and I'm to hear you when I'm

doing it, I think the community, you know, you know, you know, it's, it's a

question where someone is a time, and where you're saying, you're a becky

more, a bit more of that person, a visitet to the day, go, and I'm start, and I

start, I'm going, I'm as a day. A lot of times we're questioning our don't,

and we're not sure, what we've at the most is my lucura. So I'm so I'm

to get to go to the hotel and when, the day when I say we're we're going to

the event of Spotify, me kept more days, we're going to the event of Spotify and when

we said, oh yes, my mom and me say, oh yes, my papa, and me said,

Vino your abuela? came my brothers to talk us to turn to our to come to

and to say to us that they were that they were to talk about your papa Pablo

so in that so I wenty and when I went I I don't I don't the rostro

of Tony I'm the car of my father of materialized in the car of Tony

but a car very sunrient very very different. There's where you know that in those

feches, the activity paranormal is agudized. Wow, because why so, so much

time, tantos days, tantas, had to be exactly in these days. Because he

wanted to be around the days of mortals for their family unified. Wow. What

barbarity. What a barbarity. Never dejas to surprise to me,

my my real I'm am hallucinated. And it was a lot. It was something very beautiful. Of course, it was something

that's already I can't say, what I'm contend. Because it's, it's a dolor to say, we're saying, we're going to,

but my father, no. So, so it's there where me dole to say, oh'all and my father would

be to the wow, that's a barbarity. Oh, yeah, this, now that

you comment this, I think in, more a delantito some of these days

I'm going to tell in private something that that's and look how is the life.

You could have been able to have said a question of but but, but,

but, I've been so submerged in questions of the work, that, that's

me have forgotten things. Then, a rattito or then, I'll

tell you, I'll pay a good to say. Because, because, because, because,

because, I've I've known to many people that has a a little

about to talk about to be about a man of this chick that she

was something about something of Frank that in Peru

that I'm that was many many people so many

Jennifer Gomes that that that but Christian I

I know another Christian that I kept thinking

so I even even even even even even

he's called Christian and of the people and they're one and another time

but I'm that I think that the first that I'm you know you know

you're you know to the people exactly, it is certain because when someone

yeah for the first no is that I think of what I said simply

I'm I'm I'm and I'm and it's well and it

and it's well but But many people have surprised me has

superned much much and I can say, I'm to say

to say it like a inuna out of cameras the things

I've experienced with you the things I've seen

I I've seen I think I if someone

I really know if the world of the

world of the other reality exists the person

indicated to know to be a manner certain. And is you. And that's amazing. I'm always

I'm going to recognize. You know, you know, I'm going to recognize. You know, my mother.

Mouse, that's the time that's that you was to be going to be very emoconated because

even even to that's the little bit about going to say, well, and what I'm to say,

we're saying, we're very emotional. And, and again, you're on the special

of Halloween, more. But if you do you do you want a story. I'm

perfect. Uff. Surprenned me, FEPO. The benefits of being the host is.

Look. This history is called The Invitation. We're asked that were anonym

and I'm and it is a tremendous interesting. In the BISpera of Halloween,

the 30 of October, this has a very not much, a pair of years,

a couple of years, maybe is when this comes, the, the, the, the other that's the

story, that we know, we said, that's, that is the where he lives, just in front of your

house, let's the house, they, there's a park with a game,

so, then, with some people, and so, but, the, but,

the people, they're, they're, they're, they're in the can't be

the can't be the basketball, and, so they they're is the Halloween, a day

before, the Halloween, the day 30, and when they're there, you know, you know, these places

have these lights, are very very hot, and some animals nocturns see,

they're attracted for those lights. There's a lechusa blank, that are

very, very appanty and, especially in the night, that's for there going to,

so, so, so, so, more than, more than, this, more than,

this is, this his His He gets, he gets, being the lechusa, he's He says, he'll go back to see the lechusa, and the amiga comment. And the lady says, And then he's bromneando, he says,

I'll do you know, and not you burles of this type of things, because as like you you're going to you're going to to get to

you know, exactly. And he's to start to get to get me, man, it's more,

I'm sure, I'm going to go to do me. Bruja, let me, I'm going to you're going to

get at my house. And this this chick nothing just like like, like,

like, like, moving the well, well, well, but, every

kind, no? termina the reunion he's he's going to his house he's he's

he's he's he's a car a taxista so there's there's very good

because there's there's there's so there's and there's there

people are and there cost is more because it the the

he's the he's the night and he's he's a house

and the the morning. So, basically, this man, all the nights, is totally

only in house. He gets to his house after the he's always he's all and he

goes to do not. And he says that he doesn't do that dark that night.

That night he sentio much canstance so. So, it was direct, he and he

did a question of that a origita of the courtina let pass light.

But as many much Sueue that's that that's that's

that's that's a point to get to do that he and he the

space that's a space of a full complete in the

you you see you see that that that's

that that that that that that is the closet

and between the room is a the a

a a a and And he's He does He's a He's a

He's a He's a He's a He's a He's Like a So-to-the-counter Like

if you've had to have Carbone and if you would have passed on the hands and

then the car that has that the part black of the eyes

be very black and he has like a moeca of the

of nojo is there there is there but no he

is observing. And he he's thinking and and says, no, is my imagination,

is the light, it's something of the thing. So, he'll look at

front the closet, be the the room, obviously no there nothing, he's

back to the mirror to have been but he's there. But no

he's part of the light and he and he and he's to revisit

into the the room, even like he has the preys know, looking the

thing, what's what I'm a little he's not he's not he doesn't he's

simply well, well, well, then I'm going to do not no,

no, no matter again, then it again, he'll be to go to go

to be to be in his bit, he's got, he's got to get to

get to a sound, and I the sillions of the cell and sound like, bam,

immediately in his mind has a construction mental. It's like if someone was going to

the sillions. But they're no, I mean no, I mean no, that's a lot of a lot of maybe a

person, that's that's a guy, that there's a person, what I'm to do? So,

so he's he's he's he's he's, he's, in the closet,

and he's and he's arm the door and from the door and from he's the door and from

he's so no no, we're not we're not even even even to go in

the ventana has protection has barrotes come to the room and then

there's no that's that's that's that's it's it's

it's there nothing everything all all there's nothing.

Apag the lights and then the room to get the batte in a zone there

is a go to go to again the sound no it's no I mean

I'm I'm just I'm what is this he's this never again

he's he's what is what is this what is what is what is he's going to

start to discover something and to discover something it's detient

the sound. And when it's there in the room, trying to to look an explanation logic,

the pronto, the radio in a volume in a high-s- but not a

station, but directly directly to the noise black. And it is spant and,

and when it's a little, the radio, the radio of a radio, the right,

the sound, and after the The noise blank, it started to hear a

murmur a loud of a pique it's go on the

ender the clare the cable and he unconnected and he kept for a moment

thinking maybe he put a alarm and it's on

my papa I said no this no this no

can be a sound the I better me to

go to to sleep. He goes to his fourth rapidly and he's

but obviously yeah what he had had disappeared totally.

He's disappeared totally and he then his cellular and

he starts things in the social then he's he he's

he he's to see these photographs not start to be

those photos that he took with those the

when the person, friends, and amygias, when, de-pronto, you know, it's very tired. Yeah, yeah, me is going to doorking. Blocked the telephone, it's a little bit of him, he's a common, he's a moment, it's abe and he's there

he's he's and he and he and he and when it's there

there's there there is a horrible the the the

the no is so so is so is

like he's like with a robon black so

so so and and manch not he has

no the so the The in the in the

longed silas psalida but what the most he is that this woman

in a other an an ojo normal is totally

black and the iris is black and also not

not is the feet, is in the floor, like if were an animal, a point to

attack, hands and feet in the piece in the piece, looking it directly to him,

a one meter, two meters, two meters, in his camera, so.

