INSOMNIO - ESPEJOS MALDITOS | HISTORIAS DE TERROR REALES

Episode Date: August 9, 2025

¿Te imaginas mirar tu reflejo y ver algo escalofriante? 😈🪞En este capítulo te compartiremos terroríficos relatos que jamás habías escuchado, en donde el miedo no solo se refleja… sino que te acecha.En esta ocasión, nuestra invitada Karen Casillas nos abrirá las puertas a historias realmente perturbadoras sobre demonios ocultos en espejos y los usan como portales. 💀Te hablaremos de leyendas escalofriantes como la de La Dama de los Espejos, quien regresa cada Día de Muertos desde su tumba, dejando a su paso muertes inexplicables; y el espeluznante relato de Brenda Reyes, una mujer que, al meditar, era acechada por un oscuro ente que le hablaba a través del espejo para controlarla; y la historia de Fabián, quien fue atrapado en una dimensión oscura dentro del espejo al ser convencido por un demonio que se hacía pasar por su amigo. 🕯Prepárate para estas escalofriantes historias que no te dejarán tranquilo y cambiarán tu manera de mirarte al espejo… A ti también podrían estar acechándote…😈🪞👻Host: Fepohttps://www.instagram.com/fepomxhttps://x.com/fepomx👻 Redes de la invitada: Karen Casillashttps://www.instagram.com/karencasillass?igsh=aGhhcWNyNWtpanluhttps://youtube.com/@karencasillass?si=enUCs6XRQAjdfyBthttps://www.tiktok.com/@karencasillass?_t=ZS-8yHelFmntS5&_r=1https://www.facebook.com/share/1GJDdW2UXY/Síguenos en redes sociales para más contenido:https://www.tiktok.com/@podcast.insomniohttps://www.facebook.com/paranormal.insomniohttps://www.instagram.com/podcast.insomnio👻 Comparte Historias, Memes y Evidencias Paranormales📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail]✨Grupo oficial de Facebook: https://www.facebook.com/groups/548487930178860💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx🛒Compra Merch Exclusiva aquí👇🏼 store.podcastparanormal.com/tienda/📧 Consultas empresariales: [e-mail]#HistoriasDeTerror #EspejosMalditos #Portales #Fepo #Misterio #Paranormal #Demonios #Espejos #LeyendasUrbanas #DíaDeMuertos #TerrorPsicológico #Miedo #Horror #EntidadesOscuras #Portales #ExperienciasParanormal #CuentosDeTerror #HistoriasDeMiedo #Podcast

Very good Good Good Good Good Good Good Sox, be welcome to a new Capitual of Insomnia In where we're to narrate the most terrorificate experiences reales of the audience

So, listen them If you're treven And this occasion Is it with us A good friend That, that's, again,

and also, is there's here with us in Insomnia. How is you? Hello, and you? Super bien.

Very, very content. Felice and I was just to be here. Oh, but what good, that even, how is the life, no,

appeared a space of a pretty. A speo? A speo that is that has been reflected to be

a little bit of something, then I was me, I'm a bit of I mean. Like, no,

I know, I think that I'm so, I think, like, a sombre or something,

but it's can be, no? It's, it's, so, so, Just is of what we're going to

talk to do you. Just is of what we're going to talk about. But before, tell us what are your social, to what are you do you know,

for that people to know, I'm sure that many people you know, but it would be a goodestew that you're

good enough. Thank you. Well, I'm Karen Casillas, so I'm in my social and me dedicated to

create content for radio, for the social, I've been approximately eight years dedicam

the radio. And in in the social is five and I consider that the creation of content

in their different facets is important and I am passionate and just is because the way

the way to make you know to know I think that you obviously working in different

as like of all so of all from all, from all, so from all,

from this interview, the super super mega crack. Super, super good or good in what they're doing.

And Karen is one of those people, of those people, I'm really, my respectos. I think the,

the last time we've seen, our radio, to be thanks to. We're going to talk to the paranormal. that just the Caminer also the can't

hear of there's a goody and Feregai and Farnévia but just the other the other

paranormal also really really about seven years I've got the opportunity to produce

a program of radio the which had been 15 years all so so when

me I'm front to that I consider that was a but also it was

a thing to analyze the things to be to get to get

to get the permissos. There I know Alain Luna and many stories, many things about there. Al-Luna. Oh,

I have a question. Because, obviously, when one is working, for example, in radio, it's common the the fact of that there are

things that have with psychophonies. But in these years that has been to produce that program of radio or in

these jobs where, well, there's there's all, from, from artists top to a

repenters, there's like a variety very great of people. Or covertures of, spectacles,

concerts. Spectacos of people. Exactly. But it's like, you're like, you're in

a place where you're recollecting a lot of stories, a lot of stories, a lot of

stories, a lot of stories. And it's a time very difficult the day. Because it has to

with the spaceos, but you have a memory of some story

impactant that you have told that you have been told, that you have been two impactants

one of them is because I did dedicate to do to do do this practically

occurred in Guadalajara for approximately four years when I was creating content to

Alain as a inn as a producer me he said we were to

a one morgue and we We were in La Capake, me it was in this morgue that was in the main of a pentee.

The whole, access to only only had one, and in that place we had been five persons, no more. This night, I remember that

I was going to be a different, to have, we had been in the Pouente of the Diablo, we've been

in pantions of Zapopan, which was I'm, I, I, I, I,

they'd, I, I, I, municipal, then the premises me were more more facile, but

just in this I felt like it was a little the fact that Alain me me said that this morgue had had a

purpose, and at the moment that we talked about Alain of a year, then us gave the access to

the pantheon as the morgue. We're getting a little time in the radio you can't do you but Alain

not he used to when you're productora of certain characters have to be to make to make

a lot of they're in that's I know that I know that with the technology with the accesses

that we were to connect us cellulares and grab of voice I could launch the

program of radio like if was in live but never he never he

did so we're we're we're and here the impactante was that

when when mount cargas and the reality was that

there all we started the fear I mean, so, yeah, nobody like,

like, I'm like going to get in front, to grab, demas. Obviously, we had to

do a scouting, the while not could do you do not during the day,

for the time, you know, we can't make cameras and nothing because there were

a little about the water, let me, so. So, when we were in the

cameras where met to the people, and it is where it is where

is where where so when those mortals that are but it was a natural there

yeah you're in a second piece so you get to be there were the

and the and at the moment to give the we can't observe we're

we're actually there was of one of them of them was a one of a

charola was I was so I was very very brutal what was

so I was there other other the right was of a

woman, but this practically was more taped, and the of the first was in the first

instance, I mean, there was a manta, for a word and the expression to pacto,

no, I suppose. Yes, you, in my case, to be kids going to

be kids, and I've never had seen one in this state. I know that's

that was bad the thing, no? Like, no, we don't we'd

have been that day, and And, and the people that, was going to

do the service, that in this case, you're in their families were going to be in

the other day. Well, the night transcurroo, we're I remember that was a canceion,

I mean, it was, not like what normal of a night, that a sometimes

we were three hours, and, well, you know, so, but it were,

you were, you you, you, you, continued. That even it was

very, very pesed to be Christian Valerio also so I'm

he's he's not a night usual and that was something that's

of that investigation they were recollectar videos and audio

and for not not sart so we're not we're still

they're they were to say they're to be I've done something and that's

like, yeah, I was just I'm going to get to my house. When I go to

my house, I mean, I'm so I'm so I'm so I'm so that's a

time and even so you even even as you know, I'm remember that me quitted

the relock, it put on a side, and this the relo is important because the

the relok me makes me me so I'm that was

in a plan real and that not a real and that's a when I'm

I'm so I'm so you know I'm yeah I'm doing to doormit and that

and then I don't see my my body I'm I'm I'm mobile

I'm so I'm so I'm so I so I'm so I'm when I when I

last 3 of the morning so approximately I've passed 45 minutes that

I've I was in the camera. It was at three of the morning and when

when I went to open the the relok it's a

cario is that the repent the lighten a light

a blue like and and right right I

have a closet gigante and a one a

one there was there was a it was a

at at at I said, in when I saw, because he not moved my brazos? Because he no could be able to

get to be the worst. So, so, so, he was going to be a gacho because,

I said, I didn't, I was going to come to here and I was where I came, and why was

going to my house? And what did he came, he, he, But I was talking about the test, it was like verdosa,

it was like, it would be like, like, like, mojada. And in that, well, I, well, I was, I was, I mean, and when, I said, in quite, I was rexioned,

yeah, it was, I was, and I was, I was, I think, around, to one hour. What? What?

