INSOMNIO - Hice HABLAR a un CADÁVER con un BESO | Historias REALES de TERROR

Episode Date: August 14, 2026

En este episodio de Insomnio, Fepo, Maus y Luiski de "180 LPM podcast" te cuentan relatos de terror escalofriantes sobre necromancia y muertos enviados. Estas historias hablan de cómo la envidia, la obsesión y la venganza llevan a los vivos a utilizar huesos, sangre y rituales oscuros para esclavizar espíritus. Descubrirás que los entes son armas espirituales enviadas para destruir física, psicológica y mortalmente a sus víctimas.  Suscríbete a este podcast de terror, activa la campanita y acompáñame a escuchar como cada jueves los más siniestros relatos de la noche. #insomniopodcast #podcastdeterror #relatosdeterror #historiasdeterror #necromancy 😈 Redes de Fepo:  https://www.instagram.com/fepomx   https://x.com/fepomx   🔮Mariana Maus:  https://www.instagram.com/darthmaus666?igsh=MTJiYnh4czA3YzQ4dw==   💀Redes de Luiski:  https://www.instagram.com/180lpmpodcast   https://www.youtube.com/@180LPMpodcast   https://www.instagram.com/271podcast   https://www.youtube.com/@271podcast   https://www.instagram.com/luiski1    🫡 Síguenos en redes sociales para más contenido: https://www.tiktok.com/ https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio   👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/   [e-mail] ✨Grupo oficial de Facebook:   / https://www.facebook.com/groups/548487930178860   💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx   🛒Compra Merch Exclusiva aquí👇🏼 https://store.podcastparanormal.com/tienda/   📧 Consultas empresariales: [e-mail]

The discipline of the that's the discrenden the relato of this night implica submit the voluntat of the fallacidels mediales of profanation

and torment physical of the cadabres. Cera and the rojo spejos asufre and dismembramments

postmorten are pieces fundamental of the rituals that obligan to the alma to bedece

and communicate in this chapter of insomno we're to relate experiences real

of necromancia. For that we give us the welcome to our invitation to our invite-exe LPM podcast. How are you?

Very well, much thanks thanks. Well, here I'm excited to share with you both

these stories. Very good. Oh yeah before to start, I'm going to present to our

great-simabaus but you can say, for a little to what you do you do you

do you do your services and your questions? Sure. I have

a Paranormals. We're stories that we're our followers and then we're doing

for them for them for them for them. I can find in my channel of YouTube that is 180

LPM podcast and I'm also I'm Spotify and also I'm tattooing but that's also a other world apart.

Very well very well very well much much thanks and also I do the well the

good-to- our co-host Maestra of Terror, my caretism, Maus. How you're very, very content. It's a thing that I like much, so I'm very much. Very well. Hey, this,

we can't say, reds, and platforms? A me, FASINN, me can't even say, that's M-A-U-S, in any way social. Instagram is Darth Mouse, but me encounter like Marina Maus. Perfect. Muchisimus. Thank you. I'm not, I'm going to social with FEPO-M-X, but

more me would like to be see a through Spotify and if still us

have subscribed here in YouTube also you can do do you

know if you have those and you have experimented

something that you can be there down in the comments

so we let's let me a question some of

some of of you know I see that's a thing

but some of you have had an experience directly

not and talking totally of the necromancia, I think I don't even even a known that he has

passed, I mean, a person that has been to know, to know, to know, that's what?

And obviously, the necromancy is invocation to the mortals to pay them by the manipulation of

the body, because when they're they're a life, it's very dolorous.

The spirit and gets to see other things other things humanas, between them,

but I here, I have another story that not it's not

of necromancia, but so, of how the spirit of a woman regressa, and I don't know if you want to tell you to it, I'm going to say, yes, yes, yes, count us. Well, this is the city here in Mexico, and

it's a couple that is called Mary and Sergio. They're dispone to go to adventure to a city of a country that's in Kerectar.

When they're going, they've planned to pass on this little people. And it's that when

they're almost to the pancha a little to the then they're they're and they're

doing to what they was like those I'm almost the four and five of the time.

Yeah in this part of Mexico then at the six and at the seven yeah it's

totally also they're they're they're they're well I'm a

time I'm going to change to Regress the part of the back of the cajuela, open the cajula, he's a raceroyant

of refaction, and oh, surprise, the yanta is totally without air. So, then it's not going to be

a phone. And he's a count that there can't be a signal of cell and they

start to to get a place to a place in where they can't put an

air of a lot, but the fact is that in that part of the carter is a

very solitaria and no there that's that's even to get to two,

three autos, because the things in our country not are to be to be the

people. The major part of the people, I think it was that could be to be a

trap to to do that to get to get to be to be a six and a

almost he's a car to be a caro and the caroneta and the

man. Then the he's got to the person, then the he's going to And then Sergio, he starts to talk to the

that's the same to know what, we're getting without a signal, etc, etc., etc. In this part, the signora was he ported too amable with

them. It's of those people who still think that the people good and and they say, I live here

I'm a little my family pertainse to this people. If you're are going to pass the night in my

house because the talachero that I know that is alcoholic, but you're not going to be able to to help them,

no, to put to your yanta. So, what is it? We go to my house, I live with my

mother, and you can pass the night in a quarter. My house is great. Well, like,

see, like no, they're not they're not they're more more dangerous to get

to get to just to be to the road of the carterer, and they they're

to get, so they're getting to the carmendetta of the time, so they're going to

when a car very great at the It was in the front. It was of those houses antiques, in where I'm the mom, the papa, the

brothers, the abuelos, there were there were many different for that they were all. In total,

they were about about six or seven habitations. When they're going on this this is

this property has pertenecide has pertenesied to my family during various generations. The two my mother,

the two my mother, now the I've got my her. I was to dinner.

We're going to dinner, we're going to a sonar, and they present to the wife, and they're saying, well,

I think it's hard to go to do you know, and then the six of the morning we're

going to the talachero and you're going to continue to your voyage. After

this talk, he's up to the part of the property of the property

and there's a quarter little, that just there's a camera individual, is the

only that you can offer the but has a lot of trickes accommodated and

between them a ball that's a lot of the attention of Maria. When they're

in the court and they're there's there there's a recommendation that does

the do the house and he says I'm to ask a favor not more

I'm I'm just I'm just not the work in my things

not revising my things they're the door and they started

to start how the passos, she alh. She went totally. But Maria,

and even she said, it is a much chismos. And he left to some minutes and

he said to him me value. I want to see what I in that ball. And Sergio,

okay, we're going to get in a problem, we're going to go to go to go.

You call what I know what I'm let me go, let me get me, I'm going

because he said a we're going to get to this hour of the night? And

he's the door, put the o'yido to start to hear of to start to hear the person and Maria abre the coffre. Dentro of the coffre, the first thing

is a tela like a telf, the sack, the desdobla, and it was a vestige of a newbie that was in perfect

conditions. The only is that was a little a little and o'ly humidity, because for the

past of the time and the years. Debago of this vestido of this vestige of a

made that was amarrated with a liston rosado. And she let's see the

car, desamarr the liston, and when it's he's he's he's

and he starts to review one for one. He starts to see, and see ohie

Sergio, you've seen? Is it? Is it? Is it said, oh,

that. Oh, no, how you think? And Maria, what he does is that he he takes a cellulare and he he took a photo to the photographia. But what was the photographia? The photography.

It was of a woman that was that was in a taute. It was a photographia antipot. Antigua post-morten. Antiguamently was it, well, there many motives for the

which was made the photography post-morten. So, I'm in Mexico in in the years 1800 and the first of

1900, was that when you took the photographia of your family, you were you were doing,

others they were because they had the final the family complete and others

they were because with that they were the duele. It was like the

ultimate image that they were to the family, and with the past of the

days and the months, then they they were to be the photo and

that that that that was a-u-sadu-hut-as-na. After that Maria, they'd take the photo, they're going to go to like if nothing had been

so they're to do with just to the morning. As I was said to the house, it's the

door. He says, "'Muchachos, we're going to go to and they're going to go.

When they're going, you know they're the desaluno more. It's a that's

a, to the daughter and a a woman, and a family of the he's

he's the he's the he's the going to get to but I'm in it, they're

they're they're they're they're they're and he in his carionette

he he's when when they he's he's he's he's

what, what's he's what's what's a lot and put a

totally How much , you know to know this family? Well,

is that sincerely, all my life, I mean, those who are the people,

we're not not we're going to live here. We're we're all.

We know we're we're to get to be in the United to to be

a life better. And then they're not regress. And now, and I'm like,

well, I want to ask a question, if you're to the

signora, well, you know, but you have seen the photography of, and when

she's going to say, to be, a be, a be, a be, a be, a be,

a be, a be, for a favor, tell me, that they don't see,

she's who's the woman, who's the person, she said, Do you Ortencia,

it was the mother of the motherita of this senior. He said, but

there something very I'm very strange. And the strange in this is that the people say, no, no me have passed nothing to me because I never have seen. But all of them,

that's a photographia, they're going to beckxedering questions of indole paranormal. Coses in explanation. They're going to hear noise in your house, they're just moving the things. Passing that type of things that that's that they're going to be

a quillard to be able. And Maria he says, hey, what are you to be you're trying in those things? You don't think in that that's that's

they're they're to go and they're they're they're they're they're

they're going to a time in the time then the back to the time and the

thing to the routine of the thing, she's accommodated and he a woman and he

he used to do that she's a way to be the time and he was and the after the

last of she makes something she that someone she gets that someone she can't she can't

move and she's trying to do something to do do something and that when she

she makes that in the same position in that she was abrassating a Sergio,

someone marlapraza. And he says in the o'id me you want to see,

here I'm when she heard this words, he's moving to start, and he

starts, and he gets a that he gets a much, he says, to be

what you he's, he's to make to make to make and after

after he was a crisis nervous, Sergio he's he's explain to

to be, Tranquilla, could have been a pesidia for what you did the manned

so you don't you do you do you want to you're going to prepare a tea

to be you're so in that he's a cell and he back to

the kitchen to do put the teter friend the stufa

and he he's to be videos in his cell

in what is the water in the water there

is Just when when he the p-i of the teteera he just he just a he said

he was the stufa and he was the refrigerator of this side and there was a middle of the

two and in that space see there's a big a biggita that

is like with the head and he he's being and he's and he

does the hands he's he in that he in that No, he said in Maria, no

he said in nobody, and he's immediately from the house so descalcedo and boxer, how and he's not, when he's out of the house, he's not sure what he has got to pass. But, see how the

cortina of the room of the cell does this, and there was this anciana, that's he had appeared. He takes his cellular and

he begins to mark to Maria. Maria, he's very altered and he said, Maria, for favor, salte to the house. Oh, yeah,

but that you get you out of the house, no ask you know, don't ask you never, don't get anything, and he's back

to get back and get back to a new, and they're doing, and they're going to see what they're to do and this family and this family

he recommends a person. At the other day, they're a person, that was a Brucho, and the Brucho says, well, I've got to do a liberation to his house. And so he does. He does the liberation. And, well, in this point,

they're done into that this spirit, that was ever seen ever, it never, but here happens. I said that Maria was a person very chismosa, said for his own She was the

he was the day that she was the day that she took the paralysis of the swineo and so he presented this entity, a maldiction or what? Because every one of the people that had seen that photo took a encounter with Doinia in the nights, in his house, it was

appeared to others and it's here where I want to ask you to ask you and a Mariana. You're think that this photographia

be the causant of that Doña Ortencia has appeared to every one of the persons that the person that he saw.