And he he, he, and he feels that the heart is to

be to get to the the the the the no matter

how times I'm the woman physically is there and he he's

he can move he's he when he he he's she

and he he's she the she the he's and he

and he has he's he's he's he's he's he's

he's to have to have a Trata to calm And this woman

is only She's smiling And she thinks I'm going to I'm going to All right my energies I'm

Like if Fereinkar POM And And so And One Two

Three And three And And brink And so In effect It's So it's

So When it's As As As As As brink,

it's like sat down in the camera. And this woman or a

thing that is there when he brinked he balances to him. But he

he kind of and in the other to haveent to him he,

he abienta behind the camera and he he

then he then he he he he he He says that

he's not He's not He's going to He's going to He's kept waiting Until that He gets a And he gets a

And the fact The fact that He gets His father He makes Dorme In all Those hours

That's He was He was At the Baio, Be the A bit of His

He's He's He's He's No No, there No No

No No No and now not occurred nothing but obviously

he's the dream he had totally passed some years

and he he thought he thought he was he said that 31 of October

well previous to 31 of October but yeah madugada you

about was the the he he said he about he

he said a maybe was a whole a a

but a but a day when when he thinks that discover something, is that there's

an odor askeeros in his room. Terrible. He is sure that there's a rat that a man

in some point of his apartment. And he starts, hevante the colchon, remove

all of the closet, and the odor is there penetrante askeeros and what is what

is what he's going? No he's a animal the whole, no matter, you know,

he's got to go, he's got to the bathroom, and when he's been so on, he's the

odor, and he's the thing, he's that's the tally with the jabon, he's he's a three

times and he's he, and it's he, apesta, horrible. Tantto that,

well, obviously, the papa, he says, what, what's, what? to be, is your

or what? He says, no, Papa, are I? I'm not, that's not that's not not a normal.

You know, you know, so you're to go to the school, so he's going to, and he gets like, this person apesta.

When he gets, the medical he says, let me revisit to, not you're preoccupies, these things pass,

and he starts and he to discover that he has a abcesse in the spada. It's there where

it's all of the odor. He says, look, it's normal. Surely it's

like a gas that's kind of encapsulated and as the abscesse well, yeah,

it's all putrefacto and that is what apesta. But no you're we're going

to do an intervention rapid, anesthesia, abrimed, we're we're doing, and we

he's just, and he's favor? I mean, he said, for, for favor. Well,

it's a moment of the intervention. They put in anesthesia, the medical is there is there

he's a costadito, et cetera. I'm going to start the incision. He's that he

felt like if you're like if they're like if they're like this and then

he's a question and the doctor, no it can get a grita, grita of the impression.

Because in the moment in the moment in the moment in the matter that's out of the matter that isle, salens, and mosques. Mosquitas,

chiquitas, are you going. And gusanos. Well, the medical first is impression. This is to rollar. It's, it's,

it's very complexissimo, terminan to clean them, sierra, and he says, it's a case extrano, but if it's

a pass- but you had a obsessive, with the car yeah putrefacta, this

should have occurred for some an accident, that then lastimed the the body, the muscle,

etc. He was died, he was putrefacto and some insect, a moscka of this

type, that the larvas are the larvae they're put,

deposito those webicos, and for so you'd have all that putrefaction into you? But,

yeah it's done. Yeah, finalized. He limpe and all he and he he's over.

And he says he, well, yeah, all right. He gets to his house, he's

to sleep, no can't do you don't know with the back on the colchon,

obviously for the operation, so he he's he's and he he's

a lot a sensation that took the first the first kind of frio. And

open the eyes. And there is the woman. But you know is

in the piece. It's with his eyes black, with the iris black

and he has a little and he can't move. Camines to him he,

he put to back down and you see how this woman sient

the man soo in his spalla. He said he has got to

pass that paralice of the dream and see a woman to one of the

night but that is the bad. He was to go to say and he

went to the medical and he had three abscesses and

he said I go with with doctors with chamanes

with sacerdotes and all me have said the respect to a a brao

a brao a boy nobody can't help how far that that's

that actually that is the that it's the that is the burl

the pho of these deities of these entities entities of

the people because they're to be to be to

the Trinity. So, the that he has taken in this moment those three accesses, we're talking that is something is a little demoniac

and there's a no oppression but yeah a position because your body is a positional. Is, is the spirit

of a woman that was a person who was a person or is something is that is that, look,

in the world esoterical But, acortez that also the brujas many times are to use mortals. That is the

boy. That is the and what is what is that this class of deities are puros

but me are to my force as a like a for my maldades. So those

mortals that get to have to have the side soce or the light

so-as-curo it's like if it were in a battery of car.

those who are to maintain, or will maintain vivor and but what happens when when a person like a bruise these deities of mortals is to go to the other plan spiritual? These deities,

those which you atast and you've used in life for that they're torturing persons, you're going to be and will be with you. In other side spiritual we're in the

same position for that she was there for that he was he but not in a good manner

it's like a signal of this this ser that I used also also I'm and I

still torturing me of you to be three deities imagineate that this this person is a

great fete because I you take I'm a story too very

very and and it has to have to with the thirty one has

to be with our traditions Mexican. With those altars of mortars, with that, we're going to pass some days, not the

30, or the 131, my history commenced and also, of the way, we're going

to a person, the which we're going to maintain in anonymat and we know this

person, a story in a third person. Because, because he passed to a

friend of him. And, and, and, and, and, and, the year 19, the, the 20, 19. I think that the 20, 19, for

all, the 2019, I think, marked, I think, the history of the world. But, also, the story,

of a character called Raoul. And is that Raul, the 1st of November of the year, 1919,

in the colony of the valley, here in the city of Mexico, for those festivities,

I've I've always said that you're we're saying, we're doing the offrenda, visient to our catrinas, putting those

pannes of mortals, eligiento the best calaveritas of sugar. He had a,

a descendency to put these altars of but also unrespectuos Raul. Irspetuous

in the sense that he not he had a respect to those Ceres transcended. And he said, I'm going to put my offrenda, but, well, this offender

that I'm putting, malamente, in voice Alta, says Raul, well, it's also for the almas that they want to rimar. And he put his offrenda. He begins to put the pan of Mewarto, the flowers, the Sempasuchil, prende, all his velarers, and he'll bea's offrenda. And will be to say in front of the altar, the same. It's for me, ma'ampton. It's for my mom, but also for the

almas that want to get to do you. Malminted. Because you are you are opening a

door to a little a little to your house, to all the allas that are you

want to get. But what you think? The 2 November, if you incitats,

not only only are to come our our people. And what what What does with the history of Raour?

That all the beautiful in our tradition is to turn to terror. He gets the day two, the day first, put his offrenda and still insisting constantly is for my mom but also for all the

almas that they want to get to. At the day next, he's going to and at the time, he did a count of

something very particular. When he came, they were all the monecos that were in one of his alacena

tirados in the piece. He caused a little strangeece maybe? Where not he

caused strangeness is that there was a a specific that was

of his mother and that he never had liked but that was

not he was not he was this was the

was a the foot. This muke, something or someone had been taken, or he had

caught, but was at the end of the time. The time, the cansancy to come of the

work, then he did it to do more. That's he was he was

to go to go to he's recuester in his and in the madugas he's

part again to say what what was. Raul he put to check his cameras, preends your

television, and connect to your application to be what was what had happened in that was

what had tried to those objects that were in the piece but that

is a muke of a surprise when he he started the video

he did know that the elements not they had been they were, they were

like if it was a man but that that was like if was a

umu like something that was that was something that's material

and and conform he was going to the part it was

being more visible and that that that he had all the elements

that were there a manner bruska, of a way with courage and with

sanya. But especially that muneco he took with that man and he'll

he's he he wanted he had to some but he had a

little a little he began to turn as like like

something something and says maybe is my imagination he

He went again to his abitation, and he does a count that the environment was a little pesado. Yeah, not an ambient of celebration, of Day of Mewertos, to eat pan of Mewart, but simply and simply, he felt observed by someone or for something that not was good.

of new a new account Raul decided to go to and put one of

his cameras exactly in that al-a-mortes at the day next Raul

is his work as a everyday it's a person to

be checking what was what was that Raul before

to he's he does curiosity and he works to check his

cameras before to go to do the and he does a question

that he a he's he's he's he's a he's

a a woman and he he says is my mom is that he came

he was he was he was he was he he's he was

he he was he was he he was he was he's

a marg when he He left this camera Fija Vulteating Toe

Toil From the From From his Cellular Bella the application And he

does know that the Veladoars of the Altar of But you

had one in specific that started To like

as the air had electricity and every more

and more and more intense So he he he's

to call the attention because he had on

tonid that's a true that's to hear to the application of his

cameras in the cellar when he's to start to say

there's there there there a accident in my house

he and he does see that that see

of that that that that that woman and

he says he is my mother when that that

the rost that no it's It's like if it was water, hum, but it's

a form, to materialize a through that's a telephone cellular. And it's a question

because no is the rostro of her mother. It's a rostro of an anciana

very, very palida and a rostro of an anian with much

odio, much courage, but with a a smile burlona with a

sonrisa from a here I'm invoked here here I'm you're

you're you're you want you want to when when he does

he is real to be very of what he's seeing what he

is a time when when of the right you

not is a he does know that is

all the whole the person material in front of the offrenda. A rosts palid,

a rostro of an anciana, well, a crissue, and a rostrolesque. He said Raoul that it had that she

had had a bellow in his head. When this entity, energy, was in front of the

altar, he begins to doltas and one of the veleders, exactly the that was don'toning, it's a key.