The, I took a hour and, and, and, to be said, pardon, then we met, but it, but it was,

but it was, It was a job. I mean, we don't, we've been with the fan of if you want to get us like, many, many,

many, many of those things passed by my mind. Like you, you'd have a conversation. Mm-hmm.

So, but at the same time, like I was trying, I was, like, like, like,

like, like, know, like, to know, that my papas were after

after the pastio, and that could be put me the light too to be

that was not, no, my relock the casse and it was when

I'm gonna like to get a right and I'm and I'm and I'm and I'm

and I'm but I have disappeared I'm no no no no no

I'm percat of how me I'm I'm understand from the fear

because I'm not I'm not I'm not I'm I'm that I'm so I'm

so I'm I'm my mom my mom is the time that's the what's I said,

oh, is that something and I'm in my, my time, but how? Much time? Yes,

my relo was there. But no, I said, what I said, what I said, what I'm, I said,

I don't like that I would say, that I had a, I was, I was, I was,

I was in a morgue, and he was trying to was, I was, was a, so, it

was a thing, so, me said, I'm, I said, you know, and I'm,

and I'm, I'm, I'm, I'm, to razzar. I started the creed with her

yeah in his camera. So my papa not not is all right but we were in the

camera. Oh- in my house, in that then we only we were my

mom and I don't have nobody more in the house. In the court of my

father there a closet that a a way but no not

does it not not do not not do not no there

no there something something that something the creedos, I heard of a

in the closet. I go my mom at the other. So, yeah, that's real. He said, we know,

we're going to to say, we're doing, we're doing. And we're doing, and we're saying, and we're saying, and we're doing,

when it when I'm, yeah, I'm, yeah, I'm, yeah, I'm, so,

I'm, so, I'm, really, when I'm, so, so I'm, so,

no, so, so, I'm, he said, I'm, he's, he's,

the morning me said, that he also, I mean, I was, I mean, to describe

to the entity that had had yet to my court, he said, he said,

so, that's, like, me, me, he described, identical, Tess

Verde, was, was, I was, like, I was, like, a coha,

like, like, so, so, so, so, so, so,

so, and so, and so, and that was I came and he said, you know, I don't produce your program of radio, I'm going to this, as well, I said, I'm going to

I think, but I'm a respect a lot, and I'm a probatia no I just. In other occasions, we've passed things like to Alain he had exploded the mess of his house, of vidro, no? Like, like,

they were, there were a lot of moscas in my house, like like, like, yeah, me moved things, pass them

in the same station, while we're doing other program of radio that's not a

normal, it was it was that they were things about the things, but this

was the more the more and is where I decided to to help

to help with the paranormal. Wow. No, no, man,

well, it's it's took very gach and also, in

that investigation is what that we've recently in the night paranormal

we're a lot of psychphonies and things super impactant yes that just there's

we're not we're and after years after after Ayn he's the materials

because at the rise that we know what says well like he says well you

know yeah we produce well that so so I do you do you know

I did I'm in the I'm we've we've seen we're we're how there

when I can't I'm sure I'm to make you a day you know that you say

that's a morgue and says where you go to you're going to get to get to the

one and the one and a minute of that one impossible. Impossible. Impossible. I mean

there's not a way. It would be a tremendously responsible to

start who didn't are, like, jugging of a repent,

like, to do a one of the morning in this city, no, no, no.

And not not one. It was, so that was, or that has been one of the

experiences more intense that I've been, and I consider that I'm not

that we're. Sure, that no it's that's that's it. That's,

that's good that you're that you it seems like incredible the way in the way in the

things connect them like we we can't say that it's a casuality of the but it's

a real it's a casualty. It's always all dictamined and constructed in a certain form because

so we decided we and also because there there's something is being present

at the through these signals and have been many years and I I remember

perfectly to that that's a I mean a I'm in the video I mean me

me, me, me, me, and yeah, that video I've seen, but I don't

know why recently me impacted much. It's very dense. Today, I'm in the radio,

fichate. And you know, and you know, so, you know, he's a, well,

was an well, of the moneca Annabel and like surge

this question have no has associated much the name of

Eddie Lorraine maybe people uh some arguments real

based on a movie that has nothing to have

with Eddie and Wayne. uh or also people that

people that are called Eddie Lorraine of some maybe they're

they're not their name. I was what I said to Jordi, Jordan Rosado, today, he said,

look, independently, independently of if they're going to if they're this pair Edil Lorraine

mintier or were an fraud or what you want, independently of that, the people that were

that were that had had been moments terrorifices and that were to give

the help to who were to who were moment, like a sort of of a

scaastasmas or investigators paranormal are they're they're they're in it. It's not that the

people who had been to the Lorraine or Ed have been the the muke

is real. The is a oneke is a person and as a normal

you can you can't just you just what you have to just you just you have to you're

like you you're a a a a hires, fallaces in

circumstances inexplicable and then we ask, is it, not is certain? Ser is true or not not sure?

I think not is the word, no? I think it's respect and point. No, you know, you know,

you're all the reason. There's a story that I'm going to tell, to be the first that I'm going to

tell, that has been with a practice that I'm going to say is right in a way

very clear for that they're careful. If you're doing a know with you're going to

do you know something that's a game not you're not you're a game okay no

you know you're a black in the recamara of a pistol and you

do you do you not is a so so something something I'm to tell

here because because since that the word even don't

let's the way the with with to write two words in

internet and you discoveres how to do it's a bad, but not is a good,

so there there's a thing that I'm going to let's be with the stories, do you

do you do you? Maybe you. Okay. Okay. You're going to talk to get to

come. Okay. Just this story that I'm to tell Zumbido and the

man to our friend Brenda start with the story, I want to make

very clear. Two words, that in a idea very important, especially for

for investigators paranormal. It's called, well, not only but primarily

for what we do. An investigator paranormal or an investigator paranormal

of a real put their life in risk. That is the fact.

It's the not. But of all, so, so, many many

ways, of forms very complex, not only physical, but spirituallyly, your corduera, you know, you're putting in risk all those days. There's a practice

that, well, I'll tell to what that's about what it's about it. It's, it's, are the ondas binaurales. You've

heard about? No. Ondas binaurals. And the practice is to listen the ones binaurals. Functioned this way.

The hondas binaurals are frequencies designed for alter the state of your brain. Okay?

This the Cia and I'm doing a special of this because it's incredible. For me

if we we're going that other world is a through the suns binaurales

so that not the wiha not the meditation not a lot of things the

the zones binaurals okay what they do you is that not let's

say what is the frequency correct but every every head you put a frequency

distinct a little and then your brain being that are frequencies

are different your is designed to receive two stimulos that for you

not seem not not to do it but for your what is what is the brain

the the media and then your your Cerebro starts

not your own your Cerever commenced to hear a a third frequency that is

neither the right or the left a third frequency not is a sound real, it's

an illusion auditive that is occurring that's that you that that third

frequency that's that's generated a part of the Bound Binaurale

result in an state of relaxation mental, profound, euphoria, anxiety, and experiences paranormal.

They're going to that grade. Certains Monges Tibetan used can'tical similar to get to the trance. You've heard some one of

the famous Om. In reality, no, there's not a mantra to repeat. But,

but each one of these frequencies is used for different things. And there a practice where the monks were the monjes were in

floor of lotto in meditation and a group of monks of one side, they were in a frequency and a group of the other

side, it was a same frequency but it was a different frequency in your mind, and you're

getting to status alteration. There are many people that are sure that these

ondas permit to access to memories reprimed, dreams lucid and even to bring

doors to realities alternas not all they're not all those because a little

that's that's not never to dream Brenda Reyes in his

story of Zumbidos commencing that she she's that she does much the practice of

yoga, of the meditation and all what has put in practice many things referent

to this. In a moment, he's the sessions that are realized with frequencies

binaural and they got them much because I don't want to want to want to

do you know, but when one commis with these sessions of frequencies

binaurals with people that say they can't and then then you

guide to this discover that you discoveres that if permitting

that your mind he's a way correct to access to other realities.