If you put here and that you'll have see to your community maybe in three days us can

tell their experience. Wow. It's a very, very loco. What, what they

do with the photos and is that depends much, no, of the region,

in where you're, the traditions that have, over the moment of the

moment of the murder and what they're in many zones, as

like for us We want to do is to let's get and that the mortal transienta. In other

occasions, what they want is to have a little of the person. And it's for that they

take the photo for that a part of the essence of the murder, it's that's

the photographia. So, many times it's said that if you have that photo

of the person, one of you just you've got with that this essence, but

we're not the essence in the life, if the not the so it's probably

that there that's that the thing. Wow. Uff. That's

good story, eh? Recurdom that I have to give to give a

data about this story, but yeah until the final. Okay.

And we can put the photo. Exactly, exactly. You know, to me

something I like much, much, much, much, of the thing of

the necromanceia. A more, a more this is something more

more more but I remember that it's actually in an episode of X-Files where

devolven to the life and the work because what they're they're doing is communicate and there

this this issue of the eyes of the eyes of the the how

how of some there are in these these in these there's not

not not that the last the last the life of a person

for example that falle for the action of a criminal

he'd in the retina, like if were a photographia, the ultimate

image that I'm not. I don't but I think that's like to a certain

point something, something something something something that was a

necromania and what I me is like so super spectacular because

because, because, and revisando the relats, not only

to the they're not many through the history I think this is

100% real is when they're when they do you know the person

or the person for complete to be to be the world of the

people that they're like a bowl no it's like a

I think is of the cobr and he they're they're they're

they're they're they they're they're and then they'll open and then they're in the entrains of the animal. And then they're to make questions, and when the heart lat,

is a response, and if the stomach begins to functionar with the tripas, is another class of response. So, they're, well, they're talking to the tripas of an animal who's,

but also the eye, so, the ojo, so, they're somers, to be the o'clock, and they're going to be able to ojo, commisans to receive messages,

or directly they're in a circle in a circle, of which can't go to and the

spirit or the soul, or the body, and then soplica that they're that they're

that's a lot of, and it's a repilante, you're saying, first you're going to respondent, and when respond you,

you're to liberate again. Oh, if me does... Yeah, yeah, I don't record about that, but it's very certain.

It's that is the thing, no, with the necromania. I mean, is that the necromancy is, not it's how you're using and why do you

do you know, how you're doing with the Muerto? If you're going to do it, to do not, to

do you do you do you're doing, I think that there's in where you're doing, like, well, it's

a practice that I don't, I don't, but every who? But there are other type of practices that, for example, you can't work with a person. So, if you

want to work, you want to pay a favor of a morto, it's super can. But, but then, you know, it's just in a form of, to do necromancy that can be, even, it's like, to be like, to benefit to the mortal. That's

so, so it's also, the work with the mortals, even, for example, our mortals, that are our ancestors, at final, is necromancy. You're trying to with mortals. And that necromancy, a me,

much, much, much, but this other, yeah, not is that bad. Also, how you're using your elements of the murder? If you, for example, that also, many, for those, many brusas, they're going to the

bush, but forests, I mean, more retires, no? Where you can find, well, guesos of animals, that you're there, for reasons about the naturalization, acuals, but you can start to recollectar those, these

those whesitos and you can't do you can't get that, you can't have, for example, the craneo of a little animal, certain animals, because there

are some more contact with the other other side, that they can't help you to help, and you can't even you can't

talk with other entities to around. And it's a practice that also makes very beautiful. But when

you're just getting the organs of an animal that, you did you know, I said, you

what's things before, to be able to do that work and that's their work and that's a practice a bit more cruel,

for so say, and also it's also a necromancia in the palomayombe. Because when you the prinda, because obviously they're all having

the vessel of a person that is a person that is to be able the spirit and that the spirit do that the spirit does for you.

Here the problem is that no always they they're always when the paler is at point to transcender can hered

your prenda to other person and then that that retention of the spirit and that dolegation

and that's a little in podcast paranormal we've got a a person that he is Yoruba

but he knows much and there was something and there was I'm going to not I'm going to not

but can pass to see this chapter is a chapter is a those that are those that are those that are a lot of information super contundent so, nobody more

that I have seen has been so exact in the things that comment about the palo and the practice Yuruba. So, there was something that me was so super-straio,

but that has it has been the way is that never us question us what happens when a paler that has a various

who are many who are contra of his voluntat falle no they're

not they're not not a cubana a cubana me

told god so but yeah for another other

but so I want to I I got to I I

remember this I I just he he he

he was I going to want to I got

he had he he had Without without Shear,

without his father. And, he separated totally of the family. I mean, 12 years

and he had the piece of that was she was she she was she was her, but she

was she was she and then being a woman adult in Mexico, many,

many years after, he, he was to have some years when they were

there people, that she not knew, that clearly were

They were Cubans. And they said, no, I have a, I have a message of your father. I have a message of your

father. Ben. They had in a certain places that she had and they

were things, for example, like some some of some of some of that she was

being and there there there were there and there and he said,

but what is that is that about you have to do part

for part for that you can find the the

message. The mortals were looking their liberation. Because the

father had been and the father was a palerer oh, one day I go to

me and I know what I know what I remember right. And, look, I mean,

I had, I was, in the second story that I was going to talk, it has much to

do with what they're saying so, so if they're I can't tell

this the story and I can't start so. But you you

you and you're you're okay okay okay okay okay

so you're sure okay okay then you're gonna okay okay then you're it's that you're it's that I'm gonna

this story this story this is the the murder the market of Sonora okay

so you know so it's so over there's many things for things for

there so they're because certain animals that are difficult to

get that's that's the that's there's there's more extreme, like, for example, parts of the

body, cranes, and the other, that can use in the necromancia for different purposes. But, well, this story is anonymous, and it's very obvious because it's anonym. But, well, we're going to put Guadalupe, this person who who's the story.

She has told that he's working in the market of Sonora. And, really is something that she she saw but that she has, she, at least,

until the time, no, how to explain what was what was the

what she was in where she was she was obviously there were different

types of different types of and there and there a realuch a

person that everyone was that was everybody was I was

I'm I'm more those more brutals and and I'd

say, I mean, I said that when you passable the local, olia not only a animal

rare, like society, but the people of there, saw the the color different of the

and of people, when someone had parts human, and they said that the local of

Lucia had that Lucia also, he had a caldero that was kind of

that was a little that was a But he no said much, he not really that he practiced

simply he had his clients and he's in front of Lucia was a daughter

Dr. Doha Martha was an excellent brouca that had a

chorro of clients always they were and they they're using clientes

and the Luceo no he wasa so of their local. And he

had a way of to see the local of Lucio. Yeah, no time no time.

It was all the little bit but the local of Lusio still was able. And I

started to start as reches and and he started like the noise of a

macho and he was he was like the was like was like was

like if Lusio was like not he was percat that that someone was

was I was being in this moment. She says

that he a manch cabrio and he he he's

the two patas and he a marra like a partisita

of the tach and he he he he had just on the

he's he's to to so a umo he said he

he he he's to feel and he started

how all the animals of the animals the noise, the gats, the perrots,

the chaspeda the chalitas in where they were, all the world was started to get her but she got much the cruiside

and she went that was doing that was she was going, how Lucio he was a kind of a machete

oxidated and he he's a animal and he he cuts the he said that he saw

how it was all the blood and while After all the Sanger's out of the arteries

were to have and the animal started to make a real real a real

he's to say to the animal to the caldero and he was he said,

you're going to go to your house you you're going to get

his food you you're to that he doesn't that

he's that he's he's he you're not to be

to get to be he gets more things and when this

chica, Guadalupe, started to breathe, he started to be like the numid of the change of the temperature

of the place. He metio his local, he was with the major discretion possible and

he said and it went to the day the day next, then the day so it's

the whole and from the days, so I go to know that was a lot of that

was a not yet I'd to open your local as a point point of the client's

not quite because no the time there's a other there's in front the local

of the woman and she had she had like, asgastated and like,

and all and tallyab and tallyab and he kept in his local but

it was so sure it was like it's so much that was he was I'm

didn't do do it didn't to do it was there

there were cuckaraches in their mortars around the local and pered all the clintela and Lucio every time and more people and more people and more people Doa Marta he was so bad

but so bad that he had to have to be serrar and don't know and started to pay money to out of the market of Sonora

because he no had no money and to eat he was all everything but but

one day something something something something the local of Luceo also

there was a day, passed on two, and no, there was there was there,

and there and then the person was there had got a report, because in

the moment just when the market on had started to put more

more more regals of than that they could not

not not there and they were so I just

I've heard like the few animals that were like they were in the local

and say they're there's a lot espantosissim they're they're all the

and they're all the part of the animal was and again they're a lucy

lucy lucy all the To appear say that he had a

death but it was impossible because he saw he was the color

and it was palid palid and the people said when they

did you did you did you no had a blood was it was

like it had been not even any any of any there no

there no there there so there so he

got to a infarto and they And in that caldero, you saw that there were a crane

human, costillas human, and other parts of other animals that were there were cosses

of the sand in all the caldero. Guadalupe yeah no he, but the reason for

the while he no he doesn't support the vibra of the world. She said that all the

time that was there I heard how in the local of Lucio Caminaba Lucio I'd hear of Luci He'd hear a looer But there was a voice And that other

person that was He was like if it Maltratara Like if it would have Like now under his power to his command She thinks

that the moment of Mory Lucio Welles, the Murto now he has submitted to him. But,

but not really what was. He got to do. To do. No, no,

he was that they made to the murder. What's that's that's the one of the

thing that's, they're when you are the time when you know, it's that's like what I

was saying you know? Much. For that was what that was what you said.

Now, I don't because really, within of that practice there

of there certain protections for that the more to be conditioned to make a case and that you to get a

to lose the power of the manned, I don't see in some moment this practicante

not was not he was a because this chica not didn't say that's that we

didn't even that has a calderer then there's in the engang it, we can't do you know

but he didn't even was even he was even was a practice that he

learned and he learned and adapted Exactly. And at the more for that's he went to and then

the morto he's a but even logic. The fact of that when you are you is a lot of

you're always you're always you're the problem is that when you pass to that you're totally vulnerable

and if it's a spirit that's enojated and that he's really a lot of energy then it's

more powerful than you and in that moment you can be over all what all what you

did you also that I'm that the She's Martha She went to the front, right?