In questions of seconds, the altar is a incendiary. He's a mind that not his mother. In that moment, he does know that

the energy that is there want to provoke something energetically and it. He's going to his work

to do that to do that moment to his house to talk to

talk to the bombers because yeah the people the

people the surprise or the thing is that that

was that when he was going and he would

be that he at the application of his

cell he saw how his house was he

was a cause of this energy or this

deida to go checking his cellulat he not that he does that that he was he was going to

a coach and he he'd he terminate in the hospital when they're calling to his family they're to tell us

that was that was debating that was that maybe not would that night when Raul he went in

he had had been his house. She had consumed the yams. He had

consumed all what was of his patrimonial. And in that moment he put to

think what he had invited that the first of November to all

the all the that were transitating that at the

they can't not they and to go to his house and see that there's a that you're

that you're and invoked a and invoked a and that you're always to be being conscientient

of what that's because the energies that are rondandot you are to bedece

from that's then Fepo Raul decided not to not

put a altar of Murtos since the day of Murtos

pass despercied in the life of Raul And in this moment I can't say that for Raul

the festivity of the day of Muartos is a recordatorio of who you to invite to to eat in that offrends Wow

That's How good Wow Howe How do you For hand Fiatte the two Stories

No For demand a Burlona To say I I'm I'm I'm

I'm I'm And that's woman, he said, okay? I, like, as

like I'm saying, you go, I'm you're going, me's vows, me,

you know, and you go to be to come in. And I always I've said in those

festivities, all valadora, all offender, the offender, the deempsionar. Because what you

do you know intentsion is you're to invite to energies that can be of

the as a story that you me contases and like the story of Raoul.

That's incredible. And, well, I think that even it's like an advertency

more than a question. With the world of the mortals? No, it's not you

invite. No, you know, energies, Fepo, that you know, you know

you know they're going to bedece they're what they're they're they're to be

their attention, to be visible. And this class of energies in these days they're agudicum with a more facility. No, it's the

movie of Coco. No is fiction. Existee. Pasa. And this is millennial of our country Mexican.

There's a Misklan. It's an Misklan. What is what is what happens that are these

energies Muertos, deities, but also demons. Firt. Firt. We're coming.

We're going to, we're very very. Amigo, you're a thank you. We're going to give the

past to our next next on this special of Halloween here in Insom. I'm very. I'm very

for participating with us. Much thanks, community. Much thanks, Feppo. And keep

to the final because this every is going to put more more turbio. And Compartan.

Alain Luna. Thank for to be with us here in this special of Halloween of Insomnia. How is you,

Fepo, content to be with stories and a lot of a lot of and it's a pleasure to be here.

Much of thanks. Look, today I've announced that are mysters and masters of terror,

but in your case, as to be a master, I think you're, you're, this, you

have done so it's here to be here with us over that you do this special of Halloween and

of all the whole what we do. The community and I give us the welcome. But, even as

as it's customary, and for if there's a despistado and the line Luna? We can't

tell, for favor, and your networks? Okay. The truth is that has learned

much of you're on your social. Our news we're not a new time. Or,

like Alain Luna us can find out. There are all the material We've been having.

Very very good, very good, my friend, my good,

okay, and we first of the question, I'm a question, I'm a question,

I know that you've been your time, you have been there's a story, you know,

that you have done, you've to have done, referent to these feches?

There's a very personal, that I think, I've not been in any

podcast because it has to have to with with Halloween. In my house,

never he used to do first to get a Halloween just because

my father on the on the year. In one occasion, I'm

I'm in a time, we're we're we're we're like the kids,

they were to the guys dishrasasas or with antifaces and really

we don't we don't we're the possibility to buy a little a

different a my mom, what was to make to cartulina, an antiface, and that was all the disfraise.

Recurred that a day of Halloween we know we we're nothered of a notice very strong of where I lived. Resulte that, as it was a customary, the children were to talk house by house,

to dovesura, he's used to get to venting to the cars that pass. But that Halloween was different because there was a tragedy

very close of my home. One of the the little that came to do you want to

go to do you know, he was disraceated, when I'm a vehicle and technically

he'd get a life. When we were we went to the school. I remember

like if had been yesterday. Exactly the place where the little

had fellesied got obviously the manch matick that

during there had impregnada. You pass and and the

sadness, the and a part of that in this place, much people that the little bit

saying that was not like the the door that he had falleces but but that

that's a legria to pay and there's people who there was a madrugated

that said that he had he wasomable and no there they were

they they were they're they're they're they're they're they're

they're they're that they're that happy, his ultimate day,

that simply his energy kept in that's the thing. Obviously, a part of this,

we're not we're not going to do you know, but there stories if you're

you're with rituals that the people have done that they are very very delicate

and that I'd do you do to the people, no do they're not they're

not they're not move on things that not know because it may you do you

you do you may mannest simply with a rasguinue, or amazks with a morete, or simply and something, and something, and something, and something, and something, if you're going to bearding the corduera, and, de a repent

you know, really the energies that you know, you know, you know,

you know, you know, with what you've to say, I'm going to remember to what is

exactly this, this this, this, this time, I had I 13 years, me

it was, 13 years in these days, and just the advertency that you last,

this was what occurred. It's breve. Where I live, in front some

houses more to the other little bit of a little more young than I was, if I

had 13, I'd 11 years. And a person, well, is a person is a

person super intelligent, super little, his papas, too, but in

that moment of adolescence infancy, like no many people are with him. Because

what we when we were to go to play football and basketball but he he played basketball like you

and that's never they're playing football and when we we're playing football he had a ability

to go to get a little so nobody nobody he was he was but well

it was a was a situation so when when he gets to the fecha of Halloween

I'm I'm I don't like much these things. I'm a man who

is a carlos, that is like my my friend, this this chico

that I'm to omit his name for respect and I, and I let's to say

about the about the about the and the blah blah blah and he he was

he was that I'm that I'm doing a little exactly to the one

the tigeras you know. We're we're not because and we met him to the house

and I got in that moment that I didn't exactly how it's a but not he was a little bit of

so that what we did is that we're we're going to we're making the hand us the book for that's

exactly the middle and we're just the book that's the table of the, emotion and and all

obviously because it's called on the book the book so there really no there's a

question and we're a question and we're going to and we're and we're and we're we're

the book not so it was and when he took to him I think I think

he was I'm that he he was he put he he put his his head

in the tigera he's he's he's he said he said he's

he A series of things like, without say grosserias, but I said, A-be- I'm-a-

can't-a- do you, car-ah-o- can't present? And the the book, I'm sure, giro.

And in the movement of being so that's so- we're, we're, we're just

the tigerns and we came to the house. When we we came to the we've got

to the doors were in-cerned. And, And then there no way to enter. Stubbing us, blah, blah, blah, until that, well, they've got to

get back. And, well, he was reaganed, et cetera, and he put to enter to his house. I was that way, I mean, I, I was, I mean, I was, I was the problem

is this. More or less three days after, they got on the bombers. So, he quimed his house.

No. I was, I was watching when he saw it, like, it's a paced the TV and a

shispas in the part of the back at the I'm going to get a

and what you know was to put to get to get a water but it's

a fire provoked by the electricity when he he turned much more

more more more and he got with the of the people

he he was he was he was saying it's that's that

was that was there was they were that was

being Yeah, when they got those bombers, then the fire was great. That's great. There's a phrase of a movie that says, They're here. They're behind of you.

Dethrase of every and I'm totally of course. Only are you are going to that you're going to you're going to exactly.

Exactly, my God. Uff. And it's a lot. It's a lot. It's really. And just we're

just about that's learning that with all the stories. Exactly. What story us to tell?