It's very interesting. Now, she begins to do these sessions and inmediate

to have a series to have a series of all of those is a subbed

is a subbed is a shimbed little metalical but that no

it's producing no element technological to no is the cellar, no is the radio, no is of the

television, not it's the liquidora that's made to get to but it's a subbid that makes

that it does it that's not it doesn't of your or if it's of the

exterior, it's like the reality generating this zumbido. Okay. This

occurs, without the time, during the two seconds, maximum, maximum, a minute,

a minute, a minute and and then after that it comes it

it's it's but when the sunbid terminate something something

it's like of the preamble for the experience paranormal is like

the the door and then it occurs the phenomenon that

he's he's he said a night was trying was

a lot of she's accommodating he was trying to get to enter rapidly in that

relaxation when the subbed commenced and in this occasion I felt

as if being with the eyes and listening the zoomed

as the subbid like that this frequency he

would have connected with something like now she

now had been she that that ever that

umbraal and he was to know to know something that was going to

but not in the environment in her rostro so was that deforming

I felt how his face so he felt

that that were his muscles and his but

was she not it was she not was like

if someone was was trying. She felt how his rostro

so moved. So, she spanted because he thought that the more

was suffering some a paralice facial. She went to the camera,

not could control the gestures, not those I was but I feltia

that no could be to be to do a bano. Prend

the light, it was the front to the picture, and what he

he, he, he left her aterrata, alarmed. It was her car, so, but not she.

Something in his rostro had changed. It was like if the muscles below of

the skin should have reconfigurated and then even it was his hair,

the car was a different, like when a person is posseida or when a

person permit that a spirit into the person, but the Rostro is different.

But she was 100% conscientious, vying to the mirror, being to her, but not reconnocied. And, of

this rostro, that he was he waser, he made the head, guinea an eye, had a muekas,

he'd to get the language, that was like, rara, he was to be able,

And, of a sudden, the chiqued like she had , like she was like she was looking, how her rostro,

she was destroying front of her. And she was very assusted. He started with this that had learned,

meditation, control mental, et cetera, he started to control his car. But no could.

I sentia that there was a more there. Because when he was that this

if this is detubier, sent a pressure for the head, as if something was going to his eye right to be

the eye, the globe was going to be able to get to the car. Pus his hand to

to be able to and I feltia the pressure and I had much fear, and I felt that I don't

could recover his car, and I was to continue with the rest of your

body. What whatever was that was that was trying to be

to occupy her body for completely. And, of she started to

play to get to control with more force, with more force, and he

then a pressure in the pecho, very, very and then a man

in the coo. That he was a prision very very very

and that she should be able that she and then the zumbido

to make more intense, more intense, more intense,

and he He thought that this that was trying not was working. She was

to lose that she was to get to her body. He had to try to

try to something. So, so in the other than desperation, he

started to be to be to be to see the light of the thing,

because that only he was he just he he found a little

of a mind and he And inmediato, a voice masculine, he responded, How is your mother,

and she, when he said your her mother, Yip, recognized immediately that voice, and she kept inlada. It was the voice

of his prime, Marcos, the which had had fallen had been in an accident automobileistical. Markos and her

Irv were super-sercans super-sercans and from his extra-mort nobody in the family had been nother-in-the-family

because it was very dolorous especially her mother and when she has all this in her

and he he's he's looking for recuperate his rostro respond is, what he

and the voice he'll respond. That how is there, your brother? How is

she? And she got congelated. He said that in that moment he felt the

scalofrio more that even he had done the the the most the more

that had experimented in his life. Because one

would say well, you you're talking with a

family but when he did know that he was exactly the voice of his

prime Marcos it was like if someone or something would be imitando

the voice of his prime Marcos for that she was that she

then that she then permittia the possession so that He aped the

light, he started to come in his room, with this zumbido, sentient

that I would have to have the control of the while and I'm and he

was a matter, and no he had to he had a world, he had a world, he'd

and he went to and he went to and when he was the he was

he was in his camera but at the reverse, the feet in the moada,

the head to the feet of the camera. Sint you like was in other place.

I think a much we have passed that you do you're to get to when you know,

you know, you know, and you just for a moment, but it was a little was a

thing, was a I'm a question, but then he went to and he saw

that the lampa was that's and in all what you I've got to

tell you the night earlier she she didn't the lamp so what was

what you in the moment in the moment in the all of all the before

me desmallar what did? He took the control of my body

who she was she was with all these questions

was was very impacted much and and I thought

that this would go to occur obviously of

immediate he went those sessions of frequencies binaurales totally and he

put so to think in what he had done it had to not a

response he did much fear he he did

all the practices spiritual the meditation and yoga

not not not not he not not he

in a no no no no no no

Whatever something he came a pestane and sent him a movement in the skin of

his face, and she was in the fear. I felt like to go to happen to occur.

And so he lived during several several times with much fear.

When of the first, he started that maybe that maybe had been a

thing, maybe it's he's been maybe he was real. But then when he was

convinced that this not had occurred he was a little something a second

a time his mother if and he was she was

a night and she he he he he asked what

he happened and his her year he said

a one he was a night in my court

he was He was a man, but not he was he. And when he was acerco to me, because I did he said that I was our prime. When he was accrued the light, he saw the face, no he had eyes,

no, no, no nose, just an aghero, but he wastied of Marcos. She had a very much She had a impact

very because I said that's a real of the same entity

the that not has the that was using

the person of her she she she not

she she didn't and she thought she just

nothing more going but not was so a

one a day he was he was It was in-madugada.

I'd hear of a voice like of a man, rasposa. He was murmurating in his room. Abro the eyes and no saw where had been

that strange voice. And he thought that he was I was imagining again. So, so he wanted to go to

get to get the eyes, and in that moment the voice it, but no

I'd come to a point of the room, he'd of her his garganta.

Sentia how his labios were so they were so how his garganta

produced soundidos but not was constructing and phrases

what that was that was that was trying was practicing practicing.

He was practicing with her new body. I was looking the form to have her. And she

thinks that the entity you know how to do it. Because a morning

the next he saw the mirror and again not was he was

he but he did fear a a A sometimes tararee

a song that she never they never have got to a

sometimes they're they're that she never have lived people

that she never has but the problem is

this at the at the that those not

those not those not but now it's as

they are mixed mixed and now not you're sure

if it's that this thing has taken you have a possession of your identity

of your mind or who who who's manned the history

is who took possession of the that complicated so uh

yeah that uh let's that right that you me

gave like the necessity to understand if, I mean,

it's a part, but I've heard stories like like about like about but when

they're doing transplant of organs. You've heard? Yes. With pulmones,

it's when when they trespassan the heart, the cerebral,

that even have even have recuards, vivences, so are in cancions

that just they never never ever have ever ever have ever have seen

even to even to people that's not even that's that's more a more

because I mean I was a mullar to a familiar but just like I

was looking the medium to enter in one or other no because

you have to have permission so so then they they're

they they they a person to you you have

a that you is. But, just right to say, it's true. And you've seen some

person that that just that's met to a entity, you've had been in front?

Yeah. So, that's, that's the right? Is it? Yeah. What is

in the mother? But if I'm identified when did you the quixada,

when so I'm on a crustace and the tronido of the coyo,

there, I'm I'm I don't remember, of a question like, it's you spantast

you? I mean I used record that moment that's too too but as I'm

know the person, I knew that was going to go to go to but it was about

about about a hour and a time, and me took to be, for example,

how I used objects pulsed cortants and and no it was

no, it was no it was a moment of to to regresser in

it's the entity who took this is that it's that it's a way that can't

make sure the matter of this reality when they when they're in the person

she she saw she she saw she was she was torsio but when

she was normal without no longer without no no I me

took to see just this person she passed a cuchio

for the and no he I don't pass absolutely nothing when when they

did it's there's there's there a practice that's we're

we're in the rituals with the rituals the world this this practice is the

ritual or no no pardon the festival vegetarian

of this this is in Thailand and and the people can't

and the people can't in trance and yeah that enter

in trance so there There are some things spectacular. A regla, of these that are in form of L, that use the, you know,

the architects? Uh-huh. Yes, yeah. Like a squadra. Like a squadra, but grandot. Uh-huh. So, they're cutan,

the mejia, the atraiser, it's out of the other side of the other mehia, uh, so they're gonna be, because, for example, we know,

we know that's an architect, like, lapices, and all, and apences, and just, there's a little of sangra-

But, but just, when it's when it's when it's when it's when you and you're

absolutely nothing. Yeah, I'm just in that occasion I'm like, to see, this is real,

to come a lemon, no? No, you know, what you did you? And no, no,

no, he did it, I don't, no, he'd a single rajada when it

when he's in front of me. Comet? Yes, we're, we're, we're, we're,

and, and, And so, this of the nada, he

mounted the the person and the and of he he did

a knife he did a his racha and all this

got a same in front of me I didn't me.