I think she's he's he's not he's not he was it's not he was able

and maybe he's he's maybe he maybe he there's there are many many

there there's there's I think I have the fortune to know very

very de a person of people Uirrarrick Ah so wirras Uirras Wyrras

no and they're one once a year make a year to go to the

Cacery that's a commonly is a boyote but they have to give a offender to the earth

and this offender can go from a burrigito very little to when

was very abundant what they received a a toro no a grand

obviously for them not it's probably because it doesn't into the use

and but for much people that is in pro of the life

animal so it signific something, well, very, very, horrible, no?

It's that there's many things in the world. So, in the India,

there a practice religious that's that still still still in practice,

although it's supposed to not. So, for the world, the government of the

India says, no, we eradicable after 15 years. But, no,

it's certain, the in the registros police so you know that

that's continued and they're and they're they're the to come

to a person a person in a in the India a a practice religious

literally is that is the anthropophagia but so not that they are that

that that is a word that they're not so there are a certain time

for that the the and that the and that they're

and that blah, blah, blah, blah and they they're they're of them. Of they're

they and you know, and during much time, I mean, it was the only

practice religious that for uses and custom legally, they could have

with the life to a person and to be this. So, it's like

very rare because in the world there are things that some decades was it's

well it's part of the culture or the religion and it's kind of a so it's like

very chistos because as a humanity we're we're in a tap infantil

and we're growing to a age and so how we're to get

to get to the adultess in in what things that

are doing I don't I'm from my point of

vista. I'm I'm the practice. But to take the life

of an animal I don't see, I know, no, no, I don't do.

So it's different like when you go to the box and you

take the person says, I'm to fall my organs for that

other people continue with and my and I do you

and you can continue to continue or science, no? But it's your decision.

But the animal no, no, can't take that decision. So, I'm going, I'm going to, I'm still. Also, that,

no, no, we know, we know, we know, we know, we're just, like, we're going to,

and it's impossible. And, and it's, so, if an animal, one thing is that, because they're, but they're,

but they're, but one of the practice of ritualistic, that you use the spirit, the animal, the sacrifice,

the act, the interchamble of energy, all this, some say, the soul of that the soul of that animal yeah no can't be able to be not going to be occupancy

for other thing because it's used all that energy to do that the ritual that's being that's a problem the other part

is for, for example, that if you're to eat yourself an animal and the animal then obviously will reencarnar

but no. But no we know. It's something we intuimed we're not even we're more we're

to make a our reality, no we know, but what really that really

so there for that for that that's the use, because for example, it's the

same extreme, but it's the same you're not you're going to you're going and I know,

I'm a lot of you're going to I'm a little to that the crocodile to be that's being

exactly, because here is so, no, is that, of all, of all, we're

we're going to be we're going, Yeah. But then I want to, I'm also that we're going to me, because

no I'm to work, I want to get much money. Because I also also think that all right because also

when you peredes a ritual for, to that you go well in the life, that you have money and all,

it's like if the things are for that you can't get a good job. So you have

to do you have to do you have to do you a tree out of your house and where you can collecter the

money. And much people don't interpret a way that's, and for so that's the brujeria no function. Because,

they don't know to interpretate what is the result of the but you know. But no, you know, and well,

in the episode that we're going to podcast paranormal, you know, I've got a that I've been a friend, that's

that's practices. I think so I'm going to, well, standing with him, because he I'm saying that he

does for his own family and for him he's he's made a video in where he took a reunion with

his padrino and they're doing a little, they they're there, they're all, and they're all

when they're doing the invocation of the mortes, it's a rat, and when he gets

in the middle of this space, the rat so like the rat so like and then he

starts to do but he to do do to do a while like a

so you, you, you, and he's to do turns and and then he he's going to do the life solita. And then, he, what he says there is that the

Ewea, or no I remember if was chango, because me said the name, he was able and he said, he was able to,

but what I made so much strange is that literally they're not even they're not they're not, and the animal solito

pierde the life for having to have entered to that to be a circle of energy. Wow, is that,

no, no, no, no, no, no, no, Like, I intuio that's an error in thinking of a lot of because if an entity that is,

or so, today, terrestrial, no, he's no, he's question and simply it doesn't,

maybe we're doing a characteristic more human to something to something that not it is. Sure.

Tal-be. Tal-be. Tal-be. They're in other entities and they're in we're,

we're we've The raton thinks that the gato is the man. The cat thinks that is the

perr. So, I don't know. No, I don't know. Exactly. In where where the

line? Because, because, we know we're not because, because we're good or is

good or is a bad. But how how you interpret you know what is the difference

in a first, for example, the fiestas pagans, that they were there certain animals,

they sacrificed as a give a and this all the people. And it was a ritual like

of abundance, above the people, but, and it's not much not much. Not you're

to get that a little to get around an animal and, well, I want that person and be

with me perfect. So, so it's very different. It's very different.

I'm very different. It's, no, it's, I don't know to be a moment to

comment to this, because the people, the people, for example, in the paleria, they're going to defend that, no, that's fine,

that's a good, that's good, that's fine, and no, I know, exactly. That's another thing, no? For example, one thing also, also is, the sacrifice of the animal and other thing is,

for example, the magic of sympathy, that at the most if you're going to do a marry and you grabas, you, you're, and you're, you know, you're, you know,

to get with the cerd, I say, the good, sarddo, what you're doing? I'm, I'm a job to do. I don't know I think it's the

sympathy and other other thing you're doing the sacrifice for using that energy that's distinct. So what's

what? What? Well, what's, what you're that's not present in this world to get a

benefit? The story I let's go to tell. It's in the city of

Mexico and is anonym precisely for the fact that I'm going to continue to

he. He's he's unerary, but he he worked approximately more

to 15 years there. And he did he he's he's he's

he's a little that he was a time that was like he was accompanying to

the person falle but they were masculine no know why

if he was a patron but result that she result that

she she always always she always he was his his

his Then he said that was a tio. And the only that he pedied to the embalzamador was that he gave, for favor, five minutes to solas to be able to beissed to his family. Something that he noticed was that this woman,

salient, of those five minutes of Namorgue, well, he was kept out because when it's a familiar to dole, then you know, obviously,

you're limpinged the lachrimas, you're the eyes red, you're an expression Triste, but this Shearer said simply with a serenity that for him

was very strange. No, no, no conceivia because no sentia a dolor. And the ultimate time that he, that he dided of her, was because this woman entered, he

asked the five minutes, and he said, "'Se me "'s, me, I'm "'missarer's "'adentro, and "'as I need. "'So,

"'regress in those "'in those five "'that he's "'and he's, "'and he's, "'an before "'a, "'abre a

a little and be, and be to the way to the light apagada and has the cellular premedied, but the the light of the cellular has just the same of the rostro, in the part of the eyes, of the person that is in the

planch. There, be how, from a box-it-sacca, a kind of of a tear, and for the reflex of the light that also, the venting, above, the vienna, above the planch, of the camilla metal. And

And then with a species like of senisa, he's the put in the dead-in-lawed-and-a- the area of the front to the person falleat. And then he

starts to say, like, like, like, some words that he could identify as if were

some type of language antivu. But here, he was very strange and he's what's a

thing of a kind of a tradition familiar, until totally of his casillas

and is that this woman agar the the head and he goes

and it's going to little until he does and I hear a little

that is a very because I was the of the saliva when she

when she is a little a little and it's the

and what you make sure to Until this point he is impacted. He thinks that the woman is the woman is he thinks that is the most grotesco

and the most aterrador that has seen in his life until he spanta more because he starts to hear and listen

and that and that sony not was the sonner that was that sonnial and he

how the mandibula of a repent it's like it's like if it would have been a chueca and in a

dimension still more more than we can we can do it and we're a voice

disgarrador a voice a voice with a voice with this woman not you go

and this woman he makes some questions about about some

the and the voice of this cadaver he says exactly

the data and in where are are in guarded these scriptures. The

she's a ritual just to get to his things and he's out of his when he saw, he simply

he was sitting in some bankitas that there and he tried to dissimular but no he can't

do you don't even the when he gets he gets a being and he does a

count that he knows what he did so because in instead of going as

always, he sent to him. And he he said, I'm going to what I do.

I'm what I do is necromancy. A me the people me contract and me pay some

quantities very very fertes of the money for that I can make

information to the people that's particularly the reasons for that

they're for money for vienes that or for who

who's who's the people who all of them all this me is in this

point to he got the ambition because she was a trot and the the

and you don't me you don't you don't do you I'm you can't

I'm I'm to pay I'm I'm to give money for

you you do you those five minutes with

my so he he he he said okay trato done.

They started to work to work but here she not said she did nothing

with that but they started to form a kind of a kind of she was she was

to teach this type of practices principally for that he not was to because it

was that it was so important that the jugs gastric and the

saliva were present that not those limpeer because precisely

that is what is what has the connection. The body is the vehicle. The

saliva and the fluid are the connection spiritual. The earth is the

anclage to this world and when you have contact, your allient

is what is what is what is the last respiro and those

few seconds in where he present to put

to give the message that they Repent, he

started to learn, to learn the practice, until that one he's that this

woman he's simply he was he's not the thing, he was

he was he was he never in the life he had practiced, he had had

the basis, he had seen many years, but he was

a man a man he's and this an

man he had fallen of a infarto fulminant, only in his house,

and resulta that no there was no nobody that was there's people who are of the

person who's a lot of and he had made an idea, that is precisely to put in

practice what he had learned a that's, you, and And he's to

do the circles in the front, and he starts to call it's

he's he gets he a little his and he and he and he

to beas him when he he's he's the light the and in that moment

he he's he's he's waiting that the The

Mired, he starts to talk. Passed a minute, two minutes, three minutes and nothing. And he

he's to think, what I'm, how I could think that really this is going to

work? He does the world and he starts and he go to use the

he's when he he's the alient of the Murto. He

he he's let me and in that moment he recorded something, it's very brief the time

in the death is the person so you can't ask you don't you're and to him was going to

something and was that he had to material, he'd have had things that he

had to he had and he he's and he he's he's he's

he's he's he's he he's he's the name

complete of the In that moment that he he did know that this practice functioned, he was going to go to him over

the issue about the robo that he was doing his head because he he had but

from that he decided also to be embalamador because he had something

had a something that almost nobody has to be to

get more more more more he. Actual he

he's he he's he he's dedicated to these practices. A him, he's contacted, they pay some founted of money,

to put him to give information of where there are scriptures, in where there is money that's and over all, that is where he

cobrer more when a family, they're quits the life, and they're who was the

who caused that murder. Wow. Is an anonymous, the story? That's an No.

