INSOMNIO - HISTORIAS DE TERROR CON EVIDENCIAS CAPTADAS EN CÁMARA

Episode Date: August 15, 2026

En este episodio de Insomnio, Fepo, Maus y Fermex te cuentan las historias reales de terror de experiencias paranormales enviadas por la audiencia, lo perturbador es que cada uno de los relatos viene acompañado por evidencia real en foto y video. Este capítulo revela a demonios y fantasmas con pruebas visuales que no podrás negar. Suscríbete a este podcast de terror, activa la campanita y acompáñame a escuchar como cada jueves los más siniestros relatos de la noche. #insomniopodcast #podcastdeterror #relatosdeterror #historiasdeterror #evidenciaparanormal 😈 Redes de Fepo:  https://www.instagram.com/fepomx   https://x.com/fepomx   🔮Redes de Fermex:  https://www.instagram.com/fermex2   💀Redes de Maust:  https://www.instagram.com/darthmaus666?igsh=MTJiYnh4czA3YzQ4dw==      🫡 Síguenos en redes sociales para más contenido: https://www.tiktok.com/ https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio   👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/   [e-mail] ✨Grupo oficial de Facebook:   / https://www.facebook.com/groups/548487930178860   💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx   🛒Compra Merch Exclusiva aquí👇🏼 https://store.podcastparanormal.com/tienda/   📧 Consultas empresariales: [e-mail]

Very good good days, tardes or no new capitol of insomio in where we're going to

narrate the most terrorificous experiences reales of the audience. So,

listen them if you atreveen. But in this chapter special, also

to hear them, it's important to see them, because we're one and

other times that these are experiences reales that you send

to Fepo at podcast insomno com and some times,

they're with evidence. What you'll hear you in this chapter probably probably make, generates a

fear that a fear of the and you're and you suffers of the insomnia

before and for that's with us the people of the terror I'm

to learn to first to know to know to my great my car

my person. I'm very very very Oh, you can't say, for

favor, the media social. A-I-F-E-N-A-M-A-M-A-S but remember. remember that's M-A-U-S in any

platform. Very well. And also is with us with us. You're going to know. Like,

good nights. It's very emotional. Because if for-s- for-s- is terror-n- about

stories of terror, now to tell us with the evidence of what was,

it's brutal. Very good. Also, also, and I'm they can't like,

I'm going to atrova Fermix 22 in Instagram, but I'd like to to leave your like to criminally in YouTube. Very well, muchismas, thanks.

Now, we have a lot of stories with evidences that are super interesting, super interesting. For favor, my God,

you want to you start? Pardon. Abouting of evidences. I'm sorry. This is out of the guillet.

But, but if I'm to show to to teach. Pardon, me put it as nervous because it's

a grand evidence. No, I don't have the history complete. This is us sent me

them and they're going to put up the person. How is on Instagram? It's ultra-sour-

very. I don't have the story as the story will be in an expedient in

human. This evidence we just just just just interesting.

I was I did the I saw, this is what I should be to be able to be able to be observing or there's a little more. He asked herka, that's in communication with this

chico, and he said, oh, in what I'm, in what I'm fichar me? Fidate, just in the initial of the gravation. And I'll be to explain, for that

all in the house see, they can know exactly of what we need and hear and listen. It's a camera of vigilance

that is a part external of the house. The cameras, generally, they're in a space

where you can see the entire of the place where you where is located the camera is upgated and then

is it's upunting up to up. Siente movement, it's preend,

grab a something something that's in movement first first is it and it

and then the camera and he he's the patio of the house it's there

can be that he like a but just where where is the camera is

the camera is the night what you are is impressive and it

and also it's important that you see you see the

the question here here is when the camera down and it

is the moving the movement as you in the patio

is just when when it when it The camera because there's a movement above of the camera. We'll see the other

for favor. Observe. And then back. Yeah, yeah, I, yeah, I'm just, yeah, I'm

I'm a, yeah, I'm a little. Yeah, it's, a newmere, a norme, but enormous. So,

it's posse just on the camera, but if see, they're like if yeah, we're to get a

different. We're one more. Ben, how it gets? The sound the soundido. Yes,

it's, it's, it's, it's, it's, it's, it's It's a good, no?

It's a good. Well, I mean, I'm I'm just, I'm a lot of Omni, so for me it's a lot of

really delusiness. And then those gullos so put in so much, this occur exactly at the 4.17. Look,

that's is padrissim. And, and it's like if they're exactly in where to be where to work the more

talk. Yeah, but the sound is very particular. The sound is a much particular.

It's very particular. Wow. It's very good. It's good, no? It's a new. It's new.Cit, this evidence. Yeah. Four of July of 2016.

I'm just. I'm just. I'm just. Wow. Wow. Well, now, so, going to get it.

The first story, record, with evidence. Okay, clear that is. This story is called the H. Cabra. It's happened just

just recently just the year past in the 2025 and he's Lilliana Torres. Liliana I made a count that in

a little moment, in some moment of the year 2005, she went to a little a woman, she called a

a becindat where convivian various families in that she came, she was that it was kind of

it was like, when when you get to a little bit of you know, or that all the world is a

biger's like the feeling pesable, no? Yeah. Like very fea, no,

that I said, I go to my house and I'm I'm I'm into absolutely

with nobody because I'm not quite all the people who all the really for tonteries so yeah

you're just you're you're and you're and you're and you're even describe a scene

where some some of some of the guys and even for the escalers of the the fury

with that they were but it's something because she was a she said that in the

nights when I to to to do to to drink I

heard in the sotia, she'd in the part, let's the department more little, not we're in

the time of the other people it's not five or six families. I'm imagine that it was a plant

a base, a first and the not I'm not sure. So, then says that in the

nights she had like like some if someone had used to be on the

teche but lebe to this point of the history was like lebecito like

passos little. But conform it was the time the violence began

to to augmenter within the vicinity. A she had some

maldades. He were their plants to the piece, he'd cuted the cordons

of the tenderer for the car, so it his bicycle and they panchable

the so they did it and I said, but why they're because you

don't me's not so I'm to be not to get me to be not

when it when it was going the time she began to

a I feel a sensation very extra. She started fury. But she began to

feel like to see that he probably was a little to get a or something, it was like to

get to get to get but if I don't say so you know so. Me are just

the people that are that they're so horrible to be being to be ino'

and to be a whole thing. There was a very particular that cab to describe it.

He said that in some moment of the history, she was the sotea while he was going to

the house and saw a one of the bestinos that were like the most violentos

and it was that he was he was he'd put up the point to put in the

person to someone to get to the person. The point is that was that

totally only. And he he would he'd soltable all the air and that that's

the bestine then they're after they're to get to the doctor

because they they're like scenes of schizophrenia crisis that's that was what they

manifested so there there's there's a very important she she gets

to that she gets to a part of a prime that was a friend

so then she's she she's these changes that

can so brusco to come in this rolloo that all the world we're inojazzed with all the world and we're

going to bele as all because only because we're going to because we're not she. Today it's not a way of a

different. It's something something I'm not a violent and me I'm going to get violent. And it

during the nights, a lot of those most of the same the houses with a lot of the

conflictive. But when they'd get them to play at the madrugada, the pairas or the families, they'd like some passes in the passio, but very very fertes. And those passes, they'd generally, outside of the

department where they were and they'd be able to, not how respirator, like to respirate, but as as if absorvier, like if it was absorbing now, it's like, the energy or the ira of the

people. She still with her normal, until a day, one day, a night, was in her camera,

I'll repeat, she was in the part of the sotea, and he said, ascuhes that were on the

piece, but not only that, it said that the sotair was a little 30, 30 meters, it was like

if these pesuels first were they were these pesuels, and then they'd they were on the other and

they're going to but she said that that's similar to the same to a little of a cabo, the one

a cabra a borrego an animal that has pesuias but where he gave much much

a moment when he heard from he was the door to and when she perceived the soundido

is like if that that was that was that she would be that she was

that she was had, Corrie, and he was just at the time at the time. She said,

because not only he said, she said, she said, she said that was so the the way, the

time, that the earth was going to get to the was a big, it was

a like, like, like, with a , I'm I imagine,

for the story like the country, like, some pussu- tonskas, like,

the matter. The Miodo exploded that night because she heard how she frened

exactly where she was in this moment there were various things. She's

enojoed much. It's like if this entity or what were provocated that the

people were in the nothing, like she necessita that to be

to to absorb the energy. She being a person super intelligent

he said I don't me going to get to get for

this what what I'm going to do is that I'm muded. I'm not I'm going

to be able to be a couple of some time in the house in other place and

he was made and it and it and it was there there's the story because

she when she when she she says that he said that he started like a

kind of kind of just like just like I'm no I'm nojando for

all I don't have I'm no longer to I'm what was what

passed there, remember that I said that she went to one of his primos that was a friend of

the duke. Justly the prim was also with the dukeying in question to care, put cameras

to security, that the chapas functionar perfectly well, and that that's

not a time, and it was a time that you he said, you know, you, remember all the

this the noise that you heard, and all this he said, I was I was

I was re-annling just the department of the you took you're in a night and I'm exactly the

same the difference is that they were an installation of cameras of security when he

he said the day the day the decision that he was to do the he said

if something he said oh because in this occasion he said he's up the

carer and here at the final I want the opinion of you

you're you're going to hear the and that's he said, he said, if he

did he's the door, the camera he was to have captured, for

supposed. What she she has made, is practically a photograph of the video.