I'm not I'm that made that he made to that's he made

the moment to start okay I'm accept but respect

no I mean, I mean, I'm going to no, no, I'm going to get to be more but I'm so I'm

my respect. And I'm my ralita, no? So, it's like that that's enticat that's true

that's a great part of sateria and this, and then, then, then then, then,

then I, let's go, let's see, me, let's see me with a word, if there's, and say,

and I'm, and no, nothing. No, it's so that's marvellous, I mean,

I'm super interesting. Yeah. Well, if you'd have occurred to the lemon I'm not

but it's a way to be a see you know, okay, no, I don't see, I'm,

I don't know I'd to be able to support because there's much blood. Yeah.

No, no, I'm sorry. That that's really that's great. That's good. So,

I mean, with all respect. We're going to say so. You're talking. It's

I'm going to pass with the next story and we're going to about, like, spejoos, crugied, what comes

from the why they're a person, and because there are voices, there are sounds that

are inexplicable but that they're seeing and that's you know, you know, what's been, let's go to

start with the history. This occurred in the year 2016 in Honduras. Quenta that he

approximately he was practically a little to be a part of his vacations in the house of

his abuela. If he this boy was in the city, he was he was to he was

there was more more liberty to get to his friends, primos, it was a

house modesta that was was a little in a lomita and

in this Pobledo, there were approximately only six houses. No manches. Six cases, those which, well, in the day, could be

a placeage spectacular, but in the night, it would turn to completely different. And this is what happened. It's a

reason that they were to bea to the house, no had the house of her lot of their many scams, and it's for so

that one of the nights that was there, they recommended that more they were to to go to them with her

little in the same recamara but in the piece. He said a lot of the

cold that was an insupportable and that no he did not to go to get a

little everything it was they were they're vacations not at that's

so much so it because it that he said that he came to get

to a room that was just in front of the door

of the door of the house, he said he said like if someone

would be dambulandos out of the house approximately one and a midday of the

madrugated. He said no he took a much attention simply turned and he was

he said he said that he's a minute of the two at the madruada he began

to see how they're a much much a lot actually he was

actually I was really that was doing the the part

had of front, but there also a ventana, the which I didn't have to see a bit of but he's

there's not a lot of the ranures that actually there was there's a there. We're not

a public of six houses. It's practically very little. You're do you know? Yes.

But it's nothing. Nothing. And a right of this we're talking that's a loma,

no had that had been public to checkar if there had someone even,

even they didn't pass any coaches. Well, he said that he's there's there's some more

maybe, but the noises every were more and more fervous. He's like in the

net, no, he's not no, he's and that he was, he,

he, he tried, he was he was he was sure, and he got to his primos,

like, oh, he's he's got to go, he tried to that he'll

he'll he But that same night, getting to all the time with his primes and trying to just to

get back the other, everything, but in this occasion, the crugido was the back to the

the top. Yeah, not only he was set out of the house, but also that was

a crugid that recorried the and not was really if it was a animal,

if something, something, if something, something, but yeah, the crujid was a

quite scaloffient. He tried to conciliate the dream, but no, no,

no, he was the two and a minute of the morning. Yeah, the

passes were being more, and he felt that all the body was a

aerisable and he was to be to be help, but he was

also, he he he, he he, he, he's

observe that just just it was a a somber that was coming from behind the door of the door of the

door of the yeah he he could be observe the pathos. I was there was there where he

was that was very real is that the perros started to lader and no they saw,

the the pill he was arised and he he was very, very

astusated but that was not was the only that He started to hear that something

was rastrava for the and that was in the cell. He had had re-rbased any limit

that he had been in there. Of a repent, again, it was, he was the

moment where he was able to move, and he heard a susurro. Imagine

that's to be in the middle of the and hear a susurro that

said the and the the S and I'm going to get.

In that moment he no he knew he could do he was

he was psalmated he was was was a frio of the

doubt that he no could concili the he

knew he knew where he was what also the also

what also also that was that He knew that something not that was a

a bit of a time, it was a before, what we were he said, he said that he was

going to do that was the same and he said he said he was pasmado, frio, no could

move and at the four in the madrogada he he was he was he was

who was who normally was he was he was her own the which

he started to alist to the house, she was at that hour. And of the fear,

at the moment that she could move and he did a point that he had mancheded

all the and he had made that the she had a question that she

didn't, I know, I know, I don't know that he said, but also,

I didn't clear the because had been said that had been said that had been

that he said that the woman and he's, like, to do a side of all, for that not to get a

count, it was left, and it was and to the morning, and at the morning, and the

time they were to have done. They were, they were in the city. He was repasasasas in his

mind, what was, what was what he had been called to the word, and what

was he was to get to get to her? Was his man? It was

him? It was someone more? the Well, the Semanas Passed

Volando and he said that time after they detect cancer to his

abuelita No manches So, her mom at the moment of enterars the

Diagnostico he he said for favor to be to the city

and that pass time with with with with

to but but says that her the of that

his father to the now in the city, all the rumors

went to the time he was he was he was that the that the people were

immobile and he he could not to talk with nobody and he

didn't he took the time with his mom because they're

going being being a problem with the fact of that

his terrible Well, terrible Inferred. The fact, then, more after,

he's more he said, he said that the medical not knew really what

did it because the cancer advanced so so it was something that was a

way, with, well, yes, with chemiropias and all this, but

advanced determined about. And he said that a time, after,

after, uh, was, uh, was, they were the whole of the dweal

and all this, that he, even in, while they were in the sepeli, he was still he felt an he was,

even he felt like, something, he was going, and that he'd they'd be and they've

passed two months after of all this, they were in the cell he and his mom,

and of a repugent there was a An apagon. A-pagon. Of a sudden, all of the deposed, and his mom

was, he set up to see how he'd be chiqued, to check the pastillas, and he was just in the cell. He said that he was going to feel a free

impressionate, more than never and knew this entity, for, for, to make a other other

other thing, or even to be able to get to something that he was, he was able to live

to live as the duelo so great that had with her

little that's he said he said that after this

he said he saw he's he saw he he

got to he so he and that he he

he he he he he he was like

he was kind he he he he he

he he he said he He said that's going inclinando, inclining, inclinando,

of a sudden and then his mom came to get a lot of the and it's like if

nothing had been happened. Yeah, it's normal. He's he said to

his mom that, that they keep in the the, the, the, that had seen

that he had seen the space, and after the space, the space, he was

back up in the place and was still only only that so that

his mother could see that was was there's

when he he's when he he he's he's from the backations and how

they're in sequence the advertisements of that those that they've

changed they and even even he said his

mom decided to try the and just just

just never never never never never again and

after that he went to the question he

he heard the could be a portal, could be a

entity that was the where? Where? No, it was an entity that was

to, to be, to be a to coversel to the to the little to me the

I'm going to give. Considers that a a example, those families

can make actos that are that are that are in the casas or that

then when you're when they are Well, yeah, more closer

of the line of the way, they're in for them? But, so, that's,

that's a family? No, a entity, for example. One entity, for example? It's,

it's, like, it's much of that's in brusheria. Uh-huh. You get

to the adult, and all this, you know, but you imagine, that maybe that's

that in a moment, that in cast, that in some moment you did do you can't

come to you, because in this life, all of the life, all and it's that also

and it's that's these malitions familyers that that's that's that's difficult

for a error, but if it's for something direct and it could be

that they're they're they're so the but the thing is that is that is that the

portal is that that's that's that's not terminated me you

could but well if they they're not you know, you

think he's that I'm there's a no, continue, no, no, no,

no, no, no, no. No, no, no. No, yeah, no. Yeah, what,

what you know the thing is the part, but, but that's still there. And if

came to for her. Clearly. Oh, no, no, that's what I do to,

I'm, I'm, I'm, I'm, I'm, I'm, I'm, necessity of some

people for experiences very very fertes that at a moment not are accustomed to that they're saying, I'm

sure I'm my third o'clock. I'm always at the idea of to open the third o'clock and to

learn what is that to lose the fear. But a sometimes the fear in the

third o'clock now now now I'm now I'm now I now you're just you're

you're a little bit you but you do you do you do you

that's a horrible that that's a horrible that that's there's only that now you know

you can't but you know if you can't you can't you can't you you're not

much to be well but I consider that I considerer you can't

you can't a but what we say you're you're you're you

again So, So, I know. Look. Look, we said, we're going to

talk stories of spejo's, and a Alejandra and Irigojin said, want you see those there are many

speys. Okay. This story is, it's very bad. They're going to be,

I like much. It's called the dama of the light of the question. Alejandra

Irigojen. is it's like divide in two or three times for that we can't understand us tell that this

history gets first to her through a through a and then she is involved in the history and then

he knows the story fiat it's like it's like in inception but it's very simple it's very

interesting it was she was just in this time of the pandemic or well for

there before the pandemic, before the pandemic, in a taxi, he took a taxi and he was going to beaernavaca. He's in this taxi

and he not that the taxista is nervous is a astustado. She doesn't like a

problem. He does that the man is a sustado. You know that you sit as in the

part of the other and the taxista is in the part of the right

only. This taxi while manage it, I'd to look at the retrovisor

a every time but it was a not a not a look like a little,

but it even he was not the retrovisor he was the eyes abirto

and a sustado he temblah the man and she was and then he was

he was and he continued managing obviously to do obviously he's

so it was very really because clearly he was

he was he was and he he asked, "'Sir, "'are you,

"'you're "'in' "'and this "'Sir, with the "'of course, "'seorita, "'I'm, "'Sirita,