The story that I want to have to do you have been much with

the Halloween just it's a story when I come in

I'm that I provoked me I'm thinking in the

responsibility that we get to commit to to

get and you and you and the people

and this this this muca this wika and

me I mean I want to give it to tell you and it's easy say okay let me let me to analyze

it to talk about with more people without the repercussions that could have to

you know I'm going to first personally for this gancho that

I've got to the story this story is the

mask the in Halloween of 2018 a Santiago Sandoval

in via and he's he says he he said he was very normal to get to him

just the time he was he was very emotional because with other people were to

do you know a normal see movies of terror and some some

some some some that were not out of the not far not

he had been thought any invocation any This was in the Colonia Portals. Platicca that one of his friends,

to know Charles, had gone recently to a tangoes, known as the tangis of the biga, and that in this recorried, he found many

things, but there was one that was a attention, a maskara, a maskara, a maskara of latex that was

a little much painted, discuidada, a little rota of a costado, a maskara that had a a smile terror d'n.

And some eyes and those eyes and those and heqos. He asked how cost

he said he said and where is this mask? Well, this maskera pertaincy

to an old school of the theater is the only

that I don't more information my friend Carlos decided to

buy her it's a day of the festival of Halloween he got with the mask

Carlos and we all we're we're something something something

was it was a sort of it's more aterrador like

the mask we're we're we're we we know we're

we're we're we're a moment where another of

the other of the friends, it was a good idea to go to the call Halloween or

maybe to be a person. That friend was Raul. Raul he asked the mask

to Carlos, he was he put to the front of the we know,

I'll see how the attitude of Raul changed for complete. It was in

the a spejo and first was a carcacada a terracada, like of terror. He knew that something was going to all those who were there, we know that was about

we were in the house with Raoul with the mask pusta and we started to comeinar. Of a repent a person a little taken to a side of Raul and

chock with him. Raul he looked to be, he'll get, and he gets to to goleapar it to to help me a

without passion, without compassion pardon he was he'd he'd he'd

he'd he'd he'd and he he'd he'd he'd goate and

we'd we'd we'd get to him he'd get to the

policeia obviously forcegee with Raul they'd they'd get to this person

and they're they're They were the last time that we've seen this maskar Raul

dured exactly a year in the carcel obviously what they've had passed

never had never had had had been a another that

had some a problem psychiatric but the authorities dictamined

that was that was a brought a psychotic I

repito never never had never a person of the most normal. After a year in the carcel,

where Raul was a masker, Raul, was he saw in the mirror and he had this maskar upuester. Sin embargo,

when he asked to him, he had passed that night, he not recordable. The only that was

had to have got to that the year, not he had had

When he came the police, he simply was a rostro of a person disconcerted that not was

what had passed. More a year after he was going these traumas with this

dolor of having per a year of his life without what he had

done, but so remember that that terrible maskara

the the first was we was the group of

the group of the people of the that the Fiesta. He we

remember what had passed and he said he said that

he said he was he said he he was he started to reincor

to the work and in an occasion he is

up a bus dirh dirigient to a day

normal laboral in this transl he sub a group

of people This group of persons They're They're all They're all They're all Saying grosseries

Pegandoless Raul no He was able to be When he was to He was to take Toes, he'd To go to one of the persons

To one of the Assaultants He had the Mascar up Obviously This was He'd also He'd be yeah

The Agressivity with that they were assaulting. He quits all their pertencies to the people and they're

down from the microbus and was agached some two of quadras Raul

and in when it was the first he back he was what was

was to be to get to get to start to start

absolutely everything what had passed that that mask

and that mask and I see the story with

this phrase, and this I will say textual, and at final came a moralehy important. That maskara no had a dwean, I had a wespet,

a demonio that only needed a rostro to go back to go back. Repet, how many times we take

things of people that we should we should have to have to takegis and we

We'll buy things maybe for the price, maybe for the good, that we're not we're a person

that recently fellacy. If it's of a person that recently he quit the life to someone,

or if it's a person that was that's impregnated of some demonio. Tengamus

We're much care. Wow. Look, when they said it was of an

work of a theater, I mean, the school of theater, Like a, like a

company theatrical. A company a team of a company theatrical. You know,

I'm many many people in the school national of the theater,

actors, actresses of all. And I know, I've done a question to one

this people are and train for that their body be like

a titere. And there two techniques, where you control the titerre or permitting that the conscience of the personage

control the titre. When they're used a masker, it's an extension more of the tool of your body. If you are you making, that a conscience external, take control of your body, but

you're put to the maskara, that maskara literally was impregnated of something that I knew how controlling. Very very

very. You know, you know, Cued. Cuitado. Now, those who we need to

think two times, really is actually is actually there's a there, or detras

of him, I've known stories of persons that that are also to the part

of the actuation, and there are actors that not were in the John, characters that

not in the film. That that was a minute that's that's

not a woman, it's an actress, that's as a part of the elenco, because it's

there. Maybe they could think that was a plus, an extra for that work,

for that moment, but when they're there's no, there's very common

to hear this type of stories. What fascinating, you know, even

the to think that look I'm going to say something and I

think you know you know you know a year I read a a one of a

specific I'll take much careful with this in this place in this

studio in a moment there were two people who took

a fatal fatal final no I don't even I'm going to mention

us we're that who I'm who I'm who concurda perfectly

with the description that I did of the person that I know

but there a interesting when I saw that person previously I was

I previously I'm to Femmex Alcoris and if we

are we're not is that is here have lived other persons but we're we're

the people of the people of the people of we're doing we're doing we're we're playing

weas we have weh weha although we're not we're using we're we're invocating

to that energy we're we're having the door all the days all the days

and then it's common that this, as a moment as a work of the theater, are people

invocating a person that's not a person who's a personages fictitious and they're

an door, it's like an invocation of a group of people reviving

something of the past there. There's there a little

there. Because she has a work of a know that is only

an object to have like a fond. No, you know, me you know?

Totally. Think in that history of this house that is antiquis, and that I'm sure

that every rinkon can be something. Think, for example, in that the room

of the one of maybe was of a woman adult that had been in that

was in that could be escaleras and that in some moment here fellacy. Think

in that each one of these abutations resguardable a story different of persons

that who did say in some not regress to work to work

and that just here where we were this was the

camera some person was up with superstitions thinking

that had to get to get to the right and

that in some moment he PUD PASED These are

impregnated of something. I'm sure that the people who see in the episode will be

going to feel. Because the energy that there is here, it's here to

do you? Did you? Did you? Someone of the team did you something?

Why? Because you described what happened? Can you talk to who I'm going to

before to be I'm going to do you know, Valerio has to or Valerio did you

but I've been to this forum. Uh-huh. So, I'm going to do you know something.

No, no, no. Only that that I felt like that's that's

I was going to get to the story. I sawia this person. For the At the I thought I thought that

I was going to and thence. Because this person was not in that moment. And he I said to Saul and

Firmix that they were to come back. So they went to be there no there no other here.

I described the person and Lulu was with Alcoris and I someone and said he

said a two persons as you said that one day they went and not They don't have because they were

an accident. And a woman. And they've been here. What you did you the woman

is literal. For this I'm wondering that if someone to say anyone to say someone did

something? No. Okay. But is that's a that's a that

transmite and just see what you have in the mess, what there is the

there, I think that all they about. And it will get a moment in

that they're going to talk to talk to the people that can they can talk.

And I think you're one of they're going to do you want to move it. Oh,

my, that me things, I'm, I'm, I'm nervous. But,

that's a barbaro, that's, that's, I'm a barbar, hey, I'm very you know,

you know how to do you know, of the that I'm impressioned never never to

when I'm to forget when you know when you the liberation or exorcism and that

all of so I'm never never I'll forget that that we got that that was

that it was super dense and you're you just about

the point the a grad more more more than is that there

always there things just he said to Fermex that

the story, I'm I'm engaged much with she's you know I'm

really to tell you know, I'm nervous to talk to talk about me I'm sure

I'm like to ask you know but when I said, I'm that this

story had something that we had to be to and that only

I'm really a way one I'm quite much to

learn but this story was more yeah that

that that that that Oh, my, my Godine. Muchismas, thank you.

Muchismas we're going to our next invite to our thank you a lot of the report. Repetons your

social. Perfect. We're going to The Grito of the Yorona or like Alain Luna. There can

checker the material. Fepo, it's a pleasure to be to be and they

can't be. Thanks. Dercansk Amiga. You're the good to do the special of

Halloween in insomni How has been? Very well. Muchismas thanks for invite me again.

In some these times such speciales for our things, no? If there's a moment

of the year in the that is more magical that never to talk to be this.

So, thank for to come me. No, man, muchissimas thanks.