I'd like if this chapter, and if has the video, for

favor, us it's to get to do, what he is exactly something

something to what we are what we are talking and describing in the

story. For That is that the history is the name the man patas

a cabra. Want to see? Oh, yeah. Oh, that's No,

bros. Here's. Here's how it's cool. Oh, no! That's horrible!

The description of this is that if they can't see, in effect, it has

some peesuias very very grues very very really, but

the per penas peludas, no? No is propiously a

cabra, no a cabo. It's a kind of a man, a

body, the body, we're a black, here's see the yeah,

see the look like the face it, and it seems to get the up, up, but

the fatas is very marked that has very much, the piece of, this,

this is done count, it, it was 2005, but not it was

two, 40 of the night when this CER so it manifesto there. Now, the question that I wanted to say to you

want to be you, is what you think? Is a person, like if were a species of phantasm, or is a ser that abitia that besiended, together, that is a little bit of some place, and that during the

night, it's all to eat to the energy of the other people? Or is a phantasm? No, we know. She no know, I know, but I'd like to hear your opinion. Well, I mean, so, if it's still

that it's not it's like it can be it also your presence no. So it's like when

when you get a person inojada to do and all they're going to

this person and all and all they come to the vibra so it's like your

own that your own that's that's like it independently that's a positive

or negative obviously obviously doing the negative then he is more a lot

what he what he represents that that type of energy but

But it's a caon. It's like that way that I'm just like to be able to, like I'm just like to be able. It's horrible, no? It's terrible. Yeah, it's awful. I think one other thing? Yes.

I think that's even be even a demonio, eh? Verde? Yeah. Yeah, for the form of the that that's alimentary,

but that's materialize. Of that. Of that. To start doing the and I, and I, and I see those patas peludas

with, if it's being fey it. It's feissim. It's

what I describe it described like this because just like she describe

some she's about and a piece of a brown and a

broadro is it's bad the head the that

is it's spantos it is even I don't

so I don't so no doesn't he doesn't he

doesn't for what is what is what is the part of

the most most Yeah. It's a very, very impactant, very feo. What's that

is really, the story is impressive. Yeah. But when when you want you want to make a

photo of what is doing the energy negative of the people, but also you know, I'm just that

I'm just much of this capitul is when we know how we sometimes there's always there

always there are goodism that's that's goodism There is. There is that. If we were we told

only the story, if we had could have been to say, the idea, it was not, or it was someone who

was going to be, a lot of it. Any other that's like. Alex, is scone the disguise. No,

manches. This canion. And the curious is that those cameras get them after that was there

this person there. So, not it's like a person so it's so it's, very good.

Yeah, it's, and, and, it's, it's a something that's

a whole, I think even if you try to do you, this image,

no, in form false, you know, you know, you know, you know, you know,

you know, that would be that kind of, like, that's, I'm going, I'm going to

be a other, I'm, yeah, I'm, here's very clear, no,

don't they, no, it's not they're that these are the the partas delanteras

and this is vele the form it's, it's, it's, it's, it's,

a little how you know, yeah, you know, yeah, this is it like, so this

could be the the little, the part of, the body, the body that's the part of the

thing, I'm, I'm, here, I'm, so, I'm just, even, because even, even,

it's like, it's been the eyes like the eyes, it's so it's weird, it's bad,

really, it's bad, I, I mean, I'd like to that the people that are in the comments that what are the

people who are or if someone has seen a similar to this? Because there these entities are repitens in different

places. I mean, I've got a very similar, eh? Yeah, right. We're going to

see. Oh, okay, but, let us to continue. You're not? Yeah. This is

this is, well, when I saw the evidence literally, no, I didn't even

to ever to see that see the side the was like it's a very

good. This story is called the little and the manned

Christian Maldonado. Well, we know, he said Christian that his family

every year rent a same house in Cozumel and that in that house normally

like they were like they're like something and

it was something that was something that And all normal, but everything changed one

night that Christian was asleep, and like he waspertable, he'd be able to work, he cost to work, like he battled much to be able to get to be there.

And in a moment, he gets and he gets that can't move. And just can move those eyes.

And then, then was all over the quarter was super oscuro. And, me, you're like to distinguish

the things that are in the court, view in a rinkon like if

there were a lot of and he he was a little he called the question.

And he said, well, the more they got to like things to get a

thing, he was a little was a little a lot of sitting, like abasances

the had her hair tranceed and a a ropeita like if were like

of a and he was being to be able and he recuperable more and he recuperable

more and he was he was not to know the skin of the the little and said

that she be yeah like like a birdosa and he just he was

to hear that she was going so the she was so

tapadita and when me went the sound the

And I was And I was And I'm And he was So he started And just decided So, And so

I decided so And then I'm And then I'm And so The little bit Like if the I'd say, And I'm more

The end up the door, and yeah no There's a lot And then it's And then the day The day's the So it's all the like normal and he

he's going to the family and there started to pass the things like more strange

of the repented there's things like for example the the

carionette one day they they were and simply the the they were

they were they're they're they're they're they're three days

after then then then they're to disappear some

and they're in an zone impossible to like in a tachito. And no

had a little bit of the way of there's like if they're like to be a little bit of

them then they're to be a carcos of the water socia around the

house and no there no reason and the things they were to beurr to the

point that the lightes like they're like titil and they they're they're

they're they're well maybe fall you the light or or what whatever

another I've and And so were various days. And a day

Christian he went to the morning because he he said to look to a gas

but very very really a I'llia a lot a gas he he went

and he he had so, and he did a mind that you know

because if you bring the light the light then it can't then

in the obscurity. Acordano's of all what had passed, according to the little that he had

seen in middle of the obscurity to find out of where came the and he began to come in and like

to talk like the wall because we still not it was adapted well, and of

he had he had he had he's he's and he and he and he

was going and he was super-asusted and it was like if

someone passed for detrars. Grew to the kitchen after the

after the way to get to the and the four perigittas of the

stufa were abirtas. But no, have not even had

not not that they were in the case, but they was going to

them was going to get to them so then he's the decision

to go to the day the next recoges his things

and it's it's it's like the last the house

and there is where it's very very extreme because

they were with something they spectacular but before

to give the evidence when they went they

they they started the door and they were

like some some And for the inside so it's like asote

as if they were like if they were inhojated, what if I were there, that's the thing, that's now they're in

see the here. Now, see what we're two photos. This is the photo original. Oh,

I've seen. You've seen. You're not. No, no, no. No, no. It's terrible. This is the photo original, okay?

I'm that the second photo, the only that we did was, like, to change the tone of the photo

to clarify. Like the illumination? The illumination. Aha. Nothing more. No, there's nothing alterated in the photo and you can't compare with this

that is the original. Okay. No, no. So, okay. Oh, no, man. Oh, no manch. No, no manches. And that?

That was, that was the quarter of Christian. Oh, yeah. That's not a newita like the that'scribes. That's a, that's a demonio.

That's a demonio. That's a horror. Wow. Oh, yeah, I. Sinti horrible, sent you horrible. It's like, little, like,

little, like, to do a thing, even, if you've been like, chemo, like, I'd be like, a bit of a lot of, it's a spantosysmissim. It's a bit, it was a bit more,

but you'd be a spantos. But with this, So, you see clearly the piernita above, the armatoza, let's think. I'm going to

let me. Right, that they were arming the order of the evidence, I, I saw,

I don't see the eyes, so I, saw, I, the photo the original, the original,

and I saw, and I was, and I said, that's a photo, no, that's not

that I did, that I did, that, that was, that's incredible that photograph Right? It's spectacular.

Spectacular. Yes. We have the name of the person? It's... Christian Maldonado. Oh, Christian, Disculv me, but I will to show all the other.

Yes, very. It's impressive. Wow, even, yeah, it's so good. It's... Sentil the impact, so... What...

...what barbaro. What barbaro. Oh, yeah, but this entity had, or demonio, had all the intention to quit her the the life to the family. Totally.

So, what I wanted was a it was a actually, he was inho when it's when he was over.