Yeah. Wow. What I'm here. No, I think that it would be a thing. Yeah,

but I'm but I'm going to say this this, this, this, this, I'm a form super

respectos with all the stories that they're but I, but I know, it's so,

I know the stories that you didn't to you, I know, I know the stories

that they gave to them to know to do every different and

just, just, just is that that's what most me call the attention to the necromancy. Just,

I'm so, wow, and that he has functioned, whew, impressive. I have a point here, right that we

that we're, we're going to say, I don't know if you want to know, but the Christians and

some Catholics defenden much the idea of that in the Bible that is that the Murto is

that is a spirit of a MIRTO Pued then they they're they're

they're in totally to the devil. But what would be if you you can't,

when you're, I'm, you're, and rollandolos, he was to be a massacre and they were going to take to him of the power. He, before this, had made him to annihilar to all those who were practicants of the necromancy,

that in that time was done much. He was so desperated that he decided to go in buska of a nigromante. And they're going to a people that's

called Enror. He's going to go with two guards and when they're obviously he took the robes of rey and he was like a person

common and to talk the door of this woman. This woman and says, you know, I need this job. And the woman, he says, no, how do you think you're going to be

the life? The same rey, he said, that, that quitar the life to all the people that did you don't do it. He insisted, insistent, insistent, until that he was

when she he begins to make his invocations. But also was like type charlatan, like never had never had been

a case so real like this that's about of living in the moment in the moment in the she's in invocation, because he

asks the name of the person that you want to try to bring to he says to say to Saul, because I

feel perdive. The prophets not me make sense. My connection with God was the God.

I don't hear the voice of the person. And this woman in that moment knows, he's,

he identifies. And he spant a much and he says, for favor, no me do you

do you want to do you You were the who, the he said, and I said, I'm going to to do you.

I'm going to do you. When he says these words, she terminate the invocation, and from the

soil, he's going to get a figure with a batta of those that's in that time.

And precisely is Saul. And so Saul is soul is enojidissimo and he says,

he says, he's, that I don't know the counsel, Jeobah me abandoned, they're

in the people, and the attack us, what is what I'm going to do? And Sao said, to see, if God you know what's not to contest, if the prophets not can't say anything, who are I to say the things?

That's what I mean. That's what you did the back for something that you did. And you know, you know, merces the message of him. The only thing I'm going to say is that tomorrow, you and your kids, me will accompany me. He's fell to the soil, he was to

cry, he started to lamented all the thing and about the

sentiment that he had to give it to say the people to do

the day. He came the other day he's the battle and he see how

one to one his kids start to get the

and he he and he he he thinks then I'm he

he's his sword he's put in the stomach and he

he This is in the Bible. I've got to tell you to tell you to go to the Bible, the Reina Valera

and you look the verseicle that I've got to give to do, there you you're going to that the Bible sustent

that the necromancia is real. Well, yeah, but it's very difficult because

it's like Nett Flanders, no? So, how I can't respect to

the things that contradicen to the other things, that are in the Bible?

I mean, you God that that's that's that does the

Bible, but it's a Bible, but it's a case to so, more easily,

so, more more easily for the people that not, the people that people

that are people who are the power, say, you don't think, you know

what I think in what I do saygam and give me your money,

all what I can't explain, is the diable. So, so it is

very easy, but it's certain, in the Bible is that in the Bible, there's invocations and much magic.

So, and much the Bible for a for a true, sure, that's not,

that's not about the Bible eh? But, but is true, it's true, it's true, it's true,

no, no, no, no, no, no, no, no, no, no, no, no, no, no,

I'm, I'm going to tell us a story, I'll to tell you that, that this,

that this story has some elements like what you contests right of the practice literally of the best

and etc. has some things that we decided as we're because it's like when you're going to

go to the medical no? So, you say you see that this this

medicine and with this cure. And another person you say, oh, I'm

I'm also I'm a don't don't No, do you. Perfor-Ferrorisim.

In this case, or in this type of cases, is the same. Or so, if someone did a person, did certain things to give, retire, dilue, as well, that brujer, no serve for all. Every case is distinct. So, for so we say, to quit certain things. Of actually, this story

was contained in a PDF of 30 pages. So, so of detailed was the person, is a woman that's a

story, detail to the perfection, what was what he did? Now, they're going to

understand. It's super, super interesting. Look, she is actually and

still being a master of primary. All this occurred a very, very

much between the 2012 and the 2025. You know how is that

of a repent, result that they can't even of the place, but they're in the school, and at a

bit of the time. Well, a yeah, they'll have a new primary, and when you get to

that primary, you know, two persons that are to be part fundamental of the experience of

this woman, that's the man who's not the story is a man,

so, then you know, a two people, who are a master, and a master Veronica and

Manuel. And since she knows her Veronica and she gets very very well, but she enamored

immediately of Manuel. And Manuel of her. So, they're in an attraction inegable,

no? So it's very, very evident and they start. But when Veronica,

the other maestra, she entera that they're that they're not they're not

even even even even I don't know to talk to talk about when this protagonist

yeah or so I'm call you well I'm you know and also she's

going to get to manned a department and they're going to live together and

and also they're going to be together to be this department Veronica

she he says she he's she's she she's the

conversation and I He said, he says, I'm sorry, I'm going to be a lot of you. I've been a much time enamorado of you. Dejala. Dejala, she'll, be in with me. Nobody's like me, for favor, Manuel. And Manuel is with the alt-voice? And he said, Veronica, but I never, never, never, never, never, I did like indicions of that I I would have interested in your person.

And he said, no me It's not, no me important, Manuel. I'm sorry I'm married to you. You have to be with me. Dehala,

she'll, let's let's say, but that's not going to pass. For favor, no me will you be

to mark. And he coelga. Imagine that moment in the you just you're living

with someone, but the place of work to do you to come to that person

that made that's a person who all the time every day, all the days. And,

well, they're obviously they're doing in form that simply not

not cross a word that Veronica. Veronica live with a

woman that is very, very strange in the name Monica

that that she, that of be present in the school. They're

like like a a little a girl that's she was a of the work

and he was a a mom but is literally is a woman that's a

roommate and live with her the apartment and the

and the and the I'm to look to and it and they're

they they they they're they they they're not

not not to not the energy of the

energy of these people is a day in his house he was rying when of when of a large

enormous live there in the and he had much asco because are of these larvas

that are that are to grow and grow very in the in the bodies

putrefactos in the the car putrefacta when when we when we

a perro that has been and they tirro in the

car and so some larvas as big tottotas is one of those are like

black and the and the and it's a bit of it's and it and it

but when he goes she he's a one of a

one of three of these larvas vivas that's that's that's

no so that no we're not even we we're very

very this clabada with the thing of the thing of

So, that they're saying three larvas vivas. There's, there's barred, observe the techo. Pisa, that's very rare. Some days after, he's another way larvas. But, yeah are more larvas. And they're in that it's doing the limpeza, imagine's what grade,

well, she likes much the limpea of her, that's a lot of a chair, that's a little, to put a chair, to put a part of the closet. So, that's a level. And when

sub it, observe that in the part of the closet there are there's but how is

possible? So, of where they're doing? What are what are doing?

What are? With much care, then they clean, they'll put in a box,

the sierra, and they put in the basura. No, he doesn't

say to a manuel, to his no simply he

seems like something something something something, but that

same night. They're to do not to be they're a

camera great and in that night, they're like they're like each one

in the room. When of the really, when of that that's

you've you've just made to be to be to be to be to

be at the back, and the feeling a sensation

very a the room, I'llteh say to Manuel, he's there that

he's there when he goes to he's thinking, why, why me

have been has been and he and he and he and

sit and put to sit a but he he's but a

terrorized. In the entry of your house, there a

woman vestia of black like with a bellow of a but no is a

spectro literally there's a woman and when she wants they can immediately

get to move something but you can't and then and then

he will be to go back to the camera because you can move

is it's congelated and observe how this woman

commenced to come to the camera and of the woman is a

dark a sunbra a dark the the the

is where is to be to and the woman vestia

of black is to where she is she

is trying to get to get what is what is

what is what is this woman is that over

his pecho, presson her and it and you can't be able to

get a and when that's a woman, that has not the doesn't to be

the rostro because it has the veal but when is sat on her this

woman simply the I'll look to and the be and the

beal and it looks to be the rostro. It's disfigurated, putrefact, soren,

horripilant, orripilant. And she, with the fear, I'll see to be to the right, where is Manuel,

and the sombra, is like observantolo, and, of a moment in a movement

rapid, antinatural, he's a little his feet, like if it he was

amarro. And then he he he'll be how Manuel dormied and he

all the arms and this thing is that is marrando the and he starts to

try to let's to do that he said that that literally he he's

literally moja the camera in the space in the space in that she

still when I can't more because he can respiration, see how this

sombra that has finished to armar to make to make the back. But

no has a silhouette and the woman and the woman, the

woman, she can be able to let us get a un, it's disvanes

this, and he starts a air, he, he, to come the camera

and is literally inpap and And he thinks, this no, no, was a

a this not was a a pasty, how I say to say

to the next, he's trying to to explain to Manuel this,

he's like, he's not that he immediately, but he's

kind of to understand, because certainly Samuel also that

was a night. Surely I'd think things raras. But not about

in his mind that like he wanted to maybe it was a other other

thing. Let me then we're then we're let us to the time. When

they're in the door, there out of his department a

guy a black and without a no only

was the the body of the galley, but there were some objects extraions that the fact that he

was that he didn't know he not so he also, in circle and in middle

the guill without the gaio so so obviously obviously here here here here

there's being victims of burghry or at least that's what they're

that the the be there was there was obviously when

when it's when it's there's there's and he says oh yeah that's something very very malo

I'm I don't see you're you're you know I know a person

that definitely you can help you and for favor go to be to be immediately

because this is something is something is there is radiating all and I live

here she acude with this man and when he gets, the type he says, at the door, yeah, he

he says, hello, I am, no, you know, please. And so he gets, being so to seehaping to the eyes, and then he begins to

observe to his around. And he said, there's a sombra enormous that's coming behind you. I can't

help you can't help you to contain the damage. But this is very very strong. This same night you're going to

start and you're going to do you do you tell. Entient? Yes, but you? Entient?

Yes. He said. He said, he said, to get to his house and cut to

like bolitas of allodon various bolitas of the with these bolton going to

clean the windows of the department from up to be able to like if it's like that was in a

little the window the window was always was a little but with the ballitas of

it was going to take these little ballitas of the allodon so

was to get all the and she was to clean all the body, the right

to be every every every little no never a

one one one one one one that not

that not across then after the other the

not those all one of the allodones that that

for the one and to put to going to be to make

little little little little little then it and then with the

ballits of paper aluminum I'm to take a bottle of a bottle of

plastic that previously had had a water and

he not he was to get the water

and going to put the ball that were

that were in the metal of the in paper aluminum and he was

to leave to the feet of his camera, for then to go to do that's he said he's he took a lot of time,

a lot of time because there many instructions that were very specific, for example, that never had the light

one of that would be terminated when he would be to turner to the frasco and the carlocaed to

the feet no devia to give the light of the window or artificial nothing. And immediately

he was to be to go to sleep. He said he was like the 11. and a

night. He's he asked it. I thought that's this but I'm going to be to do this is

the first pass. Cere the eyes and the first that's a crook

he's well it should be something normal. So he he'll accommodate

to close to And he gave much curiosity because clearly the sound

provened of the bottle. But it was very obscure because no there was there was so he was

going to over the camera and he saw, as they've accustomed to his eyes how the

bottle was like if you would have put upretable no? He said that's rare

but I better me going to to be to get to the saba saba with the sabana

boom explode the bottle. Explota the bottle in a manner so absurd, mojando paredes, cam, a piece, but immediately

the water is going to evaporate. In seconds, the room was set uprored and the bottle destroyed. At the morning the next, that was the last and that could

be able to be well what had passed, discovered that the bottle of plastic and the aluminum were in the sameo, the plastic was deretied. This thing had

exploded, but in the place of water, there a polvo gris. As a person, simply recollected all in a box a black

and it was to see, with this, this quoth he put some wands, opened the box, and just he

said the he said the thing. Look, this is this is a

ture and it's a what was the bottle

are are so are so they're they're working

with necromancia so that we have to act to turn

that she Veronica and Monica this woman Monica

was was a person was a necromance and Veronica

had had had things, but especially what I wanted was that to them were that they were

the same, and they'd the same, and finally muriesen. That's what I wanted. And then

Veronica had had to profaned a tomb to be to be to do the work.