The fact is that you know, always we're always we're in all the

can't participate with us you, I know I know and every that we

go to we're to go to I'm going to say to who's but generally the public

always we're to remember to some some people to get a and that constant is

always say for favor tell to Lourdes Gomes that is a crack

that we're that we're when he comes when he makes

much I'm much and the truth and the fact we're we're

with your participation, always. Well, I'm a much illusion because I consider part of the family

paranormal. You debo much, I always no, no. Yes, because when I started my

channel, in when I said, me, you're just the man, there you were,

there's a pleasure. What I do and what I do, in grand part is, also to

this grand family, of the that I'm part, and for so, I want to come.

It's a pleasure and texterned the thanks always of a way public because it so. Much thanks.

Much thanks. I'm so super honrado. Amiga, I have a question because, well,

we know, this question that in these first of 31, well, from the 30,

no, 30, 31, 1, and 2 of November, is this belo of the

that's in many cultures, and here in this part of America, more than Latin America,

like we've become in a series of traditions very, very good, but very coloried, very different.

And you have studied much of what has to do you with these cultures, from Europe,

Africa, and to America and to back. What can you can commenter of this?

Well, fiftate that there two moments of the year clave where that

veal that Key. And it would what in parapsychology, we're times of ruptura or zones liminales, limit. Because are the rupture? Because are two moments in the case in the case where we pass us,

we're in the part in the year, near to the solsticey in-viernoissee, but is near to, at a-onexio of the to-onoxio-o-o-oio-o. there in that Inter and the night of San Juan, 24 of June, which is the other

great fecha, the solsticey of the verano importantissimo for all the cultures of the world, where the

tradition is sure that is sure that is an portal, that for a bit of that

communication and that connection between our world and the other realities

if one is capable to connect with the more there. In the case

of this a festival in concrete, the time when it's the day of Muartos, Halloween, all the Santos. It's a fiesta that comes of the Celtas, of the tradition

European, of the tradition magic, pagan, that was a few years in this part of the world. All the cultures of Europe

considerable that in this epoch was that was that was there was another thing interesting.

There had to There had to make a noise, disfrazzarious, that allurey to receive with alegia to those that were to present to, for that, well, they'd be content. And no, no, us make juggartas all the long of the year. That is the origin, the Samain Celtic, where it was to celebrate the life

because it had a period very durow, the winter, where the caressia of food was important. and not they're really, and that's unne with the tradition pre-Hispanica, if the sun

would be to have the potency that has when she it's in springa and the winter

is the period of letargo of the nature where is dormida is a but renace

every everymere so we're to celebrate because we're to enter in that period

dark, Invernal, a usencia of life, the arboles pierden their eyes, no there

are fruit, nothing is growing, they need to that connection with the people, that we

celebrate us, not only the life and the life and the both concepts are in

the power of the renacimient and it's also very interesting because

it sometimes we know we we're we're we're but it's like if

someone would have implanted a series of reglass that for that could have this animal

has to be an scarcity and for that those beings are not prepared

and they let us let us let him so the be low so so that

these feches for that his families transendid and other things

they record this they're they're they're they're they're they

These two worlds in a manner clear. So, and then a part that comes of the tradition

pre-Hispaniac is see the life as a cycle. We're not we're not used to

that our society. So, we're we're we're and we're we're

we're like a line, a timeline and that is the life. If one

you can see in the natural is cycles. cycles of and low and

the proper life of a person is of the old and back and it's

one of the things I think that's that's that we're because one

you know when is the crest of the wall that never and

vice versa then then they're very in America that we're

that it's the year but if God want

if the gods if the the aliento that needs the sun, willvera other way to bring up

in the year and in the firmament and will be producing those cycles astronomical that mark

the life and the and the base of this is the food. Much times

we're about the magic, but we don't we don't know the importance of the

supervience of the food. The base of these traditions magic is

to give the natural to the agriculture, for that the cycles of co-cheas be seen

producing. So if we're retro-traem to what would be the origin when the person human is

and he he's a nomad, he makes to domestic species vegetal and it needs to live

control the different movements of the astros because then they know what

are the period of the the time, recogida, etc. of the

natural That's the cycle of the life, of the that we're part, when we're going to our body and that's

other species, but we're we're going our cycle. Here in America it was very clear, and for that

in America, the murder is a party and is the life. Wow, it's certain.

I'm even I'm really, I just me The most part of the world in all the planet, the murder is taboo, the death is a lot, the murder is luto,

the Negro is a little negative. And here, in America and especially in Mexico, is the only the world that, through the syncretism, of what we have of the herencia pre-ispanica, and of what he was similar that they've got

said, a despite of the imposition, that's the wisdom, the, the people

American, is the only place of the world where the murder not is

a not it, it's a moment, it's a motivation, because nobody

has to come to come to what you know, that is, that is,

the that is, the thing, that is a past more of the

life, that is the re-encontrater, after to superer the view of

your people, no, no, there's no, there's a trauma

for many people. I, I'm, I'm, I'm, I'm, I'm

in all the libraries, there, there's a place for the

duel. No know we know. The majority of psychologists

have their consults full for the duels. The

trauma that that we're not we don't know we're not going we're

not quite a negative absolutely if we're we're the

same that I in this part of the world and what perpetuam every

year in these fiestas not we don't need of that

the because it's a part more of the

cycle like to pass the child and whatever

other moment vital so is so is so is

it is is to that that fear that be a negative, obscure,

or scuro, terrible, and respect it. As a process, as cycle, how what is, prepare.

As we know, they're not, as a quite, that's a way to talk,

because it is a malo, they need, the prepare you for that moment.

In the antiqued the people sabia was a person to prepare

to the good to do the example of Carlos Kinto, that was the person most powerful, nieto of the Reyes Catholic, that was in the Edad Media in the world.

He was he had all. No, there was a monarch in the planet PEPO that had the power that he had. And, after the surprise of his court, he, of one day to another, decide to have all to do. And he went to a convento. He went to the natural

At the middle of the because you go to prepare me for the good to die. He considered that he had many many

the world many the world because he was an appasionate of the science and pagaba many

investigations scientific and the church he said that was he said he he was

he had in his back we all we all we're that we all

we're all we're a mochila emotional important And he he he has all the he's all the

things to like a man he's without absolutely adjust in in Estremadura Spain

to prepare and then prepare and do you know you know he's his day

a day in the monastery was only he was only to one he was

a little a unlaw Juanelo Turriano a person enigmatic of

that we could we can talk another day that he was dedicated to try to

control the time he had all all and he had a much

obsession about how medir the God and he was in Juste

and he was to ask to ask you to ask to the monjes

one and other every every days from his every

little a little of the convento, he had a funeral, the atahus, some of he'd

to get into the the the new of the the monarch, the

most important of the planet in that but he needed a portal, a a portal

that he directly to the and the art create portals. So, Carlos Vinto He called Aticiano

to one of the artists most important of his moment and he he's a picture. Today is the that is the collection of

that era of the Museum of Prado in Madrid. It's a glory. It's a quadro gigantesco

where appears the skylo and in the part of the back is to Carlos

Kinto with the crown in the soil, is disprovisto of any sign of

greatness, vestido of a black like a animal, like a animal, like a

phantasm. Pida, Ticiano, that he paint like a a family, and

to the his wife, to the mother, also as a other, because he wanted

that he was the second in the time to the portal eternal.

And he pressionable much, or mandabaes the emissaries, how you go, Maestrotitian, how you're pressionable because

he sentia the aliento of the death in the end of the house. The quadro came to and for the

chronicles geronimas of the Monasterio of Juste we know how were those those

little times. Manda that he they're in the quadro when he sent

that the murder when the last hours describe the chronist that was

in trance. He was there, but he was there. Practically no respond to stimuli physical. His pupils

were fixed in the glory of Titian and was his port of access to the sky.

The monarch more powerful of the earth that was up that I can

clean and algerer the alma and puter with the divinidad

before to start to get to get to a little.

And that is something Catholic, that's something universal. It's the

famous juicio of the piece of the life and the pluma. That's

universal. And we know, the prepare us to do that that's not?