No, you know, no, no, no, no, no, no, no, no,

no, no, that's a question, after that's what, what is that? And that's

that's disfas- of a- little, is that's it's just that in many not, in many

stories, it's about that's the form of that you think that you can do you

do that can't that more that more can't make, a certain empathy because there a little

a little and there's the master's the engaio of the blasphemy so then what's if you're

so if you do you a bit of a phantasm and you see like a man great

with querns etc to that a can be a little that's you're trying and that

you're that he's and he and he got orrip really

that's you know I'm oh yeah I'm I'm I'm I'm

I'm I'm I'm many many entities, for example, is very well

documenteded in Japan with the jokais, they're that's a chakritrised in the

reality when there's a event of much, much, a lot of and it's a grigor

that's that much people, most people those confound with the demons and in

some way they're very very certain to those. A demonio as such

that there many many many tides but we're going to let us with the

with the with the tithequette of demonies no they're not they're in a form

no they're not they're not they're not they're

they're they're a mask of a image of a story of a moment

the the the the stuff the stuf had the

stuff was there a little you you did

you said that is sure no what how

manner of connect the things. Yes, it's true. No, I've been

thought so. Oh, that's what I'm sure. You know, even when I chinoed the

skin, you know, you know, you know, that's the question, that the person that

was made the evidence that might maybe, maybe that in that case, in some

there was a lot of a I've been that's the reason. That would that would be

a important, say. But I don't I'm not saying with this that that's

the phantasm of the little no, but no no, but he's he's

not a but he connected super well your theory, yeah, super well

it's very impressive this photography. Woo! And the history. That's

good good, good, oh, let's I'm going to let us first

that we're this evidence that that's that's that you know, that's

you're to know, the story of the story of the story of the story of

the Lorenti. It's called The Eyes of My Mother. I'm going to read two lines just to start. The terrorifico not is

to hear the weird in the madrugated, but your mother is a child to describe

the perfection of the monster that you're looking from the venting. Wow. Angela

us this story, she's of Guatemala and we know that her mom

of Mary of Los Angeles from has been has this this don of the to be

and hear and hear to see a the dead of the mary of the maria of los

angels the mom since she was a little bit was with a

little some some some some some some some

some that in the small those small those somebrances those

little they started to form and a force. It's a moment in the that you could be able

to observe clearly this silhouettes and what what he said is that they're a color defined.

And that's very because the people that have the capacity to be they're

they're they're they're not and they they're they're they're not they're

they're those phantasmas those phantasmas are solid those phantasmas this and

the other but I've done that some like capacities

different to interpret that not is the matter she in the case

says that when I'm when we that that that that was

that had madurated those was they was a blue

gris coffee or a sometimes completely opacos like

very very those but they're people they were

the problem is the problem is the question that I didn't have so despier to to be

to see to these mortals, he was also, as much the more more I'm

more per die of his sense at the point of that he was quite completely

sierra of the Angeles was a little to little per the view

and there was a moment in that only could be in a 10% more or less of

almost. Almost. They used in this colony in Guatemala, as you know, that you know, that there are places in the cities where,

there are much history, and in the colony where they were, that they were very well with the residents and more, they were told certain stories, but not like legends, but the people he said,

oh, and yesterday, they heard that happened this, like if there was an activity very, very very, very, in this area.

What they were, gritos desgarraders of the night as like the yorona

something similar I'm also similar also they're like they're like they get around a little

but something that is very common in some some and that there was that carretta

phantasm it's the the and the people sawmable the

and the there there there there there there And they're

that struendo of the carretta. And the mom isoombed by the window that we can't be, but it's like an action

natural to do it. She also not but clearly she's that's that's going

to the carretta. And the motherna he said, Angela perdon, he says,

you know, you know, you know, no, no, no I don't know nothing, so I'm

so I'm, so I'm, you're to describe what's passing just front of our

house? The mom that not had seen. Yes. No could

see. But I could see with the third eye and he was to be

to the perfection. What he describes is that was that was a carwage

an old of madera that was being being

hailed by some cabos that were like cabos

so in the the bones but in the skeleton they had the

the but the costillas see clearly that animal no had a

long time felled but they were there and then they're and over

the carretta and well this person that was a man was a

man and it a room that was more like arapos podridos, and that's

a skeleton complete and He was simply coming this carretta and this skeleton with

arapos in the part superior. The skeleton no went to be to see to any

house, simply the carretta cruised making that that's making that that's

that this is quite, the fact that when was a great, the fact of

a mother described that was that was what was there, that

there was a moment that is terrible in the story that we can't because his papa fallece. And when falle the father, that, of fact, it's actually was exactly the year past.

Well, obviously, they're not prepared for something. And the mom started to all the days. They were in a moment of a duelo and depression terrible. And he said that the mom in

house, she encaba, he put in the rodillas, and he had his hands and he had to rest her and he was

all the day and resando and resando but because he was soliciting something she said that for

favor for favor because that the death was so inesperada that no took

not even that moment to be to be to him and he and he was

toplicable to the that for favor that for for that ever

even that she for that she could desponding. He said, you know, that if you're going to

see you, and we're going to and we're to be able, for favor, for favor, and grittable and grittable and grittable and grittable

and grittable and grattable and it was very very doloroso and us and she, Angela, the problem

is that my mom called to another thing. A From of that

moment, that they were in duelo, with the insomnia, that night at the

night, they were to hear a lot. It was the yant to a little there,

out of the house. So, obviously, they're they're they're not,

they've been not done and they hear this and they see, to see,

and to see what was that was out of and the mom and said don't you

don't you know, it's a little but not is something a year

he was he was a he was he was a certain time that was

that that he was and I and and then

that that that that he was that was that

was there was the passages of that colony. And in the other to cry, she reeled.

She reeled a way super burlona. It was horrible. It's always at the 3 of the morning. Always at

at the 3 of the morning. A day they're that's there, that's that's

ryingdose and the mom again, she up again, she's a soma

from the window. She's curious , she wants what is what

Moma, what is what you're observing? Is a little, is a little, is there out out of isnude, but is

like, covered of costras and cosses of mugre. He has the cabello large, but

is all all inredado, socio. His eyes are rogos. And has a cairno

and ponteagued. in the head me he he he

he don't show and he are so pure

colmill long delgos afilados of color that is a

little he she was there and trying of

well maybe to be well that his when

in this he he he what what what what

what It's a velocity Impossible Corre from a place to another Corre to a other Toot to do to do to do to do And of a

And of a And he was He gottou And he was Rapidisim And in the house of the This little

He was He was running And so Trag! Contra the Pard The cranium Directed

Counter the Pard Pound! He fell to the soil, and de-pronto he went to the window, and he said, he said, he said, the gulfed the blow-seco of the craneo against the wall of the house of the skin. There was a force absurd. At the day's the next, they were to visit, in fact, to the vecina of that house, the

when they're when they're a new your and she's passen etc etc and he's

to tell the she's she was she said very bad and I'm much

fear because they've been been having been going things

in the house the mom and she I know

that I'm that's that I'm a man I

had a one he had a with the eyes rogers that he was

that's that's that's the car he's the same he's going to start

and he's my my son my son he's in the nights because

he says he says that he he's in the corner something something

with the eyes that he he's then he he says no you

don't you preoccupies? We're going to do this. We're going to rest in conjunction, you, for that this thing is going. And we're going to to put her

God to your child in the head and in his ojitos to protect him. And so they put you to rest and to

raise and to call them the need to the place and the case and his ojits. That madrugada

at the three of the morning, as always, she's heard some the mama and she

gets up by the window and she was she was listening the the reason

the the and the the simply her mom was like

moving something out the the man was was just

outside of the window but she he was he

was more and she and she she he he said

Culp, me going to because you're you're going you're going to do you know and you know

said you're going to go to sleep and they're to do and the morning next when

he saw the when they they were with with the same and he he says

mom you're well well obviously the mom no can't

be the stapa and he he can he he can

he has arraigned, in pyrnas and and brasos, a little profound, but the sufficient

as to manch the sabanas. I said, my mom, you know, some some some of the shabes,

like if you had it's done it, let's be it said the mom. That same night,

when you were to go and going to go to get a mom, she inka,

commenced to start, commenced to start, she's she She's

Asclair because Not a Rarer in her Piel. He's looking

and he and see how the skin desnuda of the breast, something

something he starts and see how the skin and it was it's

the the and the back and you know this like like

this not it no it can be to

the morning the next they They're out of the house. And a of the

of the do you, vicinas, come what's what's come to? They're going to

the house and they say you know, what are you see, you know, that's some days

installed a camera of security and and yesterday he was turned and he got to

something. look and let's and then the she doesn't know

the is, what is? No, Mom, I don't want to see you

want to be the video where see better and she

he took the cell with the with a

a photo where they do they and it and

it And he said, is he. It's the boy. Oh, I'm not you can

send him also. So, we know, the, the, the, the,

the, the, the, the, she said, Angela Lorenti, and he said,

he said, a little, he's, he was a kind of that was like,

and you know, to say, at what the ventana. But, but he He'd,

like rigid. Oh. Like a zombie, like a person. Observe in this evidence.

A little. There's a little. We can't zoom? There's a other thing. Look. It's a

manit in the madrugada at the morning. Observa is, it's a

one of the one of the little of the Cuerno. To start, no

it's a right in the car, and it's a time in the time in the time she was a

window on the window. What horrible. But that that that that that that was going to start to

start a and then to come to come to counter a the

something is something is something very spantos very, very, espantos. Now,

seeing this, other that there's a camera of security with all the thing we're not quite

that's the child. Yes, we're what is? A demonio. Yes, but...