And this this man he's he's he's type of they're powerful

Powerosysmos. Powerosysmots. So, you have to pass to the next, because you have to understand

this. The Muerto not only is a infestating your room.

Manuel and you, you, so they're so they're, so they're so they're going to the

next session. She never knew how was that they're that they're they're, but

they're they're, He says that He came With this He had Posed There's

He had put there Some bells And he said You'll take This, and I'll say what is So,

you're going to think Mal of me Trajiste The Agua Vendita? Yes, It's

For more Agua Tome T'em A Vennita Corte three

Limonets Ech the Jules The Jules and Sal it Hevulve Tomatel

it's it he'll take so a moment and say tell me when you

see that's that's that I'm yeah I'm I'm I'm perfect

he he's he's he's he's he he he he

he'll he he he'll what what what what is

what you think so she she's kept there when

of the point I'm to start to be a person is a

bit of the and he was a horrible, and he's a horrible, and they say they're

to get to say, it has to come this thing and the thing up the

the recipient and immediately is a back immediately is to be when this thing

came and that it's to get to and that it's He said,

being this man, a mass spesa, negro, viscosa. He's that he

apestable. Apestable. He was and he said, look, that's what has got

to to get to your entraias is alive. But with this

I can see the root of the entity and we can know

what is what we have to do. I know what is the next

pass. He says, you're going to your house, you're going to take a

a oja a black, the you're going to doble in four and you and you

want to you're to put in your the back after after

a long period of time you you going to

have a Bible where you you see you

want to you you're going to the one of you're going to you're going to

put a and you you're and you don't you're to talk it during

seven nights seven days you're you're to take that

that one and you and you go to and you're going to be seven nights, seven days,

he gets with the the paper when he he says I don't talk

that preen a bell and he say So you have her Abre, She put those

wands, the tomah of the and it starts to this practice that I started in the

fire and and of they're to form some silhouettes perfectas into that that

those silhouettes were seven gusanos alargous like the larvas that they had barried

that they had like a garra at final, like if they'd have a

pico, something something and then they're to appear points around of all of

those those larvas and they say, look, these are gusans of Panteon

and these points are the webbeciles and are they are in the energy

of Manuel but especially of the Tuy so we going to

pass to the expulsion. There's an 24 hours. The point culminate of this. He's said

that you see that it's drenada energetically. Horrible. And then not

eat nothing during 24 hours, so obviously that would make to the head to

the mania mal and all and all. Hega to the other

again with this man, there a young more that he he's

an, he's an initiate a he needs to me help. For favor,

we're going to prepare everything. He begins to put some some some

and then he said, you know, he says, you're going to take this rare. Literally, it's

a medication to protect your garganta. He thought, what will what will happen to my gargant

I'm not to talkatel so he he's he's he's he's

three litre of water and three liters of water mineral one once that

has taken the recipient a a recipient a ceramic more great

and he he says here you have a water and you have

three litros you you're to you take a one a box and

you know when you have terminated you you're to take these

three litters of water water gas and you

you and you you're you're going to take six litro

you let's let's you and she and to

take and when I'm in the first litro of water

mineral yeah your your body yeah so you

I'm I didn't I so I felt so

a tensicim in the stomach and of and of he's he's

he's he's he's like three things are doing by his esophage

and he he's he's yeah they're he they're he's

he's he put to front of the recipient of ceramic and then of

he starts something starts something so it's start first

the water. It was a a liquid transparent. It begins to start to get to a pressure

terrible. And when it's the assistant does one side, that's a ceramic

and he put one new. To not have done? We're saying, no,

we're going to and I'm to see this, that comes coming coming,

this this man, this has And, but it said that only they'd like hils of and she saw that, she was

coming this there, and how those like chorritos delgados of the liquid and they went a little, jenando that recipient,

until that he had been done and it had been and he had been he just the the same the same

only liquid was he felt frio he trembled the hands the

and the he was he was he went he took a he took a

and he started to move that that he was there when

when of when of when he was those gusano enormous months, that

they were in the front? What moment this of my book?

They were there and they was going to do a side with the cut out of

the and they was cut out and they and they was it was it was

and he was still moving the interior of that

the lot of the and and of the part

and there great and he he was to do it's like this

time it was like if it was like if it was like it was a ball

of the and the and the blood and a

he said he said look all he all this was

all this No, you don't you know, the worst has passed. We've got to

the murder. But, more or we're going to need to a year of a

year. A year. A year of limpeas. And she continued with this. Now,

I would like to say that at final Manuel and she were felices and

all came super well, but there a question. Only she acutio to

that they were to get to the dead that he's

in the manuel no so so that to be to

do the the job he he had to

he was and and the monica and the

she and the she never never knew that

never super more because there's a thing that not we can't

and that's important in these stories. Although you want to rebutar a job

of brugheria it's always it's always everything. All is that is part

of the process no? It's so loquissimo. Never I've heard of a

process so much I felt identified with one with

the part of the I'm sure that you're telling and I gave a

can't do because there a lot of chameh that's a chambon. I'm I've practiced

20 times if at a case. And in each one of these these treatments you're

taking to take three litters of the but you you know I'm a

moment in that you get a water and you know you're so you're so you're

like quackal no because imagineate six litros three is Summement difficult.

A minute what is something is that I've seen when the people vomit in a work of

and you say, where's that's where it's, no, it's, no it has no it's,

no, it's, the paper you know, the paper, you have been called, I know a person

that, that's, then I'm to talk to that that's, that, but the

question is this. When they're like if, and I think that's like, because you see, like, like, like, like,

like, but what he doesn't have out of the gargant, or at least that's, it's like in the,

in the boca. Insects, complete, enormous, animals, so, how will be

a animal to be there, no? So, that has, how does it, how does an animal

complete? A libelule with with the, the, the salas the salas extended,

in some moment, I have a photographia of what what is, what is, when it

when it's on the and they're on these, but the grandototes, those that are,

these, uh, uh, uh, and this person, um, vomita three

bivos. How you're to vomit a animal, an insecto of that time? I think

is much a question of the power that has the bruj or the saddor that's the same thing

because it's the way to make a matter of the man. And if he's really,

you're you're you're doing kind of that the thing that's too

that's too. It's very common that they're common that they're even even but when

when it's a animal live, it's it's totally dark. That

horrible. But, but also something something something is that there's

much brugery that you come and the it's impossible. It's more common than what they're

but much more more common than what they're really. That's what to me give much of the attention

because to what can get to work at the same work? What barbarity?

So, to what can get the obsession, the locura human, the maldad, the

envy, until that point that not only only was profaned a tomb

but, but, but they they're the polvo of a and he's

to do you to come to other people. Yes. So, is that's very common.

There are people who even, no, say, give them these chocolates, or

give this, no, or if they're in the same in the same in the

different, that many places of the where most they can do dogeria

for you can you In your topper of your topper for example, Fermix would be very easy. for me, because it's always to bring us the topercels of the covercings.

Also, for example, then the vellas, also, is a situation of that, well, if someone to give you a bea a bell, it's a very beautiful. And you, it's a very common, and you're, it's a mega, also there are many

things that is of the way of there's a quite but I'm I'm that's too common

the ingest of brugery yeah and that the motive principal of the work is the envidia

even more than the love. It's that the love never to be to be

to be a person or so when when when you want you the love of

the person but but you not is your it's an obsession is

is to have to you know you know you know you you know

when you when you you're conscious of that not you never, if you're going to generate

an obsession to you and it's that's a no more I'm not that's it's a

capricio so that also the I'm the I'm I'm I'm and the

invidia normally is what he does the work of this really gachish

gotch it's very gachish it's very gachissimo but but but it

but it found at less a one, uh, yeah, but all the

he has happened to have passed, I mean, I think this type he said, you're

to do you just the first of the first of not, no, he had done, not, so,

a year, total. And, and it was, it was, it was the same work,

but it's they've been done to do the two, because to him, the spirit

he was him marrava and to her, and a she had a, so he

was But he was Amarravan I So I think that At the final Maybe

even I'm Because he He's He's He said What he Well, he

But he He didn't know What he No They're They're To have

Problemas Because A That was It's It's very difficult So

So In this Process That's That's What You It's

So It's much It's much time who resists that process

of the life, whof, that's a thing, the economy is to be at the house to be at

the room and it's all, it's all all right, all is all, so if you you can't try to be

to be to be all, all, all, all is to all, until you

get to be a lot, and that's a person and that's getting to do that is very difficult.

That's is too try, so it's but But, but maybe, not

not was, not the person for her, no? Well, yeah, maybe, maybe,

now he's, now. Now, the, no, the, also, the, also,

the determination is important. When someone is doing a process of limpies and

this type of things, it's super important, that are very important, because there's

instructions super specific in certain, in certain times, for example, for example, to quit

times to say that's that's that's that's a people not the people

not really so for example if you say you're saying you know that's like you know that so all the

time you want to do you want to you're going to put the vows and you you're

to come and you you're going to another new other and the other

the second day yeah not so so that has been that that's been

10 of 10 10 10 as how it be

the last the most terrorific, the most, not the ultimate piece, more the piece more profound of this chapter, there's where they're to enter them to the mortals. Because we're going to tell the three stories that we consider them that are the most terrorificas, right? Yes.

Our three stories finales. You're to talk to you? Is it? Is it right? Okay. It's been. It's been very good. The chapter, so that's been able to give a manita up. If you're not subscribed, this is the moment. And if you have an anecdote to tell, there's

can be able to in the comments that's going to this is going to the

story that's the name this is this story is it

has not sure but well the man Daniel Daniel to

yes so because they're my name is that is that

is very to put that Daniel we he's he's

a Abogado. Okay. At the long of his career, has done things that, well, not he's so much,

but, so are things of the abogos that they're to do. So, about this

story that we tell, that was just when he started when he started when he had been a

time, he got a a young a bigita, yeah very bigita, that had a terrain

in Chalco. This terrain, the paper, the papers, were not, well, um, scripturated. Ah,

scriturated. And Daniel's he did a count. So, she, well, no,

I said, I said, I'd say, I'd do you do you to offer a solution.