No I didn't know this I had to have to have like

various moments of connection with this that you have to comment

recently me can't tell you it's a brief story that me told to

someone that's that is a little but now that now now that

was a very very and in a moment I had the sensation

of that that that yeah no I'm there so

so I'm with with I'm with I'm So, but well,

this is this reality, and then I discovered something that has to be more or less than this. And, after this event, that I don't want to, as I mention it

to be a lot, I'm thinking to many, many, many, things. Like, for example, if really I can't or not,

to get, that the people, I'm, I'm obsessed with that, a contact extraterrestrial. If it's

my will be to make in this life before that it's

that I physically be there and if so how I can do that

how I can get that is a good very very profound

so so so you know something something I'm very

so I'm need with my my person, my mind, those things

that I say not like a dispegene, but like to aligerate the spirit for that then then they

can't fixer in a person. And well, but I think it extraordinary. Everything

all over something. All right. All right. You know, if we're to the stories of

Halloween? We're going to pass a little a little terrorific. Something something

terrorific. I've talked a history a lot really and is that is

necessary that we explain that these that are that are positive have their

part of the part of the unnecess not? For the people

super religious that think that celebrate this type of

events is a more and it's something that then

then they are in the same sack to any person that's

not a other other side, the people that effectively they're in a manner

errone they're they're these for to be negative and to

do you and that is the most terrorific to me me has

talked a story that me has a thing because the

terror for me not the part of the the phantasas and

the spirit that me apposion the terror real is with

who we've convivism physically in this world. So the history is a

fiesta of Bruck that's the title is a friend of insomnia of the

community paranormal that we have sent it to form anonim because

a past that after a years that has

occurred the even still we're we're we're situation.

Okay. He, uh, all he's a year when was in the

prepa, in the preparatoria in plena adolescence. It's typical that in these

days of year, then they're so on all, and so it and so it's normal

in Mexico, for the most, that there people announcing fiestas, vending

boletos for fiestas. And one of these days of the feches

the time of Halloween and the Mired a month of November this friend of

the community was with two of his good of their adolescence Daniel and Mario

and they had to get disfrasas to class all had been each one with your

disfras and the typical it is mediodia practically they're they're

to start to one is a the end of the time, it's at the

end of the time, well, we're going to to be a place, no, to go to get and to

get us to the people who are the publicing this type of events. Much of they're

many times, they don't, or some two-per- -one, to attract and that you to you

go to a one to you're in a young that you're just a woman that A chick

vestida of a girl, with the face, the rostro very very

beautiful, the of the black, very long, well, then it

called the attention, they're and they said, hey, you're here,

because you are you are doing a party, because they're doing

they're doing and they're there, there's there, there's

a two quadras, some casitas that there there formation,

have to be disfrazzas those so it's all right they're not,

they're decided to go to this event. They're they're actually

observe an a house a a house a very

where they're that is there's there is a person

was a place abandoned a place apart where he

he he he the Correo that has made about 80 people. And all,

of an age a lot of young, all adolescents, in the prepa, all persons

disfrasated. They're in a principle they're there's there, because

they're to all the people because they're a minute,

he's they're not they don't have they're they they're they're

in that that casona, so they're some the few of a few basos of

a run, they're in a rinkoncito of the area of the house where there

music, where the people was going was in semi-penumbra because yeah

was to be tenue and it was they were and they they were

and they're doing a person. The thing is to put delicate

when when it when it moment that is inevitable in the Fiesta, you have to go to the

ban. I mean, so, you know, intentas to want to do you know, because one

when you have you're going to go and then's a little to go to go to the

person, the person, our story, our friend of the community, he indicate where is the bathroom and

he said, he said, he had to recorred a, a passillo very mal

illuminated, no, so that was, that's, it's, because no,

there a much people in that passillo and he's to

get a actually he's a fact that he's his necessities

and when it's a long with various doors

at both sides there was there was there

was an and that was illuminated that that

that the well the curious with some some

with some tisinibed then, let's what is this, no? Abre the door and

enter, he gets to enter to enter into the room, not is that he

has made a little, he's a little, where he there's there's there

there's because there many part central of the room says that he's

that's the day he's that's that's every day of his life

because no he's of his mind. It's a child, of his age,

semi-desnude, a adolescent a young of a mani-a- with the

hands in the back and the and the and the front. What?

And the head agached. No had any type of the room.

I was with the head aghach indefenso and to his around, there

various women vestiges of the woman, including the child that was repartying

the bulletes in the door of the prepa. These women

were making sound that he know not not know

they're not they're not they're not something something

a with something with a con cadencia, with vibration, and that every ever they were eleving more

the volume, the voice, what they were pronouncing. Our our friend from the disconnociment

not, no, how interpreter that those who have studied something some of magic,

not much, we know that from the most remote antiqued there exists the magic

for repetition. So, it's one and other other is like

the rosario, is mantralis one and other once you are trying

to connect with something. He is in the room where

is that is being something that's being that

not have to be and one of the moment to He's

He's completely paralyzed and is capable of to move and to be able

that would have been the most simple or the most

recommendable but that that that he was he was

a man he he he he he he

he did he was he was he he

to and go and aghars to the young that was maniated. In

those moments he he gave a mordisco in a part of the

body not specific a and he rancoe a piece of God

he he he did that he he did count that the rostro he was manchated

of the he He doesn't know if it was liquid vital or if it was a a little bit or was a bit of a well, a be a wine, no, that's to get with the vino tinto, the boca a little manchada of the

but, but, all of that, he did a point that could be a liquid, vital, sec. Recurred the grito of terror of the young maniatado, because he He felt about a a

piece of his body and this woman masticed the the

human in presence of him there is when that that we have in our

body our history of the supervences we're prepared

to our our body in a situation of a

situation and that is a science we us a port to adrenaline, to be able

to move us and irons. There is when he's when he is when he's a woman,

he gets to the houseon where there music, a party, people, and celebrating

that not by a somo are are conscious of what is going to so

the because with the music no they're they're they're He, agarra, his two

friends, to Daniel and Mario, and he says, we have to come to come to get to come to and we're to insistingles because

they don't because he want to get so he's is a manned a manned or dead. I have to

go and get, they're noty, unfortunately, but the strong also the day after the

they're doing to get to your house, He's completely Aterresado, traumatized but at the day

next he's in the press a a news that's a attention is

an event of a rota a chronica black succeeded the day earlier

in the direction exact of the the the the first

where they had participated the disaparation of a young. God,

what he saw the first mordisko of a ritual that was with the sacrifice total of that person

maniatada. I think now you know, because he he's not because he rastra still,

he's still the culpability he's so he's so he's so he's so never he never

he never said nothing he never did nothing. He was He lived day to day with it.

And this is I say, because he is the friend of the community and the

insomnia that he says he he'll he says that he doesn't any

any other that not a a party without to know to know to where

are to the where he is going because it is this

and he has been he has been And that is a message final. It's, if you see in the out of your prepa that's an unctu a

fiesta of this tematica, if not you know, not? Because, as well as there are experiences positive, I've lived this. I did a ritual real of sacrifice of a young that still not had yet to the 18 years

for part of these women that were well, then, well, just going to a case of

to do portals malignos. So, this exists. There is to protect to the

people, there's to protect to the animals. That's good that more the

authorities are that in that in this time are the adoptions of the

gats Negroes, that vigils the time of the little bit of the

polymiss et because this this carabet of Halloween and

Day of Murtos exists and this this this this the

one ira oh, oh, why do you do you do it's a

there a lot there has been a essential of ritual

Quintan us a man there will get a

a at a little bit right there's there about over is an am I going to this a lot of time

and I'm going with so much careful. Ayer me comment about about these elites and not is

what we think we're that they've done to this type of events to be to obtain

the energy that one is to notorgating while they're doing to the ritual.

The ritual not is what that occurs in the scenario. That is the battery That is the battery.

That is the energy For so all are focused to a point to a DJ

fiat what there is a portal and you are you are you are giving you're

you're consuming things that you are fosive emoconado enoged content

but always to yeah not you're like a person you're you're at

the scenario and they're and they're that energy and at a lot or above

are the things things more than what he observed is part of that

that's that's that's that's that's really really I'm

that I didn't I'm because in my innocence I think a

tapadera no but no is true, I mean, they need

the part energy. That's the great idea. Wow. Amiga. Thank you. Thank you.

Because always you know, you know, these stories tremendous. And I'm very very

grateful. We're very in the community that special of Halloween. And, and, I have a

proposal to get to get in the cameras, I'll to see if you let it, because me would be a marvelous. Thank you.

Thank you. We'll repit. For far, your reds social and platforms? Mill thanks, my friend. I can't

find out of a Noctuia Podcast, both on YouTube and every Saturday. Every Marches, I'll new episode. Darte the

thanks to you, to all the community and a brother and a brother that has made the story. We're talking

we're really, um, to do you not you know you don't the culpe. I mean,

I mean, you know, okay. A lot of great. Muchismas. And for certain,

just, just now, for those feches, there are some episodes that are that's

that's that's like, like, like, talking of these thematicas

that have to be, I'm with the time you do you do this, and subscribe.