"'I'm very "'astown. "'That I'm "'to go to "'murrone? "'Is that "'After that "'I was,

"'he was a "'seaued a "'seye, there "'in the panteon "'and me "'he'll "'that he'd "'to you, "'he'll

"'he'll, "'he'll I got to the house and she she didn't go to because she not was

she's how he not he was yeah, not he not was the woman there,

but she she's a question. But, sir, so that that has that has

that you know, that's going to let's I'm going to say that's okay

because I'm I'm I'm that to her, to our

another Amanda, Alexandra he he impacted So, the history,

the phrase, what I said to say, that decided to investigate. And result that this

that's that's not a story that is a one one one only one of a

one in the years 60, there in Kornavaka, there was a house that

was a particular. How said, Alejandra, the house, where

started where started to start the investigation because he he asked

to the taxista. To what house he was you to this

sir? And the response was very simple. To the number

three of the Gallererer there in the years 60, as

there was a house that there was a very not

this house was very old of the when they had constructed.

He was there's there's there's there's there's a time of a time.

But in your moment was a house, it was a mansion. In the 60s,

when there was this change radical in the house, the people

got to know, the house of the world. The reason is

that the fachada, the the techo, all, until the

garden tracero, it's covered of spejos. All the house. And there's a question very

interesting. Recurras that this sir, the taxista said that had recogied a woman in the panteon

and that had I had been to the house number three of the the Calley Guerrero

in that panteon where he recoged to that the woman, also there a

tomb that is that's full of spejos. of immediate to her to make

very easy to obtain that connection so you know for what reason there is a

house but tapisada the house of the house of the and what has with the

tomb that is in the panteon of the leona result that has

much time in that house and this is a history real

so the experience the taxista as the experience a Alejandra,

as the experience that I'm going to tell a continuation is a story real. In that house,

before these 70s, 70s, that's that's that's that's a lot of the

house, but I'm there a real, the story, that we know the name of that

that's a woman, this woman, this is a lot of Joseph Saldaña

of Castillo. Josepha Saldae and his husband, and this mansion. This

this she was over the hours sepillating her head and the

question not was that was that was going to be long time, but it could be

to be your hair for hours in the same section of the

because in reality not was not she was sepilling the cabo.

Aya he he was to appreciate his be a beaise in the spejo.

He was to be to see a person. And so I said to the person. I'm

my reflex. I'm to see me in my reflex. And the husband, well,

I wanted much to her she was a much, I thought that was very attractive,

he was to put to the house, so that not so it

would be so that's, so when when it was he wouldtear to be

and she would be at any point of the house in a space and she

he's this idea that in all moment to any second to where

would be a reflection and after with the time

every the corner the the other the house

and so so so the house has been to be known as the

house of the house of the spejos but that's all this result that this woman that's

a woman she's very bad to make to make to do the analysis

medical and discover that has a terrible a terminal there

no there can do she will be to

she very very very so In a moment when you are a little more tranquillus,

this this is a his husband that has a final desire, his ultimate desire,

when she has fallen and she and they put in that cemetery where the familyaries

always has been there. She wants that her tomb is special. He's

that her tomb be like his house, he wants that the tomb

is that They do they do. She She has and the sposo in the

tomb he has a sanctuary very beautiful where at final

is like a little a little of the light of spejos

but this this niche no and so this structure in the

cemetery they they're that that that And from that moment, it's a

new a new not is the house of the space. It's called the dama

of the space. Because it resulta that there people, taxistas, chofferes

that have two versions of the story. One version occurs in the atard or the

night. You're you're passing by the cemetery and a woman

vestida of black, with the cabello black, very palida does the parada,

he's up, and only he's in a voice very light, almost inaudible,

for favor, sir, get me to the number three of the Calle

Guerrero. And they're to this house, the house of the

house of the space and the when if she a when if she

says I don't I don't I'm money I'm to make my

husband he pay and he and so the people say like oh

well some some they're they're they're they're they're

they're at the time and they there there a man bigito

bigito bigito so that I can't can come no

And I said, Disculpe me, sir, but fichese that Iyer I'm going to have a money,

and that I'm that I'm to have to cover. The fact I took to go back. And the sir,

always I put it a same car, of nostalgia, of a of a sorry,

pardon me. Auit I'm going. You know, what's the thing? That woman died

before many years. That woman is my And the taxis, like, oh my God. There's another version. That the

woman, in the amazer, is in the house of the spejows. And you tell you that you get to the panteon. When you get to the panteon, she goes,

signora, signora, a cross the reds and when they're that cruises the rejas without the the rjas,

then the taxists are. But there are a variant of the first story. Which is? Taxists that say that the woman

is up. And, of this taxists have the malice of the of the question of

that something because the woman is with that voice, for favor, to the number three of

the the street Guerrero. Clearly that, and no, and they, and move

in the retrovisor And no there's nobody. And when they're back, the woman is sat sat down. When they're in the

view to the retrovisor, no, there's nobody. And when they're going to turn to back the

the woman has disappeared. But those that have seen the woman and that's done that they're

now a reflect and they're and they they're to their and they the end uphahar.

At a little time they're and they're or they're an accident at a little time

but always the final is the death. All this discovered our friend

Alejandra. Regres to the story in the taxi. Sir, why I think

you're you're to because I'm she I'm I

of that was that that was a that that I'm in the

back to see the back and I'm back I'm back back and

she me and I was I'm when I'm back

the backer that that that she disappeared I never

I never I never that so that is

that is so that he No, how? Because, you know,

because, you know, and then decide to investigate. Only I just told in two parts the conversation

with the taxist, clearly. And, evidently the taxista was this for the legends

urbanes of those of those taxists. No, what me do. For so

when he said, and they're getting to the house, like he kept thinking,

it's this woman, and he went to to the retrovisor no it,

there and when When you regress to the Vista, yeah no he's yeah no he's

yeah no he's what I'm but I think you see a see they're in specks

specks for all those those in that in that the retrovisor

and just many automobiles report they're talking about

that they're that they're that there there they're

that they're in trams of car where there there no could

have a sort of of the madrugada, one, two, three. But, uh,

also in different points of the republic that they say they're to do they're in the life. Oh, those, those, those,

those are those subes to do ass, so, atropayas. Like, they're going to gobran vanganza,

no? So, they're doing and they're doing, and they're doing the control of the automobile. No,

so it's just of the of what most of me, me, I'm not Mood Like, some day

to have been on the car. Like that's I'm going to be the more than so

that's I'm going to I'm saying I'm going to see a place and this role of the camera

of vision nocturna is my per tally. It's does much fear, it's

when you're you're not when you're when you know, your eyes, you know, and all the

everything is a through the the pantalita and of the and you're

you know, and you want to you know, you know, what's what's what's

what's I'm my back the back the back to the right, to only

to only to have something, because the sensation of that you know is a

thing is something is a horrorosa. Hororosa. Hororosa. Yeah, the last

was sentido. One of a How's it? It's where in Zapotrano. A, in Zapotrano.

Sentie something so, no, it's horrible. Vision Nauturnal no way. But, well, oh yeah,

I'm going to tell a other story. Uh-huh. No. I don't see if one once they've

told, you've been that not confiable that you have a question that you,

that's a question, sure that is, sure, that is nothing? You've done?