You know, I'm going and I'm me go balls with the papers. You do I'm

you're and you start. But the is that he did a price,

no I'm extremely a bit of a very a bigita without

accept a and firmer the papers then the bigita she does that they

had defaced and they said they said they're they're to robar

your and the bigita and he's he he says and he

say for favor I'm not I'm to go to go to go

to go to go to go to Yeah, it's my. And that, and that's the really is that

she's burlough of the and the bigita. And the bigita so, of the yantto, pass to the enohoho.

And she'll get a and he scupe. And he said, I'm going to send to my husband to

get to he. Daniel, he's more to be again, because he said,

that his husband had been so many years. And he said, the

the mortals, no they can't demander. And he went. And he went to get

his life. Yeah no view to the last time that was the last time. Total.

Yeah standing in her house, doing his things, all right, they started things like

strange. He started to see about different things in his in his

kitchen. Even he'd the The culp to the temperature, and say, well, at the more more more, because the food is just trying to lose very rapid. There were usanitos,

and things that, he no-seeked to explain. Decidue, to be more goody-dice, with the limpeas, with all this. And yeah. But, but, of course, they started to get to other quarters. And yeah, all the house, I looked like a-podried. But there was an odor that, of a

gregor, like, a gregor, that was a-cigrower, and a senisas. And it was a lot of molest for him and he was to

do you and I'm to start like a lot of a little a

little a a bit a certain things to because

I'm like if somebody was there was like

it was the other other other not no

he did much a ball to and so

he until that one after he went to

he go and when when when he he's

yeah, to do the way, it's like if someone was like if someone was it was accommodated

the cobiased, extin the covichas, it's accommodated, but for more that he halla and stira the

cubies, so they're like, like if were really something physically there. Like

that no he quissot too, didn't even do much attention, it And she had costed to

to dream. And I started to move the feet in the camera. And I felt rare. And I started like humid.

And when quitted the covichas, he saw that there was that there was a humid, but

even with these the raises like when corras in the pasto, they were in these, she said,

and she went to to do this because I'm never had created in his officeina, I'm going to

work normal, and he that like the people not he was

a lot of and a person and he's a person and he said,

he was horrible. Welles, and he said, and he said, but it

was like if were like they're to be and he had to get

the and he had now he to he he was

he he was a he was he was he did he did

what he He got to go to her He goes to He's all right He's just about He's quite inquietto Because she said That's, that's rare

that me stuping all this And so started to hear Rudus in the house. It was heard of the

kitchen Like if reallyarily Vivian that would the door the door, the sierras,

you'reas you're to make a lot of and as far to go to be done that's too

that he did. and he started to this odor like a cigar again. But super profound the

odor. He said, he was going to be able to but he said, no, I'm going to to have to

see, to have been to have a and I'm and I'm going to know that he was to move

and he to go to and that I started to hear like, like if so it

to happen in the thing to the and I'm could be but I saw I go

but I saw go into the house but in the the the top of the

room so then I went to the the and he to distinguish

like a sombra until he he he saw the

he saw he he was he he was he he was a

old with a sombrero of paha but he was that was accommodated

in the teecho with the like the articulations inverted for that he was held like a rae.

And he began to be to be able to see, he could be he was and he

put on on the he put on over and he said my my

my my the and like I'm trying to see

that because he was like he was like a pale more

She was a And I'd try to And I'm And then I'd He'd be in the dents Amarillo And prudridos That no

I could with the Asco of the Aliento Of that He was And the He was He was like

In black Like when He said He's like When he's like When he He's like He'd

He'd get to And no He'd And no And he was And he He'd always more And he

He'd He'd sonriending, until that that thing began to come back and how he went to

get to go to move to move to he was he was and he was about.

He was literally, so he was a bolita until to get to get us he was

the time in the officeina the people the people was the people were

one day that he was thinking in all what was going to he was going

to be a ventanaal and in the ventanal he was he saw himself

and not not much he was he was not he was when he

was being I saw he and he and he he had the

reflect back back back back he he said he

said that he saw that was like if was

like a raven, but was he was called over him. And so he he'd be the head at the

side of the suya. And how I'd the man and like if he could

be a orcars he went and he went to and he regress- and one of his

other of the he was he was that was so much he said I'm

I'm know, I know what I'm you need something when I need to

something or I'm this person. It was a chica a charotist in his

desperation he said he was with her and he he was he he said

he he said very precise you you have a

a more he this not because he something

that you or that your family you you

to you have to get to he he

he he he passed some haumerios, he puto various things like oletos,

he started like different rituals and he did he did a bell, he said you know, you know,

you know, you have to get to put her in front of your camera and there's a until that it's a

and so he's so he put the bell, this is he's he has to come me

and he's you know While she was the bell, I noticed how the things in the house

changed. The olor to cigar has been disappeared. He goes to this

little to pay her the eyes. He said, he said other things, he said

he said he said he said some some things, this this

this little to this chick to to make the time.

Daniel says that when he opened the eyes he

saw a that thing, but he was behind the of the

child. And yeah not was torsied or nothing for the style. It was

the bigito with his sombrerito and the eyes. Yeah, she was well, and

the little. And the she said, like they're they did something

for him and did something to he's and he dids and they did

like he's and he said she he's was you

Yeah, no, you're going to be to beaugh. But if you know that regreces, I suggest that regreces what you know, that no you pertainse. Total, Daniel regress to his house. Noto that yeah, I thought that was all right, and he was to think,

that last balla that had this bigita to go to him, well, yeah no, he has been. And the truth, no, I'm going to regressor. Like I said, there are

things that that don't make feel like but I'm repent and he's seeing if he's

to be to be back or not he's there because never he there's

there there there he said he he said he stafed

someone but but legally not he never no I want

to know I want to know I know what is more well that's that's that it's that

it's not but when when it's but you think that you're going to go to get to no

no that's he yeah that's yeah that's yeah then then the

people and then the people that's that's because why there are because there

because the people are so people know no so if we know we know

because of the people that's and they're going to And so, you know, you're going to be. No, I'd like to do it.

No, sure that no. It has to be something. It has to be a lot. It's a caron. That's a good. That's true. That's what I'm going to be able to see

my ultimate story. Quent us, v. Well, this also also has a name no is anonymous. The Counts Julietta from Guadalajara

and she's called Me Abraso a Wempo. She She said that in this Fabrica where she had the terno

but the turn nocturno but the turn nocturn nocturno no significable that she was a one hour specific that

were at the night she had the the transport of personnel was

encargable to get repartying to each to the part

but the zone in she was the penultima in back

and a company of the ultimate. Everything it was

well, but she went to dark at the dark that's that time when the

light of a lampra was in the front of the front of the

companyer that was the he was not the back to the that's

that you know that's you're you're a and a

more a mordid of a bit was a was a

And she was a little bit very extrana. And the things started to escalar. Yeah, after that they were the penultima and he was the

last, he was the way, he was to be able to more to her. And she was looking like, as you're going to do you, he

started now with words. What are you going to do you go to your house? Bette with me I'm,

I'm going to entertainer all the madrugada. you're going to be. And she only said, calmate,

no me faultes to respect that I'm so I'm so I'm you know, you're saying

these insinuations. But he not, not he had a insistent and he was convinced

that he would be able to get a commit that he in some moment

he was going to go to be going to he was that he

took with this woman that he said that impossible that she,

a day he gets a house at that hour, and then seconds, then they're to come

to the door. She's a soma for the window and be that's he's he.

And his marido he gets, open the door, and she and she, for the

window and she's to be saying they're to be to get to push

one to one and the marido to get to go to to go to help but, but in a manner

that brusque, that she spanned it, because he thought that he could lastime of gravity. This was a solution temporal to the acos of this man. Then, they

were again to find out in the carmion of transport, but now, in best of that he was being, with a morbo, now he was quietecito, sentadito,

with the head to bea back, and of once in when she saw how he saw he was a reoho

and just said a risa a she was a she was because she was

that was that he was trying that she she got to get to her house

she and she and it was a night particularly calurosa it was

of those nights in those not soportes the and her marido

as was a little roguysito, because he was the little bit more fresh of the room. So, he was the place to her, but in the part of the piece. Passed some minutes,

she was like more dormita that she started as like the part of the back of the camera, and thence to be a man. So in a form

like if it were gradual, until that's accommodate after to her. When she He accommodates of

her the garra of the Cintura and he and he he's to get

his couples chocken and that he make pressure on the

to the to feel certain certain certain things after

this he he he's a glusa and this

man of his marido and he's to touch his

abdomen and he and he to make circles over your abdomen and then

then he gets to move a little more. But there a year to do a really a

really a very much because the man of his marital was a and he and he

and he and he says this not is my marid my marido my marido

no has the hands so very so much so too so

he's He does He does He does He does He's He's He's

He's He's totally alone in the camera with who

who Sient a that he's a breath to in the

Nuka and then that starts to go to the

and he starts to want to be to what was

that was back he he he he he

says he can but I in that moment she she's she's

she's and after much intent and of much a question his maria and he's and he

he's he's what you know you're you're you're being and she's she's he was the

and when she calmer he's to say what he says what he's but as the major

part of the people not creen this and When you came to the same, it was a a pain of the sleep. It was a part of the

sun. It was not much. After this night, she when when she gets super-cansata, despirousa,

without going to to go ahead to work, and it's and it's common that all the nights she suffer of

the sleep, that get to someone to get a pressure in the pecho, she has a

feeling the moment in that she is She is tired, because every day that going to go passing, notice that her rostro gets to look more

demacrado, like if was being behecing of a way that way that could control it. And she

decided to start a help spiritual. They recommend a a man. And she

will be precisely to this brute. The brute he makes and not let her

talk about. He says, no I want to me say what you say nothing.

Saka some the cards of tarot, and he's a barraja and he's to let's

in the first he says, you what you you you're

a this he's he's a and she and she he

can you you he can't he's he's to barrajae the second man

of And there he says, no appears the name, but is a person

to whom you rechastast several and he's very enoged with you and for

that's he made to the he was she was she had to know the because

she had been the author of this fechory when when he

continued with the brute the brute he says we

we're we have to retire to and And there, like, she noticed that the

mirro of the bruce is a pierre. She pern't to the corner. She gets being and she's

to be to be there. And you are very calientito, right? Cabe, I don't.