No, no, but, I mean, but, I know, Apart, even,

criminally, but subscribe to a Noche of a day of a night of a new year, the world, there's

there's a good, there's a thing that but right I'm going to like that God,

God, God, that's a great thing that a good that I'm what I'm you know,

you know, Durez Gemez, we're very very content to have to get you. Much more

thanks. Until the next. After the next. Uriel Reyes, welcome to this special of Halloween

of Insomin, how you you're very very thanks for having

for taking for here and I'm very much very much very much I'm very

thank you thank you thank you you're so you the master of the terror

and the is that is that I am very so I'm very I'm I'm

I'm many things of capitul and I remember when me you

I'm told you I'm always I'm always I'm even

I'm even person, that we'd we'd and you do you do you're

excited for you know, I'm excited for you're yeah, wow, what's the idea, yeah,

that's the audio, I'll say me make, that's a little bit of a relatio for to

turn to get it to be really, in insomnia you're very very grateful. No,

no, but, I mean, I think you're you're the master of the

terror in Mexico, then the, the, the admiration is mutual, Thank you,

thank you. Oh, you know, you're because of it's that someone is that someone who's

the first that's the time that's and says, but who are, you can't say, for favor,

what are your projects, in the social, what, what comes now, if there's

any, any, um, if it's a question, uh, well, for the

so, uh, I'm sure, I'm sure, there's people that not a

podcast and in on the other in all the other we can't our traditional

October of our where we we're we're we're we're we're

we're we're we're in this month is a much of terror because

relato is a sometimes more nostalgic than to do in this month if we

we're we're we're we're there projects very beautiful

that I'm I'm I'm it's called a video club of the

night and it's a podcast dedicated to a movie of a other

my other great passion then then we we're we're starting thank

thank brons you know you that's that chio me I can't

the movies I'm I'm a I'm a content of

Spain because wow but with be incredible. Oh, ohela, and I think

I'll I'm going to invite you with a good for a great, that would be that's a

great, that's interesting for you want to say something. The other day was,

I was was listening some capitul and there a story that me impact

the of the virgin that encadern that encadena God God

is excellent How do you, do you know, this chapter? Histories of Virgins, something. Yes, at least, it's in the thumbnail, I remember, but I'm malissimo to record those titles.

But, yeah, also, it's of my favorites of many years of many times. Goodsima, good, what, that is,

that's, me, I think so excellent. Much thanks. To me, all what has to be with figures religiousas,

posseid, or used as for an entity to have a sustar, I'm really impactant because it's a figure

that we're a figure in that we deposit us the way, so that there's that are entities that are

that's of the things that is of the things that more fear me don't. It's of the things that like the

like the moanical, not the moose, well, I mean, but it's supposed

that's it's very bonita and so that's yeah that you that you

remember in your little infantile, innocente, and that something that's another way. It's a lot. It's

a pesable. Hey, I'm I've left this story, if you're good, I'd like much too that you start this special. If I'm permittes,

I want to this story that they're called. That's, me it's impact, and I think you're going to get a lot.

Okay, perfect. This story is the story called the Pardt. and I think I think all the stories or almost

have been in this special because selections the ones that are like very very fertes and I think I

think the reason for that that person maintains his anonymato is a name and he's a man

and us commenta this that occurred has many years when he was recently

he was he was he was he was he was a first baby and he was

a little and he said he's he'slered much for car sars to form family

and of and the reality and now in where we're going to go to come to

come to come to the cunna of the baby you know all this type of

questions but but as we're we're we're we're the

it's he put a to to work when has the necessity

to move to live with her yeah the first and he's to look a place

and the only that he has got for the price that he can be

a a very very very very damaged that

is in the center of Guant that is where they're where

they're all all very said he said he said to the

preoccup is, I'm going to carry, after you go to work, I go to get and in serious, I'm going to

get up windows, I'm to get riddened, I'm going to be here, but her own. And she obviously,

also, also, also, is this form of a family, and say, v. Lever,

in this house, and he's, he's, he's, to be, to get can't

and get to, to work, in the house, in the one of the

first nights, is he in the madrugada because he'scuched a sound

classical of this when you know when you know that's like a

thing the the the then then he more to be

he says he says he he's he gets observing to the and he

he thinks so patas there here tomorrow I'm what

what he to do and simply simply he He said that all of this

that's all this that's a very much is that was paulatino although obviously for the

story it's like very a presurated but this is paulatino while he's growing the baby

he begins to start every day more can't because it is to work and get to do things

in the house, hear the sound the and not encounter nothing that he indicate

that there ratones ratas, insects or something. But it's just a moment in a nubloos where it's, it's it's a while. And he's to have

pesadillas. At the principle, he consider that are the dreams. Because what what is that he is that he's that he hears

the noise, he opens, no says if he's been he's been or he's a woman inside of the

room. This woman is in Kukkli. against the walled, and he he lookser, and more than to feel fear, sheenta,

because the woman is is crying. And he's he starts to her, and she only he starts. Pocke to be repiting this dream,

he's a little more and a little more until in a moment he asks and he says what you have, what you have? And the woman Hevanta

the and he is that I'm he's that he's he doesn't

not he does not he does much interest to this is a dream yeah thinking that's

a but the but the but the dream is a but this woman

is he does know to he he has there there are there

there's so he is very really is very really Linda and he was telling

like in some moment there was there's and she no he's not he's

he's in the dream to help to help he said I can you

do you do you do you and she she just you just you just

you know well you know you you know you you know and the

woman he I can you can't you can't to the kitchen of the

house and is distinct. It's the same kitchen just that there is a messita with some some of the

metal and colchoncito and he's and the woman in that the kitchen put to

put to water and it is a tea that's a red so that's

like a frutors and he is being this tea that he's he will

really and when he gets the the man the man in the and he soplas

and he he said, Tomatelte. And he commenced to take it to in the dream and he's

very rare this? Now it's what a sensation? That's rare no? Passed

some days more. Yeah the woman is like for there the eight months

and he says you know what? This quartito we're to

to leave it for the baby, I'm going to paint to a blue. For favor, they're going to get, they're going to leave the

pictures, etc. And I'm going to work at the madrugat. He said, okay,

he says, okay, he gets a, and he says that he doesn't know why. But, before, He came the day, and he doesn't know exactly what was what happened.

But more or less he could arm a little the suns. Where he had been in the dream, and he was and he observed

to the baby. And this woman that was that was crying and cameina and he was to get to his wife

that had and he soplored something to the and then then he he

he had he he he was he was also to a cune

to open to and he started and he simply observed and he simply

he was and he and he and he and he and the woman he

to start he he had the eyes and he grita? What you're doing? No see.

The woman says that she heard to her baby but he was like to start. Like if

if he had had been the dead. But if he was that his

husband was simply pared and he was like a he was he was

he was in desperation this occurred various times

one of those nights that he repite this action and only observe how this woman is doing something with the baby, the woman is

to get to a boffetada. And he regress a but furioso and he he's and the woman

and he he he when he that that the part of that part of

that is where is where they're where's where they're Hebrae a little and he's something that is something

he's like he's he's like a chaos but with the curiosity he begins to rasker and

to runper the and think that's that's cabello he'll the police the police the police

he gets they're to pick and in effect to be the cabell in that a

Pard, there was a woman of the woman of his dreams.

And then the becina, a old that was there, when

see, when he gets to the police and the question what the

first is is, is, is it is a well, he's well,

you know, you know, what is that is that? In this

place, in this house, I lived a parterer. This woman one day

disappeared. Nobody said what happened with her. That's her that was

accused of to quit to give us to give us. And he then then, she had

terminated she had done. He was one, the baby. He was

about to I'm going to try it. Wow. That's... What... ...what I think...

I think... ...what ...that what most we can do... ...that we ...sentive in...