Cases all they act on the same way, they're doing movements and

acts grotescos, so, they're own lesionan, they're doing rudders guturales,

they're they're they're some way that they transmit in the people, no see, inquietante. Aha, just. Like, like, they're

like to do something that's like that rumper. So, for example, also, I know that this is much of Hollywood and the other, but if it's sule to be certain people

that at the most are suffering a position demoniac and they're, and they're to auto-lesionars. Because imagine to be to your ser,

care to like, lastimarse, cortars, or dairies, so, so, is a

shock very, very, very, very extreme. I'm, I'm, not a

spoiler, but I want to do you, just to mention a a year, and he

put so very heavy the thing. In podcast paranormal, we're going a capital, brutal,

brutal, brutal. There's a moment where we're seeing an evidence that not is like

like the there's a thing that's like the people who are they're doing this okay

they're in a ritual and of and of a man a man a man a man

he's he's he starts start and he starts and he and he

and he and he they're immediately two people and they're they're

they're so the person the person that is like, with the eyes in blank,

like if if he should where is the camera, and then he's a start, and it's an

image aterrador. So, is a man, and so, so, so, like,

like, like, I'm, with the eyes in blank, goate, goate,

direct to the camera. No, no, manches. No, no manches. I think

So, like I'm doing the calculous of the next next Marches. So when

I'm listening this the next Marches. Now another other thing.

She has that's done. You can see that other reality, that's

other world. Mm-hmm. I think has right, Angela, with what says,

the that's with, with, that, that's, that's that,

piding, and piding, and piding, and piding, with all what you was going to the way

in the city of your colony? Exactly. If you had a trah something. Sure.

For example, also, it's when we're about the use of certain, well,

specifically, but specifically of the Uiha, the problem is when they use to communicate

with a person that obviously not you can't not be to contactar.

Who are to be someone who will be able to be that you can't

get to get because is susceptible. one and two, the sentiment, the intention is super important for when you want to call to something or a someone, but evidently not going to be able to talk to who she wanted. So, that intention

terminated to a, of a form extremely negative. This is a caon, eh? And the door is this, no? So, if she's even she, with her energy, abrese portal, this thing decided to enter, not he was for her. He's going to be

for the other boy. For so so he's so he's so he he was going to get to

get to his fault well. Well, a me I mean I'm really I'm

going to say, because because evidently not we don't we have the don't that has a

story. That means that she has a capacity to see what we're this carretta

that passed outside of his carnet the this the

the the the the caravos, et cetera. That's only to be the thing. Not all we

don't. We're not we're going. She's that means that we're then we're all the time

conviviening with that other world. No, I'd I'd say I would be another

plan, another world distinct. Just in this moment something, something, something could

be right to be or of me or even of someone that's listening in his house,

some a phantasm could be behind behind of you and

you, but we don't have the capacity that has she has they're in all the

different. In all moment. Just that's what I really know because now

think it now. When you you're you're in house, solo or a

and then you're just you're not, you're that's in the thing, imagineate that you

could be what you did what I'm what I'm No. Aluna this,

I can't something like a brief, maybe? Some one once I'm

when I'm when I'm when I'm when I'm write about those and then stories of

and I'm inspired in the nights. I'm me used to write stories of

in the night in the morning I'm not a but in the night and when

when I'm when I'm when I when the stories of the years of the years, it was

a bit of sometimes was sitting in a a mecita and I was a story of terror,

no I remember what it and of I'm sure I'm just a little I'm sure that this side I'm

a little a second to see a a little a car that was like imagineate that this is

my car was at the side of my own like I was doing but it but it was

a micro second so that no manches and you just I don't make you to do

to do to do much more because me did that something that's here very

atento or atent I don't idea to what I'm in the picture I'm

going to do you know I'm going to make a spoiler we're here bro here

here where you I'm where you you're you're I'm you're

there's there's there's I'm and I'm let me five minutes because

I'm I'm so they're they're on this they were to

show those evidences, etc., etc. I was so I was like that something, I'm going to say

nothing, I'm saying, a minute after, he said, he said a, he said,

a fer, compa, and here, Sergio? And I he went to to see him, he said

like, as he, as he, when we're when we're when we're doing, and we

with all of Sergio. I'm sorry. Because me I said, I don't let's say nothing. So, I don't you

we're going to do you, on the other studio. I said, no, manches. And I said, I don't,

not I saw, no, I'm like, so I'm that's like sombrita, and I said, so, I thought,

I thought, I was, I was, I was like, I was probably claved in the camera. No,

no, It's my imagination. Yeah, when they said, I mean, oh, my. Manches. It was too. It was all loquish. Oh, yeah, but we're going to continue, no? Yes.

We're going to go. We're going to talk about that. Okay. Well, something that's clear after this story is that, evidently all the time we're living with this type of Ceres, entities,

and they're in all the moment between us. Only that, a Sometimes we we're the opportunity to

see them a second and a sometimes the cameras they're to get to get to

because the camera is more than the technology of has more more sensitive to certain spectros

of light no, of spectros of light are the spectros of those eyes of the

cameras yeah yeah yeah so they're like depending but

but if are more more more sensible a sometimes than the

eye um yeah yeah sure, no? For that's that are captured in video.

But, well, this because this story, because this story no, it's me and it's called Kesia Soto and it's

about a year the 25 of August of the year 2025 to the state of Mexico in Zumpango. She says

that, previo to this in the country, you know, you know, I do you see, I know

do you see, Kuh Koo Koo? I'm sorry. Yeah, well, it's in the state of Mexico, is very

but are areas where the cases, if you are quite, there are many spaces,

are many, are many, some cases, sometimes great, and times, like raros, but it's that just this,

this, this graciously, the delinquency has subied much in that zone and she thought, I don't know,

maybe they're assaulting, or somebody, they're playing to some someone, or a woman, but if I

go, then it's that result better, no, no, I can't help

help pass these, these gritos, this sensation extraia that during days previous to this

had been had been happening. and it was just the 25 of August when when he said that her mom desperto, circa the 11th of the night, because he had much of it.

And he said that he he was off of his recamara to the part of the back where is the, the first thing, is that all the ambient, it was that they had been put on mute,

that had been silencied. No, he'd didn't hear any grills, nor sonidos of moto, no, it's so tard, are the 11th of the night, no? No, no, so I was heard

what she percibiot is that the perrots that were because they had pernottos in house were arriconado of a mess and

were the two perrittos like pegats one to and like chillando and he said, what's the

what's these animals, no? And he he's tried to talk to talk to do a

but the but the perros no they were to be to be they're

they're they're no, no we're It was in that just moment when the senior started a piece of a,

a big, no, it was a ho-o-o-no-for-a-fuerre. It was in his door. She was, trying to get the parditos

when, as a repent, it was it was like, in the door. And he said, in my

door, and simply not opened. Simply not because he said, I don't even I'm, because at asomar

me, it's omission to get a to be able to front, and this can be very very dangerous. The perros,

at just a moment that they started to their point, it's like if they were the mute to

the reality, and then all the sound of the ambient began to to be the same

time. Other again, the, the, the other the other people,

but now the the difference is that the Perros of around they're

to be to be able to do a really to she did much she did The street

It's muttea another No, there's a No, no one of No, no no

there's And she And she And he's to hear the, the Grito.

Dicee he said he said what he said he thought that was a woman

You're saying, there's many things. It's done it And there there's the story

if it's that we're evidence But But so it's that the day

next as many there's a lot of there's And the woman, the mama

that's the who's who's the story said, I mean, I'm too I'm

took the door, so they're there's silence, the repent, the of the

shawydos of the crissues, all they're all, they're going to all over the same grito and

that their stories began to be much similar and that all had passed

a mal night to respect to this. So this sir, the bestino, he said,

I don't know, I'm a camera, let's hear, not only to show, I'm, I'm, that I'm,

because I kept with that sensation very fair of that that here in our quadra

had, maybe even, but honestly not I didn't want to say, because it's

the same then, so then, then, I mean, I'm, I've seen I'm,

I'm my camera and I'm and the first that you're going to show is a

image. This, what you're to see the the camera of the camera of the

person. Oh, my God. So, they're they're that this woman

has a transparency not it, not is totally solid, it would be

there's there's there there's a point where I see that the

motorcycle the topa but there a point where where is a

see the see the piece and they're to be the people I'm really a

attention that the camera is trying to focus where exactly I'm

exactly I'm see that that camera they use in automatic to to focus

when there a rostro or a person now this is part

of the evidence there that's that it made a time

2025 vian the hour at at the 11 18 18 was

when when he captured all this. But the the best of

the photo that's a video also. If you know it and if you can't

send the video, it's we're very we're we're just of

the moment in the that the the people, all all of all of

all so it and then it's it's the there what

what what that what that that that's that

no but for no but I don't not you I think no, for what?

Now, now, so, you know, the motors that are that's done the amount, this

this project that's a kind of a real, no see, because

no, we know not we're not the direction, obviously, it's in Zumpango.