And one I said, I don't you know, she doesn't. And I look to see,

there's, she's aterrata, totally aterrata because she She just a and she doesn't

see what he's a but he's when the bruce is a practicating with her the bruce he's justrae

that's there and he and he and she she makes a presence she's a she makes

that after there is there is a but no he says look even even though

you don't want you this is he to be to be to but

if you do me does the order not more she will be implicated for

seven. The authorizes? And she put to think in all the martyrio that he

had been during various days in what he felt when this he was he was

to do do it to do something that not you say, he said, regress

sell it. In that moment the the brute he got wows, agroramas

he began to limpire and he was resando, he said, that you go you

know you you're going you're going to you're you're at you're a bit and after a

limpia supermently extreme in quite a time, he's you're going you're

you're going you're not you're not you're going to be a person. For me it

was a person to he'd a bit of you in a single in a

little little she's a other day she I was a and despirta and despirte

and with much going to make your things. Yeah no had that

back of energy, he had a petito, he saw that his his his

piece had to be hard to the part of the back and the

eye, she began to know that the things were to make

a more. But little how they were passing the

days saw that his company the had tried

to convince her that he was going to go to he went to assist him. He was a day then, then he left about two, then I'd go and he and she asked to his

companyers, oh yeah, what happened with this type? And the companions were to say, well, is that's very bad. To us has told us that has been pesadillas, that sient in the night that someone's up to his and he has a braza, that

no, no, no, he hasnted petito, he's mal he dole the head but

well, no you don't you do you do you know the man who did he the head

precisely for the good she did. She prefer that the people

still that was his marido for not to not first no

has no he's and in second because in this this

man is receiving his merced exactly with what she he made.

He was he said. And what will be the final of this man? No, we know.

Because also when a man, you know does it and you know to get

to get to you, to get to him. And there the history. O'all and the

last in the night. Exactly. Exactly. Exactly. Hohle. It's is this,

fiatte that me kept thinking in many people that we're

we're not going to one of one of not should do you the remodement the respect to the

but it's that is that is that there's not even the sense common or the

remodement nothing the moral obviously obviously know that is in front of all the

company is it's doing those things Is, to go? To call to To call? Yeah,

brother. In the matugated? Yeah, that, that, so, if you have the

possibility and the option to mandarin a murder, it's in your head he said, is that

he was he said, so I'm to do you know? Yeah, so, yeah,

yeah, yeah, so, enloquished. It's, it's more, and that's,

and, so, that, that, that, that, um, that's,

that's, to keepers of those things on now. What's the what will be to pass with him?

I know suppose that it's equivalent to for two of what he has made a

or he made or more or more. They're that at the least is the

triple, no? At a minute it's the triple but

well, fuf, we've got to the last history for

for to be your power like and I I I'm

I changed the title because the title that had was the

spoiler of what I was going to go to continue. So, I'm

but I think that you know about this story. Also,

not is anonim I, no, I know if she should be

to pass to the anonymat but also, but also I'm

respect to the person that decided not to not

to tell it's I'm going to say the name and at final,

I say censuramos. Okay? That story is called Dice that is my little.

And I'm and Aai I'm going to start with a phrase that she wrote and with a

phrase with that that's the story, this is what I'm to let start.

It's with the saying, An A Nahe us manda, his experience

and us when you when you want to get a what you want to all the all this

all this he's a year and I know some years I'm like super respectful

with the experience of Anaii now they're going to understand the

because she she has a relation with a man

Markos and Marcos if well, obviously he had his

relation with Anahy, he kept maintaining a relation not amorousa, but if a

relation toxic amistos with her ex-pareja of a name Laura.

And why I go that this was toxic? Because literally Marcos was in

that moment passing for something because terrible, of what is

very difficult to start out of the because with Laura when they had

their relation, both consumed substances illicitas was they were

in the first time in the first. And when he he comes and he knows then

and he and he starts with an Anaii, no could leave

to that that that has the necessity to consume

these substances and does with her ex-pareja, Laura. She said that Marcos went with Laura and that consumed, and obviously she wanted to her

and she wanted to that he was to leave it, that he was to leave it, that would leave it, but it was passing the time. Of pronto, they'd enteran there

of something. He'sed. And, fieless, how, how function a lot of these these things, no? He had had luched so

time in to leave the vio, and when he's entera that Anai and he, then, then, then, was, they're a papas in some moment, was the detonant. And now,

so, the goal, Marcos he left, but so, totally, the vicio for substances illicitas. So, obviously, when

he has this, also, also he has to frequent to his ex-pareja, Laura, but of immediate. And to Laura, that's not

because Laura was a because Laura was tremendously with Marks, but tremendously obsesionate. Tant so

that he had messages to every not only to Marcos, to Aene also, saying,

he doesn't what he what you that you representes for him, he will be my,

separate out of the the building where they'd and he kept there to toparse

front to front to Mark. I was in a point so terrible but

many people who say when you're when you take a car no that

you know that you know you imagine that's with such so

then I have been saying things things things fash out of

the edificia to amazas verbal, to gritty. And obviously, for Marcos, you know, I mean, my woman will have a, a, a child or a child, and this, my ex-pareja, well, yeah, per die of the corduress, totally.

At the grader, the he had to put an order of a restriction in contra of Laura. And with that order of restriction, well, apparently, it was, obviously, it was already, it was a lot of course, because

this chicka, you know, not could communicate with him and with he, and I could

get to the building, it's a time, and it gets a moment a

very much, they're celebrating, et cetera, with people, and when of a

real real arile floral, but no had a targetita a, a card

saying who had made that had made that's arile that was

a mace of a barro co-coded, very pesada, and she, like, she said,

and this, who's called? Nobody said. Simply they were there. But she gave me much the

attention. That masseta that was very beautiful. They were in the baby shower when, of a

point, because not was the only person that had had given a arreclos floral. There were other arreglos

florals. But it specifically that came with the flowers so beys hermosas, they're literally

negras, putrefactas all over. All the flowers of that are floral were not sequas, podridas.

So, she gets seeing what is this so rare? And when it's a dark,

the the barro cocid, so it was a liquid black that pesterable but

so terrible, no? So the mama She said, no, no, no, no, no, no. That's a-you-tire-so-you-tire. And, still, well, she never thought, the obvious,

that's a work of burglary. No, no, no. Simply thought that, well, something said, well, something was, that, was hechered to lose the flowers, and for that was the liquid

black. And he said, no, no, no, no. So, they're, the flowers and all, but I want to conserve that massetta.

It's very beautiful. And they're to start the flowers, with much care of the

maceda with the and then she's she's she's to get the matter

and he's still the the time and he and he starts the water

to make the master to make much and of and of he's something

that he's rare and he he's and it's something that's

something that's something that's what is this and was

amarred with nudes of the same trapo. And not

knowing of these things he's to desat the nudes because

he was a much curiosity and when it was a was a

so a more that had the the lov and

he he he he thought this has a

this has to be a broma. Who know what was the curiosity

but he's to get the the sapo. And when he was

he the his was the was the back. And

there had something doblated he was he took

with and when it was it was was a photo of

her. Arrivita of the roadillas and her pancita as like a photo demonstrating

that is the baby at point to get. And in the vintre was written his name complete.

He started to let me immediately the head and of a sudden he came a contraction.

He had to suspend in that the baby shower. They She got all the things.

And, and to the his wife was her and he was well. Obviously

passed some months from the baby shower after that had had been the

the little she was the she was her with her his his

his and that this of the baby shower of the masseta

of the sapo simply they they just there

is something is something that was in your house

and a madrugada he is a little bit to go to their baby.

They were in the house and the baby had his own

his own and I had in the and when he was he was

very in the pass and when he and when the

perilla, this that even the science has studied

that connection between the mom's and the baby, the baby, it was like, something, something's not. And, before

to open the door, like if his sense were agudized. And the other side of the room, where was her baby, he, he,

he was a voice of a woman rara that was that was definately can't

a song of cuna Duhermete yeah my my love under the

the silence you will be Dormete Dissue He said He's

he put the Piel of Galle and he no thought in

something about He thought that there there no

no no he no no no He saw And in the

Passillo that there was a there was an adorn of a big

a big he was he took and he thought I'm going to and he

going to reventar the crane to who is there nobody can to talk

to my baby and he abry and he went and he but no

nobody only was the cuna, with her baby, with the little, the room.

The abyssation the avienta was still more elated. The ventana was closed, all the baby,

only she saw her baby, was a boca up-arriva, dormitita in her cunna, envulta,

but at the night, he said, no, this can not can go back

to be to be going to say, it's that He sentiento So,

the having even this thing, and to see, he was that the

he was he was to go to the he was in the soil, and he started to

get to go to what was what was what? What was? I'm much

a night the next he took the cunita of the baby and let's his abit

to the baby, doorme to come with me to get to me to

And they were three nights three nights for the exact there was a day simply she in her

house, before she was doing things and he was doing and the he's a little bit

she's like a baby is like really and yore and yore and you're he had had done

his leach yeah he had rulled and he had had paced and he

had pegated for that I'd, and I'd have envuled so, I've been so that

the baby was inquiette, inquiette, inquietta. So, so, he was, he wasom,

and she kept like, thinking so, what you have, what you're, what you're, and the baby was, you're,

and the baby, and you're doing, how all so everything is absolutely frio and the baby

of inmediate he's to die of and he his head like if he was observing

something moving to he was and he said no it's my imagination and

he he and in the entrance of the room

there there was a woman in the in the

the darker of the blacker and soooed was a high, delgated was so

so that in the obscuridad that when he was he was he thought that was

that was that was that this woman that was that she was he

he was he was there there's there here. For when it

was the night and he was super super nervous he said to Markus what had

passed and Mark was like what you about you is that the woman of blue

blah blah and he said no no tranquilla and he was so

he got so the cunita and he was to literally took the camera no going to Yeah, like she calmed,

she acucesan to sleep, but it's like, it was like it was like to be to be be. So,

they're going, when, when, of the morning you know, he'll be the eyes, and open the

eyes. And he said that he could move any one a dead. Like the

paralysis of the I, like, no, he could move for

more that he I was trying to and I'd like to all the other sides. What what is? What is? And, of a prong to observe the

door of your house, how it's opening a little to a little. And I start a voice Dwemete yeah. Dwemete

yeah. And, and then, it's to come, pome. So, it's a vestige of a suit, and he starts

and thence to get to the while she wants to be to be she said, he said that

was so that she had the tears, and this woman came he went

to get to get to the cuna he, he put his hands and

she started to see She, she had to be it, trying in her head, to gritty to Marcos

to who werese to be able to get to do that. And I saw through the barrotes to his baby. And this thing,

he gotchacha and he and he began, how to suction to air. And she

saw her baby, of a so, like, like, as far, like,

the The thing that, he went to her head, she said, Laura, and he said, and in that moment,

he could sootor to let us he went to corriending, and when took to her baby,

sentio the death. Yeah no respirable, was rigid, or the eyes a me to be abrid.

He said that this perid destroyed all all Marks was at the

she was destroyed destroyed a difference is that Mark was that Marks was refugue

in the substances illicitas and there was a new depression horrible and in

the nights I heard the yant of his baby And a

And a voice That's And a voice Toerreate Yeah Yeah I thought I'm

I'm I'm I'm I'm I'm I'm looking But

but a day Marcos was consuming there in

house And I said that had had been

certain things that she she had had they

the nerves, I mean, of the collapse. Because of the monitor

of the computer of the was on the and he heard of his

baby. And Marcos was totally he'd and she had what

had to and he was he he was tapable the

and he's tap to the Callala Callela, for far far Callal

Callemate Marcos for favor calmate there there's a mancos

and he he was to start that the woman was up his and that

he was he was he was quitamela cutemela cutemela is the woman

of the camisone a cammela Kittamela! Markos, calmate! Kittamela!