...in a creature in ...and her... ...and not ...and not to ...that ...are

...that when we're about ...and... ...andities that ...that have or like an entity malignant for complete

in this case, almost like a demonio that has a target pendent that's

so macabra and also in the Correo said a what I thought very interesting

he he wants the anonymat because he is a vergoncated because he feels

that as as a never never had been never never had been

to have been to have been to Because he was observing how

something, well, something he was doing to the baby, no? And,

well, no he was not he didn't, he just simply,

no see, he feels that he had been been a feeling of a

feeling that, I think, I could do not, not, I was, not was

in his plan, not, not was in the camp of action to be a

good good that's that at final all final all you do you

see that uh uh it's a bad it's a bad it's a

macabra yeah yeah uh well I'm I'm I'm

I'm I'm but I don't but I'm the person to tell

this but I'm rare because to me I'm but

if the I'm remember I'm never There are details that I'm going. So,

to do more as I'm doing the I'm in the guion for complete to to be able to tell her

to be respect her and I hope that because it's something so it's

a good story for these days. I'm a story we're the story.

The story we can't have the confidence to share with us your

experience probably the episode most aterrador of your life. And as I go a 191

of October, a night of Halloween when Juan Jose went to his house without

had been a very bad a work, traffic, problems personal, you know

you know, problems personal, was to get a time, to get to get to do not even

even though didn't the light of the entry to get to ask them to

ask us to make a caravet to to molest to us. At those eight and a minute, he heard of the first dulce or truck in the

street, and they were in the rissas, the passos, and even the campan, some disrass by there,

chocando between and the and the people had said, that in the area, every year, was the same

of the times of the timbers, and then the time, after very time. Sabinded

that, he was he was in the cell, with the television very

bigito to fing that no nobody in the house, but passed on some minutes when he heard three boltcitos

in the door. He circled the miria, and he saw outside, a little of six or seven years disrassed of a conejo. He was a tragecetto black with orrejas

large and a cubitita of calabaza, and it was very very, very serious, too, too, enough to be a little, to be a no, he was a smile. And he he realized the mirage at the mirylla, like if could feel that was there. And the most

rarrow in that moment was that he said with a voice vaguer, Tulsa or Troco? Juan Jose, he responded that no, he'd have had dulcies, that he went to another house, but the little he no contested. Only he just he'd just looked mirandol as if could.

And... And... ...sefew, he'd the media a little and he went to and he went to

a dark and he did he a lot of he said he decided he said

he said he said it was a socese and nothing more he did with his

things closed the door watching but that night

was not he he started on the passos

in the he was he was but at the same time

they don't be no No, nobody with me is outside, somerisas of the children, of the of the house

of the infrent, and decided to think that other way, no me's happening nothing, think that

was listening well. Even so, he went to, the lights, and revised all the house,

but no there was nothing. Then, I still thinking, I'm I'm

I'm heard the sound of other house for the silence of the

night. But to the day next when he went to bathe all of

it was to put a much more rather because he would

he he would be a small little to the space

through the space as as something was in his

house he starts a bit more nervous as

really really something really something and the and the

poor was when when when in the space he was

a little as a very bad, he would be the form of a

head of a little and the situation umpour that same night

for our poor protagonist because this this time they was

a passus in the techo I heard but and

Irastran the and if were someone lastimated the

which he was a aterrador and was not could be a animal not could be a

cat, so they'd be able to be and then thence the new the Rises

the same that the night earlier the same that he had had been that they were

in the house but this this there no there no there

opportunity to think or to imagine because that night

she was exactly exactly behind the door of

their they were they they were there This time he was up with the heart very accelerated and opened the

door to the gulfed, but no had nobody in the the passio. The only was an allure very, very strange. A mixture of the earth humida and of dulce, that never had perceived, but that was very clear, for him. Passed a few days and, and, lamentably, all of intensified. The lights were to turn to play solas.

to learn solas, the television was to be the worst of all the time that's every time that's never the hour,

no important that it was that was always was I'm trying exactly the same. With the

the little a man, before his chair, or front to the cellion

where he had been done to he, but he was looking

to the eyes very abirtos and without any expression

in the Rostro. And then he to see something more, something that was that started to collar in the

dream, because the little bit of the young, I'd ask to hear of the yant to a woman.

And that's new. That was something to get to get to a little in the

visions that he had with the little. Here, Juan Jose us told that he

not was and a time decided to tell what was what was

passing to his son Ricardo, a man a major, that had a lot of his life living there

in the colony. The sir, he was called with attention, he said, he said, he was going to

tell, he was going, and at the final, he asked, how he was the little the new

in the son, the he said, Juan Jose, and there the expression of Don Ricardo changed for

complete. I'm a second like, if not I was not even sure of what I would say, or that it was correct to say it. But continued and he said the next. That's the new issue of a pair of a pair of that

a couple of years that lived at two cases for the year. Ase, he was to pay dulces, and he was dressed to a pomegito, and, just going to start, when, crossing a car that was across a car that was a car that he had excess of velocity, he was he was he was

going to but he was the only that he was the only that he was a few many years,

almost he chas made to but still with the disfrasposed put on the mom the day the next

was in the father he went and nobody didn't know to know to know when you

imagine you you can't you can't without because after, Don Ricardo he said,

that between the people he said, that if had been to see the night

the night's the night, the that he took the doors, that was

that was in the night, but always to come, in a house

different of the case, and that he they were they were that he

was, in the house, in the It was to appear to enter

as well when they were to give the time he did it the night in that he was

there's a man he he said he he said that he would have a sweet

that they would have in the place like a frendda for the little

he did not to try he was he was he those dulces but it's

A day, also, decided to do Oration, Pied to God in voice Baja, for that the Almas of the soul of the child

could be able and he was a can't a canast of calabaza like the that they said that they

had the little, then you then it was a something. That same night,

he was a paralice of the dream, he got to be to be moving

to know if it was real or still part of the but

in the In the dark in his room He was He was He was going Like if he was

he was called He was He was And when he He said To gore And from his car

To be he was He was a man A man with a Mascar The Conejo

The two They were seeing He He said He said He said

He's He He said he He said a He He said saying the

little the boy, I just he was he was he was he was

like if he they were saying the he's not he was for the dulces

no know if it was for the or the bellator

but when he he he got to there he he's

he he was he he was he was done he was

done he was demonstrating that in some that was

that was more than a I had a a very, very

rare in the pecho. Since that night he said, you know he'll

go back to see with them, yet no he's his passos and Rises,

absolutely nothing. And until the day of God that both that both

that's that never they never to turn to their door.

Manches. A great story for Halloween, I think. It's excellent. It's

a story perfect for Halloween. I'm, I'm a bit too a bit of a bitters. Yeah, a lot of very, very, very and, how, of a way,

well, uh, Juan Jose us helped just to what nobody more has made actually, because certainly other people have been a year. And is that's the reaction

more, more natural. But, but are opposites, very attererererable as those, but the stories that we've got we're going to

are opposed are like something kind of something that they're these two entities,

no? Totally different. The, so, not totally is it more than opposed,

no? Yeah, she. She wanted the mal at the time of consuming

the and this side was a little, that was that they were that they were to do

do they're in their was what needed. It was a thing was a

thing Wow. Oh, manches. You know, I think the people see to know this rapidly. Each one of the

people were getting, and like, one had the anterior and one saw the earlier. You've seen Alain?

Yeah, he'll see this time. Yeah. Alain told him a story of his infancy,

where a one a friend of his of the Colone, just Perdi

the life In this Fecha And this And at And so He didn't They're

To say To tell you Toes Duleses It was Like if If it was If it's

It's That's I'm It's It's A big Circul Serrado

That these Histories Stouin To be some form. Imagine. Imagine.

The reality is that at the first when you're talking, you know, I said,

I said, I said, it's it's pretty to say, it's very very similar. Could I

say, could be, could be there. Faltary to ask you where so did it,

where socedo this, and it would be a lot of the way to the

okay. This no-se. Okay, the okay, imagine it. Imagineate. And what we're not to know that in some way,

then, it's a tracendom, of a, of a, of a manner positive. Yes. That's he's cancansom. Oh, yeah, muchismas. Muchismas, has been the, the series perfect. You know,

I thank you, I guess a lot, that you has reallado, that, is that, that's, that form of relattar is, only... I think the people

that's, I'm here so, and it's, it's incredible, and the is a great story and what's a

way of a special of Halloween. A friend, muchismas thanks. Much thanks to you for invite me.

You know, when you invite you for a place, because I'm very fan of your

work. Muchism thanks. You admire us much. All the community

that no doorme and we will be very well we're just we're very well

and we're going to the next. For I'm supposed. I'm your friend Fepo. Cuehens' much and,

over all, pass an incredible celebration of Halloween. Disfrutton much this night. Cuehens and we we'll see the next time.

Thanks, O'Reill. Thank you. Chao.