That's also I have heard that in the, like, the, like,

that's, that's a single they're there, and they're there. Now,

for the people that we think we think we know the thing, is that

she's that's like, and it other thing, rapidissimo, is

so the the capture, or you know, is the quality of the camera, no it's like

that's like, well, but it's like, how the camera that's very very well, and it's a good definition,

because so it's that they're that they're that's a but they're how, so, see,

if a person would have passed, not so it's not so much to the length of the , up, if you

can't see see can't see a little the way to be the line of the the, of the,

the line of the, the carterteries. Yeah, yeah, of the of the the call yeah.

And, yeah, still, yeah, it's, that's, that's, that part

it's, it's, oh, I know, I'm, me, so, me,

it's, is brutal, is, yeah, it's, it's, wow, so,

wow, this is this is the story that's mando Kessia Soto and the best that's good. Goodissima. I think it's but, oh, oh, before,

before, before, before you know, before, before you know would say to all our friends that we're seeing to see them subscribe to still to insomnia, for favor, subscribe and then like to the videos and activate the campanita

for that no's any of the capitulos that are to be next because, for you, are very good. And, also, as much more likes to get,

more, to more people this audio of this yorona a allant for favor

my crediss and mouse very good this story is very shortitita so of the

actually it's nothing but it's impactant and the evidence

is very good that the story is the soldier

the tunnel okay it's an anonymous but but

this person us that they went to they're to

go to Guantajota. But they were super, super-emotionados, then they were grabbing the voyage, the photos, they were having super well. When they were

going to get to their destiny, they were a tunnel. And all were out of the because in this tunnel,

they started to see that there was a person that was coming there, but the space was very strecho and it

caused like intrigue. So, they kept being and conform me coming this person, more

they'd like they'd like to like a sort of like a little,

while he was getting and they were being and they desvancy. What? Desaparce?

Yes. But also, these people were going and they're so.

And if he's he goto? Revised and see he's he to the people

and they started to talk and they're to be they're in what we're we're we're

and so what I'm seeing the evidence super-emotional of what they've seen

about it when they're those videos those locales uh not they

they were and they they said and that so that they were to be different

and all they told the same story okay that a soldier

was was coming in that tunnel and a person that's a person that's super-tomada, he'll get.

No. And there's and they said that's the day, that's he's coming by the tunnel waiting a day

for fin to get to the house. Wow. There's back. Wow. No manches. It's clearito.

Clarissimo. Clarissimo. That's not an effect of the luce, because it because it's totally. No, no manches.

Look, there's There, there's Wow! No, it's disappears, yeah, it's a

and it's a legend local very popular. I mean, so, so, it's that it's that

it's that you're, as you're like, it's brief, it's, look, there,

there's very really, is very, so, because you did you said, you know,

you're a day to get a to come, to get a to be, to be, Well,

a me to make make me to make me feel less triste. what can't be. what it's like a echo. is probably that's a moment with so, that's a moment with a lot of impact on that place,

simply is it repeating, or it's probably that echo that you're going to say to you know howla's a new echo oh I'm going to say that is one of the evidences most spectacular that I've seen in all my life of a phantasm is it's incredible spectacular tremendous tremendous tremendous tremendous I'm I do know the person that I'm

really I know the person that I grab this wow I said I did I do man no but I know the person that that I grabbed this de vera I know the person that I grabbed this okay that's so that You know, that's what you asked, so is? See?

Oh, yeah. Oh, yeah, it's, it's like a... His mochilla. It's a military, is a military, so, is a military,

as well. This is this evidence is 100% real, all, but, no, no manches,

so is that is that it's that is clearissimo. And then, it's a mochie. So, that's a mochilita.

That's a barbara. I don't know because this is, I'm afraid because, I repeat, are they're in this, but this in particular me does a much

a tristence. Because it's a person that only wanted to get to get to get a house, shhole.

Wow, no, it's spectacular, spectacular. Or, so, if you're seeing this program in this moment, you've got

to be an evidence tremendous and exclusive. And exclusive. And, and it. Barbar.

Barbar, very. What, Barbar, what a barbaro. Wow. Wow. I'll

to tell a story. This is anonym. Of course, I don't know because it's anonym. The law

I'm sure that I don't know because it's an unimmy. I have many things to say about this

story, but about at the final I'll say three things. Three

justias three things that's so I'd much to know what what

are what you that. I'm going to say the if you if you're

at a point of automatic so that maybe not be a failure of the

system. Who us does this story that in anonymato what the past is

that not is that has to this person the experience he he occurred

to his coonado that is chef of one of these hotels

very that are in the zone of cancun Okay. So,

we're obviously, when you get to a hotel and you know, you're doing this. Oh, oh,

that's a six of the morning, yeah, there's a day of so you, but obviously

the people, especially the chef, has to get to get basically in the madugada.

When he's there's a working, this is like, the form common in

what he does, he gets super-temprano, as the chef, is the first in getting,

he's first than Ports automatic are the kitchen the comedor

and for the not they're to get abjureds they're they're automatic this for

health that obviously the door not is the door that's not that's the world

and they're when you're you're doing it you're seeing it's open for movement and when passes, he's a little.

He notices when is there working that the doors of they're able to be able to and they're going to be able to

see, blah, blah, so they then they'll open the and decide to be to the people, to the

people, and they say, oh, they're not are, they're working the doors

of the kitchen, they're they're they're soles. Then they they're

okay, no, well, there the things The people of the maintenance He's a company in the hotel So is part of the staff of the hotel

And he says, Okay, we're going to make us already that are all the people that are doing and you're doing, but in the

night, just the time the restaurant, we're going to work for that tomorrow and that's all all going

well, perfect. At the day next, in the madrugada he gets, and the first that is that the doors

are open. And he says, ah, not they're their work so

then you're a photograph he's a manned to make a turn of the turn of the

fact of the he says oh yeah those of the maintenance not came to get to

the door that I've I've seen that that's that's that's his

telephone enter and he and he to get there to get to prepare

to do for all what they're to the alimentation. And in that moment, Zhe said to soundar his telephone, it's a message

of text of the Guardia Nocturno. And he says, it's a drama? Me, you want to start? What about? I'm sending a report of that the persons of the maintenance

not came to do do you? And he said, see, you've seen the photo? What do you want to be to the photo? He said, for favor, see the

photo. He saw the photo and he's horrible I think he I'm a

time with the photo that they were in the house this, pardon, no me

I didn't so then. So, he gets there there, he'll

to go to his telephone and in that moment I heard

a rissita of a little in a cosynota. observe, no be nobody, and of

no manch and pass so far as so far as that's he's like he's he does so

fear not not be nothing to work to to work, to work, to to

work, to to work, to work, to work, to work, to work, to work,

until get the other people, and he's super nervous and he's

he's oh, you've you've seen a new the little, no? And she, no

it's not it's a he's going to and he's the people who the people who the people that they're

the people that they're to ask us and all the people who have been much time in that

hotel, they're coming to tell stories of the little that they have seen coming into the

passios that of the Pronto, they're like if if there's someone

in the door and they see a turn to be in a little around the middle, but then there

no, there's to make to talk to these things. For him, it's simply like,

wow, what is this that's this that's here? Because, oh, I never I said

that in that hotel has fallen a man. I'm sure that they're that photographia.

Cueado, with what you're going to be. Cueado. For favor. No. For favor, make a zoom. No, manches.

Okay. Now. I said that I was to say three things, right? Yes. The first that I'm going to

say is the next. Evidently, ah. The door if it was working. Look,

you can put in the photo anterior, for a part. The door was just evered because because I sentia there's a

new there there. There's a person there and the sensor so he was and he

passed coming down of her no manches what you the first the second the

you know I was I was working photography of hotels in in

almost all the hoteles there's a really and why? I said

why why all all all all all So I'll put in the next form.