You've done have done so? Yes. I do. I do you want to get them. No, well,

if I wanted but... Yeah, but at least not you can't. And this story that I'm going to teller is a follower and

say, Hello, Fepo. I describe from the north of the country, from the

Chihuahua. What I'm to tell to my mother, he paid permission to to share

to because this success changed for completely his and he confirmed

that the paranormal is this. This She said that her mother is a master of bachelor and that he went very

doing class in the city but that after the they were a reason that they were a doctor they did

a job that is in a population aislada a little of the city but that had very good

she was she was she was why the way the job was too

was too decided adventurearse, he took like a retort, uh, thinking in

that could help to the kids of just these localities and here is where it's where it's a story that

came to be a question. For some extra reason, for some that's the pesadilla, he said that

he came to the sierra and a rise of this he found a house a year, but a

past that was something, well, yeah, yeah, she did that it was a

car a place and that could be a little bit of a little that he did a one of the

other than he could observe also that the the owners not to show

to the the people who they had the because they had

had fallen and the people that were all all was

all all all of the children were in the

children that the only the one the person

to the person was a family, in this case a prima of the

children of the owner. She says, relata that this prima he helped

to her woman to just to come to accommodate in this local

and also she was supporting to do some some some that

also what they're that when he came he went to

the person he did know that was that was

that was a a fourth, which was the principal, that he called a lot of attention. That, a person to be a quarter principal, had a camera individual, and

the side of the right, there were a window, and in front of the camera, had a spejo dark. A spejo, a spejo, the which he was called a lot of attention, but that decided to leave it, because he gave a touch vintage to the house, and he was he wanted to make, like, a

simple adorn. More the says that the times started and that notable

that not was that he was not able to do the and that was he forced to and that everything

was normal but that never not he never noticed unusual of this but that

there was a that was a repeat yeah of constantly

when when I started to concili the night she

she said that she said that always sonia and she was she

had she was a certain manner if she was she was for

out of her or she she she was literal like she

but also she was the room the window and

the uh you have to have something you

don't I think I don't and consider that

that that that is where comes here what

we're going to hear you She's She's She's She She also she

she she's that just when I'm that he was a little a silhouette

that the last the siluette began to turn to turn to

and he was a number major delgated of barbac

and with a sombrero style teano also something

something something that that I think past many nights is that this

person had a one of a commis that a She said that one of the nights that

was going to and that even that day he felt was much fear to get to the house but no had

had accepted the work, no had more family and the prima that regularly had to help him,

simply went to when he came to he got to he noted that he not was

he could he said he said he began to feel a frio, he was going to to have

mobility, and simply could be to look to look at the space, in where

this figure, this man, he was the first time. Yeah, I've had

a form totally, yeah, he was, he said, and he said, come,

acacate. So, then she said, she said, that, no, so,

he was he was un- until that may He came to the day the next he was

to forget what to do the other he went to do with the night. He went to he went to get to work and then he sent to sit in the camera. She was on the she

was going and it's like the soul and the body and the body were separated other

again. In that moment he went to the space and there was there's

there's a man with the people who was not was literally to do it had the

head disencajated and he said that's he said to have to be

to join this I want to I mean, I mean, to continue with my life, no, no plan on, to keep it, what you're going? And he said that, right of her

she said the voice of her mom. But her mom had fallen ago after eight years. Yes. Her mom was there and he said that no

were to the space. She decided not to do her care to her mom and she got to the space.

Oh, She still being to her car to be in the car. She was

separated to be. But her but her life was coming to be the

space. He's he said that literally was there was

there was there and he was and he said that

you don't go you don't you and he

he he I'm going to I don't I want

to he he came he came and he

and he It's be deformers'le the car. Of a repent he said that all the space was

to form like a little a boquet of water black, spea, and she was literally at

point of to talk her, extend her hand, it was I was I was I was going to

see, I'm to know that I'm and in this, the The mirror exploded. She said that she

felt in her car like if particles of the spejoen in her and then she'll be

to the body, and she starts to and he did a know, it was a

that was a dream that was that was there was absolutely nothing of the

space the the space he was there was he,

he was he he was he he was he he went to a

In that in that quarter he put a candado and he came to the prima and

decided to tell him what he has passed the first the prima and he said okay

in these days no I've passed for nothing nights in where

could conciliar the there there there a special

that I need that a person me is talking there

and I need to to comprehend or I need to know if someone more that has

been able to have been to be able to see. The prima no, no, he's so

a good a gesture like disencajado, simply she said, and he asked her

this person. She's he started to describe it's a man, he's a manos,

the camis quadrada and the prima in that time he said that was a person

that was describing was a the house, the who had built that house

and the one had been abitado also the house with his

his but what the rar of this is that one a night

a time to love to his his and the man

the people said that had had to the

but nobody knew the he knew the so

literally disappeared disappeared and dis and he, and he, he,

he went to, or something he had passed to his husband, or simply he was going to her

but he was what he was confirmed, is that something was that was that was a thing,

like, like, as a other reality? Like if a other reality. Here,

no, par the story, because, at the reason of this, she says that he said,

he says, to, he says, to keep more in that case, pied the deposit,

no So they were And we We said that this Spejo is a a little bit of

a little the child and then he's a house and then he receives the name of

the prima of the and the and he said that I needed to talk to her

and says what's what what's what I'm what I'm going to tell I need to

I like how were the I'm I'm I'm in that moment,

I think it was like a simple coincidence of that my man, I'm a little to talk to

what I'm to talk to my I'm, the first of this child, she's going to adjusts the last

the last the house to start her now and put her in renta. For this,

he's got to the child, the while she's in those instant while they

are some little and the and the little and the nobody

nobody knows how he opened because he had a cardado and he was but he's

but he said when they were talking to talking and talking the tea with the that they

were in multiple occasions to the and the she didn't he was a case

it was it was like it was until there a moment where the

prima was he took a his the little of the man and he

the little bit of the little bit a voice super very very

very not of a little of a young adult of the

man and he literally he said he he was she was she

she was she was to her she was a his and it's for so that

just after after the she to see to to do. And

some after they're doing that the little was more violent

and they're to make a sacerdote to realize a exorcism. No manches. Here what relata

the prima is that probably what she did she did not that she was not

true. Tal best it was a demonio that's meted in her daughter.

The chick relata that no know what What happened

he did they've never they're in the rastro to her but not

have to be able to the no, no manches, no no

manches oh, is that can say there's there can't say

there, there there's a there there, I mean, I mean, I

know, if sometimes the people that people don't not are always demonious

are sometimes are familiar but but but But what was

the family, you know, is that he's the he's that he's you,

you at the first you know, I'm asked a fact, so they're a

cobran to and he did a lot of he did something with the and the

and a more he is his body dead, no, no, his

body, so his body, his cadaver is there is he got there he got there

trapped and is it's is a puddying me you know because no it's simply like in

a dimension rare and see the opportunity in the little a little normally

you know normally you know some that some people are the most people

they're to talk to them and the parents and the parents tenden to

think that are they're to think they're sometimes are things

for alt, like in this history. Ah, it's a family. Wow.

That's impressive. What's impressive. I'm like it. Me too. Me too. This is

me do a fear. Me too. Oh, this, well, I'm going to tell my

last story. And I need to say one thing. I'm going to ask to the people in this,

in this precise moment, if not you have subscribed here to insomno for favor,

subscribe to, askurate to pick to the campanita to you remember when we

we have these episodes. This chapter, I'm sorry, this chapter, this story

and I'm a lot of the stories that man I'm I'm but I have like

11 or 12 that I have been in the heart because yeah

say that they're very very very very I always, I remember,

I mark. And this, this, this, I fascin- me fascin-o. Me fascin-o and I'm

a favor. I know that this day, maybe when they're doing this, because, because,

there's the curtains, bag in the light, apagin the light. Pogel a pause

a momentit to your life, to hear for you this grand experience

that we manda a person of apegillof Spinoza. Super important. Dehens your comments. And remember

that we can send us stories to PEPPO Rabarabranormal.com. This is a grand, grand, story.

I've got to grab, no? Figginsie. Now so, for that they present

much, much attention, because, of really, I've been impacted.