Currieed? He? He? And she and she kept? No, I can't do nothing.

She felt more rota than in her life. And he only I'd and a becina

he said, I'm I'm a madrina of IFA. You know what is that?

No. Come with me. She was, I said, I was a zombie. And this woman, she was, more or less a little, saw what had passed, he tore the caracoles in a table. And he said, You have Osokbo for Bilongo.

I don't know what is that. How is that woman? The woman that did so much damage. Laura Laura She was with a palero

to a cemetery to marra to marra that's sapo with a

little and send a thing was a baby and he rastro

to marcos to the look you want you give a

clean of dispoo and he he he said he

said he he he he he I was to hear the yant to his baby, of his little

little bit, was recuperating the forces, the gains of to live, little to little, little,

until that, past the time, sent he was that he was able of this. He got a new job,

he was going to get a money, he started to get to get to the person, but he

was a heart. Terrible. And it and it with a other to let me

more than to tellselos. I still trying to I'm I'm I'm

I'm that Laura is living in the street and the vicio and you

know what she? She also she also she was a one of her and one of those she was

she was she was that me Judging if want but when I'm

going to she was going to the same agony to be a cuna a

place. I'm the same the same porqueria that Laura me made to

destroy to my family has returned and she she she

she she no to me what that that was

very very much much much for so me

I bet in three and and put them at beginning or the

final I'm very very very very very strong I think I'm

think it's the most she she she she she she not had

ever had been to be a curried to her never had got a

a murder of a murder of I'm I'm a

subrino that suffered that was very very but

if you have investigated a about this type of this type of

transcendences no there's no way a cause that still there's

not a question who don't say not that they've done that all the

people but who don't say that there are entities that get in

the night to take these these little lives

and is that I think this story retrat perfectly

the like the malddad or the envy because that's she was she didn't care the life that was living her exactly laura he had what I was having there was her

and her that waser of with Marcos living in families insustances in felicity that's what I that and so

his petition and what he did so just destroyed all because she also per die a child and also will be to end up

to be to be living in the Calley, in the oldude absolute, in the pain. But in there, nothing will be able to regressar what he

per die. Nothing. Never. What? That's horrible. It's very horrible. Yeah.

For the soul, I don't see because you, because he's just to his appellido. I, from my point

of view to be able to be censorado. At least the because they're in there many times right

right yeah yeah it's it's that it's that it's the the

what I'm the the mentality of many people of the I'm exactly

what you you know no no I'm to be to work to find

a good man and liberate the the substances

no you I'm to run the life But you also, what, what, what, what, how, how they're going to do?

Me, me, it seems. Despreciable. Yes. And is that's, it's what, in all the ambitias. In all the areas, there's a group of amigas, there's a group of amigms, there's

into the creators of content, in the, into the tattooers. So, so, there's, there's never to be enviratea of it. And a, a A sometimes, I mean,

and all we know, that simply the desire of someone of you to be a bad,

is sufficient. No, has to go to do a work to dogeria, simply with manifest it,

you can't affect it. That's the mal of ojo. Yes, that's a eye, but imagineat

so, so, so, literally was, he did all the sapo, he,

he, he's a photography, so, is an extreme of malice, I mean, it's, it's, this,

it's, this, it's, it's, is, it's, a point. One of the first I've seen a person that's always, never, never,

never, never, ever, never, this was, and, I was, I was, I was,

I, went to, I, I know, to what I'm, to go, to what I'm, to be,

to do, a production, so, no, much, and, so, and it,

and, they're, like some restaurants and well we went to one of these and me said

the person with the person with the we're going to let's go to this, we're like this the woman

he said no because he's going to get fulano and he know who's someone of that we get a lot of

people and there in a person waiting a person there's there are actors, actresses

producers, producers, people of staff there had all. And he gets and it and it was

a a man um um very very very very

very grave. I never in a program of television. I don't see if that's any of the

race never a great, very impressive very impressive. A guy, a guy,

and he went to a very, very good aondah and it was like a kind of

a guru for them. I don't know what he was when he he said, and he

he said, oh, and I'm some some of some they're so they're

so the vampires are reales. But no chupin' a vampire. A vampire is a person

that you. No, you're like you. No, he's what you have you you want to be

you. And as so not going to occur to, he will to in the intent to be

you. and he I was like I was like God, God, you're right? Like this

woman. I wanted to say Anahy. That's what I wanted. But what you know? Because you

know, because you know, because you this type of the people that's that type

of people that envy that they envied a that are not their are able to do you

are to be to think to think to all the day

in in the in the, well to the other. They're disposed to pay sums, impressive

of money, are disposed to keep their life, animals, people, no they're not.

That is the worst of all. No, is the brugheria, not the practice of

the necromancia. No, that's, no, that is the magic black, and the magic blank.

Are the people who have the alma oscura. That is the problem real.

That is the problem real. And this, I mean it cost much a lot of

a lot of a other and I and I wanted to ask to the

to the so is real I I don't because if is someone

he's he said me because at least will be to be

my my life no no no it no

no me perturva so I know I to

Because I can't care me because I don't I can't with those things Those stories I'm just I'm affected I know

I'm a bohone a much the person that there are that are that are so how can be so how can't

be so how can be so you so if so so if so just when it's valid that

we're that all we're certain things we're certain things we're never to think we're

we're we're doing but also the being the being the is to transform and be able

and be conscious that you're not I'm not and I'm going to and I'm going to

what I'm like it's like no me because if you you're going to for example like this

like this she's like my baby and my baby and it's he's he's terminated

to the car and I can tell that she she knew that she

that Anahy perdi all it, it's a exactly. That's

what I'm returces is no I'm I'm not I think to do in not the

signalament to this type of people but not to take

the of lamentable of the experience of others for that

our experience is different and we can try to

try to try to try to you do you do if you you

are submerged in that world of the of the substances illicitas and as he as Marks

that's he'll be ahead you know also you can't try to tell to

the other people because at final if simply we're just we're still growing

also also we're we're to do something and I do I

say this manner I'll say this manner if you are a person that you think

that you think that you think that you you know that you're to solicit a job of this type you are the you are the you're the

you're the point well this story has to come some of some person that has a type of

a person that has a time you and that can be so intental it's the question is

you're conscious of that you're going to to destroy the life to the person of the person of the you have you have to

your life, really, really, it really, it's that really, it's that for those people,

and the response, and the response, always, is so, are so, are so, are so,

and even that's what they're going to do they're to do, so I, what I would think

is, if you want, for example, no this case, no, of this case, you're

a person that's aided to get a substance, you know, you're that you

know, you know, you're to do you know, an idea, panis, no?

What, what was what was, but it was a motive, but it had a

motive and it was, like, an, , like, an, an,

he's going to find the other baby, but it was going to get to

my motive, and you put to you, you that you want to destroy that, more constructs that you want,

but for you, without the other. So, not it's not just that simply not it's not because you're going to be to be able to

other people, because the people not to get to that level of empathy. Yeah, no it has it's,

is that if there is a form of that you want to, so that you want, so that you want to, and that's,

and that has been with things big chiquititas, from things very

little, for example, if you see your companyer, no, I know,

it's, you know you're you're not going to do you, you're going to get to

be able to you, and list. But from things so small, they're the people

to start to try to questionate know? How is that person has that person has

what you can be, because it's something that's, you at the more, or at the

or more, you know, what I know, not to have the love of she,

but of someone like she. There's a lot of people that in the world that

they're in that they're even more. That's so is so that. So, but what

what was what was specifically this person? In the way, I'm to do you

to robes the love of that person and if I'm so I'm so, so I'm,

so I'm, I'm, I'm think you you're is very important. No,

a quaker he likes to to force us. No, any, is supposed to gore that way

to make that objective. Yes, but what bad, no, that then so, if no

I don't know any any, no any other, then no any other, that's just

that's just that is a thought, so, for example, here in this case,

destroyed all, but it's what I'm in the people, in the power of voice,

power, etc. They're an bad example because the example basically is

if not it's not I think it so it's extinction human like, how?

So, why? And you know? And you know? And you know, the people the people

not accept a no for response is a bigosissimo because it's a very,

even, even, is the thought, if you you do you do you're

you're you're you you, you're poor because you're doing, because if you

work, and then the people you're desperas like, to, I don't. No,

is so. No, is so. I'm like this person and then she castes with other

person, then I'm going to destroy the life. No. A very, I'm going to get the person.

If I'm going to another person, if me said, no, but the people no, the people no, you know, you don't want to

have the things that you want, you don't to have that person that you You want, you

want to to do you know, no, no you can't like the like the way,

like the no, you know, I think this, this is horrible. It's horrible. We have to

have to be people people capricosas. Yes, exactly. Imagine when

that's a no, is for something. And I have to learn to explain,

because why, because why, because again me said, so, so,

no so, put pantalal talos, no. Peinate, this, bauntie. No, but at times, a few, you, you refutas the no, but then after the time and you

understand why not it was the no. Sure. It's a lot more. In many occasions. Sure. Sure, sure, sure. If you said a person, a little, no, this, he said, no, is that

no, it's that no. And I go, I know, I know that I'll say that to let me you're going to you're going to you're I'm sure

I'm sure that you you're going to get a good to do to the I'm sure

to start this not has the capacity to see the person that's marvell you're going to

consider it you're better but right not you're not to not we're

right exactly so well well well listen another,

other other that he gets a whiskey to podcast paranormal and he says

I'm going to a little bit long, the more of this time and he said,

I'm going to get the the chapter this time, sorry, no, much thanks, it was going

to do you all, once, I said, I was going to give to the community

and for the community. The photography that you've the photography that's the photography of Doa Ortencia

that you were in your cellular. It's of a creepy pasta, so you can

you can't keep on that you're what you're that's all you know that I thought that's I'm going to

say that's the telephone of the micromante no well we we don't know no we don't

know we don't we don't see we're gonna we're we should we have we we're we made a message

oh yeah but what you know that you know for far for yeah for for you can't

you can to be to continue in my channel of YouTube and the Spotify that I'm like a 180 L-P-M podcast and also if you want a tattooage

done for me in my Instagram that's like Luis Q-1 K of K-E-E-E-N-N-N-N-O-1 Very well much thanks. Thank you. Thanks to you.

Thanks for you. Myrace, Races, and Platforms? I mean, I'm going to a mouse in any other platforms. No, but remember that

Maus is M-A-U-S. Very well. Very well. And I thank you I also I thank you very if we do you

do you do you do you for favor to go Fepo arra podcastinsomio com

and you know in the thing you put to what they're necromancia duendes cheneke

brugerie blah so they put in that more rapidly we've connected

my telephone to the and when when the when it starts

I'm to let let's let hear stories that are many

many many but they're going to this program. Much

thanks for your confidence. Thank you. Thank you. We're going to the next I'm going to be here the

next time this time narrating the more terrorifices experiences reales of the audience. So,

listen them as if they are trying. Chau.