That's the third that's the third that there's always there's a little bit of a new hotel

I was and the first I said to the director or director of the ventures and said oh yeah

there's a there a man a child and the people say but not they say but also they're

like that all the hotels say they're that they're that's a new that's a

A boy, a new A new In a hotel I said Oh yeah Here you There's a

Yeah, I'm here no, here no, here no there's a new a man here a

woman phantasm I said How? Me juror and me perjurated that there

a woman phantasm when we were all to do a photographia in the alcova

principal is an hotel little that's in how is this

place that's all this place that's all here very, no, no,

very close of here of the city of Mexico. But that's no, not in the

city of Mexico, but in the city of Mexico, San Miguel Allende. Ah,

okay. A, okay. A hotel so, so, a beautiful, precious, but very

little, that's very car. And has a house and has the house

private, and that is the apartment is, like the Luna Milor, et cetera, etc.,

when we're doing the photos there's we're taking we're going to we're going to put up in the camera and measure

it's a lot of it's a very it's an art precious and when we're doing this I was doing this I was doing

the assistant of photography the photographer principal and the producerer and the productorer and we're

we're just only the assistant and I we're going when of all the

luses so I'm sure they're all the lights all the but not the day

it was like it was like not really you did you did you did you you know and he said

you have you can't you don't we can do you let us we're just we're

you're just you're you're just you've been not you didn't have no I'm not even

so much so much it's so per notory those we're we're the

world, all the lights were on all the lights and we're going to what we're

going to be what's going to get to a one of a little bit of a technique special for to tend

the cameras and so in the photography has to get perfect so it's they're

good, it's that they're that's just they're there's or something or something

or something and it's oh no it's for it's for she what

she what she this that's real for so, not us don't know

they're in the hotel, for that they're in an anonymat. In that

room where we were to do the photographs, a woman and

Luna Milo Marl Blah, blah blah, blah blah. The man was put super,

super, acolized and in the first night heard and when went to

go to do it and when they were he did. The time. He let he was

he he's encered in the room well a royed a

story orrip and since the people see a the

woman they say they're in that that in that this

this is something this is something I kept thinking much time

but why they're not these are these are

not hotels families families There are many energy because the when you get to get at the hotel, they're in gritty, they're in the alberka,

they're going to get to get, and they're going to get, in serious? So, the kids, have been there a quantity of energy tremendous. This is just

like, like that we about us. It's like an egregor of energy. And then then he takes the

form of something reconnocible in the universe of the hotel a little no is that there has

been a crime or so that's like the energy like a tulpa for that I think the hotels

family generally generally has a really a wow I

think another this hypothesis my but it but it's very

very very aterrador no yeah is it's very good at the evidence. I mean, the hotels enter in

many people, a lot of energy, and there's entre that's very positive and when something when something when a bad

it's very so there's there's much energy moving to be in the hotels and they're to attract a certain things

that can't be many or what you can be various things it's very can't this canion

this cano wow so it's it's spelusnate and it's it's palusnate that it's Oh, yes.

No? Yes, it seems like that. It's true. It's true. It's like to. But me, you know what me causes much like?

No. Yeah. No. Yeah. No. So, I mean, it's like, if it was a,

like, like, like, like a maskara that's put up no? Yeah. So,

even the so, like, all the, oh, the thing. Ooh. It's,

it's very spalusnating. Well, we're going to like, okay. Okay. How firm,

you know, I'm my ultimate history. This story us

and he says about of the duend of Cancun. Cah to mention

that Joel not pertene to the city of Cancun or

a merida or any of the area any of any

I'm not I'm he not he's he was a

maybe to come to he's he's was a the Riviera, or was her,

to be Cancun. She, at her, had also certain customs, creencers, she rended a certain

cult to the alushes or to the wendez. So when they're to come to Cancun, her husband,

when she they're in their house, he says, a Joel, you know, I have to do you have to

put my altar for the duendys. And Joel he said, but what is what, so,

that, no, is he isn't a a saintito or something, so, are things that no, she said, no, if exist, those have to respecter,

and it's a lot of so that's going to put your altar for that, and it's going to do your house, you respect, not you don't you don't do baddades, or, but even,

not you attack. And he said, what you want, she does what you want. She, with all the respect of the world, in a skinnita of her house,

he dedicated a space to the wendez, they put dulcettos, chocolates, even gave to mentioner that he was

waterdient, tequila, tobacco, well, I put a lot of things. So,

he, he's he kept like, the margent, and he said,

she, she does she, but respect, no, final of respect,

no, she put his offrenda, but so it all the days

she was there was he was he to offer them to sell to him to calentale your food, his tortillas,

what they were to dinner. But there was a day in particular that he had really late. She had a dormer and he had a turn of double of work and yeah, he was

a lot of a lot of hunger, but principally he had a much a greatancey and flogera at that hour. No,

he was at what were at about at about the two, three of the morning approximately. So that night,

so that night, he kept thinking and he says, no I'm going to start but I'm a

but I'm a lot of I'm a lot of I'm sorry and I'm and the altar and if me robes

no manches no no this story is brutal I think the evidence is very good but the story

is good and it says if me robes and so I go to the altar

of the duendes and he there there was there a there a you

a chocolate a caramel, a bowlcita of palomitas, agarra what's he's pego a-a-a-gain. And no content with that, ah, mirroles, he's a tequila, no, because, for agarer's suey, no, because to grab a tequila,

and not only so that, agarro, agarrow that were there, he fom-o, the cigars, she chos, she chel, he said, well, this, I want to, I'm going to get a-a-ma-ma-na-na-na-na-na-na-na-na-a-money.

She went, to do not to do the time. At the day So, His wife So he goes to Who's got to do? Who got those

The other And he No, no, my Amor, but is You, you You're, You're doing, I'm sorry?

No, it's that This is that This is not It's not He said, What can What can't What can't

Let them Let's the copita And putles More cigars I'll I'm here I'm here I'm

Cigrows, And she said, you know, retina, you know, retirete. I'm in charge of this, no? Volve to put the altar, but yeah, existia an offence. No, it's, not so easy like that I'm, I'm, and it's not so simple. No, no, it's tan

simple. For what I'm trying I'm in the history, no is tan single. What is what happened to that day? The gats, that were cats, like, like, let's gaitos, like, say, we were, they were

to be able to a far out of their house, and they were to be a bardita that was

around the house of this bardita and they were all time were to mawial but that

mawydid feo. No, they were not you know, you know, you know,

you know, you know, like they're like they're being, they were being amazated but

they were to get to get to many got to and they were

two perrits, two perritos, two perrits of the chiquititos, that are like peluditos, and he said that the perrots started to feel asus'd, like they were trying to cry too. This was during various nights.

So, what was that one of these nights, I've heard approximately, about the 3.30 of the morning, that the perrots pegged a gritty, but

horrible, of a lot, of a gritty, the perils, like if someone had gotten a puttado, they'd have done a

hollied, no-s-called like to call it, quite, of the and he's immediately running and he

to see a perrots, in that moment of the, of the night at the madugada, no,

know what's he goes, it's too, it's too, it's a cariciar, he goes, to be to the

carisier, and he and he he's and they and they're in the his

and of the well, for that to calm, no? So, for that tranquillus, the day

next, they're doing to the car was in the camera was and that the men are

those perils are very, very feas. He's that in the part of the omito,

it's like if someone with an object punso cortante he's made

so in the loom and in various parts of the spaldita. So the

two perritos had some two but are stymousas and and are fervets. It's for so that the perrits

chillered the night and the camera was full of liquid emmatic or of the same. So he said, hilly, what happened? And the lady was the

and he said, this is for what you did you. And you know what we're the worst? That we're we're doing

all for the tontary that you do the traditions that I said that you said that you respectaras.

until that moment he said this is vandalism pure, someone's someone's I'm going to get to make a car Marys

to me nobody me to get to get to get to who are going to get us because I'm

going to let's blah blah so say that he put a camera no

pass the nights and just and just one a night in particular also

at the three of the morning he was he was he was he was he was

the call, no he could do not be to be to be all the

whole of it's not it's a front looking to be right and the

thing and the question to be not a start to be to be

when he can move one one and this is

an because he was not he's not not he

move his eyes to move his husband not

not because not can emit a one one

one one one dead. In that moment, he's he gets so and he

starts to see in the obscurity, how to the feet of the camera, they're to draw

to make some little little, and you see how those manitas they're

and they saw a little figure. He has described as a kind of

a person extrano. It was more or less about the altitude of the

30, 40 centimeters was regortete. It was like a way had a hair

long as it was like if had a lopecia so that only

only only for trams had and the rest of the crano

was peloncito but it was horrible he he had

the the hair the describe like the of a

a wruged, like a biggut, very, very arugado, but at a bit like it was like like it was a little, but at the way it was like a manseeing. I mean, he was able to see how this ser, he started

to move to the feet and he was able to, and he was a circled and emitted and he was up, and when he was this, he was was grittando, in his paralysis, the I was a dream of terror.

No, I could move, and I was trying something that for him was totally extrano and was totally terrible. This being,

this little figure, clava his garras, here in his be a face, and he says that he's a

little bit, you know, do you're not those dulces? You tragast our sena? In that

moment, he said that with all the forces of his almas he commended to and he said, oh, for favor,

for favor, for favor, for favor, that this is real. Just when he has a invocation like,

the light, you know, he goes, and the ser yeah not was there. The ser yeah not was about.

The day next he said to all this super-spant to the spontado. Oh,

and I'm a because he a little my chis. Oh, my, um, this, he

he said to do this to the and the wife said, he said, you know, you know,

you know, you know, you know, what we have to do we're going to put the altar, but no I'm going to

you, you're going to you, you're going to do you do you think you you incas,

you're you're, you're and you're and he says, look, what that

that's, but that entity, no I want to ever in my life. Pardon? I know

existent, I know that's there's a not I'm to get to get to get with them and be a

irrespectuos as to profaned his offender not, so, so they're doing this,

pass on the days and he says, you know, you know, you're not they said,

he said, to my house, nobody's he's met and I go to put a

camera's to see what on, well, well, one of one of those

cameras, he's a a man getting to the door not in the but he's

getting to the door to the house as a point of to get to the reja

to where he he'd when he saw this and after the story that he told

and the description of the the description of the evidence is

a luchel but let's wow wow wow Wow. It's a horrible,

really, I'm going to I'm going to see. No, baches, but imagine you know, his feet are

like, so, oh, no. So, it's a , like,

red-gortete, like garrie, like a head, yeah, and it's, and it's, I mean,

I see, I think, I'm, I'm just, I'm, like, kind of, like,

like, like, like, like, but it's, but he Uh, what he described is that he had like a species of alopecia, no see.