This story is the other side of the other side of the that's

that's that when Fabian has in that's 12 years of age

for motives of his father they're to a house a house

a rented not a house rentada a big

but was what they was what they're in that moment of

the place where now now he's I know

we know that in those cases when the family has to move

for the change of the father or of the mom well, it's rapid and what

you can't get in this house. It was a thing that you was a benefit. Although the

house was a great, it was a mueblated. For so not there was not to do

a time to do that they're going to this new place. When obviously you get to a

house that there's some mueble that you do you decide like this not

do you do and at a moor those guards in the bodega or in a quarter in the closet no, those you're

not you're not you're not really that the people are the house when they were they were

signed the contract and they were very explicit with the papas about his muebles

and his things not only they're they're they're they're very

very good those with the because are reliquions are newbles very

very very pesed but also obviously if one is a not quite they're

so they're they're they're they're they're in where we're we're

not those they're they're they're they're so they're so they're

okay and he and he says that exactly in his alcova the

that he had a there was a big great, like the body complete,

very old, very pesed. This not was the classic of the

full complete that is in a base and that even to be a single,

with all his garigole those his remates and all, but was in

the wall. Incrusted. Incrusted in the pared. And he said that

the person, that he was that he was that was that It was so great, so big,

that was so that's almost like we're like we're as like we're like we're as we're just that's

big of the space. And, well, just simply they've started to pass the

days, the change of the school, the things that you're to be

there, then you they're to come, to school to that at the age, to

first of primary, or the second , you're all you're that's the He just got to get to get you

don't have your life said that's a bit of pretty, it's a bit of that this

didn't know he was a little bit was a little bit a little a little was a

normal Fabian he knows to someone or something or something that he was that he had

intentions to that he said he's been dormied when of the

when he's got a but I've seen that he's he'd know you know

you you're in other dream he's in his room was

he was sat down in the room and he's he he's

in the space in the big space in the obscurity there

he can't see to be to be but he he is he's

he he's he and then in this dream decide try to

really is he who's who is he is the right and

evidently at the same time the the light he

he he he moves the head to the right and

evident the spejo, move his head too, but to the other side. And he begins to

do the movements, but he feels like there's a rare, then he's he'll and regress.

He'll go and he's a time. And he starts to move and there's

his reflex. Movying exactly exactly like he, evidently, but at the reverse.

And, and of he's convinced of no, I'm imagined. I think I'm going to

think I'm to sitar observandos and so and of the back, the reflex

in the light on the space says something. Fabian, not you're

not you're but he But he Sient a Susto Tremend, horrible

because the voice was exactly equal to the was his voice. That reflex,

that was that was he was was about with his own voice. And he

he he wanted to go and that but that

there was something there was something was immobil

not all but so so so so so

so so And then he he kept seeing his reflex, he was he asked, he asked,

Who are you? And then the reflexe responded, I'm a boy so you. Me

called Adam. And he he's kept impressioned. How? How is possible? Me is

not, me is with my voice. But not is distinct but who

this is a this is a soo no Fabian you're you're I exist

I'm a I'm a a little so but because you're in the space because

I was I was I'm my my court I'm I'm

I'm I'm I'm I'm they were I'm maltreatable and

every that was the night I'd want to they're they're

they're I'm lastimable and my only desire was to escape of that

and one day I I'd here at this side of the

but not you don't you don't I'm here where I

is a place is a place Here, no no, no, no,

there's here, we're embegeese, you can't do all the day or

to go to the day. Here, we're, we're we're so we're and I asked,

oh yeah, but how you see you in reality? Because only I'm my reflexo. And the

the The kid, He said. No, I know. And in that moment, sonned the alarm. Pipp,

pip, pip, it was the alarm. It was the day. And he he was he waspirted,

but in effect, he was sitting in his camera, and he was the

immediate he thought, if it was a dream. So, his day normal,

simply a a very very strange, very very strange. He went

to the house, he to go to do not when he again, he's

front of the and the man he was you Fabian? Yes,

I'm I'm I, Adan you, you're there? Yes,

you? No, you can see me? No. So, I'm only,

that it was a strange, he was a amistat. He no had friends in the school, and also I didn't

have them. Because Fabian had a secret very great. I could talk all

the nights with his friend Adam, that he lived at the other side of

the space. And every night Adam he had said,

when he in that house, in that that how he was only, how not he

liked to his life, that no had a friend, that the only person to he

really was his mom. And a day? Fabian he said Adan,

I'd want to that you know that you live is and then he responded

Well, there's a form we can we can be four hours you would be

you endreys here and I I'd but only for 24 hours very

well he said Fabian what we have what we're it's like a ritual

it's very simple you you have to get to the

space you're to you're to you're to look at the your

hands you're to look at the palms of your hands you're going to accept that this can occur and then

you're going to you're going to say three times my number okay we can't we're going come

acercate and Fabian came he he's approached to the face he placed his front

with the dadan his hands and he and he he accepted and

He accepted. And then, he pronounced the words. Adan. Adan. And, of a lot of obscurity total. And when opened the eyes,

he gave a point of that he was in a place more obscure than the night with the eyes serrated. The only that could be

was the mirror, but from the other side. And in the there, observant the

room, and then the window, and he he was to move but he

only was there was he was he said, and he passed! And Adan onryendo

he said he's he's been many years front of the space

he's waiting that someone accept the change for

the a voluntat proper. I had had had the time.

But you, poor Fabian. Thank you. And he started to read.

And he he said that he saw he and that he doesn't know how time

he? No, he? Because in that was it was like the

time no there. No there no there no

there infinite. Gritow, resed, soplicated, but nobody he was heard. De a

when, he was a swamable by the and he saw things terrible to his

mother and a man but his mother no he he could he was

he was he was he had a he helped to do that a task he had he'd like

a he'd he'd and he he'd he'd he'd he'd

and then he'd he'd he'd he'd he'd he'd he'd

he's he's and he's never he'd come to come down he'd

comein' coming with the hands after the he'd he'd

he'd he He was a He said he was a Heard rojo Of his Mom. He was

He said he He said in the Spejo But he was on the other side What he

He leigh was a A was a A Cere the bill He said

He said He said He said He yeah no grito He no he's

He no He was He was He was He He said He said He said

And his desperation, he started in what he had taught on the if you're

to pay you ask you ask you pardon to and he he said to give you pardon to

God for all those times that he had caused a bad

when he had been when he had been grosser when when he had been

a good when he he was when he didn't when he only he was

he that, that's a way, he permitted to God. And he

promised to God that if he was to be to be a bad to his mother,

and his life as he had done before. And of the light, the

light, and he felt that he was to he could be a soubido

he came to recor the body and of a drop a

second, and he sent the bisso. And He heard a his mother running

by the escalers, opening the door. Fabian, you're doing? And he was in the

room, and he was in the feeling, but happy, felice to see a mother.

And he's he said, even he was a curruco in her, as he he was with much

force, yorando. I was was very I was a sustad. The mom he said, Tranquil, only you

caiced to the camera. But he was not near the camera. He was

at the window, he said he was he had been arrojado and that he cameo.

And he said, Moma, disculpame. I know that you know you're to be

to believe to the camera. I came of the sky. I'm so how

I'm there. Someone me anguio and he's living in

my life in my reality but I have I've really

the mom simply he's he said was a a

a past a to do to and he

he he he he he saw in the reflection

of the the light he he had been

the a dream, or a pesadilla, better than I more than my life,

no it's sense. How can be that I could be that I was in a

mirror, and he was observed the mirror, and he observed to see

to be to go and just was a little I was like he. But there was a

look at that that's a reflego. And that reflego for a moment

he went to see up and he went to the and then he

he left the look had written a word that

that right yeah yeah yeah yeah yeah wow,

what yeah that that it's good It's good. It's good.

No, I can imagine me, like the, the desperation that I felt to be in and being, and know

that there's there, but not, not know what's about what is. And,

he's a name, but now is the other side. Oh, no, no, it was

a dream. Oh, what a great story. Yeah, but what I'm a impact. Me impact.

I'll get to get to all the Spaces. I'm thinking I. I'm going to I'm going to get to the mirror.

No, no, no. And fiddly that I have a genuine for the specks. Yes, but I'm,

but I think you're that you're going to Fepoia. No, I know, the people that's

that's stories. But I impacto. Yes. So, oh, oh, my God,

you imagine to be in a situation like wow no no no no no no no no no no no no no what but also that's good good but also how you know how would you say it's like the

is like the restar is a mantra I'm repentanty I think it was his voluntat no the arrepentiment all that energy accumulated boom at care Oh, that's going to be

Oh, wow, that's Oh, wow, I'm talking of reflejos, uh-huh So, there's also a story

one that, that's kind of a top, is very good, in the last you're going to tell you.