So, exactly. But if you're done there's a point, a point of to enter to a, wow. Is that it's that it's a bit more clear. But, but it's spectacular. Wow.

Now, I'm just I'm going to you, to all the people that are you, do you really want to defyre a lushe? No. No, no, no, they're not defecchio. No, no, no, do you do.

They really are elements that exist and conviving in our same plan, a basis are presentes and as a

long of the long of the stories, they have the finality of also to be a certain way to help

to help us from the cultures, but a change of something, it's a change of

something and it's a change of things, it's in many parts of altars to the duendes, and when you're going to suggest that you're just a money a little, something, whatever,

but that's the respect to, to them, to his creensions, and also to the culture, for supposed. Wow. That's funny. I fascin the wendens.

Me fascin the blueprints. See, it's... It's super-parder. It's incredible. But, yeah, it's to have to have to be with them.

If it's with respect. Yes, it's with respect. Yes, that's true. I'm so. Yeah, it's pretty. Poor, the perrits.

Pover's of the perrits, and what experience that she drove, no, in this paralysis of the is that, you know? Is that you know, is that I'm going to make respecter. Of one way or of other, they're going to make know that not a game,

that not is a legend that exist and that you have to respect. So, unfortunately, in this story, pagored the perrits, no, they quit the life, for the purpose,

if it was done you, but the Lush she, he's so He said, he? He said, this is a good.

At the least this is the first is the first of the wow, very good, very, very very well.

I'm, I'm just a lot of this chapter. I'm not really, it's the world of my

favorites. Yes, I'm really, I want to the people who are the people who are

just that these stories with the information, degen some like, degen the commentio

and let's promise second part with evidence because, ohho, so,

so you got many many stories out, So, well, that's, you know, that's out of one one of the second

edition. Uh-huh. Mann't us, for favor, those experiences reales, if they have evidences or no,

but mann't for a call for the co-po arroapobcast insomio.com. There we know, I know, we have a

lot of stories pendent but not they can't for a morning if they can do it.

Maus, you talk. A bit. A bit. A-er. What would if you do you

when the photo of your vacations family your you revela

that you're that's parable exactly about the tomb of someone

that he would to be to be very so. Oh! That

how good this story is called the secret and and we

know to Maria Tamayo okay Maria us she went to

a friend and they're in a farm in Colombia

but they're to the the prim, the man, well, they were

to do it, even even they're all over to get to be so much, and they're

very much because, they're a family they're they're a photo family.

So the person that the person that is a prime, was he's having taken many

photos because they've been taking, and they're a group of WhatsApp of the family.

So, he said, I'm going to selection the best photos to send them to the group.

And he started and to pass and to and then he was a photo that had a rare.

In this photo, exactly is when I was when I was all the family. But there

was a person there that would be a person, the person, had the eyes

had the completely in black. The pale palida and it seemed so super enojada

parada after of them he's he's he said and before to say

to say to the people they're because there were there

people then he said he going to go to the capatase

the he took the door he said hello good nights

good he's that I'm that person who is this person and he

he's he So, so much, I've a family and that family,

specifically there was a man that was a son, a girl that had been from him

and during his infancy what was what was what was something was about this woman

abusable and the woman. And the the little She was a sad,

depressed, and knowing that nobody he was doing the and of the desperation

one one day decided to get to the life in that

house. The family was no he said he did that

he did a so so so then they're a

little in the house and the family is the man

the He said that since he he's he's called he says to worry a little bit

and he says I know I know the little it's she is she yeah oh and he

and he he said in all my life never had ever had seen

a manifestation that so forth as I said I think I think

if you just you and, and, and, also, not

content to see the I'm in a lot of a lot of the house. Agrens and

get your and they see the door. He said, and he said to the family,

let me have to say something. Let's explain what that's the photo. When the

family saw the photo, he said, perfect. We're going to get the things.

They started to and they're going to and they They were. But, they said that when

they were going to the coaches, it was there was in the like if

someone grittar. She was a woman a young, an adolescent, that grittable

and he was grittable, help me, helpen me. And they they were they were to see,

nobody's to be able to and never more and never more they're going to see the photo oh

oh no manches it's it's it's a fortis no no I was

I did also I'm oh wow wow wow with

with with a with with with no man any any

that any that's whatever Menos if we were we're We've never We're not we've got We're never

But it's really It's very strong It's very It's really Is that you know It's horrible But with the context Of the history

Of what you This is that It's horrible It's a horrible It's a manifestation Tremend Because here Here you're not

We're in They're in Of course Of this This type of Entities Yeah we're About a

a, well, she was an entity that was a in this plan, but for

perhaps courage, for fury, no see. Sure, it's anoh imagine. Yeah,

she's enoched. Yeah, it's not that after that's that's all they're so they're

so furrion and, and they were, and they were all, and they're all right,

no, no, no, no, no, oh, oh, that's, it's a,

it's a, no, it's a, it's a, it's a manifestation very, very brutal.

The eyes. Oh, I have a question, no, does it? Do you know, I mean,

I'm going to a little very particular in your coogeo? Yes. No, manches.

No, I don't me have percatado of that that's. Oh, so,

a story is super so pretty no, but for other other other

other side, the image or the manifestation is brutal. I mean, it has a force incredible to be able to manifestarse so clearly. Are you some of those photos that when you see the manifestation,

you know, you're seeing that is that you're seeing. Yes. Yes, yes, and, and, and, and, it has many, many, the elements of

things, the the way, the mirro, the eye, that seems that's being, but the eyes in black, the color of the color of the skin

so that not you that's this is not a person that's a person

that's this is a lot no manches dispeinadita and yeah no no

it's terrible I'm I'm I'm I'm I'm I'm

that I'm that's what he was that he's that's that's

she's so that's Fierce. Wow, you're Fertiesco. What you've got, what you're talking? What,

what you're impacted-s? You know, there's something that's something that there's a lot that's much to

well, at final this, this, all this that's a question, of a

I've happened, honestly, that I'm that I'm also, that I'm, so, So, they're inventing?

Or, or? So, not we're not? Ah, yes, the person that made the story. So, no? One story that you'll recordarant, called much the attention, because I was specifically

of a mouko, a muneco, that basically the story, no, I'm going to tell. It's a manned a person in the name of Daniel. And the resummen, because there,

for there, will be, let's be, let's, let's, the article of insomnia, for if you want to go to look, you'll be, you'll ask,

and you're going to to hear. This person us said that felled her mom, a little after he's

his father, and they've started to occurrences to docesos paranormal in his house. He thought

that at the more they were, well, they were, but he a man, and for

so I thought that was so he received a little a little bit a

man, and he he put the name Chapitin. The fact, so is the story.

Chapitin. The question was in that in a moment Chapitin commenced to talk in the dreams, but the

voice that's the mom. And he saw the mom was like the mom was like, he's a

man who not a not, but he was he wastes and Chapitin when he was

when he was when he was when he was using, it was we had been so we're

so, we So, if, if, if really exists that is a

muke the man, you know, you have to do a because that

not is the manifestation of your mother. Well, the history is

terminably perturbored but in an actualization. Daniel, Danny, he's

he said that he used much the form in the that we know

our our experience and us that Chappetin continue into

his house, of the actually, he has a a quarter exclusive, that,

where he has a sit-sendat and he put a set of a set of a

insomnia, I think, Chapitin, Chapitin, insomium chapitin, and here the question, that is

a question, that is a certain perturbored. There, in that set of the court, has the urnas

with the senis of her mom and his father. And a sometimes he's

he's to talk with chapitin not in a life real, he's

and he and he's to talk and he says that the urnas move and we

send us a photo of chapitin we we're we're a let us

let's oh oh oh oh that that's that's

chapitin no I I don't I'm I'm I Danny

you I'm I'm no it's a terrible wow it's aterrador

oh imagine a day you're getting a chapitin there's there's so phot

and Fepo well I'm I'm back to chapetin man yeah yeah

yeah yeah yeah yeah that yeah that we're

we're this for example the of chapettin I did it, is it,

and there's Chapitin? The story when you're going to see? Yeah, and there's Chapitin? Yes,

thanks, too. It's that all the stories are not of the experiences that the people have the confidence

to tell us to know, they're they're to make a correa, and is that it's

very spectacular or extraordinary the history, but just just the capitul of you know that's quite

that all really we're we're we're not we're not we're a lot of

form and there's with all evidence if it exists. And there's the proof. The fact, of the fact, let's say something because me to close. Okay. Okay. I'm going to start. This is brief, it's very brief. Abre the

door to a conversation enormous. So, so I'm going to try to say, let's tell a story as the most rapid possible, because more than to tell us a story, I want to, for favor,

for favor, listen with much attention, me say, what is this? It's very important. It's very important.

I want that Fermix, that you, Maus, and you, that you, that you're watching or listening at the YouTube

or Spotify, leave in the comments your theory of what is this manifestation. It's one of the things more raras,

perturbators that I've seen in all my life. And, also, there's a thing that's super interesting. I said that I, I, I knew who saw who who gave the video, we're in a program of television,

a person, a person's a second to me, and me says, you're going to, you're saying, is that? It's that? And he said,

and he said, look what I I was, I was in that moment I said, for favor, passame, pass me the

video. He me told the story, but I I per die the contact and all.

So, as I saw the story complete, it's and it and you

to the pasted to you to you to you oh, with this,

I was with Fermex. We were in... Durango. No, no, in Durango. In Tijuana. In Tijuana.

We were in Tijuana. We're in Tijuana. We're in Tate. Some of us, the person that this story and that has these extraordinary evidences

is Mallory Morgado. Mallory, much thanks. I'm consta that this story is real. We're told

and when they said, look in the photographs Oh, no. Oh, for God. The story is the next, because it's very simple. Mallory was normal.

One day, they took some photos, you know, the photos of the records of felices. Those photos of, there's all the family, Alin's got to graduate, baby new, etc., etc. And, of pronto,

while I observed these photos felices in his cartel of photographs in his cellular, in one of the photographs decides to augment the illumination and the contrast and the point, and, of a lot a little rarro. He was trying to make a photo. Nota something rare.

What he does is that it is that the contrast and the illumination. What is that? But, think that, surely, it's a error of the camera. Like, any person,

can't the device and then And then, revise some photographs more antivis,

and he does a question of that only they're these entities in

the photographs familyars. No important if it's of other

new experiment. There's a same. Literally start to get

to revis photos and when I refer to I'm

very antigues, as these photographs that were in

black and negro or sepias, they have there, if there there is there

there is a photo to the photography antif contrast and light there is

they are a point that these entities not is that they are they're

seeing to their family since has much much time

I'm I'm that you imagine that are you that is you

who who discover one day that there are some that

there are you that you that in no moment you are

only but these entities not are human are

so are so are so with eyes with

eyes Look, a little someone's like a person like a monster no, no, no, no. This is very

rare. And for that's aterrador. We're going to see the photographs because are various. Pond me,

for favor the first photography. Okay. I'm going to go to go to go a little

no, no no, we'll observe nothing rather. But if you're you're not you're

there up in the sky. Apenas a little bit of some lightenches blanchas blanks. Passama the next. Here we're another photographia.

For that you'd say, imagineate that you're someone who is someone that's experienced. I don't know this moment. It's like it. It's like it.

Imagine us when one of these photographs, felices with the family that are celebrating, decide to modify the illumination and the contraste and observe

the next. Passa to the next. there are like like they're like like they're like but fichens how are some are

more of these manches circulares than people pass me the next here here was the

photo that we've seen look but oh you know you you've you've seen

they've they've oh no and in the anterior no and so they're so they're

so they so they so they So, the This, this. This,

this me he's a one could be able to see when we're going to the

photographia that's a camera, but attention. Passame the next. One could be to

think. One could be because it's the rostro of him and the rostro

of the baby. One could be think to say me the second.

The entities are equal. And you know, the other the above, yeah, it's the

back, you know, yeah, see the back, observe in this or so, it's like one, like if

they're imitandolos to them, as they're like them, imitandolus, pass me the question, for this,

see, because, because only there's a rostro? Because there's a single member of the

family. Exactly. Because only there a member of the family, but, with his

people, it's, me, me, me, it's, it's, it's

nervouso, pupillas. Yes. If you're the little bit the public

to the thing that is a thing. This is a error of the family, there one of the

entity. Pass me the next. There is moved. The other other

side. Passame the next. Photo Antigua of the family.

And not that there up there there is a photograph Contrast, for

favor. There are. Ah, and they're all all the world, are in the world,

are there, they're in the other other, but they're with different cameras? Still there

one more, no, or two more? Pass me. Look, were they they're not they're not

those who were those who were those were those did this this was

the first photographia that I saw, there's a face and the other other side

another other pass me the next oh no yeah this is the but there's the very little they're in claritos

they're and they're so they're exactly are different cameras the only the only thing is that

are familiares but are different cameras they're they're they're they're they're

they're it's for that as they're there two two cars I don't

would say, well, it's that a little bit is a question of the same. No, no, no, it's question of a single. Some are they. Some pariah. How is this possible? But the question more important is this.

What are those rosters? No, I don't know idea. Never has ever seen I've seen a manifestation of this type. No, no, no,

never. But you know, but you know, but you know content, no, they're not content, no, so they're not so

there, there, without expression that is the most aterrador because, as well like you

in a little there's a pupila yeah, see it's not very well in the anterior or

anterior? If it's that it has that has been it has it has not content

no, no, not really just there but how is so possible but how is this possible?

You can't for example to start that? What is? What is? I have a theory

I'm I'm a I have a but my theory is rara so I'm

so I'd try they're to say they're to say me a hypothesis of what they're

that's it's like like if were in you're like you're like you're

very very by my hypothesis you're you're what you what you

think is it's something much the attention is that only they're present them

with the members of this family and if there's one like in this group, there's a only one

so many are many many entities so what so I'm really rare and that the theory

that I'm not a good not that's my theory is that when

when the photo the the entity the entity is

a coplaw and the the man that is a way to say to

be a energy that has a family. And when you do you do this family, adquired that

energy, don, protection, no see how you know how it's something, but it's something that

the property, and depending of your time, is the entity that's the person to be some

myself. It's like like to be a parallel, no? It's a way but could be

a projection of me-it-it-a- photography where is the baby is the that's the question and I'm

that's a question. This is this, that's going to say, not we're not some other things,

we're you're not because then a person that gets and of a person that is a

person, and so why would be a part of that? How's times we've heard that

before to come to this experience of life? Sure. We put us

we're we're we're we're we're we're we're how times

we've heard the term the term start child star seed semilla star star star

star star when someone when someone it's before I did say before I

experimented this form of life as a human was I'm

something was something and if those entities put of

accord to take this form like a human to experimented

the life human, learn, learn, and they were and they're

and they're why, that's the question, that's why, I'm doing to that's a theory, and if you're

a detail very important. In the photography, modern where they're they're going to you can't put back back

back, more back, more atras, more, more, back, more, more, more,

more, more, more, more, more, more, there, there. How's people are? No,

here is it is a for much the number, no? So, 13, and how there are there?

Much of. And if we're, we're talking of the epoch modern. If we're to the photography antigua, there are

less caritas than people. Because they're multiplicating. But if are almost 13, eh? Yes? Yes. So, the those, the, those are the, the figures.

Are you more? So much more. Much more. That is my hypothesis. But, though, or certainly I'm equivoco, but I'd want to think in that. It's interesting, It's interesting.

You know, you know, what incredible of this type of things that they're in a sometimes, no matter

the things that are the way we can't find an explanation. I mean when it gets that they're

not they're absolutely not the more remote idea. Some puras theories. Purest because

because you know I know I'm so. And so that's bad.

You know that night? that night? What? I got my photos and I started and saw it up in limineation to see if for I encountered I was

I'm trying to do something. Yes, extraordinary. Extraordinary. Incredible. We've got to the final of this

episode special of Evidences of Measters in Terror in Insomnia. Muchismas thanks to all the people that are

subscribing because we're very close of a number very beautiful and also much thanks to

all the people who see them us and they're they're not going to talk about

to be there's five three years me have much to see every a month a month

insomio is in the top of podcast in general in Mexico so which much

thanks and we're just we're in Colombia, Peru, Chile, Argentina and in

in any in the different we're going to make some

modifications more the way to when they say wow and if you're this

type of content also we're we're we're another episode more

later. More ahead. Thanks to all of those who got to this

time. Let's let's see this episode. My care social and platforms.

Well, thanks. Because, well, count them and those people. I like much. And I think

I think he, standing up, so I'm going to get there to get to see. That's a when you're a

carita like that you. When you're a carita like that I'm a little. Uh,

I mean I'm mind you remember that Mousie. Mucherance. Muchis. Perfect.

Perfect. Vermex. Well, I mean me can't come as Fermex

22 in Instagram and there I'm that I'm in this capital and that

I'm that I loved much much much I've learned that we're that we

we're that the reality is that, I'm repito just now, something, or someone, would be at last of us

to you that you that's listening. I'm not going to be able to sleep this night. where we're to be the Maestors of Terror contending the stories in their

so you're very al-pendientes please helpen us subscribing even if you know you're doing

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so much muchism thanks and we we're we're we're just I only

I just just remember that I'm in insomno The next week we'll

count those terrorifices experiences reales of the audience and you

listen them if you tryveen if you're chow Thank you.