Yes, right? Yes. We're going with the next history, titulada Reflejo

this is a story totally anonymous. Uh, and the history that I'm going to

talk to when I had around of 11 years. This is what relata the person that

now, has 45, and still not not can superer the respect and the

fear of the people. Maybe many can see a these

objects as a decorative, or simply like something something that

maybe that can't that you need to your world, the

world of the world the spaceos have they're they

are that are other realities and that are

the dead, or even to the things that never were humans. During the spaceos, the

space has used in rituals in rituals as a material to communicate with the

unknowingly. And that was what discovered, and without a madrugated

any any this terrible story. He he Absolutely

everyone. He said he's he's he's going to go to go to

go ahead he's very despacio yeah that in those years

I was a apartment with her mother he he went

in silence and he came to the back

that was just in front of the court

it is important here that said that didn't not

He, no, and so it was to not desperer to nobody and that was to know of the same.

He left the man, and just he was to look at the mirror.

All the whole. Until he was the look to the griff

and of a repented and he turned and he did

know that could be reflected all his whole

and even there could be the mark of

madeer. In that moment, all it was always something that's a obscure.

As always, he went again automatically in this occasion, when he

went to get to the head, in the space he was

reflected. He was not he was not how explain

it, but he said, I was there was there, but

my figure there, and the spejo, I still there a face in the

wall, but yeah no there was a real there

not, it was there only only existed the obscurity. The

pront it was that the way, I was was a palpita.

Imagineate. It was still still the mark of the but there was a

huge and this was to cover a life

to make a palpiter. As much enormous it was made

to make a grieta then something in that was a moment first they

first were some those those redos that no could

literally describe to that that is that the two

are completely negras and began to start a

little more the and he was a aggratada, that was

black, like of porcelana, that had been a many years there, it was a piece

a piece and then he said, he said, he could see the face of a woman

that also that was the hair black, and it was a umed.

His skin, I'll to repeat the hour, the of the car,

it was to be a yeso and that was all raged. Also, he percat was

a little eyes black, enormous, what were in a abism immense.

The most the whole this is that also he remember that he'd a a new

a new and that was a bit a bit got a whole the same

vesty. This every was more real, not only was that

was that was something something, simply just, I was being

more things, more He extended his brazo atrovesant the mark of the

space, approximating he, and he he offered something. He was he took the

hand like if he was he was something completely invisible. The other

other thing could be that was to get to get us he wanted to

get us and in that instant he he said he said the when a

man never she's never to get you to get me with him. Never let's the man of morto, imagineate,

so, no he extientas something. Something his body reactioned in that moment, he went to

goreying from the back, remember that just when he had a alfomber the

which with she and he he's made to do you so he he gets right to his

camera, he's tap and his mother and the notar as those movements

he and he He's enoja with him and he says that he's that he's he's apagalah

because I'm he's preending apalal and he he said no be you he's

yeah he's all tembloros he had much fear he had ever to never he was

that he was spantos that even that night that night that obviously he was he was

he was in the moment that the man was he was he he was

he was he was credit to what he this never he never he said

to do not a mom or a her mother. But that in a occasion

she he asked to the mother if the people were in the she said,

she was, she was, I mean, that was, that was that was that was that was

in that time, in that in one, in in any, in any, never,

never, has, has to have the reason, because no there's reflect to

nobody. And here is where the story. The abuela he said that in the

madugada never never be to be in a mirror. Because it is

a good hour to see the real the real the little

the ball saw things so ohie you know you

know you you have you have done that you have

many many practices have justly with those two things,

the madrugada, to be the and a family, well, that could be offended

no, no, but, but, but, so, of the actually,

you know, the bell, between, obviously, the and you, you observe

your reflex, simply like, so, like, so, so,

like, there's a moment in the the rostro of other person, if you

start to move, you In this occasion, Fickate, just here, like I said, I'm going to lavas me the hands,

I'm looking my reflex, but as the usual, like, also it's a par, I'm going to go,

I'm going to and over the back you're not there. Yeah, but you know, but you're

when, you're always when they're the moment of that someone, okay, this story me has been the attention, that

that's all the man and that was to get to get to get to, so cruz- to get to get to,

what I'm, what I'm, what I'm, so in the second story that you the old that of the

that's that's that's that's maybe, maybe, he's, he's a

cross-a- and also, the story that I did the other side, that, it's a lot of that's tremendous.

Now, imagine that in a dimension in a question we can't you think

you think you're you're in an abism like the adan or something or something yeah more

yeah more yeah I think that the contrary total of this so I think you're going

to find that's that's with this side with people that you and the other

other side the other the other the world of the light of the the place, the

the place, and the way, because for something, they're trying to get

to get into from the they're trying to do you, they're doing they're doing that's not,

not you can't be a good. So, so, recommendation at the time that

stay in, as if go in the back, so they're on the passio,

no, they're to the end to say, I think you said to say

another after after after you? After no? If, if you're

in the madugada, maybe it's a signal. No, not you want to do you know,

observe at the front of the mirror. Fiatte, if you're you're you, and try to

do you do things, to do see the thing, and we're in the comments.

No, no, no, no, no, no, no do you do you do you do,

no, no do you do wow, what good is you're, I'm I'm a fan of the

speys, but not to front of me. No, I consider that are good in some of your house that not be where normally

pass you in the night? Like at the feet, where you doorms like, so, right to be, right to be, or at least that, for example,

you're going to be a passier at the no less that you can't have a, a spejo there is a palestown because,

are, are there, are hours that not control us. At a lot there are

situations that just come in other dimensions that are there are really those are

portals and if there's something no no no no no manches no you know

you have you've seen there have there have some

yeah those in the space in the in the in the in the

public so you know I'm in Kukula Calisco the

there is the Kuna World of the Mariachi. My vis-abuela

has a little a carjejean of the calle the dayh so they're

in a time, that's a time, they're in a occasion, they saw, and he

got a just to a quadrita. And there all the 16 of September they were or more

well, emantelaban the those the spejos. No. I don't know why.

Of that house or of that's the place of the house of my ex-aweller. Uh-huh. It was a type

of those houses of the people that are long little, they're a patio, the kitchen

at the front of an coast of you know, like things like, there was about about eight

spejos and all those tap-a- and it and I remember very because I don't know

in a loton. You've got to all right and they chined much

nobody didn't get to do I was, I mean, in that camera,

because evidently when you're doinged, and you could start at the madrugat and it was a house very old.

So, I was the reflexes of how were the lightas that the spejows that the spejors

were tap those, right now with all this like you were the not those the records.

Now tell me why why they were the mantas if it was a casona large and no there

had a way that was a the The wind, a less that the

the windows of the patio were used because there was a little in the space that could be

at a moment a little a moment rare. Is that I say you one thing for example

this that you told about this person that that went or took a

a morto a person for a moment and that did all

this things you know there there a no

no never a a a a mirror. Because if the dead

is observed, it's a little. The is like the door. Of the

really. They're they say that even can't because they consider that in

a camera is like a space because is duplicating. No is the same. No

the same. But when one person has a spirit you're in the

you don't you know you're no you're not you don't know because it

never wow, no la go oh yeah uh... before uh... record us

reds and platforms arrava karen kassiyas with double s at final in youtube instagram tikok

and in ex i'm like k casillas so you can can't find in all the social muchissimas

thanks for for having been to have been to talk stories of Terror gasported in a

speo A little CREITs specials to Luna That's You did you?

You did you? I'm No, thanks to for the invitation it

was it was complicated for me to this I mean I

saw I'm I did yeah but no I've

got to a a a microphone and a

a little but it's good it's it's good

Oh, is that me I love that I'm me really Thank you. Thank you. Muchismas thank you.

I'm going to be my bad on the bad on but I thought that you're in your box because yeah. The spejo

yeah, for that I said, me used, me used to me used to okay, I mean,

I'm gonna. It's rare for that also that also that also I'm so it's no there's

no idea but, but to here are a person that will let me to let's say

make that I superficially reflexant me could get there like you like you

like I said like that's like you not you not you know then the the more

that all the more that's like that's that's like but there but there's not going to let's

that I'm going to I'm going I'm I'm going I'm I don't I'm

I don't do cause because they're I'm going to have to have to respect

but I that's wow no, well, so what interesting because it's just

what we say we're not a thing we're so it so I'm very much very much

to be so I'm so he so that so he so he so he so

but that interesting that's good good good great I'm really

I'm very very of these stories I'm a lot of things

videos where the reflection no doesn't so wow

thanks now so, yeah we we're going. Recurred to see us in all these social.

Thanks for have gotten to have yet back. We're seeing the next time to see

narrating these these incredible and terrible and terrorifices experiences reales. And you

listen them. If you try me. Chau.